Selected Shorts: Recent Episodes
Symphony Space
Our greatest actors transport us through the magic of fiction, one short story at a time. Sometimes funny. Always moving. Selected Shorts connects you to the world with a rich diversity of voices from literature, film, theater, and comedy. New episodes every Thursday. Produced and distributed by Symphony Space.
Host Meg Wolitzer presents three lively stories about the allure—or not—of summer. Italian writer Massimo Bontempeli creates a magical beach inside an apartment in “The Miraculous Beach, or Prize for Modesty.” The work was translated by Jenny McPhee and is read by Hugh Dancy. Humorist Samantha Irby doesn’t get summer, and presents a contrarian’s view in “The Case for Remaining Indoors,” read by Retta. And Denis O’Hare reads a baseball classic—W.P. Kinsella’s “The Thrill of the Grass.”
Host Meg Wolitzer presents three lively stories about the allure—or not—of summer. Italian writer Massimo Bontempeli creates a magical beach inside an apartment in “The Miraculous Beach, or Prize for Modesty.” The work was translated by Jenny McPhee and is read by Hugh Dancy.Humorist Samantha Irby doesn’t get summer, and presents a contrarian’s view in “The Case for Remaining Indoors,” read by Retta. And Denis O’Hare reads a baseball classic—W.P. Kinsella’s “The Thrill of the Grass.”
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Host Meg Wolitzer presents two works about shifting identities. In “Voices”, by German writer Daniel Kehlmann, translated by Carol Brown Janeway, a computer technician’s mobile phone takes over his life—and not in the usual way.The reader is David Costabile.Writer Chika Unigwe sets a subtle story of social exploitation in the teeming city of Lagos. The reader is Yetide Badaki, who commented on the story during a backstage interview
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Host Meg Wolitzer presents three works about idealized lives, and ideas about what constitutes an ideal life. “Boy Meets Girl” is Jen Kim’s humorous version of a Hollywood love story. It’s read by Tony Hale. In the John Cheever classic “The Worm in the Apple” a couple have the perfect life—but no one can believe it. It’s read by Anne Meara. And a harried mother fantasizes about a brand new life in Vanessa Cuti’s “Our Children,” performed by Claire Danes, followed by an interview with Danes.
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Host Meg Wolitzer presents two works about being careful. The title says it all in George Saunders’ “Lars Farf, Excessively Fearful Father and Husband,” as the central character goes to greater and greater extremes to protect his family from—everything. The reader is BD Wong. And a couple tiptoe towards love in Lily King’s “Five Tuesdays in Winter,” read by Justin Kirk. A brief interview with King is included.
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Host Meg Wolitzer presents two works about losing something, but finding something revealing to take its place. In “Light,” by Lesley Nkeka Arimah, parents differ about how to raise a strong-willed daughter. The reader is Crystal Dickinson. And in Taryn Bowe’s “Camp Emeline,” performed by Edie Falco, a family struggles after a loss, but grief leads to self-discovery for the determined narrator. This lovely work also introduces SELECTED SHORTS’ first-ever on-air book club. Wolitzer joins a lively mother/daughter group to talk about Bowe’s work and how they related to it.
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Erin Somers is an author we've featured twice on Too Hot in the past, making her the first three-timer in the history of Too Hot! She's the author of the novels Stay Up with Hugo Best and The Ten Year Affair; the latter originated as a short story of the same title, which we did read on Too Hot. She's quite good at finding new ways to articulate the twists and turns of romantic relationships, as this story confirms. Reading this piece is Miriam Shor, an actor known for shows such as Younger and The Americans. She also featured in the recent hit film American Fiction and the Apple TV series Pluribus. Aparna Nancherla is our host.
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In this program, created in collaboration with Waterwell and the New York Immigration Coalition, guest host Arian Moayed takes listeners through a live performance of thirteen stories and one song that vividly bring to life the vital role immigrants play in New York City's past, present and future. Here are their names: Mary Twomey, Sara M., Zead Ramadan and Andy Eng, Mónica Carrillo, Sabelo Narasimhan, Sadie Frowne, Gulnahar Alam, Fred Amram, Mohmoud Widdi, Tien “Johnny” Nghe, and Kofi, and Hassan Iqbal.
Readers include Moayed, and, in order of content, Jayne Houdyshell, Roberta Colindrez, Simu Liu, Pej Vahdat, Camila Cano-Flavia, Sunita Mani, Micaela Diamond, Sepideh Moafi, Kathryn Grody, Laith Nakli, Tramell Tillman, and Justin H. Min. Near the middle of the program, a Korean folksong, “New Arirang,” is performed by Ruthie Ann Miles.
Listeners should note that Gulnahar Alam’s moving story, which begins at 36:56, includes a brief description of domestic abuse near the beginning of her narration.
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Host Meg Wolitzer presents three works from an evening with New Yorker author and cartoonist Roz Chast, inspired by Chast’s book I Must be Dreaming. “The Wife on Ambien,” by Ed Park, is a sort of late-night fever dream. It’s read by John Fugelsang. In Tessa Hadley’s “Bad Dreams,” images than begin in dreams envelop a family in real life.The reader is Rita Wolf. Tom Barbash’s “Stay Up With Me” charts the rocky path of an old love affair. It’s read by Jason Ralph. And stay tuned for Chast’s own weird dream life, some of which she shares in this episode.
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Host Meg Wolitzer presents two O. Henry Prize-winning stories, from the volume guest edited by Edward P. Jones. The Prize was created in honor of the 19th-century writer best known for slyly humorous stories like “The Ransom of Red Chief” and “Gift of the Magi,” but contemporary selections range wide. In “Rosaura at Dawn,” by Daniel Saldaña París, a woman searches for new life, and a new home.The reader is Sonia Manzano. And “Countdown,” by Anthony Marra, is a darkly comic look at life in modern Russia. The reader is Morgan Spector.
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Today's story is all about what happens when you become infatuated with someone you don't really know. And what strange or scary things you might do in order to make real contact with that person. The story is also about youth, love of language, and what you do with all your passion when you have more energy than you know what to do with. This story is by Jonathan Lethem. He's a writer known for novels such as Motherless Brooklyn and The Fortress of Solitude, as well as short stories, recently collected in his book, A Different Kind of Tension. While he's amazing at crafting great narrative hooks, he's also quite good at recreating the awkward moments of young adulthood, as you'll hear in today's story, "The King of Sentences." The story is read by Brendan Hunt, the longtime writer and theater actor who is best known these days for the series Ted Lasso: Hunt helped to create it, write it, and on the show, he plays Coach Beard. Stay tuned after the story for a fascinating interview between Lethem and host Aparna Nancherla about creative influences, the power and peril of parasocial relationships, and more.
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In a wide-ranging and fascinating discussion, the two authors sit down to discuss journalism, the #MeToo movement, the Supreme Court, and what it takes to tell a good story. Jodi Kantor is a best-selling author and prize-winning investigative reporter whose work reveals hidden truths about power, law, gender, technology and culture. She is the bestselling co-author of She Said, the book that details the story of decades of sexual abuse allegations against Harvey Weinstein. She specializes in stories on power, gender, and technology, including workplace investigations into Amazon and Starbucks, and recent coverage of the Supreme Court.
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In this bonus feature, host Meg Wolitzer talks with author Louise Edrich about “The Big Cat,” her craft, and her Native American roots.
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In this bonus feature, host Meg Wolitzer talks with actor Denis O’Hare about his craft, and his approaches to readings of the two very different stories on this program.
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This story is one from our archives, by Paul La Farge. Pay attention because the author delivers lots of little hints about what is happening behind the scenes—to the protagonist, and the peripheral characters, too. But it isn't clear until the very last moments of the story exactly what kind of a story we've been listening to. La Farge is the author of novels including Luminous Airplanes and The Night Ocean. He unfortunately died in 2023 when he was still in his early 50s; and while we never had the chance to host him on the show, he had a lot of friends in the literary world. Reading the story is actor and musician Josh Radnor. Radnor is best known for the series How I Met Your Mother, but he's always busy; recent credits include Fleishman Is in Trouble and Hunters. Aparna Nancherla hosts this episode.
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Written by Carmen Maria Machado, the dark, inventive and sensual writer behind the collection Her Body and Other Parties, and the memoir In the Dream House, this story, “Persephone Rides at the End of Days," was commissioned for the Selected Shorts anthology Small Odysseys. It's about a Greek goddess coming to terms with who and what she is. Is her name, meaning "bringer of death," her fate? Or will she channel the other side of her mythological self? Our reader is Cynthia Nixon, best known for her role on Sex & the City as well as its sequel, And Just Like That. She has also appeared in so many other television series, including The Gilded Age, and is big on Broadway. Aprana Nancherla hosts this episode.
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Symphony Space was thrilled to host an evening with Israeli writer Etgar Keret, whose stories we’ve featured many times on Selected Shorts. He was interviewed by his longtime friend, and host of This American Life, Ira Glass. In this condensed version of their talk, they playfully challenge each other on a wide range of topics, some political, some creative, but mainly about what it’s like to live in these uncertain times.
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Meg Wolitzer sits down with her friend, writer Michael Cunningham. Michael is an American novelist, screenwriter, and educator. He is best known for his novel The Hours, which won the Pulitzer Prize for Fiction and the PEN/Faulkner Award and was later adapted into an Oscar-winning film and opera. What happens when two writers get together? Well, of course, they talk about writing, specifically his story, “Jacked,” read by Jim Parsons, which we featured on Selected Shorts, but they also nerd out about the semicolon and Scrabble.
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Meg Wolitzer presents three stories about our relationship with man’s best friend, from an evening of dog stories hosted by Saturday Night Live alum Ana Gasteyer. Emma Brewer’s “Think You Deserve Companionship? Apply to Adopt a Dog Today,” pokes fun at the bureaucratic hurdles involved in getting a new friend.It’s performed by Gasteyer. Wizard of Oz author L. Frank Baum offers a up a tale of romance, transformation and machinations, in “The Glass Dog,” performed by Jeremy Shamos. And David Means’ “Clementine, Carmelita, Dog,” tells the tale of one dog with two names—and two families. It’s performed by Javier Munoz.
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On this SELECTED SHORTS, host Meg Wolitzer presents three stories about moving out of familiar territory into new spaces and new understanding. In Meron Hadero’s “The Thief’s Tale,” read by Teagle F. Bougere, an émigré can’t leave some of his old ways behind. “The Tallest Doll in New York City,” by Maria Dahvana Headley, imagines what happens when two iconic skyscrapers fall in love.It’s read by Becca Blackwell. And summer trip yields unexpected treasures in Anne Tyler’s “The Feather Behind the Rock,” read by Jane Curtin.
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On this Selected Shorts, host Meg Wolitzer presents two stories about the risks and rewards of making things “better.” In Kim Fu’s “Fair,” a Selected Shorts commission, a woman’s envy of her neighbors takes a dramatic turn. The reader is Julie Benko. In Kristen Iskandrian’s “Quantum Voicemail,” a long-distance friendship is tested by a bold move. The reader is Lauren Ambrose.
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On this Selected Shorts, host Meg Wolitzer offers up stories about limited viewpoints and larger visions. In “You Can Find Love Now" by Ramona Ausubel, performed by Amy Ryan and Martin Short, an unusual character drops into the dating pool; in “The Weave,” by Charles Johnson, performed by Arnell Powell, a heist gets hairy; and in J. Robert Lennon’s “Blue Light, Red Light,” a child's fears find his family seeking tech support. It’s performed by Fred Hechinger. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.comfor information about our collection and use of personal data foradvertising.
The host of Selected Shorts, Meg Wolitzer launches the spin-off podcast, Tell Me More. If you know Selected Shorts you know that we're obsessed with stories. This new show will give us the chance to talk about many different kinds of stories—not just fiction! In the future, we'll talk to actors and journalists and, who knows, scientists, visual artists, even chefs. Creative people all tell stories of some kind, and this is our chance to look behind the scenes and find out how those stories get made.
On this episode, podcaster and author Kathryn Nicolai of Nothing Much Happens joins Meg. The title of her podcast tells you a lot of what you need to know. Her show is entirely fiction written and performed for occasional insomniacs who need something calming in their ear at night to help them fall asleep. In their conversation, they get into the power of sleep, and the power of stories, and they unpack a curious condition in which people literally cannot picture things in their minds.
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Meg Wolitzer presents three stories about the attraction and perils of reinvention.In “Kerosene,” by Simon Rich, timing is all in matters of invention. The reader is Santino Fontana. Attentive parents want to keep their baby safe at all costs in “The Cage,” by Tania James, read by Nicole Kang. And a widowed man looks for love—with some guidance from his late wife--in “The Dark,” by Jess Walter, read by Jason Alexander.
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Host Meg Wolitzer presents three stories about those moments, those situations, those people that pull you in and won’t let you go. These works focus on unexpected encounters that end up affecting a character's life in some unusual or enduring way. “Missed Connection—M4W” by Raphael Bob-Waksberg takes the idea of “chance encounter” to its limits. It’s performed by Richard Kind. “My Years of Living Dangerously” by Danielle Henderson explores the idea of sin and redemption. It’s performed by Karen Pittman. And in Melissa Bank’s ruefully comic “Run Run Run Run Run Run Run Away,” performed by Julianna Margulies, one sibling makes a bad choice the other has to live with.
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Meg Wolitzer presents two stories about neighbors and the unexpected relationships that can develop between people who live adjacent to one another. In Tess Gallagher’s “Mr. Woodriff’s Neckties,” a famous novelist lets his neighbor in on a secret. The reader is Dion Graham. In “Hoodie in Xanadu,” by Ann Beattie, a woman discovers that her shy neighbor possesses creative genius. The story is performed by Kirsten Vangsness.
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Meg Wolitzer presents stories celebrating a quarter century of clever, funny, playful, weird, and literary writing, in print and online, showcased by the powerhouse indie publisher McSweeney’s. These include a comic fantasy, “Poor Little Egg-Boy Hatched in a Shul, by Nathan Englander, performed by Ophira Eisenberg; an unusual mother/son story, “Crumb Cake,” by Etgar Keret, performed by Andy Richter; and unlikely heroism at the amusement park in “Stay Brave, My Hercules,” by Ernie Wang, performed by BD Wong.
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This story was read as a part of a live show hosted by the great Judy Blume, on the subject of banned books, something she personally knows about. This story hasn't been banned on its own, but many of Roxane Gay's works have, including Not That Bad: Dispatches from Rape Culture and Hunger: A Memoir of My Body. Because these bans are so prevalent, and so pernicious, we wanted to talk about that cultural argument, too. Surprising to absolutely no one, we at Too Hot are free speech boosters; so after the reading, we feature a fascinating talk with Amanda Jones, the author of That Librarian: The Fight Against Book Banning in America, who is on the frontline of this culture war in Louisiana. The story was read by actress Jessica Hecht. Our host is Aparna Nancherla.
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As part of our live event with Margaret Atwood, host A.M. Homes interviewed her from the stage at Symphony Space. Here is that interview.
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Host Meg Wolitzer presents two stories about personal transformation.In Kenneth Calhoun’s “Mindless in America,” a SELECTED SHORTS commission, a couple trapped by their own technology resolves to lead a simpler life. The reader is Justin Kirk. In “D Day,” by Rachel Khong, God has a Plan B for the human race. Spoiler alert—how do you think you’d look with a tail? Or scales? The reader is Katrina Lenk.
A routine that never changes can get old. So this week on Selected Shorts, host Meg Wolitzer presents three stories that shake up domestic life, teaching the characters something new about themselves and their circumstances. In “Scaffolding Man” by Jenny Allen, performed by Patricia Kalember, a woman in a drab marriage is intrigued by a “hot” stranger. In "Myrna's Dad" by Cyn Vargas, a father’s changing occupations hide a family secret. The reader is Krystina Alabado. And in “Overtime” by Hilma Wolitzer (Meg’s mom), read by Becky Ann Baker, a happy couple gets a jolt when the man’s ex moves into their apartment. After the story, Meg interviews Hilma about what gave her the idea and her writing in general.
Host Meg Wolitzerpresents works that reflect on the loss of love, creatively imagined by a quartet of thoughtful writers. In “The Space,” by Christopher Boucher, a lost love is replaced by—her absence. The reader is Rob Yang. In Wendi Kaufman’s “Helen on Eighty-Sixth Street,” the loss is the backstory, as a lively ‘tween, voiced by Donna Lynne Champlin, finds ways to deflect the emotional fallout from her father’s absence. Sharon Olds’ wrenching poem, “Last Look,” read by Jane Kaczmarek, is our palette clearer before we close with a Raymond Carver classic, “Why Don’t You Dance?”The couple idly roving a lawn sale don’t realize they are walking through the detritus of lost relationship.The reader is Corey Stoll.
Host Meg Wolitzer presents works that reflect on the loss of love, creatively imagined by a quartet of thoughtful writers. In “The Space,” by Christopher Boucher, a lost love is replaced by—her absence. The reader is Rob Yang. In Wendi Kaufman’s “Helen on Eighty-Sixth Street,” the loss is the backstory, as a lively ‘tween, voiced by Donna Lynne Champlin, finds ways to deflect the emotional fallout from her father’s absence. Sharon Olds’ wrenching poem, “Last Look,” read by Jane Kaczmarek, is our palette clearer before we close with a Raymond Carver classic, “Why Don’t You Dance?” The couple idly roving a lawn sale don’t realize they are walking through the detritus of lost relationship. The reader is Corey Stoll.
Host Meg Wolitzer presents two stories about objects of love, and feelings that can't be returned, for very different reasons. In “A Love Letter” by Greg Ames, a boy falls head over heels in a crosswalk. Actor and Young Adult author Maulik Pancholy really captures teen ardor and angst in his reading. And in Kali Fajardo-Anstine’s “Sugar Babies,” another teenager learns about adult responsibility from an everyday pantry staple. The reader is Sonia Manzano.
Meg Wolitzer presents four works drawn from an evening of satirical stories about American political history, hosted by Andy Borowitz. Nothing is sacred. First, Joe Yan imagines Abraham Lincoln, huckster, in “I’m Abraham Lincoln and I Beg Of You, Please Commemorate My Birthday With Mattress Sales,” read by Ikechukwu Ufomadu. In “Running for Governor,” Mark Twain imagines himself in the political horse race. The reader is John Cameron Mitchell. John and Abigail Adams had a famously happy marriage, despite often being apart, and why not imagine them taking advantage of the 18th century version of modern media options? That’s the premise of Alexandra Petri’s “John and Abigail Adams Try Sexting,” read by Ophira Eisenberg and Ikechukwu Ufomadu. And the show wraps with a piece by Borowitz himself, “A Very Nixon Halloween,” inspired by a photograph of Nixon as an awkward civilian after he left office. The reader is Caroline Aaron.
Rarely do we devote one show to just one writer, but on this Selected Shorts, we turn the show over to universally beloved author George Saunders. Saunders somehow finds the good, or at any rate the imperfectly human, in his characters. The result is a catalog as funny as it is moving, as devastating as it is hopeful. On this program, two stories that perfectly illustrate this. “Love Letter” is from Saunders’ latest collection Liberation Day. In it, an anxious grandfather who is ambivalent about the state of the world counsels an older grandchild. “Love Letter” is read by Stephen Colbert. And a favorite from our archives, “The Falls,” shows us two flawed men given a chance to do the right thing. René Auberjonois reads. The show also includes a conversation between host Meg Wolitzer and Saunders.
Meg Wolitzer presents three stories about the tricky subject of envy that question whether the grass is in fact always greener somewhere else. In Alexandra Petri’s “Seneca Falls for You,” feminist Elizabeth Cady Stanton almost gets trapped in a romance novel. The reader is Ophira Eisenberg. Ben Phillipe’s sly fairy tale, “The Luck of Others,” read by Joanna Gleason, reminds us to beware of what we wish for. And a small town charity auction surfaces envy and confusion in George Saunders’ “Al Roosten,” read by Tony Hale.
Meg Wolitzer presents two stories with surprises the characters didn’t anticipate. A smart Mom defies expectations in “Agouti,” by Brenda Williams, performed by Laurine Towler. And a smart house has unexpected features in a classic by sci-fi master Ray Bradbury.Stephen Colbert reads “The Veldt.”
Meg Wolitzer presents two favorite Selected Shorts works in which food and nourishment figure both literally and symbolically. The narrator of Haruki Murakami’s “The Year of Spaghetti” seems to be just sharing pasta recipes, but it’s the recipe for assuaging loneliness that may elude him. The reader is Sopranos alum Michael Imperioli. And unusual family dynamics shape Amy Bloom’s “Love is Not a Pie,” performed by Hope Davis. We also share a discussion of this work by the mother and daughter book club organized by our frequent reader Rita Wolf and her daughter Anjeli.
Meg Wolitzerpresents a show of stories about replacements and stand-ins. While we tend to crave the original, sometimes a substitute can bring more happiness than the “real” thing. In Steve Almond’s “A Happy Dream,” read by Phil LaMarr, a young man assumes a new identity in pursuit of love. In “A Brief Note on the Translation of Winter Women, Written by the Collective Dead, Translated by Amal Ruth,” a writer speaks for those who have passed. The “real” author is Rivers Solomon, and the reader is TL Thompson. In “Saying Goodbye to Yang,” by Alexander Weinstein, a robot child and its human family learn about love all at once. The reader is Tony Hale.
short_stories, short_fiction, symphony_space, books, life, meg wolitzer, Carlos Greaves, Santina Fontana, Dylan Marron, Sarah Messanotte, Willa Cather, Patricia Clarkson, humor, cartoons, family
Meg Wolitzer presents a show of stories about our need to have “proof of love”—some demonstration by those nearest and dearest of exactly how much they care. A lot, in Etgar Keret’s sweetly improbable “Almost Everything,” in which a husband looks for the perfect gift for a demanding wife. It’s read by Liev Schreiber. In Jacob Guajardo’s “Conquistadors, on Fairchild,” read by Michael Hartney, old flames reconnect, but it’s not clear where they are headed.And in a classic from our archives, Haruki Murakami’s “Ice Man,” a shy woman marries a man who carries winter within and without. Jane Curtin is the reader.
From the author of Eileen and My Year of Rest and Relaxation, a story about weird people doing weird things. Read by Colby Minifie from The Boys, The Marvelous Mrs. Maisel and Fear the Walking Dead. Michael Ian Black hosts this episode, which includes an interview with Moshfegh.
Host Meg Wolitzer presents two works that reassess and redefine our ideas of “the West.” It’s both a landscape of awesome beauty, and the scene of cultural appropriation, and we’ve got two masters sharing and shaping our experience. In Louise Erdrich’s “The Hollow Children” a natural disaster tests family ties. It’s read by Tate Donovan. And writer and environmental activist Rick Bass stress tests the West, and his main character, in “Fires,” read by John Benjamin Hickey. We also reprise part of an interview with Louise Erdrich from earlier in the year.In it, she mentions a new novel in progress, which has now been published: The Mighty Red: A Novel.
SELECTED SHORTS host Meg Wolitzer presents four works that were presented as part of our live evening with WNYC’s Radiolab and hosts Lulu Miller and Latif Nasser. The theme was flight in many imaginative manifestations. Randa Jarrar’s “The Lunatics’ Eclipse” is a fable-like story of romance and interstellar travel, read by Abubakr Ali. Our second story is “Roy Spivey,” by Miranda July, and is a sly and gentle probing of celebrity culture. It’s read by Molly Bernard. Don Shea’s “Jumper Down” bares the vulnerability and resilience of a rescue worker. it’s read by Becca Blackwell. And our last story, “My Life as a Bat,” shares the secret life a mysterious creature in fact and fable. It’s by Canadian fiction master Margaret Atwood and is read by Zach Grenier.
Host Meg Wolitzer presents three works about change. Yalcin Tosun’s “Muzaffer and Bananas” explores the awkward rites of passage of two teenaged boys. It’s performed by Arian Moayed. In Anya DeNiro’s “Take Pills and Wait for Hips,” performed by Pooya Mohseni, a trans woman reflects on her life before and after the change. And a former couple rehearse the disintegration of their relationship—on a street corner—in A.M. Homes’ “Goodbye to the Road Not Taken” performed by Jane Kaczmarek and Tony Shalhoub.
Host Meg Wolitzer presents three works in which characters have unusual friends who change their lives—whether they like it nor not. In “Unicorn Me,” by Elizabeth Crane, a magical box delivers a unicorn who offers ambiguous advice. Miriam Shor performs.A sentient cockroach intrigues and alarms a woman in “The Double Life of the Cockroach’s Wife,” by Helen Phillips.It’s performed by Sarah Steele. And the latest iPhone knows everything about you in Weike Wang’s “iPhoneSE,” performed by Dawn Akemi Saito. All three stories were commissions for SELECTED SHORTS’ anthology Small Odysseys.
Host Meg Wolitzer presents three works of speculative fiction curated by best-selling author N.K. Jemisin. In John Scalzi’s “When the Yogurt Took Over” a popular breakfast staple decides it’s good for everyone. The reader is Jin Ha. Chatbots and A.I. can be helpful––but sometimes too helpful––as we hear in Alexandra Chang’s “Me and My Algo,” read by Catherine Cohen. And Jemisin herself reworks a classic by Ursula K. Le Guin in “The Ones Who Stay and Fight,” read by Teagle F. Bougere. Excerpts from Jemisin’s onstage remarks are included in this show.
Host Meg Wolitzer presents two works about growth helped along by some sort of fantastical assistance. The characters in these pieces are stuck—and consciously or not, they're looking for something to give them just a little push. And that nudge comes in the form of magic. In “Isabella’s Garden,” by Naomi Kritzer, a backyard nature site presents a young family with a new world of fertility. The reader is Jane Kaczmarek. In “My Dear You,” by Rachel Khong, performed by Annie Q, the afterlife provides a perfect platform for questions about love, commitment, and the meaning of forever. After the reading, Wolitzer talks to Khong about the story and her writing process.
Writer Deirdre Coyle’s fiction and essays have appeared in Electric Literature, Lit Hub, The New Republic, The Texas Observer, Hobart Pulp, and elsewhere. This story, "Stakes," was performed at a show at the Getty Center in L.A., at a show produced in conjunction with the online literary collective, Belletrist Book Club. If you don't know Belletrist, it was founded by committed friends and readers Emma Roberts and Karah Preiss. They recommend new works by an incredible collection of writers, host online conversations and foster a community of like-minded readers. Emma Roberts reads this story, and we feature an interview between host Aparna Nancherla and Karah Preiss in this episode.
Host Meg Wolitzer presents two imaginative stories about different ways of thinking about coming together and what we celebrate when we do. In “On the Sudden Increase in Changeling Stock: A Report,” Daniel Lavery applies a statistical model where you would not expect to find one, with zany results.It’s read by Jin Ha. In our second work, master storyteller Ray Bradbury wildly reimagines the idea of “Homecoming,” in a story that first captivated reader Neil Gaiman when he was seven years old.
Host Meg Wolitzer presents three lively stories about the allure—or not—of summer. Italian writer Massimo Bontempeli creates a magical beach inside an apartment in “The Miraculous Beach, or Prize for Modesty.” The work was translated by Jenny McPhee and is read by Hugh Dancy. Humorist Samantha Irby doesn’t get summer, and presents a contrarian’s view in “The Case for Remaining Indoors,” read by Retta. And Denis O’Hare reads a baseball classic—W.P. Kinsella’s “The Thrill of the Grass.”
Host Meg Wolitzer presents three lively stories about the allure—or not—of summer. Italian writer Massimo Bontempeli creates a magical beach inside an apartment in “The Miraculous Beach, or Prize for Modesty.” The work was translated by Jenny McPhee and is read by Hugh Dancy. Humorist Samantha Irby doesn’t get summer, and presents a contrarian’s view in “The Case for Remaining Indoors,” read by Retta. And Denis O’Hare reads a baseball classic—W.P. Kinsella’s “The Thrill of the Grass.”
Host Meg Wolitzer presents three stories about fathers and fatherhood. In “Beauty and the Beast” by Simon Rich, a self-absorbed producer gets a little Disney sparkle from his daughter. The reader is Arian Moayed. “Bedtime Story” by Victor LaValle, read by Dion Graham, features a son soothing an anxious father; and a father-daughter hiking trip involves both bonding and danger in Percival Everett’s “Exposure,” read by Denis O’Hare. The show features on-stage remarks by O'Hare about fatherhood and includes comments by Percival Everett and Dion Graham.
Host Meg Wolitzer presents three stories about fathers and fatherhood. In “Beauty and the Beast” by Simon Rich, a self-absorbed producer gets a little Disney sparkle from his daughter. The reader is Arian Moayed. “Bedtime Story” by Victor LaValle, read by Dion Graham, features a son soothing an anxious father; and a father-daughter hiking trip involves both bonding and danger in Percival Everett’s “Exposure,” read by Denis O’Hare. The show features on-stage remarks by O'Hare about fatherhood and includes comments by Percival Everett and Dion Graham.
Host Meg Wolitzer presents three works about idealized lives, and ideas about what constitutes an “ideal” life. “Boy Meets Girl” is Jen Kim’s humorous version of a Hollywood love story. It’s read by Tony Hale. In the John Cheever classic “The Worm in the Apple” a couple have the perfect life—but no one can believe it. It’s read by Anne Meara. And a harried mother fantasizes about a brand new life in Vanessa Cuti’s “Our Children,” performed by Claire Danes, followed by an interview with Danes.
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Host Meg Wolitzer presents three works featuring birds, curated by writer and bird aficionado Amy Tan. Ben Loory’s “The Frog and the Bird,” is a twist the traditional fable genre; it’s performed by Mike Doyle. Teenagers are transformed in “Town of Birds,” by Heather Monley, performed by Yetide Badaki; and an avian love song goes viral in Mikkel Rosengaard’s “The Mating Call,” performed by BD Wong. Tan comments on the program’s theme and the stories and the actors provide backstage commentary.
Host Meg Wolitzer presents two works about losing something, but finding something revealing to take its place. In “Light,” by Lesley Nkeka Arimah, parents differ about how to raise a strong-willed daughter. The reader is Crystal Dickinson. And in Taryn Bowe’s “Camp Emeline,” performed by Edie Falco, a family struggles after a loss, but grief leads to self-discovery for the determined narrator. This lovely work also introduces Selected Shorts' first-ever on-air book club. Wolitzer joins a lively mother/daughter group to talk about Bowe’s work and how they related to it.
Host Meg Wolitzer presents three works that contemplate a way out—of our lives, and even of this world. In Joe Meno’s “Books You Read,” performed by Joan Allen, a young boy helps his jaded teacher to love reading again. J. Robert Lennon takes us into deep space and a conversation between a computer and a survivor in “Escape Pod W41,” performed by Stephen Lang. A composition created by Lakecia Benjamin in response to the story, and performed by Junie Mojica, is also featured. And marriage, and a friendship, are tested in Jac Jemc’s “Infidelity,” performed by Kathleen Chalfont. All three stories were commissioned for SELECTED SHORTS’ anthology Small Odysseys.
Host Meg Wolitzer presents three works from an evening with author and New Yorker cartoonist Roz Chast, inspired by Chast’s new book I Must be Dreaming. “The Wife on Ambien,” by Ed Park, is a sort of late-night fever dream. It’s read by John Fugelsang. In Tessa Hadley’s “Bad Dreams,” images that begin in books envelop a family in real life. The reader is Rita Wolf. Tom Barbash’s “Stay Up With Me” charts the rocky path of an old love affair. It’s read by Jason Ralph. And throughout the episode, Chast describes her cartoons based on her own weird and hilarious dreams.
This story was read at a Selected Shorts show in L.A., hosted by the Getty Center, and co-produced with the Belletrist Book Club, the online reading community created by longtime friends and readers Emma Roberts and Karah Preiss. Jones-Yelvington is an artist and drag performer who is also a prolific writer. They have written chapbooks, a memoir, a young adult novel and two collections of short fiction, Don't Make Me Do Something We'll Both Regret and This Is a Dance Movie! And the title story of their collection isall about movie cliches, how we might play with them, and the kinds of connection we hope we can achieve in telling our own stories. Writer and actor Ryan O'Connell performs the story. His book I'm Special: And Other Lies We Tell Ourselves was adapted into the Netflix series Special—in which he starred. His novel Just By Looking at Him came out in 2022, and he has appeared in recent series including the reboot of Queer as Folk. Our episode was hosted by comedian Aparna Nancherla.
Host Meg Wolitzer presents three works that offer unusual perspectives on clothes and fashion—selling, making, and coveting. In Anne Enright’s “(She Owns) Everything,” read by Mary-Louise Parker, a saleswoman becomes a compulsive consumer. In “Clothes on the Ground: A Conversation with Leap,” we hear from a Cambodian garment worker, interviewed by Julia Wallace for the compendium Women in Clothes. Leap is voiced by Jennifer Lim. And shopping is an antidote to aging in Joanne Harris’s “Faith and Hope Go Shopping,” read by Lois Smith.
Host Meg Wolitzer presents two unconventional love stories, one classic, one contemporary, that avoid the usual tropes of “meet cute,” “opposites attract,” or “happily ever after” but are still engaging. In “Love in the Slump,” by Evelyn Waugh, clueless upper-crust newlyweds are sent on a comic odyssey. The reader is Jane Kaczmarek. And Esther Yi’s “Moon” explores something we often mistake for love—obsession, as a young woman is drawn farther and farther into K-Pop fandom.The story was selected by guest editor Min Jin Lee for Best American Short Stories 2023. It’s read by Hettienne Park. And we hear Lee’s and Park’s thoughts about the story.
Guest host Jane Kaczmarek presents two stories from the Best American Short Stories 2021 anthology selected by guest editor Jesmyn Ward. Both involve adolescents facing displacement or rejection, but the stories are set in very different environments: One takes place in a surreal, Soviet-occupied Afghanistan, and one inside a junior high school in Tennessee. First, Leo Solomon reads “Playing Metal Gear Solid: The Phantom Pain,” by Jamil Jan Kochai. Then we hear “Biology,” a beautiful story by Kevin Wilson, performed by Mike Doyle. And Ward comments briefly on her approach to creating this year’s diverse anthology.
Host Meg Wolitzer presents four stories in which characters shape their expectations and dreams to a manageable size in collaboration with Belletrist Book Club. So if you’re “Medusa,” as in our first story, by Tania James, you try to figure out how to live in the world instead of turning it to stone. The reader is Constance Zimmer. Parents in our second story, “We Only Wanted Their Happiness,” by Alexander Weinstein, make a tactical choice about technology. It’s performed by Randall Park. The narrator of Honor Levy’s “Good Boys,” read by Annie Hamilton, understands that infatuation is a phase. And a man and a woman sidestep romance in “Arrangements” by Charlie Watts, performed by Laura Harrier and Will Harrison. The show was recorded at the Getty Center in Los Angeles and features commentary by Emma Roberts and Karah Preiss of Belletrist Book Club. Since 2017, Belletrist Book Club has chosen more than 75 titles for the book club and dozens more for myriad content features across Instagram, TikTok, Facebook, and the newsletter The Belletrist Brief. In 2019, Emma Roberts and Karah Priess spun out Belletrist Book Club into a production company called Belletrist Productions. https://www.belletrist.com/
HostMeg Wolitzer shares three stories about people who put things out of sight—and try to put them out of mind. In Lisa Ko’s “Nightlife,” read by Vanessa Kai, a pair of friends quietly sidestep feelings that might complicate their relationship. A teacher tries to help a parent see who her child really is in “The Hole” by Patrick Cottrell, performed by Becca Blackwell. And Elizabeth Strout brings us a beautiful and devastating story of a woman grappling with whether to put her mother into institutional care in “Home,” performed by Mia Dillon. Strout talks with Wolitzer after the reading. All three works were commissioned for the Selected Shorts’ anthology, Small Odysseys.
Host Meg Wolitzer talks with author Elizabeth Strout about her story “Home” and the fictional family Strout has created.
Host Meg Wolitzer presents three stories about social occasions for introverts and extroverts alike, curated with the Belletrist Book Club, founded by actor Emma Roberts and producer Karah Preiss. The show was recorded at the Getty Center in Los Angeles. Humorist Samantha Irby asks “Please Invite Me to Your Party,” but does she mean it? The reader is Richa Moorjani. Victoria Lancelotta’s “The Anniversary Trip,” performed by Judy Greer, is, and is not, about the married couple making the trip. And Jen Spyra takes it to extremes to get to the altar in perfect shape in “The Bridal Body,” performed by Erinn Hayes.
This is Selected Shorts' first collaboration with Belletrist. Since 2017, Belletrist has chosen over 75 books for the book club and dozens more for myriad content features across Instagram, TikTok, Facebook, and a newsletter: The Belletrist Brief. In 2019, Emma and Karah spun out Belletrist Book Club into a production company called Belletrist Productions. https://www.belletrist.com
On this episode of Selected Shorts, host Meg Wolitzer presents three stories about change. A playful fantasy, a domestic dilemma, and a private struggle help us to adjust to the idea of transformation, losses, and gains. In “Sea Monster,” by Seth Fried, performed by Natasha Rothwell, a husband and wife reveal their secret identities to each other. In “Death by Printer,” by Mira Jacob, read by Rita Wolf, a widow learns to cope with loss—and technology. And a mature woman embraces the self she is becoming in Maile Meloy’s “Period Piece,” performed by Kelli O’Hara. The last two stories were commissioned for Selected Shorts’ anthology Small Odysseys.
Host Meg Wolitzer presents three stories about the act of writing and how it can remake us--a prankish skit; a playful and tender investigation of creating with words; and a fraught social encounter between two characters who don’t ‘get’ each other’s stories. B.J. Novak takes on the old saying “Great Writers Steal” in a short piece read by Novak and Aasif Mandvi. In Etgar Keret’s “Creative Writing” a wife writes her way out of grief. It’s read by Alex Karpovsky. A dinner party becomes a scene of personal and political tension in Lorrie Moore’s “Foes,” performed by Joan Allen and Kyle MacLachlan. And Moore joins Wolitzer to talk about the story and creating fiction.
Host Meg Wolitzer presentsfour works in which nature and the out-of-doors drive both plots and character. Humorist Jenny Allen does battle with her stubborn plants in “Garden Growing Pains,” read by Kirsten Vangsness. The majestic Canadian border separates an Indigenous family in Thomas King’s “Borders,” read by Kimberly Guerrero. A housewife masters one of the elements in “Flying,” by Alyce Miller.The reader is Kirsten Vangness again.And a sudden storm creates a sense of abandon in the Kate Chopin classic “The Storm,” read by Jane Curtin.“Garden Growing Pains,” “Borders,” and “Flying,” were presented in cooperation with CacheArts and Utah Public Radio, KUSU-FM.
This story is by the writer Erin Somers. She has a novel, Stay Up with Hugo Best, and has been published in The Paris Review, The New Yorker and elsewhere. Performing it, we've got two actors who found the funny with both the words and each other. The first, Paget Brewster, is best known for her role on Criminal Minds. Additionally, she has appeared on Friends, Community and Comedy Central’s Another Period. Playing off her is Andy Richter, known for his years on Conan and Late Night with Conan O'Brien; but has also appeared in cult classics like Cabin Boy and done many voiceovers for animated movies like Madagascar. The episode is hosted by Aparna Nancherla. The story was recorded at SketchFest in San Francisco.
In this bonus conversation, host Meg Wolitzer talks to author Louise Erdrich about her story; her writing life; and what do with left over index cards.
In this bonus conversation, host Meg Wolitzer talks to actor Denis O’Hare about his craft, and his approaches to readings of the two very different stories on this program.
"Cookie Monster Shares" was performed by actor and comedian Baron Vaughn at SketchFest in San Francisco, CA. The story was written by James Hannaham, the PEN/Faulkner Award-winning author of sharp satires including Delicious Foods and Didn't Nobody Give a Shit What Happened to Carlotta. (Which, an objectively great title that really paints a picture.) Hannaham's sharp satires take no prisoners—even in the seemingly innocuous context of a story narrated by the one and only Cookie Monster. Episode host Aparna Nancherla talks to the author after the story.
Too Hot For Radio is a bonus podcast from Selected Shorts featuring saucy and salacious tales that can't air on public radio.
Much of Samantha Schweblin's writing has a kind of dangerous element to it, and that's in this story, too. It's kind of a nailbiter, but not for the usual reasons. This story was written for McSweeney's and was performed as part of Selected Shorts' celebration of the 25th anniversary of this mighty indie publisher. Performed by Carmen Lynch, a comic who has performed stand-up on The Tonight Show with Jimmy Fallon and The Late Show with Stephen Colbert, and has appeared on series including Inside Amy Schumer and Life & Beth. And she has just the right touch with the story. After her reading, she talks to host Aparna Nancherla about how she approached such a tricky story.
Guest host Roxane Gay (no mean cook herself) presents three stories centered on food. In “Three Great Meals” the late New Yorker humor writer Donald Barthelme tells you how to prepare breakfast, lunch and dinner from a terrifying medley of fast food and low-end canned goods. The story is read by Nate Corddry. In "Simple Recipes," author Madeleine Thien weaves together evocative memories of traditional meals prepared by her father, with more complex images of a family in conflict. The reader is Cindy Cheung. And finally, a Roald Dahl classic, “Lamb to the Slaughter.” This tale of a model housewife’s response to a marital crisis will make you view your Sunday roast in a whole new light. She’s embodied by Catherine O'Hara.
Host Meg Wolitzer presents perfect mismatches. In “The Man and the Moose” by Ben Loory, performed by Michael Cerveris, a man’s best bud has antlers. In “Red Dirt Don't Wash” by Roger Mais, performed by Brandon J. Dirden, a young man’s courtship is at risk—she doesn’t like his shoes. And a piano lesson is out of tune in “The Piano Teacher’s Pupil” by William Trevor, performed by Kathryn Erbe. Authors Elizabeth Strout and Marlon James present commentary from the stage at Symphony Space.
Host Meg Wolitzer presents perfect mismatches. In “The Man and the Moose” by Ben Loory, performed by Michael Cerveris, a man’s best bud has antlers. In “Red Dirt Don't Wash” by Roger Mais, performed by Brandon J. Dirden, a young man’s courtship is at risk—she doesn’t like his shoes. And a piano lesson is out of tune in “The Piano Teacher’s Pupil” by William Trevor, performed by Kathryn Erbe. Authors Elizabeth Strout and Marlon James present commentary from the stage at Symphony Space.
Host Meg Wolitzer presents two stories from our anthology, Small Odysseys, which features 35 commissioned stories from some of the series’ favorite writers. This week, parents try to help with their daughter’s unusual school science research project. Michael Shannon reads Susan Perabo’s “The Project.” And in Luis Alberto Urrea’s “King of Bread,” a father carves out his own little kingdom in the barrios of San Diego—handing out doughnuts, and hope. The reader is Javier Muñoz.
On this Selected Shorts, host Meg Wolitzer offers up stories about limited viewpoints and larger visions. In “You Can Find Love Now" by Ramona Ausubel, performed by Amy Ryan and Martin Short, an unusual character drops into the dating pool; in “The Weave,” by Charles Johnson, performed by Arnell Powell, a heist gets hairy; and in J. Robert Lennon’s “Blue Light, Red Light,” a child's fears find his family seeking tech support. It’s performed by Fred Hechinger.
Host Meg Wolitzer presents two stories featuring mothers and children, and entertains a special guest—her own mother, Hilma Wolitzer. In Annette Sanford’s “Trip in a Summer Dress,” a young woman is setting out to get married, but leaving her real life—and a hard choice—behind. The reader is Mia Dillon. “Palaver,” by Bryan Washington, offers a playful—but also serious—battle of wits between a strong-willed mother and her grown son, each wanting to know more about the other without giving away too much of themselves. The alternating narratives are performed by Petronia Paley and Michael Potts. And host Wolitzer quizzes her own mother about her writing life, the impact of feminism, and raising a novelist to be.
Host Meg Wolitzer presents three stories about tangled lives; those situations; those people that pull you in and won’t let you go. These works focus on encounters that affect a character's life in some unusual or enduring way. “Missed Connection—M4W,” by Raphael Bob-Waksberg, takes the idea of “chance encounter” to its limits. It’s performed by Richard Kind. “My Years of Living Dangerously,” by Danielle Henderson, explores the idea of sin and redemption. It’s performed by Karen Pittman. And in Melissa’ Banks’ ruefully comic “Run Run Run Run Run Run Run Away,” performed by Julianna Margulies, one sibling makes a bad choice the other has to live with. Both Julianna Margulies and Karen Pittman talk about their readings backstage at the live show, which was hosted and curated by Meg Wolitzer.
Host Meg Wolitzer presents three stories about tangled lives; those situations; those people that pull you in and won’t let you go. These works focus on encounters that affect a character's life in some unusual or enduring way. “Missed Connection—M4W,” by Raphael Bob-Waksberg, takes the idea of “chance encounter” to its limits. It’s performed by Richard Kind. “My Years of Living Dangerously,” by Danielle Henderson, explores the idea of sin and redemption. It’s performed by Karen Pittman. And in Melissa’ Banks’ ruefully comic “Run Run Run Run Run Run Run Away,” performed by Julianna Margulies, one sibling makes a bad choice the other has to live with. Both Julianna Margulies and Karen Pittman talk about their readings backstage at the live show, which was hosted and curated by Meg Wolitzer.
Host Meg Wolitzer presents a celebration of the 25th anniversary of powerhouse indie publisher McSweeney’s, known for clever, funny, playful, weird, and literary writing. Ophira Eisenberg reads “Poor Little Egg-Boy Hatched in a Shul," by Nathan Englander. Andy Richter performs “Crumb Cake,” by Etgar Keret. And B.D. Wong reads “Stay Brave, My Hercules,” by Ernie Wang. Singer and songwriter Stephin Merritt, who’s recognizable as the mastermind behind The Magnetic Fields, also performed live onstage at Symphony Space as part of the tribute to McSweeney’s.
Meg Wolitzer presents two stories with surprises the characters didn’t anticipate. A smart Mom defies expectations in “Agouti,” by Brenda Williams, performed by Laurine Towler. And a smart house has unexpected features in a classic by sci-fi master Ray Bradbury. Stephen Colbert reads “The Veldt.”
Meg Wolitzer presents two stories about the things she loves most: books and words and why they matter. In Ben Loory’s “The Book,” a contrarian volume becomes a literary sensation, and alters one woman’s life. The reader is Jane Kaczmarek. In “Things I Know to be True,” by Kendra Fortmeyer, originally published in One Story,” a damaged veteran uses words to hold his life together. The reader is Calvin Leon Smith. And in a special feature, Wolitzer visits a favorite indie bookstore, Three Lives & Company.
Host Meg Wolitzer visits a favorite indie bookstore, Three Lives & Company in Greenwich Village, remembers her early years there as a writer and reader, and is let in on some trade secrets.
Meg Wolitzer presents three stories with a little bit of trickery. The British writer Penelope Lively offers up a tricky combination of love and real estate in “The Third Wife,” performed by real-life husband and wife Patricia Kalember and Daniel Gerroll. The only “trick” in our next story, “Tempo,” by R.O. Kwon, is the trick the mind plays when it wishes the present would restore a lost bit of the past. The reader is Hettienne Park. And Dave Eggers’ “The Alaska of Giants and Gods” includes a real magic act, but also the longing for some other kind of magic, misplaced on a rocky road, to be restored. Kate Burton reads the literally laugh-out-loud story.
Host Meg Wolitzer presents stories by the incomparable Margaret Atwood, drawn from our archives and a live performance evening hosted by the author. “There Was Once” is a brief satire about the art of writing and the importance of free speech. It’s performed by René Auberjonois, Zach Grenier, and Jane Kaczmarek. “Widows,” performed by Ellen Burstyn, is a delicate and ironic tale in which a recently widowed woman becomes accustomed to her new role. And Atwood is in full dystopian throttle in “Freeforall” where reproductive rights have become a matter of life and death. The reader is Becky Ann Baker. Both “Widows” and “Freeforall” have been published in Atwood’s new collection Old Babes in the Wood: Stories. Portions of Atwood’s onstage talk with fellow writer A.M. Homes are also featured.
In this bonus conversation, writers Margaret Atwood and A.M. Homes discuss everything from feminism, time, writing and dystopian fiction, to Atwood’s new short story collection “Old Babes in the Wood.” The interview was recorded in front of a live audience at Symphony Space.
In this bonus interview, writers Margaret Atwood and A.M. Homes discuss everything from feminism, time, writing and dystopian fiction, to Atwood’s new short story collection “Old Babes in the Wood.” The conversation was recorded in front of a live audience at Symphony Space.
Host Meg Wolitzer presents stories by the incomparable Margaret Atwood, drawn from our archives and a live performance evening hosted by the author. “There Was Once” is a brief satire about the art of writing and the importance of free speech. It’s performed by René Auberjonois, Zach Grenier, and Jane Kaczmarek. “Widows,” performed by Ellen Burstyn, is a delicate and ironic tale in which a recently widowed woman becomes accustomed to her new role. And Atwood is in full dystopian throttle in “Freeforall” where reproductive rights have become a matter of life and death. The reader is Becky Ann Baker. Both “Widows” and “Freeforall” have been published in Atwood’s new collection Old Babes in the Wood: Stories. Portions of Atwood’s onstage talk with fellow writer A.M. Homes are also featured.
Host Meg Wolitzer partnered with WNYC’s Alison Stewart on this program featuring tales of love and haunting by new and established writers who have been featured on her show All of It. In Hilary Leichter’s “Doggy-Dog World,” family life takes an unexpected turn. It’s read by Sarah Mezzanotte. Is “Horror Story” a series of hauntings, or is it the form that love takes when it’s not working? Carmen Maria Machado’s story is read by Molly Bernard. And the masterful Louise Erdrich gives us an old story—falling in love with your teacher—in a new guise; she happens to be a nun. Cynthia Nixon is the reader of “Sister Godzilla.”
In this bonus conversation, host and best-selling author, Meg Wolitzer, talks to host of WNYC’s All of It, Alison Stewart. Wolitzer reveals some of the secrets to great writing and the two share their own reading habits and thoughts about the importance of fiction.
In this bonus conversation, host and best-selling author, Meg Wolitzer, talks to host of WNYC’s All of It, Alison Stewart. Wolitzer reveals some of the secrets to great writing and the two share their own reading habits and thoughts about the importance of fiction.
Host Meg Wolitzer partnered with WNYC’s Alison Stewart on this program featuring tales of love and haunting by new and established writers who have been featured on her show All of It. In Hilary Leichter’s “Doggy-Dog World” family life takes an unexpected turn. It’s read by Sarah Mezzanotte. Is “Horror Story” a series of hauntings, or is it the form that love takes when it’s not working? Carmen Maria Machado’s story is read by Molly Bernard. And the masterful Louise Erdrich gives us an old story—falling in love with your teacher—in a new guise; she happens to be a nun. Cynthia Nixon is the reader of “Sister Godzilla.”
It’s June, time to celebrate Pride privately and publicly. Host Meg Wolitzer presents four works that delve into the complexities of love, family and belonging. Ivan E. Coyote’s “No Bikini,” read by Becca Blackwell, offers one child’s act of quiet rebellion. Lovers drift together, and apart, in Michael Cunningham’s “Sleepless,” read by Mike Doyle. A newish couple faces harsh weather in Deesha Philyaw’s “Snowfall,” read by Michelle Beck, and poet Kay Ulanday Barrett shares their “Song for the Kicked Out.”
On this SELECTED SHORTS, we celebrate Memorial Day. Host Meg Wolitzer presents two stories that feature men in uniform, codes of honor, and how conflicts can sometime lead to connection. Maile Meloy’s “Red,” performed by Keith Szarabajka, takes place in London during the Blitz, where a man and woman find a rare moment of peace. In Kurt Vonnegut’s “The Cruise of the Jolly Roger,” a retired army man searches for the next chapter in his life. The reader is Teagle F. Bougere. We also hear Vonnegut’s “Letter Home,” written to his family after being a prisoner-of-war. It’s read by Jordan Klepper.
Host Meg Wolitzer presents four stories in which characters give, and get, a little assistance, from friends, strangers and family. A daughter copes with a cantankerous parent in “How to Take Dad to the Doctor,” by Jenny Allen, performed by Jennifer Mudge. A woman moves to a new town and makes a strange new friend in Laura van den Berg’s “Friends,” performed by Roberta Colindrez. A Tyrolean café improbably situated in South America is home to mysterious strangers and new and old romances, in Isabel Allende’s “The Little Heidelberg.” It’s performed by Kathleen Turner. And a budding singer and socialist gets unwelcome help from Mom in Grace Paley’s “Injustice,” performed by Jackie Hoffman.
American guest editor Andrew Sean Greer, “The Little Widow from the Capital,” by Yohanca Delgado, performed by Krystina Alabado. And our second story was selected by John Updike for the volume Best American Stories of the Century. It’s Grace Stone Coates’ “Wild Plums,” read by Mia Dillon. This episode features on-stage commentary by Greer. It's dedicated to mix engineer Dennis Jacobsen.
Host Meg Wolitzer presents two stories about selves obscured and revealed, by characters whose own identities are mysteries to them.In Aimee Bender’s “Un-Selfie, a woman reveals her extraordinary past to a stranger. The story was a commission for our 2022 Small Odysseys anthology, and is read by Alysia Reiner. In our second story, “Best Western” by Louise Erdrich, a young wife struggles to maintain a romantic fiction, until the real world crashes in on her. It’s read by Patricia Kalember.
A story with double timelines that depart and converge about marriage, love and the path not taken. Read by Holly Hunter (The Paino, Succession and Mr. Mayor). The story was written by Erin Somers. She has a novel, Stay Up with Hugo Best, and has been published in The Paris Review, The New Yorker and elsewhere. This particular story, "Ten Year Affair," was chosen for the Best American Short Stories collection of 2022. Too Hot is hosted by Aparna Nancerla. This episode includes a conversation between Aparna Nancherla and Erin Somers.
Host Meg Wolitzer presents stories chosen by On the Media’s Brooke Gladstone. Gladstone was our guest for a live Selected Shorts event in which all the stories explore the theme of tales we tell ourselves—and others. The title says it all in Mary Gordon’s “My Podiatrist Tells Me a Story about a Boy and a Dog” read by Bebe Neuwirth and Richard Masur. Two imaginative cooks reinvent themselves in a new country in Meron Hadero’s “A Down Home Meal for These Difficult Times” read by Chinasa Ogbuagu. And a child imagines an absent parent through her postcards in “Love, Your Only Mother” by David Michael Kaplan, read by Bebe Neuwirth. In addition to Gladstone’s on-stage remarks, this episode features backstage interviews with actors Masur, Neuwirth and Ogbuagu.
Host Meg Wolitzer presents stories chosen by On the Media’s Brooke Gladstone. Gladstone was our guest for a live Selected Shorts event in which all the stories explore the theme of tales we tell ourselves—and others. The title says it all in Mary Gordon’s “My Podiatrist Tells Me a Story about a Boy and a Dog” read by Bebe Neuwirth and Richard Masur. Two imaginative cooks reinvent themselves in a new country in Meron Hadero’s “A Down Home Meal for These Difficult Times” read by Chinasa Ogbuagu. And a child imagines an absent parent through her postcards in “Love, Your Only Mother” by David Michael Kaplan, read by Bebe Neuwirth. In addition to Gladstone’s on-stage remarks, this episode features backstage interviews with actors Masur, Neuwirth and Ogbuagu.
Meg Wolitzer presents two stories about secret spaces, and what they represent. In N.K. Jemisin’s speculative fantasy “Elevator Dancer” a security guard in a totalitarian regime is beguiled by an act of freedom. The reader is Laura Gomez. And Hugh Dancy reads Greg Jackson’s “The Hollow,” about a secret room, a purposeless life, and a guy who can’t stop talking about Vincent Van Gogh.
Meg Wolitzer presents two stories about secret spaces, and what they represent. In N.K. Jemisin’s speculative fantasy “Elevator Dancer” a security guard in a totalitarian regime is beguiled by an act of freedom. The reader is Laura Gomez. And Hugh Dancy reads Greg Jackson’s “The Hollow,” about a secret room, a purposeless life, and a guy who can’t stop talking about Vincent Van Gogh.
Meg Wolitzer presents three provocative works about rituals that reshape and define their characters. In “oh she gotta head fulla hair,” by Ntozake Shange, a woman’s attention to her hair consumes her life. The reader is Tamara Tunie. In “Half a Day,” by Naguib Mahfouz, performed by Bruce Altman, time collapses and a lifetime goes by in a flash. And in Charles Baxter’s “Fenstad’s Mother,” a mother and son rehearse old patterns and find new ones. The reader is Edie Falco.
Host Meg Wolitzer shares our tribute to the influential and outspoken New Yorker Grace Paley, who would have turned 100 in 2022. Her emphasis on friends, family, and doing the right thing are evident in the three stories on this show. In “Wants,” a woman has a chance encounter while returning a lot of overdue library books. It’s read by Adina Verson. Two old friends work their way from childhood to middle age in “Ruthy and Edie,” read by Rita Wolf. And we meet a woman with a wonderfully checkered past in “Goodbye and Good Luck,” read by Joanna Gleason. Backstage interviews with Wolf and Gleason are featured.
On this show, host Meg Wolitzer gets friendly, and shares three stories about friendships of all kinds. Kelly Stout’s zinger “Let’s Get Drinks,” offers up the perils of conducting a social life via hyperbolic texts, which are hilariously performed by Jane Curtin and Jane Kaczmarek. Next, “True Friendship,” by Jorge Hernandez describes a life-long friend who’s almost too good to be—true. The reader is Michael Urie. And three misfits fit together in Anthony Marra’s “The Last Words of Benito Picone,” performed by John Turturro. A brief interview with Turturro follows the story.
On this show, host Meg Wolitzer gets friendly, and shares three stories about friendships of all kinds. Kelly Stout’s zinger “Let’s Get Drinks,” offers up the perils of conducting a social life via hyperbolic texts, which are hilariously performed by Jane Curtin and Jane Kaczmarek. Next, “True Friendship,” by Jorge Hernandez describes a life-long friend who’s almost too good to be—true. The reader is Michael Urie. And three misfits fit together in Anthony Marra’s “The Last Words of Benito Picone,” performed by John Turturro. A brief interview with Turturro follows the story.
On this show, Meg Wolitzer hands things off to guest host Hope Davis, who presents three stories about finding some kind of peace and stability in a variety of challenging circumstances. In Rabih Alameddine’s “Break” a trans woman reconnects with a sibling. The reader is Pooya Mohseni. Dave Eggers imagines a world changed by determined parents in “Your Mother And I,” performed by the late David Rakoff. And love triumphs over illness in Amy Bloom’s “Silver Water,” performed by Linda Lavin.
Host Meg Wolitzer presents two stories in which some things are saved and some are left behind. Both stories also have a connection to the German language. In Haruki Murakami’s “Lederhosen,” performed by Aasif Mandvi, the traditional German shorts become a singular obsession for one half of a married couple. In Elizabeth McCracken’s “Robinson Crusoe at the Waterpark,” a couple and their son find themselves in over their heads. Mike Doyle is the reader.
Host Meg Wolitzer presents two stories in which some things are saved and some are left behind. Both stories also have a connection to the German language. In Haruki Murakami’s “Lederhosen,” performed by Aasif Mandvi, the traditional German shorts become a singular obsession for one half of a married couple. In Elizabeth McCracken’s “Robinson Crusoe at the Waterpark,” a couple and their son find themselves in over their heads. Mike Doyle is the reader.
Host Meg Wolitzer presents stories by Kurt Vonnegut in which the Slaughterhouse Five author somehow managed to make a bleak dystopia funny and a high school band teacher a hero. The stories explore the darkly absurd side he’s known for—“Harrison Bergeron” performed by Becky Ann Baker––and a softer, touching side in “The Kid Nobody Could Handle” performed by Dylan Baker. The show features commentary from The Daily Show’s Jordan Klepper and backstage interviews with the Bakers, a husband-and-wife duo.
Roxane Gay's story was published in an issue of McSweeney's Quarterly Concern in which all the authors "covered" a story, in the way a musician might cover a famous song. Gay took a famous Margaret Atwood story, titled "Rape Fantasies," as her inspiration. Both "Rape Fantasies" and "Men on Bikes" are about imagination, revenge and joking about subjects that make people uneasy. It's read by actress Jane Kaczmarek.
Comedian Alison Leiby knows how to make us laugh about a subject people aren't prepared to laugh about. Her solo show "Oh God, a Show About Abortion," had a sold-out run in New York and has been touring the U.S. She and host Aparna Nancherla discuss how she approached finding the funny in a hot button topic.
On this Selected Shorts program, host Meg Wolitzer presents stories about journeys—physical and emotional—that end in unexpected places. In “A Woman Driving Alone,” by Marie-Helene Bertino, the main character travels s long way to see a friend, but seems also to be escaping a challenging moment in her life. The piece was commissioned for Selected Shorts’ anthology Small Odysseys, and is read by Amber Tamblyn. In Tom Perrotta’s “Nine Inches”, a teacher drives only across town, to chaperone a middle school dance, but almost gets into trouble himself. The story is performed by Santino Fontana.
Host Meg Wolitzer presents stories of inspirations small and large. In these tales, writers investigate moments in which art inspires life, or life inspires art, especially in a visual medium. In Elizabeth Crane’s “Blue Girl,” read by Valorie Curry, a young woman's secret life is given an unusual public forum. In Jai Chakrabarti’s “Lessons with Father,” commissioned for our Small Odysseys anthology, a middle-aged child tries to connect with her late father through brushstrokes. The reader is Purva Bedi. And in William Boyd’s “Varengeville” read by Dan Stevens, a young man strays from his famous family as he discovers himself on canvas.
On this week’s SELECTED SHORTS, Meg Wolitzer presents two stories about love, or the next best thing. In Pam Houston’s “How to Talk to a Hunter” a smart woman can’t get enough of what her man can’t offer. The reader is Mia Dillon. And a widow and a lonely man make an odd couple in Lisa Ko’s “Pat + Sam,” performed by Jennifer Ikeda.
On this week’s SELECTED SHORTS, we're going to hear stories about students and schools that abandon the usual rules to follow their own, unusual, codes of behavior. In "Singin' in the Acid Rain," by Patricia Marx, performed by Katrina Lenk, it’s recess at a post-apocalyptic school. Marx talks with Meg Wolitzer about the story and her unique brand of humor after the read, and check your feed for our bonus segment featuring the full interview. The class in “The School,” by Donald Barthelme, performed by Laura Esterman, is facing a difficult test; and young love is framed by larger issues in "Melvin in the Sixth Grade," by Dana Johnson, performed by Nikki M. James. We hear from James about this nuanced rite-of-passage story.On this week’s SELECTED SHORTS, we're going to hear stories about students and schools that abandon the usual rules to follow their own, unusual, codes of behavior. In "Singin' in the Acid Rain," by Patricia Marx, performed by Katrina Lenk, it’s recess at a post-apocalyptic school. Marx talks with Meg Wolitzer about the story and her unique brand of humor after the read, and check your feed for our bonus segment featuring the full interview. The class in “The School,” by Donald Barthelme, performed by Laura Esterman, is facing a difficult test; and young love is framed by larger issues in "Melvin in the Sixth Grade," by Dana Johnson, performed by Nikki M. James. We hear from James about this nuanced rite-of-passage story.
In this bonus conversation, host Meg Wolitzer talks to friend and New Yorker humorist Patricia Marx about her story “Singin’ in the Acid Rain,” and writing funny.
A routine that never changes can get old. So this week on Selected Shorts, host Meg Wolitzer presents three stories that shake up domestic life, teaching the characters something new about themselves and their circumstances. In “Scaffolding Man,” by Jenny Allen, performed by Patricia Kalember, a woman in a drab marriage is intrigued by a “hot” stranger. In "Myrna's Dad," by Cyn Vargas, a father’s changing occupations hide a family secret. The reader is Krystina Alabado. And in “Overtime,” by Hilma Wolitzer (Meg’s mom), read by Becky Ann Baker, a happy couple gets a jolt when the man’s ex moves into their apartment. After the story, Meg interviews Hilma about what gave her the idea and her writing in general.
We reprise a recent favorite this week: Guest host Jane Curtin presents a cornucopia of jokes, poems, and stories from a live program with comedian Mike Birbiglia and poet J. Hope Stein. The couple shares material from their book, The New One, about the birth of their daughter, as well as works from some of their favorite writers. Among the featured works are stories and poetry by Joy Harjo, Paige Lewis, Ada Limón, Simon Rich, David Sedaris, Maggie Smith, and Zadie Smith. With performances by Mike Birbiglia, Jane Kaczmarek, Carmen Lynch, Andrea Martin, Kaneza Schaal, and J. Hope Stein
Host Meg Wolitzer presents two stories about objects of love, and feelings that can't be returned, for very different reasons. In “A Love Letter,” by Greg Ames, a boy falls head over heels in a crosswalk. Actor and YA author Maulik Pancholy really captures teen ardor and angst in his reading. And in Kali Fajardo-Anstine’s “Sugar Babies,” another teenager learns about adult responsibility from an everyday pantry staple. The reader is Sonia Manzano, best known for her role on Sesame Street.
On this Selected Shorts we turn the show over to universally beloved author George Saunders. Saunders somehow finds the good, or at any rate the imperfectly human, in his characters. The result is a catalog as funny as it is moving, as devastating as it is hopeful. On this program, two stories that perfectly illustrate this. “Love Letter” is from Saunders’ latest collection Liberation Day. In it, an anxious grandfather who is ambivalent about the state of the world counsels an older grandchild. “Love Letter” is read by Stephen Colbert. And a favorite from our archives, “The Falls,” shows us two flawed men given a chance to do the right thing. Rene Auberjonois reads. Meg Wolitzer interviews Saunders at the end of the show.
In this bonus conversation, host Meg Wolitzer talks to friend and Booker Prize-winning author George Saunders about crafting short stories, where ideas come from, and how his work has evolved over the years.
Our new Too Hot episode features a story about memory, fantasy, and a realm somewhere between the two—a place to which we might escape, for a price (calling all Black Mirror and Westworld fans). It's dark, thoughtful, and surprisingly funny. It was written by author Kim Fu, and is part of her 2022 debut story collection, Lesser Known Monsters of the 21st Century, which among other honors was picked as a TIME Top 10 Fiction Book of 2022. Performed by actors Kirsten Vangsness, beloved for her long-running role on Criminal Minds, and Justin Kirk, known for series including Weeds, You’re the Worst,and Modern Family. The episode is hosted by Aparna Nancherla.
Host Meg Wolitzer presents two gripping stories about people in flight. In Rebecca Makkai’s “The Briefcase,” performed by Victor Garber, an escaped prisoner assumes another man’s identity. In “Paradise,” by Yxta Maya Murray, a young widow and mother runs from a fire, but can’t escape the challenges of her family life. Tanis Parenteau is the reader.
Meg Wolitzer presents three stories about quests and travel, which pose the question “How far do we need to go to find what we want, whether that something be an ephemeral pleasure, a lasting relationship, or a symbolic object?” In Margaret Atwood’s playful origin story “The Martians Claim Canada,” extraterrestrials invade—in search of a good musical. Jane Kaczmarek reads. In Lesley Nneka Arimah’s powerful “Options,” performed by Zainab Jah, a discarded daughter seeks love. And in the third, “Chivalry,” master fantasist Neil Gaiman finds the Holy Grail—in the most unlikely hands. Christina Pickles reads.
Meg Wolitzer presents three unexpected stories that let us see the holidays’ associations—family, friends, food, gifts, and goodwill—in different ways. Amy Krouse Rosenthal presents a playful encounter with the Almighty in “Interview with God,” performed by Jayne Atkinson and James Naughton. In Sherrie Flick’s “Heidi is Dead,” read by Adina Verson, a second wife tries to tune in with her in-laws. And John Cheever’s “Christmas is a Sad Season for the Poor” is a richly comic and warmhearted look at giving and receiving. Teagle F. Bougere reads.
Meg Wolitzer presents a show of stories about replacements and stand-ins. While we tend to crave the original, sometimes a substitute can bring more happiness. In Steve Almond’s “A Happy Dream,” read by Phil LaMarr, a young man assumes a new identity in pursuit of love. In “A Brief Note on the Translation of Winter Women, Written by the Collective Dead, Translated by Amal Ruth,” a writer speaks for those who have passed. The “real” author is Rivers Solomon, and the reader is TL Thompson. In “Saying Goodbye to Yang,” by Alexander Weinstein a robot child and its human family learn about love all at once. The reader is Tony Hale.
Meg Wolitzer presents a show of stories about our need to have “proof of love”—some demonstration by those nearest and dearest of exactly how much they care. A lot, in Etgar Keret’s sweetly improbable “Almost Everything,” in which a husband looks for the perfect gift for a demanding wife. It’s read by Liev Schreiber. In Jacob Guajardo’s “Conquistadors, on Fairchild,” read by Michael Hartney, old flames reconnect, but it’s not clear where they are headed.And in a classic from our archives, Haruki Murakami’s “Ice Man,” a shy woman marries a man who carries winter within and without. Jane Curtin is the reader.
Meg Wolitzer presents a show about the theater, and those who love it. Rachel Klein’s “Audience Instructions for Our Immersive/Experimental Theatre Production In An Abandoned Middle School In Bushwick,” read by Santino Fontana, sends up the avant-garde. In “Our Mutual (Theater) Friend,” by Amber Sparks, A retired diva just can’t fit into ordinary life—and then, she’s given an extraordinary gift. Krystina Alabado reads. Ann Petry’s “Solo on the Drums,” read by Peter Francis James, captures a passionate performance. And Anton Chekhov offers up a theatrical power couple and their puzzling marriage in “He and She,” read by present-day theatrical power couple Hugh Dancy and Claire Danes.
Host Meg Wolitzer presents three stories about fathers and fatherhood. In “Beauty and the Beast” by Simon Rich, a self-absorbed producer gets a little Disney sparkle from his daughter. The reader is Arian Moayed. “Bedtime Story” by Victor LaValle, read by Dion Graham, features a son soothing an anxious father; and a father-daughter hiking trip involves both bonding and danger in Percival Everett’s “Exposure,” read by Denis O’Hare. The show includes comments by Dion Graham and Percival Everett.
Meg Wolitzer presents three stories in which plans go awry, or alter completely. In Ben Loory’s “Dandelions,” read by Wyatt Cenac, a suburb is invaded, and experiences a change of heart. Edwidge Danticat imagines an ultimate act and its consequences in “Cane and Roses,” read by Anika Noni Rose. And a romance with comic underpinnings changes course in Ray Bradbury’s “The Laurel and Hardy Love Affair,” read by Tate Donovan.
Meg Wolitzer hands off to guest host Roxane Gay in this rebroadcast of a show about considering people and feelings at a distance. Italian fabulist Italo Calvino observes young love on the slopes in “The Adventure of a Skier,” performed by James Naughton. In Edwidge Danticat’s “New York Day Women” a daughter watches her mother walking through Manhattan. The reader is Laurine Towler. And the James Baldwin grapples with what it means to be an American in "Notes for a Hypothetical Novel," performed by Brandon J. Dirden.
SELECTED SHORTS host Meg Wolitzer presents three works about change. Yalcin Tosun’s “Muzaffer and Bananas” explores the awkward rites of passage of two teenaged boys. It’s performed by Arian Moayed. In Anya DeNiro’s “Take Pills and Wait for Hips,” performed by Pooya Mohseni, a trans woman reflects on her life before and after the change. And a former couple rehearse the disintegration of their relationship—on a street corner—in A.M. Homes’ “Goodbye to the Road Not Taken’ performed by Jane Kaczmarek and Tony Shaloub.
Host Meg Wolitzer presents two works about growth helped along by some sort of fantastical assistance. The characters in these pieces are stuck; consciously or not, they're looking for something to give them just a little push. And that nudge comes in the form of magic. In “Isabella’s Garden” by Naomi Kritzer, a backyard nature site presents a young family with a new world of fertility. The reader is Jane Kaczmarek. In “My Dear You” by Rachel Khong, performed by Annie Q., the afterlife provides a perfect platform for questions about love, commitment, and the meaning of forever. After the reading, Wolitzer talks to Khong about the story and her writing process.
Host Meg Wolitzer presents three works featuring birds, curated by writer and bird aficionado Amy Tan. Ben Loory’s “The Frog and the Bird,” is a twist the traditional fable genre; it’s performed by Mike Doyle. Teenagers are transformed in “Town of Birds,” by Heather Monley, performed by Yetide Badaki; and an avian love song goes viral in Mikkel Rosengaard’s “The Mating Call,” performed by BD Wong. Tan comments on the program’s theme and the stories.
Host Meg Wolitzer presents three works that contemplate a way out—of our lives, and even of this world. In Joe Meno’s “Books You Read,” performed by Joan Allen, a young boy helps his jaded teacher to love reading again. J. Robert Lennon takes us into deep space and a conversation between a computer and a survivor in “Escape Pod W41,” performed by Stephen Lang. And marriage, and a friendship, are tested in Jac Jemc’s “Infidelity,” performed by Kathleen Chalfant. All three stories were commissioned for SELECTED SHORTS’ anthology Small Odysseys.
Host Meg Wolitzer presents three works that offer unusual perspectives on clothes and fashion—selling, making, and coveting. In Anne Enright’s “(She Owns) Everything,” read by Mary-Louise Parker, a saleswoman becomes a compulsive consumer; In “Clothes on the Ground: A Conversation with Leap,” we hear from a Cambodian garment worker, interviewed by Julia Wallace for the compendium Women in Clothes, edited by Sheila Heti, Heidi Julavits, and Leanne Shapton. Leap is voiced by Jennifer Lim. And shopping is an antidote to aging in Joanne Harris’s “Faith and Hope Go Shopping,” read by Lois Smith.
Guest host David Sedaris offers three stories that question social rites. “Cultural Relativity” is Charles Johnson’s witty retelling of a classic fairy tale; it’s read by Regina King. Zadie Smith reads her own “Lazy River”—ostensibly about a failed holiday in Spain, but also a deft satire about Brexit, class, and exploitation. And the cantankerous spinster In Jean Stafford’s “The Hope Chest” has a Dickensian moment of grace. Dana Ivey is the reader.
Host Meg Wolitzer presents three stories about change. A playful fantasy, a domestic dilemma, and a private struggle help us to adjust to the idea of transformation, losses, and gains. In “Sea Monster,” by Seth Fried, performed by Natasha Rothwell, a husband and wife reveal their secret identities to each other. In “Death by Printer,” by Mira Jacob, a widow learns to cope with loss—and technology. And a mature woman embraces the self she is becoming in Maile Meloy’s “Period Piece,” performed by Kelli O’Hara. The last two stories were commissioned for Selected Shorts’ anthology Small Odysseys.
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Host Meg Wolitzer presents three stories about the act of writing and how it can remake us--a prankish skit; a playful and tender investigation of creating with words; and a fraught social encounter between two characters who don’t ‘get’ each other’s stories. B.J. Novak takes the old saying “Great Writers Steal” literally in a short piece read by Novak and Aasif Mandvi. In Etgar Keret’s “Creative Writing” a wife writes her way out of grief. It’s read by Alex Karpovsky. A dinner party becomes a scene of personal and political tension in Lorrie Moore’s “Foes,” performed by Joan Allen and Kyle MacLachlan. And Moore joins Wolitzer to talk about the story and creating fiction.
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Host Meg Wolitzer presents three diverse stories that look at what gets left behind when life changes, gradually or suddenly. Restless retirees try on the ultimate next step in Greg Ames’ funny “Funeral Platter,” performed by Michael McKean and Annette O’Toole. The family in Julia Alvarez’s “Liberty” are on their way to a new life in America, but it’s difficult leaving the old one behind. The reader is Laura Gómez. And a trainer of guide dogs for the blind learns how to let go, in Amy Hempel's “The Dog of the Marriage,” performed by Joan Allen.
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Host Meg Wolitzer presents three pieces about marriages that outlive the romance. In Etgar Keret’s “A World without Selfie Sticks,” performed by Tate Donovan, a man meets the woman of his dreams; but she’s from an alternate universe. “On the Honeymoon,” by Javier Marias, a husband has a strange encounter with a woman in the street. It’s read by Ivan Hernandez. And in Duncan Birmingham’s “The Cult In My Garage,” performed by Michaela Watkins, an old college buddy turns up, and he’s got a mission.
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An FBI probe into potential terrorists at a prom is the perfect setup for this high-paced satire that covers youth, sex, politics, religion, education, and the government. Written by the award-winning author of Wrong End of the Telescope, and read by Raffi Barsoumian (DC's Legends of Tomorrow and The Vampire Diaries). It was one of the pieces commissioned by Selected Shorts for its new anthology, Small Odysseys.
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Host Meg Wolitzer presents three pieces about losing things: objects, opportunities, a primary sense, a new friendship. In “Any Other” by Jac Jemc, performed by Helen Hong, a woman rejects an offer without knowing the consequences. Namwali Serpell’s “Noseless” is about a loss many experienced during the pandemic; it’s performed by Kyrstina Alabado, Deborah S. Craig, Zach Grenier, and Calvin Leon Smith. And Lauren Groff’s “Such Small Islands” charts the perilous course of a childhood infatuation and betrayal that ends with figurative loss and a literal disappearance. It’s performed by Crystal Dickinson. In a special bonus: multi-instrumentalist Laura Gibson performs a song inspired by Groff’s story.
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Host Meg Wolitzer presents two stories about the course of true love, from two very different perspectives. Sigrid Nunez explores a roller-coaster romance in a small town in “This Is It,” performed by Christina Pickles, and Simon Rich offers up Stone-Age love in a small cave in “I Love Girl.” It’s performed by Michael Ian Black, who also chats with Wolitzer about what he’s been reading and the tricky business of being funny.
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In this bonus conversation, host Meg Wolitzer talks to comedian and writer Michael Ian Black about what he’s been reading and the tricky business of being funny.
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This week we reprise a great show from our archives: guest host Cynthia Nixon presents stories from New York Magazine’s online portal “The Cut,” which combines art, journalism, and the kind of fresh contemporary fiction that speaks to us. On this program, a woman tries on different identities, as well as clothes, in a dress shop fitting room, in “Fully Zipped” by Shelly Oria, performed by Katja Blichfeld. A new mother can’t seem to get the hang of breastfeeding in Curtis Sittenfeld’s “Bad Latch,” performed by Justine Lupe. And Parker Posey tackles mail order—and time travel—in Xuan Juliana Wang’s “Future Cat.”
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Host Meg Wolitzer presents four stories about journeys, both physical and emotional. Strangers size one another up on a busy city bus in Kurt Vonnegut’s “City,” performed by Bhavesh Patel and Sarah Steele. An excerpt from James Baldwin’s Another Country takes us on a frantic subway ride toward an ultimate moment. It is performed by Nathan Hinton. Hopeful immigrants try to reach America in a dubious boat in “The Long Voyage” by Leonardo Sciascia, performed by John Turturro. And a man in transit takes the opportunity to try to recover a bit of his past, in F. Scott Fitzgerald’s “Three Hours Between Planes,” performed by Stephen Colbert.
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Host Meg Wolitzer presents three stories that ask the big, basic questions: Who? What? Where? The characters resonate, the situations are intriguing, and each offers a fully realized world. In “What Animal Are You?,” by Etgar Keret, performed by Willem Dafoe, a celebrity writer and his son play themselves for the media. In Rumaan Alam’s “Nothing Can Come Between Us,” performed by Nathan Hinton, a man goes into sensory overdrive. And a fierce and traditional grandmother tries to find her place in a new world and a new family in Gish Jen’s “Who’s Irish?” performed by Frieda Foh Shen.
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Host Meg Wolitzer presents two stories about indomitable women. A mother grieves a loss fiercely in Carribean Fragoza’s “Lumberjack Mom,” performed by Roberta Colindrez. And Richard Yates’ classic “Fun with a Stranger” offers a portrait of an unforgettable teacher. It’s performed by Marian Seldes.
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In this bonus conversation, host Meg Wolitzer talks to journalist, activist and feminist writer Mona Eltahawy about her life, literature and what it means to be a "dangerous woman."
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Host Meg Wolitzer presents three works about women who defy the status quo and might therefore be perceived as “dangerous.” In Margaret Atwood’s “Unpopular Gals,” fairy-tale archetypes reclaim their power. The reader is Ann Harada. A boisterous and brilliant student threatens to upend the order of her high school in Shanteka Sigers’ “A Way with Bea,” performed by Pascale Armand. And a Victorian-era wife fights for her sanity in Charlotte Perkins Gilman’s classic “The Yellow Wallpaper,” performed by Carrie Coon. The show also includes commentary by the Egyptian-American journalist and activist Mona Eltahawy.
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Host Meg Wolitzer presents two stories about close—but complex—ties of family and friendship. Jamaica Kincaid offers up a lyrical, dreamlike account of the mother/daughter bond in “My Mother,” performed by Laurine Towler. In Laura van den Berg’s “Lessons” a quartet of youthful bank robbers faces hard questions about love and loyalty. The story is read by Emily Skeggs.
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On this episode, bad guys. Host Meg Wolitzer presents three stories featuring famous villains, real and fictional. A woman writes a letter to a former president—now residing in Hell, in “Thank You, Mr. Nixon,” by Gish Jen, performed by Cindy Cheung. And a man in recovery faces off against a former Roman leader with a really bad rep in "Playing Ping-Pong with Pontius Pilate" by Greg Ames, performed by Nate Corddry. Finally, Moby Dick has a say in its own epic in “Captain Ahab, A Novel by the White Whale,” by Paul West, performed by Diane Venora.
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For Memorial Day, host Meg Wolitzer presents two stories that feature men in uniform, codes of honor, and how conflicts can sometime lead to connection. Maile Meloy’s “Red,” performed by Keith Szarabajka, takes place in London during the Blitz, where a man and woman find a rare moment of peace. In Kurt Vonnegut’s “The Cruise of the Jolly Roger,” a retired army man searches for the next chapter in his life. The reader is Teagle F. Bougere. And we feature Vonnegut’s candid and affecting “Letter Home,” about his experience as a prisoner of war. It’s read by Jordan Klepper.
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Host Meg Wolitzer presents three stories about profound and unexpected connections between people—territory she herself covers a lot as a writer. Old enemies meet in Lauren Groff’s “Once,” performed by Cynthia Nixon. Old friends come together and wonder what might have been in Rachel Khong’s “Slow and Steady,” performed by Hettienne Park. And an artistic collaboration takes a bizarre turn in Elizabeth Crane’s “Something Shiny,” performed by Kate Walsh.
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On this SELECTED SHORTS, host Meg Wolitzer presents two stories from our recently published anthology, Small Odysseys, which features 35 commissioned stories from some of the series’ favorite writers. This week, parents try to help with their daughter’s unusual school science research project. Michael Shannon reads Susan Perabo’s “The Project.” And in Luis Alberto Urrea’s “King of Bread,” a father carves out his own little kingdom in the barrios of San Diego—handing out doughnuts, and hope. The reader is Javier Muñoz.
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On this SELECTED SHORTS host Meg Wolitzer presents two stories featuring mothers and children, and entertains a special guest—her own mother, Hilma Wolitzer. In Annette Sanford’s “Trip in a Summer Dress,” a young woman is setting out to get married, but leaving her real life—and a hard choice—behind. The reader is Mia Dillon. “Palaver,” by Bryan Washington, offers a playful—but also serious—battle of wits between a strong-willed mother and her grown son, each wanting to know more about the other without giving away too much of themselves. The alternating narratives are performed by Petronia Paley and Michael Potts. And host Wolitzer quizzes her own mother about her writing life, the impact of feminism, and raising a novelist to be.
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A story by the Columbian-born author, set in the turbulent 70’s as a group of would-be radicals devises a plan that quickly goes awry (the narrator might be the most pathetic revolutionary ever). The story is read by Peter Jay Fernandez, translated by Beatriz Teleki. Too Hot is hosted by Aparna Nancherla.
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Host Meg Wolitzer presents three stories about social masks and what might lie beneath. Truman Capote’s “A Lamp in a Window” introduces an eccentric character with a secret. It’s performed by Arian Moayed. In Molly Giles’ “What Do You Say?” a mother and daughter lunch at a diner, where the mother encounters a bit of her past. The reader is Parker Posey. And novelist Zadie Smith channels the legendary singer Billie Holiday in “Crazy They Call Me,” performed by Karen Pittman.
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Host Meg Wolitzer presents two works by the dazzling writer Joan Didion, whose essays, novels, and memoirs have been beloved by generations of readers. This sophisticated, knowing artist placed herself squarely in her reportage, telling her own story vividly and courageously. We’ll hear excepts from two of her best-known works, The White Album, in which she reports on her own mental collapse in the madness of California in the 1960s, and Goodbye to All That, in which her youthful self falls in, and out of, love with New York City. Jill Eikenberry performs The White Album and Mia Dillon shares Goodbye to All That.
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We partnered with WNYC’s Alison Stewart on this program featuring tales of love and haunting by new and established writers who have been featured on her show All of It. In Hilary Leichter’s “Doggy-Dog World” family life takes an unexpected turn. It’s read by Sarah Mezzanotte. Is “Horror Story” a series of hauntings, or is it the form that love takes when it’s not working? Carmen Maria Machado’s story is read by Molly Bernard. And the masterful Louise Erdrich gives us an old story—falling in love with your teacher—in a new guise; she happens to be a nun. Cynthia Nixon is the reader of “Sister Godzilla.”
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A bonus interview between our host and best-selling author, Meg Wolitzer, and the host of WNYC’s All of It, Alison Stewart. Wolitzer reveals some of the secrets to great writing and the two women share their own reading habits and thoughts about the importance of fiction.
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It's all about the Slaughterhouse Five author who somehow managed to make a bleak dystopia funny, and a high school band teacher a hero. With host Meg Wolitzer we celebrate 100 years of Vonnegut with stories that explore the darkly absurd side he’s known for—“Harrison Bergeron” performed by Becky Ann Baker--and a softer, touching side in “The Kid Nobody Could Handle,” performed by Dylan Baker.
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Host Meg Wolitzer presents three provocative works about rituals that reshape and define their characters. In “oh she gotta head fulla hair,” by Ntozake Shange, a woman’s attention to her hair consumes her life. The reader is Tamara Tunie. In “Half a Day,” by Naguib Mahfouz, performed by Bruce Altman, time collapses and a lifetime goes by in a flash. And in Charles Baxter’s “Fenstad’s Mother,” a mother and son rehearse old patterns and find new ones. The reader is Edie Falco.
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A haunting story from one of the major figures in modern speculative fiction, short story- and novel-writer N.K. Jemisin.The New York Times called her “The Most Celebrated Science Fiction And Fantasy Writer of Her Generation," with good reason. Beautifully read by Purva Bedi, "The Storyteller's Replacement" is about a king on the hunt to secure and eat a dragon’s heart to ensure his own virility. Host Aparna Nancherla discusses the story and more with Jemisin after the reading.
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Host Meg Wolitzer presents two stories about love, or the next best thing. In Pam Houston’s “How to Talk to a Hunter” a smart woman can’t get enough of what her man can’t offer. The reader is Mia Dillon. And a widowed mother and a lonely man make an odd couple in Lisa Ko’s “Pat + Sam,” performed by Jennifer Ikeda.
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SELECTED SHORTS host Meg Wolitzer presents two gripping stories about people in flight. In Rebecca Makkai’s “The Briefcase,” performed by Victor Garber, an escaped prisoner assumes another man’s identity. In “Paradise,” by Yxta Maya Murray, a young widow and mother runs from a fire, but can’t escape the challenges of her family life. Tanis Parenteau is the reader.
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SELECTED SHORTS host Meg Wolitzer presents a show about the theater, and those who love it. Rachel Klein’s “Audience Instructions for Our Immersive/Experimental Theatre Production In An Abandoned Middle School In Bushwick,” read by Santino Fontana, sends up the avant-garde. In “Our Mutual (Theater) Friend,” by Amber Sparks, A retired diva just can’t fit into ordinary life—and then, she’s given an extraordinary gift. Krystina Alabado reads. Ann Petry’s “Solo on the Drums,” read by Peter Francis James, captures a passionate performance. And Anton Chekhov offers up a theatrical power couple and their puzzling marriage in “He and She,” read by present-day theatrical power couple Hugh Dancy and Claire Danes.
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SELECTED SHORTS host Meg Wolitzer presents three works that explore the complicated lives of women. Edwidge Danticat’s essay “Women Like Us” honors the long line of strong women in her family, but also recognizes her need to distance herself in order to become a writer. The reader is the late Lynne Thigpen. In an excerpt from Nora Ephron’s Heartburn, performed by Joan Allen, a philandering husband gets just what he deserves. And an order of nuns has hidden strengths—and comic timing—in Claire Luchette’s “New Bees,” performed by Joanna Gleason.
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Guest host David Sedaris presents three stories about recollection and redemption. In “Sibyl,” by Carys Davies, read by Jane Kaczmarek, two lonely vacationers are brought together. Andre Braugher performs an excerpt from Toni Morrison’s master work Beloved. And a daughter returns home to help her aging father in an excerpt from Rachel Khong’s bittersweet novel Goodbye, Vitamin, performed by Jennifer Ikeda.
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Guest host Tayari Jones presents stories about rites of passage between childhood and adulthood. In Brazilian writer Clarice Lispector’s lyrical “The First Kiss,” a young boy has his first brush with the sensual. Pepe Nufrio is the reader. A fiery country girl shows a cool city boy the ropes—and a gator—in “Hellion,” written by Julia Elliott, and read by Donna Lynne Champlin.
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Guest host Kirsten Vangsness presents three stories about hard choices. In Jac Jemc’s “Trivial Pursuit,” a husband and wife run the gamut of odd couples while trying to construct a social life. Jordan Klepper kills it. Renee Jessica Tan offers a thought-provoking response to racial stereotyping, and a great father/daughter story, in “Baghead,” performed by Karen Chee. And a recent divorcee has nothing to lose in her “Spanish Winter.” But what does she have to gain? Melora Hardin performs this strong piece by Jennifer Egan.
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Guest host Kirsten Vangsness presents three stories about hard choices. In Jac Jemc’s “Trivial Pursuit,” a husband and wife run the gamut of odd couples while trying to construct a social life. Jordan Klepper kills it. Renee Jessica Tan offers a thought-provoking response to racial stereotyping, and a great father/daughter story, in “Baghead,” performed by Karen Chee. And a recent divorcee has nothing to lose in her “Spanish Winter.” But what does she have to gain? Melora Hardin performs this strong piece by Jennifer Egan.
Guest host Maulik Pancholy presents two favorite stories from our archives about childhood dreams and desires. In “The Mathematician.” by Daniel Kehlmann, a mature genius is trapped in a child’s body. It’s performed by BD Wong. In Randall Kenan’s “Hobbits and Hobgoblins,” performed by Jeffrey Wright, a child living in a raucous household escapes into a dream world in which his house is filled with fabulous creatures.
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On this episode, a story about sexual encounters between the seventy-year-old narrator, voiced by Kathleen Chalfant, and her thirty-two-year-old neighbor Richard. Plus host Aparna Nancherla chats with the author about her inspiration for this story, and more.
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Guest host David Sedaris presents three stories about love and constraints. Jamaica Kincaid's "Girl" conjures up a tough but loving mother in a humorous laundry list of dos and don'ts. She's brought to life by Hattie Winston. George Saunders' story title says it all: "Lars Farf, Excessively Fearful Husband and Father" takes protectiveness to hilarious extremes. The reader is James Naughton. And in Carson McCullers' "A Domestic Dilemma," read by Joanna Gleason, a Southern family has a secret.
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Guest host Jane Curtin presents a cornucopia of jokes, poems, and stories from a live program with comedian Mike Birbiglia and poet J. Hope Stein. The couple shares material from their book The New One, about the birth of their daughter, and Stein’s poems reflecting on the experience of motherhood, as well as works by other favorite writers, including poetry and short stories from David Sedaris, Simon Rich, Zadie Smith, Jo Harjo, and Maggie Smith. Performers include Jane Kaczmarek, Carmen Lynch, Andrea Martin and Kaneza Schaal.
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Guest host Hope Davis presents two stories in which strong bonds between women are evoked, by authors reflecting very different worlds. In Youmna Chlala’s “Nayla,” read by Rita Wolf, two young women in a traditional community form a friendship. In Susan Perabo’s “Life Off My E,” the relationship between sisters is reflected through their shared love of Scrabble. Hope Davis is the reader.
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Guest host Jane Curtin presents two stories from the influential literary journal Ploughshares. “y = mx+b,” by Andrew Altschul uses an algebraic formula to explore the act of storytelling and the shape of life itself. It’s performed by Peter Mark Kendall. In our second story, Jamel Brinkley’s “I Happy Am,” a boy who usually imagines himself as a robot begins to imagine his own, real life. It also reflects on the way issues of race and class can effect a child’s imagination. The reader is Karen Pittman.
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Guest host Cynthia Nixon presents two stories about unusual family members. In Alix Ohlin’s “The Cruise,” a heartsick divorcee travels with her unconventional aunt. Laura Benanti reads. An elderly dog is “A Permanent Member of the Family,” and a bone of contention, in this Russell Banks story performed by Zach Grenier.
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Guest host Meg Wolitzer presents our holiday show--two stories about being home for the holidays and how you can count on your Mom to be there for you—and possibly to complicate things. First, memoirist Augusten Burroughs recalls a disastrous—and hilarious—childhood cooking project. Reader Michael Cerveris relishes every bite. And in “Live Wires” by Thomas Beller, a young man invites his girlfriend to his mother’s annual Hanukkah party. The reader is Jane Curtin.
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Guest host Jane Kaczmarek presents two stories from the Best American Short Stories 2021 anthology selected by guest editor Jesmyn Ward. Both involve adolescents facing displacement or rejection, but the stories are set in very different environments: One takes place in a surreal, Soviet-occupied Afghanistan, and one inside a junior high school in Tennessee. First, Leo Solomon reads “Playing Metal Gear Solid: The Phantom Pain,” by Jamil Jan Kochai. Then we hear “Biology,” by Kevin Wilson, performed by Mike Doyle. And Ward comments briefly on her approach to creating this year’s diverse anthology.
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Guest host Hope Davis presents three uncanny stories featuring children. In Simon Rich’s hilarious “The Baby,” a novelist faces competition from his unborn son. Jason Mantzoukas is the reader. A children’s game takes a strange turn in Fiona McFarlane’s “Buttony,” read by Jin Ha. And Etgar Keret offers up an unusual mother-son story—and lots of calories--in “Crumb Cake,” performed by Andy Richter.
Guest host Roxane Gay (no mean cook herself) presents three stories centered on food. In “Three Great Meals” the late New Yorker humor writer Donald Barthelme. tells you how to prepare breakfast, lunch and dinner from a terrifying medley of fast food and low-end canned goods. The story is read by Nate Corddry. In "Simple Recipes," author Madeleine Thien weaves together evocative memories of traditional meals prepared by her father, with more complex images of a family in conflict. The reader is Cindy Cheung. And finally, a Roald Dahl classic, “Lamb to the Slaughter.” This tale of a model housewife’s response to a marital crisis will make you view your Sunday roast in a whole new light. She’s embodied by Catherine O'Hara.
Guest host LeVar Burton presents three stories in which fantasies and memories are both near and far. In “The Elevator Dancer,” by N.K. Jemisin, a guard is obsessed by a woman who spins when no one is looking. Laura Gomez is the reader. A woman remembers a transforming moment in her Depression-era childhood in “Marigolds,” by Eugenia W. Collier. The story is performed by Sharon Washington. Ursula K. Le Guin moves and surprises us in “The Wife’s Story,” performed by Joanna Gleason.
From the author of novels including The Ice Storm and Purple America, a storyabout love, longing, and most importantly, putting your lips on somebody. Performed by Jin Ha (Devs).
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Guest host Jane Kaczmarek presents two very different stories about the overlap of aspirations and dreams. In “Fairness,” by Nigerian-born writer Chinelo Okparanta, a young girl from a well-to-do household is obsessed with the idea of having lighter skin, an obsession shared by all the women in her family circle. The reader is Chinasa Ogbuagu. In Rachel Simon’s eerie “Little Nightmares, Little Dreams,” a husband wants to share everything with his wife of fifty-four years, including their dreams. The story is performed by Maria Tucci.
Guest host Cynthia Nixon presents stories about the family dynamics between children and parents. It's never too early to defy gender norms, as Ivan E. Coyote confides in "No Bikini," read by Becca Blackwell. A woman confronts her mother's aging, and her own childlessness, in Kathryn Chetkovich's tender story "The World with My Mother Still In It," read by Phillipa Soo. And three generations are "At the Zoo," in a story by Caitlin Horrocks: a rowdy grandpa, a sensitive child, and a mother caught between the two. The reader is Kate Walsh.
Guest host Hope Davis presents three stories about being perceived, and remembered, by others. In Aimee Bender’s “The Rememberer,” wonderfully performed by the late Marian Seldes, a woman has to reconstruct her lover from memory as he undergoes an extraordinary transformation. In “Rumors About Me,” an ordinary man becomes a media sensation. The unsettling story is by Yasutaka Tsutsui, translated by Andrew Driver, and performed by Kennedy Kanagawa. And an orange rules the world in a gentle fantasy by Benjamin Rosenbaum, performed by John Cameron Mitchell.
Guest host Michael Cerveris presents two stories in which a lot happens, but subtly. The narrator of A.M. Homes’ “Yours Truly” is “hiding in the linen closet” on a journey of self-discovery. The reader is Beth Malone. In Weike Wang’s “Omakase” a couple’s special sushi dinner proves unexpectedly revealing. The reader is Jennifer Lim.
Guest host Roxane Gay presents two stories about making things work out, though sometimes at a cost. In “Loose Change,” by Andrea Levy, performed by Eve Best, a well-off Londoner has a strange encounter in an art gallery, one that recalls a pivotal moment in her family’s past. In Manuel Munoz’s "Anyone Can Do It,” a poor woman takes a risk in order to provide for her family. The reader is Monica Raymund.
Guest host Cynthia Nixon presents stories by two masters of the short-story form. Humor, humanity, and fantasy all combine in four tales of things gone wrong. In “Fly Already” by Etgar Keret, performed by Liev Schreiber, a widower and his small son watch a drama unfold. In “Where Are You?” by Joyce Carol Oates, performed by Dianna Agron, a demanding husband pushes his wife to the limit. In “One Gram Short” by Etgar Keret, performed by Ira Glass, a stoner makes a really bad deal; and Oates’ “Assassin” combines tongue-in-cheek horror and political satire. Becky Ann Baker is the reader.
Guest host Maulik Pancholy presents two stories in which social outliers strive for love. In “Tandolfo the Great,” by Richard Bausch, a sad-sack children’s clown falls head over heels—without a banana peel. Michael Ian Black is the reader. And American master Carson McCullers presents a complex theory about the nature of love, from a surprising source: a down-at-heels guy in a diner. Lance Reddick reads “A Tree, A Rock, a Cloud.”
Guest host LeVar Burton presents two of his favorite stories. In Lucia Berlin’s “Friends,” the characters have different ideas about who benefits from their weekly lunches. The reader is Lydia Gaston. Next, Burton himself reads Jocelyn Nicole Johnson’s powerful “Control Negro,” in which an academic and father tries a real-world experiment to prove a theory about racism.
Guest host Meg Wolitzer presents three diverse stories that look at what gets left behind when life changes, gradually or suddenly. Restless retirees try on the ultimate next step in Greg Ames’ funny “Funeral Platter,” performed by Michael McKean and Annette O’Toole. The family in Julia Alvarez’s “Liberty” are on their way to a new life in America, but it’s difficult leaving the old one behind. The reader is Laura Gomez. And a trainer of guide dogs for the blind learns how to let go, in Amy Hempel’s “The Dog of the Marriage,” performed by Joan Allen.
Guest host Baron Vaughn presents three works where the personal and the political collide. In “Parent Night at Confidence Academy,” by Kiley Reid, a teacher lets parents know what she really sees in their kids. The reader is Juliana Canfield. Two kingdoms have created ideal societies, as long as you don’t mind a little restraint, in this playful fable by "Berlin Alexanderplatz" author Alfred Doblin, read by Kate Burton. And local politics gets ugly (even the dog is involved) in Peter Orner’s “Shouting Wenkie,” performed by Liev Schreiber.
Guest host Cynthia Nixon presents three works about losing control. In Dmitry Biriukov’s “Hello?” a crowded city bus inspires one passenger to create a romantic scenario. The reader is Mike Doyle. Jenny Allen offers up a disastrous crafts project in “How to Tie-Dye,” reader by Jane Curtin. And Anton Chekhov gives us a clueless young man beset by determined women in “From the Diary of a Hot-Tempered Man,” read by Sam Underwood.
Guest host Maulik Pancholy presents three stories about workers and the workplace—and "the daily grind." In a John Cheever classic, “Bayonne,” a busy waitress defends her territory. The reader is Mary Kay Place. The always succinct Lydia Davis gives us “Alvin the Typesetter,” in which a bohemian artist battles job conformity. The late David Rakoff performs. And in “OBF, Inc." by Bernice L. McFadden, an interviewee at a hip start-up learns about a secret organization that sells cultural capital. It’s performed by Teagle F. Bougere.
Writer and character actor Stephen Tobolowsky reads his own story about a Thanksgiving dinner that takes a most unexpected turn. Later he talks to host Aparna Nancherla about his work in TV, movies, and his podcast, The Tobolowsky Files.
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Guest host Kate Burton presents three stories in translation selected with the international literary organization Words Without Borders. A wealthy woman winds up on the other side of the poverty line in Évelyne Trouillot’s “Detour,” performed by Rita Wolf and Arian Moayed. A civil servant becomes a soccer star in Réka Mán-Várhegyi’s "Woman Striker Has Killer Left Foot,” performed by Adina Verson. And two teenage misfits visit a chimp in “Muzaffer and Bananas” by Yalçın Tosun, performed by Arian Moayed.
Guest host Meg Wolitzer presents three stories about profound and unexpected connections between people—territory she herself covers a lot as a writer. Old enemies meet in Lauren Groff’s “Once,” performed by Cynthia Nixon. Old friends come together and wonder what might have been in Rachel Khong’s “Slow and Steady,” performed by Hettienne Park. And an artistic collaboration takes a bizarre turn in Elizabeth Crane’s “Something Shiny,” performed by Kate Walsh.
Guest host Jane Kaczmarek presents three stories where facts, beliefs, and fabrications coincide. Essayist Samantha Irby debunks nature, fresh air, and sunshine in “The Case for Remaining Indoors,” performed by Retta. Rebecca Makkai shares tattered facts about a terrorist in “Everything We Know About the Bomber,” performed by John Cameron Mitchell. And Michael McKean brings a difficult father to life in Walter Kirn’s “The Hoaxer.”
Guest host Jane Curtin presents works by Anton Chekhov that were part of a celebration sponsored by Columbia University and hosted by Chekhov scholar Laura Strausfeld. We’ll hear “A Drama,” performed by Cynthia Nixon—an ambitious writer overwhelms her idol; “Rapture,” performed by Robin Miles, Sam Underwood, Rainn Wilson, and Di Zhu—a young man enjoys his 15 minutes of fame; “Which is Better?,” performed by Rainn Wilson—Chekhov debates the merits of schools vs. pubs; and “Verotchka,” performed by Rainn Wilson—a studious young man confronts romance.
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Guest host Maulik Pancholy presents stories, essays, and poems, and speeches celebrating America’s diversity and wealth of stories. An aging father ponders his life in Elizabeth Strout’s “The Walk,” read by Ellen Burstyn. The whole country’s talking in Susan Minot’s “Listen,” read by Jennifer Ikeda and Khris Lewin. Julia Alvarez faces prejudice and finds her voice in “Speak! Speak!” read by Selenis Leyva, and Henry Louis Gates intros works by 19th-century African-American women writers from his anthology.
Guest host Cynthia Nixon presents two stories featuring man's best friend. In "Pie Dance," by Molly Giles, a divorcee balances a complicated family menage with the help of her dancing dog. Nixon read this story as part of Radio Love Fest, a production of WNYC and the Brooklyn Academy of Music, at BAM's Harvey Theater. Then in Maile Meloy's touching tale, "Madame Lazarus" an elegant, aging Frenchman is no longer certain of his younger lover, but has complete faith in the love and loyalty of his self-willed terrier Cordelia. Reader Rene Auberjonois read this story at the Getty Center in Los Angeles.
Guest host Robert Sean Leonard presents a tribute to the classic TV series, “The Twilight Zone,” including two stories that were featured on the show: Price Day’s “Four O’Clock,” read by Zachary Quinto, in which a man with awesome powers knows just how to improve the world. And “Perchance to Dream,” by Charles Beaumont, in which the lines between sleeping and waking blur. It’s read by Zach Grenier. Roald Dahl’s “The Landlady,” is the perfect hostess, thinks the unwary young man who comes to her door. It’s read by Sam Underwood.
Bruce Jay Friedman has been hailed by critics as a comic genius, a writer whose vision confronts the malaise of contemporary life with a liberating deadpan humor. Friedman has published several novels, multiple collections of short stories, four plays, and several works of nonfiction. His short story “A Change of Plan” was adapted by Neil Simon and Elaine May into the movie The Heartbreak Kid. He wrote the movie scripts for Doctor Detroit, Stir Crazy, and Splash, for which he received an Oscar nomination and the Steve Martin film The Lonely Guy was based on Friedman’s book. Our reader is celebrated actress Sigourney Weaver.
Over the years, Selected Shorts has recorded amazing stories that due to language issues or content advisories were, well, too hot for radio. Now we've gone into the vault, selected some of the best of these recordings, and created this new podcast. It’s Selected Shorts: Too Hot For Radio.
Each episode centers around one story, whether it’s 5 minutes or 45 and will feature commentary and special guests. The show is hosted by comedian Aparna Nancherla. We'll be releasing one show every other week with our partner Panoply. Initial shows feature stories by Stephen King, Simon Rich, Hillary Mantel, and Chuck Palahniuk.