Every Friday with Dan and Olivia: Recent Episodes

Dan Miles and Olivia d'Abo

Actor/musician Olivia d'Abo has teamed up with veteran podcaster Dan Miles to bring you a fun weekly show featuring engaging conversations and high quality musical selections. Make spending Fridays with Dan and Olivia a part of your weekly routine!

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Twitter people, greater in your posse, everybody’s princess.

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False start, giant group hug, Sheen on repeat. Opening music: “Smatter” by Lucas Pickford

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Suspended by wetness, hidden in a barn, raccoon stare. Opening music: “Summer Smile” by Ronny Jordan

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Magic shrink ray, tasty bean burritos, tart with a heart. Opening music: “Ocean Apart” by Julie Delpy

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Lacking in diplomacy, frisbee dinner, salsa girls.

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Death by sign, how we roll, second act reinventions.

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Major modifications, velvet walls, noble failure, halfway down the hockey stick.

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Remains of the heroin, a different kind of mania, a peek behind the curtain. Opening music: “Change the World” by Eric Clapton

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Queen of Corn, bone structure, birthday kiss. Opening music: “Love Came for Me” by Rita Coolidge

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War and longing, a bumpy ride, pea green outfits, shut up and deal. Opening music: “Love Story” by Andy Williams

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Blatant deceptions, twists and turns, Olivia directs.

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Walking dichotomy, kernel of positivity, melancholic bone.

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Two cats and a cheetah, one statue with two heads, a different kind of sausage. Opening music: “Fooling Yourself/Overture” by Styx

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Pollution probe, hippie town, genuine progress indicator. Opening music: “At Home” by Dale Ladouceur

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Romancing the air, strands of audio light, eight thousand half naked Swedes. Opening music: “And Then the Work Begins” by Dale Ladouceur

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Harbor view luxury, double shot Friday, literal Vegas baby.

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Stallone model, dancing with de Lancie, the wig person. Opening music: “Amanda” by Boston

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Wishing everyone a holly jolly holiday!

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One hundred percent Olivia, seasons of eight, two months in the bank. Opening music: “Peter Gunn” by Eumir Deodato

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Great musical pedigree, prepubescent moments, astounding close ups.

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Understated protest, yer mutha, don’t get a pool.

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Lucky plays Journey, Belushi agenda, charming outlaws.

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Pointless degrees, crushes and lust, reverse ratings. Opening music: “Some Cow Fonque” by Buckshot LeFonque

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Gold on the rooftops, intuitive quotient, seventh chakra. Opening music: “Hypnotized” by Fleetwood Mac

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Hot & cold running butlers, brought back with an empty chair, authentic American clothing.

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Backin’ Britain, sticker drama, one simple word.

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Goin’ awesome, core four, Dominican callback.  Opening music: “Samba de Elencia” by Alf Clausen Jazz Orchestra

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Brundle fly, luminescent hair, too much corn. Opening music: “Genetic Engineering” by Orchestral Manoeuvres in the Dark

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Four thousand years on the Hebrew calendar, born with a blank slate, Summer of Ed. Opening music: “If I Could Fly” by Joe Satriani

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A single train of thought.

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Dial it down, a particularly judgmental place, crisp hundred dollar bills. Opening music: “The Healer” by Santana

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Female human, mischievous imp, oh the silence.

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Horse breath, mountainous trail of Titicaca, big ass water bottle. Opening music: “The Art of Happiness” by Jean-Luc Ponty

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Perfect Connecticut family, guillotine moment, rope burn city.

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Oscar party drama, pump up the Hull High volume, manual antenna removal. Opening music: “Take Your Time” by Ruti Celli

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Departures into madness, absolutely gobsmacked, turning songbird.

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Composition and division, cheap shot artists, elephants in the room. Opening music: “Driven to Tears” by The Police

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Newkyahlur lieberry, millions will be late, tool of the higher powers. Opening music: “Violetta” by Andre Gagnon

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Love Boat favoritism, pattern recognizers, immovable helmet.

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Ten foot rule, apples in prison, oldest intern. Opening music: “Kings and Queens” by Aerosmith

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Google is your friend, Squackett good, Santana moment. Opening music: “Khedive” by Styx

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Hard for the money, new policy, juvenile features.

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Let those doggies breathe, field of malarkey, stroked like a cat. Opening music: “Take a Little Hit” by Ben Sidran

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Breaking bread, nuts Canadian style, Germane Jackson. Opening music: “Tennessee Street” by Drew Zingg

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The operative word, Meatloaf-esque, on the verge of disco.

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A million people too many, self preservation mode, culture of freedom.

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We continue to ride out our hiatus with listener picks for cover songs they prefer to the originals.

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Red Sox apron, thermometer brain, jock jams.

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Wider berth, Holder Overnight, shoulder of the Devil. Opening music: “Cut Chemist Suite” by Ozomatli

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Weird end of the stick, anti Devo, nutty cameo, expression of care. Opening music: “Blues Grinder” by Ronny Jordan

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Radiohead traffic jam, reduced to a tiny square, four very different guys.

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Super bugs, Chewbacca’s bench, rewiring your matrix. Opening music: “Turn My Back on You” by Sade

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Olivia discusses her career with Alexander Rodriguez,  Stan Zimmerman, Patrick Gomez and Amin El Gamal.

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Generational karma, thinly veiled begging, Sting needs another castle. Opening music: “Five Per Cent for Nothing” by Yes

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America Junior, turd polishing, sleeping sheep. Opening music: “Wow” by Andre Gagnon

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Teenagers with headsets, Sunday meltdown, internet jinx. Opening music: “Affirmation” by George Benson

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Asian Brando, smartest person in the room, dude vibe. Opening music “Cool #9” by Joe Satriani

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The Maid of Orleans, not unlike the Spanish Inquisition, the flaw in the diamond. Opening music “Hallelujah” by Jeff Buckley

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I swear you not, monosyllabic grunting, indeed. Opening music: “Words” by the Monkees

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Spencer goes missing, boomer ascendancy, a little bit more squeaky.

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From Jolson to Jarreau, cover project, up against Thriller. Opening music: “We’re in this Love Together” by Al Jarreau

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Themebola, sketchy french accents, a large portion of testosterone.

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Happiness on demand, Scorpion Manor, return of the rabbit.

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17 cents a day, cough suppression, a whole symphony happening outside this room.

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This show is bloody mad, a beautiful skybound device, reverse whack-a-mole.

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Very few pretensions, scouser diction, existential meltdown.

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Something is better than nothing, turning up the Spanish juice, the definitive takedown.

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Gorgeous purple jacket, clever witticisms into the void, remembering Rod Temperton.

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Relatively harmless fluff, stew stew studio, motley abbreviation.

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The opposite of cutting edge, unanimous geek moment, puncturing the pomposity.

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Feathered hair and sweater vests, olly oxen free, scolding mode.

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A crappy acronym, it stays broke, a gimpy duo. Opening music: “Robert’s Box” by Procol Harum

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Happy Thanksgiving!

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Kiss preschool, the annoyance component, a long life on Lifetime.

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Auto pots, robot pronunciation, post vomit euphoria. Opening music: “Seth Runs on Track” by Lyle Workman

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Worst solo ever, some latin asides, a Canadian pie.

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Boatload of screaming girls, murder ballads are a thing, heavy reverb phase. Opening music: “Satin Doll” by Duke Ellington

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One of the cats, leave hallelujah alone, a lot of tourists.

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Soupcon of 1956, all Klingon tribute band, salad dude. Opening music by David Cassidy and Aretha Franklin

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Nostalgia bath, Australian spelling with John Cleese, dreamy poster inside. Opening music: “Shadow Dancing” by Andy Gibb

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Sandbox boundaries, wine and cheese police, Hamsterdam. Opening music: “Ol’ Bombay” by Barry Cowsill

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Duffy the Ginger Pony, witches in the sky, Aristotelian Beast God Dynamic. Opening music: “Wide Open Spaces” by Olivia d’Abo

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Two percent jokes, Hamilton references, ancient Chinese invention. Opening music: “The Sea” by Morcheeba

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Hallucinogenic jet lag, baby bird @ 20, fresh Egyptian cabbie. Opening music: “Joe Slam and the Spaceship”  – Harry Connick Jr.

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The best hair in the business, lactating bitches, perilous Parisian parenting.

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Kermit’s frustrating social experiment, Ecuadorian basket weaving, the sum total of human knowledge in our pockets. Opening music: “My Favorite Car” by Lyle Workman

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The direction of laziness, the comforting presence of fallible humans, pet peeve mashup. Opening music: “Grace in the Bubble” by Jim Beard

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A nut with a berry, off the deep end, name dropping seal. Opening music “Wildcat” by Ratatat

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Peyote of the comedic shaman, recipriversexcluson, God’s flashlight Opening music “Tequila” by Larry Carlton

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We close out our trilogy by discussing when to shoot a close up, the magic and the mystery, valuing the banal and much more!

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A discussion of the films Paperhouse, Candyman and Immortal Beloved.

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The acclaimed director talks about his famous 80’s music videos. Opening music “Relax” by Frankie Goes to Hollywood

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Listener feedback, snot rockets, two schools of lion taming. Opening music: “Anyone” by Monkey House

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Parental pot picnic, speed dating @20, a friend in the end. Opening music: “Bring on the Night” by The Police

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Triskaidekaphobia, spine cracking sneezes, avocado cooties. Opening music: “I Ain’t Superstitious” by The Jeff Beck Group

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Celebrity basement, Brit backwash, pastoral handbags and buttercups.

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Human beef, asian born, two named boy. Opening music “Misunderstanding” by Genesis

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Jeopardy moment, zen driver, meet Max & Wally. Opening music: “Crazy Days” by Danny Kean

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Olivia fondly remembers her mother who recently passed away.

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As our hiatus comes to an end we thank you for your patience! Opening music: “Fly Away” by Mark Herrick

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Climb into our DeLorean and travel back with us to an alternate Eighties.

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This week we mashup Queen so get on your bikes and ride!

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Spend an hour taking a journey through 40 years of American pop music!

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Our hiatus continues with a fab set of gear mashups.

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Have a Whole Lotta Mashups and enjoy every inch of our love.

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A brief hiatus announcement. Opening music: “Lovely Day” by Elliott Randall

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The saddest of all sonatas, double dated piece of work, Langford the Lame.

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Limitless omnipotent power, Steven Spielberg ride, charming sociopath. Opening music: “Before You Go” by Lyle Mays

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Obvious joke, host boy lingo, people pleasing business. Opening music: “Porky & Beans” by Jeff Berlin

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Strong thumbs, almost asexual, showing the potential of art. Opening music: “Changes” by David Bowie

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Reaching for the alien shore, homework in Hungarian, we’re Americans too. Opening music: “L-O-V-E” by Nat King Cole

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Lavender to pink haired little ladies, death death death lunch, the return of the native. Opening music by Derek and Clive

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Ominous coat rack, Indian dog child, phantom limb. Opening music: “Smoking Jesse’s Pot” by Dave Porter

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Amish teenager, the farmer and the talking shoe, nightmare date.

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Who’s in the freezer, alcohol and testosterone, the country for me. Opening music “Bombacha” by Leo Sidran

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Foreigner kiss, participating in genius, tools and artifacts Opening music: Mashup by DJ Earlybird

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Birthday girl in my soup, multi tasking on air, 7 levels. Opening music: “Breezin” by Al Jarreau

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Billy Idle, red headed chickity poo, perversion of idolatry Opening music “Last Good Time in Town” by Eagles

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Rocking the androgyny, general consensus of women globally, Spoon style rant Opening music: “Hairstyles and Attitudes” by Timbuk 3

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Tail end of an era, orchid in your soul, same stratosphere as Mozart Opening music: “Love Too Good” by Jefferson Starship

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Waterski wife, Thom@20, Sci Fi EGOT Opening music: “Sleigh Ride” by The Blenders

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Club Thursday, stoned demonic muppet, emergency triage. Opening music by The Tijuana Brass

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Learning curve, wasp nipples, Alan September with a prog twist. Opening music: “Push Comes to Shove” by Van Halen

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Praising for the little things, nerd befriending, sibling reports. Opening music: Mashup by DJ John

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Belters of the seventies, hippie uncles, theatre for the people. Opening music: “Border Line” by Deodato

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Sweeties and honeys, outsider grumbling, his name was Herb. Opening music: “Come Dancing” by Jeff Beck

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Standing in your truth, heroes in your hood, one composite thing. Opening music: “Love Magic” by Deodato

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The fine art of screaming, Partridge Family boots, a matched set of concussions. Opening music: “Keep on Movin” by Deodato

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Lost dreams revisited, dumpers & dumpees, dumb ass coaches & disgruntled referees. Opening music: Mashup by Go Home Productions

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Dan Miles and Olivia d’Abo explain their new show’s format and invite listeners to make them a part of their weekly routine. Opening music: “Knucklehead” – Eumir Deodato