Billy Newman Photo Podcast: Recent Episodes

Billy Newman Photo

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Show notes for the Billy Newman Photo Podcast.Communicate directly with Billy Newman at the link below. 

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Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

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you can download Working With Film here. 

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You can find my latest photo books on Amazon here. 

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Website Billy Newman Photo https://billynewmanphoto.com/

About  https://billynewmanphoto.com/about/

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Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

Communicate directly with Billy Newman at the link below. 

wnp.app

Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

If you want to read a free PDF eBook written by Billy Newman about film photography: 

you can download Working With Film here. 

If you get value out of the content I produce, consider making a sustainable value-for-value financial contribution, Visit the Support Page here.

You can find my latest photo books on Amazon here. 

View links at wnp.app

Instagram  https://www.instagram.com/billynewman/

Website Billy Newman Photo https://billynewmanphoto.com/

About  https://billynewmanphoto.com/about/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. I was just talking about terminal stuff and SSH in another podcast just a little bit ago. And I guess what I was gonna say is, how much about the channel? Do you know? Do you know any terminal tips? I was gonna try one out today, talking about it, it might be kind of tough. I'm sure that's what you're interested in listening to on your Alexa right now. Wait, I mean echo. Sorry. I was gonna mention the commands if you go to your Mac, or you go to a Unix system, as it were you open up a terminal. A couple of things you can run, it's probably going to run bash, I figure like I'm some expert, but I think that's the Bourne again, shall I think it's kind of one of the more modern, sort of basic default shells that seems to run. If you run Linux, I don't know got up. Yeah. And you probably know a lot more about it than I do already. So you know, you're on your terminal tip for the moment, especially if you're on a Macintosh, I guess it doesn't work on a Windows machine, because that runs DOS, right? It's not a Unix-based system shoot. But if you're on a Mac, and you want to get into your terminal, and you want to move around just a little bit to sort of seeing what it's like, I guess two commands that would get you started would be the ls command in the Bourne shell. So the bash shell. the ls command is like the list command. So when you type in LS, and then return, what you're going to have to happen is it's going to list the contents of the directory that you're currently in, in text and command line. Oh, man, it's pretty exciting. You're gonna be excited when you see it for the first time. If you want to see some other things, I guess what you try, this is a bonus one, this is a big one, too, is CD, this current directory command. So if you want to, I guess move directories from what directory you're at now, your root directory, let's say and you want to move up to your pictures directory that you see when you type in LS, you're going to type in cd space, pictures, and then you're going to hit return and that's going to move you to the directory of pictures then when you type in LS, you're going to get a list of the contents of the directory in pictures. Wow, pretty amazing. You moved a directory in Unix and you found out on this flash briefing.2:30 You can see more of my work at Billy Newman photo calm, you can check out some of my photo books on Amazon. I think if you look at Billy Newman under the author's section there and see some of the photo books on film on the desert, on surrealism on camping, you cool stuff over there. I think like October, September, October and November I really like maybe one of my favorite outdoors seasons and this probably kind of set up that way for a lot of people that have like a tradition of going out on hunting trips through October or you know like going out on opening day or something like that in Oregon, I think it's October 1 maybe in other states it's in a part of September so I think it's kind of kind of been tuned and tied to the hunting season in like the American cultural lore for probably 100 years or eight years or so as it's kind of kind of been a part of the American mythologies but it's cool though I like going out in the fall it's really one of the best times to go camping it's when you get to kind of take or make use of all the equipment and stuff that you've sort of procured over time and and that's when you kind of also get to use some of the skills and stuff you've been trying to scout out or train on to kind of see how they work and the application of them you know in the summertime when it's really nice out it's cool to go out and camp and I've always had a really great time doing that but like the hot weather camping Oh, no, it's it's it demands a little less, I guess it's kind of obvious, but the environment is sort of something that you don't have to contend with as much. And in the deep winter, the environment is probably too much to contend with. So there's a cool kind of pocket that I like, as like an ideal, but a cool kind of weather pocket or environmental pocket between I guess like parts of the fall until November when it kind of gets too deep into it. And then parts of the spring as we're coming up into the summertime, where you can kind of feel like you're getting to do a little bit more fires. So kind of a no, right? over the winter, it's springtime to do that. But at least in late fall like in November or these like northern Oregon areas. After you start getting like a layer of snow or a significant amount of rain and the fire. The emergency level drops back down to the green. There's a lot of open burning that you can do on campsites that you sit at the public land and stuff. So I think that's always kind of a fun part of life. The winter like late fall camping stuff is when you get to set up like a bigger fire gather some wood gather some big logs to be kind of like your fuel for the evening it's kind of fun and it's sort of like that more I don't know primal kind of connective to to like the real kind of Route camping stuff but as it goes for a lot of the year like in the summertime like hot weather stuff you kind of like doing it around water or you know it's like we would we would do stuff you know you do rafting or something so it's kind of like enjoying the day you don't have to layer you don't have to wear like a dry suit or you know a bunch of different I don't know warming layers you have to kind of be conscious of so I think that's kind of where you start getting into more of that now I think like now like river trips and stuff you know they sort of shift from like the recreational summer tourism whitewater stuff they get between I guess like may and Labor Day and now as you get kind of further into September and now deep and October you have people I guess coming down just kind of strictly for some of the fishing season stuff so you get like instead of RAF's, you'll have a bunch of drift boats come down, like fishing boats and stuff, guided tours and stuff for some of the lower river stuff or just people out on there. That kind of set up and prepped for a fishing trip. But it's cool. Yeah, a lot of enthusiasm around some of the fishing stuff during this time of year. I want to get out and do some fishing stuff. I got my fishing license earlier this year, and I've gotten it a couple of times this far, but I need to really, I guess commit a little more and kind of set it up the right way. I think I'm always kind of doing a couple of too many things here like I'm trying to like set a camera up to record footage, and then throw some casts and let the line set and then you wait for an hour or so but maybe if it's a non-optimal time or you kind of have to something else and move on and stuff so I haven't caught a lot of stuff that was a keeper worthy. I picked up a couple of things out of the lake and it was like a6:52 cheap little tiny game or a little like tiny Sunfish or Rafe, what is it? Yeah, I think it's Sunfish like these6:57 like the kind of like bluegill. Not a lot, you know, sheep a little better than a minute. But yeah, I want to try and get into doing some more fall fishing stuff through now until like the end of the year. And I think there are a couple of good seasons that kind of come on through November but I think it'd be cool I'm gonna try and try and jump into that a little faster. I think there's also some kind of controlled like stocked ponds that are nearby where I'm at, I think they stocked them with trout through the winter and I'm interested in trying out a couple of those places they seem like they're you know, just to kind of the numbers that they talk about it's like I mean that's kind of cool for that kind of thing for stock fishing kind of thing but I've been trying to get a little bit more into like what I can harvest what I can prospect what I can kind of gather from natural resource areas that are around me and I think it's been kind of fun to do is I guess sort of a hobby. So along with like the photos that are trying to do while I'm out, I've tried to like us and like get a fishing license so I can do some fishing stuff on the side or pick up a little bit of information about what kind of rockhounding I can do in that sort of area or what kind of like foraging stuff I can do or what kind of like wood gathering opportunities to have so I've been trying to do some of that stuff a little bit more often like I don't know to email me if there's some other cool stuff I can do but yeah it's been cool I've been trying to like now in the fall go out to do some Sion trail picking. So if I can find some spots that are good for it it's a lot of stuff like the kind of near the coast or coastal range in Oregon probably I don't know what like Florence to a story probably a lot into Washington too that I just have no clue about but that I think the crow's foot foothills of the mountains they're kind of get the moisture and they have the right type of like temperature range for them to grow during this time of year. It's interesting though how those grow patterns go I don't understand I don't understand like mushrooms and how those mushroom rings work or how they like their populations work but yeah, it's really interesting how they grow, and just like certain patches like where they are there'll be more of those. But where they're not there won't be it's kind of it's just weird going around to find an end but we find one you'll find more around in that area. If it's been like a good climate for it for a while though, a lot of October still has been just a little we've gotten a little rain here and there and I'm glad there's like systems moving through but it's really kind of been dry enough still that some of the forest floors aren't quite moist enough yet to start bringing it on the fungus growth that we need to get like a good crop of edible mushrooms out of it so we can see how it goes and I guess there's gonna be a window of it sometimes like the years are better for it or worse for it and I will kind of see how it goes through the rest of the year. Sometimes like as soon as you snap into November, you get a week or two weeks or three weeks in November and those are really pretty Pretty good weeks, but as soon as you get a few days with sort of where you get like a strong frost or freeze overnight that messes with the growth of those mushrooms and if you get him consecutively for like three days out that'll knock out anything for one of them you know the mushrooms that grow so fast if you have a, you have a freeze A hard freeze on Monday because then it warms up Tuesday, Wednesday and Thursday, Thursday you'll be able to get like he wouldn't even notice you know, you'll be able to get a good crop of new newly grown mushrooms out of you know that same area, so it just kind of depends on like how it goes. But as soon as you start getting like a set of hard freezes, man, it just seems like I've gone out and seen like a bunch of them that had been thrown in and now they're just like mushy and you know, they just got a deep freeze. They frosted over and now it's like a dead plant and it's just kind of turned to mush. And that man those mushrooms turned to mush real fast. It's really weird. I was looking at a ring that's grown in our yard. It's just toadstools, you know, like, I'll pay like the, I don't know, just buy like an apple tree. It's cool that they come on, but they come on, and like I think kind of late September is when they start to pop up this ring out there. And then there are some other areas that I've noticed around town too. It seems like it's just like a certain time of year and boom, here's all this soon as the conditions getting that right. But yeah, right where those are, they come up and then they last about I don't know, maybe five days a week or so it's been a week and a half now and but they start to decay and they start to kind of fall over fall apart. And it's interesting to see how the grass responds to grass a lot around it. Looks like it's been fertilized heavily. But yeah, it just boom pops up bright, dark green grass, about three inches, or maybe three, I don't know, maybe twice as tall as the rest of the grass around it. So yeah, it seems like those little toadstool mushrooms for the lawn11:46 pretty well. But yeah, I think there's like another growth of them coming on now, which is kind of interesting. Like they come on in a couple of phases, but some fresh ones are coming up in the ring area around it. And then those, those are kind of last for a couple of days and then wilt out over again too. But it's cool. checking out some mushrooms and stuff around here. But yeah, I've been trying to go out and sort of see what I can forage around for which has been kind of fun. I'm not sure what other stuff there is I hear there's what is it elderberry here about that being looked for and I remember now this is another one I remember seeing a person in a strange circumstance I was driving on a forest road out in the mountains here pretty deep in the mountains and didn't see any cars ran didn't or didn't pass a car they drive up you know, you see a car and you're like, oh, there's probably person around with that car. And then after we pass this like we didn't see a car either, but we were driving, and then there was a like a shorter man with a hat and he had two big racks of these like branches maybe about as long as like your elbow to your fingertip or so but these long like thin branches with these big broad green leaves on it. And it'd be maybe 24 inches or so. And they're all on these stacks. And then they would there'd be like a kind of a plywood thing or I don't know what it was maybe newspapers of the paper but then it was like more stacked on top of that and then another layer more stacked on top of that they just had this big bundle of sticks with these big broad green leaves on it. And he was standing there on the edge of the road that we were at and we drove by and then we drove down the rest of this road and the other we never saw it a car he was staying in but this guy was out here collecting these green sticks and leaves so I'm not sure what that is it looked like elderberry. I've never really identified it exactly and it's something that grows up here and I know people will try and forage for it but I'm not sure what for or how it works now that I know they do it I want to do it to sort of have a shot trial thing came on I think like a lot of people never really even heard of that. Or a lot of like the mushroom picking stuff like Morales morels got popular stuff but I think it's like the kind of because it kind of people sort of found out that you can go look for it and people are going looking for it or that it's really expensive you think like wow it's 15 bucks to look for it or 15 bucks to buy a pound of mastering the Shawn trout mushrooms in the store well if it's that expensive it must be good and if it's that good then I just want to go look for the sort of what it seems like a little bit but it's cool going out looking for mushrooms and stuff outside I hear people talking about like like picking Morales and I guess those grow I guess as Miss grow in a different environment, like a different terrain or, or whatever it is I hear about a more like tour like in the east or like the Midwest. So I'm not sure but I know like there are different relationships of like the tree to the type of soil and the type of like environment that it's in all kind of plays a part into like what mushroom is going to grow? Is it a micro raizel relationship I might have talked about last time but I don't really understand how that works but I don't see what allows there to be like a Morel versus good spot for a short trail to grow or a portabello or what is one of those regular white ones just as crimini just regular ones that we eat and stuff so I'm not really sure what kind of like allows you to farm some but not farm others and that's a big one he can't effectively farm morel mushrooms I guess you can you can harvest them in an area that is set up as an optimal environment that's about as good as they've had it like they found like where they're growing and the time of year that they grow well and they try to optimize for that so they can go through and harvest more of it out of it but they haven't been able to take I suppose like an area that didn't have the correct environment for it and then sort of artificially grow more than the landscape would kind of bear naturally I don't think they figured that out and I don't really understand that like how there's some that you can kind of figure out a little bit but like it's just like the complications between the relationships for some of them gets so complex that it's like difficult to recreate I guess there are biologists that work on that of like how to get or what is it? Uh, yeah so biology is a type of biologist that studies mushrooms right mycologist mycology think it's my ecology and I'm an ecologist for study and machines but I also think there's like agriculture16:29 interests think there's like a food industry interest in trying to generate mushrooms of different varieties so that they're like a commercially available product. So I think they're trying to like work those things out. So sometimes it's mycologist at that level trying to study it and figure that out, but I think sometimes it's like holding different companies and groups and teams of people trying to sort of service sort of figure out ways to sort out those problems with growing and harvesting some mushrooms and stuff you know, I was hearing about this other thing too where if you get a bunch of mushrooms and you're not quite sure what they are, there's a lot there's I guess a few different ways or there's a couple of problems where it's difficult to identify certain types of mushrooms there are some mushrooms that have never the shot goes I don't know anything about it. So I guess I should leave it with that there's a lot of them that are poisonous I guess it's sort of like the cautionary point of it like people talk about mushroom picking a lot but there's a lot of mushrooms that are pretty dangerous or that are just gonna likely make you sick so if you don't have much expertise in it, it's kind of difficult to go out and do that easily you know, because you're just gonna gather some stuff that may look like it or may look almost exactly like it but there's sort of some nuance to detail that makes it a different mushrooms or different mushroom species that is you know, not good for you or at least not edible. There's a lot of there is a difference between like the neurotoxic mushrooms that will I think to kill you or get you sick and like sick like a neurotoxin way but then I think there's like a number of them that are just an edible in a way where they'll I guess one from a range make you very sick to eat. Or they'll make you just kind of like mildly unhappy with what you ate. But generally like I prefer not to eat a lot of that stuff. Or like if it seems like it's a bad or like an unknown I'd rather like not to eat just sort of an unknown mushroom a lot of them I guess you can eat or there's a number of them that are like, maybe not preferred but are edible, but sort of may make you get an upset stomach. I was kind of confused about that, like, Well, why would you eat it's like, oh, you can eat it. It'll make you sick. But yeah, you can eat. It's like, well, what isn't that what18:45 why wouldn't you like that? I mean, it's a thing. I mean, it makes me sick, right? Like, I eat rotten milk, too, right? It just makes you sick, like, so I don't want it.18:56 I don't know. But I've heard of that as an explanation for some stuff. I also hear weird explanations for eating natural things sometimes. So But yeah, I was hearing about this thing where you can put you can put a bunch of mushrooms that you've got down on like a screen and then put like paper on the backside of it. And then if you cover him and let him sit for a while about that after they're cut, they'll end up throwing their spores. And I guess with certain mushrooms you can visually like see the spore pattern that's dropped onto the sheet that you put on that screen. And I guess that's how they're able to identify some similar-shaped mushrooms like if this mushroom looks this way. And this other mushroom has a different species that look almost the same way a way that you can identify how they are different is by setting them on the screen and then getting throw of their spores. And then identifying the sport as you know one spore pattern will be like bluish or purplish or whatever, and the other spatter or the other spore pattern will be like a yellow color or something. So you're like, Oh, well like this one, like through this kind of spore. And this one didn't. So like now we can identify this is this specific mushroom. I thought that was weird though, like how, how to kind of figure that out. But fortunately, like that's what's cool about Shawn's trials is that they're one of the easiest ones to identify the golden shine trousers, one that like, almost looks like it. That's a good thing to like, pull up a YouTube video to identify visually how to distinctly tell those differences, the differences apart between them, and sort of the way that the gills are fluted up the vein of the stem, and then as it kind of comes up to the mushroom top, how does that transition happen with chanterelles, it's the gills are shallow, and they start real low on it, and then kind of sweep up the fluting of the stem up to the mushroom top and, and then with these imposter ones, I guess there's kind of like a hard angle joint there where you see the gill line start. And then the gills kind of come out from there with like a deeper, a deeper sort of cut to the, to the gill Ridge with sort of some finer material, but those aren't good. I think those are a little bit more white. There's why Shawn trails to show how that goes. The difference between like the white chanterelles and the golden shun trails, I thought it was like sun exposure. Like if they were kind of bleached out from being sort of hidden under moss or something, they always seem to be like a lighter, kind of mo Yeah, just like real light color. But then I thought the ones that were out in the sunshine had to sort of defending against that and like, got like more of a color to him. But I guess they're kind of a different set of mushroom types. Sort of I understand. But I've collected both of them in sort of the same areas. And if you find one it seems like you find both of them. So I'm not sure how that goes. But I've appreciated kind of collecting them. And it's cool to dry them. That's what I've been trying to do it's hard to eat through all those mushrooms fresh as they are when you're harvesting, harvesting those mushrooms all at one time. And so what I'm trying to do this year, as opposed to what I've done in past years, was just trying to make up a dish with all the mushrooms all that first time while they're fresh, it's fun to kind of go through the stuff you harvested and then like make a big pasta thing and like put a bunch of mushrooms in it. But this time, it's just the ones that you harvested after you clean them. That's cool. And it's fun to put stuff like that together. But what I'm hoping to do is kind of gather up enough stuff from going out a little bit more frequently into a few different areas. And then gathering up the stuff that I've got and drying it out. And then having like dried mushrooms that are bagged and stored, so that I can have them kind of through the rest of the year. I've also read about freezing mushrooms. Have you guys heard of that? I know like or leaving, like when you thought out like it's not the same material anymore at all. So it's like you have to kind of put it into a sauce or something like that. So I was thinking like the cell damage that you get after freezing, it would just be way too much to use again. So I think what I'm going for is to like do it to dehydrate the mushroom, so I can like cut them or even maybe leave them attack but like, have those missions dehydrated. Which is there's a lot of water if you like, especially like after it's been like really wet like they just soak up that water in the forest floor. And then it's all within that cell mass, the Shawn trail, but when you put like, take a cut of a Shawn trail that's like a kind of a thicker hardier one, you take a cut of it, you put it on a frying pan, it's hot, and you watch like the amount of water that it releases, but it's like wow, that is just almost all rainwater that had come down and filled the cell walls. And now it's being released as you start to cook up anything man, that's a lot. No way. So that's kind of cool.23:43 It's cool. Going through October doing some of this stuff. I've also been trying to go out and do some rock-counting stuff. It's cool, I just gotta be jetting over I mean this is kind of the old and easy classic one but I budgeted over to the coast and kind of kept an eye on the high tide and low tide times of the day in the month but it's cool to get out there and check out what rocks are sort of washed up on the surface in the sand on the beaches in times of low tide so it's kind of cool going out there cruising the rock line and kind of just picking up some nice polished stones on the beach, which I've been kind of tried to do some Jade stuff it's kind of cool if I like the little green ones, find some sand dollars and stuff but if I like some cool rocks out there I've been kind of having a good time trying to pull up some of those stones a couple of times. We've got I get a couple of times it's24:30 like court courts. I think it's like courts rock. And then a lot of the times I noticed some of they're kind of cool, normal. What is basalt,24:39 normal rock stuff, or it's got a line in it or something that's kind of cool when you find one with like a textured feature of it you know words and there's some seam or something in there I was like that kind of stuff to where it's it's kind of a combination of stuff but going out to the beach and trying to find some rocks and stuff through October and trying to kind of get out and do some more active stuff. I get into some of the camping trip stuff that I've done. You're a little bit but yeah trying to go out to Eastern Oregon. And check out some stuff and sort of poke around you can check out more information at Billy Numan photo comm, you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value-for-value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested. Or if you're more comfortable using Patreon that's patreon.com Ford slash Billy Newman photo. I don't know. I mean, it's kind of fun to be checking out some stuff. What's the other stuff I had to talk about? I think it was trying to figure out some stuff on like my Mac laptop, I've been trying to set it up more so that has the full set of applications and features and utilities on it that I wanted, I talked a little bit about that. I went ahead and got the I stat menus application on there. So I can look at the sensors that are in my Mac Book. The one is that the network in and out speeds that are current and the history of the network up and down speeds, I guess over the last day or seven days or you know all that information is in there, the amount of disk space where all these different pieces of information, you kind of want to know about your computer and your system and how it's working. Have Daisy disk, which is what I've been using in the past a lot, it's cool are a pretty good graphical way of sort of showing the pie chart of what's taking up space on your hard drive. I mean, using Gemini as a deduplication application to go through and find like different versions of photos that I don't want to keep stored anymore, which has been interesting to go through are just these just straight duplicates where you know, the photograph pulled in, it's just the raw version twice. And there's no difference between them other than just one file name to something like that sort of silly. So it's taking a silly amount of space, this has been a good program to kind of find some of those programs and then eliminate them. And it's good also to show you like compare like these two are said to be the same to me to kind of automatically go through and take them out, I don't recommend that, it seems like it's best to sort of go through and select a number of them and start pulling out.27:30 It was sort of with some thought and care to it, it seemed like that made a difference to me when I did it. So it might make a difference if you tried to go to another app that I jumped on to was the magnet app, which reproduces some of the functionality started seeing a Windows seven now in Windows 10, where the windows like if you have some window up in some program and you drag it over to the left side, it'll snap to the left side and then kind of fill that side of the screen or if you drag it straight up, it'll fill the full screen if you bring it over the right side of that right side of the screen. snapping stuff isn't really on the Mac, it's always sort of been set to do these sort of multi-window painting things, but I kind of like it snapping over to the side. And it helps me have some bigger monitors to where you can kind of grab over to a side with if you have a couple of programs. So I got this program called magnet, it's one of the top-selling paid apps. In the App Store. There are a few different competitors that people seem to be interested in, also, but I got this one, it was working great enough, it's a little different than the way that the windows one does it but it's fine. And it adds the functionality that I was looking for, which is great, a great benefit for me. The other one, other utility that I was picking up was pasted the paste app, which I think is kind of interesting. It's like a clipboard app. So every computer I think, since we started getting graphical user interfaces, I think since as I recall, Windows 3.1 had a clipboard in it, but that's when you do the copy-paste stuff if you copy or cut, copy or paste if you kind of copy something, it goes on to your clipboard and then when you paste it, it's pulled off the clipboard and paste it into where it's gonna go. But the computer convention for whatever reason is just set to that you can only copy or cut one item at a time. And if you cut again, a copy again, there's no history of it or there's no way to track back the level of things that you've had copied or cut if you want to paste those in so it can kind of add into some frustrations. But this clipboard utility pastes the paste app I think is set to sort of store snippets and pieces of information that you're going to try and pull up and use repeatedly over time through like your workflow. So I was trying to figure out a way to do that I'm doing a bunch of SEO stuff like I was seeing on that website. So going through and having like, like, you know, this is a block of links. This is a block of explanation. Texas has a great meta tag This is for this. So I have all that sort of laid out. That's a great workflow where I can just kind of pull up and sort of it's like, it's visually the UI is that like a command Another keyword of the poll at the bottom third of the screen and you have this history this row this like timeline of all the different times that you've copied something over to your clipboard, and you can go back to as far as a month or maybe even more than that, and it'll share it with iCloud too. So if you have different computers, you can have this app on there, and you can kind of share everything on your clipboard around. It's kind of interesting, and it's a cool little, little useful Mac utility if you are so inclined to do copy-paste, but I don't know, I know a lot of people seem to survive, which is what is it command community? I guess I have up until this point, but try it out. That'd be kind of fun. So thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage, some good links to other outbound sources, some links to books, and links to some podcasts. Like these blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks a lot for listening to this episode and the back end. Thank you Next

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Show notes for the Billy Newman Photo Podcast.Communicate directly with Billy Newman at the link below. 

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Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

If you want to read a free PDF eBook written by Billy Newman about film photography: 

you can download Working With Film here. 

If you get value out of the content I produce, consider making a sustainable value-for-value financial contribution, Visit the Support Page here.

You can find my latest photo books on Amazon here. 

View links at wnp.app

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Communicate directly with Billy Newman at the link below. 

wnp.app

Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

If you want to read a free PDF eBook written by Billy Newman about film photography: 

you can download Working With Film here. 

If you get value out of the content I produce, consider making a sustainable value-for-value financial contribution, Visit the Support Page here.

You can find my latest photo books on Amazon here. 

View links at wnp.app

Instagram  https://www.instagram.com/billynewman/

Website Billy Newman Photo https://billynewmanphoto.com/

About  https://billynewmanphoto.com/about/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Today I wanted to talk to you about the performance of the new MacBook Pros. Is there an issue with it? I don't know, I've heard a couple of stories about it where these higher I'm sure probably the entry-level system is quite adequate and a very positive type of computing experience that you're going to get from I'm sure you're going to be happy in a lot of experiences. But there's talking about the I nine system specifically because of its heat output. I think that you know, that's the new division of there's the I five processors, the ice seven processors. Now for laptops for the first time, in Mac, at least, you have the option to get a nine processor. Now I guess this has a significantly higher heat threshold than the processes before. And the laptops don't have a better system of removing that heat from the system than the previous laptops are then the other iterations of the laptop in the same line that produce much less thermal energy. So this is kind of, I guess, been performance hinders, in some cases, because there's something called thermal gating. It's a system where when the computer gets too hot, somewhere around boiling temperature, can you imagine that's happening just in your little laptop, heat venting out of your keyboard? Goodness gracious, that's what you have to do to get a 4k video coming out of a laptop. So with all this going on with that, that process, you're trying to not reach a boiling point, it does something called thermal gating where I guess it turns your fancy new four gigahertz I nine processor into quite a bit slower, one gigahertz processor kind of churning through some things because of its heat output, and because of how much heat is generating. So it's kind of an interesting thing. I guess there was a YouTuber that did a video render from an Adobe Premiere file, they did it, you know, on the desk, where it was pretty, it was spinning up, the fans producing a lot of heat and stuff, they put it in the freezer, which is maybe a good idea, maybe not I made me do it and put it in the freezer. And I guess the render time was 20% faster because it was not running up to the thermal gating fast, I guess because it was a better heat dissipation system, though. It's not an optimal system to run a computer freezer. Because of that system. And you know, it's a laptop of a very thin laptop, trying to run very high-performance utilities. So I'm kind of curious about, you know, really what the design perspective is on that. It'll be interesting to see where things go from here. And I'm sure things will probably be fine, but I don't know I don't I just still don't like USBC that's how old I am. Give me a headphone jack.3:00 You can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think you can look at that Bitly Newman under the author's section there and see some of the photo books on film on the desert, on surrealism, camping, and cool stuff over there. Oh, yeah, there's been so many discoveries since last year, gravitational waves have been verified and had been projected before but now they've been verified, I guess I suppose. They say the math is strong. I'll let the scientific community that that's all but yeah, they say that they found what was it like a 26. And ours, I think was 26 and 34. solar mass black holes orbiting each other came closer and closer kind of spiraling in on their same-like point. And then they finally merged when the two giant black holes a solar mass, like we talked about before, is the size of our Sun. So one sun around Earth is one solar mass. So these black holes were each 30 solar masses, so 30 times more massive than the mass of the sun. And these two black holes smiled at each other. And it's at this rate, I think, predicted in Einstein's theory of special relativity, where it kind of matches a pattern of how gravitational bodies will orbit around each other and then collide with each other. And so when these two bodies collided with each other, there was an X, I think there was if you think of E equals MC squared as energy equals mass times the velocity of light squared, then what that would mean is that when mass is accelerated to a certain point turns in energy. That's what happened in this event, these 230 solar mass, black holes collided with each other. It released three solar masses That are three times the whole mass of our Sun, from mass into energy out into space. And I think this is one of like the largest or the most energetic events that we've been able to record. in cosmology. It's really big. Yeah, well, yeah, or not, not in priority, but in the amount of energy that's exchanged at a single point that's verifiable. And so that's, I think, what the type of thing that this, this type of observing observatory was looking for, was something to collect these gravitational waves. So it's a cool story, they've kind of figured that out. I think that was back in September, that they made the observations, and then now, and was it early February, mid-February, that's when they kind of announced it probably won't make a lot of changes for any daily use, but it will change a lot of the astronomical. Well, I'd say like, part of the study of astronomy going forward in the next 50 or 75 to 100 years, you know, it's because now we can make gravitational telescopes, we can make these tools that can observe gravity waves out in space. And this is just the first time that we've done it, this was an observation of one of the strong signals are strong events that we'd be able to gravitationally pick up. And so now from here, over the next several generations of this, this technology, they're going to be able to refine it so much more that they're going to be able to pick out much more subtle gravitational waves. And once they're able to do this, or once you're able to, let's say, now that it's proven this type of technology out into space, and then make that experience vast, we're going to be able to refine details of these gravitational waves to a much smaller resolution. And that's going to give scientists and cosmologists and these new gravitational wave astronomers, more tools to look into the universe, and especially the look into the early stages of the universe forming, we're just going to be exciting. I think this event that they observed was one and a half billion light years away, they say, it's not triangulated. So they don't know exactly where in space, this event took place. But they say that it would be out somewhere past the Magellanic Cloud if we were to kind of think about it in the sphere of the sky that's in the southern hemisphere.7:18 Pretty cool stuff. Pretty cool. So say, okay, the coolest thing. So it's kind of up to us to sort of wrap our head around what it means what are they observing, what is the gravitational wave, but this ripple from this event that happened one and a half billion years ago, sent a wave in Gravity through space-time across the universe? And it adjusted the width of the Milky Way galaxy by the width of your thumb? Oh, yeah, that's so in the room. There's, in any kind of human perceptible distance, there's no change. There's like an Adam's with a change. For us experiencing it here on Earth. That's why we didn't see any kind of crazy, you know, thing happened, there's no kind of observable event, you with something that's probably one of the strongest events observable. For us, you know, out in outer space, these collisions of black holes. But, yeah, that wave, I think stretched and then shrunk the Galaxy by the width of a thumb. So that's like, 100 lightyears across. I think it's 100,000 light-years across the Milky Way galaxy. And that kind of wiggled by an inch. Yeah, see a gravitational wave,8:30 are you saying that it? A got a space in it. That was the width of a thumb. And then it got closer together.8:39 You know, it's really strange, it warped space-time. So there was no, there's no physical space that changed. But that was complicated. Yeah, that the, that the fabric between the atoms had flexed outward, and perceivable. To us, as beings that don't have the capability of perceiving something like that of the change in space-time, we're not able to do what we perceive because it says we're in it, we perceive time to be pretty constant. But if we were outside of that, we could see that the fabric of it the size of it stretched out an inch, and then came back together. So if we think of the expanding universe, it's the expansion of space-time that's traveling outward. So the physical distance between the two proton-proton in an atom is, is expanding outward. And the size of those atoms is expanding outward. And it's just it's like space-time is expanding. It's just sort of all expanding together. But in this situation, just this wave came through, as we think of a wave on a beach that rolled through. And like when we were in the waves in the ocean a few weeks ago, we you'd kind of be in the wave, it would move through but then it would go back to The status of the water before the wave, right? So the wave similarly came through, it didn't displace anything or move anything permanently. But it is just wave time. And it's going through, yes, stretch it by some amount, and then had it come back together. But that's the amount of distortion that was sent across. From that gravitational wave. And gravitational waves. The reason that it's important to us is that it was the thing that was one of the last things to be identified, or how would that be one of the last items in Einstein's theory of special relativity that was yet to be? Um, well yet to be proven. So this item of gravitational waves has just been theoretical, up until this point, because it has not been, there'd been no technology developed to make that observable phenomenon, these gravitational waves. And so it's this huge feat of engineering that we're even at a place where we can do that now. Yeah,10:58 that's pretty incredible, is it? So now that they've officially, I guess, said that that's happened, they're going to be working on telescopes now, or newer telescopes, I can detect that. Yeah,11:12 there's, so there are two locations right now. And these were all part of a scientific grant to look for a theoretical piece of science that no one believed even existed. Even Einstein, I think kind of sort of tried to retract this idea during his life, that there is that there was even the possibility of observing these gravitational waves, they were able to make this system to do that. There's, it's a gravitational wave Observatory, really interesting stuff, I won't get into exactly how they do it. But it's a Laser Interferometer. And it uses a period amount of time to bounce a laser beam back and forth. And if a gravitational wave goes through there and stretches spacetime out, then the wave of light takes longer than the speed of light to go all the way down to the end and then back. And so they're measuring that amount of time, that period accurately. And then when this happened, the way it came through, it stretched spacetime over that distance. And then the wave didn't come back at the right time. That means that there was a measurable gravitational wave that passed through that space-time, that stretched that tube of the observatory. And that's what they recorded, they did this in two locations, all part of the same. I don't know, observational? Well, there are two observatories, they both get recordings, and then they match that data together. So that they can do noise cancellation, to drop out any of the disturbances that be localized to the earth. So if there's an earthquake in one, you could kind of measure that against whatever the other one would pick up. And you can cancel that signal out. Okay. Yeah, it's cool stuff. So now that it's been proven, now, this experimental thing that cost billions of dollars to get set up for the first time has been proven, it's going to be this huge expansion into the scientific community, where they're going to be building a lot more of these tools to do gravitational wave observations. That's cool. It's gonna be really exciting. Yeah, I'm really glad that it came through, we're gonna see a huge expanse in the field of cosmology in our lifetime. And now that this is something that's out there that people well that, that astronomers will be able to research on, it's going to be interesting to find out, I guess, what kind of discoveries kind of come from this? Yeah. Time to best, but it'd be cool.13:31 Yeah, that'll be neat to see what new things are figuring13:35 out? Yeah. Be a lot of fun.13:38 And so what are the names of the observatories that proved this?13:42 Yeah. So like, I think I mentioned that two observatories were picking this up, and they were doing noise cancellation against each other, to try and refine the signal, which is part of how the technology works that you're using. And so, the installation is called Lego. It's the Laser Interferometer gravitational wave observatory. It's an acronym. And there are two installation sites right now. They're both in America, I think they're going to expand soon out from that, because there's going to be an advantage if there were at least if there are more than two, because right now with two, they're not able to triangulate the position of a signal that they get. And so once they're able to triangulate things, that question that we had a few minutes ago when we were talking about where this event, this, this black hole collision took place in the universe, we'd be able to better pinpoint that answer if we have three of them because we'll be able to triangulate that signal. So with the two of them, we're only able to tell right now that they're out in the Magellanic Cloud. So the two observatories exist. One of them is in Washington State, and one of them is in Arkansas. Right now, school, I think the best place for them to be would be off the earth entirely. So same is like the hub telescope, when we started doing optical observations of space above us, we use the telescope here on Earth. But, ultimately, the best highest resolution way that we can make observations of the universe was by putting that telescope outside the gravity world view of the earth and putting it out into space, where there wouldn't be any disturbance from light pollution or atmosphere or vibration. And they could put this telescope up, make it perfectly still and have it take these long exposures, or long periods of light collecting to get these images or to get this resolution of data so that they can look out so deeply into space, really cool how they're able to do that, with optical telescopes. I think, in our lifetime over the next 3040 years, if this seems like a promising field of science, we're going to see that expand out into Laser Interferometer gravitational wave observatories that are put out into space as like long satellites, or satellites that communicate to each other and send a pulse back and forth, or send a laser back and forth to each other, and then try and pick up that same period is the technology and algorithms for this get a lot better be cool. It'd be cool. Yeah. Yeah, it would be really neat. So I think right now since they have proven that there are gravitational waves, there is now funding made available for the third Lego installment to I think, be put into somewhere in the US probably take another 10 years for that installation to go online. I'd bet we might see others like this come up from other educational institutions around the world. Like we might see something from CERN or we might see something from, you know, just from some other installation that would want to build something like this. Now that it's a provable scientifically researchable field of cosmology be cool. It's going to be one of the most exciting things that happens in the next century of scientific discovery. I think this is probably one of the groundbreaking things that will be part of learning about gravity learning about that part of early universal history. be interesting.17:06 Yeah, interesting.17:08 Yeah. You can check out more information that Billy Newman's photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value-for-value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo.17:54 So I wanted to talk about the training stuff that I've been doing, I think I'd mentioned I had done a good bit of work with, you know, other programs in the past. But this is the first time that I've gotten into spending time learning specifically about some of the features and the controls in Logic Pro, and now Logic Pro 10 by five. So what I've done is gone too now what's called LinkedIn learning. LinkedIn learning com, there used to be a website called lynda.com. And lynda.com was these screencast video tutorials of how to use different types of software and how to be trained and you know, just training for different types of most of the time computer related skills. So I've used that service for several things over the years specifically, I think, Chris, or wigs. Lightroom tutorial is probably like a standard for a lot of photographers that have been interested in and learning about photography and editing. And so all of those courses that have existed over the years, have a lot of good information in them. But so I went back, to what would be lynda.com now as it has been purchased by LinkedIn, through Microsoft, it's now called LinkedIn learning. Right on Hmm. So LinkedIn learning has all of the old Lynda videos including all the updates to the videos that they're continuing to produce. So I went on and I tried to find some training videos about Logic Pro 10 there are several videos like Essential Training for Logic Pro 10, but there's nothing because now this new update Logic Pro 10.5 is only maybe two weeks old, or something. It's there's no there's just no new video training established for it. So I think for Logic Pro 10.4 there's a full Essential Training Video that was produced by Scott Hirsch, a music producer out of New York, and he just kind of goes through the controls in the system and stuff and you get a good feel of like how to how to make changes, how to use different features, how to use the mixer versus like the linear tracking system, you know how to use different controls and stuff, a lot of the stuff is similar if you've used GarageBand like I was mentioned, or another digital audio workstation that does multitrack in the past, but it was cool, yeah, learning licks and techniques about how to apply different compress, or how to make the settings of a compressor do more specifically, the types of things that I'm wanting to do in a mix, I think was some good information for me to be learning about through the Logic Pro training stuff. Also, in addition to that, if you don't want that, so LinkedIn learning is a paid service, you can get a one-month free trial at that too, which I'm taking advantage of at this moment to get some new information. But what you can do is go to YouTube and look up similar, similar training videos. And there are a lot of people a lot of music producers out there that have done their screencasts of kind of walking through different services or different techniques that these digital audio workstations provide. So looking at a guy, guy's website, I think it was why Logic Pro rules calm and that had a lot of good training videos on it too. He had a lot of information about how different pieces of it work and just how to make use of a lot of the techniques that you'd have to apply in a certain piece of the software to make it more effective. And I thought that was cool. I appreciated some of the stuff that he'd done and thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman's photo comm a few new things up there some stuff on the homepage, good links to other outbound sources, some links to books, and links to some podcasts. Like these blog posts are pretty cool. Yeah, check it out at Billy noon in a photo calm. Thanks for listening to this episode and the backend

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Show notes for the Billy Newman Photo Podcast.Communicate directly with Billy Newman at the link below. 

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Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

If you want to read a free PDF eBook written by Billy Newman about film photography: 

you can download Working With Film here. 

If you get value out of the content I produce, consider making a sustainable value-for-value financial contribution, Visit the Support Page here.

You can find my latest photo books on Amazon here. 

View links at wnp.app

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About  https://billynewmanphoto.com/about/

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Twitter  https://twitter.com/billynewman

Communicate directly with Billy Newman at the link below. 

wnp.app

Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

If you want to read a free PDF eBook written by Billy Newman about film photography: 

you can download Working With Film here. 

If you get value out of the content I produce, consider making a sustainable value-for-value financial contribution, Visit the Support Page here.

You can find my latest photo books on Amazon here. 

View links at wnp.app

Instagram  https://www.instagram.com/billynewman/

Website Billy Newman Photo https://billynewmanphoto.com/

About  https://billynewmanphoto.com/about/

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast.0:23 I'm showing another photograph of mine today, this one from Mount Washington up in the Cascades. It's a really beautiful spot. And I appreciated this, this day to photograph it because of those high altitude clouds that you see in the photograph with a lot of that dark rich color, and it seems like a lot of I don't know if it's moisture thickness, or density, or just the parts of it were thinner, and there's passing cloud or something like that. But I loved the light that day, it was sort of a vanilla color. At least in the higher part. You see those dark blues down toward the horizon where it seemed like there was a lot more of a heavy storm that was moving in. But it's a cool spot up. I think it's on-off highway 126. You take that to the end and then you come into that road that's going to take you down into sisters right before the hoodoo snowpark but you can go up there and there's a number of spots you can get a good view of Mount Washington really beautiful kind of picturesque peak and especially when it's covered in snow like this, it looks almost like the like mount Paramount, you know the one in the movie, the movie and trail. But it was a really cool spot. It's an interesting mountain and it's a cool spot up there there's really happy to have this photograph and a few of the others in the sequence come out the way that they did that it's cool, I appreciate the kind of tonal color of it and just the sharpness the way that that mountain really kind of has a presence in the frame you really get that with that compression of the big lens1:47 you can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think if you look at that Bitly Newman under the author's section there and see some of the photo books on film on the desert, on surrealism on camping and cool stuff over there. We did like a bunch of traveling and we recorded a bunch of stuff which was pretty cool it was kind of a special project so that's what we're gonna be talking about today. But Marina what kind of special work were we doing?2:20 It was super cool we were doing some 360 video and photo recording2:27 and it was really cool yeah it was really interesting doing that I did like a little bit of a podcast talking about the idea 360 video and some of the GoPro fusion stuff but yeah, it was really interesting having the GoPro fusion for for a week we rented it and we went around and we shot like a bunch of footage all over Oregon and a whole lot of different spots have a similar like the natural areas that we've been where we've had like the the just it's probably like the more high profile locations for landscapes and a lot of the areas in Oregon so it was really cool getting to run around and maybe be some of the first people to shoot some high end or higher quality 360 footage in those areas.3:07 Yeah, I think so definitely. I think there's some of the spots we got to the I don't think I really see many regular photos from3:13 yeah not many people really go there in the first place. Yeah, and really some of those locations were incredibly beautiful like I was thinking about I think about like sisters rock that we did at the end that evening was just so cool but just the the way that the 360 video virtualizes is really interesting to look at it it's kind of a neat kind of optical effect when you get to look out and you get to kind of turn your head and see just sort of this the field of view that you would see if you were experiencing the place if you're traveling there but it's really fun to get to see especially in certain locations you know where you really get to turn your head and see different aspects to the environment that are going on. Yeah there's something going on3:52 yeah, it was it's really cool what a great job we the GoPro camera does yeah just with the quality of it looks so real and so beautiful4:02 yeah I was really interested in that and how it was gonna do but but yeah the GoPro fusion is I think the the newest offering from the GoPro camera company and and you know they have they have the regular you know, two dimensional system still too but but the three 3d six system is really interesting. It's not through sight, it's not 3d, but it's a 360 degree spherical image it's well I was talking about an actual rectilinear image that stitch together from two cameras that record 180 degrees of your field of vision, and then that's brought into the computer and stitched with the special software, the fusion Studio software, and it's really interesting how it works but I think this is really pretty new. If I understood right from from like the the invoice and what I understand about GoPros these cameras really have just come out I think it was it was marked as the the like the innovative product of the year at CES this year. So that back in January Pre announced. And I want you know when some some more now it's interesting, but but I think it has really just come out for release in April now. And then so we're probably some of the first people to even rent it from this company that has it available. So it was cool. Yeah, last couple of weeks of May. And yeah, trying some of the new technology out. But the GoPro fusion is probably the most adept 360 camera that's available for consumer use right now. I think there was the other camera, the ryla, which is a 360 degree camera that also has some of the video gimbal stuff that the GoPro has. But really, I think the GoPro is higher end. And there's, it seems like, every time I've not used the GoPro system, I've had a little bit more trouble, but I was really impressed with that works, that's really the only 360 system I've used. There's also the theta camera built by Rico, that is 4k video. And that's a little bit less expensive. I think that's been out for a couple years. But um, but I don't think that's the gimbal system, you missed the stepping kind of image stabilization.6:01 Man, that made a huge difference for videos, we were able to watch them, I guess you can preview them on your phone with an app. Yeah, just from directly from the camera. And it looks awesome, but you can see the motion for the stepping and stuff a little bit. And it's cool when you process it through your computer. And and see the the effects of everything,6:28 the full stabilization is really impressive. And it really makes it possible to have like a walking or moving video and 360. And I think I think otherwise given given like the change in access that would happen. You know, like as the camera moves through the 3d field and Z axis changes, or you kind of spin the camera a little bit, then it kind of throws the rest of the axis off is how it would be without stabilization. But with stabilization, you really virtualized in that location, and you kind of independent from the movement of the camera, which is what's really amazing about the way that it's able to do some of the recording which really gives you a much more immersive feel when you're watching the video because you can move the camera independent of any kind of jerky motion that the camera recording had in it, which really makes possible for for videos that are moving I think otherwise. It would almost be nauseating to have video that was moving unless it was on some other kind of gimbal system. Yeah, that's why probably you've really seen only only like kind of standstill videos up into this point that are related to 360 video. And what's really cool about the GoPro 360 is that it really provides you so much opportunity to do moving videos that look really good in this 360 immersive environment in 5.2k. So like when we're compressing down to 4k, it's cool, but oh my goodness, does it take forever on this laptop?7:51 Yeah, does rendering take so long?7:54 Yeah, so we had to go in overnight. So it's not a bad I have a MacBook Pro it's like it's a couple years old now but there's really not I mean, there's a few improvements in the MacBook Pro line but not that many in that would have had other problems if I had upgraded anyway, but this one isn't like the top of the line by any means it's capable, but the graphics card I guess in a laptop really crushes through fine in HD video and anything else that I've thrown at it to do editing your final cut, it's amazingly fast compared to the video editing system I would have had like in high school or college or something like that. So I'm impressed with what I can do but I upgraded the final upgraded Final Cut 10.4 which is the version that can handle some of the 360 footage. I also installed the GoPro fusion studio app and really it's the process of stitching the video together that takes the longest time so they're enormous files to start with I think just over the weekend we recorded like 200 gigabytes of files that we put into the onto the drive. Yeah, it was a huge amount of matter. Yeah. And then so those have that's just before anything's done with it. So I guess it's you know, it's a higher quality video but that then has to be stitched together into an even larger file and then that has to be brought into your editor and then compressed or edited or rendered together so all that takes a ton of time and so but rendering the stitching is what seems to take the longest amount of time and if I guess we had to go on all night, I think we got in minutes let's say maybe six minutes of video for about eight hours of rendering something like that but it's a lot of rendering time just for this little computer and you can see it going I have this this program this like I stat monitor program that shows you like what some of your system components are running out but it's just kind of paying my my graphics system on this laptop and so I hear that you really have to have a ton of horse better power to get through a lot of the 360 video maybe that some of this stuff you would win here too but I have to you have to really that's really where having like a higher capability computers is where you see an advantage of doing this level of rendering.9:59 Yeah, my laptop can't even handle what we're trying to do you need10:03 minimum eight gigabytes of RAM. And then it helps to have an SSD so you can pull the video through faster, something like that. And then you have to have a dedicated graphics card. I believe in the system and it any gotcha even with the a pretty modern system. It is extremely slow versus, you know, a lot of other kind of editing rendering system that exists right now. But I think it's like, one frame a second. So if you think of like, videos, 30 frames a second. I think it's rendering one frame out a second one, I guess 360 degree spherical frame, or, you know, Echo rectilinear that were that we were learning a little bit about. So after it stitches it together and makes that echo rectilinear image of the to 180s sort of mapped onto our rectangle. Really interesting as doing it. It's fascinating to go through all this stuff. It's really fun to working with the GoPro camera stuff. But so yeah, this weekend, we did like a bunch of travel stuff to try and produce some videos and photos and kind of make like a portfolio for some of our 360 stuff. So we traveled, where was the first place we went, we went to like, say Haley falls.11:10 Yeah. It's cool. It's beautiful. It was our second time being there. But our first time was just a few days before that. So it was a nice spot. test, which is cool. Yeah. It's long, the Mackenzie River. And it's a really beautiful place. It's waterfall just right off the trail. And it's cool, because you can climb down from the trail. There's a kind of self made trail from I think people. Yeah, fourth down there. Yeah. But it's really cool, just a big waterfall. And it kind of goes into a river that drops off and to another little tiny waterfall. I don't know, if you count as waterfall. It's a waterfall.11:54 It's, it was really cool. I like I like the way that that looked. And it was interesting kind of learning from that, that's kind of a composition experience for 360 video, or for making a 360 image is sort of being in the bowl of the action, right seems to be kind of an interesting way to produce it, where you have something to look at, let's say if you're mapping it onto the face of a clock, you have something to look at at your 12 o'clock, but also something to look at your six o'clock so that there's a reason to sort of, to sort of pan and move the camera in the frame of the field around.12:25 Yeah, it's a 360 photo or video. So the point is that you look in every direction. Yeah, and you really want to use it for that. Yeah, there has to be something interesting.12:36 Yeah, that was interesting about looking at a lot of the let's say the viewpoints that I set up for, let's say that you know, the perspective that would be taken for a photograph, let's say that and those really don't seem to work very well for composing these 360 images. So I guess that's kind of the tip of the thing that I learned pretty quickly is when trying to put it together like you can't be back up against the trail or back up against the road or something like that to kind of view out toward whatever the subject is, let's say that waterfall in this case, because really what you experienced most of is 180 degrees of just to trail and dirt and trees and things that aren't really that that interesting visually to look at. So it's interesting trying to try to mediate all of those different angles that you could look at in a 360 degree view, which is where you really have to think about the method in which you're composing the image a lot to put yourself in a position where there's something pretty at all angles of view that you have isn't it difficult to think you know like in photography you just have to try and worry about getting getting just that little bit to look good in composition but in 360 you have to think about every every field of every part of the field of view.13:43 Yeah is a fun and interesting additional thing to think about with composing something that's like visual media13:51 It is really fun but it's a challenge or it's not as interesting a different type of perspective of trying to think of something that looks good it was something that while I was like looking at 360 video a lot of people don't seem to notice that part of it yet.14:06 Right they'll they'll be like a background that's just a driveway or parking lot.14:11 Yeah, yeah something like that where we're so that's what I'm seeing like some of the successful the successful arms of 360 video are bringing you into an immersion of it and of course you know of course that's what you do but so it was interesting going through and trying to produce some of that in this way but even with like some of the the company videos that I did like trying to walk through and do like a tour of a retail location that was kind of interesting to do where you know, instead of like maybe skirting the side of the building or something but you just kind of walk right through but it's interesting where you can you can have the view 360 degrees around you. So you really trying to like build an environment where you get to see the perspective is cool. So we went to the Hayley files, we walked the trail around there, which is a place also where I learned the same lesson about composition where the trail is beautiful, out toward the river or out toward a lot bangles. But then the trail is also not that is also kind of just a lot of work, a lot of broken pieces, a lot of a lot of wood and branches and things that aren't really the forest and its beauty. So it's interesting to see that,15:11 yeah, when you're using it, you really do notice pretty quickly, what is not visually interesting or attractive,15:18 when you just you see all the places around you, you would not take a picture of, yeah, well, it wouldn't take a picture of that, or that or that or that. That's all in the picture now. So. So it's interesting to kind of consider that sort of stuff. But that's really the the challenge, I guess, in trying to do storytelling, or composition in photography for 360. But it's, it's also possible to like right, like what we were saying we found is getting to that center position, like an area with a creek and a waterfall is really kind of naturally conducive to being compositionally interesting. For some type of 360 VR content we have semi static but comprehensible landscape that you're surrounded by. And then a waterfall it's sort of a natural position where you're gonna have a geographical bowl, where you're sort of set in with it and it's also going to be green around all of your angles, you know, it's blowing water up and it's sort of making everything green. And then you have like the creek that flows out from that that's another piece of motion that you get to look at. So all of this kind of pieces sort of work together where you can look up and see like the forest and stuff around you. So that was a really pretty way to shoot that and it's a really interesting way to kind of look at and visualize what was there and it's fun to see you know, after we do like well this is like this is like what it was when I say so it's really fun. But yeah, I like doing the hike stuff along the river there too. I also like the photos that we got from it there. I was talking about that some of the images just still images that we took Yeah, of course Yeah, there's beautiful areas so just you know, obviously like still liking to take pictures. It was really fun to take photos. Yeah, well you know, the spring snow melt is so crystal clear right now that the water just looks blue. Light luminous blue too. It's cool.17:03 Yeah, it was really beautiful. Water was really blue and it was so clear. You could see all of the rocks and a lot of the rocks had like moss on them I guess it was green underneath the blue water It was really pretty17:16 Yeah. Yeah, that was a beautiful spot. So that part of the McKenzie has always been really interesting. And I think they're on the McKenzie on and then I think it's What is it? What is it the maybe the calapooia the citm I don't know the one that goes out from like, like Corvallis, Albany That one's really nice too. Or you know, it's like really mossy and like it just looks foresty that sort of thing looks kinda like a rain forest that most than some of the spots that but yeah, it's beautiful about getting up there. So we traveled the day we went up kind of in the cascade area, route to a bunch of spots. You can check out more information that Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support. You can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo. For the longest time I was shooting with Nikon cameras, and I'd always really liked doing that but most of that was always kind of maybe constrained by budget for I think I started with a Nikon D 40 back in 2007 is when I bought it the camera probably came out earlier than that I really enjoyed kind of picking up and that was like an entry level DSLR at the time, and now it's like really antiquated I sold that off now years ago and kind of moved it over into other other camera equipment over time. But that's what I got while I was in college is a really good camera for me to learn on and kind of learn some of the fundamentals of working with a digital camera and I had a lot of fun working with that made it like a ton of photographs with it then pretty soon after that. I tried to switch over to something that was more of a professional body when I was trying to take some of the work that I was doing a little more seriously and when I was trying to get hired as a photographer to do really even just student projects at the time I was trying to get a couple extra lenses and I was trying to get a couple stronger features in the in the camera body that I was using. So at the time I think it was in like 2008 2009 actually I think it was in 2009 I bought my first like professional body that Nikon D two H and at that time, that was already a pretty antiquated camera. I think in 2009 it probably came out in 2003 I think is what it was. So it's already like a pretty big gap in time. There. There's been at that time especially in that decade there's just so much advancement in the way that sensors worked in the way that the scene I wasn't even a CMOS there was like an elb caste is like an lb ca St. Named sensor I don't even know what that is but it was different than the CMR system that would be in a lot of cameras I think that maybe we probably find now or you know like the sensor piece in the back and it wasn't full frame either it was in even the professional and it wasn't full frame it was still like that crop sensor that Nikon had. So it was good for for a long time and I was really happy to use it and happy to kind of learn on that camera they had a ton of features and really I probably go back to that that full professional body of Nikon if if I was just a big any camera that I wanted to use I think like a Nikon D five would be an amazing camera to work with. But at the time what I was trying to do was get a job at a newspaper like the student newspaper when I was going to college and to try and get some jobs or you know trying to get get some activity to try and go and take different photographs in different locations. And that job was great it was cool working for the student newspaper because you get to go to different locations and try and make some interesting photo out of something that's probably not very interesting. It's normally like a person talking to a to a classroom with beige walls and low level ceiling light or something like that every once in a while you get to go to a football game or something like that so that you don't really have the opportunity to go to normally that was really fun that was interesting and it provided me a lot of opportunities to do some some different you know work with different lenses work with different lighting and some sort of you know interesting and dynamic subject matter but a lot of the time like I mentioned it was like I think I had to go photograph that they were removing pipes from a student building on some side of campus I hadn't been to before so it was it was the I was supposed to take a photograph of the absence of pipes didn't really21:54 make a lot of sense it wasn't really a very interesting photo and there was no people or story around it so it's you know it's always something like that or it seemed to be often something like that. That was just like had almost no subject to take a photograph so it was a challenge in that way. But it was really fun when you got to do something cool so that's that's why I bought that Nikon D two H and then to a company that I think I tried to save up some money in college that was hard for me to do I tried to save up I think like $150 or something like that to buy the 50 millimeter one eight lens that was like the version of nifty 50 that they have over on the Nikon side It was great to use and and that that kit there that the D to H and the the 50 millimeter was what I use to take a bunch of photographs for the next many years is a great kit of a camera to have it worked really well to take I think like a bunch of the cool landscape stuff that he did on the first couple trips they did were just both with that setup. So I bought that I bought that Nikon D to h USD on eBay when I made that purchase of it. And I use that camera probably for the longest amount of time. Like I think I used that up until like around 2013 or so when I was kind of trying to shift away from it. And that's when I was getting into more film photography stuff at that time I actually switched over to a an even or just a different camera a Nikon n 80 film camera because I was I was doing a ton of stuff with with film and film roles at the time. And then I bought a Nikon f4 s another film body camera that was from like the 90s I think is when that one was manufactured. I think it first came out in like 1988 that I've probably mentioned a couple times. Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com few new things up there some stuff on the homepage, some good links to other other outbound sources, some links to books and links to some podcasts. Like this. blog posts are pretty cool. Yeah, check it out at Billy new minnesota.com. Thanks a lot for listening to this episode and the backend.

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Communicate directly with Billy Newman at the link below. 

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Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

If you want to read a free PDF eBook written by Billy Newman about film photography: 

you can download Working With Film here. 

If you get value out of the content I produce, consider making a sustainable value-for-value financial contribution, Visit the Support Page here.

You can find my latest photo books on Amazon here. 

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Website Billy Newman Photo https://billynewmanphoto.com/

About  https://billynewmanphoto.com/about/

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Twitter  https://twitter.com/billynewman

0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Today I wanted to talk to you about something, maybe important, but do you use a VPN? I don't use a VPN, and I probably rarely do. But I'm kind of figuring out now like how many pieces of information routers pick up and your ISP picks up about your traffic. And I'm trying to finally figure out what HTTPS is good for, like HTTP exists, like what we remember in the 90s, typing that into Netscape trying to get to our first web domain. Or we have HTTPS now, which is the secure hypertext transport protocol. And I guess that encrypts the data that's transmitted across that protocol before that HTTP had just an open protocol where you could still read the contents of data that was being routed to that page. So at least, I guess with HTTPS, that data is encrypted, like your banking data is encrypted, or your payment data is encrypted, and it can't be siphoned off in some man-in-the-middle attack, I guess, apparently, or unless that didn't work that time. That's sort of how hacks always work. Oh, yeah, it's protected. But except for that thing that it didn't work for. We weren't protected by that. Okay, well, so if you are interested, I think a VPN is sort of an interesting way where you can create a virtual private network is what it stands for. Many of them are paid, and many of them seem to be free. I think the probably the best one to jump into if you're interested in something like Tor or the Tor Browser, the Tor router when they talk about that, I think it's like a virtual private network system that kind of jumps you around to different IP addresses before it finally spits it out somewhere. And what that allows you to do is sort of anonymizing the the registry information that would be tracked about your connection to the Internet. At that router, is interesting. I've been learning all sorts of stuff about all the things that attract and sort of where it logs the router information. Wild to know about but man, it's it makes you think a little bit about all the different things that you're tracked on over the internet, everywhere. Crazy stuff. It's a weird world that we're gonna live the weird world we will live in over the next 15 to 20 years like the last 15 to 20 haven't been so2:39 you can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think you can look at Billy Newman under the author's section there and see some of the photo books on film on the desert, on surrealism on camping, and cool stuff over there. But this week, I want to talk about some of the past truck travel stuff that we've done, and I think you're the guy who inspired me to get a truck at the first man I got a truck gotta have a truck. Strangely, though, most of my road trip travel has been stolen camera and the cameraman.3:22 But that camera was legendary.3:24 It was legit. It was absolutely legendary. But for today's episode we're thinking about doing was kind of breaking down a couple of the stories in the past we had about doing some overland stuff, some overland, like travel, if you can call it overland. I don't know that's like a heavy word. I think that's a modern word, right? Like this term. I've seen that around like overland where people have seen a lot of that. Yeah, it seems to be kind of the trendy sort of rich guy word to say for Whelan. I'm going Madden. Landrover Madden or four, four wheeling or something. You take that overlanding overland3:58 excursion?3:59 Oh yeah, it's always that but i think that's kind of a funny part of it. But I see like a ton of that stuff. I got into that, like, I got into that stuff back in 2011. Like the overland travel Have you ever seen like the magazine overland journal?4:12 Is that inactive?4:14 I think so. Yeah, I don't know. It's like sort of a niche. It's a niche category. Like this whole thing. So it's where it's like that thing. You'd never find it unless you looked for it. But it's kind of it's interesting. There's tons of stuff out there like that, but that's one of the first ones that I ran into. And that's like, that's when I had like the Camry and I was back in college and stuff. And you know, that's when I first really wanted to get because I couldn't get a Landrover from the 70s I really wanted to get like a roof rack and a top box. I was I was like set on that because if I could get that, that was like that was like my that was my version of making like a Camry into an overland vehicle, you know, because I'm going to get into this but I'm 20 and I've got 138 bucks, so we're going with that. Yeah. Without as a part of it so yeah I remember setting up like like setting up the car that the roof the roof top or the top box you know man those are those are like super handy like and that was great on the on the camera when I had it but that was all kind of what was yours5:12 you had like that that top box5:15 yeah it was a I forget what it is now I think there's like the excursion that I had at a time and then there was like the summit model that5:24 we didn't have the overland model didn't5:26 I missed out on both of these were like oh man they were like you know I don't know the early 90s maybe late night early mid 90s or something that's like when the plastic was produced that's when that thing was called New and now it was just sitting on my my equally old aged car gonna go around and grab those things hold their value like crazy I picked mine up both of mine I think now three of them in total I picked three of those top boxes up oh on Craigslist was for different cars and stuff I got a little fat one for the for the Camry I've had one for the truck and we got one from Marina CRV or what do you say the truck I mean the old foreigner let's get into that later too but that long one on the old foreigner so I bought like a few of them and I always bought them on us like on Craigslist or something right like yeah it's like new they're like five or 600 bucks to get into this cheap man yeah it's yeah super frustrating so even when they're used they're they're still floating in like for good ones or for like stuff from the 2000s that sort of the more modern clamping systems or you know when they actually made it they made it better you know where you can put it off take it on and off your car without putting together like a bunch of plates wing brackets made out6:38 to spend the whole afternoon doing yeah it's6:39 great because he would always like you know mess up you get stuck in some situation like that when you like I think one time we had to move we'd like it was you and I Robert and Scott and we had to like move that that that top box we're talking about to the oh yeah to the raft right and we were going on that snowboard trip so we had to like pack we had to put it on and like put like a bunch of snowboards on or something. And it was just like it was just like snow and slash and it's kind of raining you got like you don't even have a headlamp you've just got like a light kind of crimped on your shoulder and neck. As you're kind of trying to twist this wing that back and forth to make sure that this thing's tight in the right spot. It was such a pain man, it was so awful. So after that they made like more simple clamp systems that work better. But man those are like still like 300 250 like the low end range. Like the second like us. Yeah, the stuff broken. I just sold one for like, 85 that was that like a big chunk missing out of it? Oh, geez. Yeah, it's not Yeah, it's like it's a gold. At least I don't know, it seems like in Eugene May. In Southern Oregon, it was a lot harder. I think I had one and never sold. But it seemed like in Eugene and in Corvallis and Portland, or, like, you know, where that that that string of Hebrews and topsoccer Yeah, right. exists all those all those overlanders out there. Mm hmm. But that was my foray into into understanding what overlanding was because I was interested in like that overland journal and so I'd like watch or watch the stuff that was coming out in that and it was just really all stuff all equipment that was unattainable that you look at like the sweet trucks and there's so many cool like land or the length that the Toyota Land Cruisers but they Yeah, they said that they never built in America. Have you seen those? Oh, yeah, they're awesome. They're so cool. Yeah, like all the other ones that Australia got and like South Africa got those are like the coolest cars ever like8:34 that you see out there. Yeah, they're so great. I would love to have Yeah, just this sweet8:38 diesel. Left hand drive. Right hand drive. Like Yeah, Land Cruiser track. Like there's the the Toyota trooper, if anybody's listening and they Google that it's like this, this crazy track that they made for the military that Toyota made for the military. That's like a troop carrier. But it's a Land Cruiser, but it's just got like a long back end. And it's kind of squared off so you can you can fit two benches in there to load 12 guys, or whatever, whatever. psyllium is in the back, but it just looks like Oh, man, that'd be the coolest like camper. Yeah, you take that thing. It's like, so like the F j 40. c like the old ones that look like the the Willys Jeep. Have you seen that? Oh, yeah. That and that was kind of like the one of the Jeep models that they look Yeah, Toyota's Japanese right. Yeah, of course they are but I don't know where else they they sold like their equipment to for like military use. But it seemed like the F j and the Land Cruiser line is used like with them as a military vehicle all over the world. Have you seen that? Like it's the I'm not really familiar with that? No, or not like a military vehicle, but like, like, we have a jeep. And then we have a tank but we have the Jeep? Like they have they have the Toyota they have a Land Cruiser. Or like a Ilex, right, like your old truck, your old pickup truck.9:58 Yeah, okay. I know what you're talking about. Yeah.10:00 The old pickup truck. Yes.10:04 It was the best part about my old one. Yeah. Oh yeah. And so but it won't get rid of it. I still have.10:09 It's the coolest truck but I remember learning about like, Oh, it was just weird when I found out like about American nations were in america that's called a pickup. Like that's that's a pickup truck. But out of the country, the truck is called a Hi Alex. I'd seen that. Yeah, the international version. The International name for the pickup was the Toyota Hilux. And it's like, it's got that like emblem in it. Yeah. So they'd sell these Toyota pickup trucks like Saudi Arabia or like ISIS, man, like okay, so yeah, like all the ice like the footage from ISIS. That's like, why are they all in these like us Toyota's bassinet across the section of Syria, it's because the military had bought Toyota's as helixes like new ones they're like it's just like I'm sweet Tacoma or something you know it's just like rigged up to ride around out in the desert it's probably a great Chuck for it but that's11:02 why we should be ISIS is to get all11:05 we need all those sweet Toyota's back now it was a big land that was like a gag in the news for a while because like all the footage from from whatever was going on which show these people but they were like next to these like old like old pickups like yours with with a with like a gun mounted mounted in the back like11:26 that yeah11:29 but yeah you think about like all that all that crazy stuff that I think that was like the highlight stuff that Toyota was like for runners out of the country they're called serfs. Really yeah way cooler name to kind of call a foreigner. a serf I'm not gonna11:44 run it it's kind of redundant like I mean no matter what you have it's got11:47 Yeah, it's like well, I mean we expected it would it would have four wheels or it's a big truck I guess it should have four wheel drive or whatever whatever it's insinuating but but yeah, out of the country was called the surf I've seen a few of them pass by like you'd see him out there you'd be driving around and people are real proud of it especially in the overland scene or that like that backwoods see man people get real proud of their their rigs that they have set up but but we saw one that was like this diesel surf that this guy had imported I don't know what the rules are on that either. Yeah, if it's I think if the if the guy's a US citizen, I think it couldn't happen but I think if you're in Canada you can you can have you can have one registered and then drive it into the united states i think is where we see a lot of those vehicles.12:33 Well we need to make some buddies in Canada12:36 if we need that man I need I need a diesel 90s foreigner I don't know like12:42 commuting12:45 Have you seen like the Mitsubishi Delica that's another that's another sought after it yeah12:51 it's low in my mind here12:53 yeah that Miss it's a it's another kind of wasn't that wasn't built in the United States right but it's for well it's become really popular and like that van life van life culture where people you know, like I pretty much like what we were doing the Camry six years ago. But But finding it relatively decently and they get like a van. And like it's become really popular to get this Mitsubishi Delica. They made it through the 80s. It was sort of a competitor to the to the Volkswagen line of vans that were out at that time that were kind of camping focused, but it was cool. The Delica was cool, because it was a diesel van but it was four wheel drive. It was like it was timing like Mitsubishi was just making a bunch of four wheel drive stuff probably like the Colt Vista.13:36 That's exactly what was just kind of you don't know what to call this is you're listening to this podcast go go look it up. And that was that was your first car Billy.13:46 And it was the best car. It was the best. It was the best car it was the worst guy but it was really though it was the worst car13:54 I bet if you had that now and just put a little bit of money into it somebody Yeah, somebody would pick that up. Yeah, in the Portland area.14:03 I put some studded tires on that a roof right? Oh, yeah. an LED bar.14:08 You want to talk about led bar. CV14:14 Yeah, man. You remember that hatchback. If you can fit 10 people in that car. I think eight people I think I did.14:21 I don't think that's what they approved it for. No,14:25 I just where it was. I think it was seven people. It was what it was like rated for seven. Yeah, it was it was three rows of seats. Robert, in a compact soccer14:35 balls are driving around in 1983.14:38 Yeah, it was It's nuts. Yeah, there was the front two seats. The back two seats that were like bucket seats two. And then behind that there was another bench seat for three. So you had 1234567 man? Yeah, yeah, it was crazy. What a silly.14:56 Hey, it wasn't aesthetically great, but it was a You know economy friendly that's that's for sure15:07 the worst guy so not not an overland vehicle there I guess you could say and even still like man it was had like 14 inch tires yeah no clearance to get over anything What have15:18 you you made it You made it happen with the camera though15:22 I yeah I did man and I was gonna mention that too because that I had a couple experiences in the Camry you've always had a truck I guess outside of like the short time you had you had a sedan for to commute and stuff but you had like had a rig that could get some places which I always appreciated and I really noticed running into a few limitations when I was in the Camry. I wanted to talk about those It was great with the Camry because you really benefit from the gas mileage which man I would say yeah because I mean the most of a road trip in some ways like is highway miles you know you're out you got to drive from here oh yeah Wyoming so put a lot of distance in between you and where you're going yeah it man it works great having kind of a light easy car to like just bomb out to somewhere that works really well. So I appreciate some of those parts but man we ran into a few spots where we just couldn't get through and the one of the most upsetting ones to me was the sailing stones have you heard of those16:17 before? Is that in Utah16:19 it's in it's in the southwest it's it's Near Death Valley in California and the sailing stones is a really cool spot it was in Death Valley it's like it's in the park area but the park area is just so immense but it's it's all desolate almost nothing out there you know but you take this road it cuts back for a really long way and man we were on that gravel road for ever going back there you have to go it's it's the kind of deep wilderness you would almost call it but it's like deep in desolate country out there it's sort of well traveled because there's there's people kind of moving in and out of the park system. But we were traveling there in December I think you know when we were moving moving that direction like early December of 2012 I think is when we were there and when we were we were driving up just just on the gravel road as it was said it was a it was a gravel road the whole way there. And this part of it it just kind of went up a little bit of a grade you know just the hill the slope of the road just kind of went up maybe 1215 feet or so and then kind of rounded off leveled off and then kept going it seemed like almost nothing at all. But my car was knee high centering on it basically like you could feel like did you feel like the body like start scraping because the roll off of it was like it was just it was deeper than than my car like the angle the car and the clearance I could handle I like I couldn't get there and I'd wanted to go there all my life. Oh, so frustrated. We were like two miles or so it was like two three miles or something like well, we didn't know that because you're like in backwoods stuff and it's like, like I'm not gonna park there and hike it or something.17:53 Yeah, and then somebody else rolls up in a vehicle that can handle it. This Camry parked in the middle of the road17:59 there was a there was like a group of kids or like teenagers on little dirt bikes like little to hundreds and they were just like bouncing they just zoomed right past us. Like a little, a little bike. And they cruise. Right. It was nothing but yeah, it's it was not it was you would it would be totally everything could get over that except for my cars. Except the camera. So yeah, no overland that day is what it is what it was, but that story really is what ended up inspiring me to sell that Camry that winter. And then like come back in and get a foreigner like when I got that that 89 foreigner that I18:40 thought was good. That was a good truck. I liked that route18:42 is a good track. I bet it was a better truck earlier but man it was a great truck for me. And I really had a great time doing stuff with it was super fun. Like Yeah, and do more camping stuff. And that was really cool. But that that was the first time that I had like that truck clearance you know?18:56 Yeah, it means just like a whole new world of opportunities opened up to you when you when you have that clearance. It's like okay, and you got four wheel drive so you can get a little more daring with where you're going. And even with that though, I found that now with my current truck, I don't have the winch on it yet. And and even that kind of dictates to what I will and will not do up in the hills. Especially if there's not another rig with me. Sure. Yeah. I really enjoyed having that. That kind of that Lifeline and that security, I guess and having that winch that I can get out of trouble if I really got myself into it.19:39 I think that's pretty interesting. Yeah, I've never had I have had a rig with a winch on it. But I really liked it. The you always did. It was cool. I don't think we've ever used it together19:48 when we were out. I've used it on Tyler.19:50 Oh yeah. Yeah. Pull him out of that sandbank. Is that what it was?19:53 Yeah. I used it on a couple times. Yeah, yeah. Yeah. Yeah you just get into a rough spot you got a tree or something you can tether off of and get yourself out20:06 of it but i think that's pretty cool I remember you telling me a little bit about that in the past and it seems like it'd be pretty necessary if you wanted to do something more serious or more long term if you're doing like an overland trip or if you're doing some subtraction four by four stuff20:22 oh that's a big like you know off road or it's you know but it's well I mean off road in the sense of like let's go mud and rock climbing right yeah not I'm not that but I do like to get into places where typically the you know the road kind of ends or you know, somebody hasn't been back then 30 years and there's still roadway going I think it's really cool floor20:46 yeah I really like that part of it I really like getting to those different areas and any you really get to get through so much more land you know that way it's I found it to be really cool.20:55 You do especially Oregon in the wintertime you know this area gets so much rain and stuff. It's hard to like you know when you after the winter you get to the end of the road you know, back back this is I don't want to beg begging I want to stay in the rig as long as I can.21:13 Yeah, yeah it's it's definitely it's a huge part of it for me too and I care about Well yeah, you should tell me about Tell me about your pickup truck your first one that you got in high school did you that was like an ad with a straight axle right?21:29 It was a 1980s straight axle Toyota four by four long bed and that was a great truck it still has a great track it's currently sitting under a canopy right now it hasn't run in three or four years but no, I love that truck man I drove that from the time I was 15 years until four years ago21:49 yeah I mean that was a blast i was i was the coolest drug21:52 yeah no I have always loved that truck and that truck would go anywhere I mean the really the only reason I got out of it was just I needed something more reliable yeah fact it's last trip was the trip that amber and I took down to Joshua Tree and I put like you know 4000 miles on it22:12 No way I remember that trip that was yeah that was pretty cool man.22:16 Yeah and so that was a great trip take it out on the harsh reality was you know at the time gas in California was around $5 a gallon is yeah insane I was getting about 12 miles to the gallon and you know that was rough you know it didn't have AC you know that's just little stuff like people didn't get along with that forever but22:39 now it makes me different so I've learned a little bit too I mean like like what we both learned a little bit in this last year like having a newer truck it just solves a lot of those stresses about transportation man22:51 well it does and that's the thing is when you're committing to a trip like that you need to know that rigs gonna be reliable it's been a huge part you need to know it's gonna start back up when you're ready to go yeah 2000 miles away from home23:04 kill the battery i23:05 gotta tell my truck or so yeah and the battery is not the proper oh no yeah like it's just like oh you know yeah my transmission went out or like you know I blew a head gasket or something you know, I mean that truck when I took it it had over 400,000 miles on it and and so you're just going wow, this is fun but really I just need to make sure I get it home. Yeah, you know that that's what it came down to. Yeah, I23:35 feel like sometimes it's like driving a classic car around doesn't run as well it's maybe basil23:41 Yeah, yeah so yeah, and then I got out from that and I bought myself a little 93 I guess it was that's our five Toyota v six pickup with little extended cab I liked having the extra room that was a great little pickup to have that nice canopy with the roof racks on it I really enjoyed that. Yeah, I like that canopy sad to see it go Yeah, it24:10 was too bad. It's too soon you know, but too soon but I understand to think that Daddy's gonna move on or you know it's good he use it you can see it24:21 around town every now and then. Nice. Yeah but yeah and so since I've gotten into a full size truck which I I just wonder why I didn't do so much earlier.24:33 Oh yeah.24:34 You know it's just just having the room the reliability you know, just all the difference in the world.24:42 Yeah, I think so too. I was in your track like we were on when we were on that last Japanese podcast out of it yeah super clean like I dig been in there it's cool.24:51 Yeah, it's a it's far more comfortable than it used to be, you know, cramming into the little single cab and yeah, manual transmission, and trying to You know25:01 I remember that first trip we did in your in your old trailer your your yeah cap when we were what 16 are we going to camp up at Union Creek? Yeah What is like what is that? I've been I guess it's Central Oregon I don't know what do you call that?25:18 I don't know what you would call that it's25:19 a Crater Lake Area yeah it's not really central National Forest25:24 almost right yeah25:26 it's row River National Forest because it's the rug that runs through that is yeah yeah I think yeah, it's that that area up there man that was such a cool trip and I had a great time but man like you're saying that we just there was like the three of us right?25:39 Yeah just packed in tight Yeah. And25:41 I was the one that had a ride bitch in the center. You throw in the third gear then was it four years? Three years?25:51 Yeah, it was four I ended up putting a five speed transmission I remember that at the end Yeah, yeah. But yeah, it was just that for speed you know you get it out. It was great in town stuff then he gets onto the freeway and you're just tapped out at like 65 and just you know semis are trying to pass you26:09 is not built to go that fast I guess Yeah, exactly. Yeah. Yeah, that was a sweet track though. Man I really had a good time in that but I remember that back in high school it was fun like making that road trip up to go camping thrown everything in the back and everybody's just crammed crammed into the bench seat. Now used to work I guess it's a little more luxurious now with the with the space I suppose.26:39 You can check out more information at Billy Newman photo comm you can go to Billy Newman photo comm Ford slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo wanted to talk today about some stuff that I've been doing this last week for the last few weeks I've been talking about some outdoor stuff and some things kind of related to the the lockdown pandemic stuff but I kind of change change what I was talking about a little bit for this podcast but I wanted to get into was some of the training stuff I've been looking into around Logic Pro 10.5 that has just come out recently and I thought it'd be kind of kind of cool to go over a little bit of an overview of some of the new features and stuff that are there and some of the stuff that you can do with a digital audio workstation and and why why bother talking about it but I think it was about about a year ago or so. I was talking about setting up the studio in the house that I met here and how I was getting the PC computer ready to go is an older one. I think like something from some desktop I had around from from 2010 or 11 or so. Yeah, yeah, by that time. And I remember getting that computer set up with a I think it was like Windows 10 on it. And then I was using I think the same audio interface USB out into the computer and then I had downloaded I had downloaded sonar, the new version of sonar that you can get for free. I think it had been owned by both cakewalk sonar. And then I think Gibson had bought out cakewalk. And so it became Gibson sonar, and then I think Gibson decided that wasn't going to be part of their business anymore. So I think they just kind of shut it down, essentially, but then sold that off to band lab comm band labs, I think my Internet's another internet company they have kind of a simplified digital audio workstation app that you can use to kind of create a demo or something like that but what they've done is they've gone through I guess and had purchased probably for a relatively inexpensive price or I don't know I assume since they're just they're just keeping it and kind of partly maintaining or going to doing a bit to maintain it. But they took the the sonar Platinum program the full digital audio workstation, multi tracking tool, and they made it free for people to use and for people to get but I think it's only a Windows only program so you got to have got windows 10 to to run it. So I did that. Yeah, and and Sona was a program that I'd worked with before for doing some some studio multitrack and stuff I think years ago probably around like 2012 2013 when I was when I was working with some friends to set up. Some studio equipment stuff was cool. We had like a big soundcraft ghost that was laid out and then we had a bunch of a bunch of channels, kind of running into that from from the microphones that we're using to track this band, and then that all went into a pretty old computer was amazing what it could do, you know, for just a, you know, it's probably like a two gigabyte of RAM, you know, smaller hard drive 2004 or five, six era PC computer, probably would even be that much, right. Something about that time, but that's what we use. Yeah, that's like all we had all we had with us, we had a, I think it was like a PreSonus audio interface. And then we got like, like an eight channel audio interface. That was really cool. You know, we had like eight digital audio channels coming into the interface, which means we could track the live channels into sonar at a time. And it didn't even pick up, you know, even on that old machine. And so it was interesting how that that architecture work to do some editing stuff, but sonar is what I had been using before. For some stuff, really audition, Adobe Audition is what I'd use most for some of this kind of more simple radio broadcast style stuff. And that's what I had learned to use when I was at when I was at a radio station, doing an internship years and years ago, back in 2008, right, Summer 2008, they did that. And they use the Adobe Audition version 1.52 to do all their radio production edits. And yeah, I remember, I remember going in taking calls with the production guy, or somebody calling him to do like a,31:29 I think they would do like a water level report is really interesting radio station, now you can figure that they would have like this, suddenly, you know, it's it's 1245. And here's your local water level report for July 28, or something. And then it would be some lady that would call in from a department that would measure this stuff, and she would give her water report and the production guy, you'd record it, and then produce that and then it'd be prepped to go out on air later. You know, it's like a spot that a DJ would trigger upstairs. And so we kind of walk through using audition to do those steps. And so learning that as a program was probably the first one that I'd done. We should prior probably goes back to high school before that when I was doing editing stuff but but sonar, back to sonar was some of the stuff that I've used. Probably a good bit more for the for the music, you know, like trying to like track a band or do like multi tracking projects. But so yeah, that's what it used to be. That's why I thrown on this windows 10 PC to do some audio production stuff for this podcast workflow that I was trying to get into. And it's cool, it works really well. But But I stopped using that computer A while ago, I think the the the windows 10 computer that I'm talking about had a power supply go bad, which could be replaced pretty easily and is on a to do list of mine. But since then I've really just been relying on kind of like I'd mentioned, just recording recording onto the device. And then using Adobe Audition to do the post production work on my Mac Book, which is kind of interesting. It's just a more, it's just a better workflow and stuff for the for the most part. So I've been kind of sticking with that. But recently to get to the point, as you are all excited. Logic Pro 10.5 has come out no logic, as yet to be mentioned in this podcast Logic Pro is the program that was produced by Apple as their professional digital audio workstation. And so there's GarageBand, which probably a lot of people have some experience with. And GarageBand is sort of the trimmed down simplified home user version of a program like, like Logic Pro, and they've done that intentionally, I think it's the same team that generates the two programs. And if you if you look at them, or you look at their interfaces, and you look at their the types of access, you have to things, you really do see a familiar similarity to it. Which is cool. So if you've used something like GarageBand in the past for home projects, you won't really have as big of a difficulty moving into a more professional digital audio workstation environment, like Logic Pro 10. So I think it was Logic Pro 10 just you know, 10, zero, came out wine or product 2013 or so I think that was that was sold for 200 bucks. So it was like a purchase price of 199. And then since then you get the point updates for free, or you know, as included with your original purchase. So just recently, I think they've been like 10.4 before this. And then now they've moved on to 10.5. And 10.5, I think is probably the biggest, as noted by plenty of new sources. As noted as as one of the most significant feature updates that logic has had probably in years and years. I mean, I think this is the first time that they've gone through and removed and updated some of those legacy items that have been in there since 2003 or four or five, you know, it was just some of these legacy products that were there. Were originally put in there as including their interfaces to it looks like a 2002 interface for for like there's these synthesizer interfaces where these these weird knobs that you have to do these weird just rotating features of the interface it looks like it looks ridiculous I don't know other any other way to explain it it's a it's pretty wild for some of the some of the stuff that's just remained in computer computer systems for a long time but for 10.5 to try to go through an update a lot of that stuff and it's really interesting there's a lot of cool new features in logic 10.5 so logic is real similar to sonar which is I guess kind of why I mentioned it at least through my experiences similar you guys are probably think it's similar to I know what people that are listening probably actually some well no one's listening What am I saying if someone were to bother to try to find some information out about logic and they ended up listening to this podcast they probably have had some information about it or they would be coming from from an experience with avonds Pro Tools and Pro Tools is like the industry standard for multitrack and DAW software and I've never used it I've never opened Pro Tools I've never seen Pro Tools you know in in this process at all36:13 i don't know i did a couple videos or something but yeah I have no I have no experience working in Pro Tools and i don't know i'm not a fan of avid software overall you know for Pro Tools or for or for the avid system of video editing stuff either I've just i'm not i'm not really that interested in that kind of stuff that they put together really for price and stuff too It just seems kind of kind of over over done a little bit so so I'm pretty happy with with some of the other the other more available tools that are in the consumer computer market I mean I think it's like 800 bucks or something still to get to get abbotts Pro Tools and I think that in the past that was you know insanely more than that even with you know kind of proprietary back in the past it was more difficult now I think m audio is a partner with Pro Tools and so in the past if you had Pro Tools, you have a lot of proprietary Pro Tools, audio interfaces that you had to use if you wanted to set up your studio to work seamlessly with the Pro Tools software now I think they've made a deal with M audio which is a sort of like a less expensive audio interface manufacturer they've had like interfaces and microphones and you know they got like an array of I think they've got like some studio monitors they've got some interfaces they've got like keyboards is a big one that they've got I've got a keyboard over here from them audio and what did it yeah Mr. Yeah, they're less expensive they make Pro Tools interfaces which is cool now so they've got a partnership with Pro Tools and I think that they've been trying to make that more accessible to musicians probably because it's become a more competitive market with really with like logic Logic Pro i think i think the industry standard stuff is I mean it always seems like more secure that it should be it doesn't it doesn't seem like an absolute that Pro Tools should be the digital audio workstation of engineers across the world but for whatever reason it's just kind of taken over and and as those people you know are still still in those positions. I think that's that's just what's taught in audio recording school is like a standard even though there's a lot of other good other good services and choices out there. I think I've seen sonar and logic taught a lot too so I don't know they're they're definitely competitive and as I've been hearing more this there's there's produced music producers that are coming out saying oh yeah, I do a lot of a lot of my work and in logic and there's you know, there's a whole class of music producers that are logic based producers or sonar based producers or I seems to kind of rotate around every couple of years for for who's doing water, you know, who wants to look cool. people that use Pro Tools one of the cool probably a lot of them so back to back to old Logic Pro 10.5 here's the good stuff. So thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo calm, few new things up there some stuff on the homepage, some good links to other other outbound sources. some links to books and links to some podcasts. Like this blog posts are pretty cool. Yeah, check it out at Billy new minnesota.com. Thanks for listening to this episode and the back end

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Communicate directly with Billy Newman at the link below. 

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Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

If you want to read a free PDF eBook written by Billy Newman about film photography: 

you can download Working With Film here. 

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. But this photograph is a cool one from the Sierra Nevada on the east side of the Sierra Nevada mountain ranges near Lone Pine, California, in the Alabama hills. And we liked camping in the Alabama hills. This was I think, right during Thanksgiving week. During 2012, we had a blast being there and camping there during the day, it was cool. It was strange because, at that time of year, the sun sets still very early. Like it was around three o'clock that the sun would set behind these mountains. But it would be pretty warm out I think we remember getting sunburned out there even on the first and second day of December when was still when we were still there. It was pretty cool. We had a lot of fun being out there. And this is a really beautiful photograph of it that we took early that morning around sunrise.1:14 You can see more of my work at Billy Newman photo calm, you can check out some of my photo books on Amazon. I think if you look at Billy Newman under the author's section there and see some of the photo books on film on the desert, on surrealism, camping, you cool stuff over there. Today I posted a photograph from the way Canyon area, it's like really remote South East Oregon territory. It's cool out there I've only gone out there a couple of times and truthfully we need to be I don't know just needs to be explored much more than what I've put my time into it for but it it's just so remote. It's amazing how it is that they like what we did we came in from Boise we drove down and through that, you're kind of in the Ottawa area as it kind of flows into I guess though what he would flow into the Snake River. Somewhere around Ontario, Oregon. But up above that, I guess the law he goes up toward Winnemucca which is sort of what I understand or at least kind of stretches on there a little bit I was hearing about we were handing to this guy. This kind of eccentric mountain man, when we were in the Molalla Mountains and he had talked to us stopped for a second he was using like hiking pants and you know a jacket with the handkerchief on he was probably in his 60s maybe. And he told us that he was uh I don't know what he was using the things he had been out there for maybe like a month or so maybe, maybe he said like four or five weeks of being out in the mountains. And he was he had his partner going back into town to get provisions when we ran into him but he had a tripod and a camera and he was walking around, or he's on a hike through the ego cap wilderness trying to find these, these trees, this type of pine that's being affected by climate change. As the climate gets warmer in the Alpine area. As the temperature starts to lift in elevation, it changes the types of tree species that can live in the Alpine area there. So I guess it kills them off as the temperature gets higher. For certain types of pine trees. This was like a two-needle pine and a five-needle pine, something like that. But apparently,3:31 I guess that's what this guy's working on. So he's trying to work on a photo project for this. He talked to us for a while, though, about the law, he came in about the Snake River and about, I guess how before the dams were built, the salmon run with flow up the Columbia River, up the Snake River, up the Elahi river, and you would get salmon run into the interior area of Winnemucca, California or Winnemucca, Nevada, way out there. So it's just really weird how it kind of pulls up these smaller tributaries of the Columbia from the ocean back into the central part of the state of Nevada to grab a chip. But it was interesting to talk to that guy for a few. And then when we were out in the Milwaukee area, it goes on for a long time. But there are a few different sections of it's a big river, right, like so it's it's whole territory of land that sort of meanders through that section of Oregon. But really beautiful landscape out there. What we did is we went to Rome. And then there's like the pillars of Rome, that's this, this area out there but then off from that you can drive south really for quite a while for a while on a dirt road. And then you pull around. And we take like this bumpy little road, like a little access road out to this point. And we did some cool photos of the awapuhi Canyon. It's pretty right there. At least in this spot that we were taking photos of. But it's cool. I guess if you go a little further you can pull into this, this Three Forks region, I think there's a dam, or there maybe there a few dams in Hawaii it seems like that's kind of what I've noticed from it, but there's this backed up area where you can go in And then what I want to do is I want to get a kayak and I want to set up a camping trip and kind of do like a backpacking trip and just throw the backpack in the kayak and then cut across the water you know kind of cut down though the law he river and then pull out on different sides of it you know over a couple of days and do some camping and do some photos but I seemed like a cool place to explore the Three Forks area I guess was that like the trout Creek mountains it's maybe somewhere near there maybe it's not too near to there I guess that whole area stretches out in a pretty expansive way like so. So from the Hawaii section then we drove over to like the burns junction and then you have to drive past that and then you're pretty close to the Alvord Desert. That's when we're driving West right? So we're way out east like near McDermott, Oregon Rome Oregon, I don't know it's way out there here that like like this week in early October right here it's hunting season and I guess I guess that's a huge area for or it's a it's a big district for some of the bigger mule deer and I guess the elk that are out there I guess it's a big area to go hunt elk but I've also heard like the fossil area there's probably plenty of drainage is that that workout is good hunting lands for this time of year for whoever's into that but yeah I've just been working on some photo stuff so yeah, the photo from the Hawaii canyonlands area is posted I put that one up I worked on it for a little while trying to do some editing stuff and but yeah, it's really cool i like the that area I really want to go back there and spend some time there for real you know, that's a tough thing is it's so remote sometimes you kind of move in over a larger amount of landmass that that whole region just sort of would take a week maybe more to kind of get into and explore and I bet there's a lot of new interesting photos and visual things you can see down there there just be a cool adventure to it seems like like such a cool spot that's not really seen by a lot of other people. So I don't know an interesting thing and something to put on the opportunities list for for next season as we come back into the camping zone. But yeah, it seems like you're gonna have a couple months here. Like winter in Oregon always is a bit kind of turn it down into a little bit of a slower time for the outdoor, outdoor adventure outdoor camping travel stuff.7:21 You can check out more information at Billy Newman photo comm you can go to Billy Newman photo comm Ford slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo. Couple of things I wanted to talk about were some Mac apps today, I've been trying to sort of set up my mac book to be8:11 is configured with a few more utilities and a few more pieces of software that make it a little more functional for me. So I want to try and talk about those a little bit today. But one of them was I stat menus it was this application that I'd heard about. Maybe over a year ago, I've been using it a lot when I was trying to render some 360 footage and a lot more like video footage, I was just using a computer like the whole day to do that. So this program, I stat menus is really good for adding in a bunch of information like a bunch of system information to your computer right at the top of was the bar at the top, you know, like the Apple menu and your time and your clock and stuff, right? If you get a bunch of a bunch of information about like your disk space, your network speeds, uploads and downloads, your CPU and GPU. It's pretty interesting I like to get into check it out. And kind of with it, you have a bunch of graphs that sort of indicate when or how much how much of a system is going toward that task at that time. So right now I'm doing an upload to Amazon photos to try and get a backup of all my images up there. And I'm looking at the network monitoring. And so it's showing me like a history of my network upload speeds over the last 24 hours. And I see like there's a big dip before like 5am while I was running overnight, and then now it's back up like two maybe 3x what it was before. So it's an interesting kind of monitor like how, how your speeds are that sort of thing when I was running rendering video out it was cool because you can see like the temperature sensor sensors inside of the computer. And in addition to that, you could see like the hard drive space that was left on each few drives including your externals and you can see how fast the CPU and GPU are working. So I've been using this app a lot for kind of a The system process monitoring stuff is cool, I've been enjoying it, it's kind of fun to, to get used to. In addition to that, another one that I'm checking out is probably one that a lot of people have heard of before, but I think it's called magnet magnet, I think and it sort of reproduces the functionality that you get, I think started back in Windows seven, where if you pull a window to the edge of the screen, it'll sort of snap to the edge of that side of the screen or oral snap to be a split pane window. It's kind of interesting how it works. But I like I like how it works on Windows and I have been sort of frustrated in the past that I don't have that kind of utility in the Mac OS system. So I you know, just windows are sort of built to kind of float all over each other. And I did kind of like that part of windows or even back in my experience of working windows, which is in a way I work with a computer now I have like seven windows up right now. And the windows out really always go to full screen application almost all the time. So it's kind of interesting, that workflows, right changes over time. What else I'm working on, oh, Amazon photos, that was another one that I guess I'm I'm kind of going through right now sort of lean into another side of it. But I've been using Amazon photos for a while and the Amazon drive system to have some backups or, or not even really backups for the photos, backups of the photos, I suppose because it's the dngs. And it is the JPEG images, I think you can put video up there also. But that takes up paid storage space. So for photos, you can put as many photos on the cloud as you want with your prime membership. And I think I put like probably almost 100 gigs of photos up there. So it's cool, you do have access to all of your images in that in that library of images you have online, like I can pull it up on my phone in an app, and I can pull it up, you know, on the web or in a few other places. So it just gives me an accessibility to my images I hadn't really had before to every image and that way at least that's kind of cool that you know, I do see that I have access to all of those photographs. Bigger than that I really need to go through and make more functional collections of smaller sections of that. So they have just a lot of the photos I would need to use set up and a high quality system that are more accessible to me that's still that's still a little piece that isn't really quite as tight as I would like it within my photo business. But I've been using Amazon photos to make a backup of everything if almost everything's already there. But it can incremental area. Like as you go, you need to get all the new stuff up there. So I'm trying to put up a bunch of the stuff that I've had for the last couple months when I haven't really been able to put a sync backup to the Amazon photos. cloud backup. The cool thing is though, is I'm trying to work with iCloud a little more in addition to that, and so I've been setting up the iCloud12:52 Why put it in Finder so I can access my iCloud data there in Finder from multiple computers and from my phone, which is cool. But on my phone in my files app, I was going in there and I put in satellite the Amazon drive application on my phone, I had my files application sort of show that I can go to my Amazon photos files there from my phone. So without even go into the Amazon photos application just from my files app, I can go through and browse all those photos folders on the cloud and then pull up and view those images. I thought that was kind of cool. Or it was just interesting to see like Well, yeah, I can jump to each any data photos that I want back in time because they're all backed up now and more accessible. So So I think it's pretty cool. It's a it's a free service when you pay for a prime membership. So I guess the proper way to say it is it is it is a premium service that is included with your prime membership, which seems to be pretty valuable. A lot of the time. I like the Amazon cloud services and cloud storage services, which I'm trying to get a little more into, like I was mentioned, I think it's I think it's 11 or 12 bucks a year for 100 gigabytes of storage space on Amazon drive. Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage, some good links to other other outbound sources, some links to books and links to some podcasts. Like this blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks a lot for listening to this episode and the back end. Thank you next time

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Show notes for the Billy Newman Photo Podcast.Communicate directly with Billy Newman at the link below. 

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Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

If you want to read a free PDF eBook written by Billy Newman about film photography: 

you can download Working With Film here. 

If you get value out of the content I produce, consider making a sustainable value-for-value financial contribution, Visit the Support Page here.

You can find my latest photo books on Amazon here. 

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About  https://billynewmanphoto.com/about/

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Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

Communicate directly with Billy Newman at the link below. 

wnp.app

Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

If you want to read a free PDF eBook written by Billy Newman about film photography: 

you can download Working With Film here. 

If you get value out of the content I produce, consider making a sustainable value-for-value financial contribution, Visit the Support Page here.

You can find my latest photo books on Amazon here. 

View links at wnp.app

Instagram  https://www.instagram.com/billynewman/

Website Billy Newman Photo https://billynewmanphoto.com/

About  https://billynewmanphoto.com/about/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. I'm talking about a photograph that I made on the Oregon coast today doing blue hour probably, I think it was after the senate set sort of like you know, the golden hour to talk about right as the hour as the sun is setting into the sunset, the blue hour, they also talk about as after the sun goes down, there's a lot of those blue kind of purple tones that show up in the atmosphere, or you know, in the clouds and the water. There's just a lot more of that tone as the sun drops and as the spectrum shifts from what we see in the daylight to what we see at nighttime, but I think this was a photograph taken on the Oregon coast. I think you're Bandon if I'm right, and I really liked this photo just had, it wasn't really a big structure in the wave or a big curl or anything like that. That'd be that'd be really striking. But I really appreciated this photograph as kind of a close up look at just sort of the dreamy feeling of being on the coast but there's definitely a photograph that I liked a lot and I liked that line in the skies it is it cuts across. As you can kind of see at the top there there's a bit of a like a cloud break that goes down and that's where we get a lot of that light from the sky in the background that kind of cuts underneath. That big brand of cloud that goes over the top of the snapback causes a lot of bounce from the ground back up to the sky and then back down and you get a cooler or well you get a diffused sort of soft light and net effect which I think is really cool.1:50 You can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think if you look up Billy Newman under the authors section there and see some of the photo books on film on the desert on surrealism on camping, you cool stuff over there kind of continue with some of the stuff that I've been talking about the last couple episodes talking about some everyday carry camping stuff that a an outdoors II stuff that I have around with me as I was gonna talk a bit about flashlights too. I've been trying to pick up some some kind of outdoor flashlights that I can have around with me had the headlight I have a headlamp I have a black diamond headlamp I like that headlamp works pretty well for me it's a pretty rugged, kind of outdoorsy sort of Rei ready tool works pretty well. I think it's around like 190 lumens or so for the spotlight piece and then there's sort of a not as bright kind of wild angle LED light on there to also as the switch over to the red LED a lot of that stuff is nice works pretty well hasn't really failed me yet runs on three AAA batteries I think it's a pretty cool piece I think it's been fine I've been also kind of looking around at other flashlight units and other kind of outdoors sort of work and utility flashlights that I can get ahold of for the longest time as as a kid I was really into the mag light systems you know like the the kind of like the cop lights that you'd have the runs on the DSL size batteries and I had like the the to sell flashlight That was a good one to kind of put they had like a truck holster these little pins that you can put down kind of drill them straight down to the bed of your truck by your your left hand driver side as you kind of dropped down to the floor there before you get out your driver's side door and you could kind of pop in a to sell mag light there as you truck like I said that was pretty cool and but I'd have the add the mag lights and stuff around a long time I think that's what you know what they have like the five seven mag light that for sell three so they have the two double a mag lights yeah you know the model across the lineup and stuff had those for years. Those ended up kind of failing on me after a while and now they're really not supposed to but I think like the back end sort of rested up and then I had some trouble with corrosion with the batteries that were in there and I wasn't able to break it open with the the PB blaster penetrating fluid that I was hoping to use on it. Anyway that's all to say that maglite has been put aside I think for a couple years I haven't used other stuff LED is the way to go maglite hasn't really updated the technology so that you're still using kind of a real lame like 50 or 80 lumen incandescent ball but they just pop in there which I think is really inferior especially at this point and they're LED conversion options that they make, I think are really limited and aren't really anywhere near the type of LED it's you know, it's just it's it's like a reproduction of the same incandescent ball but as like an LED as a real kind of harsh I thought blue light to it. And it doesn't really have that kind of bright and crisp sort of layout and focusing beam system that you get even with really cheaply made Chinese LED lights now So I was trying to find so that kind of brought in some of the cool sort of outdoorsy or utility stuff toughness that the maglite had with its branding, or you know, kind of with its flashlight engineering. And then something that kind of brought in some of the cool LED, focusing being light technology stuff that we have with the more modern flashlights that that we've had over the last 10 years or so right, like blue LEDs came out in 2008, something like that. So that's the first time that we had red, green and blue LEDs, which allowed us to make white LEDs and that allowed us to make you know, all these cool color changing light emitting diode patterns that we have now and that's where we can get these diodes that are real bright and just kick out a ton of light versus their power output. So we can run these incredibly bright 1000 lumen flashlights out of just like a handheld couple battery, you know, like I know, a few afford DSL battery or an eight double a cell battery. You can load up these flashlights or you can load them up with your own rechargeable batteries which is a really cool new feature you can juice them up with USB like your iPhone and then punch that light on you can run a sustained like 1000 lumen torch for hours off of that it's really cool yeah those kind of options now so that's the sort of stuff that I was looking into I was looking into a couple different brands, a sort of durable, reliable and useful sort of outdoor utility flashlights. I think that the Marines or special forces use one specific light that's like $1,000 insanely priced then it's finding this other ones stream light I don't know if you heard these flashlights I've heard of them a bit before I've seen them in some other stuff and it seems like they're kind of6:47 I don't know sort of like an industry standard so I think if you're doing a lot of like first responder work or like you work with and you're working an ambulance I think you have a Streamlight has a contract with a lot of emergency response people and so they have like these stream light flashlights some really cool stuff it seems like nicely made utilities a lot of metal flashlights, a lot of polycarbonate flashlights, lot of safety flashlights, a lot of wood lanterns, and I like these big new kind of like big carry lights that have like three sort of like three led diodes laid out in this triangle shape on the front. And then a red flash on the site manager big old honkin lights but they're expensive man if you get if you get I think like their top whatever they're they're 20 it's like it's like iPhones or something they're serious about their 2020 model flashlight is like $170 you get like 1000 lumen handheld flashlight it's rechargeable it's got a bunch of buttons on it supposed to be dropped proof shatterproof tactical proof or you know all sorts of stuff that they're kind of making claims on on its usefulness and and its reliability and it's pretty cool man these lights are just incredible on like some of the stuff that they can do it seems you know I mean, or at least like to whatever degree they're trusted in emergency response or police use I think like the police use these Streamlight lights a lot a lot of people in kind of professional settings seem to use them a lot so I was looking around at him minimum even just for Penn lights those are starting at like 30 bucks it seems like and then as you're getting into like some of the nicer mid range stuff you're talking about 50 bucks a light or you're talking up from there into something even even higher into like the $100 like averaging $80 to $100 to $200 or $250 for some of these these lantern lights that they have listed out there so cool, cool lights, cool flashlights man, if I was gonna get a premium flashlight I probably get one of these seems like they're gonna last a long time seems like they have good warranties with them and they've got like a bunch of a bunch of different stuff around it that this seems like man What a cool like Marina like that's gonna be a really reliable constructed piece that you can carry around with you but at that price point, I just can't really see that it matches what I need and where I need to go very well I can't really spend $75 on a flashlight it just sort of doesn't really quite fit with what I'm trying to be up to right now and for the way that I've kind of been talking you know, it's like flashlights sort of go bad, you know, use them for a while, but you don't use them all the time. Or at least like in my circumstance like you know, it's like I use it, I like to use it, I need to have a flashlight. I got him. I got him around where I need them. But I needed to be good. But I also needed to fit a certain price point where you kind of get the best sort of trade off between these two different things. And I think you can make a quality flashlight for less than $100 right. So I was looking around I found this other brand out of Portland called coast and you see him they're distributed everywhere. You can find them in a lot of places you can I think you can find them at Walmart. You can find them online. on Amazon, they're all over on Amazon in stock. You can find them on their site you can find them I was gonna say Home Depot, they've got a big selection just laid out at Home Depot you can get a bunch of different pieces lanterns, magnetic work lights like utility lights and then a bunch of ranges of flashlights and they have a steel or like how do I say like a mag light style series that's sort of a steel metal casing and then they also have this other one that's a polycarbonate casing that's sort of like almost like plastic but it's like a steel case with a polycarbonate coating is supposed to be good for some outdoor or you know some kind of I guess higher work stress threshold flashlights so I think that's kind of what I went I went with coast and I thought it was kind of cool that they are a Portland company. They've got a whole led line they've got like a line of knives too that are inexpensive and kind of cool to get ahold of and if you can find them I throw one of those in the toolbox it seems kind of fun. But these lives these these lights these flashlights is pretty easy to get ahold of I picked up a poly steel11:13 400 I think that's a 400 lumen handheld poly steel Latics for double A's and that's got like a real solid beam on and the poly steel is cool it's that polycarbonate case so it's kind of like it's kind of like plastic but it's like it's like that it's a polycarbonate so it's like the plastic or you know it's like that kind of the plastic that's on a Glock handle or it's on you know like a knife handle or something like that but real sturdy, you can kind of swing that thing under the ground and it seems like it it still stays intact still still works I think that's sort of one of the things that this this model prides itself you can go online to coast Portland calm their website and you can watch these tests these stress tests their flashlights where for whatever use this is I don't know if you're going to do this a bunch I guess get this flashlight but they have a guy up on like a 10 storey building and he checks this lit flashlight off the building down into an empty parking lot below you watch the flashlight fall to the ground drop boom bounce kick over slide off and the light stays on why would a miracle so works so I guess the I guess it's tough is what they're telling me which is really actually pretty wild. If you try and do that with a lot of other led flashlights you're really going to have that led you're gonna have the power to the LED interrupted from the battery source that's going to get knocked out and probably cracked or messed up. And the LED circuitry itself is going to crack and shatter and you're not going to be able to use that chip anymore to emit light in the same way that you had been before so that's what's really cool about these is that they can take what seems like you know like what are you doing this for kind of a thing but they're crushproof12:57 I think they're waterproof IP x eight rated flashlights they've got the the CO be the chip on board, light panel LED light panel kind of on the side of one of the flashlights that I picked up you know it's got the straight beam ahead. But then it's got that kind of newer led lantern effect that some of these flashlights have now where it's got instead of just like a single spotlight led lens through the front of the light, they've got this like strip of LEDs now on the side of it you kick a kick another switch that turns on and it's sort of more of a broad and open lantern light that you'd have if you're walking the dog or something like that or you want to kind of fill ambiently the light in a room with a flashlight you can kick that light on and sort of a softer illumination across across the ground without any kind of spotlight and a sort of a warmer white color to you also click that button one more time boom it turns into red so you got a safety light you click it one more time and you got flashing reds which is pretty cool that you have a few of those different options but but yeah, I got I got that one that's a I think almost 1000 otherwise it should get that right i think it's I think it's 800 lumens out the front spotlight and then another 500 lumen light out the side chip on board see ob or whatever it is but that that sidelight so yeah really bright lights I got that 400 lumen spotlight there's also like I was talking about headlamps early add that Black Diamond one I think that was like maybe like 150 lumens it's sort of averaged out to be there for the spotlight and the wide the wide light that I had there for for this coast stuff they have a they have a headlamp it looks more like a miner's headlamp you know like the cool thing about the LED stuff the backpacker stuff that's all kind of sleek in design it's small it's kind of a compact methodology that they're laying it out and but if you look back in time and you look at like the miners lights add these minor headlamps is Oh man, how's it Without a bin but I think it was just kind of a shiny piece of metal that kind of cupped around a pretty regular incandescent bulb and that was supposed to sort of lens forward your light for you so you can kind of grab it and focus it all toward the toward the front of you. And that was a pretty inferior way of doing it at the time but that was how they produce their headlamp spotlights at the time they kind of improve that technology over the last 100 years of course, and even during the the you know, the battery operated days you'd have like a big miners like like the high end headlamps or like just these big old beastly lights and then it runs a wire down to your hip, we're on your belt, you have a battery pack hooked up, and then you kind of switch it on from there, it juices up your light up your back on a on a cable and then boom, out the front of the light comes. I don't know 500 lumens or 400 lumens or whatever it is you get your real sustained light there. Now with some of the advancements of the LED stuff, you still have those lights and those are really high end and really cool tactical lights but even just looking at some of these kind of more simple headlamps from coast that they had, they had the kind of the big kind of miners headlamp style spotlight section thing there. And that put out 400 lumens of light, which was a you know, maybe done a double at least what my little headlamp was doing. So it's kind of cool that you can just kind of pop in, pick up some of these other tools and stuff and and they're waterproof crushproof ip x eight rated kind of outdoor utility tools and so it's cool that you can get a hold of those things. And it's nice that they're as inexpensive as they are, they're really a lot less than the Streamlight lights. But man, I really like those stream lights also. So I'm going to try and keep an eye on him and if it seems like it comes up with a good deal or a good value, I'm trying to pick up one of those, those kind of Streamlight higher end lights. I might go for it too but really for the value for money and utility that it provides. It seems like these coasts lights are a real score. The last one I picked up was a penlight. So this is sort of the everyday carry light that I've got with me in my bag are actually in the ammo can. I put that that kind of that smaller poly steel 400 Coast's light that's in the, in the ammo cam box been in the pocket every day I've got this, this little pocket pen light still kind of the same thing. I think it's a 110 lumen light.17:26 It's got two AAA batteries in it. And it's about the size of a pan just a little bigger, kind of like a bit of a like a like a thick Sharpie is sort of about as big as it is. But that size in the pocket, it's got the same waterproof rating. crushproof rating is as the other pieces that I talked about. But yeah, it's just a smaller handheld penlight that I like really quite a bit I think it's pretty cool to have like a more full size light I know my I know my phone has its LED on it, that's really nowhere near as bright as what I'm able to get out of this out of this panel light so it's kind of cool having that piece around me and even even already in the last couple of days of nurse I pull this thing out a lot more than I thought I would to try and try and use it as a utility, especially in spots where the the phone light would come in is no good. So kind of fun stuff going around, working the flashlights, trying to check out some different brands and stuff. Maybe I'll still try out a maglite in the future. Those are kind of fun for nostalgia sake. But I think some of these coastlines might be the the direction I go and it's kind of fun.18:35 You can check out more information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo19:14 data management stuff that maybe we can talk about some other time. Like how to use hard drives, how many you need, how many backups you need, how to like re archive stuff, and probably just talk about like the Trump like because we're not experts, but just the trouble that we have of trying to sort out the hard drives that we have. And like where the data is, do we have duplicates over like I think you were talking about that today of the duplicate that you have. files in the archive?19:39 Yeah, I've been putting together I'm also trying to get in shape for 2018 all my photo work for that year. So I've been putting together and archive of all my stuff and yeah, I'm at that point where I really just have to weed out all the duplicates that I have so many things. Yeah,19:56 yeah, I'm definitely there to where there's so many different little parts of file. They've been made from the original RAW file that was taken like the original photograph, there's so many derivatives of that that have come out of it over over time, especially if it was a photo that I liked that I ranked highly, you know, and then I'd already exported, there's already copies of that as a JPEG, or some other like smaller web sized die,20:18 I have a lot of different sizes. Yeah.20:21 And that's the one that I'm trying to get through right now, I'm going to try and go through this catalog. And I'm going to try and sort it out so that I pull like the top few 1000 photos of the last decade, that are the raw files that I really want to be able to work on or get access to, or make new versions over prints over something, whatever that might be, but I just have access to kind of quickly or, you know, like, Oh, yeah, these are all the memories that I'm really after. I want those best versions of the files available to me. But a lot of the time, I'm noticing that, like, it's really difficult to get to that given like the current archive structure that I have, where it's just all 100,000 photos that I have, yeah, I can't really get the stuff in the way that I need to. So I'm going to try and like figure that out where it's all the best stuff that I want to have with me, right now everything gets archived to the cloud, or to some some cold storage thing, or, you know, to some old hard drive that gets shut off or something but some some place where we get like everything stored there. And then really just like the last like year, or 18 months or so, and like the next six months or so is what I want to be able to like keep on the hard drive that I'm working on. But we should talk about more like harddrive data stuff as the year comes out a little bit closer.21:32 Yeah, I know we're planning on, or we're kind of in the process of changing around how hard drives are set up for stuff.21:41 Yeah, we're trying to get I think a little bit bigger stuff because like right now I have a four terabyte hard drive here. That's the one that plugs in. And that one's been great for, like doing some storage stuff. But now like, you know, like the data rates, they just the cost comes down so much that you're able to get a really large size, large capacity, hard drive for not much money. And I think the like the, the cost of that is a lot better than some of the cloud storage stuff. And just some of the efforts of trying to put something in the cloud, and then trying to pay to keep it there year after year after year. I'm really looking for a lot of these things that aren't really super important and super high priority to be able to put in some kind of cold storage thing like this, like what we're talking about, where we have a backup of it on a hard drive. That's kind of put aside that we don't have to worry about too much. But kinda like what we noticed, I think like what one of those burned cables, it's in the trash right now. Is a signal a signal of is that hard drives go bad sometimes like that hard drive, that we had that portable one where it burned out of the USB port.22:38 Right? It's terrible. Yeah, yeah. There's nothing on it.22:43 Yeah. So that Well, yeah. And yeah, he's not backed up. So yeah, that's the thing. There's a back. So it would be terrible if you know, one of these hard drives went where it was the like the soul, the soul House of all of the data that we have, especially like all like the decade of photographs that we made and stuff. So I'm really trying to be conscious of trying to keep those in multiple places at the same time. So we've done an effort to put those up on the on like a cloud storage service, which has been okay. But I think it's like, it's not the best version of those files. If I understand, right, it's like a JPEG version. There's a few limitations are added if I understood, right, but it's, it's okay. I don't know, we'll try and put a bunch of stuff up on the prime photo service like that.23:27 I was gonna ask which, which services you're using right now?23:31 Yeah. But amazon prime cloud services is what I'm trying to use for the photo storage. And they have like unlimited photo photo uploads for a lot of stuff. And we put up a lot of stuff on that. But you kind of keep, you have to make it current. There's all this stuff from 2016 and 2017. That wasn't really part of that. And so I need to upload all of that content. I've been in the cloud.23:53 Sure. Yeah, you just have to keep keep adding to it. Yeah, I have to23:57 keep that keep some of that stuff saying to him, I think he will still there's there's a lot of gaps within like 2015 and 14. And it's all just stuff that we can file ourselves, but, but stuff that didn't make it up originally. And so now that I have like this, this like new catalog, like so what I would say before I get out of myself, what I did this weekend is that I took the hard drives had this one terabyte hard drive that I use is like my portable drive that's like my storage and stuff like the tank that I have with my laptop when I'm in my bag out on the road. And then as all my photos on it, and it's really just a copy of like the whole photo archive for a long time. But what I've been wanting to do is update that for 2017. And take every photograph, I have every JPEG DNG file and any RAW file or photo file that I have on my computer on any amount of drives. I want to try and condense that down into one set of files that are organized in some way. And so I wanted to use Lightroom to do that since Lightroom. And it's back and when it when it brings in files. It'll bring in files from one hard drive and then write them into a new file architecture on another hard drive. And so I tried Take, I tried to take everything and I backed it up into the four terabyte hard drive. And then I brought everything back over. And I filtered it through Lightroom. So they could get everything put into a new file architecture that matched by by like month and date and year of the file date. And most most of the metadata is correct. But like, you know, Marina, like a lot of the metadata for whatever weird camera or whatever set of film that we had that was scanned by some computer that never had its clock set, and still says 2002. There's all sorts of stuff that has the wrong metadata date, where it shows up, like when my d3 battery died, and instead it was 2007 in February, again, because I was the first date that that computer knew in that camera, and just reverted to that date again.25:49 So worst, no, sir.25:52 So it's Miss it's misstated. But it's really fine for most cases. So I was able to bring all this photos back over, I put a new collection together, it was about 500 gigabytes or so. And then it was able to transfer that back over to the to the larger drive. And then the plan is to wipe the go drive, the one that I have with me all the time, and then bring back over like I was talking about at the beginning, like the top few 1000 photos, and then everything that I'm kind of currently working on for this year. And last year, so there goes a heat, bang, bang, bang, bang, sounds like hammers on a pipe, it really does every time exactly what it sounds I never used to like when it comes into in the fall. And those start popping. It's pretty funny all through the winter, all through spring style, I guess like in the 70s. late May. But, but yeah, so we're trying to do like this collection of archiving all these photos and trailer, organize it together. And it's been a fine process so far, but like trying to get your harddrive straightened out, especially when you're a little short on space, because you sort of wait until you start to organize your harddrive until, until you're running low on space and you're like Oh man, I gotta do something, I gotta move these files around so I can kind of get by so and that's what I was running into problems with to where, like every harddrive was starting to get full and I go Oh man, I gotta get like a new hard drive. And like we were just talking about hard drives go bad, especially portable ones, especially the spinning disk drives like the mac book I have now that's an SSD, the solid state systems are going to last a lot longer than the spinning disk disk mechanisms because that magnetic spinning disk plate is going to mechanically fail after some number of miles of revolutions that makes that the motor does that the solid state system has the advantage because there's no moving parts is just electricity. And so it's really conceivable that there's really no finite point that that drive will fail. Like most thumb drives or something optical media, it's kind of like thought that that's going to burn out after 20 or 30 years, you're not really even going to be able to use the disk as it's stored unless it's stored, like a good condition with thumb drives and other like solid state media. If if the ROM doesn't lose whatever data was on it, it's likely that you know it'd still be readable if it was damaged. So it's kinda interesting, like how28:14 different types of interesting and what's not. Yeah, this guy.28:22 Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage, some good links to other other outbound sources. some links to books and links to some podcasts. Like this blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks for listening to this episode and the back end

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Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

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you can download Working With Film here. 

If you get value out of the content I produce, consider making a sustainable value-for-value financial contribution, Visit the Support Page here.

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Communicate directly with Billy Newman at the link below. 

wnp.app

Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

If you want to read a free PDF eBook written by Billy Newman about film photography: 

you can download Working With Film here. 

If you get value out of the content I produce, consider making a sustainable value-for-value financial contribution, Visit the Support Page here.

You can find my latest photo books on Amazon here. 

View links at wnp.app

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Website Billy Newman Photo https://billynewmanphoto.com/

About  https://billynewmanphoto.com/about/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

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Show notes for the Billy Newman Photo Podcast.Communicate directly with Billy Newman at the link below. 

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Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

If you want to read a free PDF eBook written by Billy Newman about film photography: 

you can download Working With Film here. 

If you get value out of the content I produce, consider making a sustainable value-for-value financial contribution, Visit the Support Page here.

You can find my latest photo books on Amazon here. 

View links at wnp.app

Instagram  https://www.instagram.com/billynewman/

Website Billy Newman Photo https://billynewmanphoto.com/

About  https://billynewmanphoto.com/about/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

Communicate directly with Billy Newman at the link below. 

wnp.app

Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

If you want to read a free PDF eBook written by Billy Newman about film photography: 

you can download Working With Film here. 

If you get value out of the content I produce, consider making a sustainable value-for-value financial contribution, Visit the Support Page here.

You can find my latest photo books on Amazon here. 

View links at wnp.app

Instagram  https://www.instagram.com/billynewman/

Website Billy Newman Photo https://billynewmanphoto.com/

About  https://billynewmanphoto.com/about/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Today I was going to be talking about some of the ideas around VR rendering, I've been just getting into that after recording a ton of 4k, I think 5.2k video with the GoPro fusion I've just talked about a lot of that stuff on the last flash briefing, but today, I've been bringing it over onto my MacBook Pro, which is quite a modern version of the computer. I think many of the pros commented recently, it's probably the better iteration of the MacBook Pro for the last number of years. I'll get into that and some of the apple WWDC news just in a few seconds, but for some of the VR rendering that I'm doing on it without maybe a dedicated graphics card to push through it as you know, the fast clip, it takes a long time so I'm trying to export 360-degree equo rectilinear video footage in 4k mp4 file format with an H dot 264 to throw in some other term that this someone might not understand. But I've been trying to do that overnight. So I've been using, I've been using that command if you have a Macintosh, this is a good one to learn. If you go into your terminal, I think you can use the command caffeinate just the word caffeinate and then space dash D and that will force your MacBook or your iMac or you know you're your Apple computer to remain on and to not go to sleep under the normal circumstances that your settings would have precluded it to do. So it's a really cool, cool little bit, if you're just trying to make your computer stay on or force it to stay on for a longer amount of time, it leaves the screen on to you gotta you gotta do your little f one f two thing or something to turn that down but it works really well that I've been using that to leave the computer on and have it running so that it can be churning through some of these 4k rendering jobs that I have the computer set to do overnight while I'm sleeping so I put the computer out in another room and then I have you know like a queue of video set up for it to stitch together this GoPro stitching stuff for the GoPro fusion software is really intensive I know that Oh man, I get into that some of the time but man the stitching software is just I mean can you imagine what it has to do to stitch hundreds and hundreds and hundreds of frames all in like 5k or something to make it almost like you know a seamless you know make a look good and so just don't get a blurry line. So I'm amazed that it can do any of that sort of stuff at all. But it's you know, it's fascinating as it is but it takes a long time and it's interesting to get to the point where you're like Oh man, this computer can't do like a professional job like this and that's where you think you think you think You almost hit the limit of the need for computing or you know the need for a lot of the processor speed or the I don't know what it would be the specs of a computer and you think that for a lot of web-based desktop publishing stuff or phone-based mobile publishing stuff, we've really maxed out the need for the speed of a lot of the components but then you come into a position like this where you're starting to do higher level compiling or the higher level rendering of either like you know, compiling like a code base or something or trying to render out some of these higher file formats. video files, you notice like how long it takes and how much you would really have an improved job by having an improved machine and so I think that's where like a lot of stuff like the pro line of Apple hardware comes into play like the iMac pro that came out earlier this year and that's I bad I guess it's been semi well received by some of the pros there's just not a huge part where you can't upgrade it you know it's an iMac computer so it's going to be strong and4:04 capable at video are capable at Thunderbolt expansion to whatever that would mean for you. But it doesn't have expandable slots or you know expandability within the frame of the computer. Then even really the cylinder Mac Pro didn't have the expandability that they thought it would have and I think that was also part of the graphics card architecture that they use don't end up getting updated there's a whole kind of snafu around stuff around that where that's why that computer didn't get updated in the fashion that they maybe thought it would have and that's I think why like a lot of the more modern 5k monitor IMAX are faster computers are higher spec computers have, I guess a newer generation architecture for their, their core processor than even the highest SPECT cylinder MacBook Pro At this point, I guess, given that it came out what 2013 and hasn't seen a whole update yet since then. So, or I don't know, minor update, you know, like, kind of, you know, just simple component stuff. But not it was just kind of internally within the spec, but I don't think there's been an actual rendition that's been new from that. Yep. So that kind of brings me I guess, to the last point, which is, Apple's WWDC is supposed to be coming up here real soon in just the beginning part of June. And that's when we're supposed to get some information about it, I guess it would be the developer preview for iOS 12. And some of the news a rumor oil, I guess rumors would be currently what they are, after WWDC is when we're going to get confirmation from Apple about the direction in design and feature choice, it's going to be going into iOS 12. And maybe we'll get some hints on the types of devices or the I don't know, maybe it's going to lean heavily toward the AR, maybe it's gonna lean heavily to the gesture format that we've started seeing in the iPhone x, kind of versioning of iOS 11. I don't know yet. But hopefully, we'll see some Siri improvements. Seems like that's gotten long in the tooth after a little while, especially kind of starting to see now given you know, like this, and what the echo is capable of. And well, I guess some of those Google demos that we saw a few weeks ago about artificial intelligence, parsing the verbal cues of what people are saying and trying to have that fill out a form of data. It's interesting stuff.6:33 You can see more of my work at Billy Newman photo Comm. You can check out some of my photo books on Amazon. I think if you look at Billy Newman under the author's section there and see some of the photo books on film on the desert, on surrealism on camping, cool stuff over there.6:56 I saw what we've been seeing I saw a helicopter, there's a thunderstorm. That was like when I was last doing a podcast right so there's like a big-time thunderstorm that was rolling through that last camp that I was at when I was podcasting and then rained a bunch after that. That was nice. stay nice and dry and pretty warm and tracking the truck canopy and stuff waited out the rain then it cleared off just like a couple of hours later is that that thunderstorm system move past us. And then yeah, cleared off and got cold. got pretty cold. I layered up and I walked out into that field now with a ton of wet grass and stuff. walked out there brought the heater like I was talking about and posted up out in that motto. To check out the stars and stuff from that you can see Scorpio almost all Scorpio it's cool when you got a strong Southern view of the sky. And from this area and Oregon, you can't quite see the dip in the tail of Scorpio as it kind of scoops down and comes back up with the stinger at the end. You just barely or you get out you can imagine how it kind of skips around but yeah, at where it is now at this time in August. I think it's it's kind of tipping over and gone. not visible in that spot. But I think I see. Was it Jupiter? You see just past Sagittarius as you're looking to the south. Then near that just a little bit further over to the east on that same ecliptic line you see Saturn. I think they are both near the position where they are in opposition. They're not as bright as they were a few years ago, you notice, but there's still really bright, really cool to see. And then if you stay up late enough, maybe around midnight or so. You'll see Mars rise over on the eastern horizon. And it looks coppery red and noticeably cool. But I think it came up right about the same or about an hour or so after the moon rose last night. So tonight it would probably rise along the same location as Mars. That's interesting. Yeah. Yeah. Would those be cool? Check out that stuff. And I was checking it out the other night after that thunderstorm out in that field. So it's kind of fun, kind of staying up and check it out some stuff but then I went to bed. And then I got up the next morning and this was what was cool. As I looked out the field I hadn't seen any animals out there. I heard a few birds like a raven and a couple of other things. I think I heard a turkey gobble. I'm not sure that but I looked out looked across the field and I saw two of the biggest birds I have ever seen. There. They are the biggest birds I've ever seen. I'm not sure what it is it looks similar to a blue herring. So I figured some kind of herring maybe it was a crane. But I would guess if it was standing up it would be almost fourth tall. It looked like a small deer or a dog in mass and size as you know kind of like the feathery body of it wasn't popped up in a big way but there are two of them. And yeah, it looked like dinosaurs out there in the middle of this field. I've never seen a bird like that it looked like a blue herring goes about twice a day I see a buck it's at two o'clock and walk into my three o'clock. 1.2 point 3.4 points it's a two or three-point buck doesn't see me That's cool. Little back cruising through. I think it's a mule deer out here. I saw a group of mule deer down in the lake bed this morning. And when I started wrestling around they all kind of started running or one of them kind of got excited and then ran off there they're probably like two or 300 yards for me. And I pulled up the binoculars as scouting and yeah, they were just bugging it across this open lake bed and then they got tired and stopped and started eating grass like almost right away so it's kind of funny how they kind of move around but yet this guy's like11:21 I don't know what 200 feet walking around can't cool dude. These are camping with me. What was this in two giant birds? I saw these two giant birds Thunderbirds they were awesome. They were brown kind of Sandy tan colored. And they had like a beaked face like a real pointy beak face similar to blue hair and it looked like an emu or an ostrich or something out in this field. It was diet. But it looked I'd say like I've seen a lot of blue herrings they're way more slender than this had that kind of big kind of round full bodied thing and then had that cranes neck that kind of the s curved crane neck and it was just kind of on the ground walking with its buddy and they were cruising around poking at the ground trying to get grubs or whatever but yeah really cool to see him and then so I was watching them for a bit I had him the binoculars I think I got a couple of pictures but like I was explaining that last podcast smartly I have a wide-angle lens with me which is you 17 to 40 millimeter so as a way out super wide so you just so you know no telephoto my back. So didn't get the wildlife shot that would have been cool which is fine and I accept but I did get a couple of pictures of it that probably poorly show two big things out in the distance and I mean it looks like it could be dogs could be deer, or it could be birds so it was pretty awesome to see but as I walked out a little bit I exposed myself into the sunlight they got they got a side of me and then they both let out these for like maybe 30 seconds to a minute or so they both just kind of stood around and made these sort of warning or territorial. croaks these like three beat croaks that would just echo across this whole valley that or this whole metro area that I was in just carried on for acres they're probably like an acre or two away from me at that time. And yeah, they just set out these loud croaks kind of morning that these up, standing dude predator out in the distance, but yeah, then they kind of sorted it into the flight, but they just kind of wanted to back off up into the hill up into the tree line. And then I tucked back myself back up into the tree line by my truck, made another cup of coffee that morning, and then I saw the kind of popping out again and poking around that. That Meadow again, but it was cool giant birds I really would say they're like four feet tall. Body Mass section, it seemed like about two feet or so. You know, like kind of on their leg? Maybe 24 inches off the ground. Yeah, it just seemed like a really big bird. If I was standing right next to it, I'd be like, Whoa, man, this is a real critter. So it was fun. I'd never seen a bird like that out there before I heard about it. Some of those are birds like that before I remember hearing like, is like a colloquial family story. That I think a great uncle of mine had had probably similar to this area too, which is interesting. I like that. But he said that he had woken up one morning and looked out and saw these prehistoric-looking Thunderbirds he called them and I think I had an experience like a two. I think it was fun. I'm sure it's a normal animal. It probably used to be around a lake or something. You know, that's sort of what it seemed like is just like a giant Pelican or crane or something that you would see how by the ocean, but to see out here just walking around sagebrush in a field in a meadow at 730 in the morning, it's just like Wow, look at that. I thought I'd see a deer out there, but No giant birds.15:09 You can check out more information at Billy Newman photo comm you can go to Billy Newman photo comm forward slash support. If you want to help me out and participate in the value-for-value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo. I bought a domain name at night sky podcast calm and so I'm trying to build a pretty simple WordPress site that can host a lot of the information about that podcast about that project as a whole. So it'll be pretty basic. And it's not supposed to be something that's, that's usually complicated by any means. But I'm interested in you know, just trying to try to make some different graphics and make some explanation of the podcast is sort of how it works just to kind of differentiate it a little bit. And so it's just like a side project and a hobby, I'm trying to put it together. But I've been trying to find out some ways to do that more easily. So I've already built about three or four pretty usable WordPress websites. And what I was hoping to do is try to try to take a lot of that, that work that I had already done, and then migrate that over to this new night sky podcast website that I'm trying to put together. Along with another site that I'm trying to put together, I'll get together. I'll probably talk about that in the next podcast. But through this nightscape podcast website, what I was hoping to do was take a lot of the way that I've customized the theme that I'm using and a lot of like the Page Layout stuff that I've already put together for let's say my Billy Newman photo website. And I want to try and find a way to migrate that over to this night sky site, and then strip out the parts that won't be the same, you know, I'll replace the graphics replace a lot of the layout stuff in a way that would be unique and bespoke to the way that I want this nightscape podcast website to go. But it's a little better than ours, it's a lot less work, and it saved me a ton of time so that I don't have to go back through and make customizations to each of the fields associated with the site in a way that would be like brand new to it. So so I'm trying to learn about that a little bit. What I've been trying to do is find out, I guess different ways to do that. And so one thing that I ran into, while I was trying to do a bunch of this troubleshooting on my site over the last couple of weeks was that I'm really in need of making backups of my WordPress sites. And so what I went through and did is a made, I'm sure there are ways within WordPress to do this, but I was using a plugin. That's and you should let me know if anybody's listening out there. And they've had experience doing backups at their WordPress site, you should let me know if it was the most effective there's, there's like the cPanel backup that I've made from the server side where I backed up the files that were associated with a website. And so hopefully that can be restored in a way that would be useful. But there are also some complications that I think I've run into with that. And it wasn't as user-friendly as I wanted it to be. And the restore points, I don't know, it didn't feel like it worked for me as well as I had hoped it would. But it did come in use, it was very useful for me to do that18:23 when I did run into problems, and I wasn't able to access the site. So I'm glad I had those backups of the cPanel. But I do still have access to the WordPress dashboard of my website, what I'm hoping to do is use this plug-in system that I found. And I'm sure like a million other people according to what it said have found it also. But I'm using this plugin called Updraft Plus, to try and make to try and make backups of my WordPress pages. So I went through and made backups of each of the WordPress websites that I've created so far. And first, that was the Billy Newman photo.com website. And then in addition to that, there was golden hour wedding calm. So I made backups of both of those. And then there are another two websites that I'm still kind of working on. And I want to try and make those new. But I did make backups of those also. And I was able to save those on my server. But I was also able to download those to my local drive and put those on an external hard drive. And the great thing is, is that I conversion, those backups. So when I make adjustments, or when I make updates to my site, and I want to make another backup of it, it'll make I can make a backup, and then I can download that. And that'll be like the, you know, this was in January 2019. But with all these extra pieces of content and with all these extra additions to the site, this will be the backup I'm making in February 2019, something like that. I'm trying to figure out those and I think what I've discovered is that what I want to do is take a backup of my WordPress site. Let's see In this case, the Billy Newman photo comm backup. And I want to use that to clone and then migrate that over to the night sky podcast.com website. And so I think I found a way to do that even within Updraft Plus now, the Updraft Plus plugin offers a premium service where you can purchase the ability to do a database migration for I think, $30, it's not $30 per site, but I think it's $30 for the plugin, and then you get support from that plugin developer for some time, I think it's like six months on the low end. And then and then if you need support for a longer amount of time, I think it's more money than that. There are probably some caveats to it. But that is an option that I'm trying to explore right now as if I'd want to go through that process of using the Updraft Plus plugin to do a migration on my site where I can bring in a lot of the theme customization in the theme itself. And I guess the database with the updated database over to the night sky podcast website. And it could be an easy sort of one-click solution for it. But I'm also trying to look around and see if there are other ways for me to do an import for a clone of the website, and the website data so that I can bring in a lot of the information, but maybe leave out a lot of pieces that I won't need because I'm not trying to make an exact duplicate or an exact copy, I'm just trying to bring over certain elements that would be that have already been adjusted in a way that I don't want to do the work over for. So if I could just kind of bring in this draft of a website version, that's almost everything complete in the way that I want. And then delete the content that was on the blog, delete the pieces that were you know, over in this section of the site, rewrite and about page and a couple of paragraphs over here, recreate some graphics, and then I would have what would seem like a familiar site would be on brand. But it would also be, you know, a new site that would have a lot of new content on it. And it would just kind of remain the way that I wanted it to. So that's sort of the hope that I'm trying to go for. And I guess that the Updraft Plus plugin creates XML files for you to use. And22:09 I don't know how it works. But I think if you break open the file that you've downloaded, you can go through and then, and then there's an alternate way of making an upload for that sort of stuff. But I guess the problem is, is like the database. So if you're migrating a site, it's expecting all those domain names to be what they had been in the past and not migrated or not a set of new links that have these new domain names, everything's going to link back to another site, that it's not, it's not an ad. So the database, I was just not going to make sense. And I think that's what this migration tool is supposed to help you do. So I'm looking into that. And I'm hopeful that I can kind of put that together pretty quickly. I'm also trying to be conscious of my time a little bit too so that I don't spend a huge amount of time and development trying to figure out, you know how how to go through and fix a bunch of errors that might be created if I try and do a restore of a backup or a clone of my other site and try and migrate that over to this new domain. I'm trying to figure out a way where I don't have to worry about that all that much. But I'm still going to do some more research. It's going to be an ongoing project, an ongoing project, and I will update you in this podcast on my progress. That's what I figured. So I'm going to do that with another site too. I think I mentioned yesterday that we're starting the golden hour experience podcast. And we've also started the golden hour experience.com website. And so I'm going to try and go through the same process over on that site. So I can import a bunch of the settings that I have from golden hour wedding calm and try and put it together in a way so that I get to save a bunch of time and not have to redevelop a WordPress site from scratch again. So that's it and it could work it seems like if I pay just a little bit of money, I can make it work, which might make it worth it. I figured the other news that I was gonna get to was some stuff about ebooks. I'm sure you're excited now. Thanks for listening to all this. Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage, some good links to other outbound sources, some links to books, and links to some podcasts like this blog posts are pretty cool. Yeah, check it out at Billy new minnesota.com. Thanks a lot for listening to this episode and the backend.

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Show notes for the Billy Newman Photo Podcast.Communicate directly with Billy Newman at the link below. 

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Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

If you want to read a free PDF eBook written by Billy Newman about film photography: 

you can download Working With Film here. 

If you get value out of the content I produce, consider making a sustainable value-for-value financial contribution, Visit the Support Page here.

You can find my latest photo books on Amazon here. 

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Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

Communicate directly with Billy Newman at the link below. 

wnp.app

Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

If you want to read a free PDF eBook written by Billy Newman about film photography: 

you can download Working With Film here. 

If you get value out of the content I produce, consider making a sustainable value-for-value financial contribution, Visit the Support Page here.

You can find my latest photo books on Amazon here. 

View links at wnp.app

Instagram  https://www.instagram.com/billynewman/

Website Billy Newman Photo https://billynewmanphoto.com/

About  https://billynewmanphoto.com/about/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast.0:23 Think yesterday I just recorded some of it, where I got into some more information about 360 videos and some of the interesting stuff that I'm going to be doing with the GoPro Fusion 360 it's going to be interesting. I think that's coming in today, I'm going to try and go out and build a quick portfolio of 360 video images and see if I can put something together over the next week to kind of try and show off some of the interesting things that 360 video could be used for. So that's one thing that I'm going to be working on part of the other projects I'm working on is considering selling off so am I using Sony equipment? Should I go with K h or add a ram and one of those other use sellers? Should I go with something like eBay to sell it off? Should he go to craigslist to sell it off the Facebook marketplace? I haven't used some of those. So1:10 you can see more of my work at Billy Newman's photo calm. You can check out some of my photo books on Amazon. I think if you look at Billy Newman under the author's section there and see some of the photo books on film on the desert, on surrealism on camping. You cool stuff over there. Last week, I made a trip out to Central Oregon, and it was still really nice. You know, we had a little bit of rain, I think out there last Thursday, Friday, and then Saturday, Sunday, we just it brightened up a ton. It was super crisp, super bright, and really cold though. I think my friend David just got out to Eastern Oregon, I think got towards Smith rock. And he said it was super cold out there too. But yeah, this trip, we did like an overnight trip out there. And I think today I just posted a photograph of something I thought was cool. It's one of the archaeological remains that are out in Eastern Oregon. And there's a whole interesting history about stuff in Eastern Oregon. But the photo that I posted to Instagram and Facebook and all the other places today is a photograph of this rock teepee ring. That's still in very good condition. It's out in Eastern Oregon in this area in between. I sort of knew where a dry lake bed where once just a lake would have been now what we see in our modern time is just a dry lake bed. But the cool thing is as we kind of look around you can see the remnants of an old Indian camp that was quite established in that area. I think it's it's just amazing to get to go see you'll find other artifacts from Indian populations out in Eastern Oregon. Once you start looking around you'll start noticing obsidian chips that are on the ground, or you'll start noticing really in like some places you through a lot of Oregon through a lot of the less developed less forested areas of Eastern Oregon there's a lot less erosion that's taken place natural erosion has taken place over the last few 100 years like over here on the west side of the coast with all the deciduous plant matter that comes up. There are a lot of turnovers that seem to happen like a lot of the vegetation is going to end up hiding or overgrowing. Some of the older encampments or establishments that were made, I mean right now I'm in the canvas Valley. I'm in the Willamette Valley where the Tallapoosa Indians were I'm sure out here in front of me in this big field out toward the Willamette River. There are tons of Indian artifacts, and tons of old Indian cans, but none of that's visible because of all the deciduous organic material that's been developed over here. over the many hundreds of years since it's been that there was an Indian population in the area. Now what's interesting about Eastern Oregon is that because it's way more remote, there are very few people out there there are very few people to disturb a lot of things and really, sagebrush doesn't grow very fast. Things don't move around very fast out there I was there I think maybe more than a decade ago and it was almost the same as it is now very little has changed out there you know, there's no new house there's no new development maybe a fence around the thing. That might be it. But it was cool so you get out to this area. You hike out to a spot then you can see all over the ground. It's just a ton of black obsidian sharks, these unworked pieces of black obsidian that were carried in by people and then dropped there at some point, and all these pieces were used I think in the camp to chip out arrowheads and a chip out of the tools that they would use but it's cool this tip ring is the only rule there's a few TP rings like a few smattering of like piles of rocks this teepee ring was the one that was the most established still it was most upright and you wonder like how far back did these go like how far back to these. These stones that were laid into the ground go but they were usually sort of like a foundation for the tent or the height of the teepee that they would have established there and then work out of it, they worked out of it on a bluff, and then they would look out over the hill to the Lake area. And yeah, I don't know, they just have a whole system out there. But it's amazing when you start to, come in and sort of understand the layout of the land and where people would sort of go. And it's a very interesting man, surreal, really to get out. And like be in a spot like that, or sit in a spot sit in the center of the teepee ring where, you know, there's people, other men 1000s of years ago, that were doing work and trying to survive out in really what is now a very harsh environment. And back then was still probably quite harsh, at least hundreds of years ago. But man, if you start going back 1000s of years, even a few 100 years ago, I guess 500 years ago, a lot of those dry lake areas out in Eastern Oregon still had at least a marsh or at least a wetland or, or something like that. I mean like similar to summer Lake now you know, parts of the year strive parts of the year, it's filled with water. So it might be quite a bit more like that now, but I think in the past, it was really6:06 it was just accepted that there was going to be some amount of water in the lake bed all year round, instead of it being you know, a dry lake bed. And I think it's supported by the watershed of a few creeks that are in the area. And in that area of Eastern Oregon, there's really, I don't think there's that many, that many drainages is that go all the way out toward the coast. So I think there are a few parts that are like land black watersheds, where the water flows into an area and then and then kind of pools up and makes a large lake there. And, well, I know like there's the Klamath lake and then that runs out to the Klamath River. So that ends up getting out to the, to the ocean, but I don't know if like places like goose Lake or are just like these inland lake areas, I think they're just fed by the body of water. And that doesn't know if a lot of that would get back out into the water cycle to head back out to the ocean, and then you know, come back up or something. So it's kind of interesting thinking about just some of the old watershed stuff that used to be out there, how populations used to try and try and work around all that, you know, like, you go to a place like a fort rock and you read some of the signs. And you look at how back in the Pleistocene area there, that whole region out there was part of, I think, what's called a Peruvian lake. It's like a prehistoric Pleistocene-era lake that took up a huge amount of land out in Central Oregon what we think of now is just a large desert area covered with sagebrush, which very few lands features just all underwater, the land feature of Fort rock that we've used visualize now, I think came about geologically during the Pleistocene era, an era before the Ice Age, and, and probably a while back before that, but during that time, it was underwater, it was under a lake bed. And so that's where you get that formation is it was underwater, and then it kind of eroded around it this aquifer and lava or lock Aqua, for a Magneto I met at a certain time I made this big ring, this big guy. It's a big fort rock-style formation. And that's still what's out there now. But it's amazing when you get out there and you go see it. And then you kind of start racking with the perspective that this all was once underwater. This is like an inland sea. And then after the ice age or before the Ice Age, there's some evidence of kind of, well, I don't know. Who knows. But there's evidence to show that the Clovis people, the Clovis tribes, which I think were the ones that at least in modern archaeology have been identified as the group that was first to come over the land bridge first to come into the Northwest and populate parts of the West Coast and into the south and onward and such. But I guess these Clovis people had had a specific type of way of building their tools or stone tools that they would use. And that's a bit of a way that you can track some things. If you do find an archaeological artifact, you can kind of identify it by the technique used to build the stone tool. Like there, there are different measures, I think one of the oldest ones looked for is fluting. And that was a technique used by the Clovis people where they, they were sort of making an arrowhead or spear point spear points, I don't know if they had had flying bows and arrows at that time that far back, but they build these spear points, and they would flute the end the bottom of it. So like if you were to imagine that it would be kind of this concaved slope that was those sort of dremeled out of the bottom base of the rock so that you could you could kind of fit that down in the center of a stick really and then and then wind that up. So you kind of make both ends kind of taper off to a point and then you would jam one end into the stick and then wrap it and then you know put SAP on it or, or whatever you can do to fasten it down. But I guess that was one of the techniques that was used early on, and that's one of the things that they look for when they're trying to find really old populations in Oregon. Sometimes it's fluid. And that doesn't always mean that it's really old though, I suppose. But I guess there are handfuls of, of different technical or technological generations of stone tool building out there. And you can kind of tell a little bit, but it's very fascinating stuff. And man, was it not amazing to get out there and to recognize that, you know, I was around a natural human manmade, while a semi-natural, but a man-made artifact of a home or of an establishment that's as Oh, I don't know how old it is. Maybe it's as old as early Rome, or late Rome, who would know how old it is in comparison to Europe? I'm not sure maybe it goes back even further than that. It seems like there's population in that area of Oregon for 1000s of years, I think was it the Piute those out there could be different, but I know the pie you10:55 the pay, you were south of that area. If it were in Lake County, I think like through heart, mountain, Alvord, Nevada, the now your area, all of that was pie. So maybe this was still in the pie section. But I know that that, you know, like what we've noticed in the last few 100 years, if you were to look at the changes of the map, even within the United States over the last, say you take 600 years, not even 7000 years, take the last 600 years of the United States of America and then look at all the different maps that would be the territorial ranges of those people who ended up being in power during that time. It's really interesting to see and to kind of take note of how something that seems permanent, or seems to have the nature of permanence in it when you speak about it like the that was the range of the pie you Indian? Well, was it for 600 years? Or for that long? Did it move around? Do they have one? I don't know territorial engagements. Was it that many of them? Were they there all the time? I don't know any of that information. So it's got interesting when you sort of think about it, but it could have been any number of large groups of people that probably would have no idea they were called the pie you Indian. But all very interesting stuff. And man, was it so cool to get out there and see, see a real teepee ring. It's really fun. It's one of the cooler pieces of archaeological artifacts that I've run into. I mean, you know, you see Patrick glyphs, you see a lot of things, but, you know, you were sitting in the home of someone that lived 1000s of years ago, that lived out in the same place that I do now. Yeah, fascinating stuff, but had a blast going out there and getting to check it out.12:29 It was really, I don't know I just love I kind12:33 of love this stuff with the story with the background to it, where you kind of get to attach something that you recognize with it with, with what you get to talk about what you get to show with it. So I thought was a cool story, and it was really fun to get out there and go see it. I remembered it from years ago. I think I'd seen it about 10 or 1112 years ago. And I think I tried to go back to it, but I didn't see how to or where it was and I wasn't sure it was not something on the map.13:03 You can check out more information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value-for-value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and cents value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo.13:42 But the holidays were kind of an interesting time because I ended up sort of thinking a lot about what But well, what photographs are, you know, I'm getting a little bit older now. And I think there's sort of like a change in the vision that I have of the way that I kind of think about photographs or you know, what, what is their purpose? Why are we making them in a big way, like14:05 maybe propagated by the Instagram culture or the sharing content creation culture that sort of seems to be out right now, especially for those you know, photographers or artists, I think they feel the pressure to be content producers now, and that maybe is a little bit of a different job than the photographer or the real artists, that kind of person. And so I've been trying to sort of thinking about that a little bit and then sort of take a look at the trends of Instagram and are those my art is that what I need to pursue. And a lot of the time I sort of noticed this and even in my images, this like super sharp, super crisp, everything has to be perfect or edited or meaningful and dramatic and he's images. And what I'm noticing a little bit especially as I review my older images is the photographs that I'm drawn to. They're the photographs that represent the truth more. They're the photographs that kind of have them I don't know what it is really, but they have a little bit more of an essence of reality. Or maybe it's its reality. But it's also a little bit of grit to it to like this really happened. It was magical, it was interesting, I liked the surrealism in the photographs that I take, and I have for a long time, but there's a little bit more. And I've always I think a lot of stuff I've done kind of pushed for the Unreal. And some of the stuff that I'm kind of noticing last couple years, as I looked at like the photographs and how they changed it sort of how that shifted from the Unreal of landscapes of the world, you know, kind of trying to select things about landscapes, you know when they have unusual colors to them, or unusual dynamics or phenomena like clouds, or weather or water or something like that, that makes it sort of feel like a different look or a different image than like what we'd see midday at noon if we looked at the same thing. So I think that's still part of photography. But one thing I was thought, about since the holidays, and through reviewing a bunch of my old photographs was how much the stock value of a photograph goes up over time, over one year, it's a bit over a few years, it's a bit more, but over a decade, you get, you get to see the change that happens in time, you know, I get to see, like much younger relatives, and these photographs they took 15 years ago than they are now and it seems like kind of an obvious point, or seems like something everyone should know. But really, there's a huge amount of value in the photographs because they capture something at the time that it was and you get to hold on to that after the there people or the moment or the event or the experience changes, at certain to notice as I'm getting older is that life does sort of change, it changes, then it's an obvious kind of the point of fact that everybody's sort of known about for a long time. But in my naive sense, I've been so focused on photography or image creation or the product, making something that's kind of crisp and sharp and perfectly usable today. I don't know if I was thinking so clearly about how the nostalgia factor or how the value of something you know, from a family or just sort of a small moment that's captured this, this more real, how that escalates in value over time. And like coming at these photos. 15 years later, even like seven years later, from some of the stuff that I had, it's really interesting to see, like, wow, like I took a ton of photos of this type of topic. But I didn't, I didn't take as many photographs that sort of represented my artistic experience of my life. For that humanity, I want to try and show more of that in the photographs, the humanity that kind of the way you feel about a photograph. And I think that's so much about what a photographer is there to do is sort of being able to kind of pick and select which moments to capture and which ways you're going to be able to share that stuff in the future. That's going to become more nostalgic, more meaningful, or just a way of kind of knowing that this was part of my life. Wow, that's cool. So I've been trying to think about some of those ideas around photography for the new year a little bit. But along with that, I've been going through the last like 15 years of photos, and in my big super catalog that collection of Lightroom photos I made that's kind of trying to pull in every phone photo, every phone video, every different camera I've had since 2002, I'm trying to get all those photos together, put them in there, I think it was like 120,000 images, something like that, which isn't that many photos for someone that's been doing so for a long time. But I went through those and I tried to like punch those down to a lot of the Select so out of the images that I kind of want to keep from and I was trying to pull out a lot of good photos but photos that were kind of irrelevant to me for this sort of future moving forward catalog of stuff I want to get rid of like product photos or word photos that are hundreds and 1000s of photos even that kind of fill up space and memory in the catalog. I'll keep those definitely but those will be backed up on another hard drive. But what's active to me what's in my library currently, I want to be like the last I think I've talked about this for like the last two years or so photos and whole in total so I can get back to that library and edit any one of those raw files that have but for stuff that's older than two years like 2015 and before I kind of want to pair those down a little bit so that I'm a little bit more specific and unable to get to those photos that were selected a little bit faster and then, especially for older stuff like pre-2010 or so I want to around really have those pared down to like the 100 photos I you know I need to have around two to get to for whatever kind of stuff I need to do. But it was cool that going through the old photos and you just kind of do it in this pretty quick way You know, this is a one star This is a two-star kind of thing. So you kind of punch through those pretty fast and then and then I have another round to do or I'm going to try and punch it you know from one star to two stars those are going to be what I keep for a while and then from that, I'm going to try to render that down to select all the three-star photos all the that's kind of like I would pick this photo and sort of put it under review and then and then my system at least is a little bit of the four-star five stars out That's for this is going to be published or this is going into the portfolio or as content sort of thing. So yeah, I'm gonna try and push on that stuff a bit more and get some photographs sorted for the year, but is cool going through all these old trips that we've done. All those different places that we've gone to. And of course, I've seen Well, one thing I've noticed is good Lord, how bad at Photoshop I was. And I want to, I want to say that I'm going to put a little blame because I remember this happened at the time, but I want to put a little blame on how god awful my laptop monitor was like a 2006 2007 2008 laptop monitor just had no color gamut against what we know now in like modern o l, or LED Retina Display monitors like Apple puts out, or like any kind of modern LED, more color accurate monitor that we have now. But I was looking at it and there's like, it's just so muddy, there's, there are so few colors that it can represent. So you have to push things a little further out of the gamut. Or at least I did at the time, kind of not understanding what I was compensating to. So I look back at some of these photos and go, Oh, I would never make it this yellow and green. In the modern world. So it's kind of interesting what you know, whatever was going on, or whatever I was thinking about at the time visually, that sort of drew me to that place. But it's interesting to see how that changes, how your aesthetic sort of changed. And also a little bit of how your tools and calibration systems changed and sort of seeing like, wow, off was that way back, then. So all stuff that you kind of learn and you get better at and it's interesting, at least to the benefit, you get better over time. And like a decade later, I see changes in the kind of creative or the style that I would lay out just if I started working you know, out without actually having to try and implement a style, you know, try and lay with Oh, I'm going to make a photograph that's black and white, and of events and personal or something, instead of trying to go out with, you know, a set intention of that which you should or could in any set of photos. But if I just go out and am shooting what I am drawn to the photographs that are capturing get in the way that I kind of perceive what they look like and how I want to show them to people, that's all kind of changed and evolved. And it seems like my choices in that are better than they once were. But it was interesting to just kind of see like man, how many years and years and years, it takes me to take photographs, before any of these photographs got good or got to the point where they were more than snapshots are more than just kind of data collection. I sort of thought of myself as an archivist for a long time where we're like the job wasn't really to be a photographer where it was editing to select like a moment and character and sort of like nuance between things that have like emotional pull to them, I didn't understand that type of composition stuff, I just sort of understood the camera mechanically functioning as a light capturing tool. And so that was like that was probably the first four years of photography was sort of thinking about it like that, like I'm capturing data of reality. And then that's going to be processed into something else later. And it wasn't really for years until I understood like emotional vision or you know, like having some way to kind of tie the way you feel to the way that you see something and that was interesting kind of learning about how some of those things work and it's still such a long road and I still have you know, no, no real understanding no real experience in that by anybody that's trained just self-taught. Little Billy out here and nowhere Willamette Valley So yeah, that's some of the stuff about making selects.23:37 Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman's photo comm a few new things up there some stuff on the homepage and some good links to other outbound sources. some links to books and links to some podcasts. Like these blog posts are pretty cool. Yeah, check it out at Billy's new ninja photo calm. Thanks for listening to this episode and the backend.0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast.

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

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If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

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View Details

Show notes for the Billy Newman Photo Podcast.Communicate directly with Billy Newman at the link below. 

wnp.app

Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

If you want to read a free PDF eBook written by Billy Newman about film photography: 

you can download Working With Film here. 

If you get value out of the content I produce, consider making a sustainable value-for-value financial contribution, Visit the Support Page here.

You can find my latest photo books on Amazon here. 

View links at wnp.app

Instagram  https://www.instagram.com/billynewman/

Website Billy Newman Photo https://billynewmanphoto.com/

About  https://billynewmanphoto.com/about/

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Communicate directly with Billy Newman at the link below. 

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Make a sustaining financial donation,  Visit the Support Page here.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Send Billy Newman an email here.

If you want to see my photography, my current photo portfolio is here.

If you want to read a free PDF eBook written by Billy Newman about film photography: 

you can download Working With Film here. 

If you get value out of the content I produce, consider making a sustainable value-for-value financial contribution, Visit the Support Page here.

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Website Billy Newman Photo https://billynewmanphoto.com/

About  https://billynewmanphoto.com/about/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. I think today we are getting a recorded podcast and a little bit about some of the videos that we recorded in the high desert when we had the GoPro fusion 360 camera. It was cool in the high desert.0:33 Yeah, it was an awesome trip. We made it out to Fort rock and Smith rock in the0:39 Pine Mountain Observatory, Pine Mountain Observatory, and Astronomy Observatory. That's a cool spot. Yeah, it's like owned by the University of Oregon. We went there in the daytime, we've been there in the evening before. But it's cool, you get a view that looks out where you can see like, all the way out toward like burns in the east, you see that like the rim of Fort rock out there. It's cool. But I liked it out there. I had a good time, like going up and like hiking through fort rock and getting some videos and photos and stuff. And then I like to kind of do that late night trip and driving over to Smith rock and doing some like rim rock shots of it too. That was cool.1:14 Yeah, it was great. It was cool getting to be there in the evening. And then that next morning,1:18 yeah, the morning video that we just started rendering out is cool. I liked the way that that looks. We've been rendering out like this big file so you'd like dodge mo v files Yeah, like when we're trying to render out like before 5.2k versions of some of these, which ends up being a little fast because it doesn't have to transcode it to a different format of video or different size video from its original. It just has to stitch the file together. And I guess that's like a lot faster for it. Even though it ends up in enormous files like gigabytes and gigabytes of files just for a few seconds of video It seems like that was like a 45-second video was like three or four gigabytes. That's a lot every time but what we were thinking about though in this conversation was what computer would you get to do this kind of like heavy or this more intensive rendering for video. And the link is where right now we just have like 2015 I call it five MacBooks. It's okay, it doesn't have like a real dedicated graphics card, you know what I mean? And so like there's not like a lot that we could do with it so it's a lot we could do with it it's fantastic for the types of high definition rendering or even 4k rendering that you would have to do for like a lot of situations but this new 360 stuff is just so hard for So I was thinking about like well we'll probably talk about a little bit more on the podcast is like different computers that you would use to do like the 360 rendering with ultra-high definition video footage and I was thinking about like the Mac Pro as an option because it's been a few years now. But I think that's like deprecated too because I think the graphics cards weren't keeping up with the internal graphics cards. So it was an idea but I think now they've dropped in price and they may drop in price again, like later in this year if Apple announces any kind of special, like pro hardware, but I was thinking about the macro as it's dropped in price to like the kind of around the 1400 15 $100 price range. If you got that you could maybe like set that up with a bunch and just have it process out a bunch of videos over time. Yeah, or, or maybe you just need an iMac.3:21 That was pretty cool. They'll probably be an upgrade from where we're at right now.3:25 Yeah, we'll just with our little laptop, but3:33 you can see more of my work at Dooley Newman photo comm you can check out some of my photo books on Amazon. I think you can look at that Bitly Newman under the author's section there and see some of the photo books on film on the desert, on surrealism, camping, and cool stuff over there.3:55 My name is Billy Newman. I'm a photographer based in Oregon, I do a lot of landscape work. And this image was taken in California on a trip that we did to Mount Shasta to the east side of Mount Shasta. It was just kind of a cool spot. It's kind of interesting near the town of Mount Shasta near the town of McLeod, if I remember right, there's a lot of good stuff over there a lot of good camping too. There's a lot of I think it was the Shasta Trinity national forest that stretches out over there. So there are a lot of public lands that are developed enough and accessible for several things you can do for summer recreation. It was pretty cool. I remember going up to a lookout tower up there, checking out some stuff. I think there's a fire lookout tower. Some old timer was up there too. But this image was taken on a government camp road in the evening as the sun was setting and this is kind of looking up to the I guess it's the East face of Mount Shasta on the east side. And it's a really beautiful spot but I kind of love the angle of it their kind of the sweep that the mountain had. And I tried as hard as I could to sort of square that up the way I wanted and match that up with the trees. And the grass and the shadows and get some of those towns but this was shot on that nav film camera, some of my best images from one of the cheapest, most, I don't know, just common cameras that are out there. Cool stuff and I love that I5:14 got it. It was really fun and reminds me of a lot of great stuff from that school trip.5:27 You can check out more information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value-for-value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo.6:06 Yeah, this summer, I've been trying to do a lot to work to get together some new photos, some new stuff to try and kind of build a base and then move from there a little bit. But I'm excited to try and put up a bunch of the older portfolio photographs that I have. And I was really happy to work on the website a lot this summer, I kind of redesigned a bit of that, you check that out tell you anything about it's a billion human photo.com. And I tried to strip out a lot of the unnecessary parts, and I'm trying to kind of hone it down a little bit. So it's a little cleaner, but it's gone. Well, I've tried to set it up a little bit more. So it's stream-based if that makes sense. You know, we've kind of moved toward like the Facebook stream, the Twitter stream, the Instagram stream. So I'm trying to kind of move it to where like I talked about on the podcast before where a lot of the media stuff that I put together, the video clips, the photographs, and stuff that wherever they do end up going whatever sites I am populating, like flicker and Instagram and Facebook and all the rest of that's kind of what's shown on the website or you know, have the websites kind of try and automatically pull that stuff and ingest that into the website. So I don't have to do it as much. And that's kind of been fun. It's kind of been cool doing that. But the thing that I need to do, the part that is still left is I need to go through my photo portfolio, kind of the long-term portfolio of images I haven't I'm trying to go through and select what would be good to show the work that I've done so far. And I'm trying to do that in a way that's more developed than I had before I've gone through and I've selected, I've kind of picked the photos that I like a lot. But I've tried to do a couple of different things. And hey, another truck. Man, that looks like a few times of gravel in the back. So what I want to do, though, with the photo stuff, and what I've kind of been trying to work on a little bit, is to go through Instagram or to go through Facebook and to try and select my favorite photographs, but then also just select the ones that have been sort of chosen by the market. That's the idea that I'm trying to go for what do people like about the pictures that I take? What are the ones that people seem to connect with the most? So on one level, I'm trying to find all those photos. And then I'm trying to sort of remake those photos or re-edit them or you know, kind of re-republish them in a way that looks sort of new. And that's cleaned up a little bit in the way that I can edit and create stuff now. So part of the step is that and then the other part is to sort of learning what people like of the photos I'm making that I want to go out and try and make more of that or try and dig in a little deeper on the part that seems to get the most traction or that seems to be seen as the most valuable. So what are those, like what I've noticed?8:46 Well, yeah, what I've noticed anecdotally so far is that the low light stuff, or the Astrophotography, the night photography, the landscapes, where there are stars matched in the background seem to perform well. And I love trying to take those photos and I know a lot about how to lay out the stars that I would want in that foot or you know, I know where the stars are, I know how to kind of line some of the landscapes I thought that I know how to expose for it. So that's the part that I'd like to get into and push for more of what seems to be a draw the photos that I take. But on the other side of that too, I want to do more, more fine art photography. That's what I liked, and was kind of drawn into when I first started taking photos, even way back on the film before I knew how at all but I liked the fine art side of it where you could go through and try and put the nicest elements together or you know, try and put a landscape together but I liked that side of it a lot more than the product or production side of it. In a sense at least. And I've always been interested in the fine art photographers that are out there are the fine art landscape photographers where you see some of the advanced kind of work that they put together some of the ways that they're able to put real pieces real elements into a photograph. It's always seemed So cool when you're able to be in tune with that sort of stuff. And I just always loved the old landscapes, and, you know, old Fine Art images from the past. So that's kind of the stuff that I'm trying to get into. But organizing this stuff has been interesting. So I'm trying to use this program called Scrivener. And maybe I talked about it before or maybe a while back, I talked about it. But Scrivener is kind of interesting. It's this. And I talked about it yesterday, no, but it's this writing application that I'm trying to get into. And it seems like it would take a few tutorials to figure out it's a little bit more in-depth, hey, gravel truck, it's a little bit, it's quite a bit more in-depth than something like Word. Even though Microsoft Word is sort of an industry standard that everyone has sort of learned on for the last 1520 years, it is a little bit more specific to like an essay for at least the way I've learned it. But it's more specific to the essay format of word processing, where you're trying to get a page accomplished, and you're trying to edit through that or you're trying to edit through kind of a single document. And Scrivener is sort of laid out in a way where there are a few more pieces on the side of it, where it's supposed to be a research applique, or you're supposed to kind of compile different documents of text research or photo research and kind of put that together. And then you're able to sort of assemble a larger writing project from there, which I think is kind of interesting. Like I figure that book authors would use a writing program like this to work on their character outlines. And their story outlines their plot summaries, and then they would work that into the manuscript that they would make into their book later. So I just think it's kind of an interesting way that they seem to be going, or that the program is built to sort of going about it. So I'm trying to get into that and do it well, but one of the aspects I'm trying to do is to put in all the portfolio photographs that I have, into this Word document, and then sort of sort those photographs, and write about those photographs a little bit to see which photographs seem to connect with me, or connect and connect with an audience the most and then also a photograph sort of having a story associated with them, I12:06 love that. Like, if you would follow me for this for a second, you would kind of see that there's a difference between the photographs that are going to be the most monetizable, the ones that you can make money from like, let's say portraits, let's say business portraits for some company, you could get, you could get some money for that. But you wouldn't want to post that in your portfolio of work necessary, you'd want to like, at least in my case, what I'd like to do is show some photos from the imnaha River Canyon, like where we were last week on our photo trip. So you kind of want to move into that stuff. But you don't, it's not gonna be the same sort of thing. Like those landscape Fine Art photos are just, you know, the landscape, travel, adventure, tourism sort of stuff, that's all gonna be on one side of it. And then the other is going to be, you know, senior portraits, business portraits, event photography, wedding photography, that sort of stuff. So there is sort of two sides of part of a portfolio one of them's a photo product that's valuable for money. And the other one's, an art piece that's valuable because of its aesthetic. And those are sort of different things that you've kind of, as a photographer, you're trying to build both of those up at the same time, it's sort of like two different routes that you have to work on at the same time until they sort of merge together and unify. So it's kind of an interesting part of it. And that seems to be part of the process that I'm in right now trying to figure that stuff out. So some weeks, it's, I'm working hard on the aesthetic side of the photography. And then some weeks I'm working hard on the monetizable compensation-based side of the products that I want to try and build as a photographer that's in business, right? And there are those are interesting challenges. But I guess I've been doing it for a couple of years, and it's kind of fun, at least to get to still be doing it. So a couple of things that I'm trying to do is I'm trying to go through and build a new Lightroom catalog of all the photos that I've taken this year and all the photos from the last couple of years so I can organize those and do a little bit of what I'm talking about. So I have this kind of tighter collection of maybe the top 100 Top 200 Top 50 some number in there of well laid out photo essays and stories with an image you know, that's kind of what I'm trying to get to especially for like the social media content side of it, I want to try and have that ready to go with a higher frequency almost all the time. So I'm trying to get everything kind of pre-produced right? Does that make sense? Once all the portfolio photos are selected and then ready for me to go if I want to post those, I get those out on any given day. So it's interesting, it's kind of a cool project. I worked on it a little bit to work on it a little bit here and there when I can but that's another part that's kind of tough. I mean, gosh, I haven't even finished my website yet. I guess the last part is still just this I need to it's kind of what it's been waiting for is I I need to finish the selection of the portfolio and then I can build the portfolio gallery and put that up on the website. But so far it's been working great just to send y'all over to Instagram. I think that's where most of the stuff goes. That's where all the current content goes. Anyway.15:19 Thanks a lot for checking out15:20 this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage, some good links to other outbound sources, some links to books, and links to some podcasts. Like these blog posts are pretty cool. Yeah, check it out at Billy numina photo.com.15:41 Thanks a lot for listening to this episode and the back end. Thank you Next

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

View Details

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

0:14Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast.

0:23I'm bringing this photograph up today, it's another image going up on Instagram, Facebook, and my site. And this is a photograph from the winter storms that we had back at the end of December, the beginning of January, I think this is after the big ice storm that we had. But after, after, I think one day of a winter storm where we had a lot of snowfall, the weather cleared, and we went out on a walk. And we took a bunch of photographs, probably a number of the pictures that had been that have been put up in the last few weeks here. But this photograph was from a section near the cemetery, I think close to the university of Oregon campus. I like this image, it's really simple, and it's pretty easygoing. It's just a panel of trees that are maybe 100 feet away or so that stretch up and kind of reach up into the top of the frame. I like the composition a little bit. And I also liked the backlight that was coming from the sun, behind the trees through sort of partly cloudy broken up evening or early evening, late afternoon sky. So really, this was just one of those images that I appreciated and I wanted to put up I like the drape snow on that evergreen, what would you call it? It's not leaves, right? But on evergreen trees. I thought that was kind of cool about it. I had another photo, I think I just made a video about the other day. That was, I think a closer-up position or another vignette of some of the images that we're looking at here.

1:50You can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think if you look at Billy Newman under the author's section there and see some of the photo books on film on the desert, on surrealism, camping, cool stuff over there. Today I'm talking about a couple of the photographs that are going up online. And man yesterday was way successful, got a bunch of content stuff done that time yesterday, but to edit a bunch of photographs, and try to cut on a couple of videos, but that'll only go so fast. But I think I got a photo or a podcast wrapped up I got a video made. I got a photo edited and posted this stuff. So I dig it when I'm kind of jumping in and getting all the pieces together each day. That's kind of cool. I'm messing around with the anchor a little bit. I don't know how long lasted that'll be but at least to promote this podcast. So if anyone had actually, I wish I doubt anybody had ever followed a link over from anchor to check out this podcast, let me know, sometimes. But yeah, it's one of that kind of budding. Well, I don't know what budding means when it's not 2007 anymore, but it's one of those biting social networks that have a handful of people that work on it or follow it. But I'm not sure how successful overall it is. It's sort of like, like an Instagram app. But if the post you make was an audio post or a podcast, just like me talking right now, I think it's about the same thing. So something sort of similar to that. And because it's sort of like this podcasting stuff, that's why I've been getting into it, but trying to do a little audio update post over there each day, I think you can check that out. And I don't know It's okay but trying to talk about some photos stuff over there. Also, today, I'm in my truck, and I'm working on a bunch of stuff on my laptop. I'm trying to edit this photograph. Well, one of them is a very dark camp, or you know, like when we're getting ready to go on a backpacking trip and one of our kind of the layout of a bunch of the gears are trying to pack it and get it ready that morning, which is always like a really tough part of the backpacking trip. I don't know how much backpacking you guys do, but especially when you're kind of transitioning from two states, one of them being car camping, where you're sort of loaded out for an extended period with more heavy equipment that you're kind of loading and carrying around. So you kind of pack for the car but then you sort of change out when you go backpacking. You know if your car came in a couple days, then jumping out and going backpacking, you sort of have to reassess and then sort of repack everything that you would need to get through a backpacking trip and it's man it's time consuming you know when you have to kind of do that swap over but anytime you pack packing for the backpack and ship stuff it's kind of I don't know if it's frustrating but it's a little bit about like oh man like do I take this Do I not take this is it just gonna be weight on my back that I carry that I ended up using or participating with you know, this item or this thing for for just 1% of my time there you know, and then sometimes you can still on short trips that definitely have especially on short trips, short backpacking trips, like overnight ships, two day trips, I'd really recommend you you put out Anything you want to carry in, in a plastic sack, you know like something that's like a gallon big, but I swear, if it's one day, if it's one overnight ship you should eat before you go. I can like that I don't know if I want to eat a ton of food, but you should, you should leave so that you don't need to eat right away, you should hang out you know, have a meal ready, and then have a power bar on the next day or the way back or something like that. But you know, some spare food and whatnot but, but a lot of spare stuff. A lot of extra stuff, a lot of delicacy stuff. It's tough when you're backpacking. But you always want to do it until you start hiking the weight of it, then you want to ditch it, then you want to throw it out the window, or you know off the trail right?

5:49You can check out more information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value-for-value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com Ford slash Billy Newman photo

6:29I've got the Sony A seven going through its paces, it's been cool using it for the last, the last couple of weeks, I've been trying to figure out its idiosyncrasies. And there are a lot of them, there's a lot of them with these newer cameras. And I can see definitely where from the seven are or you know from the first series of the A sevens to the seven, two and you know, so on and so forth with the better and different accentuated camera models, they get better, they do get better. There are some things with the first renditions of the electronic viewfinder and the system of how that takes photos, how it kind of interrupts when you're taking photos that don't quite seem to a level of professionalism that I'm trying to hit for. So I know that there are a lot of custom settings that I have to go into any sort of tweak how that a seminar is going to be grabbing its photos and then how it's chipping. You guys heard of that before chipping, it's I don't know what it has to do with but it's referring to when you take a photograph or you take a couple of photographs. And then you look down at that screen on the bottom of your digital or into the back plate of your digital camera, you look down and you see the photo. And then you come up, you recompose and you shoot again, come down and look at it. And it's I guess I don't understand it completely. It just seems sort of like, like a modern approach to something that technology allows you to do. So I think it's acceptable. But for whatever reason, it is sort of interference in the creative or in the photography process sometimes, and I know that there are many pros, all of those pros coming from a past world, that's no longer here, a film where it wasn't acceptable to do

8:08to do half shutter press autofocus, like you have to do autofocus from the back. And then the shutter is its system. And then with that, there are all these kinds of silly rules about how you can use focus how you can use composition stuff, how you can set up your frame when you can look at the screen, or when you can review the images, I guess these film shooters, they thought it was uncouth to be able to review or see the photograph before the film was developed, or before it was later on. Interesting. And I see kind of psychologically, there's this, there's this path that does seem to create better work or more intuitive photographs. And those are better, they are more needed. And I can see where some of these tricks might get you closer to that. But the idea of just looking at the back of the screen doesn't impede you so much. And it doesn't. This doesn't stop you if you're a pro and you know what you're doing you look at the screen, you're looking at the screen because you know why you're looking at the screen, it doesn't seem to make sense that there's these sort of sideways rules about features you can and can't use it or put into your camera. But to speak about efficiency a problem that I noticed about the seminar is that it will display the image to you for about a second and a half, two seconds. And it will display it on the screen but will also display in the electronic viewfinder for your eye. And you can shut this feature off but there's still a little bit of a hiccup around the time you hit the shutter button. And the problem with this is if I'm framed up to take a photograph, let's say of a situation. I remember back at OSU when I was shooting sports a lot. Let's say there's a football game. I'm out in front of the action. And I see that the beeves set up a play they throw a pass the guy gets it he's right in the pocket on the third of the frame that I have, and I have focused tracking on him. I want to take a series of shots with a high frame rate. So I can get that whole run of action as he moves toward me. And so the issue that I'm having is, in photography, you're trying to select moments that look good, that's kind of the point, aesthetically, you want them to be appealing choices. And that has to do a lot with a gesture a lot with movement a lot with kind of positioning and framing and composition and sort of thoughtfully considering what does the person look like? How are all these things in the frame relating to each other? And is it going to work when you press the shutter? And the difficulty is with these seminars, or even with the Sony A 6000? When I'm looking at it, and I take this series of photographs, I'm almost blind that whole time. Whereas before, when I would have been working with an SLR, then there's the shutter flap where you see black for just a moment, but it comes back and it's optically correct, immediately, it's optically correct to what you're going to be shooting but with the Vf, there's just enough lag that in high action, you seem to kind of miss where the gesture is obsessed moving around, it seems like you almost have to kind of guess or assume that the next moments going to happen and then try and take it but you can't see it. It's weird. It's like it shuts off the viewfinder right at the time that you need to be looking through it. And so in some ways like that, it's a little bit complicated Am I framed upright? Am I looking at the thing right when I take the picture just show me something else all of a sudden? And I know that they've solved a lot of these problems. Like if you look up the Sony A nine and some of the features that it has if you bring that into high-speed shooting, it's got this interesting system where instead of having the electronic viewfinder, blink, black, or cut out, cut out completely have the processor move all of its attention to processing that image that it just captured and then bring back the electronic viewfinder. momentarily later. What we see in the nine is a system where there's the bracket, there's like, let's say like a red focus bracket that kind of goes around and you're shooting, you're shooting a shooting. But what you're seeing is instead of the electronic viewfinder, blinking out black and then showing you a frame, or just blinking out black and then coming back on what we see is just that bracket that red bracket blink, yellow or blink from black to yellow or black to red or something like that. And all that's indicating is that it is firing frames, but you're just still seeing it completely normally like you would view any action on a screen. And that's a really interesting process. I think it's like I don't know it's like 20 frames a second or something like that. It's almost video at that point when you're shooting RAW frames. Are you kidding me raw frames on a Sony A nine? God knows what almost 50 megapixels that are shooting at and you can do 20 frames a second just looking at the thing and then seeing a little black bar blink yellow, and that's signaling that you're capturing all that data.

12:56Thanks a lot for checking out this episode of The Billy Newman photo podcast Hope you guys check out some stuff on Billy Newman's photo comm few new things up there some stuff on the homepage, some good links to other outbound sources, some links to books and links to some podcasts. Like these blog posts are pretty cool. Yeah, check it out at Billy numina photo calm. Thanks a lot for listening to this episode and the backend.

View Details

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often? Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

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About https://billynewmanphoto.com/about/

0:14Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Today I wanted to talk to you about the forest fires in Oregon, my parents called me they were living in Southern Oregon, and they were talking about the huge amounts of forest fires that came out, I think from a set of lightning strikes that occurred from a storm that passed through over the weekend, that's a really dangerous thing about summer storms that pass through those hills and Oregon off the coast, is that they bring with them some charge. And that ends up in lightning. And then we end up with some strikes. And these remote regions have hills out in the Siskiyou mountain range. And those start fires. In those rural, I mean, just like remote wilderness areas of forest. And that's where we've had a couple of burns over the last couple of decades that have been very seriously maybe some of the most serious forest fires in the nation of the United States have occurred in those locations outside of some of the places in California last year where we saw property damage, that sort of thing. But that is regions of acreage, I think some of the largest areas had been in the wilderness areas of Southern Oregon in the last couple of decades, I guess it is now but it's been kind of tough. We went out on a drive recently. And we were in Central Oregon, which is probably a couple of fires out there, which is you know, there's no shortage of timber and fire danger in some of those locations, especially because of you know, lightning strikes and that kind of activity like that. But last year was dense and difficult to get through the summer because of smoke and because of fires that were going on in the forest fire damage. But this year, too, it's tough. So hopefully this is maybe a shorter-lived experience. And I hope that the firefighters can get a handle on it and get containment on here pretty soon. But it was something that was affecting our ability to get out you know, there was like visibility down to just a couple miles. It was nice that it was at least that but there was a lot of interference from the smoke. That was out even up in Central Oregon,

2:12I was surprised. You can see more of my work in Billy Newman's photo calm,

2:21you can check out some of my photo books on Amazon, I think you can look at that Bitly numen under the author's section there and see some of the photo books on film on the desert, on surrealism, camping, and cool stuff over there. I ran into another guy out there. And he was like an agate picker. This is something I want to get into too. I was talking a little bit about agates, how they're formed and how they show up and all that and I'd be interested to find out the geology of how some of these creeks have agates formed in him here along the west coast. I think it's kind of cool to the land formation I would the geology is over here. And however, that goes back to the history of the agate formation of what went on over at the coast. But I think just north of Newport there's a beach called agate beach, apparently a place where there's going to be agates found, but this guy that I was talking to was saying what he was saying like if you kind of Prowl around town in this kind of these older, smaller, you know, coastal cities here in Oregon and probably in Washington or wherever they might be. But if you kind of Prowl around the town you'll sort of see these almost kind of just it says rock shop or gem shop or something like that at some sort of little shack kind of place with the old sort of weathered sign on it that sort of looks goofy looks like an old-time prospector kind of just works there and kind of does it himself but I guess he did some of those people some of those guys there are some of the more invested rock towns in the area. And some of those guys if they've retired, I guess you know, the lead up some of their picking spots or their lead up some of their information on what they've done to collect some of these cool rocks and gems over the years. But some of those people in those local town spots, have some good kind of easy starter information for people that are getting into some of the rock counting stuff. But I was told recommended by a guy over Newport to try to find a man named rooster. So I could find out about the good rock hound in spots. Sounds fun, I haven't taken it up on it yet, but the guy gave me an agate that he had collected and I guess he was telling me that the good time to go is in the wintertime after some of the bigger winter storms come in off the coast and then dredge up well I guess not dredge up but I guess they wash out the light I guess like we were talking about the wash out the sand, it's kind of come into sandbars they wash out then it exposes some of the gravel beds, some of those rock beds that are a little bit lower down in the sediment, and that exposes some of the beds that have the agates in them and I guess those come out during low tied in the winter time, I guess after what January February, something like that. And that's when this guy has found most of the agates that he's spotted out there in areas like agate beach up to up to where I don't know what's up north of there is at the corner head or is that below it? I can't remember now but it's cool. Yeah, so it's fun going out and doing some agate-hounding stuff.

5:32You can check out more information at Billy Newman photo comm you can go to Billy Numan photo.com, forward slash support. If you want to help me out and participate in the value-for-value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo. And Lightroom stuff, I'm gonna try to like develop a lot of photos like with the travel stuff that we did the trip and like the trip that I did with my dad out to Christmas Valley, and some of the stuff around like the teepee rings that I was photographing. We're trying to like edit a few of those. And I've been doing most of that in Lightroom. But I've been trying a couple of different other pieces of software and haven't gotten super far with it. So we got to do more research, this will be an ongoing segment for our podcast, which will be fun, too, we should try out some betas I don't know where we can get a hold-up. But there's Lightroom. And see like, there's some news about how like Lightroom is switched over to the Lightroom Creative Cloud, which is going to be sort of a cloud-based photo editing system, I think it's going to be a little bit more lightweight, I think it's going to be a monthly subscription system. And then there's also going to be Lightroom classic, which is going to be the current Creative Cloud, a professional Lightroom system. And I think that's going to be like your disk management system, like how to put files onto your computer hard drive and how to edit them, and then how to like process them out and put them somewhere. So that's still going to be around and I guess going on, but it's only going to be a subscription system from now on. I think that's kind of pushed a lot of people including myself to consider what other editing options are going to be out there like file management systems for your photographs. And there are a few new other systems that are coming up that also seem a little bit more modern, in some ways, too. But I think it'd been kinda interesting. And it's been cool, checking them out a little bit. One of them was Capture One. And you and I had looked at that one a little bit.

7:46Yeah, you showed me that one a little bit. When you put on your computer.

7:49It's cool. I want to learn a little bit more about it. I know there's a lot of content out there about it. There's the phase, the phase one camera system, have you heard a little bit medium format, digital camera system, it's really expensive, real nice, apparently, I only know like a little bit about it. But those raw files, they're immense, medium format, digital, raw files. And so the processes, they kind of constructed their editing software, that was this Capture One software, and I think it was supposed to be a more modern system of rendering your raw file adjustments. And I think it's supposed to be kind of tuned specifically to the raw files produced by this phase one camera, which is an interesting piece of software, you know, it's technical. And I see like a lot of professional photographers kind of shifting over to it, but at least I see I see it popping up a little bit more in sort of a higher-end fashion system or like people that are using phase one systems or a lot of Sony systems because I think it's so specific to the Camera RAW file that's produced. It's sort of strange, right? I think it's built for the phase one camera. Right and like for a lot of other file types, yeah, for those file types and a lot of the Sony file types. So I think a lot of like the Sonyadditionalographers are getting the Capture One Pro software, and they make like a free Sony editing software that's a little bit stripped down. It's like the Sony Capture One express or something like that. Who knows what it is, but I pulled that on my computer, I've been messing with it and I pulled a demo for Capture One Pro. And it was cool kind of messing around with a different raw editor. It's different than Photoshop different than Lightroom. But it's, it's still kind of like the same panel and slider idea. You have a panel you have like hue and color and sharpness and haze and whatever. And you can kind of make some adjustments to it. But it was interesting, to do something different with the raw processing. And I guess it's supposed to be faster. So the idea is supposed to be a more modern system. It's one of those things where Lightroom was built years ago like back in 2006 and 2007. I guess there wasn't the ability to throw a lot of processing I went to the graphics processor. I don't think it was as important back then they use your graphics processor for rendering and processing and crunching some of the graphics stuff, the editing. So I think a lot of that was built to like run and process the raw files through the, just the main processor. So I guess there are a lot of things about Lightroom that just aren't made to run slow, given the modern computer architecture that people are using, and other people are developing. And so I think that's where like there's an advantage to maybe some future new Adobe software, but also for some of these current players that are trying to do some of this photo editing software stuff like the other one. Affinity Photo, which is one that I think you'd see

10:42a little just a little bit. Yeah, I really, I've not put anything on my computer.

10:50Yet, I haven't put anything on. I know, it looks like a lot is going on there It looks like and I hear a lot of people talking about how impressive the iPad app is if you have an iPad Pro, I guess the affinity pro app on an iPad is really powerful for tablets, tablets. And you can do a lot of stuff like with the pencil, the Apple Pencil, or with your finger to do like healing adjustments, a lot of stuff like that, that you really couldn't do with software outside of Photoshop before. So it's cool that they made some progress on that. And I guess Affinity Photo is also producing digital file management software to go along with Affinity Photo, which I like the Lightroom part of

11:32it. Yeah. Yeah, kind of like Lightroom.

11:36I think it's the Lightroom part and the part where you can apply adjustments to multiple files at the same time. Oh, sure. Stuff like that. I think it's like a lot of those features that they're trying to build out this year, because of the changes that Adobe has made to the Lightroom system. And how they're changing over to like the Creative Cloud system and the, you know, kind of Lightroom Express system.

12:00Yeah, not as much of a pro tool.

12:02That's what I've heard it sounds like yeah, so I think that's why a lot of professionals are a little bit unhappy with that adjustment into their workflow, you know, they're just looking for that, that professional system that they have to increase and get better in the ways they need. Yeah, I think I think Adobe is trying to hit a wider market of hobby photographers or Instagram, you know, kind of it's more about adjustments. Yeah, yeah. One-click kind of adjustments. Yeah, sort of thing. Yeah.

12:29It'll be interesting to see how that ends up going.

12:33Yeah, it will be interesting, you know, that that's sort of the shift in modern computers in a lot of ways. And if you were working on an iPad, I bet it'll swell a bit. It'll be pretty cool, you know, to run a bunch of photos off on an iPad through that system. You know, probably they work. Okay. I don't think it's the direction that I'm gonna go. I don't know, I just actually seem like it's the right, the right zone.

12:57That was what I was thinking. I'm hoping that the change encourages these other companies to Oh, yeah, develop theirs, their products were,

13:07I was, yeah, I

13:08was hoping they'll be there'll be something to kind of replace what Lightroom is right now. They like Lightroom.

13:15Before Lightroom, there was an aperture that was built by aperture, and then they stop producing aperture. I don't know what's gonna happen with Lightroom. I'm sure that it's going to stick around. And I'm sure it's going to be like the top of market share for a long time for photographers editing software, it'll likely kind of remain in my workflow for a long time, too. I was looking around at Capture One, it's not the thing I want to use. Yeah. affinity there's some future, you know, but I haven't any, there's not the thing that I'm looking to use in the way that I use Lightroom right now,

13:47that was what I noticed when I was looking through other photo editing software. There really, there are a lot of things that look cool. And like they could be something useful. Yeah. But it's just not realistic. It just doesn't seem like it's there yet. Kind of editing. I'm trying to go for it.

14:06We'll see what pops up in the next year. And I you know, I guess the cool thing is like the given version of Lightroom that I have right now is it's totally fine for me.

14:15Yeah, this old version of Lightroom. Anyway,

14:18yeah, they come out, but I'm still always happy with the older ones for a long time. So I'm kinda interested. I'm only interested in buying software that I own. I'm not interested in leasing software, even as a working professional, even if I'm making money from using the software. Yeah, it's got to be a really special kind of business software license that I'm working on. But it can't I don't want to rent software. It can't be my color correction software for my photographs. I need to own that database. Yeah, it's a really good thing. Yeah. And for as much as I'm working it, I think I need to I mean habits, no service.

14:56Right? Yeah. It's just something that is part of your daily

14:59work. I get Paying for storage, paying for the website paying for hosting paying for processing, and something like that. But then I don't want to pay for the thing in total, if it's just raw processing and color correction, cropping, and exporting of a file like there are a lot of image editing systems out there. And everything I can do, I can do on an older system. But I'm interested if we go forward with some new software, I'm interested in trying like, like affinity, or you know, one of these other more modern just buy outright systems. It's like, yeah, it's like $100. It's not like there's Pixelmator Pro. That's it a new program coming out. Yeah. And that's supposed to be kind of a Photoshop-level replacement for stuff. I think that's like, definitely when you're like, working with layers working with, you know, textures. And so yeah, you can do a lot with it. Yeah.

15:45I think that I had looked at that one briefly. And yeah, that one is more like Photoshop. Yeah. Or has more Photoshop capability? Yeah.

15:52Yeah. I've heard people are really into that and are like really surprised with the level of quality that they can do and the speed that they're able to process that stuff. As an as like were we talking about? It's built to work on metal? Like, I think a couple of these things that we've been talking about are Apple apps. And I think metal is that system where it writes, it writes quickly to the graphics card. Right? Yeah. So what is that I can't remember, I can't remember the names of these, like these graphic layers, these graphic options used to work. But yeah, this is supposed to be a way faster system of processing some of that graphic stuff. And guys, this was to be a big benefit. But that's the sort of thing I want to try out with you is that, and I want to try to kind of invest in that stuff, just because we would own it, we have a license, we get to use it for as much as we'd want to. But yeah, we should try and check it out a little bit. Also, I kind of think it'd be kind of fun to get some of the software, and just do like little videos about

16:46it. Oh, that'd be fun. Yeah, I'm just like, trying it out checking it out. Like hey, like we're, yeah, we capture one. Yeah.

16:55We just kind of check out. Yeah, yeah. But I want to try some of these. I want to try, like, you know, tech checks out and, and see if some of these other tools are better, or more modern, or kind of make a different, more creative result. Yeah, a bit of that in Lightroom, where you seem to kind of fall in like a little bit of a rut of like, how Lightroom edits a photo? Oh, my

17:19gosh, Yeah, no kidding. Yeah, you can get a little stuck in routines, or just like how you kind of have to adjust it?

17:26Yeah, yeah, there's a little bit of that. And I'd like to see if there's some new thinking around that workflow that makes it a little bit or breaks up my creativity a little bit, make something a little different. So I think it's worth it just in the sense of that kind of investment. But, but yeah, overall, I think I mean, you know, everything's fine. So I'm one of those people that kind of says, Yeah, I usually use the old or use. I don't know, Adobe Camera Raw, if you have to, it's probably like most of the adjustments that you need to do anyway, I think I'm not big into retouching stuff. You know, but like, I think you need to like work a raw file. Yeah. process its color. Correct. It makes sense it. So yeah, I think there's a lot you can do just with about anything, but it's kind of interesting, just seeing like, some of these new software's come out and how they're being developed. There's another one like one, it's up in Portland. Yeah. Seems like a Lightroom competitor. So the idea behind it, I've not gotten into it, I think that like a beta comes out. And I was a little confused about how to use some of it. But, again, like that's the main thing I'm saying is all these new photo editing software's it's like, I'm kind of confused how to use them. So grants are ingrained in using the stuff in Oh, yeah, just the layer? Yeah. Yeah. It's been cool. He's just been like, what I've gotten used to for a long time. So I know, we're kind of making a transition. But it's that bad.

18:46Yeah, it'll be interesting. Just check out some of these new things. Yeah. Alright,

18:51check out more stuff with you. I don't know. We'll have to figure it out. We got to figure out some new editing stuff. But really, I think for a long time, I want to want to jump into a bunch of these raw files that we have from the last month or so. One of them is I want to try and compare presets. This is something we haven't done much before. But I want to try and get into some presets for Lightroom stuff. Yeah, and I want to try and do a little investment into like affinity or into Pixelmator or you know, one of those other alternatives. I think with affinity at least there are a bunch of preset systems for the photo editing stuff there too. I want to try and compare them a little bit or run some of our other photos through it and see what kind of creative results we get. I like working with some of these preset packets over in Lightroom or some of the new stuff that you could do over in affinity just be kind of cool to try and experiment a little bit with that.

19:40Yeah, I think that would be cool to get into the preset stuff a little bit. I see that as like a huge part of a lot of photographers' workflow. Yeah, I'm curious about like, what, what that is like to use

19:51um, yeah, I'm pretty interested too I see tons of people on the Instagram kind of promoting their preset systems.

19:57Oh yeah. selling their preset time.

20:01I don't know if I'll do that so much as watching a YouTube video about how one built such and such preset package.

20:10What I'm interested in,

20:11there's lots of stuff out there, we can find that that could kind of be a creative start for us to find something to do. But it's interesting to see the levels of editing that go into some of the color corrections that happen on these photographs. Oh, yeah, yeah, some levels of editing that I'm not familiar with. So I guess there's a lot that I should learn about it. You know,

20:29really, like, that's a big part of why I'm interested in seeing other people's preset packages. Yeah, I just want to understand like, four presets that are for photos that I think look better. Oh, yeah, like, Good, right. I'm just, I'm just interested in seeing like, what does that look like? I'm trying to figure out when someone else is putting a photo together. Like,

20:50I'm trying to figure it out, too. Yeah. What is the system of stuff on the side that you're looking at? What are the adjustments that are going on? Like, what hue and tint stuff is being pulled around? It seems like there's a lot of stuff going on in there. Like there are a few kinds of granular changes in color correction stuff that I'm probably not getting into, in my photographs. And I bet there's a lot of stuff that could be pretty cool.

21:12Yeah, I think it'd be really interesting to get into

21:15Yeah, I want to do some imagination, some photographs that have, yeah,

21:19I've been going back through really like my portfolio, I guess, and trying to reevaluate what my best photos are, and also just re-edit a lot of stuff. Oh, that's great. Yeah, but yeah, I'm trying to get into better finer editing.

21:36See, yeah, I'd like to try and figure that out, too. Yeah, I've noticed that that's like an element of the post-processing, post-processing stuff that I want to get into, more heavily is like the level of editing stuff that I'm able to do, or just the level of choices I'm able to make when I get into something like Lightroom, or affinity in the future. So it'd be cool that we should develop on that it'd be cool to try and push ourselves on that a little bit and see if we can learn some new tricks. Yeah, man, I like that I process probably 200,000 and 300,000 photos, and the last couple of years. I usually export stuff. And so with that, I don't know what I did, or, you know, there's not, it's just, it's just sort of automatic. Or, you know, like there's a lot of things that like aren't setting now. It's a weird thing. Like, I've just kind of moved through Lightroom for a long time.

22:25Yeah, I know, there's a lot of stuff that you probably kind of just like, auto-work through. I know, that's how it is for me. Yeah, a lot of pictures. And I think it's fun as much time on.

22:35It's like, it's when like when Tiger Woods was playing golf. And like halfway through, he needed to get a new coach for swing. I don't know, golf. But yeah, you're like any coach, because he was like hurting his shoulder. After all, his swing was wrong. So we need to like to correct his swing. But it's one of those things where it's like muscle memory, right? It's like so ingrained in like the way you do something, I should hold something. So it takes a lot to kind of break that habit of yourself that muscle habit yourself and then kind of figure out a new way to do the thing that you do. So we got to kind of break ourselves a little bit, but I want to do a bunch. Like as we get more and more into wedding photographs, I want to try and figure out some interesting stylistic things that we can do in those photographs through our post-processing.

23:16Absolutely. Yeah, I've been really because that's what I've been doing for photo editing. Yeah, mostly the last couple of months as well like wedding photo stuff from work that we've been doing. Yeah. And yeah, I want to get into more of a stylized way of doing that. A little bit more of a particular kind of quality. Yeah, I like their photos are awesome. They're so good. But I want to, I mean, that's kind of what I like about going back to like the Sony cameras and stuff like, like, they don't even have to be edited. They look beautiful, already. But I want to get into making them look a little bit more like a style. Yeah, not just that it's a really beautiful photo, but that it's like,

23:58No, I want to work in a good way, I want to be selective about our lens use.

24:04Oh my gosh, I

24:05think there's a lot that we know to do in that that we're not able to execute right now for some of our projects. And that's something I want to change, you know where we go, we get some stuff in there. But that's that, that right piece. So I want to focus on that. And then I want to focus on our post-processing element on top of that, to get the right kind of texture in the file when we make it and the right kind of colors and you know, just that the right photo. And then I want to try and do a great job in Lightroom or our post-processing stuff to kind of pull that out and make it the most and make it look a little style is a little different, and a little better. Yeah, it'll be cool. I think we've got a pretty distinct style with the things that we've been working on over the years. I want to try and push that visually into just the new directions.

24:55Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys Check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage some good links to other outbound sources. some links to books and links to some podcasts. Like these blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks a lot for listening to this episode at the back end.

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

View Details

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often? Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

0:14Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Today, I wanted to speak to you a little bit about rendering out mp4 video. I know that's probably a pretty exciting topic for everybody. That's what I've been doing recently, I've been trying to kind of put all of that on this workhorse desktop computer that I'm using. And I'm trying to use Well, first I was trying to use Lightroom, right, you are probably familiar with talking about Lightroom for managing photos and sort of working with them and editing them. It also has limited capabilities of working with the video files that come off the DSLR that are just kind of commonplace with modern DSLR cameras. So bringing those videos over there, they're normally some kind of MPEG container format of which I've seen I guess, MK V or chaos is that sort of Chrysler, I don't know, isn't, it might be a different thing. But there's like a hit like MTS or something like that there's a handful of these different little container file ext

View Details

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

View Details

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

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0:14Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast.

0:23Today I wanted to talk to you about Adobe Premiere. I just yesterday talked about Adobe Final Cut 10.4 and some of the cool 360 editing things you can do with it. I guess Adobe's getting into it pretty, pretty good. And really, with a lot of attrition that's been happening on the apple side. And I think a couple of days ago, I talked about the new MacBook Pros that have come out, that's sort of the only Pro, does it? I don't think a lot of pros are liking some of the stuff that Apple's doing. So to cut to the chase of it, they're moving over to PC stuff. And a lot of that hardware is quite excellent. A lot of those video editing rigs are very capable, outside of like, the macro, what are you gonna do with that? Now? It's, it's not, it's not state of the art at least. And so you know, as fast as the world is moving? It's, I don't know, it's apple's fault to lose it like this. So with a lot of the, with a l

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Today I wanted to talk to you guys about an Instagram TV post that I made. also kind of asking you guys what you think about Instagram TV. What's it like for you to have put anything up? Is it useful to shoot a vertical video and then edited and posted on HGTV? I see some content. Whilst I don't know producers' providers, what do you call them now, creators? I don't know, I see some YouTube stars trying to put up some things cut down to a vertical video frame and throw it up onto Instagram TV now, which is sort of a separate app. I've downloaded it, I'm trying to check it out. It's kind of interesting. But I guess one of the things that I threw out there, I guess what I'm gonna run down on a few of these little podcast clips is I put together a handful of clips from a 360 video trip that we shot down at sister's rock, Oregon, like when we showed up there, it was cool. But Gosh, we lucked out. I probably talked about it a few times at this point. But we lucked out with a beautiful sunset. And so we waited like right at about the time that the sun was right at that golden hour spot it was coming down to its horizon line to set. Right about then we walked down toward the beach, sort of on this long road that sort of meanders through like this big mountain over to your left-hand side. And then this big, sweeping coast that that kind of curves in and you seem like the shortcut to Washington, but was cool to get to see that in 360 when we shot it and edited it and rendered it out later. But it's also really cool. what I was doing, I guess kind of in at that same time was shooting some clips of what it's like to sort of go through a shoot 360 video. So I threw a few of those together of us doing some stuff on the beach and walking around and getting some shots. And I put that up as one of the clips for the Instagram TV video model. And it was cool, it's kind of been put up, but you can check that up. over on Instagram TV, I have a few more of them coming up too. It'd be cool to put it together. But the main question is, does that make sense at all, you know, like this vertical video being this unnecessary? Do you guys need anything like vertical video, I'm testing it out a little bit because I like to put my hat in and try and a few of the newer pieces of media out. But I'm also kind of skeptical about some of the need for it. I don't know, I guess this is the other thing I've learned about Instagram too, is that it turns out what I like or what I think doesn't end up being that important. Or is that necessary, it seems that so many people have their phones that are holding them in a vertical position and anybody under 20 or 25 or something at this point is going to understand quite clearly what to do with a vertical video and how to interact with that. And it seems like there's so much media and content being consumed being downloaded, that somebody who communicates effectively in a vertical format is going to be able to create an audience create or action, you know, generate something for themselves. So it's kind of interesting, that won't be me, of course, obviously, but it's kind of interesting to see, you know, like how these different things sort of pop up. And then how over time it's going to end up in something important even if it seems like sort of a silly thing people's old as asked wouldn't use

3:29 you can see more of my work at Billy Newman photo calm, you can check out some of my photo books on Amazon. I think you look at that Bitly Newman under the author's section there and see some of the photo books on film on the desert, on surrealism on camping, you cool stuff over there.

3:52 During this time, this tactic called feather sticks, do you guys heard of that it's like a bushcrafting term I hate that word I prefer camping or hunting or something like that. But in the world of bushcrafting which I'm sure you can YouTube, there's this and it's an idea, and a lot of that stuff is great to have generated the skills that you need to run to manage yourself in the outdoors and the thing kind of the thinking behind it is the more that you know about how to work with your environment the less gear you need to carry with you and really the more apt you are to make proper choices in a short period that will help you out so that's helpful. So you're just kinda like having fire building skills or knowing what to do and how to set up camp or how to run a tarp or how to get water all that sort of stuff. Anyway, in this case, you take some of these sticks that I'm talking about some of these drier ones, you take your knife, your sturdy bushcraft knife, but people still like to talk about anything you take around 24 inches of that stick and kind of break them down at 24 inches or so. And then we're supposed to do is take that knife and sort of what would it be like a kind of like peeling a potato or something or like you know if you got to like kind of peel it Carrot, what do you want to do is kind of start at the top. And then you want to peel into it, you kind of cut in with a knife just a little bit and then run a slice of that down to the end of the bar, but you don't, you don't slice off that flake of wood that you've been pulling up, you try and make it pretty thin, too. It's called feather sticks for a reason, right? See, if you try and kind of make it like a thin strip of wood that's kind of pulled up from it. And the wood will just kind of naturally curl up on itself. As you chop on it, it takes a lot of getting used to you kind of have to get the hang of trying to get those feather pieces down, you have to hold it onto the stick itself. So you cut down to the last like two inches or so of the wood and then you leave it and so what happens is I used to cut, you kind of rotate the wood and you cut down to rotate the wood and cut down. And so you get after doing that for a while. It's just a bunch of these real thin flakes of wood that are all gathered up at the top end of this stick and then you have a nice dry piece of kindling, that sort of works down next to it. And so what you do is people a lot of bushcrafting and camping stuff is just doing a lot of preparation and a lot of work that sort of seems like a man should roll lighter or you know, should read some newspapers or something that would have done more. But if you're in bushcraft and yeah it's one of those things you can do if you have nothing, nothing around. But yeah, you make these feather sticks and then the good fire starting material if you get the right wood that's trying if you can kind of run down and get these plumes of these kind of saw or Masada is but these little like plumes of wood flakes and they'll burn up real quick when you get a fire going on them. But what I did for this one, oh the other fire tip. What was the one I heard? Cotton balls and Vaseline. here that's like the fire starter ticket because it's pretty, pretty neutral. You can use the Vaseline for a couple of different things and the cotton balls too but that petroleum jelly that makes up the Vaseline will rock fire and the cotton too. So yeah, you just need to take a cotton swab from the bathroom the Vaseline you put that in like a Ziploc bag and then you pack that into one of the pockets of your backpack and you can get a fire going with a lot of stuff or you can get the base of a fire gun with a lot of stuff like that would work great even with the gun was like a flint Flint rod.

7:21 I can't remember what the other word is for it but those Flint rods that you strike and then you run a spray of sparks on to instead you can do that I always bring a lighter a couple of lighters with me I got one in my pocket right now but those are really easy Firestarter tools where you can like that you got a good flame going for a sustained amount of time running out the petroleum jelly and the cotton and then you can stack smaller twigs and sticks and stuff on it and then run bigger branches on that quickly and that that helps out a lot in my case I didn't know that I had a couple of couple napkins from lunch and I had some Fern that I spotted over here and it had died out so there's these dried out fronds of Fern leaves over I don't know about 50 feet over here under the side of the road. So I went over there with my knife and I cut down a couple handfuls of those I came back over to the fire I laid out a better the smaller sticks at the base and then I stacked in a bunch of the dried Fern is a bad there and then I put some of the strips of paper towel that I had balled up in a section there and then I stacked up kind of a little fork like a little lean to four of some of the smaller sticks and then had some of the bigger sticks are ready to go but lit up the the what was it the paper towel and a couple in like two spots is what I tried to lift paper towel in two spots with the lighter and then real quickly I just kind of held over the ferns was dried ferns and they lit up real fast here so that was a great fire started piece and that cuts you know cuts a big flame really quickly and then I put that over it and then that kind of got the lower ferns sort of burnin in some of the sticks going and then I threw on those smaller twigs over and then that caught and through the bigger sticks on there. So dropped a couple of logs on there. Yeah I was kind of scavenging them from some of the other fairings that I was passing along the way even though I'd gone out what was it a couple I don't know it's probably a month or so ago now and I collected a good bit of firewood up in some of the the areas outside of where I was working at and yeah I'd kind of drive around and if I see like some some downed dried out wood on the road and throw it in the back of the truck and then I brought it home and I cut it up and then I stacked it up and so some of its guys seasoning out now we've got a little fire pit at home that we're kind of we're kind of using it with but I was gonna bring some of that some of the twigs and some of the kindling that I had and then I forgot about it and didn't bring any firewood with me which is fine to know you know it's cool really almost anytime I've gone out camping in the past I've never brought firewood with me even probably at times I should have or you know places that you're not supposed to scavenge firewood or that it's been so used that there's just no firewood in any capacity left to scavenge batch. Where was that Isn't Wyoming yeah I was in Wyoming we were traveling we were camped out at a spot and cabbages go through there we were in September so I'm sure that you know he has been in constant use from you know April until the end right you know it's just been constant use and it's been like that for the last 100 years or how long you know we're not the first but in that in that area out there there just been nothing available to burn so all the all those flammable resources has been collected by other other kindling hunters in the past and it's kind of interesting to see how that goes so we kind of had to be resourceful and we had to kind of figure out how to gather enough stuff but we did pretty well you know, like we result in kind of go to like pine needles and pine cones sometimes those those were pretty well are often pretty dry and will burn well enough they're not going to be a sustaining fire they're not going to really like get up embers go into the degree that you can really cook on an effective way but but you can't cook on it I mean, you can get some stuff going and in some other ways you can get you know enough of a fire gun that you can you can get a lot going so that's that's normally what I would have is you know, you have like one or two good logs that can kind of keep things kicking for the evening but to get that going you need to you need to have some smaller stuff and normally that day you're just trying to find where you show up because you can't be here there's going to be stakes around so you try and gather that stuff up but man, if it's a busy area, that stuff will happen scavenged shoot, but that's not my problem now so I'm I'm loaded up on some firewood and I gotta get better coals go and that I can get this

11:35 stuff set Rockin with

11:43 you can check out more information that Billy Newman's photo comm you can go to Billy Newman's photo comm Ford slash support. If you want to help me out and participate in the value-for-value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo.

12:22 I'm looking into like hard drives right now I'm trying to find something but I don't know if I really need the collaborative accessibility that is provided by cloud storage and so much I think I need fast, hard drives fast data storage, and stuff. So I can kind of move things around. That seems to be more useful for me than the big cloud. I'm looking at eight terabytes and 10-terabyte Seagate hard drives right now a couple of other brands I was looking at like the G drives and those cooler aluminum metal cases, I was looking at other Lacie drives about Lacy stuff in the past. And but I'm looking for a bigger desktop drive, I have a couple of smaller, portable drives that are great with a laptop when you're moving around. And that's worked functionally for the last couple of years. But I am looking for something that probably what I want is a NASS or some network-attached storage device. I've been interested in those for a long time, they're kind of expensive to get into. It's almost like buying a desktop computer when you load it up with big hard drives, and you have to buy an enclosure and it's a big project, just all as that as it is. So really picking up eight terabytes or 10 terabytes for 200 bucks seems, like it would solve my problem for the time being. But that's what I thought five years ago when I bought a four-terabyte hard drive. And I thought that would solve my problems. And now I have four filled up. Four terabyte hard drives, one, two, those are the four pounds the two. Those are both. So there are four, that's for sure. So yeah, I need to get a bigger, bigger amount of space to kind of do the data management stuff that I have in the background, the tough thing is, is like so you have four terabytes, wow. And so it's like a lot way more than I would have ever thought in the past. But I mean think about 20 years from now. But in the data we're going to be talking about, we're talking about AR files or photogrammetry projects or something, it's going to be insane data. Four terabytes, I got to back that up somewhere, right, so I need a second four terabyte hard drive to have all that duplicated over to so now I have two full four terabyte hard drives, which is kind of the problem that I seem to run into. I'm going to get this eight terabytes hard drive and then I'm gonna need a second one to back it up to so the idea is that it's just gonna be this one big tank drive, that's gonna be the archive area for all the stuff to go and get backed up to. And then we're gonna have the smaller you know, four terabyte hard drives that are maybe a little faster. I've been doing black magic speed tests on them though, and they are not that fast, like 100 megabits a second. I'll get to that in a second. But yeah, try to get the four terabytes I have right now to be more active, like for video projects or for the photo libraries or something like that, maybe I can break it out and have that run a little bit more stable on some of those but the interesting thing the thing I was gonna mention is that these drives are USB three, right? USB three, that's fast. Hey, maybe soon they're gonna be Thunderbolt three or the USB 3.1 USBC connector. That'll be great. That'll be what when is it? 10 or 20 gigabytes a second incredible speeds Wow, that'll be awesome, or USB three what that's five gigabits a second gigabytes a second slippin. Now, slow hard drives are the weakest link in the chain. So you're sort of throttled back to the speed that the drive can write to. So these 7200 RPM drives the spinning disk drives, which used to be kind of state-of-the-art video drives 10 years ago. And that is kind of considered slow, they are slow their data write speeds are somewhere around 100 megabytes a second, which is below half of what was advertised for that even USB two speeds of 250 megabits a second, megabytes a second. Okay, so we're running 100 megabytes a second on a USB three, four terabyte hard drive, it's good. It's cool. It's I think better than the USB two connection. Agnew does. So it's faster than a USB two cable, happy to have USB three. But Wow, that is not the same kind of performance at all. So that's really where you're going to see the performance increase when you go to an SSD hard drive. So let's try to consider that about any like future stuff I was thinking about, like, getting like a pro desktop computer and trying to build out some stuff like I was saying network, storage device or other stuff that I could use when thinking about Okay, so for performance with like a higher end computer, you're going to get slower speeds with that. But you would get really fast speeds if you had an SSD or if you had the right type of enclosure that was built to work with it quickly. So that's kind of been crossing my mind for future-proofing. What I'm up to for the 2020s as we're getting into it. I think though, round, most logically, the answer probably got the reasonably priced eight-terabyte drive now and wait some years into the future that pick up

17:20 some multi-terabyte solid-state drive of the future that can transmit things at faster speeds. I'm sure we'll get there sooner than later. Well, thanks a lot for listening to my kind of ramble about computers that I have installed on my laptop. That's pretty interesting, right? But all of that is in service of the greater goal of trying to get some photo stuff put together, which has been going pretty well I've been going through a bunch of images in the catalog. And I'm trying to get together I think I've been trying to talk about it in so many ways a few times. But I'm trying to get together a couple of sets of portfolios sort of structured into like, let's say, easily landscape, commercial shoots, portrait shoots, wedding shoots, something like that. And so there's kind of a collection of each second have so if people are to look at those photos, so see, oh yeah, there's the there's this and then there's that. So that's kind of the plan which is close to coming together pretty fun. And other than that I'm getting into video stuff I've been editing a lot more in Final Cut, I've got the big monitor up, I've got the weakened toppled out I'm trying to go through and kind of get used to using the pen, it's probably easier to do that in Photoshop or Illustrator or something like that to get used to the pen. But if I don't, that's a cool tool. Also, you get to kind of you know, flow the pen back and forth. Using a tablet, it's a faster way of working than with a mouse in some ways and is sometimes a little more accurate but it is a bit of a learning curve in some ways. So try to tighten it up. It's coming

18:53 thanks a lot for checking out this episode of The Billy Newman photo podcast Hope you guys check out some stuff on Billy Newman's photo comm few new things up there some stuff on the homepage, some good links to other outbound sources, some links to books and links to some podcasts. Like these blog posts are pretty cool. Yeah, check it out at Billy noon in a photo calm. Thanks for listening to this episode and the backend.

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

View Details

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast.

0:23 Another photograph that I'm doing a little voiceover of this image was shot on film, in heart mountain. Now heart mountain is a Yeah, an antelope refuge. That's also a huge mountain in a desolate, arid section of the high desert in Eastern Oregon, southeastern Oregon. And you know, thinking about this a little more, it's interesting about that Eastern Oregon landscape. Because now that we have states and borders, we have this conception that that's where the borders are, right, or that's where the lines of discernment are between one area and the other. And what's interesting to think about it in this section, it stretches out from Eastern Oregon into Idaho, takes up a lot of that North Eastern section of California, east of the Cascades, and then on into Nevada through that northern area. And if you think about it in the past, this used to be the territory, of the Northern Paiute, the Indian tribe that I think occupied a section of this area for a long time. It's very interesting, I'm not sure if it across cross-references to the same tribe, but there are petroglyphs up on Hart mountain near the location where this photograph was taken, which is from the Native American tribes that lived there hundreds of years ago now. So this image was taken right after sunset during blue hour, having one of the bright magenta clouds that passed up and stretched up above the desert landscape above me, I thought it was a cool photograph. And I appreciate these types of passing phenomena. So that's why I put it up

1:49 you can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. And then you can look at Billy Newman under the author's section there and see some of the photo books on film on the desert, on surrealism, camping, and cool stuff over there. And I think I just been going through editing a handful of photographs and I want to talk about a few of the ideas that I had around that it was cool I was going through through an archive on a hard drive that I have for a bunch of the images from a lot of the camping that we did during September while we were out this this past year and it was cool working with with the newer Sony cameras like like I've talked about a handful of times on this podcast so far and and working by like traveling around and camping and stuff working on the track and all that so it was really cool but with a lot of these photos a handful of or you know in a waterways they really haven't been processed to to a final outcome yet so one thing that I was working on was trying to go through some of the photographs from imnaha Oregon and Emma How are I going to talk about on here a bit was that area that's east of of Joseph and enterprise Oregon as you get up toward Hell's Canyon, or Yeah, I guess up there like right on the Snake River and the Idaho border. And it's a cool spot it's a really interesting little town and the geography out there changes quite dramatically like right there out next to the Snake River and that next to all those hills and mountains that are over in that area, but it looks like it used to be way more full of water out there just the amount of erosion that he can you can see that seemed like it ran through there to create this giant gorgeous that we see now that's a lot of Earth movement that had happened out there. So it's a cool area out there. But once you get out to him now there are no services, there's no gas, there's no store I think there might be some type of thing if you could call ahead and knew what to call in the head for. But there's a road that cuts out up the m&r River Canyon where the river flows through. And then there's a road that cuts up and it would go out toward Hell's Canyon or a viewpoint at least have at the top of Hell's Canyon as you look down into the Snake River and the Oregon Idaho divide the cool area up there and worth the drive if you can get out there but at a certain point, there's a viewpoint that you're able to kind of walk out to the shows all of the imnaha Canyon and really interesting way just the angle of it. I think everything starts to line up nicely in that way and that's something I've tried to kind of look for us. I'll try to put together some photographs. So that area was cool. You know, it's designed to look beautiful, but I tried to get real low and bring in some of the contexts and texture the grass in this, this dry grassy field that the cats dressed off on a steep slope down the hillside is it went down to the bottom of the ravine or at the bottom of the canyon. You know the M the High River Canyon that's out there but the contours of the land And the distance that kind of all flowed into the same vanishing point as in how river you know sort of worked its way up back toward the horizon but really beautiful area up there and it was cool just sort of focusing the camera and trying to try to frame that up to sort of capture that immense pneus of edge to edge what it was light is sort of feel that the way that just the amount of angle there is to that and so one thing that I was working on with this photograph was an A handful of others from them Nairobi, Kenya was trying to try to work on some more advanced black and white conversions of these photographs. And I know there are different high-contrast filters and stuff for good, black-and-white images. And in a lot of ways, I help a ton of images, especially if they're shot right, or you know, cleanly with good light. Now you know, the files are clean, there's a huge amount you can do with that with things like that. But Gosh, yeah, just trying to like go through and add black and white conversions that are a little bit more specific, a little bit more adjusted to some of these photographs, especially ones that have like structural context to them or a compositional element, that's just defining the landscape by the structure of the land and by the angle of the land, I kind of like to try to mess with that a little bit. So it was a school working on it now like the way that it turned out it kind of pulls some of the yellow colors out of it, which is just almost sometimes distracting. And then the strips adapt to the kind of sharp angles that come in from the top of the frame to the bottom of the frame. These other sharp diagonals are kind of mashed up in parallel with the two so I kind of like that part of the composition elements that come about with when you're you start working on stuff when you kind of work

6:47 or just when you kind of start getting a little bit more trained and stuff and when you're able to sort of things a little bit more easily that starts to come around a bit better. But yeah, what's cool is working tonight on a handful of photographs from them and how ruber came in and try and make some black-and-white conversions of them.

7:07 You can check out more information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value-for-value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo.

7:47 Yesterday I took off on a drive I went up the Mackenzie River and I'm trying to go up to a few spots and then develop more photographs just from that location. Or you know, try and try and work on some stuff there. And it was good though it was cool to get a couple of minutes to try and work on some longer photographs nothing stellar from that location. But part of what I'm noticing is you need more times in your life when you're up to bat or when you're there when you're at the place when you've added a day of work all that kind of to say the same thing, but when you're participating when you're out and doing it and I'm trying to develop that more where we're it's just oh, I was out taking photos four times today instead of one time, you know, this week or something. So I think it's just your personal ability to cultivate those situations where you get to take photographs, that's almost really what it seems to be to work as a photographer is to cultivate the next time you're going to be able to take photographs and to try and cultivate that in rapid succession so that you compound that and it makes efficiency or efficient use of your time. But I think about that a lot It was cool going up yesterday I was working with the Sony seminar stuff as much as I could and I was trying to work on some long exposure stuff sort of mapping or matching the, like the river and the rocks of the shore or some of the stuff on the far end of the lake that was kind of cool to sort of work with a little bit but I try I'm trying to work on a few of those a little slower tripod shots, let's say but some photographs where you're kind of getting into a situation that's a landscape and you're trying to be just a little bit more patient and try out a couple of different options and then you know to wait for the light to come in a little better. And that's a few more of the techniques in the fine art photography side that I like but I don't get to express or get into as much especially in the product photo side or the event photo side that I end up working in most of the time so it's cool that I've been pretty happy trying to get out and do some photo stuff and it was nice getting out and trying to put some stuff together for myself, but Let's get kind of working some of those ideas out I'm trying to take more photos of myself too, I noticed that as I go back through my library I just completed trying to cut down a lot of the photos over the last like 10 or 15 years or so into a collection and maybe some of the best and some of the best versions of the file itself to it seems almost like a silly idea. But what ends up happening is you end up losing over time the best RAW file that you have that image if you're not careful, right like if you edit the image or you resize the image for you know, that's the version that ends up going on social media a lot of the times this is an image that's smaller than three megabytes. And a lot of the time three megabytes is going to be a downsized compressed JPEG image that I put together. And over time what I've noticed is that a few of these pieces are maybe some of my favorite photographs the variation available that I can find right now that's this JPEG version. So I'm trying to go through and clean that stuff up and it seems like I've done a good bit of the start of that but the next part is produced it's getting out and trying and be in places to make photographs that are new for the year of 2018 I need to be producing the files and then getting that work product out I need to be able to you know, finish it, edit it and publish it in a way that's effective you know, if I'm going to bother to say that I'm a media creator or I'm a photographer or any of that stuff so so it's been good kind of getting out there's the McKenzie river drive there's been a couple of other deals like out to the Deschutes river I'll get into that on a podcast some stuff out on the coast that was cool some stuff that near the tulip farm in Woodburn, all that stuff starts to come together and I have a few ideas for the rest of April two that might involve that. But on the other news, I think I'm dropping Hootsuite, I've been working with Hootsuite for a couple of years. And I don't feel like I'm getting the value out of it that I need. It's costly is a big part of it, it. It's like a monthly bill, it's probably more than Netflix is a month but what I need to do is kind of transition over to what other ideas are out there for scheduling posts on some of these platforms. And I think that's what I'll be able to do in a pretty effective way is try and put a little bit more time into these platforms specifically to schedule out these posts for a business page or for whatever it is, but I think I can do that within Facebook uniquely. And I think I can do that from a few of these other platforms too. And I just don't use enough of the other features associated with Hootsuite to interact with my social demographic that much. I use the platform most of the time to do that. But Hootsuite is

12:39 a mechanism I used to try and publish to multiple places at once and maybe now a couple of years later there are some alternatives or some competitors that offer some of the features that I was looking for when I first got into the Hootsuite pattern and stuff so it was cool to try for a while but really what I noticed overarching Lee is that if they haven't regenerated a lot of their interface. And so a lot of the things that were glitchy and buggy problems years ago when I started using it, they're still the same kind of glitchy buggy problems and really it's you know it's it's the location of the problem is always in the upload module which is really the only thing I use for the service so I just got smart and I decided to quit that and jump ship and go to some other service there's a few there's a free option Hootsuite maybe I'll continue to use that that that services three social media accounts is what it shows there's probably some other limitation to it and I know there's another service called buffer that I've used in the past and I think I might check them out again and see if there's an opportunity to to use that interface to do some buffer stuff here on out but but yeah, if anybody is super curious, that's how I sneak in some of the photo stuff that I try and put up on on social media across the board trying to make it a little easier on myself out of all these photos and I'm trying to organize them and then write captions for him in bulk and then put them up online if I can. But yeah, so it's going okay you know, it's always kind of a process trying to get some of the media stuff together. And really like I was talking about outside of media and YouTube channels and other things like that what I'm trying to focus on in 2018 is photographs, am I making photographs Am I getting to places to make photographs and my wrapped out in these other side responsibilities that aren't going to compound and benefit me when it comes back to my main goal here so I don't want to dilute myself in places where you know, I just can't be my back. There's an amount of diminishing return this seems to happen. So I've kind of thought about that a little bit but, but the need to make content and to make stuff and to produce I mean that's you know, that's what media creation is. So thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman's photo comm a few new things up there some stuff on the homepage and some good links to other apps. sources, some links to books, and links to some podcasts like this blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks for listening to this episode and the back end. Thank you next time

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Today we're looking at a video or excuse me, a photograph that was taken on film on avatar film. It's one of those Kodak films, there's portrait there's actor, I'm sure there's probably a whole bunch out there like Kodak gold or whatever the cheap stuff that used to get for your, your disposable camera used to be or your little point and shoot back in the 90s. But this was shot on acti I think it was one of the professional-grade films. I have not never known too much about film or film stocks or like the difference between slide film or was it Velvia or porch, or active. But I knew I got into acting because I liked that contrast II just had a crisp look to it and pulled out a lot of blues and a lot of greens that I had trouble getting in some of the other film stocks I was using, like, like I think if you use Fujifilm, you get a lot of all of the tones, that sort of thing. So I liked a lot of the crisp look that I got into color reproduction using this film stock. And this was back in, I think 2014 when reality when we were out at Loma lo like in Central Oregon, or kind of the central cascades of Oregon, maybe sort of north of Crater Lake, but a cool spot up there. And I just kind of like the silver lining of the clouds and the width of the light sort of diffused amongst this photo. It was kind of cool. But I think everything in this role turned out. Pretty interestingly, I think it was from a trip around the token e falls area, which will probably run through a few more photos up.

1:49 You can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think if you look at Billy Newman under the author's section there and see some of the photo books on film on the desert, on surrealism, camping, and cool stuff over there. So 360-degree photo work over the last couple of weeks has been cool. And I enjoyed it a lot. I liked doing the 360 stuff. I think back in June of 2018 we had done a bunch of podcasts about some of the 360 photography stuff that we were trying to do and some of the video stuff we were doing with the GoPro fusion at the time. And that was all cool and I liked that video a lot this time I was working with a Ricoh Theta zone. And I was going around to a few locations to try and get the photographs. Specifically, I think photographs are a lot in this circumstance, but not so many videos. But yeah, really interested in 360 photography, stuff that I was able, to edit together and capture during that time. So that was cool. But I went out to an area in, Central Oregon, that was pretty cool and went up on like a hillside to do some 360 work. And it's cool out there because you can see the topography of how the Great Basin was formed at the well I guess like during the whole era of the Pleistocene as it was for a long-standing period. Like a lake, it was just a big lake out there. And then as things started changing at the end of the Pleistocene, I think there were huge changes that ended the Great Basin stuff that ended a lot of the megafauna that was in the area. And that kind of changed the topography of the landscape over the last 10,000 years to be something much more of the high desert sagebrush Juniper tree exposed rock landscape that we see today and a lot less of the forested temperate kind of mountain climate that we have through the Cascades and three part of Oregon, I'm sure it was always more dry, given the rain, shatter the Cascade Mountains there. But I think for a long period, as according to signs posted on my drives, in areas where I go hiking sometimes but you know, like when you go up to someplace and it says, you know, this area so such and such time ago had these animals in it, where you see like giant beavers, or you see, like camels, or giant sloths, I guess, out of the area, too. There are all sorts of stuff that they had. That ended up being wiped out 100,000 years ago, 60,000 years ago, 210 20 10,000 years ago, or something like that. There are a lot of changes that happened throughout the Pleistocene, I guess, during what they call the quarternary period, a period of glaciations that the Earth has been involved in for the last 100,000 or 200, maybe million years. I'm not sure it's its last couple of 100,000 years we've been going in these cycles of glaciations, or you know, we're in an ice age period. So we go into an ice age like we have ice on the Earth right now. It'll be more ice at a point and then less ice at a point. More ice at a point less ice. So the point, I guess that's been going on for what they say somewhere around like 200,000 years, these 30,000-year periods of glaciation to nonglaciation, where like, I think we're coming, we're like on the far end of the Glacial Maximum now. So we had the, with the Glacial Maximum about like, what, 11,000 12,000 years ago? Or is that right? No, I must have been, like 15 20,000 years ago that we are the maximum, then it started receding. I suppose. That's when we were able to know that does it make sense we had like the land bridge, like the Beringia stuff where people got over that was probably 15 to 20,000. sea levels were low, or they were like, 400 feet, they squared along the coastlines. They came over through the land. So that was a pretty long ago. Why anyway, at some point, like I was there, like I'm gonna figure out Wait, let me remember. Let me think back to 15,000 years ago, where was I? Yeah, I wasn't here. So I don't know what happened. But apparently, there's been some recorded evidence that I was learning about. And I think it's like Montverde down in Chile. And that's a location where I think they carbon dated something to 15,000 years old, like human remains, the human element remains, there's, there's like a few locations here in Oregon, where they I guess, have evidence of the Clovis people that sort of around like the 1112 13,000 year mark. And then there's other evidence of things that are I don't know within like it's time it's like anything from like 7500 years to 15,000 years ago seems to all kind of be in flux have a date, because there's not many,

6:47 not many perfect ways to date that. And if it's a cultural artifact, like, an arrowhead, or a pot shard, or a scraper, there's some indication of how those things are going to be created, or how those artifacts are going to be created and how there's are going to remain like Folsom points or Clovis points are pretty distinct from each other, but they're not culturally distinct from each other. So it could be like a variation of many different tribes and languages and peoples. All well unrelated to each other but related with a similar vein of technology for a few 1000 years of you know, their tool use shape was kind of similar because they're all kind of from a similar descendency. But I think when you get like more than 100 miles away, your language is separate over like a couple of generations, you just got to speak different languages. But man wild stuff anyway. So I don't remember where we started with this. But I was out in Eastern Oregon, exploring the Great Basin, I went up on a hillside and public land and I was doing some 360 photography work with the Ricoh zeta Oh, Ricoh Theta zone. That's what it is. And yeah, I was capturing some stuff on a hillside really beautiful areas up there where those ridges kind of drop in and out. And so it's cool when you get like up to a higher elevation, you can kind of see the pockets of where these lakes and pools of water and kind of sat and rested for what seems like I think I was saying something about recording some 360 photographs up on some public land in the high desert, in the Lake County in Great Basin area of Eastern Oregon, beautiful spot over there. I enjoy it. And yeah, it was awesome to use the Ricoh Theta zone to be capturing some images up in that area, it's cool when you're at a higher elevation. And with a 360 camera, you can kind of it provides a little bit of a different perspective is seems silly to see like wider, but when you re when you kind of replay those images, and you're able to sort of look around in the context of what's the left and to the right of you, you're kind of able to put together the context of the landscape a little better, a little faster than you could if you just had a series of individual photographs that had segments of the wider landscape captured in it. So it's cool at that higher elevation, you can you can kind of look down to areas that we had been hiking around earlier in the day through some of the ridges and troughs that would be over in that area. And you can look down you know, it's like 500 feet down in elevation to what we thought was kind of the mountain top pass and then pass that as another maybe 1000 foot or a couple of 100-foot drop in elevation as it goes down toward the lake basin area. So all that was pretty cool. And what was also cool about it is just sort of visualizing how populated that area had been in the past, I think, you know before the Western expansion of the United States and as 1000s of years passed by, and This region of land and the Northwest that had been populated and that region specifically been populated by nomadic tribes that had been able to travel and subsist off of the wild game that was there, I think a lot of like antelope and deer, and it looks like bighorn sheep by some of their planning some kind of sheep, but it looks like that from some of their, their pictographs and petroglyphs information that they left then the dynamics of some of those populations of animals have changed in the time. Now given like modern day, I don't know, I don't know if we're gonna see a lot of sheep out there in Lake County. But there's one drawn on a rock out there. So they must have been trying to look for it. There's a lot of them in the southwest as he moved into the I think the Mohawk tribes. For him, that's more of a 3000 to 25 2000. I don't know, it's probably bad. It was 3600 years ago, so everything but 100 years ago I think it was like Captain jack over there Captain jack's stronghold for the Murdoch Indian Reservation area. That was like in the Indian Wars of the 1850s. So the last to tell them but yeah, there's some information about some of the pipe, the Piute Indians, I think the Northern piute that were in that area of Southern southeastern Oregon, Nevada, then into Utah, Arizona, and New Mexico if I kind of understood, right, but I know there's some fluctuations in there. And differences in timing and stuff. But yeah, dollar, is pretty cool stuff.

11:35 It was, it was awesome to get out there, it was cool to get out and kind of walk around in some areas of some public land, where we still have some access and still get out to try and do some photography stuff, even in this period where you're supposed to stay home and there's a lockdown it was, it was cool to kind of get out and try to do some exploring and some social distance conscious. I mean, that's fine with me, I don't, I don't have to be around a lot of people, it's better to do landscape wildlife photography work while you're sort of in some type of isolation. I'm sure like a lot of hunters are kind of considering something like that to you know, hunters, fishermen, people like hiking or you know, a lot of those solo activities, it's cool that you know, this kind of this time, sort of is provided a little bit of a reset for probably a lot of people out there to have a bit more time to invest in some of the things that they'd want to, I suppose a lot of folks are probably stuck more in their local area but it's a great time too, to get to invest in some things that seem more important to you. So that's what I've been trying to do. I hope you guys are doing well. Thanks a lot for listening to this episode of The Billy Newman photo podcast. You can check out more at Billy Newman's photo calm I'll be doing a ton of updates over there. The airplane is taking off. Sounds like prop plans are about to fly over my head. It's like that scene in North by Northwest or Cary Grant starts getting run down by that biplane. That'd be scary.

13:04 So that's that in the future. You can check out more information at Billy Newman's photo comm

13:14 you can go to Billy Newman photo.com Ford slash support if you want to help me out and participate in the value-for-value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo and I'm happy with the seminar so far I've been looking at trying to pick up a battery grip for it you know I did a wedding this weekend which is great shooting a wedding and those are really fun events to go through and a seven I did a pretty good job in almost every capacity I love the low light of it. The way the sensor works is great and super high quality all of those things fit the mark for what I need, but it was interesting I was noticing that in low life the autofocus for that camera doesn't function in a way that I need it to or I'm missing some stuff that I want and that's where I see the real benefit and in some of the older systems I mean even like Can't I contrast base autofocus systems that were in the Nikon or Canon systems for the last like 15 or 20 years are superior to what I'm seeing in some of the expression of what the early Sony autofocus stuff can do. You know it's like in focus, right you're looking at a frame it's in focus your autofocus point is on the thing. It's a contrast point, there's plenty of light on it. You go to auto focus and then your lens just spins out and it does not for like four seconds just spins out to infinity and to see just blurriness you lose the moment completely it comes kind of back in maybe it finally grabs focus and then you take the picture but you kind of miss everything or you just I don't know like there's a lot of times where you're waiting for the camera to focus who really should just be like pull up to your eye it sees focus hit it grab it click it go I'm having a harder time with that than what I thought I might and I think some of that could be because of the lack of the phase detection autofocus system that like the the newer a seven r two has the a seven to a seven as to a nine or a nine right yeah that's a that's a Sony one and like a lot of the new Canon cameras they have this phase detection system is supposed to be some better multiplexing system of finding autofocus but there used to be systems that worked pretty good like my d3 at 53 autofocus points and they can pull up I think I don't know something like that but you know, plenty autofocus points and they can grab your autofocus point even in pretty low light they could kind of get oh that's at infinity or that's pretty close to right next to me so I'll stay there so it's interesting kind of learning how that behaves. But overall the photos from the wedding came out really well a lot of this stuff worked out very nicely I've been really happy with it but another thing that I noticed is with running was running a camera as a device like more like an iPad or like more like your phone you know where it's got it's got some screen on a lot of the time it's got processing stuff going on it's moving gigabytes and gigabytes of data to a card it's just drawing from the battery almost constantly I mean like during a wedding I guess to kind of think of power consumption like this I wrote 48 gigabytes of data to SD cards and so that's going to take some amount of battery energy you know stored energy to write all that data to a card and so in that capacity I kind of do get that it would take a good bit of power to write that much information down to capture it and then write that much information if you think about everything that has to do so in that way and then run a screen and you know run the processing and run it visually and all that so I kind of forgive it and it capacity but what I noticed though is that I really did go through a couple batteries shooting and just sort of a regular fashion at this wedding for for most of the day is like a full day shooting but it really was burning through those batteries pretty quickly like you look at it like oh Whoa, I just I just use like 10% in a pretty short amount of time. And so with that, I was kind of thinking and as it's been the plan for a long time for just I don't know the kind of like a best use case for professionalism what I want to do is get the battery grip that goes in accompaniment with the seminar and the battery grip I think it's it's you know it's like a Sony piece that fits yeah I haven't seen a battery grip before but you know the one where you can throw the two camera batteries into the battery grip you can get an extended amount of life from your camera that way and you get like the portraits or what is it like the vertical shutter release? You know so you can flip the camera up and shoot in portrait mode and try yeah like the size of it the look of it, it'll be an awesome kind of compact professional

18:14 What is it not SLR I keep wanting to say professional SLR but it's an Interland interchangeable lens camera that's rolling right off my tongue isn't it so yeah, it's gonna be interesting I want to go for the battery grip though and I think that could kind of solve some of the problems that I'm having with battery usage issues of the camera kind of coming up dad after two or three hours or whatever it is? So I don't know I've heard plenty of other people about wedding photography kind of complain or grass a little bit about some of the features that are associated or some of the things that make the workflow of a wedding work of a wedding shoot go by a little bit more difficulty with a featured camera like the seminar, I've heard of people that are really into it, too. So you know, it seems like a couple of different things. But low light autofocus is an issue on that camera, I can tell that some stuff doesn't do now. So with that, and with the concept of like what I like to shoot or you know, like, kind of still moving things or landscapes, low light firearm stuff, if I try and get into that more, I wouldn't run into that same kind of problem with as much repetition because you know, you're not shooting a high volume of frames, you're not shooting an event based situation. So it's kind of a different sort of scenario and you don't seem to you're you're wanting to manually focus and take time and take multiple frames of the same thing. And in some of those, some of those more set up Fine Art situations or landscape situations like you're trying to take your time and those squares in with event and wedding photography, that kind of process. It's just it's really fast. You're trying to move different moving elements into different places and get photographs of You're just doing a lot all at one time over a short amount of length of the amount of time that the, you know the event. So not enough is all right. I did great and had a great time at the wedding. How about you are, you know, savage people out of it your food, got a bunch of great photos, brought them home started processing them. That's a really interesting part of me. I've gone through like a big batch of photos and I've gotten kind of used to that over time of getting through a big batch of photos, but it is always sort of overwhelming when you're like wow, that's a lot. That's like a whole big data project I got to go through now again, you don't realize how much it takes to get through a bunch of stuff when you finish it. Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage, good links to other outbound sources, some links to books, and links to some podcasts. Like these blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks a lot for listening to this episode and the back end.

21:08 Thank you

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

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If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

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If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

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About https://billynewmanphoto.com/about/

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

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About https://billynewmanphoto.com/about/

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

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About https://billynewmanphoto.com/about/

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

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About https://billynewmanphoto.com/about/

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

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About https://billynewmanphoto.com/about/

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

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About https://billynewmanphoto.com/about/

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

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About https://billynewmanphoto.com/about/

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

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About https://billynewmanphoto.com/about/

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast.

0:23 This was a photo during the winter snowstorms that we had here in the Willamette Valley. And I think we did a walk over to campus after the storm had passed. That's kind of one of the nice things is often one, at least as it is on the West Coast over here once we have a snow pass, or a snow storm Passover, which is rare, really, it seems, seems like that afternoon or that next day, it clears off the storm passes and there's a there's a lot of clear sky after it, which is great often because it's tough to photograph snow on trees. When the sky is white, there's not enough contrast, there's not enough light to really break apart the colors that we're going to be photographing. And so I like that a lot. In this photo of an evergreen tree that's coated and draped with a lot of snow, a lot of fresh powder that had fallen the night before, surrounded by a blue sky with a few white puffy clouds in it. But it was a cool photo to to try and take we were over I think in one of the forested areas doing a doing a walk, or I guess like a hike right? And had the camera with me did a bunch of photos from this section is really cool spot. And I guess it's one of those things where it seems like the Willamette Valley only gets snow like this, like once every two or three years. So it was cool to, you know, have the winter storm come through and enjoy it while we were there. Thanks for listening. You can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon, I think you look at Billy Numan under the authors section there and see some of the photo books on film on the desert, on surrealism on camping, and cool stuff over there. But I was gonna talk about that a little bit, I thought it'd be kind of cool to talk about at least some of the stuff that I know about some of this stuff sort of around hunting stuff, I don't I guess I don't really get into a ton of hunting stuff. But But I was trying to think a little bit about some notes that I had about finding and scouting out dispersed hunting campsites or dispersed campsites that are that are away from parks away from state parks and, and sort of those, those bigger areas that are just kind of wide out open that you can camp in. And I've been able to find like a number of them over the years, it's really cool get to kind of find those locations that you kind of keep a memory of their spot and then go back to year over year. And these are spots that are cool, because they don't offer any facilities or any services. So there's no no water there, you got to bring all your water in, there's no bathroom services, there's no pavement, probably it's like a pretty dispersed remote location that you can kind of drive up to, but it's also still connected to a road. So it's not as deep into the back country is like a real place that you go. So for like a lot of hunting stuff, I think what I'd seen in the past and what some of these seem to be set up for is like a hunting party of se for for cars, you know, for a couple groups of people coming together, and then meeting meeting up for their hunting party. And then having a location where they can have like a big enough base camp where they can have all their equipment there for cars. And then they can go out on their couple day expeditions or their morning high and come back to the camp go out on the evening, come back to the camp sort of stuff for what seems like a lot of people in in their different locations that they go go out on hunting trips and stuff. But I was out in the john de river area driving the john de River Canyon, which is like an area, I guess you can probably find it the john de river empties out into the Columbia River. And and then I think kind of is one of the larger river systems, the larger River drainage is that exist out in Eastern Oregon there. There's a few others that are kind of out there. But I think that's one of the bigger ones that cuts through some of the sections that Eastern Oregon otherwise there's like the Deschutes that runs down the east side of the Cascades and drains a couple a couple of the rivers into it before it empties out into the Columbia River a little closer to like the Mount Hood area. But the john de river area is cool. It's out there in Eastern Oregon. And that's where I was camping a little bit earlier in July. And as I was driving through I have that that map app that onyx mapping tool.

4:32 When I was going through and I was marking locations as drive I really didn't like stay there I stopped there I take pictures or something but I go through and mark these locations as I was driving around for these dispersed campsite locations that had passed. And so it was kind of a good way for me to make a catalog kind of passively as I was driving around but make a catalogue of the locations that I might be able to go back to and some of the campsites that seemed a little bit more suitable for a day or an overnight kind of trip or a couple days. or something like that. So that's what I was thinking about for for like dispersed hunting campsite locations of some of the stuff that people kind of use. But by setting up the mapping tools, and using like the photo geotag service or that that option it's in the Onyx off road map app or the Onyx hunt app works really well I was I was finding it worked really well to, to kind of grab the phone, take a picture when you arrived at a location that was like a good hunting camp, but I found like, probably like six or seven on the last two or three trips that I've done just kind of scouting around as I was driving around in the woods and stuff, you know, places that I didn't end up camping that night. But I thought it would be a pretty reasonable spot to head back to sometime in the future. So yeah, the john de river area had like a lot of stuff sort of that area, I guess between, like the Painted Hills, around Mitchell, and there's probably a lot of stuff that goes up that highway toward the town of john day. But I think I took like a background that follow the john de river from like the Mitchell area up toward Clair now, which I think is like north of there kind of jumps like to one of the highways that runs north of there. But the I got clear no and up. So I kind of took that section and I was trying to mark like a few of those dispersed camping sites that I would find on the sides. And a lot of these, like I was saying, like, there's no services or anything, but they're set up on BLM land or or national forest land. A lot of them I think, are BLM land. I'm not totally sure about that, how that goes. But as this was Yeah, it was like, like, just, well, what am I trying to say about it? What's cool about these dispersed campsites is that you know, you can set up as much stuff as you want, you can be there pretty much undisturbed the whole time. And it's cool. Like I think a lot of these sites are great to combat during the summer stuff. But you can kind of see why they're designed like how they were set up that they're really laid out for hunters coming in in September and October to do like the elk and deer, like hunting trips. But you can kind of tell that I think by like some of the tools and stuff that are set up or like some of the ways they have their tables, you see those you see like a branch that's been like nailed in about 10 or 12 feet or 15 feet up in a tree. And I think that's where you can like bring in a deer after it's after you get it while you're out hunting, you can bring it back and then string it up and then start carving up the meat. While it's like while it's hung up on that, but I think that's like one of the signs that I see a lot but also it was like I don't know just whatever they use for their fire pit or whatever else they use really you're gonna see hunters probably like this week and for the next like month straight if you're out in any of those. This further Eastern Oregon places that people set up to do their hunting trip and stuff. But there's a couple on and offs between the hunting seasons and stuff in the next couple of weeks. But it's kind of it's kind of interesting going out there. And I remember this time of year like out out in Eastern Oregon toward Hart mountain, there were like a bunch of hunters that would be set up in different spots. For like a couple sections after Labor Day I remember when I was a kid I didn't totally reckon how many people would be going to certain places for hunting season stuff, but I was thinking like wow, there's a lot of people can't wait for some time after Labor Day. And you think oh yeah, this is like it's actually like outdoorsman really like to go hunting like to go do stuff into October into November. And I was thinking oh yeah, they're not doing like summer camping trips anymore. They're, you know, they're actually doing doing something else out here in the woods. But it's uh, yeah, it's kind of fun, going around, checking out stuff and trying to do some scouting for that.

8:42 It's cool, though, you know, one thing I've kind of recognized over the years is, it's really tough to like just go out into an area that you don't really know very well and try and find a good campsite. And that's why I've, I've kind of started. Well, that's really a definitely a big reason why I've tried to start making like a little catalog of locations a good campsite, I find while I pass them. But also I've been trying to notice that some spots are going to be better than others for different times of the year. So I've been really trying to do a lot of like off season scouting, where at different times of the year when maybe even I'm not on a camping trip, I'm able to kind of scout out a couple different areas, and marks and locations or at least like write down remember that there's a location that I want to go back to. But that helps a lot when you're trying to go out to a campsite or to a camping area, or when your circumstances change like a lot of time of camping by myself. But it's kind of cool to remember locations that are a little bigger or something or have a little bit a little bit more of a Ease of Access. If you're going with like a group of people that's a little larger and you want to accommodate a couple different cars or a couple different people. I was kind of noticing like the difference between like, like group sites and like kind of like more remote sites that you might go to. And that's sort of something that you're going to notice that they're to have these kind of these bigger group sites where it seems like you You'd almost have like a horse camp or something I've seen that as a as an option out there too it's kind of strange when you go out you know, there's like kind of regular camps it seems like you get set up and then there's like a camp with a, with a corral built into the campsite. And it seems like it's made from timber that was cut and processed, you know, they just like cut down a tree right there then split it and then made a corral out of it to keep their horses for their horse camp that they had for, you know, some hunting thing that they're up to, or some outdoors thing they were up to. But it seems like a lot of these places are like big enough to like, bring in an ATV, or you know, they have like a quad or something like that. But it seems like there's kind of like a big circle that area and then otherwise, there's like different locations that kind of like more like high clearance trucks or you know, like some kind of four, four wheel drive location that's a little bit further or you can kind of get back a little ways into the what would kind of be the back country or into it closer to a wilderness area, and then you can take that, and then jump back further and do some hunting in an area that you may be scattered out earlier in the year. But for me, like I don't really want to do any of that stuff. I'm just out kind of hunting for pictures and hunting for good campsites and stuff. So that's kind of what's been fun about that going through the john de river area up there, there was a lot of stuff that that bordered like some BLM land that stretched up a hill and I guess that areas like one of the one of the drainage is that people go to for a lot of elk hunting. And here it's known for that, or you gonna know for some pretty big elk that they're able to get out of that area, which is kind of, it's kind of cool, be fun, be fun to see some elk out there. I've only seen a couple elk and most of the time I just see the female elk I don't think I've really ever seen like a big ball elk out there in the woods. Let me kind of fun that I've had a good time Yeah, getting out to go to some of those dispersed camping sites and stuff there's yes I'm out in deep Eastern Oregon by like heart mountain that I've always really liked. There's a lot it kind of that Eastern Oregon section when you get out there. But what I've noticed though, is a lot of the stuff in the National Forest section of say like the Cascades, it seemed like pretty pretty well populated, it's kind of hard to find good spots up there you can you can find like, you know, little pull outs and dead end roads and stuff but, but as it goes for like just kind of big free dispersed campsite sections, it's a little bit harder to find up, it's a little more organized out in those locations. That's what's cool about some of the BLM stuff and some of the high desert location stuff is it's just it's just kind of wide open, you're just you know, sort of driving around, you take some little dinky road off to the side and then you're at a cool fire pit in the big Juniper tree and it looks like people have been camping there forever, you know. So it's, it's cool, you can kind of find some stuff like that. And I've had a good time going out to Eastern Oregon to find some stuff like that for myself. So I want to get out there and try and go camping at some of this. Some of the spots you know, like I'm kind of competing with the hunting season like I was saying, but but even silly, I want to jump out there and try and do some fall camping. That's really like one of the best times for you to go out there. I really like the springtime like even the early springtime like late March and April, well, it's still pretty cold.

13:12 If you can, if you can gear up for it, it's really a cool time to be out there because you have so much like texture weather in the sky and the clouds that it kind of keeps the terrain pretty interesting. It can be pretty miserable, you know if the weather is totally turned on yet, but as it goes for a lot of it, it really is kind of like a cool time to be out there in the summertime. It'll even by like may or little into June for sure. It just gets so hot that it's kind of tough to be out just kind of wandering around or hiking around in the in the daytime. So it kind of cuts down on the amount of just kind of trekking around or wandering or poking around so that you could do you probably do some from your truck or something but it's a little more fun to get out there and hike around. Check some stuff out. So it seems like the fall like when the temperatures are down a little bit. You have a little bit better opportunity to do that. And then early in the springtime. But I think the Fall is my favorite time to be out there when you're you're watching the aspen trees kind of change from green to yellow to orange and get a lot of color out there. And some of those simoes Aspen groves grow out in Eastern Oregon. So I want to try and go out there and get some photographs of it as the seasons start to change and the colors come on and the trees I get I bet there's gonna be some nice days and stuff out there. And it seems like some of the trees are already starting to turn a little bit like I was saying in that last podcast I'm seeing a lot of a lot of trees kind of start to get that late, late summer, early fall tinge to them where it looks like they're about to about to turn over and get brown and began fall began autumns so it's gonna come on pretty fast. That's it with the Yeah, like the second week of September.

14:58 You can check out more information that nude photo calm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo. Couple of things I wanted to talk about were some Mac apps today, I've been trying to sort of set up my mac book to be

15:48 is configured with a few more utilities and a few more pieces of software that make it a little more functional for me. So I want to try and talk about those a little bit today. But one of them was I stat menus, it was this application that I'd heard about. Maybe over a year ago, I've been using it a lot when I was trying to render some 360 footage and a lot more like video footage, I was just using a computer like the whole day to do that. It's this program I sat menus is really good for adding in a bunch of information like a bunch of system information to your computer right at the top of the wizard bar at the top, you know, like the Apple menu and your time and your clock and stuff, right? If you get a bunch of a bunch of information about like your disk space, your network speeds, uploads and downloads, your CPU and GPU. It's pretty interesting, I like to again to check it out. And kind of when you have a bunch of graphs that sort of indicate when or how much how much of a system is going toward that task at that time. So right now I'm doing an upload to Amazon photos to try and get a backup of all my images up there. And I'm looking at the network monitoring. And so showing me like a history of my network upload speeds over the last 24 hours. And I see like there's a big dip before like 5am while I was running overnight, and then now it's back up like two maybe 3x what it was before. So it's an interesting kind of monitor, like how high your speeds are. And that sort of thing. When I was running, rendering video out, it was cool, because you can see like the temperature sensor sensors inside of the computer. And in addition to that, you can see like the hard drive space that was left on each few drives, including your externals, and you can see how fast the CPU and GPU are working. So I've been using this app a lot for kind of the system process, monitoring stuff, it's cool, I've been enjoying it, it's kind of fun to to get used to. In addition to that another one that I'm checking out is probably one that a lot of people have heard of before, but I think it's called magnet magnet, I think and it sort of reproduces the functionality that you get, I think started back in Windows seven, where if you pull a window to the edge of the screen, it'll sort of snap to the edge of that side of the screen or oral snap to be split pane window. It's kinda interesting how it works. But I like I like how it works on Windows and I have been sort of frustrated in the past that I don't have that kind of utility in the Mac OS system. So I you know, just windows are sort of built to kind of float all over each other. And I did kind of like that part of windows or even back in my experience of working windows, which is in a way I work with a computer now I have like seven windows up right now. The windows, I really always go to full screen application almost all the time. So it's kind of interesting, that workflows rate changes over time. What else am I working on? Oh, Amazon photos, that was another one that I guess I'm I'm kind of going through right now sort of lean into another side of it. But I've been using Amazon photos for a while and the Amazon drive system, I did have some backups or not even really backups for the photos backups of the photos as well, because it's the dngs and it is the JPEG images, I think you can put video up there also. But that takes up paid storage space. So for photos that you can put as many photos on the cloud as you want with your prime membership. And I think I put like probably almost 100 gigs of photos up there. So it's cool, you do have access to all of your images in that library of images you have online like I can pull it up on my phone in an app and I can pull it up on the web or in a few other places. So it just gives me an accessibility to my images I hadn't really had before to every image and that way at least that's kind of cool that you know, I do see that I have access to all of those photographs. Bigger than that I really need to go through and make more functional collections of smaller sections of that so that I have just a lot of the photos I would need to use set up and a high quality system that are more accessible to me that's still that's still a little piece that isn't really quite as tight as I would like it within my photo business. But I've been using Amazon photos to make a backup of everything, almost everything is already there. But it can incremental area like as you go, you need to get all the new stuff up there. So I'm trying to put up a bunch of the stuff that I've had for the last couple months when I haven't really been able to put a sync back up to the Amazon photos. cloud backup. The cool thing is though, is I'm trying to work with iCloud a little more in addition to that, and so I've been setting up the iCloud

20:29 put it in Finder, so I can access my iCloud data there in Finder from multiple computers and from my phone, which is cool. But on my phone in my files app I was going in there and I put in. So I have like the Amazon drive application on my phone, I had my files application sort of show that I can go to my Amazon photos files that are from my phone. So without even going to the Amazon photos application just from my files app, I can go through and browse all those photos folders on the cloud and then pull up and view those images. I thought that was kind of cool. Or it was just interesting to see like Well yeah, I can jump to each any data photos that I want back in time because they're all backed up now and more accessible. So So I think it's pretty cool. It's a it's a free service when you pay for a prime membership. So I guess the proper way to say it is it is it is a premium service that is included with your prime membership, which seems to be pretty valuable. A lot of the time. I like the Amazon cloud services and cloud storage services, which I'm trying to get a little more into, like I was mentioned, I think it's I think it's 11 or 12 bucks a year for 100 gigabytes of storage space on Amazon drive. Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo comm a few new things up there some stuff on the homepage, some good links to other other outbound sources, some links to books and links to some podcasts. Like this blog posts are pretty cool. Yeah, check it out at Billy numina photo calm. Thanks for listening to this episode and the back

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. I just mentioned yesterday how much more video editing I'm doing. But today what I wanted to talk about was the editor that I'm using. And so I'm really using a lot of Final Cut Pro. I think everybody is I think, well, what am I saying? I think I think a lot of people are using Final Cut Pro, but really a lot of people are using Adobe Premiere. That's another one that's out there. We'll talk about that later, I guess. But I just did an update to Final Cut 10.4. And I've talked about this a few times to have switching over to try and process more 360 video and sort of a professional way or you know, kind of like as a product or something, some kind of nicer version of 360 video other than, I guess just what simply could be put together, but is absent What is it still simple, it's easy. So 510 point four is pretty cool, because it has the ability to edit actual rectilinear images and then render those out. So you get to you get to visualize those in a VR environment, or you get to visualize those, visualize those out to an mp4 that you get to open up. And any kind of player throw up onto YouTube or Facebook, which is also pretty accepting of these 360 format videos. But it's been really interesting working with it. And really what makes it kind of possible is the modern editing software of something like a Final Cut template for the as those those additions to work with, you know those pieces but interesting stuff. I like working with it, you know, it's a lot of fun. And I think Apple has this design theme right now, where they you know, they have like a couple buttons, I don't know what there's probably like a little designer name for him like how they had the hamburger A few years ago, that was an element and apps and on mobile websites have the little stack of lines that would be at the upper left hand corner of a web page, you click on that, and it would fall out into a little menu or something that developers would talk about that as a hamburger, something about the way it looked in layers or something that developers are hungry, so I can figure that out. But in this one, there's like three little icons that are up in the top kind of menu bar of Final Cut, when you click on those it has, it kind of pulls away different elements, different modules from Final Cut, like the browser, the project pane, or the information screen that you have kind of on the right side. And so it's interesting, you know, they're kind of messing around with it a little bit, but I like the darker theme of it all of it seems really great. And I appreciate it. I mean, it's probably a smaller upgrade from what was like 10.3 point something. But really what you get out of this, like I mentioned is the ability to edit those 360 videos, and to do some stuff in VR. And I think some of its like, what is it and then you now get to like put up text, like text walls or word, you know, like Word Art or, you know, I guess effects in the 360 environment. We're in the VR environment. And that's kind of a cool addition to what you can do in Final Cut 10.4

3:15 you can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think if you look at Billy Newman under the authors section there and see some of the photo books on film on the desert, on surrealism on camping, you cool stuff over there.

3:39 Really trying to do a lot of scouting stuff, which I've enjoyed to doing some scouting stuff through the summertime has been pretty cool. Where I'm really trying to go through some of these backroads I'm trying to like Mark spots in the map where there's good campsites, which I hadn't really done before. You know, it was a lot of places I've driven a lot, a lot of roads I've been on, especially, you know, like back country roads, to Forest Service roads, BLM roads, and I know a lot of good dispersed camping areas. And really, I understand the context of how to find those areas so much better now that I'm older than when I was young. I mean, when I was young, and I go camping with my dad, you know, we'd go out to Eastern Oregon we'd find some spots and they'd note about this spot since you know he was a kid and he was going over there and hunting camps and stuff with his grandpa. So it's cool for me to get to go over to those same spots and get to check out that area and stuff. But I think there's been or at least when I was a kid, I didn't really understand that the land, like the public land rights that you have, and really how those are organized like how public lands are organized and what you can do on him and then sort of how it operates. I didn't really understand the difference between national forest land and BLM land or national Parkland and state Parkland or wilderness areas, National Wildlife Refuge areas, man there's just so many different distinctions of different things and then also just private property so I didn't really have a clear recollection of Any of those things and really a lot of time when it's public land, you can go on it, but there's some things you can't do on it like I they maybe hunt in some circumstances, like a, like a national park, or I think you can't discharge a firearm inside of national park, but for specifically permitted events, maybe probably national wildlife refuges. I think those hunting opportunities are are limited. Also, though, you can still do some things in those areas, I think you have to get permitted and you have to drop tag for that location, I think is what it is. But, but yeah, it's kind of interesting. So we're learning about that learning how these things go, and also finally getting some maps that you can use that you can kind of trust better. While you're in the back country. I think that's something that's really helped me kind of understand where I can go and what I can do and i don't know i mean, we've had those map books you know, like that, that 50 page or 100 page book of Oregon and you know, every every page is 25 mile map of that area is always super useful to have that kind of grid out everything and show you that you know, the mile by mile marking and the topography of the area, the different little roads and stuff but even those roads, those mapmakers still got things wrong, I remember to you know, back in like, was it 2004 I think we were out in an area in Southern Oregon near the Nevada border was a Druze reservoir somewhere south of Gearhart mountain. And I remember we were on some, some little, some little road I don't even know if it was if it was a national forest area, I think it was just in between private and public lands as it kind of jumps back and forth in those pretty remote areas. All of it is just remote, desert and forest and sagebrush and Juniper. But some of it goes into like ranch land, it's more managed and some of it cuts back into BLM land as this as this little road sort of meander through it. But I remember being out there and noticing that the map on the page was just totally different than the map or than, you know, the real world ground truth of where the road went. And I thought oh, wow, yeah, you can't really trust the maps to show you the information that you want to see when you need it other times too you know, you'll see like Oh, hey, like it shows there's a road right here. Good deal we'll take that road Well, you know, it shows it's on the map so you cut down there you get on the road and then it's washed out like crazy or it's super bumpy and like and just terrible, right? And but it's the same green road the same label, the same marking is the road next to it that was graded and, and

7:29 aren't was that paved, right? It's graded gravel, they put more gravel down, I think is what I'm trying to say they've, they've made it an easier going road to drive on. But then you get those washboard sections out there. I don't know if you guys have done that, where you're driving around in the Forest Service roads and those gravel roads. And I think it's a natural process of erosion that occurs that creates these waves in the material. You know, as I think as a rainwater comes down, it sort of naturally over time generates these, these little ripples. And that's the washboard effect that you get when you're driving. That's also the thing that kind of kicks your car sideways when you're, you're going a little too fast on a gravel road. So I started doing today I think I kicked it pretty hard side or you know, like, it's pretty loose on the traction and it was starting to tip sideways in my truck. And so I slowed down and threw it into four wheel drive after that, and was able to cruise around out here pretty freely. But yeah, I wanted to talk on this podcast about hanging out in the Fremont National Forest and I just got finished with a huge thunderstorm that came through. It just really finished raining a little bit ago. We were kind of I think when I arrived to today at this Meadows still a few hours before sunset, so I walked around and kind of went along the perimeter of the meadow and then and then I noticed that you know, I mean it's cloudy. It's been kind of cloudy today, and there's been thunderheads that have been building up over the location that I've been ever since I kind of came over the past the Cascades have been in like a pretty solid string of a thunderheads that have sort of coalesced into big mass over the Cascades some of the here over the Fremont National Forest river mountains these are that I'm in and and yeah it seems like this section in Eastern Oregon was getting hit with a good Thunder a good summer August thunderstorm today which was kind of fun to sit through and go through it was cool if I got rained on pretty hard earlier when I was driving over I thought I'd get out here and be a little bit more free of it but it seemed like that storm kind of drifted over this way and it was sort of drifting north from here and and yeah, there's a new system but man there's just a bunch of lightning that was coming through and huge cracks of thunder just big deep rumbles I haven't heard Thunder like that. And in years and years probably you know where it just kind of stays and like hangs and rolls for 10 seconds. 15 seconds it seems like you know you just really kind of like whoa is Can it really still be just cracking and rumbling and rolling and And there was enough activity and if lightning activity that was going on there where you'd hear thunder, I mean, it was almost like 45 minutes there where there was just a crack and a roll of thunder almost continuously like it was. It was pretty intense. It's, it's, it's really I think one of the more strong lightning storms I've been in in a while but that's sort of how it goes out here when you have these higher elevations I think I'm floating around up in the 5100 feet or so above sea level. And so it just means I'm up in the mountains where these these thunderstorms get started, you know, they get there, they get there. I think that's where they they'll kind of coalesce over these big mountain tops and then float over in the hot weather. I don't really understand the weather enough to say I know how a thunderstorm starts it doesn't start now. I've just gotten cold enough I'm trying to throw jacket on. Now you gotta live through it. I'm really camping. It's been good. But I'm gonna be out here for two nights I think is what I'm going to do and then tomorrow a cruise out and I'll try and hit some of these Forest Service roads for a bit. drive around do some exploring mark a couple spots on the map as a as I'm cruising around. I think that'll be that'll be a good time but the I haven't been out here before. I think I've heard of a couple friends that have been out in this area that have done some. I think they did a couple scouting trips for a hunting trip that they're going on in the fall. I think this is an area where we're one of my friends goes I think they try and draw a tag for not this area. I think it's a drainage over from here but I think I've heard about this area a couple times from from people talking about it. So yeah, it's cool, it's cool spot it was out taking pictures earlier taking some photographs I've been working mostly probably for almost a year and a half now. I've been working a lot with this 17 to 40 millimeter wide angle Canon lens. And it's a pretty inexpensive lens and you can get it for like 400 bucks, maybe a little less if you're lucky and you get it on a sale time sometimes in the fall as we're kind of ramping down toward

12:09 what Thanksgiving I think you can get some good deals on it but that's it's sort of in the the $400 range I think sometimes maybe it's more around five or something but I picked it up a couple years ago when I was starting to do some real estate photography or was working for Airbnb for a while where they had hired me as a photographer to go into these Airbnb plus listings and get a new set of photographs. I was interested in kind of learning about how specific they wanted all this. This photographs and this this really specific art style and and you know format of it and that was fine. It was interesting to do for a while but but what was cool is that I picked up that lens to get in and do that work. But really after that I've been appreciating how much I can do with that wide angle lens and then you know 40 millimeters isn't way different than 50 millimeters. It's certainly different for the effects of portraits and stuff but when I'm out here doing landscape stuff and I'm trying to take pictures of a lot of this stuff is kind of sketch photos to where I'm sort of going around and midday I'm taking some photos of some different things I want some cat photos and my track and my my little cooler set up in the back here.

13:18 And so all that's been good in addition to that the the Astro photography stuff that I can do with it is pretty cool because it drops down to the 17 millimeters. It's an autofocus lens, it's a sealed lens, it's it's pretty it's it's pretty good and most ways and I've really noticed over time that I'm not as as absolut have a mandate for me to be shooting at a really wide open f stop you know, shooting in a wide open aperture almost all my photos early on were 1.8 or or 2.0 or two eight or something and I would do that really because I was trying to I was really trying to get because I didn't have very many lenses I was really trying to get as much effect out of that book k out of that soft background as I could. So I was really trying to lean into that and get some photos with it and I noticed with my camera and equipment at the time that it just it just looked better. They just did look better when it was at you know f1 eight I think I just had that nifty 50 Nikon 50 millimeter for the longest time that's what I did. I did my early trips on and did a lot of my portfolio building stuff on that but but I've got a different 50 millimeter lens with me now I've got it on my film camera in my bag right now which I need to take out too and I'm trying to finish a role of avatar film it's been on there for a while and I've enjoyed shooting it it's cool it's a it's a new Canon camera to me at least I got it used on kth and spent 35 bucks on it 10 bucks to ship it and it takes a weird battery to it's one of those 90s film cameras it has this weird it almost looks like a battery pack. This it's like to almost like to double lays if they were a little fatter, but are bonded together in this little Plastic pack and then you pop that in there and shoot for a little while I guess and it runs a meter okay so I'm I'm getting by with it but I've noticed the film cameras stuff it's it's fun to have an awesome film camera it'd be cool to have a Leica and all the lenses I wanted but a lot of the time with that you know the good lenses I have this this new or like canon l glass that I get to shoot through and for film photos and for the variety of images or the variety of lenses i have i can i can do telephoto I can do prime I can do really wide angle all with the modern digital Canon lenses that have you know chips in them that read well that meter well that make contact with or send information back and forth or at least from the lens to the camera I think xao works that works in the autofocus stuff for the digital camera this is this is autofocus yeah it's an autofocus digital camera it's sending information back it's working yeah that makes sense yeah so it's it's cool like and that's something I didn't really have available to me for a long time you know, I think what I've probably on this podcast if you go way back in the archives I'm talking a lot about film with a Nikon f4 you know i mean that just had autofocus I was the first camera like 88 to get autofocus period. So it's cool to have that in a more flexible way now but what I remember talking about in the past that was that I had like limited options with glass all the time, I didn't really always have the lenses that I would have preferred and so I've kind of made a collection of that now with this canon stuff I got a Canon camera and so I can throw all those lenses on and have that same flexibility that I have with my digital set. But just with this, this film body that I get to shoot a roll through so I kind of saved the film stuff for when it's a thing that I want but what I've noticed though for a little while is that I miss a lot of those moments and I ended up just having the the norm you know the regular digital camera with me with a bunch of my other gear whenever going out and trying to kind of just take the camera with me and then I'll leave the bigger bag back at the truck so that I'm not really carrying as much stuff with me I've also started carrying like when I'm out here in the woods and stuff I'm carrying that binocular harness with me which is kind of cool. You can get them in different sizes but it's sort of like if you imagine like a backpack but what they do is they strap on to the front so it's right on your chest. And what you can do is fill is put like a pair of binoculars in there so you can pull them out and then scatter around with your binoculars do some glassing and then pop them back into your into your harness and then kind of carry on with whatever you want to do but if you leave that empty without the without the binoculars if you have a smaller Camera Rig probably like a mirrorless or a Sony camera you know like one of those Sony A 6000s and if you were a backpacker, and you had a Sony A 6000 and this this front carry

17:53 like binocular pack, you'd be really sad that would be like all the camera bag but you'd need in fact really if I'm thinking about ever doing some like over you know some longer backpacking travel where I just have to pack everything in a way it's gonna be something I'm more conscious of and I think that's really like the way to go is I've kind of been thinking about it a little bit it's like get to get a lighter camera. Or I mean it'd be great to like carry like a 360 camera you know if you're going up someone else's those are almost nothing as it is anyway but but if you're carrying like an SLR or something that you want to try and do some some more controlled photography with you had something like a an A 6000 from Sony or an a seven seven or three or whatever it is something that size with a lens attached to it you know, that could fit in one of these binocular hearts is harnesses and carry kind of route on your front and then you see something and we take it, pop that open right on your chest, pull it right up to your eyes got straps on it in the harness, pull it right up to your eyes ready to shoot and you can take photos or take photos you know as quick as you want to so it's kind of a cool process if you're out hiking a lot for what I'm doing. I have my binocular harness but it's got binoculars in it and I've been kind of going around and trying to do some bird watching stuff while I'm out here and so cool Hawk was posted up who's looking at me, that's about all I've seen so far. So I coyote the other day. That was cool. I'll talk about that later that but because I had those binoculars in there and I've been kind of going out on these, these shorter hikes and stuff that I've been trying to go around and like just kind of watch them stuff or watch land and kind of keep an eye out but I just had the camera on my longer strap on my side with that 17 to 40 millimeter lens. And that's worked really good and it's been a pretty flexible kit for me to go around and take a bunch of photographs with so it's pretty easy, pretty lightweight to work with and I can kind of move back and forth between those things strapped around my neck, you know, it's not everything just hanging around my neck with a lanyard. It's all kind of put somewhere or packed in somewhere. So that's been kind of cool. But it was good going out and taking some photos tonight. I was trying to get some of the i didn't i didn't get any lightning in the camera though. The lightning stone kind of passed as soon as it was getting really dark enough to do like a long exposure kind of thing where I could, I could sort of catch something, something spark and otherwise, you know, you gotta you gotta beat the lightning bolt with your shutter finger. And that's a pretty tricky task to do. I think that's how they do it, you know, when you get those, you get those like magazine photos back in the day of powerful lightning bolt striking, I don't know, the center of a road or something like that, it's what they'd show, you know, some kind of power lightning bolt, but the way that they would do that stuff is I think, I think it was like it was dark out, you know, are pretty dark out. And so they'd set the camera up for just a cycle of long exposures, and then they would just kind of let it ride, you know, so they'd have a couple seconds to expose the image to whatever you know, at work, and then they just kind of have that rolling so that when, when a bolt of lightning did strike, and it would be captured, and you could go through that collection of captured or, you know, how is it that when a lightning bolt would strike the ground, the camera would have already been exposing for a photograph. Because it's just cycling the shutter on a four second exposure, let's say something like that. And so you know, it takes a four second exposure stops, processes for a second, it takes for second exposure stops processes for a second. So I think that's how they did some of that stuff where they, they kind of anticipate. Alright, it's been a couple minutes, let's take a frame now and then it's just going to be an event in the future so we don't know if it's going to happen or not. We're going to wait for this event in the future when we boom, see a lightning bolt and then that light then exposes the sensor or the film and the camera and then you're left with an image that has that lightning bolt represented in the frame when you're shooting on a tripod or something like that with with like a short cycle, long exposure. And I thought that was pretty cool but I didn't really get a chance to get all that stuff set up before the storm kind of passed me by I did get a lot of cool handheld stuff that was that's great if the thunder heads and stuff and really unfortunately just in the location that I'm at a lot of the and I guess maybe for the better but that lightning storm didn't pass right over my head, it was still a little ways away so I could see the lightning bolts cracking through the trees can out in the distance more, a few they stretched across the sky pretty good too. It's just a big old, you know, from east to west, it was like a big old chunk of boulders crack all the way across the sky. It was cool.

22:34 So I got photos of the thunderheads, the sunset, the the big field out here, it's cool, it's a nice area. But I was also thinking about some of the other stuff that I want to be doing tomorrow. So I'm out in the Fremont National Forest. I'm going to be heading I think maybe south from here and I'm going to try and explore a couple areas that are still open or I guess it's all open publicly This is like a pretty large contiguous section of national forest land here and really like that's a big part of Oregon overall right it's like 53% public lands it's cool Yeah, if you look at a map, you'll see the cities and you'll see like the highways and stuff but if you have the right map it'll show you where the BLM land is and where the different national forest are. And it's cool this whole area the Northwest is just there's a lot of public land that you get to use and there's a lot of open area that you get to go to and and yeah now that I've got a good map of the outdoor off road, roads and some of the terrain and stuff with some good notes and I'm able to kind of move around and get out to a lot more places than I had before. So it's been cool the app that I'm using is the on x off road app it's I think 2999 a year and so pitch that out picked up this app and then you can download offline these these really detailed off road maps that are supposed to show you all the trails you know even just walking trails all the roads all of the like the pieces of information you'd need for kind of moving around in the back country and really as surprising as it is as remote as a lot of these places are people go yeah you know it's it's also public land is managed by the the forest department forest Forest Service. Yeah, I think a lot of stuff managed by the Forest Service the BLM stuffs managed by the BLM and that's why these roads are as good as they are or maintained and that's why I like when trees are down on these mountain roads you know someone has to go through at the beginning of the year and cut all those out, rip them out filling the potholes, all that sort of stuff. So all these areas are are known about and you know kind of managed in a pretty significant way. In fact, I think more so to come in the future. I think they just announced yesterday or the day before that they've passed the great American outdoors act which I really don't know the first thing about or or what it does or doesn't do or what puts in or leaves out but I think part of my understanding is that it's supposed to change some of the funding mechanisms that go into supporting the the maintenance of these public lands that are out here across the country but really significantly out here in the western states so it's it's pretty cool I think before that it was like well we should spend you know X amount of money but there's a more important place for that money to go so it wasn't like a guaranteed amount sort of what I understand so if I understand it correctly, it was like I think they said $3 billion a year of mandated funding for projects I think here in the back country BLM land Forest Service land and like national wildlife refuges and stuff so pretty cool But yeah, I think that's gonna well maybe we'll see a change in that I think it's supposed to better fund the operations of BLM and forest service people as they're going through and trying to get these areas ready for for the public to be using more regularly so it's cool I think it'll mean a lot over the next few years or what maybe we'll see how it how it kind of transforms some of the way that these these areas are managed, I think maybe it's more for mine, I probably shouldn't even speculate. I'm not sure at all, but it's pretty cool. I'm excited about being out here and doing some camping and stuff dealing with this thunderstorm. I think it's one of those things where by the morning, you know it's going to be or at least well I was looking at the weather it should be mostly cloudy, partly cloudy, mostly sunny tomorrow for a while so I think that's pretty cool. I'm excited to be hanging out, do some cabin stuff, do some podcasting I'm in the back of my truck right now like I was saying it was rain and early after this thunderstorm so I got that canopy in my truck. And I'm nice and dry, nice warm, kind of feels like I'm just inside somewhere so it's it's a cool cool rig having the four wheel drive having the canopy on the back having your staff and your sleeping area just kind of set it back there and I'm ready to go. So I've been having a good time being out here and

27:11 it's been pretty good. Pretty good trip so far. I so appreciate you guys checking out this podcast from me. I'm gonna do a couple more podcasts while I'm out here on this camping trip and I'll I'll try and try and set up a little backlog of them on my website. I think it'll be a good idea. Now I kind of take their breaks and stuff from it. I'm sure no one no one keeps listening when it when it is there. But hey, if you listen to this and the podcast, shoot me an email time for the plugs. It's Billy Newman that photo.com if you want to check out my website, see some of my photographs, check out more podcasts that I've done, or books that I've tried to put together which is maybe what I'm going to try and do out here to try and get some photographs for another good book. You can check out more information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out. And since value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo. I don't know. I mean, like it's kind of kind of fun to be checking out some stuff. What's the other stuff I had to talk about? I think it was trying to figure out some stuff on like my Mac laptop, I've been trying to set it up more so that as the full set of applications and features and utilities on it that I wanted I've talked a little bit about that. I went ahead and I got the I stat menus application on there. So I can look at the sensors that are in my Mac Book. The one is the the network in and out speeds that our current and the history of the network up and down speeds I guess over the last day or so you know, seven days or you know all that all that information is in there, the amount of disk space or all these different pieces of information you kind of want to know about your computer in your system. Now it's work and have Daisy disk, which is what I've been using in the past a lot it's a really cool are pretty good graphical way of sort of showing the pie chart of what's taking up space on your hard drive. I'm using Gemini as a de duplication application to go through and find like different versions of photos that I don't really want to keep stored anymore, which has been interesting to go through or just these just straight duplicates where you know, the photograph pulled in. It's just the raw version twice. And there's no difference between it other than just one files named two. Something like that sort of silly so it's taking a silly amount of space. This has been Good program to kind of find some of those programs and then eliminate them. And it's good also to showing you like, or letting you compare like, these two are said to be the same do I'm gonna kind of automatically go through and take them out, I don't really recommend that, it seems like it's best to sort of go through and select a number of them and start pulling them out

30:17 was sort of with some thought and care to it seemed like that made a difference to me when I did it. So it might make a difference if you tried to to another app that I jumped on to was the magnet app, which reproduces some of the functionality started seeing a Windows seven now in Windows 10, where the the windows like if you have a, some, some window up in some program and you drag it over to the left side, it'll snap to the left side, and then kind of fill that side of the screen or if you drag it straight up, it'll fill the full screen, if you bring it over the right side of that right side of the screen. That snapping stuff isn't really on the Mac, it's always sort of been set it to do these sort of multi window painting things, but I kind of like snapping over to the side. And it helps me have some bigger monitors to where you can kind of grab over to a side with if you have a couple programs. So I got this program called magnet, it's one of the top selling paid apps. In the App Store. There's a few different competitors to that people seem to be interested in, also, but I got this one, it was working great enough, it's a little different than the way that the windows one does it but it's fine. And it adds the functionality that I was looking for, which is great, great benefit for me. The other one, the other utility that I was picking up was paste the paste app, which I think is kind of interesting. It's it's like a clipboard app. So every computer I think, since we started getting graphical user interfaces, I think since as I recall, Windows 3.1 had a clipboard in it, but that's when you do the copy paste stuff if you copy or cut, copy or paste if you cut or copy something, it goes onto your clipboard and then when you paste it, it's pulled off the clipboard and paste it in to where it's gonna go. But really the computer convention for whatever reason is just set to that you can only copy or cut one item at a time. And if you cut again, a copy again, there's really no history of it or there's no way to track back the level of things that you've had copied or cut if you want to paste those in so it can kind of add into some frustrations. But this clipboard utility paste the paste app I think is set to sort of store like snippets and and pieces of information that you're going to try and pull up and use repeatedly over time through like your workflow. So I was trying to figure out a way to do that I'm doing a bunch of SEO stuff, like I was saying on that website. So going through and having like, like, you know, this is a block of links, this is a block of explanation. Texas is like a great meta tag This is for this stuff. If I have all that sort of laid out, that's a great workflow where I can just kind of pull up and sort of it's like, it's visually the UI is that like a command on the keyboard and a poll at the bottom third of the screen and you have this history this row this like timeline of all the different times that you've copied something over to your clipboard, and you can go back to as far as a month or maybe even more than that and it'll share it with iCloud too. So if you have different computers, you can have this app on there and you can kind of share everything on your clipboard around. It's kind of interesting and it's a cool little little useful Mac utility if you are so inclined to do copy paste, but I don't know I you know, a lot of people seem to survive, which is what is it command community community? I guess I have up until this point, but try it out. That'd be kind of fun. So thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com few new things up there some stuff on the homepage, some good links to other other outbound sources, some links to books and links to some podcasts. Like this. blog posts are pretty cool. Yeah, check it out at Billy new minnesota.com. Thanks a lot for listening to this episode and the backend.

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Today I'm talking more about SSH. I'm sure that's what everybody is excited to hear about. Today I was going to talk a little bit about what you can do, I guess to get to your local network from your iPhone, it's kind of interesting how you can access an SSH server or host from a terminal SSH app on your iPhone, it's kind of a cool way to do it. And it really visualizes the terminal pretty functionally. And it's an interesting way to get access to all of your files that are at home. Now to do this on a more complex scale, you have to do some kind of tricky router, port forwarding. I know it's kind of a scary set of words. But sort of on the more small scale, you can do it I guess just from your phone while you're on your local network. Or like let's say you're at work and you have a bigger like work wireless network. If you're on that local network, you can get an app like Terminus that's the one I'm using right now you search SSH in the app store and you can find a ton of stuff but I'm using this app Terminus to log in to my home computer and then access my files or FTP, myself photographs or something like that. It's kind of interesting, but it's really kind of a novelty right now until I can figure out how to do some some higher level stuff with it. I'm learning how to use like back to my Mac, some of the remote login stuff to kind of also set up a shell system I get so kind of cool, but some interesting sort of geeky stuff that I've been been messing around with the last couple weeks that's probably what you've been seeing on my Instagram stories. If you've been watching those, it's just me like, hey, look at this thing in SSH. I logged into a server no way get it you can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think if you look up Billy Newman under the authors section there and see some of the photo books on film on the desert, on surrealism on camping, you cool stuff over there and wanted to jump into a couple of the things I've been doing through the month of July and some of the outdoor camping and travel stuff I've been up to I was gonna run down some of that in this podcast today I wanted to talk about a trip I did out toward Eastern Oregon I think like last week before last is when I was out in this area and I was trying to get some good observations in for comet neowise I'm not sure if any of you guys got to check that out while it was in its prime viewing section there I think that was why we had kind of like the new moon before it switched over to being gibbous moon or nearly full moon like it's been the last week or so but I think was it around like the 15th through the 25th or so of July there's some pretty good observations to be made of comet Neo wise and I guess after after kind of reading about it a little bit it's not considered a great comment like Hale Bopp was or I think it was was an eye talkie in 1996 we haven't had a great comment in a long time I've ever seen those when I was a kid though that was pretty cool like watching the Hale Bopp come through for it seemed like three months or something you know that you're just kind of looking at that in the in the low corners of the northwestern and Western skies It was kind of cruising across the skyline I remember that still from from like third fourth grade when it was coming through and I also remember the year before that when when like straight up in the air you know like straight up in the sky at night for it was only like a week or so I was a kid you know but I remember for that week you can see a real bright two tailed comet those guns I think I can't remember how to pronounce i think is how you talk here. I think it's some it's some Japanese name. Pretty sure but that was a really cool one that one I still remember really clearly I was only like, I don't know seven or something when that like when when that comic came through but I really appreciate getting to make some observations with that one as a kid. I missed Halley's Comet though back in what 87 I think was the last one it It came through and I probably will be the few years that you know that decade or two of age range that doesn't get to see Halley's Comet in their lifetime. So I think I think I was born in 88 of course so if I make it past 100 maybe I'll see it what is it maybe like 80 something years so it's probably not going to come back around until I think it's like the 2017 or 2000 80s that I'd have to make it to for the see Halley's Comet again.

4:50 That'd be fun, but I don't know maybe we'll see a future. The future is at that time. But it was really cool to get to see comet neowise It was just a little below what would be the legs and feet of Ursa Major, the Big Dipper, or like the big bear as it would kind of be observed. But if you kind of look at the deeper part that we're all, mostly familiar with, if you kind of consider Ursa Major, the larger bear constellation that it's structured on, if you kind of look down below the dipper is where I was able to make my observations of comet neowise. And over here in the elevation area that I'm at, in Western Oregon, it's about 200 or 300 feet above sea level. And there's there's kind of a constant problem with haze and with light pollution in this area. And I think it has to do something with the well I mean, of course, the you know, the amount of population that's around and but also, something about the air quality, or about how the air kind of flows out around here that just doesn't ever seem to be as crisp or as dark as you can get up in the mountains. And, and really, it's just like a stunning difference, when you're able to get out further and make some some more clear observations, you know, the level of magnitude of stars that you're able to reveal, just in a dark night is so much more crisp and clear. It's just like a total difference. So it was cool to I think I first was able to spot just a little fuzzy bit of a second magnitude version of comet neowise while I was here in town, but I tried to make a special trip out toward Eastern Oregon out into the desert just to do some camping stuff. But what I wanted to do at the same time was make some good observations and also try and get some good photographs of comet neowise as it was coming through during its period, where you could, you could make some, some good sightings of it, but it was cool. So going out to Eastern Oregon, as it got dark, a little past 1030 or so as you look to the northwest, you can really see the comet and its tail spread for a couple inches in the sky. And I was really surprised to notice how little of it you could really make out I see when you're in an area of almost any light pollution, once you're back in town, or once you're in a lower elevation area. With some light pollution and haze around it was really difficult to make out in the same way that I could out in the desert or out in the mountains. And so I thought that was pretty cool to get to get to see and get to check out over there. But yeah, as a blast getting to do some stuff out in Eastern Oregon, I went over to the john de river area. And I was checking out that area. There's a lot of public land out in that area. But there's also some a lot of private land too. It's just kind of an interesting area, how it sort of broken up and it was cool to get to go out go out to the I headed out to Madras and then I took off and headed over East there until I ran into the john de River. And then I was able to use this map that I have to go through and find some of the open off or just the open roads that are you know, smaller gravel roads that are set up to kind of traverse the back country out there. So I was able to find a few of those that were open and travel around on those for a while. And that was pretty cool. I was able to find some dispersed campsites and set up right along the john de River, which is really cool. It's a beautiful area out there. It's kind of interesting, the john de river flows through this sort of, I guess it would be I don't know it's kind of like Canyon land and it's also sort of these rolling grass hills that sort of make up the landscape of, of Northern northern and northeastern Oregon. And I think Yeah, as soon as you kind of get a little bit for like a little bit north of bend is when you get out of the Great Basin area and you start to get into another kind of landscape that seems to stretch up north of the Columbia River up into Washington I've heard that some of it's from like really old

8:53 deposits from the river systems in the waterways that were up there and how it were like there's old old deposits and then an erosion that's happened from those rivers running through the area for such a long time but but really cool to see kind of the rolling hills and then some of the carved out canyons that go through the john de river area up there when I found the campsite I was at I was pretty far away from everybody and I was really far away from any substantial town I think it was near i don't know i don't even know what it is there wasn't anything there when I drove through there's a bridge and a couple little ranch houses you know real ranches right? Like just a little a little a little house like a little two bedroom house and then 100 acres of cattle to deal with so it seems uh seems like another life out there I wonder how they're dealing with you know, kind of the way the world is things are this summer, but it was cool. Yeah, getting out there. Went to already kind of set up my campsite and stuff had my truck going. And that was all pretty easygoing. But then I waited till dark after 1030 Yeah, comment neowise is really visible up below the Big Dipper. That was pretty cool to get to see out there in Eastern Oregon really bright really clear, you could almost make out the second tail I have my binoculars with me. I think there's some 10 by 40 twos. And those really well to view it to view the comment library really crisp through there through the binoculars and yeah, really easy to spot most of the night Even just to the naked eye, it was really easy to spot it was like, Oh yeah, it's right there, there's a comment, it's just a big whisper in the sky. So it was really cool to get to view it, what I did is I set up my tripod, and I have my camera with me. So I set it up with a really wide angle. And then I was trying to get some photographs of it as it was, as the comment was sort of coming down to set on the landscape of the hillside, you know, as the hours went on into the night. So I think I stayed out until maybe one or two in the morning, when the Big Dipper was sort of scooping down a little low onto the horizon. And then at that point, the place where the comment was dipped below the horizon and then was out of view for the rest of the evening. And I think even into the morning, I think by that time when I was photographing it, it wasn't it wasn't visible any longer. up in the morning sky, I think they said you know, at first in early July, you could kind of view it around Capella, if you were able to get out early enough, say three or four in the morning. But as as the direction as it was moving, it was kind of creeping up pretty quickly or you know, day over day over day, it would kind of move a good chunk through the sky. And in the direction that it was moving, it was moving to be more visible at the nighttime which really offered more hours of good observation time, which I thought was pretty cool to wait until it was really dark enough in the northwest view of the sky probably about 1030 onward is when you're finally able to make out those kind of finer points of light in the sky in that region. So it was really cool, set up the tripod, set up the camera, set up some manual focus to to get it kind of set sharp at night you can't you can't use autofocus when you're trying to make photographs of the night sky, the stars because it just kind of seeps back and forth you have to set it to manual focus and then

12:15 ring out your your focus ring to infinity and then just back a little bit you'll notice this every time if you do it, it's really frustrating the dark because you can't really always make it out in an easy way and edit your mistake quickly. But if you go all the way to infinity and then take fixed pictures there the night sky you're going to notice that this points of light that are the stars sort of end up a little fuzzy and it's because all the way to infinity for whatever reason just isn't quite in focus at infinity. So you have to go all the way up to infinity and then back it off just a little bit. And that'll nearly ensure that most of that part of the image is in focus the whole way and it's difficult even even if you do have an F stop that's a little bit more tightened out say like an f4 six or something you're still gonna get a lot of that out of focus softness, if the focus ring isn't really dialed into the right spot. So I try to work on that a little bit. And yeah, dialed in my focus was able to set it up with reasonable ISO to get some images of the night sky and pick up some of those finer points of light and then it was able to take a series of photographs in a few different locations out there in the john de River Valley which I thought was really cool is pretty to be out there and it was a nice night really warm in the River Canyon and really remote to like I was mentioned I think I was the only person out there for a few miles I saw another another group coming in on a like a little midsize SUV and they were going fishing out of the bend in the river a couple miles up from where I was this I took my truck down a little further and camped out just on the side of the river. It was cool nice Green River up to the kind of high desert tan rim rock that runs the area around there. So it was it was a cool evening cool campsite area it's cool spot to check out comet neowise too. So I tried to check it out. Up until I don't know what 130 in the morning when I couldn't see it anymore and then spent the night out there out in the john de river area and then the next morning got up and try to check out some of the different roads and stuff that went around. You can check out more information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you received some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support. You can also find more info They're about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo.

15:15 For the longest time I was shooting with Nikon cameras and I'd always really liked doing that but most of that was always kind of maybe constrained by budget for I think I started with a Nikon D 40 back in mid 2007 is when I bought it the camera probably came out earlier than that, I really enjoyed kind of picking up that was like an entry level DSLR at the time, and now it's like really antiquated. I sold that off now years ago and kind of moved it over into other other camera equipment over time. But that's what I got while I was in college is a really good camera for me to learn on and kind of learn some of the fundamentals of working with a digital camera and I had a lot of fun working with I made it like a ton of photographs with it. then pretty soon after that. I tried to switch over to something that was more of a professional body when I was trying to take some of the work that I was doing a little more seriously and when I was trying to get hired as a photographer to do really even just student projects at the time I was trying to get a couple extra lenses and I was trying to get a couple stronger features in the in the camera body that I was using. So at the time I think it was in like 2008 2009 actually I think it was in 2009 I bought my first like professional body that Nikon D two H and at that time that was already a pretty antiquated camera I think in 2009 it probably came out in 2003 I think is what it was. So it's already like a pretty big gap in time there there's been at that time especially in that decade. There's just so much advancement in the way that sensors worked in the way that the scene wasn't even a CMOS It was like an elb caste is like an lb ca St. Named sensor. I don't even know what that is but it was different than the CMR system that would be in a lot of cameras I think that maybe we probably find now or you know like the sensor piece in the back and it wasn't full frame either it was in even the professional and it wasn't full frame it was still like that crop sensor that Nikon had. So it was good for for a long time and I was really happy to use it and happy to kind of learn on that camera it had a ton of features and really I probably go back to that that full professional body of Nikon. If If I was just to pick any camera that I wanted to use, I think like a Nikon D five would be an amazing camera to work with. But at the time, what I was trying to do was get a job at a newspaper like the student newspaper when I was going to college and to try and get some jobs or you know trying to get get some activity to try and go and take different photographs in different locations. And that job was great. It was cool working for the student newspaper because you get to go to different locations and try and make some interesting photo out of something that's probably not very interesting. It's normally like a person talking to a to a classroom with beige walls and low level ceiling light or something like that every once in a while you get to go to a football game or something like that so that you don't really have the opportunity to go to normally that was really fun that was interesting and it provided me a lot of opportunities to do some some different you know work with different lenses work with you know, different lighting and some sort of you know, interesting and dynamic subject matter. But a lot of the time like I mentioned it was like I think I had to go photograph that they were removing pipes from a student building on some side of campus I hadn't been to before so it was it was the I was supposed to take a photograph of the absence of pipes didn't really make a lot of sense it wasn't really a very interesting photo and there was no people or story around it so it's you know it's always something like that or it seemed to be often something like that. That was just like had almost no subject to take a photograph so it was a challenge in that way. But it was really fun when you got to do something cool so that's that's why I bought that that Nikon D to H and then to a company that I think I tried to save up some money in college that was hard for me to do. I tried to save up I think like $150 or something like that to buy the 50 millimeter one eight lens there was like I don't know the version of nifty 50 that they have over on the Nikon side It was great to use and and that that kit there that the D to H and the than the 50 millimeter was what I used to take a bunch of photographs for the next many years is a great kit of a camera to have it work really well to take I think like a bunch of the cool landscape stuff that I did on the first couple trips they did were just both with that setup. So I bought that I bought that Nikon D two h USD on eBay when I made that purchase of it. And I use that camera probably for the longest amount of time. Like I think I used that up until like around 2013 or so when I was kind of trying to shift away from it. And that's when I was getting into more film photography stuff at that time I actually switched over to a an even or just a different camera, a Nikon n 80 film camera because I was I was doing a ton of stuff with with film and film roles at the time. And then I bought a Nikon F four s another film body camera that was from like the 90s I think is when that one was manufactured. I think it first came out in like 1988 that I probably mentioned a couple

20:07 times. Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com few new things up there some stuff on the homepage good links to other other outbound sources, some links to books and links to some podcasts. Like this blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks a lot for listening to this episode and the back end. Thank you Next

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. I wanted to talk today about the Internet of Things, some of the utilities of it, and then some of the questions maybe left on answer for the more practical users out there. So considering IoT for a second, the Internet of Things, one of the biggest issues I see with it is the leverage that it takes from the home signal, your security architecture that you have within the network of your house, with a computer with like a desktop computer that was behind a router from your cable company that was running some security system, or even just, you know, like a modern operating system that's able to run some kind of more frequent updates from the manufacturer. That's an internet connected device, when it was just sort of one internet connected device in the home, the security system was really probably even better, even with the the amount of, I guess, information that'd be sloughed off through air of the user. But now, with all of these connected devices, all running to the router, and all sending IP data across the network to remote servers in the cloud, someone else's computer out there, well, then, there's a lot of other vectors of insecurity that start occurring, and especially if some of these elements of IoT aren't really updated as frequently with patches, or security updates that keep systems like Windows 10, or like the the Mac system that you might use secure. These things just take maintenance and development. And a lot of these companies that are smaller, they don't produce those things for a long time, even a lot of the companies that produced IoT devices in 2015, aren't even in business anymore. And therefore, of course, don't support the service. And oftentimes, it means even worse than just having a failure of security, the device function itself doesn't have an IP gateway to access through its service anymore, because the company's out of business and then your item that you paid for, without really, maybe the explicit understanding of a license agreement, continuing the service activation of the device or the company's existence. Now your device doesn't work at all in some instances. So it's quite ludicrous in those situations. I hope you don't get scammed out of money in that. IoT is great. My my echo device is fantastic for calling out timers in the kitchen and turning on and off the lights remotely. With that functionality. It's quite fun to yell out, turn my lights on, turn my lights off, it's great to do that sort of stuff. But outside of that, I wonder how adept some of these skills are going to be. Until we come about with a new iteration of voice recognition that's going to be a little closer to ay ay ay, our actual artificial intelligence, then something more like coding. Like what we seem to experience right now seems like a lot like coding right?

3:21 You can see more of my work at Billy Newman photo calm, you can check out some of my photo books on Amazon. I think if you look at Billy Newman under the authors section there and see some of the photo books on film on the desert, on surrealism on camping, you cool stuff over there.

3:44 Today I thought I posted a photograph from the wahi Canyon area it's like really remote South East Oregon territory is really cool out there. I've only gone out there a couple times and really truthfully we need to be I don't know just needs to be explored much more than what I've put my time into it for but it's just so remote. It's amazing how it is that they like what we did is we came in from Boise we drove down and through that you're kind of in the ilahi area as it kind of flows into I guess though, why he would flow into the Snake River some somewhere around like Ontario Oregon, but but up above that, I guess the law he goes up toward winnemucca which is sort of what I understand or at least kind of stretches on there a little bit I was hearing about we were handing to this guy. This kind of this kind of eccentric mountain man. When we were in the Alaska mountains and he had talked to us he stopped for a second he was using like hiking pants and you know a jacket with a handkerchief on he was probably in his 60s maybe. And he told us that he was uh i don't know what he was using the things he had been out there for maybe like a month or so maybe. Maybe he said like four or five weeks. Of being out in the willow mountains and he was he had his partner going back into town to get provisions when when we ran into him but he had a tripod and a camera and he was walking around or he's on a hike through the ego cap wilderness trying to find these, these trees, his type of pine that's being affected by climate change as the climate gets warmer in the Alpine area. As the temperature starts to lift in elevation, it changes the types of tree species that are able to live in the Alpine area there so I guess it kills them off as the temperature gets higher. For the certain type of pine tree this like was like a two needle pine and a five needle pine, or something like that. But apparently I guess that's that's what this guy's working on. So he's trying to work on a photo project for this. He talked to us for a while, though, about the law, he came in about the Snake River and about, I guess about how before the dams were built, the salmon run with flow up the Columbia River, up the Snake River, up the Elahi river and you would get salmon run all the way into the interior area of winnemucca, California or winnemucca, Nevada, way out there. So it's just really weird how it kind of pull up these smaller tributaries of the Columbia from the ocean all the way back into the central part of the state of Nevada to grab a chip but it was interesting to talk to that guy for a few and then when we were out in the Milwaukee area, it goes on for a really long time, but there's a few different sections of it's a big river, right like so it's a it's a whole territory of land that sort of meanders through that section of Oregon. But really beautiful landscape out there what we did is we went to Rome and then there's like the pillars of Rome, that's this this area out there but then off from that you can drive south really for quite a while for a while

6:39 on a dirt road and then you pull around and we take like this really bumpy little red like a little access road out to this point. And we did some really cool photos of the Hawaii Canyon it's really pretty right there. At least in this spot that we were taking photos of but it's cool I guess if you go a little further you can pull into this this Three Forks region I think there's a dam or there's maybe there's a few dams on the Hawaii it seems like that's kind of what I've noticed from it but there's this backed up area where you can go in now what I want to do is I want to get a kayak and I want to set up a camping trip and and kind of do like a backpacking trip and just throw the backpack in the kayak and then cut across the water you know kind of cut down though the law he river and then pull out on different sides of it you know over a couple of days and do some camping and do some photos but it seemed like a really cool place to to explore the Three Forks area I guess was that like the trout Creek mountains it's maybe somewhere near there maybe it's not too near to there I guess that whole area stretches out in a pretty expansive way like so. So from the Hawaii section then we drove over to like the burns junction and then you have to drive past that and then you're pretty close to the alvord Desert. That's when we're driving West right so we're way out east like near McDermott, Oregon, Rome Oregon, I don't know it's way out there I hear that like like this week in early October right here it's hunting season and I guess I guess that's a huge area for or it's a it's a big district for some of the bigger mule deer and I guess the elk that are out there I guess it's a big area to go hunt elk but I've also heard like the fossil area there's probably plenty of drainage is that the workout is good hunting lands for this time of year for whoever's into that but yeah I've just been working on some photo stuff so yeah the photo from the Hawaii canyonlands area is posted I put that one up I worked on it for a little while trying to do some editing stuff and but yeah it's really cool i like the that area I really want to go back there and spend some time there for real you know, that's a tough thing is it's so remote sometimes you kind of move in over a larger amount of landmass that that whole region just sort of would take a week maybe more to kind of get into and explore and I bet there's a lot of new interesting photos and visual things you can see down there there just be a cool adventure to it seems like like such a cool spot that's not really seen by a lot of other people. So I don't know an interesting thing and something to put on the opportunities list for for next season as we come back into the camping zone. But yeah, it seems like you're gonna have a couple months here. Like winter in Oregon always is a bit kind of turn it down into a little bit of a slower time for the outdoor, outdoor adventure outdoor camping travel stuff.

9:28 You can check out more information at Billy Newman photo calm, you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support. You can also find more information there about Patreon and the way that I use it if you're interested or if you're more comfortable using Patreon that's patreon.com forward slash Billy Newman photo

10:08 and I think I just been going through editing a handful of photographs and I want to talk about a few of the ideas that I had around that it was cool I was going through through an archive on a hard drive that I have for a bunch of the images from a lot of the camping that we did during September while we were out this this past year and it was cool working with with the newer Sony cameras like like I talked about a handful of times on this podcast so far and and working by like traveling around and camping and stuff work into the truck and all that so it was really cool but so with a lot of these photos a handful of or you know in a waterways they really haven't been processed to to a final outcome yet so one thing that I was working on was trying to go through some of the photographs from imnaha Oregon and then now we're going to talk about on here a bit was that area that's east of of Joseph and enterprise Oregon as you get up toward Hell's Canyon or yeah I guess up there like right on the Snake River and the Idaho border and it's a cool spot it's a really interesting little town and the geography out there really changes quite quite dramatically like right there out next to the Snake River and out next all those hills and mountains that are over in that area. But it looks like it used to be way more full of water out there just the amount of erosion that you can you can see that seemed like it ran through their to create this giant gorgeous that we see now that's that's a lot of Earth movement that had happened out there. So it's a really cool area out there. But once you get out to him now there's no services, there's no gas, there's no store really, I think there might be some type of thing if you if you could call ahead and knew what to call in head for. But there's a road that cuts out in the m&r River Canyon where the river flows through and then there's a road that cuts up and it would go out toward Hell's Canyon or toward a viewpoint at least have at the top of Hell's Canyon as you look down into the Snake River and the Oregon Idaho divide really cool area up there and definitely worth the drive if you can get out there but at a certain point there's a viewpoint that you're able to kind of walk out to the shows all of the imnaha Canyon and really interesting way just the angle of it I think everything starts to line up really nicely in that way and that's something I've tried to kind of look for us on try to put together some photographs so that area was that was really cool you know it's designed to look really beautiful but I try to get real low and bring in some of the some of the contexts and texture the grass in this dry grassy field that the cast stressed off on a steep slope down the hillside as it went down to the bottom of the ravine or at the bottom of the canyon you know the M the high River Canyon that's out there but the contours of the land and the distance that kind of all flowed into the same vanishing point as as in high river you know sort of worked his way up back towards the horizon but really beautiful area up there and it was cool just sort of focusing the camera and trying to try to frame that up to sort of capture that immense sness of edge to edge what it what it was really like to sort of feel that the way that just the amount of angle there is to that and so one thing that I was working on with this photograph was an A handful that is from from them Nairobi, Kenya was trying to try to work on some some more advanced black and white conversions of these photographs and I know there's there's different different high contrast filters and stuff for for good black and white images and in a lot of ways I could really help a ton of images especially if they're shot right or you know cleanly with good light that you know the files are clean, there's a huge amount you can do with things like that but gosh Yeah, just trying to like go through and add black and white conversions that are a little bit more specific, a little bit more adjusted to some of these photographs, especially ones that have like a structural context to him or a compositional element that's really just defining the landscape by the structure of the land and by the the angle of the land a cow like I try to mess with that a little bit so it was a school working on it now like the the way that it turned out it kind of pulls some of the yellow color out of it which is really just sometimes distracting. And then the strips it down to the kind of sharp angles that come in from the top of the top of the frame to the bottom of the frame. These these other sharp diagonals that are kind of mashed up in parallel with the two so I kind of like that part of the composition elements that come about with when you're you start working on stuff when when you kind of work or just when you kind of start getting a little bit more trained and stuff and when you're able to sort of make things a little bit more easily that says to come around a bit better but but yeah, it was cool working tonight on a handful of photographs from from the Ohio River Canyon and try and make some black and white conversions of them.

15:02 Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage some good links to other other outbound sources, some links to books and links to some podcasts. Like this blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks a lot for listening to this episode and the back end. Thank you next time

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast.

0:23 Hey, what's going on? This is Billy Newman, I'm a photographer you can see some of my work at Billy Newman photo calm or hanging out here on my YouTube page and check out some of these, these photographs that I've made a few videos about. Today's photograph is an image that was taken on film it was of really it's just kind of an interesting one. And this is what I wanted to talk about this is from a real simple kit and it's probably something that would cost less than $150 in equipment overall to make this type of image. Now that comes from this photograph was made using an old used film camera with a regular 15 millimeter lens on I bet you can go to a thrift store and find something like this for really a pretty inexpensive price. And there's an amazing amount of quality you can get from it. But this this Daisy and grass field was photographed really just right next to me beside a curb on 18th Street in my town was kind of interesting how it was but there's a nice soft evening light that was coming in low against the horizon backlighting, this little patch of grass, it's just a little patch of lawn that had a handful of daisies blooming in it. So I pulled up real close with the 50 millimeter at one, eight. And I photographed this image on film of these daisies and the soft evening light of the early springtime really cool image and I just kind of like the mood of it. But it was kind of cool to be able to talk about how inexpensively and how effectively you can use equipment that's still available.

1:54 You can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think if you look at Billy Newman under the authors section there and see some of the photo books on film on the desert, on surrealism on camping, and cool stuff over there. Thinking about a couple of the photo things that I've been trying to put up I just posted one earlier it was a backpacking photo that I'd taken when we were out in the willow mountains up in the eagle cap wilderness. And that's a really cool spot. I've talked about it a ton of times before but but it really is a special location as it goes even for Oregon which is really blessed with a lot of very nice, very approachable photographable locations. But the will our mountains have always been something that stood out to me as one of my favorites. And I've heard that region has a lot of stuff like that like as you move further over into Idaho into the sawtooth mountains in the house Canyon, there's a lot of really peculiar spectacles to go see in that area. And it's really interesting how it's laid out. I appreciate it and I love to kind of getting to go through the whole area. But the allow mountain specifically have something kind of special to him, especially when you get up into the Alpine area. And you get away from people even as it goes when you get to Joseph, you're significantly away from people but as you leave and kind of pushing further into the ego cap wilderness

3:19 number of people just drops down to less than a dozen by far. And, and even less than that, you know, as you move into the more remote areas, it's sort of interesting how there's a threshold of where people are like if it's under so many miles of a hike, there's going to be a lot more people there just sort of evolution maybe it's our you know, it's it's just a natural selection, right? It's, it's where people would naturally select their interest to be closer to the main road and then further and more competitive at a farther distance. And so it's interesting, like if you go to a lake that's six miles in, there's going to be more people there than if you went to the lake that was nine miles and it just people kind of pull out first or they pull out to the to the route of the trail it's going to not be as much it seems like but also on top of that, really. And I blame myself for this specifically. It's way busier now. This decade just generally it seems like the Rei or the the whole outdoor industry, this whole outdoor media industry outdoor adventure industry, it just seems like it's double what it was 20% up from what it was a decade ago. That might make sense. And the reason that I would say that is it just seems like there were so many more people filling the parking lot of the area than there were in the years past. And the reason I say that and the reason why that's that's qualified information maybe is it's after Labor Day. Now what's the trick used to be when I was doing a lot of the photo trips that I do, as I kind of travel east trim here and kind of do a big loop in the fall to take photos is after Labor Day where you really need Notice that a lot of these state parks, a lot of the managed locations where there's a park coast or something like that those all get shut down for the winter, it's closed off unless it's like a bigger, higher volume National Park kind of area. But all of these remote locations like the walala wilderness, or the alvord Desert that we went to these were places where there would likely be no people, especially no people, if it were off hours off season, sort of stuff, sort of visitation. But what we noticed when we were there is that the parking lot was filled up, like you know, it was 5060 7080, cars deep, they all just kind of Park in a line up above the trailhead, and that's, you know, you kind of visually just are impacted by Wow, there must be this many people from all these cars up in the mountains right now. And in the past, like when I was there in 2011. And then again, in 2012, and 13, there would be no car, like there was five cars in the parking lot. It was me, I pulled up right to the very front. And I mean, and even when we went this last time, it was a mid week trip. It wasn't it wasn't Friday, Saturday, Sunday. And even still, with that midweek trip, there was more traffic up there. So we went to our noid Lake, I believe. And that was an area that was I think, like six miles. And so a little bit of what I was talking about before about natural selection of the hike, you're going to go on that day, six miles was is less of a hike. I think the other one icelake is nine miles, maybe the other one is 10 1213 miles, you know, somewhere in there, but it just kind of progressively goes on from about six there's about one every two miles or so if you know if you kind of put you know your so many more miles after that. There's this next one, so on and so forth, as you can imagine, but a lot of people go up to this like for like a lunch day hike, which sounds like a blast not having to actually carry all the heavy stuff with you or, you know, all the equipment, all the overnight stuff that you'd have to deal with. But it was fine. It was it was cool. We went up to our North Lake, we camped up there for a night. And we did a lot of photo stuff. But it was kind of tough because I think I mentioned on that last podcast where the we were prepared, but the weather would kind of get twisted on us more often than really what I wanted it to. But the weather would kind of spin out on us a little bit. So the first night we were there, it was nice and decent. And temperature and weather as we were hiking up to the location where we're going to camp. There's only one other couple camping up there I think was like a mom and a daughter team that were there were camped out of the site. And then so we pulled away from them on a lake and you know, it's just the whole lake to us, which is really cool. It was fun. So we shot around there for a while but there's rain that picked up it was probably one of the first rains of the season while at least for me or for us or for that area but it seemed like it kind of built up over the mountains you know, like how you see storm systems kind of build up over the mountain top sometimes seems sort of like it was that like it was some kind of weather pattern that was about that allows it seemed like it was nice everywhere else. But it just seemed like it wasn't very nice there. So we camped there for the night. We got through some rain. It was nice. The next morning, we

8:01 took a lot of photos that morning a lot of photos through the day, we kind of walked around the lake and it was interesting, I guess way back before it was before it was a wilderness area. Before whatever kind of legislation went into effect in the 60s I think was the Nixon era. You know, a Nixon had just gotten in and what was like 68 and they pushed for the Wilderness Act or the wild and scenic act are brothers a bunch of stuff before that, but from way back like 100 years ago, like before, these regulations existed on what could and couldn't happen in wilderness areas. I guess it was a bot area next at Lake and they built like six or seven cabins up there. Like we just cut down wood and built these cabins so you got there I think they're still owned as private property was sort of grandfathered in. Once the whole wilderness thing was established there's a lot of those private land facilities that were grandfathered into that system because they'd already existed there. So these are all like undeveloped and maintain things that I guess you could you could pay someone to to hike up all the way there and then camp there if you'd want to. It seemed a little dilapidated to me though I don't know if I'd want to put out some cash for that after especially after hiking all day, I might as well just take my tent or hammock or sleeping pad or something, you know if I'm doing that, but it was cool to go check out and it was kind of cool to spot something a little different up there. But it's really fun. You know, honestly, I don't like the cabins because really what I want to go to the allowance for is the wilderness experiences the getting away from the cabins, the private property, the signs that say you can't go here, someone else owns this sort of thing. I'm trying to get away from that and go to public land and go to places where I have access where I get to do things. And so if it's in civilization like downtown and I see private property or whatever it might be, or you know, this is ours, it's not yours. I say all right, fine, that's okay. Because that's the that's the negotiation we've made here and civilization, but when we go way out when we've hiked in miles and miles under our own discipline, and accord to get Somewhere to spend time there and then there's some sign some indication that we're not supposed to be there or we're not supposed to be a part of it or we're not supposed to whatever we're supposed to respect their private property and it's a big open field that is a place that everyone gets to hike to that's just a big lake that's a tourist destination now I'm not respecting that rule I'm going wherever I'm going to do whatever that's your business to get a camp post to discipline not mine. So that's might be a leg that I don't go to anymore or that we won't really hike out to again I think mostly you know, photos were fun it was fine other than like not really getting the the light and the opportunity you know running into a storm roll the rest of it that kind of took away a little bit but really there's there's just not as many How do you say like priority landscape features at that at that location there's a pretty Lake it's very nice it's very Alpine looking and you know in its presentation but it just didn't really have one of those those triple A titles to photograph when you get there there's not like a lake and then this really cool perspective of a mountain it's just sort of a big Ridge that runs along this this glacial lake cool really pretty beautiful shouldn't take away from it but but when your goal is just kind of to get to a specific kind of thing and then get a photo in the can as they'd say in the beers or you know when you get to finish it it's done it's already locked off and it's already captured you got what you want then you can move on it just didn't really feel like we got there at our location in the allow amounts but it was super fun being there it was cold at night though man made mornings bad that's the thing that sucks about morning photos at night. You get the sun to heat up the earth all day and then you get to go out and take photos of it in the morning though it's just been cold the whole time especially as we move into fall as we move into winter like that cold just really starts to peak it seems like well you know we're getting really close to the freeze I'm sure it was already freezing up there above the Alpine level like we were 7500 feet something like that. So that's a lot Are you from coming down here oh man and the altitude not altitude sickness, altitude fatigue it just drew on me Marina to she really noticed it but you know, as you go around, it's like one o'clock that next afternoon you're just trying to you're just trying to have energy to sit and eat lunch it seemed like it seemed like you know, if you're really pumped up and you really got to hike in or something you could struggle through it, but just that that native energy that you would have to go do something it just was really zap that might be just from sleeping on rocks for four days beforehand, and then try to hike or something like that. But it's but it's it's weird. I don't know. I remember a couple other times he was he kind of if the backpack and you climb up in elevation, it just can be really fatiguing.

12:55 So we made it through it, I posted a photo up to Instagram today it's hitting Facebook and Twitter and whatnot this afternoon. I'm also trying to run through and find a good video clip like a good behind the scenes video clip of us kind of walking through or running around up in the clouds as we're hiking and I know I have a bunch of those of us backpacking and trying to put in some work to get to a spot to take some cool photos so

13:24 you can check out more information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you received some value out of some of the stuff that I was talking about, you're welcome to help me out and send value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo.

14:03 So I wanted to talk about the training stuff that I've been doing. I think I'd mentioned I had done a good bit of work with, you know, other programs in the past. But this is really the first time that I've gotten into spending time learning specifically about some of the features and the controls in Logic Pro and now Logic Pro 10.5. So what I've done is gone to now what's called LinkedIn learning. LinkedIn learning com. They used to be a website called lynda.com and lynda.com was these these screencast video tutorials of how to use different types of software and how to be trained, you know, just training for different types of most of the time computer related skills. So I've used that service for a number of things over the years specifically I think Chris orbix Lightroom tutorial is probably like standard for a lot of photographers that have been interested in and learning about photography editing. And so all of those courses that have existed over the years have a lot of a lot of good information in them. But so I went back to, to what would be lynda.com. Now as it has been purchased by LinkedIn, through Microsoft, it's now called LinkedIn learning. Right on Hmm. So LinkedIn learning has all of the old Lynda videos, including all the updates to the videos that they're still continuing to produce. So I went on and I tried to find some training videos about Logic Pro 10. There's a number of videos for like Essential Training for Logic Pro 10. But there's nothing because now this new update Logic Pro 10.5 is really only maybe two weeks old or something. It's, there's no there's just no new video training established for it. So I think for Logic Pro 10.4, there's a full Essential Training Video that was produced by was a Scott Hirsch music producer out of New York. And he just kind of goes through the controls and the system and stuff and you get you get a good feel of like how to how to make changes, how to use different features, how to use the mixer versus like the linear tracking system, you know how to use different controls and stuff. A lot of this stuff is similar if you've used GarageBand, like I was mentioned, or another digital audio workstation that does multi tracking in the past. But it was cool, yeah, learning licks and techniques about how to apply different different compress, or how to make the settings of a compressor do more specifically the types of things that I'm wanting to do in a mix, I think was some good information for me to be learning about through the the Logic Pro training stuff. Also, in addition to that, if you don't want that, so LinkedIn learning is a paid service, you can get a one month free trial at that too, which I'm taking advantage of at this moment to get to get some new information. But what you can do is go to YouTube and look up similar, similar training videos. And there's a lot of people a lot of music producers out there that have done their own screencasts of kind of walking through different services or different techniques that these digital audio workstations provide so as looking at a guy guys website, I think it was why Logic Pro rules calm and that had a lot of good training videos on it too. He had a lot of information about how different pieces of it work and just how to how to make use of a lot of the techniques that you'd have to apply in a certain piece of the software to make it more effective. And I thought that was really cool. I really appreciated some of the stuff that he'd done and thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com few new things up there some stuff on the homepage, some good links to other other outbound sources, some links to books and links to some podcasts like this a blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks a lot for listening to this episode. And the lucky next

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. I wanted to continue on talking about a little bit about vertical video, sort of a strange thing not really used to it in this day and age. But one thing I've noticed is that YouTube YouTube itself is now going to support I think maybe for the last six months has supported vertical video playing or playback, at least on mobile phones, I think iOS and Android within the app. And when I go to the website, still it shows me the player in horizontal, regular video mode and then it shows me the video kind of, I guess pillar boxed in there as a piece of vertical video in a horizontal frame. That's what it shows me on the web. And so I'm interested to see if they'll end up changing that over time or you know, maybe reorient at least a little bit so that it just sort of shows it without the black bars around it. But kind of interesting I'm not sure if I'm totally sold on a format of vertical video outside of the mobile, handheld you know phone experience and so that's probably why they're they're focusing so much just on that that first but definitely interested in kind of seeing the way that the Instagram TV is sort of competing and the vertical video market you know, the produced vertical video market, different Snapchat different than the story stuff that you see on Instagram or Facebook so

1:40 you can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think you can look up Billy Numan under the authors section there and see some of the photo books on film on the desert, on surrealism on camping. You cool stuff over there. This last week, I made a trip out to Central Oregon, and it was still really nice. You know, we had a little bit of rain, I think out there last Thursday, Friday and then Saturday, Sunday we it just it just brightened up a ton. It was super crisp, super bright, really cold though. I think my friend David just got out to Eastern Oregon, I think got towards Smith rock. And he said it was super cold out there too. But yeah, this trip, we did like an overnight trip out there. And I think today I just posted a photograph of something I thought was really cool. It's one of the archaeological remains that are out in Eastern Oregon. And there's a whole interesting history about stuff in Eastern Oregon. But the photo that I posted to Instagram and Facebook and all the other places today is a photograph of this rock teepee ring. That's still in very good condition. It's out in Eastern Oregon in this area in between sort of near like where a dry lake bed where once just a lake would have been now what we see in our modern time is just a dry like that. But the cool thing is is as we kind of look around you can see the remnants of an old indian camp that was really quite established in that area. I think it's it's just amazing to get to go see you'll find other artifacts from Indian populations out in Eastern Oregon. Once you start looking around like you'll start noticing ups obsidian ships that are on the ground, or you'll start noticing really unlike some places through a lot of Oregon through a lot of the the less developed less forested areas of Eastern Oregon there's there's a lot less erosion that's taken place natural erosion that's taking place over the last few 100 years, like over here on the west side of the coast with all the deciduous plant matter that comes up. There's a lot of turnover that seems to happen like a lot of the vegetation is going to end up hiding or over growing some of the older encampments or establishments that were made. I mean right now I'm in the Camus Valley. I'm in the Willamette Valley where the calapooia Indians were I'm sure out here in front of me in this big field out toward the Willamette River. There's tons of Indian artifacts, tons of old indian casts, but none of that's really visible because of all the deciduous organic material that's been developed over here. over the many hundreds of years since it's been that there was an Indian population in the area. Now what's interesting about Eastern Oregon is that because it's way more remote, there's very few people out there there's very few people to disturb a lot of things and really, sagebrush doesn't grow very fast. Things don't really move around very fast out there I was there I think maybe more than a decade ago and it was really almost the same as it is now very little has changed out there. You know, there's no new houses, no new development, maybe maybe a fence around the thing. That might be it. But I was really cool. So you get out to this area. You hike out to a spot then you can really see all over the crowd. It's just a ton of black obsidian shucks, these unworked pieces of black obsidian that were carried in by people and then dropped there at some point. And all these pieces were used, I think in the in the in the camp to chip out arrowheads and a ship out of the tools that they would use but it's really cool this tip ring is really the only rule there's a few TP rings like a few smattering of like piles of rocks this teepee ring was really the one that was that was the most established still, it was most upright still. And you wonder like how far back to these go like how far back to these, these stones that were laid into the ground go but they were using sort of like as a foundation for for the tent or the height of the teepee that they would have established there. And then they would, you know, work out of it. And they worked out of it on a bluff, and then they would look out over the, the hill to the Lake area. And yeah, I don't know, there's a whole system out there. But it's really amazing when you really start to, to come in and sort of understand the layout of the land and where people would sort of go. And it's very interesting man, surreal, really to get out. And like be in a spot like that, or sit in a spot sit in the center of the teepee ring where you know, there's people, other men 1000s of years ago, that were doing work and trying to survive out in really what is now a very harsh environment. And back then was still probably quite harsh, at least in the hundreds of years ago. But man, if you start going back 1000s of years, even a few 100 years ago, I guess 500 years ago, a lot of those dry lake areas out in Eastern Oregon really still had at least a marsh or at least a wetland or, or something like that. I mean like similar to summer Lake now you know, parts of the years drive parts of the year, it's filled with water. So it might be a quite a bit more like that now, but I think in the past, it was really

6:36 it was it was just accepted that there was going to be some amount of water in in the lake bed all year round, instead of it being you know, a dry lake bed. And I think it's I think it's supported by the watershed of a few creeks that are in the area. And and out in that area of Eastern Oregon, there's really, I don't think there's really that many, that many drainage is that really go all the way out toward the coast. So I think there's a few parts that are like land lack watersheds, where the water flows into an area and then and then kind of pulls up and makes a large lake there. And well, I know like there's the Klamath lake and then that runs out to the Klamath River. So that ends up getting out to the, to the ocean, but I don't know if like places like goose Lake, or, or just like these inland lake areas, I think they're just fed by the body of water. And I don't really know if a lot of that would actually get back out into the water cycle to head back out to the ocean, and then you know, come back up or something. So it's kind of interesting thinking about just some of the old watershed stuff that used to be out there, how populations used to try and try and work around all that, you know, like you go to a place like fort rock and you read some of the signs. And you look at how back in the Pleistocene area there, that whole region out there was part of, I think, what's called a Peruvian lake. It's like a prehistoric Pleistocene era lake that really took up a huge amount of land out in Central Oregon really what we think of now it's just a large desert area covered with sagebrush, there's really very few land features was actually just all underwater, the land feature of Fort rock that we've used visualize now, I think came about geologically, during the Pleistocene era, era before before the before the Ice Age, and probably a while back before that, but during that time, it was underwater, it was under a lake bed. And so that's where you get that formation is it was underwater, and then it kind of eroded around it this aquifer and lava or LA aquifer magmatic, I met at a certain time and made this big ring, this big guy. It's big fort rock style formation. And that's still what's out there now. But it's really amazing when you get out there and you go see it. And then you kind of start racking with the perspective that this all was once underwater. This is like an inland sea. And then after the ice age or before the Ice Age, there's some evidence of kind of, well, I don't know. Who knows. But there's evidence to show that the Clovis people, the closest tribes, which I think were the ones that at least in modern archaeology have been identified as the group that was first to come over the land bridge first to come into the Northwest and populate parts of the West Coast and into the south and onward and such. But I guess these club is people had had like a specific type of way of building their tools or stone tools that they would use and that's a bit of a way that you can track some things. If you do find an archaeological artifact, you can kind of identify by the technique used to build the stone tool. Like there's, there's different measures I think one of the oldest ones is look for is fluting. And that was a technique used by the Clovis people where they, they were sort of making an arrowhead or spear point really spear points I don't know if they had had flying bows and arrows at that time that far back but they they build these spear points, and they would flute the end the bottom of it. So like if you would imagine they would be kind of this concaved slope. That was those sort of dremeled out of the bottom base of the rock so that you could you could kind of fit that down in the center of a stick really and then and then wind that up. So you kind of make both ends kind of taper off to a point and then you would jam one end into the stick and then wrap it and then you know, put SAP on it or, or, you know, whatever you can do to fasten it down. But I guess that was one of the techniques that was used early on, and that's one of the things that they look for when they're trying to find really old populations in Oregon. Sometimes it's fluid and that doesn't always mean that it's really old though I suppose. But I guess there's like handfuls of different technical or technological generations of stone tool building out there and you can kind of tell a little bit but it's very fascinating stuff and man was it not amazing to get out there and to really recognize it, you know, I was around a natural human manmade, while a semi natural but man made artifact of a home or of an establishment that's as Oh, I don't know how old it is. Maybe it's as old as early Rome, late Rome who would know how old it is in comparison to Europe? I'm not really sure maybe it goes back even further than that. It seems like there's population and that area of Oregon for 1000s of years I think was it the pie you those out there could be different but I know the pie you

11:25 the pie you were south of that area. The pie you were in Lake County I think like through heart Mountain alvord Nevada the now here area all of that was piute. So maybe this was still in the pipe section. But I know that that really you know, like what we've noticed in the last few 100 years if you were to look at the changes of the map even within the United States over the last say take 600 years not even 7000 years think the last 600 years of the United States of America and then look at all the different maps that would be the territorial ranges of those people who ended up being in power during that time. It's really interesting to see and to kind of take note to how something that seems permanent or seems to have the nature of permanence in it when you speak about it like the that was the range of the pie you Indian well was it for 600 years or for that long did it move around? Did they have I don't know territorial engagements was it really that many of them were they there all the time? I don't know any of that information. So it's got an interesting when you sort of think about it, but it could have been any number of large groups of people that probably would have no idea they were called the pie you Indian. But all really very interesting stuff. And man was it so cool to get out there and see. See a real a teepee ring. It's really fun. It's one of the the cooler pieces of archaeological artifacts that I've run into. I mean, you know, you see Patrick glyphs, you see a lot of things, but really, you know, you were sitting in the home of someone that lived 1000s of years ago that lived out in the same place that that I do now. Yeah, really fascinating stuff, but had a blast going out there and getting to check it out. It was really, and I just I love I kind of love this stuff with the with the story with the background to it, where you kind of get to attach some thing that you recognize with it with, with what you get to talk about what you get to show with it. So I thought was really cool story. It was it was really fun to get out there and go see it. I remembered it from years ago. I think I'd seen it about 10 or 1112 years ago. And I think I tried to go back to it, but I didn't really see how to or where it was and I wasn't really sure it's not something on the map.

13:32 You can check out more information at Billy Numan photo comm you can go to Billy Numan photo.com forward slash support, if you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo.com forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo.

14:12 Data Management stuff that maybe we can talk about some other time. Like how to use hard drives, how many you need, how many backups you need, how to like re archive stuff, and probably just talk about like the Trump like because we're not experts, but just the trouble that we have of trying to sort out the hard drives that we have. And like where the data is, do we have duplicates over like I think you were talking about that today of the duplicate that you have. files in the archive?

14:37 Yeah, I've been putting together I'm also trying to get in shape for 2018 all my photo work for that year. So I've been putting together an archive of all my stuff. And yeah, I'm at that point where I really just have to weed out all the duplicates, but I have so many things.

14:53 Yeah, yeah, I'm definitely there to where there's so many different little parts of files that have been made from the original RAW file that was taken like the original photograph, there's so many derivatives of that that have come out of it over over time, especially if it was a photo that I like that I ranked highly, you know, and then I'd already exported, there's already copies of that as a JPEG, or some other like smaller web sized die,

15:16 I have a lot of different sizes. Yeah. And that's

15:19 the one that I'm trying to get through right now, I'm going to try and go through this catalog. And I'm going to try and sort it out so that I pull like the top few 1000 photos of the last decade, that are the raw files that I really want to be able to work on or get access to, or make new versions over prints over something, whatever that might be. But I just have access to kind of quickly or, you know, like, Oh, yeah, these are all the memories that I'm really after, I want those best versions of the files available to me. But a lot of us are noticing that, like it's really difficult to get to that given like the current archive structure that I have, where it's just all 100,000 photos that I have, yeah, I can't really get the stuff in the way that I need to. So I'm going to try and like figure that out where it's all the best stuff that I want to have with me, right now everything gets archived to the cloud, or to some some cold storage thing, or, you know, to some old hard drive that gets shut off or something but some some place where we get like everything stored there. And then really just like the last like year, or 18 months or so, and like the next six months or so is what I want to be able to, like keep on the harddrive that I'm working on. But we should talk about more like harddrive data stuff. As the year comes in a little bit closer.

16:30 Yeah, I know we're planning on. Or we're kind of in the process of changing around how hard drives are set up for stuff.

16:39 Yeah, we're trying to get I think a little bit bigger stuff because like right now I have a four terabyte hard drive here. That's the one that plugs in. And that one's been great for, like doing some storage stuff. But now like, you know, like the data rates, they just the cost comes down so much that you're able to get a really large size, large capacity, hard drive for not much money. And I think the like the the cost of that is a lot better than some of the cloud storage stuff. And just some of the efforts of trying to put something in the cloud, and then trying to pay to keep it there year after year after year. I'm really looking for a lot of these things that aren't really super important and super high priority to be able to put in some kind of cold storage thing like this, like what we're talking about, where we have a backup of it on a hard drive. That's kind of put aside that we don't have to worry about too much. But kind of like what we noticed, I think like with one of those burned out cables, it's in the trash right now. Is a signal a signal of is that hard drives go bad sometimes, like the hard drive, that we had that portable one where it burned out of the USB port.

17:36 Right? It's terrible. Yeah, yeah. There's nothing on

17:40 it. Yeah. So that Well, yeah. And yeah, he's not backed up. So yeah, that's the thing. There's a back so it would be terrible if you know, one of these hard drives went where it was the like the soul, the soul House of all of the data that we have, especially like all like the decade of photographs that we made and stuff. So I'm really trying to be conscious of trying to keep those in multiple places at the same time. So we've done an effort to put those up on the on like a cloud storage service, which has been okay. But I think it's like, it's not the best version of those files. If I understand, right, it's like a JPEG version. There's a few limitations are added if I understood, right, but it's, it's okay, no, no, we'll try and put a bunch of stuff up on the prime photos service like that.

18:25 I was gonna ask which, which services you're using right now?

18:29 Yeah. But amazon prime cloud services is what I'm trying to use for the photo storage. And they have like unlimited photo uploads for a lot of stuff. And we put up a lot of stuff on that, but you can't keep you have to make it current. There's all this stuff from 2016 and 2017. That wasn't really part of that. And so I need to upload all of that content. I've been in the cloud.

18:51 Sure. Yeah. You just have to keep keep adding to it. Yeah, I

18:55 have to keep that keep some stuff saying Tim, I think he will still there's there's a lot of gaps within like 2015 and 14. And that's all just stuff that we can file ourselves but, but stuff that didn't make it up originally. And so now that I have like this, this like new catalog, like so what I would say before I get out of myself, what I did this weekend is that Yeah, I took the hard drives had this one terabyte hard drive that I use is like my portable drive that's like my storage and stuff like the tank that I have with my laptop when I'm in my bag out on the road. And then as all my photos on it, and it's really just a copy of like the whole photo archive for a long time. But what I've been wanting to do is update that for 2017. Take every photograph I have every JPG DNG file any any RAW file or photo file that I have on my computer on any amount of drives, I want to try and condense that down into one set of files that are organized in some way. And so I wanted to use Lightroom to do that since Lightroom. And its back and when it when it brings in files, it'll bring in files from one hard drive and then write them into a new file architecture on another hard drive. And so I tried to take I tried to take everything and I backed it up into the four terabyte hard drive. And then I brought everything back over. And I filtered it through Lightroom. So that I could get everything put into a new file architecture that matched by by like month and date and year of the file date. And most most of the metadata is correct. But like, you know, Marina, like a lot of the metadata for whatever weird camera or whatever set of film that we had that was scanned by some computer that never had its clock set, and still says 2002. There's all sorts of stuff that has the wrong metadata date, where it shows up, like when my d3 battery died, and instead it was 2007 in February, again, because I was the first date that that computer knew in that camera, and just reverted to that date again.

20:48 So first,

20:51 so it's Miss, it's Miss dated, but it's really fine for most cases. So I was able to bring all this photos back over, I put a new collection together, it was about 500 gigabytes or so. And then it was able to transfer that back over to the to the larger drive. And then the plan is to wipe the go drive, the one that I have with me all the time. And and then bring back over like I was talking about at the beginning, like the top few 1000 photos, and then everything that I'm kind of currently working on for this year. And last year, so there goes a heat, bang, bang, bang, bang sounds like hammers on a pipe, it really does every time exactly what it sounds I never get used to like when it comes into in the fall, and then start popping. It's pretty funny all through the winter, all through spring. styling is like in the 70s. late May. But, but yeah, so we're trying to do like this collection of archiving all these photos, and trying to organize it together. And it's been a fine process so far, but like trying to get your harddrive straightened out, especially when you're a little short on space, because you sort of wait until you start to organize your harddrive until, until you're running low on space and you're like Oh man, I gotta do something, I gotta move these files around so I can kind of get by so and that's what I was running into problems with to where like every hard drive was starting to get full and I go, Oh man, I gotta get like a new hard drive. And like we were just talking about hard drives go bad, especially portable ones, especially the spinning disk drives like the mac book I have now that's an SSD, the solid state systems are going to last a lot longer than the spinning disk disk mechanisms because that magnetic spinning disk plate is going to mechanically fail after some number of miles of revolutions that makes that the motor does that the solid state system has the advantage because there's no moving parts, it's just electricity. And so it's really conceivable that there's really no finite point that that drive will fail. Like most thumb drives or something optical media, it's kind of like thought that that's going to burn out after 20 or 30 years, you're not really even going to be able to use the disk as it's stored unless it's stored like a good condition. But thumb drives and other like solid state media. If if the ROM doesn't lose whatever data was on it, it's likely that you know it'd still be readable if it was damaged. So it's kinda interesting, like how different types of interesting and

23:13 what's not. Yeah.

23:19 Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage, some good links to other other outbound sources, some links to books and links to some podcasts. Like this blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks a lot for listening to this episode and the back end

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. But today's photograph comes from one of the springtime scenes of light and weather that comes through really more often than other places in the world. But it comes through pretty often through the Willamette Valley. And this is a photograph of, of a passing rain system like a big sell of a storm. In the in the Willamette Valley with with a lot of light coming through the low, the low level of it, it's really cool, you get to see the green grass is kind of D saturated tone in the green grasses that comes up to the rainbow that's there shining down onto the land, and then you see a bit of the rain as it comes up higher and higher into the darker clouds above. So it was really cool, colorful photo that I liked a lot. And this is what I try and push for a lot with some of my photographs is to is to go for more of an ethereal or dreamlike representation of what reality was at that time. Even though this was just a regular summer storm was rain and some sunlight, I think it really comes across as a special moment this photograph. So it's a really cool thing. And it's something I've been trying to work on more and more in the photographs I've been creating. You can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. And then you look at Billy Newman under the authors section there and see some of the photo books on film on the desert, on surrealism, camping, and cool stuff over there. Really trying to do a lot of scouting stuff, which I've enjoyed to doing some scouting stuff through the summertime has been pretty cool, where I'm really trying to go through some of these back roads and trying to like Mark spots in the map where there's good campsites, which I hadn't really done before. You know, it was a lot of places, I've driven a lot, a lot of roads I've been on, especially, you know, like back country roads, to Forest Service roads, BLM roads, and I know a lot of good dispersed camping areas. And really, I understand the context of how to find those areas so much better now that I'm older than when I was young. I mean, when I was young, and I go camping with my dad, you know, we'd go out to Eastern Oregon we'd find some spots and they'd note about this spot since you know, he was a kid and he was going over there and hunting camps and stuff with his grandpa.

2:41 So it's cool for me to get to go over to the same spot and get to check out that area and stuff. But I think there's been or at least when I was a kid, I didn't really understand that the land, like the public land rights that you have, and really how those are organized, like how public lands are organized and what you can do on him and then sort of how it operates. I didn't really understand the difference between national forest land and BLM land or national Parkland and state Parkland or wilderness areas, National Wildlife Refuge areas, man there's just so many different distinctions of different things and then also just private property. So I didn't really have a clear recollection of any of those things. And really a lot of time when it's public land, you can go on it but there's some things you can't do on it like I they maybe hunt in some circumstances, like a, like a national park, or I think you can't discharge a firearm inside of national park, but for specifically permitted events, maybe probably national wildlife refuges. I think those hunting opportunities are are limited also though, you can still do some things in those areas, I think you have to get permitted and you have to drop tag for that location, I think is what it is. But But yeah, it's kind of interesting, sort of learning about that, learn how these things go and also finally getting some maps that you can use that you can kind of trust better while you're in the back country. I think that's something that's really helped me kind of understand where I can go and what I can do and i don't know i mean, we've had those map books you know, like that, that 50 page or 100 page book of Oregon and you know, every every page is a 25 mile map of that area is always super useful, how they kind of grid out everything and show you that you know the mile by mile marking and the topography of the area, the different little roads and stuff but even those roads, those mapmakers still got things wrong. I remember to you know, back in like, was it 2004 I think we were out in an area and Southern Oregon near the Nevada border was a Druze reservoir somewhere south of Gearhart mountain. And I remember we were on some, some little, some little road I don't even know if it was if it was a national forest area, I think it was just in the in between private and public lands as it kind of jumps back and forth in those pretty remote areas. All of it is just remote, desert and forest and sagebrush Juniper, but some of it goes into like ranch land, it's more managed and some of it gets back into BLM land as this as this little road sort of meander through it. But I remember being out there and noticing that the map on the page was just totally different than the map or the you know, the real world ground truth of where the road went. And I saw Oh, wow, yeah, you can't really trust the maps to show you the information that you want to see when you need it. Other times too, you know, you'll see like, Oh, hey, like it shows there's a road right here. Good deal, we'll take that road. Well, you know, it shows it's on the map. So you cut down there, you get on the road, and then it's washed out like crazy, or it's super bumpy and like, and just terrible, right? And but it's the same green roads, the same label, the same marking is the road next to it that was graded and, and

5:49 art was that paved, right? It's graded gravel, they put more gravel down, I think, is what I'm trying to say they've, they've made it an easier going road to drive on. But then you get those washboard sections out there. I don't know if you guys have done that, where you're driving around in the Forest Service roads and those gravel roads. And I think it's a natural process of erosion that occurs that creates these waves in the material, you know, as I think, as a rainwater comes down, is sort of naturally over time generates these, these little ripples. And that's the washboard effect that you get when you're driving. That's also the thing that kind of kicks your car sideways when you're, you're going a little too fast on a gravel road. So I started doing today I think I kicked it pretty hard side or not, you know, like, it's pretty loose on the traction and it was starting to tip sideways in my truck. And so I slowed down and threw it into four wheel drive after that, and was able to cruise around out here pretty freely. But yeah, I wanted to talk on this podcast about hanging out in the Fremont National Forest and I just got finished with a huge thunderstorm that came through. It just really finished raining a little bit ago. We were kind of I think when I arrived to today at this Meadows still a few hours before sunset, so I walked around and kind of went along the perimeter of the meadow and then and then I noticed that you know, I mean it's cloudy. It's been kind of cloudy today, and there's been thunderheads that have been building up over the location that I've been ever since I kind of came over the past the Cascades had been in like a pretty solid string of a thunderheads that have sort of coalesced into big mass over the Cascades some of it here over the Fremont National Forest river mountains these are that I'm in and and yeah it seems like this section in Eastern Oregon was getting hit with a good Thunder a good summer August thunderstorm today which was kind of fun to sit through and go through it was cool that I got rained on pretty hard early when I was driving over I thought I'd get out here and be a little bit more free of it but it seemed like that storm kind of drifted over this way and it was sort of drifting north from here and and yeah, it is a new system but man there's just a bunch of lightning that was coming through and huge cracks of thunder just big deep rumbles I haven't heard Thunder like that. And in years and years probably you know where it just kind of stays and like hangs and rolls for 10 seconds 15 seconds it seems like you know you just really kind of like whoa is Can it really still be just cracking and rumbling and rolling. And, and there was enough activity and if lightning activity that was going on there where you'd hear thunder. I mean, it was almost like 45 minutes there where there was just a crack and a roll of thunder almost continuously like it was it was pretty intense. It's It's It's really I think one of the more strong lightning storms I've been in in a while but that's sort of how it goes out here when you have these higher elevations I think I'm floating around up in the 5100 feet or so above sea level. And so it just means I'm up in the mountains where these these thunderstorms get started, you know, they get there. They get there. I think that's where they they'll kind of coalesce over these big mountain tops and then float over in the hot weather. I don't really understand the weather enough to say I know how a thunderstorm starts it doesn't start now. I've just gotten cold enough I'm trying to throw jacket on. Now you got to live through it. I'm really camping. It's been good. But I'm gonna be out here for two nights I think is what I'm going to do and then tomorrow a cruise out and I'll try and hit some of these Forest Service roads for a bit. drive around do some exploring mark a couple spots on the map as a as I'm cruising around. I think that'll be that'll be a good time but the I haven't been out here before. I think I've heard of a couple friends that have been out in this area that have done some. I think they did a couple scouting trips for a hunting trip that they're going on in the fall. I think this is an area where we're one of my friends goes I think they try and drop a tag for not this area. I think it's a drainage over from here but I think I've heard about this area a couple times from from people talking about it too. Yeah it's cool it's cool spot it was out taking pictures earlier taking some photographs I've been working mostly probably for almost a year and a half now I've been working a lot with this 17 to 40 millimeter wide angle Canon lens and it's a pretty inexpensive lens and you can get it for like 400 bucks maybe a little less if you're lucky and you get it on a sale time sometimes in the fall as we're kind of ramping down toward

10:29 for Thanksgiving I think you can get some good deals on it but that's it's sort of in the the $400 range I think sometimes maybe it's more around five or something but I picked it up a couple years ago when I was starting to do some real estate photography or while I was working for Airbnb for a while where they had hired me as a photographer to go into these Airbnb plus listings and get a new set of photographs I was interested in kind of learned about how specific they wanted all those this photographs and this this really specific art style and and you know format of it and it was fine It was interesting to do for a while but but what was cool is that I picked up that lens to get in and do that work. But really after that I've been appreciating how much I can do with that wide angle lens and then you know 40 millimeters isn't way different than 50 millimeters it's certainly different for the effects of portraits and stuff but when I'm out here doing landscape stuff and I'm trying to take pictures of a lot of this stuff is kind of sketch photos to where I'm sort of going around and midday I'm taking some photos of some different things I want some cat photos and my track and my my little cooler set up in the back here and so all that's been good in addition to that the the Astro photography stuff that I can do with it is pretty cool because it drops down to the 17 millimeters it's an autofocus lens, it's a sealed lens, it's it's pretty it's it's pretty good in most ways and I've really noticed over time that I'm not as as absolute of a mandate for me to be shooting at a really wide open f stop you know, shooting at a wide open aperture almost all my photos early on were 1.8 or or 2.0 or 208 or something and I would do that really because I was trying to I was really trying to get because I didn't have very many lenses I was really trying to get as much effect out of that book k out of that soft background as I could so I was really trying to lean into that and get some photos with it and I noticed with my camera and equipment at the time that it just it just looked better. They just did look better when it was at you know f1 eight I think I just had that nifty 50 Nikon 50 millimeter for the longest time that's what I did I did my early trips on and did a lot of my portfolio building stuff on that but but I've got a different 50 millimeter lens with me now I've got it on my film camera in my bag right now which I need to take out too and I'm trying to finish a roll of avatar film it's been on there for a while and I've enjoyed shooting it it's cool it's a it's a new Canon camera to me at least I got it used on kth and spent 35 bucks on it 10 bucks to ship it and it takes a weird battery to it's one of those 90s film cameras it has this weird it almost looks like a battery pack this it's like two so it was almost like two double A's if they were a little fatter but are bonded together in this little plastic pack and then you pop that in there and shoot for a little while I guess and it runs a meter okay so I'm getting by with it but I've noticed the film cameras stuff it's it's fun to have an awesome film camera it'd be cool to have a Leica and all the lenses I wanted but a lot of the time with that you know the good lenses I have this this new or like canon l glass that I get to shoot through and for film photos and for the variety of images or the variety of lenses i have i can i can do telephoto I can do prime I can do really wide angle all with the modern digital Canon lenses that have you know chips in them that read well that meter well that make contact with or send information back and forth or at least from the lens to the camera I think xao works that works in the autofocus stuff for the digital camera this is this is autofocus Yeah, it's an autofocus digital camera. It's sending information back it's working Yeah, that makes sense yeah, so it's it's cool like that's something I didn't really have available to me for a long time you know, I think what I've probably on this podcast if you go way back in the archives I'm talking a lot about film with a Nikon f4 you know, I mean that just had autofocus that was the first camera like 88 to get autofocus period. So it's cool to have that in a more flexible way now but what I remember talking about in the past that was that I had like limited options with glass all the time, I didn't really always have the lenses that I would have preferred. And so I've kind of made a collection of that now with this canon stuff, I got a Canon camera and so I can throw all those lenses on and have that same flexibility that I have with my digital set. But just with this, this film body that I get to shoot a roll through so I kind of saved the film stuff When it's a thing that I want, but what I've noticed though for a little while, is that I miss a lot of those moments and I ended up just having the

15:09 the norm, you know, the regular digital camera with me with a bunch of my other gear, whenever going out and trying to kind of just take the camera with me and then I'll leave the bigger bag back at the truck, so that I'm not really carrying as much stuff with me, I've also started carrying, like when I'm out here in the woods and stuff I'm carrying that binocular harness with me, which is kind of cool, you can get them in different sizes, but it's sort of like if you imagine like a backpack, but what they do is they strap onto the front so it's right on your chest. And what you can do is Phil is put like a pair of binoculars in there. So you can pull them out and then scatter around with your binoculars, do some glasses, and then pop them back into your into your harness and then kind of carry on with whatever you want to do. But if you leave that empty without the without the binoculars, if you have a smaller camera rig, probably like a mirrorless or a Sony camera, you know, like one of those Sony A 6000s man, if you were a backpacker, and you had a Sony A 6000. And this, this front carry, like binocular pack, you'd be really sad that would be like all the camera bag that you'd need. In fact, really if I'm thinking about ever doing some like over you know, some longer backpacking travel, where I just have to pack everything in a way it's gonna be something I'm more conscious of. And I think that's really like the way to go is I've kind of been thinking about it a little bit it's like get to get a lighter camera. Or I mean it'd be great like carrying like a 360 camera you know, if you're going up someone else's, those are almost nothing as it is anyway but but if you're carrying like an SLR or something that you want to try and do some some more controlled photography with you had something like a, an A 6000 from Sony or an a seven, seven or three or whatever it is something that size with a lens attached to it, you know, that could fit in one of these binocular harnesses, harnesses and carry kind of route on your front and then you see something you would take it, pop that open right on your chest, pull it right up to your eyes, got straps on it in the harness, pull it right up to your eyes ready to shoot, and you can take photos, or take photos, you know as quick as you want to. So it's kind of a cool process. If you're out hiking a lot for what I'm doing, I have my binocular harness, but it's got binoculars in it. And I've been kind of going around and trying to do some bird watching stuff while I'm out here. And so cool Hawk, those posted up who's looking at me, that's about all I've seen so far. So coyote the other day, that was cool. I'll talk about that later that but

17:33 but so I had those binoculars in there. And I've been kind of going out on these, these shorter hikes and stuff that I've been trying to go around and like, just kind of watch some stuff or watch land and kind of keep an eye out. But I just had the camera on my longer strap on my side with that 17 to 40 millimeter lens. And that's worked really good. And it's been a pretty flexible kit for me to go around and take a bunch of photographs with so it's pretty easy, pretty lightweight to work with. And I can kind of move back and forth between those things strapped around my neck, you know, it's not everything just hanging around my neck with a lanyard, it's all kind of put somewhere or packed in somewhere. So it's been kind of cool. But it was good going out and taking some photos tonight, I was trying to get some of the i didn't i didn't get any lightning in the camera, though the lightning stone kind of passed as soon as it was getting really dark enough to do like a long exposure kind of thing where I could, I could sort of catch something, something spark and otherwise, you know, you got it, you got to beat the lightning bolt with your shutter finger. And that's a pretty tricky task to do. I think that's how they do it, you know, when you get those, you get those like magazine photos back in the day of powerful lightning bolt striking. I don't know the center of a road or something like that, it's what they'd show, you know, some kind of power lightning bolt, but the way that they would do that stuff is i think i think it was like it was dark out, you know, are pretty dark out. And so they set the camera up for just a cycle of long exposures. And then they would just kind of let it ride, you know, so they'd have a couple seconds to expose the image to whatever you know, at work, and then they just kind of have that rolling so that when when a bolt of lightning did strike, and it would be captured. And you could go through that collection of capital or you know how I say that, when a lightning bolt would strike the ground, the camera would have already been exposing for a photograph. Because it's just cycling the shutter on a four second exposure, let's say something like that. And so you know, it takes a four second exposure stops, processes for a second, it takes for second exposure stops processes for a second. So I think that's how they did some of that stuff where they, they kind of anticipate. Alright, it's been a couple minutes. Let's take a frame now. And then it's just going to be an event in the future. So we don't know if it's going to happen or not. We're going to wait for this event in the future when we boom see a lightning bolt and then that light then exposes the sensor or the film and the camera. And then you're left with an image that has that lightning bolt represented in the frame when you're shooting on a tripod or something like that with with like a short cycle, long exposure. And I thought that was pretty cool, but I didn't really get a chance to get all that stuff set up before the storm kind of passed me by I did get a lot of cool handheld stuff that was that's great if the thunder heads and stuff and really unfortunately just in the location that I'm at a lot of that and I guess maybe for the better. But that lightning storm didn't pass right over my head, it was still a little ways away. So I could see the lightning bolts cracking through the trees can out that distance more, a few they stretched across the sky pretty good too. It's just a big old, you know, from from east to west. It was like, you know, big old chunk of boulders crack all the way across the sky. It was cool.

20:53 So I got some photos of the thunderheads, the sunset, the the big field out here, it's cool. It's a nice area. But I was also thinking about some of the other stuff that I want to be doing tomorrow. So I'm out in the Fremont National Forest, I'm going to be heading I think, maybe south from here, and I'm going to try and explore a couple areas that are still open. Or I guess it's all open publicly, this is like a pretty large contiguous section of of national forest land here. And really like that's a big part of Oregon overall, right? It's like 53%, public lands. It's cool. Yeah, if you look at a map, you'll see the cities and you'll see like the highways and stuff. But if you have the right map, it'll show you where the BLM land is and where the different national forests are. And it's cool, this whole area of the Northwest is just, there's a lot of public land that you get to use. And there's a lot of open area that you get to go to and, and yeah, now that I've got a good map of the outdoor off road, roads and some of the terrain and stuff with some good notes, and I'm able to kind of move around and get out to a lot more places than I had before. So it's been cool. The app that I'm using is the on x off road app, it's, I think 2999 a year. And so pitch that out, picked up this app, and then you can download offline, these, these really detailed off road maps, they're supposed to show you all the trails, you know, even just walking trails, all the roads, all of the like the pieces of information you'd need for kind of moving around in the back country and really as surprising as it is as remote as a lot of these places are people go here, you know, it's also public land is managed by the the forest department forest Forest Service. Yeah, I think a lot of the stuff managed by the Forest Service, the BLM stuffs managed by the BLM. And that's why these roads are as good as they are or maintained. And that's why I like when trees are down on these mountain roads, you know, someone has to go through at the beginning of the year and cut all those out, rip them out filling the potholes, all that sort of stuff. So all these areas are, are known about and you know, kind of managed in a pretty significant way. In fact, I think, more so to come in the future. I think they just announced yesterday or the day before that they've passed the great American outdoors Act, which I really don't know the first thing about, or, or what it does or doesn't do, or what puts in or leaves out. But I think part of my understanding is that it's supposed to change some of the funding mechanisms that go into supporting the the maintenance of these public lands that are out here across the country, but really significantly out here in the western states. So it's, it's pretty cool. I think, before that it was like, well, we should spend, you know X amount of money, but there's a more important place for that money to go. So it wasn't like a guaranteed amount. Sort of what I understand so if I understand it correctly, there's like I think they've said $3 billion a year of mandated funding for projects. I think here in the back country, BLM land, Forest Service land and like national wildlife refuges and stuff so pretty cool. But yeah, I think that's gonna, well maybe we'll see a change in that I think it's supposed to better fund the operations of BLM and forest service people as they're going through and trying to get these areas ready for, for the public to be using more regularly. So it's cool. I think it'll mean a lot over the next few years or what maybe we'll see how it, how it kind of transforms some of the way that these these areas are managed. I think maybe it's more for mining, I probably shouldn't even speculate. I'm not sure at all, but it's pretty cool. I'm excited about being out here and doing some camping and stuff dealing with this thunderstorm. I think it's one of those things where by the morning, you know it's going to be or at least well I was looking at the weather it should be mostly cloudy, partly cloudy, mostly sunny tomorrow for a while. So It's pretty cool. I'm excited to be hanging out, do some cabin stuff, do some podcasting. I'm in the back of my truck right now like I was saying it was rain in early after this thunderstorm so I got that canopy on my truck. And I'm nice and dry, nice warm, kind of feels like I'm just inside somewhere. So it's, it's a cool cool rig, having the four wheel drive, having the canopy on the back, having your staff and your sleeping area, just kind of set it back there and I'm ready to go. So I've been having a good time being out here and

25:31 it's been pretty good. Pretty good trip so far. I so appreciate you guys checking out this podcast from me. I'm gonna do a couple more podcasts while I'm out here on this camping trip. And I'll I'll try and try and set up a little backlog of them on my website. I think it'll be a good idea. Now I kind of take their breaks and stuff from it. I'm sure no one, no one keeps listening when it when it is there. But hey, if you listen to this end of the podcast, shoot me an email. Time for the plugs. It's Billy Newman that photo.com if you want to check out my website, see some of my photographs, check out more podcasts that I've done, or books that I've tried to put together which is maybe what I'm going to try and do out here to try and get some photographs for another good book.

26:19 You can check out more information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value for value model that we're renting this podcast with. If you received some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo. Yeah, this summer, I've been trying to do a lot to work to get together some new photos, some new stuff to try and kind of build a base and then move from there a little bit. But I'm really excited to try and put up a bunch of the older portfolio photographs that I have. And I was really happy to work on the website a lot this summer, I kind of redesign a bit of that, you check that out tell you anything about it's a billion human photo.com. And I try to strip out a lot of the unnecessary parts and I'm trying to kind of hone it down a little bit. So it's a little cleaner, but it's gone. Well, I've tried to set it up a little bit more. So it's stream based, if that makes sense. You know, we've kind of moved toward like the Facebook stream, the Twitter stream, the Instagram stream. So I'm trying to kind of move it to where, like I talked about on the podcast before where a lot of the media stuff that I put together, the video clips, the photographs and stuff that wherever they do end up going whatever sites I am populating, like flicker and Instagram and Facebook and all the rest of it, that's kind of what's shown on the website, or you know how the website's going to try and automatically pull that stuff and ingest that into the website. So I don't have to do it as much. And that's kind of been fun. Actually, it's kind of cool doing that. But the thing that I need to do, the part that still left is I need to go through my photo portfolio, kind of the long term portfolio of images I have, and I'm trying to go through and select what would be good to show the work that I've done so far. And I'm trying to do that in a way that's more developed than I had before I've gone through and I've selected, I've kind of picked the photos that I like a lot. But I've tried to do a couple different things. And hey, another truck. That looks like a few times of gravel in the back. So what I want to do, though, with the photo stuff, and what I've kind of been trying to work out a little bit is to go through Instagram or to go through Facebook and to try and select my favorite photographs, but then also just select the ones that have been sort of chosen by the market. That's another idea that I'm trying to go for what what do people actually like of the pictures that I take? What are the ones that people seem to connect with the most. So in one level, I'm trying to find all those photos. And then I'm trying to sort of remake those photos or re edit them or you know, kind of re republish them in a way that looks sort of new. And that's cleaned up a little bit in the way that I can I can edit and create stuff now. So part of the step is that and then the other part is to sort of learn what people like of the photos I'm making that I want to go out and try and make more of that. Or I try and dig in a little deeper on on the part that seems to get the most traction or that seems to be seen as the most valuable. So what are those like what I've noticed?

29:39 Well, yeah, what I've noticed anecdotally so far is that the low light stuff or the Astro photography, the night photography, the landscapes where there's stars matched in the background seem to really perform really well. And I really love trying to take those photos and I know a lot about how to lay out the stars that I would want in that foot or you know, I know where the stars are I know how to kind of line some of the landscape stuff out that I know how to expose for it. So that's a part that I'd really like to get into and push for more of what seems to be a draw the photos that I take. But on the other side of that, too, I really want to do more, more fine art photography, that's what I really liked, and was kind of drawn into when I first started taking photos, even way back on film, before I knew how at all, but I really liked the fine art side of it, where you could go through and try and put the nicest elements together or, you know, try and put a landscape together. But I liked that side of it a lot more than the product or production side of it. In a sense, at least. And I've always been really interested in the fine art photographers that are out there, or the fine art landscape photographers where you see some of the advanced kind of work that they put together, some of the ways that they're able to put real pieces real elements into a photograph, it's always seemed so cool, when you're really able to be in tune with that sort of stuff. And I don't know, I've just always loved the old landscapes, and, you know, old Fine Art images from the past. So that's kind of the stuff that I'm trying to get into. But organizing this stuff has been interesting. So I'm trying to use this program called Scrivener. And maybe I talked about it before or maybe a while back, I talked about it. But Scrivener is kind of interesting. It's this, and I talked about it yesterday, no, but it's this writing application that I'm trying to get into. And it seems like it would take a few tutorials to really figure out it's a little bit more in depth, hey, gravel truck, it's a little bit, it's quite a bit more in depth than something like Word. Even though Microsoft Word is sort of an industry standard that everyone has sort of learned on for the last 1520 years, it really is a little bit more specific to like an essay for at least the way I've learned it. But it's more specific to the essay format of word processing, where you're trying to get a page accomplished, you're trying to edit through that or you're trying to edit through kind of a single document. And Scrivener is sort of laid out in a way where there's a few more pieces on the side of it, where it's really supposed to be a research applicant, or you're supposed to kind of compile

32:04 different documents of text research or photo research and kind of put that together. And then you're able to sort of assemble a larger writing project from there, which I think is kind of interesting, like i'd figure like book authors would use a writing program like this to work on their character outlines. And their story outlines their plot summaries, and then they would work that into the manuscript that they would make into their book later. So I just think it's kind of an interesting way that they seem to be going, or that the program is built to sort of go about it. So I'm trying to get into that and do it well. But one of the aspects I'm trying to do is to put in all the portfolio of photographs that I have, into this Word document, and then sort of sort those photographs, and write about those photographs a little bit to see which photographs really seem to connect with me, or connect and connect with an audience the most and, but also a photograph sort of have a story associated with them, I love that. Like, if you would follow me for this for a second, you would kind of see that there's a difference between the photographs that are going to be the most monetizable the ones that you can make money from like, let's say portraits, let's say business portraits for some company you could get, you could get some money for that. But you wouldn't really want to post that in your portfolio of work necessarily, you'd want to like, at least in my case, what I'd like to do is show some photos from the imnaha River Canyon, like where we were last week on our photo trip. So you kind of want to move into that stuff. But you don't, it's not gonna be the same sort of thing. Like those landscape Fine Art photos are just, you know, the landscape, travel, adventure, tourism sort of stuff, that's all going to be on one side of it. And then the other is going to be, you know, senior portraits, business portraits, event photography, wedding photography, that sort of stuff. So there's sort of two sides of, of a portfolio. One of them's a photo product that's valuable for money. And the other one's a, an art piece that's valuable because of its aesthetic. And those are sort of different things that you've kind of, as a photographer, you're trying to build both of those up at the same time, it's sort of like two different routes that you have to work on at the same time until they sort of merge together and unify. So it's got an interesting part of it. And that seems to be part of the process that I'm in right now is trying to figure that stuff out. So some weeks, it's, I'm working really hard on the aesthetic side of the photography. And then some weeks I'm working really hard on the monetizable compensation based side of the products that I want to try and build as a photographer that's in business, right? And there are those are interesting challenges. But I guess I've been doing it for a couple years, and it's kind of fun, at least to a ticket to still be doing it. So a couple of things that I'm trying to do is I'm trying to go through and build a new Lightroom catalog of all the photos that I've taken this year and all the photos from the last couple Will your second organize those and do a little bit of what I'm talking about. So I have this kind of tighter collection of maybe the top 100 Top 200 Top 50 some number in there of of well laid out photo essays and stories with an image you know that's kind of what I'm trying to get to especially for like the, the social media content side of it, I want to try and have that ready to go with a higher frequency almost all the time. So I'm trying to get everything kind of pre produced, right? Does that make sense? One all the portfolio photos pre selected and then ready for me to go if I want to, if I want to post those, I get those out on any given day. So it's interesting, it's kind of a cool project. I worked on it a little bit to work on it a little bit here and there when I can but that's another part that's kind of tough. I mean, gosh, I haven't even finished my website yet. Which I guess the last part is still just this I need to it's kind of what it's been waiting for is I need to finish the selection of the portfolio and then I can build the portfolio gallery and put that up on the website. But so far, it's been working great just to send the y'all over to Instagram. I think that's where most of the stuff goes. That's where all the current content goes. Anyway. Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage, some good links to other other outbound sources, some links to books and links to some podcasts. Like this blog posts are pretty cool. Yeah, check it out at Billy new minnesota.com. Thanks a lot for listening to this episode and the back end

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

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If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Thanks a lot for listening. My name is Billy Newman, I was just talking the other day about using terminal on the Macintosh terminal has been a Unix interface. It's been in the Macintosh operating since about the year 2000. When, what was it when they switched over from whatever like Mac OS nine to Mac OS 10. And that was the transition when they kind of switched the framework over to a Unix based framework, I think where they call it Darwin on the Macintosh. Really interesting love the way that that works. That's really what makes the Mac OS mac os 10. So stay was so so useful was a lot of the work that was done to set it up on an older framework of a Unix file system. But but really cool stuff. So I talked a little bit about that on the last flash briefing, what I wanted to talk about today was a specific command the sips command. So as this is a photo oriented flash briefing, the sips command is really cool, it allows you to do all this, this internal image processing that that I really didn't think you would be able to do in it right away. But like for, I guess, for instance, you can resize a whole folder of photographs to some preset resolution. So if you're in a hurry, and you had a folder of images that were maybe full size, and you wanted to have a copy of those images, but you wanted to have a web size version, say there were only 2500 pixels across, you know, you've seen one or two, like kind of shrink them down a little bit from their full size JPEG version. So you maybe would make a copy of that folder on your desktop, let's say you go to terminal, you'd orient yourself to that directory and then I think you'd type in sips and then I think it was like space z or something like that. And then you'd like list the file directory for where the photos are located. And then you like type in like a certain syntax to give you the the files or sorry, not the file size, but the JPEG resolution that it's going to re render that image to and then when you hit enter, it executes the command and then within terminal renders out or you can you can kind of watch it render out as it kind of goes to each of those images and reframes it resizes it and then gives you the new file size and the directory of Finder. It's really cool to see it's kind of fun to to try out, especially if you're kind of in a hurry. And if you want to kind of get geeky into into stuff in Terminal but the sips command you can do terminal man space sips si PS. And you can learn a little bit more about the image processing system inside the Mac.

2:56 You can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think you can look at that Bitly Newman under the author's section there and see some of the photo books on film on the desert, on surrealism on camping and cool stuff over there. I wanted to touch him today and talk about a trip that I just just finished up going on out to have to Central Oregon over to the high desert area in Eastern Oregon I guess it's Eastern Oregon kind of over near the bend area we went up to Smith rock this last week and did some camping out over there had a great time is it's pretty nice but we did the the hike over there at Smith rock and I guess I wanted to do just to kind of short podcast about about the area over by by Smith rock some of the hiking that you can do and some of the trip and photo stuff that we were working on over there but yeah, I had a great time and nobody Smith rock took off for a pretty quick easy weekend trip. You know what's great about living here in Oregon on like the I five corridor is you can just kind of jump over to Eastern Oregon over over the cascade pass which is definitely tracking a drive it's different than that just being on the freeway, but it's pretty cool Yeah, jumping over the highways and getting over kind of into the backcountry in the Cascades and then heading over over the past and then down into the high desert area of Eastern Oregon over there. So yeah, when three sisters headed over to Terra bond, and then went into the Smith rock State Park area. Really man the thing I guess I should say is Yeah, Smith rock is just world class camping or hiking area. You really can't camp there. I guess you can kind of camp out in a tent. You can kind of bivouac there. I guess some of the rock climbers do that. But there's also like another spot the area we can to is this campground called skull hollow, which is about maybe five miles away or so it's really not too far of a drive but yeah, hop in the car, go around the mountain. And then on the backside of that you can you can hang out and set up a camp. I think it's there. We were at was Probably I guess I guess it's BLM maybe it's like state forest or some of the stuff but it was dispersed camping areas so you can kind of drive up this road pull out on the side and kind of walk your tent over and you know just go feet and set it up hang out is all free and you're just sitting out there in the, in the scrub of the sagebrush and on some lumpy ground and I think there's like open range cattle that walk through there to other times we would camp there in the past I think Marina and I had been there maybe years ago and we had camped just a couple spots off and the place that we were this weekend we put up the tent hung out there had the car parked there and then that morning we woke up in the tent we could hear like a bunch of big footsteps around and sounds and animals and we were thinking oh man, that's weird. And we had zip the screen on the tent looked outside and we were surrounded by cows. Were you out? Yeah, I don't know because because it's going to walk through in their little group during the night or during the morning and ended up in the acreage around where we were yeah kind of cool about open range cattle and stuff but it's fun hanging out over there yeah check it out the Scott Hall campground was cool get our camp set up over there was cool had a couple tenths going and yeah, took off went over to Smith rock did the hiking trip over that that was pretty cool. That's where we did some of our photo stuff most of the hike was like kind of a cool afternoon hike. It's really a great one because it's it's a couple miles it's definitely challenging. If you're not super used to hiking you could do it but you could you should try it out for a little bit. We're not trained for Urbino get ready I got busted up my feet I got some hotspots and stuff so it's like maybe there's three miles four miles I'm not sure it takes about four hours or so you got to take in like an average sort of mellow pace you but it's cool you know the the lower part you know goes around like the crooked river maybe it's only two hours I don't know we went around the lower part around the crooked river which is really cool how the way that the area was formed is really like if you kind of look at it from the outside me the ranch land it's all surrounding is this pretty high or it's higher in elevation is just kind of this this flatter area and then it comes up to the crooked river where it drops off into this rim Rock Canyon and then Smith rock is the volcanic

7:18 remnant that's been left there as the erosion of the river is kind of wrapped by it and pulled away all the sediment that was there that would just kind of make it look like a average boring hillside and so now you have these these really exposed like vivid kind of crisp volcanic rocks that are just alien to the activity that we see and erosion commonly across the earth here so smooth rock get pretty cool pretty unique spot to go hike around at but yeah really fun to kind of jump in there really interesting kind of spot to be yeah did the hike around the crooked river side up to the backside were like monkey faces I was really cool with with a couple people that hadn't been there before so we got to catch on that that area for the first time. And yeah, monkey face is such a cool phenomenon because really when you come around that corner it does. And through is the anthropomorphic I guess it's animal Yeah, anthropomorphic look like and like that's when you make an animal a person right? What is it when you make a rock an animal hmm I don't know that word, but it looks like a monkey it just looks like a monkey's face. So it's called monkey there's no way so so yeah, we hiked around that spire of monkey face and started going up the misery Ridge trail. It's just a bunch of switchbacks. It kind of gets you up in elevation to get you to the top of the Smith rock rock there and yet walked around the top here for a bit and then hiked down the backside of it yeah really cool spot to check out over on the Smith rock side there's a bunch of other camping and hiking and stuff you can kind of do there other than just the the top over loop of the trail but there's there's other shows that kind of go around the east side of the park that's got some really cool stuff and then we're just talking about hiking and taking pictures and stuff a little bit so far but really the cool thing there is all the rock climbing stuff that you do all the the sport climbing that goes on and and I think that's really cool we there's there's a there's really a lot more hikers there today than there were there were sport climbers there's there's definitely like a handful of people that were out there but I didn't see and it's probably because the conditions were I think scheduled to be pretty bad like I think it was raining a lot of the day so I don't think a lot of people probably set up their their rock climbing rigs for a day in the rain but but I've definitely seen people there and really odd times of the year like super early March middle of the winter, early April and stuff maybe there's better time of the year to to do some of the types of climbs and stuff but yeah, I was hoping to find some people do like a multi pitch climb. I remember seeing that a couple years ago on one of the surfaces where you're just thinking like Wow, those people are hundreds of feet up. That means you like to bring the rope up once and then pull it all up and then lead climate again and then like bow I just like wow, how do you do that? That's so so yeah really scary kinda interesting stuff how to do all the all the rock climbing stuff. But man I wish I wish I knew a little bit more about I got to do it kind of

10:14 what I don't know as, I guess would be like gym sport climbing for weeks not not months even. And it's fun it's fun to check out from the learning about but man like being on the rock over and Smith rock is a lot different I got to go climb over there one time years ago. And just like getting on the rock and trying to like fill out the routes and stuff is so much different than kind of going for that hole on the wall and the rock gym and stuff it's just really interesting kind of get the experience of being hot and cold. And having all your like outdoor gear on and stuff and you know, you just kind of exposed to the wind and the elements and stuff. And then you're also trying to like pull up this pull up this mountain side too at the same time. So it's kind of fun. It's it's cool getting used to data, no trying to rock climb stuff. But man Yeah, interesting during the climb and being delayed and doing all that stuff. As far as stuff goes, we did a couple a couple 360 things that was kind of cool going over to Smith rock and shooting. But trying to get into some 360 photo work where last year, we did like a lot of a lot of video clips, which is really cool. I really liked those stock video clips, we produced a lot of places and we shot a ton of photos too, which is awesome. But But now I'm also trying to get into a bunch of a bunch of pieces where we can, well, I want to try and get the I want to try and get like collections of photos. And then I'm sort of starting to learn about where you can put these in like virtual tours. So you could put maybe four or five or whatever would take you know, you kind of go to the specific spots in a location or something and then you you get the 360 photograph and then you can kind of pieces together as a tour. So you can go from one 360 to the next 360 is sort of this immersion well, so I'm trying to check that out trying to learn about if, if that'll work for me very well. But But yeah, I've tried to do some 360 photo stuff where you take the photo, then you pull it into Affinity Photo, that's another program. I'm using it on the Mac right now, I think it's available on PC as well. It's sort of a Photoshop competitor, you can buy outright, I think for maybe $79 or something like that. It's it's really not as expensive as the the Creative Cloud purchases for continuation. But the reason I guess I bring up affinity photos, it's kind of noted as one of the better tools right now to project your stitch two 360 photo as an actual actual rectilinear projection in the program. And then you can still use the editing programs in the program. So so like, I guess, like the new Final Cut Pro has an ability to project the 360 photograph while you're editing it. So you could add in new materials to it like, I don't know, like just plates of information, they'll stay up in the 360 space that you're at as you move through it. It's interesting how it is you can kind of stitch things into the fabric of the scene within Final Cut in the video, and you can heal your Nadir point. So the base view is your Nadir at the top of you as your Zenith point. So the native point and a 360 photograph is where that tripod is going to be or where you are going to be in the photographer is going to be below it sort of thing. So So that's kind of an interesting part of it, where you got to kind of go through and I guess this is what affinity is for is you open up the photo after it's stitched, you open it in affinity and then you can go down and heal out the base there where your tripod was or where the person was that was taking the picture. And then you can have this kind of full 360 photograph without kind of a block at the bottom that said it's just a couple people. So yeah, it's kind of cool. So I'm trying to open it up in affinity and do a couple color adjustments to it, which is cool, that you can go through and do do kind of like post color correction stuff to some of the photographs, you can kind of do that with the 360 video, but you also kind of can't do it with the 360 video as well. And kind of add some color correction. Like you can't have been Final Cut. But it's really not the same as photo editing, I guess, you know, obviously. But it's kind of cool. We've been having a good time trying to edit together those the 360 photos. I'm trying to go through a bunch of the photos I've taken last year as well. And put those together and hope to well no is it? What is that 361 I skip in my mind right now there's like this 360 view here. I think it's V or VR. And it's sort of like a YouTube channel for 360 videos and stuff. YouTube also takes 360s as well as much other places. But it's Yeah, it's kind of a cool little photo and video sharing site for 360 content and social network and app and all that kind of stuff. But yeah, I put some stuff up there and it's we've got two people that are specifically interested in looking at 360 images and content would go But yeah, it's mostly it's kind of fun. So yeah, 360 staff, so photo staff had the Canon equipment out there. I was trying to take some landscape photos was cool. The the weekend weather was I think I had mentioned there was kind of a forecast to rain. Really that was like some thunderstorms that were blowing across the Cascades. I think they're just a bigger weather system

15:06 overall this weekend, not to mention the Perseids, which is you get back to on another podcast that was probably this, but they got kind of clouded out for me. Shoot,

15:15 I want to see some meteor showers. So I'm not talking about the proceeds. But I guess kind of going back.

15:25 Just the campus stuff, it was cool. We were really happy that we got to go out and do the camping stuff. And sorry that we didn't get to see the Parisians. But I don't know, I guess we're camping out and stuff. So that was pretty cool. It was thunderstorms that rolled over the Cascades. And then we have these big hits. We're really fortunate that I guess the big system, which I look really active, I pulled up the weather map on on dark sky, the weather app that I have on my phone. And you can see just this big red hotspot, maybe 25 miles or 30 miles to the north east of us. And it was probably just, you know, a ton of rain, hail ton of lightning. So I'm really glad we didn't get wiped over by that. That's pretty cool. But really, yeah, it was a cool kind of textured night where there's just a lot of clouds. And like a lot of kind of thunderstorms and stuff. It's cool that the airplanes are kind of coming in real low, they had to go around around this huge thunderstorm system. So they were coming in real low, and kind of making these sort of strange routes. But just kind of fun to see that I remember seeing that a couple of times in the past when thunderstorms have come in, and airlines would have to take just these kind of big alternate routes to get around this, this thunderstorm cells. So that was kind of cool. Check it out. We were taking pictures of it as the sun was going down when there's a rainbow kind of right as the evening was coming, coming to a close of our camp. So I was refund got some cool pictures, that and that's what I love. I love that that time of day or you know, right at the end of the day, it's a certain type of lighting effect that happens when there's really like mostly clouds over the sky. But right as the evening the western sky has a gap where it's clear, and the sun is able to shine through that pocket there and you get a lot of light that bounces back between the cloud surface above you and the ground below you where you're kind of in this little pocket where it just sort of sort of reflects against itself but you get this kind of warmer, sort of diffuse town around everything kind of changes the way the shadows are, it's different than overcast, you know where you get a diffusion of the shadows, but this one you get a really crisp kind of saturated quality to the light and it's a lot better than I think the softer sort of white light that you get in the diffuser stances of overcast days. But yeah, you get a lot of cool kind of rich contrast in those landscape photos with that kind of lighting condition sort of during that golden hour time with the right kind of cloud effect and stuff really beautiful really soft kind of easy to expose for photography kind of lights up. Yeah beautiful spot to be really kind of surreal, colorful looking. location and evening and yeah, fun hanging out, watch the thunderstorms, camping out getting rained on, maybe getting one a little bit. All part of the experience of being outside being in Eastern Oregon definitely got a little sunburn sore, all the rest of it. But yeah, going out and camping and stuff. You can check out more information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com Ford slash Billy Newman photo.

18:53 So I was looking around at different options. I really liked a lot of the Nikon stuff, but I also noticed I really liked the Nikon stuff, I'll leave it at that. I just noticed that sometimes some of the accessory equipment outside of the body that you might buy, I bet some of the lenses are expensive, or they're a little more expensive than maybe some of the commensurate lenses that might be available over in canon. And I remember back in college someone was mentioning to me that they were going to switch from Nikon over to canon because canon was a bigger company. I don't know if this is really a reason or not. It was interesting logic though, to kind of think through at the time that that canon was a larger company selling more lenses, making more cameras making more equipment. And so they had more resources, more staff, more designers, working on cameras, building cameras, and doing research and development to kind of bring that that forward. And I think even maybe now that's still perhaps true like if you if you look at some of the technologies in Nikon versus canon like we're just kind of to take a base idea of it, though I love Nikon stuff a lot but If you were to take like the D five, I think that's a 20 megapixel sensor. Whereas in if you were to look at the newer nine or barmy, canon five D Mark four that's I think like 3136 I don't know it's out there in the 30 maybe I think it's a 30 megapixel camera. And I think perhaps the five D Mark three is a 23 megapixel camera. So it was interesting, just kind of noticing a couple of those things. Now I understand that there's benefits to the lower megapixel rating for some of the low light performance that you get a high SLS. And I think that's maybe sometimes where Nikon performs well. But then there's also Sony who's producing 42 megapixel cameras and they're doing incredible things in low light, but also even better stuff with a seven s, which I think is the the version of the camera that's specifically around some of the higher end video features. And I think it's a 12 megapixel camera that does incredible stuff in low light, like almost like you know, 100,000 so you can get really amazing low light images and low light video. So it's interesting how how that that kind of sensor technology works. But all that being said, it's just interesting that for a long time, even way back in history, like to the beginning of the digital SLR, I think canon was way ahead in what they're producing, as far as their sensors go, and what they're able to produce, like megapixels, or in fidelity of an image I think they had they had a what was the first one, I think Nikon did not have a full frame digital SLR and tell the Nikon d3 came out which was a fantastic camera. And I had that one also as a use camera that about later loved the d3. But it was interesting that they Yeah, like they didn't have a full frame DSLR camera option until 2007, I think when that came out, whereas on the Canon inside, I think that the EOS one, D, the one DS is that right? I think it was the one DS was the first was the first full frame camera produced by canon. And that was way back. And I think that was still like around eight megapixels, or maybe 10 megapixels for the mark two and that they had some technology that was just far more advanced for the time of 2000 to 2003 2004. Then what canon had going on prior to when Nikon, you know what I mean? Right? So anyway, that fast forwards to, to me in fall of 2018 I'm looking around for another camera purchase because I was going to be moving I was going to be taking a job where I was I was going to be working every day doing family portrait photography, and a lot of like wedding photography stuff to where I needed to depend on the memory card system that would be in the camera where like on the Sony side, like I had mentioned before, there were some limitations to it. And one of the other limitations was that it only accepted SD cards, which are right now I'm actually kind of learning are fine, you know, you can use an SD card for just about anything, but I also liked the opportunity, or the option to have compact flash card or maybe it's a USM USM USD. That's $1 I'm not sure but the compact flash card system that that goes in, I always thought that was like a little bit more professional when you put that in. And I just wanted like more memory options. So with the I think the five D Mark three that I decided to pick up used that had the the Compact Flash slot, and it also had the SD card slot, and you had the ability to record to nadp video and you had the ability to take photographs, you had the ability to do like high frame rate burst series for photographs. And it just seemed like it seemed like it was a great workhorse camera that the five D series and I think that's what people have been talking about, even since like the five D Mark two when they announced the the HD video recording features on DSLRs. So I think that when even before that, you know it was just it was one of the top top use cameras for wedding photographers and stuff. So for me, I was trying to find something that would be like a good workhorse camera where it could always kind of count on it and the battery system and the memory card and the lens arrangement that would be available to me that I could really just be hammering away on frames, and and then be bringing those in editing them and then kind of delivering them to clients in a pretty fast manner. So I thought that would be something that would help me out. And I think I was right. I think it was a good choice though. There are fantastic options with like the ACE seven, Mark three, or the a seven, three and the a seven are three. I think both of those have kind of solved a lot of those issues that I've been talking about where they've adjusted the battery system. And they've adjusted the just some of the blackout problems that I was talking about before, but but I was happy to switch over to the cannon side of it. I think also because that reason I was talking about two words. Yeah, no blackout, and I really liked being able to use the through the lens viewfinder of the SLR as opposed to the digital SLR or just looking at it on the screen so all those reasons were kind of why I wanted to get back to the the DSLR system instead of the the interchangeable lens camera system but it was great so so back I think in September I was looking around a lot I sold the a seven are off and then I was trying to hunt around for options for me to get a well priced canon five D Mark three and then I also bought one for Marina so she had a five D Mark three body and then we could kind of share lenses for two so I wanted to get up and running and I wanted to talk about like some of the lens stuff that I was interested in too It's interesting kind of switching over to canon now just kind of seeing you know what's available and what's available in the US market which for me and for you know someone that doesn't want to spend a ton of stuff getting a pretty high level professional level set of photography equipment, it's interesting to kind of comb around through the US market and figure out good pieces to use I think almost every camera system I've ever had it's been something that I've made a purchase of off of the US marketplace in some manner you know, I haven't bought a new film camera that's for sure. So it was interesting kind of tried to figure that out a little bit and I've always had really good luck with that I hear some bad stories out there but really it seems like a lot of photographers take pretty good care of their their camera equipment in a way that at least seems really quite usable for me so what I ended up with it at some point and I save a ton of money doing it too and I don't have to deal with the heavy depreciation because like by the time I I end up wanting to sell it it really hasn't moved that much in the marketplace a lot of the time you know it only ends up being like a few $100 to purchase that camera because when you sell it again you get a lot of that money back and as opposed to well I'll get into that story a second but but like when I made a purchase of it that camera was really quite new and it had appreciated a lot and value from the new price the new sticker price from the in the store in the camera store price to what it was when I bought it used so so it was a fantastic deal to kind of pick it up and find like a good one out there. So so yeah back in was it back in September I was hunting around in Oregon trying to find a good five D Mark three body so I was trying to debate a little bit I was looking around on eBay for five D Mark threes that would be available and I was looking around on kth and those are two locations that I kind of made purchases from before when I was making a purchase online. I like eBay and I sold a bunch of stuff on eBay I sold my a seminar on eBay, I sold my d3 when I that made a purchase the d3 I think from K h and I sold that d3 on eBay and I made my money back it was great, it worked pretty well. But when I was looking around I didn't really find the price point that I wanted for the five D Mark three line I think those are all running around 18 or 1900 bucks for the five D Mark three bodies are being sold but I'm sure I don't know it seemed like the market was a little lower than that at the time. And then when I looked on kth it was sort of the same story were ones that were in bargain condition you know where they'd been pretty beaten up or probably had been the you know, someone's wedding photography camera where it would really hammered out 100,000 or 200,000 frames already had a few seasons of weddings over the last couple of years and the person was trying to offload that gear and then you know upgrade to their their five D Mark for their one dx or something like that. So I kind of wanted to stay away from those in a way I'm sure they would have been functioning cameras and the way that they had been reported but there's really no way to like get an observation of the camera and its function in your hand while you have it to see that it's really like as clean or as in good condition as you'd want it to be for something that you're going to spend 18 $100 for when I was buying used cameras it was sub $1,000 purchases so it was like well you know, it's got a couple scuffs on it or something like that, but but really they were always quite nice in in their physical condition. So what I ended up deciding to do was instead of making a purchase on eBay or on kth what I decided to do was try and check out the the local marketplaces so I went on Craigslist to look at the classified listings that were there in the photo and video equipment for sale listing in my area. And I kind of scoured across Oregon to find you know a couple good pieces so I was trying to look in the Portland area. I was looking over in the bend area I was looking in the Eugene area and I was also looking up into like the Seattle and Tacoma area as well because I thought well you know if I need to then I'll drive up a little ways and I might save hundreds of dollars trying to make a purchase for a nice camera system. So I thought that might be a good idea. And then in addition to craigslist I was also getting into the Facebook marketplace where I was selling a ton of mag. My stuff from a house when I was trying to set up this move over here to Maui. So I was looking around at that I was saying well maybe I can check out and see if there's camera equipment that are also listed there too. And that actually worked out really well. I was pretty impressed with it. So for the camera bodies I found two canon five D Mark three bodies one of them I found over I'm banned for $1,000 flat which is incredible deal i think i think i got that brand on that one. It it had been used I think for for just like a single project that that someone had I think they don't need to have a business or they're paid to do it. So they made a purchase of a five D Mark three and then they shot like a series of web instruction like instructional videos for YouTube for a company that had purchased it and then they hadn't used that equipment in a while since then. So they were going to sell that camera off and get some of their money back. So I got the camera for $1,000 even which was fantastic. It really barely even had like rub marks on it on the base of it. You know like when you look at the camera body physically, the rubber was in fantastic shape. And the baseplate like where the tripod would go I think was the only area where there's a little bit of a scuff but it was fantastic. It was really cool that that it worked out so well for me so I made a purchase of that camera for 1000. Then I was looking around and I found another one up in the Portland area that a real estate agent had bought to take photographs of their property and then I think they'd found out that they didn't really want to five D Mark three but they wanted a Sony camera. And so they made a purchase of a Sony camera just a few months after that. And then to make up the cost of that purchase they wanted to sell off the Canon five D Mark three that they had and so I saw and I got the box too which is interesting I got the box for the five D Mark three had the receipt from the camera store that they bought it for it was you know 20 $600 when they bought it maybe 12 months ago or 11 months ago and I looked at the shutter count of it. There's maybe 1900 pictures have been taken on the camera body when I made a purchase of it so it was really almost like a brand new camera. I think I was put 1000 frames on it a day at the job that I had so

32:15 yeah it was I I've already broken it in quite a bit more than it had been when I made a purchase of it so it was really cool getting such a new camera for such a low price so saving a few $1,000 trying to put it put the these this package of equipment together was excellent and I was really happy to do that. And that was one thing I noticed about the the Canon US market is there's just and this is sort of back to that thing it's a bigger company and they're selling more cameras out there so it was cool that there's just so much used gear out in the market where as opposed to you know if I was looking for a D 100 on the Nikon side or or a D four or something like that it would be pretty hard to find those bodies I guess in that condition or you know in that way and then for that price it seemed like and same same goes for like a Canon one dx that I was trying to find that on the US market those are really held by professionals or sports photographers and those bodies were really be and still very expensive when I was looking around for them. But it seemed like there's so many people that were interested in doing wedding photography or doing photography as a hobby that they would kind of lean into the higher price range and pick up a five D Mark three and then find out why maybe I don't want it or maybe I want to switch over to a five D Mark for now. And so they were ditching those and offloading those for way lower prices. So it was excellent time to kind of come in pick those cameras up and and kind of start getting set up but the other thing I noticed is that Okay, so now we have the five D bodies. Now we're going to need lenses to work on these so what I was looking for was the the USM as well what was it the 24 to 70 f two a lenses that were for like the professional full frame cameras and I was fortunate to find those again on the Facebook marketplace I think I found one in the Eugene area and I got a USM 124 to 70 which was a great price and then I also found a USM 224 to 70 that had been used more I definitely could tell that it had been used more this even though was a newer version lens that it definitely had I think some more wear on it and that's that's probably the lens that though still works great still has great optical clarity but it's probably the one that seems the most tired when I'm using it sometimes so it's interesting sometimes but but I'm sure I probably put a ton of work on it to just kind of racking it back and forth trying to get all these different photographs I was trying to shoot so i don't know i lenses don't last forever and they're mechanical pieces. But but these are really well built you know these, these professional hourglass systems are really sturdy and well built and I was really impressed with how they were working. So I had a great time using it and I didn't really I seem to run into any problems while I was trying to produce produce photographs with it but I found yeah I found one of them one of the lenses in the Eugene area and then I found another one up in Portland so I drove up to pick that lens up and then add you know add to five D Mark threes and 224 to 70 f two eight lenses to throw on there to do a bunch of the family portrait stuff and a bunch of the you know kind of lifestyle images that I was trying to do so it was a great starting setup for me to kind of get and then move out from and so I had been working with that for a couple months and I've been trying to kind of expand from that since then and so the stuff that I'm looking for now well so I started looking into like some things for like real estate photography and one of the things that's always required for that stuff is is like a really wide angle lens. So when I was looking around with the company that I was working with they were looking for images between 17 millimeters full frame and 20 millimeters on a full frame camera and so I went ahead and I purchased the the 17 to 40 millimeter f four lens it was actually really quite inexpensive i mean you know, again coming from like the Nikon so when I thought like wow that's gonna be more than $1,000 to pick up to pick up a lens for it was really low price I think it was about $520 to buy a new 17 to 40 millimeter

36:30 lens that was like that Yeah, the f4 that I was talking about. So I picked that one up to do some of the real estate photography and that amortize pretty quickly to get into it to use that for real estate jobs. It kind of paid for itself just in a couple jobs along without the cameras themselves and the 24 to 70 sort of paid for themselves by hammering out a bunch of family portrait sessions with them. So both of those things kind of worked out pretty well but in addition to that what I'm looking for is like the 50 millimeter f one four lens I was looking at that too and I'm looking at those new because and this is sort of i'm saying is it's just it seems like Canon lens prices are sort of dropping down a bit maybe there's newer lenses and I know there's you know the there's way higher end lenses but the 50 millimeter f one for kind of lower end lens perhaps is I think 299 which is really super cheap i think that's that's what I paid for a 35 millimeter dx lens on my on my old camera system, you know, on the Nikon stuff so so I was I think what was it like that the 28 millimeter f two lens I had for my Sony camera that was like 450 bucks when I bought it used right so it was awesome to find to find like that 50 millimeter f1 for for 299 and then in addition to that, for other portrait stuff, if I wanted to do it, I could pick up an 85 millimeter f1 eight for 299 also and I was like wow these are way more reasonable price ranges then then what I thought so it just really for for not that much, you could probably put together a full range of prime lenses that I'd want to use and I could put together a full range of zoom lenses that I wanted to use that were all kind of higher end glass that that would be great for you know, professional stuff, or the lifestyle stuff or the you know, whatever kind of photography stuff I wanted to expand into. And then on top of that I

38:25 was looking at the though I would love an FTA I was looking at the zoom lenses and one thing I've kind of learned from this job that I was working with is is really when you're working with compression and like when you're working like with with zoom and you're using the compression of the lens past you know 70 millimeters like into the 80 millimeter or 100 millimeter out to 200 f two A is a is a real soft and a lot of times if especially if you're taking pictures of a couple people together and you're not trying to just rack right into to focus in on an eye and even when you're taking a picture a portrait of someone you really have to kind of crank it up to f4 f5 to get a depth of field that's thick enough to get their their nose, their eyes in their ear in focus and the way that you'd need to and it seems like well you know, like love super shallow depth of field but it seems like you want to get the person in focus so you got to get a few parts of them and focus. Remember taking self portraits you know like I hold the camera out in front of me with the with the Canon 50 millimeter one eight. I tried to take a picture of Marina and I somewhere and I remember Marina would be just just on the plane in front of me, you know, because we're trying to stand right next to each other and maybe I would be in focus. But then Marina just one or two inches in front of my nose would be completely out of focus. It would look just like a super blurry kind of washed area because the depth of field was so shallow. That's where I was trying to, you know, kind of finally learning like oh yeah, okay, so maybe f1 eight isn't absolutely what you have to have for every photograph that you take or f1 for or whatever might be, so I was gonna find in that part out where Okay, well I'm gonna have to rack this out to like f5 or f8 anyway to get a sharp photograph of the thing that I'm trying to get an image of. So I have kind of rounded out that I'm going to be fine for a lot of the landscape photography that I'm interested in doing, I'm going to be fine kind of jumping into lenses that are around that f4 line. So I was looking at the the USM 72 200 f4 lens that they have. And so I think it's, I think that the two eight, the f2 eight lens that's 70 to 200 is like around 1500 bucks, but the f4 is about 600 bucks, I think it's like 599 to pick up a 70 to 200 USM lens now it doesn't have the image stabilization on Nikon, I call it vibration reduction is that right? But it doesn't have the image stabilization and I think it is probably lacking some of the some other additional features because I know there's two versions after that, that escalate in price quite a bit. But if you're looking for that older one, it's still available on Amazon for 599, which is a great price. If you want to get a 70 to 200 I think that was really cool and there's a lot of things you could do with it. Again, like I was saying with the compression, if you're going out to 225 millimetres and you're shooting it f4 that's going to give you a really nice bokeh in the background. And you're going to get the person in focus if you need to, if you're shooting a portrait and if you're shooting some kind of landscape or wildlife scene, you're going to be able to do a lot with that too. You're just gonna have a lot of flexibility in what you're able to do I love fast lenses I'd really like to always push for you to wait or have 1.2 or something like that but but I'm loving the fact that there's an opportunity for me to get a whole range of focal lengths as I'm trying to transition over into new gear for a much much lower price than what I was expecting so I think that's pretty cool I've been pretty happy with this transition over into canon equipment so far and it's been it's been interesting you know the the thing that I'm thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com few new things up there some stuff on the homepage, some good links to other other outbound sources, some links to books and links to some podcasts like this a blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks a lot for listening to this episode and the back end. Thank you Next

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. This is an image that I made a black and white from the wildflower mountains. Really beautiful spot out Northeastern Oregon. It's really one of my favorite spots in Oregon. But I probably said that about a lot of these photographs. And all of these places have been, this was a really special one I was here I think this is one of the furthest theories in the background that I've been in the allow mountains. And maybe for a lot of people that are more experienced with it, it wouldn't seem like that far. But that's one thing I really love about backpacking and about traveling outdoors and taking photographs is getting to a spot that's really interesting. And then staying kind of local to that spot for a couple days, or three days, four days, something around 70 to 200 hours or so. And I've heard that from other photographers in the past as well the ones that have bigger careers than I do where they really want to stay there for about three days. And after that that familiarity familiarity that they get from their experience is what really allows them to communicate the story of what's going on in that area, through their photographs in the most interesting way. So that I've heard about portfolio building in the past but I love that about this of getting the stay there and see the sunrise and sunset sunrise again, in the same location and kind of work it out and feel what the different moods of that environment look like during different times of the day. But I love how crisp and clean kind of the the mist the fog that's coming up on top of the lake is it's mirrored is really cool. It's such a dramatic landscape always been one of my favorites.

1:51 You can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think you can look at Billy Newman under the authors section there and see some of the photo books on film on the desert, on surrealism on camping, and cool stuff over there. So last time I was on the podcast, I was talking about knives I was talking about pocket knives I was talking about steel is talking about different types of steel that you can use in your pocket knife, or that pocket knife makers use in the pocket knives that they sell you, I suppose is what I meant. And I kind of wanted to continue on with some of that stuff today. And then I don't know maybe the other everyday carry kind of stuff that comes around that I've been thinking about a little bit too, but I was thinking about the couple knives that I have. So it's kind of going deep into like, well there's this dabish steel, there's this type of steel and this doesn't rust and this is hard and whatever that is, but I was gonna kind of jump in and just kind of go to the knives that I have. So I mentioned the Gerber Gator, I was gonna mention three knives. I think that'd be good. These are kind of the three that I'm into right now. But I was going to mention the Gerber Gator that's that like three and a half inch blade, you can get that real inexpensive, it's probably like 40 bucks tops at most places I picked mine up a biomart a couple years ago, it's held up great the coating on it sort of a rubberized coating that's held up great with the ozone stuff and they probably were out over a number of years, that's really fine with me and it's a sharp knife, it's D two steel, it works really well for most of the stuff that I do, but in a lot of ways it's kind of my cutting around knife. So I have in my my side pocket. When I'm doing some outdoor stuff, I can kind of carve on a tree, I can chop on some stuff, I can put a you know, like put an X in the tree when I'm marking my campsite or something like that's fun, I can kind of chop up whatever if I need to I can open a box, I can do all those kinds of things. And I feel pretty good about its length and its use as durability in the outdoors. So that when I kind of carry on me when I'm doing a little bit more outdoorsy stuff, I'm actually kind of going out for a bit, but that's sort of the end the pocket knife. And really when that extends it's about eight inches, and it's got like a pretty solid bit of grip to it. So it really feels like there's something in your hand and it really feels like there's a big thing in your pocket too. So that's kind of why I only carry it around when I'm actually kind of stepping out into into doing some real camping stuff. But the thing that I have with me every day now is this little like two and a half inch or two and a quarter inch Spyderco knife. I really liked this one. There's some smaller ones. There's some bigger ones. They're all kind of like a basic design. They've got sort of a, I guess it got a broad shaped blade. This one's kind of that it's a Scandi blade, I think it's a flat grind. And then sporadic coaster to know for these big finger holes or you know like on the blade. There's like this big circular hole that you kind of put your thumb into and use that to kind of whip out the blade as your your unfolding. This has got that locking back design as soon as that Gerber Gator too. I like that locking back folding design and then in addition to that I've got a really inexpensive phone Tang knife that he used for some of that baton and kind of whacking around stuff and data keep over in an ammo can that I have in my truck here when I'm out camping and stuff and maybe I'll throw that onto a backpack clip on the side so that I have it there but that's like a full thing. I think it's a four inch blade with about a four inch handle for as usually as a little more than that but so it ends up being about nine inches or so. And it's kind of based off the the the SA five p knife I think is what it would be you can look that one up cool knives I really liked those that's actually when I want to get the future this is sort of like a Chinese knockoff version of that. So I kind of break out the prices and a little bit but but uh yeah, if you look up those nicer like the rat three I think it's kind of pretty similar in style to that. But this one's made by SEMA. Sema is a Chinese company I don't know they even really exist as anything more than that but I found them online I found them on Amazon, they have a few different cheap knife options as it's printed on the blade they use a higher end steel at least in comparison at its price point. So I think this way that I have is a seven car blade which is okay. But it was like $20 for this full tang knife and that's really a lot with a micarta handle

6:24 and a she like a kydex sheath. So it's a great knife to kind of keep on the side over here. I've been using it like when I was saying I go out on the shun trail picking days you know have like have a camera bag on my side. I've emptied the camera out of it and then I've got like a just like a little shopping bag like a little plastic sack in there. And then as I'm walking around in the forest and stuff, I've got that full thing nice I'll pop that out as I find a Shawn trail I'll cut the base of it and then throw it in my bag pop the knife back in and then kind of carry on so I'm using it for like a lot of like kind of basic harvesting stuff like that it's just kind of been easy, easy side access and stuff for me while I've been kind of hunting around, he was forging stuff but really a lot of the time it stays in the car and it works really well and for that kind of knife and kind of for as often as I've been using it for some stuff it's sort of like a cool camp knife to kind of like whittle on stuff you know that are you know, kind of like dig and whittle and stuff whack on stuff. That's sort of the bushcrafting knife like last time I was talking about bushcraft and you know like petani through I want to insure it to interesting stick or something like that. Trying to make a What is it like a tent or a type hanger or like an A frame for a type or a frame for like boiling water and getting stuff ready for your fire or whatever is it mostly I just kind of use it to like backup smaller kindling sticks for firewood or feather sticks feather sticks are cool. I don't really think that this bushcraft knife is really been sharpened for it I kind of like the Spyderco knife a little bit more for some of the smaller, smaller feathering stuff but but when you really have like a sharp blade, it makes it so much easier sharpening something I want to get into too. But for these feather sticks, it's cool you get like a piece of kindling right like just kind of a long like foot long piece of dry wood that's sort of an inch or half inch thick around maybe a little thicker than that.

8:11 And then what you do is it takes a lot of skill to kind of get used to but you do this, this kind of long and thin car like if you were like grading if you're gonna like great just like a little fillet off of that one inch round stick and then you got all the way down to the end of the stick like the last like inch or centimeter and then you pulled up on your cut and then left that little last bit there. And when you get if you get it thin enough is that wood will kind of naturally curl up like a little piece of ribbon or something but it'll kind of curl up and it's going to be this dry, thin wisp of wood that's sort of curled up at the end of your branch there and that holds them and then you repeat that cut another nice thin thin little paper thin carve of wood off down to the bottom down in the last centimeter leave it there and then you sort of work your way around the whole stick there and then you kind of work around again a layer up and as you do that, if you put enough time into it, it really does take a good bit of processing but if you do that you can make out in the woods you can make these feather sticks, which are kind of cool. A lot of the time you have the tools on you to build a fire or to build a heat source without going into this much labor to try and produce some sort of tool to facilitate this for you but it is cool to know about if you're working in some conditions that are a little bit more difficult to get a fire gun but you get these these feather sticks set up you probably have to get a handful of them and then once you get your kindling set up, you can lay that you can get your your kindling or you can get just your your starter going. If you're able to like use like one of those fire rods is Ferro rods, you're able to strike that with your knife, throw the sparks down onto whatever you have is your fire starter if you can get that to the Kindle up into a flame. Then you put these feathers sticks right over it. Then you're able to because you kind of cut those those filets down into it, the the air is able to get in between the cuts of the wood that are so thin there. And as it's dry wood, it'll catch fire quickly the SAP and little burn. And then it'll really take off almost like it's a piece of paper, but it has that sustaining quality of being a real piece of wood. So you get a flame, and you get some embers to start burning off of it. And that's a good way to get a flame to build up quickly, then you're able to also have the kind of thicker pieces of wood attached to it there. So you're able to get kind of a stronger build of the kindling a little earlier on, it's kind of a cool way to do it. But I think really, in a lot of ways, man, it's a lot of preparatory work to get those, those pieces ready, if you're trying to build a fire in sort of a mobile situation, you know, if you're kind of setting up a base camp or setting up some, some sort of, you know, location where you're going to be, you're going to be and that's what your stuff is, and for whatever reason, you didn't bring any technical gear with you, that might be something that you run into to try and do. Or if you're trying to set up a fire in conditions that are wet, or like a little bit damp, or in some way, you know, more challenging to get a fire going. I think these are these are kind of good ways to do that, if you're stuck, but really the trick is to not get stuck. I think like that's kind of the big thing of a lot of the wilderness stuff that I've learned is that was sort of man, it was a couple channels of it, there's a whole bunch of stuff that you'd kind of think to worry about. As you know, like I need to start a fire and then there's sort of a whole complicated series of things you can do to naturally start a fire. If you want to go down that route, good skills to have good things to learn about. There's also sort of another route where you know about the modern world, you know about some of the tools you can get ahold of, and you can kind of cut down the time and the way and the expense or the expense on yourself that it takes the resources that you have to give up to get a fire going to get a thing going when you're out in the woods and if you kind of traveling light and trying to travel fast and not really staying in the same locations a lot. It's almost a greater expense of your energy and time to try and build a camp with wood and a knife every time you get somewhere than it is to just have a cup of pieces that you can bring in and then utilize quickly and then in a clean way you can kind of pull out you don't really risk injury or risk any loss of time. And you get kind of a lot of the benefit out of it a one I guess are kind of particularly dropping into that would be like a jet boil, or specifically for fire starting stuff. I guess it's kind of staying there. Jeb Bush is sort of one of the fancier ends of that. Really the most simple way is get cotton swabs and scoop up a bunch of petroleum jelly, you know like Vaseline, that kind of stuff. You can test this before you go out too but because some things are like a little different, but the petroleum jelly i think is supposed to light up pretty well so if you have a cotton ball, and a little petroleum jelly one, it's a cosmetic so you can use that as like a lip balm if you go out which is that I've been wracked with before when I go out and kind of quickly changing drier or higher elevation or colder climates than the one my skin and pores we're kind of used to before man I get burns and stuff in the cold. It's weird how that can be or chaps you know, like chapped lips but lips that sort of stuff. But the Vaseline can help a lot for that but if you have like a little Ziploc bag and some Vaseline, cotton swabs and then just like a regular pocket lady, you can light those up as your Firestarter release without having to hunt down dry moss and bark on the south side of a tree out in the woods somewhere while you're cold and trying to get a fire going. So you kind of pop one of these out. You hit that with your lighter or you hit that with your ferro rod if you don't have a ladder but really I say bring the lighter you have the yeah the Flint with you if you need it, you got the butane you can have a ferro rod as a backup if you like it, but for a lot of the kind of lighter just a few day kind of things. It's tricky man if you get a lighter that goes bad but I haven't really heard of like hunters are kind of longer term 14 plus day outdoorsman. going out with things that are way different than even just like a regular big lighter. The Ferro rods are cool though they seem to help a lot but I think there's some some cool stuff that you can do or there's the reliability of a lighter that I've had for a long time is kind of always helped me out or been fine for a lot of stuff that I've done for the shorter periods of time that I've been out but yeah, you can hit that fire starter and then put that under some kindling so you can get a fire gun pretty easy. In a lot of ways, I haven't really jumped into doing a lot of cold weather camping this year or cold weather kind of remote camping the man having a fire is great, but also sometimes not having a fire is sort of the way to go to like I've been talking about I've been using a like this portable propane heater with me a lot of the time and that's a lot lighter and a lot cleaner for some of the more simple stuff that you want like a little fire a little heat source from like if I'm going fishing down at the Bank of a lake and this has kind of come up just like a week or so ago when I went out to a spot but but yeah efficient down on the side of a lake he wants some heat there something and it's kind of nice to give you want to catch a fish throw a throw a casting skill down and like you know make it up there on the side of the bank but but if if you're out and yeah, just kind of carrying that real light kind of two pound or three or four pound

15:25 little box down with you hooking the propane up to it and then yeah, boom, you got heater right there, you throw in your cast and you can kind of kind of manage temperatures that go down a lot more so it makes just kind of the simple things a lot more comfortable that sort of for the car camping based stuff, I wouldn't really ever pack that out with me. But But even for when I pack it out, I sort of noticed that if I go with a lighter bit of stuff, it really ends up being okay, a lot of the time so sometimes it's cool, especially at night to have the big fire and stuff but even for like a lot of the cooking stuff that I do or a lot of the midday stuff that I do if I'm taking a break, I really want to just pull out the Jetboil from my backpack, through the fuel canister on it filled out, catch up with water, make a tea and make a coffee or something like that or make a soup or whatever kind of kind of backpacking meal might be in there. That That kind of thing is or even just like as the Jetboil is like a source of heat is pretty cool. And then if you had the the dry wood and kindling sources around, you can use that as a as a fire starter tool too. But which has happened a couple times it's kind of an off label use i don't i don't really recommend this stuff. But even just having a quick little jet boil, punch that on, get some water hot, heat up your hands and stuff and then kind of rely on your jackets and your waterproof gear to keep you warm through at least most of the daylight hours and stuff but that's kind of kind of how I've tried to avoid some of that stuff. Yeah, the nice stuff. It's been pretty cool. I like yeah working with that Gator. The spider co dragonflies kind of a smaller pocket knife every day and then yeah, that bigger Sema knife has been pretty cool been been digging that for some of the bigger kind of bushcraft and stuff that I got to do.

17:10 sharpeners sharpeners are pretty important I think sharpening also don't sharpen very much and so that's kind of one of the things is I'm sort of probably most notably a an irresponsible knife owner at least in the sense of trying to keep them sharp so I'm normally more likely to just buy a new $15 knife you know go from one night to the next night to the next step to the next knife as as I noticed that the blade on it goes dull you know like I buy that's how it was for the longest time especially the kind of early on is you know, I kind of afford a cheaper knife that was cool. I thought at the time I didn't really know much about it, but you know, hey, this is great, it's a it's a step up from my, my Victorinox that I used to carry around so this is cool, you know, easy folding blade knife or whatever it is I'll use this and then by the time it gets dull or it gets kind of shaky in the handle or whatever it is they end up just kind of tossing a knife and I don't even really ever worry about tooling the knife or sharpening the blade and the knife and really a lot of time it's not been a quality of blade to really bother to invest that much into so in some parts, that's my fault from the very beginning. But the thing I'm trying to do now more responsibly is even if it is like a less expensive knife train tool that knife to keep it in good shape, but also kind of select a knife that's going to be a fine knife for a longer period of time. I don't think they all have to be brilliant, you know, state of the art knives you know there's like 30 or 40 year old buck knives that are made out of 316 steel that people have had around as their hunting knives forever. So I think that's really cool and that's really I think I was talking about a bit last time on the podcast I'll bring it up again this time to a knife is really a cutting tool you know it's supposed to be just like a sharp blade and so so it's cool to kind of use that as just that tool and kind of work that that blade down to be a sharp piece for you when you're out in the woods and stuff but for a lot of time. If it's not like a specialized knife that I'm using for like something a little bit more specific that I'm trying to bring it in for and it's just kind of my cutting around knife. It really ends up cutting on all that stuff which could be sticks or wood or it's just sort of like a tool knife that I used to you know like cut fishing line or or wrap up rope or get something ready on the truck or get something rigged up on my backpacker or whatever it is you know so it's kind of like a lot of occupancy and that puts a lot of like wear damage on the blade. And for as little as I'm saying I sharpen it. The blade is really often pretty dull. Like I don't know if it's really like practice to just do an easy slice through a lot of stuff. We were really like take advantage of that cutting edge on it so so yeah sharpening stuff is cool. There's a couple brands that do sharp things out there you can get them in a lot of places. I think the one that I see often is Smith's as a sharpener. They do a lot of kitchen stuff, they do a lot of pocket Mike's knife stuff, you can get them a Walmart you can get them up by Mart, I'm pretty sure the one I prefer Though is the brand work sharp workshop you can find a lot of places to. They're available online also and if you're an Oregonian, I think it's a company based at Ashland Oregon I had no idea until I was looking at the pamphlet and trying to figure out which pieces I should get but workshop they have a number of different sharpening tools and I guess the reason I kind of elevate them above the Smith stuff, at least for for some of the things that I'm kind of interested in their tools are just like similarly priced but like a little bit more robust on the on the work sharp side so specifically is this this electric belt sharpener that I'm looking at that sharpener has way more flexibility way more robustness way higher horsepower, just kind of machining to it the other Smith's kind of knockout version of it is much more limited much thinner component pieces, kind of plastic component pieces. Nowhere near the same kind of quality or longevity would be expected in that as a tool. There's other pieces sort of like oh, that's like you know, that's like a power tool sort of what you're looking at there. Also in addition to that the workshop stuff has I guess it's like a sharpening bench you would call it I think it's like a field sharpener. I'm actually pretty interested in this but I think it's a field sharpening pieces sort of like a little flat piece that you you bring with you in your your backpack or in your truck when you're going out on a trip and you'd have in your camper, you'd have it with you and to sharpen up a knife and it really takes more time than I thought it did you know you kind of look at a quick video or something and you look at a guy kind of do a quick wax on a sharpener and then Nick Yeah, there you go. Cutting the hair off my arm in no time but really for a lot of this stuff after I've kind of been on a knife for a bit. It takes like a half hour to kind of work the two sides of a knife on a whetstone and grind it down with an electric sharpener man it's like you know a past two passes or whatever it is to kind of re re angles that that grind immediately that if you just kind of rub in that blade against the stone it takes a long time to sort of work in the sharpness to it you know and really level up that knife to a higher level but but yeah, this workshop

22:06 sharpening bench is pretty cool it's kind of a little little platform it's got these angle guides on as you can put the knife on that angle and then cut across that flat surface and then kind of put the right angle grind in on your your cutting knife then on the side of it I think it has like ceramic alignment rod you guys seen those in your kitchen or something to you know you rent your kitchen knife or you seen a chef or something before they they get going on a piece of meat or their vegetables or whatever you see little chef video and they kind of run the chef knife across this this sort of solid rod they put down to the table Oh shrink, shrink, shrink shrink, and then they they align the blade by kind of coming in on the right cut and then the left cut of the blade from the I guess from the hilt is that by your the top of your hand there when you grab it but sort of from the hilt end to the point yeah. And then it kind of I guess it pushes the atoms it pushes the blade you know whatever little kind of microscopic warbles you'd have those little meanders that you'd have and what you'd want it to be a real straight fine aligned blade there I guess those kind of those kind of quick slices on that piece of steel they align that and then bring that into a sharper piece there's also like a leather strap I've never gotten into leathers butter strap I should probably that's sort of a part of that I really don't understand yet. I was like working the leather strap I've seen people use their belts that sort of made the most sense to me if you have that around but really like as as the thing I'm going to bring out back with me I haven't really brought that back out but but yeah you're in the knife backside across the leather and that's supposed to I guess do even more to sharpen it but at a point it's like man it must be some sharp knife Have you seen the test like that you know when they put it up to their arm hair or you know like guys do that a lot I've seen chefs do that but they put it up to the hair and then they kind of do just a real light little just hardly whispering across the the hairs that stand up on the wrist and there's a knife blade is easily able to just kind of cut right through that without a real hesitation or kind of bending it over and knocking it down and dragging it out. That's supposed to be a sharp knife that's like your your litmus test for it is almost razor sharp. That's what it seems like you know, sharp enough to shave with it seems so I've seen people like work their axes down to that sharpness, right? You see people with an axe head and grind that down to such a sharp net that they can take, take that axe and cut the hairs off their wrist or I guess shave off their face with a hatchet. You know, that's a little more. That's a little more lumberjack that I'm willing to do. I'm kind of just hanging out trying to take some pictures trying to stay warm, trying to keep the heat going to keep a knife sharp. So kind of cool stuff. But yeah, thanks for talking about knives and sharpening.

24:59 You can check out More information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested. Or if you're more comfortable using Patreon that's patreon.com forward slash Billy Newman photo.

25:39 I've been working on a few photos, putting out a couple. And it's been going okay. I don't know I last week, I tried to put out a bunch of stuff, which was, which was good. That's cool. I've been trying to go through like a bunch of the photographs that we had. There were leftover from our September trip. Hey, yeah. And I had a blast going on, like a big, big trip around Eastern Oregon and the backup to Eugene. And we got a bunch of photos from it. But I haven't really been able to cut through most of them. Since we've gotten back.

26:06 You know, it's really been true for me, too. Yeah, I've been busy. I've been editing other work photos, like wedding photos since we got back from that trip. So I know you've been working. It's really in this last couple of weeks that I've finally barely lightly started getting into that editing.

26:25 I'm trying to do it when I'm at work, and yeah, pull up the files and I go through and I'll edit a couple and I'll probably try to edit a couple that'll try and post. And that's been a good way to go through it. Or I'm just kind of chipping at it. A little bit at a time. But it's been pretty, pretty useful so far. But yeah, I think the first one was a follow up today. I put up an older photo as a Facebook ad. I think I'll talk about that in a minute was the other one that I put up. I don't even remember. I think I put a picture. Oh, I put up the picture of the alvord at sunrise that we were talking about and I think we put up the other day on the Facebook page. Hey, that was a cool one. I liked it. Yeah, I like this photo that we have for the billing name and photo podcast cover out in the alvord sunrise the cool day, like hanging out or we did a bunch of stuff on the onboard morning but it was so much colder this time. It was different it was only like a week later in the year than the you know time we'd gone Yeah, yeah, I mean I know that was early September and a mid September is really almost a different season. But man Yeah, it was a bit cold that day we had like a bunch of I think it was the day we left there was a lot of clouds up in the air. Up in the higher elevations you can see like a lot of texture in the clouds. And then you saw that dust storm kind of Yeah. Yeah, the center there it is cool. It's really cool. Yeah, it's strange how, how big it is out there. You know, you look out and there's this big wall, a dust bowl and a grass. But you don't realize that that's just like miles away from you. And it goes on for miles of dust inside of that, but it's just not where you are. And it's so flat. You just see up to that. That change and whether that's up there. It was really weird seeing that.

28:09 It was weird. Yeah, it was interesting driving around it and seeing Yeah, cuz you're because your perception of like, where it is and how, what the size of it actually, is really it's difficult to

28:20 Yeah, I thought it was just a weird thing. You think it's closer than it is? Yeah. It's very strange. Yeah, that's cool, though. It's cool drab enough to it. Then you're just like, wow, this is like a whole big, foggy, thick weather system. You know, it's very strange. It was just really weird and kind of surreal to like, see it? But it was cool. to spot that.

28:41 Yeah, it was interesting being out there a second time. Oh, yeah.

28:45 I dug it. I thought it was cool. We went to the fields store. Oh, yeah. So last time we were out there was 2014. And then and then there's, you know, 2015, and then 2016. And now in 2017. We went back we went out to fields. And you can get like a milkshake and get a burger out there and get gas out there. I think you can get like a little motel stay out there if you want to. And it's kind of near the border by Nevada before you get into the niaa. And it's the nearest thing to get any resources outside of the alvord. And it was cool. When we went down there. I think we looked at the there's this sort of post that they have for the years past and it shows like how many burgers they sold. And then and then like how many milkshakes they sold. And like, I think it was the 2013 it was like 5230 something like that it was kind of close to for the years before that. And 2014 it was about that. The year that we went and then the year after we went It was like 6200 it was like 1000 Gold jump or something. Yeah, and then it was like 6500 the next year so you're like wow, I bumped up like so much there's a 20% increase in traffic through the alvord area just since the time that we saw Are you coming here? Yeah, I really didn't see that jumping in the period before.

30:03 No, no, it was really consistently. Like about that same number. Yeah, yeah,

30:08 it was like the 4000s or something like that. So hamburger sales. That's my metric to the traffic through the outboard area. But it was interesting.

30:18 It was really interesting. Cool.

30:20 I was kind of surprised. Now think about it. I want a milkshake. And I want a cheeseburger master. I think we might have tried this podcast at Bain a few. I think we'll do that. But But really, there really needs much 3d emotion. It was fun, though. Going out there to fields. Yeah, seeing that, but seeing kind of the influence of how much how many people are out there and alvord now Yeah, it seemed like there are way more campers out there. Oh my gosh, just kind of doing different projects and different kinds of things. Lots of photo projects.

30:57 Yeah, that was so interesting to see.

30:59 I was surprised to see that. Yeah. A couple models with little people assisting a little bounce cards and stuff, trying to throw some light onto them and little breezy. pieces of fabric.

31:11 Yeah. Yeah, it was cool. Seeing like a few other people set up out there for photoshoots.

31:16 Yeah, yeah. And a bunch of campers kind of put out, you know, on the on the farther perimeter. It seemed like there's a lot of people that were kind of kept posted up out there. And it didn't seem like there was any particularly big event or something going on. I

31:28 just know, I think that it's just more well

31:31 traveled. Yeah. So our Instagram posts, we gotta say, yes, it's

31:38 been

31:39 fun. Yeah. Yeah, it's fun. It was so cool. Going out there the first time shoot. Yeah, it was. Yeah, it was a blast. But it was kind of fun spotting that stuff and going out there second. That was really cool. We spent a couple days out there in the truck and attempt but yeah, windier cold air much

31:55 when you're Oh my gosh. I yelled up the sand during the day. There was no way to avoid it. That's a

32:03 little ply that stuff. Yeah, it was weird. Yeah. Just comes in up on the sleeping bags and stuff just kind of blown about. Yeah, it's a really weird thing. How it comes together.

32:12 I must be what Burning Man is closer to the first time we were in the airport. It was not as windy. Anywhere dusty, definitely. But our stuff was much easier for me to clean.

32:23 Yeah. Before I remember that. Yeah, it was it was definitely easier. Way difficult. It was frustrating. But

32:30 it was. It was cool. Seeing a different kind of water system kind of moving through there having to be more stormy.

32:37 I did like that. Yeah. Heavier cloud. Yeah. I missed out on having a couple good sunsets. I

32:42 missed that. I was disappointed with a couple of the nights because there wasn't a sunset. It was sort of strange almost disappeared was behind the cloud, which was behind the mountain. Yeah. Yeah. It just went to just gray. Gray right away. Yeah. But there wasn't any color in the sky. It was really strange.

33:00 I was thinking that yeah, it was partly cloudy. I thought it was broken up enough that we get a couple of good sunsets or, you know, some some good textures as it was fading off. But yeah, we really missed most of it. And yeah, just definitely dropped to gray and blue pretty fast and wasn't really quite what I was looking for. But some of the textures on that last day, they were kind of interesting, listening a little bit more stormy. And it was cool on that drive out. I think I had a couple of those posts. This last week on that day that we drove out on highway 78 to go to crane and then up into burns. And I think we pulled over a couple times I took a couple photos. But those are some others that I put up on Instagram. And pretty recently, I've been trying to do a bunch on Instagram, I've been trying to do a bunch of like, reaching out and direct messaging stuff. I've been trying to do like a little bit more networking stuff overall, too, which has been working a bit and I've been trying to work on my story too. Like the Instagram story. I think you've been noticing a little bit like I put up each of the posts that I put up in the day, I try and copy those in Instagram and then and then post them over into the story also. And then I've also been messing around with adding like your location to your story and tag to it. Which is something you can pull out from the filters, if you swipe up on the on the thing when you're making it. And you can add a couple of things. But that like puts it into a location it tags it there. And I think if you do a search for stories, like there's one that was put in, like Eugene, and there's like a bunch of people that that hit it throughout the day, just because it was tagged with a location. So I'm going to try and do that more with some of the location stuff and use that a little bit more interestingly, to try and get people to see some of those posts.

34:35 That's really cool. I didn't know that was a feature I have I need to get into the Instagram story stuff.

34:40 There's a lot you can think of Yeah, yeah, I don't really understand it well enough either. But there's a good bit of traction similar to like how Snapchat, you just kind of like keep watching the video keeps moving. I think it's really visual. So I like a lot of that stuff. And you really get into see what people are doing in sort of a really late way, like what snapshots use for now and really what snapshot was part of what Instagram was, like years ago back in 2010 2011. When I first got on, it was it was really like a lightweight thing where you just take take a picture of anything was sort of you take, take a picture of your food, take a picture of a drink, take a picture, just some silly place that you're at sort of thing, but it wasn't really any kind of highfalutin level of professionalism or edited posts that would go up. There was just, you know, a square only, right, yeah, there's only the really rough filters that you could apply from your cell phone photos. So yeah, I remember I remember those days that Instagram too, and it's weird to kind of see how it's progressed a little bit. But similarly, like the stories are a really lightweight way of just kind of showing anything that you're doing or kind of expressing like the the moments of your life, like Snapchat, everybody's kind of familiar, I guess, with the, the language of Snapchat nowadays. But it's cool. There's a lot of distribution on the Instagram stories. Like there's, there's a good bit of people that it shows do see a lot of the the content that you put up there. So that's kind of fun to be messing around with. And yeah, I'm trying to like, take those little like snapshots. Yeah, like screenshots on my phone of the Instagram app showing like the the photo that I'm featuring on that day, and then I throw that in there. And I put the location and a hashtag or something with it. And that's been a cool way to test some stuff out. And, yeah, I'm trying to mess around with that. But try to keep that for I think they kind of heard from marketing stuff that like you want to try and put in about six a day. Which seems like a lot. Yeah, it's like a lot of stuff. But yeah, like every couple hours, you're trying to get like some one or two second thing up. And that's why I try and like kind of punch it up with a few of the photo posts or screenshots. So that those are like remarketed. And if I do like a podcast or something like that, I try to put up some kind of notifier in there. And then like a couple of posts to the photos and working on my day, the camera I'm using or something like that. We should do something of podcasts. Yeah, it would be cool. But yeah, thanks for sure. Do it like a bunch more podcasts?

36:55 I'm so happy to be doing it. Yeah, I really like being project smart audio stuff is really cool.

37:01 Audio is going to explode in the next year or two.

37:06 Yeah, you really write about it, it's totally going

37:09 to be like, the thing of the future. old radio is gonna be the new future. So I think it was like really, the thing that's gonna be like, taken off. And it's what I've been thinking about for years, or you know, like audio podcasting. So it was cool.

37:22 Yeah, you really been on top of it. Oh, but

37:26 I need to be doing more stuff with it. You know, radio is a weird thing, like radio and like, and like college atheists. That's really weird. Getting into podcasting is sort of a strange thing at the beginning, but just like getting in and doing it, you know, it feels like a strange thing. I don't know if it's felt like that for you a little bit.

37:41 It is really difficult to adjust to. You're a really good speaker to begin with, I'd say and I'm not No. Thank you.

37:51 I appreciate you doing.

37:52 Thanks for doing it with me for a few years now. I should be a little bit better.

37:57 A lot better. And I remember like a couple of my first ones. It's like a muscle that you build. I've heard other people talk about it that way. But speaking in a mic. You got to do it for like 100 hours. And then it's like, you're still bad, but you can kind of do it a little. It's a weird thing. Yeah, I don't. But that's what I want to try. I'm still under 100 hours, right? So do another little short podcast. Yeah,

38:22 I think it's gonna be great. I think it's gonna be cool in the show every night.

38:26 No, it'll be it'll be great practice for us. And in 24 months, if we kind of keep doing podcast stuff, like we want to. Yeah, yeah, that's really gonna develop into something that we're proud of. Yeah. But yeah, I think we started doing this billion one photo when like in 2015. That's when I first started setting up some microphones and like, this laptop is an audio podcast and thing. So it's cool to have it go through a couple different iterations and sort of develop it and get to use the studio more and get to develop it more. I think it's gonna be cool. Put up more stuff and using like this, on our website, on iTunes, and on YouTube, on Facebook.

39:02 Everywhere. Yeah, I

39:04 think it's really cool. Thanks for being my producer.

39:06 Yeah, thanks for training me to be a podcast producer. I'm so excited. Yeah, I want to get into some sound clips with you later.

39:13 Oh, yeah. Let's cut in. That'd be a cool idea. We should go for with that. This week. We should try to find some cool sound stuff and try and settle on some stuff.

39:22 Yeah. Next week this week. Pick some sounds ferocious.

39:25 Ooh. Yeah, we got to get fresh sounds. I want to do more. Yeah, that's what I'm talking about. I'm gonna do just a little bit body just a little production.

39:33 Yeah. I'm so excited about it. I really, I needed sleep. I like that part. So yeah.

39:38 I love it. Yeah, I like it. All the other podcasts that we hear with, you know, pre production elements to come in, you know, that makes it's great. I dig it. So it'll be fun for us to kind of do some of the same stuff with it. I think along with all the content that I've been putting up, like on Instagram, like the content that I'm putting up, we've been just now I'm starting to mess around with boosting posts. I was working with Facebook, and the Facebook page system and the advertising system. I think I've been learning a lot from that just in the last two weeks or so.

40:10 Yeah, I think it's so cool and valuable that you've been getting into that.

40:15 Oh, yeah, I think it's definitely super valuable. And it

40:17 seems like it's really effective. It's really effective, like,

40:21 for the day and date for the age that it is right now, for the attention that Facebook has, like for the population that Facebook has, using it constantly. Twitter, Twitter is not the deal. Facebook is facebook is great, every Grandma, every dad, everybody hits Facebook one time a day, or a couple of times a day, really, the data shows a lot of times. And so there's just so many opportunities for an impression of your ad to be seen, or for your content to get promoted to the right audience. And there's so many abilities for you to target people with the data that Facebook has. So you can really get down and find audiences that you couldn't have before. Even just friends of friends, so everything, that's a great audience for me to start with. But just being able to like put your put your stuff in there and get your content promoted to your entire audience. That's a new thing. or not, well, it's a new thing for me, I suppose. But it's an because Facebook once allowed you to promote that much content to your entire social feed, you used to get a lot of engagement. But now because of the algorithm, it kind of tailors unpaid content back a lot, right? In the fee, if it's not being shared attentive, it's not super interesting. And then now to get it to get it higher ranked in the feed, then you know, you pay this $5 amount and you get you know, a value of that for your impressions that you buy. That's cool. It's a good advertising system for boosted posts. And there's there's other stuff that I'm not really sure about that I want to try and talk to more people about to put some of those pieces together of trying to understand some of the ideas around working like an advertising campaign. So there's boosting posts, which is just the content that you would you would post regularly into your feed. I'm trying to do that with like, like portfolio level photographs that we have. Or just other other fun photo content that we can put up like the most successful one so far was one of the first ones I did have a cabin in the woods up in the wallowa Mountains beautiful spot beautiful little kabaneri up next to a really cool kind of Alpine looking mountain. And so I get why it was kind of an attractive photo to be advertised. But it was interesting. Yeah, like how effective it was, it was cool to kind of see how much of an audience it could get to if it was promoted a little bit. And it's interesting too, if you put a good bit of money behind even a single post that really delivers it to a really large audience. And if that audience like appreciates what you're doing, like you do get a drawback of people interacting with the content and people liking your page. And all of that kind of eventually turns into the value of a larger brand or a larger network. And there is like a lot of value in that that I think we can build maybe over the next 24 or 36 months. Yeah, well it's still good it's still gonna be a good deal you know, like Google AdWords now it's not really as good as it was back in like 2002 1000 we should we should do Google AdWords, but like 2017 we should try and do a bunch in these Facebook advertisements, Facebook boosted posts. I'm really excited for it. I think it's a good way that we could build a cool part of our content media photo business.

43:20 Yeah, I love it. I think it's so cool being able to because this is something we talked about being the challenge of being able to actually find an audience Yeah. And it's really cool being able to actually reach more people who would want to see our stuff

43:34 Yeah, there's there's some math to do on it but like paying for distribution is really worth it like absolutely it is cheaper. If you think about it for time, like say it would take 10 years to build an audience that would be an equivalent size that you can make some money on but like you would make a lot more money if you made that audience in two years and then worked that audience for eight years. That makes sense it's like some kind of like compound math of how big something I don't really understand it but maybe there's a salesman talking about it. But it seems like it seems like the benefit of it would be now like working faster now and I'm really excited for I think it's cool I've been trying out like a couple different ads and different promoted pieces and stuff and it's kind of interesting figuring out like what works better where to target stuff. And I got to figure out more stuff about that but it's definitely something just to research. I wish I knew more about it intuitive or you know, just like from the start but there's definitely some stuff that we should try. I wish I could afford it is really the thing I want to try and put you know like $50 $100 behind like each of these more impressive posts are more than the things that seem to like catch on better with people Sure. Yeah, and I want to try to like put like a bunch behind it and then try and like get a better market demographic selected so that new people get to see some of this work or see some of these photographs. And then you know, like come on or you know, join or communicate. And then I also want to do some stuff like when we transition into selling more photo packages to like generating leads with Facebook advertisements, or generating like contacts. There's an option to like, have people like schedule a meeting with you? Oh, right. All sorts of things, of calls to actions that you can you can use in in some of these advertisement systems. So there's a lot of things that you could pay for, that you could probably really generate some business with, which is a cool thing.

45:20 Yeah, I think it's really interesting to be getting into more. Yeah.

45:24 It's interesting to get into it, for sure. And it's fun, like, as a photographer, as people trying to do media stuff, just the, the different opportunities, just kind of some of the things you learn about

45:33 it. So yeah, I think it's really cool. It's really paying Facebook.

45:37 But it's cool. I think, you know, getting average. It's like it's real.

45:43 Yeah, yeah. No, because it is Israel. I love that it works.

45:47 Yeah, we got to buy some marketing stuff. And it's been coming together. I think it's been really cool.

45:51 That's cool. So you're, you've been doing the Facebook ads, and you've also checked out the Instagram ads. But

45:58 I've been trying more Instagram ads. And it's interesting with the Instagram ads, like I ran promotions, it's interesting how it's set up, because Facebook owns Instagram. So somebody that's connected, I've been trying to do a bunch from the phone. The phone's been great, and just trying to like develop more, more systems for that and how it worked. But you can do promotions just from Instagram, which works pretty well, if you'd like to do that. I think we started at $3. And it's probably like a $5. CPM, I think it's a cost per 1000, which is pretty similar to how it is on Facebook. But what I've been doing is using like the Facebook pages app, and the Facebook ads app that you can get for your iPhone. Yeah. And I've been trying to like manage the advertisements from those two apps. For both Facebook and Instagram, there's a there's an option where you can like simultaneously run this ad on Instagram, that you have just from just from your Facebook ads program. Yeah. And so when you're creating an ad for your Facebook page, you can click just slide this lever over, it says, simultaneously run this ad on Instagram. And I think you know, it kind of picks the market and sends it out. And it seems like it's a pretty effective way to do it. If Instagrams information about the demographics of the person that correct what I've noticed sometimes is that you put some money into it, and it doesn't really seem quite as effective on Instagram, given the amount of attention that's on Instagram. So there's probably some tricks around advertising on Instagram. I think maybe it's like a little bit more. I don't know, I just don't really have the keys to it, but it seems like just because they were separate social networks. It seems like Instagram maybe doesn't know as much about a person. Like how old they are or like should they see the ad that I'm promoting to them? Yeah, seems like it gets a little a little wishy washy. Sometimes Facebook is really tight. And what that means is that your cost per impression is lower so it's more effective for your money, I think is I think a little bit of what I've been understanding but I'm not really sure I'm just kind of experimented twice so I've tried to figure out some stuff around it but it's been really cool kind of getting close to thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com few new things up there some stuff on the homepage, some good links to other other outbound sources, some links to books and links to some podcasts like this. A blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks a lot for listening to this episode and the back end. Thank you Next

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0:14 Hello and thank you very much for listening to this episode of The Billy Newman photo podcast. Today we're going to be talking just I guess for a second about some of the outdoor hike stuff that's kind of going on as we're coming in to late May and definitely as we're coming into the Memorial Day weekend but I just finished up a hike in the Mackenzie River area which is really cool beautiful spot you go up highway 126 outside of Eugene OR probably down for any number of ways that you get down on the the I five but beautiful area to get up there you know it's probably one of the world class hiking areas you can get to in a pretty easy way a lot of opportunities that are that are kind of offered there there's a lot of really nice open hikes that are there you know, like pretty wide natural trails that are near the road but are also really separated from from the road and from any kind of like highway action pretty significantly. So it seems like you're really kind of removed from it in a pretty nice way. And then as you know, it's really beautiful right now as the snow melt has kind of dropped out of the mountains you get this really just crystal clear blue water that's in the higher elevation areas as you move up into the mountains in the Mackenzie River area. But it was really awesome to see in that and a fantastic area to go to go hike and to go take some pictures and to get spent part of the day but if you're in the area, or if you have the opportunity, one of the places to get out there would be the Mackenzie River Trail area.

1:50 You can see more of my work at Billy Newman photo calm, you can check out some of my photo books on Amazon. I think if you look at Billy Newman under the authors section there and see some of the photo books on film on the desert, on surrealism on camping, cool stuff over there. Yeah, like I said, I like the October time period you know it's kind of a cool outdoor month for stuff and that's kind of what I was gonna talk about too is kind of layering up stuff for October I've been trying to kind of build up the layers of clothes and the layers of like shelter stuff that I have for some of the outdoor travel stuff that I go out and do and I do it on a budget and I don't really have much stuff and like other people have a lot more experience of like just getting to try all these different pieces and see like the benefits or the kind of weigh out the pluses and minuses of different pieces. So I'm sure like it's probably the case that like the best gear is always the best gear. It's kind of interesting to sort of go through those checklists or you know like kind of in your mind like seeing like what like how's this work what's better for me for this thing or not so I've been pretty happy always have or for the last couple of years to have like a gortex range outlay and for a lot of outdoor stuff that I do in Oregon, later into the year that's been like a real lifesaver for having just like a hard waterproof shell that I can like really trust that has like a good hood on it that can keep me dry for most of the day. That along with I guess kind of like working inward like the puffy jacket makes a huge difference. And so I use like a puffy jacket all the time. There's a few different like sizes though and you sort of have to like look at the down fill layer to see what's going to be best for you and like the climate that you're going out to that it's kind of weird it goes back and forth through me a little bit. So like out here in Oregon, where I am like west of the Cascades it's sort of a mild climate area a lot of the year and so I'm able to I think you're kind of dealing with like above freezing temperatures. Most hours and on most days for the year I think like you know there's there's some some sections of the year where you get some some heavy freezes but outside of those storm times it's like it's really like pretty mild weather a lot of the time and if I'm going camping or doing something outdoors in the winter I well there's a couple different types I definitely use it but really for a lot of like the three season work I do I use a light puffy jacket either this north face, thermo thermo ball, I think it's like a like a polyester based one. It's not a downfield, puffy jacket but I've used that for maybe six years now and I really appreciate having that I think it's great. That's probably one of my most used insulating layers when I'm going out and I mean works great really all four seasons with compared in these mild weather circumstances like I am here in Oregon like that paired with that shell is been enough for me to go out and in almost every kind of weather circumstances I've been in when I've gone out and been working or like when I was working outside a lot in the rain and trying to VSI like most days through the fall and winter. It was really Fine to do that with a strong or like a good gortex shell that keeps you dry all the way and puffy thermo insulating layer that keeps you warm. So it's pretty cool but kind of comparing that and I have like this Patagonia jacket that I think has like a heavier down fill rating and that has a lot of insulation to it, which is cool, warm jackets are great. And I definitely take that out kind of in deeper into the winter. But what I noticed though, is that for a lot of circumstances, like I said, three season work. And while you're working or kind of like physically kind of exerting yourself I've never noticed like if it's not below freezing that is too warm of a jacket to wear. And so you kind of get to pick a little bit of like where your, your environmental thresholds are like what kind of environment you spend a lot of time and this is going to be above freezing temperatures or below freezing temperatures, or is it going to be hot weather temperatures like where you're working, you know, your coldest temperatures might be 50, but you're really going up toward like the 80s and 90s pretty regularly. And that's kind of a different environment to work into. So I've been kind of trying to keep an eye on that but as we're kind of dropping into October the outfitting stuff that I'm doing is sort of away from the heat gear stuff that I would have been using where I'm in like lighter synthetic shorts and trying to use like lighter layers and stuff like in the winter you kind of get to layer up and stuff which is kind of fun sweater weather

6:26 right what I picked up last year and I'm kind of excited to put some more use into it was a wool baselayer so I got a wool t shirt which is great and I kind of appreciate trying to cut out some of the cotton material that I'm using when I'm going out and doing some more outdoor stuff and I guess it's because apparently back in the day cotton was a great revolution right you know it was a more breathable fabric and it would dry faster than other fabrics that they had available to them I guess is part of what was cool about it. But as I sort of understand now it's one of the more riskier types of fabric that you can wear as a base layer when you're out in the woods for a couple days or when you're out camping or you know the talking TV shows about when you're in a survival situation. And not really that but yeah when you're out camping or if you were going to go hunting or you're going to go on a couple day photo trip in the woods you're just going to be living out of your truck and stuff it kind of is it ends up being a little difficult to use a lot of cotton pieces especially if you're going to get wet or if it's cold and you don't want to get wet but you do get wet and that's a bummer because the cotton stuff just kind of stays wet and it gets cold when it gets wet. And a couple of those things just sort of lead to it being a little bit frustrating and I guess that's where some of the the survival complications of happy with people who are out in okay conditions they get hit with a cold rain or a wet snow and they're in a like a an outer let you know their insulating layers but they're like a cotton coating. Or like I guess like I guess tough, warm insulated Carhartt jackets on hunting in that they got into some wet snow on the second morning. The Carhart wet pants got or the pants that were insulated, got wet from the tall grass and brush that they walk through and then the person became hypothermic because of their exposure to the cold that soaked through their pants that got them very cold and I think they had to like ditch the band's get into their sleeping bag it was synthetic and then they try to like warm them up with a hot water bottle in a sleeping bag or something like that out of the Jetboil but really like it ended the trip I think they like they can't continue out as sort of stuff so it's kind of interesting. I like that kind of that kind of thing can go and I know people have probably heard anecdotes like that similarly in the past I'd hear like someone else talking about like a warm weather thing where I think they were going out on like a 42 day canoe trip Can you imagine that like going through some big river system and Labrador up in Canada. Wow, fun times popping out in the Hudson Bay or something, who knows. But they would go out there and they would talk about like all like the specific limitations on the type of fabrics that they would select to use because like if they got wet in the river, or I think it was like a cold weather or who who knows what kind of weather you're going to get sort of circumstance where you'd go between hot and cold and Canada kayaking or canoeing down 1100 miles or something like that, just big long trips like that. And they would kind of be really specific about how like they they won't even have cotton boxers or cotton underwear because it'll it'll be the thing that ends up being a problem other people or another person. I think kind of there's there's a lot of great ways to sort of work through this next problem, but I think someone argued that they did have cotton on them, so that they could use it as a fire starter. If they needed a fire starter, I suggest to just bring Firestarter or some other some other material like that I think it would probably get you by a little better than your cotton underwear. Best very sorry that I've used and heard about was

10:15 well, I mean yeah, like a stove or whatever but if you're if you're trying to light a fire in the winter like having a plastic bag with Vaseline dipped cotton swabs was like a pretty inert material. Just like having a backpack doesn't smell like kerosene or something. And it has multiple uses you can use it cosmetically for everything's our goodness, if your lips chap, I hate it when it gets dry and cold and you go oh man, my pores can't handle it. They were in a different environment. 5000 feet a difference in elevation a day ago, too much change and too much seasonal change. Now you get like, I don't know just rough spots or dry spots are supposed to use a Vaseline you get the cotton swabs for all sorts of different things, but they're fantastic if you light that up. It's a great little flame ball and you can use that with a stack of your other dry materials to get a fire going. Even in pretty wet conditions especially if you're kind of keeping your your Firestarter material protected in some little part of your backpack. Keep it a try and stuff that works out pretty well. And I think it works better than like your underwear on a rafting trip. So but yeah, I've heard of that. Yeah, people people try to not use that people try to like drop their leather belts like they won't take a leather belt out into the woods either. I like I wouldn't like a sturdy belt. I like what you see like people like big leather boots or whatever it's not because it gets washed, waterlogged, but I guess cuz it's maybe a weight thing. I think that's what the idea was for, for maybe they're like going backpacking and use like a piece of nylon webbing as a belt at that time. or other stuff we're like, I don't know, just little tricks and things like how you kind of hide certain materials and other materials and stuff. But it's it's weird how it goes. So I guess yeah, cotton stuff is sort of no go. They talk about using wool a lot as sort of like a preferred material to make it out of or down here like down stuff is kind of a preferred material. And then I also kind of hear similarly, sided, bad things about sort of the petroleum develop products that you get from polyesters or nylons, or I guess like this polyester insulating foams, you get like those thermoball insulating foam bits that would be in the pouches of another polyester material that makes up like the puffy jacket that I wear. For the Patagonia one that's a downfield, puffy jacket. And you have little goose feathers poking poking out of it all the time, too. Yeah, I feel like you feel around the right way a little a little goose feather I'll punch out the side and pull it out a little feather right there a little little down feather, which is kind of trippy. But those I guess are like a better insulating system than like the synthetic kind of oil based stuff. And I guess the same goes for like sleeping bags too. If you want to get into like a sleeping bag to keep you warm. There's something like the like the 15 degree bags that are well I don't know and it has a couple other features too, I guess it's like light and it stretches down well and if you get it wet, you can get a drag and well I guess it depends on like certain qualities down sometimes that kind of get i think is a little tricky. But the wall I guess you can get, you can have get wet, you'll stay warm and you can get it dry faster. And I think that's sort of the benefit of the wall on the animal that gets wet too. You know, like if you think of a sheep getting rained on all the time, I guess it's sort of part of the fibers that it doesn't doesn't attract a lot of odor, because it has to be on an animal all the time. And I guess it does well to not have to like make you cold when it gets wet. I guess that's a big part of it. So a lot of the merino wool fabrics that have come out or the merino wool blends that are with some little bit of spandex or some other kind of natural fiber product that they try and put in helps to kind of be a little bit more durable when they have those little blends, but mostly you want like a pretty strong merino wool fabric. And that's pretty cool if if you're getting sort of like a base layer or something like that. It's a little bit more tuned for the outdoors there's like wool sweaters or something that you can find but that's not quite there cool old white shirts, you know like an old old Pendleton shirt or an old filson shirt that's like a lagers kind of wool button that that would go into like a like a canvas jacket. I kind of think it's cool but that's sort of a different look and it's used to be the the technical gear layering and probably still you'd see if you get like I don't know like a horse guide like a guided trip with a horse or a mule or something like that. That's the pack and a bunch of stuff they probably still use gear that sort of similar to that without the kind of like the technical stuff Got a gear that you try and find it like Rei hiking places or something or, or wherever, whatever else similarly branded. But yeah it's cool that I tried to do some wool Merino underlayers trying to work with those puffy jackets when I can

15:16 try to work with a soft shell that actually gets a lot less use than it used to. I used to try new soft shells all the time but but really I just kind of go with the wool the wool base layer The North Face kind of wore you know, like warmer temperature rated puffy jacket and then I have the gore tex layer over that picked up a hat this year. That's pretty cool. Like in that boots had a couple different sets of boots for the October stuff before it gets real heavy in the in the season before it gets like real wet or rainy. Now while I'm kind of doing some of this lighter outdoor stuff I have like a pair of heavy leather boots that are super cool for some of the deeper hiking stuff that you get into especially after it's real wet and rainy and stuff but really for a lot of the light season stuff and sort of summer spring stuff. I have these Nike s FB boots it's like that military dude I picked it up in brown like a desert tan color. And then I also picked up a similar pair that underarmor makes and so they're kind of like a lighter, more athletic shoe from the base but they have like kind of tall neck that goes up to like your mid mid upper ankle there. And so it's not like a real Tabu or like it's not like galoshes, they're not waterproof, they're kind of vented on the sides and they dry out they're kind of like a synthetic material that dries out pretty quick when you do get it wet but it also has like a good bit of tread and you can get them wet get them dry and wet. I think that kind of made for a okay dry environment that's sort of where I use most of the time is you know hiking around for any of this kind of lighter duty for us that was really nice because they're light boots like with those other heavy leather leather ones like just the soles of the boots seem like they're pound each you know you kind of like feel it the first couple of days you getting back into the use of them during the season where you're like man my feet are like four pounds heavier it seems like each just kind of like walking with a weight on it. So it's nice to have one of the newer sort of higher tech boots they don't have the same kind of ankle support as like a thicker leather boot does or and they don't have the same kind of heel support. I like to talk about like those you know thick like like a two inch heel or something that like one of those whites boots has or if you get like Red Wings they have like a real deep thick heel that you can use to kind of stomp in and cut in on some hiking stuff and these yeah it's just kind of like a good a good sort of smooth walking boot and you get some ankle support from that that tell him neck but it's sort of a fabric so that it really seems like it you just it's a light boot and seems like you're ready to run and you can do like an athletic maneuver in these pretty well and it doesn't seem like the boots gonna be too heavy to slow you down not not right for every circumstance like if I'm really going in a deeper area it's cool really it's nice to have like the kind of protection of a steel toed leather boot but like the the normal s sfbs i think are not a steel toe I think I think these Under Armour ones though are and then there are steel toe versions that are out there. But that does seem to I've kind of run into a few circumstances where after some of the some of the more woodsy stuff it really seems like having the steel toe has helped a lot to keep keep my feet protected and stuff and if you hike ally you gotta gotta watch out for blisters and stuff too. One of the big things I've noticed to help that is like really breaking in your shoes with three weeks or more but three weeks of like pretty near full time use to really start getting them broken in or to get kind of the feel the break the crease, the kind of the fabric kind of working together and the way that it's gonna fit around your body and stuff but yeah, it seems like it takes about three weeks to sort of get those issues broken into a spot that that ends up being comfortable for longer trips and longer where I had like a pair of shakos in this jacket they were great you know that you don't you don't wear socks and you don't like buffer it with wool socks or something but I remember I think working with those for like three weeks or so at first your feet, man, they will rub raw Yeah. Yeah they'll you'll get some hot spots with the webbing on those chalk as it's like this real kind of tough webbing but after like three weeks or so like after you kind of wear your foot into it so that it's kind of strong enough to deal with it. And you also start breaking in the rubber of the boot or the rubber of that that foot or the shoe through your foot. But once you get that all kind of broken and I was able to hike for miles and miles and those and really have no rub problems at all. I think I did. I think I did the whole the whole hiking trip up to the summit of the paintbrush divide in the cast. skiing, you know, like the Tetons chip I talked about some times Yeah, I did that whole hiking trip at the Tetons in early, mid late September. Probably right around now, but I did that trip in the Tetons with just those those black shakos that I had that had like kind of that boot tread bottom and I did great through that whole trip I did like a 42 mile trip down the lower road that was like a hiking backpacking trip so you have a backup back pack on you got these little river shoes on and you're hiking away on the trail and yeah a lot of the times if you're not really in shape for it man those will just rip your feet up pretty badly and I've seen it really affect people's trips before you know like where their shoes just like really start to bite in on him and it happens really fast. As soon as you get like a hotspot or something it can be just a quarter mile or another mile and then like that that problem has been exacerbated a lot so as soon as like gets bad boom man gets bad fat or it starts to degrade fast and then once it's gone it's it's gone on for a while

20:59 you know it's it's bad and it can cause some some mobility problems when you out there so I think kind of to kind of deal with some of that stuff we're kind of breaking them in earliest school which is what I've been trying to do with some of my shoes but yeah trying to get outfitted for this stuff in October it's been kind of fun trying to work out the the layers and stuff

21:25 you can check out more information at Billy Newman photo comm you can go to Billy Newman photo comm Ford slash support if you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support you can also find more information there about Patreon and the way that I use it if you're interested or if you're more comfortable using Patreon that's patreon.com forward slash Billy Newman photo we've made like a big switch over the summer and like I've been talking about on the podcast over until like the Sony lineup which has worked out I think pretty well for us I think it's been cool like using the Sony camera systems for a couple months now.

22:22 Yeah I've really liked it it's been cool having a completely different camera setup.

22:28 Yeah I see we were working with Nikon for the longest time like it was probably about 10 years ago so that about my first Nikon camera and that was like a D 40. Before that I'd used a couple others but but yeah, that was like the first DSLR system that I got to get into digital photography and that was about 10 years ago and so I was with Nikon kind of building a system in Nikon for a really long time nearly that whole 10 year period and it really didn't didn't blossom into a ton of stuff so I thought yeah, I'm gonna sell all this I'm gonna try and go with a different system for a little while and I think the Sony stuff is paid off pretty well there's definitely some stuff that fits what we do in photography really nicely.

23:06 Absolutely I think that yeah, I think that the Sony cameras are really really good for like outdoor landscape and all that adventure photography that people are starting to that we're so into.

23:19 Yeah, I love doing the the outdoor adventure tourism photography stuff and like the low light

23:23 stuff really the low light all of the nighttime photography options. It's really amazing.

23:30 Yeah, there's so many great options or just abilities that you can have with them with high ISO sensors now like on the Sony line, there's just a lot you can do really cool stuff that you can shoot stuff you can never have done before like, like the whole like Chris Picard documentary or film that he put out about photographing like surfers in the auroras. Yeah, at night. Yeah, you just could never have captured that before but it's really one of the first times and it's right on the cusp of at that point in history where we have sensors that are that are capable of capturing that kind of low light stuff in real time. Like capturing that many frames to get video at night like that but also capture those real colors. So it's cool to get stuff that's kind of close to the human eye can do. Yeah,

24:11 it's really cool. It's It's really amazing shooting with it and seeing that really yeah, like you just said it's it's capturing really just what you are able to see

24:20 Yeah, yeah, it's a really fun part about it. And then that's also what's so cool about being like our age and being photographers is we're gonna get to kind of grow into some of this technology has its really starts to mature over the next decade and two decades, it's really going to advance a lot where we get into way more capable sensors. I mean, you know, now we're just getting to this point where we think like, oh, wow, that's starting to look like what an AI can do. Like imagine 10 years now into the future where we get wide dynamic range photos, or you know, like things that have like, like, just way more capabilities way more information than the files we get. Now we get like 3d maps that are like 360 degree, you know, we're gonna have like, we're gonna be shooting holograms someday

25:01 yeah No kidding.

25:03 Really cool if it happens I don't know. But it's fun though yeah working with the Sony stuff and kind of transitioning into something that's a bit more of a modern camera system for like a long time in the last couple years we shoot with a Nikon d3 system and which was great and that was kind of the first the first time that we were working with full frame cameras right which was a big upgrade I mean I said the film work that we did for a long time yeah working with full frame digital was it was a big upgrade and then now working with the with video, which is a silly thing to talk about. Sounds like 2009 but I'm really excited Yeah, having a DSLR or now not a DSLR since it's not single lens reflex. These mirrorless ones are interchangeable lens cameras,

25:45 right? I saw that it was written as that in smiles that I read yes

25:51 and interchangeable camera yeah it's kind of strange but but yeah I'd like to have like shooting with it and kind of changing over to that

26:01 yeah it's really cool because it's kind of our camera set up before it was like you said it was the the d3 the Nikon d3 yeah but that doesn't do video nobody does our full frame camera and then the camera that we had for video stuff was my Nikon D 7000 was yeah full frame

26:19 yeah the crop sensor but it was cool though like working with it and try it was

26:22 great I loved that camera we got a lot of really wonderful video with it. Yeah but it's so cool having a full frame camera that does really nice video really amazing low light video

26:32 yeah it really does a lie you know I know that a seven S is like the the model that that's supposed to be like the hot one for video right?

26:41 Yeah,

26:42 I think it has like a I think it has a different kind of sensor and it's like a way lower megapixel sensor. And I think it's supposed to be able to capture some kind of higher quality file type like I think it's s log sweated here before it's you know how we were shooting like the AVC Hd mp4 is I think there's this other one called s log it's sort of like it's closer to a raw file or it supposed to be closer to like a higher end file that you would get out of a cinema cameras or something like that is I think a little close to what it is but yeah these these cameras do like a great job at shooting video it's been really cool to try and get used to that and man like compared to what you could do years ago it's it's astounding what you can do it's awesome so it's been cool switching over but the thing is is like we have in a seven our I think this was modern technology in 2014 that sounds right maybe it was 13 but I think yeah, it was like 2014 that this one had popped out and it's a fantastic camera I really appreciate it I mean we were living here at that time it doesn't seem like it's that far in the past but there's been a lot of advancement even since then and especially from Sony as an equipment manufacturer for cameras and I think you were doing some research about that and you pulled up some some great notes about like the a seven or three release that was just announced

27:55 right

27:56 that's pretty cool we had like the a nine announced I think earlier this year which is also a really interesting camera option like it's the higher the more fully professional version of a Sony interchangeable lens camera Yeah, I think that's what it's supposed to be but there's a lot of interesting stuff about the a seminar three now but that could be pretty cool I think there's a new battery type yeah higher capacity battery system now.

28:28 Yeah which is great news because those batteries suck it's really that's what I don't like about this cameras

28:34 yeah for as much as screentime time as it uses with you so much battery yeah for the types of files that is writing to disk I mean if you if you ask like your laptop to transfer 40 gigabytes of you know like when we shot one of those weddings and we burn through a battery it's like well we did right 32 gigabytes to a card pretty constant yeah pretty remote video like causley so I guess it must take like some amount of electrons to want to run that to charge it so it's amazing that it can do it but it's it's really awesome and necessary that the a seminar three gets the upgrade of having a more stable battery system and that's really been one of the downsides of the Sony system for a long time the other upgrade that they've been talking about was improved autofocus systems like it was a faster autofocus it really I don't know anything about it though but I've been upset with the the autofocus system so far on on the a seminar I think a lot of people have complained about that it's one of those weird things where I think it has like a gajillion autofocus points but just they're not like fast you know what I mean? It's like it's just it's like it has them but they don't like operate

29:44 yeah they don't respond the way that they're supposed to all the time.

29:47 It doesn't seem like it I mean I suppose it was supposed to be kind of a slower auto focusing camera. I don't really know what changes that the dynamics of what makes like faster, slower but man yeah I was definitely behind some of the competition on Canon or Nikon of like just being in focus. Yeah. And maybe that's an issue that we have with our camera it could it could very well be more more prevalent with this one. But I noticed like with with the a seven two that we had for a while that that seemed like poor focus a little faster. Yeah seemed like work a little bit sharper.

30:23 It seemed like the second model. I bet that a seven or two is probably yeah at least similarly a little bit quicker at it.

30:32 I know that it was supposed to have a new autofocus system in it. It was like a 500 point autofocus system that was supposed to be just kind of a crossover. It was supposed to be a lot better as I guess what? I don't know what it was supposed to be really but now this one's supposed to be better than that one.

30:48 That's what I heard I heard it was supposed to be pretty comparable to the a nine I

30:52 think that's great. I mean, yeah, it's decent or acceptable. And it's really cool that it's coming out soon I think we're probably likely to hear announcement of an a seven or Yeah, an a seven s three and a seven s three instead of an a seven or three Yeah, we're I think we're gonna see like an upgrade to that one also sometime in this next year. And maybe an a seven three as that goes to you know what? upgraded battery system? Yeah. Yeah, maybe an upgraded sensor, or, or upgraded sensor options or something, but, but it seems like maybe they're on track to do something like that in the next year. I think then the kind of space their announcements are a little bit.

31:33 Yeah, they're quick with it, are they they have a lot of announcements this seems like are just like through the last few years, it seems like so many things have been updated. Oh, I totally agree like quicker than quicker than canon comes out with things quicker than Nikon comes out with. It seems like

31:49 it seems like it's going pretty fast though. I do remember like 2000 by 2001 234 and five, man it really exploded during that time. Like the like it was just boom, boom, boom, a camera like every six months, it seemed like you know, to get to get that many iterations out that quickly. It was like because they were just populating the home the whole market channel for the first time with digital cameras, so they just had to had to make the professional one an immediate one, the beginner one, all at the same time for the first time. And then again, like a year later, so it was just like, like every couple of weeks. new cameras coming out. Yeah. Yeah, like, I mean, if you imagine like, how much how much changed, it was between 2002 1007 or so that was a huge growth, you know, and in camera stuff during that time. It was crazy how that was and then now like we're kind of thinking like 2010 to 2017 let's say Sony has definitely come a long way. I think in 2010 they were working on like the early MDX mirrorless systems those cropped up sensors Yeah. And and that was kind of the predecessor to the a 6008 6500 you know, whatever they have right now. That's out but but yeah, it was interesting, they've kind of progressed so much and then and then really built out the the interchangeable or the mirrorless systems because for a long time in the 2000s they had sort of a mid range Sony line that was built by Mumia or not me me me some other some other camera manufacturer Minolta um and also okay Minolta made Sony DSLRs I think in the 2000s the other a series like the one that we gave our friends like that was I think a camera that was sort of constructed by Minolta as a manufacturer but it was sold as a Sony system and sold with Sony branded glass I don't know if Sony was looking for a camera system but I think that these are these are now like more in house Sony systems and they're much much better you know like that's why like Sony DSLR was was never really something you heard back about 10 years ago. And then now like the next point that you'd brought up is that Sony is overtaken Nikon as the second company in the US for for full frame interchangeable lens camera sales. Yeah really interesting. I heard another thing there's a photo of some photo convention over in New York and there was there's like you know two big booths it was it was traditionally canon in a big booth and then Nikon and a big booth this year not Nikon it's Sony yeah yeah Sony's taken over in that spot and he's announcing that he seminar three I think Nikon that just had an announcement You know, they're out that they're at the place with a different booth or somewhere else or something. So it's interesting to kind of see that that change over from so many people sort of moving away from Nikon stuff and moving into some of this interesting Sony equipments and coming up

34:47 and it's really interesting. I really noticed it, I think, to just when we were selling off our Nikon stuff and stuff we saw a lot of a lot of other people seemed to be doing the same thing.

34:58 Oh, yeah. Yeah, definitely. It seemed like that when I was cruise through kth it really seems like Sony cameras camera bodies are really hard to be found. Yeah they're pretty pretty hard to come by so there's definitely yeah yeah it's it's interesting to see kind of how that that shift is happening and

35:16 it's it's really interesting I see a lot of people using the like the a 6000 yeah also like the not quite professional ones I see a lot of people using just Sony cameras.

35:31 I think that was what a lot of selling cameras of the year that it was produced.

35:37 36,000

35:38 Yeah, I think that's one of the

35:39 higher I believe it. That's a really good camera. First cheapest it is. Yeah, that's a great camera.

35:45 Yeah, yeah, it definitely is one of the one of the best cameras that you can get started with, I think, yeah, and with a lot of the things that it does it perhaps simply it really gets it done. I've been working with easy's Yeah, I've been working with an A 6000 for a few months now. Just as a production camera for work. works great. It's just the base kit. It's really simple. It was way cheaper than like the 15 $100.70 mark two system that we were working with. And that was just body only this was like, you know, lens and flash and we were half the price or something. So for a production system like this. Yeah, I just it just fit in just perfectly. It was fine. It was both crop sensor, you know, nothing different about. So yeah, it's been really interesting to kind of see see some of the interesting stuff that Sony is doing. But what Well, I don't know what I thought was cool about some of the Sony transition stuff. I heat is coming on here, at least. Yeah, it's a fun old house with a boiler in the basement. And then as the heaters Come on, it sounds like people are sledge hammering the pipes in the walls. Maybe look up maybe look up the sound filter earlier, the noise gate that we've got. But yeah, with some of the Sony stuff, it's been cool transitioning kind of being part of the the wave of stuff that we're learning about and being able to kind of dip into some of the low light stuff that we can do some of the video stuff that we can do. I've liked it so much. No, it's been it's been really useful. I've learned a lot just by doing that, you know, like before that we were really invested in film equipment. And and that was a really cool workflow. Like for the last couple of years, we've been doing 35 millimeter film processing stuff, or you know, we have a process and to do digital adjustments to and then I can scan it and show it and stuff. And that's been great. I really did the style that we got out of that. And I want to get back into that a little bit with like the nav. Yeah. But for, like professional, like commercial activity and work and stuff. I think it's great, like moving into the Sony stuff, and I really want to invest in some class with you,

37:47 man, me too.

37:47 Yeah, we got to do more class. Yeah, we

37:50 need a few more lenses.

37:55 Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage, some good links to other other outbound sources. some links to books and links to some podcasts like this. A blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks for listening to this episode and the backend.

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Today I wanted to talk to you about SSH and what I've been doing with it, man, I bet you're excited already, I have been working on my MacBook in the Unix terminal. And I've been trying to figure out what SSH does. So it kind of understood, I've seen some apps for it before on the App Store, which I'll get to in a second. And now I finally know what they're for shoot. But I couldn't do anything with I didn't know what was going on. I don't know why it was useful or necessary. But But now I kind of get it, I'm starting to understand some of the cool administrative tools that you can sort of work with around SSH. But SSH is sort of the Secure Shell system, I guess, what was the other one town that was at the the non encrypted version of it. But it was this version of logging into a host, as a client was a Unix host. Like you can still do this with servers, like your web server, if you have a website, or even Bluehost, I tried to sell Bluehost, you can SSH into Bluehost. And like look at the files in your Unix terminal on Bluehost. You can log in as a client and then view that if you have credentials and access it's really interesting, I can do it, but I guess it was set up a long time ago. It's amazing this kind of tools and power you can have with it, I guess you can do something like similar to a VPN where you can get like private traffic, you like you can make your network traffic private by making it appear as though it's like on or behind a router. So it's kind of interesting, you can do that. But I think it's like something like SSH tunneling, where if I were out at a coffee shop or something, I could SSH into my home computer, and then access the internet from that Secure Shell point. Like through my home internet. So it appears though the internet traffic was being routed through my home and then to me, and then it would be encrypted along that path. So the intermediary let's say like a coffee shop wouldn't know anything about it. super interesting. I've kind of have VPNs work to just trying to figure out some of this networking stuff. If you guys know about it, shoot me a message or something explain it to me, I have no idea what I'm talking about. You can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think you can look at Billy Newman under the authors section there and see some of the photo books on film on the desert, on surrealism, camping and cool stuff over there. And it's kind of it's kind of fun, I like doing that sort of stuff I like to kind of poke around I want to get out there with the what is the saying that the metal detector that's I want to get out there with I think that'd be kind of cool. As hearing there's a number of different things you can do with the metal detector and it's pretty fun most of the time. In the spots that I've been out the only thing I've found so far is like casings from, you know, ejected bullets that have been fired out of a rifle over in Eastern Oregon whenever, I guess when someone else had been out there hunting or doing some shooting or whatever it is. And then I've kind of come along through a camp and found some, some old shells and stuff laid out in the in the dirt over there in between the sagebrush. But that's about the most that I've ever found is like a cool thing that I want to go out to the coast, see if I can find something fun and cool that's washed up onto the shore. I had some family that lived that over on the coast for a long time. And you know, when they kind of go out to the coast do their walks and stuff. I think when you have more access to the coast, you just out there more and they've kind of find some cool stuff that would wash up over the years, I think they'd found like some things that seemed like they were off some Asian fishing boat or some little buoys that would come in or little like crab fishing things that would wash in from our boats or from other boats and stuff and it'd be really cool. It'd be fun to kind of find some stuff out on the beach. I think it'll be fun.

4:09 I was looking at a couple other things that I thought would be kind of neat since it's Christmas coming up soon and since my birthday just passed, there's a few, a few kind of like everyday carry things that I was looking into and some of the brands that are sort of around that are what would kind of be a cool one to pick up but I've been looking into a few different pieces. One of them was pocket knives. I carry a pocket knife with me most of the time. I think before I talked about the Gerber Gator that I carry around I think it's a about a four inch blade. It's a little bit more than a four inch handle. It's sort of a full size grip in the hand. I guess what I'm saying there is is it extends open to about eight and a half inches or so handle and blade as it's open and then it's got the locking back which I like a lot more than kind of that finger release that you press sort of on the inside of the blade to kind of I push a little bit of metal out of the way so that the blade can kind of fold back and collapse in on itself. I don't really prefer those and I kind of fat at least like the cheaper blades that I picked up that were like that to start to fail over time where that that little metal springiness to it, that sort of pushes in place, starts to kind of wear off or bend out a little bit. And then after a while, it wouldn't really lock in place, it would lock back enough to be there. But then as soon as I put any pressure on, it would fold back in on itself and come toward my hand and my fingers and stuff less cotton so that it happened, I think a couple more with a couple knives that had that were like that a few times. So now, when I'm getting a folding pocket knife, I really try and avoid that style of it, there are a bunch of them that are like that, and there are a bunch of them that are really pretty cool. And I bet if you buy a higher end brand, or you know like a better built knife, then you'd probably have better luck with it. But really, I prefer the back that locks on it. So I kind of, I don't know, maybe three quarters down toward the bottom of the handle, there's going to be like a little metal bit that you'd press your thumb into. And that kind of pulls that part of the Tang of the knife lifts a locking release in the blade and then you're able to swing the hinge of the blade shot to collapse it, fold it and then put it back in your pocket. I like that kind of style a lot more than than this other type that I was talking about. But when I was looking around, that's what that's what I tried to pick up with the Gerber Gator that I had and I like the Gerber knives. I've had a couple variants of that style before. I like to kind of rubberized handle. And I like the price too. It's like 29 bucks, I think you can get them. I don't know maybe like on the more expensive end for like 40 bucks. But these these Gerber gators the full size and I think there's a mini they're pretty good.

6:53 Kind of mid range, usable folding kind of pocket nice that you'd have. And I really like it a lot more than some of like the Kershaw's stuff that I've had that sort of at that lower end price point that's like below $20. I've had those for about six months or so and then some of the, some of the tech screws start to unwind on me and then all of a sudden I've got, I've got a knife that's in like four different pieces, washers and bits and stuff kind of all over. And that's happened a couple times with those, those sort of assembled knives to try and find some stuff that's like got a certain type of construction on it that keeps it a little tighter together. The hex screws are pretty well on the higher end pieces. Those really do hold together really well over time and they don't have to be dismantled or reassembled. But on some of those less expensive knives, unless you're doing some kind of more regular tool maintenance to keep those bolts tight, they do start to kind of work themselves out on you and the steel the blade I haven't even gotten to that the steel blade changes like all the time or bondo it doesn't change all the time. But there's a ton of different variations of quality knife steel that goes into these, these folding pocket knives, their full tang pocket knives, but I was kind of looking into that a bit like I guess like what used to be the standard for hard knife steel back 30 years ago isn't anywhere near the same as it is now now there's a whole bunch of different variations of things that give you different benefits or, or drawbacks I guess it's like, there's like steel, but then there's steel that you add chrome into or that you add a certain amount of nickel into or they add a certain amount of carbon into and these different variants that are added into the metal give the the Steel's and different properties and that gives the edge the blade you know the way that the sharpening that blade reacts to different forces that makes it react differently. So some types of steel are more brittle, but they so they like crack if you start axing with it or but that makes them like hard I guess. And so that gives you like a stronger edge retention so you can keep that edge sharp for a long time. But if it's a really durable type of steel, then maybe it's got a softness to it. And so if you start doing a lot of extended cutting with that sharp blade, it'll go dark on you faster and you'll have to re sharpen the blade and then it'll lose its sharpness maybe a little faster. But then there's also blades that will rust if they get wet. So if you got a blade that's really sharp and stays really sharp, but rust quickly when it gets wet at all and that's like a pretty difficult knife to have around to and so people kind of choose a nice for different things. I guess it's like boat knives or there's there's a certain type of steel that's used for people that are doing a lot of stuff on the ocean like when they're exposed to a lot of salt water. They use it it's not. Is it like an H one steel. That doesn't sound quite right but there's a certain type of steel that they have. That's the will not rust. But it's like really hard and holds like a really strong edge. And then there's a whole bunch of different variations of hard Steel's, you know, like Steel's to have like some stronger amount or I guess, tougher resistance to whatever elements are going to be exposed to so that the Gerber Gator that I have that's a that's D two steel I guess you can look these Steel's that they're going to be probably more informative some some chart online I'll probably be more informative than the my breakdown of stuff but they'll kind of get into the chemical compounds of what makes these Steel's different and what makes the the knife blade better or worse for the function that you're going for. But really there is like a tear of not really quite good enough for most things and then where people a knife collectors are kind of trying to pick into for like higher quality knives and i think it's it's a good litmus test for how high quality your knife is so there's there's some good Steel's that make inexpensive knives so I think like for like Victorinox Swiss Army Knife you're looking at like a 316 steel which I think now is like a pretty low grade kind of kind of steel even for a lot of buck knives I think it's like the four four sixteenths or something like there Yeah, it's a little more for I think for Letterman's to it's sort of in that area. Then I think if you get into the the essay or rat three knives you're looking at 1095 steel which I think is like a higher carbon steel.

11:30 I think you get like D two steel like this Gerber Gator is that sort of in the same zone. There's also this other stuff this I think Chinese made Steel's, that are I think it's like seven car I got a knife around here somewhere. But it's a seven car then there's eight car and nine car and it's got like a couple other letters after it too but I think the first couple is like a seven and eight or nine I mean it's kind of to the degree that it is good, let's say for this or it's like tough steel or whatever it is. But I think seven is sort of the lower grade kind of average grade knife blade steel, a is pretty good in comparison to a lot of stuff and nine is sort of more of a premium and inexpensive steel option made by the Chinese manufacturers so I have a couple knives that are made with that. There's also another steel called us eight. I found that around a number of times and I think that's in some higher end higher end knife blade pieces to also use by some higher end knife manufacturers. I think with some stuff from benchmade and some stuff from Spyderco I've seen in the OS eight. Let me pull it out here I was actually kind of thinking about Spyderco and benchmade and the Columbia River knife and tool. Let's see what are those Columbia River knife and tool benchmade there's another one I'm trying to think of. It's a it's a port that's like an Oregon based knife company. I didn't know that. I didn't realize there were so many Oregon based knife companies up around this area but then then there's also Spyderco that's another knife manufacturer that I was I was looking at I think there's a Japanese but I picked up a Spyderco knife recently. Those are a lot more expensive than they are kind of like a lot of the average run of the mill pocket knife so you'd probably pick up in a lot of store or you know like a lot of more basic supermarket style source. I don't know why you did a hunting knife at the supermarket but NASA was a hunting app it really just like useful folding knives that are good pocket knife tools. But I picked up the Spyderco knife and I definitely noticed the differences some of the quality of it. Just kind of the way that the construction is the sharpness of the blade the way that it works and this is I think Vg 10 steel on the blade and then it's got some sort of like what polycarbonate nylon handle Wow, whatever that is you know, but the handle works really well that I was also looking at G 10 which is another handle material that I see listed out there on the number of knives and that seems to be sort of one of the higher end knife handle options I see that on like the higher end. Columbia River knife and tool m 16 knives and I see that as an option for the nicer like benchmade knives I was looking at some benchmade knives like the griptilian I think that has a G 10 handle option. Also the benchmade bug out I was looking into that knife and that I think as a G 10 handle too but I think that kind of provides sort of a kind of a powdery grip. Almost to it. I think it's Another kind of composite material, but it's got a good grip on it so that you can still kind of maintain a handle, even into this sort of wet or slippery conditions. Another knife I had used my carta on the handle, which is I think, layered. I tried to do this before my on my own, and I've seen someone make it themselves before too, but I think it's, it's like layered, and then sanded down fiberglass, and linen, or fiberglass and denim, or like resin and denim or something like that. But I seen people kind of like layer, they're like soak, they kind of penetrate, just like you take like a bunch of like little sheets

15:48 of say, like linen in this case, but something kind of with like a fashion texture. But you take a bunch of sheets of this and then you penetrate that with fiberglass resin and then lay that down and then add another layer of it, lay that down on that another layer and lay that down. And then you clamp all that together and then let it cure that makes this kind of like real compressed brick of the stacked pieces of fabric that are kind of interlaced together with each other. And then they're now fused together and kind of frozen in place with this, this fiberglass resin is to like sort of this sort of solid block. And then we were able to do a saw right through that. And then you have this kind of solid and grippable sandable material that you can kind of scrape down and shape into whatever kind of size or shape piece you want. So I have some scales to a full tang pocket knife over here that has micarta handles. And I think it's kind of a cool handle type it works well for, for some of the stuff. But there's also like a lot of other options out there or it's that's something that I thought about it when I got it and sort of what I think about like the G 10 handle stuff too is that there's just like a lot of handle options out there. And that's kind of the tricky thing, too is like, like I look around it. I don't know how to get into it really but like I look around to like bushcrafting videos, you know, I might have talked about this before even or I've had the thoughts before to about I like bushcraft, or like kind of the idea of a lot of like outdoorsmen ship stuff and a lot of like outdoors. Travel and use the landscape and I think kind of have an understanding of that is really cool. But the bushcrafting stuff sort of has some little twists or like sort of limitations to it that I think sometimes make it a little a little goofy, but part of the idea is you have like a big knife almost close to a machete that you use for everything from buttoning down to inch thick trees to I guess like just building a trap to hunt small animals to to just straight hunting or combat or whatever it is, but supposed to be this kind of all purpose wilderness tool. Those are cool knives. And I do have a couple of those in that size range. I like the four inch size probably most, a lot of the time. But for a lot of cool stuff. It's like the five inch knife, like a five inch full tang knife is really cool if you're going to try and do some of that stuff. But really at that point, or kind of my thinking rat is like it's almost to all purpose of a tool that you're trying to apply a knife to, you know, like, you don't really need maybe to always do that sort of stuff with a knife. Now it's cool when you understand how to use a knife. And then you can really build out stuff while you're in the woods or while you're in the back country that you didn't have to bring in with you. So that is a cool kind of survival mechanism was not even survivalists, but just when you're in the woods, there's a way that you can build out a lot of stuff that you would maybe think that you would need to bring with you just kind of a lot of like structural stuff that you can kind of set up or make some makeshift elements with if you know how to do some simple things with a knife and I've heard of a of like these practice this practice systems called the try sticks. You've probably looked that up like a bushcraft try stick or something like that, but it's just bushcraft skills thing where you go through with a twig, you know, like kind of a two foot long stick that's about an inch and a half in diameter. And then you try out a bunch of these different cut maneuvers on it so you can have like a flat cut a scooped cut, sort of like a pointed carve or to make like a dividend something and make you know just like all these different little pieces that you kind of go through and do. And I guess there's like some little system of those that you can use those pieces on a stick as different tools to make, you know different different things. Who knows what the I've seen like snowshoes made. I've seen tables made I've seen like fire pit cooking kitchens made. I seen a few different pieces and stuff. So it's kind of interesting to see what people can kind of throw together really a lot of the time I think what it was used for As a plan is what you see expressed by the bush crafters, is you got a big knife, and then you whacked down a chunk of a tree, you make a stand to hold a pot over a fire, to purify your water. And then you make sort of an A frame to throw your tarp over so that you have your dry shelter. Now, I think both of those are really one of the least effective

20:31 means of providing that thing in the outdoors. So like, you know, I, I don't know how to really say it now. But it's like, it's good to know how to start a fire. And it's good to know how to stay out in the wilderness if you only have a tarp. Also, it's good to bring a tent and a sleeping bag. And it's good to bring a jet boil, and some fuel and a lighter. And those two things really like cut down on the amount of weird sort of dangers you'd have from exposure, or risk of bad water, or whatever it is. So a lot of the time, when I'm thinking about trying to do some outdoor stuff, it's had to like cut down on a lot of the extra work or the extra danger of some of those risks that you would have to sort of put yourself out into if you're trying to drink unpurified water through a sort of haphazardly made heavy can over a fire pit for an hour or two or whatever it is, or staying under a tarp when you have way better and less expensive survival gear or you know 10, hunting camping gear backpacking gear available to you. So I think that those are kind of the options to sort of steer into. So that kind of brings me to what what is a knife, and what do you do with a knife. And so for bushcrafting, you're supposed to build everything that you would go camping with, and I kind of think well maybe that's not really what I use a knife for, or what a lot of people use a knife for and I've seen it kind of kind of more clearly express it like your knife or like a you could have a couple different knives but it's cool to have a knife that's really just for cutting and kind of keeping it as sort of as a more sacred discipline to keep that knife sharp, so that they can really do an effective job cutting, cutting into flash, if you need to do some hunting stuff, or cutting ropes or cutting parts of whatever you're trying to put together out in the outdoors, whatever it is. So I think that's kind of like some of the interesting stuff about about doing some knife preparation stuff and there's a lot to get into a sharpening and different sharpening stones and some some thoughts that I have about some sharpeners and sharpening stuff that I want to get into too but I don't know that kind of my wrap it up there for for this part of the podcast. And I'll probably come back in with a part two things to do with your pocket knife that that are useful when you're doing some outdoor stuff and I guess I can bring it around the photo stuff to kind of like what I'm saying is when I'm traveling light and I'm outside in sort of more of my normal circumstances like a two and a half to three inch folding pocket knife really gets by in almost every circumstance that I've needed and I really don't need that big of a knife I really just need a small amount of that blade or you know I need a small blade to be really sharp. But I think with that you can be really effective like with a scalpel, you know, you can go through and do like a lot of significant and proper work with just a scalpel. And it doesn't necessarily mean that a bigger or more broad or more thick blade is going to be a superior tool to just really the active cutting and slicing or the active like trying to chop into something that you're you're trying to do with a pocket knife when you're carrying around out in the woods with you. You can check out more information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support you can also find more information there about Patreon and the way that I use it if you're interested or if you're more comfortable using Patreon that's patreon.com Ford slash Billy Newman photo.

24:27 Yesterday I took off on a drive and went up the Mackenzie River and I'm trying to go up to a few spots and then develop more photographs just from that location. Or you know try and try and work on some stuff there. And it was good though it was cool to get a couple of minutes to try and work on some longer photographs. Really nothing stellar from that location. But part of what I'm noticing is you really need more. More times in your life when you're up to bat or when you're there when you're at the place when you're at a day of work. All that kind of to say the same thing, but when you're apart dissipating when you're out and doing it, and I'm trying to develop that more where, where it's just, oh, I was out taking photos four times today instead of one time, you know, this week or something. So I think it's just the, the, your personal ability to cultivate those situations where you get to take photographs, that's almost really what it seems to be to work as a photographer is to cultivate the next time, you're going to be able to take photographs, and to try and cultivate that in a rapid succession so that you compound that and, and really make efficiency or an efficient use of your time. But I think about that a lot, it was cool going up yesterday, I was working with the Sony a seminar stuff as much as I could, and I was trying to work on some long exposure stuff sort of mapping or matching the, like the river and the rocks of the shore, or some of the stuff on the far end of the leg that was kind of cool to, to sort of work with a little bit but, but I try and I'm trying to work on a few of those a little slower tripod shots, let's say, but some photographs where you're kind of getting into a situation that's a landscape and you're trying to be just a little bit more patient and try out a couple different options and then you know, wait for the light to come in a little better. And that's a that's a few more of the techniques in the fine art photography side that that I really like. But I don't really get to express or get into as much especially in the product photo side or the event photo side that I end up working in most of the time. So it's cool though, I mean, I've been pretty happy trying to get out and do some photo stuff. And it was really nice getting out and trying to put some stuff together for myself but I don't know what's good kind of working some of those ideas out I'm trying to take more photos of myself too. I noticed that as I go back through my library I just completed trying to cut down a lot of the photos over the last like 10 or 15 years or so into a collection and maybe some of the best and some of the best versions of the file itself to it seems almost like a silly idea. But what ends up happening is you you end up losing over time the best RAW file that you have that image if you're not careful, right like if you edit the image or you resize the image for the you know, that's the version that ends up going on social media a lot of the times is an image that's smaller than three megabytes. And a lot of the time three megabytes is really going to be a downsize compressed a JPEG image that I put together and over time what I've noticed is that a few of these pieces that are maybe some of my favorite photographs the the version available that I can find right now that's this JPEG version. So I'm trying to go through and clean that stuff up and it seems like I've done a good bit of the start of that but the next part really is produce it's really get out and try and be in places to make photographs that are new for the year of 2018 I need to be producing the files and then getting that work product out I need to be able to you know, finish it, edit it and publish it in a way that's that's effective you know if I'm going to bother to say that I'm a media creator or I'm a photographer, any of that stuff so so it's been good kind of getting out there's the McKenzie river drive there's been a couple other deals like out to the Deschutes river I'll get into that on a podcast some stuff out on the coast that was cool some stuff up near the the tulip farm in Woodburn, all that stuff's starting to come together. And I have a few ideas for the rest of April to that might involve that. But on the other news, I think I'm dropping Hootsuite, I've been working with Hootsuite for a couple years. And I don't really feel like I'm getting the value out of it that I need. It's costly actually is a big part of it. It's like a monthly bill, it's probably more than Netflix is a month but but what I need to do is kind of transition over to what other other ideas that are out there for scheduling posts on some of these platforms. And I think that's what I'll be able to do in a pretty effective way is try and put a little bit more time into these platforms specifically to schedule out these posts for a business page or for whatever it is, but I think I can do that within Facebook uniquely. And I think I can do that from a few of these other platforms too. And I just don't use enough of the other features associated with Hootsuite to really interact with my social demographic that much. I use like the platform most of the time to do that. But Hootsuite

29:18 mechanism I used to try and publish to multiple places at once. And maybe now maybe a couple years later, there's some alternatives or some competitors that that offer some of the features that I was looking for when I first got into the Hootsuite pattern of stuff so it was cool to try for a while but really what I noticed overarching Lee is that it really they haven't regenerated a lot of their interface. And so a lot of the things that were glitchy and buggy problems. years ago when I started using it, they're still the same kind of glitchy buggy problems and really, it's you know, it's it's the location of the problem is always in the upload module, which is really the only thing I use for the service. I just got smart and I decided to quit that and jump ship and go to some other service there's a few there's a free option Hootsuite maybe I'll continue to use that that that services three social media accounts is what it shows there's probably some other limitation to it and I know there's another service called buffer that I had used in the past and I think I might check them out again and see if there's an opportunity to to use that interface to do some buffer stuff here on out but yeah, if anybody is super curious that's how I sneak in some of the photos stuff that I try and put up on social media across the board trying to make it a little easier on myself I have all these photos and I'm trying to organize them and then write captions for them in bulk and then put them up online if I can. But yeah, so it's gone Okay, you know, it's a it's always kind of a process trying to get some of the media stuff together. And really, like I was talking about outside of media and YouTube channels and other things like that what I'm really trying to focus on in 2018 is photographs, am I making photographs Am I getting to places to make photographs so my wrapped out in these other side responsibilities that really aren't going to compound and benefit me when it comes back to my main goal here so I don't want to dilute myself in places where you know, I just can't really be my best. There's like an amount of diminishing return this seems to happen. So I've kind of thought about that a little bit, but, but the need to make content and to make stuff and to produce I mean, that's, you know, that's what media creation is. So thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage, some good links to other other outbound sources, some links to books and links to some podcasts. Like this. blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks for listening to this episode and the back end like your next

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. The day's photo is of my friend Tyler, up in the Mackenzie River area, which is, which is up in the foothills of the Cascades. As you're going up toward the three sisters. And I liked this photo, this was taken back in 2014. I think this was this was taken out my D to h on a digital camera, but I was working with film a lot during that day. And the cool thing about this image is what you can kind of notice at the base of it as Tyler stands there in this marshy area of a field is that there's all of these small kind of yellow bulbs that seem to be popping up through the photograph. They're really yellow flowers. They're sort of a variety of a maybe a lily, but maybe it's a little bit more than that. It seems like it's a it's like kind of a prehistoric marshy pond plant, like a like I guess like a lily pad that's blooming. That was really cool. I've not really seen him before. I think we were there and march of what 2014? Yeah, I think march of 2014. And it seems like these were plants that really only had a short period of growth before it before they were gone. And I haven't seen him since you know in the year since then, probably because we are fortunate just to be there right at the right time. But thanks for checking out this photograph from Billy Newman photo.com. You can see more by checking me out on Instagram at Billy Newman.

1:45 You can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think if you look at that Bitly Newman under the author's section there and see some of the photo books on film on the desert, on surrealism, camping, and cool stuff over there. Oh, yeah, there's been so many discoveries since last time your gravitational waves have been verified, and had been projected before but now they've been verified, I guess I suppose. They say the math is strong. I'll let the scientific community that that all. But But yeah, they say that they found out what was it like a 26. And ours, I think it was 26 and 34. solar mass black hole orbiting each other, came closer and closer kind of spiraling in on their same like point. And then they finally merged together when the two giant black holes a solar mass, like we talked about before, is the size of our Sun. So one sun around Earth is one solar mass. So these black holes were each 30 solar masses, so 30 times more massive than the mass of the sun. And these two black holes smiled at each other. And it's at this rate, I think predicted and Einstein's theory of special relativity, where it kind of it kind of matches a pattern of how gravitational bodies will orbit around each other, and then collide with each other. And so when these two bodies collided with each other, there was an X, I think there was, if you think of equals mc squared as energy equals mass times the velocity of light squared, then what that would mean is that when mass is accelerated to a certain point, it turns into energy. That's what happened in this event, these 230 solar mass, black holes collided with each other, it released three solar masses, that's three times the whole mass of our Sun, from mass into energy out into space. And I think this is one of like the largest or the most energetic events that we've been able to record in cosmology. If any big event, yeah, well, yeah, or not. Not in priority, but in amount of energy that's exchanged at a single point that's verifiable. And so that's, I think, what the type of thing that this, this type of observe observatory was looking for, was something to collect these gravitational waves. So it's a really cool story. They've kind of figured that out. I think that was back in September that they made the observations and then now and was it early, or mid February, that's when they kind of announced it probably won't make a lot of changes for any daily use, but it will change a lot of the astronomical. Well, I'd say like, part of the study of astronomy going forward in the next 50 or 75 to 100 years. You know, it's because now we can make gravitational telescopes, we can make these tools that are able to observe gravity waves out in space. And this is just the first time that we've done it. This was an observation of one of the most strong signals are strong events that we'd be able to gravitationally pick up. And so now from here, over the next several generations of this, this technology, they're going to be able to refine it so much more that they're going to be able to pick up much more subtle gravitational waves. And once they're able to do this, or once they're able to, let's say, now that it's proven this type of technology out into space, and then make that expanse really vast, we're going to be able to refine details of these gravitational waves to a much smaller resolution. And that's going to give scientists and cosmologists and these new gravitational wave astronomers, more tools to look into the universe, and especially the look into the early stages of the universe forming, we're just gonna be really exciting. I think this event that they observed was one and a half billion light years away, they say, it's not triangulated. So they don't know exactly where in space, this event took place. But they say that it would be out somewhere past the Magellanic Cloud, if we were to kind of think about it in the sphere of the sky that's in the southern hemisphere.

6:03 Pretty cool stuff. Pretty cool. So say, okay, the coolest thing. So it's kind of up to us to sort of wrap your head around what it means what are they observing? What is it gravitational wave, but there's ripple from this event that happened one and a half billion years ago, sent a wave in Gravity through space time across the universe, and it adjusted the width of the Milky Way galaxy by the width of your thumb? Oh, yeah, that's so in the room, there's, in any kind of human perceptible distance, there's no there's no change. There's like an Adam's with a change. For us experiencing it here on Earth. That's why we didn't see any kind of crazy, you know, thing happen. There's no kind of observable event, you with something that's probably one of the strongest events observable. For us, you know, out in outer space, these collisions of black holes. But, but yeah, that that wave, I think, stretched, and then shrunk the Galaxy by the width of a thumb. So that's like, 100 light years across. I think it's 100,000 light years across the Milky Way galaxy. And that kind of wiggled by an inch. Yeah, see gravitational wave,

7:15 you saying that it, it got a space in it, that was the width of a thumb. And then it got closer together.

7:24 You know, it's really strange, it warped space time. So there was no, there's no physical space that changed. But that was complicated. Yeah, that the, that the, the fabric between the atoms had flexed outward, and perceivable. To us, as beings that don't have a capability of perceiving something like that the change in space time, we're not able to really do that we perceive because it says we're in it, we perceive time to be pretty constant. But if we were outside of that, we could see that the fabric of it the size of it stretched out an inch, and then came back together. So if we think of the expanding universe, it's the expansion of space time that's traveling outward. So the physical distance between, between proton proton in an atom is, is expanding outward, and the size of those atoms are expanding outward. And it's just it's like space, time is expanding. It's just sort of all expanding together. But in this situation, just this wave came through, like we think of a wave on a beach, it rolled through. And like when we were in the waves in the ocean a few weeks ago, we you'd kind of be in the wave, it would move through, but then it would go back to the status of the water before wave, right? So the wave similarly came through, it didn't displace anything, or move anything permanently. But it just just a wave time, and it's going through, yes, stretch it by some amount, and then had it come back together. But that's the amount of distortion that was sent across. From that gravitational wave. And gravitational waves. The reason that it's important to us is that it was the thing that was one of the last things to be identified, or how would that be one of the last items in Einstein's theory of special relativity that was yet to be on will yet to be proven? So this item of gravitational waves has really just been theoretical, up until this point, because it had not been, there'd been no technology developed to make that an observable phenomena, these gravitational waves. So it's really this huge feat of engineering that we're even at a place where we can do that now. Yeah.

9:42 It's really pretty incredible, is it? So now that they've officially, I guess, said that that's happened. They're going to be working on telescopes now or near telescopes that can detect that.

9:56 Yeah, there's so there's two locations right now. These were all part of a scientific grant to look for a theoretical piece of science that no one believed even existed. Even Einstein, I think kind of sort of tried to retract this idea during his life, that there is that there was even the possibility of observing these gravitational waves, they were able to make this, the system to do that there's, it's a gravitational wave Observatory, really interesting stuff, I won't get into exactly how they do it. But it's a Laser Interferometer, and it uses like a period of an amount of time to bounce a laser beam back and forth. And if a gravitational wave goes through there and stretches spacetime out, and the wave of light takes longer than the speed of light, to go all the way down to the end, and then back. And so they're measuring that amount of time, that period really, really accurately. And then when this happened, the wave came through it stretched spacetime over that distance. And then the wave didn't come back at the right time. That means that there was a measurable gravitational wave that passed through that space time, that stretched that tube of the observatory. And that's what they recorded, they did this in two locations, all part of the same. I don't know, observational? Well, there's two observatories, they both get recordings, and then they match that data together. So that they can do noise cancellation, to drop out any of the disturbances that be localized to the earth. So if there's an earthquake in one, you could kind of measure that against whatever the other one we pick up, and you can cancel that signal out. Okay. Yeah, that's cool stuff. So now that it's been proven, now, this really experimental thing that cost billions of dollars to get set up for the first time has now been proven, it's going to be this huge expansion into the scientific community, where they're going to be building a lot more of these tools to do to do gravitational wave observations. That's really cool. It's gonna be really exciting. Yeah, I'm really glad that that it came through, we're gonna see a huge expanse in the field of cosmology in our lifetime. And now that this is something that's out there that people well that, that astronomers will be able to do research on, it's going to be interesting to find out, I guess, what kind of what kind of new discoveries kind of come from this? Yeah, time the best, but it'd be really

12:15 cool. Yeah, that'll be really neat to see what new things we're figuring out.

12:20 Yeah. Be a lot of fun.

12:22 And so what are the names of the observatories that proved this?

12:27 Yeah. So like, we I think I mentioned that there are two observatories that were picking this up, and they were doing noise cancellation against each other, to try and refine the signal, which is part of how the technology works that they're using. And so the, the installation is called Lygo. It's the Laser Interferometer gravitational wave Observatory, it's an acronym. And there's two installation sites right now. They're both in America, I think they're going to expand soon out from that, because there's going to be an advantage if there were at least if there are more than two, because right now with two, they're not able to triangulate the position of a signal that they get. And so once they're able to triangulate things, that question that we had a few minutes ago, when we were talking about where this event, this, this black hole collision took place in the universe, we'd be able to better pinpoint that answer if we have three of them, because we'll be able to triangulate that signal. So with the two of them, we're only able to tell right now that they're out in the Magellanic Cloud. So the two observatories that exist, one of them is in Washington State, and one of them is in Arkansas. Right now, it's cool, I think the best place for them to be would be off the earth entirely. So same as like the Hubble telescope. When we started doing optical observations of space above us, we use the telescope here on Earth. But really, ultimately, the best highest resolution way that we can make observations of the universe was by putting that telescope outside the gravity world view of the earth, and putting it out into space, where there wouldn't be any disturbance from light pollution or atmosphere or vibration. And they could put this telescope up, make it perfectly still and have to take these really long exposures, or long periods of light collecting to get these images or to get this resolution of data so that they can look out so deeply into space, really cool how they're able to do that with optical telescopes. I think, in our lifetime over the next 3040 years. If this seems like a promising field of science, we're going to see that expand out into into Laser Interferometer gravitational wave observatories that are put out into space as as like long satellites, or satellites that communicate to each other and send a pulse back and forth, or send a laser back and forth to each other, and then try and pick up that same period of time as the technology and algorithms for this. Get a lot better be really cool. Oh, it'd be really cool. Yeah. Yeah, it would be really nice. I think right now, since they have proven that there are gravitational waves, there is now funding made available for third Lego installment to, I think be put into somewhere in the US probably take another 10 years for that installation to go online. I bet we might see others like this come up from from other educational institutions around the world. Like we might see something from CERN or we might see something from, you know, just from some other installation that would want to build something like this now that it's a provable scientifically researchable field of cosmology be really cool. It's going to be one of the most exciting things that happens for for this next century of scientific discovery. I think this is probably one of the groundbreaking things that will be part of learning about gravity learning about that part of early universal history. be interesting.

15:51 Yeah, it'd be really interesting yeah.

15:59 You can check out more information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman

16:31 photo and I'm happy with the a seminar so far in fact I've been looking at trying to pick up a battery grip for it you know I did a wedding this weekend which is great shooting a wedding and those are those are really fun events to go through and a seven I did a pretty good job in almost every capacity I love the low light of it. The way the sensor works is really great super high quality all of those things they fit the mark for what for what I need, but it was interesting I was noticing that in low life the autofocus for that camera it really doesn't function in a way that I need it to or I'm missing some stuff that I really want and that's where I see the real benefit and in some of the older systems I mean even like can't like contrast base autofocus systems that were in the Nikon or Canon systems for the last like 15 or 20 years are really superior to what I'm seeing in some of the expression of what the early Sony autofocus stuff can do you know it's like in focus right you're looking at a frame it's in focus your autofocus point is on the thing, it's a contrast point there's plenty of light on it, you go to autofocus and then your lens just spins out and it does nothing for like four seconds just spins out to infinity and you see just blurriness you lose the knob and completely it comes kind of back in maybe it finally grabs focus and then you take the picture but you kind of miss everything you just I don't know like there's a lot of times where you're waiting for the camera to focus but it really should just be like pull up to your eye it sees focus you hit it grab it click it go I'm having a harder time with that than what I thought I might and I think some of that could be because of the lack of the phase detection autofocus system that like the the newer a seven r two has or the a seven to a seven s to a nine or a nine right yeah that's a that's a Sony one and like a lot of the new Canon cameras they had this phase detection system is supposed to be some better multiplexing system of finding autofocus but there used to be systems that worked pretty good like my d3 at 53 autofocus points and it can pull up I think I don't know something like that but you know, plenty autofocus points and they can grab your autofocus point even in pretty low light they could kind of get oh that's at infinity or that's pretty close to right next to me so I'll stay there. So it's interesting kind of learning how that behaves. But overall the photos from the wedding came out really well a lot of the stuff worked out very nicely I've been really happy with it but another thing that I noticed is with running was running a camera as a device like more like an iPad or like what more like your phone you know where it's got it's got some screen on a lot of the time it's got processing stuff going on, it's moving gigabytes and gigabytes of data to a card. It's just drawing from the battery almost constantly I mean like during a wedding, I guess to kind of think of power consumption like this I wrote 48 gigabytes of data to SD cards and so that's going to take some amount of battery energy, you know stored energy to write all that data to a card and so in that capacity I kind of do get that it would take a good bit of power to write that much information down to capture it and then write that much information if you think about everything that has to do so in that way and then run a screen and you know run the processing and run it visually and all that so I kind of forgive it and it capacity but what I noticed though, is that I really did go through a couple Batteries shooting and just sort of a regular fashion at this wedding for for most of the day is like a full day shooting but it really was burning through those batteries pretty quickly like you look at you like oh whoa I just I just use like 10% in a pretty short amount of time and so with that I was kind of thinking and as it's been the plan for a long time for just I don't know kind of like a best use case for professionalism what I really want to do is get the battery grip that goes in accompaniment with the a seminar and the battery grip I think it's a it's a you know it's like a Sony piece that fits I haven't really seen a battery grip before but you know the one where you can throw the to the two camera batteries into the battery grip you can get an extended amount of life from your camera that way and you get like the the portraits or what is it like the vertical shutter release you know so you can flip your camera up and shoot in portrait mode and try yeah I like the size of it the look of it it'll be an awesome kind of compact professional What is it not so like I keep wanting to say professional SLR but an interland interchangeable lens camera an interchangeable lens camera that's rolling right off my tongue isn't it

21:15 so yeah, it's gonna be interesting I want to go for the for the battery grip though and I think that could kind of solve some of the problems that I'm having with battery usage issues of the camera kind of coming up dad after after two or three hours or whatever it is. So I don't know I've heard for plenty of other people in relationship to wedding photography kind of complain or grass a little bit about some of the features that are associated or some of the things that make the workflow of wedding work of a wedding shoot go by a little bit more difficulty with with a featured camera like the a seminar I've heard of people that are really into it too. So you know, it seems like it seems like a couple different things. But low light autofocus definitely an issue on that camera, I can definitely tell that there's some stuff that doesn't do now so with that and with the concept of like what I really like to shoot or you know, like kind of still moving things or the landscapes low light firearm stuff if I try and get into that more I wouldn't really run into that same kind of problem with as much repetition because you know, you're not shooting a high volume of frames, you're not shooting an event based situation so it's kind of a different sort of scenario and you don't really seem to you're you're wanting to manual focus and take time and take multiple frames of the same thing. And in some of those some of those more set up Fine Art situations or landscape situations like you're trying to take your time in those squares in with event and wedding photography, that kind of process it's just it's really fast you're trying to move different moving elements into different places and get photographs of them you're just doing a lot all at one time over a short amount of length of the the amount of time with the you know the event so that it is alright, I did a great had a great time at the wedding. How about you are you know savage people out of food, got a bunch of great photos, brought them home started processing them. That's a really interesting part of me. I've gone through like a big batch of photos and I've gotten kind of used to that over the time of getting through a big batch of photos but it is always sort of overwhelming when you're like wow that's a lot. That's like a whole big data project I got to go through now like I don't realize like how much it was it really takes to get through a bunch of stuff when you finish it. Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage, some good links to other other outbound sources. some links to books and links to some podcasts. Like this blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks a lot for listening to this episode and the back end

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. I wanted to talk to you for a couple seconds today about the new igtv and the new HGTV app that's Instagram television, I suppose I suppose you break it out to all of that. But it's kind of it's a trip. It's, it's weird. I'm not used to it yet. It's vertical video first. I know Snapchat did that. I know stories does that. But this is sort of calling it out a little bit to edit video to produce a video in this vertical format, sort of naming itself as a competitor to YouTube at the moment. But I'm sort of interested to see how that plays out. I think it's maybe a little bit more of a competitor to a snapchat system, it seems like that or it seems like or maybe even Patreon, it seems like it's trying to pull creators and, and sort of insert some monetization system that you can throw in there. But I'm interested to see how it all turned out. I've been trying to mess around with it. I'm always excited for new systems of you know, kind of publishing content and media. And so I was trying to use my Instagram account at Billy Newman, if you're interested to put up a handful of vertical videos that I'm editing, editing together. So what I've been doing is I've been throwing it together and Final Cut, and I made a special project or let's see, I went to Final Cut new project. And then I set the pixel layout to custom. So instead of 1920 by 1080, you know, a horizontal layout of an HD video, I went in and I set it to custom and I made it 1080 to 1920, which throws that to an HD vertical video. And so once I did that the frame of the video is vertical. Now what I did is I had all these horizontal videos that I had in my browser, I dropped those onto the the project timeline, and it shows them what would that be there's pillar box and sandbox are crap title box, I don't know what it is it's like title box or so it was you know, just big things over the top. But again, it's vertical with like a little band in the middle of it. So what I have to do is you have to, you have to, you have to conform that video, you have to transform it, stretch it out, so that it fills the screen in a way. So there's you use a transform tool, you stretch the video out by holding the Command key so that it scales the video out nicely. And then it shows it vertically, then you have to clip it and orient it so that so that kind of like pan and scan back in the 50s. You know, when they're trying to transition widescreen movies to TV, you had a pan and scan. And so that means you have to reorient that the position of focus on the subject, right. So that makes sense. So once I switch it to vertical video, it pans out the subject of the video that I was pointed out in a way, let's say there was something really cool in the left hand corner of the video and something really cool on the right hand corner of the video. And that was the frame that you had well now, in this vertical video just showing you nothing that's in the center of it, it's not showing you the cool thing on the right or the left. So you have to choose, you have to get to clip it, you know, cut it with the blade, and then you have to transform what's shown to one of those cool points of interest that you were shown in the video. And then you have to kind of manipulate a clip clip around it a little bit. It's still sort of a clergy thing. But it was fun to get through. I made a couple of clips of videos and stuff. I made a clip of a podcast and threw it up there. There's like a 10 minute limit right now. And then I think there's about maybe a 60 minute limit. Once you're over, say like 10,000 followers and you have a business account. I don't know. That's the thing. Not is anybody really using Instagram to watch 60 minutes of video? Maybe not me. But here's the thing I've learned is I underestimate how much people are on Instagram, it turns out, so maybe that's why Instagram has enough data to try and put together a whole app as a vision to compete with YouTube and Snapchat. Something kind of interesting, but definitely check out some Instagram TV, bits and pieces. I guess there's cons out there probably something cool to see.

4:10 You can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think you can look at Billy Newman under the authors section there and see some of the photo books on film on the desert, on surrealism on camping, and cool stuff over there. But this week, I want to talk about some of the past truck travel stuff that we've done, and I think you're the guy who's inspired me to get a truck at first man I got a truck gotta have a truck. Strangely, though, most most of my road trip travel has been a Camry, the old Camry man.

4:52 But that camera was legendary.

4:54 It was legit. It was absolutely legendary. But for today's episode, we're thinking about doing what's kind of great Come down a couple of stories in the past we had about doing some overland stuff some overland, like travel. If you can call it overland I don't know that's like a heavy word. I think that's a modern word, right? Like this term. I've seen that around like overland where people have seen a lot of that. Yeah, it seems to be kind of the trendy sort of rich guy word to say for Whelan. Go Madden. Landrover Madden, or for four wheel or something. You take that overlanding overland

5:29 excursion?

5:30 Oh yeah, it's always that but i think that's kind of a funny part of it. But I see like a ton of that stuff I got into that, like, I got into that stuff back in 2011. Like the overland travel Have you ever seen like the magazine overland journal?

5:42 Is that inactive?

5:45 I think so. Yeah, I don't know. It's like sort of a niche. It's a niche category. Like this whole thing so it's where it's like that thing you'd never find it unless you looked for it. But it's kind of it's interesting. There's tons of stuff out there like that but that's one of the first ones that I ran into. And that's that's when I had like the Camry and I was back in college and stuff and you know, that's when I first really wanted to get because I couldn't get a Landrover from the 70s I really wanted to get like a roof rack and a top box i was i was like set on that because if I could get that that was like that was like my that was my version of making like a Camry into an overland vehicle you know because I was like yeah I'm gonna get into this but I'm 20 and I've got 138 bucks so

6:28 with that Yeah, but that

6:31 was a part of it so yeah, I remember setting up like like setting up the car that the roof the roof top or the top box you know man those are those are like super handy like and that was great on the on the camera when I had it but that was all kind of

6:43 what was yours you had like that that top box?

6:46 Yeah, it was a I forget what it is now I think there was like the excursion that I had at a time and then there was like the summit model that

6:55 we didn't have the overland model didn't I missed

6:57 out on both of these were like oh man they were like you know I don't know the early 90s maybe late night early mid 90s or something that's like when the plastic was produced that's when that thing was called New and now it was just sitting on my my equally old aged car gonna go around and grab those things hold their value like crazy I picked mine up both of mine I think now three of them in total I picked three of those top boxes up oh on Craigslist was for different cars and stuff I got a little fat one for the for the Camry I've had one for the truck and we got one from Marina CRV or what do you say the truck I mean the old foreigner let's get into that later too but that long one on the old foreigners I bought like a few of them and I always bought them on us like on Craigslist or something right like yeah and it's like new they're like five or 600 bucks to get into this yeah man yeah it's yeah super frustrating so even when they're used they're they're still floating in like for good ones or for like stuff from the 2000s that's sort of the more modern clamping systems or you know when they actually made it they made it better you know where you can put it on take it on and off your car without putting together like a bunch of plates brackets made out to spend the whole afternoon doing yeah it's great because he would always like you know mess up you get stuck in some situation like that when you like I think one time we had to move we'd like it was you and I Robert and Scott and we had to like move that that that top box we're talking about to the oh yeah to the raft right and we were going on that snowboard trip so we had to like pack we had to put it on and like put like a bunch of snowboards on or something. And it was just like it was just like snow and slash and it's kind of raining you got like you don't even have a headlamp you've just got like a light kind of crimped on your shoulder and neck. As you're kind of trying to twist this wing that back and forth to make sure that this thing's tight in the right spot. It was such a pain man, it was so awful. So after that they made like more simple clamp systems that work better. But man those are like still like 300 250 like the low end range. Like the sticker like us. Yeah, the stuff broken. I just sold one for like, 85 that was that like a big chunk missing out of it? Oh, geez. Yeah, it's not Yeah, it's like it's a goal. At least I don't know, it seems like in Eugene May. In Southern Oregon, it was a lot harder. I think I had one and never sold. But it seemed like in Eugene and in Corvallis and Portland, or like, you know, where that that string of

9:23 Subarus and

9:24 topsoccer? Yeah, right?

9:27 exists

9:28 all those, all those overlanders out there. But that was my foray into into understanding what overlanding was because I was interested in like that overland journal. So I'd like watch or watch the stuff that was coming out in that and it was just really all stuff, all equipment that was unattainable. But you look at like the sweet trucks. And there's so many cool, like land or the land that the Toyota Land Cruisers, but they now have this set that they never built in America. Have you seen those? Oh, yeah, they're awesome. They're so cool. Yeah, like all the other ones. Australia got and like South Africa. Those are like the coolest cars ever like

10:05 you see all over out there. Yeah, they're so great. I would love to have Yeah, just this sweet diesel

10:10 left hand drive. Right hand drive. Like Yeah, Land Cruiser track. Like there's the the Toyota trooper, if anybody's listening and they Google that it's like this, this crazy truck that they made for the military that Toyota made for the military. That's like a troop carrier. But it's a Land Cruiser, but it's just got like a long back end. And it's kind of squared off so you can you can fit two benches in there to load 12 guys, or whatever, whatever. psyllium is in the back, but it just looks like Oh, man, that'd be the coolest like camper. Yeah, you take that thing. It's like, so like the F j 40. See, like the old ones that look like the the Willys Jeep, have you seen that? Oh, yeah. That and that was kind of like the, one of the Jeep models that they look Yeah, Toyota's Japanese right. Yeah, of course they are. But I don't know where else they they sold like their equipment to for like military use. But it seemed like the F j and the Land Cruiser line is used like with them as a military vehicle all over the world. Have you seen that? Like, it's the I'm not really familiar with that? No, we're not like a military vehicle. But like, like, we have a jeep. And then we have a tank but we have the jeep. Like they have they have the Toyota they have a Land Cruiser. Or like a Ilex, right, like your old truck. Your old pickup truck. Yeah, okay,

11:29 I know what you're talking about. Yeah, that old pickup truck. Yes. Our 1980 it was the best talking about my old one. Yeah. Oh, yeah. And so but it won't get rid of it. I still have

11:40 the coolest truck, but I remember learning about like, Oh, it was just weird when I found out like about American nations. Were in america that's called a pickup. Like that's, that's a pickup truck. But out of the country. The truck is called a Hi Alex. I'd seen that. Yeah, the international version. The International name for the pickup was the Toyota Hilux. And it's like, it's got that like emblem in it. Yeah. So they'd sell these Toyota pickup trucks like Saudi Arabia or like ISIS, man, like okay, so yeah, like all the ice like the footage from ISIS. That's like, why are they all in these like us Toyota's bassinet across this section of Syria? It's because the military had bought Toyota's as helixes like new ones they're like it's just like I'm sweet Tacoma or something you know it's just like rigged up to ride around out in the desert it's probably a great shock for it but that's

12:33 why we should be ISIS is to get all

12:36 we need all those sweet Toyota's back now it was a big land that was like a gag in the news for a while because like all the footage from from whatever was going on which show these people but they were like next to these like old like old pickups like yours with with a with like a gun mounted mounted in the back like

12:57 that yeah

13:00 but yeah you think about all that all that crazy stuff that I think that was like the highlight stuff that Toyota was like for runners out of the country they're called serfs. Really yeah way cooler name to kind of call a foreigner a serf I'm not gonna

13:15 run it it's kind of redundant like I mean no matter what you have it's got

13:18 Yeah, it's like well, I mean we expected it would it would have four wheels or big truck I guess it should have four wheel drive or whatever whatever it's insinuating but but yeah, out of the country was called the surf I've seen a few of them pass by like you'd see him out there you'd be driving around and people are real proud of it especially in the overland scene or that like that backward CMM people get real proud of their their rigs that they have set up but but we saw one that was like this diesel surf that this guy had imported I don't know what the rules are on that either.

13:49 Yeah,

13:50 it's I think if the if the guy's a US citizen, I think it couldn't happen but I think if you're in Canada, you can you can have you can have one registered and then drive it into the united states i think is where we see a lot of those vehicles.

14:04 Well we need to make some buddies in Canada

14:07 if we need that man I need I need a diesel 90s foreigner I don't know like

14:13 commuting

14:16 Have you seen like the Mitsubishi Delica that's another that's another sought after it yeah

14:22 it's low in my mind here

14:24 yeah that MIT's it's a it's another kind of wasn't that wasn't built in the United States right but it's for well it's become really popular and like that van life van life culture where people you know, like I pretty much like what we were doing the Camry six years ago, but but finding it relatively decently and they get like a van. And like it's become really popular to get this Mitsubishi Delica. They made it through the 80s. It was sort of a competitor to the to the Volkswagen line of vans that were out at that time that were kind of camping focused, but it was cool. The Delica was cool because it was a diesel van but it was four wheel Drive is I get this it was time when like Mitsubishi was just making a bunch of four wheel drive stuff probably like the Colt VISTA that was yeah

15:07 that's exactly what was just you don't know what to call this is you're listening to this podcast go go look it up and that was that was your first car Billy

15:17 oh man it was the best car it was the best it was the best car it was the worst guy but it was really though it was the worst car

15:25 there I bet if you had that now and just put a little bit of money into it somebody yeah somebody would pick that up yeah in the Portland area

15:33 I put some studded tires on that a roof rat oh yeah an LED bar.

15:38 You want to talk about led bar CV

15:45 yeah man you remember that hatchback if you could fit 10 people in that car I think eight people I think I

15:51 did I don't think that's what they approved it for.

15:55 No I just where it was I think it was seven people

15:58 it was what it was like rated for

16:01 seven Yeah, it was it was three roses seats Robert in a compact soccer

16:06 balls are driving around in 1983

16:09 yeah it was It's nuts yeah there was the front two seats the back two seats that were like bucket seats to and then behind that there was another bench seat for three so you had 1234567 man Yeah, yeah, it was crazy. What a silly

16:27 hey it wasn't aesthetically great but it was uh you know economy friendly that's that's for sure.

16:38 The worst guy so not not an overland vehicle there I guess you could say and even still like man it was had like 14 inch tires so yeah no clearance to get over anything What have you

16:50 you made it You made it happen with the camera though? I yeah,

16:53 I did man and I was gonna mention that too because that I had a couple experiences in the Camry you've always had a truck I guess outside of like the short time you had you had a sedan for to commute and stuff but you had like had I rigged that could get some places which I always appreciated and I really noticed running into a few limitations when I was in the Camry. I wanted to talk about those It was great with the Camry because he really benefit from the gas mileage which man I would say yeah because I mean the most of a road trip in some ways like is highway miles you know you're out you got to drive from here oh yeah Wyoming so yeah put a lot of distance in between you and where you're going yeah it man it worked great having kind of a light easy car to like just bomb out to somewhere that works really well. So I appreciated some of those parts but man we ran into a few spots where we just couldn't get through and the one of the most upsetting ones to me was the sailing stones have you heard of those before?

17:49 Is that in Utah

17:50 it's in it's in the southwest it's it's Near Death Valley in California and the sailing stones is a really cool spot it was in Death Valley it's like it's in the park area but the park area is just so immense but it's it's all desolate almost nothing out there you know but you take this road it cuts back for a really long way and man we were on that gravel road for ever going back there you have to go it's it's the kind of deep wilderness you would almost call it but it's like deep in desolate country out there it's sort of well traveled because there's there's people kind of moving in and out of the park system. But we were traveling there in December I think you know when we were moving moving that direction, like early December of 2012, I think is when we were there and when we were we were driving up just just on the gravel road as it was it said it was a it was a gravel road the whole way there. And this part of it, it just kind of went up a little bit of a grade you know just the hill the slope of the road just kind of went up maybe 1215 feet or so and then kind of rounded off leveled off and then kept going it seemed like almost nothing at all. But my car was knee high centering on it basically like you could feel like you could feel like the body like start scraping because the roll off of it was like it was just it was deeper than than my car like the angle the car and the clearance I could handle I like I couldn't get there and I'd wanted to go there all my life. Oh so frustrated. We were like two miles or so I was like two three miles or something like well, we didn't know that because you're like in backwoods stuff and it's like, like I'm not gonna park there and hike it or something.

19:24 Yeah, and then somebody else rolls up in a vehicle that can handle it. This Camry parked in the middle of the road

19:30 there was a there was like a group of kids or like teenagers on little dirt bikes like little to hundreds and they were just like bouncing they just zoomed right past us. They sound like a little, a little bike. And they cruise. Right. It was nothing but yeah, it's it was not it was you would it would be totally everything could get over that except for my cars, except the camera. So yeah, no overland that day is what it is what it was, but that's story really is what ended up inspiring me to sell that Camry that winter. And then like come back in and get a foreigner like when I got that that 89 foreigner that I

20:11 thought was good that was a good truck I liked that route is a good track.

20:15 I bet it was a better truck earlier but man it was a great truck for me and I really had a great time doing stuff with it was super fun. Like Yeah, do more candy seven that was really cool. But that that was the first time that I had like that truck clearance you know?

20:27 Yeah, it means just like a whole new world of opportunities opened up to you when you when you have that clearance. It's like okay, and you got four wheel drive so you can get a little more daring with where you're going. And even with that though, I found that now with my current truck, I don't have the winch on it yet. And and even that kind of dictates to what I will and will not do up in the hills. Especially if there's not another rig with me. Sure. Yeah. I really enjoyed having that. That kind of that lifeline. And that security, I guess and having that winch that I can get out of trouble if I really got myself into it.

21:10 I think it's pretty interesting. Yeah, I've never had I haven't had a rig with a winch on it. But I really liked that you always did. That was cool. I don't think we've ever used it together when we were

21:19 out. I've used it on Tyler. Oh yeah.

21:22 Yeah. Pull him out of that sandbank. Is that what it was?

21:24 Yeah. I use it on a couple times. Yeah, yeah. Yeah. You just get into a rough spot you got a tree or something you can tether off of and get yourself out of it. But

21:38 I think that's pretty cool. I remember you telling me a little bit about that in the past and it seems like it'd be pretty necessary if you wanted to do something more serious or more long term if you're doing like an overland trip or if you're doing some some trucks yes four by four stuff

21:53 well that's not a big like you know off road or it's you know, but it's well I mean off road in the sense of like let's go mud and rock climbing right yeah not I'm not that but I do like trying to get into places where typically the you know, the road kind of ends or you know, somebody hasn't been back then 30 years and there's still roadway going I think it's really explore

22:17 Yeah, I really like that part of it I really like getting to those different areas and you really get to get through so much more land you know, that way it's I found it to be really cool.

22:26 You do especially Oregon in the wintertime you know this area gets so much rain and stuff. It's hard to like you know when you after the winter you get to the end of the road you know, back back this is I don't want to beg begging I want to stay in the rig as long as I can. Yeah,

22:45 yeah, it's it's definitely that's a huge part of it for me too. And I care about Well yeah, you should tell me about Tell me about your pickup truck your first one that you got in high school did you that was like an ad with a straight axle right?

23:00 It was a 1980 straight axle Toyota four by four long and that was a great truck it still has a great track it's currently sitting under a canopy right now it hasn't run in three or four years but no, I love that truck man I drove that from the time I was 15 years until oh four years ago

23:20 yeah I mean that was that was a blast i was i was the coolest drug

23:23 Yeah no, I have always loved that truck and that truck would go anywhere I mean the really the only reason I got out of it was just I needed something more reliable yeah fact it's last trip was the trip that amber and I took down to Joshua Tree and I put like you know like 4000 miles on it

23:42 No way I remember that trip that was yeah that was pretty cool man.

23:47 Yeah and so that was a great trip to take it out on the harsh reality was you know at the time gas in California was around $5 a gallon is yeah insane I was getting about 12 miles a gallon and you know that was rough you know it didn't have AC you know that's just little stuff like people didn't get along with that forever but

24:10 now it makes me different so I've learned a little bit too I mean like like what we both learned a little bit in this last year like having a newer truck. It just solves a lot of those stresses about transportation man

24:21 well it does and that's the thing is when you're committing to a trip like that you need to know that it's gonna be reliable it's been a huge part you need to know it's gonna start back up when you're ready to go yeah 2000 miles away from home

24:35 I kill the battery I

24:36 gotta Oh my truck or so. Yeah. And the battery is not the proper Oh, no. Yeah, like, it's just like, Oh, you know, yeah, my transmission went out or like, you know, blew a head gasket or something. You know, I mean, that truck when I took it, it had over 400,000 miles on it. And, and so you're just going Wow, this is awesome. But really I just need to make sure I get it home yeah you know that that's what it came down to.

25:05 Yeah I feel like sometimes it's like driving a classic car around doesn't run as well it's maybe basil

25:12 yeah yeah yeah and then I got out from that I bought myself a little 93 I guess it was that's our five Toyota v six pickup with little extended cab I liked having the extra room that was a great little pickup to have that nice canopy with the roof racks on it I really enjoyed that.

25:37 Yeah, I like that to see

25:39 it go Yeah, it

25:41 was too bad it's too soon you know but too soon but I understand to think that Daddy's gonna move on or you know it's good he use it you

25:51 can see it around town every now and then Nice. Yeah, but but yeah and so since I've gotten into a full size track which I I just wonder why I didn't do so much earlier. Oh yeah. You know it's just just having the room the reliability you know just all the difference in the world

26:13 Yeah, I think so too. I was in your track like we were on when we were on that last Japanese podcast out of it yeah super clean like a dig been in there it's cool

26:22 Yeah, it's uh it's far more comfortable than it used to be you know cramming into the little single cab and yeah manual transmission and trying to

26:32 remember that first trip we did in your in your old trailer your your yeah cap. When we were what 16 are you going to camp up at Union Creek?

26:41 Yeah.

26:42 What is like what is that? I've been I guess it's Central Oregon. I don't know what do you call that? I don't know what you would call that Crater Lake Area Yeah, it's not really central National Forest

26:55 almost right yeah, it's

26:57 row River National Forest because it's the rug that runs through that is yeah yeah, I think yeah, it's that that area up there man that was such a cool trip and add a great type of minute like you're saying that we just there was like the three of us right? Yeah, just packed in tight. Yeah. And I was the one that had a ride bitch in the center. Throwing the third gear then it was it four years. Three years.

27:22 Yeah, it was four I ended up putting the five speed transmission. I remember that at the end. Yeah, yeah. But yeah, it was just that for speed you know, you get it out. It was great in town stuff. Then he gets onto the freeway and you're just tapped out at like 65 and just, you know, semis are trying to pass you

27:43 to go that fast I guess. Yeah, exactly. Yeah. Yeah, that was a sweet track though. Man. I really had a good time in that but I remember that back in high school it was fun like making that road trip up to go camping thrown everything in the back. And everybody's just crammed crammed into the bench seat. Just now used to work I guess. But yes, a little little more luxurious. Now with the with the space I suppose.

28:10 You can check out more information at Billy Newman photo comm you can go to Billy Newman photo comm forward slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo. I've been I've been really interested in the Alexa. Well, I guess just the Alexa platform and then some of the stuff that I might be able to do trying to produce flash briefings for the the echo system. I think there's a there's a an echo behind me that just woke up when I said that. But using echo to develop a flash briefing, I think is kind of an interesting way to produce some audio content, I think that's something that I might be able to do in an easy way. Or you know, I have a lot of the equipment and in a higher order working way that maybe a lot of people do. So there's an opportunity for me to just make a whole rundown of different themes of content that I need to produce for the channel. And then there's probably be a significant amount of attraction that I could get with with trying to put something out there early on. You know, I wonder if you guys think about this, right? Then think about, you know, a little silly ways to make money and I never actually do any of them. So I'm on the right path, I suppose. But I was thinking about while I was looking at the Amazon Alexa developer portal. I was going through there today and there's a lot that you can get into and especially if you're like a skilled developer, you have you have Background and some of the programming languages, languages that, that you can use in the command line that Amazon has available for you, there's, there's really a lot that you can do especially a lot that you can do outside of even the echo platform. So I'm sure that there's, you know, there's just like an endless amount of virtualizations that you can do, once you get involved with that. But for the Alexa platform, it's kinda interesting what I was trying to do. And you know, since I don't really have like a ton of coding Well, I don't, because I don't have a ton of coding skill, I'm most interested in trying to put together some of the flash briefing systems, which really seems like you just you kind of go through the system one time, which was almost really just filling out a form if you haven't done it before, but beyond that many people have. But if you haven't developed a flash briefing, it was really just like filling out a form, it wasn't really significant, or there was no code, there was no open a command line or build a file or have any kind of assets available for something in advance of, you know, what you would need to develop, there really isn't any of that it's just on, you know, on the website, or wherever I'm developing my feed there's has to be like a handful of stipulations met but but that's not really much more than what you'd have for any other kind of, you know, system where you're hosting and processing and serving as an audio feed. And for my circumstances, and not collecting any information or any payment processing. So I think it's a lot simpler, just kind of having the audio feed from RSS go into something that's, you know, pre selected to serve that from the alexus system. And that's kind of an interesting method of using it, I don't use the flash briefing system really, as much as I thought I would, I guess kind of day to day, it's because maybe it's like the type of content that I seem to be able to run into, it's just sort of a lot of street stuff from Wall Street Journal. And it doesn't really seem to be very relevant, or really, truly what like the headline news would be, if I really needed to hear something in audio this hour, would it be that I don't really know. So it doesn't quite seem like it. But that's probably some kind of level of content issue I'm going to run into also, and maybe this is just my personal situation of it, maybe not being like a time kind of thing that that I'm able to do. But But what I'm interested in trying to do, I guess is take advantage of all the people that might be trying to use their echo system a little bit more. And yeah, kind of participate in that and try and be one of the voices that is served on the echo system, I was impressed A while back when we were doing some testing with the Alexa platform. And when we were we're checking out with like the, we're putting together an astronomy based, like skywatching Alexa flash briefing, and it was kind of interesting, trying to put that together. I liked it a lot. See that goes, Alexa stop. So when I was trying to put together this flash briefings, it was interesting to see the real spike in traffic that was there. And so you know, I don't really have a draw of traffic as it is at all. I'm not sure if it was all just spam or some kind of weird artificial server track traffic I was getting once I submitted it to Amazon, but there was hundreds of,

33:12 I don't know markers of activity on that on that file. And that feed, it was far more like multiples of anything that I had seen from from the iTunes podcast system in in my time setting up podcasts and the time passed. So it was interesting to see just that kind of like rush in of things or ask people or I guess, I guess echo systems that have queued or triggered the feed that I had. So it was kind of interesting, seeing some of the analytics behind that. But that's a part of what makes me want to get into this type of content a lot more. The other part is that I'm trying to get more into podcasting, I have some other some other kind of podcasting, things that I have to be working on in the next couple of weeks and months. And so I'm really trying to get into kind of the audio side of stuff and do a little bit more of the audio editing. And, you know, I've been thinking about it a little bit too, in terms of, I guess, I don't know what you produce in a podcast. I think this is fine, fine. And this probably fulfills a lot of the stuff that I would listen to a podcast for. And you know, so yeah, thanks, guys. Thanks for listening to this. I understand. I get it. But to talk to that point, I guess a little bit of what I mean is that you need a podcast to be useful you want some of the information that you're here for a bit of time to be to be useful or to be you know, entertaining or somewhat informative or some kind of level of a hang. I don't know that's what I listen to podcast for I guess we're not really like hyper, hyper informational, or, you know, there's not like a ton of specific data points to get to a lot I've learned a lot you know, it's a type of communication platform that seems to service my learning a lot better than whatever type of articulation seems to happen more clearly in an audio book that's a little bit harder for me to wrap into than what it is with the more natural flow pause and then pacing of a conversation Or just have a person, you know, talking or trying to try to talk off the top of their head. I guess like professors to do that, or you know, teachers would do that when someone's lecturing, which I hope this is not quite a lecture. I have nothing to teach you or nothing. There's nothing you can learn from me. That's probably that's probably the truth. I'd try though. But, but yeah, I guess for for photo stuff that's going on? Well, I don't know. What was it talking about? That was Alexis stuff, right? I haven't even gotten the photo stuff. For the Alexa stuff. What I've done is I've produced a billy Newman photo flash briefing to go on to the Amazon Echo platform, watching my words more carefully now. And I'm also trying to put together some of the other podcasts ideas that I'd had in the past something around media and technology I'm trying to put something together around astronomy and sky watching I'm trying to put something together to there also. And I'm also trying to figure out some stuff around I guess photography specifically and then outdoor camping travel adventure stuff specifically so I'm gonna try and find some names that that might be useful for that kind of thing. And I'm going to see if if I could try and put that together but but yeah, be kind of fun. I'm I'm looking forward to trying to try and get some traction on building out some content on the Alexa platform stuff. Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage, some good links to other other outbound sources, some links to books and links to some podcasts like this a blog posts are pretty cool. Yeah, check it out at Billy numina photo deco. Thanks for listening to this episode and the back end like your next

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Canyon lands in the Utah desert out in the southwest of the United States. It was a really cool trip to go on. And this photograph shows this area just outside of canyonlands National Park, and I guess in southern Utah, as you get south of Moab, and down on the east side of canyonlands National Park, but this is cool. As we came into the entrance, there was a handful of dispersed campsites as sort of ran off into the well I don't know it's sort of a desolate area out there really. I mean, if you look at it, it's interesting contoured landscape that you see these, the sandstone and the sandstone mounds that kind of come up all around where we were, while we were camping, we were surrounded by other folks too, that were a little further off, but this was remote dispersed camping. And so we came down to the edge of this, this wall of rock. And in this photo, I walked around kind of farther to the other side where you can see the car and then this drop off of rock is as the fast setting son pulls up the shadows higher and higher into the rocks in the background just before the end of the day where there's no more more light left over that area. But it was a great spot to camp and it's really cool. There's so many wild places out there especially are outside of those, those national parks area so it's really cool and it's really fun to get to be out there. I think this is from 2011

1:44 you can see more of my work

1:45 at Billy Newman photo comm you can check out some of my photo books on Amazon. I think you can look at that Bitly Newman under the author's section there and see some of the photo books on film on the desert on surrealism camping and cool stuff over there. kind of continue with some of the stuff that I've been talking about the last couple episodes talking about some everyday carry camping stuff that a an outdoors II stuff that I have around with me as I was gonna talk a bit about flashlights too. I've tried to pick up some some kind of outdoor flashlights that I can have around with me had the headlight I have a headlamp I have a black diamond headlamp I like that headlamp works pretty well for me it's a pretty rugged, kind of outdoors he sort of Rei ready tool works pretty well. I think it's around like 190 lumens or so for the spotlight piece and then there's sort of a not as bright kind of wild angle LED light on there too also as the switch over to the red LED a lot of that stuff is nice works pretty well hasn't really failed me yet runs on three triple A batteries I think it's a pretty cool piece I think it's been fine I've been also kind of looking around at other flashlight units and other kind of outdoors sort of work and utility flashlights that I can get ahold of for the longest time as as a kid I was really into the mag light systems you know like the the kind of like the cop lights that you'd have that runs on the D cell size batteries and I had like the the to sell flashlight That was a good one to kind of put they have like a truck holster these little pins that you can put down kind of drill them straight down to the bed of your truck by your your left hand driver side as you kind of dropped down to the floor there before you get out your driver side door and you could kind of pop in a two cell mag light there as your truck like I said that was pretty cool and but I'd have the add the mag lights and stuff around a long time I think that's what you know what they have like the five mag light that for cel three so they have the two double a mag lights yeah you know the model across the lineup and stuff had those for years. Those ended up kind of failing on me after a while no they're really not supposed to but I think like the back end sort of rusted up and then I had some trouble with corrosion with the batteries that were in there and I wasn't able to break it open with the the PV blaster penetrating fluid that I was hoping to use on it. Anyway that's all to say that mag light has been put aside I think for a couple years I haven't used other stuff LEDs the way to go mag light hasn't really updated the technology so that you're still using kind of a real lame like 50 or 80 lumen incandescent ball that they just pop in there which I think is really inferior especially at this point and their LED conversion options that they make, I think are really limited and aren't really anywhere near the type of LED it's you know, it's just it's it's like a reproduction of the same incandescent ball but as like an LED as a real kind of harsh I thought blue light to it. And it doesn't really have that kind of bright and crisp sort of layout and focusing beam system that you get even with really cheaply made Chinese LED lights now. So I was trying to find some of the kind of brought in some of the cool sort of outdoorsy or utils Stuff toughness that the maglite had with its branding or you know, kind of with its flashlight engineering. And then something that kind of brought in some of the cool led focusing being light technology stuff that we have with the more modern flashlights that that we've had over the last 10 years or so right like blue LEDs came out in 2008, something like that, that's the first time that we had red, green and blue LEDs which allowed us to make white LEDs and that allowed us to make you know, all these cool color changing light emitting diode patterns that we have now and that's where we can get these diodes that are real bright and just kick out a ton of light versus their power output. So we can run these incredibly bright 1000 lumen flashlights out of just like a handheld couple battery, you know, like you know, a few a Ford, D cell battery or an eight double a cell battery. You can load up these flashlights or you can load them up with your own rechargeable batteries which is a really cool new feature you can juice them up with USB like your iPhone and then punch that light on you can run a sustained like 1000 lumen torch for hours after that it's really cool yeah those kind of options now so that's the sort of stuff that I was looking into I was looking into a couple different brands of sort of durable reliable and useful sort of outdoor utility flashlights. I think that the Marines or special forces use one specific light that's like $1,000 insanely priced then it's fine in this other ones stream light I don't know if you heard these flashlights I've heard of them a bit before I've seen them in some other stuff and it seems like they're kind of

6:41 I don't know sort of like an industry standard so I think if you're doing a lot of like first responder work or like you work with and you're working an ambulance I think you have a Streamlight has a contract with a lot of emergency response people so they have like these stream light flashlights some really cool stuff it seems like nicely made utilities a lot of metal flashlights, a lot of polycarbonate flashlights, a lot of safety flashlights a lot of what are lanterns I don't like these big new kind of like big carry lights that have like three sort of like three led diodes laid out in this triangle shape on the front. And then a red flash on the side manage big honkin lights but they're expensive man if you get if you get I think like their top whatever their their 20 it's like it's like iPhones or something. They're serious about it they're 2020 model flashlight is like $170 you get like 1000 lumen handheld flashlight. It's rechargeable, it's got a bunch of buttons on it supposed to be dropped proof shatterproof tactical proof you know all sorts of stuff that they're kind of making claims on them on its usefulness and its reliability and it's pretty cool man these lights are just incredible on like some of the stuff that they can do it seems you know i mean or at least like to whatever degree they're trusted in emergency response or police use I think like the police use these Streamlight lights a lot a lot of people in kind of professional settings seem to use them a lot so I was looking around at them minimum even just for Penn lights those are starting at like 30 bucks it seems like and then as you're getting into like some of their nicer mid range stuff you're talking about 50 bucks a light or you're talking about from there into something even even higher into like the $100 like averaging $80 to $100 to $200 or $250 for some of these these lantern lights that they have listed out there so cool, cool lights, cool flashlights man, if I was gonna get a premium flashlight I probably get one of these seems like they're gonna last a long time seems like they have good warranties with them and they've got like a bunch of a bunch of different stuff around it that seems like man What a cool like Marina like that's gonna be a really reliable constructed piece that you can carry around with you but at that price point, I just can't really see that it matches what I need and where I need to go very well I can't really spend $75 on a flashlight it just sort of doesn't really quite fit with what I'm trying to be up to right now and for the way that I've kind of been talking you know, it's like flashlights sort of go bad, you know, use them for a while, but you don't use them all the time. Or at least like in my circumstance like you know, it's like I use it, I like to use it, I need to have a flashlight. I got them. I got them around where I need them, but I needed to be good. But I also needed to fit a certain price point where you kind of get the best sort of trade off between these two different things. And I think you can make a quality flashlight for less than $100 right. So I was looking around I found this other brand out of Portland called coast and you see him they're distributed everywhere. You can find them in a lot of places you can I think you can find them at Walmart. You can find them on Amazon. They're all over on Amazon in stock. You can find them on their site. You can find them wasn't gonna say Home Depot they've got a big selection just laid out at Home Depot you can get a bunch of different pieces lanterns, magnetic work lights like utility lights and then a bunch of ranges of flashlights and they have a steel or like how do I say like a mag light style series that's sort of a steel metal casing and then they also have this other one that's a polycarbonate casing that's sort of like almost like plastic but it's like a steel case with a polycarbonate coating is supposed to be good for some outdoor or you know some kind of

10:38 I guess higher work stress threshold flashlights so I think that's kind of what I went I went with coast and I thought it was kind of cool that they were a Portland company. They've got a whole led line they've got like a line of knives too that are inexpensive and kind of cool to get a hold of and if you can find them that's one of those in the toolbox it seems kind of fun. But these lives these these lights these flashlights is pretty easy to get ahold of I picked up a poly steel 400 I think that's a 400 lumen handheld poly steel Latta ticks four double A's and that's got like a real solid beam on and the poly steel is cool it's that polycarbonate case so it's kind of like it's kind of like plastic but it's like it's like that it's a polycarbonate so it's like the plastic or you know it's like that kind of the plastic that's on a clock handle or it's on you know, like a knife handle or something like that but real sturdy, you can kind of slam that thing under the ground and it seems like it it still stays intact still still works I think that's sort of one of the things that this this model prides itself you can go online to coast Portland calm their website and you can watch these tests these stress tests their flashlights where for whatever use this is I don't know if you're gonna do this a bunch I guess get this flashlight but they have a guy up on like a 10 storey building and he checks this lit flashlight off the building down into an empty parking lot below you watched the flashlight fall to the ground drop boom bounce kick over slide off and the light stays on why wouldn't miracles so works so I guess the I guess it's tough is what they're telling me which is really actually pretty wild. If you try and do that with a lot of other led flashlights you're really gonna have that led you're gonna have the power to the LED interrupted from the battery source that's going to get knocked out and probably cracked or messed up and the LED circuitry itself is going to crack and shatter and you're not going to be able to use that chip anymore to emit light in the same way that you had been before so that's what's really cool about these is that they can take what seems like you know, like what are you doing this for kind of a thing but they're crushproof

12:52 I think they're waterproof IP x eight rated flashlights they've got the the CO be the chip on board, light panel LED light panel kind of on the side of one of the flashlights that I picked up, you know it's got this straight beam ahead. But then it's got that kind of newer led lantern effect that some of these flashlights have now where it's got instead of just like a single spotlight led lens through the front of the light, they've got this like strip of LEDs now on the side of it you kick a kick another switch that turns on and it's sort of more of a broad and open lantern light that you'd have if you're walking the dog or something like that or you want to kind of fill ambiently the light in a room with a flashlight you can kick that light on and sort of a softer illumination across across the ground without any kind of spotlight and a sort of a warmer white color to you also click that button one more time boom it turns into red so you got a safety light you click it one more time and you got flashing reds which is pretty cool that you have a few of those different options but but yeah, I got I got that one that's a I think almost 1000 What is it? she get that right i think it's I think it's 800 lumens out the front spotlight and then another 500 lumen light out the side chip on board CLB or whatever it is but that that sidelight so yeah really bright lights I got that 400 lumen spotlight there's also like I was talking about headlamps really add that Black Diamond one I think that was like maybe like 150 lumens that sort of averaged out to be there for the spotlight and the wide the wide light that I had there for for this coast stuff they have a they have a headlamp it looks more like a miner's headlamp you know like the cool thing about the LED stuff, the backpacker stuff that's all kind of sleek and design it's small it's kind of a compact methodology that they're laying it out and but if you look back in time and you look at like the miners life, they had these minor headlamps is Oh man, how silly would that have been but I think it was just kind of a shiny piece of metal that kind of kept around a pretty regular incandescent bulb and that was supposed to sort of lens forward your light for you so you could kind of grab it and focus it all toward the toward the front of you. And that was a pretty inferior way of doing it at the time but that was how they produce their headlamp spotlights at the time they kind of improved that technology over the last 100 years of course, and even during the the you know, the battery operated days, you'd have like a big miners like like the high end headlamps or like just these big old beastly lights, and then it runs a wire down to your hip, we're on your belt, you have a battery pack hooked up, and then you kind of switch it on from there, it juices up your light up your back on a cable and then boom, out the front of the light comes. I don't know 500 lumens or 400 lumens or whatever it is you get, you get your real sustained light there. Now some of the advancements of the LED stuff, you still have those lights and those are really high end and really cool tactical lights. But even just looking at some of these kind of more simple headlamps from coast that they had, they had the kind of the big kind of miners headlamp style spotlight section thing there. And that put out 400 lumens of light, which was you know, maybe double at least what my little headlamp was doing. So it's kind of cool that you can just kind of pop in, pick up some of these other tools and stuff and they're waterproof crushproof ip x eight rated kind of outdoor utility tools and so it's cool, you can get a hold of those things. And it's nice that they're as inexpensive as they are, they're really a lot less than those Streamlight lights. But man, I really like those stream lights also. So I'm going to try and keep an eye on them and if it seems like it comes up with a good deal or a good value on trying to pick up one of those, those kind of Streamlight higher end lights. I might go for it too but really for the value for money and utility that it provides. It seems like these coasts lights are a real score. The last one I picked up was a penlight. So this is sort of the everyday carry light that I've got with me in my bag we're actually in the ammo Can I put that that kind of that smaller polysteel 400 coast light that's in the in the ammo cam box been in the pocket every day I've got this this little pocket pen light still kind of the same thing I think it's a 110 lumen light it's got two AAA batteries in it and it's about the size of a pan just a little bigger kind of like a bit of a

17:28 thick Sharpie is sort of about as big as it is but that size in the pocket it's got the same waterproof rating crushproof rating is as the other pieces that I had talked about but yeah it's just a smaller handheld pen light that I like really quite a bit I think it's pretty cool to have like a more full size light I know my I know my phone has its LED on it that's really nowhere near as bright as what I'm able to get out of this out of this panel light so it's kind of cool having that peace around me and even even already in the last couple of days of nurse I pulled this thing out a lot more than I thought I would try and try and use it as a utility especially in spots where the the phone light would come in is no good. So kind of fun stuff going around working the flashlights trying to check out some different brands and stuff maybe I'll still try out a mag light in the future. Those are kind of fun for nostalgia sake but I think some of these coastlines might be the the direction I go and it's kind of fun.

18:29 You can check out more information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support you can also find more information there about Patreon and the way that I use it if you're interested or if you're more comfortable using Patreon that's patreon.com Ford slash Billy Newman photo

19:09 most of this podcast has been brought to you by using cakewalk sonar brought to you by band lab maybe I talked about this a little bit but band lab is a website or a company and I guess it made a purchase of the software cakewalk sonar that had been for a short time previously owned by Gibson Guitar company since like 2011 or something like that. So interestingly a couple years ago or something they Gibson said hey, we're not going to do any more updates to the sonar software. So that's just sort of abandoned but sonar was like one of the professional die editors for a lot of multitrack recording studios especially stuff that you know that was that was PC based PC based recording other than maybe addition or Reaper tract as a bunch of other stuff out there but sonar I've been cakewalk and so on. I have been one of the long standing multitrack recorders out there, so So, I guess it was purchased by this company band lab. They're continuing continuing to do updates and development in the software. And it's available for free now, which is pretty cool. So you can go to band lab.com you download like their installer software. And yeah, you can just download a full functioning version of the the top of the line, sonar was a cakewalk Platinum studio had come out a couple years ago. And so that's what I'm recording into right now. It's a pretty nice layout, it's working fine on this, this older windows 10 machine that I'm working on right now. And it's pretty fun, I'm having a good time recording into it through the audio interface that I've got going the h4 and with the XLR inputs coming in left and right into it and then it's the two in two out USB interface. So it's just going over like a USB cable out into the computer. And it seems like we're getting great preamp quality a lot better than we did with the what is it the ad the audio digital converter that's in this unit apparently have to take like an analog signal and then crunch that down into data and then get that into the computer so that this doc and record the the way whatever it's going to do. And apparently it's beginning like technology does it's getting progressively better over time. So I guess a lot of the things that used to be maybe very expensive for ad conversions are now a bit better or higher fidelity or you know, a full bit was like CDs or 16 bit and maybe there's like a 32 bit ad conversion or 64 bit ad conversion so it's probably just a level of recording sampling that's or maybe that's even just different altogether. I don't really know the process ad conversion but what I do know is that this one that I had that's about 10 years newer than the other one I had seems to have way better preamps maybe is what I'd say but just the way that it's able to control the sound as it comes in seems like it's it's much better and doesn't really contain that it's sort of like this weak digital sound is one of the best way I would describe it something that you'd have like early sound cards and stuff like that to where it's it just didn't really sound like it had like a full quality of the track to it when you recorded it. So kind of interesting stuff but yeah, this one sounds a lot better than the other one did and the other one was pretty good for its time it was a lot better than the sound cards that would have been available for for me and I mean that's what I was using to record stuff even up to just a couple months ago. So yeah, isn't the h4 n again got the keyboard in here ready to go I need to figure this out with some other cool stuff there's like setup with a piano sound for a while. I switch it over to this nice little pass it's pretty cool. on the Mac I'm pretty frustrated I'm on a PC now right so on the Mac there's this great program I think by rogue Amoeba called for Raja ferragosto. And like that it's it's really cool. What you call like a soundboard app where you can kind of trigger you can hit a key right like that a bit it'll trigger some sound that you have sent you know just some patch of sound that you have as a clip in that spot. So you can build your own soundboard. So you have a keyboard you can punch in like all these different sounds that would play through your computer you can record stuff I really want to use it but it's only it's like Apple Mac only. I can't put it on this PC shoot. So I think what was it discord that the chat and call communications platform app that a lot of gamers use. I guess there's like a couple soundboard utilities that those guys use on the windows side. So there might be something in there where I can do a MIDI controller to have in the background to grab a couple patches. The thing I'm trying to do there really is to figure out like the MIDI controller that's in cakewalk and see if I can build my own set of patches like I only need like three or four. And then against I can hotkey those and record like this one. That'll be like the intro music and that'll be the outro music in the speech. Some some amusing sound soundbite that I can drop in. Right That's all I need.

24:09 Probably not though, but I'll try to figure something out with it. It's kind of fun kind of goofing around with it really. I'm not sure if I'll use this keyboard a lot in the podcasting process but other two other than to annoy the the poor. While I was gonna say folks, but probably just folk, just one or two people that are that are poorly making the choice to check out this long winded podcast. So thank you if you made it all the way to 20 minutes and 50 seconds into this program. So yeah, it's kind of fun doing all this audio stuff and working in cakewalk sonar and learn about some audio recording stuff, I got the multitrack and stuff set up pretty well. So I can do. I can do this input I can do an input into the mic over to the left of me and then again, got the keyboard in here got the MIDI controller set up to do some recording to so that recording to a wave and that'll be Together another episode I'm sure you excited of the built at wood photo podcast that I'll be able to, I guess throw up on to my website maybe in the next 24 hours or so. I got to make that party's here that's the thing that I want to make a little bit more fun in the next like 40 minutes or so is just trying to like get everything open and get this file loaded into my WordPress site. It's kind of like a more automated way to do that right? I should look into that. Maybe that's the sort of automation stuff I need to try and figure it out.

25:32 Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo comm few new things up there some stuff on the homepage, some good links to other other outbound sources, some links to books and links to some podcasts. Like this blog posts are pretty cool. Yeah, check it out at Billy numina photo calm.

25:54 Thanks for listening to this episode and the backend

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast.

0:23 And this is a photograph taken up in the ego cap wilderness area in North Eastern Oregon near the Willa mountains. It's a really beautiful spot up in that area. I've taken a bunch of photos from there and I've tried to share a handful of them over the years. This is a photograph from a backpacking trip that we did to our noid Lake about six miles in to the the wilderness area but back at the turn of the century, before it was a wilderness area, you were still able to own it or you know, buy private property in the area and then develop it so I think there was someone that came through and they built a handful of log cabins there maybe 100 years ago or so. And this is a photograph of one of those that still standing there's a handful of them and they're still maintained to a degree but still very rustic. But they're they're all out there in this this field, kind of the field that you see in this photograph here next to the lake, but really fun, really interesting spot. Apparently you can go in and rent these still like if you find the people out of Joseph that have this property, you can go up, get a key and a lockbox, go and spend a night there.

1:22 How crazy would that be right? You can see more of my work at Billy Newman photo calm. You can check out some of my photo books on Amazon.

1:35 I think if you look at Billy Newman under the authors section there and see some of the photo books on film on the desert, on surrealism on camping, and cool stuff over there. I saw what have you been seeing I saw a helicopter. There's a thunderstorm. That was like when I was last doing a podcast right so there's like a big time thunderstorm that was rolling through that last camp that I was having I was podcasting and then rained a bunch after that. That was nice. stay nice and dry and pretty warm and tracking the truck canopy and stuff waited out the rain then it cleared off just like a couple hours later is that that thunderstorm system move past us. And then yeah, cleared off got cold. got pretty cold. I layered up and I walked out into that field now with a ton of wet grass and stuff. walked out there brought the heater like I was talking about and posted up out in that meadow. To check out the stars and stuff from that you can see Scorpio almost all of Scorpio it's really cool when you got a strong Southern view of the sky. And from this area in Oregon you can't quite see the dip in the tail of Scorpio is it kind of scoops down and it comes back up with the stinger at the end. You just barely or I get out you can you can definitely imagine how it kind of scoops around but yeah, at where it is now, at this time in August. I think it's it's kind of tipping over and gone. not visible in that spot. But I think I see. Was it Jupiter? You see just past Sagittarius as you're looking to the south. Then near that just a little bit further over to the east on that same ecliptic line you see Saturn. I think they both near the position where they'd be at opposition. They're not as bright as they were a few years ago, you notice, but there's still really bright, really cool to see. And then if you stay up late enough, maybe around midnight or so. You'll see Mars rise over on the eastern horizon. And it looks real real coppery red and really noticeable really cool. But I think it came up right about the same or about an hour or so after the moon rose last night. So tonight it'll probably rise along the same location as Mars. That's interesting. Yeah. Yeah. That was cool, checking out that stuff. And I was checking it out the other night after that thunderstorm out in that field. So it's kind of fun, kind of staying up and checking out some stuff. But then I went to bed. And then I got up the next morning and this was what was really cool. As I looked out the field I hadn't really seen any animals out there. I heard a few a few birds like a raven, and a couple other things. I think I heard a turkey gobble. Not sure that but I looked out looked across the field and I saw that two of the biggest birds I have ever seen. There. They are the biggest birds I've ever seen. I'm really not sure what it is it looks like similar to a blue herring, so I figured some kind of herring maybe it's a crane. But I would, I would guess if it was standing up it would be almost four feet tall. It really looked like a small deer or og, like in mass and size as you know, kind of like the feathery body of it wasn't popped up in a big way but there are two of them. And yeah look like dinosaurs out there in this middle of this field. I've never seen a bird like that it looked like like a blue herring. That was about twice a day I see a buck is that my two o'clock lock into my three o'clock 1.2 point 3.4 point it's a two or three point buck doesn't see me. That's cool. Little buck cruising through. I think it's a mule deer out here. I saw like a group of mule deer down in the lake bed this morning. And when I started wrestling around they they all kind of started to run out or one of them got excited and then ran off there. They're probably like two or 300 yards for me and pulled up the binoculars as scouten Yeah, they were just bugging it across this open lake bed. And then they got tired and stopped and started eating grass like almost right away so it's kind of funny how they they kind of move around but yet this guy's like

6:17 I don't know. But 200 feet walking around can't cool dude. Thanks for camping with me. Was this in two giant birds? I saw these two giant birds Thunderbirds they were awesome. They were Brown, kind of Sandy tan colored. And they had like a beak face like a real pointy beak face really similar to a blue herring. It looked like it looked like an emu or an ostrich or something out in this field. It was diet. But it looked I'd say like I've seen a lot of blue herrings they're way more slender than this this really had that kind of big kind of round full body thing and then it had that cranes neck that kind of the s curved crane neck and it was just kind of on the ground walking with its buddy and they were cruising around poking at the ground trying to I don't know get grubs or whatever but but yeah really cool to see him and then so I was watching them for a bit I had him the binoculars I think I got a couple pictures but like I was explaining in that last podcast smartly I have a wide angle lens with me which is you 17 to 40 millimeter so as way out super wide so you just so you know no telephoto my back. So didn't get the wildlife shot that would have been cool which is fine and I accept but I did get a couple pictures of it that probably poorly show two big things out in the distance and I mean it looks like it could be dogs could be deer or it could be birds so it was pretty awesome to see but as I walked out a little bit I exposed myself into the sunlight they got they got side of me and then they they both let out these for like maybe 30 seconds to a minute or so they both just kind of stood around and made these sort of warning or territorial. croaks these like these like three beat croaks that would just echo across this whole this whole valley that or this whole metro area that I was in it you know just carried on for acres they're probably like an acre or two away from me at that time. And yeah, they just set out these loud croaks kind of morning that these up, standing dude predator out in the distance, but yeah, then they kind of sauntered it didn't take flight, but they just kind of saw through it back off up into the hill, up into the tree line. And then I tucked back myself back up to the tree line by my truck, made another cup of coffee that morning, and then I saw kind of popping out again and poking around that. That Meadow again, but it was really cool giant birds I really would say they're like four feet tall. Body Mass section, it seemed like about two feet or so. You know, like kind of on their leg? Maybe 24 inches off the ground. Yeah, it just seemed like a really big bird. If I was standing right next to it. I'd be like, Whoa, man, this is this is a real critter. So it was fun. I've never seen a bird like that out there before I've heard about. Some of those are some birds like that before I remember hearing like, is like a ground colloquial family story that I think like a great uncle of mine had had probably similar to this area too, which is interesting. I like that. But he said that he had woken up one morning and looked out and saw these prehistoric looking Thunderbirds he called him and I think I had an experience like a two. I think it was fun. I'm sure it's totally normal animal it's probably used to be around a lake or something. You know, that's sort of what it seemed like is just like a giant Pelican or crane or something that you would see out by the ocean. But to see out here just walking around sagebrush and a field in a meadow at 730 in the morning, it's just like Wow, look at that. I thought I'd see a deer out there but no giant birds

10:04 You can check out more information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value added some of the stuff that I was talking about, you're welcome to help me out and cents value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Numan photo. also interested in as I've spoken about before on this podcast is I have an affinity for taking photographs on film. And I want to get back into that in a way because right now I don't really have a film camera with me, I still have the Nikon and 80 floating around. Though, I'm short a lens or you know, that's what I'm saying is like I've kind of made it an investment now into this whole range of focal lengths that have been really quite nice pieces of glass over on the Canon side now. And so I'd like an opportunity to be able to take those photographs on film with that range of glass that I now have available to me. So what I'm looking at trying to do is, is trying to pick up one of these older now, but one of these older but one of the last runs of film cameras that canon had put out and so I was looking around and trying to do some research for that. When I talked to you guys before about it. In the podcast, I was mentioning that I picked up a Nikon F for a camera that was the full manual camera or you know, like no, I don't actually it wasn't for me, and I think it was autofocus and I had like a whole color matrix It was one of the first cameras have that color matrix auto system in it where you could you could kind of like set it up. But and then the nav has a lot of those same features to what I'm trying to do to get to the point is I'm looking at the EOS line of film cameras that canon had produced in the 1990s. And in the 2000s. And there's a lot of opportunities there where you can really pick up a very nice camera body that you know, shoot film, and that would kind of accompany the five D Mark three, and all the Canon lenses that I have now. So I was looking at the EOS one n, which I think is the camera that can come out in 1994 it really looks quite a bit like a five D body shape. Or it's it's not like that. It was it's not the oversize body it but it looks just kinda like that camera, SLR bodystyle. And as a bunch of the features in the back, I think as that roller wheel that canon users have come accustomed to it probably was one of the first cameras to introduce that big roller wheel to control your F stop, and then the other roller on the front to control your aperture. So it was kind of it's interesting how it's laid out. But but it feels it looks almost the same way. So I'm looking around at those those came out in 1994. And then in the year 2000. They had come out with the EOS one DC one n before. What was it? I think I wrote it down over here. I can't remember what it was. There was the one and maybe the one h sunray. What would it have been? Let's look here are the one v that's I think the one I'm looking for? Yeah, the one V is that the film camera that canon produced in the year 2000. And probably up through like 2006 or 2007 or 2008, there's probably even new versions of that body that are still around if you know there's those hardcore film users out there. So I'm looking around at some of those on the US market, I

13:50 think they're like three, four, maybe 500 bucks, if it's kind of on the higher end of expense, but but I'm looking at some of those and it seems like it'd be kind of an interesting purchase to pick one of those up, then it could be shooting you know, film images, like I have had an interest in doing with a professional body that kind of matched a lot of the same layout and workflow that that the five D Mark three that I'm using has. So I'm pretty interested in that and then I can use all this L class that I've been making a purchase of two so I have the super wide angle, or I don't know is it super wide, I think it's just a wide angle zoom for that 17 to 40 millimeter f4. I've got the 24 to 72 a i would have the 70 to 200 USM f4. And then I would have a couple prime lenses on top of that. So it's like a pretty full collection of glass that I could use to make a whole bunch of different types of art, or you know, like different different photographs, different pieces that I've been interested in trying to produce. And you know, like a lot of the film stuff I was I was building like all the stuff that was on that film book that I put together that was almost all done with a Nikon 50 millimeter f one a, and maybe like a couple manual focus lenses that I should not have been using actually kind of knowing better now, the optics of those we're always kind of thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage and good links to other other outbound sources. some links to books and links to some podcasts. Like this. blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks a lot for listening to this episode and the backend.

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0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast.

0:23 And this is a photograph that I took on my birthday in 2012. In the Yosemite Valley, it's a really cool shot. I like it a lot. I think this is looking south, just round sunset. But it's you know, it's near that time in late November where census needs to be around 330, at least anywhere, anywhere where there's tall mountains next to it. And that's kind of what we were getting here is like maybe 334 o'clock and you're really getting to the last ends of the day, like anybody in the winter knows, it seems like anytime after two o'clock, it's sort of like getting close to sunset as it just kind of sweeps in around five o'clock or so. This was a really cool spot love this. And what we did here is we had a cut this as a panorama. So what you're looking at is really five pictures, maybe four pictures that I stitched together in Photoshop at the lodge and Yosemite that night, and I was really proud of myself, I did a lot of work on each of these to kind of get it to fit and stitch together correctly. And that was pretty cool. It was it was one of the I think first projects I did to make a panoramic stitched image. While only working with a 50 millimeter lens. I think my effort was to just try and get flexibility so I could get types of photographs made while still using really basic glass. And it worked out really well. It was a good experiment. And this is really where I had a lot of latitude with a 50 millimeter lens. Turning the sideways shooting pan is stitching it together. I really liked this one it was it was on my birthday. It was one of my favorite photographs at the time.

1:52 You can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think if you look at Billy Newman under the authors section there and see some of the photo books on film on the desert, on surrealism, camping, and cool stuff over there. My name is Billy Newman, I'm a photographer based in Oregon, I do a lot of landscape work. And this image was taken in California on a trip that we did to Mount Shasta, to the east side of Mount Shasta, it was just kind of a really cool spot. It's kind of interesting near the town of Mount Shasta near the town of McLeod, if I remember right, there's a lot of good stuff over there a lot of good camping, too. There's a lot of, I think it was the Shasta Trinity national forest that stretches out over there. So there's a lot of public land that that's developed enough and accessible for for a number of things you can do for summer recreation, it was pretty cool. I remember going up to a lookout tower up there, checking out some stuff, I think there's a fire lookout tower, some old timer was up there too. But this image was taken on government camp road in the evening as the sun was setting and this is kind of looking up to the I guess it's the East face of Mount Shasta on the east side. And it's a really beautiful spot but I kind of love the angle of it there kind of the sweep that the mountain had. And I tried as hard as I could to sort of to sort of square that up the way I wanted and match that up with the trees and the grass and the shadows and get some of those towns but this was shot on that nav film camera, some of my best images from one of the cheapest most I don't know just common cameras that are out there. Really cool stuff and I love that I got it. It was really fun. reminds me a lot of great stuff.

3:46 You can check out more information to Billy Newman photo comm you can go to Billy Newman photo comm forward slash support. If you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo

4:26 about these different features related to Logic Pro 10.5. So I think it's like a general overview. There's one specifically about the live loops feature that I was mentioning is is one of those premier new new interface features that's now part of Logic Pro 10.5. In addition to that, I think they've created a step sequencer a new sampler, I think they have a quick sampler now and they have a full sampler where you can go through and make your own samples to make your own loops. So you can really be producing your own music and I think that's I think it's really Cool the kind of stuff that you can do, that's a big update that they've done, I think they talk about like, what is the s e s x 2427, something like that. It was this old sampler, this old sampler software that was probably some third party plugin that ended up being bought and then ended up being integrated into logic that speculation that the way that it looks, it just doesn't look like Apple it ever designed it. This is how it's like, it's this crazy looking kind of silver software with a ton of buttons and knobs instead of it looks like it was supposed to be some, some real object, you know, like, like, if they made some, some actual pedal board, it looks like a drum machine or something. But it's laid out in as a software in front of you. And it's just impossible, it seems to me to use so. So apples gone through and updated that, that kind of legacy piece. Some people are happy about it, some people are mad about it, I see some people writing in forums Long live, the ESX sampler. And then everybody are plenty of people saying they're they're happy to see it go that they're happy to see it replaced by a more modern piece of a more modern utility. So there's a lot of cool features. And that's to where you can, you can really get into recording and making your own samples or taking a piece of music that you've already recorded. And having the sampler go through and auto select these regions of it. So you can go through it with your like your keyboard, and you can trigger those regions with your keyboard to play that to play that sound out. It's really fascinating the kinds of sampling that you can do with it.

6:28 Gosh, I mean, there's just so much production you can do with it. So as it goes for podcasting, I wonder if I'm going to use logic, I think I think logic, really honestly, like most of the audio production stuff today would do even to a small degree which me onyx OS got, it's really nothing I could do this on my phone. Or not nothing on my phone is great, but just, I'm not doing anything. Right. So. So I might, you know, I stopped using sonar because it was kind of overkill to do the multitrack and stuff. For just a podcast for some audio or mastering stuff, it seems like I have a grip of how to do the editing in logic maybe a little better than I do in audition. Even though I've been using audition for yours. I can't have the same the same process and stuff. But there's there's sort of a way that this is something I don't understand yet. And if someone that actually understands logic as listening to any of this, they should tell me about it. But it seems like an audition. When you have an audio file like a WAV loaded into the program and you're looking at it and editing editing it if you were to apply see an EQ effect or a compressor. Once you have those settings and then you apply it it'll render that change to the wave. And you have to wait for it you have to wait like 20 seconds when you apply. When you apply an effect like a hard limiter or compressor, a de Esser and it'll change the full waveform that you're seeing there in in logic, it seems, I guess, more like a non destructive editor where you have your original waveform in your track. And then over in the mixer, you can apply sense or you can apply these effects is a stack that you can turn on and off and it'll it'll kind of live mix that section of audio that you're hearing. So you can you can stack on a compressor first change those settings and stack on an EQ and then stack on a de Esser and then stack on a limiter or something at the end of that or a limiter on your your master output something I don't know, I think that's how you're supposed to do it. So you can do that. And then you can change those settings and you're not really adapting the original waveform you're not doing you're not doing that at a stage where if if you turn one on or one off, that you're you kind of rendering the whole file in advance. I don't know if I have that totally right but that's something I'm trying to figure out. So some things that you notice from that is audition or programs that kind of bake in the setting effect that you're you're making a change to seem to operate a lot faster I think is the track is sort of is sort of rendered and frozen and is that the process is not having to do any live rendering of added effects on top of the file that's already trying to have to have to grab that file and play that file and then add another layer of digital processing to it that you selected through changing settings and then render those settings to the WAV file as it plays it without much latency. And it just sounds like a lot of tasks to do so I guess when you have like a bigger logic project with 24 instrument tracks, all with compressors and limiters and and whatever other effects changes there are on it. I apparently it's just really processor intensive and it I've already noticed like even just with a few of the smaller demo projects that they have installed with it, and even with my computer being okay, it's it's already like hit like a CPU overload a few times and logic. Logic producers have talked about this a ton of times there's a bunch of videos out there on like how to stop your CPU overload messages. So It's talking about changing your buffer size. So it's talking about selecting tracks and freezing them. Or there's a process called freezing tracks, sort of similar to what we just talked about with addition where you're kind of baking in or rendering that track out so that the processor doesn't have to worry about it anymore. And then from there on, you can just kind of mix on the single track that you're you're working on at that time, if you're working on a multitrack project, you select the like the guitar, but then you can freeze all the drums so that whatever mix that they whatever mix state they were in, the computer doesn't have to worry about processing, it only worry about processing the live effects on that single guitar track in the sense that you're you're making changes to it's cool. The few different features and stuff you can do to it. And it's interesting how all these these different digital audio workstation controls have come up over the years. I think like for this logic stuff, you know, this is what they're trying to sell Mac Pro's for. I'm sure like even a Mac Mini would be a killer logic workstation for a studio. But But yeah, that like that new Mac Pro, that gnarly one with, you know, 128 cores, I think one of the things they were trying to demonstrate with that is, you know, with, with a massive, massive amount of core and what is it probably like eight or 12 or something for the more standard one.

11:17 I think that are the whole background of getting, you know, a ton of RAM and a ton of processor space and a ton of cores was to do some of these larger studio mixes of logic projects, you know, I say if you have a symphony, or you have like a full orchestra, so that you're trying to do a mix of you have these live effects and compressors running on every track. And you could have up to, you know, 100 or 1000 tracks or something running with these live these live effects that have to be processed on it. And so the idea was, and I heard this at other times that that larger students will take will take Mac pros and run them in tandem, so that they would have as many tracks as that individual Mac Pro could have, and then that would be bust down. That'd be bust down into another mixer, where they would have all of those is that making sense? Yeah, they would have, let's say like, I would say 100 tracks would be on Mac Pro one. And then they would have 300 tracks in total. So they'd have Mac Pro two and three. And each of those would have 100 tracks that it was responsible for operating in logic, and then it would run in tandem, and then be mixed out to a bus. So you'd have all those tracks rendered down into the 300 onto their, their channels. And it's it's crazy stuff, but it's kind of just like reduction process. They don't need to do that anymore, apparently, because the I don't know as what they're trying to sell, you know, these, the newer Mac pros are if you max out a computer to its fullest, you can kind of handle some of these larger processor intensive projects like that. In response to that, man, I remember in 2003, using cool Edit Pro to do 24 track multitrack projects on a computer with 800 megahertz and I didn't really have a problem with it. So I'm not really quite sure what I'm understanding about logic, or about audio production stuff in that and that capacity seems like there's some other some other tools or other utilities around not tools, but just some of the concepts, right? That that allow you to do stuff without some of the limit some of the processor limitations. That's always kind of frustrating when the technology kind of gets in there to fight with you. But But I'm sure that the intent of it is that you do more live processing, that means you have to you have to do less rendering time on each individual track. And, man, the mixing process can be really frustrating if you have to render out a million different variations of changes, which is kind of different projects that I've gotten stuck in over the years. So man, I don't know, we'll see how it goes. But it's cool. Yeah, been trying out Logic Pro 10.5 in the studio staff learning some keyboard controls, learn how to run some live loops, but trying to mess around with some different mixes and stuff. It's cool, yeah, you just grab those loops there, I mean, I can make, what I've been trying to do is make like a drum bass and sort of textures sound loop that kind of has a couple changes in it. And then I can take a guitar, plug it into the audio interface, set effects that are built into logic, you can pull up like a pedal board and logic, and then have that adapt the sound of your incoming real instrument. And then run that into a track or even just play live into a track. And then have those live loops kind of running on the side of it. So you can kind of create like, you know, like a jam loop or something you know, you don't have a band to play with. So you can kind of create a couple other instruments that have pieces, and then that are going to key that are going to repeat. And then you can kind of find whatever it is in the guitar that you want to to kind of work out an idea or work on playing through something. So it's kind of cool. I've been trying that out a bit too. And then once you do have an idea, it's really easy to just kind of lay that down and do it Drag and create a demo out of it. Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo comm a few new things up there some stuff on the homepage some good links to other other outbound sources. some links to books and links to some podcasts. Like this blog posts are pretty cool. Yeah, check it out at Billy new Ninja photo.com. Thanks for listening to this episode and the back end

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Billy Newman Photo, has decided to be a viewer / listener supported production. This means the viewers / listeners contribute to Billy Newman Photo both financially and through volunteerism. If you feel you are getting value from this, please help by becoming a supporter and send some sats.

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The Value for Value streaming payments system enables listeners to send

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Get a Podcasting 2.0 podcast app and start streaming value! It's easy to remember: newpodcastapps.com

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find

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202 Ektar Film - Rockhounding Agate - The Right Camera Lens

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201 Long Exposure Landscapes From The Northern Great Basin - Video Editing In Final Cut

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199 Finding Dispersed Hunting Camps - Password Managers - Logic Sonar Pro Tools DAW Review

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198 McKenzie River Trails - John Day River Camp - Linux Install

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197 MT Washington - Owyhee Canyon - Lightroom Alternatives

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194 Oregon Anthropology - Mac Tools

0:14

Hello and thank you very much for listening to this episode of The Billy Newman photo podcast.

0:23

Today I wanted to talk to you about back to my Mac a built in system that does VNC screen sharing and screen control from another Macintosh. And then a Macintosh isn't a Macintosh, it's a Mac, I guess now i don't know but from another Macintosh computer in your iCloud account. So if you have an iCloud account, and you have multiple computers, and you're looking for a way to operate a quick system that's secure to do a VNC. Back to your Mac, let's say at home from your office computer, you can set up the system in your iCloud account, where you're able to open the port up, I guess and open the boards, and then you're able to do something that's I guess, kind of complicated outside of this, there's other utilities that are paid. I think, like with LogMeIn, or maybe there's some things with screen share, I think is an app that I had heard kind of float around a couple times, and also other utilities that do like back to my or go to my PC or, you know, other kind of Express, like VNC utilities that are out there on the in

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193 Gear for Backpacking - Working With Nikon Cameras

0:14

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Today we're talking about I guess it's a couple other things but we're talking about it's hot weather season now it's June it's coming into summertime. We picked up like hydro flasks A while ago and these have like really changed I guess the way that we carry around water for the last 10 years it was probably the fashionable item to have in the outdoor community to have a Nalgene bottle and I'm late to the party of course and reporting this news that vacuum sealed insulated bottles are cool to have your water in I think I think hydroflask broke that news to Rei and the outdoor community a few years before I'm now bringing it to you but these are cool right Marina we got it right now.

0:59

Yeah they're awesome.

1:00

Yeah the hydroflask bottles are definitely really cool but really any of those insulated water bottles are pretty neat and I think that's like one of the bigger like gear revolutions that have happened in this decade is probably the LED light that's like the the light bright white

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192 California HWY 395 - Photographs Of Comet Neowise - Editing Imnaha River Canyon Photos

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0:14

Hello and thank you very much for listening to this episode of The Billy Newman photo podcast.

0:23

Today with another photograph This image was taken in 2012 during late November I think this is after we left Yosemite we traveled North again and then cut over to Carson City Nevada where we jumped on the 395 now that next day we traveled south on the 395 trying to get to Bishop California I think that's where this photograph was taken we pulled the camera over to take some photos, some photos of the the light that was in the sky in the afternoon sun that was those lighting up some of the clouds over this, this mountain this hill that was there that had no trees, I thought that was really cool. And so from this perspective, I turned and I looked back down toward the freeway or something toward the highway which you can see in the photo and then you can see just a little speck of where the camera is as you look out to those snow capped hills that are out there. It was just kind of a cool spot to get some photographs but I think this was in the higher elevations an

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191 Creating 360 Videos At Proxy Falls - Navigating With Maps - Audio DAW Production With Logic

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If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

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If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

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0:14

Hello and thank you very much for listening to this episode of The Billy Newman photo podcast. Today we're gonna be talking about a couple of the outdoor trips we just got to wrap up for the Memorial Day weekend we really put a lot of effort into it Where do we go Marina?

0:31

We went to so Haley falls first to start off

0:35

Yeah, we did go to say Haley which is a really cool spot. I love that area and there's so many cool waterfalls throughout Oregon and especially this time of year while the creeks are still running pretty strongly after a lot of the snow was melting out of the hill. Later in the year they started to get quite a bit weaker, especially in years where there was let's say like a drought or you know, low snowpack or where the watershed is lower than it would normally be like, I guess I remember sometimes in years past when we went in late July August, it was really nothing but a trickle coming down some of those waterfalls so it was beautiful. Getting to some of those places in the upper cascade foothills I guess, in late May, w

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If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

0:14

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast.

0:23

My name is Billy Newman. I'm a photographer based in Oregon, I do a lot of landscape work. And this image was taken in California on a trip that we did to Mount Shasta to the east side of Mount Shasta. It was just kind of a really cool spot. It's kind of interesting near the town of Mount Shasta near the town of McLeod, if I remember right, there's a lot of good stuff over there a lot of good camping too. There's a lot of, I think it was the Shasta Trinity national forest that stretches out over there. So there's a lot of public land that that's developed enough and accessible for for a number of things you can do for summer recreation, it was pretty cool. I remember going up to a lookout tower up there, checking out some stuff, I think there's a fire lookout tower, some old timer was up there too. But this image was taken on government camp road in the evening as the sun was setting and this is kind of looking up to the I guess it's the East face of Mount Shasta on the east side. And it's a rea

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

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Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

0:14

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. I was thinking today I went to my local film store, my local camera store, dotson's here in Eugene. And I dropped off a rule of actie film this 100 speed acti film that I that I recently finished I guess kind of is sometime in junior I finished the role I was shooting a Nikon nav camera with a 50 millimeter lens. I just dropped it off to get it developed. But I don't I don't do the scanning anymore. I kind of got tired of that I wanted to shift over to a more modern digital system. But I like shooting film, I dropped it off at DOT Dawson's they do sort of a 24 hour ish. You know, return time, which is great. It's fantastic. But I said well hey, like do the develop only I don't need the prints. But I do want a digital version. So do a CD print up the CD for me. But now optical media is so rare. I don't have a CD drive, I don't have a CD drive in the house I have I have a computer over here, set aside or like an old desktop computer one that's kind of in the closet, I'm going to pull it out, plug it in, just so I can put the CD in it, get those photos off, put them on a thumb drive

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

0:14

Hello and thank you very much for listening to this episode of The Billy Newman photo podcast.

0:23

I wanted to talk today a little bit about how much video I've been editing I don't know if you're in this position but now at least this year, this set of years these decades maybe what my work is but I seem to be editing more and more video as it comes through and I guess that's just part of media expansion as you sort of move on into time. You know, obviously I've talked about being a photographer and working on photos and media stuff so it'd be kind of expected that I would work on that stuff a lot or a lot professionally but really, I mean just personally I just mean like on my phone, or with other tools or with GoPros or with other systems like that I seem to be shooting and saving a lot more high quality high resolution video like I was talking about these 5.2k files I was getting off of one of the cameras I was shooting with and you think like oh man, that's a huge amount of data all that to say so I just went out and bought another four terabyte drive to save really just a video files

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187 Photos From The Sierras - Watching the Supermoon

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

0:14

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. I'm talking about another photograph of mine today this image comes from the Sierra Nevadas, down near Lone Pine, California. In Eastern California, that section of the Eastern cascades is really interesting. It's really quite remote out there, there's very few towns but this was an area called the Alabama hills. And there really an interesting kind of geological formation out there where the it's it's a certain type of sandstone I suppose. I don't know, really. But it's a certain type of erosion out there that looks really interesting set against the juxtaposition of these really sharp kind of pointed sets, or Well, I don't know, point instead of the mountain range, the Sierra Nevada is just a little bit past that you've seen it a ton of times. It's probably your Macintosh background right now. But it's a really cool zone. And this photograph looks back to the south during a really cool copper sunset, where we had a lot of bright color in the cloud f

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186 Recording Stock Video - Camped At a Mountain Creek - Sony A7R Camera Body

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

0:14

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Today I wanted to talk to you about my progress with working in the stock video market. super interesting stuff I'm sure everybody has, if they're interested in stock video, they probably got more experience in it than I do. But as someone who's just kind of more recently started, I've been trying to upload a lot of elements to a couple stock photography and stock video websites. I'm having a complication that because really, it seems like a lot of the staffs of these locations are, are quite slow to jump on the opportunity to add more video to their services agree Of course, they say that they will and it probably will happen but I guess specifically what I mean is that there doesn't seem to be an automated approval process. So even once you list some of these things out, like currently, I've been waiting about four and a half weeks for someone, some person physically in an office at this location, which is probably a very

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

0:14

Hello and thank you very much for listening to this episode of The Billy Newman photo podcast. And this photograph today comes from the lower Rogue River in Southern Oregon really cool area the Rogue River is awesome I think it starts up outside of Crater Lake and then kind of flows down through Southern Oregon comes out near near gold beaches i think but it kind of in this section I think it's cutting through some of the siskey range in Southern Oregon as that kind of goes down but really beautiful spot this is a blossom bar blossom bars one of the most technical or I think maybe maybe one of the most challenging or most infamous features on the Rogue River as you're going down there especially through the the wild and scenic section at least it seemed like that there was a few other things that seemed difficult but but this is a really tricky spot because so many boulders as you can kind of see in there, it makes that channel that navigable channel, really pretty narrow. And in this shot, we see this kayaker kind of right in the pocket of that that really tight stretch of the rapid there and blossom b

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184 Using Smugmug And Flickr - Scheduling Content

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

0:14

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. I wanted to talk a little bit about the smugmug purchase of flicker had you guys heard about this, it was sort of an interesting piece of photo news that I wasn't really sure if I had gotten to yet in any other piece of previously recorded media. But what I thought was interesting about it was that smugmug, a smaller company, kind of in the Bay Area, I think north of the Bay Area, if I understood right where it was, you know, a smaller team they've been around for, say, what, 11 years or so I guess I'd used them maybe seven or eight years ago. And it was interesting to hear that, that they had gone ahead and purchased what had been for the last decade, the ownership of a larger company, you know, the system of flicker, the social media network, and kind of media sharing site for photos of flicker that was owned by Yahoo. And it was interesting now that Yahoo is going to be sold off to parts of Verizon, I think, then I guess that this piece of flicker wa

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

183 Photographing Landscapes In The Wallowa Mountains, Sony Camera Systems For Multi-day Landscape Photo Trips

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

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About https://billynewmanphoto.com/about/

183 Photographing Landscapes In The Wallowa Mountains, Sony Camera Systems For Multi-day Landscape Photo Trips

0:14

Hello and thank you very much for listening to this episode of The Billy Newman photo podcast.

0:23

But yeah a couple things going on for the podcast today I just put up a photo of the world our walls, the wall Loughborough the allow mountains up in the ego cap wilderness. You guys have seen a ton of those photos from me so far. I like that place a lot. This was another photo from the backpacking trip that we did there back in mid September. And real cool trip, talked about it a couple of times in the podcast, but this photo was it was right where the the cabins were set up. There's this whole this whole side of the ironwood Lake area that kind of coves around and it's sort of above the waterline of the lake and over in that area probably 100 years ago before there was like a wilderness area or before there Well yeah, I guess before it was like a nationally designa

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often? Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

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Twitter https://twitter.com/billynewman

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About https://billynewmanphoto.com/about/

0:14

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Today we're gonna be talking a little bit about I think some of the 360 footers that I've been shooting at the waterfalls, some of the stuff up in the Mackenzie wilderness area, and some of it over like the three sisters wilderness area, so and then there's also cash budget stuff, we did a bunch of stuff on the coast, we did a bunch of stuff on hikes on bike rides, we had a friend with a motorcycle, drive it up a trail, that was cool. We shot over to Smith rock up to a couple of spots over in the high desert area, Eastern Oregon. Today, though, just for a minute, we're talking about some of the stuff that we did over proxy files, proxy files is a nice spot in Oregon, definitely a hiking destination that should be at the top of a lot of people's lists, especially for people that live I guess in the Willamette Valley area where you can get up on highway 126 and head out toward or if you're in the band area, and you want to come up that other way. But then you go up away up the 126, which is the main highway now. And then you take you take a

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ClubHouse Audio App

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often? Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

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About https://billynewmanphoto.com/about/

Billy Newman Photo Podcast | 181 Clubhouse Audio App

Hello, and thank you very much for listening to this episode of the Billy Newman photo podcast. Thanks for checking it out. I wanted to talk with you guys about the app clubhouses audio conference call app, new, I guess, type of social networking that's all surrounded or all applied to live audio calls, I think with like a group or an audience of people where there's like kind of chair, or you know, like a board of moderators of speakers. And then an audience of people who can listen in, and then, like, ask questions and talk about the topic with other people club, as I think it is still an invite-only application that you can get on iOS only. I don't know if there's an Android option for it yet. But the invite-only system, I think, is that where you get like, two invites per person, and then it kind of stacks up from there, I guess, depending on your usage of the app, or I think, depending on how many slots they have available to expand the service to I also understand that the application is, is I believe, organized arou

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NFT Art And Photo Minting

NFT photo galley, Opensea, Lazy minting, Gas fees.

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

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About https://billynewmanphoto.com/about/

180 Billy Newman Photo podcast mixdown NFT Art And Photo Minting

Hello, and thank you very much for listening to this episode of the Billy Newman photo podcast. Happy St. Patrick's Day appreciates you guys tuning into this episode and checking it out. I wanted to talk today about some information coming out about NF T's. And it's been a great, significant bit of news in the digital art market, at least in the last couple of weeks or something. And it might be a short-term bubble, but I thought I'd talk about it a bit. It's these, these non-fungible tokens in this kind of weird and abstract idea that I don't think we've seen explored yet, and it's going to make sense in the future, probably for digital spaces or something like that. But it's also kind of a strange idea. These NF T's, these non-fungible tokens, are these kinds of blockchain-backed tickets of pieces of art built into a smart contract so that you can have information about it. And it's, I guess, it's proof of origin to the owner. And

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

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About https://billynewmanphoto.com/about/

179 Billy Newman Photo podcast mixdown Photographing The Owyhee River

Hello, and thank you very much for listening to this episode of the Billy Newman photo podcast. I'm out, and on a trip, I made it out to Eastern Oregon. I've been camping out now for one night, and I got some gear tips to go over some stuff that I had prepped in advance for a trip out here and some stuff that's worked out to help me out. Staying out here in the cold, I have to tell you, and it's cold, it's wet, it's been wet, it's wintertime II, there's a lot of cold, damp sagebrush, a lot of wind, a lot of clouds, a lot of photographs too. So it's been fun. I've been making some progress on some photo stuff and have been kind of finally able to shoot some video stuff that I've wanted to get produced for a long time. So that has been an advance. And I'm happy that that has occurred. Today though, I wanted to focus on a set of equipment tips that I was talking about a few little things that have helped me out on this one. The first one is one that I've been doing for a couple of months now, but I have a lighter, and it's got about a

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If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

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About https://billynewmanphoto.com/about/

You can find my latest photo books all on Amazon here.

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. I appreciate you guys checking out this episode. I'm recording today. I'm out by the wildlife refuge, listening to some birds that are still here kind of wintering through the winter, the waters pretty high out here, sort of through the rains and stuff, we've been getting kind of recently, some of those, I guess, kind of regularly expected winter storms, but I'm doing pretty good. I've been kind of working on some computer stuff, trying to get some office and photo stuff sort of sorted out, which has been going pretty good.

I've also been trying to get ready for the sort of coming into the end of February. And now in March, April, May. And I'm hoping to kind of ramp it up a bit for some more stuff. But let me kind of prep and then head out on some day trips to Eastern Oregon, which has been relaxed. Haven't gotten that far yet. But right around the corner, I'm making the big trip, and I'm heading out toward the way river area, which is fantastic. I was talking about that a bit on the last one, and

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Edit photos in Lightroom library after 6 months, 1 year, 2 year, 5 year.

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

177 Billy Newman Photo podcast mixdown Second Edit For Past Photographs

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast appreciate guys checking out this episode of the show, I wanted to talk today about, about working through some of your photo library stuff again, and I've been doing that a bit through this part of the year. But I've been going back through my photo library; like I talked about before, I was trying to do some hard drive backup stuff so that I have my photo library copied over to a couple different locations so that I have everything kind of backed up more reasonably as I was talking about the three to one backup strategy on a couple podcasts ago. And so as I was trying to do that, I've been kind of going through those photographs, and then starting to do not re-categorizing but just kind of going through and grabbing some photos, putting them in a bit of side collection in Lightroom. And then I'm going back to those at the end of the day. And then I'

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Working with a tripod and filter to create long exposures effects in the daylight.

Blue hour exposures

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often? Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

176 Billy Newman Photo podcast mixdown Long Exposure Landscape Photographs

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Appreciate you guys checking out this episode recording here this afternoon about some stuff. I'm up to you. And some folks that have been working out, I've been trying to do some things with some long exposures this last couple of weeks, which has been pretty fun, it's tough in the wintertime, like probably what are you guys noticed too, as you're out shooting around. But, still, there's a lot of stuff in the wintertime and many opportunities, but there's sort of like limited daylight hours. And sometimes without like the, for landscape photos, if you're going into the Evergreen locations or snow, there's a lot of stuff you could do. But to kind of capture like a lot of color in the winter, it's tricky; sometimes it's a problem I have in the area that I'm in a lot to where a lot of the deciduous trees have

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Camping on the Oregon coast for a few nights. Driving national forest land in the Siuslaws. Using a recreation pass or northwest forest pass for pay sites on the Oregon coast.

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

175 Billy Newman Photo podcast mixdown Northwest Forest Pass For Day Use Site On the Oregon Coast

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Appreciate you guys are tuning in to check this episode out. It's mid-February right now coming up into it, I guess. Okay, early. And I wanted to talk about a recent trip I did over to the coast. I was out there camping for a couple of days; it was kind of cool. Right now, we're coming into one of the coldest snaps of weather for the year; as predicted, and I think I was looking at the Oregonian, it was saying, probably expected to be the coldest stretch of winter weather we've had since a snap-in February 2014. And I think I remember that went to like probably near like was that snowpocalypse the snowpocalypse that year in February, that was like a week of pretty heavy snow. I don't know if we're going there this t

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Traveling along the Oregon Coast during the winter, Working on landscape images near the ocean, Rockhounding the low tide, Metal detecting the beach, Flying RC planes, Cold weather sleeping bag options, Renting Telephoto Lenses, Photographing Winter Migration Of Bald Eagles

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

I am Billy Newman, a photographer and creative director that has served clients in the Pacific Northwest and Hawaii for 10 years. I am an author, digital publisher, and Oregon travel guide. I have worked with businesses and individuals to create a portfolio of commercial photography. The images have been placed within billboard, print, and digital campaigns including Travel Oregon, Airbnb, Chevrolet and Guaranty RV.

My photographs often incorporate outdoor landscape environments with strong elements of light, weather, and sky. Through my work, I have published several books of photographs that further explore my connection to natural places.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

174 Billy Newman Photo podcast mixdown Renting Telephoto Lenses, Photographing Winter Migration Of Bald Eagles

Thank you for listening to this episode of The

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Wet weather clothing kit. Layers for lower and upper body.

172 Wet Weather Clothing Kit Camping On The Coast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

I am Billy Newman, a photographer and creative director that has served clients in the Pacific Northwest and Hawaii for 10 years. I am an author, digital publisher, and Oregon travel guide. I have worked with businesses and individuals to create a portfolio of commercial photography. The images have been placed within billboard, print, and digital campaigns including Travel Oregon, Airbnb, Chevrolet and Guaranty RV.

My photographs often incorporate outdoor landscape environments with strong elements of light, weather, and sky. Through my work, I have published several books of photographs that further explore my connection to natural places.

Produced by Billy Newman and Marina Hansen

Link 172 Wet Weather Clothing Kit Camping On The Coast

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

172 Billy Newman Photo podcast mixdown Wet Weather Clothing Kit Camping On The Coast

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. I appreciate you guys checking out this episode. Appreciate you guys were listenin

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Review of camera gear I am packing for an upcoming trip to the coast.

171 Photo Gear Packing List

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

https://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

171 Billy Newman Photo podcast mixdown packing list

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. I appreciate you guys checking this episode out, and I am recording for, I think, like the middle of January; man, it's moving in already pretty fast. But I'm out here, traveling around, I finished up some stuff over in the high desert, and I was getting ready to repacking some gear after the pretty cool and pretty wet and rather cold. And I'm trying to go over some of my equipment and sort of getting it prepped and tightened up a little so that I have everything kind of packed up in a good way. And I'm putting together this packing list that will go up on my website here this week. And I also wanted to kind of talk about it on this podcast to so probably a lot of these podcasts, and I'll try and go through and talk a little about the stuff I've got to pack or some of the gear I've got to bring for some of this outdoor kind of travel photography, multi-day trips that I do.

And it works pretty well just for outdoor camping

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Elk wintering in the Willamette valley. The great conjunction of Jupiter and Saturn. Preparing a camping trip in winter weather conditions.

Download the January wallpaper.

View the black and white conversion photos on the blog.

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often? Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

170 Winter Camping In The High Desert

170 Billy Newman Photo podcast mixdown Winter Camping In The High Desert

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. I appreciate you guys checking out this episode—this recording. I'm out here at the wildlife refuge now started the new year. And it's a bit of a break in the weather. It's nice and clear right now. And I'm at a rise just after sunset. I'm looking out over some of the lands out there. It's cool earlier. I was clearing, and there's like a herd of elk that's in wintering now, which is pretty cool. It wasn't here a few weeks ago when I was back over in this area. But yeah, like I've been kind of coming over here sort of through December. And I haven't seen too many of them. But it's cool. Now, looking at the section of a field over here. It was cool.

There were like, I think, probably almost 30 of them, I guess, but most of them are cows and my binoculars, so I was able to pull up, and I saw I think I saw two with a pretty good rack of antlers on them. It was cool. The elk ant

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Hard drive backup strategy for 2021.

A 4TB drive that I use just died on me during early December. I have a back up of most of the data on the drive. 3-2-1 backup system.

Billy Newman Photo Podcast | 169 Backup And Archive

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

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Injuries from photo accidents outnumber wild animal attacks, Camp Stoves still the most risky. Molle clip light reviews Streamlight sidewinder. Coast clip light.

Billy Newman Photo Podcast | 168 Photography and Wilderness Risk

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

168 Billy Newman Photo podcast mixdown Photography and Wilderness Risk

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Appreciate you guys checking this episode out. I wanted to talk today about some more photography stuff. And then some more kind of outdoor wilderness, travel stuff that I was kind of interested in. Also, a cool space event is happening right about now. So it's fun but probably talk about a couple of those things in this episode. I wanted to talk about this idea that I've been reading in a book I was checking out, the wilderness skills and survival book put out by meat eater. I think Steve Rinella writes it. And you know, the group of people that put together the meat eater and the podcast, and a lot of that is where it gets a lot of the good information that I get for outdoor wilderness stuff is, is out of that podcast as our content shows and stuff, but a second of this passage in their book that I was reading, and he was talking about outdoor risk and wilderness areas. It was sort of it talked about it more broadly. But then it brought it down into the United States. And it was mentioned in the number of injuries, specifically deaths that have occurred in photography-related activities. And it was mentioned that that photography-related activity was one of the highest killers in the wilderness in the last decade, as we saw, like a big ramp-up of it. And I think worldwide, and it was the number somewhere around 230 deaths have occurred, I think concerning risky photo photos, or selfies, or kind of some different kinds of activit

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A small Coyote crossed the road, Canadian Geese, Work from home / Work from the road. Van life travel, Dirtbag travel, Overland travel, Wilderness backpacking

Billy Newman Photo Podcast | 167 Coyote Sighting

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

167 Billy Newman Photo podcast mix down Coyote Sighting

Hello, and thank you very much for listening to this level of the Billy Newman photo podcast. I appreciate you guys checking this episode out. Out here at the wildlife refuge, I'm recording some stuff out here. I've been trying to do some 50 is a video and some photos stuff while I'm out here and what's remarkable is the Canadian geese have started to make their migration down to the area. So this region that has wetlands over here, I guess why the land made it into a wildlife refuge, has elk in it like a herd of elk that come through and winter in this area. And then it also has like a ton of wetland out here where a bunch of geese and eat grits and different birds come through.

There's like a bunch of hawks is out in this field. There's are Eagles like bald eagles that come through and a pretty high number, I think a little later in the year or kind of like in like January, February, and March is when I see him out here like done in those fields. I think I've maybe talked about it last year when these this field you know you see like six or seven bald eagles floating out in the little trees out by the creekside.

Then they would come out flying around to be competitive with each other, making loops around each other to try and get a carry-in that don't know been left out in the field somewhere. So it's weird to see how these birds kind of act and how they operate and stuff, but that's cool about coming down to this Wildlife Refuge areas. It's not too far from the downtown area where I'm living in just a couple of minutes outsid

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Streamlight Flashlights and Cutting Christmas Trees In The Forest

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to

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Knife Sharpeners. Smiths and Work Sharp tools. Camping in mount hood national forest. Photographing Mt Hood in the fall.

165 Knife Sharpening In The Mount Hood National Forest

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

View Details

Rockhounding on the beach. Types of knife blades and steel.

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to

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163 High Desert Camping In October

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?

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162 Recording Landscape Videos In The Rain

Recording landscape video clips of Oregon in October. Creating time-lapse video of the clouds passing over the valley. Working with wet camera gear.

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

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161 Wool Down Gortex Layers For October Outdoor Work

Picking chanterelle mushrooms near the coastal mountains. Wool base layer clothing. Puffy insulation down vs synthetic. Gortex rain shell. Layers for October outdoor travel in the northwest.

161 Wool Down Gortex Layers For October Outdoor Work

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman

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160 Black And White Photo Conversions

Working with the gray mixer in Lightroom, adjusting color dynamics in grayscale. Black And White Photo Conversions. Strange gig working on video at a Permaculture farm.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often? Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, visit the Support Page here.

You can find my latest photo books all on Amazon here.

I am Billy Newman, a photographer and creative director that has served clients in the Pacific Northwest and Hawaii for 10 years. I am an author, digital publisher, and Oregon travel guide. I have worked with businesses and individuals to create a portfolio of commercial photography. The images have been placed within billboard, print, and digital campaigns including Travel Oregon, Airbnb, Chevrolet, and Guaranty RV.

My photographs often incorporate outdoor landscape environments with strong elements of light, weather, and sky. Through my work, I have published several books of photographs that further explore my connection to natural places.

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manf

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159 Film Scans From The Darkroom.com

Editing photos from a recent set of scans I got from The Darkroom. The 1st roll through a canon Eos film camera. Film fade.

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often? Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, visit the Support Page here.

You can find my latest photo books all on Amazon here.

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://ww

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158 Early Chanterelle Season

Scouting for Chanterelle mushroom areas. Camping around hunting season. Photography gigs at properties damaged by the fires.

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

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First Day Of Fall, Smoke on the west coast, Oregon Wildfires, Working on photos and writing.

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Y

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Oregon Wildfires

Smoke across the west coast, Oregon Wildfires 1 million acres burned, Phoenix, Talent, Blue River, Vida, Lyons, Gates, Detroit, Molalla, Estacada, Lincoln City

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often? Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

I am Billy Newman, a photographer and creative director that has served clients in the Pacific Northwest and Hawaii for 10 years. I am an author, digital publisher, and Oregon travel guide. I have worked with businesses and individuals to create a portfolio of commercial photography. The images have been placed within billboard, print, and digital campaigns including Travel Oregon, Airbnb, Chevrolet and Guaranty RV.

My photographs often incorporate outdoor landscape environments with strong elements of light, weather, and sky. Through my work, I have published several books of photographs that further explore my connection to natural places.

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

156 Billy Newman Photo podcast mixdown Oregon Wildfires

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast, recorded for the second week of September 2020. Thanks a lot for listening to this podcast.

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Hunting camps on public land in the John Day river canyon. Working with a GPS to scout locations year round. Smoke in Oregon. Lightroom photo development with controller. Editing with an Xtouch compact. Over-processing a raw file. Amplified sound with a PA.

Hunting Camps

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

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Developing Film And Converting MiniDV

Developing a roll of film. Converting Mini DV tapes from 2006. Camping around Mt. Jefferson. Viewing the meteor shower.

154 Developing Film And Converting MiniDV Tapes

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

Developing Film Converting MiniDV

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Billy Newman Photo Podcast Feed

https://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

154 Billy Newman Photo podcast mixdown Developing film and Converting old tapes

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast for the first week of September 2020. I hope everybody's doing well. Thanks a lot for checking out this episode. I wanted to talk a little about the start of September, some of the stuff I've been up to. It's cool, and I just finished a roll of film here pretty recently. Like I think during this last week when I was out traveling around, and I haven't finished a roll of film in a while, I've been shooting mostly on the digital camera that I've got kind

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Camping At An 8500 ft Mountain Peak

Camping on a mountain top, Finding cabins in the woods, Lookout towers on national forest land, 50 million years of geology.

Camping At An 8500 ft Mountain Peak

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.comor you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

https://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

153 Billy Newman Photo podcast mixdown Camping at an 8500 ft mountain peak

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast recorded for the second or almost coming up to the third week of August 2020. Made a cup of coffee this morning, and I'm out at that peak of the mountain out in Eastern Oregon.

Pretty cool spot up here that I was able to get to. I was looking around on the map. And I was able to find some spots that were old lookout towers like I guess they were like old like fire lookout towers for when there would be lightning strikes or other starts of fires for forest fires in the area. I have driven to a couple of them before, seven in Northern California. I'l

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Sandhill Cranes In A High Desert Meadow

Audio Fixed

Sighting big Sandhill Cranes in the mountains. Rockhounding on public land. Traveling forest service roads. Finding dispersed camp sites.

Produced by Billy Newman and Marina Hansen

Link Sandhill Cranes In A High Desert Meadow

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.comor you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

https://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

152 Billy Newman Photo podcast mixdown Sandhill Crane _2

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast recorded for the second week of August 2020. I'm out on a camping trip right now, and I'm in the back of my truck on the tailgate at a campsite in the Fremont winnaman National Forest in South Central Oregon. Pretty sure that's about where it would be. Maybe it's still Central Oregon. I think it's, it's still in the mountain area before you drop into the Great Basin, near the location that I was for the last podcast when I was talking about hanging out near that cabin, near a meadow. And since then, I've been driving kind of around throug

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Summer Thunderstorm Over Fremont Winema National Forest

Thunder in the high desert mountains, photographing a meadow in the evening, camping in the rain.

Produced by Billy Newman and Marina Hansen

Link Summer Thunderstorm Over Fremont Winema National Forest

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.comor you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

https://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

151 Billy Newman Photo podcast mixdown summer thunderstorm_1

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Be sure you guys are tuning in for the first week of August 2020. I'm out on a camping trip right now; I'm deep in the middle of the Fremont National Forest, where I've been driving around for a good part of the day. And it's not; it's not really high desert out here. I think it's still mostly like smaller pine trees. And then I think just a little further east if I were to drive where you would start to drop into the area, that would be like the Great Basin, I think that area that was the Inland Sea back during the Pleistocene period before the end of the last ic

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Comet Neowise

Viewing comet Neowise during its passage in late July 2020, remembering sighting Hal Bopp in 1997. What is a great comet? Photographing the night sky with a high iso and a wide angle lens, Traveling along the John Day River,

Produced by Billy Newman and Marina Hansen

Link Comet Neowise

Website Billy Newman Photo https://billynewmanphoto.com/

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About https://billynewmanphoto.com/about/

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.comor you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.https://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

150 Billy Newman Photo podcast mixdown Comet Neowise

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Appreciate you guys for tuning in to this episode recorded for the first week of August in 2020. And wanted to jump into a couple of the things I've been doing through the month of July and some outdoor camping and travel stuff I've been up to. I was going to run down some of that in this podcast today. I wanted to talk about a trip I made to Eastern Oregon. I think like last week before last is when I was out in this area, and I was trying to get some good observations in for comet nowise I'm not sure if any of you guys got to check that out w

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Wildflowers Foxglove And Oregon Grape

Produced by Billy Newman and Marina Hansen

Link Wildflowers Foxglove And Oregon Grape

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

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About https://billynewmanphoto.com/about/

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

https://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

149 Billy Newman Photo podcast mixdown wildflowers foxglove and oregon grape

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. I appreciate you checking this one out. I wanted to talk to you guys today, I think for what is today, the 12th of June 2020. A lot a lot of stuff going on right now in the world. But, in fact a bit about the ideas around media that I had around that no last podcast that I recorded. This one, I was going to get into a little bit of the outdoor stuff that I've been up to, and some of the photo editing bits that I was on and also I wanted to talk a little more about editing with a controller board. What is it called? I don't know. They, yeah, like a MIDI controller. So yeah, the first part I guess I wanted to talk about, we're heading out to the wildlife refuge area. That's out south

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Mixing With A Midi Controller In Lightroom and Logic Pro X

Working with a DAW. Recording tracks in a studio.

Mixing With A Midi Controller In Lightroom and Logic Pro X

The xtouch compact midi controller

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

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About https://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

https://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

148 Mixing With A Midi Controller In Lightroom and Logic Pro X

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast, recorded for the first week of June 2020. I hope everybody's doing good. I got a cup of coffee made over here, and I'm hanging out at my studio desk and trying to get a couple of minutes of recording to make a post up today. I hope everybody's been doing well. I have been hanging in there through the lockdown reopening been hanging in there through the protests that have started up a lot of news and stuff going on, a lot of pictures and stuff, a lot of new images from all the different media sources,

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Logic Pro 10.5

Logic Pro 10.5 . New features. Live loops. Quick Sampler. Multitrack recording in Logic. Using a DAW. Working in a studio running Sonar. Editing Podcasts and Radio with Adobe Audition. Never used ProTools.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

https://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

147 Logic Pro 10.5 BNP mixdown v2

Hello, and thank you very much for listening to this episode, Billy Newman photo podcast recorded for May 26, 2020. How's everybody doing today? I wanted to talk today about some stuff I've been doing this last week for the last few weeks. I've been talking about some outdoor stuff and some things related to the lockdown pandemic stuff, but I kind of change and change what I was talking about a little bit for this podcast. Still, I wanted to get into was some of the training stuff I've been looking into around Logic Pro 10.5 that has just come out recently. And I thought it'd be cool to go over a little bit of an overview of some o

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Smith Rock Urges Portland Not To Visit

DMV says renew your tags in July. Planting Marigolds. Gardening in May showers. Oregon State Parks reopen, Smith rock urges Portland not to visit.

Smith Rock Urges Portland Not To Visit

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

146-Billy-Newman-Photo-podcast_mixdown

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. appreciate you guys tuning in. I think it's May 16. Today 2020 of everybody's doing well, and I think this accounts for like the first, the first full day after the 15th, which marks the beginning of phase one reopening here in the Oregon area. I guess a lot of other states are sort of entering into the same kind of thing with the beginning of their reopenings. And starting up. I think the start of the I think it's like a lot of retail stores. I don't know what's still restricted. I think there's still like a number of private businesses that can't really can't really get started, it seems like a lot of restaurant stuff is still kind of held back, was it gyms or something? Maybe that's the kind of held back? It seems like, it seems like a lot of places are really kind of getting going. But maybe it's like California, I keep hearing news out of there probably because, you know, there's so many people in that area that that are, you know, producing media and stuff. But I keep hearing kind of strange rules out of the lockdown that sort of continues to go on and the LA County area and along like the California coast and that area. So it's kind of interesting to see how there's such a varied approach and the way that they're they're sort of bringing stuff back. What is it like Arkansas you can have? I'm gonna have a concert, or something. I think there's a place trying to drive in concert idea sounds kind of fun, really, you know, everybody pull up in a car. It a

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Oregon Public Land Reopenings

Billy Newman Photo Podcast | 145 Oregon Public Land Reopenings

15 degree sleeping bags. Down vs synthetic. Fishing for Trout on a bridge. Morning light, easy light. Oregon public land. National forest land open. Trailheads begin to reopen.

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

145-Billy-Newman-Photo-podcast_mixdown.txt

Hello, thank you very much for listening to this episode of The Billy Newman photo podcast recorded on May 11, 2020. How's it going? Thanks for checking this one. I finished up that camping trip I was doing up the mountain Creek there in the Cascades a couple days ago. What was that like Wednesday, I think it was like maybe like Tuesday, Tuesday night to Wednesday morning. I think that was the super moon that was coming up that night. If I remember right, and that was pretty cool. It was cool to see the full moon up there. And they always talk about the Super Moon, which is kind of a, I don't know, it's a little bit of a misnomer. But it's, it's cool to see to that thing to talk about happening every six months or so. Really, it's just kind of the oscillation of a bit of the eccentricities in the orbit of the moon that make it I think about 25,000 miles closer than its maximum, and then maybe about 25,000 miles further away. And it's distant maximum. But I think it's really only like a little bit of a sliver larger than it normally would be. If you notice though, it's a thing I learned way back. And I think that they show it at a scene in Apollo 13. But if you put your hand all the way out and you put your thumb up at all times, you're able to cover the entire Full Moon, just with your thumbnail. It's pretty wild, man, you can always like visualize the moon is being this really big thing in the sky. And really a lot of the time it's, it's just as big as your thumbnail it at arm's reach, which is kind of

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Creek Camp

Spring Camping on National Forest land during lockdown. Finding the snow line. Low Bridge!

Creek Camp

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

144-Billy-Newman-Photo-podcast_mixdown

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast recorded on May 6, 2020. How's it going? Thanks a lot for tuning into this episode, I'm catching up on sun, national forest land right now about cold Creek in an area, kind of outside of where I'm living in Oregon. And it's gone pretty well, we're having a good day, I'm just here by myself. So I'm doing a solo camping trip. It's the first solo night out I've done this year, and I'm excited to be doing it. I think it's gonna be kind of cool. It's been fun. So far too. It's been,

it's been pretty mellow. I'm out here at my campsite, I got my recording gear, rigged up and I'm at the tailgate of my truck, and made a fire earlier in the fire rank. And it's a pretty clear night, pretty mellow weather seems kind of cold up here. It's sort of a mountain. And I think it's close-ish to the snow level. But still a few. It's still a bit above me, I drove up to it earlier. So earlier, when I was coming in, I left at about noon today. And I took off and drove to town up into the forest and then up kind of on this meandering Forest Service road. And you think right now that you know, maybe a lot of stuff would be empty or or you're not in a lot of use. But really, when I got out here, I noticed a good bit of traffic, it's a nice day, it's May, it's may 6. So I bet people are kind of getting out and and just kind of given the environment that we're in right now where people don't get to, or you know, that are just kind of stuck at home or they didn't they're not at work or something, they're probably the for the first time, you know, a lot of free time for a lot of th

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Lockdown

Photography during lockdown...

I am Billy Newman, a photographer and creative director that has served clients in the Pacific Northwest and Hawaii for 10 years. I am an author, digital publisher, and Oregon travel guide. I have worked with businesses and individuals to create a portfolio of commercial photography. The images have been placed within billboard, print, and digital campaigns including Travel Oregon, Airbnb, Chevrolet and Guaranty RV.

My photographs often incorporate outdoor landscape environments with strong elements of light, weather, and sky. Through my work, I have published several books of photographs that further explore my connection to natural places.

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

143-Billy-Newman-Photo-podcast_mixdown

Hey, what's going on? Thanks a lot for listening to this episode of The Billy Newman photo podcast recorded. I think, What is it now? May 1, 2020. Wow, the way we went through the year, I hope everybody's doing good through the coronavirus pandemic that's been going on and going over the whole world now; it's pretty crazy. Here in Oregon, fortunately, it's maybe a little lighter, though, there's kind of the social dynamics that have changed pretty recently, or, you know, over the last 45 days has been a lot of businesses that are closed, you know, with the lockdowns and stuff and a lot of people not really getting out or moving around and really been the same for me. So I figured I

should be

doing some podcasting, which sounds like a good time. But yeah, I wanted to talk a little bit about some public land stuff that I've been doing, which has always been kind of fun. And there's still a little bit of stuff that you can do even with during a time like, like right now. Where there's the state lockdowns, I'm not sure which state you're in or how it is. There's dif

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Smith Rock Camping

by Billy Newman

Link Blog https://billynewmanphoto.com/posts Podcast https://billynewmanphoto.com/podcast/ Instagram https://www.instagram.com/billynewman/ About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast | 142 Smith Rock Camping

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

142

Hey, what's going on? This is Billy Newman and you're listening to the Billy Newman photo podcast. Appreciate you guys checking it out again. I wanted to touch into the day and talk about a trip that I just just finished up going on out to have to Central Oregon over to the high desert area in Eastern Oregon, I guess it's Eastern Oregon kind of over near the bend area. We went up to Smith rock this last week and did some camping out over there. Had a great time is it's pretty nice but we did the the hike over there at Smith rock and I guess I wanted to do just to ki

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DAPPS

Billy Newman Photo Podcast Feed

Produced by Billy Newman and Marina Hansen

Link DAPPS

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

https://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

You can find my latest photo books all on Amazon here.

141 DAPPS

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. A

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IPFS and Cakewalk Audio Recording

140 IPFS and Cakewalk Audio Recording

Billy Newman Photo Podcast Feed

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

https://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

140 IPFS AND CAKEWALK AUDIO RECORDING

Hello, and thank you very much for listening to this episode of The Billy Newman

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Mac Utilities

Utility programs I am trying out on the Mac.

iStat menus

Billy Newman Photo Podcast Feed

Produced by Billy Newman and Marina Hansen

Link Mac Utilities

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

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About http://billynewmanphoto.com/about/

https://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

139 MAC UTILITIES

Hello, and thank you very much

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IPFS and DTUBE

In this episode I talk about the Inter Planetary File System and Decentralized video platform D.TUBE

IPFS and DTUBE

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

Hey, what's going on? Thanks so much for listening to this episode of The Billy Newman photo podcast. My name is Billy Newman, I'm coming to you today to talk about a couple of things that have been on my mi

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Pop OS Linux

pop os

Open Source Photo Software

Produced by Billy Newman and Marina Hansen

Link Pop OS Linux

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

137 POP OS LINUX

Hello, and thank you very much for listening to this epis

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Working With Canon Camera Equipment

Billy Newman Podcast notes 2-8-2019

Produced by Billy Newman and Marina Hansen

Link Working With Canon Camera Equipment

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

136 WORKING WITH CANON CAMERA EQUIPMENT

He

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Creating eBooks For Apple Books

My process for creating the Western Overland Excursion eBook in 2012 and Working With Film eBook in 2013. Working with Apple Pages and Apple Books for digital publishing. Creating an account for iTunes Connect.

Produced by Billy Newman and Marina Hansen

Link Creating eBooks For Apple Books

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast v

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynew

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Backup Your Website

1-31-2019 Billy Newman

Produced by Billy Newman and Marina Hansen

Link Backup Your Website

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast for January 31, 2019. Thanks a lot for tuning into the program. Today,

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Billy Newman Photo Podcast | 133 1-30-2019

1-30-2019

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

Billy Newman Photo Podcast | 133 1-30-2019

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

133

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. My name is Newman. And

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Moving to Maui

Billy Newman Photo Podcast | Moving to Maui

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel gui

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Sahalie Falls 360 Video

"Sahalie Falls 360 Video" | Billy Newman Photo Podcast

Produced by Billy Newman and Marina Hansen

Link Sahalie Falls 360 Video

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

131

Hey, what's going on? Thanks so much for listening to this episode of The Billy Newman photo podcast. My name is Billy. And I'm ready to answer. And we're recording. In the studio today, we just got finished with a cool weekend ship over Memorial Day weekend where we had a little bit of extra time with the day off. And we did like a bunch of traveling and we recorded a bunch of stuff, which was pretty cool. It was kind of a special project. So that's what we're going to be talking about today. Marina, what kind of special work were we doing?

It was super cool. We were doing some 360 video and photo recording.

And it was really cool. Yeah, it was really interesting doing that. I did like a little bit of a podcast talking about the idea 360 video and some of the GoPro fusion stuff. But yeah, it was really interesting. Having the GoPro fusion for for

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Building Alexa Flash Briefings | Billy Newman Photo Podcast

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

Building Alexa Flash Briefings

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doin

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360 Video - Billy Newman Photo Podcast

Produced by Billy Newman and Marina Hansen

Link 360 Video

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

I am Billy Newman, a photographer and creative director that has served clients in the Pacific Northwest and Hawaii for 10 years. I am an author, digital publisher, and Oregon travel guide. I have worked with businesses and individuals to create a portfolio of commercial photography. The images have been placed within billboard, print, and digital campaigns including Travel Oregon, Airbnb, Chevrolet and Guaranty RV.

My photographs often incorporate outdoor landscape environments with strong elements of light, weather, and sky. Through my work, I have published several books of photographs that further explore my connection to natural places.

129

This episode of the Billy Newman photo podcast for May 21, 2018. My name is Billy Newman, you can find more of my work at Billy Newman photo.com. You can also see some more at Billy Newman on Instagram, if you'd like to check that out, I'm trying to put up some more, som

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Tax Day

"Tax Day" - Billy Newman Photo Podcast

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

128 TAX DAY.txt

Hey, what's going on? This is Billy Newman, and you're listening to the Billy Newman photo podcast for Monday. What is it April 16, 2018. I guess it's tax day tomorrow, right? The 17th. This year, normally, it's the 15th. But I fell on a Sunday. So then I guess they move it a couple days, I guess, Tuesday, they make it easier on you, if you've forgotten Monday. I fortunately for the first year and a few years have finished my taxes and have filed it, which is great. And kind of cool. And I finally did enough work this year to kind of file some deductions and sort of have stuff worked out for me, but man, like everybody's always talked about taxes are interesting to get used to. But it's really not a huge burden for me a lot of the time, because I don't make any money. A lot of the time, I guess that's a stipulation to pay taxes. So I got them there at least. But as it goes, taxes are du

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Social Media Scrub

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

Social Media Scrub

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more

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McKenzie River Photos

Produced by Billy Newman and Marina Hansen

Link

McKenzie River Photos

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

You can find my latest photo books all on Amazon here.

126

Hey, what's going on? This is the Billy Newman photo podcast for April 5, 2018. How you guys doing? Thanks a lot for tuning in. Thanks for downloading this podcast and checking out some

View Details

Linux Mint On A Black MacBook

Linux Mint On A Black MacBook | Billy Newman Photo Podcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

S

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Winter Photo Projects

Billy Newman Photo Podcast | Winter Photo Projects

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

124

Hey, what's going on? Thanks so much for listening to this episode of the billing and photo podcast and billing. I'm here with Marina Hanson. How you doing Marina? Hey, I'm doing well. Thanks, Billy. Thanks so much for doing some podcasts with me. It's December 4 2017. It's coming into winter pretty strong now. Feels pretty strong here.

Yeah, yeah. nice and cold today.

West Coast cold stuff the heaters been on all day? Yeah, it's been really cold. It's been like, pretty winter. Yeah. Or like the it's like

it has it's really misty in the morning. Yeah, everything's icy. Yeah, I got into start my car this morning. And all of the dew on my windshield was crystallized.

crystallized do? Well, yeah, I've been kind of running into a few of those things, too. In fact, like when I'm working outside, like, if I'm not prepped for it by wind chill, terribl

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Luminar 2018

Billy Newman talks with Marina Hansen about Luminar 2018.

Luminar 2018 | Billy Newman Photo Podcast

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

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A7R III and the Expanding Sony Mirrorless line

Billy Newman Photo Podcast | A7R III AND THE EXPANDING SONY MIRRORLESS LINE

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

122

Hey, what's going on? Thank you very much for listening to this episode of The Billy Newman photo podcast. I'm here with Marina Hanson. today. How you doing Marina? Hey, I'm doing well. I think it's pretty cool. We're back in the studio again. Yeah, it's cool. I love the new setup in here. I'm putting it together. And yeah, by the way, we put a little time into it and kind of set it up again. And I'm hoping that we do a bunch of it'll be fun. Yeah, I'm really excited about it. It's really cool. So Marina and I are photographers, we're based in the northwest, we shoot a lot of landscape photos. And we try and put together a bunch of different creative projects when we can we do a lot with internet and content marketing and branding stuff. And we're trying to put our hands in as many different places as we can right now. But before a while, we're gonna

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Driving Photo Service Roads

DRIVING FOREST ROADS AND PODCASTING | Billy Newman Photo Podcast

Produced by Billy Newman and Marina Hansen

Link Driving Photo Service Roads

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

121

Hey, what's going on? Thanks a lot for listening to this episode of The Billy Newman photo podcast. My name is Billy Newman, I'm a photographer. I'm based in the Northwest. And I try and shoot a lot of a lot of landscape work. If you're familiar with this podcast, maybe you're familiar with some of those photographs, as it turns out, I think, according to my, my statistics, there's about 17 people that seem to download this file on the regular. So it probably means you subscribe to the RSS that could be fake pings or tags or fake downloads, or just my devices. My either iPad downloading the file a second time, maybe that's all it is. But But yeah, wow, 17 people, you know, actually, whoever it is that's listening to this on pocket casts? How many? Thanks a lot for checking out my podcast. I know, it's not me. So I don't know, I see like a cou

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Advertising & Marketing For Photographers

Advertising & Marketing For Photographers - Billy Newman Photo Podcast

Produced by Billy Newman and Marina Hansen

Link Advertising & Marketing For Photographers

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Hey, what's going on? This is Billy Newman and you're listening to an episode of The Billy Newman photo podcast. And I'm a photographer based in the northwest, you can find me at Billy Newman photo calm at Billy Newman on Instagram. Today, I'm going to be talking about a few of the media pieces that I am working on putting together for the third of November 2017, it's been a good week. So far, it's really been way productive. I've been trying to cut together a ton of media stuff on the computer, I've been trying to do a ton more networking stuff on the phone, which has been way effective, I'm actually really happy, I'm trying to try to do more networking stuff and more, more like audience based distribution stuff or trying to find people and leads and you know, a market to kind of associate some of my photographs with. A

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Log Cabin in the Wallowa Mountains

LOG CABIN IN THE WALLOWA MOUNTAINS Billy Newman Photo Podcast

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often? Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

119

Hey, what's going on? Thank you very much for listening to this episode of The Billy Newman photo podcast. My name is Billy Newman. I'm a photographer based in the Northwest. My website is Billy Newman photo calm. My Instagram profile is at Billy Newman, you can say find me and the same at Billy Newman on Twitter and Facebook. Sure, I'm too. I'm sure you also but also YouTube are putting out more stuff on to YouTube, which has been kinda interesting. I'm trying to do these photograph introductions. So if I if I'm posting a photograph up on Instagram or anywhere else, I'm also trying to make a just a basic video version of me kind of talking about the photograph for a couple seconds. So those are going up on YouTube along with a bunch of other behind the scenes clips of us putting together photos and stuff. And seems like something going up every couple days there on to the YouTu

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Black and White Images From Imnaha

Billy Newman Photo Podcast | Black and White Images From Imnaha

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. My name is Billy Newman. I'm a photographer based in the northwest, and I try and shoot a lot of landscape images. I'm also working on a lot of commercial photography and product photography stuff. I'm trying to build my career in the arts, and you're listening to my podcast, it's on my website, and it's on iTunes, it's on a few other places that maybe you can find it if you googled it something about my name, or something about the title, but who knows what that's gonna be. Today, I'm talking about cool photo that I photographed in the imnaha River Canaan out in Eastern Oregon. And it's a one that I think I was talking about the other day on the podcast, but just went up on Instagram, that's at Billy Newman. And it's a black and white conversion of a raw file that I shot out in Eastern Oregon in

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Billy Newman Photo Podcast | 117 Black And White Images From Imnaha

Billy Newman Photo Podcast | 10-26 Black And White Images From Imnaha

Produced by Billy Newman and Marina Hansen

Link Imnaha

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Billy Newman Photo Podcast | 117 Black And White Images From Imnaha

Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. My name is Billy Newman. I'm a photographer based in the Northwest. And today I had a couple of things that I wanted to talk about that were based about some of the photography, business stuff that I'm trying to work on this week. And I think I just been going through editing a handful of photographs. And I wanted to talk about a few of the ideas that I had around that it was cool, I was gone through through an archive on a hard drive that I have for a bunch of the images from a lot of the camping that we did during September while we were out this this past year. And it was cool working with with the newer Sony cameras, like like I talked about a handful of times in

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Eastern Oregon Geology

Billy Newman Photo Podcast | 10-24 Eastern Oregon Geology

Produced by Billy Newman and Marina Hansen

Link Eastern Oregon Geology

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

116

Hello, and

thank you for listening to this episode of The Billy Newman photo podcast. My name is Billy Newman. I'm a photographer based in the Northwest. And this is a podcast covering some of the things that I am working on in the media industry for what is it October 24 2017. Coming up to the end of October already, I mean, I think, really like everything that's going to be Halloween, Halloween, or how the weekend is gonna be this weekend, right? Like the 28th 29th. And then a couple more days to what Tuesday is the 31st. And then we're November already. That's that's how the year is flying by. But man, I'm going to be 29 in like three weeks, I, I got a lot to do a lot. I'm still 28 it's gonna be busy. So that's what I've kind of tried to do as I'm trying to stay busy. But today, I just wanted to cover a couple things real quick, some of the pictures and stuff

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Teepee Rings In Eastern Oregon

Billy Newman Photo Podcast | Teepee Rings In Eastern Oregon

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often? Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

115

Hey, what's going on? This is Billy Newman and you're listening to the Billy Newman photo podcast for Thursday, October 19 2017. Does any of that sound right? Is it the 19th? I think it is. Yeah, it's probably something like that. But today, I'm recording a podcast. I'm in my truck. It's raining really hard. I don't know. Well, I'm sure I'm sure everybody that's on the west coast is starting to notice that we've had like a really cool week, two weeks, three weeks of October so far that have been really nice, or you know, generally pretty, pretty good weather. And I think even like Monday through the next week is going to be pretty nice also. So hopefully you have a good holiday weekend. coming up in just a little over a week of that. Yeah, we still get at least some dry weather before it kicks into that nasty wet rainy weather of Oregon in the winter. But it's weird kind of trends are starting to transition back

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Images And Clips From The Wallowas

Billy Newman Photo Podcast | Images And Clips From The Wallowas

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Hey, what's going on? This

is Billy Newman and you're listening to the Billy Newman photo podcast. It's October 12 2017.

I'm in my truck. I'm doing some work actually, wait. I'm not in my truck. I'm in this loaner car.

Because my truck still in the body shop, waiting for the dance and damage and the window that was busted out to be replaced. I guess they they tried to pull a window from like Portland from some shop for some glass shop, but it wasn't good enough or it wasn't or was out from I don't know what the deal was. But it was inferior glass. I was told that I have to wait for like, a whole week for GM to ship out a window OEM replacement from I don't know, somewhere somewhere in the Midwest. So that's great, right? But yeah, so I have this loaner car for a little bit longer. I've got some photo things that are going on which couple hiccups I guess hav

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A Broken Window And Video In The Alvord

Billy Newman Photo Podcast | A Broken Window And Video In The Alvord

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Hey, what's going on? This is Billy Newman and you're listening to the Billy Newman photo podcast for October 10 2017, how's it going? I'm working in the truck this afternoon, I'm trying to put together a quick little podcast as an update to some of the stuff that's been going on some of the media stuff that I've been working on. And I'm trying to, I guess, cover and explain it. A lot of times the podcast is just sort of me updating y'all on what kind of photos I'm working on. And what kind of media stuff is keeping me busy, are some of the media thoughts I've had over the week, if I jot them down, I try and like keep a little, a little notepad of like some little points that are supposed to make, but I hardly ever get to him. I don't know. They're about like, what cameras to look at that sort of stuff. But we we explained enough of it, though. So I'm here today, looking at a

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Billy Newman Photo Podcast | 112 Owyhee Canyon

Produced by Billy Newman and Marina Hansen

Link

Billy Newman Photo Podcast | 112 Owyhee Canyon

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

112

Hey, what's going on? This is Billy Newman and you're listening to the Billy Newman photo podcast for October was the third, something like that 2017. And I'm working on some photo stuff, we're going on some meaty stuff, I'm editing some photos, we're getting a pretty good bid down. That's cool. Sweets have been going by pretty nice. It's, it's October now it's like way cooler than it has been. You've seen like the sun start setting before seven o'clock, just like a big difference all of a sudden. But it's always weird kind of noticing the seasonal changes, they sort of move through. And it really comes on fast like the tree outside of our house, it's a maple in some kind of maple tree. They're both they're both maple trees, but they seem like they're just a little bit of a different variety. It's interesting that when you watch it, and one tree always comes on earlier in the year

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Selecting A Backpacking Trip In The Wallowa Mountains

Billy Newman Photo Podcast | Selecting A Backpacking Trip In The Wallowa Mountains

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

111

Hey, what's going on? This is Billy Newman and you are listening to the Billy Newman photo Podcast. I am out in my truck, I'm recording from the mobile studio, just my laptop and a microphone. And I sit out here with in an empty field next to some houseflies. But there's no house around, or the field flies, I wonder. But today I'm sitting out here and I'm thinking about a couple of the photo things that I've been trying to put up, I just posted one earlier, it was a backpacking photo that I'd taken. When we were out in the willow mountains up in the ego cap wilderness. That's a really cool spot. I've talked about it a ton of times before, but but it really is a special location as it goes even for Oregon, which is really blessed with a lot of very nice, very approachable photographable locations. But the will our mountains have always

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Billy Newman Photo Podcast | 110 Photos From Imnaha

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

Billy Newman Photo Podcast | 110 Photos From Imnaha

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

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Back From A Photo Trip And Editing with Capture One

Billy Newman Photo Podcast | Back From A Photo Trip And Editing with Capture One

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often? Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

109

Hey, what's going on? This is Billy Newman and you're listening to the Billy Newman photo Podcast. I am recording on the 21st of September 2017. I'm hanging out in the truck studio right now I got my computer out and the camera bag and stuff. I've been going through some media stuff. I'm surrounded by flies. Right now I'm out in the country. I'm a window up and I was sitting, I was eating some lunch, but it's strange out. Wherever I am. There's like a gazillion houseful. I think there's one on my phone right now. There's like 15 that are just swarmed into my truck, I haven't really, really dealt with that before. They're all over the place cannot be a little flies all over me. So today, I'm working on a bunch of photo stuff, I just got back from a big photo trip, which is really cool. It's why I haven't been doing a podcast for the last week, week and a half or so two weeks. And I

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Learning Unix Terminal Commands

Billy Newman Photo Podcast | Learning Unix Terminal Commands

Shooting weddings, working with Sony A7R autofocus and batteries at long events.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Hey, what's going on? This

is Billy Newman and you're listening to the Billy Newman photo podcast for September 1 2017. I'm coming out with another podcast today, I'll put it up on my website. Sometime later this afternoon, I figured I'll stop by a coffee shop or something, fill it up, out. In the truck in the mobile studio,

I'm

in the middle of a work day, I'm trying to get some media stuff finished it, I haven't put up many, many new things recently, which is a shame and always kinda ends up happening this time in August, I suppose. Say that I get busy. Or I get busy with stuff that's not this, I don't know. But ultimately, I was thinking about I need to jump in to Hootsuite I need to put up or you know, I need to like figure out and schedule a bunch of stuff and see if that can

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Billy Newman Photo Podcast | 107 Eclipse Totality

The total solar eclipse of August 21 2017

Produced by Billy Newman and Marina Hansen

Link Billy Newman Photo Podcast | 107 Eclipse Totality

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About https://billynewmanphoto.com/about/

107

Hey, what's going on? This is Billy Newman and you're listening to the Billy Newman photo p

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Gitzo Tripod

I picked up a vintage Gitzo tripod... and a cool Leitz ball head.

I talk about that. The A7R and the 'apoceclipse' of central oregon traffic.

billy newman photo podcast 8-18-2017

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

106

Hey, what's going on?

This is Billy Newman, and you're listening to the Billy Newman photo podcast for August 18, 2017. We're getting real close to the eclipse. I got some, some stuff to talk about some information about that coming up at the end of today's broadcast, as it were, but today, it's just Billy, I'm in the truck. I'm doing some mobile recording. And I have been thinking about a handful of things that I wanted to do a quick podcast about a couple updates of some of the stuff that I've been putting together, you know, I gotta get so I gotta get so tripod. It's kind of cool. I don't know if you guys know about that. There's, there's a couple of different tripod manufacturers. Seems to be the popular ones in the United States amongst the pro photography crowd. Bu

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Night Sky Meteor Shower

Look up and watch the meteor shower tonight and tomorrow night. Also lots of talk about developing new graphics for web projects...

Billy Newman Photo Podcast 8/11/2017

Night Sky Meteor Shower Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

105

Hey, what's going on? This is Billy Newman and you're listening to the Billy Newman photo podcast. It's August 11. Today remember the proceed meteor showers tonight and tomorrow night, I'm pretty sure cut out, look up toward the north, east after midnight and before dawn, and you'll look up toward the constellation Perseus where there's gonna be a bunch of meteors coming through or a bunch of, you know, shooting stars, it's gonna be awesome. It's a, it's gonna be pretty cool. There's a bit of a moon up tonight, though. So I guess you're gonna see a bit of that, but it's fine, you'll still see some shooting stars with some moonlight. Right now I am sitting in my truck; I'm enjoying an afternoon of August, writing in my journal a bit. I'm trying to sketch o

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Designing A Website Working With A 28mm Lens

Designing A Website Working With A 28mm Lens, watching the meteor shower.

Billy Newman Photo 8/10

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

104

Hey, what's going on? This

is Billy Newman. Thanks

a lot for listening to this episode of The Billy Newman photo podcast. Putting up an episode today talking about a couple of things that have been going on that are related to the photography that I'm putting together. And a couple of the other media stuff, or media news that I have to talk about. So first thing today last week, I was talking about how I just got the a seminar, it's the the new camera that I've been trying to push for. new to me, right, like, like I've talked about a couple times, I kind of try and push for older bodies a lot of the time. And I'd like doing that I think it's been fun, and it saves me a lot of money for for the needs that I have, at least at this time, the photos that I'm making, I like kind of thinking about the work that I need

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The Sony A7R Heat Wave

Billy Newman Photo Podcast | The Sony A7R heat wave and rebuilding a website.

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

Hey, what's going on? Thanks a lot for listening to this episode of The Billy Newman photo podcast. My name is Billy Newman. I'm a photographer. And I'm based in Oregon. I'm working on a handful of things today. And most days I'm trying to go through and I kind of, I kind of have this journal right, and I go through that journal, I write out some of the stuff that I'm going to be doing that day, some of the media stuff that I'm going to try and get up, I have a couple of goals, like what photos out to post or like what things I have to get to what kind of work projects have to work on, not what everybody does in their day. But I'm trying to talk about sort of the process of the photos and how I do stuff, how I get stuff. What's interesting to me. And I try and do that every day, every other day, every three days, who knows twice a week, something like that, of spending a couple of minutes

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The Dog Days Of Summer

The Night Sky Podcast |19 The Dog Days Of Summer

Sirius the dog star and the dog days of summer, Pine Mountain Observatory.

Produced by Marina Hansen and Billy Newman.

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

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Gear to Pack For Backcountry Travel

Backpacking equipment conversations | Gear to pack for backcountry travel | Camp stoves and water filters How to source inexpensive jackets and layers. Billy Newman Robert Biscarret

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link Gear to Pack For Backcountry Travel

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

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Thoughts on Producers And Artists Working With KEH

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Thoughts on Producers And Artists Working With KEH

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

100

Hey, what's going on? This is Billy Newman. And thanks a lot for listening to the Billy Newman photo podcast. Thanks a lot for checking out this, this audio feed, it's kind of cool, I'm trying to put up more stuff to it.

And trying to double post or kind of keep something coming out once a day, once every other day, a couple of these sort of mobile recordings a week, a couple of full podcast episodes from from some part of the feed a couple couple updates. I guess it's what we're going for, but it's going good. Talking about some of the photo stuff that I'm up to. I just posted a Hawaii clip was a clip from Maui this video clever just to find quick clip, I think Marina to get us kind of going through a bunch of the waves. I remember it was really cool. I liked this video clip. But I got a saying on that last podcast how I was going through. And I've been trying

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Get Out There Backpacking The Wallowa Mountains and King Range

Get Out There | 04 Backpacking The Wallowa Mountains and King Range

Backpacking stories from the Wallowa Mountains in northeast Oregon.

Robert talks about his experience backpacking through a thunderstorm.

Billy Newman Robert Biscarret

Get Out There Backpacking The Wallowa Mountains and King Range

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often? Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

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Adding Video To A Photography Workflow

Posting Video To YouTube | Adding Video To A Photography Workflow

Billy Newman Photo Podcast 7/31

instagram @billynewman

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

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Orcas Island, Photographs From Puget Sound

Billy Newman Photo Podcast 7/25/2017

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link Orcas Island Photographs From Puget Sound

Website Billy Newman Photo http://billynewmanphoto.com/

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Selling Camera Gear To KEH Traveling to Orcas Island

Selling Camera Gear To KEH Traveling to Orcas Island

Billy Newman Photo Podcast 7/24/2017

billynewmanphoto.com

Instagram @billynewman

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

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Make $2500 A Day As A Photographer ? Switching To Sony Gear

Billy Newman Photo Podcast | Make $2500 A Day As A Photographer ? Switching To Sony Gear

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link Make $2500 A Day As A Photographer

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

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Get Out There Fishing On The Rogue

Billy Newman Photo Podcast | Fishing On The Rogue, Finding A windbreak for camp 7-17

I am working on more fast mobile audio production for the Billy Newman Photo Podcast. Recorded on the mobile studio. Thinking about a few photographs that will be posted today.

Fishing On The Rogue, Finding A windbreak for camp 7-17

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

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Get Out There 03 Black Bears In Southern Oregon

Get Out There | 03 Black Bears In Southern Oregon

Hosted by Robert Biscarret and Billy Newman

Robert tells his story of navigating the technical rapids on the lower Rogue river.

Get Out There Podcast

billynewmanphoto.com

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Get Out There 03 Black Bears In Southern Oregon Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

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Night Sky Podcast 14 Mars In Retrograde

A rebroadcast of The Night Sky Podcast | 14 Mars In Retrograde originally recorded June 2016

Mars in retrograde, Mars at opposition, Observing the planets in the night sky over eastern Oregon.

Produced by Marina Hansen and Billy Newman.

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

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Get Out There 1 Navigating the Lower Rogue River

Rebroadcast on the Billy Newman Photo Podcast Feed Get Out There | 01 Navigating The Lower Rogue River

Get Out There | 01 Navigating The Lower Rogue River

Robert Biscarret and Billy Newman

Robert tells his story of navigating the technical rapids on the lower Rogue River.

Get Out There Podcast

billynewmanphoto.com

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

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Night Sky Podcast Viewing Canopus

I have decided to add all of the other great podcasts we have recorded in the studio to the main Billy Newman Photo Podcast feed.

This is a great podcast from 2016 after Marina and I were able to see Canopus.

The Night Sky Podcast | 09 Viewing Canopus

Jupiter at opposition, solar eclipse, lunar eclipse, viewing Canopus in the southern hemisphere.

Produced by Marina Hansen and Billy Newman.

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

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Outlining Writing and Journaling

Writing outlines in a journal. Hiking in the Columbia river gorge. Long exposure photographs of the night sky.

Billy Newman Photo Podcast | 89 Outlining Writing and Journaling

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

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Selecting A Portfolio And Creating Prints

A discussion on the importance of creating real physical prints. Developing a large portfolio of photographs.

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often? Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Billy Newman and Marina Hansen

Billy Newman Photo Podcast | 88 Selecting A Portfolio And Creating Prints

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

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Foxglove Growing Wild In The Oregon Mountains

Foxglove Growing Wild In The Oregon Mountains during the spring in Oregon.

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo https://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

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Spring Tulip Blooms in Northern Oregon

The Wooden Shoe tulip farm in northern Oregon is in full bloom during this time of year. I also talk to Marina about an image from the grasslands of eastern Oregon looking west to the windmill farms and Mt Hood.

Billy Newman Photo Podcast | 86 Spring Tulip Blooms in Northern Oregon

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

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Editing Photos Of Hart Mountain

Editing in Lightroom, Traveling to the Oregon high desert, dry lake bed, Oregon water erosion, Color and texture in the spring clouds above hart mountain.

Billy Newman and Marina Hansen

Billy Newman Photo Podcast | 85 Editing Photos Of Hart Mountain / Rabbit Hills Trip

Editing Photos Of Hart Mountain

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

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Powell Lake Arizona

Billy Newman and Marina Hansen discuss two photographs.

Photographing popular areas in the southwest along the utah / arizona border near lake powell

The mirrored shape of a tiki man is hidden in the rock walls of crater lake national park in Oregon.

Billy Newman Photo Podcast | 84 Powell Lake Arizona and the Crater Lake Tiki Man

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

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Sierra Nevada Landscapes

Billy Newman Photo | 83 Sierra Nevada Landscapes

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

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Rain At The Wildlife Refuge

Billy Newman Photo Podcast | 82 Rain At The Wildlife Refuge

If you’re looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here.

If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here.

You can find my latest photo books all on Amazon here.

Rain At The Wildlife Refuge

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

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Shooting A Roll Of 35mm Film Around Hart Mountain

Billy Newman Photo Podcast | 81 Shooting A Roll Of 35mm Film Around Hart Mountain

Shooting A Roll Of 35mm Film Around Hart Mountain

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Backroads Around Toketee Falls

Billy Newman Photo Podcast | 80 Backroads Around Toketee Falls

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman,

View Details

Billy Newman Photo Podcast | 79 HWY 395 Road Trip

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast Billy Newman Photo Podcast | 79 HWY 395 Road Trip

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman,

View Details

Billy Newman Photo Podcast | 78 El Capitan and The Lower Rogue

Billy Newman Photo Podcast | 78 El Capitan and The Lower Rogue

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman,

View Details

Billy Newman Photo Podcast | 77 Landscape Photos On Film

Produced by Billy Newman and Marina Hansen

Link Billy Newman Photo Podcast | 77 Landscape Photos On Film

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman,

View Details

Billy Newman Photo Podcast | 76 Wallowa Backpacking - Prehistoric Flowers - Longboarding

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast Billy Newman Photo Podcast | 76 Wallowa Backpacking - Prehistoric Flowers - Longboarding

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman,

View Details

Film Landscape From The Wallowa Mountains

Billy Newman Photo Podcast | 75 Film Landscape From The Wallowa Mountains

Produced by Billy Newman and Marina Hansen

Link Film Landscape From The Wallowa Mountains

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman,

View Details

Photographing The Alvord Desert

74 Photographing The Alvord Desert

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

View Details

Snow Days And New Film

Billy Newman Photo Podcast | 73 Snow Days And New Film

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours f

View Details

Scanning Film On A Snow Day

Billy Newman Photo Podcast | 72 Scanning Film On A Snow Day

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

Scanning Film On A Snow Day

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman,

View Details

Winter Around Mt Washington

Billy Newman Photo Podcast | 71 Winter Around Mt Washington

Produced by Billy Newman and Marina Hansen

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

View Details

Eugene Ice Storm

70 Eugene Ice Storm 12/19

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo lib

View Details

Crater Lake Panoramas and eBook Publishing

Billy Newman Photo Podcast | 69 Crater Lake Panoramas and eBook Publishing 12/10

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can

View Details

68 Three Long Exposure Photos 12/7

Produced by Billy Newman and Marina Hansen

Link Three Long Exposure Photos

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock

View Details

December Sunset Photos

67 December Sunset Photos 12/03

Produced by Billy Newman and Marina Hansen

Link December Sunset Photos

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

View Details

Billy Newman Photo Podcast | 66 Photos From November 12-07

Produced by Billy Newman and Marina Hansen

Link Billy Newman Photo Podcast | 66 Photos From November

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman,

View Details

Billy Newman Photo Podcast | 65 Camera Bags

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube https://www.youtube.com/billynewmanphoto

Facebook Page https://www.facebook.com/billynewmanphotos/

Twitter https://twitter.com/billynewman

Instagram https://www.instagram.com/billynewman/

About http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast

Gear that I work with Billy Newman Photo Podcast | 65 Camera Bags

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman,

View Details

Billy Newman Photo Podcast | 64 Film Images

Produced by Billy Newman and Marina Hansen

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here

View Details

Billy Newman Photo Podcast | 63 Photos At The Wildlife Refuge

63 Photos At The Wildlife Refuge 11-17

Produced by Billy Newman and Marina Hansen

Link Billy Newman Photo Podcast | 63 Photos At The Wildlife Refuge

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

View Details

Billy Newman Photo Podcast | 62 Editing Fall Photos

62 Editing Fall Photos 11-13-2016

Produced by Billy Newman and Marina Hansen

Link Billy Newman Photo Podcast | 62 Editing Fall Photos

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

View Details

Billy Newman Photo Podcast | 62 Editing Fall Photos

61 Photos from Imnaha

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

View Details

Billy Newman Photo Podcast | 60 Climbing Around Smith Rock

60 Climbing Around Smith Rock 10-28

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film

View Details

Billy Newman Photo Podcast | 59 Gear On The Lower Rogue

59 Gear On The Lower Rogue 10-24

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Fil

View Details

Billy Newman Photo Podcast | 58 Two Photos of A Magenta Sky

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Wo

View Details

Billy Newman Photo Podcast | 57 Abstracts From Yellowstone

57 Abstracts From Yellowstone

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here

View Details

Billy Newman Photo Podcast | 56 Riding the Wallowa Tram

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from

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Billy Newman Photo Podcast | 55 Hiking Past Cairns In Utah

55 Hiking Past Cairns In Utah

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here<!--

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Billy Newman Photo Podcast | 54 September Sunset Photographs

Produced by Billy Newman and Marina Hansen

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working Wi

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Billy Newman Photo Podcast | 53 Photos From Panoramic Point

Photos on instagram of marina and I at Panoramic point near Hood River.

In this podcast I also discuss the best camera two recommend To a friend.

Produced by Billy Newman and Marina Hansen

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

View Details

Billy Newman Photo Podcast | 52 New Use For Old Cameras

52 New Use For Old Cameras

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

View Details

Billy Newman Photo Podcast | 51 Wide Angles

51 Wide Angles

Produced by Billy Newman and Marina Hansen

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can downlo

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Billy Newman Photo Podcast | 50 Lenses Weddings Prints and Portfolio

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

Billy Newman Photo Podcast | 50 Lenses, Weddings, Prints and Portfolios

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

View Details

Billy Newman Photo Podcast | 49 Photos Of The Summer Stars

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear f

View Details

Billy Newman Photo Podcast | 48 Hart Mountain

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more of

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Billy Newman Photo Podcast | 47 New To Me Nikon D3

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me m

View Details

Billy Newman Photo Podcast | 46 Dave Swanson 4x4 on Coburg Ridge

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to h

View Details

Billy Newman Photo Podcast | 45 Wooden Shoe Tulip Farm

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from m

View Details

Billy Newman Photo Podcast | 44 Kayaking and Longboarding photos

Produced by Billy Newman and Marina Hansen

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Worki

View Details

Billy Newman Photo Podcast | 43 Selling Old Camera Gear

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from

View Details

Billy Newman Photo Podcast | 42 13 x 19 inch prints

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me

View Details

Billy Newman Photo Podcast | 41 Photo Backups

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

Billy Newman Photo Podcast | 41 Photo Backup

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here<!--

-->

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Billy Newman Photo Podcast | 40 Smith Rock In March

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me

View Details

Billy Newman Photo Podcast | 39 Maui Photographs

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

Billy Newman Photo Podcast | 39 Maui Photographs

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Fil

View Details

Billy Newman Photo Podcast | 38 Marina Hansen

38 Marina Hansen

Produced by Billy Newman

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film

View Details

Billy Newman Photo Podcast | 37 Justin Ross And Dave Swanson

37 Justin Ross And Dave Swanson

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here

View Details

Billy Newman Photo Podcast | 36 Negative Scans

36 Negative Scans

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

View Details

Billy Newman Photo Podcast | 35 Dave Swanson

35 Dave Swanson

Billy Newman Photo Podcast | 35 Dave Swanson

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Work

View Details

Billy Newman Photo Podcast | 34 Prepping For Eastern Oregon

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear

View Details

Billy Newman Photo Podcast | 33 Marina Hansen

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more o

View Details

Billy Newman Photo Podcast | 32 Snowshoeing

Produced by Billy Newman and Marina Hansen

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here

View Details

Billy Newman Photo Podcast | 31 Lightroom Photo Editing On YouTube

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want t

View Details

Billy Newman Photo Podcast | 30 Coffee Table Book

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me mo

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Billy Newman Photo Podcast | 29 Looking back on 2015

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me

View Details

Billy Newman Photo Podcast | 28 Dave Swanson

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more of

View Details

Billy Newman Photo Podcast | 27 Marina Hansen

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more o

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The Nightsky Podcast | 01 The 2016 Nightsky Calendar

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

Instagram  https://www.instagram.com/billynewman/

About   http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

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Billy Newman Photo Podcast | 26 Dave Swanson

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more of

View Details

Billy Newman Photo Podcast | 25 12-03-2015

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more ofte

View Details

Billy Newman Photo Podcast | 24 12-02-2015

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more oft

View Details

Billy Newman Photo Podcast | 23 Dave Swanson and Billy Newman

Billy Newman and Dave Swanson speak about how the changes of technology are reflected on our culture. Looking at points from 2000, 2005, 2010 and 2015

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

View Details

Billy Newman Photo Podcast | 22 Creating A Documentary In Eastern Oregon

Billy Newman speaks about an upcoming documentary project in Eastern Oregon, looking in to the early evidence of humans in North America.

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

View Details

Billy Newman Photo Podcast | 21 Dave Swanson

Dave Swanson joins the podcast to discuss this weeks selection of instagram accounts to follow.

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

View Details

Billy Newman Photo Podcast | 20 Instagram for the photographer

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

Billy Newman Photo Podcast | 20 Instagram for the photographer

Sharing your best photographs on instagram

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

View Details

Billy Newman Photo Podcast | 19 Computational Editing

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from m

View Details

Billy Newman Photo Podcast | 18 - Shooting Film in the Oregon desert

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Wan

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Billy Newman Photo | 17 Camping in Eastern Oregon

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me mo

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Billy Newman Photo Podcast | 16 The Lower Rogue River

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from m

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Billy Newman Photo Podcast | 15 Ultralight Flight over the willamette valley

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

View Details

Billy Newman Photo Podcast | 14

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?

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Billy Newman Photo Podcast | 13 Printing Personal Photos

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear fro

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Billy Newman Photo Podcast | Episode 12

64kbps

Billy Newman Discusses photography in the Mt. Jefferson wilderness area in central Oregon, the process of film scanning, 4x4 off road travel and camping.

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography:

View Details

Billy Newman Photo Podcast | 11

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?

View Details

Billy Newman Photo Podcast | 10

Gear that I work with

Professional film stock I work with https://imaging.kodakalaris.com/photographers-photo-printing/film/color

I keep my camera in a Lowepro camera bag

https://www.lowepro.com/us-en/magnum-400-aw-lp36054-pww/

When I am photographing landscape images I use a Manfrotto tripod

https://www.manfrotto.com/us-en/057-carbon-fiber-4-section-geared-tripod-mt057c4-g/

A lot of my film portfolio was created with the Nikon N80 and Nikon F4

https://www.kenrockwell.com/nikon/f4.htm

https://www.kenrockwell.com/nikon/n80.htm

The Nikon D2H and Nikon D3 were used to create many of the digital images on this site https://www.dpreview.com/reviews/nikond3 https://www.dpreview.com/reviews/nikond2h

Two lenses I am using all the time are the 50mm f1.8 and the 17-40mm f4

https://www.kenrockwell.com/nikon/5018daf.htm

https://www.kenrockwell.com/canon/lenses/17-40mm.htm

Some astrophotography and documentary video work was created with the Sony A7r

https://www.dpreview.com/reviews/sony-alpha-a7r

I am currently taking photographs with a Canon 5D

https://www.dpreview.com/reviews/canon-eos-5d-mark-iii

If you’re looking to discuss photography assignment work or a podcast interview, please drop me an email. Drop Billy Newman an email here.

If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here.

If you want to look at my photography, my current portfolio is here.

If you want to purchase stock images by Billy Newman, my current Stock photo library is here.

If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com.

If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here.

If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free.

Want to hear from me more often?

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Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

Instagram  https://www.instagram.com/billynewman/

About   http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

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Early Episodes of the Billy Newman Photo Podcast

01 Audio Equipment

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

Instagram  https://www.instagram.com/billynewman/

About   http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

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Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

Instagram  https://www.instagram.com/billynewman/

About   http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

View Details

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

Instagram  https://www.instagram.com/billynewman/

About   http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

View Details

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

Instagram  https://www.instagram.com/billynewman/

About   http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

View Details

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

Instagram  https://www.instagram.com/billynewman/

About   http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

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Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

Instagram  https://www.instagram.com/billynewman/

About   http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

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Early podcast from 2015

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

Instagram  https://www.instagram.com/billynewman/

About   http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

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Billy Newman Photo Podcast | 02 Podcasting Gear

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

Instagram  https://www.instagram.com/billynewman/

About   http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed

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Studio Record Test

Produced by Billy Newman and Marina Hansen

Link

Website Billy Newman Photo http://billynewmanphoto.com/

YouTube  https://www.youtube.com/billynewmanphoto

Facebook Page  https://www.facebook.com/billynewmanphotos/

Twitter  https://twitter.com/billynewman

Instagram  https://www.instagram.com/billynewman/

About   http://billynewmanphoto.com/about/

Billy Newman Photo Podcast Feed