Hope and Dread: Recent Episodes
Allan Schwartzman & Charlotte Burns
“Hope & Dread: Tectonic Shifts In Power In Art” is a documentary series examining recent clashes of power in culture. With interviews by more than 30 guests, from artists to museum directors, philanthropists to politicians, hosts Charlotte Burns and Allan Schwartzman - whose prior podcast, “In Other Words,” set the the standard for incisive arts discussions - lead us through provocative and thoughtful conversations about the future of the art world, asking who wields the power—and why.
In this bonus episode, we’re joined by the newly appointed director and CEO of the Solomon R. Guggenheim Museum and Foundation, Dr. Mariët Westermann, who is the first female appointed to the role. Mariët oversees the “constellation” of museums—four over three continents united, she says, in one mission, “to create opportunities for anyone to engage with the transformative and connective power of art and artists”. Mariët is inheriting opportunities and challenges, and we delve into some of those, from the back histories to the budgets. She talks to us about the future of the museum—from plans for the opening of the Guggenheim Abu Dhabi to the nuts and bolts of balancing the books. One of the key changes Mariët advocates for is a shift in the institutional mindset. Rather than taking a defensive stance, where the museum might try to address gaps or criticisms reactively, she hopes for a move towards a more open approach. "We are learning communities," she says. "We're full of curious people. Artists are curious." All this and much more in this special episode, which brings to an end our second season.
Join us for the almost final episode of this season where we welcome back our incredible team of editorial advisors who guide, suggest — and even challenge — what we’ve discussed this series. Joining us are Deana Haggag (program officer at the Mellon Foundation), Mia Locks (curator and co-founder of Museums Moving Forward), Jay Sanders (curator, writer, and director of Artists Space), and of course Allan Schwartzman, together with host Charlotte Burns. They reflect on the wonderful and wide-ranging conversations with our guests this season, about creativity, the nature of change, the future of museums, the balance between wealth and art, and new thinking in philanthropy. What if we focus on what’s urgent? What if we treat art like it’s essential? All this and much more...
What if you were embroiled in a public workplace controversy? And what happens on the other side of the headlines—would you walk away from your field, or would you reengage with it to try and improve upon it? This very special episode is a break from the norm. In it, we discuss museums and change—and what it takes to get to that change. We’re joined by three curators—Mia Locks, director and co-founder of Museums Moving Forward; Fatoş Üstek, curator and former director of the Liverpool Biennial; and Laura Raicovich, writer, curator, and former president and executive director of the Queens Museum. Each of them has been through a public furor. In those moments, they have found a lack of institutional support and, afterwards, each has shifted from their previous career paths. But each has reengaged with the field in more ambitious and ultimately hopeful ways. Museums can't be taken for granted. But what does it take to create change? Tune in now for more.
This time, we’re joined by the artist LaToya Ruby Frazier, just before the opening of her major new exhibition 'Monuments of Solidarity' at the Museum of Modern Art in New York. “This exhibition spiritually uplifts people,” she says. “It inspires people to be the change they need, but it also inspires them to be better human beings. To look beyond the self, to look beyond individualistic desires, to think about the fact that you are connected to an ecosystem and a world around you. People won't be the same. This is a transformative exhibition.” We delve into LaToya’s faith and the impact of art on our lives, its power not only to shine light into the darkness, but to move through people and communities and so to create profound, lasting change. Enjoy.
In this episode, we visit the Legacy Sites in Montgomery, Alabama, including the newly opened Freedom Monument Sculpture Park, a 17-acre site on the banks of the Alabama River. We interview their founder, the lawyer and civil rights hero, Bryan Stevenson, who says that a founding narrative of racial difference was created in America that “was like an infection. I believe the infection has spread. We've never treated that infection and the consequences of it are still with us today.” The US has never created cultural sites that have “motivated people to say, ‘never again can we tolerate racial bigotry, can we tolerate racial violence, can we tolerate the kind of indifference to these basic human rights’. So, that's what we're trying to achieve.” Hope and resilience inform the Legacy Sites. “I've always argued that hopelessness is the enemy of justice and that hope is an essential feature of what we do. I have to believe things I haven't seen,” Stevenson says. “I think we need an era of truth and justice, truth and reconciliation, truth and restoration, truth and repair,” Stevenson adds. “But we can't skip the truth-telling part.”
This time we welcome Karen Patterson, the Executive Director of the Ruth Foundation for the Arts. The organisation immediately became a major player when it launched in 2022, announcing plans to give away up to $20 million a year to arts organisations, thanks to a $440 million bequest from Ruth DeYoung Kohler. We delve into the what-ifs of philanthropy, the foundation's ethos, and its ambitious initiatives. Through a focus on generosity, experimentation, and consideration, Ruth Arts aims to transform the philanthropic landscape. “What if we made a big difference? What if people saw themselves as valuable?” Karen asks. “What if people saw themselves as cared for?”
“The market is poised for a big fall, so it's more ‘when’, than ‘what if’,” says Allan Schwartzman, founder of the podcast. He’s back on the show to talk all about the state of the art market and the broader implications of its changing dynamics for the artists and for the cultural landscape at large. "Greatness doesn't grow at the same rate as a population does," says Allan. "Greatness is extremely rare. And right now we're at a moment where I think there's greater confusion than ever about what actually is going on in art and what will be seen as significant 20 or 30 years from now."
We welcome back Kemi Ilesanmi, the former executive director of the Laundromat Project and one of the standout stars of our first season. In season one, Kemi was just about to head off on the trip of a lifetime around 13 countries, including ten in Africa. She promised to come back and tell us how the trip changed her ‘What Ifs.’ “I'm looking for freedom of movement, freedom of ideas, and freedom of manifestation of those ideas. Right now, it feels like I can only find that by working outside of any singular institution.” Kemi talks about creating a “beautiful, joyful, sustainable, cultural infrastructure for black and brown people across the globe” and asks, “What if that were possible? And what if I could help with that? And who else could help with that?”
For the second part of our interview with Koyo Kouoh, the chief curator and executive director of Zeitz MOCAA, we hear about how she has worked to overhaul the infrastructure of the institution internally as well as better connect the museum externally within Cape Town. Koyo talks about how “colonialism as an enterprise, as a model of global relating, has done a lot of harm that we are still mending and attending to.” She says: “That is a field of thinking, a space of emotion and knowledge that I am deeply passionate about. And that is why my investment in the space of Black geographies is so profound.”
Joining us from Cape Town in South Africa is Koyo Kouoh, the chief curator and executive director of Zeitz MOCAA for the first in a two-part special. Originally destined for a career in finance, Koyo talks about her journey into the art world, and from Basel in Switzerland to Dakar in Senegal, where she founded RAW Material Company in 2008. She tells us about her move to South Africa in 2019 to take over at Zeitz MOCAA, a new institution, but one in crisis. “We need to take the time to do the things that are urgent, that are essential, that are necessary,” Koyo says. “And, for me, building out institutions on the continent is a matter of urgency.”
Legendary art dealer Barbara Gladstone joins us for a very rare interview from the studio in New York. What would she do differently if she started a gallery today? “I probably wouldn't do it,” she says.
Barbara has been at the top of the business since the 1980s and now represents more than 70 artists and estates. She tells us how she started out with a small print business, and how things developed from there. We talk about art now, the future of the gallery, and what she would change about the art market, including the “idea that collecting is shopping, because I think that there is something that art adds to life,” she says. “What is really interesting is that it's not over,” she says. “It's not even over when the artist dies because there's constant evaluation and re-thinking going on. And when you put one work in proximity to another work 50 years later, something new can happen. I mean, I think that's why it's important.”
“West African culture is starting to become the future” says Phillip Ihenacho, the director of the newly established Museum of West African Art. What if you built a new museum in West Africa, where a glorious ancient history contrasts with a brutal colonial one? What if we really considered the full meaning of restitution and repair? Can a cultural organisation build a stable financial future by becoming its own landlord? Phillip and his team are building not just a new museum — but an entire neighbourhood set within the ancient walls of Benin City in Edo. Phillip talks to us about how talent and creativity are thriving in West Africa, where 70% of the population is under 30 and he talks frankly about the challenges of developing opportunities and infrastructure. This is an “incredibly important moment”, Phillip says. “We need to try and grab it with both hands, and take full advantage of it.”
In this episode, we welcome Jarl Mohn, the LA art collector and philanthropist who founded the E! Entertainment network in his professional life, among other impressive media and business ventures. Jarl became a DJ at a young age, partly in an attempt to escape the realities of life in a state foster home. Success in his professional career led him to the art world - which he initially distrusted as an industry “designed to take advantage of idiots like us”. Jarl talks to us about what changed his mind, and how he ended up building two distinct art collections. An ardent Angeleno, he tells us how LA is the future of art and reveals his secret dream of pulling off a very slow heist involving Walter de Maria’s ‘The Lightning Field’.
What if we write our own histories? What if we create the change we seek? In this episode, we talk to the President and Director of Sharjah Art Foundation, Hoor Al Qasimi, under whose watch, Sharjah has become one of the most influential centers for cultural creation and research in the Global South. From revamping art biennials to creating new universities, overseeing architectural triennials, running a fashion house, sitting on international museum boards, to curating large and small scale art projects around the world, Hoor Al Qasimi is perhaps one of the busiest people we have ever interviewed. At the heart of all of this is art, and Hoor’s profound belief in its essential ability to change us as people, and her insistence that this needs to be done by working together. Tune in for more!
Described as the “next generation of leadership”, in this episode we welcome Salome Asega, the director of NEW INC in New York and an accomplished artist, whose work is at the cutting edge of creativity and technology. Salome’s ability to look towards—and build—the future shines through in this conversation with host Charlotte Burns. Part of her work at NEW INC, she says, is about creating chance encounters for creative people that feel like “choosing your own adventure.” What if we focused on new inventions, narratives and opportunities? Tune in for more.
In this episode host Charlotte Burns is joined by artist Alvaro Barrington, who brings as much generosity of spirit to this conversation as he does to his art practice. Fundamentally curious, Alvaro wants to connect with as many people as possible and to make art that is as relevant to people today as Hip Hop was to him as a kid growing up in New York in the 1990s. But, as the art world has expanded, he says, it’s also become narrower in terms of who gets in. Alvaro is interested in changing that, creating less hierarchy and more connections. What if art could be as beloved as music by Beyonce or Taylor Swift? “Art has to be more in people’s lives,” he says, “It just has to figure that out.”
We’re back! In this episode, host Charlotte Burns talks to Jessica Morgan, the director of the Dia Art Foundation. She has revitalized the institution, which is celebrating its 50th anniversary, since arriving in 2015, bringing new energy and distinct vision to the museum and creating change behind-the-scenes as much as she has to the work on display. In this episode Jessica talks openly about the museum field, from funding structures to her future plans, from unions to boards. What if Jessica ran the art world? She tells us what she would do first.
Welcome back to The Art World: What If…?! the podcast all about imagining new futures. To kick off the second season in style, host Charlotte Burns is joined by the phenomenally talented, Grammy-nominated, singer and songwriter, Alice Smith who is, she says, currently at work on her masterpiece. This is a frank, free — and very fun — conversation, with lots of surprises. Alice delves into what it really means to be creative, and why it matters. What if she could pick her dream role? You might be surprised. Tune in for more.
Welcome back to The Art World: What If... ?! the podcast all about imagining new and better futures. There are some fantastic guests lined up for this second season, leading creative thinkers from all around the world, ready to talk to our hosts Allan Schwartzman and Charlotte Burns. Tune in! New episodes drop every Thursday starting 25 January.
This time hosts Charlotte Burns and Allan Schwartzman welcome their team of editorial advisors Deana Haggag, Mia Locks and Jay Sanders. They’re the brilliant trio who’ve helped steer this season’s conversations acting as an independent sounding board lending editorial advice and expertise - all essential in the creation of this podcast. This is (almost) the season finale - so time to reflect and look back at some of the surprises, delights and, of course, the many "What Ifs". Listen out in the next few weeks for some special bonus episodes!
What if we supported artists in taking moonshots? This week we’re taking a tour around Glenstone museum in Potomac, Maryland - one of the largest and most ambitious private institutions in America, fusing art, architecture and nature. This wide-ranging conversation between Glenstone’s co-founder and director, Emily Rales and host Charlotte Burns covers the art inside the museum and how to create more meaningful visitor experiences, to the Glenstone foundation and future philanthropic plans. “Our values are immutable,” Emily says. “Art is essential to life. And sometimes when I say that to people, they're like, what does that even mean? But I really believe that art is essential to our civilization and to humanity.” She adds: “Long-term defines the way we think. We're not intending to go out guns a-blazing and then sun-setting the foundation within 20 years. We want this to continue to be sustained in perpetuity—and we really mean that.”
What if we made more mess? What if we could sit with discomfort? This time Charlotte Burns talks to one of her heroes, the artist Pope.L. Probably best known for his public performance art including his legendary crawls, Pope.L has risked his own safety for his work — and he isn’t finished yet. An artist whose practice is as varied as it is profound, Pope.L makes art across media, time and space. He talks to Charlotte about his new work for a major exhibition involving confederacy monuments, about working with institutions and about his goal to make more mess. “Oh man, you know, like removing every wall in a space and just having no differentiated areas," he says. "That would be one way. The other one would probably be the use of outside and inside. Don't make that a differentiation and then have them agree that we'll do the show in winter. That would be fun!”
What if we trusted artists more? This episode Charlotte Burns is joined by Kathy Halbreich, the outgoing director of the Robert Rauschenberg Foundation, who’s led some of the most dynamic institutions in the art world. They discuss freedom, finances and what the future holds for museums and those who work in them. “You could not pay me enough money to be a museum director at this point in my life,” says Kathy. “Maybe that's just because I really know what the job is and I think it is one of the most misunderstood and genuinely taxing jobs.”
Time to take stock this episode with hosts Charlotte Burns and Allan Schwartzman. We look back at some of the big ideas that have emerged throughout the series so far. From change and creativity, to finance and futures, we discuss what’s amazed, delighted—and even filled us with hope. "I think a lot more about excess than abundance," says Allan. "There is a generosity with which the word abundance has been used by a number of the people we've interviewed. I think that that sense of generosity and of abundance comes from an awareness of what the opposite is. And each of these people, in their own way, is either being given power or seizing power — and doing so to create a better world." Tune in for this very special episode.
We’re still in the city of angels for our second special episode asking ‘What if LA is the future?’ Join host, Charlotte Burns, as she drives from the East Side to Korea Town and out to Santa Monica. We visit the studio of artist and filmmaker, Cauleen Smith, whose life and work centers around building a better world. We also drop in on Kibum Kim, partner and co-founder at Commonwealth and Council - a gallery building a supportive community of artists - who wants to challenge the high-speed efficiency of the current art world model. Both embody what it means to live in the realm of possibility. “I guess what I'm doing is always looking to the relatively recent past of models where people really did do things differently quite successfully,” says Cauleen. Tune in, and subscribe, for more.
What if Los Angeles is the future? This episode Charlotte Burns visits the city for the first of two extra special episodes. We’re at the Hammer museum with its Chief curator, Connie Butler, before heading over to meet Sue Bell Yank who’s Executive director at Clockshop. Both are experimenting with how to do things differently and how to make LA a sustainable place to be and to create art. Nowhere encapsulates the need to imagine radical new possibilities more than Los Angeles. “LA is an amazing place to think about what our possible futures could look like,” says Sue Bell Yank. “It's a place that’s at the bleeding edge of a lot of crises, from wildfires to floods. How cultural organizations fit into that is really interesting.” Join us for more.
What if it were possible to dream up entirely new things? Join host Charlotte Burns as she interviews one of the most interesting artists working today. American Artist — who changed their name in 2013 — produces deeply thoughtful work that is as enmeshed in digitization and technology as it is history and alternate realities. American talks about how their art tackles police violence in the US. They also discuss a newer body of work centering on the life and writings of sci-fi novelist, Octavia E. Butler. American says their work is ultimately hopeful: “If I didn’t feel strongly that things could change I wouldn’t even bother. But I want everyone else to try as hard as I do.”
This episode, Charlotte Burns is joined by Rashida Bumbray whose career straddles different realms within culture. A choreographer and curator, Rashida aims to create new spaces of imagination, empowerment, and connection. While the data and the daily realities of the art world can reflect a scarcity, Rashida’s work—notably the recent organization of artist Simone Leigh’s Loophole of Retreat Summit in Venice—reflects an abundance that is intergenerational, interdisciplinary, and inspirational. This summit represented new possibilities, showing the way to new futures through history, excellence, and potential. A giant 'What If' made real. Subscribe for more.
In this episode, we get into some of the biggest What Ifs —about virtue and value, about life and loss. Host Charlotte Burns is joined by one of the most thoughtfully provocative (or cunning, as he’d say), artists of our time, Paul Chan. He made his name in the early 2000s with film and media works, and by 2008 had found significant success. Then, he stopped making art. Now he’s back with a show called Paul Chan: Breathers, where, influenced by sky-dancers, he literally shapes air. He says “Maybe one way to talk about pleasure is a capacity to control our own time. Time may be the only non-human thing I really care about losing. I can lose everything. I think I've lost everything. I'm willing to lose it all, but I'm not willing to lose time, and that to me is more precious than anything else.”
What if the art market had more faith in its own future? What if we could improve the health of the swamp? This episode, we consider the state of the market and who better to join Charlotte Burns than co-host, the art advisor Allan Schwartzman, along with Joeonna Bellorado-Samuels, director at Jack Shainman Gallery in New York and founder of We Buy Gold. Together they discuss the boom and bust, aspiration and desperation - and much more besides.
What if we reimagine the role of the museum? What if we bring more intention to what culture can be and do—and by whom and for whom? What if we tell ourselves different stories? In this episode, host Charlotte Burns talks to Sandra Jackson-Dumont, the CEO and director of the Lucas Museum of Narrative Art—a new museum founded by filmmaker George Lucas and his businesswoman wife, Mellody Hobson. The institution, which is set to open in Los Angeles in 2025 is one of the most potentially exciting museums in America or around the world, given the scope of its ambition and size. Sandra says: “We’re building an institution, a 200+ year proposition. And we’re doing it amidst the most uncertain moments in our time.” Who better to help us tackle hypotheticals— including dismantling the idea of high and low, and entirely new ways of thinking about art? Join us and tune in.
What if the world was without ethics? What if financial value was no longer the way we talk about success? Cecilia Alemani, artistic director of the 59th Venice Biennale and director and chief curator of High Line Art in New York City joins host Charlotte Burns to discuss the role of the curator today.
Cecilia masterminded the recent Biennale through the pandemic to rave reviews, notably for the cool manner in which she presented a new version of art history, bringing focus without fanfare to female and non gender conforming artists and to Indigenous artists. Tune in for more.
What if we all name our dreams before following them? This episode we welcome Kemi Ilesanmi, the now-former Executive Director of The Laundromat Project, the non-profit focusing on the art of the everyday, amplifying community and artists as citizens and change agents. This show is all about what ifs, and Kemi operates from that place of abundant possibility. What if businesses invested in their staff, seeding future next generations? What if arts organizations functioned as community assets? Tune in for more.
What if we separated who funds the museum from who runs the museum on a board level? This episode, host Charlotte Burns welcomes Glenn Lowry who’s been the director of the Museum of Modern Art in New York since 1995. He's led the institution through two vast expansions, and, of course, periods of profound change. This is a frank and revealing conversation covering a lot of ground. What if competition and collaboration were the same? What if museums refuse to take in so many works of art? Join us for more.
“Not just what if—but what are we missing?” In the first episode of this new podcast, host Charlotte Burns is joined by Naomi Beckwith, the Deputy Director and Jennifer and David Stockman Chief Curator of the Solomon R. Guggenheim Museum. Someone actively working to recalibrate the field in the most exciting and dynamic ways, Naomi starts this episode with science before moving onto museums—and how we can create change. What if our textbooks were Black? What if we decentered the Western world in conversations about art? Tune in for more.
Welcome to The Art World: What If...?! the latest podcast from the makers of In Other Words and Hope & Dread. The first episode will be available on 12 January 2023 and new shows will come out every Thursday.
Hope & Dread Extra: Phyllis Mitz brings you a vision for the future in this interview with astrologer Phyllis Mitz.
Hope & Dread Extra is a series of short, sharp bonus episodes featuring your season favorites from Hope & Dread. Our guests were brimming with additional ideas and extra insights that we just didn’t have room for within the documentary series. But we didn’t want to leave them on the cutting room floor. Join hosts Charlotte Burns and Allan Schwartzman for new Hope & Dread Extra every Tuesday and Thursday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Hope & Dread Extra: Maya Benton features photography curator Maya Benton, who talks about staring down Neo-Nazi protestors.
Hope & Dread Extra is a series of short, sharp bonus episodes featuring your season favorites from Hope & Dread. Our guests were brimming with additional ideas and extra insights that we just didn’t have room for within the documentary series. But we didn’t want to leave them on the cutting room floor. Join hosts Charlotte Burns and Allan Schwartzman for new Hope & Dread Extra every Tuesday and Thursday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Hope & Dread Extra: Sandra Jackson-Dumont brings you more from the inaugural director and CEO of the Lucas Museum of Narrative Art, which is scheduled to open in Los Angeles next year.
Hope & Dread Extra is a series of short, sharp bonus episodes featuring your season favorites from Hope & Dread. Our guests were brimming with additional ideas and extra insights that we just didn’t have room for within the documentary series. But we didn’t want to leave them on the cutting room floor. Join hosts Charlotte Burns and Allan Schwartzman for new Hope & Dread Extra every Tuesday and Thursday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Hope & Dread Extra: Issy Wood brings you a conversation with the talented young artist Issy Wood.
Hope & Dread Extra is a series of short, sharp bonus episodes featuring your season favorites from Hope & Dread. Our guests were brimming with additional ideas and extra insights that we just didn’t have room for within the documentary series. But we didn’t want to leave them on the cutting room floor. Join hosts Charlotte Burns and Allan Schwartzman for new Hope & Dread Extra every Tuesday and Thursday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Hope & Dread Extra: Kathy Halbreich features a conversation with Kathy Halbreich, the executive director of the Robert Rauschenberg Foundation, about why she has put artists at the center of her vision of creating change.
Hope & Dread Extra is a series of short, sharp bonus episodes featuring your season favorites from Hope & Dread. Our guests were brimming with additional ideas and extra insights that we just didn’t have room for within the documentary series. But we didn’t want to leave them on the cutting room floor. Join hosts Charlotte Burns and Allan Schwartzman for new Hope & Dread Extra every Tuesday and Thursday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Hope & Dread Extra: Black Trustee Alliance focuses on a new organization—the Black Trustee Alliance—that hopes to bring change to the museum field. Tune in to hear from the collector and philanthropist Victoria Rogers, who is co-chair of BTA and Brooke Minto, its executive director.
Hope & Dread Extra is a series of short, sharp bonus episodes featuring your season favorites from Hope & Dread. Our guests were brimming with additional ideas and extra insights that we just didn’t have room for within the documentary series. But we didn’t want to leave them on the cutting room floor. Join hosts Charlotte Burns and Allan Schwartzman for new Hope & Dread Extra every Tuesday and Thursday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Hope & Dread Extra: Lulani Arquette brings you the highlights of our interview with the president and CEO of the Native Arts and Cultures Foundation, which is in the middle of an expansion into a new building in Portland, Oregon.
Hope & Dread Extra is a series of short, sharp bonus episodes featuring your season favorites from Hope & Dread. Our guests were brimming with additional ideas and extra insights that we just didn’t have room for within the documentary series. But we didn’t want to leave them on the cutting room floor. Join hosts Charlotte Burns and Allan Schwartzman for new Hope & Dread Extra every Tuesday and Thursday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Hope & Dread Extra: Dr. Kelli Morgan brings you more from Kelli Morgan, who recently left the museum field for academia after experiencing profound racism. She is now the professor of the practice and director of curatorial studies, history of art and architecture at Tufts University in Massachusetts.
Hope & Dread Extra is a series of short, sharp bonus episodes featuring your season favorites from Hope & Dread. Our guests were brimming with additional ideas and extra insights that we just didn’t have room for within the documentary series. But we didn’t want to leave them on the cutting room floor. Join hosts Charlotte Burns and Allan Schwartzman for new Hope & Dread Extra every Tuesday and Thursday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Hope & Dread Extra: Tiffany Sia features the artist, filmmaker, and writer Tiffany Sia who recently left Hong Kong for fear of her safety..
Hope & Dread Extra is a series of short, sharp bonus episodes featuring your season favorites from Hope & Dread. Our guests were brimming with additional ideas and extra insights that we just didn’t have room for within the documentary series. But we didn’t want to leave them on the cutting room floor. Join hosts Charlotte Burns and Allan Schwartzman for new Hope & Dread Extra every Tuesday and Thursday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Hope & Dread Extra: Lord Ed Vaizey brings you more from the former UK culture minister, Lord Vaizey of Didcot, who ran the Department for Culture, Media and Sport from 2010 to 2016 under a Conservative government.
Hope & Dread Extra is a series of short, sharp bonus episodes featuring your season favorites from Hope & Dread. Our guests were brimming with additional ideas and extra insights that we just didn’t have room for within the documentary series. But we didn’t want to leave them on the cutting room floor. Join hosts Charlotte Burns and Allan Schwartzman for new Hope & Dread Extra every Tuesday and Thursday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Hope & Dread Extra: Max Hollein brings you some highlights from our interview with the Marina Kellen French Director of the Metropolitan Museum of Art in New York, who talks about his vision for the museum.
Hope & Dread Extra is a series of short, sharp bonus episodes featuring your season favorites from Hope & Dread. Our guests were brimming with additional ideas and extra insights that we just didn’t have room for within the documentary series. But we didn’t want to leave them on the cutting room floor. Join hosts Charlotte Burns and Allan Schwartzman for new Hope & Dread Extra every Tuesday and Thursday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Hope & Dread Extra: Michael Armitage focuses on a conversation with artist Michael Armitage, who recently founded the Nairobi Contemporary Arts Institute (NCAI).
Hope & Dread Extra is a series of short, sharp bonus episodes featuring your season favorites from Hope & Dread. Our guests were brimming with additional ideas and extra insights that we just didn’t have room for within the documentary series. But we didn’t want to leave them on the cutting room floor. Join hosts Charlotte Burns and Allan Schwartzman for new Hope & Dread Extra every Tuesday and Thursday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Hope & Dread Extra: Hamza Walker brings you more from a season favorite—Hamza Walker, the director of LAXART in Los Angeles—who talks about an exhibition of decommissioned Confederate monuments he is co-organizing with artist Kara Walker.
Hope & Dread Extra is a series of short, sharp bonus episodes featuring your season favorites from Hope & Dread. Our guests were brimming with additional ideas and extra insights that we just didn’t have room for within the documentary series. But we didn’t want to leave them on the cutting room floor. Join hosts Charlotte Burns and Allan Schwartzman for new Hope & Dread Extra every Tuesday and Thursday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Hope & Dread Extra: Amy Webb brings you more from the futurist Amy Webb, founder and CEO of the Future Today Institute and author of The Genesis Machine: Our Quest to Rewrite Life in the Age of Synthetic Biology.
Hope & Dread Extra is a series of short, sharp bonus episodes featuring your season favorites from Hope & Dread. Our guests were brimming with additional ideas and extra insights that we just didn’t have room for within the documentary series. But we didn’t want to leave them on the cutting room floor. Join hosts Charlotte Burns and Allan Schwartzman for new Hope & Dread Extra every Tuesday and Thursday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
For the final episode, hosts Charlotte Burns and Allan Schwartzman are joined by the series’ editorial advisors, Deana Haggag, Mia Locks and Jay Sanders. They’ll highlight key discoveries and plot some of the changes that have occurred during production of the programs. Where does power reside now in the art world? What does that mean for broader society? And, of course, in the middle of 2022, do our guests feel inclined toward Hope or Dread? Tune in for more.
Guests: Deana Haggag, Mia Locks, Jay Sanders
As shifts in power scramble the chessboard, how are our guests reacting to the pace of change? Our interviewees—from critics to museum directors, philanthropists to an astrologer—share their tips for dealing with discomfort. The stakes are high: tune in to hear some of the solutions.
New episodes available every other Wednesday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Guests: Lulani Arquette, Maya Benton, Tim Blum, Roxane Gay, Deana Haggag, Kathy Halbreich, Phyllis Mitz, Dr. Kelli Morgan, Tiffany Sia, Hank Willis Thomas, The Rt Hon Lord Vaizey of Didcot, Hamza Walker and Amy Webb
In the second of two episodes dedicated to the art market, Charlotte Burns turns to her series co-host; the richly experienced art advisor, critic and curator Allan Schwartzman, as he offers his understanding of where the market sits now—and how it may look in the future. Drawing out trends, strands, opportunities and obstacles, this program represents an intimate insight into an ever-fluctuating industry.
New episodes available every other Wednesday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
In the first of two episodes dedicated to the business of art, Charlotte Burns and Allan Schwartzman trace the changing contours of an industry defined by dealmaking. Power within the art trade is held by a few key players and yet, the art market shapes the lives and livelihoods of almost everyone working in art.
In an art world that likes to season the cold logic of commodities trading with the language of inclusion, passion and creation, we speak to dealers, artists and futurologists to discover how — from the local to the global, from private passions to international politics and economics—everything is touched by the market.
Tune in to find out.
Guests: Tim Blum, Roxane Gay, Melanie Gerlis, Kathy Halbreich, Pam Kramlich, Larry Marx and Issy Wood
In a series dedicated to tectonic shifts in power in art, why did we wait so long to devote a show to the artists themselves? Well, we wanted to paint a picture of the landscape in which those creators now live and work - and as you’ve heard, it is complex. In this episode we hear from artists who want to change the system with their own foundations, support networks and big ideas. These are stories of civic and artistic philanthropy that aren’t about engraving your name in granite but about changing the system—while making meaningful work. But when that big payday comes knocking, how do you stay true to your dream? Tune in to find out.
Guests: Michael Armitage, Jackson Polys, Tiffany Sia, Hank Willis Thomas and Issy Wood
The series heads north by northwest to Portland, Oregon to uncover a surprisingly hideous history: could it be that this hipster mecca was founded as a whites-only utopia? Answer: hell, yeah. When a curator has to rub shoulders with Neo-Nazis during the installation of her exhibition, there may well be trouble built into the very fabric of the state. We speak to the broader arts community in Portland to tease out the fine threads of race, land, ownership and identity and ask - as tanks roll down city streets elsewhere - if Oregon is a warning from the past or a glimpse into the future.
Tune in to find out.
Guests: Maya Benton, Flint Jamison, Lulani Arquette, Kristan Kennedy, Ashley Stull Meyers and Hank Willis Thomas
New episodes available every other Wednesday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Today you'll hear from that echelon who are really running America's museums: the board. This is where the real power in museums resides. We'll find out if these trustees have fully grasped the issues that museums need to tackle today. Do they have ambitious enough solutions? Who makes sure the museum sticks to its mission, or that the trustees are doing their job? After all - who governs the governors?
Tune in to find out.
Guests: Sarah Arison, Fred Bidwell, Pam Kramlich, Jill Kraus, Larry Marx, Brooke A. Minto, Victoria Rogers and Marc Schwartz
New episodes available every other Wednesday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Having examined the pressure mounting on institutions from the street, the public galleries and then from within - this penultimate museum-focused episode asks who’d want to run one? Hosts Charlotte Burns and Allan Schwartzman ask the director of the Met how comfortable that throne really is. Who should run the nation’s museums? Who’d want to, amidst a world of shifting certainties? Hope & Dread has the answers.
Tune in to find out.
Guests: Catherine Arias, Sarah Arison, Fred Bidwell, Deana Haggag, Max Hollein, Sandra Jackson-Dumont, Naima J. Keith, Jill Kraus, Mia Locks, Tiona Nekkia McClodden, Dr Kelli Morgan, Hank Willis Thomas and Amy Webb
New episodes available every Wednesday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
We’re going behind the scenes at the museum to better understand the recent groundswell of voices criticizing museum power structures as they exist, coming in the form of unionization efforts, artist-led activism and open letters by disgruntled staff. Are museums practicing what they preach? After all, if you can perfectly preserve a 14th-Century Persian carpet in a climate-controlled glass vitrine, shouldn't you be able to look after your staff, too?
Tune in to find out.
Guests: Catherine Arias, Fred Bidwell, Deana Haggag, Kathy Halbreich, Max Hollein, Kristan Kennedy, Mia Locks, Larry Marx, Ashley Stull Meyers and Marc Schwartz
New episodes available every Wednesday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Museums have become cultural battlegrounds—monuments to meaning that are struggling to contain democracy. Museums have mushroomed: from audience numbers to board members, from the value of art to the real estate that houses it, and from international interest to the size of local protests.
Hosts Charlotte Burns and Allan Schwartzman will guide you through the troubled museum system over the next four episodes, beginning on the streets and working our way inside—from the galleries to the staff offices, up to the boardroom.
In today’s show they ask: if the current model isn’t working - should we just build new museums?
Guests: Lulani Arquette, Miki Garcia, Roxane Gay, Deana Haggag, Max Hollein, Sandra Jackson-Dumont, Jill Kraus, Dr. Kelli Morgan and Farah Nayeri
New episodes available every Wednesday.
For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Political arguments and cultural debates have become indivisible in recent years and this episode explores ideas around controlling culture from above. Hosts Charlotte Burns and Allan Schwartzman will hear from a British politician who says he’d return the controversial “Elgin Marbles” to Greece if he had the chance and, as China cracks down on dissenting voices with its national security law for Hong Kong, they also speak to an artist who recently left the city for fear of her safety. What happens when governments try to control culture? Tune in to find out.
Guests: Farah Nayeri, Tiffany Sia, The Rt Hon Lord Smith of Finsbury, The Rt Hon Lord Vaizey of Didcot and Amy Webb
America’s public spaces have been throbbing with the sounds of loud arguments about history and identity, encapsulated by the debate over Confederate monuments. In this episode, hosts Charlotte Burns and Allan Schwartzman introduce you to artists and curators suggesting new ways of dealing with American history—taking you behind the arguments about whether statues should stay or go and offering a nuanced perspective on a haunted history.
Guests: Maya Benton, Thomas Finkelpearl, Roxane Gay, Jackson Polys, Hamza Walker
Introducing this new documentary series exploring power in art, hosts Charlotte Burns and Allan Schwartzman discuss the biggest challenges in the cultural world today. At a moment of epochal shifts and changing certainties, these are issues that extend well beyond the art world—from governments and human rights, to history and democracy.
Arguments around monuments are linked to debates about museums: what they show, what they own, who they employ. Who is at the top of these institutions, who funds them and how does the market come into play? Who’s driving the wagon and who’s trying to seize the reins? And do you need to buckle up to ride out the journey?
Guests: Deana Haggag, Mia Locks, Jay Sanders and The Rt Hon Lord Vaizey of Didcot
The series explores power in art--and how it's bound up with democracy, society and the wider world. You'll meet people who are trying to change the balance of that power, and you'll witness resistance to that change.
You'll hear about what's been won and what's been lost with an art market explosion fueled by money, technology and shifts in taste and power. Talking to dozens of people, from artists to astrologers, museum directors and curators to philanthropists and futurists, Schwartzman and Burns get a handle on where we are, how we got here and where we're going.
Then, ultimately, as each episode explores a different realm in culture that's undergoing seismic change, you'll have the chance to determine if we can collectively move through the feelings of dread...to hope.