PoetryNow: Recent Episodes

Poetry Foundation

PoetryNow is a weekly four-minute radio series featuring some of today’s most accomplished and innovative poets who offer an acoustically rich and reflective look into a single poem.

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Caitlin Doyle thinks about romance novels at the end of a relationship. Produced by Katie Klocksin.

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Sandra Doller meditates on aging and motherhood. Produced by Katie Klocksin.

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Stacy Szymaszek writes a poem in gratitude to her students. Produced by Katie Klocksin.

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Will Alexander finds ways of writing poems to revitalize language as a whole. Produced by Katie Klocksin.

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Christine Kanownik examines the place of religion and spirituality in secular life. Produced by Katie Klocksin.

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Evie Shockley expresses frustration over ongoing immigration policies and thinks about ways Americans might better live together. Produced by Katie Klocksin.

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Matei Yankelevich meditates on the nature of poetic language and lingers over events from his past. Produced by Katie Klocksin.

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Alyse Knorr writes about motherhood and loss. Produced by Katie Klocksin.

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George Abraham invents a new sonnet form to investigate an act of vandalism that occurred in a Palestinian vineyard. Produced by Katie Klocksin.

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Jill Magi explores the intersections between sports culture and corporate job-speak. Produced by Katie Klocksin.

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Divya Victor considers the effects of transnational migration on family life. Produced by Katie Klocksin.

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Jennifer Foerster imagines encountering her younger self on a walk through the streets of Vienna. Produced by Katie Klocksin.

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Wendy Lotterman wonders what home invasion and poetry have in common. Produced by Katie Klocksin.

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Emmalea Russo recalls a Skype healing session and remembers the death of her aunt Vera. Produced by Katie Klocksin.

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Lotte L.S. considers the legacy of British poet and political activist Anna Mendelssohn. Produced by Katie Klocksin.

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Emily Sieu Liebowitz begins a poem by wondering if the Trojan Horse was merely a metaphor for written language. Produced by Katie Klocksin.

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Dora Malech reflects on the way gun violence and school shootings have affected her own life. Produced by Katie Klocksin.

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Sawako Nakayasu imagines eating a bowl of girl soup and the conundrum posed by her own intervention. Produced by Katie Klocksin.

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Emily Skillings writes a tribute to poet John Ashbery who died in September of 2017. Produced by Sarah Geis.

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Rodney Koeneke considers the mystery and language of riddles. Produced by Katie Klocksin.

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Khaled Mattawa remembers the sense of hope felt during the Arab Spring and at the prospect of having a second child. Produced by Katie Klocksin.

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Kirsten Ihns considers the way a poem can dance the reader’s mind. Produced by Katie Klocksin.

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Eric Baus demonstrates how the powerful can learn from something seemingly small and weak. Produced by Katie Klocksin.

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Hai-Dang Phan examines archival documents concerning the abduction of a young Vietnamese woman by Thai pirates in the 1980s. Produced by Katie Klocksin.

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Cedar Sigo pays tribute to the poet Joanne Kyger, who died in March of 2017. Produced by Katie Klocksin.

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Maureen Thorson recalls details of her life in 1989 when she was 10 years old. Produced by Katie Klocksin.

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Jared Stanley imagines how climate change will displace populations and what that could mean for one’s family. Produced by Katie Klocksin.

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Kimberly Lyons interrogates the purchase of second-hand clothes and the writing of poetry. Produced by Katie Klocksin.

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André Naffis-Sahely visits the desert of Arizona and contemplates the cruelty of the Trump Administration’s policy of family separation at the southern border. Produced by Katie Klocksin.

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Jasmine Gibson writes a love poem to her partner. Produced by Katie Klocksin.

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Katy Bohinc leaves Paris and writes a poem of apology after a misunderstanding with someone close to her. Produced by Katie Klocksin.

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Patricia Spears Jones considers the dynamics of race through the lens of a 1930s Mae West film. Produced by Katie Klocksin.

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Geoffrey Hilsabeck imagines a conversation between Walt Whitman and Ralph Waldo Emerson as they walk through Boston Common.

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Ginger Ko imagines the near future when humans will possess a fully automated representative. Produced by Katie Klocksin.

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Callie Garnett makes an ad pitch for her poetry. Produced by Katie Klocksin.

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Norma Cole meditates on the Syrian refugee crisis. Produced by Colin McNulty.

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Chris Glomski considers the variables that comprise a human life. Produced by Katie Klocksin.

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Justin Phillip Reed imagines an inverted history of slavery. Produced by Katie Klocksin.

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Jessica Laser considers wisdom, poetry, and procrastination. Produced by Katie Klocksin.

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Simone White documents a mother’s life with her infant son. Produced by Katie Klocksin.

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Chris Martin composes a list of things one might do in hell. Produced by Katie Klocksin.

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Brian Lucas takes a speculative look at figures of deception. Produced by Katie Klocksin.

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Ana Božičević explores the feelings and emotions of spring. Produced by Sarah Geis.

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Jay Besemer considers heredity and the uncertainty of one’s past. Produced by Katie Klocksin.

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Elisa Gabbert meditates on the nature of suffering and the language we use to describe it. Produced by Katie Klocksin.

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Rusty Morrison recalls an encounter in an airport and considers how touch can be a source of knowledge. Produced by Katie Klocksin.

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Julian Talamantez Brolaski considers the way we use pronouns to signal gender. Produced by Katie Klocksin.

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Richard Blanco remembers the 17 students killed in a mass-shooting at Marjory Stoneman Douglas High School in Parkland, Florida on February 14th, 2018. Produced by Katie Klocksin.

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Stephanie Ellis Schlaifer imagines the prospect of a God who may have created humanity in order to battle evil. Produced by Katie Klocksin.

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Katy Lederer recalls her experience with in vitro fertilization and finds poetry in the language of science. Produced by Katie Klocksin.

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Donika Kelly recalls a class field trip to a sea lion sanctuary in the sixth grade and questions why certain lives are valued above others. Produced by Katie Klocksin.

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Kim Parko considers the politics of the word “bitch.” Produced by Katie Klocksin.

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Diana Khoi Nguyen meditates on the importance of exchanging marital vows. Produced by Katie Klocksin.

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Hayan Charara considers how the world would be different today if certain historically significant events had not taken place in the late 1990s. Produced by Sarah Geis.

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francine j. harris revisits her childhood home in Detroit and imagines the ways destruction can be an empowering act. Produced by Colin McNulty.

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Gabriel Ojeda-Sague describes a strange dream and considers the domestic space he has built with his partner.

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Tongo Eisen-Martin examines the institutions artists and artworks occupy and uses writing as a challenge to power. Produced by Katie Klocksin.

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Ruben Quesada remembers a friend who died under mysterious circumstances and meditates on his own friends, loved ones, and mortality. Produced by Katie Klocksin.

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Mark Tardi begins a poem with a line from the journal of the artist Francesca Woodman, a photographer known for her haunting self-portraits. Produced by Katie Klocksin.

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Brenda Hillman explores the many nuances of human emotions and articulates the moment before a feeling comes into being. Produced by Katie Klocksin.

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Toby Altman visits a hospital in Washington State designed by Bertrand Goldberg and considers the costs of making art in contemporary America. Produced by Katie Klocksin.

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Lisa Wells recalls a time in the woods with her father and meditates on the climate crisis threatening life on Earth. Produced by Katie Klocksin.

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Edmund Berrigan finds an old photo of his mother and father and describes a rich web of detail from the image. Produced by Katie Klocksin.

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Randall Mann remembers a poem by Richard Wilbur and addresses social and spiritual concerns of San Francisco, the city where he has lived for 20 years. Produced by Katie Klocksin.

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Ali Power considers the relationship between a psychotherapist and her patient. Produced by Katie Klocksin.

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During a poetry workshop, Bridget Talone composes a poem inspired by the writing of poet David Larsen. Produced by Katie Klocksin.

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Celina Su looks at the environmental consequences involved with offshore drilling and fracking. Produced by Katie Klocksin.

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Hanif Abdurriqib investigates a scene from Christopher Nolan’s film The Prestige and considers the costs of one’s life. Produced by Katie Klocksin.

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Meena Alexander meditates on her transnational upbringing and interrogates the question of one’s origins. Produced by Katie Klocksin.

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Claudia La Rocco writes a poem as a gift to a friend experiencing a difficult set of life circumstances. Produced by Katie Klocksin.

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Sophia Dahlin navigates a complicated set of emotions inside an emotionally abusive relationship. Produced by Katie Klocksin.

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Melissa Broder writes about self-realization and survival. Produced by Katie Klocksin.

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Lillian Yvonne Bertram meditates on conflicted romantic feelings during a summer spent in Maine. Produced by Ayana Contreras.

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Emily Hunt documents her time working at a greenhouse for an online flower seller. Produced by Katie Klocksin.

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Laura Marie Marciano describes the feeling of freedom after closing a chapter in one’s life. Produced by Katie Klocksin.

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Kazim Ali focuses on the way attention to sound can open a spiritual dimension in poetry. Produced by Katie Klocksin.

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Ryo Yamaguchi considers how future generations may characterize our present moment in time. Produced by Katie Klocksin.

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Daniel Poppick thinks about fear and recalls a woman from Queens who was disfigured in an acid attack in 2015. Produced by Katie Klocksin.

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Alan Felsenthal lists and blesses aspects of his life, large and small, for which he is grateful. Produced by Katie Klocksin.

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Gillian Conoley discusses the devastation wrought by the October 2017 Northern California wildfires, the most destructive in the state’s history. Produced by Katie Klocksin.

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After an artist residency at Chicago’s International Museum of Surgical Science, Carrie Olivia Adams celebrates the lives of pioneering women in medicine during the nineteenth century. Produced by Katie Klocksin.

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Kenyatta Rogers distracts himself with writing during an uncomfortable flight from Los Angeles to Chicago. Produced by Sarah Geis.

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Elaine Kahn meditates on care, loss, and the uncertainty of the future. Produced by Katie Klocksin.

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Noel Black imagines singing karaoke on a yacht to the music of Michael McDonald. Produced by Sarah Geis.

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Mary Cisper mediates on loss and grief after the death of her former husband. Produced by Katie Klocksin.

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John Lennox summons the presence of a friend who died suddenly and at a young age. Produced by Katie Klocksin.

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Anjuli Raza Kolb describes how her grandfather rewrote verses of the Qur’an using only the @ sign on his typewriter. Produced by Sarah Geis.

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Nick Twemlow navigates the often bizarre and alienating world of the modern office. Produced by Katie Klocksin.

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Feliz Lucia Molina remembers her life as a child while growing up in the San Fernando Valley. Produced by Sarah Geis.

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Roberto Harrison imagines a time when death itself will be artificial. Produced by Sarah Geis.

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Prageeta Sharma reflects on the last night of intimacy with her terminally ill partner. Produced by Katie Klocksin.

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Randall Horton thinks about the ways we trap ourselves and others in boxes. Produced by Sarah Geis.

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Diana Arterian describes the wedding ceremony of Agrippina the Younger, Empress of Rome and mother to the infamous Emperor Nero. Produced by Katie Klocksin.

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Johannes Göransson catalogs his summer travels through Berlin and Stockholm. Produced by Sarah Geis.

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Vi Khi Nao’s poem inhabits the scene of a painting composed in 1998 by Norwegian artist Odd Nerdrum. Produced by Katie Klocksin.

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Kit Robinson describes a walk home on a summer night as a cinematic experience. Produced by Katie Klocksin.

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Harmony Holiday meditates on her biracial heritage and the legacy of her parents. Produced by Katie Klocksin

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Jennifer Firestone recounts the state of dementia in a loved one. Produced by Sarah Geis.

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David Shook responds to a poem by Pablo Neruda with his own poem set in present-day Middle East. Produced by Sarah Geis.

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Joanna Klink meditates on personal loss. Produced by Katie Klocksin.