Lagniappe Sessions Archives : Aquarium Drunkard: Recent Episodes
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Phoenix songwriter Caleb Dailey's voice is a warm, enveloping thing. On his solo debut, 2022 LP Warm Evenings, Pale Mornings: Beside You Then, he applied it to a survey of country and western music, covering songs by Gordon Lightfoot, Waylon Jennings, Blaze Foley, Chip Moman, and more. But the album was far from an exercise in retro country—in these timeworn songs, Dailey finds a site for experimentation, ambient textures, and smoked out soundscapes. For his Lagniappe session, brings a similar sense of vision and mystery to selections by Skeeter Davis and NRBQ, Leroy Van Dyke, and Lucinda Williams.
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Cosmic country rambler Bobby Lee takes the controls and sets a course for the heart of the cosmos with these covers of songs by Don Williams, Fred Eaglesmith, and funk legends Cymande.
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In the midst of a northeast tour Sam Moss stopped in to Pale Moon Services in Cambridge, NY for an afternoon where he spent some time meeting, working with, and being guided by studio proprietor Jared Samuel and assistant engineer Victor Pacek. The day culminated in the following four covers, including Townes Van Zandt's anthropomorphizing a window, 1979 Leonard Cohen, a Willie Nelson chestnut, and Jenn Wasner’s Flock of Dimes.
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Last fall saw the release of the Sydney, Australia based DIY artist Chet Sounds' sophomore LP, Changes Happen to Everyone, Everywhere. At a dozen tracks, it's a lo-fi glossy and groove-laden trip across 70s-am pop, yacht rock, private press outsider folk, library funk, and Rundgren-esque psychedelia. For this installment of the Lagniappe Sessions we catch up with Chet (Tucker) as he works his way through a grip of disparate favorites, ranging from a mid-60s fantasy sit-com theme, to reinterpreting Judee Sill and the undisputed majesty that is Procol Harum's "A Whiter Shade of Pale".
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Through some sort of infernal jangle-pop sorcery, the ever-prolific RPP mainman Glenn Donaldson continues to come up with the goods; in fact, the latest LP, Unwishing Well, may well be his best effort yet. It's a record that blends 16 Lovers Lane shimmer with Felt-like melancholy, heartfelt sentiments with occasionally hilarious barbs. Lovingly crafted, world weary, expertly bittersweet — just like heaven. For this excellent Lagniappe Session, Donaldson takes us on a tour of a few favorites old and new-ish.
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Orions Belte return with their second Lagniappe Session, a follow up to their 2021 entry which found the Norwegian trio transfiguring material from the likes of Mac Miller and Danzig. This time out they transmute tunes by two disparate American artists: the late rapper XXXTentacion’s 2017 single “Jocelyn Flores”, and roots iconoclast Lucinda Williams’ “Copenhagen” via her 2011 LP, Blessed.
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Songwriter Jeffrey Silverstein joins the Lagniappe Sessions with inspired country funk covers of tunes by Chip Taylor, Steely Dan (via Waylon Jennings), Jim Ford, and Tom T. Hall's immortal "That's How I Got To Memphis."
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Principia, the third album from Parisian quintet En Attendant Ana, was one of 2023’s most enduring pleasures. Throughout its 10 extremely catchy / sneakily sophisticated tunes, the LP contained elements of vintage 1990s indie, dashes of Stereolab-esque motorik pop and a hint of the classic French yé-yé style, all centered on the winning vocals of Margaux Bouchaudon. Those ingredients are all on display in the band’s debut Lagniappe Session, as they tackle tunes by Tim Gane’s pre-‘Lab band McCarthy and Britpop synth-sters Dubstar, in addition to a delightful French language rendition of the old Frank ‘n’ Nancy Sinatra chestnut “Somethin’ Stupid.” C’est magnifique!
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The Lagniappe Sessions return in 2024, this time stepping into the world of Reverend Baron, the nom de tune of LA based singer-songwriter Daniel Garcia. For this installment of the series, the multi-instrumentalist, engineer, and producer reflects on early '70s Randy Newman, the title track from British singer-songwriter Labi SIffre's 1972 LP, Paul Simon's "Nobody", via the 1980 film One-Trick Pony, and the enigmatic Lewis Baloue's "Let's Fall In Love".
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On the heels of his superb new album, Caravan, Cactus Lee’s Kevin Dehan returns for his second Lagniappe Session fresh in the air of a newer, bigger, more boogieing climate. On this outing, Dehan and some sacred personnel lay their slick, soulful style down on renditions of the glossy, top ten pop of mid-80’s Christine McVie, Butthole Surfers’ absurdist punk, and a rootsy glam-jam from the Dead.
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Earlier this year, Graves (moniker of veteran singer-songwriter Greg Olin) released his best record yet in Gary Owens: I Have Some Thoughts, a country gem influenced by "a lineage of West Coast dreamers, surfers and skaters". The California-based musician treats his inaugural Lagniappe Session with a similar country touch, the five eclectic tracks accompanied accompanied by pedal steel guitar, Wurlitzer piano and more.
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You can't Jeffrey Alexander down. Whether with The Heavy Lidders or Dire Wolves, he's been traveling the highways and byways the New Weird frontier for decades. Hot off the heels of this latest album Easy Portals, he drops by AD to share a grab bag of covers from various projects, featuring tunes by The Fall, Top Drawer, and Swedish psych legends International Harvester.
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This week's installment of the Lagniappe Sessions catches up with Welsh singer-songwriter Huw Evans who, under the guise of H. Hawkline, has released five records over the past thirteen years. Evans most recent effort, the excellent Cate Le Bon produced LP, Milk For Flowers, dropped earlier this year and the following session acts as a sort of companion set. Expect: unexpected covers of covers, hi-fi nods to Cleaners From Venus, and the majesty of Yoko Ono.
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Listen and you'll hear it...the howl of the Prairiewolf. On their self-titled debut, guitarist Stefan Beck (Golden Brown), keyboardist and synthesist Jeremy Erwin (The Heat Warps), and bassist Tyler Wilcox (who Aquarium Drunkard and Doom and Gloom from the Tomb readers know well) explore kosmische drifts, nocturnal guitar tangles, and expressively jazzy passages. For their first-ever Lagniappe Session, they dive into selections by Yo La Tengo, Melvin Jackson and Eddie Harris.
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Returning with another Lagniappe Session, Irish singer-songwriter Aoife Nessa Frances and Hollow Hand’s Max Kinghorn-Mills collaborate today on the following pair of inspired covers, recorded with Aoife’s long time collaborator Brendan Jenkinson. First up, the majesty that is the Elvis Costello penned "Shipbuilding", via Robert Wyatt's 1982 single, followed by a spirited rendering of the 1992 Yo La Tengo gem, "Always Something".
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Backed by a murderer's row of local Nashville talent (Erin Rae, Rich Ruth, Sean Thompson, Adam Bednarik and Dominic Billett), Spencer Cullum returns to AD fold with the following encore Lagniappe Session. Not unlike his 2021 entry, the set of covers riffs on various portions of Cullum's musical diet, from the '70s avant pop of Slapp Happy to the ineffable magic that was Soft Machine's second full-length.
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Brooklyn's Emergency Group emerged earlier in 2023 with Inspection of Cruelty, a radical cassette on Island House Recordings. Blending electric Miles adventurism with kraut-y psychedelia, it was an auspicious debut — and its two extended tracks left you hungry for more. Fortunately, the quintet is already in the planning stages for a second LP, this one in collaboration with Psychic Temple / Big Ego mastermind Chris Schlarb. While we wait for the fruits of those sessions, dig Emergency Group's first Lagniappe Session — it's a doozy.
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Embrace the choogle. As far as summer jammers go, Sean Thompson's 'Weird Ears' LP from last August continues to pay dividends as it slides from country to cosmic in the blink of an eye. Presently woodshedding material for his next full-length, we caught up with Thompson and co. from his Nashville home, cutting four tracks for his inaugural Lagniappe Session. Come for the Funkadelic cover, stay for the Kernal.
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If you've followed AD for a minute you're likely aware of Sam Blasucci's role as one half of the Los Angeles based Mapache. Whereas that project hones in on the sunny sonic alchemy of LA's coast and canyons, Blasucci's recent solo material works a slightly different thread, influenced both by his move from guitar to piano, and time spent in New Orleans over the pandemic. On heels of his debut long-player, Off My Stars, Blasucci's Lagniappe Session digs into the work of Mexico's Marco Antonio Solís Sosa, an old standard made popular by Jimmy Durante, and a nod to his own Italian roots.
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On the heels of their superb, hypnotically smooth fourth record, we bring you the inaugural Lagniappe Session from John Andrews & The Yawns. While Love for the Underdog examines the cinematic charms of the classic theater experience, this batch of covers expands upon the far reach of Andrews and his talented collective. From lo-fi takes on familiar influences like Arthur Russell and Vashti Bunyan, to the elusive single "Seabird" (also check the Peruvian yacht-rock version) by singer-songwriter duo The Alessi Brothers, there is a plethora of inspired takes to get lost in.
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Consummate purveyors of 'American weirdness', Chicago's Glyders returned to the fold earlier this year with the release of their latest LP, Maria's Hunt, via hometown heroes Drag City. Buttressing the album, the band's Lagniappe Session takes on southern fried Skynyrd, The Damned as chooglers, acoustic Scott Walker and Johnny Mathis by way of the Hoss.
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For his premiere Lagniappe Session, Mike Novak takes the cinematic reverberation of Dark Canyon and infuses it into the compositions of Lee Hazelwood - another musician who was no stranger to the spectral sounds of lonesome desert towns.
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Jon McKiel is responsible for one of our favorite records of 2020, the wildly hypnotic collection of songs that is Bobby Joe Hope. In anticipation of its follow-up, we caught up with the Canadian musician as he lays down his inaugural Lagniappe Session, paying tribute to both a '70s childhood AM radio staple and what is sure to become a future classic.
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Erin Rae returns to AD with her third Lagniappe Session, this time as a duo with Taylor Zachry. A callback of sorts to her initial session from 2019, this installment once again finds the Nashville based singer-songwriter paying tribute to the enduring work of the late Gene Clark, covering "Out On The Side" and "Polly" - both tunes via Clark's own late sixties collaboration with banjo player Doug Dillard.
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Lagniappe (la ·gniappe) noun ‘lan-ˌyap,’ — 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus. With the remarkable On The Whole Universe In All Directions , Elkhorn continues [...]
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Released last year, Healing Potpourri’s Paradise came across like an introspective deep dive, drawing upon all that inspired the band’s orchestral brew of infectious chamber pop. The recording project of Bay Area multi-instrumentalist Simi Sohota and collaborators, the group’s inaugural Lagniappe Session dives head first into these avant-pop sensibilities.
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Shaping up to be one of our most played albums this spring, Gabriel da Rosa made his full-length debut in February with É O Que A Casa Oferece, courtesy of Stones Throw Records. Sounding like a lost seventies samba album, from the likes of Paulinho da Viola or Martinho da Vila, da Rosa makes his Lagniappe debut via a pair of Brazilian staples: Geraldo Pereira and Tom Jobim with Vinícius de Moraes.
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On the heels of their exceptional tenth LP, A River Running To Your Heart, Eric D. Johnson's long-running Fruit Bats return to AD with their second Lagniappe Session. While the 2014 entry found Johnson and co. covering the likes of Richard and Linda Thompson (along with '80s avatar Joe Jackson), this new installment pays tribute to both the lyricism of Ewan MacColl and Fred Neil as well as the enduring nature of the chosen pair of tunes. Giants, both.
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The inaugural Lagniappe Session from songwriter Tim Hill arrives on the heels of his sophomore effort Giant, a cozy collection of songs rooted in the traditions of LA troubadours like Warren Zevon and Neil Young. Also a Whittier, California-based ranch worker and known as the touring keyboardist for Allah-Lahs, Hill continues to brew his own craft of cowboy originals rooted in worn and dusty standards. Along with the aforementioned Zevon (of whom he previously covered "Steady Rain"), we hear another side of Hill's eclectic influences on this collection of covers, with instrumental pieces from Erik Satie and Argentine folk legend Atahualpa Yupanqui.
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The Lagniappe Sessions return in 2023 with Courtney Marie Andrews. Recorded last fall around the release of her Sam Evian produced LP, Loose Future, the following set finds Andrews taking on late-era Leonard Cohen, along with a low key rendering of the ubiquitous late 90s radio smash that was Shania Twain's "You're Still The One".
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As 2022 winds to a close, we are wrapping up this year’s installment of the Lagniappe Sessions with the Tokyo based artist Takuro Okada. The set finds Okada on the heels of his first album in two years, Betsu No Jikan, which features a heavy murderers’ row of of guest players including Jim O’Rourke, Shun Ishiwaka, Nels Cline, Sam Gendel, and Carlos Niño. No stranger to covers (the LP kicks off with Okada and co.’s transfiguration of Coltrane’s “A Love Supreme”), the following session finds the artist paying tribute to fellow countryman Haruomi Hosono, and the title track from Don Cherry’s 1975 LP, Brown Rice.
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Scott Hirsch dons a number of hats: singer/songwriter/multi-instrumentalist/producer. Based in Ojai, CA, where he mans Echo Magic studios, the multi-hyphenate artist joins us for his second Lagniappe rodeo following up his 2019 session. While that installment found Hirsch reconfiguring the likes of Dire Straits, Dylan and Commander Cody, the following focuses solely on the sonic wizardry of one space cowboy, Steve Miller.
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Fresh off of a long summer on the road, the multi-instrumentalist recorded his inaugural Lagniappe Session soaked in the California sun of his outdoor garden studio (background cricket ambiance and all). In addition to tackling Jonathan Richman's interpretation of fantasy exotica, the selections play tribute to his many lifelong influences dating back to childhood in Japan: deep cuts from the limitless worlds of Haruomi Hosono and Eiichi Ohtaki.
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For his first Lagniappe Session, the musician who named his debut album after Robert Ashley’s record label surprised no one by selecting a pair of deep cuts to reinterpret. The Necessaries’ “More Real” receives a dubby deconstruction with Mairesse stepping in for Arthur Russell, while his cover of Leslie Winer’s “John Says” is a welcome introduction to the musician and poet called “The Godmother of Trip Hop” by John Peel.
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An American expat based in Paris, Frank Maston crafts sonic worlds of singular origin. Reminiscent of the deepest crates of library music and vintage Italian film scores, Maston's output (four LPs to date beginning with 2013's Shadows) feels at once widescreen and cinematic, yet intimate. Following up last year's collaboration with Swiss septet L'Eclair, Souvenir, this month sees the release of Panorama via the London based Be With Records. To accompany the album's release, Maston laid down his first Lagniappe Session in Paris, paying tribute to Dutch popper Alice Deejay, along with a tune via a 1966 episode of Star Trek.
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Lee Baggett's Just a Minute, released earlier this year, marks his first outing under his own name after decades in the West Coast underground. For his first-ever Lagniappe Session, he breaks out selections from Def Leppard, The English Beat, and Van Halen, reflecting on the cuts as he goes along.
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The nom de tune of sonic chameleon Frank LoCrasto, Kolumbo features vast and intricate orchestrations reminiscent of the symphonic exotica and jazz-pop records birthed by Capital records in the 50s and 60s. Strings, woodwinds, brass, keyboard and percussion all make an appearance, buoyed by an edge of psychedelia complete with synthesizers and loads of tape echo. On the heels of the project's debut release, Gung Ho, LoCrasto and co. touch down with their inaugural Lagniappe Session, sonically juxtaposing the works of Stevie Wonder, Ryuichi Sakamoto, Brian Wilson, Duke Ellington and more.
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Surprise! The first Lagniappe SuperSession is a birthday party gathering of 33 artists interpreting the music of songwriter, James Toth. The songs in this collection cover over 20 years of music from James’ career, from his early band Golden Calves to his last Wooden Wand record, Clipper Ship. Featuring artists Woods, Marisa Anderson, Lee Ranaldo, William Tyler, Ryley Walker, Tashi Dorji (as Mount), Thurston Moore, Meg Baird, and 25 more, the range of styles and sounds on this compilation show off the universality of Toth’s impressive oeuvre.
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For his debut Lagniappe Session, Eli Winter applies his solo guitar to a set of songs by Don Cherry and Ed Blackwell, Maria BC, Judee Sill, and Karen Dalton.
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Last month saw the release Of Montreal’s 18th long-player, the seven track Freewave Lucifer fck, and with it the perennial project’s second set of covers for AD, this time paying tribute to a pair of British iconoclasts and longtime influences. First up is Barnes’ rendering of Syd Barret’s “Dark Globe, off The Madcap Laughs, the singer-songwriter’s 1970 debut following his departure from Pink Floyd. Up next, the majesty of Marc Bolan circa ’71, courtesy of an acoustic take on “Cosmic Dancer”, via T. Rex’s Electric Warrior.
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Mapache returned earlier this summer with the release of Roscoe’s Dream, the Los Angeles duo’s third, and tightest, LP to date. Comprised of Sam Blasucci and Clay Finch, we described their sound in 2017 as something akin to “a blazed up Everly Brothers” — something the pair make good on in 2022, via their debut Lagniappe Session. Here, Mapache pay tribute to Don and Phil’s “Always It’s You”, originally cut by the brothers in 1960 as a b-side. Next up is a faithful cover of Gillian Welch and David Rawlings’ “You Only Have Your Soul”, a tune found on the second volume of Welch’s lost songs collection, Boots No. 2.
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Alex Izenberg resurfaced this past May with the release of his third full-length, I'm Not Here. Introspective and impressionistic, it's an album that defies easy categorization. This is both a testament to Izenberg's idiosyncratic pop-craft, and the sonic palette set forth by producer Greg Hartunian, with an assist from Dirty Projectors' Dave Longstreth. For this, his second Lagniappe Session, the singer-songwriter reflects on the nature of impermanence via a cover of Jim Croce's 1972 hit single, "Time In A Bottle". Fast-forward to present day and we find Izenberg paying tribute to Fleet Floxes' "I'm Not My Season", culled from the group's 2020 lp, Shore.
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On Dizzy Demos: 2 Tickets to Cheeseburger in Paradise, songwriter Mike Polizze reveals the ramshackle core of his solo debut Long Lost Solace Find, collecting demos and outtakes from the album's original sessions. The former Purling Hiss frontman's songs shine in nascent form, tugging at threads that connect to country rock, glam, and classic loner folk. For his first ever Lagniappe Session, Polizze keeps things similarly direct and locked in, with two sparse traditional songs.
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For their first ever Lagniappe Session, North Carolina songwriter/singer/producer Al Riggs takes on songs by The Who, Liz Phair, and Hidden Cameras.
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São Paulo’s Tim Bernardes swept us off our feet earlier this month with his new album, Mil Coisas Invisíveis. Across fifteen tracks sung in beautiful, tender Portuguese, he mines love, loss, and change with equal splendor bringing his diaristic existentialism to vibrant sonic life. For his inaugural Lagniappe Session, Bernardes keeps the flame aglow, tackling one from fellow countryman Gilberto Gil's 1971 self-titled album, the Dirty Projectors' knotty, Tropicália-tinged art rock, and one of The Beatles’ most spiritually mystic moments.
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The past few years have seen Neal Francis carve out his name with an incendiary live show and a refreshingly well-schooled, analog-obsessed interpretation of 70s soul. His dry tenor has been compared to that of Allen Toussaint, and the late maestro would certainly approve of Francis’ keyboard stylings, as well as his affinity for billowing grooves and charged arrangements.
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Andrew Bird's virtuosity is no secret. It's a disservice at this point to dip into adjectives of praise and find a new way to say as much. Bird's been around the well-regarded block, with a discography and collection of co-signs to prove it. It's tough to think of a time he wasn't simply out there, doing his talented thing - playing live, popping up on your tv screen, releasing attentive albums.
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For her Lagniappe Session, Johanna Samuels looks back, calling on nostalgic childhood sounds. There’s Dylan’s “Simple Twist of Fate”, the Beatles’ “Yes It Is”, and The Only Ones (by way of Yo La Tengo) “The Whole of The Law”. All careful, attuned, and respectful interpretations...
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Bandleader, singer, songwriter and multi-instrumentalist, Jack Cooper continues to push boundaries, expanding upon the breadth, depth and scope of the ever-evolving Modern Nature. Open-ended in approach, Cooper and co. return with their second Lagniappe Session, this time digging into the lovelorn, torch perennial, "Stormy Weather", and the Billie Holiday penned blues lament, "Fine & Mellow".
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Following up the set she laid down in 2019, Erin Rae returns this month with her second Lagniappe Session. Comprised of live, single mic takes cut at a rehearsal before performing at the Newport Folk Festival, the following four recordings find Rae reflecting on the music of her childhood, the wisdom of a young Kathy Heideman, and the aching blues of Karen Dalton.
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Hardly a stranger to this exercise, in 2008 Vetiver's Andy Cabic released Thing of The Past, a lovingly curated collection of covers paying tribute to a grip of his favorite songs. For this installment of the Lagniappe Sessions, Cabic takes on a favorite from Scottish folk iconoclast Bert Jansch, along with the first track off Pete Dello & Friends' 1971 long-player, Into Your Ears.
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On the heels of his sophomore lp, Thorpe's session comes off like an extension of that collection via a pair of seemingly disparate covers. First up is an aching take on George Michael's 1996 pop ballad, "Jesus To A Child", buttressed by a minimalist reinterpretation of Bill Withers' 1972 folk-funk anthem, "Use Me".
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Countrygaze outfit Wednesday cover Gary Stewart, Roger Miller's "Lock, Stock, And Teardrops," and offer a loose and heavy one for all the "Cooley Heads" in the house with Drive-By Truckers' "Women Without Whiskey."
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Monde UFO—the LA-based duo of Ray Monde and Kris Chau—put out one of our favorite records last year with 7171, a vibrant collection of free jazz and bossa nova inflected low-key psychedelia. For their inaugural Lagniappe Session, the duo covers three selections from Fugazi, meeting the seminal post-hardcore band’s skeletal manifestos with their own woozy bedroom-pop prescription.
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Garcia Peoples have been on the move. Since we last rendezvoused with the band they have expanded to a sextet performing live feats that are leaving audiences in puddles of their own diethylamide daydreams. If that wasn't enough they still found time to cut a new album, Dodging Dues, with Mr. Auxiliary himself – Matt Sweeney – resulting in a tighter and more concise record that still goes hard on the choogle. For their second Lagniappe Session the group tackles a trio of artists whose influences orbit this new album and beyond.
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Elijah Wolf kicks off the Lagniappe Sessions for 2022. Recorded alone in his Brooklyn apartment at the end of last year, before digitally landing in Los Angeles, London and upstate New York for additional accompaniment, the four covers find the folk artist tapping into 70s stalwarts and contemporaries, alike.
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For his third Lagniappe Session (counting two with OMNI), Frobos digs into Lou Reed’s Berlin, along with the ’77 Lust For Life gem, “Tonight”, via Iggy Pop’s hyper-creative stint in the city.
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Shot out of a hyper-creative canon, Kit Sebastian (Kit Martin and Merve Erdem) landed with a formidable debut in 2019's Mantra Moderne. Its audience held tightly to the album's global sprawl, advocating for more ears to agree and more music to arrive. The duo's follow-up, Melodi, answers those calls and then some. Intercontinental instrumentation is back - traversing sounds from the Cold War-era Balkans to rural South America - replete with Erdem's versatile, multilingual voice. Delightfully dancy, impressively intricate. Melodi’s momentum delivers a confident band for their first Lagniappe Session with Martin and Erdem reimagining Turkish pop sensation Sezen Aksu and (no-introduction-needed) avant Londoners, Stereloab.
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For her debut Lagniappe Session, Le Ren's Lauren Spears digs in on her roots—tackling country and bluegrass popular songs, the pioneering Hazel Dickens, and the forward-thinking feminism of Kitty Wells—and weaves them her own: a warm, gentle tapestry with threads growing ever new.
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In our recent piece on Liam Kazar's Due North, we noted that the Kansas City/Chicago polymath was "justifiably confident no matter the subject or style," as the lp highlights both his croonerisms and lyrical word play. In choosing the following three tunes for his first Lagniappe Session, Kazar leans a bit more into the croon but not at the expense of variety.
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Cochemea's latest, Vol. 11 Baca Sewa, plays like a cosmic funk and spiritual jazz ancestral trip through time. For his first ever Lagniappe Session, Cochemea interprets Big Star's "Kanga Roo" and Irakere's "Danza Nañigo."
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For her first Lagniappe Session, Gendron sets her sights on the overlooked songwriter Billy Edd Wheeler, seventies Eno at his most hypnotic, a deep cut and long-standing favorite from her Montreal compatriot Leonard Cohen, and an unintentionally timely tribute to the recently departed Michael Chapman.
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Cactus Lee’s Kevin Dehan has been keeping busy. Following the release of four long-players in the span of some eighteen months, his honky-tonk horizons are set next on the live set, Live from Dry Creek Café, in tribute to the band’s beloved Austin haunt. Rowdy, and soaked in pedal steel and Lone Stars, it shines selections from the band’s patented Texas Music in perhaps its purest form yet. We recently caught Dehan for a gorgeous full-band set at the Brooklyn-based jukebox joint Skinny Dennis, and it is with those players—Jon Catfish DeLorme on pedal steel, Russell Hymowitz on bass, and Adam Amram on drums—that he laid down his inaugural Lagniappe Session.
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All Chico Hamilton set. The NYC based collective interprets five tunes from the jazz drummer's 1965 album, El Chico. A record that bandleader Tom Csatari describes as "effortless music with pulse and an eye towards the unknown", he and his group suffuse the selections here with the same liberated and exuberantly searching ethos.
The post The Lagniappe Sessions :: Uncivilized | All Chico Hamilton Set appeared first on Aquarium Drunkard.
Not one to avoid earnestly discussing and exploring the sounds of his English influences, Cullum reached into the overflowing 60s/70s British folk bag, proffering three selections from pillars of the era in Kevin Ayers, Trees, and Bridget St. John. These deft reinterpretations are patient and affecting, each take heightened by Rae's truly fine vocal accompaniments. Overt respect to the forebears.
The post The Lagniappe Sessions :: Spencer Cullum’s Coin Collection appeared first on Aquarium Drunkard.
Pachyman, the one-man dub reggae project of Pachy Garcia, is not to be slept on. Born in San Juan, PR, and now residing in Los Angeles, Garcia's latest long-player is laced with the good shit. At a dozen tracks, it's a roots ride of originals, all with knowing nods to the genre's greatest innovators.
For this installment of the lagniappe sessions, we asked Garcia to riff on the inimitable Greensleeves label.
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For their debut Lagniappe Session, the Chicago band emits several shades of their distinct musical palette, including the wayward, burnt-out sardonicism of Warren Zevon, the AM country sheen of Female Species, the mysterious pastoralism of early 70s Dylan, and the imbibed care-free state of mind we call Jimmy Buffett.
The post The Lagniappe Sessions :: Tobacco City appeared first on Aquarium Drunkard.