The Trek Files: A Roddenberry Star Trek Podcast: Recent Episodes
Roddenberry Entertainment
Your weekly deep-dive into the archives of Roddenberry Entertainment, from the personal files of Gene Roddenberry. Each week, “Dr. Trek” himself, Larry Nemecek, and his guest host will take a behind-the-scenes look at documents that haven’t been viewed in decades—many being revealed publicly for the very first time!
What did Star Trek fans have to say in 1976?
John Champion returns to The Trek Files for a look through Gene Roddenberry's fan correspondence. This season's selection captures a moment in Star Trek history, ten years after the original series debuted, but before the arrival of Star Trek: The Motion Picture.
A Cincinnati attorney credits Spock's logic for helping persuade a jury. An artist shares his hand-painted "Mr. Spock" portrait… on an egg. A teacher explains how she's bringing Star Trek into the classroom, while another fan gently reminds Gene that he still owes her friend for a videotape.
Documents and Additional References * Fan corresponsence with Gene Roddemberry - 1976 * Letters to Star Trek by Susan Sackett * Gene Roddenberry's Inside Star Trek album * NASA's Space Shuttle Enterprise
Authors John and Maria Jose Tenuto return to The Trek Files to share a seemingly ordinary filming notice distributed to guests at the Monterey Bay Aquarium during production of Star Trek IV: The Voyage Home. But for John, it's much more than a production handout, it's a family keepsake.
In April 1986, John's parents unknowingly visited the aquarium on a day when Leonard Nimoy, William Shatner, and the Star Trek IV cast were filming. They saved the notice, recorded the production on a home VHS camcorder, and brought home an extraordinary piece of behind-the-scenes history. Decades later, that footage and flyer helped document one of the franchise's most beloved films.
Larry, John, and Mary Jo explore the logistics of filming at a working public aquarium, Leonard Nimoy's commitment to the film's environmental message, and how a family vacation unexpectedly became part of Star Trek history.
Documents and Additional References Document of the Week * Monterey Bay Aquarium visitor filming notice for Star Trek IV: The Voyage Home (April 1986)
Additional References * Star Trek IV: The Voyage Home * Monterey Bay Aquarium * Leonard Nimoy * William Shatner * John Tenuto * Maria Jose Tenuto * The Making of Star Trek IV: The Voyage Home by John and Maria Jose Tenuto (Titan Books) * Previous The Trek Files appearance by John and Maria Jose Tenuto discussing Star Trek II, Star Trek III, and Star Trek IV production history.
Following last week's look at the earliest concepts for Star Trek: The Next Generation, Larry Nemecek welcomes back author and historian Ben Robinson to examine Gene Roddenberry's handwritten response and the surprising conversation it sparked.
Revisiting documents first explored in earlier seasons of The Trek Files, Larry and Ben trace the pivotal weeks of September 1986, when Gene challenged early ideas for a Starfleet Academy-centered series, questioned the show's heavy emphasis on Klingons, and argued that Star Trek's true strength had never been its characters alone but the stories it told.
Some of Gene's observations proved remarkably prescient. Others reveal how his own thinking had evolved since the 1960s. Together, they paint a portrait of a franchise at a crossroads, just weeks before The Next Generation officially became the series we know today.
Documents and Additional References Document of the Week * Gene Roddenberry's response to the early Star Trek: The Next Generation series proposal (September 19, 1986)
Additional References * Early Star Trek: The Next Generation series proposal by Greg Strangis (September 1986) (revisited from Season 1, Episode 4) * Gene Roddenberry * Greg Strangis * Rick Berman * Ben Robinson * Star Trek: The Next Generation * Related Trek Files episodes: + Season 1, Episode 4 — Early The Next Generation series proposal + Season 13, Episode 2 — Gene Roddenberry's response to Paramount's proposal + Season 15, Episode 11 — Greg Strangis' earliest notes for The Next Generation
Before Captain Picard. Before the Enterprise-D. Before Gene Roddenberry stepped back into the captain's chair of his own creation...
This week on The Trek Files, Larry Nemecek is joined by author and Star Trek historian Ben Robinson to examine one of the earliest surviving documents in the development of Star Trek: The Next Generation: a September 1986 memo from writer Greg Strangis to producer Rick Berman outlining the first concepts for a new Star Trek television series.
The document reveals some fascinating ideas: a Starfleet Academy setting, a young captain, a Klingon observer serving aboard a Federation starship, familiar themes of friendship, diplomacy, and the Prime Directive, but viewed through the lens of Cold War politics and 1980s television.
Together, Larry and Ben explore why some of these ideas disappeared, why others evolved into the Next Generation we know today, and how the process of reinventing Star Trek began long before Gene Roddenberry ultimately reshaped the concept himself.
Documents and Additional References * Greg Strangis to Rick Berman — Early Notes on "Star Trek: The Next Generation" (September 4, 1986)
Additional References * Greg Strangis * Rick Berman * Star Trek: The Next Generation * Gene Roddenberry * Ben Robinson * Related Trek Files episodes: + Season 1, Episode 4 — Early Star Trek: The Next Generation series treatment + Season 13, Episode 2 — Gene Roddenberry's response to the early Next Generation proposal
Star Trek II: The Wrath of Khan is regarded as one of the finest entries in the franchise, but even classics continue to evolve right up until release.
This week on The Trek Files, Larry Nemecek welcomes authors and historians John and Maria Jose Tenuto to examine a fascinating production document: a March 23, 1982 retake script created just weeks before the film premiered. The pages reveal subtle but important changes to some of the movie's most memorable moments, from Kirk's first encounter with David Marcus to the famous "Remember" scene between Spock and McCoy.
How much did Kirk originally know about his son? Who actually performed the mind-meld hand seen in the reshoot? And how did a handful of pickup shots help shape what would become one of Star Trek's greatest films?
Along the way, John and Maria Jose pull back the curtain on Nicholas Meyer's production, Harve Bennett's stewardship of the franchise, and the extraordinary efficiency that turned a modestly-budgeted sequel into a science-fiction masterpiece.
Documents and Additional References Document of the Week * Star Trek II Retakes Script Pages — March 23, 1982
Additional References * Star Trek II: The Wrath of Khan: The Making of the Classic Film * Star Trek II: The Wrath of Khan * Nicholas Meyer * Harve Bennett * Titan Books author page for Maria Jose Tenuto
What if Star Trek's most iconic technology was really just a clever budget solution?
This week on The Trek Files, Larry Nemecek welcomes back actor, writer, and Does It Fly? co-host Tamara Krinsky to explore one of the foundational documents of Star Trek: an excerpt from Gene Roddenberry's August 1966 Writer-Director Information guide. Among its many insights is an early explanation of the transporter, the device that would become one of the franchise's most recognizable inventions.
What began as a practical solution to avoid expensive weekly landing sequences quickly evolved into a storytelling engine unlike anything else in science fiction. Together, Larry and Tamara examine how the transporter shaped Star Trek's pacing and opened the door to some of the franchise's most memorable stories.
Drawing on Tamara's work analyzing science fiction concepts on Does It Fly?, the conversation ventures into questions of physics and philosophy. Is transporting matter actually possible? What happens to consciousness during transport? And how did a production shortcut become one of the most enduring ideas in popular culture?
From Gene Roddenberry's original vision to modern discussions of science and storytelling, this episode beams directly into what makes Star Trek work.
Documents and Additional References * Star Trek Writer-Director Information (Revised August 30, 1966) – transporter section and production notes * Gene Roddenberry * Transporter * Tamara Krinsky * Does It Fly? podcast * Does It Fly? – Is Star Trek's Transporter Really Possible?
Before Star Trek or The Lieutenant Gene Roddenberry explored his role as a television creator by developing a series for one of Hollywood's biggest stars: Joan Crawford.
This week, Larry welcomes Roddenberry Podcasts Technical Director and Gene-ology co-host Earl Green to examine a 1961 memo in which Gene proposes major revisions to The Joan Crawford Show, a legal drama pilot titled A Man's World. The project never made it to series, but the document reveals a writer already demonstrating the storytelling instincts, character focus, and production savvy that would later define his career.
Along the way, Earl and Larry explore Crawford's complicated transition from film to television, the realities of early TV development, Gene's final months at Screen Gems, and the behind-the-scenes negotiations that surrounded the project. They also discuss why the pilot script itself—examined in depth on Gene-ology—may rank among Gene Roddenberry's strongest pre-Star Trek works.
What begins as a rewrite memo becomes a look into Hollywood in transition and Gene Roddenberry honing his craft years before the Enterprise ever left spacedock.
Documents and Additional References * Joan Crawford rewrite memo (April 28, 1961) * Gene Roddenberry * Joan Crawford on IMDb * The Lieutenant on IMDb * DeForest Kelley * Gene-ology: A Man's World episode
Earlier this season, we explored an unusual piece of Star Trek history: a proposed sitcom starring Lwaxana Troi. Now, the story takes an unexpected turn.
When listeners helped identify one of the creators behind the never-produced project, The Trek Files tracked down writer and media innovator Jack Myers, who hadn't seen the pitch document in decades. Together, Larry and Jack revisit Lwaxana in the 24th Century, uncovering how the project came together, Majel Barrett Roddenberry's personal investment in the series, and why Hollywood never gave it a chance.
Jack shares memories of Majel's determination, her frustrations with the industry's limitations, and her belief that Lwaxana could carry a series of her own. Looking back today, many of the pitch's ideas (from AI-powered homes and android assistants to questions of identity, family, and cultural division) feel surprisingly ahead of their time.
It's a rare opportunity to hear the history behind an unproduced Star Trek project directly from one of the people who helped create it, while reflecting on the changing world of television and the legacy of Majel Barrett Roddenberry.
Documents and Additional References * Lwaxana in the 24th Century pitch treatment (circa 1992) * Majel Barrett Roddenberry * Lwaxana Troi * Jack Myers official site * Star Trek: The Next Generation * Star Trek: Deep Space Nine
The story of Star Trek's officially licensed 1994 stage production continues this week on The Trek Files as actor Adrian Cohen returns to share even more memories from Star Trek: The Lost Voyage of the Enterprise.
Using a rare 1995 review from Total Theatre Magazine as the document of the week, Adrian and Larry Nemecek dig deeper into the ambitious London production that somehow brought transporters, Klingons, time travel, and a full-scale Enterprise bridge to the live stage — all during the height of 1990s Trek mania.
This time, Adrian shares stories from the chaotic opening night when the lighting system catastrophically crashed just hours before curtain, forcing the audience to wait until 9:30 PM for a performance that somehow still became a hit with fans. He also reflects on the enormous pressure of portraying Mr. Spock, the audience reaction to seeing the crew materialize live on stage, and the bittersweet realization that the production's planned Broadway future would never quite materialize.
Along the way, the conversation uncovers surprising connections to Adrian's later move to America, the early career of producer John Gore, and how one strange theatrical experiment became an almost-forgotten chapter of Star Trek history.
Documents and Additional References * Total Theatre Magazine review of Star Trek: The Lost Voyage of the Enterprise (Spring 1995) * Adrian Cohen on IMDB * Reference: Leonard Nimoy * John Gore on IMDB * John Gore on BroadwayWorld
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Before there was streaming Trek or "immersive experiences," there was something almost unbelievable: an officially licensed Star Trek stage play in London in 1994.
This week on The Trek Files, Larry Nemecek welcomes actor Adrian Cohen (credited at the time as Adrian Neil), who played Mr. Spock in the ambitious theatrical production mounted during the height of the Star Trek: The Next Generation era. Using a clipping from the London Evening Standard as the document of the week, Adrian recounts the surreal experience of stepping onto a full-scale Enterprise bridge in front of packed houses of passionate British Trek fans.
What began as a skeptical audition ("I can't play Spock!") quickly evolved into a whirlwind production featuring transporter effects, Klingons, time travel, elaborate costume changes, and even an Enterprise flying out over the audience. Adrian and Larry explore how producer John Gore approached the material with both reverence and playful theatricality, creating something that celebrated Star Trek rather than parodying it.
Along the way, Adrian shares memories of discovering just how intense Trek fandom could be, the pressure of channeling Leonard Nimoy's iconic presence, and the unexpectedly emotional reaction from audiences seeing Star Trek brought to life on stage for the very first time.
This week, The Trek Files points a spotlight at a little-known corner of improbable yet completely inevitable Trek history.
Documents and Additional References * London Evening Standard clipping covering the 1994 Star Trek stage production * Reference: Adrian Cohen on IMDB * Reference: Leonard Nimoy * John Gore on IMDB * John Gore on BoradwayWorld
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Thirty years ago, Star Trek: First Contact brought one of the franchise's most important moments to life: humanity's first meeting with the Vulcans. This week on The Trek Files, host Larry Nemecek welcomes actor, writer, and Does It Fly? co-host Tamara Krinsky for a uniquely personal look behind the scenes of that iconic sequence.
Using an original production call sheet from April 23, 1996, the conversation takes us to the nighttime shoot at Charlton Flats in the Angeles National Forest, where dozens of extras helped populate the post-war settlement that would witness history. Among them was a young aspiring actor named Tamara, hoping to gain experience and maybe earn a coveted SAG card.
What happened next was something straight out of Hollywood legend. During filming, director Jonathan Frakes singled Tamara out from among the crowd, rebuilding part of the scene around her reaction shot. Her featured appearance in the finished film earned her a day-player contract, a SAG membership, and a memory that has stayed with her ever since.
Along the way, Tamara shares stories of chilly overnight shoots, watching the legendary cast at work, and experiencing firsthand the creation of one of Star Trek's most beloved cinematic moments.
Documents and Additional References * Star Trek: Generations II (Star Trek: First Contact) production call sheet, April 23, 1996 * Reference: Star Trek: First Contact * Reference: Tamara Krinsky * Reference: Jonathan Frakes * Reference: James Cromwell * Reference: Patrick Stewart * Does It Fly? podcast
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The Trek Files welcomes back visual effects veteran Stuart Ziff for a firsthand trip into the making of Star Trek IV: The Voyage Home. This time, the documents are original production call sheets from April 1986, detailing the now-legendary "B-Tank" shoot where the Klingon Bird-of-Prey splashed down into San Francisco Bay with George and Gracie the humpback whales.
Stu recalls the practical filmmaking wizardry behind the scenes: giant wave machines, lightning rigs, whale effects, and an enormous outdoor water tank built on the Paramount lot. Along the way, he shares stories about building a mechanical whale eye (for the wrong side of the whale), experimenting with blue dye for the tank water, and watching old Hollywood effects crews create movie magic in real time.
Larry and Stu also circle back to Star Trek: The Motion Picture and Stu's experiences during the turbulent Robert Abel & Associates era, including a revealing memory involving a young Paramount executive named Jeffrey Katzenberg.
It's a fond look back at the kind of filmmaking that required wind machines, carbon-arc lightning effects, scuba divers, towels, and "wetsuits for cast and crew."
Plus: Stu discusses the new documentary being produced about his life and career, and how fans can help support it.
Documents and additional references
- Star Trek IV production call sheets, April 18–24, 1986
- Stuart Ziff documentary campaign: Indiegogo – The Stuart Ziff Documentary
- Reference: Star Trek IV: The Voyage Home
- Reference: Leonard Nimoy
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Before Star Trek: The Motion Picture reached theaters, its visual effects production was already becoming legendary… for all the wrong reasons.
This week on The Trek Files, Larry Nemecek welcomes visual effects veteran Stuart Ziff for a firsthand account of the chaotic early days of TMP production under Robert Abel & Associates. Using internal memos and legal correspondence from 1977 and 1978, Larry and Stu trace the rapidly escalating budget, the mounting pressure from Paramount, and the growing realization that the ambitious effects work was spiraling out of control.
But this isn't just a story about production disaster. Stu shares what it was actually like inside Abel's experimental effects operation during a revolutionary moment in Hollywood filmmaking, where engineers, artists, and filmmakers were inventing techniques on the fly in the years between Star Wars and the digital era.
Along the way, Stu reveals how some of his work survived the production shakeup and made it into the finished film, including contributions to the unforgettable V'Ger probe sequence aboard the Enterprise bridge.
It's a candid look at one of the most turbulent creative periods in Star Trek history, and a reminder that sometimes cinematic magic emerges from absolute chaos.
Documents and additional references:
- December 6, 1977 legal correspondence regarding Robert Abel & Associates' agreement for Star Trek: The Motion Picture.
- May 17, 1978 Paramount memo objecting to Robert Abel & Associates' revised visual effects budget.
- Guest: Stu Ziff
- Reference: Star Trek: The Motion Picture
- Additional reference: the upcoming Stu Ziff documentary crowdfunding campaign at Indiegogo – Stuart Ziff Documentary Project
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What if Star Trek had spun off into a full-blown sitcom starring Lwaxana Troi?
To kick off Season 15 of The Trek Files, Larry Nemecek welcomes actor, writer, comedian, and Star Trek: Lower Decks star Tawny Newsome for a deep dive into an early-1990s pitch centered on Majel Barrett Roddenberry's Betazoid ambassador.
The document up for discussion is a never-produced sitcom concept built around Lwaxana Troi; equal parts fish-out-of-water comedy, family chaos, and larger-than-life Trek energy. Together, Larry and Tawny unpack why the pitch feels both very of-its-time and strangely ahead of its time, especially now that Star Trek comedy has found new life through projects like Lower Decks.
As someone who has not only starred in Trek comedy but also developed her own comedic Trek ideas, Tawny brings a unique perspective to the conversation: what makes sci-fi comedy work and how Gene Roddenberry's world always had room for humor alongside the philosophy and adventure.
It's a fascinating look at a road not taken in Star Trek history and a reminder that sometimes the weirdest ideas in the archive are the most revealing.
Documents and additional references
- ca. 1992 sitcom pitch centered on Lwaxana Troi and a proposed Star Trek comedy spinoff
- Guest: Tawny Newsome
- Reference: Lwaxana Troi
- Additional reference: Star Trek: Lower Decks
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Before she was Tasha Yar, she was Lieutenant Commander Macha Hernandez.
For the Season 14 finale of The Trek Files, Denise Crosby joins Larry Nemecek to revisit her original 1987 audition sides for Star Trek: The Next Generation, including early character descriptions that reveal a very different version of the Enterprise's security chief.
Denise first read for Deanna Troi before Gene Roddenberry made a pivotal switch, reshaping the role of Macha Hernandez into Tasha Yar to fit Denise's strengths. In this week's episode, Denise reflects on the audition process, her favorite scene between Troi and Yar that was never filmed, and what those early creative decisions revealed about the direction of TNG.
She also shares memories of those uncertain early days of production, the risk of launching a syndicated sequel to an iconic series, and the emotional complexity of stepping into (and eventually stepping away from) such a historic role. Along the way, Denise speaks movingly about loss after the Palisades fire, resilience, fandom, and what it means to revisit Star Trek decades later.
It's a revealing look at how a character evolves, how casting can reshape canon, and how even discarded script pages tell the story of Star Trek's creative DNA.
Documents and additional references
- Star Trek: The Next Generation Casting Character Bios & Audition Sides (January 30, 1987)
Original description of Lieutenant Commander Macha Hernandez and early security chief character concepts. * Star Trek: The Next Generation Pilot Casting Sides (February 11, 1987)
Troi/Yar audition scene never filmed for TNG.
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In this very special episode of The Trek Files, actor Robin Curtis joins us to revisit a little-known chapter in Saavik's story, one that never made it to screen. Drawing from a pair of early Star Trek IV: The Voyage Home script drafts, we explore a scene that implies Saavik is pregnant with Spock's child, a narrative thread begun in Star Trek III but quietly dropped by the time the final film was released.
Robin shares warm memories of working with Leonard Nimoy, the late Harve Bennett, and her fellow castmates, as well as a few eye-opening truths about the unpredictability of Hollywood. Plus, she discusses her return to the role of Saavik in OTOY's Unification, and we recreate the pivotal, never-filmed scene between Kirk and Saavik.
It's an emotional, candid, and deeply human conversation about legacy, missed opportunities, and what it means to carry a character with you for decades.
Documents and additional references:
- First Draft (August 23, 1985): Conversation between Kirk and Saavik revealing her pregnancy by Spock.
- Second Draft (November 18, 1985): Subtle reference via McCoy's line: "I'm a surgeon, not a pediatrician."
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Before Star Trek: Discovery's final season sent its crew in pursuit of ancient secrets, Carlos Cisco had already taken inspiration from one of the most profound episodes of The Next Generation, "The Chase." In this week's The Trek Files, Carlos returns to explore the thematic connections between the 1993 TNG episode and Discovery's modern narrative arc. With Larry Nemecek, he discusses how "The Chase" influenced the creation of the alien species Progenitors and how its ideas about shared ancestry and unity resonated with the story of L'ak and the Breen in Discovery Season 5.
Document and additional references: Star Trek: The Next Generation episode "The Chase," final draft script (revised Feb 4–10, 1993)
Written by Ronald D. Moore & Joe Menosky, directed by Jonathan Frakes.
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This week, we're joined once again by Cash Edwards, who shares an intimate look at his longtime friendship with Star Trek: The Next Generation producer Herbert J. Wright. Their relationship, and shared history with Gene and Majel Roddenberry, sparked a bold attempt to revive one of Gene's most personal concepts: The Questor Tapes. In 2004, Herb, Cash, Rod Roddenberry, and a team that included Mike Okuda and Jules Urbach put together a new pitch for Questor—a project updated for the post-9/11 world but still driven by the timeless Roddenberry themes of evolution, ethics, and survival. From detailed series bibles to pilot treatments and fan outreach, Cash walks us through the chaotic early years of TNG, the roots of Questor, and the bittersweet story behind its final pitch.
Document and additional references: Questor promo revision 10 - 2004
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This week on The Trek Files: warp coils, dilithium chambers, and a whole lot of gamma rays.
Returning guest Rick Sternbach joins Larry Nemecek once again for a lively exploration of Star Trek: The Next Generation's scientific backbone. Using early technical memos and a classic 1987 warp engine sketch, Rick walks us through how the team brought real-world physics into the heart of the Enterprise-D's design and when they just had to make it up.
From working with Los Alamos physicists to devising the ejection system for the warp core, Rick shares stories of how he and Mike Okuda grounded the show's tech in reality while still serving the drama. Ever wonder why deuterium goes on top, antimatter on the bottom, or how a photon torpedo really works? This one's for the technobabble lovers and science fans alike.
Documents and additional references:
- "TNG Warp Engine Concept Sketch" by Rick Sternbach, February 18, 1987
- Excerpt from the internal Star Trek: TNG Technical Primer, May 1, 1989
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Long before The Next Generation brought LCARS to life or 3D printers made cosplay easier, Star Trek fans relied on one book to make the Enterprise feel real: The Starfleet Technical Manual by Franz Joseph.
In this week's episode, Larry Nemecek welcomes back Karen Schnaubelt, daughter of Franz Joseph, to mark the 50th anniversary of that seminal 1975 publication, just weeks after its surprise appearance atop the New York Times bestseller list. More than just a how-to guide for warp drives and turbo lifts, the Tech Manual became a cornerstone of Trek fandom and helped lay the foundation for the Star Trek revival that followed.
Karen reflects on her father's unique journey from retired engineer to pop culture icon, how the Technical Manual grew out of lunch-hour sketches and club meetings, and what it was like watching fandom embrace a book that treated Star Trek like a living universe. Plus, Larry and Karen discuss how that very success may have stirred some tension in Gene Roddenberry's orbit.
Documents and additional references: The New York Times Book Review – January 4, 1976
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Writer/producer Mike Sussman returns to The Trek Files with a personal favorite: the creative and very meta preface to Gene Roddenberry's novelization of Star Trek: The Motion Picture. In it, Gene (writing as himself and as Admiral Kirk) casts the original Star Trek series as a fictionalized dramatization of real events. Wait… what?
Join Mike and Larry Nemecek as they unpack Roddenberry's playful (and possibly defensive) retcon of Trek canon, written at a time when Gene was emerging as a sci-fi thought leader in the post-Star Wars, post-lecture-circuit era. It's Roddenberry as revisionist historian, spinning group consciousness, mind control revolts, and alternate human evolution… all in the introduction to his own movie tie-in novel.
You may never look at the "real" Kirk, or Trek canon, the same way again.
Documents and additional references: Admiral Kirk's Preface, Star Trek: The Motion Picture novelization by Gene Roddenberry (1979)
Reference: Star Trek: The Motion Picture novelization – Memory Alpha
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What happens when your sci-fi franchise is also a part-time science think tank? This week, Rick Sternbach returns to The Trek Files to discuss a set of internal memos he and Michael Okuda sent to the TNG production team, an essential peek behind the curtain at how plausible science and week-to-week TV production collided during the Berman era.
These "tech notes" weren't just background noise. They helped shape the direction of key episodes, lent credibility to futuristic concepts like nanotechnology and AI, and quietly preserved Trek's internal logic. From computer core comparisons to white dwarf fragments, Rick walks us through how the art department helped make the 24th century feel real and even got a line read by Scotty.
Whether you're a longtime fan of the TNG Technical Manual or just someone who geeks out over starship systems, this one's for you.
Documents and Additional References:
- Technical Memo: "Evolution" – notes on nanotechnology, AI behavior, and micro-replication systems in TNG S3E1
- Technical Memo: "Hollow Pursuits" – science commentary and plausible extrapolations for the episode's holodeck failure storyline
- Technical Memo: "The Most Toys" – suggestions on transporter physics and energy beam effects
- Naren Shankar (science advisor and writer, TNG Seasons 3–7)
- Joan Pearce (continuity consultant, Roddenberry-era Star Trek)
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Before Star Trek: Discovery unmasked the Breen in season 5, they were little more than an enigma in the Trek canon, name-dropped but rarely seen. This week on The Trek Files, Discovery writer and producer Carlos Cisco joins us to talk about tracing those first cryptic mentions of the Breen, buried in The Next Generation scripts for "The Loss" and "Hero Worship," and how they helped inspire the character of L'ak and a new chapter in Star Trek storytelling. Carlos reflects on working with the Discovery team to shape the Breen arc and what it means to tell stories that are simultaneously new and rooted in Trek history.
Along the way, we look at how offhand script references from 1990 can fuel major plot threads decades later and how today's writers sometimes find the best inspiration in yesterday's margins.
Don't miss this conversation about canon archaeology and how the smallest details can echo across centuries.
Documents and additional references: "The Loss" (TNG Season 4, Episode 10) – Final Script Pages (1990)
"Hero Worship" (TNG Season 5, Episode 11) – Script Pages (1991)
Character Reference: L'ak - L'ak on Memory Alpha
For more on the Breen - Breen on Memory Alpha
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This week, we open the Starfleet personnel file for Admiral Jonathan Archer, a detailed biographical memo written by Star Trek: Enterprise writer/producer Michael Sussman for the fan-favorite episode "In a Mirror, Darkly." It was only meant to be a quick background graphic, so how did it evolve into a fan-favorite bit of canon? And why did Mike sneak "President of the UFP" into the character's résumé without telling the showrunners?
Larry welcomes Mike to The Trek Files to revisit the creation of this in-universe bio, share behind-the-scenes memories from the final days of Enterprise, and unpack how a throwaway idea from 2005 became the seed of a new series pitch, Star Trek: United, which imagines Archer in his presidential years. From secret nods to The West Wing, to collaborating with Andy Probert on "Space Force One," this episode is a crash course in how Trek canon can be built with equal parts creativity and chaos.
Documents and additional references: Starfleet Personnel File: Archer, Jonathan
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Before it was a spoon-shaped ship lost in the Delta Quadrant, the U.S.S. Voyager was a series of sketches, foam-core models, and engineering daydreams from the mind of artist and tech consultant Rick Sternbach. As we continue marking the 30th anniversary of Star Trek: Voyager, Rick returns to The Trek Files to walk us through the behind-the-scenes process of designing one of Trek's most distinctive starships. From the early design directives—"smaller, leaner, faster"—to the collaborative process with producers like Rick Berman and Jeri Taylor, we explore how Voyager took shape on paper and on screen.
Along the way, Rick and Larry discuss the evolution of Voyager's signature articulated nacelles, the integration of set blueprints into exterior design, and the legacy of real-world science and scientists (including Minsky and Bussard) that informed Trek's fictional tech. And yes, Rick even drops a bit of headcanon about post-Delta Quadrant refits to the Intrepid-class.
Is the EMH evidence that Voyager's computer is sentient? Did the Voyager design secretly borrow from The Runabout? Could curvier nacelles have saved the timeline? This week, we boldly go into the mind of one of Star Trek's most influential designers.
Documents and additional references: Star Trek: Voyager concept art and related documents
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This week, The Trek Files returns to one of our most personal corners of Trek history.
Reinelda Estupinian,known lovingly as Reina, joins us again to share rare family photos and her firsthand memories of life inside the Roddenberry household. Hired in 1974 as a nanny for six-month-old Rod Roddenberry, Reina became a trusted part of the family for over three decades, eventually working closely with Majel Barrett Roddenberry at Lincoln Enterprises.
Reina shares candid and touching stories of those years: traveling with the family, managing Majel's whirlwind convention life, and offering emotional support through Gene's declining health and Majel's final days. With affection and a few sitcom-worthy anecdotes, she paints a vivid picture of the private lives behind Star Trek's public legacy.
📸 Document and additional references: A collection of rare Roddenberry family photos from Reina's personal archives
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What happens when fans learn their beloved Star Trek is returning, but not the way they expect?
This week on The Trek Files, we take a mid-season dive into the pre-internet letter-writing era of fandom with a look at Interstat #109, a Star Trek "LOC-zine" published just after the announcement of The Next Generation in late 1986. With Mission Log host and producer John Champion joining Larry, we revisit that first wave of passionate, skeptical, and sometimes prophetic reactions from fans adjusting to the idea of Star Trek without Kirk, Spock, or the original cast.
From fears about recasting to early excitement about a new crew, these letters reveal a fandom both resistant to change and deeply hopeful for Trek's future. And while the tone may be more thoughtful than today's drive-by social media culture, the underlying emotions haven't changed.
Together, John and Larry reflect on how fandom evolves, why backlash often masks deep investment, and how publications like Interstat helped shape the Trek we know today—slowly, one stamp at a time.
📄 Document and additional references: Interstat Issue #109 (November 1986)
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In the 1993 Star Trek: The Next Generation episode "Interface," Geordi La Forge uses experimental technology to remotely explore a stranded starship and is confronted by a deeply personal mystery. Was the image of his mother real, or something else entirely?
This week, returning guest Dr. David Williams joins Larry to explore the real-world science behind this episode. Using a vintage press summary as our entry point, they discuss how TNG anticipated advances in virtual interfaces and robotics: technologies that now drive space exploration through probes, planetary rovers, and immersive control systems.
From the Voyager missions to Mars rovers and the growing role of augmented reality in mission planning, Star Trek's tech continues to align with our scientific future. Along the way, Dave and Larry reflect on the emotional themes of "Interface," and how fiction about space helps us prepare for its most human dimensions.
📄 Document and additional references: Paramount press summary for TNG "Interface" (1993)
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Imagine being invited to visit the Star Trek: The Next Generation set before it even aired by none other than Bob Justman.
This week, The Trek Files welcomes back Doug Drexler to share the story of his very first visit to the TNG set in 1987, spurred by a letter from legendary Trek producer Robert H. Justman. That visit changed everything. Doug quickly transitioned from fan to crew member, taking any job that would get him in the door as he built the career that would shape the look of Star Trek for decades to come.
With his signature energy and humility, Doug talks about what it meant to go from wide-eyed visitor to behind-the-scenes creative force, and why, even now, he understands fans who struggle with change in the franchise he loves so much.
Plus, we're in the final stretch of the Kickstarter campaign for Trek Star, the documentary chronicling Doug's incredible Trek journey.
📄 Document of the week: Letter from Robert H. Justman to Doug Drexler – August 12, 1987
🎬 Support the doc: Trek Star – The Doug Drexler Documentary on Kickstarter
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Before he was an Oscar-winning makeup artist and Star Trek's go-to designer, Doug Drexler was just a teenage fan fighting to save the show he loved.
This week, Doug joins The Trek Files to reflect on a remarkable journey—from the 1968 Newsday article that quoted him as a 14-year-old letter-writing activist, to working for the legendary Federation Trading Post in New York, and eventually becoming one of the franchise's most beloved creative minds.
Doug shares memories of fandom in the '60s and '70s like filming Star Trek episodes off his TV with an 8mm home movie camera, then waiting days for the film to be processed just to rewatch them. That early passion led to a career in Hollywood, where he helped shape the look of Trek for decades, from The Next Generation to Enterprise and beyond.
Plus, a look ahead at the upcoming documentary Trek Star, chronicling Doug's unique Trek story from sidewalk protests to the Paramount lot.
📰 Document of the week: Newsday clipping – "This Group Isn't Way Out, But Its Cause Is" (Feb. 1, 1968)
🎬 Coming soon: Trek Star – The Doug Drexler Documentary on Kickstarter
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Before "merch" was a mainstream business, Star Trek fandom had Lincoln Enterprises—and behind the scenes was a small, tight-knit team led by Majel Barrett Roddenberry. This week, The Trek Files welcomes Reinelda Estupinian, who started as Rod Roddenberry's nanny in 1974 and later worked directly with Majel beginning in 1980.
Reina shares stories from the early convention circuit: selling scripts, collectibles, and Vulcan jewelry to devoted fans while keeping pace with the growing Trek phenomenon. She also reflects on Majel as both a businesswoman and a "force of nature," balancing humor, strength, and an unapologetically bold personality (sometimes delightfully embarrassing to those around her).
From Gene Roddenberry's declining health to Majel's final convention appearance in 2008, Reina offers rare, heartfelt insight into the personal and professional lives behind the Roddenberry legacy.
📄 Document and additional references: Lincoln Enterprises dealer agreement (circa 1980)
📸 Plus: personal photos of Reina & Majel on the con circuit
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The first season of Star Trek: The Next Generation was famously turbulent, but behind the scenes, it was also a hive of creative experimentation and open doors for new voices.
This week, we welcome veteran writer/producer Cash Edwards, whose original story pitch "The True One" caught the attention of Gene Roddenberry, D.C. Fontana, and his longtime friend, producer Herb Wright. Though the script wasn't produced, it sparked genuine enthusiasm, and Herb's memo to Gene is our document of the week.
Cash joins Larry to share memories from TNG's earliest days: working closely with the producers, meeting the cast, and witnessing the scramble for scripts that defined Season One. He also reveals some, let's say colorful, ideas he contributed to the development of the Ferengi's first appearance (laser bolos, anyone? leech grenades?).
It's a window into a time when Star Trek was still figuring itself out and welcoming new creatives into the mix who helped shape the journey.
📄 Document and additional references: Memo from Herb Wright to Gene Roddenberry re: "The True One" (1987)
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Long before the internet brought fans together, the Star Trek community thrived through newsletters, potlucks, and passionate word of mouth.
This week, The Trek Files celebrates the 50th anniversary of the United Federation of Phoenix (UFP), the longest-running independent Star Trek fan club, with guest Dr. David Williams, UFP member and Arizona State University planetary scientist. Using a 1975 Arizona Republic article as our time capsule, we look back at how a group of Arizona fans kept the Trek spirit alive in the years between the show's cancellation and its cinematic rebirth.
From screening parties and fan films to homemade uniforms and sci-fi socials, UFP didn't just preserve the legacy, it expanded it. Dave and Larry explore the roots of early fandom, the transition from stamps to screens, and why clubs like UFP still thrive after half a century of community-building.
📰 Document and additional references: Arizona Republic article – "Star Trekkies Maintain the Faith" (1975)
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In 1973, Star Trek: The Animated Series debuted as a Saturday morning cartoon, but early reviewers quickly realized it was something far more ambitious. A contemporary article from the Pantagraph (Bloomington-Normal, IL) praised the show’s complex themes and emotional storytelling, declaring it a breakthrough in children’s animation that adults could take just as seriously.
This week, The Trek Files welcomes back Adam Kotsko, author of Late Star Trek, to explore the deeper legacy of TAS from its psychological depth and allegorical storytelling to its role as the franchise’s first major reinvention. With Gene Roddenberry at the helm and the original cast returning, The Animated Series wasn’t just a placeholder between live-action runs; it was a bold step into new narrative territory.
Was it canon? Does it matter? Adam and Larry unpack how TAS laid the groundwork for later series, balanced nostalgia with innovation, and helped define Star Trek’s long-standing ability to evolve with its audience.
📰 Document and additional references: Pantagraph review of Star Trek: The Animated Series – September 29, 1973
📘 Adam's book: Late Star Trek: The Final Frontier in the Franchise Era
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The introduction of Hugh in Star Trek: The Next Generation’s “I, Borg” added emotional depth to the franchise’s most terrifying villains and reshaped Trek’s approach to individuality and redemption.
This week on The Trek Files, returning guest Adam Kotsko joins us to examine the legacy of Hugh’s first appearance, using a March 6, 1992 call sheet as our launch point. From behind-the-scenes insights on day one of filming to Picard’s rare role as the obstacle to resolution, we dive deep into the character’s mythological weight and long-lasting fan impact.
Adam also explores how Star Trek’s modern “franchise era” grapples with this legacy—sometimes successfully, sometimes not—especially as lore becomes both a storytelling tool and a trap in the prestige TV arms race.
📄 Document and additional references: I, Borg call sheet – March 6, 1992
📘 Adam's book: Late Star Trek: The Final Frontier in the Franchise Era
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How did Star Trek go from television soundstage to national treasure? This week, we continue our conversation with Glen Swanson, former NASA historian and author of Inspired Enterprise, to explore a deeper chapter in Trek’s relationship with the Smithsonian.
Through an exchange of letters between Gene Roddenberry and F.C. Durant, Assistant Director of the National Air and Space Museum, we trace the efforts to secure original Star Trek props and artifacts—including what would ultimately bring the 11-foot U.S.S. Enterprise model into the museum’s collection.
Beyond acquisition logistics, these letters reveal Durant’s belief in the inspirational power of Star Trek, how its optimistic vision of the future helped fuel real-world enthusiasm for space exploration. From ZAP pistols to starship models, this is the story of how Star Trek boldly went into the Smithsonian… and stayed.
📄 Documents and additional references: 1970–1972 correspondence between Gene Roddenberry and the Smithsonian’s National Air and Space Museum
📘 Guest’s book: Inspired Enterprise by Glen E. Swanson
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Long before Star Trek props toured conventions and museums, one historic copy of the pilot episode found its way into the Smithsonian’s National Air and Space Museum with help from Leonard Nimoy and Gene Roddenberry.
This week, The Trek Files welcomes Glen Swanson, former NASA historian and author of Inspired Enterprise, to share the remarkable story of Star Trek’s first contact with one of America’s most iconic institutions. From a 1967 inquiry to Leonard Nimoy, to Gene’s formal letter offering his 16mm color print of Where No Man Has Gone Before for the Smithsonian’s collection, these early documents chart Star Trek’s leap from TV series to cultural touchstone.
We’ll explore rare correspondence, photos of Gene at the museum, and even a telegram from 1968—just as Star Trek was renewed for its third season—that shows how the Smithsonian connection helped boost Trek’s profile in a critical moment.
📄 Documents and additional references: Correspondence between Gene Roddenberry and the National Air and Space Museum (1967–1968)
📘 Guest’s book: Inspired Enterprise by Glen E. Swanson
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We’re kicking off Season 14 with a legend.
George Takei joins The Trek Files to reflect on landing the role of Sulu in Star Trek’s second pilot, “Where No Man Has Gone Before”—filmed 60 years ago in July 1965. With humor and honesty, George recalls the early days on set at Desilu’s Culver Studios, working alongside James Doohan, and navigating the challenges of being a closeted gay actor in 1960s Hollywood.
In a wide-ranging and heartfelt conversation, George also shares his early talks with Gene Roddenberry about Star Trek’s inclusive vision—and what it meant to see that future taking shape on screen, even in its earliest days.
📄 Document and additional references: Call sheet and shooting schedule from Where No Man Has Gone Before – July 19, 1965
George's book: It Rhymes with Takei
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We’re ending the season with a bang. Literally.
In our finale, The Trek Files revisits a seemingly ordinary Next Generation call sheet from 1990… the day a single scene changed Star Trek history. That’s when Commander Riker gave the iconic order to fire on a Borg cube with Captain Picard aboard.
Joining us is the man who gave that order himself, Jonathan Frakes, for a wide-ranging, no-holds-barred conversation. From TNG finally hitting its stride to squashing long-standing rumors, and yes, a truly bizarre story involving a stolen truckload of Star Trek costumes and a trade deal for none other than K.I.T.T. from Knight Rider, Frakes brings humor, honesty, and unforgettable behind-the-scenes insight to one of Trek’s most pivotal moments.
Document and additional references: The Best of Both Worlds, Part I – Script excerpt and call sheet (1990)
Adam's book: Late Star Trek: The Final Frontier in the Franchise Era
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For the first time, The Trek Files sets course for Trek’s modern streaming era, and it all begins with a ship.
We’re looking back at the 2016 press release that introduced the U.S.S. Discovery to the world at San Diego Comic-Con, marking the first step into a new era of Star Trek on television. Our guest is Adam Kotsko, scholar and author of Late Star Trek, who joins Larry to examine how Discovery and the shows that followed have reshaped the franchise for the 21st century.
From universe-building to “fan service,” and from mythology to modern IP, this episode dives into the creative, commercial, and cultural tensions that define the current Trek landscape. Whether you’re a fan of Strange New Worlds or still grappling with Picard, there’s something here for every Trek-O-File.
Document and additional references: U.S.S. Discovery unveiled at Comic-Con International - July 23, 2016
Adam's book: Late Star Trek: The Final Frontier in the Franchise Era
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The journey through Samuel A. Peeples’ early story treatment for Star Trek II continues, and this week, we’re venturing into some of the most imaginative territory yet.
Long before the final script for The Wrath of Khan took shape, Peeples envisioned a film that introduced entirely new characters to the Trek universe. There’s a brilliant young doctor with unorthodox methods and a bold romantic interest in Dr. McCoy. Then there’s Sub-Commander Thal Arctos: a towering, genetically engineered officer who's all Starfleet and part polar bear.
These ideas never made it to screen, but they offer a fascinating look into the creative what-ifs of Star Trek’s cinematic future. Returning guest Ben Robinson helps us unpack these bold swings, what they tell us about the era, and why some of Trek’s most intriguing concepts are the ones fans have never seen... until now.
Document and additional references: Samuel A. Peeples’ Star Trek (The New Movie) – July 30, 1981 (excerpt, part 2)
ENTER TO WIN - the Borg Queen Skull from Star Trek: First contact, exclusively in partnership with Factory Entertainment
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Before The Wrath of Khan became the fan-favorite sequel we know today, Star Trek II went through multiple story pitches, including one from original series contributor Samuel A. Peeples. In the summer of 1981, Peeples outlined a new character: Commander SsAVIK, a half-Vulcan, half-Romulan officer with a sharp intellect and complex heritage.
This week on The Trek Files, Ben Robinson joins Larry to discuss Peeples’ early concept for SsAVIK, how it evolved into the Saavik we met on screen, and the wider creative tug-of-war between Gene Roddenberry, Harve Bennett, and Nick Meyer as the sequel took shape.
Stay tuned for Part 2 next week, featuring two more unused characters from Peeples’ draft!
Document and additional references: Samuel A. Peeples’ Star Trek (The New Movie) – July 30, 1981 (excerpt)
ENTER TO WIN - the Borg Queen Skull from Star Trek: First contact, exclusively in partnership with Factory Entertainment
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We’re back with Ronald D. Moore for part two of our dive into the wonderfully strange 1976 spoken-word album Inside Star Trek. This time, things get weird... in the best way.
From Sarek (Mark Lenard) debating Vulcan mating rituals with Gene Roddenberry, to William Shatner performing a time-bending double act as both himself and Captain Kirk, the album takes some truly unexpected turns. Ron shares his favorite moments, what they say about Trek’s early self-awareness, and how even the quirkiest bits helped shape his own fandom.
Document and additional references: Inside Star Trek album and liner notes (1976)
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Before he was a celebrated Star Trek writer and producer, Ronald D. Moore was a fan, just like so many of us, watching reruns, devouring The Making of Star Trek, and listening to Gene Roddenberry’s 1976 spoken-word album Inside Star Trek.
In part one of our two-part conversation, Ron reflects on how that Columbia Records release shaped his early views of the franchise. We explore the stories that resonated with him most, including Gene’s candid recollections of his own childhood challenges, and how those moments helped inspire Ron’s own journey into the Star Trek universe.
Document and additional references: Inside Star Trek album and liner notes (1976)
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From its earliest concept stages, Star Trek: The Next Generation set out to break new ground, including the intentional addition of a disabled crewmember to the Enterprise-D. Inspired by and named for a real fan, George LaForge, this character was part of a push for greater representation and inclusivity on screen.
This week, The Trek Files welcomes actor and artist Bruce Horak, known to fans as Hemmer from Strange New Worlds. Bruce shares his personal journey as a blind actor stepping into Star Trek’s universe, the impact of authentic representation, and his new documentary Boldly Going, where he paints portraits of people who have overcome significant challenges in their own lives.
Content note:
The historical document featured in this episode contains outdated language and descriptions of disabled individuals. While we do not endorse these terms, we present the full text in the interest of transparency and historical context.
Document and additional references: Memo exchange discussing the inclusion of a disabled crewmember in TNG – October 1986
Support Bruce’s documentary: Boldly Going on Indiegogo
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It wasn’t just the series finale of Star Trek: Enterprise. “These Are the Voyages” marked the end of an 18-year era of continuous Star Trek on television, dating back to The Next Generation in 1987. Emotions ran high on set, and not all of them were celebratory. Returning guest Mike DeMeritt, First Assistant Director on Enterprise, brings us a candid look behind the scenes of Trek’s broadcast-era farewell. From dismantled sets to discarded call sheets (but not underwear), we explore the atmosphere and aftermath of one of Trek’s most controversial finales.
Document and additional references: "These are the Voyages" shooting schedule and strip board - February 25, 2005
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May 2001 marked a major transition as Star Trek: Voyager had just wrapped, and Enterprise was ramping up production. With little time to exhale, the crew jumped into a new era: new cast, new look, even new tech (farewell, hand-written call sheets!). But as always, the most revealing stories live between the lines. First Assistant Director Mike DeMeritt returns to The Trek Files to help decode a pair of call sheets and share what they say about how Trek kept boldly going behind the scenes.
Document and additional references: Voyager and Enterprise call sheets - May 2001
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One of TV’s most iconic set designs didn’t just look futuristic—it functioned like the real thing. Matt Jefferies’ vision for the U.S.S. Enterprise bridge was both cinematic and sensible, blending style with storytelling utility. This week, Ben Robinson returns to The Trek Files to explore two of Jefferies’ original design documents and reveal the real-world engineering and aviation influences that helped shape Star Trek’s most legendary interiors.
Document and additional references: Matt Jeffries bridge designs - 1964
Sponsored by - Bold Bubbles
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The Trek Files returns to one of the most foundational documents in Star Trek history: the third revision of The Star Trek Guide from 1967. Author and “Trek Whisperer” Glen Henderson joins Larry Nemecek to explore the show’s core creative philosophy—especially the idea that believability in characters and behavior matters more than technobabble.
Together, they unpack a fascinating “test” Gene Roddenberry included in the guide, challenging writers to spot a major format error in a hypothetical teaser scene. Was it bad science? Clunky terminology? Or something more human at the heart of it?
Discover what Gene thought really made Trek work—and what still resonates with fans and creatives today.
Document and additional references: The Star Trek Guide, Third Revision - April 17, 1967
Visit Glen Henderson, The Trek Whisperer
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It's time for our seasonal dive into Gene Roddenberry's mail bag for a look at fan letters that were considered for publication in the book "Letters to Star Trek." Topics range from DeForest Kelley's southern accent to acquiring props and other leftovers from production to parents just not understanding Star Trek's appeal. John Champion joins Larry Nemecek for a peek into what has changed and what has certainly stayed the same in the world of fandom.
Document and additional references: Star Trek fan letters - 1975
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The crew of the Enteprise-D were taking shape in the earliest creative days of Star Trek: The Next Generation. Julian Picard, Commander Ryker, and Leslie Crusher all went through revisions to becomes the characters we know today. Deanna Troi evolved from a towering, large-brained, four-breasted telepath into, fortunatley, a character who was far more suitable for TNG's stories. The Trek Files is thrilled to welcome Nana Visitor to discuss the ever-changing roles of women in the Trek universe and the back-and-forth relationship between Gene Roddenberry and Dorothy Fontana in our amusing, revealing documents.
Document and additional references: Star Trek: The Next Generation bible version 1 (excerpt) - November 5, 1986
Open a Channel: A Woman's Trek by Nana Visitor
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Star Trek fans already know about Voyager's "Year of Hell," but they may not know about the "day of hell" that plagued production in October 1995 while filming the second season episode "Death Wish." It would take more than the power of Q to rescue cast and crew from the multiple accidents and failures the threatened to derail the epsiode. That's where the power of an experienced Assistant Director is tested, and today we welcome back to the show Mike DeMeritt who was on set that day and guides us through how to "ride the chaos."
Document and additional references: Star Trek: Voyager "Death Wish" call sheet and production report - October 17, 1995
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One of the common threads the connects all Star Trek series is the role of the Doctor. Whether human, alien, or hologram, the Doctor often represents the compassionate, human heart at the center of Trek's stories. In an excerpt from the first season Star Trek writer's guide, Gene Roddenberry spelled out the special relationship Dr. McCoy has with his crewmates. Special guest John Billingsley drops by The Trek Files to give his own spin on how Dr. Phlox fits into the legacy and shares imporant updates about Trektivim in the real world by helping foster positive social change.
Document and additional references: Star Trek Writer-Director Information (Excerpt) - August 30, 1966
Support TrekTalks and the Hollywood Food Coalition
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Star Trek's very first fans were made on the night of Septmeber 8, 1966 when NBC premired its newest primetime science-fiction show. The reviews may have been mixed, but a lifetime of influence and inspiration followed. We look back at a couple of Trek's earliest reviews and get to know one of the viewers from that night. Glen Henderson, author of "All I Need to Know about Success I Learned from Star Trek," joins The Trek Files to discuss the series' impact on his life and profession.
Document and additional references: Reviews of New Television Shows - September 9, 1966
Visit Glen Henderson, The Trek Whisperer
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Continuing our conversation with Star Trek fan-turned-professional David Benjamin Tomlinson, The Trek Files focuses on a day of production from one of his favorite episodes, TNG's "Cause and Effect." The conversation sparks reflection on the intrigue of time-based stories, the challenges of working under alien prosthetics, and the special thrill of being directed by Jonathan Frakes.
Document and additional references: Star Trek TNG "Cause and Effect" call sheet - January 23, 1992
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Actor David Benjamin Tomlinson returns to The Trek Files for a look back at a single, pivotal page from the script of Star Trek VI: The Undiscovered Country. As a lifelong fan, David recounts the importance of the handoff from the classic series of feature films to a new generation of storytellers and his personal jounrey joining the production of Star Trek: Discovery.
Document and additional references: Star Trek VI scene 202 - February 19, 1991
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Continuing our celebration of Leonard Nimoy, we revisit a memo from 1967 in which he cheekily promised he had stolen enough pens to satisfy the needs of answering his fan mail. As our special guest to shed more light on his personality, The Trek Files welcomes Rich Michelson who was a collaborator, biographer, and long-time friend of Leonard. The two bonded over photography and literature and found delight in each other's humor. Rich shares poignant stories about talking to Leonard every day before his death in 2015 and carrying on to celebrate his creative work.
Document and additional references: Leonard Nimoy fan mail memos - June, 1967
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In the collaborative, high pressure environment of film and TV production, tensions often flare between creative professionals. In the lead-up to Star Trek III: The Search for Spock, Leonard Nimoy was preparing for his first outing as a feature film director when Gene Roddenberry sent a friendly, congratulatory letter to smooth over past disagreements. In a special episode of The Trek Files, we look back at Leonard's career ten years after his death, and we are delighted to welcome his son, Adam Nimoy, to share stories about the man, his talent, and what made him "The Most Human."
Document and additional references: Gene Roddenberry letter to Leonard Nimoy - May 20, 1983
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It was the very first day of filming for Christopher Lloyd as Commander Kruge, on set on the bright of a Klingon Bird of Prey, in September of 1983. Lloyd's performance was iconic in a career already full of iconic characters. In this special episode of The Trek Files, Lloyd joins host Larry Nemecek on stage at Trek to San Francisco to discuss his career an bringing Kruge to life.
Document and additional references: Star Trek III call sheet - September 19, 1983
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There was a time when Saurians were only known for their brandy, but by the time of Star Trek: The Motion Picture, the alien species was starting to flesh out a bit more. A few decades later, Saurians came into their own when Star Trek: Discovery introduced us to beloved crew member "Linus." Special guest David Benjamin Tomlinson joins The Trek Files to talk about bringing Linus to life and his own longtime love of Star Trek.
Document and additional references: The Making of Star Trek: The Motion Picture [excerpt] - 1980
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As Star Trek often finds itself in transitional periods, the question always arises: what IS "Star Trek?" In 1986, Gene Roddenberry responded to Paramount Executive John Pike with a letter outlining his concepts for The Next Generation. Now, decades later, we welcome Rod Roddenberry to discuss the parallels of defining Star Trek then and now and striking a balance between the original concept and reinventing for a new audience.
Document and additional references: Letter from Gene Roddenberry to John Pike - September 19, 1986
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In a letter to Gene Roddenberry, Dorothy Fontana makes the case for accepting a story from Larry Niven into the production of Star Trek: The Animated Series. In a separate letter to Larry, Dorothy suggests a collaborative approach to bring his story to the small screen. In this episode of The Trek Files, we are thrilled to welcome the award-winning science-fiction novelist Larry Niven himself to share his recollection of working with Dorothy and adapting his story for Star Trek!
Document and additional references: Letters to Gene Roddenberry and Larry Niven - 1973
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Just over 30 years ago, filming began on a Star Trek series that would launch a new TV network. The exit of a star player brought production to a halt while executives figured out how to recast the series lead. The Trek Files welcomes back Dave Rossi, who was there on day one, with stories of Voyager finding its way and introducing the newest Captain to her ship. Don't miss our season finale!
Document and additional references: Star Trek: Voyager call sheets - September, 1994
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Few people had as much influence on shaping Star Trek: Voyager and the role of Captain Janeway than the late Jeri Taylor. Known in the business as much for her professional output as for her humility and kindness, Jeri had re-emerged in the last few years to connect with the Trek fans who were influenced by her work. The Trek Files welcomes longtime friend and colleague Lolita Fatjo to discuss Jeri's legacy and comment on our document the connect's directly to your host!
Document and additional references: Nemecek Pitch - December 14, 1994
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The story of the once missing, now discovered, three-foot filming model of the USS Enterprise has been all over the news lately, leading Star Trek fans to investigate and speculate. From Gene's desk to an abandoned storage unit, there's more than a 40 year gap. This week, prompted by Gene's memo to get his model back, The Trek Files is happy to shed a little more light on the story. Learn how a few more items found at auction led one Trekspert, David Tilotta, to piece together the Enterprise's journey in front of the holographic lens. Don't miss this revealing bit of Trek history!
Document and additional references: "Three-Foot Enterprise Model" - November 5, 1979
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Director Paul Lynch returns to The Trek Files to discuss his other first regular episode for the franchise, Deep Space Nine's "A Man Alone." An industry veteran, Lynch dives into the director-actor relationship about bringing the best performances out of the cast. Which DS9 actors were ready on day one? And which ones needed time to settle into their roles? Lynch shares his insights from day one of DS9.
Document and additional references: "A Man Alone" call sheet - September 29, 1992
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After a TV pilot is carefully produced, the task of creating a regular weekly series can get underway. "The Naked Now" was Star Trek: The Next Generation's first series episode, and The Trek Files is pleased to welcome the episodes' director, Paul Lynch, to discuss his work. Find out what actors required the least direction and who studio executives thought the real "star" of the series was at the time!
Document and additional references: "The Naked Now" daily production report - July 6,1987
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The Trek Files goes back into the world of audio for an in-depth discussion about Star Trek: The Motion Picture. Specifically, the many complexities of character dialogue recording and re-recording are the focus for special guest Mike Matessino who was a post-production supervisor on both of TMP's Director's Editions. A memo from Robert Wise about actor ADR kicks off a discussion about the noisy Enterprise bridge, the changes given to Vulcan subtitles over the years, and much more.
Document and additional references: "Star Trek" Looping - August 15, 1979
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We're celebrating the 50th anniversary of TAS' second season with guest Aaron Harvey, author of "Star Trek: The Official Guide to the Animated Series." In many ways, TAS broke new ground by expanding on what had come from TOS and making the Trek universe a richer place. For the first time, Orion pirates were seen, and they, along with many other TAS creations, have left an indelible mark on the franchise ever since. Dive into the roots of felinoid species, what makes "canon" and more on this week's episode of The Trek Files.
Document and additional references: "The Pirates of Orion" storyboards - 1974
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A series of memos from the earliest days of The Next Generation contemplate the scientific advances of the new Enterprise. Specifically, the bridge would undergo a radical redesign to emphasize a more comfortable, thoughtful interaction of the crew. In addition, the special effects advances since the 1960s meant that the views of space could be much more realistic. We welcome back Dr. Barrett Caldwell to help explore the intersection of technology and humanity, where Star Trek gets it right, and where it stretches our imaginations.
Document and additional references: The Front Window of the Enterprise - 1986
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This week on The Trek Files, we focus our ears on the sounds that make Star Trek. From TOS to the movies, we are pleased to bring you exclusive behind-the-scenes audio clips like you've never heard them before. Those, along with our document from Gene's archive, are illuminated by our special guest Steve Lee, veteran audio expert and "sound wrangler" for film and television. Steve currently archives the industry's work at the Hollywood Sound Museum.
Document and additional references: Dubbing and Scoring Schedule - July 10 - 14, 1967
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In October 1988, the Star Trek production team started rolling in Yosemite National Park. We catch up with Dan Madsen, the head of the official fan club, who was in regular contact with director William Shatner and well aware of the anticipation - and anxiety - among fans about the next Trek feature film. We cover everything from Levi's to marshmallows to purple horses on this week's episode of The Trek Files.
Document and additional references: Star Trek V call sheets - 1988
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It was the first day of shooting on Star Trek III. Fans knew that Spock was likely coming back, but they didn't know about the loss of the Enterprise or other major plot points of the film. One fan who was on the inside had the scoop, though! Dan Madsen joins The Trek Files again to share stories about the "wine and roses" days of Trek and getting the lowdown from Leonard Nimoy himself.
Document and additional references: Star Trek III call sheet - Day 1 - August 15, 1983
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Secrecy around movies is paramount. In early 1978, the announcement for Star Trek: The Motion Picture had not yet been officially made, but one person close to the production had leaked insider information about the production. Studio executive Jeffrey Katzenberg stepped in with a politely worded, but unambiguous, memo to stop the leaks at their source.
Document and additional references: Star Trek II memo - January 19, 1978
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Each season on The Trek Files, we take a break from the interdepartmental memos and deeply technical discussions behind the scenes of Star Trek in order to check in with the fans. Specifically, we peruse Gene Roddenberry's mail bag from the mid 1970s to see what had fans excited a generation ago. This time: graduation wishes, praise for Trek's humanity, and, of course, more requests for any props that may just be laying around...
Document and additional references: Fan Correspondence - ca. 1975
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Science fiction requires a certain amount of science fact to make the stories believable. In the lead up to "The Next Generation," Gene Roddenberry sent a memo to the production team expressing frustration over the balancing act between the two. Jeff Stepp returns to The Trek Files to talk about the similarities in writing for drama and scientific documentary and the possible coolness of "deathstrings."
Document and additional references: Warp Speed Cellular Plasma "Deathstrings" Gizmos - April 28, 1987
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In the last years of his life, Gene Roddenberry continued to address audiences with thoughts about science fiction and the intersection of humanity and science. In this speech from 1989-1990 given to an audience of Jungian psychologists, he explored the ways technology and storytelling illuminate the human experience. The Trek Files again welcomes Dr. Barrett Caldwell to share his thoughts on Gene's speech.
Document and additional references: The Shape of Tomorrow - ca. 1989
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In a speech to the Fourteenth Space Congress in 1977, Gene Roddenberry laid out the three arguments for human space exploration. Now, we revisit his words with Barrett S. Caldwell, PhD, Professor of Industrial Engineering (and Aeronautics and Astronautics) at Purdue. He reflects on Gene's visionary take on the space program and the inspiration that keeps us returning to the stars.
Document and additional references: Beyond the Near Term - April 27, 1977
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David Gerrold joins The Trek Files again for a fun look behind the scenes of Deep Space Nine's 30th anniversary Star Trek episode, "Trials and Tribble-ations." Hear about the painstaking details to recreate 1960s television in the '90s and how returning to tribbles 30 years later was a career highlight.
Document and additional references: Trials and Tribble-ations call sheet - August 22, 1996
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Phil Weyland returns to The Trek Files with more stories from the set of Star Trek III. As stand-in for DeForest Kelly and, later, William Shatner, Phil had a front-row seat for the extremes from excitement to boredom of making Trek's epic big-screen stories.
Document and additional references: Star Trek III call sheet - August 31, 1983
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The title says it all. David Gerrold shared his parting words with Gene Roddenberry upon leaving production of Star Trek: The Next Generation. It was a bittersweet moment preceded by conflict. David joins The Trek Files to talk about the state of TNG's production at the time, his frustrations with backstage politics, and the desire to leave on a high note. Don't miss our deep look into the tumult of Star Trek's return to TV with one of the insiders who was there from the start.
Document and additional references: Gerrold's Last Memo - May 22, 1987
Affective Memories: How Chance and Theater Saved My Life by Laurence Luckinbill
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Between Star Trek the Motion Picture and The Next Generation, Gene Roddenberry was still at work crafting new TV show concepts. In 1981, he turned his attention to a melding of real world science and speculative futurism with "Breakthrough." We welcome producer/documentarian Jeff Stepp (The UnXplained: Mysteries of the Universe with William Shatner) to the Trek Files to help determine where Gene was on the right path and if his idea could breakthrough the TV landscape today.
Document and additional references: Breakthrough TV Format - October 7, 1981
Affective Memories: How Chance and Theater Saved My Life by Laurence Luckinbill
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Laurence Luckinbill continues his conversation with The Trek Files, reminiscing about Star Trek V and sharing a passage from his new book, "Affective Memories." Hear about his friendship with William Shatner and DeForest Kelley, the trouble with alien horses, and why "The Final Frontier" is one of the great Star Trek movies.
Document and additional references: Star Trek V call sheets - 1988 part 2
Affective Memories: How Chance and Theater Saved My Life by Laurence Luckinbill
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The Trek Files gets a look inside the production of Star Trek V: The Final Frontier with none other than the man who brought Sybok to life, Laurence Luckinbill. The multi-award winning actor shares his insights into his spiritual connection with Sybok, competing angles on the character, and the difference between Star Trek and Star Wars.
Document and additional references: Star Trek V call sheets - 1988 part 1
Affective Memories: How Chance and Theater Saved My Life by Laurence Luckinbill
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Celebrating 40 years since the release of "The Search for Spock," The Trek Files goes deep behind-the-scenes with someone who spent as much time on Star Trek movie sets as any of the stars. Special guest Phil Weyland was a stand-in for DeForest Kelley and William Shatner and had a front-row seat for all the challenges and triumphs of the TOS movies. Hear about everything from deflated budgets to inflated egos in this week's episode!
Document and additional references: Star Trek III call sheet - October 21, 1983
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Kicking off the 12th season of The Trek Files, we're taking a look back at planning Star Trek's third season in 1968. Bob Justman sent a memo in February of that year to Gene Roddenberry with his suggestions of which cast members should be kept and at what rate. Joining us to discuss the memo is someone from that very cast: Walter Koenig who you know as "Chekov!"
Document and additional references: Star Trek Cast Option Pickups - February 26, 1968
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Wrapping up our 11th season, The Trek Files is proud to welcome Walter Koenig to the show to look back at his own involvement in Star Trek TAS as a writer. Stay tuned for the revelations about Walter's pitch (and subsequent rejection) from TNG, shared here for the first time!
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Ben Robinson returns to The Trek Files for another look at some of the roads not taken when Star Trek: The Next Generation was in development. This time, the complexities of bringing Wesley/Lesley Crusher to life and how TNG could have broken new ground in 1987.
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The Trek Files revisits an early document from Star Trek: The Next Generation's development. David Gerrold sketched out a guide to how the main characters would relate to each other, and in this excerpt, focuses on Deanna Troi's special talent as a telepath. Ben Robinson joins us to look back at the Trek that might have been!
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Continuing our conversation about Gene's Star Trek III memo, we are thrilled to welcome Eugene Roddenberry to share his insights into his father's notes! Examining Vulcan mysticism and how those "small feathers" make a big difference in Star Trek storytelling on a can't miss episode of The Trek Files!
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While developing "The Next Generation," Gene Roddenberry was also fielding notes on the next Star Trek feature film "The Final Frontier." Our featured document highlights some of the strong misgivings Gene had about the script and story, and we pick apart the areas where he may have missed the mark or was right on target.
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With Gene Roddenberry relegated to a consultant role on the Star Trek feature films, the "Great Bird" still had strong opinions about the shape of each sequel. In the first part of our look at a memo from 1983, Gene lays out his concerns around keeping Trek's format intact and his problems with destroying the Enterprise.
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The faster Star Trek: The Next Generation ramped up production for its first season, a very real crisis loomed: they didn't have enough scripts. Bob Justman wrote to Gene Roddenberry in no uncertain terms about the production's needs, and we've got Mike DeMeritt to help us pick apart the details.
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One year before the American bicentennial celebration, Gene Roddenberry and Wilton Dillon from the Smithsonian Institution shred a friendly correspondence. We welcome back Margaret Weitekamp - almost 50 years to the day since the "Big E" was shipped from LA to DC - to further discuss the importance of pop-culture in the country's preeminent collection of historical artifacts.
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We are thrilled to welcome Margaret Weitekamp, Curator and Department Chair of the Smithsonian National Air & Space Museum, to discuss science fiction's role in the story of space flight. A 1972 letter from Gene Roddenberry to Fred Durant, Assistant Director of NASM, underlines the cultural impact of shows like Star Trek and the importance of heroic stories in garnering public support.
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As The Trek Files continues to celebrate the 50th anniversary of Star Trek: The Animated series, we look back at a rather pointed letter from Dorothy Fontana about the draft for "Eye of the Beholder." Aaron Harvey joins us again as we reveal a newly discovered detail about the episode's development!
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It might seem like a given that a TV series must be written to fit a budget. In the early days of "Star Trek: The Next Generation," a serious concern between Gene Roddenberry and Bob Justman was to keep the scripts under control. Returning guest Mike DeMeritt joins The Trek Files to help parse the intersection of creativity and commerce.
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What exactly is the internal physiology of a Klingon, or a Horta, or a Tholian? In 1975, an enterprising undergrad wrote to Gene Roddenberry to get some answers. Today, we've got educator and Star Trek science consultant Mohamed Noor with us to talk about the intersection of fact and fiction.
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We're joined again by Luanne Fortier to share her stories about fandom in the 1970s. This time, the Star Trek stars come to town when William Shatner goes LIVE with an album of his college tour, and Luanne reminisces about Gene Roddenberry himself on stage.
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As Star Trek was getting ready for a return to television, Dorothy Fontana was teaching a class to aspiring writers. One of those students, Robert Coyle, pitched his own animated Trek adventure and got multiple lessons along the way in writing for television and the hash business of production. Paul joins The Trek Files to tell his story!
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It's time for another look into Gene Roddenberry's mail bag! This episode, we've got a range from 1971 - 1975, everything from an up-and-coming student writer to a pilot who claims to have unlocked the secrets to Star Trek tech!
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Star Trek may have broken a lot of ground on television, but the marketing of the show went boldly into new frontiers as well. A document aimed at fanzine publishers marks the transition to an "official" newsletter in what we might today call a bit of viral marketing. Tim Gaskill joins us again to discuss the ways Star Trek reaches its fans.
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Our 250th episode deserves a special guest, and we've got Star Trek: Lower Decks creator Mike McMahan for a bonus-length chat! We cover the history of animated Star Trek to the threads that connect TAS to modern stories, and we may get to the bottom of why there are no Tellarites in Lower Decks. Don't miss this highly animated conversation!
David Gerrold visits The Trek Files again, this time to discuss the development of a story that didn't make it to TNG but found new life as a fan film, "Blood and Fire." Along the way, we revisit the personalities and controversies that led to the real chaos on the bridge.
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Continuing our look at the creative process that brought Star Trek: The Animated Series to life, we welcome back Aaron Harvey for another dive into unproduced story pitches. Gene Roddenberry himself gets into the mix with one (and a half) pitches that apparently don't pass Dorothy Fontana's scrutiny.
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We continue to celebrate the 50th anniversary of Star Trek: The Animated Series, this week with a look at some of the stories that did not make it into production! Joining us to speculate on what could have been for the animated Enterprise crew is Aaron Harvey, co-author of "Star Trek: The Official Guide to the Animated Series."
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Longtime Star Trek journalist and promotions writer Tim Gaskill drops by as we revisit a letter from the Nimoyan Fellowship to Gene's attorney. It's another story of a fan who had a run in with the business side of things on this week's episode of The Trek Files.
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We're glad to welcome Luanne Fortier back to The Trek Files to continue her stories about the William Shatner Letter Exchange. This conversation kicks off with Star Trek's transition to an animated series and all of Shatner's anticipated appearances in a post-Star Trek world.
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In the "letters and stamps" days of Star Trek fandom, between the original series and the Motion Picture, industrious fans connected with each other as "pen friends" through organizations like the William Shatner Letter Exchange. Luanne Fortier, a WSLE founder, joins The Trek Files to look back at those early days of celebrating their favorite series.
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In 1968, David Gerrold pitched a story to Star Trek called "Bem," and while it went unproduced for TOS, the story would find new life in animated form. Hear the full story from David himself, our special guest to kick off the 11th season of The Trek Files!
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While Star Trek: The Animated Series was winding down, Gene Roddenberry was developing what might have been his next animated sci-fi series (with a healthy dose of Star Trek influence). In our season finale, Aaron Walt joins The Trek Files again to discuss Gene's vision for "Starship" and the many parallels to getting an animated to fly today.
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When Star Trek premiered as an animated series in 1973, Gene Roddenberry and Dorothy Fontana assured fans that the new medium wouldn't affect the importance of the storytelling. A half century later, we are joined by Star Trek: Prodigy co-producer Aaron Waltke to discuss what has changed in the animation process and what has stayed the same in bringing Trek's core values to a whole new audience. Recorded live at STLV!
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From humanist philosophy to religion to our future with technology. Gene Roddenberry covered a lot of ground in the days of his college lecture tours. We're joined again by Star Trek motion graphics director Tim Peel to examine the deep side of Gene's thoughts in the years between Trek on TV and at the movies.
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Office politics have a certain timeless quality. In 1967, Leonard Nimoy found himself battling the higher-ups for the simple necessities to fulfill his fan mail obligations. On this week's The Trek Files, we explore the battle of memos with return guest Daren Dochterman and a very special reading!
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A document from 1985 written by Mike Okuda addresses no less than the entire look and feel of Star Trek's graphics and the logic of starship display design. This week, we examine a portion of that pitch with the talented Tim Peel, heir apparent to Okuda's work as the director of motion graphics for all Star Trek since Discovery took flight in 2017!
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A memo from 1989 illustrates a core concern in Star Trek's past and present: representation in the future. We're thrilled to welcome back Cirroc Lofton to discuss the ways Star Trek broke ground and ways the production process can best evolve.
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In the midst of a writer's strike, production on Star Trek shut down. Sound familiar? That was in 1988, delaying the second year of TNG and causing the season to be shortened. Cirroc Lofton joins The Trek Files to discuss big changes in Trek, changing technology, and the desired outcome of strikes!
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Does the Enterprise need a helmsman? What about a navigator? In the "blue sky" phase of developing TNG, David Gerrold again raised the big questions about computers, A.I., and the future. Joining us again to look back at the ideas that took root and those that didn't, Thomas Marrone from Star Trek: Online returns to The Trek Files.
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You can't always risk the life of the Captain of the Enterprise. That was the thought that inspired the "contact team" when playing the concept for "Star Trek: The Next Generation." What was envisioned as a kind of SWAT for Starfleet didn't materialize then, but they may have had a life by the time "Enterprise" took flight. Thomas Marrone joins The Trek Files again to discuss an early TNG development document.
Special guest: Thomas Marrone
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In the earliest days of conceptualizing Vejur for Star Trek: The Motion Picture, Gene Roddenberry, Robert Wise, and more of the brain trust met to hash our their ideas. Helping us to parse the "bonkers" document of their meeting, Daren Dochterman joins us again to shed more light on bringing Trek to the big screen.
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With time ticking before the premiere of Star Trek: The Next Generation, the production requested bids from some of the top special effects companies to bring the Enterprise-D to life. This week, Daren Dochterman joins The Trek Files to talk about breakneck production pace, state of the art effects, and the business side of fantasy.
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It's time for The Trek Files to dive again into Gene Roddenberry's fan mail. From the mid-1970s, kids make up a huge portion of the Star Trek fandom, and in letters to Gene they ask for everything from blueprints to answers for their deepest trivia questions.
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Bob Justman busily pitched ideas in the earliest days of TNG, including the reworking of a classic story. It may not have made it to screen exactly as he saw it, but certain story elements did stick around. Ben Robinson joins The Trek Files to talk about Bob's contributions and "The Most Dangerous Game."
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Continuing our discussion about Star Trek: The Motion Picture Director's Edition, producer David C. Fein sheds more light on the complications that left TMP unfinished from 1979. In a letter from the period, one of the many contributors to the Enterprise graphics clarifies the work done for Gene Roddenberry.
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Want to program your own Enterprise bridge monitor? For the home computer hobbyist in 1980, Softside magazine published a glimpse behind the scenes of Star Trek: The Motion Picture along with the code to create bridge monitor graphics! The Trek Files looks back at the groundbreaking design work of TMP with David C. Fein, producer of the ST:TMP Director's Edition.
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Like many of his generation, Gene Roddenberry served in the military. This week, The Trek Files examines a letter of promotion from the War Department which kicks off a discussion about military influence on Star Trek from ship design to organization to writing and themes with our special guest, Thomas Marrone.
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A never-before seen story pitch for the abandoned Star Trek Phase II project! Decker is caught in a two-dimensional world while Kirk and Xon race to get him out. Special guest Ben Robinson returns to The Trek Files to help navigate the roads not taken for Star Trek in the late 1970s!
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It starts with a simple suggestion from a writer: the Enterprise should have different armaments than what was seen in 1966. That kicks off a round of discussions that lead to the designer to bring the idea to life, keeping in mind all the requirements of production. This week, John Eaves returns to The Trek Files to reveal more details about his work on Star Trek.
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The question in 1986 was how to make a Star Trek show for the next generation that still had familiar concepts and characters. Producer Bob Justman sent a flurry of memos with some ideas that stuck and others that didn't see the light of day. Larry Nemecek and John Champion discuss those creative decisions and how they affect the modern Trek landscape on this week's episode of The Trek Files.
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The Riker walk. The Riker sit. They all had an origin that took the character from "a little smarmy" to a "Gary Cooper" type to being fully inhabited by our special guest: Jonathan Frakes. The Trek Files goes back to the origins with a special reading of the very audition sides that landed Frakes the role of the iconic William Riker.
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What changes and what stays the same? That was the core question for the earliest steps in shaping Star Trek: The Next Generation. Star Trek illustrator/designer John Eaves stops by The Trek Files to help us chart the many ways that sequel series need to carry off that difficult balancing act.
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Looking back again at Star Trek: The Experience in Las Vegas, Gary Goddard joins The Trek Files to discuss the changes that occurred along the long development path as well as the joys of (and complicated tech behind) "beaming up."
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"Star Trek: Picard" production designer Dave Blass joins us again, this time to look at a document from the first attempt to bring Star Trek back to TV. Familiar refrains from 1977 ring true today about Trek's "perfect" characters and the realism of the story's drama.
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The Trek Files returns for season 10 with special guest Jonathan Frakes! We look at two call sheets, one from TNG "The Offspring" and the other from "Star Trek: Picard," to kick off a conversation about Jonathan's directing career and how it stacks up against playing William Riker.
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The closer we get to the start of "Star Trek: Picard" season 3, it's the perfect time to look back at one of TNG's founding documents with Terry Matalas. We look back at early discussions of altering the Star Trek format for a new generation and what it means to "take good care of Star Trek" on The Trek Files' 9th season finale!
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Production design overlaps with creative decisions on Star Trek in unique ways. Writers may have ideas about who is on the bridge of a starship, but the producers and designers have their say in making it all come together. "Star Trek: Picard" Production Designer Dave Blass joins The Trek Files again to discuss a 1987 memo about who occupies the center seats and who really is flying the ship.
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As we celebrate the 25th anniversary year of "Star Trek The Experience," we return to the roots of the attraction: from a Korean expo to a dazzling transporter effect to a proposed full-scale Enterprise in downtown Las Vegas. Hear the story from one of the show's chief architects, Gary Goddard, on this week's episode of The Trek Files!
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A look back at Star Trek: The Next Generation's early development reveals a lot about how the current crop of Star Trek shows are produced. On the verge of "Star Trek: Picard" season 3, we are happy to welcome showrunner Terry Matalas to discuss creating Trek stories for a whole new generation.
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Fred Frieberger made the case to Gene Roddenberry in 1968 that the lower budget for "Spectre of the Gun" could work to their creative advantage by enhancing the horror. Today, we welcome Star Trek: Picard's Dave Blass to share tricks of the trade by making some shortcuts elevate the art of production design.
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Bob Justman spelled out some of the possible terminology and ranks to be used aboard the new Enterprise for Star Trek: The Next Generation. We welcome back "Enterprise" Assistant Director Mike Demerrit to talk about creative development and the little details on this week's The Trek Files.
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In one of Gene Roddenberry's many speeches, he "reveals" the Star Trek formula... which may or may not have been entirely truthful. In this week's The Trek Files, we examine the details of a ca. 1975 speech that shares the audience's optimism for quality stories and the secret that makes Star Trek tick.
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Harlan Ellison's tumultuous history with Star Trek has been well documented. What is not known to most people is how he almost came back to the franchise with a story for The Next Generation. We look at Ellison's pitch for "The Crypt," and its unlikely origin, with special guest Ben Robinson on this week's The Trek Files.
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When "Star Trek: Planet of the Titans" was in development, legendary designer Ken Adam was briefly employed to reinvent the Enterprise along with other conceptual pieces for the big screen. This week, The Trek Files welcomes longtime Trek expert Ben Robinson to discuss the rocky development cycle for "...Titans" and the lasting legacy of Adams' designs.
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Starting on paper, the basic concepts that would make Star Trek: The Next Generation different, and similar, to its predecessor had to be spelled out. Gene Roddenberry expresses some of his earliest ideas in this memo, and we are glad to welcome Mike DeMeritt back to The Trek Files to help us explore early TNG and the ideas that made it to later series as well.
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Faster than you can say "spoiler alert," the May 1982 issue of the Star Trek II fan club newsletter delivered the news about Spock's death weeks before the movie hit cinemas. The studio was ok with the leak though, as Dan Madsen tells us in this week's episode of The Trek Files.
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When Star Trek fans relied on print for the latest information, one fan found his newsletter under scrutiny from Paramount. They agreed to make Dan Madsen's publication official and gave him access to scoops and the stars. Today we welcome Dan back to the show to talk about his relationship with the studio and one of the times he chatted with James Doohan.
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This week on The Trek Files, we share more of Larry's interview with Star Trek TOS director Ralph Senensky. Ralph directed seven episodes of the series and discusses here his final work on Star Trek, his professional relationship with Gene Coon, and his work on The Wild, Wild West.
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Writer Hannah Louise Shearer once again joins The Trek Files to examine the ins and outs of production on Star Trek: The Next Generation. Our featured document is the "beat sheet" that lays out the dramatic points in "A Price Far Above Rubies" (later renamed "The Price").
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Hannah Louise Shearer returns to The Trek Files to talk about the tumultuous early years of Star Trek: The Next Generation. From rewriting Tasha Yar's death to being removed from a story she pitched, Hannah shares stories of her triumphs and frustrations on TNG.
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Seemingly innocuous distribution lists can reveal a lot about the backstage dynamics on a TV show. The Trek Files welcomes back Shawn Piller to discuss Michael Piller's work on Star Trek: The Next Generation, how they bonded over their fandom, and how Michael was surprised to be handed control of the show.
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The Trek Files dives back into the mailbag from the early 1970s for a cross-section of fans, from the starry-eyed kids who just want a piece of Star Trek to call their own to the seniors who want to thank Gene for his work and hope for more to come.
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Before the first episode of TNG had aired, writers pitched their stories to the show's producers. Hannah Louise Shearer, a veteran of series television, pitched to D.C. Fontana who, in turn, brought the ideas to Gene Roddenberry. Get an inside look at the earliest days of production on Star Trek: The Next Generation with our special guest, Hannah Louise Shearer!
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On The Trek Files 200th episode, Rod Roddenberry joins us to look at a speech his father gave to the National Space Society while reflecting on Gene's legacy, his contributions to the genre, and the optimism in his work. Don't miss this week's very special episode!
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Not every kid gets a letter of recommendation from the Great Bird of the Galaxy. Shawn Piller did though, and he stops by The Trek Files this week to talk about meeting Gene, discussing poetry and art, and staying up late to watch Star Trek with his father.
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Andreea Kindryd, Gene Coon's assistant during Star Trek, joins us again from the floor of STLV 2022. This time, the conversation turns to the personalities behind the scenes like Harlan Ellison and how "Dr. Happy" may have contributed to Gene's reputation as one of the fastest writers in Hollywood.
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Andreea Kindryd's book "From Slavery to Star Trek"
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A memo from the Star Trek: The Next Generation episode "Starfleet Academy" (aired as "Coming of Age") kicks off a conversation about the personalities behind the scenes in TNG's early days. Learn more about the "chaos on the bridge" from our returning guest, writer Sandy Fries!
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Like all producers, Gene Roddenberry was looking for his next hit after Star Trek had wrapped. "Genesis II" may not have excited executives enough, but it did capture some fans. We welcome Mike DeMeritt back to The Trek Files to discuss the ever-evolving TV landscape.
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The Trek Files kicks off season 9 with a look at an old document but with a new spin! Gene Coon's assistant, Andreea Kindryd, joins us for a special LIVE recording from STLV with stories of "uppers" and miniskirts and the writer who was always late. Don't miss her incredible insight into Trek's earliest years!
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Andreea Kindryd's book "From Slavery to Star Trek"
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Even after Star Trek: The Motion Picture had premiered, Gene Roddenberry and Robert Wise explored ways to improve the film. This week, we welcome David C. Fein to discuss the 4K Director's Edition and the myriad ways TMP has been revised to reach its potential. Plus, stay tuned for a special bonus-feature announcement!
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Gene Roddenberry pitched an idea to writer Sandy about Wesley Crusher applying to Starfleet Academy. This week, Sandy joins The Trek Files to talk about the script that would become "Coming of Age," the people behind the scenes, and his insistence that the Enterprise be attacked by 300 gorillas!
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A story of missing scripts and studio security and the aftermath of repairing a relationship. Judy Burns drops by The Trek Files again to share more stories about "The Tholian Web" and clear up a mystery more than 50 years in the making.
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Mike DeMeritt returns to The Trek Files to help shed some light on the budgets of Star Trek's first two seasons. Every dollar adds up, and accounting can be creative - so what did that mean to Star Trek's bottom line then and now?
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Star Trek producer Fred Freiberger gives Gene Roddenberry an update on scripts for the 1968 season of Star Trek. What's revealed is just as relevant to production today, and we welcome back Assistant Director and longtime Trek insider Michael DeMeritt to shed some light behind the scenes.
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A detailed budget and a memo from Star Trek producer Bob Justman spell out the very real need to keep on top of production expenses when it came to makeup supplies on TOS. We welcome back Michael Westmore to talk about keeping the ship running and what actors actually steal from the set.
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"The Tholian Web" started its life as a pitch called "In Essence, Nothing" by Judy Burns. Hear the story of what really motivated pitching to Star Trek when Judy herself joins The Trek Files today to discuss her work on the series!
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The man behind some of the most beloved sci-fi/fantasy magazines, Kerry O'Quinn, drops by The Trek Files one more time to share his view "From the Bridge" as well as some personal tales of his time with Gene Roddenberry.
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Should Data be grey or bubblegum pink? This was just one decision to be made before Star Trek: The Next Generation went before the cameras. Hollywood make-up legend Michael Westmore joins The Trek Files to discuss the earliest days of defining the look of TNG's characters.
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From soap operas to Star Trek, hear the origin story of one of the most important sci-fi publications of the 20th century: Starlog! We welcome publisher Kerry O'Quinn to talk about the letter to Gene Roddenberry that kicked off a publishing empire.
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A simple memo from Gene Roddenberry prior to Star Trek: TNG's third season says so much. Is the show being too "parochial" in elevating humans over aliens? We welcome Syfy Sistas host Fran Taylor bak to The Trek Files to discuss diversity in Star Trek then and now.
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Fan mail to Star Trek often went to Gene Roddenberry, but in this letter from 1978, a dedicated adult Trekker shares her opinions on what a new Trek movie or series could be with the studio head who was writing the checks. John Champion joins The Trek Files for this week's discussion.
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An exchange between Rear Admiral H.L. Miller and Gene Roddenberry speaks to the connection between the armed services and Star Trek. We welcome Paramount executive Dave Rossi back to The Trek Files to share some stories about that special link behind the scenes.
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In the development of Star Trek: The Next Generation, Gene Roddenberry sent very few memos. In this rare document, he shares specific thoughts on many aspects that set TNG apart from its predecessor and still resonate to new Star Trek series today.
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A pair of documents this week herald the return of TOS director Ralph Senensky. In the latest interview, Ralph shares some of his frustrations with third season Star Trek production, the IDIC medallion controversy, and Fred Fred Freiberger.
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Twenty years after Star Trek broke new ground on television, the format was revived for a new generation. Dorothy Fontana sent a memo to Gene Roddenberry outlining the ways that women characters needed to grow and evolve. Fran Taylor from SyFy Sistas joins The Trek Files to discuss how those issues looked in 1966 vs 1986.
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A simple memo secured Ralph Senensky for his third outing as a Star Trek TOS director. Today on The Trek Files, Senensky returns to discuss "Obsession" and the struggles to find the right words in the script for "Return to Tomorrow."
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Anyone who knows Star Trek has a passing familiarity with the contents of Starfleet's Operating Orders - particularly the all-important Prime Directive. Our document from early in The Next Generation is the perfect subject to welcome back special guest and space-law expert Mclee Kerolle.
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Remember that Gene Roddenberry TV series in the late '60s that featured motorcycles? Well, it never happened, but not because Gene and the sales manager from Cosmopolitan Motors weren't trying for it - and for a Star Trek tie-in. Hear the details and speculation when special guest Dave Rossi stops by The Trek Files.
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A variety of letters to Gene Roddenberry reveal the state of the fandom in the years when Star Trek was dormant but anticipation for a new project was high. The variety of ages and emotions are the topic on this week's The Trek Files with guest John Champion.
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A young fan writes to Gene Roddenberry about the inspiration she found in Star Trek and the concerns she has about the widening political and social "generation gap." Today, we welcome Fran Taylor, a Trek fan from the very beginning and co-founder of SyFy Sistas, to talk about fandom then and now and finding inspiration on the Enterprise.
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The more things change, the more they stay the same. Scheduling the workload for a show like Star Trek looked much the same way in 1968 as it did in 1988 and beyond. This week, The Trek Files welcomes back David Livingston to help us peer behind the curtain at the relationship between producers and directors.
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In a speech, Gene Roddenberry proposes a set of laws in the future that will supersede the limits of modern nations, replacing them with "Metalaw" that makes humans primarily citizens of Earth. The Trek Files welcomes Mclee Kerolle from The Space Court Foundation to explain how the law applies to space and humanity's future.
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As many creatives work in TV production, they all answer to one overwhelming force: the budget. A true insider from Star Trek's longest run, producer/director David Livingston is here to kick off season 8 of The Trek Files with a look at how producers and studios keep it all in line. Or not.
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Closing out the season, The Trek Files is pleased to welcome back special guest Adam Nimoy. In this week's show, Adam discusses the sights (and smells) of his boyhood visit to the TOS set as well as creative tensions within the production. A memo about "Maiden Wine" promos discussion about Leonard Nimoy's music career.
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A speech given by Gene Roddenberry in 1989 to the National Space Society is the perfect starting point with this week's guest, an amateur astronomer, asteroid chaser, and space enthusiast. He also happens to have played Tuvok on "Star Trek: Voyager." Tim Russ joins The Trek Files for a discussion of reaching the stars.
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Continuing our discussion of Susan Oliver's career, George Pappy joins The Trek Files this week to share insights into Susan's work as a director. In an industry notoriously difficult for women, Susan had secured a few directing credits and hoped to continue on Star Trek: The Next Generation.
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A call-sheet from the Star Trek pilot episode "The Cage" (originally titled "The Menagerie") features Jeff Hunter as Captain and Susan Oliver as Vina. The Trek Files welcomes George Pappy, director of "The Green Girl" documentary about Oliver, to discuss the actress' rising star at the time.
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"Oscar, Where Are You?" That's the question posed in a behind-the-scenes photo from the first Star Trek pilot, "The Cage." Today, we welcome back guest Emmy Lou Crawford (Carey Foster) who is in that very picture to share stories of working on TOS and working with "uncle Rod."
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The Trek Files welcomes back producer Don Beck for a look at how DVDs revolutionized the home video market and how Star Trek was boldly using this new medium.
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Gene Roddenberry sent letters to colleagues in TV production, encouraging them to give a chance to an up-and-coming actress named Carey Foster (stage name of Emmy Lou Crawford). Today we welcome Emmy Lou herself to talk about acting in the early '60s and getting a recommendation from "uncle Gene."
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Selling a TV show is a difficult job, especially when the show doesn't exist yet. Don Beck continues his story of getting TV stations interested in a new Trek before TNG had gotten off the ground and how the studio made sure they promoted it.
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Before the series could be considered viable by Paramount, Star Trek: The Next Generation would need to clear 65% of the country in syndication sales. Producer/writer/director Don Beck's association with the studio made him the person to lead the undertaking, and this week he shares his experience, and personal reminiscence of Gene Roddenberry.
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In the months leading up to the first Star Trek pilot, Gene Roddenberry had a number of other concerns: from a police show pilot to a play he was writing to his neighbor's rat problem that was now becoming his own. Take a look at 1965 through Gene's personal correspondence on this week's The Trek Files with guest John Champion.
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When Star Trek: The Next Generation premiered in 1987, it did so in unknown territory. How would audience numbers pan out for a major science-fiction show in first-run syndication? Former Paramount executive John Wentworth returns to The Trek Files to demystify the numbers surrounding TNG's debut and how the show warped past expectation.
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Production documents from two Star Trek: The Next Generation episodes introduce us this week's special guest: Adam Nimoy. Discussing his on-set education on the Trek films and his transition to television director, Adam gives us an inside look behind-the-scenes.
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This week on The Trek Files, we return to the archival mail bag to sample some of the letters Gene Roddenberry ("Mr. Trek") was receiving in 1975. From the requests for props, plans and insider information to the insights hiding between the lines. Mission Log's John Champion joins Larry for our seasonal look at some of Star Trek's most ardent supporters.
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Go inside production of Star Trek TOS with another visit from director Ralph Senensky. At 98 years old, Ralph sat down with host Larry Nemecek to discuss his work on the series. This time: details of Ralph's work on classic episodes "Metamorphosis" and "Bread and Circuses."
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There were cast changes for the second season of Star Trek: The Next Generation, and that meant a new writer/director guide to explain the crew dynamics. The Trek Files welcomes back Susan Sackett, Gene Roddenberry's longtime assistant, to offer insight into those early production days of TNG.
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Starlog magazine profiled Gene Roddenberry in July 1986 to discuss the Star Trek movies and TV legacy. We are joined by Ian Spelling, author of that piece as well as former editor of startrek.com and co-author of Star Trek: A Celebration.
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It's a constant in the TV business: the collision of production and promotion. On at least one occasion in 1967, Herb Solow complained to Bob Justman that that local promos were taking up production resources on Star Trek. Our guest, John Wentworth, reminds us that even decades later it was a familiar refrain.
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And early script draft for Star Trek IV: The Adventure Continues draws pointed critique in Gene Roddenberry's office. The Trek Files is joined by the author of the memo, Susan Sackett, to describe Gene's challenges with the film.
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There are a few ways to gauge the popularity of a TV show, and fan mail, by volume, is one important factor. Former Paramount executive John Wentworth stops by The Trek Files to explain some of Star Trek's audience appeal and share insights about his time with the show's producers.
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As we approach the centennial of Gene Roddenberry's birth, Larry Nemecek recounts the story of his only meeting with the Great Bird himself on August 15, 1989. It's a post-STLV episode, and we will return to our regular format next week. Trek well, everybody!
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In the second part of Larry Nemecek's interview with Ralph Senensky, the conversation focuses on Ralph's departure from the series with the third season episode "The Tholian Web." From Gene Roddenberry's files, find the deal memo that brought Herb Wallerstein on board and the DGA to determine who got the credit.
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Special guest Steven Lance returns to The Trek Files to share his experiences as MC at Star Trek conventions in the 1970s. Hear about the origin of "Heash" and the special friendships that led to Steve's career and time on set with Star Trek legends.
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The famous "rec deck" scene in Star Trek: The Motion Picture was filmed in October 1978 and featured hundreds of friends and fans who had supported the journey from small screen to big screen. Actor/host/writer Steven Lance was among those on set that day and tells the personal story how James Doohan got him there!
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Gene Roddenberry's longtime executive assistant Susan Sackett joins The Trek Files to discuss two documents a decade apart. First up, the gritty details of the Star Trek office and who is responsible for what expenditures. Then it's onto the early days of The Next Generation when the groundwork was being laid for the new series - over lunch, of course.
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Kicking off season 7 of The Trek Files: an interview with Star Trek TOS multiple-episode director, Ralph Senensky. In this segment, recorded in Ralph's home, we'll hear about "This Side of Paradise," his first assignment on the series, and why directors should never expect praise from their producers.
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Three years before Star Trek: The Motion Picture, a fan surveyed hundreds of other Star Trek fans to get a look at their hopes and expectations for the franchise's next phase. To close season six of The Trek Files, Larry welcomes back John Champion to discuss the clues about the first wave of fandom and their unique relationship to the creative forces behind their favorite show.
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Gerald Fried is back on The Trek Files! The legendary composer sits down with Larry to discuss his time with Star Trek (composing the scores for four episodes) as well as the inherent differences in writing music for Gilligan's Island and the merits of Lost in Space. Our document this week takes a peek behind the curtain as Bob Justman seeks a composer for "Plato's Stepchildren" with his sardonic wit intact.
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To fill the gap between Star Trek on TV and big screen, a record album was conceived to have various audio essays and interviews with Trek actors "in character." Mark Lenard signed up to play Sarek on a number of topics, and this week we welcome back author Jean Lorrah with her take on characterizing the Vulcan and what she may have contributed.
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Final casting for Star Trek: The Next Generation was happening in spring of 1987. For the role of Wesley Crusher, young actors were given sample script pages and put on tape for the producers to make their decisions. This week, Larry is joined by one of those actor hopefuls, The Trek Files producer John Champion!
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A correspondence between composer Gerald Fried and Star Trek Producer Bob Justman regarding music for "The Paradise Syndrome" kicks off this week's The Trek Files. We are honored to welcome the talented (and humorous!) Gerald Fried himself to talk about writing music for Star Trek and a myriad of other iconic productions.
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After Gene Roddenberry's death in 1991, letters of condolence to Majel Barrett Roddenberry flooded in from luminaries around the world, including from former President Ronald Reagan. Helping Majel reply to those letters was a close friend. The Trek Files welcomes back Dr. Harrison Solow to talk about her relationship with the Roddenberry family.
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A memo from Gene Roddenberry outlines some changes and areas of concern for Star Trek's regular characters as they head into the show's third season. Spock, in particular, poses a challenge, and this week The Trek Files welcomes back Jean Lorrah to discuss fandom's take on the famous Vulcan and how fan fiction filled in the gaps.
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In 1991 a book proposal made its way to Gene Roddenberry's desk that he should be included in "Portraits of American Genius." This week, Dr. Harrison Solow (wife of the late Herb Solow, Desilu Studios' Executive in Charge of Production) talks about the pitch and her growing friendship with Gene, Majel, Herb and others in the Star Trek production staff.
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As the 25th anniversary of Star Trek was playing out on big and small screens and in the press, Gene Roddenberry wrote to Dan Madsen, President of the Star Trek Fan Club, to reflect on Trek's fandom and influence. Dan joins The Trek Files this week to tell his story of going from fan to professional.
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Dorothy Fontana's story for "Journey to Babel" introduced the world to Spock's parents Karek and Amanda (as named in her first draft). The family drama gained the interest of fans at the time, and even launched a few writing careers in its wake. Jean Lorrah, novelist, professor and Star Trek fan-fiction author, joins The Trek Files to tell her story.
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Dan Madsen joins The Trek Files again to discuss a letter from Gene Roddenberry about Lincoln Enterprises. It's a look into fan psychology and the "mission" of Lincoln to keep Star Trek in the public eye while a new production was still potentially years away.
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A short memo from Michael Piller to Rick Berman points out the necessity of filling the Conn position on the Enterprise bridge with someone worthy after Wesley Crusher leaves. Returning guest Lolita Fatjo talks about Piller's contributions to TNG and his legacy.
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An earnest fan letter to Gene Roddenberry in 1971 kicks off today's discussion with Star Trek fan-turned-actor Noah Averbach-Katz. Get the story of Noah's immersion into the Trek world and how he sees the fandom reacting to today's stories.
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The third season TOS episode "Plato's Stepchildren" may be remembered for its famous kiss between Kirk and Uhura, but there was a profound effect on a young viewer that led to a lifetime in fandom. Hear Dan Madsen's story and reflections on the impact Star Trek has on innumerable fans who are inspired by its stories.
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Three simple slips of paper reveal the quick ascendance of an important addition to the Star Trek: The Next Generation production team - Jeri Taylor. Joining The Trek Files this week to talk about her contributions to the franchise is Jeri's friend and former assistant Lolita Fatjo.
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While aspiring writers hoped to get a foot in the door with Star Trek: The Next Generation, it was just as tough finding a job in Hollywood a generation or two prior. Gene Roddenberry sent back some discouraging notes to two of his colleagues in 1959, and today we have script supervisor Lolita Fatjo helping us connect the dots with TNG's open submission program.
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In 1976, a fan sent a tongue-in-cheek "love letter" to Majel Barrett Roddenberry (with a nod to the Great Bird, of course). On this week's show, we're happy to welcome back Noah Averback-Katz from Star Trek: Discovery to discuss what it means to be in a Trek couple.
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This week, we're revisiting the document that spells out the new alien species devised for the Star Trek TOS episode "Journey to Babel." We'll direct our attention to the Andorians with the help of Noah Averbach-Katz, who played Ryn on "Star Trek: Discovery," to learn what it takes to become a blue-skinned warrior.
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We dig back into the Gene Roddenberry fan letter bag for another round of wholesome 1970s Star Trek adoration. These letters address everything from props to music to a serious take on the roles of women if Trek is to make the leap to a new life on film.
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Gene Roddenberry was impressed enough with Franz Joseph's proposed technical manual that he suggested contacting Lincoln Enterprises - Gene's own company for merchandising Star Trek. Joseph complied and sent along a few more details as well as concerns about the business relationship.
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In 1973, Franz Joseph was a retired industrial designer with a daughter who was a huge Star Trek fan. As he learned more about the fandom, he found a good place to use his talents by converting what he saw on screen into technical drawings. That sparked an idea he shared with Gene Roddenberry in 1973. The Trek Files welcomes Karen Schnaubelt, Joseph's daughter, to share the rest of the story.
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In the second part of our conversation with Bill Kraft, we'll get more details about the Post Office decision to break years of tradition and run an entertainment franchise on a stamp, plus the ability to "stuff the ballots."
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When Star Trek fandom meant connecting through mailed newsletters, some fans were lobbying for an official Star Trek stamp from the U.S. Postal Service. Bill Kraft from the original Enterprise Stamp Committee joins The Trek Files to give us a look at the long journey to make the stamp a reality.
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Season 6 of The Trek Files premieres with a look back at one of the foundational Star Trek documents, the Writer-Director Information book from August 30, 1966. In it, Yeoman Janice Rand is clearly included as one of the most important regular crew-members. We're proud to welcome Jonathan Whitney Dweck as our special guest this week - son of the late Grace Lee Whitney who portrayed Rand. He provides the personal angle on his mother's journey as Rand and the years following her Trek.
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Star Trek's 25th anniversary occurred the same year as another milestone: the death of Gene Roddenberry on October 24, 1991. After the memorial service, Majel Barrett sat down to write a series of thank you notes to the friends and celebrities who had attended and spoken about Gene's life and impact.
In the season finale of The Trek Files, we are pleased to welcome back Rod Roddenberry to talk about his father's and mother's legacies and how his interest in Star Trek's vision was ignited.
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This is the story of the United Space Ship Enterprise. Assigned a five year patrol of our galaxy, the giant starship visits Earth colonies, regulates commerce, and explores strange new worlds and civilizations... or words to that effect. On a Tuesday in August, 1966, the Star Trek braintrust of Gene Roddenberry, Bob Justman and John D. F. Black hurriedly crafted what would become one of the most famous opening narrations in television history. Celebrating Star Trek Day, The Trek Files takes you behind the scenes in this week's episode.
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A few weeks after jotting down his initial thoughts on a new Star Trek series, Gene Roddenberry starts putting together his dream team of producers and writers to bring his new show to life - all under the pressure of a deadline. Some ideas will be fleshed out while others are dropped completely. In this confidential letter to Eddie Milkis, Gene spells out all the next steps to consider while making Star Trek new but familiar.
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Star Trek was soon to make the jump from prime-time drama to Saturday morning "kiddie show" by the estimation of LA Times TV critic Don Page. Quick to set him straight was Dorothy Fontana with a letter that spelled out Star Trek's storytelling imperative, regardless of the filmed form it may take.
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Author John Flynn joins The Trek Files to discuss further details about Angelique Pettyjohn's life. From her time on Star Trek and interactions with the fans to a stunning revelation about her relationship with Elvis Presley - Angelique's portrayal of Shana was only part of a fascinating life.
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Angelique Pettyjohn guest-starred in The Gamesters of Triskelion and immediately became an iconic part of Star Trek. This week, we welcome John Flynn who has written a new autobiography on Angelique to share stories about her getting the role, her time on set and encounter with Captain Kirk.
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"Spockanalia," the Vulcan-centric fanzine, kicks off this week's discussion with returning special-guest Jacqueline Lichtenberg. Diving into the world of fanzines, we'll get the low-down on fandom evolution in the mimeograph era and what producers learned from fans.
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Return with special guest Jacqueline Lichtenberg to the early days of fandom when newsletters, 'zines, and conventions helped keep Star Trek alive. A letter from Cornell University requesting Star Trek fan resources kicks off the conversation on this week's episode of The Trek Files.
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Fans of all ages have been inspired by Star Trek since the beginning of its TV run. Those fans who are invested in every detail of the show made sure Gene Roddenberry heard their opinions, their desires and their nitpicks, especially when it looked like their favorite show would be revived as a movie.
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Profanity in Star Trek? Say it isn't so! Majel Barrett Roddenberry responds to a fan letter in 1994 over concerns about the language in Star Trek IV. We've got special guest Rod Roddenberry here to talk about his mother's legacy and the place of questionable language in the Trek franchise.
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It's Star Trek The Next Generation as you've never seen it! Featuring Captain William T. English, Number One Walter T. Raleigh, Science Officer "Con," and Data the Asian android! Check out Gene Roddenberry's first take on what would be Star Trek's return to the small screen on this week's Trek Files.
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We revisit one our earlier documents this week - Gene Roddenberry's draft introduction to Star Trek Lives! - but from a new angle. Co-author and fan-fiction stalwart Jacqueline Lichtenberg joins Larry to discuss early Trek fandom and crossing over into professional realms.
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What if Star Trek The Next Generation had an android character as a regular? The idea was on Bob Justman's mind in October 1986 when he sent a memo to Gene Roddenberry suggesting they get in touch with Gene's old friend Isaac Asimov. The Trek Files welcomes back Dr. Erin Macdonald to talk about AI, science and robotics in Trek!
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Two letters - separated by a few years - aimed at Star Trek fans who wanted to see The Original Series resurrected. While the approach for each is a little different, they are notable for being written by David Gerrold and Andrew Probert (before his Trek career started). Hear what each proposed on this week's show, and be sure to see the original documents at facebook.com/thetrekfiles.
Remember when the people of Earth faced down an environmental disaster... and did something about it? It wasn't science fiction, it was our concern over the disappearing ozone layer, and it grabbed the attention of Star Trek's producers in 1987. The Trek Files welcomes back Dr. Erin Macdonald to talk about the relationship between science advisors and science fiction.
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An early merchandising deal comes to Star Trek when Sawyers, Inc. (maker of View-Master) approaches the show. They sent a photographer to set in December 1967 to capture scenes from "The Omega Glory" and launch a line of TOS reels. At least that was the plan. This week, Larry Nemecek and John Champion talk toys on The Trek Files.
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Going back to the very roots of Star Trek, we revisit one of the earliest documents, "The Star Trek Format," to examine what works and doesn't work about the "parallel worlds" concept. Special guest Rod Roddenberry discusses Trek's philosophy and legacy of crafting a future based on inclusion and curiosity.
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Keeping the science in "science fiction" is a challenge whether it's for an adult or children's audience. In 1973, physicist Harvey Lynn was consulting The Animated Series just as he had done for Star Trek originally. The Trek Files is pleased to welcome Trek's newest science advisor, Dr. Erin MacDonald, to talk about keeping it real on the Enterprise.
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A straightforward story to introduce audiences to the new Enterprise crew is what Dorothy Fontana had in mind in late 1986 when she drafted "Encounter at Farpoint." It would change many times before premiering nearly a year later - not the least of which was the addition of "Q." The Trek Files unearths a document this week from TNG's earliest days.
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What does it take to get a show nominated for an Emmy award? Not solely concerned with production, Michael Piller sent a memo to Gene Roddenberry and Rick Berman in April 1990 about which episodes had the best chances of getting some prestigious recognition. If only they could find a way to get Patrick Stewart in the running! The Trek Files welcomes back Eric Stillwell to discuss another one from Gene's archive...
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At the end of season three of Star Trek: The Next Generation, the crew decide to have some fun by distributing a parody call sheet. Special guest Eric Stillwell sheds some light on the backstage atmosphere while The Trek Files boldly goes "where every man has been by now."
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A 1965 letter to Gene Roddenberry from TV Guide features an interview excerpt and an invitation to participate in a promotional film. Gene's words reveal his lifelong interest in tackling important issues and pushing the social and political boundaries of the medium.
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As season two of The Next Generation wraps up and just a few months before Star Trek V: The Final Frontier will premiere, Gene Roddenberry sit down for a short but revealing interview. Fan influences, social issues in scripts, notes on the new movie and so much more are covered.
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Kicking off season 5 of The Trek Files - a look back at local press coverage of a Star Trek Fan Club. This time it's the Wheeling, WV News Register reporting on the teenaged girls who are fans of Mr. Spock. To look back at this time in fandom, we welcome Holly Amos back to the show!
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Closing out our fourth season on The Trek Files, we welcome back David Gautreaux for an in-depth interview about the Zen of Xon, how he got the news he wasn't going to be Star Trek's new leading Vulcan, and the powerful influence Gene Roddenberry had on his life.
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Celebrating the 30th anniversary of Yesterday's Enterprise, we welcome back special guest Eric Stillwell. As the production went in front of the cameras, Eric and co-writer Trent Ganino found themselves at odds with Rick Berman and banned from the set. Don't worry, though, there is a happy ending.
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Most Star Trek TV scripts are created in a fairly straightforward way - and then there’s "Yesterday’s Enterprise”: a mash-up of stories, a train wreck of a process, and yet one of the most popular episodes of The Next Generation ever. For its 30th anniversary this month, let The Trek Files decipher the paper trail from those crazy days of 26-episode seasons with none other than its co-writer, TNG script coordinator (and lifelong fan) Eric Stillwell.
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It's no surprise that Star Trek fans are creative; filling in the details and expanding the universe whenever there is a gap in production. This week, The Trek Files brings you two unofficial publications from the 1970s - one for mixing drinks, the other for applying a Vulcan nerve pinch - and special guest Holly Amos to talk about fan enthusiasm.
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Back when petitions were on paper rather than online, the seventh and eighth graders at Dover, DE's Central Middle School added their signatures to the throngs of fans who wanted Star Trek to return to network TV. Who started the petition? We may never know. How did Gene Roddenberry react? We do know that, and we'll share the answer in this week's Trek Files.
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It seems pretty simple on the surface - the names of two directors alternate to finish 16 episodes of Star Trek. This memo from 1967 contains a lot more if you read between the lines though. We welcome back Trek veteran Mike DeMerrit to help us grasp the logistical balance of making The Original Series.
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Separated by more than twenty years, two letters to the editor of the Los Angeles Times show Gene Roddenberry's concern for contemporary issues. Their relevance today points to the types of human concerns that Gene dealt with in real and fictional worlds.
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In the early days of The Next Generation, "Crusher" meant Wesley and his mother would likely have not been seen after the pilot episode. A memo from Bob Justman to Gene Roddenberry suggests ways to develop the boy's relationship with Picard and what might have been between the Captain and Beverly.
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The New Adventures of Star Trek Quest Generation of the Future! How many possible permutations of the title would be kicked around before settling on Star Trek: The Next Generation? Bob Justman has some fun in a late 1986 memo to Gene Roddenberry with many variations on a theme.
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What does the forensic investigation of a daily production report reveal about creating a TV show? A lot, apparently! Mike DeMerrit drops by again to shed some light on what was going right - and wrong- during the production of TNG's pilot, "Encounter at Farpoint."
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David Gautreaux returns to talk about sizing up the competition for Xon and why he was asked to test a second time for a role he already had. Then we learn about the surprising announcement of Star Trek making the jump from the small to the large screen.
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In late 1977, a new Star Trek series was coming along with sets being built, scripts written and actors being cast. Leonard Nimoy wouldn't return as Spock which meant a young Vulcan, Xon, would take his place. Recapping his first trip to Paramount studios in October, 1977, Xon himself, David Gautreaux, drops by The Trek Files to tell us the first part of the story.
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Andre Bormanis joins The Trek Files again to talk about the Bynars and keeping computer jargon believable in science fiction. Our document centers around the development of the TNG episode "11001001" (when it was known as "10101001"); elements that stayed like the holodeck and elements that were nixed like a visit from the Klingons!
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Above the line, below the line, associates, executives, best boys and key grips... Here to demystify production jargon and logistics, we welcome back Star Trek Assistant Director Mike DeMerrit. What does a budget reveal about putting together a TV show in 1967, and how much did Star Trek really cost to produce relative to today? Find out inside The Trek Files.
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An on-set intern turned out to be a thief, and Gene Roddenberry let the President of Ball State University know! What else happens behind the scenes during production on a major TV show? Find out with special guest Michael DeMeritt, assistant director on two Trek series, joins The Trek Files.
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The transcript of an interview reveals so much more than merely the questions and answers within. In 1974, Steve Reed from the Atlanta-based magazine Pulse interviewed Gene Roddenberry, but it seems like Steve was a fan who saw the opportunity to get some insider information. What happens when the dog catches the car? Find out on this week's Trek Files.
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A new Star Trek in 1986 meant new concepts about science and the intersection of technology and biology. Welcoming back science consultant Andre Bormanis, we examine an early TNG memo from David Gerrold that speculates about what kind of humanity we'll encounter in the future.
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"Star Trek should be more scientifically accurate!" "Scientific accuracy can't get in the way of Star Trek storytelling!" These two ideas are at odds in a pair of memos from Gene Roddenberry, one year apart during the making of Star Trek: The Motion Picture. Who better to discuss them than longtime scientific consultant, our special guest Andre Bormanis!
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"Telegram for Gene Roddenberry!" In an age before email and text messages, there was nothing more immediate or impactful than a telegram. This week, The Trek Files presents three telegrams to Gene Roddenberry from 1968 running the gamut from congratulations from NBC to grievances from a fan.
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After all the ups and downs considering whether Star Trek will return as a movie or a TV show, Gene Roddenberry sends an update to loyal fans. There's thanks on his part to the fans keeping Trek in the public eye alongside his optimism that Paramount is more dedicated than ever to bring Trek to the big screen after the success of Star Wars.
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How much do suggestions from fans influence Star Trek? In late 1986, during pre-production on The Next Generation, this 11-point memo from Gene Roddenberry circulated among the staff. In it, a consensus of ideas from a recent convention gave food for thought as the plans for a new Star Trek series took shape.
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A selection of fan letters from some of Star Trek's youngest - and most ardent - fans from 1975. Some have specific technical questions, some want merchandise and some just need to let Gene Roddenberry know exactly how deeply their fandom runs. The Trek Files looks at how much has changed and stayed the same since the pre-internet days of fandom.
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Gene Roddenberry catches up with his friend, fellow TV producer Sam Rolfe, in this a letter from November of 1965. In it, Gene talks about the promise of a few pilots he's done such as "The Long Hunt of April Savage," "Police Story" and "Star Trek" which could make it to NBC's schedule the next fall. There's also mention of some Doc Savage/Ocean's Eleven show Bruce Geller is producing for Desilu. He hasn't read it, but the buzz is good.
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In 1967, Dorothy Fontana created the Tellarites for the TOS episode "Journey to Babel" with a few notes about their homeworld and physical characteristics. Fast forward more than fifty years and the Tellarites are still part of Star Trek lore on Discovery. To celebrate this find and talk about their snout-nosed origins, Larry welcomes our first "Disco" guest and Tellarite actor, Harry Judge!
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Two-time Emmy-winning director Robert Butler - at 91 the only non-actor creative still with us from “The Cage” - joins Larry Nemecek in a maxed-out room at San Diego Comic Con 2019. Discussions about the casting of "The Cage" plus Gene Roddenberry's inexperience as Star Trek's first pilot went before the cameras and how Butler sees the "new" Pike some 55 years later. It’s a rare moment of history you don’t want to miss!
We welcome back TNG second season producer Robert McCullough to talk about the production staff during his ten-week run on the show. Who wrote scripts from the ending first? Where did Klingon pain sticks come from? What was his very first convention like? A little more chaos on the bridge plus a peek back into life on set at the end of TOS.
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Season two of The Next Generation gets the focus on The Trek Files. Producer Robert McCulough joins us to discuss the decision to introduce audiences to Riker's dad and Pakleds as well as the personalities behind the show like a thrown script and a boozy lunch with Gene Roddenberry.
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San Diego Comic Con organizer Shel Dorf sent Gene Roddenberry the 1973 program book along with an invitation to appear at the next event he'd host, King Kon. On this, the 50th anniversary of SDCC, The Trek Files is proud to welcome someone who was there from the beginning: the original Comic Con Star Trek liaison, Jean Graham.
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Concerned about encroaching sexual content on Star Trek: The Next Generation, Rick Berman instructed Michael Piller to send out a memo to the writers with guidelines on what was acceptable and what was not. Were the Trois going too far? Was it Picard's relationships? "Dr. Trek" Larry Nemecek and John Champion pick apart TNG's "sex policy."
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With Dorothy Fontana working as Associate Producer on Star Trek The Animated Series, she was in the in-house Trek expert when it came to story, continuity and detail. In this letter to Gene Roddenberry, she spells out some of them items that need correction in "One of Our Planets is Missing" and further notes the difficulty of catching problems early with the Filmation workflow. Special guest Dorothy Fontana joins The Trek Files this week to discuss her work on TAS!
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Who was Paramount executive Dick Sylbert, and why was Gene Roddenberry anxious to set the tone of their partnership? This week, a fascinating letter from the development of "The God Thing" in which Gene sets the record straight about what made Trek successful and who's really running the show.
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Before The Next Generation had premiered, the Star Trek production office was outlining the traits of TNG's chief adversary: the Ferengi. In a memo from Jun 1987, Dorothy Fontana outlines to Gene Roddenberry how some of those storylines might play out and what the Ferengi hierarchy may look like. Here to discuss the memo on this week's show, Dorothy Fontana herself!
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Before TNG's premiere, Herb Wright sends a memo in praise of the first draft script of "Code of Honor" to Gene Roddenberry. Here to discuss the pressure cooker of production schedules and just how "bad" episodes get made, Paramount exec Dave Rossi sits in with Larry on this week's Trek Files.
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From the very first Star Trek convention in 1972, the prospect of commercial exploitation rubbed some fans the wrong way. In an exchange between Gene Roddenberry and one fan, Cole Whiteman, the economic realities take center stage.
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If Star Trek had its battles with NBC standards over content in a prime-time show, it stands to reason there would be just as much concern over a Saturday-morning cartoon. This week, a look at Standards comments on an episode that was never produced along with social guest and TAS insider Fred Bronson.
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After NBC rejected Star Trek's first pilot "The Cage," Gene Roddenberry reached out to his friend (and later Trek contributor) Sam Peeples for notes that could possibly salvage the show. Sam offers up his ideas, and we have a TOS insider and friend of both, Dorothy Fontana, this week to discuss Peeples and Trek's early years.
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In the 1970s, Star Trek fans anxiously awaited news about the return of Trek, whether as a feature film or a revived series. Some fans even called for a boycott of Paramount until such time that an announcement was made. What did Gene Roddenberry make of this? Find out on this week's Trek Files.
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A creative Star Trek fan wants nothing more than to celebrate the show with his own film version. Paramount's legal team has different ideas, though. Ripped from the headlines, or tale as old as time? This week we're pulling a series of letters from 1968 that show the more things change, the more they stay the same.
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The Trek Files welcomes back special guest Fred Bronson who worked as a publicist for a number of shows in the 1970s including Gene Roddenberry's "The Questor Tapes." Fred talks about the high hopes for Questor and its many links to Trek plus his own storied career in network television.
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With the third season of Star Trek starting in a few months, new producer Fred Freiberger updates Gene Roddenberry on the status of developing scripts. Paramount exec and friend of the show Dave Rossi joins us this week to explore the many pitfalls (and triumphs) of TOS's final season.
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Rick Sternbach comes back to The Trek Files to discuss his first TNG technical memo. How would the shields on the new Enterprise work? Rick lets us know how he balanced science and science fiction in the early days with plausible explanations for complex ideas.
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Bob Justman sends a memo to Gene Roddenberry just before TNG's "Encounter at Farpoint" goes in front of the camera. Director Corey Allen has his own approach which Bob reminds Gene may need some oversight. Talking more about director quirks with us this week, returning guest Dave Rossi!
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Ever want to know what all the buttons on the bridge of the Enterprise actually do? When Star Trek The Motion Picture was in production, the art department came up with a manual to explain exactly that. This week, meet Rick Sternbach and learn how to fire photon torpedoes!
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The Trek Files welcomes back Fred Bronson this week to tell tales of writing for Star Trek: The Animated Series with his draft for "The Counter-Clock Incident" under then pen-name John Culver. Stick around for stories of visiting Nichelle Nichols' home plus crashing the TOS set!
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The episode that would become "Menage a Troi" started as a pitch called "Piece of Mind" from Fred Bronson to Gene Roddenberry. Having already scripted one episode of The Animated Series, Fred had an "in" with the TNG production staff and knew that a Lwaxana story would be needed. Our special guest this week is Fred Bronson himself with tales of rewrites, rejected ideas and the importance of work lunches.
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This week, The Trek Files solves a mystery 50 years in the making. Ever since Gary Seven's cat "Isis" took human form in the episode "Assignment Earth," fans have wondered who it was on screen for just a few seconds. Rumors swirled, and as is often the case, they were wrong. Meet the newest member of the Trek family, April Tatro.
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Diversity has always been a hallmark of Star Trek from the written concept to casting to production. In a pair of documents this week, we see notes from Susan Sackett to Gene Roddenberry about audience requests for hispanic crew on the Enterprise followed by Gene's note to Michael Piller about avoiding any "parochial hooray for humans."
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It wasn't always rosy between Gene Roddenberry and John and Bjo Trimble, even after their mail campaign famously helped "Save Star Trek." Their friendly relationship with the production made them the "go to" source of information for Trek fans everywhere and helped propel Gene's merchandise company, Lincoln Enterprises. Things soured soon after, though, and the Trimbles found themselves closing up shop. The Trek Files welcomes back John and Bjo Trimble to talk about the ups and downs of their relationship with Gene.
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An early story pitch for Star Trek: The Next Generation gets examined by Larry and special guest Rene Echevarria to start our third season. What makes a story compelling and produceable? What are the compelling hooks that get a writer's attention? Looking at "Winter's End" and Trek that might have been...
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The letter-writing campaign that saved Star Trek for a third season kicked into high gear in late 1967. What was the best way to approach the network, and how many letters were really sent? And what role did vodka play in getting Star Trek to pass its syndication threshold? Find out when John and Bjo Trimble join Larry again this week for a deep dive into 1960s fandom!
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In a parallel universe, Gene Roddenberry successfully used the Star Trek episode "Assignment Earth" as a backdoor pilot to launch a brand new series in the fall of 1968. With episodes needing to be produced, Gene would rely on story editor Dorothy Fontana to narrow down suitable stories and, like Star Trek, draw from existing science fiction authors. The Trek Files welcomes back Rene Echevarria to discuss a TOS favorite and what could have been.
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After meeting Gene Roddenberry at the World Science Fiction Convention, John and Bjo Trimble found themselves at the center of Star Trek fandom. They organized the letter-writing campaign that secured a third season, and they were also handling fan mail, photo and merchandise requests. The Trek Files welcomes John and Bjo to talk about the earliest days of Trek fandom plus a look at the very first Star Trek merchandise catalog.
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This week, The Trek Files parallels two memos from different eras. First, we'll look at the specific requests made by NBC Standards about the now-iconic kiss between Kirk and Uhura in "Plato's Stepchildren." Then we'll dig into a Michael Piller memo from nearly a quarter century later about how to handle sexual content on Star Trek. Special guest Rene Echevarria joins Larry this week on The Trek Files.
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Lisa Klink joins the Trek Files again for another examination of the early TNG character relationships document. What were the challenges with creating Star Trek's first Betazoid character and how did she change before the show even started production?
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Back when Wesley was still Lesley, the small group of writers and producers on The Next Generation needed to outline how the characters would relate to each other. What motivated them? How did they react? Where were they headed? In part one of our discussion, we welcome back Lisa Klink to examine how Wesley Crusher was shaping up.
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Families on the Enterprise? This was a big question among the producers who assembled in the early days of The Next Generation, well before the show's first bible had been written. In this memo, Bob Justman makes a case for dealing with relationships, kids and what the crew is doing when they are off duty. Larry is joined this week by special guest Lisa Klink!
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In that early development period on The Next Generation, the group of assembled producers and writers struggled with ways to make the first underaged regular Star Trek character believable. Should he be a genius? Should he have a brain implant? Should he be promoted to Commander? Three memos reveal the thoughts behind bringing Wesley to life on this week's The Trek Files.
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It's early 1973, and Leonard Nimoy has confirmed his return to the role of Spock for Star Trek The Animated Series. What Gene Roddenberry has in mind is that the series will serve as a springboard to bring his show to the big screen one day. Nimoy, in reply, sounds dubious. This week on The Trek Files, Gene's letter and Leonard's handwritten reply!
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When TV Guide requested materials about Star Trek and celebrities who counted themselves as fans, it was Richard Arnold who helped Rick Berman pull together a list. Some familiar names and some surprises show up, plus Richard shares stories about giving the VIP tour to heads of state on this week's The Trek Files.
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With everything else that had to be considered before launching Star Trek for the next generation, there was the matter of bridge logistics. In early 1987, Bob Justman found himself ruminating over how the layout of the bridge would dictate what crew could be on hand to drive the plots forward. Larry Nemecek is joined this week by John Champion to discuss Justman's revisions to the TNG bible.
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As story development proceeded on Star Trek V, Gene Roddenberry butted heads with Harve Bennett over themes of mutiny and religion. Replying to a list of TOS episodes sent by Harve's office, Gene employed Richard Arnold to research those themes in an attempt to steer Harve on a different course. Richard Arnold appears on this week's episode to add context and share background information on the TOS films!
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Working out of the Star Trek office on the Paramount lot, Richard Arnold fielded a number of questions and requests from fans and professionals alike. In this memo from 1986, Richard outlines to Gene Roddenberry the types of requests he handles on a regular basis. Joining Larry this week to dive into fandom, behind-the-scenes and working for Gene, none other than the document's author, Richard Arnold himself!
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In August 1973, Gene Roddenberry received a letter thanking him for the Star Trek fans who truly "live" the show's message.
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The character Geordi LaForge was named for disabled Star Trek fan Georgie LaForge. In this correspondence from November and December 1987, Georgie's mother Sue thanks Gene Roddenberry for honoring her late son.
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The famous Vulcan IDIC made its debut in "Is There in Truth No Beauty," but if Gene Roddenberry had his way, we would have seen it much earlier. In this memo from July 1968, Gene sends new executive producer Fred Freiberger a suggestion for how to end season three's premiere episode and work in Spock's medallion.
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The interior and exterior of the Enterprise got an overhaul for Star Trek The Motion Picture. In this episode of The Trek Files we welcome back Andrew Probert to discuss some of his contributions as well as some of the unused directions thought up by his design colleagues.
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Bob Justman shares an idea with Gene Roddenberry for a potential new piece of hardware on the Enterprise. This week, The Trek Files welcomes back Paramount executive Dave Rossi to get to the bottom of the holodeck and how part of the inspiration comes from the sci-fi classic Soylent Green.
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Gene Roddenberry and Robert Vaughn had worked together on The Lieutenant, and in 1965 Vaughn was a mega-star with The Man From U.N.C.L.E. Vaughn invited Roddenberry to his performance of Hamlet, and in this episode of The Trek Files we welcome back Robert Short to connect the dots between U.N.C.L.E. and Trek, Solo and Shakespeare, and being a kid who snuck onto the Enterprise bridge!
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As early Star Trek fans were trading and collecting anything to do with the show, Gene Roddenberry's attorney was keeping a close watch over products that fell outside official bounds. In this correspondence from June and July 1968, Leonard Maizlish requests that a young fan in Chicago cease the sale of photo prints. That fan, MaryLou Tamborello, replies with a mix of awe, excitement and worry.
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Norman Felton had a hit on his hands with "The Man From U.N.C.L.E." when Gene Roddenberry reached out to him about possibly mentoring a young actor interested in directing - Leonard Nimoy. Gene and Norman sparred a little in this 1965 correspondence, and to give it some color we brought in U.N.C.L.E. expert Robert Short who also has quite a bit of Trek experience himself. Hailing frequencies are open... Open channel D.
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With Paramount executives ready to push forward with a new Star Trek TV series, the braintrust held a meeting in August 1977 for a production update. Gene Roddenberry along with Gary Nardino, Michael Eisner and others kicked around story, budget and logistics ideas. Surprisingly, Gene was ready to go ahead without Spock until one executive argued that it wouldn't be Trek without him.
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Andrew Probert returns to The Trek Files to discuss early concept work for spacesuits and other wearable props on Star Trek: The Motion Picture.
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Season two of The Trek Files kicks off with an early "Star Trek: The Next Generation" memo that questions whether or not the production should allow pitches from amateur writers. Well before the open-submission policy sought out new talent, the handful of producers and writers on staff worried about the avalanche of paperwork and the potential for too many "Mary Sues."
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Season 1 of The Trek Files wraps up with our oldest document yet! As Gene Roddenberry was writing for “Have Gun - Will Travel,” he got the attention of an unlikely awards committee: the American Baptist Convention. Having seen a handful of Gene’s episodes, the committee reached out to recognize his work as “presenting the Christian message” to TV viewers. How would a pre-Star Trek Gene have reacted? Your Trek Files host Larry Nemecek and guest co-host John Champion discuss in this week’s show!
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With production on the third season of Star Trek fast approaching, newly-hired Executive Producer Fred Freiberger sent a memo to Gene Roddenberry about the status of developing scripts. "Spock's Brain" and "And The Children Shall Lead" are there... and so is "Shore Leave 2." While we're at it, how about room for a couple of Gene Roddenberry scripts too? Doug Drexler joins The Trek Files to talk about Star Trek behind the scenes.
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As Star Trek: The Next Generation was in its earliest days of development, one writer pitched the idea to return to a formula - and a character descendant - that had worked well for TOS. How would audiences in the '80s react to "Albania Jones"? What if he was played by Robin Williams? David Gerrold suggested one of their stronger comedy writers take a crack at it... himself!
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In 1972, an aspiring artist sent his design ideas for a new Star Trek to Gene Roddenberry. Little did he know at the time that in a few years he would be working for the franchise he loved, contributing to Star Trek The Motion Picture. In this letter from 1972, Andrew Probert proposes the updates he would make if Trek comes back. Who better to discuss this find than the man himself - our special guest Andrew Probert!
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In the fall of 1977, a Star Trek feature motion picture was on the horizon. Paramount executive Gary Nardino sent a memo to Gene Roddenberry after a meeting with an agent that a major star wanted a cameo: Barry Manilow!
Larry Nemecek and guest co-host John Champion discuss Star Trek's relationship with celebrity guests as well as the ones that got away.
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In the early days of story development for Star Trek The Next Generation, the pitches that centered around "Leslie Crusher" were many. Dorothy Fontana expressed her concern that such a unique character had the potential to steal focus from the main cast.
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In our final look at this extraordinary draft memo from Gene Roddenberry to Paramount executive Jerry Eisenberg, Gene gives us his take on the fan attitude toward Paramount. How did Trek fans develop such a feeling of ownership over the franchise? Special guest Doug Drexler joins the conversation this week on The Trek Files.
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In part two of our look at Gene Roddenberry's draft memo to Paramount executive Jerry Eisenberg, Gene explains why the stereotypes of Star Trek fans are wrong. We welcome back special guest Dorothy Fontana for insight into the fan phenomenon of the 1970s.
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In the middle of 1976, Paramount assigned producer Jerry Eisenberg to help relaunch Star Trek as a feature film. It didn't take long for Gene Roddenberry to draft a memo to help Eisenberg get into the right frame of mind for the task. Presented here is part one of three special episodes that get to the heart of Gene's take on what makes Trek tick.
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Sometime in the early 1970s, Gene Roddenberry was asked to identify his favorite episodes of Star Trek. Simply indicated by dots of red ink, the list may be quite revealing about his own interests and his personal connection to the show he created. This week, Larry is joined by guest co-host Doug Drexler to shed some light on Gene's picks!
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At the height of Star Trek: The Next Generation's popularity, a fan sent Gene Roddenberry a letter with some helpful recommendations. Eighteen pages later, we learn who should be promoted, who should be killed off and what types of stories Gene should be focusing on for the continued longevity of the show. Welcome back to special guest co-host Dave Rossi this week on The Trek Files!
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In the fall of 1972, Dorothy Fontana sent out a letter for Star Trek fans who were hungry for any shred of information that would indicate a return of their favorite show to TV. A full year before The Animated Series debut, this letter catches everyone up on the latest news, which is to say, there is no news.
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In 1972, Star Trek was out of production, the animated series was still a year away, and any movie or revival TV series was only a fan dream. Then the first Star Trek convention occurred in New York bringing in an unexpected crowd. Suddenly Star Trek was getting attention again, and Gene's office penned this letter to answer the constant inquiry from fans - would Star Trek come back?
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"When it's going good and you're having fun, FORGET IT! It's all wrong!" This week, we discuss a humorous promotional article featuring Gene Coon released by the Star Trek publicity office for publication in local newspapers.
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The morning after the first airing of "This Side of Paradise," Star Trek fan Beverly Corcroan wrote a letter to Gene Roddenberry. We welcome special guest Dorothy "D.C." Fontana to talk about fandom during Star Trek's first run and the curation of the Spock character in episodes that followed.
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In the early stages of production on "Star Trek II: The Wrath of Khan," Gene Roddenberry, now a consultant on the franchise he created, was shown a draft script. His response to the death of Spock is captured here in a letter sent to Paramount executive Gary Nardino.
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Star Trek generated huge amounts of fan mail during and after its original run. In 1975, Gene Roddenberry's assistant started compiling a book of that fan mail, "Letters to Star Trek," and asked Gene to write an introduction. In this draft, we learn about one of Trek's famous fans, and we can see Gene's hand-written notes.
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As the premise for the Star Trek: The Next Generation pilot episode was hashed out, Supervising Producer Bob Justman sent Gene Roddenberry a memo asking that he consider the social and psychological effects of sending a crew of families on a lifelong journey. We are joined in this episode by someone who was there from the very start, Dorothy "D.C." Fontana, to share her insights into what made TNG tick.
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Early in their working relationship, Gene Roddenberry presented Rick Berman with a book of Monet's art. The next day, Rick sent a thank-you letter with one important request. Get a glimpse into Gene and Rick in the early development days of Star Trek: The Next Generation with our special guest, Paramount Executive Dave Rossi.
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The document that started it all - The Star Trek Format is what Gene Roddenberry created in early 1964 to define what his TV series would be. We welcome a special guest who was there from the beginning, Dorothy "D.C." Fontana, to talk about developing Star Trek and how "Wagon Train to the stars" wasn't just a clever pitch slogan.
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What would Star Trek: The Next Generation look like without Gene Roddenberry? In 1986, Paramount lured Roddenberry into development by sharing a development document that looked nothing like what would eventually make it to TV a year later. Would you believe the USS Odyssey? With a Vulcan Captain? Who is actually inside the computer? Trek expert and Paramount executive Dave Rossi joins Larry this week to examine the Trek that never was.
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When the rest of the world started to take Star Trek fandom seriously, Gene Roddenberry was asked to provide an introduction for the book "Star Trek Lives" in 1975. Here we present an early draft with many of Gene's thoughts on Trek fans and forward-looking comments about the state of mass media.
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A year before Star Trek: The Next Generation debuted, David Gerrold sent a memo to Gene Roddenberry, Ed Milkis and Bob Justman about the Enterprise crew tackling philosophical ideas. How does this have repercussions on Star Trek more than 30 years later? Find out in today's episode of The Trek Files!
In the debut episode of The Trek Files, we deep-dive into one of Star Trek's cornerstone documents: The Star Trek Guide, from April 1967. Your host, Dr. Trek himself, Larry Nemecek, explores the "believability factor" and how it influenced the development of The Original Series together with guest co-host: John Champion.
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