In this Student Voices essay, Kaitlyn Adèle Barrett-Gullion uses visual ethnographic methods to analyse photographic practices at a series of “Instagrammable” locations in Rome.
Jan van Duppen, Augusto Aneas, Aileen Harvey, Sandra Jasper, Laura Kemmer, and Claudia Andreoli Muniz investigate two veiled rivers in the cities of Sāo Paulo and London through creative urban experimentation, revealing the intertwined narratives of colonialism, urban planning, and more-than-human life.
A collaborative team at the Getty Research Institute has been working to digitize and analyze the influential Los Angeles street photography of Ed Ruscha. Mark Shiel provides an overview of the project and discusses parallels between Ruscha’s photographs and LA cinema in the 1960s.
Our Mediapolis Live series continues with part two of an interview with Dora Apel, author of "Beautiful Terrible Ruins: Detroit and the Anxiety of Decline." Here, she and Mediapolis co-editor Brendan Kredell discuss the legacies of Henry Ford and Coleman Young in contemporary Detroit, and the critique of "creative class" urban planning.
Our Mediapolis Live series continues with an interview with Dora Apel, author of "Beautiful Terrible Ruins: Detroit and the Anxiety of Decline." In the first of a two-part series, co-editor Brendan Kredell discusses with Apel her notion of the "deindustrial sublime" and the nomenclature of ruin photography.
Our coverage of "Film, Media, and Toronto's Built Environment" continues with a presentation from filmmaker and architect Joseph Clement.
Our coverage of "Film, Media, and Toronto's Built Environment" continues with a presentation from Jane Corkin, founder of the Corkin Gallery.
In “Ruins, Representation and the Right to the City,” Spencer Cunningham provides a deft summary of the ongoing discussion surrounding the redevelopment of the City of Detroit, exploring the aesthetics (or, rather, the aestheticization) of the city’s urban ruins, and the contradictory forces of gentrification that continue into the present day.