The Play Podcast: Recent Episodes

Douglas Schatz

Welcome to The Play Podcast where we explore the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Episode 112: Glengarry Glen Ross by David Mamet

Host: Douglas Schatz Guest: Mark Lawson

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing.

David Mamet's modern American classic, Glengarry Glen Ross, is a blistering commentary on the cut-throat reality of the American dream, and its poisonous impact on those who have bought into the myth and machismo of that dream. The play had its world premiere in the small Cottesloe theatre at the National Theatre in London in September 1983, and was first performed in New York the following year, winning the Pulitzer Prize for Drama. Mamet also wrote the extended screenplay for the star-studded 1992 film version.

As we recorded this episode a new production of the play was playing at the Old Vic theatre in London., with an all-female cast. This is a particularly provocative idea, because one of the primary themes of this play is masculine identity, and the salesmen in this Chicago office do not hold back in their display of machismo.

To explore Mamet's unflinching slice of 1980s dog-eat-dog capitalism, I am joined by arts journalist Mark Lawson.

Episode 111: The Resistible Rise of Arturo Ui by Bertolt Brecht

Host: Douglas Schatz Guests: Stephen Sharkey and Tom Kuhn

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing.

Bertolt Brecht's 'gangster spectacle', The Resistible Rise of Arturo Ui is both an exuberant and funny piece of theatre, and a chillingly topical political satire. Set in the 1930s Chicago of Al Capone, Brecht presents a parody of the rise of Hitler through the character of the gangster Arturo Ui. The play is a universal cry for vigilance against the rise of unscrupulous, populist leaders who threaten democratic societies and global peace.

As we recorded this episode a new production of the play by the Royal Shakespeare Company was playing in Stratford-upon-Avon, starring Mark Gatiss as the title character.

I am delighted to be joined by both the show's translator, playwright Stephen Sharkey, and by Brecht scholar, Professor Tom Kuhn, to guide us through Brecht's political parody.

Episode 110: Our Town by Thornton Wilder

Host: Douglas Schatz Guest: Howard Sherman Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing.

Playwright Edward Albee described Thornton Wilder's Our Town as "the greatest American play ever written." In fact Wilder's quintessential portrait of rural America in a bygone time has somehow transcended its iconic American setting to become a universal meditation on mortality, community, and how we live our individual lives, wherever that may be.

The play premiered on Broadway in 1938, winning Wilder the Pulitzer Prize, and it has been a staple of school, amateur and stock performance ever since. In fact, according to critic John Lahr writing in the introduction to the text of the Penguin edition, "the play is performed somewhere in the world every day."

Howard Sherman, author of Another Day's Begun – Thornton Wilder's Our Town in the 21st Century, joins me to explore this American classic.

Episode 109: Romeo and Juliet by William Shakespeare

Host: Douglas Schatz Guest: Dr Hester Lees-Jeffries Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing.

William Shakespeare's Romeo and Juliet is arguably the most famous love story of all time. The tragic tale of their ecstatic young love has become iconic, not only in the theatre, but in the countless forms it has been retold, in musicals, dance, opera and film. As we record this episode a daring new production is playing in London's West End, directed by Robery Icke, and starring Sadie Sink and Noah Jupe as the "star-crossed lovers".

I'm delighted to be joined to explore the play by Dr Hester Lees-Jeffries from Cambridge University, author of the introduction to the New Cambridge Shakespeare edition of the text.

Episode 108: The Lady from the Sea by Henrik Ibsen

Host: Douglas Schatz Guests: Professor Kirsten Shepherd, Tzen Sam Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing.

When Henrik Ibsen's lyrical play The Lady from the Sea premiered in 1889, the critics were bewildered. On the surface it is a conventional drama of marital strife and the constrained social position of women, but the play is enriched by its acute portrait of psychological trauma and mystical undercurrents. I was prompted to explore the play having seen Simon Stone's modern adaptation at the Bridge theatre in London in the Autumn of 2025, and I am delighted to welcome Ibsen expert, Professor Kirsten Shepherd, back to the podcast, to discuss this intense and mysterious work. Kirsten and I are also joined by Oxford PHD student, Tzen Sam.

Episode 107: Entertaining Mr Sloane by Joe Orton

Host: Douglas Schatz Guest: Dr Emma Parker Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing.

Joe Orton's black comedy Entertaining Mr Sloane offended many established critics when it premiered in 1964. Orton's first full-length play signalled the arrival of a unique new voice, defined by its anarchic farce, camp sexuality, and faux-refined language, like a ramped-up Oscar Wilde let loose in the emerging age of free love. The play's first production was promoted with ads warning that it was "not for the narrow minded".

I have long wanted to cover Orton on the podcast, and I was prompted to start with this play by the recent revival staged at the Young Vic theatre in London. I am delighted to welcome Orton enthusiast and expert, Dr Emma Parker, to help me explore Orton's provocative farce.

Episode 106: End by David Eldridge

Host: Douglas Schatz Guest: David Eldridge Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing.

David Eldridge's new play End is the final instalment of what David has described as a "triptych for the theatre", following Beginning in 2017, and Middle in 2022. Each of the plays in the series presents a snapshot of a couple at a particular time of life. In End we meet a couple who are facing the premature end of their life together. The play is not only an emotionally painful meditation on mortality, but also a testament to the life affirming power of love.

As we record this episode End is playing at the National Theatre in London, with Saskia Reeves and Clive Owen as the couple. I was privileged to talk with David about Beginning way back in episode 11 of the podcast, and then Middle in episode 47, so I am delighted to be able complete the trilogy by welcoming David back to talk about End.

Episode 105: The Weir by Conor McPherson

Host: Douglas Schatz Guest: Conor McPherson Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing.

The curtain rises on a small rural pub in northwest Ireland. A few of the regulars have dropped in for company and bit of the craic. This is the simple premise of Conor McPherson's breakthrough, internationally successful play, The Weir. The play is a quiet, yet mesmerising piece of drama that consists of nothing more than a handful of people coming together and telling a few stories. Stories which reveal not only personal anxieties, regret and grief on the part of its characters, but which, in the telling, draw us into a collective experience of the mystery of being alive.

The Weir premiered in a tiny space at the Royal Court Upstairs in July 1997. It has since been performed all over the world, and as we recorded this episode a new production was playing in London's West End, directed by the author himself and starring Brendan Gleeson as Jack. I'm delighted to be able to talk with Conor himself about his magical play.

Episode 104: Twelfth Night by William Shakespeare

Host: Douglas Schatz Guest: Will Tosh Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing.

William Shakespeare's romantic comedy, Twelfth Night, or What You Will is one of Shakespeare's most popular comedies, renowned for its clever cross-dressing plot and festive hi-jinks, but also for its elusive tone, fluctuating between the comic and a darker cruelty. The play is also infused with desire, both declared and suppressed, even subversive, as the characters search for love, status and identity.

As we record this episode a new production of the play is playing at Shakespeare's Globe theatre in London, and I'm delighted to welcome to the podcast the Globe's Director of Education, Dr Will Tosh.

Episode 103: Titus Andronicus by William Shakespeare

Host: Douglas Schatz Guest: Max Webster Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Titus Andronicus is Shakespeare’s first tragedy, although in fact, scholars believe that Shakespeare did not write the whole play himself. Whatever its origins, the play is notorious for its graphic horror, which includes multiple killings, amputations, decapitations, rape and cannibalism. Horrors that have overwhelmed audiences and alienated critics for centuries. Although the play was hugely popular in Shakespeare’s time, later critics dismissed it for its excessive violence and crude, fragmented structure. However, the play’s bleak portrait of amoral leadership, sexual violence, racial conflict, and personal and political despair has struck a chord in more recent times, with several acclaimed productions and restored critical opinion.

As we record this episode an exciting new production of the play is on stage at the Hampstead theatre in London, having transferred following its acclaimed run at the Royal Shakespeare Company in Stratford. The production is directed by Max Webster, who joins me to explore Shakespeare’s full-blooded tragedy.

Episode 102: Every Brilliant Thing by Duncan Macmillan and Jonny Donahoe

Host: Douglas Schatz Guests: Duncan Macmillan Jonny Donahoe

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Every Brilliant ThingWhen their mother attempts to take her own life, a seven-year old child decides to start a list; a list of “everything brilliant about the world. Everything worth living for.” A list for mum.

This is the premise for Every Brilliant Thing, the hit one-person play created by playwright Duncan Macmillan and performer Jonny Donahoe. The play started life at Ludlow Fringe Festival in 2013, and in the decade or so since, it has been seen in over 70 countries around the world. As we record this episode Every Brilliant Thing has reached London’s West End, with a rotating cast of five different performers appearing over its three-month run at the Soho Place theatre. The critic, Lyn Gardner, described Every Brilliant Thing as “one of the funniest plays you’ll ever see about depression.” She is spot on – it is funny and poignant and finally life affirming. I am very privileged to be joined in this episode by the show's two creators, Duncan Macmillan and Jonny Donahoe.

Episode 101: The 101 Greatest Plays

Host: Douglas Schatz Guests: Michael Billington Mark Lawson

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

In 2015 the esteemed theatre critic, Michael Billington, published The 101 Greatest Plays – From Antiquity to the Present. Michael wrote that his selection was intended as a “provocation”, a “prelude to debate”. Ten years on I invited Michael and the arts journalist, Mark Lawson, to join me to review and debate his criteria and selection.

During our discussion we not only wrangled over specific inclusions and exclusions in Michael’s list, including most controversially his omission of both King Lear and Waiting for Godot, we also addressed more general questions about the criteria for selection, what elements make a great play, and what makes a play more likely to endure beyond its own time. Join us in the debate!

Episode 100: A Moon for the Misbegotten by Eugene O'Neill

Host: Douglas Schatz Guest: Beth Wynstra

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

A Moon for the Misbegotten is the last play that Eugene O’Neill wrote. It is in some way a eulogy for his brother, Jamie O’Neill, who like the character of Jim Tyrone in this play, drank himself to death. In fact, it is also an epilogue of sorts to his autobiographical masterpiece Long Day’s Journey into Night, where we first met Jim Tyrone. It is eleven years later, and Jim is about to leave the family home in Connecticut following the death of his parents, but not before saying a final goodbye to the woman who lives next door, Josie Hogan. Josie and Jim have unacknowledged feelings for each other, but their tortured moonlit night together does not offer them the salvation or future that they may have thought possible. As we record this episode, a new production of A Moon for the Misbegotten is playing at the Almeida theatre in London, and I am delighted to be joined by O’Neill expert, Beth Wynstra, to explore what one American critic called ‘a major minor-masterpiece”.

To mark our 100th episode listeners have a chance to win £100 of theatre tokens – visit https://www.theplaypodcast.com/100-a-moon-for-the-misbegotten-by-eugene-oneill/ for details on how to enter!

Episode 099: Till the Stars Come Down by Beth Steel

Host: Douglas Schatz Guest: Beth Steel

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

It is Sylvia and Marek’s wedding day. But this is not an entirely traditional English wedding, because unlike her older sisters, Sylvia’s husband-to-be is not a local man; Marek is a Polish immigrant. As the festivities unfold, fuelled by beer and vodka, emotions run high, and fault lines appear within the family that will change their lives forever.

Beth Steel’s Till the Stars Come Down, is an hilarious and heartbreaking family drama, as well as a richly layered exploration of the social and economic landscape of the country they live in.

Till the Stars Come Down premiered to great acclaim at the National Theatre in January 2024, and as we record this episode is back on stage at the Theatre Royal Haymarket in London’s West End. I’m delighted to be joined by the play’s author, Beth Steel.

Episode 098: Stereophonic by David Adjmi

Host: Douglas Schatz Guest: David Adjmi

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

It is 1976, and a fictional rock band are holed up in a studio in California attempting to record their much anticipated second album. The pressures of an inflated studio budget and raised artistic expectations expose the fault lines in the band’s professional and personal relationships. David Adjmi’s Tony-award-winning play, Stereophonic, is a fly-on-the-wall depiction of both the magic and the monotony of collaborative artistic endeavour, as the cast recreates the live process of making music, and play out the price they pay for their art and fame.

As we record this episode, Stereophonic has opened in London’s West End following its triumph on Broadway, and I am thrilled to be joined by the play’s author, David Adjmi, to explore his unique creation.

Episode 097: Giant by Mark Rosenblatt

Host: Douglas Schatz Guest: Mark Rosenblatt

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

It is 1983, and the famous children’s author Roald Dahl’s life is in some turmoil. He has just divorced his wife of 30 years, and his new fiancée has just moved into the family home and has initiated disruptive renovations to the house, disturbing his very particular writing routines. Dahl also now finds himself the target of publlic outrage for the antisemitism contained in his recent published criticism of Israel’s violent attack on Lebanon. Representatives from his British and American publishers have arrived to try to persuade Dahl to issue some conciliatory response, but Dahl is characteristically disinclined to retreat from his deeply-felt opinions.

This is the premise for Mark Rosenblatt’s award-winning first play Giant, which is currently earning five-star reviews in London’s West End. I am delighted to be joined by the play’s author, Mark Rosenblatt, to explore his electrifying play.

Episode 096: Dealer's Choice by Patrick Marber

Host: Douglas Schatz Guest: Matthew Dunster

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

A poker game in the basement of a London restaurant is the setting for six men to play out their dreams and disappointments in Patrick Marber’s first play, Dealer’s Choice. The play premiered at the National Theatre in 1995, and thirty years on a cracking new production is on stage at the Donmar Warehouse in London. I’m delighted to be joined by its director, Matthew Dunster, to explore Marber’s perceptive portrait of male conflict and compulsion.

Episode 095: Rhinoceros by Eugène Ionesco

Host: Douglas Schatz Guest: Omar Elerian

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

A rhinoceros charges through the square of a small French village, and soon all of its inhabitants are being transformed into rhinoceros themselves. Eugène Ionesco’s 1959 absurdist satire, Rhinoceros, was conceived as a metaphor for support for the rise of Fascism in Europe between the world wars, and for conformism more generally.

As we record this episode an imaginative new adaptation of the play is playing at the Almeida theatre in London, and I’m delighted to be joined by the show’s translator and director, Omar Elerian.

Episode 094: Oedipus the King by Sophocles

Host: Douglas Schatz Guest: Professor Edith Hall

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Sophocles’ tragic drama of the myth of Oedipus, who unwittingly killed his father and married his mother, not only directly inspired Freud’s notorious dream theory, but has itself survived as a masterpiece of theatrical invention and power. Written nearly two and a half thousand years ago, Oedipus the King has endured because of the dramatic trauma of Oedipus’s personal story, and also as an allegory of authoritarian political rule. The play has proved remarkably adaptable to modern social and political times, which is attested by the fact that not one, but two major productions of the play have been staged in London this year.

I’m delighted to review Sophocles’ shattering classic with the esteemed Classics professor, Edith Hall.

Episode 093: Three Sisters by Anton Chekhov

Host: Douglas Schatz Guest: Rory Mullarkey

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Anton Chekhov’s Three Sisters, the third of the quartet of great plays that he wrote in the last years of his short life, is a symphonic study of the search for purpose and love.

Three Sisters premiered in January 1901 at the Moscow Arts Theatre, where his previous two major plays, Uncle Vanya and The Seagull had debuted.

As we record this episode a spellbinding new production is on stage at Shakespeare’s Globe theatre in London. The text for that production is translated by playwright Rory Mullarkey, who joins us to explore Chekhov’s masterpiece.

Episode 092: A Raisin in the Sun by Lorainne Hansberry

Host: Douglas Schatz Guest: Tinuke Craig

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

When Lorraine Hansberry’s play A Raisin in the Sun opened in New York in 1959, its author became the first African-American woman to have a play on Broadway, and this with her debut at age of 29. The play was ground-breaking for its realist portait of a black working-class family, spotlighting their personal dreams and the public prejudice they confront.

We recorded this episode shortly after an acclaimed new production of the play completed its run at the Lyric Hammersmith theatre in London, and I am delighted to talk with the production’s director, Tinuke Craig, about this landmark play.

Episode 091: Cat on a Hot Tin Roof by Tennessee Williams

Host: Douglas Schatz Guest: Arifa Akbar

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Tennessee Williams’s third great play Cat on a Hot Tin Roof is a blistering drama of family conflict and repressed sexuality. The play opened on Broadway in 1955 to rapturous reviews, and the film that followed with Elizabeth Taylor and Paul Newman was a box-office hit, despite its egregious watering down of the play’s sexual trauma and family strife.

As we record this episode a stunning new production of the play is on at the Almeida Theatre in London, and I am delighted to talk about this classic with Arifa Akbar, the Guardian newspaper’s chief theatre critic.

Episode 090: The Importance of Being Earnest by Oscar Wilde

Host: Douglas Schatz Guest: Max Webster

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Oscar Wilde’s The Importance of Being Earnest is arguably the most famous romantic comedy in theatrical history. The play is renowned for its effervescent portrait of aristocratic romance, and its impossibly clever wit, including some of the most quotable lines in dramatic literature. But it is also an anarchic parody of social custom and pretension – a serious statement of aesthetic principles and coded sexual politics.

As we record this episode, a joyous new production of the play is running at the National Theatre in London, and I am delighted to talk about Wilde’s classic with its acclaimed director, Max Webster.

Episode 089: Waiting for Godot by Samuel Beckett

Host: Douglas Schatz Guest: Matthew McFrederick

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Samuel Beckett’s tragicomedy, Waiting for Godot, is a notoriously confounding work of theatre. The play is renowned for its lack of conventional plot or exposition, and for its existential predicament. Given its desolate philosophical landscape it is also surprisingly funny. Its theatrical imagery and intellectual provocation remain as potent as when it was first performed in Paris in 1953.

As we record this episode an illustrious production is on stage at the Theatre Royal Haymarket in London starring Ben Whishaw and Lucian Msamati. I am delighted to be joined by Dr Matt McFrederick from the University of Reading to help survey this famously challenging landmark of modern drama.

Episode 088: Roots by Arnold Wesker

Host: Douglas Schatz Guest: Diyan Zora

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Arnold Wesker’s quiet classic, Roots, is a story of doomed love, rural poverty and social protest, and most of all, of cultural aspiration and growing up and away from family, from one’s roots.

We recorded this episode as a sensitive revival of the play was finishing its run at the Almeida theatre in London, and I was delighted to be able to talk to its director, Diyan Zora, about Wesker’s love letter to his wife and her roots.

Episode 087: Look Back in Anger by John Osborne

Host: Douglas Schatz Guests: Dan Rebellato and Atri Banerjee

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

John Osborne’s Look Back in Anger is one of the landmark plays of twentieth century British theatre. It’s raging protagonist, Jimmy Porter, represented a generation of disaffected youth, and its proletarian setting heralded a new style of ‘kitchen sink drama’. But how well has Jimmy’s abusive anger aged?

I’m delighted to welcome two experts to help us address this question, and many more: Dan Rebellato, the author of 1956 and All That: The Making of Modern British Drama, and, Atri Banerjee, the director of the first revival of the play in London for 25 years, currently running at the Almeida Theatre.

Episode 086: Death of England by Clint Dyer and Roy Williams

Host: Douglas Schatz Guest: Roy Williams

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Clint Dyer and Roy William’s trilogy of plays, Death of England, is a searing state-of-the-nation drama voiced by both black and white working-class characters. Having been performed individually at intervals at the National Theatre through Covid lockdowns, the three plays were greeted with acclaim when they were finally brought together at the Soho Place theatre in the summer of 2024.

I am delighted and honoured to welcome playwright Roy Williams to the podcast to discuss this important work.

Episode 085: The Real Thing by Tom Stoppard

Host: Douglas Schatz Guest: Mark Lawson

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Tom Stoppard is renowned for his intellectual wit and playful dramatic form, both of which are certainly on show in The Real Thing, but the play also explores more personal emotional territory: on what constitutes the real thing in love, politics and art.

As we record this episode, a new production of the play is on stage at the Old Vic theatre in London. My guest to help us navigate the romantic entanglements and structural twists in the play is the renowned arts journalist, Mark Lawson.

Episode 084: Abigail's Party by Mike Leigh

Host: Douglas Schatz Guest: Nadia Fall

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Mike Leigh’s 1977 ‘tragi-comedy’, Abigail’s Party, is renowned for its iconic snapshot of the material and social fabric of its time. The play’s portrait of suburban social pretensions is both hugely funny and excruciating to witness. It is not just an exercise in period kitsch, however, because underneath there are universal human truths, about aspiration and identity, as well as about honesty and generosity, or the lack thereof, in intimate relationships.

As we record this episode a vibrant new production of the play is on stage at the Theatre Royal Stratford East, directed by the theatre’s Artistic Director, Nadia Fall. I’m delighted to talk with Nadia about this classic of British theatre.

Episode 083: The Caretaker by Harold Pinter

Host: Douglas Schatz Guest: Justin Audibert

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

When it premiered in London’s West End in 1960, The Caretaker catapulted its author to fame and fortune. The play is set entirely in a single room in a dilapidated house, and presents the territorial battle between three men living on the margins of society. The pschological manoeuvrings of the men are dramatised in what we now recognise as Pinter’s cryptic mix of comedy and menace, along with his characteristic relish in the precision and panache of language.

As we record this episode a new production of the play is playing in the Minerva theatre in Chichester, and I am delighted to welcome its director, Justin Audibert, to the podcast to help us explore Pinter’s enigmatic work.

Episode 082: People, Places & Things by Duncan Macmillan

Host: Douglas Schatz Guests: Duncan Macmillan and Jeremy Herrin

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Duncan Macmillan’s People, Places & Things is a blisteringly frank and funny portrait of addiction and invented identity. When the play premiered at the National Theatre in 2015, Denise Gough won awards for her electrifying performance, and as we record this episode she revives her role in London’s West End.

It is a fascinating and challenging play, and an exhilarating piece of theatre. I am delighted to talk in this episode with its author, Duncan Macmillan, and the production’s director, Jeremy Herrin.

Episode 081: The Government Inspector by Nikolay Gogol

Host: Douglas Schatz Guest: Patrick Myles

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Vladimir Nabokov described The Government Inspector as the “greatest play in the Russian language”. Gogol’s comedy of mistaken identity is an unexpected mix of fantastical farce and serious social satire. that has survived as a paradigm of political corruption and social hypocrisy in any age or place.

As we record this episode a new adaptation of the play written and directed by Patrick Myles arrives on the London stage, and I’m delighted to talk with Patrick about this classic play and its enigmatic author.

Episode 080: Long Day's Journey into Night by Eugene O'Neill

Host: Douglas Schatz Guest: Jeremy Herrin

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Eugene O’Neill wrote his autobiographical magnum opus, Long Day’s Journey into Night, in 1941, but because of the personal revelations it contained he gave explicit instructions that it was not to be published until 25 years after his death and that it should never be staged. In the event his widow allowed both to occur in 1956, only three years after his death, when the play won O’Neill his fourth Pulitzer prize.

As we record this episode, a powerful new production of the play is playing in London, with Brian Cox and Patricia Clarkson heading the cast. I am delighted and privileged to talk with the production’s director, Jeremy Herrin, about O’Neill’s monumental play.

Episode 079: The Hills of California by Jez Butterworth

Host: Douglas Schatz Guest: Sean McEvoy

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

A new Jez Butterworth play is a theatrical event. The Hills of California is currently running at the Harold Pinter theare in London’s West End, directed by Sam Mendes. Do not be misled by the title, however, we are not in sunny California, but in the back streets of Blackpool, where four daughters come together to say goodbye to their dying mother. The play is a portrait of lost dreams, of deeply ingrained patterns of love and hurt within a family, and of suppressed and mutable memories.

I’m joined to explore this major new work by Sean McEvoy, author of Class, Culture and Tragedy in the Plays of Jez Butterworth.

Episode 078: The Lover and The Collection by Harold Pinter

Host: Douglas Schatz Guest: Lindsay Posner

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

We have a double-bill in this episode of two short plays written by Harold Pinter in the early 1960s: The Lover and The Collection, both of which explore sexual compulsion and the manipulation of truth within marriage or partnerships. As we record this episode a new production of both plays is playing at the Theatre Royal in Bath, directed by Lindsay Posner.

I’m delighted to welcome Lindsay back to the podcast to talk about these two Pinter gems.

Episode 077: An Enemy of the People by Henrik Ibsen

Host: Douglas Schatz Guest: Kirsten Shepherd-Barr

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Henrik Ibsen’s play An Enemy of the People is a fable of truth and lies, politics and power, and the challenge and costs of pursuing an unpopular crusade to speak truth to power. It’s a story of ‘fake news’, manipulation of the media, the dangers of populism, and the environmental cost of capitalism. No wonder it strikes a chord in our time, for as we record this episode there are two major new productions of An Enemy of the People on the world stage.

I’m delighted to welcome back to the podcast, Ibsen expert, Professor Kirsten Shepherd-Barr, who I was privileged to talk with in episode 74 on Ibsen’s play Ghosts.

Episode 076: Othello by William Shakespeare

Host: Douglas Schatz Guest: Farah Karim-Cooper

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Shakespeare’s devastating exploration of race, reputation and jealousy, The Tragedy of Othello, The Moor of Venice was a popular success when it was first performed during Shakespeare’s lifetime, but in the centuries since it has provoked a wide range of responses as successive generations have grappled with the racial identity of the eponymous character. As we record this episode a new production of Othello at Shakespeare’s Globe theatre in London views the play’s treatment of race through a contemporary lens, setting the play within the London Metropolitan police force, a topical environment for racial inspection.

I am privileged to welcome as my guest someone especially qualified to help us navigate the tricky waters of Shakespeare’s play, Farah Karim-Cooper, Director of Education at Shakespeare’s Globe, Professor of Shakespeare Studies at Kings College London, and the author of The Great White Bard – Shakespeare, Race and the Future.

Episode 075: The Homecoming by Harold Pinter

Host: Douglas Schatz Guest: Matthew Dunster

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Harold Pinter’s disturbing exploration of toxic masculinity and sexual maneuvering, The Homecoming premiered in 1965. The play’s portrait of misogyny, and even more disturbing, the apparent female complicity, was shocking at the time it was written. Nearly 60 years on the sexual politics is if anything even more difficult to watch. So what was Pinter’s purpose in presenting such a provocative piece, and how do we process it in the post Me-Too age?

I am joined by Matthew Dunster, the director of a scintillating new production of the play at the Young Vic in London, who can help us answer those questions about Pinter’s challenging classic.

Episode 074: Ghosts by Henrik Ibsen

Host: Douglas Schatz Guest: Kirsten Shepherd-Barr

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Henrik Ibsen’s dark family drama Ghosts provoked outrage when it was published in 1881, its treatment of sexual disease, incest and euthanasia too much for the critics. More than 140 years later its portrait of repressed truths and social hypocrisy remains as powerful as ever.

As we record this episode a new adaptation of Ghosts by Joe Hill-Gibbons is playing in the Sam Wanamaker theatre at Shakespeare's Globe theatre in London.

Kirsten Shepherd-Barr, Professor English and Theatre Studies at St Catherine’s College, Oxford, joins us to review Ibsen’s unflinching drama.

Episode 073: The House of Bernarda Alba by Federico Garcia Lorca

Host: Douglas Schatz Guest: Maria Delgado

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Federico Garcia Lorca’s unsparing drama The House of Bernarda Alba is not only a tragic family drama, but its portrait of oppression and social conformity also reflects the dangerous political landscape in which it was written. Lorca finished the play in June 1936, two months before he was murdered during the first days of the Spanish Civil War.

As we record this episode a new adaptation of the play is on stage at the National Theatre in London. I’m delighted to have the opportunity to explore this inescapably powerful play, and its author, with an expert on both, Professor Maria Delgado.

Episode 072: She Stoops to Conquer by Oliver Goldsmith

Host: Douglas Schatz Guest: Tom Littler

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Oliver Goldsmith’s ‘sentimental’ or ‘laughing’ comedy She Stoops to Conquer is both a romantic comedy and a deft social satire of town and country in late 18th century England. It’s merry-go-round of romantic intrigues comes complete with mistaken identities, stolen jewels and a midnight coach ride that ends mired in a horse pond. There is never much doubt however that in the end it is the women who will conquer.

As we record this episode a sparkling new production is on stage at the Orange Tree Theatre in Richmond-upon-Thames, and I’m delighted to be joined today by its director, Tom Littler, who is perfectly placed to tell us why this play has proved so enduringly popular.

Episode 071: Clyde's by Lynn Nottage

Host: Douglas Schatz Guest: Lynette Linton

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Lynn Nottage’s play Clyde’s is set in a truck-stop diner on the outskirts of Reading, Pennsylvania. This is no ordinary diner though, because the short-order cooks that make the sandwiches that the diner is famous for are all ex-cons. The eponymous proprietor, Clyde, has not offered these characters a second chance out of the softness of her heart, but they discover some unexpected hope in their communal sufferings and support.

Lynn Nottage has won the Pulitzer Prize for drama twice, and as we record this episode the European premiere of Clyde’s is on stage at the Donmar Warehouse in London. I am delighted to be joined by the show’s director Lynette Linton, who also directed Nottage’s last play Sweat at the same theatre in 2018.

Episode 070: King Lear by William Shakespeare

Host: Douglas Schatz Guest: Paul Prescott

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

The poet Percy Shelley called King Lear “the most perfect specimen of the dramatic art existing in the world”. It is a prodigious play in every sense. There are ten major roles, it has multiple significant plot lines, an elemental stormy setting, intense domestic conflict, and acts of war and violence which roll on with a propulsive tragic energy and conjure a challenging philosophical vision.

As we record this episode a new production directed by and starring Sir Kenneth Branagh arrives in London’s West End.

I am very pleased to be joined in this episode by Paul Prescott, who is an academic, writer and theatre practitioner specialising in Shakespearean drama.

Episode 069: A View from the Bridge by Arthur Miller

Host: Douglas Schatz Guests: Holly Race Roughan

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Arthur Miller’s A View from the Bridge tells the tragic story of Eddie Carbone, a longshoreman who works on the docks under Brooklyn Bridge. Eddie lives with his wife Beatrice and 17-year old niece, Catherine, whom they have cared for since she was a child. But Catherine is no longer a child, and her natural desire to pursue her own life will tragically rupture the lives of this family and the close-knit immigrant community of Red Hook.

As we record this episode a new production of A View from the Bridge is touring the UK, and I’m delighted to talk with its director, Holly Race Roughan, about this powerful play.

Episode 068: Pygmalion by George Bernard Shaw

Host: Douglas Schatz Guests: Ivan Wise

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Pygmalion is arguably George Bernard Shaw’s most famous play, partly because it spawned the even-more famous musical My Fair Lady. The enduring popularity of the play can be attributed to the romantic arc of its central story, and to the fact that it offers two iconic parts in the characters of Eliza Doolittle and Henry Higgins.

As a new production of Pygmalion opens at The Old Vic in London, Ivan Wise returns to the podcast to help us assess whether Shaw’s charming social parable remains as entertaining or as relevant more than a century after it was written.

Episode 067: Red Pitch by Tyrell Williams

Host: Douglas Schatz Guests: Tyrell Williams and Daniel Bailey

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Tyrell William’s award-winning, debut play Red Pitch is set on an inner-city fottball ptich in South London. It is a coming-of-age story, with teenage boys fighting to believe in their dreams, and to find a way up, and perhaps out, of their changing community. The play premiered at the Bush Theatre in London in February 2002, winning several awards, and is currently enjoying a sell-out revival at the Bush.

Tyrell Williams, and the show’s director, Daniel Bailey, join me to explore this joyful and poignant new play.

Episode 066: The Pillowman by Martin McDonagh

Host: Douglas Schatz
Guest: Professor Eamonn Jordan

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Martin McDonagh’s 2004 play The Pillowman is an unsettling mix of gruesome fairy tales, child abuse, and murder, overlaid with McDonagh’s signature black humour. McDonagh’s blend of extreme violence and ironic comedy divides opinion, although the popularity of the current revival of the play in London’s West End is testimony to its enduring fascination.

I am joined in this episode by Professor Eamonn Jordan, to help us come to terms with the impact and intent of McDonagh’s work.

Episode 065: Accidental Death of an Anarchist by Dario Fo and Franca Rame

Host: Douglas Schatz
Guests: Tom Basden and Daniel Raggett

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Accidental Death of an Anarchist by Dario Fo and Franca Rame is both an hilarious farce and a biting satire. Written in 1970 as an “act of intervention” in response to the unexplained death of a prisoner in police custody in Milan, it became a huge global hit.

An acclaimed new adaptation that updates the setting and scandal to modern-day Britain is currently playing at the Theatre Royal Haymarket in London, and I’m delighted to be joined by its writer, Tom Basden, and the director, Daniel Raggett, to talk about their adaptation and the enduring relevance of Fo’s original.

Episode 064: A Midsummer Night's Dream by William Shakespeare

Host: Douglas Schatz
Guest: Emma Smith

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

A Midsummer Night’s Dream has all the ingredients of classic romantic comedy: a magical setting, a merry-go-round of earnest young lovers, a fairy King and Queen, and a troupe of hapless comic actors, all given a supernatural spin in the course of a single moonlit night. But is the dream-like world of the wood outside Athens as benign a place as we imagine?

As we record this episode a new production of the play is part of the Summer season at Shakespeare’s Globe Theatre in London, with Michelle Terry giving an outstanding performance as the sardonic sprite Puck.

My guest to help explore Shakespeare’s wondrous ‘visions’ is Emma Smith, Professor of Shakespeare Studies at Hertford College, Oxford.

Episode 063: Dancing at Lughnasa by Brian Friel

Host: Douglas Schatz Guest: Josie Rourke

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Brian Friel’s magical memory play Dancing at Lughnasa is set at the time of the harvest festival in rural Ireland in 1936. It’s account of the events of that summer in the house of the five unmarried Mundy sisters is filtered many years later through the memory of Michael, the son of the youngest sister. His memory is undoubtedly unreliable, but it is also funny, poetic and profoundly poignant.

Josie Rourke, who directs the gorgeous new production of the play currently playing at the National Theatre in London, joins us to explore Friel’s spellbinding masterpiece.

Episode 062: Private Lives by Noël Coward

Host: Douglas Schatz Guest: Oliver Soden

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Noël Coward’s play Private Lives is both a dazzling dramatic comedy and an excoriating portrait of love and marriage among the disaffected elite of the Jazz Age. Coward himself starred in the premiere production in both London and New York, the critics acclaiming the show’s construction and wit, but predicting that it would not last. As a new production opens at the Donmar theatre in London, I ask Coward’s newest biographer, Oliver Soden, why the play has aged so well.

The Play Podcast - 061 - Sea Creatures by Cordelia Lynn

Host: Douglas Schatz Guest: Cordelia Lynn

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Cordelia Lynn’s play Sea Creatures is a poetic exploration of loss and grief, its setting betwixt the sea and shore rich in metaphoric resonances. As we record this episode, Sea Creatures is playing at the Hampstead Theatre in London in a spellbinding production directed by James Macdonald.

I am delighted to be joined by playwright Cordelia Lynn to talk about her fascinating new play.

The Play Podcast - 060 - A Streetcar Named Desire, by Tennessee Williams

Host: Douglas Schatz Guest: Thomas Keith

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

A Streetcar Named Desire is one of the towering masterpieces of American theatre, distinguished for its frank depiction of sexual compulsion, its lyrical language, and its poignant portrait of mental fragility, as well as the bitter clash between two of the greatest dramatic characters – the damaged and defiant Blanche Dubois and the unrestrained masculine power that is Stanley Kowalski.

As a new production opens in London’s West End, I’m delighted to be joined by Tennessee Williams expert, Professor Thomas Keith, to help survey this giant of a play.

The Play Podcast - 059 - Paradise Now! , by Margaret Perry

Host: Douglas Schatz Guest: Margaret Perry

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Margaret Perry’s new play Paradise Now brings together a group of women who join a pyramid selling scheme promoting a range of essential oils that soothe a myriad of life’s stresses. The women hope that they will find cures to the challenges in their own lives, but the road to Paradise is not so sure and smooth. Following its acclaimed run at the Bush Theatre in London, Margaret joins me to talk about her perceptive, funny and moving play.

The Play Podcast - 058 - Noises Off by Michale Frayn

Host: Douglas Schatz Guest: Lindsay Posner

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Michael Frayn’s classic comedy Noises Off is a work of theatrical genius. Its parody of a hapless acting troupe putting on a dreadful sex farce is itself delivered with extraordinary invention and precision. It has been called the funniest British comedy ever written, and now arrives in London’s West End in a sparkling 40th anniversary production directed by Lindsay Posner.

Lindsay joins me to share his unique experience of this enduring comic masterpiece.

The Play Podcast - 057 - Arms and the Man by George Bernard Shaw

Host: Douglas Schatz Guest: Iavn Wise

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

G.B. Shaw’s Arms and the Man is both a sparkling romantic comedy and a telling satire of love, war and social pretension. It was Shaw’s first public success as a playwright when it premiered in London in 1894, and is currently enjoying an acclaimed revival at the Orange Tree theatre in Richmond, Surrey.

I’m joined by Shaw expert Ivan Wise, who is a previous editor of The Shavian, the journal of the Shaw Society.

The Play Podcast - 057 - Arms and the Man by George Bernard Shaw

Host: Douglas Schatz Guest: Iavn Wise

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

G.B. Shaw’s Arms and the Man is both a sparkling romantic comedy and a telling satire of love, war and social pretension. It was Shaw’s first public success as a playwright when it premiered in London in 1894, and is currently enjoying an acclaimed revival at the Orange Tree theatre in Richmond, Surrey.

I’m joined by Shaw expert Ivan Wise, who is a previous editor of The Shavian, the journal of the Shaw Society.

The Play Podcast - 056 - Good by C.P. Taylor

Host: Douglas Schatz Guest: Dominic Cooke

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

C.P. Taylor’s powerful, cautionary play Good charts how an ostensibly ‘good’ person can become not just complicit to evil behaviour, but an active participant. Professor John Halder’s creeping moral compromise as he joins the Nazi elite in 1930’s Germany is a disturbing reminder of the dangers of populist political crusades.

The play is currently being revived at the Harold Pinter theatre in London with David Tennant in the role of John Halder, and I’m delighted to be joined by the production’s director, Dominic Cooke, to explore the contemporary resonances of this provocative play.

The Play Podcast - 055 - Spring Awakening by Frank Wedekind

Host: Douglas Schatz
Guest: Professor Karen Leeder

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Frank Wedekind’s dark, expressionist play Spring Awakening is a cautionary portrait of adolescent angst and rebellion against oppressive social strictures and family pressures. Its frank depiction of sex and violence remains shocking more than 130 years after it was written, and it is the unlikely source of the award-winning modern musical of the same name.

I’m delighted to be joined by Professor Karen Leeder to explore the contemporary controversies and enduring relevance of this extraordinary play.

The Play Podcast - 054 - The Crucible by Arthur Miller

Host: Douglas Schatz
Guest: Dr Stephen Marino

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Arthur Miller’s play The Crucible recreates the terror of the Salem Witch Trials of 1692 when a religious hysteria gripped the Puritan community. Miller wrote the play in 1953, when America was going through a modern witch hunt prosecuting Communist sympathisers. The play is Miller’s most frequently produced, its portrait of personal betrayal and institutional tyranny being universally recognised in any time or society.

I’m delighted to welcome back to the podcast Miller expert, Dr Stephen Marino, to explore the origins and enduring relevance of Miller’s powerful, cautionary play.

The Play Podcast - 053 - The Caucasian Chalk Circle by Bertolt Brecht

Host: Douglas Schatz
Guest: Christopher Haydon

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Bertolt Brecht wrote The Caucasian Chalk Circle in 1944 while in exile in the United States as a parable about the chaos and costs of war. After his return to East Germany in 1948 he updated the play to set it in the context of post-war Communism. His fable is both a theatrical fairy-tale and a political allegory.

I’m delighted to welcome the director of the first major London revival for 25 years, Christopher Haydon, artistic director of the Rose Theatre to discuss this challenging, complicated, compelling, even crazy play.

The Play Podcast - 052 - The Seagull by Anton Chekhov

Host: Douglas Schatz
Guest: Dan Rebellato

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Anton Chekhov’s play The Seagull was a disaster on its opening night in St Petersburg in 1896. The unsettling blend of comedy and pathos that confused the critics and audience were subsequently recognised as seminal in the evolution of modern drama.
I’m delighted to welcome back playwright and professor, Dan Rebellato, to talk about Chekhov and his timeless play.

The Play Podcast - 051 - Closer by Patrick Marber

Host: Douglas Schatz
Guest: Clare Lizzimore

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Patrick Marber’s play Closer depicts a merry-go-round of metropolitan relationships powered by sex and betrayal. Its clever and candid dissection of the destructive power of sexual desire hit a contemporary nerve when it premiered in 1997.
Clare Lizzimore, director of a new production at the Lyric Hammersmith, joins me to explore how the play’s unflinching sexual politics has aged twenty-five years later.

The Play Podcast - 050 - Jersualem by Jez Butterworth

Host: Douglas Schatz
Guest: David Ian Rabey

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Jez Butterworth’s play Jersualem is one of the landmark plays of the 21st century, acclaimed for both its lyrical and elusive text exploring English identity, and for its electrifying theatrical production. The once-in-a lifetime performance is happily being repeated with the current West End revival, and it seems fitting that our 50th episode be devoted to this remarkable play. I’m joined by David Ian Rabey, Emeritus Professor at Aberystwith University and author of The Theatre and Films of Jez Butterworth.

The Play Podcast - 049 - Jitney by August Wilson

Host: Douglas Schatz
Guests: Wil Johnson and Tony Marshall

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Although August Wilson’s play Jitney is set in the office of an unlicensed taxi company in Pittsburgh in 1977, its themes, and the relationships and hopes and dreams of its characters are universal. The play is part of Wilson's reknowned ten play series known as the Pittsburgh Cycle, which charts the black American experience through each decade of the twentieth century.

I’m joined in this episode by the actors Wil Johnson and Tony Marshall, who are currently starring in the Old Vic’s vibrant new production of the play.

The Play Podcast - 048 - Much Ado About Nothing by William Shakespeare

Host: Douglas Schatz
Guest: Lucy Bailey

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

William Shakespeare's Much Ado About Nothing is rightly renowned for the “merry war” of wits between the reluctant lovers Beatrice and Benedick, but alongside their brilliant partnership, there is also a darker story of misogyny and betrayal that gives the play a more complex and challenging character.

Lucy Bailey, director of the joyous production currently running at the Globe Theatre in London joins me to review this romantic rollercoaster.

The Play Podcast - 047 - Middle by David Eldridge

Host: Douglas Schatz
Guest: David Eldridge

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

David Eldridge’s new play Middle, now playing at the National Theatre, follows on from his 2017 play Beginning. It is the second in what will be a “triptych for the theatre”, capturing epochal moments in couples’ relationships. I’m delighted to welcome David back to talk about the important dramatic trilogy he is building.

The Play Podcast - 046 - All My Sons

Host: Douglas Schatz
Guest: Douglas Rintoul

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Arthur Miller’s breakthrough play All My Sons is both a searing family tragedy and an exploration of the moral challenges that Miller believed were inherent in the American Dream. Douglas Rintoul, who has recently directed a wonderful production at the Queen’s Theatre in Hornchurch, joins me to share his insights of this devastatingly powerful play.

The Play Podcast - 046 - All My Sons

Host: Douglas Schatz
Guest: Douglas Rintoul

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Arthur Miller’s breakthrough play All My Sons is both a searing family tragedy and an exploration of the moral challenges that Miller believed were inherent in the American Dream. Douglas Rintoul, who has recently directed a wonderful production at the Queen’s Theatre in Hornchurch, joins me to share his insights of this devastatingly powerful play.

The Play Podcast - 046 - All My Sons

Host: Douglas Schatz
Guest: Douglas Rintoul

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Arthur Miller’s breakthrough play All My Sons is both a searing family tragedy and an exploration of the moral challenges that Miller believed were inherent in the American Dream. Douglas Rintoul, who has recently directed a wonderful production at the Queen’s Theatre in Hornchurch, joins me to share his insights of this devastatingly powerful play.

The Play Podcast - 045 - Top Girls

Host: Douglas Schatz
Guest: Elaine Aston

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Caryl Churchill’s play Top Girls was a powerful critique of Thatcherite Britain when it was written in 1982. It’s rightly renowned for its theatrical invention and innovative structure, and remains relevant for its enduring questions about the opportunities, and opportunity costs, for women acorss the ages. Professor Elaine Aston joins me to survey this modern classic.

The Play Podcast - 045 - Top Girls

Host: Douglas Schatz
Guest: Elaine Aston

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Caryl Churchill’s play Top Girls was a powerful critique of Thatcherite Britain when it was written in 1982. It’s rightly renowned for its theatrical invention and innovative structure, and remains relevant for its enduring questions about the opportunities, and opportunity costs, for women acorss the ages. Professor Elaine Aston joins me to survey this modern classic.

The Play Podcast - 044 - Clybourne Park

Host: Douglas Schatz
Guest: Oliver Kaderbhai

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

It is 1959 and Russ and Bev have sold their 3-bedroom bungalow in the all-white neighbourhood of Clybourne Park in Chicago to a “coloured family”. The sale sparks heated debate between neighbours in Bruce Norris’s Pulitzer Prize winning play Clybourne Park. Oliver Kaderbhai, director of the current revival at the Park Theatre in London, joins me to discuss this provocative and corruscatingly funny play.

The Play Podcast - 043 - Faith Healer by Brian Friel

Host: Douglas Schatz
Guest: Joe Dowling

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Brian Friel’s play Faith Healer is a literary and theatrical masterpiece, acclaimed for the beauty of its language, its innovative form, and the bathetic yet tragic tale of its eponymous character and those tethered to his misfortunes. My guest, Joe Dowling, directed the seminal producation at the Abbey Theatre in Dublin in 1980 and returned there to revive the play more than 40 years later.

The Play Podcast - 042 - Blasted by Sarah Kane

Host: Douglas Schatz
Guest: Graham Saunders

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Sarah Kane’s explosive play Blasted outraged critics on its debut in 1995 with its disturbing depictions of sex and violence. It’s since become a landmark in modern drama for its innovative form and raw honesty. Professor Graham Saunders helps us explore this profoundly challenging play.

Episode 041: Doubt by John Patrick Shanley

Host: Douglas Schatz
Guest: Monica Dolan

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Sister Aloysius Beauvier, principal of St Nicholas Catholic school in the Bronx in 1964, has her doubts about the school pastor, Father Flynn, and his relationship with 12-year-old Donald Muller. Her crusade to confirm her suspicions rocks the church community and her own certainties in John Patrick Shanley’s Pulitzer Prize winning play Doubt – A Parable.

Award-winning actress Monica Dolan shares her insights from playing Sister Aloysius in a new production at the Chichester Festival Theatre.

Monica Dolan and Sam Spruell
in Doubt at Chichester Festival Theatre 2022

041 – Doubt – A Parable, by John Patrick Shanley

The setting is a Catholic school in the Bronx, New York. It is 1964, a time of explosive social change that is challenging the established church. Sister Aloysius Beauvier, the principle of St Nicholas school is a no-nonsense, disciplinarian of the old school, dedicated to her duties to teach and protect the children, and obedient to her faith and the church. But she has doubts. Not about her faith or her views of the world, but about the school pastor, Father Flynn, and his relationships with the boys in the school, or more specifically with one boy: 12-year-old Donald Muller, who has only recently arrived at St Nicholas and happens to be the first and only black child in the school. Sister Aloysius is determined to air her doubts and pursues a sequence of enquiries that rocks the school community as well as her own certainties.

This is John Patrick Shanley’s disturbing and moving play, Doubt, which in the precise psychological orchestration of the relationships between its principal characters challenges us all to question our certainties. The play was first produced off-Broadway in New York in November 2004, before transferring to Broadway in March 2005. It won the Tony Award for Best Play, as well as the Pulitzer Prize for Drama that year, and was made into a film in 2008 written and directed by the play’s author and starring Meryl Streep, Philip Seymour Hoffman, Amy Adams and Viola Davis. As we record this episode it is being revived at the Chichester Festival Theatre with Monica Dolan, Sam Spruell, Jessica Rhodes and Rebecca Scroggs delivering stunning performances.

I am delighted to be joined by Monica Dolan, who shares her insights from playing Sister Aloysius in the Chichester production.

Monica Dolan

Monica Dolan is an Olivier and Bafta award-winning actor, whose work spans television, film and stage. She won the Olivier Award for Best Supporting Actress in the 2019 West End production of All About Eve, a Bafta Award for her unforgettable performance as Rosemary West in Appropriate Adult on ITV in 2011, and a Bafta nomination for Best Supporting Actress in A Very English Scandal alongside Hugh Grant.

Her recent work in theatre includes Doubt at the Chichester Festival Theatre, The Shrine for the Talking Heads Series at The Bridge, and Brandon Jacobs-Jenkins’ critically acclaimed Appropriate and The Same Deep Water as Me, both at the Donmar Warehouse. Television highlights include Alan Bennett’s Talking Heads, Black Mirror, The Witness for the Prosecution, The Casual Vacancy and W1A. Recent feature films include Days of the Bagnold Summer, The Dig, Rialto, Official Secrets , Eye in the Sky, Pride and The Falling. Monica also wrote and starred in her own play The Beasts,* which transferred to the Bush Theatre in London after an award-winning run at the Edinburgh Festival.

The Texts

If you are interested in buying the play text or other related books, we’d be delighted if you choose to purchase them by following the links below. We will earn a small commission on every book you purchase, which helps to keep the podcast going. Through our selected partners Bookshop.org and Blackwell’s you will also be supporting independent bookshops. Thank you.

We have footnotes for this episode …

The Footnotes to our episode on Doubt include observations on the cat and mouse duel between Sister Aloysius and Father Flynn, and the journey for Sister James from innocence to doubt and confusion.

Take me there!

Suggest a play

We’re always open to suggestions about plays to talk about, so if you’d like us to discuss a favourite of yours, please email us at plays@theplaypodcast.com. Let us know why you think we should cover it, and if you know anyone who’d be excited and qualified to talk about it with us (even yourself if modesty permits!).

Plays suggested for discussion by our Guests* Any play by Caryl Churchill – suggested by Nick Hern, our guest in Episode 2 - see Episode 30! More to follow.... * Jerusalem by Jez Buttwerworth, suggested by John Mitchinson, our guest in episode 20 * Cyprus Avenue by David Ireland - suggested by Matt McFrederick, our guest in Episode 3 * A Streetcar Named Desire by Tennessee Williams, suggested by Stephen Marino, our guest in episode 13 * Far Away by Caryl Churchill – suggested by Dan Rebellato, our guest in Episode 1 * The Winslow Boy by Terence Rattigan - suggested by Dan Rebellato, our guest on Episode 1 * All My Sons by Arthur Miller – suggested by Neil Docking, our guest in episode 4 * Assassins by Stephen Sondheim and John Weidman, suggested by Andy Miller, our guest in episode 20 * ear for eye by debbie tucker green - suggested by Mark Taylor-Batty, our guest in episode 6 * Mr Burns by Anne Washburn - suggested by George Spender, our guest in episode 7 * Rockets and Blue Lights by Winsome Pinnock - suggested by Dan Rebellato, our guest in episode 8 - see Episode 14! * Our Lady of Kibeho by Katori Hall - suggested by James Dacre, our guest in episode 37 * Misty by Arinze Kene, suggested by Winsome Pinnock, our guest in episode 14 * Art by Yasmina Reza, suggested by Michael Frayn, our guest in episode 18 * Downstate by Bruce Norris - suggested by Joe Penhall, our guest in episode 37 * Faith, Hope and Charity by Alexander Zeldin - suggested by George Turvey, our guest in episode 22 * Sing Yer Heart Out for the Lads by Roy Williams - suggested by Nadine Holdsworth, our guest in episode 29 * On Blueberry Hill by Sebastian Barry - suggested by Nicholas Rowe, our guest in episode 10 * Hang by debbie tucker green - suggested by Elaine Aston, our guest in episode 30 * Closer by Patrick Marber, suggested by Lucy Bailey, our guest in episode 16 * Things I Know to be True by Andrew Bovell - suggested by Henry Filloux-Bennett, our guest in episode 9 * Sucker Punch by Roy Williams - suggested by Alan Brodie, our guest in episode 27 * The White Guard (aka The Day of the Turbins) by Mikhail Bulgakov, suggested by Michael Frayn, our guest in episode 18 * Disappeared by Phyllis Nagy, suggested by Lucy Kirkwood, our guest in episode 19 * The Inheritance by Matthew Lopez - suggested by Henry Filloux-Bennett, our guest in episode 9 * The Normal Heart by Larry Kramer - suggested by Patrick Marber, our guest in episode 33 * Sunday in the Park with George - by James Lapine and Stephen Sondheim - suggested by Matt Beresford, our guest in episode 34 * Rafts and Dreams by Robert Holman - suggested by Simon Stephens, our guest in episode 40 * Handbagged by Moira Buffini - suggested by Matt Beresford, our guest in episode 35 * Blues for Mister Charlie by James Baldwin - suggested by Greg Hersov, our guest in episode 36 * Shook by Samuel Bailey - recommended by James Graham, our guest in episode 39 - see episode 22! * Antigone by Jean Anouilh - suggested by Emma Smith, our guest in episode 38 * Appropriate by Branden Jacobs-Jenkins - suggested by Monica Dolan, our guest in episode 41 * The Wexford Trilogy by Billy Roche - suggested by Conor McPherson, our guest in episode 28 * Shook by Samuel Bailey - suggested by Nick Hern, our guest in episode 2 - See episode 22! * Good by C.P. Taylor - suggested by Alan Brodie, our guest in episode 27 * Gas by Georg Kaiser - suggested by Justin Greene, our guest in episode 26 * The Birds by Aristophanes - suggested by Edith Hall, our guest in episode 25 * The Seven Streams of the River Ota by Robert Lepage - suggested by Adam James, our guest in episode 24 * The Effect by Lucy Prebble - suggested by Nina Raine, our guest in episode 24 * The Mikvah Project by Josh Azouz - suggested by Samuel Bailey, our guest in episode 22 * Escaped Alone by Caryl Churchill - suggested by John Tiffany, our guest in episode 21 * The Blind by Maurice Maeterlinck - suggested by Tim McMullan, our guest in episode 5 * The Spanish Tragedy by Thomas Kyd, suggested by Emma Smith, our guest in episode 17. * The Wild Duck by Henrik Ibsen, suggested by Christopher Hampton, our guest in episode 15 * A View From the Bridge by Arthur Miller, suggested by Stephen Marino, our guest in episode 13 * Across Oka by Robert Holman, suggested by David Eldridge, our guest in episode 11. * Lungs by Duncan Macmillan - suggested by Victoria Hamilton, our guest in episode 10 - see episode 7! * Clybourne Park by Bruce Norris -suggested by Monica Dolan, our guest in episode 41 Poll Options are limited because JavaScript is disabled in your browser.

You might also be interested in …

041 – Doubt – A Parable, by John Patrick Shanley Feb 3, 2022 | Podcast Episodes

https://traffic.libsyn.com/secure/theplaypodcast/The_Play_Podcast_41.mp3Podcast: Play in new window | Download

Follow the podcast Apple Podcasts | Google Podcasts | Spotify | Amazon Music | Android | iHeartRadio | Stitcher | TuneIn | RSS | Follow the podcast

Sister Aloysius Beauvier, principal of St Nicholas Catholic school in the Bronx in 1964, has her doubts about the school pastor, Father Flynn, and his relationship with 12-year-old Donald Muller. Her crusade to confirm her suspicions rocks the church community and her own certainties in John Patrick Shanley’s Pulitzer Prize winning play Doubt – A Parable.

Award-winning actress Monica Dolan shares her insights from playing Sister Aloysius in a new production at the Chichester Festival Theatre.

040 – The Curious Incident of the Dog in the Night-Time, adapted by Simon Stephens Jan 13, 2022 | Podcast Episodes

https://traffic.libsyn.com/secure/theplaypodcast/The_Play_Podcast_40.mp3Podcast: Play in new window | Download

Follow the podcast Apple Podcasts | Google Podcasts | Spotify | Amazon Music | Android | iHeartRadio | Stitcher | TuneIn | RSS | Follow the podcast

Simon Stephens’s magical adaptation of Mark Haddon’s bestselling novel The Curious Incident of the Dog in the Night-Time has been a smash hit around the world, loved for its innovative theatrical form and for its unique hero, 15-year old Christopher Boone, who teaches us to see the world differently. As the play embarks on a nationwide UK tour, I’m delighted to talk with Simon.

039 – Best of Enemies, by James Graham Dec 23, 2021 | Podcast Episodes

https://traffic.libsyn.com/secure/theplaypodcast/The_Play_Podcast_39.mp3Podcast: Play in new window | Download

Follow the podcast Apple Podcasts | Google Podcasts | Spotify | Amazon Music | Android | iHeartRadio | Stitcher | TuneIn | RSS | Follow the podcast

Best of Enemies re-enacts the explosive TV debates between American political pundits Gore Vidal and William F Buckley from 1968, and in so doing turns the lens on the corrosive nature of political discourse in our media today. Playwright James Graham joins us to talk about his fascinating new play.

Recent Posts

The 2020 Theatre Diary – March Mar 31, 2020 | Blog Posts

Before the theatres went dark this month I was lucky enough to see Caryl Churchill’s A Number at the Bridge, and spend more than seven hours in thrall to Robert Lepage’s Seven Streams of the River Ota at the National. Plus, some thoughts on what we miss when there is no theatre.

The 2020 Theatre Diary – February Mar 31, 2020 | Blog Posts

Another great mix of shows this month, from Tom Stoppard’s new play, to Ibsen, Beckett and newer plays in smaller London venues.

The 2020 Theatre Diary – January Feb 24, 2020 | Blog Posts

The January roundup included both classic plays, such as The Duchess of Malfi, Uncle Vanya and Three Sisters, as well as recent musicals Dear Evan Hansen and Girl from the North Country …

The post 041 – Doubt – A Parable, by John Patrick Shanley appeared first on The Play Podcast.

Episode 040: The Curious Incident of the Dog in the Night-Time adapted by Simon Stephens

Host: Douglas Schatz
Guest: Simon Stephens

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Simon Stephens’s magical adaptation of Mark Haddon’s bestselling novel The Curious Incident of the Dog in the Night-Time has been a smash hit around the world, loved for its innovative theatrical form and for its unique hero, 15-year old Christopher Boone, who teaches us to see the world differently. As the play embarks on a nationwide UK tour, I’m delighted to talk with Simon.

Episode 039: Best of Enemies by James Graham

Host: Douglas Schatz
Guest: James Graham

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

James Graham's new play Best of Enemies re-enacts the explosive TV debates between American political pundits Gore Vidal and William F Buckley from 1968, and in so doing turns the lens on the corrosive nature of political discourse in our media today. The Playwright James Graham joins us to talk about his fascinating new play.

Episode 038: Macbeth by William Shakespeare

Host: Douglas Schatz
Guest: Professor Emma Smith

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

William Shakespeare's Macbeth is a tragedy of love, ambition and betrayal, propelled by relentless energy and shocking violence, and infused by an air of the supernatural. It has some of the most memorable scenes in all of theatre: the witches chanting over their cauldron, the ghost of the murdered Banquo haunting Macbeth, Lady Macbeth sleepwalking and wringing her bloodless hands.

Professor Emma Smith from Hertford College, Oxford, joins us to explore Shakespeare’s notorious ‘Scottish play’.

James McArdle and Saoirse Ronan at the Almeida Theatre
Photograph by Marc Brenner

038 – Macbeth, by William Shakespeare

Published 2nd DecemberWilliam Shakespeare’s Macbeth is a tragedy of love, ambition and betrayal, full of relentless energy and shocking violence, infused by an air of the supernatural. With the ghostly witches, the plot of a thriller, and most of all the passionate partnership of the Macbeths and their doomed ambition, this has always been one of Shakespeare’s most popular plays. It has some of the most memorable scenes in all of theatre: the witches chanting over their cauldron, the ghost of murdered Banquo haunting Macbeth at the banquet, Lady Macbeth sleepwalking and wringing her bloodless hands, and finally the avenging army approaching camouflaged by the branches of Birnam Wood.

The ‘Scottish play’ was written in 1606, in some way as a compliment to the new monarch and sponsor of Shakespeare’s theatre company, James I or James VI of Scotland. The three “weird sisters” may owe their creation to the king’s well-known obsession with witchcraft, and the story and consequences of a regicide echo the real-life assassination attempt by Guy Fawkes less than a year before.

Since the 17th century the parts of the central couple have attracted the greatest actors of the age, and the story has inspired multiple films, including those by Orson Welles, Akira Kurosawa, Roman Polanski and more recently in 2015 by Justin Kurzel, starring Michael Fassbender and Marion Cotillard in the title roles. As we record this episode The Tragedy of Macbeth is also running on stage at the Almeida Theatre in London, directed by Yael Farber, with riveting central performances from James McArdle and Saoirse Ronan.

I am joined in this episode by a familiar face, Professor Emma Smith, who teaches Shakespeare Studies at Hertford College, Oxford. Emma was my expert guest in episode 17 of the podcast where we talked about another murderous Jacobean play, John Webster’s wonderful potboiler The Duchess of Malfi.

Professor Emma Smith

Professor Emma Smith teaches early modern drama at Oxford, with a special focus on Shakespeare, on which she has published a number of books, including The Cambridge Guide to Shakespeare, Shakespeare’s First Folio – Four Centuries of an Iconic Book, 30 Great Myths about Shakespeare and most recently This Is Shakespeare published by Penguin last year, and which was a Sunday Times bestseller. Her lectures on Shakespeare are also available as podcasts, which you can find on the Oxford university podcasts pages. She is reviewer for the Times Literary Supplement and most pertinently perhaps for our purposes, she also happens to have written the Arden Student Guide: Macbeth, Language and Writing.

The Texts

If you are interested in buying the play text or other related books, we’d be delighted if you choose to purchase them by following the links below. We will earn a small commission on every book you purchase, which helps to keep the podcast going. Through our selected partners Bookshop.org and Blackwell’s you will also be supporting independent bookshops. Thank you.

We have footnotes for this episode …

The Footnotes to our episode on Macbeth include observations on the unnatural, propulsive pace of the play, and on the origins and interpretations of Shakespeare’s three ‘weird’ sisters.

Take me there!

Suggest a play

We’re always open to suggestions about plays to talk about, so if you’d like us to discuss a favourite of yours, please email us at plays@theplaypodcast.com. Let us know why you think we should cover it, and if you know anyone who’d be excited and qualified to talk about it with us (even yourself if modesty permits!).

Plays suggested for discussion by our Guests* Any play by Caryl Churchill – suggested by Nick Hern, our guest in Episode 2 - see Episode 30! More to follow.... * Jerusalem by Jez Buttwerworth, suggested by John Mitchinson, our guest in episode 20 * Cyprus Avenue by David Ireland - suggested by Matt McFrederick, our guest in Episode 3 * A Streetcar Named Desire by Tennessee Williams, suggested by Stephen Marino, our guest in episode 13 * Far Away by Caryl Churchill – suggested by Dan Rebellato, our guest in Episode 1 * The Winslow Boy by Terence Rattigan - suggested by Dan Rebellato, our guest on Episode 1 * All My Sons by Arthur Miller – suggested by Neil Docking, our guest in episode 4 * Assassins by Stephen Sondheim and John Weidman, suggested by Andy Miller, our guest in episode 20 * ear for eye by debbie tucker green - suggested by Mark Taylor-Batty, our guest in episode 6 * Mr Burns by Anne Washburn - suggested by George Spender, our guest in episode 7 * Rockets and Blue Lights by Winsome Pinnock - suggested by Dan Rebellato, our guest in episode 8 - see Episode 14! * Our Lady of Kibeho by Katori Hall - suggested by James Dacre, our guest in episode 37 * Misty by Arinze Kene, suggested by Winsome Pinnock, our guest in episode 14 * Art by Yasmina Reza, suggested by Michael Frayn, our guest in episode 18 * Downstate by Bruce Norris - suggested by Joe Penhall, our guest in episode 37 * Faith, Hope and Charity by Alexander Zeldin - suggested by George Turvey, our guest in episode 22 * Sing Yer Heart Out for the Lads by Roy Williams - suggested by Nadine Holdsworth, our guest in episode 29 * On Blueberry Hill by Sebastian Barry - suggested by Nicholas Rowe, our guest in episode 10 * Hang by debbie tucker green - suggested by Elaine Aston, our guest in episode 30 * Closer by Patrick Marber, suggested by Lucy Bailey, our guest in episode 16 * Things I Know to be True by Andrew Bovell - suggested by Henry Filloux-Bennett, our guest in episode 9 * Sucker Punch by Roy Williams - suggested by Alan Brodie, our guest in episode 27 * The White Guard (aka The Day of the Turbins) by Mikhail Bulgakov, suggested by Michael Frayn, our guest in episode 18 * Disappeared by Phyllis Nagy, suggested by Lucy Kirkwood, our guest in episode 19 * The Inheritance by Matthew Lopez - suggested by Henry Filloux-Bennett, our guest in episode 9 * The Normal Heart by Larry Kramer - suggested by Patrick Marber, our guest in episode 33 * Sunday in the Park with George - by James Lapine and Stephen Sondheim - suggested by Matt Beresford, our guest in episode 34 * Rafts and Dreams by Robert Holman - suggested by Simon Stephens, our guest in episode 40 * Handbagged by Moira Buffini - suggested by Matt Beresford, our guest in episode 35 * Blues for Mister Charlie by James Baldwin - suggested by Greg Hersov, our guest in episode 36 * Shook by Samuel Bailey - recommended by James Graham, our guest in episode 39 - see episode 22! * Antigone by Jean Anouilh - suggested by Emma Smith, our guest in episode 38 * Appropriate by Branden Jacobs-Jenkins - suggested by Monica Dolan, our guest in episode 41 * The Wexford Trilogy by Billy Roche - suggested by Conor McPherson, our guest in episode 28 * Shook by Samuel Bailey - suggested by Nick Hern, our guest in episode 2 - See episode 22! * Good by C.P. Taylor - suggested by Alan Brodie, our guest in episode 27 * Gas by Georg Kaiser - suggested by Justin Greene, our guest in episode 26 * The Birds by Aristophanes - suggested by Edith Hall, our guest in episode 25 * The Seven Streams of the River Ota by Robert Lepage - suggested by Adam James, our guest in episode 24 * The Effect by Lucy Prebble - suggested by Nina Raine, our guest in episode 24 * The Mikvah Project by Josh Azouz - suggested by Samuel Bailey, our guest in episode 22 * Escaped Alone by Caryl Churchill - suggested by John Tiffany, our guest in episode 21 * The Blind by Maurice Maeterlinck - suggested by Tim McMullan, our guest in episode 5 * The Spanish Tragedy by Thomas Kyd, suggested by Emma Smith, our guest in episode 17. * The Wild Duck by Henrik Ibsen, suggested by Christopher Hampton, our guest in episode 15 * A View From the Bridge by Arthur Miller, suggested by Stephen Marino, our guest in episode 13 * Across Oka by Robert Holman, suggested by David Eldridge, our guest in episode 11. * Lungs by Duncan Macmillan - suggested by Victoria Hamilton, our guest in episode 10 - see episode 7! * Clybourne Park by Bruce Norris -suggested by Monica Dolan, our guest in episode 41 Poll Options are limited because JavaScript is disabled in your browser.

You might also be interested in …

041 – Doubt – A Parable, by John Patrick Shanley Feb 3, 2022 | Podcast Episodes

https://traffic.libsyn.com/secure/theplaypodcast/The_Play_Podcast_41.mp3Podcast: Play in new window | Download

Follow the podcast Apple Podcasts | Google Podcasts | Spotify | Amazon Music | Android | iHeartRadio | Stitcher | TuneIn | RSS | Follow the podcast

Sister Aloysius Beauvier, principal of St Nicholas Catholic school in the Bronx in 1964, has her doubts about the school pastor, Father Flynn, and his relationship with 12-year-old Donald Muller. Her crusade to confirm her suspicions rocks the church community and her own certainties in John Patrick Shanley’s Pulitzer Prize winning play Doubt – A Parable.

Award-winning actress Monica Dolan shares her insights from playing Sister Aloysius in a new production at the Chichester Festival Theatre.

040 – The Curious Incident of the Dog in the Night-Time, adapted by Simon Stephens Jan 13, 2022 | Podcast Episodes

https://traffic.libsyn.com/secure/theplaypodcast/The_Play_Podcast_40.mp3Podcast: Play in new window | Download

Follow the podcast Apple Podcasts | Google Podcasts | Spotify | Amazon Music | Android | iHeartRadio | Stitcher | TuneIn | RSS | Follow the podcast

Simon Stephens’s magical adaptation of Mark Haddon’s bestselling novel The Curious Incident of the Dog in the Night-Time has been a smash hit around the world, loved for its innovative theatrical form and for its unique hero, 15-year old Christopher Boone, who teaches us to see the world differently. As the play embarks on a nationwide UK tour, I’m delighted to talk with Simon.

039 – Best of Enemies, by James Graham Dec 23, 2021 | Podcast Episodes

https://traffic.libsyn.com/secure/theplaypodcast/The_Play_Podcast_39.mp3Podcast: Play in new window | Download

Follow the podcast Apple Podcasts | Google Podcasts | Spotify | Amazon Music | Android | iHeartRadio | Stitcher | TuneIn | RSS | Follow the podcast

Best of Enemies re-enacts the explosive TV debates between American political pundits Gore Vidal and William F Buckley from 1968, and in so doing turns the lens on the corrosive nature of political discourse in our media today. Playwright James Graham joins us to talk about his fascinating new play.

Recent Posts

The 2020 Theatre Diary – March Mar 31, 2020 | Blog Posts

Before the theatres went dark this month I was lucky enough to see Caryl Churchill’s A Number at the Bridge, and spend more than seven hours in thrall to Robert Lepage’s Seven Streams of the River Ota at the National. Plus, some thoughts on what we miss when there is no theatre.

The 2020 Theatre Diary – February Mar 31, 2020 | Blog Posts

Another great mix of shows this month, from Tom Stoppard’s new play, to Ibsen, Beckett and newer plays in smaller London venues.

The 2020 Theatre Diary – January Feb 24, 2020 | Blog Posts

The January roundup included both classic plays, such as The Duchess of Malfi, Uncle Vanya and Three Sisters, as well as recent musicals Dear Evan Hansen and Girl from the North Country …

The post 038 – Macbeth, by William Shakespeare appeared first on The Play Podcast.

Episode 037: Blue/Orange by Joe Penhall

Host: Douglas Schatz
Guests: Joe Penhall and James Dacre

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

In Joe Penhall’s explosive and unsettling play Blue/Orange we are asked to observe and judge an extended debate between two psychiatrists who differ on their diagnosis and treatment of a young patient who is apparently experiencing delusions that may be symptomatic of paranoid schizophrenia. The doctors are divided by their ambitions, relative status and racial identity and assumptions, and their discussions escalate into an increasingly bitter and personal power struggle, in which their patient becomes an unfortunate pawn.

Blue/Orange premiered at the National Theatre in 2000, and is now revived in a new production by the Royal & Derngate Northampton, Theatre Royal Bath, and Oxford Playhouse, starring Giles Terera, Michael Balogun and Ralph Davis, and directed by James Dacre. Twenty years on the play is as powerful and topical as ever, addressing the uncertainties and dangers around the diagnosis of mental illness, the latent racial prejudices that can distort our judgements, and the pernicious inflections of hierarchical power in inter-personal relationships.

I’m delighted to be joined in this episode by the playwright Joe Penhall and the director James Dacre.

Episode 036: Hamlet by William Shakespeare

Host: Douglas Schatz
Guest: Greg Hersov

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

It is arguably the world’s most famous play. The Tragical History of Hamlet, Prince of Denmark contains all of the elements of great drama: a revenge thriller, a family ripped apart, a tragic love story, political ambition and intrigue, wondrous poetry and philosophical insight, but most of all a uniquely intelligent, vibrant and sympathetic character who we see in all his brilliance and frailty.

We always knew that at some point we would come to this Everest of all plays, and we do so now inspired by a new production at London’s Young Vic theatre, where Cush Jumbo is winning huge acclaim in the eponymous role. I am delighted to be joined by the director of this production, Greg Hersov, who with his immense experience helps guide us through the almost infinite enchantments and challenges of the play.

Episode 035: Our Country's Good by Timberlake Wertenbaker

Host: Douglas Schatz
Guest: Matt Beresford

The Play Podcast is a podcast dedicated to exploring the greatest new and classic plays. In each episode we choose a single play to talk about in depth with our expert guest. We discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

It is 1789 and a group of convicts in the newly-founded colony of Botany Bay in Australia are assembled to put on a production of George Farquhar’s Restoration Comedy The Recruiting Officer. The true story of this unlikely theatrical enterprise is the subject of Timberlake Wertenbaker’s award-winning play, Our Country’s Good, which premiered at the Royal Court Theatre in 1988 almost exactly 200 years after the events it portrays. The play is a vivid portrait of the volatile new settlement in New South Wales, which raises timeless questions about what makes for a country’s good: the exercise of justice, the iniquities of class, the value of education and culture, and particularly of the redemptive power of theatre itself.

It made complete logical sense to follow our last episode on The Recruiting Officer with this wonderful play, and even more sense to invite Director Matt Beresford back to talk us through it.

Episode 034: The Recruiting Officer by George Farquhar

Host: Douglas Schatz
Guest: Matt Beresford

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

George Farquhar’s rollicking Restoration Comedy The Recruiting Officer is ostensibly a portrait of officers engaged in the nefarious art of impressing men into the army in the country town of Shrewsbury, but it is as much a tale of the local ladies themselves recruiting for lovers and husbands. The classic comic satire of love and war, and sex and deception was first performed at Drury Lane in 1706, and went on to become one of the most frequently performed plays of the 18th century and a staple of education curricula and theatre programming ever since.

Director Matt Beresford joins us to assess the ‘recruiting officers’' respective strategies and successes.

Episode 033: Leopoldstadt by Tom Stoppard

Host: Douglas Schatz
Guest: Patrick Marber

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Tom Stoppard’s ambitious new play Leopoldstadt is a sweeping work of history and ideas which charts the diaspora and decline of an Austrian Jewish family through the convulsive events of the first half of the twentieth century. It addresses profound moral questions of identity, memory and prejudice that are insistently relevant in our time. It is not only a towering intellectual achievement, it is also very personally poignant because it is based partly on Stoppard’s own remarkable family history.

Leopoldstadt opened in the West End in January 2020, only to be closed prematurely by the pandemic a few weeks later. Happily it has returned to the London stage this Autumn, and I am privileged and delighted to talk in this episode with the director of the London productions, playwright Patrick Marber.

Episode 032: Footnotes Volume 3

Host: Douglas Schatz

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Footnotes Volume 3 is a recording of the facts and observations that we’ve published on the website to supplement the plays that we’ve covered in episodes 24-31. A smorgasbord of trivia and analysis ranging from Greek Tragedy to the stock characters of Commedia dell’Arte , through the music of Bob Dylan, the filming of Caryl Churchill’s Escaped Alone during lockdown, and the theatrical installations of Samuel Beckett.

A compendium of dramatic intelligence!

Plays referred to in this episode include:

Consent by Nina Raine
Medea by Euripides
A Servant to Two Masters by Goldoni, and One Man Two Guvnors by Richard Bean
Present Laughter by Noel Coward
Girl from the North Country by Conor McPherson and Bob Dylan
A Taste of Honey by Shelagh Delaney
Escaped Alone by Caryl Churchill
Happy Days by Samuel Beckett

Episode 031: Happy Days by Samuel Beckett

Host: Douglas Schatz
Guest: Lisa Dwan

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Samuel Beckett’s third great dramatic masterpiece Happy Days is a timeless exploration of existential threat and personal survival. It’s central image of Winnie buried in a mound of scorched earth also speaks to our own time when many have endured enforced confinement in a world struck by collective disaster.

Irish actress and Beckett scholar Lisa Dwan, fresh from her triumphant performance as Winnie at the Riverside Studios in London, joins us to share her unique experience of playing Beckett and this majestic play.

Episode 030: Escaped Alone by Caryl Churchill

Host: Douglas Schatz
Guest: Elaine Aston

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Caryl Churchill’s stunning play Escaped Alone presents an ordinary scene of four women of a certain age chatting over tea in a suburban garden. Of course not all is as tranquil as it appears, for each of the women harbour dark personal anxieties, and from time to time one of them steps away from the garden to share news with us about apocalyptic disasters that have struck the world. Produced at the Royal Court in 2016, Churchill’s vision of a world overcome by collective disaster has proved to be extraordinarily prophetic. Joining me to explore our first Churchill play is Professor Elaine Aston, author of a monograph on Caryl Churchill as well as the editor of the Cambridge Companion to Caryl Churchill.

Episode 029: A Taste of Honey by Shelagh Delaney

Host: Douglas Schatz
Guest: Nadine Holdsworth

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Shelagh Delaney’s A Taste of Honey caused a sensation when it appeared at the Theatre Royal Stratford in 1958 because of its frank portrayal of a working-class, single mother and daughter, as well as its bold representations of a mixed-race relationship and a young homosexual as a central character. Delaney sent her first play to the renowned director Joan Littlewood who helped develop it into an historic production which went on to the West End and Broadway. Professor Nadine Holdsworth helps us to explore the enduring power and relevance of the play.

Episode 028: Girl from the North Country by Conor McPherson, music and lyrics by Bob Dylan

Host: Douglas Schatz
Guest: Conor McPherson

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Girl from the North Country is an extraordinary collaboration between the playwright Conor McPherson and the musician and song writer Bob Dylan. The result is a magical work where McPherson’s portrait of families struggling to survive in Depression America is transfigured into an uplifting theatrical experience by the ravishing period arrangements of Dylan’s songs.
The play opened at the Old Vic Theatre in London in 2017 to a rapturous response and reviews, and was followed by runs in the West End and New York.
This is a very special episode, first because I am privileged to talk with none other than the play’s author Conor McPherson, and secondly because we have also been given kind permission to include several extracts from the original cast recording of the music from the first London production.

Episode 027: Present Laughter by Noël Coward

Host: Douglas Schatz
Guest: Alan Brodie

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Garry Essendine is a star of the London stage with an ego and celebrity lifestyle to match. But as he passes forty his excesses threaten to bring down the entire structure of his professional and personal life. Essendine is the thinly disguised alter-ego of playwright and performer Noël Coward, whose tussle with his own fame is the subject of his classic 3-act, 4-door farce Present Laughter. First performed in 1942 with Coward himself as the lead, the play has since attracted a glittering list of stars who could not resist the flamboyant turn, including most recently Andrew Scott in an Olivier award-winning performance at the Old Vic in 2019. Joining me to reexamine Coward’s ‘light comedy’ in the 21st century is theatrical agent and Coward afficionado, Alan Brodie.

Episode 026: A Servant to Two Masters by Carlo Goldoni (& One Man Two Guvnors by Richard Bean)

Host: Douglas Schatz
Guest: Justin Greene

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

One Podcast Two Plays! Carlo Goldoni's Commedia dell'Arte classic A Servant to Two Masters and Richard Bean's hilarious update One Man Two Guvnors. We explore all of the ingredients of the original play in the tradition of Commedia dell'Arte, as well as how Bean translated these so successfully into his smash hit at the National Theatre. Writer and director Justin Greene joins me to sample this multi-course theatrical banquet. (Commedia afficionados will appreciate the gourmet references!).

Episode 025: Medea by Euripides

Host: Douglas Schatz
Guest: Professor Edith Hall

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

The dramatic tragedy of a wife who murders her own two sons in a desperate act of grief and revenge remains as disturbing and deeply moving as when it was written nearly 2,500 years ago. Medea by Euripides is timeless not only because of our fascination with Medea’s horrific crime, but for the poetry of its language, and its unflinching portrayal of a woman all but powerless in a patriarchal world. The play was recently revived at the National Theatre with a stunning performance by Helen McCrory in the title role, which is now available to view on the National Theatre at Home. I’m joined by renowned classical scholar Edith Hall to explore our enduring fascination with Medea.

Episode 024: Consent by Nina Raine

Host: Douglas Schatz
Guests: Nina Raine and Adam James

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

The main characters in Nina Raine’s play Consent are barristers contesting a brutal rape case. As the case unfolds the lawyers’ marriages come unravelled, and they themselves cross the line of honour or even of the law. Consent explores some of the most charged issues of our time: the sources of sexual betrayal and violence, the ambiguities of consent, and the failings of the justice system to account proportionally or sensitively with cases of sexual abuse. I am delighted and honoured to be joined in this episode by the author of Consent, Nina Raine, and by actor Adam James, who appeared in the National Theatre production in the role of Jake.

Episode 023: Footnotes Volume 2

Host: Douglas Schatz

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Footnotes Volume 2 is a selection of facts and observations culled from the library of information that we’ve compiled to accompany each of the plays in the past ten episodes. These include fascinating bits of trivia as well as more extended exploration of specific aspects of the plays. A smorgasbord of dramatic intelligence befitting of the best kind of Footnote.

The plays we cover in this episode include: Death of a Salesman, Rockets and Blue Lights, The Father, Oleanna, The Duchess of Malfi, Copenhagen, The Welkin, Who's Afraid of Virginia Woolf, The Glass Menagerie, and Shook.

Episode 022: Shook by Samuel Bailey

Host: Douglas Schatz
Guests: Samuel Bailey and George Turvey

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Samuel Bailey’s play Shook is set in a young offenders institution, where three young men are taking an unlikely vocational class in parenting skills. The three teenagers are, or are about to be, fathers. Shook won the 2019 Papatango New Writing Prize, and is a funny, sharp, and deeply moving play. I’m delighted to be joined by the play’s author Sam Bailey and by the director of the debut production, Papatango Artistic Director, George Turvey.

Episode 021: The Glass Menagerie by Tennessee Williams

Host: Douglas Schatz
Guest: John Tiffany

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Tennessee Williams breakthrough play The Glass Menagerie is a very personal portrait of Williams’ own flawed family. It first opened on Broadway in March 1945 to rave reviews, it’s box office success catapulting its 34-year old author to fame and fortune. The play is now a standard on educational curricula and theatrical programs, loved for its heart-wrenching portrayal of the hopes and disappointments of its characters, and admired for its theatrical technique and poetic dramatic language.

The play was brilliantly staged in 2013 on Broadway in a production directed by John Tiffany, which was revived in 2017 in London’s West End, and I am absolutely delighted to be joined in this episode by the director himself, John Tiffany, to share his insights into this enduring classic.

Episode 020- Bonus: Who's Afraid of Virginia Woolf by Edward Albee - A short addendum on the film

Host: Douglas Schatz
Guests: John Mitchinson and Andy Miller

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

This is a short addendum extracted from our conversation in episode 20 in which we discuss the 1966 film of Who's Afraid of Virginia Woolf starring Richard Burton and Elizabeth Taylor. It is very much an accompaniment to the main episode about the play.

Episode 020: Who's Afraid of Virginia Woolf by Edward Albee

Host: Douglas Schatz
Guests: John Mitchinson and Andy Miller

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

It is 2:00 am, and George and Martha have invited a young couple for after-party drinks to their home on a New England university campus. What follows is arguably the most extended and vitriolic marital argument ever staged. Over four hours of drunken skirmishing George and Martha tear strips off each other and their young guests, in a terrifying mix of games playing and truth telling, fuelled by anger, shame, disappointment, hatred and possibly even love. As the hostilities intensify both couples are forced to face unvarnished and difficult truths about themselves and their relationships. This is American playwright Edward Albee’s classic play, Who's Afraid of Virginia Woolf, which opened on Broadway in 1962, and was greeted by both moral outrage and critical acclaim. Both types of review contributed to its run-away box-office success, and led to the 1966 Oscar-winning film version with Richard Burton and Elizabeth Taylor.

Joining me to survey the damage of this blistering marital battle are John Mitchinson and Andy MIller, the co-hosts of the award-winning podcast Backlisted, which as its strap line declares "gives new life to old books".

Episode 019: The Welkin by Lucy Kirkwood

Host: Douglas Schatz
Guest: Lucy Kirkwood

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

It is 1759 in East Anglia. A child has been murdered and a young woman has been convicted to hang for the crime. She ‘pleads her belly’ and a jury of matrons must determine if she is truly with child and thus may escape the gallows. Lucy Kirkwood’s powerful play The Welkin, is an historical thriller and a tense courtroom drama, as well as a vivid representation of the real burdens that women carry in a patriarchal world of any age. The Welkin
premiered at the National Theatre in January 2020 before its run was cruelly cut short by the first Covid lockdown. I’m delighted to be joined by the author herself to talk about her rich new play.

Episode 018: Copenhagen by Michael Frayn

Host: Douglas Schatz
Guest: Michael Frayn

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth without expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

It is September 1941. German physicist Werner Heisenberg is visiting his friend and former colleague, Danish physicist Niels Bohr at his home in Copenhagen. Denmark is occupied by the Third Reich, and both men are under surveillance by the Gestapo. What is the purpose of their meeting at this charged time? Did they confer about the potential to build weapons based on the emerging knowledge of nuclear fission? Did Heisenberg wish to warn Bohr about the growing threat to Danish Jews? These questions and more are explored in Michael Frayn’s absorbing play Copenhagen.

I’m delighted and honoured to be joined in this episode by the playwright himself.

Episode 017: The Duchess of Malfi by John Webster

Host: Douglas Schatz
Guest: Professor Emma Smith

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

John Webster's 400-year-old play The Duchess of Malfi is a potboiler of courtly love, intrigue and murder. It has endured not just for its bloody plot, but for its poetic language and the indomitable character of its protagonist. The Duchess remains a female paradigm for a patriarchal world. Joining us to explore this classic anew is Professor Emma Smith from Hertford College, Oxford, an expert on early modern drama.

Episode 016: Oleanna by David Mamet

Host: Douglas Schatz
Guest: Lucy Bailey

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

David Mamet's play Oleanna about the abuse of patriarchal power caused intense controversy and divided audiences when it was first produced in 1992. It is being revived this year at the Theatre Royal Bath. How will we see the sensitive issues it raises differently nearly 30 years on in the light of the #MeToo movement? The acclaimed director of this new production, Lucy Bailey, joins me to explore this explosive work.

Episode 015: The Father by Florian Zeller, translated by Christopher Hampton

Host: Douglas Schatz
Guest: Sir Christopher Hampton

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Florian Zeller’s disturbing and moving play The Father presents a piercing portrait of a family living with dementia. Anyone who has witnessed the cruel effects of the disease will recognise painful truths in the play, and everyone will be unsettled by its inventive dramatic form. The Father premiered in Bath in 2014 before award-winning runs in London and on Broadway. It has also been made into a feature film with Anthony Hopkins and Olivia Coleman due for UK release in January 2021. I’m delighted and honoured to be joined in this episode by the renowned playwright and screenwriter Sir Christopher Hampton, who translated the original play and co-wrote the film’s screenplay

Episode 014: Rockets and Blue Lights by Winsome Pinnock

Host: Douglas Schatz
Guest: Winsome Pinnock

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play, which we talk about it in more depth than you will find in the reviews of any one production. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Winsome Pinnock's powerful new play Rockets and Blue Lights explores the continuing legacy of the slave trade by allowing the lost voices of the past to merge into our current re-examination of history and black identity. The play won the 2019 Alfred Fagon Award and was in preview at the Manchester Royal Exchange earlier in 2020 when the Covid pandemic cruelly closed our theatres. I'm especially honoured during Black History Month to talk with Winsome Pinnock about her wonderful play.

Episode 013: Death of a Salesman by Arthur Miller

Host: Douglas Schatz
Guest: Dr Stephen Marino

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play, which we talk about it in more depth than you will find in the reviews of any one production. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Arthur Miller’s portrait of an ordinary American family in post-war Brooklyn has become an enduring presence on stages around the world and in educational curriculums. The splintering of the Loman family became emblematic of the personal costs and challenges of the American Dream, but Miller’s play has also remained popular and relevant because of its innovative form and emotional power. We’re delighted to be joined by Dr Stephen Marino, founding editor of The Arthur Miller Journal to explore this dramatic classic.

Episode 012: Footnotes 1

Host: Douglas Schatz

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play, which we talk about it in more depth than you will find in the reviews of any one production. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

This episode is a recorded ragbag of selected extra Footnotes that we've compiled during the research and conversations from our first eleven episodes. You'll hear trivial titbits of information in the best tradition of footnotes, as well as pithy observations on all of the plays that we've covered so far.

Episode 011: Beginning by David Eldridge

Host: Douglas Schatz
Guest: David Eldridge

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play, which we talk about it in more depth than you will find in the reviews of any one production. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

In David Eldridge’s wonderful two-hander, Beginning, we eavesdrop on a funny, poignant and potentially life-changing date between two people whose lives have not yet turned out as hope or promised. The playwright himself joins us to share with us where the play came from and review how the date unfolds.

Episode 010: Albion by Mike Bartlett

Host: Douglas Schatz
Guest: Victoria Hamilton and Nicholas Rowe

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play, which we talk about it in more depth than you will find in the reviews of any one production. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Mike Bartlett's major new play Albion is a funny and moving portrait of an individual family coping with grief and life's big challenges, as well as a reflection on issues consuming the nation at the height of the Brexit debate. Joining us to review the reverberations of this rich play are the two leading players in its recent Almeida production: Victoria Hamilton and Nicholas Rowe.

Episode 009: Nigel Slater's Toast by Henry Filloux-Bennett

Host: Douglas Schatz
Guest: Henry Filloux-Bennett and Nigel Slater

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play, which we talk about it in more depth than you will find in the reviews of any one production. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Nigel Slater’s Toast is an innovative dramatisation of the award-winning memoir of the same name, that described the life-changing events of the author’s childhood through his nostalgic diary of his favourite foods. Henry Filloux-Bennett’s funny and heart-warming play not only brings food to life in the theatre, it tells the inspiring story of a young boy who has the courage to follow his own recipe in life.

The two authors of Nigel Slater’s Toast, Henry Filloux-Bennett and Nigel Slater himself, join us to share the unlikely story of how a catalogue of childhood foods became a hit play.

Episode 008: The Deep Blue Sea by Terrence Rattigan

Host: Douglas Schatz
Guest: Dan Rebellato, playwright, journalist and Professor of Contemporary Theatre at Royal Holloway, University of London.

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play, which we talk about it in more depth than you will find in the reviews of any one production. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Terence Rattigan’s masterpiece The Deep Blue Sea was written off for more than 30 years as a dated melodrama until a landmark production at the Almeida in 1993 led to its reappraisal as a “modern classic”. The National Theatre at Home will broadcast their production starring Helen McCrory in the lead role as from 9th of July, and on the same day we will delve into the play in conversation with Dan Rebellato, the series editor of Rattigan’s plays for specialist drama publisher Nick Hern.

Our conversation was recorded via video link during the Coronavirus lockdown.

Episode 007: Lungs by Duncan Macmillan

Host: Douglas Schatz
Guest: George Spender, former editorial director at Oberon Books.

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play, which we talk about it in more depth than you will find in the reviews of any one production. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

A young couple navigate the age-old debate of whether or when to embark on having a baby. They are naturally worried about their personal responsibilities, but most topically they are also concerned about the impact that their adding to the global population will have on the world’s climate and future.

Duncan Macmillan’s award-winning play written in 2011, was revived at the Old Vic in 2019 with Claire Foy and Matt Smith conducting the debate. They will shortly reprise their roles via the Old Vic’s innovative in Camera live stream for a limited run from 26th June. Joining us to review the ongoing debate is George Spender, former editorial director at Oberon Books who publish Lungs and the playwright’s other plays.

Our conversation was recorded via video link during the Coronavirus lockdown.

Episode 006: Betrayal by Harold Pinter

Host: Douglas Schatz
Guest: Mark Taylor-Batty, senior lecturer in Theatre Studies at the University of Leeds.

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play, which we talk about it in more depth than you will find in the reviews of any one production. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Pinter’s modern classic dissects the dynamics of betrayal in marriage, friendship and work. The ambiguities of the adulterous affair that is the core of the play are made all the more unsettling by the innovative chronology of the narrative: the play famously opens with the end of the affair and works backwards to its inception.

Joining us to mine the depths of Pinter’s compressed masterpiece is Mark Taylor-Batty, senior lecturer in Theatre Studies at the University of Leeds and author of The Theatre of Harold Pinter (Bloomsbury 2014).

Our conversation was recorded via video link during the Coronavirus lockdown.

Episode 005: The Tempest by William Shakespeare

Host: Douglas Schatz
Guest: The actor, Tim McMullan

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play, which we talk about it in more depth than you will find in the reviews of any one production. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

From the dramatic opening shipwreck on an “isle full of noises, sounds and sweet airs”, Shakespeare’s late masterpiece is a magical play. Join us as actor Tim McMullan shares his personal insights from his acclaimed performance as the magician Prospero at the Sam Wanamaker Theatre at the Globe in 2016, just one of Tim’s many outstanding Shakespearean roles.

Our conversation was recorded via video link during the Coronavirus lockdown.

Episode 004: The Revlon Girl by Neil Anthony Docking

Host: Douglas Schatz
Guest: Neil Anthony Docking, the play's author

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play – often one that is on stage somewhere in the UK – and we talk about it in more depth than you will find in the reviews of any one production. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Eight months after the disaster that killed 144 people in the Welsh mining village of Aberfan in October 1966, a group of bereaved mothers gather in a local hotel for a demonstration of beauty tips by a rep from the Revlon cosmetics company. The Revlon Girl premiered at the Edinburgh Festival in 2017, followed by a run at the Park Theatre in London, where it won the Off West-End Award for Best New Play. We’re joined by the play’s author, Neil Anthony Docking, to talk about his heartrending and funny play.

Our conversation was recorded via video link during the Coronavirus lockdown.

There are footnotes that accompany this episode - check out www.theplaypodcast.com

Episode 003 Bonus: Endgame by Samuel Beckett - More on Beckett's life and Waiting for Godot

Host: Douglas Schatz
Guest: Dr Matthew McFrederick, Lecturer in Theatre at the University of Reading.

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play – often one that is on stage somewhere in the UK – and we talk about it in more depth than you will find in the reviews of any one production. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

This is a brief addendum to episode 3 on Samuel Beckett's Endgame, extracted from the original conversation with Matthew McFrederick that was published on 30th April 2020. This excerpt talks about Beckett’s early life, as well as where his first plays came from, including his breakthrough play Waiting for Godot.

Episode 003: Endgame by Samuel Beckett

Host: Douglas Schatz
Guest: Dr Matthew McFrederick, Lecturer in Theatre at the University of Reading.

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play – often one that is on stage somewhere in the UK – and we talk about it in more depth than you will find in the reviews of any one production. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

The stage is empty but for a single armchair and two dustbins. A sheet is draped over what appears to be a figure sitting in the chair. This is the famous opening tableaux of Samuel Beckett’s play Endgame. Endgame premiered in French at the Royal Court theatre in London in 1957, following on from Beckett’s breakthrough play Waiting for Godot, which four years earlier had shocked the dramatic world and defined an enduring notoriety for the playwright. The shorthand for Endgame is that two of the play’s characters inhabit dustbins, and the central character is blind and unable to move from his chair; in other words, another difficult, existential drama that challenges theatrical convention and our understanding. But it is also a play that can be very funny, as shown in the recent revival at the Old Vic in London starring Daniel Radcliffe and Alan Cumming. To explore the method, meaning and impact of Beckett’s startlingly original play, I am joined by Beckett expert, Dr Matthew McFrederick, Lecturer in Theatre at the University of Reading.

My conversation with Matt was recorded via video link during the early days of the lockdown for the Coronavirus.

There are footnotes that accompany this episode, as well as some additional audio that didn't make the final cut - you can hear more about Samuel Beckett’s early life in Ireland, his move to live and work in France, and how he came to write his first plays, including his breakthrough play, Waiting for Godot, which heralded a new form of drama. Check out www.theplaypodcast.com

Episode 002: Uncle Vanya by Anton Chekhov

Host: Douglas Schatz
Guest: Nick Hern, Founder of Nick Hern Books and publisher of Conor McPherson’s new adaptation of the Chekhov classic.

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play – often one that is on stage somewhere in the UK – and we talk about it in more depth than you will find in the reviews of any one production. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

To coincide with Irish playwright Conor McPherson’s new adaptation of the Chekhov classic, and its West End run, we talk with his publisher Nick Hern. When in 1889 Chekhov presented the first version of the play that would eventually become Uncle Vanya it was a devastating failure. The playwright withdrew the play and didn’t write another play for five years. Yet the four great plays that followed sealed Chekhov’s reputation as one of the fathers of modern drama. What was different about his plays that changed the way we view theatre? Why are they billed as “comedies” when the characters are so unrelentingly unhappy? How are his portraits of the idle Russian aristocracy at the turn of the 20th century still relevant today? Nick and I and try to answer these questions, and share our love of Uncle Vanya and Chekhov.

Find full show notes at www.theplaypodcast.com

Photo © Marc Brenner

[powerpress]

To explore the enduring relevance of this classic play, we are joined by Dan Rebellato, playwright and Professor of Contemporary Theatre at Royal Holloway, University of London.

The post 001 – A Doll’s House, by Henrik Ibsen appeared first on The Play Podcast.

Episode 001: A Doll’s House by Henrik Ibsen

Host: Douglas Schatz
Guest: Dan Rebellato, playwright and Professor of Contemporary Theatre at Royal Holloway, University of London

Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play – often one that is on stage somewhere in the UK – and we talk about it in more depth than you will find in the reviews of any one production. We’ll discuss the play’s origins, its themes, characters, structure and impact. For us the play is the thing.

Henrik Ibsen’s A Doll’s House remains one the most popularly produced and adapted plays in theatrical history. What is it about a play that was written more than 140 years ago that continues to inspire and challenge contemporary playwrights and audiences? The character of Nora is an iconic figure: her decision to leave her husband and three children remains a controversial act of female agency. To explore the enduring relevance of this classic play, we are joined by Dan Rebellato, playwright and Professor of Contemporary Theatre at Royal Holloway, University of London. The episode coincides with a radical new adaptation of the play by Stef Smith that played at the Young Vic theatre in London.

Find full show notes at www.theplaypodcast.com