Day for Night with Caridad Svich: Recent Episodes
Caridad Svich
A series where poetry and theatre meet - in the edge-lands, in the wilderness. Hosted by OBIE-winning playwright Caridad Svich. Support this podcast: https://anchor.fm/caridad-svich/support
reading CJ THE X's WHAT IS TO BE DONE? A Manifesto to Return to Web 1.5, first posted on their website on March 1, 2024. https://www.cjthex.com/what-is-to-be-done/
continuing my recording of work of artists I admire.
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in memory of scholar, poet, playwright, theatre-maker, director Kit Danowski, who passed away the week of July 29, 2024 (announced on July 31, 2024 on social media), a reading of their MANIFESTO: THEATRE FOR THE DEAD, published in Global Performance Studies, vol.3, no. 2, 2020. https://doi.org/10.33303/gpsv3n2a9
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In this episode, I read scholar Pantea Javidan's important article "False Divisions and Dubious Equivalencies: children's rights during the Covid-19 pandemic." the article was published as an open access piece on ManchesterHive.com on July 2024.
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reading from and engaging with chapter one and seven from Mark Fisher's Capitalist Realism (Published 2009, John Hunt Publishing) through the lens of modernism and post-modernism. with nods to Wallace Shawn, Julio Torres, Samuel Beckett, and more in passing.
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two readings in this episode:
- from my essay on Maria Irene Fornes published in the Mentorship issue of The Dramatist Quarterly spring 2024 (Vol 26, No 2).
and
- Vicky Osterweil's "Work Will Set You Free" published on their substack All Cats Are Beautiful on July 17, 2024.
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the introduction to Helen Iball's study guide to Sarah Kane's BLASTED (Methuen Drama, 2008)
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some text from work in progress, untitled desert play by Caridad Svich.
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in this episode, i continue musings on Samuel Beckett and Modernism. with excerpt from James McNaughton's SAMUEL BECKETT AND THE POLITICS OF AFTERMATH (Oxford University Press, 2018).
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in this episode I read from chapter one of Dalton Trumbo's novel JOHNNY GOT HIS GUN. (published by Penguin Random House edition 1984). the novel was written in 1938 and published in 1939.
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an informal lecture/musing on the author Samuel Beckett, focusing a bit on his works KRAPP'S LAST TAPE and WAITING FOR GODOT, through a modernist lens. with excerpt from Steven Connor's book BECKETT, MODERNISM AND THE MATERIAL IMAGINATION published by Cambridge University Press. (2014)
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reading Elinor Fuchs' essay "Waiting for Recognition" (2007)
first published by Modern Drama journal. University of Toronto Press.
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in this episode, I read T.S. Eliot's THE WASTE LAND. 434 lines.
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an informal lecture musing on T.S. Eliot and Modernism, esp. in relation to THE WASTE LAND as a core text of Modernism.
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an informal lecture on what begat/influenced Modernism in literature and art. key figures. key thinking. and as always, how capitalism intersects with all
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reading from Nate Holdren's slow cancellation of the future. blog piece dated June 6, 2024.
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the first in a series of informal musings on Modernism in literature.
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excerpt from David Barnett's book THEATRICALITY, PLAYTEXTS AND SOCIETY. Published by Cambridge University Press, 2024.
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reading from sections of the book PERFORMING GRIEF IN PANDEMIC THEATRES by Fintan Walsh. published by Cambridge University Press, 2024.
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an excerpt from Sara Freeman's book Playwriting, Dramaturgy and Space published by Cambridge University Press in 2023 as part of the Cambridge Elements Contemporary Performance Texts series.
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an informal lecture/reflection by Caridad Svich on the relationship among the text, the author and the reader
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an informal lecture on ghosts in writing - their function and their existence.
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reading from the introduction to Jonas Barish's The Anti-theatrical Prejudice (UC Press, 1981), and abstract/summary of Eileen Fischer's review of this book in Modern Drama journal (University of Toronto Press, Volume 25, Number 3, Fall 1982, pp. 435-437)
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an informal lecture on wound theory and affect in literature.
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an informal lecture on how secrets and suspense work in literature.
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in this episode, i read selections from Joyelle McSweeney's work, as follows:
a. "Toxic Sonnets: A Crown for John Keats"
from Toxicon and Arachne, Nightboat Books, 2020.
b. the poems "Black Orchid" and "The History Plays"
from Arachne, as published in folder magazine
c. the essay "The Toxic & The Lyric II: Hearing and Hell; Inversion as Subversion; Everyone, or The Dead; The Child-Migrant" as published on December 9, 2017 in the fanzine
these selections may be found on McSweeney's website.
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an informal lecture/reflection on narrative in literature, its uses and positions within power structures.
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informal lecture on aspects of character and voice in literature.
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excerpts from several scenes from the play AGUA DE LUNA (psalms for the rouge) by Caridad Svich.
this play is published by Intellect Books, UK in the collection THE HOUR OF ALL THINGS AND OTHER PLAYS by Caridad Svich.
There is also a single edition of the play published by Santa Catalina Editions, an imprint of NoPassport Press
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musing on literature as portal, affectivity, the book as object, film as dream, and relationality in this informal lecture on where to begin in literature.
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in this episode I read a monologue from my play ARCHIPELAGO - a love story about someone from here, and someone from there trying to forge a connection in a troubled world. The monologue feels especially apt given everything that is happening in the world today. Also in this episode I chat a bit about the play's development and how it premiered in the UK.
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In this episode, I read a section from work in progress BAD ENGLISH.
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In this episode I read the opening scene from Sam Shepard's play THE UNSEEN HAND (1971). The version I read from is published by Alexander Street Press in their 20th Century American Drama collection.
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opening and chapter one from Dan O'Brien's memoir FROM SCARSDALE published by Dalkey Archive Press, 2023.
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episode in which I read A.V. Marraccini's HEPHAESTUS CONTRA THE IT GIRL: A Manifesto.
Marraccini's piece was originally published on April 19, 2024 on Medium.
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an interview with Caridad Svich conducted by Conrad Alexandrowicz and David Fancy from their book THEATRE PEDAGOGY IN THE ERA OF CLIMATE CRISIS. Published by Routledge (2021).
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in this episode I read my essay "The Five Elements" from the book LATINX ACTOR TRAINING edited by Cynthia Santos DeCure and Micha Espinosa. Published by Routledge (2023).
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In this episode I read my essay "In a Shakespearean key" from the book SHAKESPEARE AND LATINIDAD edited by Trevor Boffone and Carla Della Gatta (Edinburgh University Press, 2021).
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On the day of the announcement of his passing, I read Edward Bond's introduction to the book FIFTY PLAYWRIGHTS ON THEIR CRAFT, which Caroline Jester and I wrote. Published by Methuen Drama in 2018.
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On poet Lynn Hejinian's passing, I read excerpt from their 1983 essay "The Rejection of Closure" and excerpt from their book My Life (published by Wesleyan University Press). A consideration of form, time, consciousness, its mapping and some words too on capitalism, product and art.
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in this episode, I read from a 2002 work in progress by poet/playwright Mac Wellman. The piece is titled "On Negligible Perfection." It was published in TheatreForum international theatre journal Issue 20 Winter/Spring 2002.
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excerpt from work-in-progress BAD ENGLISH by Caridad Svich
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S4, Ep 1: excerpt from the radio drama A HISTORY OF PAPER (2016) by Oliver Emanuel. In memory of Emanuel's passing in December 2023.
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S3, Ep 39: reading from work in progress by Caridad Svich. It is untitled but told through a mythic lens of Minotaur, or so we think? And also reading from excerpt of short story "Taxi Driver" by Tim Etchells from his collection ENDLAND (And Stories Press, 2019).
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Episode 38: excerpt from the play THE NICEST BODY EVER SEEN AROUND THESE PARTS by Josep Maria Miro, translated by Sharon Feldman, read by Caridad Svich.
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In this episode, Caridad Svich reads their performance text AN ACORN (version 2020, from 2017-2018).
The piece is published by NoPassport Press, and is part of the trilogy that includes the pieces TOWN HALL and THEATRE: A LOVE STORY.
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in this episode I read a section from my play MEMORIES OF OVERDEVELOPMENT and the opening of a new work in progress currently titled SWANS
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S3, Ep 35: 2nd excerpt - the Coral scene - from PRODIGAL KISS by Caridad Svich.
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In this episode, I read from and talk about my play PRODIGAL KISS, and the heartbreak of theatre.
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essay from early 2000s "Embracing the Fragile" by Caridad Svich.
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cw: the excerpt contains difficult subject matter.
*
S3, Ep 32: excerpt from the opening of Christopher Brett Bailey's performance piece THIS IS HOW WE DIE published by Oberon Books in 2014.
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S3, Ep 31: excerpt from the book DISOBEDIENT THEATRE by Chris Johnston. Published by Bloomsbury Drama, 2017.
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S3, Ep 30: excerpt from the play BOXING 2000 by Richard Maxwell. published by TCG in 2004 in the collection plays 1996-2000.
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S3, Ep 29: excerpt from the Austin section of THE FUTURE SHOW by Deborah Pearson. Published by Oberon Modern Plays in 2015. with mentions of Action Hero, Kieran Hurley, Bryony Kimmings, Austin's Fusebox Festival, and more.
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"Finding hope in a time of despair" by Jo Clifford.
from their substack The Light Inside. this piece was posted on August 2nd, 2023.
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excerpt from untitled new work in progress by Caridad Svich.
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Excerpt from the chapter titled "Ambition" from the book MY TRADE IS MYSTERY by Carl Phillips. (Yale University Press, 2022).
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Excerpt from the Introduction to CERTAIN FRAGMENTS by Tim Etchells read by Caridad Svich, and some thoughts on theatre in response. CERTAIN FRAGMENTS is published by Taylor and Francis (1999).
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Excerpt from the performance text THE FUTURE SHOW by Deborah Pearson. This excerpt is from the section titled "Lisbon." The play is published by Oberon Modern Plays, Bloomsbury Drama, 2015.
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this is a one take recording of excerpts from Book Three and Book Four of THE DESCENT OF ALETTE by Alice Notley. read by Caridad Svich
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excerpt from the beginning of Book Two of THE DESCENT OF ALETTE by Alice Notley. read by Caridad Svich.
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S3, Ep 21: excerpt from new writing, untitled Hundred Year epic for performance by Caridad Svich. (2023)
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S3, Ep. 20: Caridad Svich reads excerpt from the opening of Book One of THE DESCENT OF ALETTE by Alice Notley (reading from 2014 reprint, originally published 1996, Penguin Books). In THE DESCENT OF ALETTE, Alette is in an underworld that will take her on a journey of transformation as she seeks to confront the Tyrant and heal the world.
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S3, Ep 19: scene 9 from JULIET IN TIME by Caridad Svich.
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S3, Ep. 18: The Theatre of Good Intentions by Mac Wellman (1984) read by Caridad Svich
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S3, Ep. 17: excerpt from lost play (dated 2006 draft) VERBATIM by Caridad Svich.
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S3, Ep 16: in process new writing Juliet in Tyme by Caridad Svich
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S3, Ep 15: untitled new writing for a play ( a scene between M, JT and Bet and Jen) by Caridad Svich
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S3, Ep 14: excerpts in Spanish and English from a lost project MI CUBA by Caridad Svich. perhaps one day to be revived.
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S3, Ep 13: two scenes from new piece The Left by Caridad Svich.
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S3, Ep. 12: mini lecture on poetry (part two) by Caridad Svich. originally created for an Intro to Literature class.
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S3, Ep. 11: mini-lecture on poetry (part one) by Caridad Svich. originally created for an Intro to Literature course.
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S3, Ep. 10: mini-lecture on writing plays, working with themes and schemes by Caridad Svich. originally created for an Intro to Literature course.
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S3, Ep. 9: mini-lecture on writing plays and dialogue by Caridad Svich. originally created for an Intro to Literature course.
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S3, Ep. 8: "Broken Sociality" by Nate Holdren, read by Caridad Svich.
this article was originally published online in Peste magazine on February 21, 2023.
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S3, Ep. 7: untitled new writing by Caridad Svich with a false opening/ending as prelude.
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S3, Ep. 6: "To Live in the Ending" by Alyssa Harad, read by Caridad Svich.
Harad's essay was originally published in The Kenyon Review (July/August 2022).
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S3, Ep. 5: untitled new writing by Caridad Svich.
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S3, Ep. 5: scene three from HUMAN INTEREST STORY by Caridad Svich.
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S3, Ep. 3: informal lecture from Caridad Svich on patterning and its effects on writing.
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S3, Ep. 2: informal lecture from Caridad Svich about filmmaker Tarkovsky's thoughts on time and the world in relation to drama.
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Season 3, Episode 1: some new writing for the new season. White Shirt by Caridad Svich.
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Season 2, Episode 47: excerpts from the plays Raymondo by Annie Siddons, Silent Planet by Eve Leigh, A Negotiation by Hannah Khalil and Adler & Gibb by Tim Crouch. read by Caridad Svich.
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Season 2, Episode 46: some new writing. working title Car Stories by Caridad Svich.
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Season 2, Episode 45: scene five from new piece entitled Future Emergencies by Caridad Svich
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Season 2, Episode 44: an informal lecture on Endings and Clarity in creative writing by Caridad Svich
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Season 2, Episode 43: an informal lecture on the art of revision in creative writing by Caridad Svich
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Season 2, Episode 42: an informal lecture on scenewriting in creative writing by Caridad Svich
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Season 2, Episode 41: an informal lecture on Structure in creative writing by Caridad Svich.
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S2, Ep. 40: an informal lecture on the concept of stakes in creative writing by Caridad Svich.
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Season 2, Episode 2: On Tragedy as a dramatic form, part two. a lecture by Caridad Svich.
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Season 2, Episode 38: On Alternative forms in drama. a mini-lecture by Caridad Svich.
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Season 2, Episode 37: On Absurdism in drama. a mini-lecture by Caridad Svich.
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Season 2, Episode 36: a series of illuminations. Meet me at the theatre at the end of the world by Caridad Svich.
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S2, Ep 35: selections from untitled new work in progress by Caridad Svich.
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S2, Episode 34: part four of four lecture. concepts in playwriting.
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S2, Ep. 33: part three of four. concepts in playwriting.
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S2, Ep. 32: part two of four. lecture on playwriting. key concepts.
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S2, Ep 31: part one of four. playwriting lecture by Caridad Svich
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S2, Ep 30: part three of three. lecture on concepts in Aristotle's POETICS.
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S2, Ep. 29: part two or three lecture on concepts in Aristotle's POETICS.
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S2, Ep. 28: part of three lectures talking through concepts in Aristotle's POETICS.
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S2, Ep 27: looking at elements and aspects historically of Southeast Asian and Asian drama.
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S2, Ep. 26: some thoughts on the concept of active language in drama.
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S2, Episode 25: some thoughts on the concepts of "trigger and heap" and inciting incident in plays.
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S2, Ep. 24: some thoughts on the concept of the dramatic question in plays.
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Season 2, Episode 23: some thoughts on post-dramatic theatre.
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Season 2, Episode 22: some thoughts on digital theatre.
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Season 2, Episode 21: a lecture on applied theatre and concepts too of real time in theatre.
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Season 2, Episode 20: a lecture on the art of theatrical adaptation.
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Season 2, Episode 19: On Satire, Part Two, a lecture on dramatic form by Caridad Svich
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Season 2, Episode 18: On Farce and Satire, Part One, lecture on dramatic form by Caridad Svich.
This is in a series of occasional lectures I am posting as part of this podcast series.
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Season 2, Episode 17: On Comedy as a dramatic form, a lecture by Caridad Svich.
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Season 2, Episode 16: On Realism as a dramatic form, a lecture by Caridad Svich
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Season 2, Episode 15: On Tragedy as a dramatic form by Caridad Svich.
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Season 2, Episode 14: a mini lecture on Melodrama as a dramatic form by Caridad Svich.
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Season 2, Episode 13:
excerpt from a new work in progress for performance - an archival fever dream (featuring the Chorus of the Dispossessed) by Caridad Svich.
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S2, Ep 12: Four poems from THE HURTING KIND by Ada Limon - "Drowning Creek," "Banished Wonders," "Sports," and "Heat".
Published by Milkweed Editions. 2022.
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S2, Ep 11: Three poems from USEFUL JUNK by Erika Meitner: "A Brief Ontological Investigation," "letter from around the way," and "An Occupation of Loss" (published by BOA Editions Ltd, 2022, in their American Poets Continuum Series, No, 191).
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S2, Ep 10: A lecture on Post-Dramatic Theatre
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Season 2, Episode 9: A lecture on Alternative Forms in Drama by Caridad Svich.
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S3, Ep. 8: reading excerpts here from DENNIS OF PENGE by Annie Siddons. the play is published by Oberon Modern Plays (2018).
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S3, Ep. 7: work in progress Something About Amy by Caridad Svich.
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Three monologues from the play DESERTS (DESIERTOS) by Hugo Alfredo Hinojosa, translated by Caridad Svich:
in the middle of war
in the bedroom
and
the insurance agent's office.
*
The translation was originally commissioned by The Lark in NYC, and developed later at the Goodman Theatre's Latino Festival.
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Selections from notebook 5 Flame and notebook 6 Embers from SIGNAL FIRES edited by Maddy Costa for FUEL, ETT, Graeae and Headlong:
How to start a fire by Rowan Evans'
How to start a fire by Roseanna DIas
The Ghost Caller by Luke Barnes
Dear Unknown Friend by Stephanie Street.
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in this episode two pieces: excerpt from To rage by Nastazja Domaradzka and the poem "Finding Home" by Elis Bevan-Davis from notebook 4 entitled SPARK of the 6 notebook collection SIGNAL FIRES published by Fuel, Headlong, Graeae, and ETT. Edited by Maddy Costa.
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In this episode of Day for Night with Caridad Svich, reading Mike Bartlett's short story "Phoenix" and Alice Oswald's poem "The Watchman" from notebook 3 "Flint + Steel" from the 6 notebook collection SIGNAL FIRES published by Fuel, ETT, Graeae and Headlong. Edited by Maddy Costa.
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In this episode of Day for Night, I read Tom Wells' story "Lentils," which appears in the second notebook entitled "Kindling" from the 6 notebook collection SIGNAL FIRES published by Fuel, English Touring Company, Headlong and Graeae, and edited by Maddy Costa.
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This first episode of 2022 begins with reading of the poem "Whatever we decide" by Nima Taleghani from the first notebook SIGNAL FIRES: 6 Notebooks commissioned by Fuel, Headlong, Graeae, and ETT (English Touring Company), editor is Maddy Costa.
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Episode 32: excerpt from C & I by Caridad Svich.
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Episode 31: from THEATRE: A LOVE STORY by Caridad Svich.
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Episode 30: untitled free writing sequence by Caridad Svich
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Ep 29: poems from Mi Cuba suite, part one by Caridad Svich. (In English and Spanish)
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Episode 28: excerpt from MEMORIES OF OVERDEVELOPMENT by Caridad Svich
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Episode 27: excerpt from essay "In a Shakespearean Key" by Caridad Svich from the book Shakespeare and Latinidad edited by Trevor Boffone and Carla Della Gatta (Edinburgh University Press, 2021), and from Dan O'Brien's book A Story That Happens (CB editions, 2021).
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Episode 26: excerpt from STAND by Caridad Svich.
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Content warning: occasional swearing.
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Season 2, Episode 25: from untitled new piece by Caridad Svich, and excerpt from "On a Rainy River" by Tim O'Brien.
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Episode 24: excerpts from JARMAN (all this maddening beauty) by Caridad Svich.
Published by Intellect Books (2016) and also as a single edition from NoPassport Press.
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Season 2, Episode 23: untitled new writing by Caridad Svich, and excerpt from the short story "Featherweight" by Sterling HolyWhiteMountain (published by The New Yorker, April 5, 2021 issue).
Support this podcast: https://anchor.fm/caridad-svich/support
Season 2, Episode 22: excerpt from Interview with a Punk Goddess by Caridad Svich (originally written for Period Piece),
and excerpt from the short story Long Live the Girl Detective by Megan Pillow (published in Electric Literature).
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Season 2, Episode 21: untitled piece by Caridad Svich, and excerpt from Tim Crouch's Total Immediate Collective Imminent Terrestrial Salvation (published by Oberon Modern Plays, 2019).
Support this podcast: https://anchor.fm/caridad-svich/support
Season 2, Episode 20: factory scene from new piece by Caridad Svich, and Communism by Smith & Sveen (Andy Smith and Arnuld Sveen) with a nod too to Communism: A new aesthetics of the real by Nick Dicx and Pascal Gielen (2018, Valiz).
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Episode 19: untitled nurse speech by Caridad Svich (2021) and excerpt from Sam Shepard's Spy of the First Person (2017, Knopf).
*
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Season 2, Episode 18: untitled reptile piece by Caridad Svich and an excerpt from Kae Tempest's "Let Them Eat Chaos" (Published by Bloomsbury).
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Episode 17: On the Act of Regarding Another by Caridad Svich.
published in JARMAN (all this maddening beauty) and other plays. Intellect Books.
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Season 2, Episode 16: untitled punk lover piece by Caridad Svich, and excerpt from "Looking at Birds" by Megan Sandberg-Zakian (published in issue 2, Winter 2020 of The Flashpaper)
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Episode 15: excerpt from STEAL BACK LIGHT FROM THE VIRTUAL by Caridad Svich, and from THE COLD RECORD by Kirk Lynn.
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Episode 14: from THEATRE: A LOVE STORY by Caridad Svich
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Episode 13: excerpt from TOWN HALL by Caridad Svich
and Maddy Costa's "got life, got music, got theatre" published in THEATRE BLOGGING by Megan Vaughan (Methuen Drama).
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Season 2, Ep. 12: excerpt from ARBOR FALLS by Caridad Svich, and excerpt from short story "Water Liars" by Barry Hannah.
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Episode 11: excerpt from THE HOUR OF ALL THINGS by Caridad Svich
and YOUR HEALING IS KILLING ME by Virginia Grise.
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Episode 10: excerpt from ANTIGONE ARKHE by Caridad Svich
and excerpt from "how you do this is up to you" by Maddy Costa
from the book THEATRE BLOGGING by Megan Vaughan. (Methuen Drama, 2020).
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Season 2: Episode 9: excerpts from THE BREATH OF STARS by Caridad Svich,
and two poems "Land" and "Arena" by Ariana Reines from A SAND BOOK (Tin House Books, 2019).
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Season 2, Episode 8: excerpts from play-poem TROUBLE IN KIND by Caridad Svich,
and a poem by Inua Ellams - printed at front of his play THREE SISTERS (Oberon Books, 2019).
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Ep. 7: excerpts from LUCINDA CAVAL by Caridad Svich.
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Season 2, Episode 6: excerpt from HOLLER RIVER by Caridad Svich and the essay "Coiled Spring" by Will Arbery.
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Season 2, Episode 5: excerpt from ARCHIPELAGO by Caridad Svich.
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Episode 4: excerpt from SOMETHING, LIKE HAPPINESS by Caridad Svich.
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Season 2, Episode 3: excerpt from UPON THE FRAGILE SHORE by Caridad Svich (Published by Intellect Books) and from Alistair McDowell's POMONA (published by Methuen Drama).
Content Warning: Some Cursing.
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Episode 2: excerpt from THE HOUSE OF THE SPIRITS by Caridad Svich based on Isabel Allende's novel.
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Episode 1 of Season 2 (2021): excerpt from in-progress piece Memories of Overdevelopment by Caridad Svich
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Episode 65: Untitled Christmas pieces (2020) by Caridad Svich.
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Episode 64: an Untitled New Year's piece by Caridad Svich, and excerpt from Heidi James' The Sound Mirror (published by Bluemoose, 2020).
*
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Episode 63: excerpt from An ACORN by Caridad Svich, and excerpt from "They get you most all gone when you always alone" from Tim Etchells' ENDLAND (published by And Other Stories).
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Episode 62: excerpt from CLARA THOMAS BAILEY by Caridad Svich and excerpt from THE ANGEL IN THE TREES by Dan O'Brien (published by Salamander Street Press)
*
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Episode 61: excerpt from THE BOOK OF MAGDALENE by Caridad Svich
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Episode 60: excerpt from RED BIKE by Caridad Svich.
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Episode 59: scene from HURT SONG by Caridad Svich and excerpt from BLOOD MERIDIAN by Cormac McCarthy (published by Vintage Books, 1992).
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Episode 58: from the long-form piece Day for Night by Caridad Svich.
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Episode 57: "Who is it For?" by Caridad Svich (published in THE HOUR OF ALL THINGS AND OTHER PLAYS, Intellect Books)
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episode 56: excerpts from interviews with Caridad Svich and Anne Washburn published in FIFTY PLAYWRIGHTS ON THEIR CRAFT (Bloomsbury Methuen Drama, 2018).
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Episode 55: excerpt from LIFE JACKET by Caridad Svich
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Episode 54: excerpt from untitled new play by Caridad Svich, and excerpt from the essay " A Responsible Freedom: Patti Smith on Little Women" (published September 24, 2018 in The Paris Review)
*
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Episode 53: excerpt from TOWN HALL by Caridad Svich.
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Episode 52: excerpt from HOLLER RIVER by Caridad Svich
and The Red Hand Files Issue # 122 October 2020 by Nick Cave.
*
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Episode 51: excerpt from HURT SONG by Caridad Svich, and excerpt (page 251, 253) from Claudia Rankine's JUST US (published by Graywolf Press, 2020).
*
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Episode 50: excerpt from Federico Garcia Lorca's AS FIVE YEARS PASS and the poem "The Son of the Blacks in Cuba" from his poetry cycle POET IN NEW YORK, translated by Caridad Svich.
Published by Smith & Kraus in the book FEDERICO GARCIA LORCA: IMPOSSIBLE THEATRE.
*
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Episode 49: monologue from GERTIE AND ALICE BY THE SEA by Caridad Svich
*
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Episode 48: monologue and scene from FUEL by Caridad Svich.
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Content warning: Strong language.
*
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Episode 47: excerpt from UPON THE FRAGILE SHORE by Caridad Svich (published in THE HOUR OF ALL THINGS AND OTHER THINGS, Intellect Books)
*
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Episode 46: excerpt from the introduction to OUT OF SILENCE by Caridad Svich (published by Eyecorner Press, 2012) and prologue from the play AGUA DE LUNA by Caridad Svich (published in The Hour of All Things and other Plays, Intellect Books).
*
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Episode 45: excerpt from UPON THE FRAGILE SHORE by Caridad Svich (Published in THE HOUR OF ALL THINGS AND OTHER PLAYS by Caridad Svich, Intellect Books) and from USER NOT FOUND created by Dante or Die, written by Chris Goode (published by Oberon Modern Plays).
*
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Episode 44: scene one from THE BREATH OF STARS by Caridad Svich
published in THE HOUR OF ALL THINGS AND OTHER PLAYS (Intellect Books)
*
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Episode 43: excerpt from THE TIP OF THE ICEBERG by Bea Carmina, translated by Caridad Svich; and excerpt from A LOVER'S DISMANTLING: FRAGMENTS OF A SCENIC DISCOURSE by Elena Guiochins, translated by Andy Bragen. (both plays are published by NoPassport Press).
*
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Epissode 42: excerpt from DESERTS by Hugo Alfredo Hinojosa, translated by Caridad Svich; and excerpt from DECOMPOSITION by Alfonso Carcamo, translated by Mariana Carreno King (both plays published by NoPassport Press).
*
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Episode 41: excerpt from THIS THING OF OURS by Caridad Svich, and excerpt from SKY ON THE SKIN (EL CIELO EN LA PIEL) by Edgar Chias, translated by Migdalia Cruz (Published by NoPassport Press).
*
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Episode 40: excerpt from STAND by Caridad Svich (with song fragment by Caridad Svich and O-Lan Jones), and excerpt from THE ELABORATE ENTRANCE OF CHAD DEITY by Kristoffer Diaz.
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Content warning: Strong language.
*
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Episode 39: excerpt from GUAPA by Caridad Svich (published by NoPassport Press), and excerpt from Matt Paul Olmos' THAT DRIVE THRU MONTEREY.
*
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Episode 38: monologue and two songs from 12 OPHELIAS by Caridad Svich (Published by NoPassport Press), and excerpt from THE STRIP by Phyllis Nagy (published by Methuen Drama).
*
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Episode 37: Cry to Rome, a poem by Federico Garcia Lorca, translated by Caridad Svich (published in Federico Garcia Lorca: Impossible Theater by Smith & Kraus Books), and excerpt from John Jesurun's play Philoktetes (published in Divine Fire, Backstage Books, and also with On Stage Press at Soho Rep).
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Content Warning: some foul language.
*
Listener Support is appreciated.
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Episode 36: a special episode of this podcast devoted to excerpts from the play with songs FUGITIVE PIECES on the night of the world premiere of the film version FUGITIVE DREAMS. excerpts performed here are the songs "Mercy, " "The Ballad of the Strung up Man" and "Walking the Weeping Jesus" (words and music by Caridad Svich), and a monologue.
FUGITIVE DREAMS premiered at the 2020 Fantasia Film Festival in Montreal on August 31, 2020. the film is directed, co-written and co-produced by Jason Neulander. it stars April Matthis, Robbie Tann, Scott Shepard, O-Lan Jones, and David Patrick Kelly.
The play with songs upon which the film is based FUGITIVE PIECES originally premiered at Kitchen Dog Theater in Dallas. a revised version - and the current version of the script - premiered at Salvage Vanguard Theatre in Austin, Texas under Jason Neulander's direction. It was first published in Theaterforum journal, and can also be found in the collection Instructions for Breathing and other plays by Caridad Svich (Seagull Books, distributed in the US by University of Chicago Press), and also in The Land and Country Plays (published by NoPassport Press)..
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Episode 35: excerpt from new play CLARA THOMAS BAILEY by Caridad Svich.
think of this as a hidden track revealed.
*
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Episode 34: Toward an Impossible Theater: An Introduction and Imagined Manifesto by Caridad Svich. (Published in FEDERICO GARCIA LORCA: IMPOSSIBLE THEATER, Smith & Kraus Books).
*
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Episode 33: excerpt from THEATRE: A LOVE STORY by Caridad Svich, and excerpts from the essay "darling you were marvellous" by Tim Crouch (published in the collection OUT OF SILENCE: Censorship in Theatre and Performance edited by Caridad Svich, published by Eyecorner Press).
*
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Day for Night with Caridad Svich, a series that lives at the intersection between theatre & poetry in the edgelands.
Episode 32: excerpts from WRECKAGE and LUCINDA CAVAL (published in the collection BLASTED HEAVENS, Eyecorner Press).
*
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Day for Night with Caridad Svich, a series that lives at the intersection of theatre & poetry in the edge-lands.
Episode 31: excerpt from THE TROPIC OF X by Caridad Svich (published by Eyecorner Press in the BLASTED HEAVENS collection, and also as a single edition from NoPassport Press).
*
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Day for Night with Caridad Svich.
Ep. 30: Bonus Episode: excerpt from IPHIGENIA CRASH LAND FALLS ON THE NEON SHELL THAT WAS ONCE HER HEART (a rave fable) by Caridad Svich (published by Broadway Play Publishing).
*
Content warning: some profanity.
*
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Support this podcast: https://anchor.fm/caridad-svich/support
Day for Night with Caridad Svich, a series at the intersection between theatre and poetry in the edge-lands.
Episode 29: excerpt from STEAL BACK LIGHT FROM THE VIRTUAL by Caridad Svich (published by Eyecorner Press in the collection BLASTED HEAVENS),
and excerpt from Complicite's MNEMONIC (published by Methuen Drama).
*
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Day for Night with Caridad Svich, a series that lives at the intersection of theatre and poetry in the edgelands.
Episode 28: excerpt from LUCINDA CAVAL, a play by Caridad Svich (Published by Eyecorner Press, 2012, in the collection BLASTED HEAVENS)
*
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Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands.
Episode 27: "On the Act of Regarding Another" by Caridad Svich (from the collection JARMAN (all this maddening beauty and other plays_ published by Intellect Books), and "In a Time of Peace" by Ilya Kaminsky (from Deaf Republic published by Graywolf Press).
*
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Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands.
Episode 26: excerpt from Carthage/Cartagena by Caridad Svich (published by Intellect Books in JARMAN (all this maddening beauty and other plays) and excerpt from Martin Crimp's Attempts on Her Life (published by Faber and Faber).
*
Content warning: some violent imagery.
*
Listener support is appreciated.
Support this podcast: https://anchor.fm/caridad-svich/support
Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands.
Episode 25: excerpt from The Orphan Sea by Caridad Svich (Published by Intellect Books in JARMAN (all this maddening beauty and other plays), and excerpt from Linda McLean's play Sex & God (Published by Nick Hern Books).
*
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Day for Night with Caridad Svich, a series that looks at the intersection of theatre & poetry in the edgelands.
Episode 24: excerpt from JARMAN (all this maddening beauty) by Caridad Svich (published by Intellect Books) & excerpt from Sarah Kane's Crave (Published by Methuen Drama).
Content warning: some swear words.
*
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Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands.
Episode 23: monologue from The Hour of All Things by Caridad Svich (published by Intellect Books), and monologue from David Harrower's Knives in Hens (Published by Methuen Drama).
*
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Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands.
Episode 22: monologue from Agua de Luna (psalms for the rouge) by Caridad Svich (Published by Intellect Books in The Hour of All Things and other plays) and monologue from Caryl Churchill's Far Away (published by Nick Hern Books).
*
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Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands.
Episode 21: excerpt from The Breath of Stars by Caridad Svich (Published by Intellect Books in The Hour of All Things and Other Plays), and excerpt from Ian Rowlands' play Butterfly (published by Parthian Books).
Listener Support is appreciated.
Support this podcast: https://anchor.fm/caridad-svich/support
Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands.
Episode 20: excerpt from Upon the Fragile Shore by Caridad Svich (Published by Intellect Books in The Hour of All Things and Other Plays), and an excerpt from The Events by David Greig (published by Faber & Faber).
Listener support is appreciated.
Support this podcast: https://anchor.fm/caridad-svich/support
Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands.
Episode 19: excerpt from the book Mitchell and Trask's Hedwig and the Angry Inch by Caridad Svich (published by Routledge), and excerpt from Challenging Archives An Encounter with Franko B by Mary Paterson (University of Bristol Theatre Collection), and also by Maddy Costa.
Listener Support is appreciated.
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Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands.
Episode 18: selection entitled Hear/Here from This Thing of Ours by Caridad Svich, and an excerpt from Will Arbery's Heroes of the Fourth Turning (published by Concord Theatricals).
Content warning: some curse words.
*
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Day for Night with Caridad Svich, a series that looks at the intersection between theatre and poetry in the edgelands.
Episode 17: excerpt from ALBEMARLE by Caridad Svich, and excerpt from Maddy Costa's review: Lite Metle, firebird at the Yard (Published January 30,, 2020 in Exeunt magazine).
Listener Support is appreciated.
Support this podcast: https://anchor.fm/caridad-svich/support
Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands.
Episode 16: excerpt from Fugitive Pieces/Fugitive Dreams by Caridad Svich (song "Mercy" and speech), and excerpt from Fefu and Her Friends by Maria Irene Fornes (published by PAJ Publications).
*
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Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edeglands.
Episode 15: This by Caridad Svich, and excerpt from The Music by Matthew Herbert (published by Unbound).
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Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry in the edgelands.
Episode 14: gardens of fear scene from This Thing of Ours by Caridad Svich & excerpt from Alan Read's Theatre in the Expanded Field (Bloomsbury Drama).
Listener support is appreciated.
Support this podcast: https://anchor.fm/caridad-svich/support
Day for Night with Caridad Svich, a series that looks at the intersection between theatre & poetry, in the edgelands.
Episode 13: scene entitled Book from This Thing of Ours by Caridad Svich, and excerpt from Status by Chris Thorpe (Oberon Modern Plays).
Content: some curse words used.
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Day for Night with Caridad Svich, a series that looks at theatre & poetry in the edgelands, in the wilderness.
Episode 12: scene from This Thing of Ours by Caridad Svich, and excerpt from Carmen Disruption by Simon Stephens (published by Bloomsbury Methuen Drama)
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Day for Night with Caridad Svich.
Episode 11: The City (scene one) from This Thing of Ours by Caridad Svich, and excerpt from short story "About Lisa" from Tim Etchells' ENDLAND published by Andotherstories (2019).
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Day for Night with Caridad Svich, a series that looks at the intersection of theatre and poetry in the edgelands.
Episode 10: track 11 "hey now" from Day for Night by Caridad Svich, and excerpt from SUMMIT by Andy Smith (published by Oberon Modern Plays).
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Day for Night with Caridad Svich, a series that looks at the intersection between theatre and poetry in the edgelands, in the wilderness.
Episode 9: track 10 from the long form piece Day for Night by Caridad Svich & reading of an excerpt from ENGLAND by Tim Crouch (published buy Oberon Modern Plays).
LIstener support is appreciated. Just click on the support button to donate.
Support this podcast: https://anchor.fm/caridad-svich/support
Day for Night with Caridad Svich, a series that looks at the intersection between theatre and poetry, in the edgelands, in the wilderness.
Episode 8: selection from the opening chapters of the performance piece TOWN HALL by Caridad Svich, and a bonus reading from the opening of Chris Goode's story for performance MIRABEL.
To support the work of Caridad Svich and the Day for Night series, click on listener support!
Note: there are some curse words in this episode.
Support this podcast: https://anchor.fm/caridad-svich/support
Day for Night with Caridad Svich
is a series that looks at the intersection between theatre and poetry, in the edgelands, in the wilderness.
Episode 7: chapter five from Life Jacket, work in progress, about friendship, faith, trouble and memory.
LIstener Support is appreciated. Click on the Support button.
Support this podcast: https://anchor.fm/caridad-svich/support
Day for Night with Caridad Svich
a series that looks at the intersection between theatre and poetry in the edgelands, in the wilderness.
Episode 6: Chapter Three from LIFE JACKET, work in progress by Caridad Svich.
a story set on the water.
Support this podcast: https://anchor.fm/caridad-svich/support
Day for Night with Caridad Svich is a series that looks at the intersection between theatre and poetry, in the edgelands, in the wilderness.
Episode 5: Bonus Episode - selections from Life Jacket by Caridad Svich, a long form work in progress.
To support this work, click on the Listener Support button.
Support this podcast: https://anchor.fm/caridad-svich/support
Day for Night with Caridad Svich
is a podcast that lives in the intersection between theatre and poetry, in the edgelands, in the wilderness.
Episode 4: tracks from the long form piece Day for Night by Caridad Svich where love kicks joy into gear.
To support Day for Night and ongoing work, just click the support button to donate.
Support this podcast: https://anchor.fm/caridad-svich/support
Day for Night with Caridad Svich
is a series that lives at the intersection between theatre and poetry. in the edgelands, in the wilderness.
In this episode, we continue with the next tracks 5 and 6 from the long form piece
entitled Day for Night by Caridad Svich - whisper tones from New Orleans and...other memories.
If you wish to support this series, just click on the support button.
All proceeds go straight to the artist.
Support this podcast: https://anchor.fm/caridad-svich/support
Day for Night is a long form spoken word piece by Caridad Svich.
In today's episode, we listen to tracks three and four wherein the voices on high proclaim,
and the figures of You and I respond.
Note: The title of the this podcast is named after this spoken word piece,
and will serve as the anchor text from which other texts and musings
and conversations will arise.
This work is brought to you by the author, and relies on listener support.
Support this podcast: https://anchor.fm/caridad-svich/support
Welcome to my new podcast Day for Night with Caridad Svich.
It is a series where poetry and theatre meet, in the edgelands, in the wilderness.
This is the first episode. Think of it as a beginning, as we take a journey together.
In this episode, I read from the opening tracks of my long form piece Day for Night.
Follow future episodes to continue this journey and more journeys, musings and word-experiments.
Please use the Listener Support button to donate.
Support this podcast: https://anchor.fm/caridad-svich/support