http://www.lackluster.org/ http://lackluster.bandcamp.com http://facebook.com/LacklusterOfficial http://vk.com/LacklusterOfficial for updates
Performed live at Tikkurilan Kirjasto (Library of Tikkurila), Vantaa, Finland, 25th of February 2023HLER is Heikki Lindgren & Esa Ruohohttp://hler.bandcamp.com/http://facebook.com/hlermusic
HLER is Heikki Lindgren & Esa Ruoho http://facebook.com/hlermusic http://hler.bandcamp.com/ Picture by Guillermo Cimadevilla
HLER Live concert, performed at Tampere Biennale on the 6th of April 2022.
Photo by Maarit Kytöharju
HLER is: Heikki Lindgren: Synthesizer + Pedal effects Esa Ruoho: Sampling/Looping/Processing (Pure Data, Ableton Live)
http://facebook.com/hlermusic http://hler.bandcamp.com/ https://www.instagram.com/hlerdrone/
Performed live at Maunula-Talo in Helsinki 12.11.2020.
Excerpts from a 6 hour gig, with Heikki Lindgren on guitar + pedals, and Esa Ruoho on Ableton Live and Pure Data.
Image from Desert pavement Myrdalssandur.JPG taken by Laurent Deschodt https://commons.wikimedia.org/wiki/File:Desert_pavement_Myrdalssandur.JPG
HLER are Heikki Lindgren & Esa Ruoho. This is an extra special podcast episode created exclusively for Music For Programming - http://musicforprogramming.net/?fiftyfour
Enjoy! http://hler.bandcamp.com http://facebook.com/hlermusic http://instagram.com/hlerdrone http://soundcloud.com/lackluster/sets/hler http://musicforprogramming.net/?fiftyfour
p.s. book us!
Made with Soundbox, a HTML5 based tracker, for the Zebrain 4Kb intro - the first ever demo made with Matlab. 1st place at Demosplash 2019 Modern demo competition.
Check the intro out at https://youtu.be/gI6j0lZlytM https://www.pouet.net/prod.php?which=83691 https://demozoo.org/productions/270162
Code by Pestis/bC!, Ascii by Apollo/bC!, music by Distance/TPOLM (Lackluster)
Here's a blast from the past - a set I played at the Legal Eagle in Dublin on the 30th of September 2005.
info@lackluster.org
Hi, I'm March 2000 in Norway, taking part in a fast music competition at a demoparty. Well, there it is. Now you know what SHK2X was "second part" of.
https://lackluster.bandcamp.com/track/shk
Performed live at Rikhardinkadun kirjasto, Helsinki, Finland on the 13th of January 2019.
Booking: hlerdrones@gmail.com
facebook.com/hlermusic hler.bandcamp.com www.instagram.com/hlerdrone
HLER combines the initials of Heikki Lindgren and Esa Ruoho. It also describes the improvisational creative process of this ambient drone duo from Finland.
A couple of years ago, Heikki came across a second-hand Peruvian synthesiser. The machine quickly revealed its potential for endless sonic creativity, mainly because Heikki found it almost impossible to recreate the exact same sound twice. He soon introduced the machine to Esa, and together they decided to explore the machine's inherent sonic instability in a live setting.
Each performance follows the same creative process, but with wildly different results every time. Digging in to the Mochika XL's front panel, Heikki begins mining for sound. Esa then processes Heikki's discoveries through his laptop, revealing hitherto undiscovered facets to Heikki's freshly unearthed sonic gems. Then, with the twist of a dial, Heikki introduces something new to Esa, and the whole process continues onwards and upwards.
"We are always surprised by the spaces we find ourselves in, and the directions the sounds take during a performance. We cannot repeat anything in exactly the same way, even if we wanted to! Just turning the Mochika XL synthesiser off and back on, keeping all of the knobs untouched in exactly the same position, leads to a changed sound."
"It has been incredibly rewarding to work as a duo, as the unpredictability of the creative process is so refreshing. Thanks to the unstable nature of the Mochika XL synthesiser and the intuitiveness of Esa’s live processing, each performance is unique. The whole live situation is based on improvisation and the sonic discoveries extracted during the encounter."
File under: organised improvised noise, clicks, hums, drone, "Hey, this sounds kind of like space music from the '70s!", a captured submarine humming in the hangar of a space station, "Are you sure you guys are alright and that the cables work?"
Released on the Dusk Transmission compilation, out now on the Lawrence, Kansas label Moody Drones! https://moodydrones.bandcamp.com/album/dusk-transmission
HLER is Heikki Lindgren & Esa Ruoho - an improvised ambient drone duo from Finland.
booking: hlerdrones@gmail.com to find out what we sound like at gigs: http://soundcloud.com/lackluster/sets/hler http://hler.bandcamp.com/
HLER combines the initials of Heikki Lindgren and Esa Ruoho. It also describes the improvisational creative process of this ambient drone duo from Finland. A couple of years ago, Heikki came across a second-hand Peruvian synthesiser. The machine quickly revealed its potential for endless sonic creativity, mainly because Heikki found it almost impossible to recreate the exact same sound twice. He soon introduced the machine to Esa, and together they decided to explore the machine's inherent sonic instability in a live setting.
Each performance follows the same creative process, but with wildly different results every time. Digging in to the Mochika XL's front panel, Heikki begins mining for sound. Esa then processes Heikki's discoveries through his laptop, revealing hitherto undiscovered facets to Heikki's freshly unearthed sonic gems. Then, with the twist of a dial, Heikki introduces something new to Esa, and the whole process continues onwards and upwards.
"We are always surprised by the spaces we find ourselves in, and the directions the sounds take during a performance. We cannot repeat anything in exactly the same way, even if we wanted to! Just turning the Mochika XL synthesiser off and back on, keeping all of the knobs untouched in exactly the same position, leads to a changed sound."
"It has been incredibly rewarding to work as a duo, as the unpredictability of the creative process is so refreshing. Thanks to the unstable nature of the Mochika XL synthesiser and the intuitiveness of Esa’s live processing, each performance is unique. The whole live situation is based on improvisation and the sonic discoveries extracted during the encounter."
File under: organised improvised noise, clicks, hums, drone, "Hey, this sounds kind of like space music from the '70s!", a captured submarine humming in the hangar of a space station, "Are you sure you guys are alright and that the cables work?"
Released on the wonderful compilation called V/A: 100 by Cold Fiction Music: https://cfmlabel.bandcamp.com/album/100
HLER is Heikki Lindgren & Esa Ruoho - an improvised ambient drone duo from Finland.
booking: hlerdrones@gmail.com to find out what we sound like at gigs: http://soundcloud.com/lackluster/sets/hler http://hler.bandcamp.com/
HLER combines the initials of Heikki Lindgren and Esa Ruoho. It also describes the improvisational creative process of this ambient drone duo from Finland. A couple of years ago, Heikki came across a second-hand Peruvian synthesiser. The machine quickly revealed its potential for endless sonic creativity, mainly because Heikki found it almost impossible to recreate the exact same sound twice. He soon introduced the machine to Esa, and together they decided to explore the machine's inherent sonic instability in a live setting.
Each performance follows the same creative process, but with wildly different results every time. Digging in to the Mochika XL's front panel, Heikki begins mining for sound. Esa then processes Heikki's discoveries through his laptop, revealing hitherto undiscovered facets to Heikki's freshly unearthed sonic gems. Then, with the twist of a dial, Heikki introduces something new to Esa, and the whole process continues onwards and upwards.
"We are always surprised by the spaces we find ourselves in, and the directions the sounds take during a performance. We cannot repeat anything in exactly the same way, even if we wanted to! Just turning the Mochika XL synthesiser off and back on, keeping all of the knobs untouched in exactly the same position, leads to a changed sound."
"It has been incredibly rewarding to work as a duo, as the unpredictability of the creative process is so refreshing. Thanks to the unstable nature of the Mochika XL synthesiser and the intuitiveness of Esa’s live processing, each performance is unique. The whole live situation is based on improvisation and the sonic discoveries extracted during the encounter."
File under: organised improvised noise, clicks, hums, drone, "Hey, this sounds kind of like space music from the '70s!", a captured submarine humming in the hangar of a space station, "Are you sure you guys are alright and that the cables work?"
if you listen very carefully, you'll hear the Zoom H1 recording device emitting clicks and beeps every once in a while. I plugged it into a USB-Hub, thinking, hey presto, solution.. Well, anyway, the "really low volume clicking + beeping" not supposed to be there. If you don't recognize it, then i faded the gig in, and faded the recording out, at the exact right time.
Anyway, this was performed live at the Polyphonic 2019 Ambient music festival, and the concept was "Plugged into nothing" - so the only sound-source was a set of unplugged cables, which I either grabbed and touched together or separately, or connected together.
All sampling, effecting, processing made with a custom-built Pure Data script, Renoise, and Ableton Live.
Thanks Petri Kuljuntausta for letting me play at Vuotalo!
Created exclusively for Avaruusromua, a legendary radioshow hosted by Jukka Mikkola.
Booking: hlerdrones@gmail.com Bandcamp: http://hler.bandcamp.com Instagram: http://instagram.com/hlerdrone Facebook: http://facebook.com/hlermusic
Check the article for the broadcast, written in Finnish. https://yle.fi/aihe/artikkeli/2018/10/04/avaruusromua-se-on-todella-olemassa
HLER combines the initials of Heikki Lindgren and Esa Ruoho. It also describes the improvisational creative process of this ambient drone duo from Finland.
A couple of years ago, Heikki came across a second-hand Peruvian synthesiser. The machine quickly revealed its potential for endless sonic creativity, mainly because Heikki found it almost impossible to recreate the exact same sound twice. He soon introduced the machine to Esa, and together they decided to explore the machine's inherent sonic instability in a live setting.
Each performance follows the same creative process, but with wildly different results every time. Digging in to the Mochika XL's front panel, Heikki begins mining for sound. Esa then processes Heikki's discoveries through his laptop, revealing hitherto undiscovered facets to Heikki's freshly unearthed sonic gems. Then, with the twist of a dial, Heikki introduces something new to Esa, and the whole process continues onwards and upwards.
"We are always surprised by the spaces we find ourselves in, and the directions the sounds take during a performance. We cannot repeat anything in exactly the same way, even if we wanted to! Just turning the Mochika XL synthesiser off and back on, keeping all of the knobs untouched in exactly the same position, leads to a changed sound."
"It has been incredibly rewarding to work as a duo, as the unpredictability of the creative process is so refreshing. Thanks to the unstable nature of the Mochika XL synthesiser and the intuitiveness of Esa’s live processing, each performance is unique. The whole live situation is based on improvisation and the sonic discoveries extracted during the encounter."
File under: organised improvised noise, clicks, hums, drone, "Hey, this sounds kind of like space music from the '70s!", a captured submarine humming in the hangar of a space station, "Are you sure you guys are alright and that the cables work?"
Performed live at Third Space, Helsinki, Finland, on the 28th of October 2018.
Booking: hlerdrones@gmail.com
http://facebook.com/hlermusic http://hler.bandcamp.com http://www.instagram.com/hlerdrone
HLER combines the initials of Heikki Lindgren and Esa Ruoho. It also describes the improvisational creative process of this ambient drone duo from Finland.
A couple of years ago, Heikki came across a second-hand Peruvian synthesiser. The machine quickly revealed its potential for endless sonic creativity, mainly because Heikki found it almost impossible to recreate the exact same sound twice. He soon introduced the machine to Esa, and together they decided to explore the machine's inherent sonic instability in a live setting.
Each performance follows the same creative process, but with wildly different results every time. Digging in to the Mochika XL's front panel, Heikki begins mining for sound. Esa then processes Heikki's discoveries through his laptop, revealing hitherto undiscovered facets to Heikki's freshly unearthed sonic gems. Then, with the twist of a dial, Heikki introduces something new to Esa, and the whole process continues onwards and upwards.
"We are always surprised by the spaces we find ourselves in, and the directions the sounds take during a performance. We cannot repeat anything in exactly the same way, even if we wanted to! Just turning the Mochika XL synthesiser off and back on, keeping all of the knobs untouched in exactly the same position, leads to a changed sound."
"It has been incredibly rewarding to work as a duo, as the unpredictability of the creative process is so refreshing. Thanks to the unstable nature of the Mochika XL synthesiser and the intuitiveness of Esa’s live processing, each performance is unique. The whole live situation is based on improvisation and the sonic discoveries extracted during the encounter."
File under: organised improvised noise, clicks, hums, drone, "Hey, this sounds kind of like space music from the '70s!", a captured submarine humming in the hangar of a space station, "Are you sure you guys are alright and that the cables work?"
HLER Live at Equinox Ambience 2018, Fiskars, Finland on the 22nd of September 2018.
Fully improvised ambient drone music performed live by Heikki Lindgren and Esa Ruoho
For booking: hlerdrones@gmail.com
http://soundcloud.com/lackluster/sets/hler http://facebook.com/hlermusic http://www.instagram.com/hlerdrone
HLER combines the initials of Heikki Lindgren and Esa Ruoho. It also describes the improvisational creative process of this ambient drone duo from Finland.
A couple of years ago, Heikki came across a second-hand Peruvian synthesiser. The machine quickly revealed its potential for endless sonic creativity, mainly because Heikki found it almost impossible to recreate the exact same sound twice. He soon introduced the machine to Esa, and together they decided to explore the machine's inherent sonic instability in a live setting.
Each performance follows the same creative process, but with wildly different results every time. Digging in to the Mochika XL's front panel, Heikki begins mining for sound. Esa then processes Heikki's discoveries through his laptop, revealing hitherto undiscovered facets to Heikki's freshly unearthed sonic gems. Then, with the twist of a dial, Heikki introduces something new to Esa, and the whole process continues onwards and upwards.
"We are always surprised by the spaces we find ourselves in, and the directions the sounds take during a performance. We cannot repeat anything in exactly the same way, even if we wanted to! Just turning the Mochika XL synthesiser off and back on, keeping all of the knobs untouched in exactly the same position, leads to a changed sound."
"It has been incredibly rewarding to work as a duo, as the unpredictability of the creative process is so refreshing. Thanks to the unstable nature of the Mochika XL synthesiser and the intuitiveness of Esa’s live processing, each performance is unique. The whole live situation is based on improvisation and the sonic discoveries extracted during the encounter."
File under: organised improvised noise, clicks, hums, drone, "Hey, this sounds kind of like space music from the '70s!", a captured submarine humming in the hangar of a space station, "Are you sure you guys are alright and that the cables work?"
HLER Booking: hlerdrones@gmail.com
http://hler.bandcamp.com/ https://www.facebook.com/hlermusic
Fully improvised ambient drone music performed live at lovi Ambientklubi on the 20th of September 2018.
HLER is Heikki Lindgren & Esa Ruoho
HLER combines the initials of Heikki Lindgren and Esa Ruoho. It also describes the improvisational creative process of this ambient drone duo from Finland.
A couple of years ago, Heikki came across a second-hand Peruvian synthesiser. The machine quickly revealed its potential for endless sonic creativity, mainly because Heikki found it almost impossible to recreate the exact same sound twice. He soon introduced the machine to Esa, and together they decided to explore the machine's inherent sonic instability in a live setting.
Each performance follows the same creative process, but with wildly different results every time. Digging in to the Mochika XL's front panel, Heikki begins mining for sound. Esa then processes Heikki's discoveries through his laptop, revealing hitherto undiscovered facets to Heikki's freshly unearthed sonic gems. Then, with the twist of a dial, Heikki introduces something new to Esa, and the whole process continues onwards and upwards.
"We are always surprised by the spaces we find ourselves in, and the directions the sounds take during a performance. We cannot repeat anything in exactly the same way, even if we wanted to! Just turning the Mochika XL synthesiser off and back on, keeping all of the knobs untouched in exactly the same position, leads to a changed sound."
"It has been incredibly rewarding to work as a duo, as the unpredictability of the creative process is so refreshing. Thanks to the unstable nature of the Mochika XL synthesiser and the intuitiveness of Esa’s live processing, each performance is unique. The whole live situation is based on improvisation and the sonic discoveries extracted during the encounter."
File under: organised improvised noise, clicks, hums, drone, "Hey, this sounds kind of like space music from the '70s!", a captured submarine humming in the hangar of a space station, "Are you sure you guys are alright and that the cables work?"
HLER is Heikki Lindgren & Esa Ruoho - an improvised ambient drone duo from Finland.
booking: hlerdrones@gmail.com to find out what we sound like at gigs: http://soundcloud.com/lackluster/sets/hler
HLER combines the initials of Heikki Lindgren and Esa Ruoho. It also describes the improvisational creative process of this ambient drone duo from Finland. A couple of years ago, Heikki came across a second-hand Peruvian synthesiser. The machine quickly revealed its potential for endless sonic creativity, mainly because Heikki found it almost impossible to recreate the exact same sound twice. He soon introduced the machine to Esa, and together they decided to explore the machine's inherent sonic instability in a live setting.
Each performance follows the same creative process, but with wildly different results every time. Digging in to the Mochika XL's front panel, Heikki begins mining for sound. Esa then processes Heikki's discoveries through his laptop, revealing hitherto undiscovered facets to Heikki's freshly unearthed sonic gems. Then, with the twist of a dial, Heikki introduces something new to Esa, and the whole process continues onwards and upwards.
"We are always surprised by the spaces we find ourselves in, and the directions the sounds take during a performance. We cannot repeat anything in exactly the same way, even if we wanted to! Just turning the Mochika XL synthesiser off and back on, keeping all of the knobs untouched in exactly the same position, leads to a changed sound."
"It has been incredibly rewarding to work as a duo, as the unpredictability of the creative process is so refreshing. Thanks to the unstable nature of the Mochika XL synthesiser and the intuitiveness of Esa’s live processing, each performance is unique. The whole live situation is based on improvisation and the sonic discoveries extracted during the encounter."
File under: organised improvised noise, clicks, hums, drone, "Hey, this sounds kind of like space music from the '70s!", a captured submarine humming in the hangar of a space station, "Are you sure you guys are alright and that the cables work?"
https://hler.bandcamp.com/track/skathi-dusk
Was asked to play an ambient set as Lackluster at Jyväskylän Kesä.
Here's what came out.
booking@lackluster.org
Thanks for letting me play! the end has some -30dB drops to get rid of mixer noise since someone was plugging other stuff into the mixer which caused spikes.
Photo by Jyri Kiuru!
0:00:00-0:12:00 unreleased track (no name) 0:12:00-0:23:35 unreleased track (no name) 0:23:35-0:35:00 unreleased track (no name) 0:35:00-0:48:39 11/11/99 (Lackluster: Showcase) (heavy re-edit) 0:48:48-0:56:59 unreleased track (no name) 0:57:07 KCL1 (Lackluster: Wrapping) (heavy re-edit) 1:07:03 Easy Does It (V/A: Prox) (heavy re-edit) 1:15:57 Catch22/In Passing/Close Enough medley (Container/Wrapping) (heavy-re-edit) end
Avaruuden Taajuudet is Kenneth Kovasin, Fredrik Willberg, Tuomo Väänänen, Andrea Camporotondo and Esa Ruoho.
Kun viisi kokeellista ja ambientmusiikkia luovaa muusikkoa laitetaan yhteiseen tilaan, mitä syntyy? Avaruuden taajuudet tuo yhteen Kenneth Kovasinin, Fredrik Willbergin, Tuomo Väänäsen, Esa Ruohon sekä Andrea Camporotondon. Heistä neljä ensimmäistä on tunnettuja kotimaisen kokeellisen musiikin parissa taitavina äänimaailmojen luojina ja viimeinen, Italiasta Suomeen tullut Andrea Camporotondo ambientia tuottavana kitaristina. Yhdessä nämä viisi muusikkoa luovat improvisaationa Tikkurilan kirjaston musiikkiosastolla vuorovaikutteisen täysin uniikin taideteoksen, jota ei ole koskaan ennen kuultu.
Huom! Tapahtuma alkaa jo klo 13 ja kestää kaksi tuntia. Sukella mukaan avaruuden taajuuksille.
Kenneth Kovasin luo Iimprovisoitua äänimaailmaa, DIY instrumenteillaan ja yllättää aina erilaisilla live-esityksillään. Herkkä leijunta muuttuu rosoiseksi rituaaliksi, häipyy holvien kaikuihin ja syntyy uudelleen aiempaa kulmikkaampana. Kovasin tunnetaan sooloprojekteistaan [owt:kri] sekä aluminium:foil.
https://soundcloud.com/owtkri
Fredrik Willberg on helsinkiläinen äänitaiteilija, joka toimii kokeellisen ambientin parissa. Hän luo epätoivon inspiroimia konseptuaalisia ja elokuvallisia ääniä. WIllberg tunnetaan parhaiten sooloprojektistaan Captain Heroin. https://soundcloud.com/captainheroin
Tuomo Väänänen luo äänimaisemia sekä elektronisin että akustisin keinoin. Joskus lopputulos on järjestelmällinen rakenne, toisinaan ääni virtaa vapaasti ja sulkee kuulijan avaruudelliseen syleilyyn. Väänänen on osa kotimaista arvostettua ambient levymerkkiä, Ljudverketiä, joka on huomattu myös ulkomailla. https://soundcloud.com/tvaa
Andrea Camporotondo on Italiasta kotoisin oleva helsinkiläistynyt ambient kitaristi joka punoo yhteen analogisia ja digitaalisia äänimaisemia. 90-luvulla useissa kansainvälisissäkin garage/punk/trash ja metallikokoonpanoissa kunnes aloitti omat kokeilunsa vapaan musiikin parissa.
https://soundcloud.com/andreacamporotondo
https://www.facebook.com/events/2142073666117361/
Performed live at Syntikoiden Yö at Soundtools, Helsinki, Finland on the 5th of July 2018.
Fully improvised ambient drone music.
Origin of all sounds: Atomosynth Mochika XL. Processing before sampling: pedal effects Sampling services: Ableton Live & Renoise + plugins.
HLER is Heikki Lindgren & Esa Ruoho.
Booking: hlerdrones@gmail.com More sound at http://hler.bandcamp.com Facebook https://www.facebook.com/hlermusic
HLER Bio:
HLER combines the initials of Heikki Lindgren and Esa Ruoho. It also describes the improvisational creative process of this ambient drone duo from Finland.
A couple of years ago, Heikki came across a second-hand Peruvian synthesiser. The machine quickly revealed its potential for endless sonic creativity, mainly because Heikki found it almost impossible to recreate the exact same sound twice. He soon introduced the machine to Esa, and together they decided to explore the machine's inherent sonic instability in a live setting.
Each performance follows the same creative process, but with wildly different results every time. Digging in to the Mochika XL's front panel, Heikki begins mining for sound. Esa then processes Heikki's discoveries through his laptop, revealing hitherto undiscovered facets to Heikki's freshly unearthed sonic gems. Then, with the twist of a dial, Heikki introduces something new to Esa, and the whole process continues onwards and upwards.
"We are always surprised by the spaces we find ourselves in, and the directions the sounds take during a performance. We cannot repeat anything in exactly the same way, even if we wanted to! Just turning the Mochika XL synthesiser off and back on, keeping all of the knobs untouched in exactly the same position, leads to a changed sound."
"It has been incredibly rewarding to work as a duo, as the unpredictability of the creative process is so refreshing. Thanks to the unstable nature of the Mochika XL synthesiser and the intuitiveness of Esa’s live processing, each performance is unique. The whole live situation is based on improvisation and the sonic discoveries extracted during the encounter."
File under: organised improvised noise, clicks, hums, drone, "Hey, this sounds kind of like space music from the '70s!", a captured submarine humming in the hangar of a space station, "Are you sure you guys are alright and that the cables work?"
booking: info@lackluster.org
Performed live at Noise Space, Kalasataman Vapaakaupunki, Helsinki, Finland on the 5th of July 2018.
http://lackluster.bandcamp.com/
HLER Booking: hlerdrones@gmail.com
Performed by Heikki Lindgren & Esa Ruoho at Roihuvuoren Rio, Helsinki, Finland, on the 17th of June 2018.
http://hler.bandcamp.com https://instagram.com/hlerdrone https://facebook.com/hlermusic
HLER combines the initials of Heikki Lindgren and Esa Ruoho. It also describes the improvisational creative process of this ambient drone duo from Finland.
A couple of years ago, Heikki came across a second-hand Peruvian synthesiser. The machine quickly revealed its potential for endless sonic creativity, mainly because Heikki found it almost impossible to recreate the exact same sound twice. He soon introduced the machine to Esa, and together they decided to exploit the machine's inherent sonic instability in a live setting.
Each performance follows the same creative process, but with wildly different results every time. Digging in to the Mochika XL's front panel, Heikki begins mining for sound. Esa then processes Heikki's discoveries through his laptop, revealing hitherto undiscovered facets to Heikki's freshly unearthed sonic gems. Then, with the twist of a dial, Heikki introduces something new to Esa, and the whole process continues onwards and upwards.
"We are always surprised by the spaces we find ourselves in, and the directions the sounds take during a performance. We cannot repeat anything in exactly the same way, even if we wanted to! Just turning the Mochika XL synthesiser off and back on, keeping all of the knobs untouched in exactly the same position, leads to a changed sound."
"It has been incredibly rewarding to work as a duo, as the unpredictability of the creative process is so refreshing. Thanks to the unstable nature of the Mochika XL synthesiser and the intuitiveness of Esa’s live processing, each performance is unique. The whole live situation is based on improvisation and the sonic discoveries extracted during the encounter."
File under: organised improvised noise, clicks, hums, drone, "Hey, this sounds kind of like space music from the '70s!", a captured submarine humming in the hangar of a space station, "Are you sure you guys are alright and that the cables work?"
booking@lackluster.org
Played an hour's worth of ambient drones at Swäg Festival 2018 in Kuivaamo, Tampere, Finland on the 15th of June 2018.
The end portion of the set was recorded by organisers, so here it is. thanks!! :) (managed to distort&clip my own recording)
Booking: hlerdrones@gmail.com
Atomosynth Mochika XL -> Strymon Blue Sky -> Mixer -> Renoise/Ableton Live sampling/looping setup
Performed by Heikki Lindgren & Esa Ruoho at Reverb Time, Konepajan Bruno, Helsinki, Finland, on the 26th of May 2018
Booking: hlerdrones@gmail.com
Atomosynth Mochika XL -> Strymon Blue Sky -> Mixer -> Renoise/Ableton Live sampling/looping setup
Find out more at http://hler.bandcamp.com/
Performed live at Mimstuudio, Tallinn, Finland on the 12th of May 2018 by Heikki Lindgren & Esa Ruoho
Booking: hlerdrones@gmail.com
Atomosynth Mochika XL -> Strymon Blue Sky -> Mixer -> Renoise/Ableton Live sampling/looping setup
Find out more at http://hler.bandcamp.com/
Performed live at Rikhardinkadun Kirjasto, Helsinki, Finland on the 14th of April 2018 by Heikki Lindgren & Esa Ruoho
Booking: hlerdrones@gmail.com
Atomosynth Mochika XL -> Strymon Blue Sky -> Mixer -> Renoise/Ableton Live sampling/looping setup Recorded via Sound Devices mixpre-D -> Apogee MetaRecorder iPhone app
Performed live at Ampeeriklubi, Laboratory of Electric Music, Music Academy of Tampere, Finland on the 18th of February 2018 by Heikki Lindgren & Esa Ruoho
https://www.facebook.com/events/400128690413011/ http://tampereenmusiikkiakatemia.fi/tapahtumat/ampeeriklubi-vi/
Booking: hlerdrones@gmail.com
Atomosynth Mochika XL with Strymon Blue Sky -> mixer -> Ableton Live & Renoise
Performed on the 20th of January 2018 at Harjun Nuorisotalo, Helsinki, Finland by Heikki Lindgren & Esa Ruoho
This is what the sound engineer recorded - not the whole set for some reason but about half of the set. At least it was the end half.
here's the second remix I did for Korpi Ensemble's Rely. It, like the original remix, was never released.
Set delivered at Sähköklubi, Pato-klubi, Kuusankoski, Finland on the 5th of March 2017.
Pure Data, Ableton Live, Nord Micromodular, Faderfox UC4, Akai LPD8.
If you'd like something like this, get in touch via booking@lackluster.org!
Yup, it's my first gig ever, played at Kaaos Afterhours in Jyväskylä, shoutouts to the Rikos Records crew. Enjoy the Buzz Tracker / Audiomulch / ImpulseTracker vibe. Woo!
For booking: booking@lackluster.org
My one and only gig in Berlin, Germany, played at Zentrale Randlage to a crowd of 10 and a dog.
If you can recognize the bottle, feel free to send me some. I really miss it. I used to grab some every single time I'd be in Augsburg or (in this case) Berlin. I love it to bits.
Booking: booking@lackluster.org
Yours truly visited Poland back in 2006. Here is the set from the 28th of July 2006. The other one was in Sopot.
Both gigs were organised by Tomek Hoax ( www.mixcloud.com/tomek-hoax/ )
Yours, Esa http://www.lackluster.org/ http://lackluster.bandcamp.com/
Booking: booking@lackluster.org
Yours truly visited Poland back in 2006. Here is the set from the 27th of July 2006. The other one was in Gdynia.
Both gigs were organised by Tomek Hoax ( https://www.mixcloud.com/tomek-hoax/ )
Yours, Esa http://www.lackluster.org http://lackluster.bandcamp.com/
Here's a little set I did at Studioworks Wormweb, Rotterdam Netherlands before boarding the train to attend Lab30'2006.
If you like these kinds of relaxed sets/jam-sessions, book me at booking@lackluster.org
Released on the V/A: Nenormalizm Recs. Netlabel Day 2015. https://nenormalizm.bandcamp.com/track/van-flandern-waterfall
Interested in organizing a Lackluster gig in your town/city/country? Booking: booking@lackluster.org
Booking: Booking@lackluster.org
lackluster live@lab30,04/november/2005 http://www.lab30.de
000:00 non-track [unreleased] 004:26 wind-up (07/12/03) [lackluster: lexicon of goods] 013:25 11/11/99 (lackluster: showcase (merck015cd)) 020:21 in passing (lackluster: wrapping (foc369cd)) medley catch22 (lackluster: container (foc350cd)) medley close enough (lackluster: wrapping (foc369cd)) 031:05 starcell u.k. (lackluster: container (foc350cd)) 040:16 20333 (lackluster: container (foc350cd)) 046:38 l.a.kluster290902mx - unreleased 050:59 plastic1 (lackluster: slice (ucover024cd)) 056:47 BKT (lackluster: what you want isn't what you need (nspk008cd)) 062:25 iniquity (lackluster: slice (ucover024cd)) medley sticky [unreleased] 070:02 manta - sitting pretty (lacklustermx) (lackluster: remixselection_one (psy012cd)) 076:25 run (lackluster: moments (Igloo-Pop Records)) 079:49 easy does it (13/08/04) (v/a: prox ep (Ghostly International) 084:00 kelis: get along with you (lackluster twist) [unreleased] 089:45 onecycle (Lackluster: Repulsine Ep (SLSK Records) 094:08 aatu [unreleased] 097:52 medley of acid1/acid2/grooveboxloops [unreleased]
104:35
yeah its 80kbps. someone's iRiver bugged up and instead of .wav, we got a 80kbps due to said piece of equipment being buggy for no real reason."
For booking, contact booking@lackluster.org
Lackluster live at Lab30, Theater Abraxas, Augsburg, Germany, 04 november 2006
00:00 untitled ambience (unreleased) 00:31 birthdaytrack (26/10/03) (unreleased) 05:00 l.a.kluster (lackluster290902mx) (unreleased) 19:09 ll01/12/03 (unreleased) 25:15 ll01/12/03 dismantle jam 32:00 manta: sitting pretty (lacklustermx) (lackluster: remixselection_one / psychonavigation records psy012cd) 45:55 shk2x dismantled 53:05 proem: standard.naming.convention (lackluster80bpmmx) (lackluster: remixselection_one / psychonavigation records psy012cd) 58:00 plastic1 dismantled (lackluster: slice / u-cover u-cover024cd) 67:16 mes (lackluster: showcase / merck merck015cd) 69:54 ll22/06/03 (unreleased) 77:23 acid1/acid2 (unreleased) 81:42 easy does it (v/a: prox ep/ ghostly digital GIDG-5 http://www.ghostly.com/digital ) 89:42 easy does it dismantle 94:06 screech dismantle (lackluster: repulsine ep / slskrecords)
--:-- 98:15 end
ableton live 6 sony vaio vgn-fs495VP echo indigo pcmcia
im reckoning any actual glitches or stutters are caused by the recovery cd install type thing that crams the xppro full of everything. you know how it is."
Available for booking at booking@lackluster.org
Saturday 30.05.2009 | main stage
catch22/in passing (ableton re-order) ableton jam thor's magic bathtub (ableton re-order) 20333 (ableton re-order) ableton jam 11/11/99 (ableton re-order) iniquity/sticky (ableton re-order) bothersome (mother mix) (ableton re-order) klopfgeist001trak (ableton re-order) manta: sitting pretty (lackluster remix) (ableton re-order) slinkx (ableton re-order failure)
Available for booking at info@lackluster.org
http://artmospheric.org/en/artmospheric-sessions-3-lackluster-and-esa-ruoho-live-at-artmospheric-fest-2009
Booking: booking@lackluster.org
"Courtesy of probably the most renowned artist on Monotonik, Finland's pukka idm maestro Lackluster, late of DeFocus Records, Merck, Rikos, and a host of other labels, we have a rare treat - a full, hour-long live set recorded at Helsinki's Mbar in July 2003.
There, using a laptop running the great Ableton Live software, Esa 'Lackluster' Ruoho mashed up classic Monotonik tracks, remixes, and on-the-spot jams into a cohesive whole - highlights include a gorgeous unreleased track, the super-catchy Ceniq remix which formerly featured on seminal netlabel Milk, the splicing of some surprising breaks into the classic downtempo of 'Bothersome (Mother Mix)', and the final jazzy ambience of a cunning Proem remix, bizarre voice modulations and all. Much kudos to Lackluster for not only recording the moment, but allowing us to put it out for free - return the favor and pick up some of his vinyl or CDs when you have the chance?
Tracklisting for the set is as follows:
00:00 01. starcell u.k. (container foc350cd/lp deFocus) 07:07 02. in passing (wrapping foc369cd/lp deFocus) 15:05 03. (unreleased) 21:55 04. 14/07/02 (unreleased) 27:58 05. ceniq: gaylab (lacklustermx) (ceniq: gaylab ep/milk (mp3)) 34:42 06. ableton mashup 36:22 07. bothersome (mothermix) (container foc350cd/lp deFocus) 42:49 08. ableton mashup 47:47 09. cull streak (container foc350cd/lp deFocus) 51:46 10. proem: standard naming convention (80bpm rmx) (remixselection one cat#TBA/cd psychonavigation)
gear used: sony vaio grx-690 running ableton live 2 rme hammerfall dsp"
Booking: booking@lackluster.org
lackluster live@festival accès(s), pau, france, 10/12/2005 (dd/mm/yyyy)
00:00 untitled 02:20 untitled 08:25 11/11/99 improv jam (lackluster - showcase (merck015cd,2003)) 14:51 05/12/03a - unreleased track "hello frenchplace" improv jam 17:55 tall#5 improv jam (lackluster - wrapping (foc369cd,2002)) 23:12 14/07/02a - plastic1 improv jam (lackluster - slice (ucover024cd,2005)) 29:40 improv medley - close enough, in passing (lackluster - wrapping (foc369cd,2002)), catch22 (lackluster - container (foc350cd,2000)) 43:12 08/07/02 - tumbling around - improv jam (lackluster - slice (ucover024cd,2005)) 48:50 yoggi - improv jam (lackluster - repulsine ep (slskep002,2007)) 53:11 manta - sitting pretty (lacklustermx) improv jam (lackluster - remixselection_one (psy012cd,2004)) 60:41 07/12/03 - unreleased track "windup" improv jam
65:15
esaruoho@gmail.com http://www.lackluster.org/ http://www.lackluster.org/shop/ http://www.lackluster.org/press/
https://www.youtube.com/watch?v=lC1xGaKqFAQ
Merck
Lackluster Aujourd’hui Lackluster a une maîtrise remarquable des textures et des mélodies synthétiques. Il offre des atmosphères très personnelles, denses et lumineuses, un monde libéré de toute temporalité et pourtant en perpétuel mouvement. Hip Hop futuriste, ambient flottant, IDM aux rythmiques progressives et parfois subliminales, Lackluster multiplie et superpose les chemins pour emporter l’auditeur dans son univers à la fois spacieux et désinvolte. Sa vision originale et complexe de la musique électronique fait de lui un personnage incontournable de la scène internationale. Avec le soutien de l’Onda.
Booking: booking@lackluster.org
"a guest appearance by Lackluster. He appeared with a live set at the largest demoscene meeting in Scandinavia this past August, Assembly 2007. High quality recording throughout, featuring exclusive tracks from his commercial releases which you can find scattered throughout the internet on various distribution sites as well as a couple of previously unreleased specials. Playing time just under 74 minutes,"
Booking: booking@lackluster.org
Writeup from PercussionLab: "Lackluster, a Percussion Lab favorite, has finally graced us with a lengthy, crunchy set of melodically minded electronics. With an extensive back catalog of releases on labels such as DeFocus, Merck, U-Cover and New Speak, Lackluster has always been skilled in drawing the listener in with emotive melodies and off-kilter beats. Be sure to not sleep on his earlier releases, such as the classic, "Wrapping." This set takes things down a slightly darker, more cut up route - possibly even more effective than Lackluster's more naive sounding earlier work."
lackluster live @ alphabet set 08/october/2005 the bar dublin, ireland..
00:00 untitled ambience 00:35 mr. 2-bit closes his machine fanfare 00:49 linenoise: track x? (lacklustermx) (unreleased) 10:01 iniquity [lackluster: slice (ucover024cd)] 17:01 sticky (unreleased) 22:52 untitled&unfinished (unreleased) 30:31 roland d2 groovebox loops - unfinished/unreleased 32:38 11/11/99 [lackluster: showcase (merck015cd)] 38:50 manta: sitting pretty (lacklustermx) [lackluster: remixselection_one (psy012)] 46:11 acid1/acid2/mess unfinished/unreleased 51:24 starcell u.k. [lackluster: container (foc350cd)]
62:29
ableton live 5 sony vaio pcg-grx690 echo audio indigo
http://www.lackluster.org/ http://lackluster.bandcamp.com/
Booking: booking@lackluster.org
Old text follows: "lackluster 07.05.2005 http://www.pidays.com, lyon, france, 00:00 untitled (unreleased) 06:35 11/11/99 (lackluster: showcase CD (merck015cd)) 13:32 aatu (unreleased) 19:07 starcell u.k. (lackluster: container CD (foc350cd)) 28:20 MEDLEY in passing (lackluster: wrapping CD (foc369cd)) MEDLEY close enough (lackluster: wrapping CD (foc369cd)) MEDLEY catch22 (lackluster: container CD (foc350cd)) 43:20 14/07/02 (lackluster: slice CD (ucover024cd)) 48:50 tumbling around (lackluster: slice CD (ucover024cd)) 53:10 proem: standard.naming.convention (lackluster 80bpmmx) (lackluster: remixselection_one CD (psy012)) 57:30 manta: sitting pretty (lacklustermx) (lackluster: remixselection_one CD (psy012)) 63:25 01/12/03 (unreleased) 68:58 easy does it (unreleased)
unfortunately recording was cut before the encore (which would've been "yoggi")."
Booking: booking@lackluster.org
Kahvi#264 description:
Its time for the first release of 2009 - after the superb Solar Fields ep, we've got a Kahvi regular. Lackluster is a familiar name to many Kahvi followers, and after the success of his live set at the Netaudio Festival London 2008 (a Lackluster set is something to experience live) I asked Esa if he could supply a recording of one of his sets, and here it is.
Live at Oblivion (Helsinki) - 14-11-08 is a prime example of what makes Lackluster great in the live gig circuit. Continuously evolving beats and grooves, all created in real time by splicing, shifting, pounding, and manipulating previous tracks, new material and 'created live' sounds. This set is 80 minutes of Lackluster at his best.
Esa is always available for live sets and has now set up an eventful page where fans can vote to have their favorite artists appearing at a gig near them. Head over and vote for your city.
At the same time, two of Esa's latest releases, compcomp and remixcomp have been put out on equaldreams (edit: now on http://lackluster.bandcamp.com/ ). Both releases show Esa back on top form so what are you waiting for, head over and purchase yourself a copy.
Finally a new interview with Esa has been featured over at Patecreme.com. Frank, informative and a quick insight into the mind of a legend. ( http://www.lackluster.org/press/interviews/103 )
Enjoy this welcome to 2009! http://www.kahvi.org/releases.php?release_number=264