Location Sound Podcast: Recent Episodes
Michael The Sound Guy
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Juan Ortiz is a production sound mixer and boom op based out of Philadelphia, Pennsylvania. He uses a Sound Devices 833 mixer/recorder and also likes the Audio Limited/Sound Devices A10 wireless transmitters and receivers. On the boom pole, Juan uses the Schoeps CMC 641 and the CMIT 5 as well as the Sennheiser MKH-50 and MKH-416. For wires, he uses DPA lavs and Sanken COS-11s. Juan also likes Tentacle Sync timecode sync boxes including the Timebar Slate. Betso Bowtie antennas also round out the kit. Check out Juan at https://www.reddpenmedia.com/ and https://www.instagram.com/b3hindtheboom/
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Rob Moore is a production sound mixer and boom op based out of Dublin, Ireland. He uses a Sound Devices 633 mixer/recorder and he likes Lectrosonics wireless transmitters and receivers. On the boom pole, he prefers the Sennheiser MKH-50. DPA lavaliers are his choice for wiring talent. For timecode boxes, he uses Tentacle Sync. Rob recently started a film industry clothing line for crew members located at https://www.cruclothing.com/ His sound company can also be found at https://www.soundspeed.ie/
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Mike Fitzgerald is a production sound mixer and boom op based out of Orlando, Florida. He uses a Sound Devices 833 mixer/recorder combined with the Sound Devices SL-2. He also uses two Lectrosonics DSR4 receivers and Lectrosonics SMQV and SMWB transmitters. Mike uses Sanken COS-11D lav mics. For timecode, the Denecke JB-1 are his choice for sync boxes. When wiring talent, Mike likes the Viviana Super Dots and Extreme Moleskin for expendables. On the boom pole, he use the Schoeps CMC641 and CMIT5u mics, as well as the Sennheiser MKH-416. And he recently got a Blackbird audio cart. For more information, check out https://boommikefitz.com/
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Alan Harris is a production sound mixer and boom op based out of Orlando, Florida. He uses a Sound Devices MixPre-10T mixer/recorder. Alan also uses Zaxcom QRX200 wireless receivers and Zaxcom transmitters. He likes the DPA 4063 lav mics and also the Sanken COS11 lavs. For the boom pole, he likes the Sanken CS-3e shotgun mic and the Sennheiser MKH-50 mic. For timecode, Alan uses Tentacle Sync timecode boxes. Alan is also a big fan of Ktek products like their boom poles, bags and harnesses. Alan is currently on staff at Full Sail University in Winter Park, Florida.
Each episode of the Location Sound Podcast, we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Doc Justice is CEO and owner of Halter Technical. His company’s products are used on-sets all over the world. The Elite Monitor and Scene Monitor headphones are built for creative pros but durable enough for the rigors of set life. The Microsone Discreet Audio Monitoring System is the world’s smallest rechargeable Bluetooth earbud with crystal clear audio and no hiss. Tired of the usual IFB surveillance earpiece? Peeko is the smallest, lightest IFB headset available today. With a 5 millimeter earbud and the thinnest transparent cable in the world, it becomes nearly invisible to the eye. And finally, Wildtrax Recording Engine is the multitrack recording platform for sound mixers in TV, film, broadcast and live production. For more information on these products, check out https://www.haltertechnical.com/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Ryan Monette is a Production Sound Mixer, Post Audio Mixer, Sound Designer and Composer based out of Orlando, Florida. He uses a Sound Devices MixePre 10 II, Sound Devices A10 TXs and RXs, DPA 6060 lavs and a Sanken CS3e shotgun mic. Ryan also uses Tentacle Sync time code boxes. Listen as Ryan shares about his audio career working in the studio, on-stage and on-location. Check out his website at https://www.ryanmonette.com/
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Jessie Van Der Vyver is a Production Sound Mixer based out of Kansas City, Missouri and also London, England. Jessie uses a Sound Devices 888 mixer/recorder. He also uses Sound Devices A20 wireless TXs and RXs including the A20 mini transmitters. Additional wireless includes Lectrosonics TXs and RXs. For time code boxes he likes Ambient Recording LockIt and NanoLockits. For lavs, Jessie uses DPA 6060s and 4060s. On the boom pole he has a Schoeps CMIT 5u and also uses the Schoeps Colette CMC 6u with mk41 capsules. Jessie also uses a DPA 4017c on the boom.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Rodolfo Piedras, Production Sound Mixer from Vancouver, BC, was originally on the podcast on Episode 28 in 2019. He returns this episode to catch us up on what he’s been up to the past few years.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Alex Haralson, production sound mixer based out of Knoxville, Tennessee, joins us again to catch up on new projects and how the strikes and industry shift has affected his work. Alex was originally on episode 92 so check that one out too. His website is https://www.sonolocus.com/
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Greg Murphy is a production sound mixer based out of Melbourne, Florida. He does a lot of work in live news and also projects for Major League Baseball, the NFL, Super Bowl and NASCAR. For news, he uses a Sound Devices 688 mixer/recorder and for smaller jobs, a Sound Devices 633. For wireless, Greg uses Lectrosonics transmitters and receivers. He likes the Sanken COS-11 lavs and also uses dpa 4060 lavs. On the boom, he prefers a Schoeps CMIT 5u and a Sennheiser 416. Greg also uses a Schoeps CMC641 for sit down interviews. Greg likes the Denecke JB-1 time code sync boxes as well as Tentacle Sync. He also likes the Lectrosonics R1a for IFBs and camera hops. Check Greg out on Instagram @soundmixer_murphy
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Michael Reed, based out of Orlando, Florida, does production sound, post audio mixing and live sound. He’s worked on projects like Burt Reynolds: The Last Interview, Screwball(2018) and Movie Money Confidential. Michael uses the Sound Devices MixPre-10T, Audio Limited A10 wireless, a Lectrosonics DSR4 wireless receiver, DBSM and DBSMD transmitters and Sanken COS11-d lavs. He also uses Sennheiser G4s for camera hops, Comtek IFBs, Sennheiser 416 and Audio Technica 4053b shotgun mics, as well as Denecke JB-1 timecode sync boxes. Find out more at https://freqproductions.com/
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
For the 100th episode of the Location Sound Podcast, we’ve brought back our very first guest, production sound mixer Larry Williams, Jr. Larry uses Sound Devices mixer/recorders and has a 664, a 688, and MixPre-6. He’s all Lectrosonics wireless with a DSR4, 822 and 411 receivers and likes the Sanken COS-11D lav mics. On the boom pole, he uses a Schoeps MiniCMIT, Sennheiser MKH-416 and MKH-50. Larry also uses Tentacle Sync and Denecke time code boxes and a Denecke TS-C slate. He has worked on the HBO original series Hard Knocks, the Super Bowl and the NFL Draft. He’s also been a regular sound mixer on Military Makeover with Montel Williams. Larry shares with us his ongoing sound industry journey and offers a lot of tips and tricks along the way.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Glenn Sanders founded Zaxcom in 1986 and has been creating innovative audio technology for the feature film, television broadcast, live performance and post-production industries. With a focus on high quality audio products in multi-track recording, mixing and digital wireless, Zaxcom is proud to be honored with technical achievements from the Academy of Motion Picture Arts and Sciences, Television Academy and Cinema Audio Society. https://zaxcom.com/
Each episode of the Location Sound Podcast, we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Adam Hecht is a production sound mixer and boom op based out of Phoenix, Arizona. He uses a Zaxcom Nova 2 mixer/recorder, Zaxcom 414 receivers, ZMT4, ZMT4x and ZMT3x Zaxcom transmitters, Schoeps MiniCMIT and CMC 141 shotgun mics. Adam also uses dpa 6061, 4071 and 4063 lavs. For IFBs Adam uses Zaxcom URX50s and URX100s. And finally, Adam likes the Betso timecode sync boxes.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Paul Isaacs and Gary Trenda from Sound Devices join us to talk about the new A20-RX two channel true diversity receiver and it’s new features and the A20-Mini Digital Wireless Transmitter with GainForward and SpectraBand Technologies. https://www.sounddevices.com
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Ted Hogeman is a Production Sound Mixer and Boom Op based out of the Washington, D.C. area. He has experience on all kinds of shoots, from run and gun documentaries and indie features, to high end short films and commercials. Ted uses a Sound Devices 833 mixer/recorder, Lectrosonics wireless with DPA 4061s and Sanken COS-11d lavs. Ted also uses a DPA 4017b, Sennheiser MKH-50, Schoeps CMC641 and Sennheiser MKH-8050 shotgun mics. For time code, Ted uses Tentacle Sync E and some of the original first generation units. He also uses a Betso SB-1 timecode box. For IFBs, Ted likes using some older G3 & G2 IEMs. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Stephen Harrod is a Production Sound Mixer and Boom Op based out of Los Angeles, California. He uses a Sound Devices 633 mixer/recorder, Lectrosonics wireless and Sennheiser G3s for camera hops. Boom mics are the Sennheiser MKH-416, MKH-50 and MKH-60. Stephen also uses a MixPre-10T in a second bag. Deneke and Tentacle Sync for timecode. https://www.stephenharrodsound.com/
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Anna Khromova is a production sound mixer and boom op based out of New York City. Anna uses a Sound Devices 833 mixer/recorder and a Sound Devices MixPre-6 as a backup and audio interface. For wireless, she uses Lectrosonics 411a receivers and 400 series transmitters as well as Lectrosonics SSM transmitters. Anna has a K-Tek Stingray Junior sound bag and harness. She likes using Sanken COS-11D lavalier mics, Sennheiser MKH-416 shotgun mics and a Sennheiser MKH-50. Anna also likes Tentacle Sync timecode boxes. Follow her on Instagram @annasoundny.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Brandon Sequeira is a production sound mixer and boom op based out of Los Angeles, California. Brandon uses a Zoom F8 mixer/recorder, Sennheiser MKH-416 shotgun mic, Sennheiser G4 wireless transmitters/receivers, Countryman B3 lavs, Lectrosonics LT transmitter for IFB receivers, Tentacle Sync for timecode boxes and a Betso Slate.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Alex Haralson is a Production Sound Mixer based out of Knoxville, Tennessee. He likes using the Sound Devices 688 mixer/recorder and he also has a MixPre-10 II, Lectrosonics SRc wireless receivers and SMDWB transmitters and Sanken COS-11 lavaliers. For IFB, he uses Lectrosonics IFBT4 and the R1a for client monitoring and camera hops. Alex also likes the Sennheiser 8060 shotgun mic and the AKG Blue Line CK93 Hyper-cardioid. For timecode, Alex likes Betso and Tentacle Sync E for timecode. Check out his website at https://www.sonolocus.com/
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Steven Lagosh is a Production Sound Mixer and boom op based out of the San Francisco Bay Area in California. He uses an Aaton Cantar Mini mixer/recorder, Lectrosonics DCR822 wireless receivers and SMQV transmitters. Steven uses Sanken COS-11 lav mics along with Countryman B3 and B6 microphones. For use on the boom pole, he likes the Sennheiser MKH-50 and MKH-416 shotgun mics. And he uses Tentacle Sync for timecode boxes.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Phillip Perpich is a production sound mixer based out of Atlanta, Georgia. Phil uses a Sound Devices 664 mixer/recorder, Lectrosonics wireless and Sanken COS-11 lav mics. For boom mics he uses a Sennheiser MKH-60, MKH-50 and a Sanken CS-1. Phil likes to use Tentacle Sync timecode boxes and Lectrosonics IFBs. Check out his website at https://pperp8.wixsite.com/perpichprodsound
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Chris Welcker is a Production Sound Mixer based out of New Orleans, Louisiana. He’s worked on numerous films including Bill & Ted Face the Music, Keanu and Twelve Years A Slave. Chris uses a Sound Devices Scorpio and a Sound Devices 833, Lectrosonics wireless, DPA 4060, 4061 & 6060 lavs, DPA 4017 shotgun & 4018 capsule, Tentacle Sync for timecode with Denecke slates. Chris also has a Magliner Junior Cart and a SuperZuca audio cart. https://www.catgutsound.com/
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Byron Meyer is a Production Sound Mixer originally from South Africa but is now based out of Copenhagen, Denmark. He uses a Sound Devices 6-Series mixer/recorder, Wisycom wireless, DPA 4060 lavs, DPA 4017b boom mic & DPA 4097 micro boom as a plant mic. Byron likes Tentacle Sync for time code and he uses a K-tek Stingray bag.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Juan Montoto Ugarte is a Production Sound Mixer and Boom Op based out of Madrid, Spain. He’s worked on the feature film, Terminator: Dark Fate, King Arthur: Legend of the Sword, the Netflix series Money Heist, and Woody Allen’s Rifkin’s Festival. Juan uses the Zaxcom Nova mixer/recorder, Zaxcom wireless, Schoeps MiniCMIT shotgun mic & Sennheiser MKH-50, DPA 4061 & Sanken COS-11d lavs and Tentacle Sync time code boxes.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Jimmy Sieczka is a Production Sound Mixer based out of Los Angeles, California. He has travelled around the world working on projects such as Amazon’s The Pack hosted by Lindsey Vonn, Bravo’s Below Deck Mediterranean and Discovery’s Naked and Afraid XL. Jimmy’s a natural storyteller and he tells it like it is. He was also a previous guest on Episode 003 so check out that one too.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Chris Bell is a production sound mixer and boom op based out of Pittsburgh, Pennsylvania. He worked on the feature Unearth where he did both location sound and post sound work. Chris uses a Sound Devices 833 mixer/recorder, Lectrosonics wireless with Sanken COS-11d lavs. He also uses Sanken CS-M1 and CS-3e shotgun mics. For time code, Chris uses Ambient NanoLockits and a Denecke TS-3 slate. He also uses a modified Zuca Cart for his audio cart. https://chrisbellsoundservices.com
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Pamela Xing-Berman is a production sound mixer and sound designer based out of Los Angeles, California. She recently worked on a project for the non-partisan organization, She Votes. Pamela uses a Sound Devices 633 mixer/recorder, Lectrosonics and Sennheiser wireless, Sennheiser MKH-416 shotgun mic, Comteks for IFB, Denecke smart slate and Tentacle Sync for timecode. Check out her website at https://pamelasound.com/
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
James Alexander Kum is a Production Sound Mixer and Boom Operator from Gloucestershire, England. He's worked on films like The Woman in Black with Daniel Radcliffe, Wonder Woman 1984 and Last Night in Soho. James uses a Zoom F8n mixer/recorder and a SQN 5s II Production Field Mixer. He uses Audio Ltd. radio mics with Sanken COS-11, DPA and Tram lavaliers. James likes using the Sennheiser MKH-416 shotgun mic for exteriors and the MKH-50 for interiors. He also uses Tentacle Sync boxes for timecode. https://jaksound.com/
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Dominique Greffard is a production sound mixer and boom op based out of Montreal, Canada. He uses a Zaxcom Nova mixer/recorder and Zaxcom wireless receivers and transmitters. Dominique uses DPA 4063 lav mics, Tentacle Sync E timecode boxes for sync, Sennheiser MKH-50, Sanken CS-3e and Neumann KMR 81 shotgun mics. He also likes Bubblebee wind protection and concealer products.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Jed Shiheng Xu is a Production Sound Mixer based out of Los Angeles, California. Jed also does post work including dialog editing. He uses a Zoom F8n mixer/recorder, Sennheiser 416 shotgun mic along with a Schoeps CMIT & Sennheiser MKH-50, Lectrosonics SRc wireless receivers and Lectrosonics SMQV wireless transmitters, Audio Ltd. A10 wireless boom, dpa 6060 lav, and Sennheiser MKE-1. Jed also uses Tentacle Sync for timecode.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Thomas Claire is a production sound mixer based out of New York City. He’s originally from France and tells his story of coming to the United States to follow his dream of working in film and television. He uses the Zaxcom Nova mixer/recorder, and the compatible Zaxcom wireless, as well as Lectrosonics and Wisycom, DPA 4061 lav mics and Sanken COS-11s, Sennheiser MKH-416 and Sennheiser MKH-50 boom mics and Ultrasync One for timecode sync boxes.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Benjamin Roembach-Clark is a production sound mixer based out of Minneapolis, Minnesota. He uses a Sound Devices 833 mixer/recorder but also uses the Zaxcom mixer/recorders as well. For mics, Ben likes the Sennheiser MKH-50 and the Sanken CS-3e. For wireless he uses Sony UWPs and Zaxcom units as well as Sennheiser G4 wireless for IFB. For lav mics, Ben uses Sanken COS-11. And for timecode he uses Tentacle Sync.
Erik Leek is a production sound mixer based out of Amsterdam in The Netherlands. He's also the founder of Hide-A-Mic Microphone Concealers. Eric uses a Sonosax mixer/recorder, Schoeps shotgun mics, Audio Limited wireless and Sanken COS-11 and DPA lav mics. Eric also use Tentacle Sync and Ambient timecode boxes. https://www.hideamic.com
Steve Saada, production sound mixer & boom op, joins us again to talk about COVID-19 & getting back on-set. He's working again and offers tips on how we can stay safe on-set. Steve also talks about research he's done on possible gear sanitizing options. Check out Steve's previous interview, Episode 033, on the Location Sound Podcast.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Kurtis Ewing is a boom op and production sound mixer based out of the Greater Los Angeles, California area. He's worked on shows like MADtv, Girlfriends, and Just Roll with It. He uses the Sound Devices 633 mixer/recorder and Lectrosonics wireless transmitters/receivers and IFBs and Sennheiser camera hops. Kurtis has a variety of lav choices including the DPA 6060, 4061, 4071 and Sanken COS-11s. Kurtis uses a Denecke TS-C slate, and Denecke SB-4 timecode boxes. For boom mics, he uses a Schoeps MiniCMIT, CMC641 and Sennheiser 416. Kurtis also uses Remote Audio HiQ batteries.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Judi Lee-Headman is a Production Sound Mixer based out of St. Albans, UK. She's worked on the Showtime series Homeland, the British TV series The Tunnel, Britannia and Intergalactic to name a few. She uses the Sound Devices 688 mixer/recorder and CL-12 on her cart and 788T for bag drops. Judi uses Wisycom wireless and Sanken COS-11 lavs. For shotgun mics she uses Schoeps CMIT5u and a variety of Sennheiser mics. For timecode Judi uses Ambient MasterLockits, Lockits and NanoLockits.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Ric Viers is a producer, international author, sound designer and the world’s largest independent producer of professional sound effects libraries with more than 670 products produced to date. He is the author of “The Sound Effects Bible”, “The Location Sound Bible”, and “Make Some Noise” and the founder of Blastwave FX – one of the world’s leading sound effects publishers. Ric is also a graduate of Full Sail University.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Stu Chacon is a Production Sound Mixer based out of Los Angeles, California. He uses a Sound Devices 664 mixer/recorder and a Sound Devices MixPre-6 for car work, Lectrosonics 411 wireless receivers, Sanken COS-11 lav mics, Schoeps CMIT-5u shotgun mic and a Sennheiser MKH-50 for indoor dialog. Stu uses Tentacle Sync timecode boxes and a Denecke smart slate.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Siddharth Sadashiv is a boom op, production sound mixer, sound designer and educator, currently based out of Shanghai, China. He uses a Zoom F8 mixer/recorder, Sennheiser G3 wireless mics and a Sennheiser MKH-416 shotgun mic. Sid also uses a Denecke smart slate.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Michael "Ponch" St. Hilaire is a Production Sound Mixer based out of Queens, New York. He's recorded sound for shows like The Apprentice, The Amazing Race and Survivor. Ponch uses a Sound Devices 633 recorder and a Sound Devices MixPre-3 as a backup. He also uses Wisycom wireless transmitters/receivers, Sanken COS-11 lav mics, Sennheiser MKH-416 shotgun mics and Tentacle Sync for timecode. Ponch also uses an Orca audio bag.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Jimmy Gilmore is a production sound mixer based out of Atlanta, Georgia. He uses a Sound Devices 664 mixer/recorder, Lectrosonics wireless, Sanken and DPA lav mics, Sennheiser MKH-416, MKH-50 and AKG 460B shotgun mics. For timecode Jimmy uses MozeGear and a Deneke smart slate. For power distribution, he has a Remote Audio BDS and a Meon LiFe cart battery.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
LaRon Cooper is a Production Sound Mixer based out of Kansas City, Missouri. He uses a Sound Devices MixPre-6 first generation mixer/recorder, Lectrosonics 411 wireless receivers and SMQV transmitters, Sanken COS-11 lav mics, 2 Sennheiser G3 wireless receiver/transmitters and Audio Root for power distribution. LaRon likes the Sennheiser MKH-50 and MKH-416 shotgun mic on his Ktek boom pole. He also uses a Ktek bag. LaRon also like using his Deneke time code box.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Michael Helms is the host of the Location Sound Podcast and a production sound mixer based out of Florida. This episode was released during the COVID-19 pandemic and he talks about a few things to pass the time while most film and TV productions are on hold. Michael also shares behind-the-scenes working on the YouTube video, "Kyle Busch Signs the Line at the Daytona 500" for Toyota Racing. Michael uses Sound Devices mixer/recorders, Lectrosonics SRc wireless receivers and SMDWB transmitters, Sanken COS-11 lav mics, Sennheiser 416 shotgun mics and Tentacle Sync for timecode.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Jeremy Zunk is a production sound mixer based out of the Washington, D.C. metro area. He uses and owns a variety of Sound Devices mixer/recorders. He likes Lectrosonics wireless transmitters and receivers, Sanken COS-11 lavs and dpa lavs, Schoeps shotgun mics and the Sennheiser MKH-50. Jeremy also uses Tentacle Sync timecode boxes.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Justin Moschcau is a production sound mixer based out of the Phoenix, Arizona area. He uses a Sound Devices 633 mixer/recorder and a 664, Lectrosonics wireless, Sanken COS-11 lav mics, a Schoeps CMIT-5u shotgun mic and Tentacle Sync for timecode.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Andrew Jones is a production sound mixer and Deity Microphone's brand developer. He's based out of Los Angeles, California. Andrew uses a Zoom F8 mixer/recorder, Deity Connect wireless, boom mics are the Deity S-Mic 2S for indoors and Deity S-Mic for outdoors. He has a custom power distro he created himself. He also uses Tentacle Sync-E time code boxes.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Michael Solomon is a freelance production sound mixer based out of New York City. He uses a Sound Devices 633 recorder, Lectrosonics wireless mics, MozeGear TIG timecode sync boxes, Deneke TS-C smart slate, Sennheiser MKH-60 shotgun mic, Schoeps CMC-6 with a MK-41 capsule shotgun mic, Remote Audio power distro, Ktek booms and a Orca bag.
Paul Vik Marshall, C.A.S. is a Production Sound Mixer based out of Southern California. He uses a modified PSC audio cart, a Sound Devices 688 mixer/recorder, Lectrosonics wireless transmitters with the Venue receiver rack, Sanken COS-11 lav mics, Schoeps CMIT5s shotgun mics and Sennheiser MKH-50s. Paul works regularly with boom ops Eddie Casares and Mike Sanchez.
Each episode of the Location Sound Podcast, we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Mike Gillig is a production sound mixer based out of Cologne, Germany. In the television industry in Germany, the production company usually provides the audio kit so he's had the opportunity to work with a variety of gear such as Sound Devices mixer/recorders, Zoom F4 & F8 and SQN mixers. Based in Germany, Sennheiser wireless mics are very popular as well as Audio Limited, Micron and on a rare occasion, Lectrosonics.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Paul Isaacs is Director of Product Management & Design at Sound Devices. We talk about what goes into the design and release of new mixers and recorders as well as other products in development. Paul also discusses firmware updates for the Sound Devices 8-Series like the Scorpio, 888 and 833. We also talk about the new MixPre II series, available plugins and what's new. https://www.sounddevices.com
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Paul Buscemi, CAS, is a production sound mixer based out of Los Angeles, California. He works on television, documentary, commercial and new media. Paul uses a Sound Devices 633 mixer/recorder and a Sound Devices 688 on his cart, Lectrosonics wireless SMB and SMQV transmitters, 411 receivers and SRb receivers, Sanken COS-11 lav mics, Comtek IFBs, Lectrsonics 400a transmitters for camera hops and Lectrosonics LR receivers, Schoeps CMIT shotgun mic, Sennheiser MKH-50 and MKH-416 shotgun mics as well. Paul has built a hybrid sound cart based on the Zuca cart holding his Sound Devices 688 mixer/recorder with the CL-12 fader panel. He also uses the Denecke JB-1 and Tentacle Sync for time code. http://buscemiarts.com/
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Glen Yard is a Production Sound Mixer and Post Engineer based out of Bournemouth, England. He's worked on film, television, docs, corporates and commercials. Glen uses a Sound Devices 664 mixer/recorder, Sennheiser 416 shotgun mics and a Sennheiser MKH-50. He also uses Sennheiser G3s for wireless, hops and IFBs. Glen likes Sanken COS-11 lav mics and B6 lav mics. He also uses Tentacle Sync for timecode. Check out his website at https://www.glenglenglensound.com
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Jesse Mills is a Production Sound Mixer based out of San Francisco, California. He uses a Sound Devices 664 mixer/recorder, a Sound Devices 744 for effects recording and high dynamic range projects and a Sound Devices MixPre for smaller projects. Jesse uses Lectrosonics SMQV wireless transmitters, MM400 transmitters, HMA transmitters and 411 wireless receivers and a LR receiver for a camera hop, along with Sennheiser G3s for hops as well. He likes the dpa 4060 lav mics. For shotgun mics, Jesse likes the Schoeps CMit and CMC-6 with MK-41 capsule and a Sennheiser 416. He likes Denecke JB-1's for time code and uses their time code slate. For power distribution he's using Audio Root. Jesse uses ORCA bags, Portabrace and a Petrol bag. https://elephantearaudio.weebly.com
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
On this episode, tax professional Ruben C. Cruz, CPA, CIA, CRMA talks about tax savings for freelancers. Ruben is a CPA and Profit First Professional who helps business owners be profitable and save on taxes. https://crulliance.com/
On the Location Sound Podcast, we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Curtis Judd is a Utah based sound for video enthusiast and freelance production sound mixer. He uses a Sound Devices 633 and has just acquired the 833. Curtis also uses a Sound Devices MixPre-10T as a backup, dpa 4017b shotgun mic, Schoeps CMC 641 and the Sennheiser MKH-8050 shotgun mics, Audio Limited A-10 wireless, dpa 4160 lav mics and Countryman B-6, and recently started using the Shure Twinplex TL47 and TL-48 with good results. He uses the UltraSync One and Tentacle Sync for timecode. Curtis also uses the Orca OR-30 audio bag. Check out his YouTube channel and his website at https://www.learnlightandsound.com/
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Rob Disner is a Production Sound Mixer and Boom Op based out of Atlanta, Georgia. He uses Sound Devices 633 mixer-recorders, Lectrosonics 411 wireless receivers, Sanken CS3e shotgun mic, Audio-Technica 4073 shotgun mic, Sennheiser G4 wireless for camera hops, Countryman B3 & B6 lav mics, Tentacle Sync and Denecke SB-3s for timecode, Comtek M72 transmitter and PR-175s and Sony 7506 headphones.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.
Kim Kylland is a production sound mixer, boom op, singer, songwriter and composer, based out of Los Angeles, California. Kim uses a Zoom F8 mixer/recorder and the Sound Devices 633, Sennheiser G3 wireless, Audio Technica System ATWs, Lectrosonics SMWB's for wireless transmitters, Sennheiser 416 shotgun mic, Countryman B3 lav mics, Sanken COS-11's and Sennheiser MKE-2 lav mics, Denecke JB-1 Syncbox for timecode and Tentacle Sync timecode boxes. Kim puts all that in a ORCA bag designed for the Zoom F8. Kim's production company is https://birdmurmur.com/ Kim's personal site is https://kimkylland.com/
Kim's last EP: https://kylland.bandcamp.com/
Her Documentary, "Stateless" : https://statelessdoc.com
Jim Keaney is a Production Sound Mixer and Boom Op who has worked on commercials, documentaries, narratives and reality TV and is based out of Boston, Massachusetts. Jim uses Sound Devices 633 & 688 mixer/recorders with an SL-6 accessory, and CL-6 mixing board, Lectrosonics SRc wireless receivers, Lectrosonics SMDWB and SMWB wireless transmitters as well as SRb's and SMQVs, Audio Root for power distribution, Betso TCX-2 timecode boxes, Sennheiser 416 shotgun mics as well as a Schoeps CMIT 5u and Sanken CS3e shotgun mics. Schoeps 641's and Sennheiser MKH-50 mics. Jim uses COS-11d lav mics and Countryman B6's. He also likes the Sony MDR-7506 headphones and the Remote Audio HN-7506 headphones.
Bill Mitchell is a production sound mixer and boom op based out of Nashville, Tennessee. He uses a Sound Devices 633 mixer/recorder, Kortwich preamp for 3 additional preamps into the 633, Lectrosonics SRb & SRc receivers, Sanken COS-11 lav mics, dpa 6060 lav mics, Lectrosonics SMQV and LT transmitters, Remote Audio power distro, Lectrosonics UM400 for IFB, Schoeps CMIT 5u shotgun mic for outdoor, Schoeps CMC MK41 for indoor, and Tentacle Sync for timecode.
Henri Rapp is a production sound mixer and studio recording engineer based out of Cleveland, Ohio. He uses a Sound Devices 664 mixer/recorder, Wisycom MCR-42 wireless receiver and MTP41S and MTP30 transmitters, Lectrosonics SRc wireless receiver and SMDWB transmitters, 4061 and 6060 dpa lav mics and Sanken COS-11s, dpa 4017 shotgun mic and Oktava MK012 mics. Henri also likes the Timecode Systems Wave and UltraSync ONE.
Originally from Australia, Will Langdale is a production sound recordist and boom op based out of London, England. He uses a Sound Devices 633 mixer/recorder, Audio Limited A10 wireless transmitters and receivers, Sennheiser G3 wireless transmitters and receivers, dpa 4060 lav mics, Sennheiser MKH-50 shotgun mic, Tentacle Sync timecode boxes and Sennheiser HD-25 headphones. Will also uses Hide-a-Mic mic concealers.
Josh Morrison is a Production Sound Mixer and Boom Op based out of Phoenix, Arizona. He uses a Sound Devices 633 mixer/recorder, Lectrosonics SRc wireless receivers, Lectrosonics SMDWB wireless transmitters, Schoeps CMIT 5u shotgun mics along with a Sennheiser MKH-50 and MKH-416 shotgun mics, Sanken COS-11d lav mics, Tentacle Sync-E timecode boxes, Comteks for IFB for clients and Sony MDR-7506 headphones.
Nick Do is a production sound mixer and boom op based out of New York. He's worked on a number of TV series like Snapped, Hip Hop Evolution and his documentary, Rezervation Nation. Nick uses a Sound Devices 633, Lectrosonics 411a receivers, 210d receiver and HM transmitter for wireless boom. Nick also uses a Remote Audio BDS power distro, Comteks and Lectrosonics IFB's.
Tom Backus is a production sound mixer and post audio engineer based out Knoxville, Tennessee. He uses a Nomad 10 recorder with Lectrosonics SRb receivers, SMQV transmitters, dpa 4063 lav mics and 4071's, Sanken COS-11d lavs, Schoeps Cmit, and the MK-41 on the CMC5. Tom also has a RastOrder feature sound cart, Sonosax SX-ES64 mixer that he uses with his Nomad 10.
Jacob Brown is a production sound mixer and boom op based out of Chicago, Illinois. He uses a Sound Devices 664 mixer/recorder, Lectrosonics wireless receivers and transmitters and Sanken COS-11d lav mics. He's also been using Audio Limited A10 wireless, recently. For shotgun mics he likes Sennheiser 416 shotgun mics and the 8050 for indoors. Jacob is also using NanoLockit by Ambient for timecode, and the Orca OR-34 audio bag.
Levi Carter is a production sound mixer and boom op based out of Chattanooga, Tennessee. He uses a Sound Devices MixPre-10T, Lectrosonics SRc wireless receivers, Sanken COS-11d lav mics and Sennheiser 416 shotgun mics. Levi uses a Betso timecode slate, camera hops and sync box.
Chris Howland CAS, is a production sound mixer based out of Los Angeles, California. He's worked on episodic shows like The Fix and S.W.A.T. He uses a Midas board and a software based production recorder, Boom Recorder. He also uses a Sound Devices 688 and 633, and CL-12, Field Venue, Comteks and Lectrosonics wireless.
Antoinette Tomlinson is a production sound mixer based out of New York City. She uses a Sound Devices 633 mixer/recorder, Lectrosonics SRb wireless receivers, Lectrosonics SMQV wireless transmitters, Sanken COS-11d lav mics, Sennheiser G4 camera hop, Sennheiser 416 shotgun mic, Comtek IFBs, dpa 660 lavs, Schoeps CMIT 5u shotgun mic, Schoeps MK41 and Tentacle Sync timecode boxes. Antoinette also owns her own sound company called Invictus Sound Factory.
Benjamin Quiles is a location sound recordist and local audio engineer based out of Los Angeles, California. He uses a Zoom F8 mixer/recorder, Sennheiser G3 wireless mics, Sanken COS-11d lav mics and Sennheiser 416 shotgun mics. Benjamin uses NP-1 batteries to power his kit.
Kreigh Carter is a boom op and production sound mixer based out of St. George, Utah. He also has a full service production company called Kreigh Carter Productions where he does videography and editing. Kreigh uses a Zoom F8 mixer/recorder, Sennheiser 416 shotgun mic, Sennheiser wireless lavs and Tentacle Sync for timecode.
Jennilee Park is a production sound mixer based out of Minneapolis-Saint Paul in Minnesota. She uses a Sound Devices 633 mixer/recorder, Lectrosonics SRc wireless receivers, SMDWB wireless transmitters and Wideband LTs. Sennheiser 2000 wireless hops, Tentacle Sync for timecode and Schoeps mini CMIT shotgun mics. Sanken COS-11Ds for lav mics.
Aaron Berger is a production sound mixer based out of Peoria, Illinois. He uses a Tascam DR-70D recorder, Rode NTG3 and Audio Technica 4053b shotgun mics, Sennheiser G2 wireless and Tentacle Sync for time code.
Karl Winkler, Vice President of Sales at Lectrosonics, talks with us about the U.S. based company's product line like the SMWB, SMDWB, & SRc, and best practices when using wireless and choosing a wireless microphone system that fits your needs. Lectrosonics has a history of delivering quality wireless technology with excellent customer support and service since 1971.
Justin Lacroix is a production sound mixer based out of southern Maine. He's worked on the reality TV show Survivor and on projects for MTV, Nat Geo, HBO and Vice. He uses a Sound Devices 633 mixer/recorder, Lectrosonics SRc wireless receivers, Lectrosonics SMWBs and SMDWBs wireless transmitters, Sanken COS-11 lav mics, Sennheiser 416 shotgun mics and Sennheiser MKH-50 for interiors. Justin also uses Tentacle Sync time code boxes.
Rick Garza is a production sound mixer based out of Ventura, California. He's worked on Discovery Channel's Naked and Afraid and Mariah's World with Mariah Carey. Rick uses a Sound Devices 633, Lectrosonics wireless transmitters and receivers, Sennheiser 416 shotgun mics, Ktek boom pole, PSC power distro and Tentacle Sync for timecode.
Jay Menez is a production sound mixer, director, producer and author based out of Los Angeles, California. He uses a Sound Devices 688, Lectrosonics SRc receivers and SMWB wireless transmitters, SL-6 for power distro, Sennheiser MKH-416 shotgun mic and the MKH-50, Sanken COS-11 lavs, and Betso timecode boxes. Jay's book is called Spark-The 8 Mental Habits of Highly Successful People.
James Nolan is a production sound mixer based out of Los Angeles, California. He's worked on documentaries, reality TV and commercial productions. James is originally from Dublin, Ireland. He uses a Sound Devices 788 with a CL-8, Lectrosonics and Wisycom wireless, dpa 4017 shotgun mic, Sennheiser mkh 8050, and dpa lav mics. Sennheiser IEM as Comteks.
Steve Saada is a boom op and location sound mixer based out of the Baltimore / Washington DC area. He's worked on the Netflix series, House of Cards and on the HBO series, Veep, with Julia Louis-Dreyfus. Steve uses a Sound Devices 633 mixer/recorder, Lectrosonics wireless, Audio Root power distribution, Sanken COS-11 lavs, Sennheiser MKH-50 shotgun mics, Betso timecode boxes and Sennheiser G3 wireless camera hops.
Greg Curda is a veteran Hollywood sound mixer with over 75 films to his credit including Hunt for Red October, which he won an Oscar with his sound team, Days of Thunder, Wind Talkers, Ghost, Waynes World, Good Morning Vietnam and The Godfather Part 3. He's currently living in Norway and is teaching sound for production and post.
Jack Garrett is a location sound mixer based out of Cape Cod, Massachusetts. He uses a Sound Devices 633 mixer/recorder, Lectrosonics wireless, Sanken COS-11 lavs, his shotgun mics are the Schoeps CMC MK41 & Super CMIT, Sennheiser 416 & MKH 50. He also uses Audio Root power distro. Mozegear TIG for timecode.
Matt Vogel is a production sound mixer based out of Chicago, Illinois. He's traveled the world working as a sound mixer and has worked in almost every state in the USA. Matt uses a Sound Devices 633 and a 788 mixer/recorder. He uses Lectrosonics wireless, Sanken COS-11 and Countryman B6 lav mics, his shotgun mics are the Sennheiser MKH50 and MKH60, Ultrasync timecode boxes, Sound Guy Solutions MD6 power distribution and Sony MDR-7506 headphones.
Gene Kim is a production sound mixer and audio post engineer based out of New York City. He uses a Sound Devices 633 and 688, power distro is Audio Root, Zaxcom wireless and he uses the RF Vue spectrum analyzer to see the wireless RF spectrum. Gene also uses the Sennheiser MKH50, 8060, Neumann KM150 and Schoeps cmit5U. He also uses dpa 4063 lavs and COS-11 lavs.
Rodolfo Piedras is a production sound mixer based out of Vancouver, British Columbia working on TV shows, feature films, docs and indie films. He also has a popular YouTube channel, RLFO Sound, where he talks about recording sound and behind the scenes on-set. Rodolfo is also an instructor at Vancouver Film School.
Aditya J. Yadav, based out of Mumbai, India, is a production sound mixer, sound designer and re-recording mixer working in Bollywood. He uses a Sound Devices 688 mixer/recorder and Sound Devices 702T recorder, Tentacle Sync timecode boxes, Sennheiser 416 shotgun mic, MKH 50, and Neuman KMR82. Aditya also uses COS-11 lav mics and Lectrosonics wireless and Sennheiser G3's.
Adam Clark is a location sound mixer based out of Toronto, Ontario, Canada. He's worked on films, commercials and television projects. He uses the Sound Devices 688 and SL-6. Lectrosonics wireless mics, dpa 4060 lav mics, dpa 4017 shotgun mic and dpa 4018, Sennheiser 416 shotgun mic and Cedar DNS 2 noise reduction, and Lectrosonics IFBs. Adam is also co-owner of Toronto Sound.
Doc Justice is an accomplished Audio Supervisor and Production Sound Mixer with hundreds of credits to his name, including scripted, unscripted, competition, and just about any other type of show you can imagine. He is the founder and owner of Halter Technical, creators of extraordinary audio products built for sound professionals in tv and film. He is from Philadelphia, and he’ll let you know about it.
Matt Price is a location sound mixer based out of London, England. He has a podcast and a YouTube channel where he shares his experience with sound mixers from around the world. Matt uses a variety of mics including the Schoeps Super CMIT, Schoeps MK41, CMC5u mic amp, Sennheiser 416, Sanken COS-11 lavs, dpa's 4071 lav mics, Lectrosonics SRb's, Sennheiser G3's, Sound Devices 688, Sound Devices SL-6 and Betso Sharkie fin antennas.
Jack Bradley is a location sound mixer and boom op based out of New Haven, Connecticut. He's worked on features, short films, commercials and music videos. Jack uses a Sound Devices MixPre-10T, Sony UWP-D11 wireless mics and Sanken COS 11 lavs, a Rode Link for a wireless camera hop, Sennheiser MKH 416 shotgun mic, Tentacle Sync timecode boxes, Ktek boom pole, KTek Stingray bag and AudioTechnica M40X headphones.
Paul Jefferys is a location sound mixer from Jupiter, Florida. He uses a Sound Devices MixPre-10T, Zaxcom QRX 200 QRX 235 with IFB and TRX LA 3.5. His lav mics are Sanken COS 11's and shotgun mics are the Sennheiser MKH 416 and 816. Paul also uses the Orca OR-48 Sound Cart.
Mark LeBlanc is a location sound mixer based out of New Orleans, Louisiana. He's worked on TV shows like AMC's Preacher and Fox's Scream Queens and American Horror Story. Mark has also worked on Logan, Fantastic Four and G.I. Joe: Retaliation and American Made with Tom Cruise. He uses a Sound Devices 788T and CL-9, Lectrosonics Venues and recently picked up a Zaxcom Max. He uses a variety of mics including the AKG CK69 shotgun mic, Sennheiser MKH-416 and MKH-70.
Justan Ross is a location sound mixer based out of Calgary in Alberta, Canada. He's worked in the televsion and film industry for over 20 years. He works on features, TV series, docs and commercials. Justan uses a Sound Devices 644, a Sound Devices 633, Lectrosonics 411's, Comteks, Zaxcom, Meon Life battery, Cmit5u, MKH 50, MKH 416's, and Ambient NanoLockits.
Yancey Pon Franco is a Boom Op based out of Los Angeles, California. Uses a Sound Devices 442 mixer into a Sound Devices 744 recorder, Lectrosonics 411 and 211 wireless, Rode NTG3 and Shure 215 In-Ear-Monitors.
Stefan Sparky Smuts is a location sound mixer based out of Johannesburg, South Africa. He's currently using a Sound Devices MixPre-6, with an Orca OR-32 bag and OR-42 harness, Sony UWP D-11 wireless, Rode Filmmaker Lav System, a NTG 2 and a Sennheiser 416. He's running a DIY power distribution powering the MixPre-6 via the USB-C.
Christopher Mas is a professional sound mixer based out of Phoenix, Arizona. He's worked on productions for reality, documentary and commercials. Christopher uses a Sound Devices 633, Wisycom wireless, Sanken COS 11 lavs, Lectrosonics wireless and Audio Root power distribution.
Timothy Chan is a location sound mixer based out of Chicago, Illinois. He uses a Zoom F8 mixer/recorder, Lectrosonics wireless, Sennheiser MKH415T shotgun mic, Oktava MK012 mic and Tentacle Sync for timecode.
Greg Smith has recorded SFX on numerous films including the Star Wars franchise, Indiana Jones films, Lincoln and many more. He has a wealth of sound recording experience and some fantastic stories. He currently is a professor at SCAD in Savannah, Georgia, teaching Film & Television and Sound Design.
Kally Williams is a location sound mixer based out of Los Angeles, California. She uses a Sound Devices 633 mixer/recorder, Lectrosonics src wireless receivers, Sanken COS 11 mics, Tentacle Sync for timecode, a Schoeps CMIT 5u mic, a DPA 4017 mic, and Audio Root for power distribution. Kally also has a Sound Devices MixPre-6 for smaller projects.
Saeed Thomas is a location sound mixer based in Jamaica. Listen to this episode as Saeed discusses the differences of working in production sound in Jamaica compared to other parts of the world and how he got started in the industry. He uses a Sound Devices 633 mixer/recorder, Lectrosonics wireless, Sanken COS-11d mics and a Sennheiser 416.
Ferris Shaheen is a Freelance Audio Mixer and Boom Operator at GFS Sound. He uses the Sound Devices 688 12 input mixer/recorder with the Sound Devices SL-6 with 3 Lectrosonics Src dual channel receivers along with the Sound Devices CL-6. Ferris has a number of boom mics including the Shoeps CMIT5u, Sanken CS3e and the Sennheiser MKH416-PH shotgun mic.
Luke Pearson is a location sound mixer based out of Louisville, Kentucky. He's a graduate of Berklee College of Music.
Adam Parsons is an experienced Toronto based sound recordist, specializing in location mixing for documentary, commercial and narrative productions. He uses the Sound Devices 688 with the SL-6, Schoeps shotgun mics and Lectrosonics wireless with Sanken and DPA lavs.
Fernando Delgado is an Emmy Award winning audio consultant and owner of Stickman Sound in Las Vegas, Nevada. He has over 19 years of experience in both live and taped television including working with HBO Boxing since 2001.
Jennelle Jordan worked as producer of 244 episodes of the critically acclaimed television series Forensic Files, reaching an audience in over 142 countries worldwide. She also has extensive experience in TV & film as well as corporate/commercial and live events. Currently Jennelle is production manager at ProductionHUB, a global network of local crew and vendors that serves the film and video production industry.
T.J. Garland is a boom op and location sound mixer based out of Atlanta, Georgia. He's worked on TV shows like Atlanta featuring Donald Glover and on the feature film Hangman with Al Pacino and Karl Urban. Listen as he shares some unique stories about being on-set.
Niel Guilarte is a producer, director and founder of Wildstyle Media based out of Orlando, Florida. Niel talks about his experience directing and editing, The Messengers: A Podcast Documentary and what he looks for when hiring a location sound recordist. Niel also hosts a podcast called All Things Post.
Joe Giannotti is a freelance sound recordist based out of Tampa, Florida. He's worked on thousands of broadcast television productions for networks like ESPN, ABC, HBO, TNT, BBC, Discovery Channel, NatGeo, NFL Network, MLB Network, HGTV and more. He's also the creator of the Quiet Please, Filming in Progress signs seen on sets all around the world. Joe uses a Sound Devices 633, Shoeps microphones and Lectrosonics wireless.
Carl Welden is a production sound mixer and boom operator based in upstate NY. He also works as a radio announcer, MC and voice actor. He uses a Sound Devices 633 mixer/recorder, Lectrosonics mics and Deneke time code sync boxes.
Jimmy Sieczka is a location sound mixer working on shows like Discovery Channel's Naked and Afraid and Nat Geo's Ice Holes. He's worked around the world in extreme environments from tropical jungles to subfreezing temperatures of -40 degrees Fahrenheit. Jimmy uses Lectrosonics, Wisycom and Rycote products on-set. Check out his amazing stories of recording sound in very challenging conditions.
Larry Williams, Jr. is a freelance location sound mixer based in South Florida. He grew up in Miami and attended the University of Florida. After college he interned and ended up working full-time for a production company for 10 years. It was during these 10 years that he gained an invaluable amount of experience working on different types of projects and genres.
Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.