Everybody is Interesting: Recent Episodes

Ed Carter

These are interviews with interesting people, which can be anyone - maybe well known, maybe not. Does everyone have an interesting life, and have interesting things to say? I think so. I don’t give you any background or context about them ahead of time. You’ll just have to listen - carefully - to what they say. These are conversations, not interviews. I don’t have a prepared set of questions. I just let the discussion go where it will.

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This week we discuss the shortened career of Rich Jackson, a great game by Larry Wilson, and an almost great game by Joe Namath. Quote of the week: “Do not call your neighbors and relatives. This is not the beginning of Dr. Zhivago.” 

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in which we discuss Jimi and the Star Spangled Banner, his new books on the film, and "Just move one stone."

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in which we discuss living in both the establishment and the counterculture, Richie Havens, Gordon Parks, and the Port-o-San Man. 

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in which we discuss the supernatural, her filmmaking, strong women, and Ektachrome.

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In which we discuss growing up in San Diego, speaking proper Spanish, and accidentally creating stigmata.

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in which we discuss marriage equality, the pandemic, and meeting Alex Honnold

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in which we discuss El Morro fortress, the breaking of the social contract, and life as a nomad

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in which we discuss Penn State, film preservation, and the joys of rabbit friendship

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in which we hear of his love of reading, learning about foreign films, and playing with dangerous toys.

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in which we discuss Horace Jenkins, best friends, judging documentaries, and - for some reason - my wedding.

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in which we discuss how to train a child for excellence – in everything, The Red Shoes, Agnes Varda, and enormous changes at the last minute.

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in which we discuss his mother, "The Conventions," "9th Circuit Cowboy," and Norman Lloyd. 

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in which we discuss “the Three P’s;” his latest feature Liza, Liza, Skies are Grey; and his artistic parents. 

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in which we discuss Woodstock (then and now), meeting John Lewis, and the relevance of Hendrix's Star Spangled Banner

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in which we discuss John Gielgud, a near death experience, social justice, and Chopin.

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in which we discuss the voyage of the Hōkūleʻa, the wonders of a communal camp fire, hitchhiking to Wyoming, and the magic of theater.

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in which we discuss homelessness, A Death in St. Augustine, El Salador: Another Vietnam, and kids not following in your footsteps. 

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in which we discuss producing newsmagazine segments at ABC and CBS, a detour to the AFI, and the project that got away.

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in which we discuss protest in the '60s, The War at Home, Emile de Antonio, and why Silber, Silber and Silber didn't add a fourth name. 

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in which we discuss The Selling of the Pentagon, Hearts and Minds, Middletown, and how he didn’t meet Philip Roth. 

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in which we discuss getting help from Bob Rafelson, interviewing witnesses to the FDR presidency, and “The Heritage of Slavery.”

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in which we discuss his screenwriter parents, being an obedient child, what happened on third base on December 7th, 1941, and salad days at Harvard. 

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in which we discuss “Nuremberg, Its Lesson For Today,” IndieCollect, her grandfather, and who she’d really like to meet 

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in which we discuss growing up in Taiwan, learning filmmaking at UCLA, smuggling film out of China, and the superiority of lying in the grass to studying international trade. 

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in which we discuss depression, the joys and sorrows of concerts, canvassing for jail reform with Jane Fonda, and a very special rescue dog. https://www.washingtonpost.com/opinions/prison-arts-programs-produce-change-that-no-audit-can-measure/2019/04/08/8c7fd7a0-5a0e-11e9-9625-01d48d50ef75_story.html

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in which we discuss Howard Hawks, blue collar vs. white collar, roofing, and the why he likes one Chicago professional baseball team rather than the other. 

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in which we discuss almost dying, James Ivory, Pedro Almodovar, and this very podcast.

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in which we discuss introversion, listening as the key to a happy marriage, the satisfaction of imparting knowledge to the next generation of film archivists, and why “Do what makes you happy” may not always be the best advice.