IndieWire's Filmmaker Toolkit: Recent Episodes
Chris O'Falt
Interviews with leading film and TV creators about their process and craft. From screenwriting to film language to cinematography, we'll be examining the innovative ways today's best filmmakers are getting their visions out into the world.
After seven years of scoring HBO’s “Succession,” Nicholas Britell reflects on completing his first TV series. What did he learn about working in TV? How did the series and his process evolve over the course of four seasons? Would he ever sign on to do another serialized series? Was it helpful for the “Succession” editors to use his previously recorded music to temp new episodes? Did his experience working on Wall Street, before becoming a film & TV composer, inform his understanding of the Roys? Plus, Britell explains why he wrote the last two pieces of “Succession” music (including the choir music used over the final end credits) well before seeing the series finale. Learn more about your ad choices. Visit megaphone.fm/adchoices
Director Peter Hoar joins us to talk about the episode of The Last of Us that had us all in tears. Peter discusses the power of telling gay stories, using both natural light and "On The Nature of Daylight," and how the crew of "The Last of Us" fell just as hard for Bill (Nick Offerman) and Frank (Murray Bartlett) as the characters did for each other. Learn more about your ad choices. Visit megaphone.fm/adchoices
As part of 80s week over on the IndieWire site, we are featuring a special conversation with a filmmaker who forever changed the ways movies look and feel. His early work created the iconic look of movies like Rocky and The Shining, and today we are all living in the world Steadicam built. Garrett tells the story of why he needed to invent a new tool for cinematic motion, and reflects on how its legacy has shaped cinema in the decades since. Learn more about your ad choices. Visit megaphone.fm/adchoices
Have you ever wondered what it would be like to be in The Truman Show, with every aspect of your reality crafted by a team of filmmakers? Showrunner and executive producer Cody Heller was tasked with creating just such a world for the star of Jury Duty; an entirely fake, month-long court case built from scratch and performed live for the unaware protagonist. Heller shares the wildly creative tricks her team used to keep up with the chaos of real life, and discusses how did Jury Duty managed to be a fascinating social experiment and a goofy hysterical comedy all at the same time. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on Toolkit we dive deep into a single episode of the Netflix hit series Monster: The Jeffrey Dahmer Story. The episode in question, Silence, is one of the best hours of TV this year, and director Paris Barclay walks us through the incredible craft that made this story of a black, gay, deaf man so transporting and emotionally resonant. Learn more about your ad choices. Visit megaphone.fm/adchoices
This episode is everything...because today we are talking Barbie! Both writer/director Greta Gerwig AND editor Nick Houy join us this week, and if you've seen the movie you know how crucial editing was to pulling it all off. The movie is a big swing, a wild ride, and a surprisingly personal and intimate project for something branded with one of the biggest names in the world. Greta walks us through how all that is possible, and the pair explore how they think about assembling stories not just on Barbie, but across their collaborations on Lady Bird and Little Women. Learn more about your ad choices. Visit megaphone.fm/adchoices
One of the greatest series in the history of TV, Justified, is back on the air with a haunting new subtitle. We talk this week with showrunner, writer, and director of Justified: City Primeval, Michael Dinner. He explores the reasons the show is making a triumphant return, what it was like coming back to a career-defining project after many years, and how this season was adapted from unexpected source material. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you've seen Across the Spider-Verse you won't be surprised to learn such a complex film took three directors to helm. One of those directors, Kemp Powers, joins us to explain how they pulled it off with the same grace, ambition, and heart that defines the spider-people at the center of the story. Kemp breaks down the experience of essentially "shooting" the movie for four years, and how even when directing a crew of thousands he managed to work in personal inspiration from his own life. After you listen you'll want to run right out to the theater to catch all the incredible details Kemp points out.
One of our favorite things to do on Toolkit is speak with rising stars in the world of directing, and we got to do just that this week with Celine Song, whose debut film 'Past Lives' is landing firmly in the top of most "best of the year so far" lists. She explores how she tackled challenges unique to this particular love story, especially the careful presentation of language. Song wrote the script in two languages and sought an unusual level of control over subtitles in order to protect the nuances of the love story, just two of many reasons 'Past Lives' feels both deeply personal and incredibly confident in its craft.
The creator and star of one of the most visually inventive and challenging shows of the year sits down with us this week to discuss the rich culture (and pop-culture) that informs the project. It's a series you have to see to fully comprehend, and Terence provides fascinating insights into how such an ambitious project came to life.
Helming any superhero blockbuster is a massive balancing act, and few filmmakers had as much to bring together as Andy Muschietti for this multiverse-hopping epic. Hear him explain how he approached the legendary iconography of Batman (Batmen?) and the impressive technique used to capture his star's dual performance.
Stunt coordinator turned director Sam Hargrave joins us to walk through his process making this satisfying sequel. He shares his thoughts on why so many stunt performers have recently become some of our best action directors, and explains how his close collaboration with star Chris Hemsworth allows for moving moments between the action (as well as incredible feats like 21 minute long take fight scenes).
It's an unusually zany quest for the holy grail on today's Toolkit as we sit down with the co-writers and creators of Mrs. Davis. They discuss the challenges of balancing wild comedic antics with some truly deep questions about religion and technology, and how a special blend of influences from Looney Tunes to Quentin Tarantino and Monty Python helped it all come to life.
We can't stop thinking about the end of Succession, so we had to sit down with Mark Mylod to dig into his directorial journey across the four seasons of this incredible show. He breaks down the many infamous moments from the finale, and also reveals which episodes along the way taught him what the style of the show would become. It's a conversation that will make you want to rewatch the series from the beginning with open eyes.
Creator Tony Gilroy and editor John Gilroy join Toolkit to discuss the joys of worldbuilding inside the Star Wars universe, structuring the first season of "Andor," and how score influenced the show's writing and editing. Learn more about your ad choices. Visit megaphone.fm/adchoices
Director Ryan White takes us inside the making of this delightful documentary chronicling the journey of Mars rover Opportunity, which had a planned 90 day mission but ended up surviving fifteen years. Hear how the crew brought Oppy's groundbreaking mission to life using hundreds of hours of archival footage from NASA, and partnering with the VFX powerhouse Industrial Light and Magic to create a digital Mars from scratch. And learn about the deep bonds that formed between this intrepid rover and her human operators millions of miles away. Learn more about your ad choices. Visit megaphone.fm/adchoices
Director Mark Mylod discusses channeling Ralph Fiennes' character to create the look and feel of his "eat the rich" satirical thriller. Learn more about your ad choices. Visit megaphone.fm/adchoices
The director of the Netflix limited series “Unorthodox” talks about adapting New York Times journalists Jodi Kantor and Megan Twohey’s book to the big screen. Schrader discuss how her experience telling the real life story of “Unorthodox” and being an actress in Germany helped her tackle the all-too-real story of reporting the Harvey Weinstein sexual abuse scandal, and why she doesn’t buy the media’s comparisons between “She Said” and other journalist classics like “All The Presidents Men” and “Spotlight.” Learn more about your ad choices. Visit megaphone.fm/adchoices
Director Shaunak Sen goes inside how he found and created the most innovative visual language of any film this year. A process that involved throwing away a year’s worth of footage, and starting over, all in an effort the avoid to pitfalls that so many films with touch upon ecological or political issues fall into. Learn more about your ad choices. Visit megaphone.fm/adchoices
Director Sara Dosa and producer Shane Boris join Filmmaker Toolkit to discuss the formal and tonal choices they made in order to capture the adventurous spirits of Katia and Maurice Krafft in "Fire of Love." Learn more about your ad choices. Visit megaphone.fm/adchoices
Film scholar and public radio fixture Elvis Mitchell speaks about directing "Is That Black Enough for You?!?" and why the 1970s were the greatest decade ever for Black film. Learn more about your ad choices. Visit megaphone.fm/adchoices
Directors Tia Lessin and Emma Pildes join Toolkit discuss the creative pillars holding up their documentary "The Janes," why it was important to make Chicago a character in the story, the extensive challenge and surprising finds of using archive material from the period, and their and the film's relationship to the modern politics of abortion. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of Filmmaker Toolkit, Field talks about how he turned his unusual script about a famous conductor in personal and professional free fall into a riveting character study, with help from star Cate Blanchett, collaborating during the height of the pandemic, thematic ideas like the corrupting nature of power and practical concerns like casting the other parts, and both Field's and Blanchett's delight in sharing their growing excitement about the milieu in which the film takes place. Learn more about your ad choices. Visit megaphone.fm/adchoices
"DIG!" and "We Live in Public" director Ondi Timoner joins Toolkit to discuss the unintentional road to "Last Flight Home" and the work of making the cameras that documented her father's last days as invisible as possible. Learn more about your ad choices. Visit megaphone.fm/adchoices
In James Gray's new film "Armageddon Time," he returns to the kind of intimate, precise character study with which he made his name. Gray speaks about visual style, memory, and why he loves movies to begin with. Learn more about your ad choices. Visit megaphone.fm/adchoices
Director Margaret Brown discusses the cinematic and narrative choices that helped shape the story of "Descendant" – from building the sounds of the South to collaborating with the film's subjects to resurfacing the filmmaking of Zora Neale Hurston. Learn more about your ad choices. Visit megaphone.fm/adchoices
Charlotte Wells joins the Filmmaker Toolkit podcast to talk about the evolution of her first feature: creating anchor points for memory within the story of the film, the joys of working with DV camcoder footage and the liminal place it sits between objective and subjective points of view, refining perspective and the sense of memory in editing "Aftersun" together, finding immediacy within a specific time period through the look of the film, and even more. Learn more about your ad choices. Visit megaphone.fm/adchoices
Series creator Armando Iannucci discusses the benefits of satire while working in genre, building a future out of our ridiculous present, and how the pandemic influenced the HBO comedy's second season. Learn more about your ad choices. Visit megaphone.fm/adchoices
If you were an action fan in the 1970s, ’80s, or ’90s, one of the great pleasures of filmgoing was the experience, every year or two, of a new Walter Hill movie. No one else was really making movies like him, and no one had before; Hill created a body of work that spoke to American culture both past and present where the jokes are funny but the bullets are real. On this episode of the Filmmaker Toolkit podcast, Hill speaks about returning to his favorite genre, the Western with his new film "Dead for a Dollar." Learn more about your ad choices. Visit megaphone.fm/adchoices
Director Nicholas Stoller, of "Neighbors" and "Forgetting Sarah Marshall" fame, joins Filmmaker Toolkit to discuss his process developed on some of the best comedy films of the last couple decades and how he applied it to his latest film, 'Bros.' Learn more about your ad choices. Visit megaphone.fm/adchoices
Writer-director Andrew Dominik wrote his adaptation of Joyce Carol Oates' novel "Blonde" in about four weeks — and then waited 12 years for the opportunity to bring it to the screen. The "Killing Them Softly" director joins Filmmaker Toolkit to talk about his decade-plus-long journey to bring Joyce Carol Oates' fictionalized portrait of Marilyn Monroe to the screen, and the epic study of trauma and Hollywood's exploitation of it that he created. Learn more about your ad choices. Visit megaphone.fm/adchoices
Ti West, director of "X" and "Pearl," stops by Toolkit to discuss how he landed on the golden age of Hollywood aesthetic he captured for his horror prequel, how he achieved the film's singular look, and how he tapped into a more formal style of filmmaking where blocking and framing can tell the entire story of a family and lead us to understand Pearl herself. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of the Filmmaker Toolkit podcast, creator and star of 'Mo', Mo Amer discusses how he and his team built a series that juggles a tone that can fuse comedy and drama, how they built the show's hip and absurd sense of humor, and how they made filmmaking choices that spotlight the city (Houston) and the culture (the Palestinian diaspora) at the show's heart. Learn more about your ad choices. Visit megaphone.fm/adchoices
Director George Miller joins this week’s episode of Toolkit to talk about the making of his latest film, “Three Thousand Years of Longing.” Miller discusses the film’s place in his career as a “palate cleanser” after the high-octane “Mad Max: Fury Road,” the philosophical underpinnings of the script, and why working with actors who are also filmmakers - in this case Tilda Swinton and Idris Elba - yields the best work. Learn more about your ad choices. Visit megaphone.fm/adchoices
Executive producer and director Jamie Babbit discusses how the new Amazon Prime Video series "A League of Their Own" uses its camera to turn the show's large cast into a team and breaks down the cinematic language she found to highlight both the joys of playing baseball and of falling in love. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jerrod Carmichael joins this week to talk about the creation of "Rothaniel," the ways in which it's changed his approach to telling stories for an audience, and some of the filmmaking choices that helped make the special as natural and also as elegant as possible. Learn more about your ad choices. Visit megaphone.fm/adchoices
"Succession" executive producer and director Mark Mylod joins this episode of Toolkit to discuss putting together the show's third season and discusses the extra charge the series got from shooting in Italy, how "Succession" organizes scenes in order to capture the most impactful performances, the ways in which the show uses its opulent backup to keep the characters in perspective, and even more. Learn more about your ad choices. Visit megaphone.fm/adchoices
As a young screenwriter, Lawrence Kasdan saw the special effects magicians at Industrial Light & Magic bring his most spectacular acts of imagination to life. Over 40 years after his work on “The Empire Strikes Back” and “Raiders of the Lost Ark,” Kasdan returned to the world of ILM for “Light & Magic,” a six-part documentary series chronicling the biggest effects developments of the 20th century through the stories of the men and women responsible for them – most of all Kasdan’s first employer, George Lucas. In this episode Kasdan talks about why he left fiction filmmaking behind for documentaries, how Lucas changed the movies forever, the mistakes Kasdan made on his own special effects extravaganza “Dreamcatcher,” and why “Top Gun: Maverick” made him excited about the movies again. Learn more about your ad choices. Visit megaphone.fm/adchoices
Peele knows you'll have questions after seeing 'Nope,' but to what degree did he figure out the the life and history of his new film's alien life form? Peele answers that question, as he breaks down the process of making his UFO cinematically real, and what he learned from filmmakers like Paul Thomas Anderson and Quentin Tarantino. 'Nope' is a masterpiece of sound, and in second half of the podcast [19:40], we interview the films sound designer Johnnie Burn. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of Filmmaker Toolkit, showrunner Peter Gould and executive producer Vince Gilligan join to talk about the ending of "Better Call Saul." No Season 6 spoilers here, but they discuss the show's writing process, the personnel decisions that have helped elevate the series, how the camerawork has evolved over the course of the show, and some of the storytelling philosophy that has stood them in good stead since "Breaking Bad." Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of Filmmaker Toolkit, creator Danny McBride discusses the latest season of "The Righteous Gemstones" and his philosophy for everything from where the humor needs to come from, shooting action comedy, and maximizing his resources on a television schedule and budget. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of the Filmmaker Toolkit podcast, we speak with show creator David Jenkins and director/star Taika Waititi about their collaboration creating this ambitious comedy for HBO Max. The pair discuss everything from the visual influences that help "Our Flag Means Death" walk a tonal tightrope to the visual effects innovations that made shooting on television schedule possible. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this edition of IndieWire's Deep Dive: Station Eleven creator Patrick Somerville joins director Jeremy Podeswa, the crafts team, and cast to discuss how the show's timelines and themes come together in Episode 10, "Unbroken Circle" Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of the Filmmaker Toolkit podcsat, Natasha Lyonne discusses the games that "Russian Doll" Season 2 is playing (of which time-travel via the 6 Train is only one), why this was a Pink Floyd season, how she refined her preparation as both a director and an actor over the pandemic, plus a little love for Sergio Leone. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of the Filmmaker Toolkit podcast, Bill Hader discusses the latest season of Barry and digs into his directing work on Episode 6, "710N". Hader talks about when and why he embraces generic conventions (and when he doesn't), what he likes about long takes, the benefits of eschewing coverage, and how he constructed a chase sequence in the spirit of Jacques Tati. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of the Filmmaker Toolkit podcast, we speak with Peter Jackson and his longtime collaborator, editor Jabez Olssen about their work distilling hundreds of hours of audio, dozens of hours of video, and 40 years of mythology about the Beatles' Get Back sessions into a documentary that tries, going day by day, to lay out the experience of the sessions that led to the Beatles' last live performance. Jackson and Olssen discuss what putting visuals to familiar audio changed, how they found ways around seemingly inaudible or unusable material, and why they set out to make a documentary that wasn't a Beatles break up story. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of the Filmmaker’s Toolkit podcast, showrunner Sterlin Harjo talks about why he could only make (this version) of "Reservation Dogs" in his native Oklahoma, and what opportunities open up to a series when rooting it in a specific place that TV hasn't really seen before – and certainly not from a Native perspective. That, plus the steps in teaching an audience how to laugh at survival humor, the benefits of taking an epic approach to outwardly small stories, the trouble with manufacturing hail, and why the show's mythological elements live very matter-of-factly alongside its teen comedy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kogonada discusses the cinematic components of "After Yang" from how memory relates to the processof filmmaking to the importance of a science fiction story with domestic stakes. All of that, plus: the importance of spaces that can tell their own stories, the differences between film and short story, how the quality of light impacts the film, and a little bit of love for Robert Bresson. Learn more about your ad choices. Visit megaphone.fm/adchoices
Creator and executive producer Soo Hugh discusses how she tackled the globe and time-spanning 'Pachinko' by thinking about was the show wasn't and then discovering what the show was. All of that, plus: challenges of creating characterization in translation, the different visual styles of the show, and what a historical epic that isn't fetishizing period can look like. Slightly spoiler-y conversation about Episode 7 from 19:30 - 21:27. Learn more about your ad choices. Visit megaphone.fm/adchoices
For a surprise bonus episode of Filmmaker's Toolkit, we have a conversation with 'Dune' cinematographer Greig Fraser. He gets into how he and director Denis Villeneuve achieved the correct sense of scale, the power of simplifying the frame, the film's concentrated, strategic bursts of color, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices
Matt Reeves dives into his desire for greater subjectivity in a Batman story, influences from "The Wrong Man" to "The Long Halloween," the compulsive physicality of Robert Pattinson's performance, and how he found the light (and the dark) in Gotham. Learn more about your ad choices. Visit megaphone.fm/adchoices
Go inside the Matrix with long-time Wachowski collaborators supervising sound editors Dane Davis and Stephanie Flack as we listen to examples from ‘Matrix Resurrections’ and hear how the franchise has sonically evolved. Learn more about your ad choices. Visit megaphone.fm/adchoices
Mike Mills discusses the philosophy, iconic imagery, and blend of documentary and narrative that come together to give "C'mon C'mon" its richness and soul. Learn more about your ad choices. Visit megaphone.fm/adchoices
Director Maggie Gyllenhaal and editor Affonso Gonçalves discuss their creative partnership and how they pushed both image and sound on "The Lost Daughter." Learn more about your ad choices. Visit megaphone.fm/adchoices
A look at PTA's creative process, the unique way he approaches filmmaking, and his new film with long-time collaborators:
[1:20]: Co-cinematographer Michael Bauman
[11:40]: Supervising Sound Editors / re-recording mixers Christopher Scarabosio & David Acord
[18:39]: Costume Designer Mark Bridges
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Go inside Lowery and Droz Palmero's collaboration on the year's Best Cinematography. Learn more about your ad choices. Visit megaphone.fm/adchoices
Fukunaga and Sangren break down their realistic, but painterly approach to Daniel Craig's final installment as James Bond, with incredible insights to film's use of color, camera movement, and emotional storytelling. Learn more about your ad choices. Visit megaphone.fm/adchoices
The legendary director ("The Piano") dives into her process and collaborations in making the Netflix western. This is followed [26:30] by a conversation with her editor Peter Sciberras, who breaks down how he and Campion carefully navigated the relationship between Phil (Benedict Cumberbatch) and Peter (Kodi Smit-McPhee) – as they needed to maintain the mystery, mounting sexual energy, and growing sense of foreboding as the film unfolded. Sponsored by MGM/United Artists Releasing. Learn more about your ad choices. Visit megaphone.fm/adchoices
He’s back. The action maestro behind “Fast Five” and “Fast & Furious 6” returns to the franchise that was never the same without him. While on the podcast, Justin talked about what it’s actually like to direct big action scenes that are being shot thousands miles away, while he’s on a soundstage with the Vin Diesel and the cast, and how he integrates practical stunt work with VFX and cast performance. Learn more about your ad choices. Visit megaphone.fm/adchoices
One of the three co-creators of the new HBO Max series “Hacks,” Aniello also directed six of the 10 episodes (including the first three) and together with cinematographer Adam Bricker employed a purposeful and effective use of the camera so sorely missing from most half-hour comedy series. On the podcast Lucia discusses casting a non-standup in Jean Smart, creating her routines, and how she used the camera to tell the story of Deborah Vance (Smart) and Ava (Hannah Einbinder). Bricker joins the second half of the podcast to talk about creating the look of a classic Vegas and avoiding the pitfalls inherent with cross-shooting a comedy series. Learn more about your ad choices. Visit megaphone.fm/adchoices
The “In the Heights” director on his original pitch to Lin-Manuel Miranda to direct his Tony award winning musical. We break down the opening number, the “When the Sun Goes Down” dance up the side of the building, and Jon’s distinct use of movement. Learn more about your ad choices. Visit megaphone.fm/adchoices
The “P-Valley” showrunner talks about growing up in Memphis and how going to strip clubs informed how her Starz TV series celebrates the culture and art form of stripping. Hall discussed how she was inspired by Barry Jenkins’ “Moonlight” and used color light to capture the beauty of her casts’ dark skin tones. The playwright-turned-TV creator also talked about her experience of being a first time showrunner, what she is building off for Season 2 (about to start filming), where she’ll step into the director’s chair for the first time. Learn more about your ad choices. Visit megaphone.fm/adchoices
Co-star Anna Konkle talks about the "half-therapy, half-masochist" process of reliving her middle school years through her "Pen15" character, writing the incredible “Vendy Wiccany" (witch) episode, and working with her 13 year-old stars. And at the 27:26 mark, co-creator Sam Zvibleman, who directed all seven episodes of Season 2A, joins the podcast to talk the restraint of Season 2, the influence of "Welcome to the Dollhouse" and the low-fi 90s filmmaking aesthetic of "Pen15," the difficulty of cutting 50 minute episodes down to 30, and what's like to shoot every episode in 4 days. Learn more about your ad choices. Visit megaphone.fm/adchoices
How did creator and star Michaela Coel make “I May Destroy You”? We go inside her process with two close collaborators, as we discuss Coel stepping into the role of Arabella through costume, visually adapting her 12 brilliant scripts, capturing the spirit of East London, the constantly evolving rewrite process, and that surreal final episode. Learn more about your ad choices. Visit megaphone.fm/adchoices
McQueen and Kirchner go inside how they created the magic of the “Lovers Rock” dance scenes, how McQueen’s own life was saved by the heroic mothers featured in “Education,” the fight to shoot 16mm, and how they approached making 5 individual movies in this remarkable anthology. Learn more about your ad choices. Visit megaphone.fm/adchoices
Barry Jenkins returns to the podcast with his long-time cinematographer James Laxton to discuss their epic journey in shooting all 10 episodes of the Amazon Original Series “Underground Railroad.” Learn more about your ad choices. Visit megaphone.fm/adchoices
“Why shouldn’t films look like this?” asks director Emerald Fennell, who believes diverse storytelling doesn’t just open the door to different stories and characters, but a diversity of craft. In talking about the colorful world she built around Cassie (Carrie Mulligan), Fennell breaks down how she constructed a film that tackles difficult issues in such entertaining and subversive ways.
At the 24 minute mark, Emerald and I welcome “Promising Young Woman” costume designer Nancy Steiner and production designer Michael Perry to the conversation, where we talk about everything from Paris Hilton Videos to Twin Peaks to Sweet Valley High. Learn more about your ad choices. Visit megaphone.fm/adchoices
What Does a Childhood Memory Look and Sound Like? That's a question we explore with the "Minari" director, who revisited his memories of growing up on an Arkansas family farm in the 1980s to make this film. And for the second half of the podcast Isaac and I welcome his composer Emile Mosseri into the conversation to discuss their collaboration. Learn more about your ad choices. Visit megaphone.fm/adchoices
What does it feel like when your relationship to the world around you suddenly changes? Riz and Darius talk about the unique subjective experience they crafted for the audience as Ruben (Ahmed) looses his hearing, and the immersive way they shot ‘Sound of Metal.’ From putting mics down Riz’s throat, to learning drums, to the fascinating way sound design dictated editing and camera, we jump inside one of the more interesting production and craft stories of this awards season. Learn more about your ad choices. Visit megaphone.fm/adchoices
Zhao and Richards talk about how their process and filmmaking has evolved over 3 films, their spiritual connection to Terrence Malick, why Zhao decided to edit herself and Richards wanted to build Fern's van himself (and ended up with a production design credit), and marvels of Frances McDormand. Learn more about your ad choices. Visit megaphone.fm/adchoices
The only way Shaka King was going to get a film made about the Chicago leader of the Black Panthers, Chairman Fred Hampton (Daniel Kaluuya), was to mask it as ‘Donnie Brasco’ genre film, and on this podcast we break down the incredible structure and ingenuity of this remarkable script. Shaka also talks about collaborating with DP Sean Bobbitt (after Bradford Young had to step away form the project), how the 'Judas' team turned modern day Cleveland into the westside of Chicago of the late 60s, the music track the director played at every pitch meeting (much to Exec Prod Ryan Coogler's dismay), and actress Dominique Fishback's vital role in shaping the film's third act and the role of Deborah Johnson (now known as Akua Njeri). 'Judas and the Black Messiah' is streaming now on HBO Max. Learn more about your ad choices. Visit megaphone.fm/adchoices
The “Euphoria” creator talks about writing his new Netflix film around Zendaya’s persona and talents, throwing away the first two days of shooting, lacking confidence on set, finding the right needle drops, making the special “Euphoria” episodes, being aware of the audience’s (and his own) attention span, and severely restricting the number shots, angles, and lenses he uses. We also address (at the beginning and end of the podcast) Malcolm’s (John David Washington) attacks on film critics in the film, which Sam believes is being misconstrued and I believe is problematic. Learn more about your ad choices. Visit megaphone.fm/adchoices
'Gunda' Director Victor Kossakovsky by Chris O'Falt Learn more about your ad choices. Visit megaphone.fm/adchoices
When “Bloody Nose, Empty Pockets” premiered at Sundance last January it sparked a predictable conversation about what qualifies as a documentary. Bill and Turner Ross’ nonfiction story about the last night of a bar on the outskirts of the Las Vegas Strip was actually shot in a New Orleans bar, its patrons were bar flies the co-directors had met in an extensive casting process of visiting late night watering holes throughout the city. What got lost in the focus on the behind-the-scenes elements of making “Bloody Nose” was the craft that went into it and art that unfolded on screen. Bill and Turner are masters of direct cinema, and on the podcast we give them an opportunity to dig into their craft and process. Learn more about your ad choices. Visit megaphone.fm/adchoices
A fascinating filmmaking discussion about how echoes Truffaut, Scorsese, Peckinpah, and Bergman found their way into this intimate nonfiction drama. Ree and “the Painter” (Kysilkova) talk about their unique collaboration and what happened off-screen before filming, while the director also opens up about how he was mentally drained and ready to give up on the film before getting an important call from Sundance. Learn more about your ad choices. Visit megaphone.fm/adchoices
One of the most cinematically exciting, joyous, and sad films of the year, the director behind "Cameraperson" talks about her process of making a Netflix film with her father about his dementia and inevitable death. Learn more about your ad choices. Visit megaphone.fm/adchoices
How ‘Son of Saul,' 'Lincoln' and other scripted narrative films Influenced this Documentary’s Up-Close and Widescreen Subjectivity. From casting to editing, a deep dive into the Grand Jury Prize winner for Best Documentary at Sundance 2020, and the frontrunner for the 2021 Oscar. Learn more about your ad choices. Visit megaphone.fm/adchoices
Possibly the film of the year, Garrett Bradley takes us inside the creation of her poetic cinematic process in making a film about love, family, and incarceration. Learn more about your ad choices. Visit megaphone.fm/adchoices
'Succession' Deep Dive: Creator Jeremy Armstrong and His Craft Team Break Down the Season 2 Finale – "The Is Not for Tears." Learn more about your ad choices. Visit megaphone.fm/adchoices
Damon Lindelof and the ‘Watchmen’ nominated crafts team analyze Episode 6 “The Extraordinary Being" and the filmmaking behind Hooded Justice's origin story. Learn more about your ad choices. Visit megaphone.fm/adchoices
IndieWire is launching a new Craft podcast called Deep Dive on Monday with Watchmen creator Damon Lindelof and his creative team of artisans breaking down episode 6 "This Extraordinary Being." To learn more listen to this trailer. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Hulu series' star and co-creator talks about stepping into the showrunner role and directing four episodes for Season 2. Also discussed: Editing during the pandemic, short films vs. formulaic TV structuring, and the letter he shared from "Ramy" parking coordinator Jon Johnson Sr. that went viral throughout the production world. Learn more about your ad choices. Visit megaphone.fm/adchoices
Gould on how he is approaching the end of “Better Call Saul” and his writers room tackles character on the series that is a prequel to "Breaking Bad.” We also discuss how the visual and aural language of the show has evolved from co-creator Vince Gilligan's original series. Learn more about your ad choices. Visit megaphone.fm/adchoices
The executive producer and director of episodes 1, 2, and 8 breaks down how she translated the graphic novel's cynical tone and visual style for creator Damon Lindelof. Learn more about your ad choices. Visit megaphone.fm/adchoices
"The Good Fight" Creators Michelle And Robert King by Chris O'Falt Learn more about your ad choices. Visit megaphone.fm/adchoices
The reporter who got inside Fox News talks about adapting his definitive book on Roger Ailes into the limited series starring Russell Crowe and how Ailes was a real life Citizen Kane, who mixed the talents of Leni Riefenstahl and Louis B. Mayer. Learn more about your ad choices. Visit megaphone.fm/adchoices
The "Ex Machina" and "Annihilation" director on his move to TV and his limited series "Devs." Learn more about your ad choices. Visit megaphone.fm/adchoices
Spike talks about trying to capture the essence of Beastie Boys’ friendship and the unusual (and totally “unprofessional”) creative process he, the band, and editor Jeff Buchanan went through in creating this unique documentary. Learn more about your ad choices. Visit megaphone.fm/adchoices
Real-time virtual sets are Hollywood’s future. These enormous (75 x 20 feet) curved LED walls serve as a live backdrop that eclipses the need for green screen. But what does that mean for filmmaking? We talked to Fraser about exactly that. The cinematographer has been pioneering “Stagecraft” with ILM for years and with "The Mandalorian" being its first large scale implementation, he saw firsthand both the possibilities and early limitations of this ground-breaking technology.
…Fraser also touches on his two new highly anticipated projects: Denis Villeneuve's "Dune" and Matt Reeves' "The Batman." Learn more about your ad choices. Visit megaphone.fm/adchoices
One of the best reviewed films of 2020 is coming to VOD early (Apr 3), but before its theatrical run got cut short by COVID-19 I sat down with writer/director Eliza Hittman and one of her closest collaborators, her husband and editor Scott Cummings, to talk about the origins and making of this incredible film. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sciamma talks about how to film desire, memory, and getting out of the conventions of a normal love story. She breaks down the creation of the incredible chanting song and bonfire scene, the laborious process of lighting the interiors, and how filming the ideas behind a movie can be the most rewarding type of cinema. Learn more about your ad choices. Visit megaphone.fm/adchoices
With the help of translator Sharon Choi, director Bong talks about the careful construction of the Oscar winner “Parasite.” From his days of being a tutor and that feeling of infiltrating a wealthy family's home, to the careful construction of the house set in his film, to the profound influence of Akira Kurosawa’s “High and Low.” Learn more about your ad choices. Visit megaphone.fm/adchoices
How after over 40 years of working with Martin Scorsese, "The Irishman" offered something the 3-time Academy Award winning editor had never done before. Learn more about your ad choices. Visit megaphone.fm/adchoices
Wilde explains how Big Lebowski influenced Booksmart, being intimidated about not having gone to film school, advice she got from Clint Eastwood about directing herself (in her upcoming thriller/horror film), and building ultimate high school movie soundtrack. Learn more about your ad choices. Visit megaphone.fm/adchoices
Lulu Wang on learning not to compromise her voice, how and why she used widescreen long takes, shooting in China, her next sci-fi project, and her real life grandma. Learn more about your ad choices. Visit megaphone.fm/adchoices
Gerwig goes deep into the process, craft and inspiration behind her remarkable adaptation of Louisa May Alcott's "Little Women." Learn more about your ad choices. Visit megaphone.fm/adchoices
Deakins and Mendes talk about shooting their new WWI film so it was experienced as one-long take. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tarantino talks about about falling in love with Richardson and the unusual circumstances in which he hired him to shoot "Kill Bill." While the two collaborators breakdown their most recent film "Once Upon a Time in Hollywood." Recorded at Camerimage in Poland, where Tarantino and Richardson were honored for their work together. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Safdie Brothers break down their improbable 10 year journey to making "Uncut Gems," working their way through a handful of different NBA stars (including Kobe Bryant), while "earning their stripes" and learning how to tell a story of this scale. What it meant to go union, how famed cinematographer Darius Khondji helped shape the project and sound mixer Skip Lievsay introduced them to incredible possibilities with sound. Learn more about your ad choices. Visit megaphone.fm/adchoices
How Heller emotionally grounded a story about Mr. Rogers and made it her own. Learn more about your ad choices. Visit megaphone.fm/adchoices
Spoiler Warning: Rian Johnson gets into the nuts and bolts of how he built his modern day Agatha Christie whodunit, the murder mystery "Knives Out." Learn more about your ad choices. Visit megaphone.fm/adchoices
Trey talks about writing / scoring Waves to Frank Ocean, Kayne West and Animal Collective, while mining his personal story of grief, as we break down the color, sound and movement of his remarkable third film. Learn more about your ad choices. Visit megaphone.fm/adchoices
The duo behind the Netflix's "American Factory" share their insight into how documentary filmmakers can gain trust and access, crafting story, and how they shot this remarkable film. Learn more about your ad choices. Visit megaphone.fm/adchoices
"Marriage Story" Director Noah Baumbach by Chris O'Falt Learn more about your ad choices. Visit megaphone.fm/adchoices
"One Child Nation" Director Nanfu Wang by Chris O'Falt Learn more about your ad choices. Visit megaphone.fm/adchoices
Mangold breaks down what’s wrong with our modern day green screen, sensory overload action films and how his new racing film, “Ford v Ferrari,” is a throwback to a more classical mode of Hollywood filmmaking. Learn more about your ad choices. Visit megaphone.fm/adchoices
Most Screenwriters Work to Music, Robert Eggers Listened to Waves and Wind in creating Willem Dafoe's Pirate Dialect. Learn more about your ad choices. Visit megaphone.fm/adchoices
Cotton Club was intended to be a well balanced story about the black and white performers, patrons and gangsters of the legendary Harlem club in the 1920s & 30s. Coppola talks about the pressure he faced to trim down the film so it focused more on Richard Gere's story and his recent effort to restore and re-edit it to bring the film back to what was originally intended. "Cotton Club Encore" is theaters this weekend. Learn more about your ad choices. Visit megaphone.fm/adchoices
On Kubrick, Brad Pitt and how hard it is to make a film in a black box with one actor on a wire. Learn more about your ad choices. Visit megaphone.fm/adchoices
Praised by Guillermo del Toro, Aronofsky, Iñárritu and critics everywhere, Landes is one of the most exciting new directors to emerge this year. On the podcast he talks about making his allegory for the 60 year Colombian Civil War, shooting in impossible situations, and how he got composer Mica Levi to score the film. Learn more about your ad choices. Visit megaphone.fm/adchoices
The 14 time Oscar nominee on the importance of the right location, why VFX shouldn't be separate from cinematography, and how Donna Tart's novel felt personal to him. Learn more about your ad choices. Visit megaphone.fm/adchoices
Stiller on what it took to make his prison escape series as authentic as humanly possible. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tenaglia and Collins talk about their 19 year collaboration with Bourdain, how he found his voice, the show evolved, and avoided the traps of cookie-cutter TV. Learn more about your ad choices. Visit megaphone.fm/adchoices
Headland talks about the fear of how to end the show and the misogynist side of the auteur theory. Learn more about your ad choices. Visit megaphone.fm/adchoices
The husband-wife duo dig into S2 of their Emmy winning show to explore how they've translated their trademark dialogue into cinematic visuals. Learn more about your ad choices. Visit megaphone.fm/adchoices
The director behind “Battle of the Bastards” and “Hardhome” takes us inside the creation of some the series’ biggest moments. Sapochnik also brings us inside the show’s final season, including the arduous 55-night shoot of “The Longest Night,” and how he filmed the destruction of King’s Landing, in the penultimate episode “The Bells,” through the lens of questioning his own role in creating the show’s most violent moments. Learn more about your ad choices. Visit megaphone.fm/adchoices
How Esmail scored his thriller with old film scores, adapting the popular podcast, and how both writing & directing "Mr. Robot" is unsustainable. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hader returns to the podcast to talk about having the confidence to find his voice as a director in S2, breaking down "Ronny/Lily" and the season finale. Learn more about your ad choices. Visit megaphone.fm/adchoices
Stahelski breaks down how he pulled off the big John Wick 3 action scenes and explains why Keanu's character will never walk off into the sunset. Learn more about your ad choices. Visit megaphone.fm/adchoices
How did Terry Gilliam finally make the most cursed production in movie history? Learn more about your ad choices. Visit megaphone.fm/adchoices
How "Roma" is the extension of the ideas and filmmaking Cuarón explored in "Children of Men" and "Y Tu Mamá También." Learn more about your ad choices. Visit megaphone.fm/adchoices
The Oscar nominee talks about how his incredible skateboarding movie became a story of domestic abuse. Learn more about your ad choices. Visit megaphone.fm/adchoices
Har'el on taking Shia Labeouf's pain and therapy and turning it into a hit Sundance film. Learn more about your ad choices. Visit megaphone.fm/adchoices
Aster talks about how a story of grief, that was too dark and bleak to ever get made as a drama, became a hit horror film. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kusmana on the using real guns, creating an unusual villain and pulling Nicole Kidman back from going almost too far in her incredible transformation. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Oscar winning director behind "Ida" talks about his extraordinary new film "Cold War." Learn more about your ad choices. Visit megaphone.fm/adchoices
"Black love is a radical act," calling on Jenkins to create to take a bold and different approach to creating Beale Street's visual language. Learn more about your ad choices. Visit megaphone.fm/adchoices
Ramsay talks about coming back from the trauma of having been fired from a film she had already made in her head, to make one of the best films of the year. Learn more about your ad choices. Visit megaphone.fm/adchoices
What Boots Riley learned from two decades of creating music that made making his first film such a success. Learn more about your ad choices. Visit megaphone.fm/adchoices
Josephine gets inside her unique multi-year process of creating the dreamy, meta world of "Madeline's Madeline," and how it relates to her new film "Shirley." PHOTO: AP/REX/Shutterstock Learn more about your ad choices. Visit megaphone.fm/adchoices
The LA Critics Best Director winner talks about her long process and deep research of making her "social realist" films and the next films she's making. Learn more about your ad choices. Visit megaphone.fm/adchoices
Spike on keeping Oscar season in perspective, film school today, and how the success of "BlacKkKlansman" has led people to reconsider his 40 years of filmmaking. Learn more about your ad choices. Visit megaphone.fm/adchoices
The "Dogtooth" and "Lobster" director talks about his unusual rehearsal process and what drew him to make a period lesbian triangle drama about Queen Anne with screenwriter Tony McNamara. Learn more about your ad choices. Visit megaphone.fm/adchoices
The “12 Years a Slave” director talks about why he never shot lists, the film’s incredible opening sequence, his longtime collaboration with DP Sean Bobbitt, why Chicago is the best city to set a story, and how he identified with the widows in the original BBC series as a 13 year old black kid growing up in London. Learn more about your ad choices. Visit megaphone.fm/adchoices
The "Diary of a Teenage Girl" director on why striving for clarity in films can be a bad thing. Learn more about your ad choices. Visit megaphone.fm/adchoices
RaMell Ross refused to accepted the limitations of documentaries and black representational space in cinema, so he created something new. Learn more about your ad choices. Visit megaphone.fm/adchoices
The "Call Me By Your Name" director talks about how Thom Yorke changed his view of film scores, being inspired by the films and youth culture of Berlin 1977, his feminism, and tackling Bob Dylan's "Blood on the Tracks." PHOTO: Andrea Raffin/Shutterstock Learn more about your ad choices. Visit megaphone.fm/adchoices
The oscar winning director goes behind the scenes of recreating the moon landing and telling the story of Neil Armstrong. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kazan and Dano talk about collaborating on Paul’s directorial debut. Learn more about your ad choices. Visit megaphone.fm/adchoices
Lowery on subverting the cops & robbers genre to detour into the looseness of a ‘70s film, finding out "Old Man" would be Redford's last movie, wanting to make the definitive "Peter Pan," the small indie he'll make first and how his wife Augustine Frizzell's career is blowing up.
Photo: David Fisher/REX/Shutterstock Learn more about your ad choices. Visit megaphone.fm/adchoices
Christopher McQuarrie talks about directing action scenes with emotional clarity, the danger of practical stunts and wanting to return to being an indie filmmaker. Learn more about your ad choices. Visit megaphone.fm/adchoices
Lena talks about creating the interweaving narrative of “The Chi,” a showtime series about her hometown (Southside of Chicago) and the vital role casting (and a good casting director) plays in allowing a writer to do something different. She also shares her advice to actors and a funny story about her “Masters of None” audition. Learn more about your ad choices. Visit megaphone.fm/adchoices
How Two Young Creators Blew Up Their ‘Mad Men of Tech’ Premise to Discover Something Special. Learn more about your ad choices. Visit megaphone.fm/adchoices
Bill Hader moved To L.A. to be a filmmaker, 15 years later and an unexpected comedy detour (SNL) he found his way back in dark comedy that he created with “Silicon Valley,” “Seinfeld,” & “Curb Your Enthusiasm” vet Alec Berg.
Photo Credit: Michael Buckner/Deadline/REX/Shutterstock Learn more about your ad choices. Visit megaphone.fm/adchoices
Simien breaks down the unique "presentation" style of his Netflix series, what Kubrick taught him about music and share new details about his horror-race satire movie ("Bad Hair")that he'll be shooting this summer. Learn more about your ad choices. Visit megaphone.fm/adchoices
Michael Schur (The Office, Parks & Rec), master of the work place comedy, talks about the challenges of tackling the big concept and twisty plot of “The Good Place.” In this conversation Schur outlines the one vital key to success in all serialized tv, working with philosophy professors as consultants, modeling heaven after The Grove and avoiding the M. Night Shyamalan trap of training an audience to anticipate twists. Learn more about your ad choices. Visit megaphone.fm/adchoices
Inside the process of creating a historical horror story of a lost Arctic expedition on a sound stage and how Kajganich pitched the show as anthology, but won't be coming back for another season. Learn more about your ad choices. Visit megaphone.fm/adchoices
Atlanta's Lakeith Stanfield Didn’t Even Know Donald Glover Was Playing Teddy Perkins. Learn more about your ad choices. Visit megaphone.fm/adchoices
The screenwriter behind "Taxi Driver" and "Raging Bull" talks about the intersection of faith and cinema, and how arthouse cinema has radically changed since he first wrote "Transcendental Style in Film" in 1971. Learn more about your ad choices. Visit megaphone.fm/adchoices
The director behind one of the best films of 2018 talks about how a woman born in Beijing and schooled at NYU ended up telling real-life stories of people living on a South Dakota reservation. Learn more about your ad choices. Visit megaphone.fm/adchoices
Oscar nomination director Yance Ford talks about his 8-year journey to completing a film about his brother's violent death in 1992. Learn more about your ad choices. Visit megaphone.fm/adchoices
There were a ton of bad drafts of "The Big Sick" before it became one of the best comedy scripts in years. Kumail & Emily talk about the 4 year process of adapting their real life story. Learn more about your ad choices. Visit megaphone.fm/adchoices
Gerwig talks about what her artistic dreams were when she, like Lady Bird, was 18 and came to New York. Learn more about your ad choices. Visit megaphone.fm/adchoices
Aronofsky on why you have to make the audience laugh, cry or scare the shit out of the them. Learn more about your ad choices. Visit megaphone.fm/adchoices
Jordan Peele talks about his biggest fear in making "Get Out." Learn more about your ad choices. Visit megaphone.fm/adchoices
What Patty Jenkins learned from walking away from Marvel's "Thor" that shaped "Wonder Woman." Learn more about your ad choices. Visit megaphone.fm/adchoices
How Guillermo del Toro was inspired by musicals, Punch Drunk Love and Stan Laurel in making his beautiful fable. Learn more about your ad choices. Visit megaphone.fm/adchoices
Guadagnino talks about his approach to filmmaking and his upcoming remake of Suspiria. Learn more about your ad choices. Visit megaphone.fm/adchoices
Writer/director Dee Rees talks about how she weaved together her complex narrative about race and what drew her to tackle the ERA, Joan Didion and a "Get Out" like horror film in her upcoming projects. Learn more about your ad choices. Visit megaphone.fm/adchoices
The indie filmmaker behind "Tangerine" talks honestly about his struggle working with union crews for the first time and his nervousness about bringing a star like Willem Dafoe into his world of first-time performers. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Sundance breakout talks about creating his ambitious New Jersey hip-hop musical debut featuring Australian actress Danielle MacDonald. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Safdie Brothers talk about how the knew Robert Pattinson would be able to give himself over to their unique approach to filmmaking and how they built a story around aspects of the "Twilight" star that haven't been seen publicly. Learn more about your ad choices. Visit megaphone.fm/adchoices
Noted video essayist Kogonada talks about making the transition from academics to being a breakout at this year's Sundance Film Festival with his new film "Columbus." Learn more about your ad choices. Visit megaphone.fm/adchoices
Matt Reeves talks about directing actors for motion capture and his plans for the new Batman film. Learn more about your ad choices. Visit megaphone.fm/adchoices
David Lowery talks about quietly making a small little film in a house with friends that he was willing to bury if it ended up being an embarrassment. The risk paid off, as "A Ghost Story" it the best reviewed indie so far this year. Learn more about your ad choices. Visit megaphone.fm/adchoices
"Baby Driver" Director Edgar Wright by Chris O'Falt Learn more about your ad choices. Visit megaphone.fm/adchoices
The great French director talks about what he learned from his favorite filmmakers. Learn more about your ad choices. Visit megaphone.fm/adchoices
"A Girl Walks Home Alone At Night" director talks about her second feature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Reed Morano talks about how directing the hit Hulu show was different than her new indie feature "I Think We're Alone." Learn more about your ad choices. Visit megaphone.fm/adchoices
Shults' follow up to ultra low budget breakout "Krisha" is an extreme dark horror film from A24 about death. The writer/director talks about his own fathers, learning about film working for Terrence Malick and telling the stories with his camera. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sam Esmail talks Kubrick, Metropolis, Trump and shooting S2 like a movie. Learn more about your ad choices. Visit megaphone.fm/adchoices
The two Showrunners behind the hit series talk about how they built six new sci-fi worlds for Season 3 and what they've got brewing for Season 4. Learn more about your ad choices. Visit megaphone.fm/adchoices
Documentary film legend Steve James ("The Interrupters," "Hoop Dreams," "Life Itself") talks about his new film "Abacus: Small Enough to Jail" and his process of making intimate character based documentaries. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kitty Green talks about her exploration of the JonBenet Ramsey murder case through intimate interviews with local actors auditioning for the role of the real life people caught in center of a cable news speculation. Learn more about your ad choices. Visit megaphone.fm/adchoices
James Ponsoldt talks about adapting Dave Egger's novel "The Circle" into a new movie starring Emma Watson, Tom Hanks & John Boyega. He also discusses "Rodham " – a blacklist script about a young Hillary Clinton – that he believes is even more relevant after the election. Learn more about your ad choices. Visit megaphone.fm/adchoices
One of the greatest filmmakers ever reflects on his career and his well refined process of making a masterpiece virtually every year. He explains why 50 years ago, as a lawyer in his 30s, he decided to make a film about a prison for the criminally insane ("Titicut Follies") and how he grew as an artist. Learn more about your ad choices. Visit megaphone.fm/adchoices
Writer/Director James Gray ("The Immigrant," "We Own the Night") talks about his sixth and most ambitious feature "The Lost City of Z." Learn more about your ad choices. Visit megaphone.fm/adchoices
Walter Hill talks about his amazing and underrated career and his controversial new film "The Assignment." IndieWire's Jude Dry also joins to discuss the problematic way "The Assignment" talks about gender and transgender issues. Learn more about your ad choices. Visit megaphone.fm/adchoices
Gareth Edwards talks about how he started his career as a visual effects artists and how that has influenced him as a director. Learn more about your ad choices. Visit megaphone.fm/adchoices
Damien Chazelle and his editor Tom Cross talk about finding the right rhythm for a modern day and how much more difficult it was to edit "La La Land" than "Whiplash." Learn more about your ad choices. Visit megaphone.fm/adchoices
"Toni Erdmann" has been nominated for Best Foreign Language Film at this year's Oscars and is one of the best reviewed and most loved films of the year. Writer/Director Maren Ade discusses her many year process of creating the celebrated father-daughter story [that's being re-made with Jack Nickolson]. Also, IndieWire's Zack Sharf swings by to tell us why the film was his favorite from 2016 and an American remake would be a very bad idea. Learn more about your ad choices. Visit megaphone.fm/adchoices
Eliza Hittman returns to Sundance with her follow up "It Felt Like Love." Learn more about your ad choices. Visit megaphone.fm/adchoices
Nanfu Wang talks about the dangers of making her Oscar contending doc "Hooligan Sparrow and how the Chinese government has targeted her parents since the film was shortlisted for Best Documentary consideration by the Academy. Learn more about your ad choices. Visit megaphone.fm/adchoices
Director Pablo Larraín talks two icons who tried to shape their own image and why he finds that fascinating. Learn more about your ad choices. Visit megaphone.fm/adchoices
Mia Hansen-Løve talks about her story process and working with Isabelle Huppert on her new film "Things To Come." IndieWire's David Ehrlich also stops by to explain how he makes his fantastic top 25 Video Countdown. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sophia talks about turning the jealously and competition she felt as an actress into a great new indie horror film. Learn more about your ad choices. Visit megaphone.fm/adchoices
Eric Heisserer talks about adapting Ted Chiang's "Story of Your Life" -- a short story many thought was un-adoptable for the big screen. Learn more about your ad choices. Visit megaphone.fm/adchoices
Eggers on how he blended genre and history to create the best horror film of the year and why he's remaking “Nosferatu.” Learn more about your ad choices. Visit megaphone.fm/adchoices
The great director talks about his new film "Elle," Isabelle Huppert and how his career as Hollywood director ("Showgirls," Starship Troopers," "Robocop") is starting to be reconsidered. Learn more about your ad choices. Visit megaphone.fm/adchoices
Ezra Edelman discusses how he used the story of OJ Simpson to explore race in American. Learn more about your ad choices. Visit megaphone.fm/adchoices
Writer/Director Barry Jenkins discusses "Moonlight," his second feature and easily one of the best films of the year. Then IndieWire's Kate Erbland stops by to talk about "Billy Lynn's Long Half Time Walk" and how shooting at 120 frames per second alters movie watching and movie making. Learn more about your ad choices. Visit megaphone.fm/adchoices
Gianfranco's Rosi is one best filmmakers we aren't paying enough attention to here in the US, but that's about to change as his new film "Fire at Sea" is considered a frontrunner for an Oscar nomination. The film, which won the Golden Bear at the Berlin Film Festival, is a look at a small Italian island caught in the middle of Europe's refugee crisis. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kelly Reichardt talks about her new film "Certain Women," starring Kristen Stewart and Michelle Williams. Learn more about your ad choices. Visit megaphone.fm/adchoices
One of the big premieres at this year's New York Film Festival is "Hamilton's America," a behind-the-scenes look at Lin Manuel Miranda's search for the history behind his hit musical. Director Alex Horwitz stops by to talk about shadowing Miranda from mixtape to superstar. Afterwards we visit with NYFF's Dennis Lim to discuss Jacques Rivette and the discovery of three of his first shorts, which are playing at the fest. Finally, a recommendation for a new movie every filmmaker should see. Learn more about your ad choices. Visit megaphone.fm/adchoices
Director Andrea Arnold ("Fish Tank") discusses making her new film "American Honey." Learn more about your ad choices. Visit megaphone.fm/adchoices
The HBO mini-series "The Night Of" is a near perfect use of location shooting. This week we talk to location manager Shane Haden about working with creator Steven Zaillian to create this unique portrait of New York City and the criminal justice system. Shane also brings us behind the scenes of what's involved with being a location manager, the challenges of shooting in NYC and how he got his start. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kirsten Johnson talks about what she's learned from shooting some of the best nonfiction films of the last 25 years while working with directors like Laura Poitras and Michael Moore. We also discuss her new film "Cameraperson," which uses previously unseen footage from those films to create what IndieWire's Eric Kohn called, "A transcendent documentary experience. Truly original. There's never been a memoir quite like this one." Learn more about your ad choices. Visit megaphone.fm/adchoices
The "Kate Plays Christine" director talks about how nonfiction filmmaking can be a cinematic form of self-expression, how his Sundance hit blurs the lines between fiction and reality, and what he's learned becoming a professor at the University of Missouri.
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"Eastsiders" star and creator Kit Williamson shares his insight on how to launch a successful web series. IndieWire's Digital Media Critic Jude Dry stops by to share her insights on some of her favorite series. Learn more about your ad choices. Visit megaphone.fm/adchoices
Director Ira Sachs talks about writing his new film "Little Men," not rehearsing actors and why the Queer/Film/Art community he's built has been so important to his career. Learn more about your ad choices. Visit megaphone.fm/adchoices