Kyle Devine : Recent Episodes
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Kyle Devine, the music producer from Portland, Oregon, is a captivating force across an array of genres. From hip-hop and house to R&B, pop, folk, blues, and rock, his versatile talents transcend boundaries. With a masterful command of sophisticated rhythms, he seamlessly blends classic and electronic instrumentation, celestial vocals, and mesmerizing basslines, effortlessly drawing listeners into his sonic realm. Devine's creative prowess resonates through his work, which spans from producing industrial-grade beats in Portland's hip-hop underground scene to crafting ethereal compositions in the realm of meditation music. His contributions to the music industry are as diverse as they are captivating, leaving an indelible mark on each genre he touches.
"Way Too Extra" is a vibrant, funky tune that bursts with infectious energy from start to finish. James Gardin's smooth vocals effortlessly glide over the jazzy instrumental, creating a dynamic and fun-filled atmosphere.The song kicks off with a catchy groove, driven by the rhythmic interplay of keys and horns. Each instrument weaves together seamlessly, creating layers of texture that invite listeners to dance along. The horns add a playful flair, punctuating the melody with bursts of color and excitement.As James Gardin's vocals enter the scene, his charismatic delivery immediately draws you in. His lyrics exude confidence and charm, as he sings about embracing one's uniqueness and living life to the fullest. Whether he's crooning the infectious chorus or delivering clever verses, Gardin's performance is both captivating and engaging."Way Too Extra" is more than just a song—it's a celebration of individuality and self-expression. With its irresistible groove, catchy hooks, and feel-good vibes, it's sure to leave listeners smiling and tapping their feet long after the music fades away.
[Intro]Mm, mmMm, mmYeah, yeah[Chorus: J Hus]Who told you bad man don't dance?Who told you gangsters don't dance?Even with a wap on my hip, I danceBad man, take another sip and danceTwo left feet, don't trip and danceThe gyal want me, I might give her a chanceGive her a look, she give me a glanceShe wore that tight dress just to enhance[Verse 1: J Hus]Your likkle bum-bumNever seen you before, where you come from?You got a fat pum-pum, I got a long JohnsonI know I never met you at randomThis must be destiny, that's why you're next to meYou feel like ecstasyThis must be destiny, that's why you're next to meYou feel like ecstasy[Chorus: J Hus]Who told you bad man don't dance?Who told you gangsters don't dance?Even with a wap on my hip, I danceBad man, take another sip and danceTwo left feet, don't trip and danceThe gyal want me, I might give her a chanceGive her a look, she give me a glanceShe wore that tight dress just to enhance[Verse 2: Drake]Touch my forehead, chest, left shoulderThen right side, pray my brothers are good outsideI know the vibes, I know the vibesYou're the one, girl, stop rollin' eyesI find love and it slowly diesSo Lilah Pi, don't make my eye cryLet me hold your controlla, I am not one of these controlling guysI want you to touch road with the girls-dem, and socializeEnjoy your life, your backside is so fit, it opens eyesI know the vibes, I know the vibesJust 'cause I'm not jealous doesn't mean I don't care, that's just not fairI knew you were trouble, I was unpreparedIf I were married, this might turn a scandalous affairTrouble is there, trouble is thereTrouble been right there, trouble is thereTrouble gon' find me anywhere, trouble gon' find me, bubble and wine-yAyy, trouble gon' find me, trouble'll find me anywhereTrouble'll find me, trouble will find meIt's okay, girl, bubble and wine-yThey want me dead, but don't remind meBoth hands around you, it's not tiny[Chorus: J Hus]Who told you bad man don't dance?Who told you gangsters don't dance?Even with a wap on my hip, I danceBad man, take another sip and danceTwo left feet, don't trip and danceThe gyal want me, I might give her a chanceGive her a look, she give me a glanceShe wore that tight dress just to enhance[Verse 3: J Hus]If you come close, I'ma explodeGyal there carryin' a heavy loadWhine your waist in a semi-circleGettin' money fast, man's not a turtleHad to go through so many hurdlesBlock's so hot like infernoHad some issues that were internalHad a mad life, I could write a journalBut I can't lie, I love the journeyMe and the money had matrimonyAll the ratchet gyals wan' pattern upAll the posh gyals get ratchet for meIf you love me, you're clappin' for meIf you throw it, I catch it, trust meGyal come from far, even upsuhI want the best, not comme ci, comme ça[Chorus: J Hus]Who told you bad man don't dance?Who told you gangsters don't dance?Even with a wap on my hip, I danceBad man, take another sip and danceTwo left feet, don't trip and danceThe gyal want me, I might give her a chanceGive her a look, she give me a glanceShe wore that tight dress just to enhance
Dreamville, eat your heart out. This song is like ten years in the making. I first saw @thetowngq at a Jamla showcase in North Carolina in 2012. One of the dopest shows I’ve ever been to (which became one of the sketchiest nights I’ve ever had, but that’s a different story), and he quickly became one of my favorite artists. Fast forward to SXSW in 2018, trekking through Austin around midnight with the #sidechat collective, and I see a white piece of paper on a hole in the wall club that just read “GQ”. I convince the boys to check it out. Lo & behold, 9th Wonder is DJing to a packed house the size of my living room. Life is full of these serendripitous moments, lately I’ve been trying to pay more attention to the tap. Fast forward to last year, weekend of my birthday. I’d been going through a breakup and had actually reached out to the homies’ wives to ask if I could borrow their mans for a weekend. To help me heal (to drink with me). God bless their hearts, they were happy to get rid of em for 36 hours, so a good part of the team was able to come out and celebrate. But it was Kyle Devine who made the trip a day early. We recorded three songs over the course of around 8 hours, two of which we had planned. That’s a No, however, came from the dirt. We’ve all tried to squeeze love from a rock, but I watched my guy extract blood from the same Bond Street concrete we’d just walked a half hour prior. Kyle made the beat around 2:30am. I somehow freestyled the hook you hear now & about a year later we got GQ to feature. There’s a million reasons this one shouldn’t have happened. Maybe I’ll actually drop a verse on it someday. Pretty sure this joint doesn’t actually have explicit lyrics, but you gotta admit the sticker fits like a dream.
Some people would sooner run a red light than write you back. Might be that they don’t like you. Might be anxiety. Could just be a bad time, maybe they’re washing their hair! Maybe you just have the wrong number. Could be anything, but most likely and almost certainly … it’s that they don’t like you.Two way street, though. Bust that u-turn, player, make it poetry.Roses are redMoney is greenThey’re in her DMsYou left her on Seen.Lol, never claimed to be Billy Shakes here. Still, you feel better? Balance restored? Got some Diddy bop in your step?Be careful with those IG likes, my guy, more than two in an evening and suddenly your girl Cassie’s a friendly ghost. You’ll figure it out.
His original version is so sad as a ballad that I thought my remix should introduce some more drama and give him a bit of anger about his loneliness.
Searchlight stems from my love of 90's era hip hop and how it influenced me as a kid to become a music producer.
All songs written by Hayley Lynn and Kyle Devine.
Violin on Bring On The Flame, Better Be Watchin, and Off My Mind by Matt Varga.
Bass on Shy Girl and Bring On The Flames by Jamie Collazo.
Guitar on Muscle by Jamie Collazo.
Copyright Universal Publishing 2018.
For licensing -- https://www.firstcom.com/#!/browse/browsed-results.aspx?SelectedCDId=15966
All songs written by Hayley Lynn and Kyle Devine.
Violin on Bring On The Flame, Better Be Watchin, and Off My Mind by Matt Varga.
Bass on Shy Girl and Bring On The Flames by Jamie Collazo.
Guitar on Muscle by Jamie Collazo.
Copyright Universal Publishing 2018.
For licensing -- https://www.firstcom.com/#!/browse/browsed-results.aspx?SelectedCDId=15966
All songs written by Hayley Lynn and Kyle Devine.
Violin on Bring On The Flame, Better Be Watchin, and Off My Mind by Matt Varga.
Bass on Shy Girl and Bring On The Flames by Jamie Collazo.
Guitar on Muscle by Jamie Collazo.
Copyright Universal Publishing 2018.
For licensing -- https://www.firstcom.com/#!/browse/browsed-results.aspx?SelectedCDId=15966
All songs written by Hayley Lynn and Kyle Devine.
Violin on Bring On The Flame, Better Be Watchin, and Off My Mind by Matt Varga.
Bass on Shy Girl and Bring On The Flames by Jamie Collazo.
Guitar on Muscle by Jamie Collazo.
Copyright Universal Publishing 2018.
For licensing -- https://www.firstcom.com/#!/browse/browsed-results.aspx?SelectedCDId=15966
All songs written by Hayley Lynn and Kyle Devine.
Violin on Bring On The Flame, Better Be Watchin, and Off My Mind by Matt Varga.
Bass on Shy Girl and Bring On The Flames by Jamie Collazo.
Guitar on Muscle by Jamie Collazo.
Copyright Universal Publishing 2018.
For licensing -- https://www.firstcom.com/#!/browse/browsed-results.aspx?SelectedCDId=15966
All songs written by Hayley Lynn and Kyle Devine.
Violin on Bring On The Flame, Better Be Watchin, and Off My Mind by Matt Varga.
Bass on Shy Girl and Bring On The Flames by Jamie Collazo.
Guitar on Muscle by Jamie Collazo.
Copyright Universal Publishing 2018.
For licensing -- https://www.firstcom.com/#!/browse/browsed-results.aspx?SelectedCDId=15966
All songs written by Hayley Lynn and Kyle Devine.
Violin on Bring On The Flame, Better Be Watchin, and Off My Mind by Matt Varga.
Bass on Shy Girl and Bring On The Flames by Jamie Collazo.
Guitar on Muscle by Jamie Collazo.
Copyright Universal Publishing 2018.
For licensing -- https://www.firstcom.com/#!/browse/browsed-results.aspx?SelectedCDId=15966
Featuring https://soundcloud.com/commonhoursmusic
All songs written by Hayley Lynn and Kyle Devine.
Violin on Bring On The Flame, Better Be Watchin, and Off My Mind by Matt Varga.
Bass on Shy Girl and Bring On The Flames by Jamie Collazo.
Guitar on Muscle by Jamie Collazo.
Copyright Universal Publishing 2018.
For licensing -- https://www.firstcom.com/#!/browse/browsed-results.aspx?SelectedCDId=15966
Produced by Kyle Devine Written by Cally Reed
Copyright owned by Universal Music Publishing Group. For licensing visit -www.firstcom.com
Produced by Kyle Devine Written by Cally Reed
Copyright owned by Universal Music Publishing Group. For licensing visit -www.firstcom.com
Produced by Kyle Devine Written by Julian Comeau
Copyright owned by Universal Music Group. For licensing visit -https://www.firstcom.com/#!/browse/browsed-results.aspx?SelectedCDId=14203
Produced by Kyle Devine Written by Julian Comeau
Copyright owned by Universal Music Group. For licensing visit -https://www.firstcom.com/#!/browse/browsed-results.aspx?SelectedCDId=14203
Produced by Kyle Devine Written by Julian Comeau
Copyright owned by Universal Music Group. For licensing visit -https://www.firstcom.com/#!/browse/browsed-results.aspx?SelectedCDId=14203
Lyrics written and performed by @kshayekit Produced by Kyle Devine
Photo by Anna Popović
Copyright Universal Music 2016 For licensing visit --bit.ly/2i8uuxj
Lyrics written by @Jon-Belz Produced by Kyle Devine Mastered by Jason Rudd
Photo by Brennan Heller
Copyright Universal Music 2016 For licensing visit --bit.ly/2i8uuxj
Hear Haunted on the Netflix series, Cable Girls.
Lyrics written and performed by @kshayekit Produced by Kyle Devine and @PJTabron
Copyright Universal Music 2016
For licensing visit -- http://bit.ly/2i8uuxj
Written by Brandon Foster Produced by Kyle Devine
Vocals - BJ The Voice Piano - PJ Tabron Lead Guitar - Zak Austin Organ/Guitars - Rey Holliday
Photo by Kyle Devine Artwork design: Duane A Lawrence
I sought to recreate the musical aesthetic from the civil rights era with a modern vocal to show the parallels between our past and present realities. In 1980, Stevie Wonder released a song honoring Dr. King called, “Happy Birthday.” My hope is that this song, much like Stevie’s, resonates with you so much that you want to use it to help remind people that we need to change as a society. The internet is the greatest tool we have to promote a positive message world wide.
“Hate cannot drive out hate; only love can do that. “ - Martin Luther King, Jr.
Words From BJ
I’m a part of the generation that is fed up with white supremacy. It’s real, as well as white privilege. This song is a rage and pain reaction to 549 years of oppression. I’m an awakened sheep that refuses to settle for the flock’s condition. Ase’