Street Photography Magazine: Recent Episodes
Street Photography Magazine
Jason Rice is a street photographer whose work bridges the gap between personal history and urban observation. A […]
Hillary Greene-Pae is a clinical social worker, real estate investor, and accomplished photographer based in Calabasas, California. Her […]
Barry Ashenhurst is a retired photojournalist based in Newcastle, Australia, who worked for some of the country’s premier […]
I’d like to tell you about someone who’s become both a friend and a photographer I admire. His name is Pat Callahan, and he’s our featured photographer in the October 2025 issue of Street Photography Magazine.
Here’s the funny thing about how we met: I’d known Pat for over two years at our gym here in Charlottesville, Virginia. We’d play pickleball together, exchange pleasantries, the usual gym-friend routine. Then one day while waiting for a game to start, we had a casual conversation and he asked what I did for a living. When I told him about Street Photography Magazine, he said, “I do street photography.” I was floored. Later, I saw some of his work on Instagram and realized this guy is the real deal—a genuine talent hiding in plain sight on the pickleball court.
What strikes me most about Pat’s work is the joy in it. When I look at his photographs, two words come to mind: Life Magazine. There’s something about his images that captures everyday people in everyday scenes, yet reveals something extraordinary. His approach reminds me of the photojournalism that made me fall in love with photography as a kid. Pat himself is a joyful, friendly guy, and that spirit shines through in his work.
Pat’s journey into street photography took a serious turn when his wife Julie was assigned to work in Bratislava, Slovakia. As he puts it, “I realized it’s what I really like and it’s what other people like.” That realization led to his first exhibition at a cafe in 2015. This past year, he had another exhibition at the historic Albrecht House in Bratislava—a full-circle moment celebrating French culture through his street photography work from Paris, where he maintains an apartment.
Albrecht House Exhibition, Bratislava Slovakia – Winter 2025What I appreciate about Pat is his democratic view of equipment. He’ll show you images and challenge you to guess which were shot with a camera and which with his phone. “It doesn’t matter,” he says with a grin. What matters is being ready, keeping your heart and eyes open, and recognizing those fleeting moments that tell a human story. His work has been published internationally, and he continues to travel between Charlottesville, Michigan, Paris, and destinations around the world, always with a camera in hand.
Today we’re going to talk about his approach to street photography, his recent exhibition, and what drives him to capture the working-class neighborhoods and everyday moments that most of us walk past without noticing. So have a listen to my conversation with Pat Callahan—world traveler, street photographer, and one of the most genuinely enthusiastic people you’ll ever meet.
Links from the show* Pat’s Website * Facebook * Instagram * John G. Morris – Legendary Life Magazine Photo Editor * Peter Turnley * David Turnley * The Albrecht House Bratislava Slovakia
In this episode I speak with Alan Wieder, a street photographer, oral historian, and author whose book We Will Not Be Removed: The People of King School Park documents four years spent photographing at a park in Portland, Oregon. The book captures the daily lives of a predominantly African American community in a gentrified neighborhood.
Alan’s journey into this project began in July 2020 during a political protest when he encountered a group of men at King School Park. After asking permission to photograph them and returning the next day with prints, he became a daily presence at the park for the next four years. What started as casual documentation evolved into deep relationships with the community, particularly with elders like Carl, Tracy, and Rosie, who had lived through the neighborhood’s transformation.
The park serves as a gathering place for people who were displaced by gentrification but continue to return to what they consider their neighborhood. Alan captures not just portraits but candid moments that show the connections within this community. His approach reflects lessons learned from studying with photographers including Bruce Gilden, Peter Turnley, and Constantine Manos.
Beyond the photography, he conducted interviews with community members about their experiences with displacement and their connection to the neighborhood. The book combines images with quotes from residents, creating a narrative about resilience and belonging. Mitchell Jackson, a Pulitzer Prize-winning author who grew up in the neighborhood, wrote the foreword.
Alan’s background as an oral historian and his previous work documenting race and class issues, including research on anti-apartheid activists in South Africa, helped shape his approach to this long-term project. Now based in Asheville, North Carolina, he continues street photography while planning visits back to Portland to share copies with the people who made the project possible.
Links from the show Alan’s Website * Instagram * We Will Not Be Removed: The People of King School Park*
Today I’m joined Garrett Strang, an American photographer who has made Paris his creative home. Garrett’s journey from documentary filmmaker in Washington D.C. to street photographer in Paris is one of creative evolution and bold reinvention. For 20 years, he created documentaries on health issues, population studies, and social conflicts, where he developed an eye for human emotion and storytelling that would later drive his photographic work.
His transition to photography began with a series called “America on the Edge” during the 2016 election cycle, where he captured the tension and uncertainty in people’s faces using unconventional framing techniques. This work sparked his passion for street photography and ultimately led him to abandon commercial photography entirely when he moved to Paris.
Now living in Versailles with his partner, Garrett spends his days walking the streets of Paris, capturing candid moments on the metro and throughout the city. His work has been featured in Street Photography Magazine, and he recently published his first photo book. Paris a coeur ouvert Paris in the Raw. Today we discuss his techniques for shooting in challenging environments, his approach to connecting with subjects, and the creative risks that drive his photography.
Links from the show Garrett’s Website * Paris a coeur ouvert Paris in the Raw – Garrett’s new book * Instagram A selection of photos from Paris a coeur ouvert Paris in the Raw*
Today we’re joined by Raymond Thompson Jr., an assistant professor in the College of Communications at the University of Texas and a photographer whose work defies easy categorization.
Originally from Virginia, Raymond has spent years documenting stories that others have forgotten or even worse, deliberately erased. His approach blends documentary photography, fine art, and archival research to uncover hidden histories. From his powerful “Justice Undone” project photographing juvenile detention facilities to “Appalachian Ghost,” which reveals the tragic silicosis disaster at Hawks Nest in 1930s West Virginia, Raymond’s work serves as both witness and memory keeper.
What makes Raymond’s practice unique is his willingness to adapt his visual style to serve each story’s needs. He moves between street photography and portraiture, traditional documentary and experimental processes, even letting his prints mold in water when the narrative calls for it. His latest book, “It’s hard to stop rebels that time travel,” explores his personal connection to North Carolina landscapes while examining the layers of American history embedded in three coastal counties.
Join us as we discuss access, intuition, the responsibility of storytelling, and how Raymond balances his academic career with creating deeply personal photographic work that challenges us to remember what we’d rather forget.
Links from the show* Raymond’s Website * “It’s hard to stop rebels that time travel” Raymond’s latest book * Instagram
This week we’re joined by our friend Virginia Hines. She’s a photographer and former publishing industry professional who has traveled extensively to document street life around the world and learn from masters of the genre. She wrote the foreword to Street Photography Magazine’s book “Where the Streets Lead” and has been featured multiple times in our podcast and magazine, sharing her insights into street photography. And she is a frequent contributor to Street Photography Magazine.
Fresh off circling the globe in just a few weeks, Virginia joins Ashley and me to share stories from her whirlwind journey that took her from San Francisco to multiple cities across China, then to Photo London, and back home again.
I really enjoyed Virginia’s observation of how China has changed since her last visit before COVID. “Nobody uses cash anymore,” she told us, explaining how even the smallest purchases now require a phone payment system. But beyond the technological shifts, she noticed something deeper: “People seem to be a little more laid back, having a little more fun, maybe saying, you know, let’s just enjoy friends and family and the good things in life.”
Virginia describes the performative nature of modern Chinese society, with TikTok videos being filmed everywhere and elaborate costume play in public parks. She also shares fascinating insights about Beijing’s hutongs, traditional housing areas, where she spent time photographing, meeting residents living in conditions that tell stories of China’s urban evolution. Street photography isn’t just about locations. It’s about the stories and encounters along the way. Virginia told us how her limited Chinese language skills sometimes led to spontaneous photo opportunities. People, startled by a foreign photographer, often agreed to be photographed before they could decline.
One humorous incident involved a woman in a pink coat and inflatable wings. Virginia photographed her, and days later, in a different part of town, the woman approached her, asking for the picture. The story took an even stranger turn when Virginia showed the photo to a Chinese friend back in San Francisco who showed it to her mother who recognized the woman. This created a small-world connection in a country of over a billion people.
Virginia’s stories remind us why travel photography isn’t just about capturing pretty pictures—it’s about documenting cultural shifts, human connections, and the unexpected moments that make each trip an unforgettable experience.
Links from the show* Virginia’s Website * Instagram * Photo London * Virginia’s articles in Street Photography Magazine
What happens when two artists choose to show up for each other—week after week, year after year—for over three decades? In this episode, Ashley Riffo talked to photographer Gigi Stoll about her extraordinary friendship with the late Flo Fox: a street photographer, advocate, and firecracker of a human being who never let MS (and the blindness and paralysis that came with it) stop her from creating.
Their bond was intentional and powerful, to say the least. And not just for their art, but for their lives. Flo’s influence didn’t end with her passing either. In fact, she’s the driving force behind Gigi’s nonprofit, Two by Two Media, which supports female artists over 70 in building their legacy.
This episode is a tribute to Flo, a celebration of friendship, and a reminder that creativity has no expiration date.
“Shades Of The Past” by Flo Fox – NYC, 1979Links from the show* Gigi’s Photography Website * Two by Two Media * Flo Fox’s Website * Gigi’s Instagram
Mark Seymour Introduction I’m pleased to have Mark Seymour back on the podcast. It’s been too long since we last connected, because Mark’s been busier than ever. He’s based in the UK, and when we spoke, he mentioned watching foxes playing in his garden. But don’t let that peaceful scene fool you—Mark’s constantly traveling, teaching workshops around the world.
In addition to his own workshops Mark also works with Light and Land. The clientele is different for each. Light and Land attracts older folks with disposable income who see photography as a hobby. Mark’s independent workshops draw professionals wanting to improve their street and travel photography for business.
Despite his busy teaching schedule, Mark stays committed to personal projects. He learned this lesson from conversations with photographers like Larry Towell and Ed Kashi, who told him his images were good but asked about the story. They pushed him to focus on developing narratives through his work.
Mark just returned from teaching in Venice. He always arrives three days early to scout locations, even though he’s been there many times. His groups arrive via private speedboat, a very James Bond experience. But the real but the street images come when you walk away from the tourist spots like Rialto Bridge and St. Mark’s Square. A few hundred yards away, you will find locals hanging around squares in the evening, kids playing, real street photography opportunities.
His workshops start with classroom discussions about masters like Cartier-Bresson and Robert Frank. Then he gives students simple projects—color matching, reflections, light and shadow work. His best advice is to “get lost.” He tells participants to wander wherever they want and meet back in two hours. That’s when the best shots happen.
By day five, students are seeing things differently. They notice heads growing out of other heads in the background and understand they should have moved right to avoid it. They’re looking for faces instead of shooting backs of heads. He says the transformation is remarkable.
Mark’s also working on the “One in Six” project for Seven Agency, documenting people over 60 who still work. For example he met Roy, a kite maker, at a wedding. Roy turned out to be this colorful character who made flags for the Super Bowl, and installation for Coldplay and and a kite replica of Big Ben for the Lord Mayor of London. Mark spent three days documenting Roy’s life and craft, combining photography with recorded interviews.
Mark also worked on a project for National Geographic in Kolkata. The assignment came through his role as a Nikon ambassador. The budget was low, it didn’t even cover the flight, but he piggybacked it onto another trip. The National Geographic pass was like a golden key, opening doors everywhere.
Mark’s strength is layered street images. He thrives in warm climates where people are out on the streets. He’s constantly pushing himself to create images that match his best work, like his recent award-winning photo from the Ganges River.
It’s always great talking with Mark. I learn something new each time we talk. His insights into both teaching and creating meaningful photography projects have made make every conversation valuable and fun.
Links from the show* Mark’s Website * Light and Land Workshops * Ed Kashi * Larry Towell * The Seven Foundation
Today we’re joined by John M Simpson, a photographer whose unique background brings a perspective to documentary work that deserves our attention.
John’s journey spans multiple careers that have shaped his approach to visual storytelling. As a former military officer he later transistion to academia as a history professor. This foundation in historical analysis would prove invaluable when he later became a photojournalist. This role led him to embed with US forces in both Iraq and Afghanistan on multiple deployments, experiences that taught him to navigate challenging environments.
ZoeyToday, John works as a documentary photographer with a focus on his local homeless population in Washington State. His approach goes far beyond making photographs—he builds relationships with his subjects, spending time listening to their stories and understanding their circumstances. This isn’t photography for its own sake, but documentation with purpose and respect.
John joins us in this week’s episode in his role as what he calls a “canary in the coal mine”—a documentary photographer who serves as an early warning system for society. As a historian he researched policy documents of the incoming president such as Project 2025 and Agenda 47 and recent executive orders, combined with his ongoing work in homeless communities, John has identified concerning patterns that echo historical precedents in American policy. His concerns center around the potential relocation of homeless populations to tent cities or camps on federal land, a possibility he traces through reading Project 2025, Agenda 47 and recent Executive Orders by the current administration.
DavidJohn draws historical parallels, highlighting the internment of Japanese Americans during World War II which was authorized by Executive Order 9066 issued by Franklin Rosevelt. Approximately 120,000 people were interned through the executive order. This historical event serves as a reminder of how quickly rights can be curtailed.
Dorothea Lange, Ansel Adams, and Toyo Miyatake documented these internment camps. Lange’s work, often critical, was largely impounded until 2006. Adams, through his book “Born Free and Equal,” cautioned against the dangers of mass hysteria and the denial of civil liberties. Miyatake, himself interned, secretly photographed life inside the camps.
RhiannaThese historical examples underscore the need for constant vigilance. They remind us that the past can repeat itself if we fail to learn from it. John emphasizes that this isn’t about politics; it’s about American society and the protection of vulnerable populations.
For our audience of street and documentary photographers, John’s message is clear: you are historians. You capture not just moments, but evidence of the times we live in. As John reminds us, documentary photographers have always played a crucial role in alerting society to “something that is noxious or poisonous” happening around us.
RalphJohn approaches his work with two unwavering principles: his photographs must be clear and they must be honest. He makes careful distinctions between truth and honesty, understanding that while perspective can shape what we see, integrity in representation cannot be compromised.
Homeless on the Steps of a ChurchJohn challenges us to consider how documentary photographers can fulfill their role as chroniclers of contemporary history, regardless of our political perspectives. John’s work serves as a reminder that with cameras in our hands, we have both the opportunity and responsibility to document the world around us with clarity, honesty, and humanity.
Alon Goldsmith is a Los Angeles-based street photographer and copywriter whose mobile photography has earned him recognition in numerous international contests. A longtime member of Julia Dean’s photography collective, he has become known for his creative approach to iPhone photography and his documentation of Venice Beach’s vibrant street life. His work appears in the new book “[Where the Streets Lead]” and he is the featured photographer in the July 2025 issue of Street Photography Magazine.
While many photographers dismiss mobile phone cameras as inferior tools, Alon Goldsmith has built his entire street photography practice around his iPhone, proving that great images come from vision rather than expensive equipment. His journey began fifteen years ago when a perfect storm of circumstances—a new job within cycling distance, his first iPhone, and a daily commute through Venice Beach—sparked a passion that would define his artistic voice.
“I really got into photography and street photography through my iPhone and a bicycle,” he explains. This shaped his approach to capturing the street life in Southern California, an area often overlooked in favor of more traditional street photography destinations like New York.
Alon’s technique is simple and clever. He mounts his iPhone on his bicycle’s handlebars and uses a Bluetooth remote shutter that he operates while riding. “I use my bike as a tripod,” he says. “I’m completely invisible because I can actually aim my bike at anything that I want, and no one has a clue that I’m taking photos because I’ve got this remote shutter.”
This stealth approach has allowed him to document Venice Beach’s eclectic street life. His famous photograph “Surveillance,” shot during the pandemic using the Hipstamatic app, captures a homeless man on a skateboard with his dog. It’s an image that later took on deeper meaning when Alon learned the dog had been taken from its owner by police.
Alon has developed a fascination with one location on the Venice boardwalk, which he calls “811.” “That’s been one of my sort of… it’s my Venice muse” “I just keep going back there and I always think I’ve done the ultimate shot there, and I still keep trying to get an even better one.”
Currently, about 90% of Goldsmith’s personal work is shot with his iPhone, though he switches to traditional cameras for commercial assignments. Although, some clients specifically request his iPhone aesthetic, recognizing the unique quality of his mobile photography.
Beyond individual images, Goldsmith has pioneered a project called “Going Places,” where he stitches together multiple photos from the same location to create panoramic narratives of people moving through Venice Beach. These composite images showcase his vision and demonstrate how digital tools can extend the possibilities of street photography.
For Alon, the iPhone’s greatest strength lies not just in its convenience, “you always have your phone with you,” but in its ability to make both photographer and subject more comfortable. People seem to be less guarded around a phone than a big camera.
So, have a listen to Alon tell his story on today’s episode and be sure to read Ashley’s feature article about him in the July 2025 issue of Street Photography Magazine.
Links from the show* Alon’s Webite * Instagram * Alon’s Book: 366 Days in the Life of an iPhone Wizard * Julia Dean’s Street LA Collective
Brad Jones, the featured photographer in the June 2025 issue of Street Photography Magazine, is a Brooklyn-based forensic photographer. Originally trained as a painter and illustrator, Brad discovered photography in college and spent 15 years building a successful commercial career shooting for magazines and advertising clients. However, his transition to forensic photography a decade ago, documenting scenes for insurance companies and legal proceedings, is the tipping point that led to his passion for street photography.
Photographing destruction and tragedy in his professional work, Brad turned to street photography as what he calls an “antidote” – a way to seek beauty and joy in everyday moments. His project “A Fragile Utopia” captures candid moments in New York and surrounding areas. His photographic approach on the street is shaped by his studio photography background.
Brad uses a methodical and intuitive approach to street photography, treating natural light like lighting he used in his studio work. He uses consistent camera settings, often passing on shots that will not work with those settings. His work is recognizable by rich colors and moments of joy and connection.
His advice to other street photographers centers on simplification and intuition: keep technical aspects consistent, don’t overthink compositions, and trust your initial gut reactions. As he puts it, “photograph hot and edit cold” – capture with passion and emotion, then evaluate with objectivity later.
Have a listen to my conversation with Brad, then be sure to read Ashley Riffo’s feature article about Brad in the June issue Street Photography Magazine.
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What makes a street photograph truly stand out? Is it the decisive moment, the composition, or the story it tells? In today’s episode, our guest David Herman and I explore these questions and more. David brings a unique perspective shaped by his background as a former professional photographer and his instinctive understanding of human interaction.
David shares insights on how he finds connections in everyday scenes. As a top-level competitive tennis player, he reflexively anticipates moments before they happen to create powerful, storytelling images.
David is drawn to street photography by the uniqueness of each shot. “Every picture I take, nobody else is ever going to take that picture,” he says. Unlike landscapes, where countless photographers capture similar scenes, street photography offers the thrill of capturing a truly original moment.
He embraces the unpredictable nature of wandering the streets, free from the linear, rational structure of his professional life as an investment banker. This freedom allows him to see and capture the unexpected interactions that make street photography so compelling.
David describes his signature style as capturing “linkage” between subjects and their surroundings. He seeks to connect seemingly unrelated elements within a single frame. This could be the interaction between two people, or the relationship between a subject and a billboard or background element.
He’s not interested in simple portraits. Instead, he prefers the complex interplay of elements that create a story within the image. It’s about those fleeting moments of connection that most of us overlook.
Despite David’s claim of not knowing what he’s going to shoot, his work reveals a disciplined approach. He explains that his experience as a tennis player has honed his ability to anticipate. In tennis, you have to anticipate your opponent’s moves. You have to predict where the ball will go and prepare your response in a split second. This translates directly to street photography.
He sets his camera to a simple point-and-shoot mode (F8 at 1/500th of a second with auto ISO). This way, he doesn’t have to think about the technical aspects. He is ready to capture the action before it unfolds. “Just before the hug, just before the kiss, just before something is, is when I want to shoot,” he explains. He trusts his instincts and hopes the “photo gods” will align the shot.
David acknowledges that luck plays a significant role in street photography. “The photo gods need to help you,” he says. Often, just as he’s about to capture a perfect moment, someone walks into the frame, or something unexpected ruins the shot.
Despite careful anticipation and preparation, the success rate in street photography remains low. Capturing something meaningful requires the world to cooperate. It requires a combination of skill, anticipation, and a healthy dose of luck.
David cites several photographers who have inspired his work, with Sam Abell as his primary influence. He admires Abell’s photography, teaching style, and overall philosophy. He even maintains a friendship with Abell. He values his insights on both photography and life.
David discusses two distinct qualities in photographs: “striking power” and “staying power.” A striking photograph immediately grabs your attention. But a photograph with staying power has a deeper story. It has some suggestiveness or mystery that keeps you thinking about it long after you’ve seen it.
He strives to combine both qualities in his work. He wants to create images that are not only visually compelling but also leave a lasting impression on the viewer.
There is a lot more to unpack from my conversation with David about his approach to street photography that we can all learn from. So, take some quiet time to enjoy my conversation with David Herman
Links from the show* David’s Website * Sam Abell
Many of you probably already know Larry Racioppo from his thoughtful column in our monthly newsletter, where he shares his unique perspective on photography. As a lifelong photographer, Larry has published several books, both independently and through established publishers.
We’re excited to feature Larry as our featured photographer in the May 2025 issue of Street Photography Magazine. Our editor Ashley Riffo and I recently had the pleasure of sitting down with Larry to discuss his personal work and how it culminated in the publication of his magnum opus.
Larry has a remarkable talent for capturing moments that others might overlook—from intimate family gatherings to vibrant street scenes across New York City. What makes his work truly special is his ability to reveal meaning in unexpected places, which shines through in his latest book, “Here Down on Dark Earth,” a title inspired by a line from Jack Kerouac’s poetry.
This collection, published by Fordham University Press, explores profound themes of memory, mortality, and memorialization through photographs spanning decades of Larry’s career. Rather than limiting himself to a single style or subject, Larry embraces variety in his approach, using everything from 8×10 view cameras to cell phones. His powerful images include memorial walls in New York neighborhoods, family funerals, and religious iconography.
What’s particularly inspiring about Larry is his long-term dedication to his craft. Many projects in his book developed over years or even decades, allowing him to document meaningful changes over time—like memorial murals slowly fading on city walls or the evolution of family gatherings at gravesites.
During our conversation, Larry generously shares his experiences photographing the streets of New York, his process for compiling this comprehensive book, and the personal connections he’s made throughout his journey. His insights into the creative process reveal how photography can serve as a powerful means of preserving what truly matters in life.
We invite you to enjoy our conversation with Larry Racioppo, a photographer whose work reminds us all to pay attention to the beauty and humanity that surrounds us in our everyday lives.
Links from the show* Larry’s Website * Larry’s book: Here Down on Dark Earth * Instagram
Ever wonder how some photographers capture those striking, perfectly composed street scenes? It’s not always about luck. Sometimes, it’s about seeing the world through the eyes of a graphic designer.
In this episode of the Street Photography Magazine podcast, I chat with Gavin Libotte, an Australian street photographer and musician with a background in graphic design and fine art. Gavin shares his journey back into photography, his unique perspective on composition, and how he finds inspiration in everyday life.
Gavin’s path to street photography wasn’t a straight line. He initially studied graphic design and fine art, learning darkroom techniques and film photography. This early training instilled in him a keen eye for composition and design elements. It was all about shapes, forms, and relationships within the frame.
Life took him away from photography for a while after his gear was stolen. But, the spark was reignited years later through an unexpected connection. Teaching guitar to the son of renowned street photographer Markus Andersen opened a doorway back to his passion. Seeing Andersen’s work reignited Gavin’s love for capturing the world around him.
This renewed passion led Gavin to pick up a camera again, starting with his phone and then a Ricoh GR2. He made it a daily practice to shoot, immersing himself in books and reconnecting with the visual aspects of his life. For Gavin, this was about balancing his long-standing musical pursuits with a visual outlet.
When he’s out shooting, Gavin instinctively measures the relationships between objects, ensuring a balanced composition. If an image doesn’t feel right, he simply won’t post it. It’s this dedication to composition that sets his work apart.
To refine his sequencing skills, Gavin sought advice from photographer Melissa O’Shaughnessy, who generously shared her process. She recommended studying the sequencing in Walker Evans’ “American Photographs” and Robert Frank’s “The Americans.” These books are renowned for their masterful visual storytelling.
Evans’ and Frank’s work serve as excellent references for anyone looking to improve their sequencing. These books demonstrate how the order and arrangement of images can create a powerful and cohesive narrative, enhancing the viewer’s experience.
Gavin is drawn to working with hard light, a technique he adapted after moving to Australia. Inspired by photographers like Ray K. Metzger, he uses harsh light and contrast to create striking images. Metzger’s use of black as a design element heavily influences Gavin’s style.
Gavin’s journey highlights the importance of passion, resilience, and continuous learning in street photography. His graphic design background gives him a unique perspective on composition, while his experiences have taught him the value of perseverance. As Gavin says, “the doing of it, the practice, is more important than the result, in a way, because that is us living our lives, isn’t it?”
Links from the show* Gavin’s Website * Instagram * Gavin’s Book – Symphony Number Five
Update: The podcast link is now workingIn this episode I’m excited to introduce you to a photographer with a fascinating perspective on the art of seeing.
Steven Kushner is a retired Reform rabbi from Detroit who now calls New Jersey home. After serving his congregation for nearly four decades, Steven embarked on a creative journey that had always called to him but never had the space to fully explore – photography.
When I discovered Steven had become a subscriber to our magazine and filled out our profile form, I was immediately intrigued. Taking a moment to visit his website and review his work, I knew his unique approach to street photography would resonate with our listeners.
Steven describes his photographic style as “observational photography,” a term borrowed from an essay about the late photographer Fred Herzog. For Steven, photography isn’t just about capturing moments – it’s about creating meaningful images that reveal something beyond what initially meets the eye.
His background as a rabbi has deeply informed his photographic practice. Steven speaks eloquently about how his spiritual training taught him the importance of truly seeing – of paying attention to the world around him. He draws parallels between Moses noticing the burning bush in Exodus and the photographer’s task of slowing down and truly observing.
During our conversation, Steven shares insights about his gear preferences, his approach to composition and light, and how he engages with his subjects on the street. We’ll explore how his lifelong dedication to connecting with people has shaped his ability to create images that tell compelling stories.
Whether discussing his fondness for his Leica Q3, the photographers who inspire him, or the spiritual dimensions of his creative practice, Steven offers thoughtful reflections on what makes photography meaningful.
Join us for a conversation that explores the intersection of spirituality and street photography, the joy of discovering beauty in ordinary moments, and the transformative power of truly learning to see.
Links From the Show* Steven’s Website * Steven’s Instagram * Steven’s Vero * David Camany on Fred Herzog
I’m pleased to share my recent chat with Daniel Sakheim. Dan is a television director and producer known for his work on shows like “True Detective,” “The Americans,” and “Better Call Saul” and he is also a very talented street photographer. I’ve been trying to get Dan on the podcast for a while, and I’m glad it finally worked out. We had a great conversation about his journey into photography, how his directing work influences his photographic vision, and his project, “City Unseen.”
Key TakeawaysDan talked about how LA isn’t really recognized as a street photography hot spot like New York or London. But there’s a vibrant community there, especially within Julia Dean’s collective, which Dan co-directs. It’s inspiring to see artists driven by passion, documenting their city without much financial incentive. He mentioned LA is like a collection of cities, each with its own distinct vibe, offering endless opportunities for unique street shots.
Behind the ScenesDan also shared how he got into photography after the 2008 writer’s strike gave him time to explore a creative outlet. He audited classes at Art Center and struggled for six years before taking a photo he didn’t hate. I found that so relatable because sometimes the most rewarding things take time. He eventually found inspiration in downtown LA, drawn to the old movie palaces and their history, which led to his “City Unseen” project inspired by film noir.
Dan shared was how “City Unseen” started with a photo, titled Salaryman, that he took in Tokyo. Walking around Shinjuku late at night, he captured a salaryman at a noodle shop, and it reminded him of classic noir films. He started watching every noir film and really getting into that style. The project has been exhibited in galleries in London, New York, and LA, and he’s working on turning it into a book.
He talked about how he often scouts locations and does light studies like he would for a TV shoot. Then, he finds an interesting background and waits for something to unfold. For example, the tram shot at the Getty Center took five attempts to get right. We also got into the impact streaming has had on TV, with Dan giving his perspective on how it gives more freedom but also creates a lot of pressure.
The Art of Seeing What Others MissIn a world that’s forgetting how to truly see, our new book “Where The Streets Lead” invites you to rediscover the overlooked beauty of ordinary streets. Curated by Ashley Riffo and Bob Patterson, featuring work from renowned photographers from around the globe.
Learn MoreWhat’s NextCheck out the full podcast to hear all of Dan’s insights and stories. If you haven’t seen his work, head over to his website danielsackheim.com or his Instagram @daniel.sackheim
Links from the show* Dan’s Website * Instagram * IMDB * Julia Dean’s Street LA Collective * Projecting LA
In this episode, Ashley Riffo and I welcome back Pia Parolin. We talk about how making your work more personal actually makes it connect with more people on a deeper level. It’s a concept, while is as old as Aristotle, been brewing in my mind for a long time, and we’re excited to explore it with you.
Key TakeawaysPia shared insights from Susan Sontag and her own experiences, like her series on the Promenade des in Nice after a terrorist used a truck to kill 86 and injure over 400 people celebrating Bastille Day. Her photos, seemingly light and colorful, carried a heavy message of resilience and reclaiming happiness. It really underscored how personal experiences, when channeled through art, can speak volumes.
We touched on balancing personal expression with leaving space for others to project their own emotions onto your work. Think about those moments when you’re truly present, capturing genuine interactions. That’s where the magic happens, and those images? They speak volumes without a single word.
Behind the ScenesOne of the things that struck me most was Pia’s vulnerability in sharing her series about her daughter’s adolescence. It was a tough time for both of them, but turning it into art became a love declaration. It’s a reminder that sometimes, the most challenging moments can yield the most meaningful work.
I also brought up Sam Abell’s powerful photo of his father with Alzheimer’s. It’s intensely personal, yet universally relatable because it talks about family and memory. Since Pia’s article last year, Ashley and I have been seeing this everywhere, and we didn’t even realize it. It’s kind of cool when that happens, isn’t it?
What’s NextListen to the full episode. Pia shares practical tips to infuse your work with personal meaning and tap into universal themes. Look for those interactions that everyone understands. A smile, a loving touch, a child gazing at their mom—these are universal moments that resonate deeply.
Links from the show* Pia’s Website * Pia’s Journey YouTube Channel * Pia’s Street Photography Magazine Article: From Personal to Universal * Where The Streets Lead – Street Photography Magazine’s new book
I’m thrilled to share something Ashley Riffo and I have been pouring our hearts into for over a year: our first book, Where the Streets Lead! It’s been a wild ride, full of unexpected turns and steep learning curves. After publishing a digital magazine for 12-years we wanted to create something tangible, a legacy of sorts, to celebrate street photography and the incredible community around it. And we wanted to use this special episode of the podcast to tell the story of our book creation story to help others learn from our experience and avoid the mistakes we made. Of course we would also love for you to be among the first to grab a first edition.
Key TakeawaysOne of the biggest things we learned is how much we didn’t know when we started! From the surprising amount of work in selecting images, to wrangling large files, to navigating the world of printing, it has been something. For example, we originally asked photographers to submit full-resolution images, which flooded our drives with more data than we needed well before the selection process. That’s not an issue for someone creating a monograph, but smaller images are a must for an initial open call for submissions.
If you’re thinking about doing a book, start with a solid theme that resonates with you and your community. For us, it was “Where do you like to shoot?” This theme allowed people from all walks of life to share their unique perspectives. Plus, physical prints slow you down and let you see the images in a whole new light, which you can’t get online.
Behind the Scenes
Ashley and I are about 800 miles apart, so this whole project was powered by Zoom, shared galleries, and a lot of trust. We took online courses from Magnum photographers Alec Soth and Mark Power, which completely changed how we thought about sequencing. We literally taped hundreds of photos to our walls and moved them around until the story flowed. Then we shared our thinking via photos, videos and online galleries.
Finding a printer was another adventure. We wanted high quality without breaking the bank, which led us to a digital press that delivered amazing results. We even debated whether to include the photographers’ stories, but after a test print, we realized the text was essential. It added depth and context, making the book more than just a collection of pretty pictures.
The podcast episode was recorded while we were awaiting delivery of the first batch of the books. You will hear us discussing (and even stressing a little) over how the quality of the final version. Well, they arrived right on schedule and I was super impressed with the physical quality of the book and, of course, the content.
What’s Next
“Where the Streets Lead” is now available on our website. This book is a celebration of our community and the unique places that inspire us. By purchasing the book, you’re supporting our work and helping us continue to bring you the best in street photography.
So sit back and have a listen to our story, then head over to our new online bookstore and grab your copy today. International shipping is available (though a bit pricey, sorry!), and we’ve got boxes ready to make sure your book arrives in perfect condition.
Links from the show* Where The Streets Lead Order Page * Harvey Stein’s Publishing A Photography Book Course (Online) at ICP
I had the pleasure of sitting down with Antonio Pisani. He’s a photographer originally from Italy but now based in the UK, and he has some very interesting insights on street photography. What makes Antonio’s story unique is his journey and perspective. I think you will appreciate his insights.
Key TakeawaysAntonio shared how his father’s profession influenced him. His father used film cameras in the eighties and nineties. Antonio explained the magic of photography and his independent approach. He always had a clear idea of what he wanted. His father’s work had a subconscious influence. He saw his father developing photos and understood how to explore beyond the technicalities.
We dug into the concept of seeing beyond the surface. This is something that Antonio learned from his mentor, Yoshi Imamura. Antonio met Yoshi while working in a retail camera store. They connected over cameras. Yoshi gave him a pinhole lens as a gift which forced Antonio to focus on the art and meaning behind his images, not just the technical aspects. This helped him develop critical thinking and see images with his brain.
Behind the ScenesIt was really interesting to hear Antonio’s thoughts on social media. He believes Instagram can be a double-edged sword. Antonio chooses to control his images and share them purposefully rather than posting everything online for likes. He aims to create meaningful projects that last. He develops bodies of work that can be exhibited or published.
Antonio is preparing several exhibitions in Europe for 2025 and 2026. He’s also working on a book. This takes time and effort, but he optimizes his time and manages his corporate job alongside photography. Antonio believes photography is a calling and a demanding journey. The goal is to develop work that goes beyond day-to-day pictures. If photography is your passion, you’ll keep going.
What’s NextAntonio is planning 2025 workshops and master classes. He likes to teach the art of slowing down and being present. These classes cover theoretical and practical aspects. The goal is to develop themes and projects, print your work, and share your images. And he’s always open to discussing gear, black and white photography, and his choice of Pentax and Ricoh cameras.
Be sure to check out the full episode to hear more from Antonio. Keep shooting, keep exploring, and stay tuned for more inspiring conversations.
Links from the show* Antonio’s Website * Antonio’s Instagram * Willem Flusser’s “Towards a Philosophy of Photography” * Marshall McLuhan * Sebastiao Salgado * Claudia Andujar
Michele Zousmer, the featured photographer in the March 2025 issue of Street Photography Magazine is a San Diego-based humanitarian photographer, has dedicated her photographic work to illuminating overlooked communities and challenging societal perceptions. Starting as a sports photographer capturing her son’s basketball games, Michele’s path led her to document stories ranging from women in prison to homeless choir members, ultimately finding her most profound work among Ireland’s Traveller community.
For the past seven years, Michele has immersed herself in the Traveller culture, gaining unprecedented access through an approach that prioritizes human connection over technical perfection. “I literally talk to them. It’s almost like a game,” she explains. “What mascara are you wearing? I’m not kidding. We just like talking makeup on the side of the road.”
This seemingly casual approach belies a deeper purpose. Through her recently published book “Mis[s]understood,” she reveals the complex realities of a marginalized community facing widespread discrimination. Her photographs capture both the vibrancy of Traveller culture and the challenges they face, particularly in education and housing.
“The more I got to know them, I came back many times,” Michele reflects. “I actually thought that they have a lot of traditions that we’ve lost in America. They are so family oriented. Everything is family. They live together as family. All the generations live together.”
Her work with the Voices of Our City Choir in San Diego demonstrates similar depth of connection. What began as documenting a homeless choir led to an intimate film project when choir member Steven Reed asked her to document his final months battling liver cancer. Despite initial hesitation due to her own experience with loss, Michele agreed, creating “Sounds of the Sidewalk: A Journey of Goodbye.” The resulting film not only honored Reed’s story but helped change perceptions of homelessness.
“I really feel that way, and I see the world that way,” she says of her approach to humanitarian photography. “I think vulnerability is so important, and I’m always very open and vulnerable. I could be vulnerable with my people that I’m relating to, but I do think you have to be careful who you share it with.”
This philosophy has earned her the trust of communities often wary of outsiders, resulting in intimate portraits that challenge viewers to see beyond stereotypes and recognize our shared humanity.
This is only part of Michele’s story, so please be sure to listen to our conversation. You won’t regret it.
Links from the show* Michele’s Website * Michele’s Instagram * Joseph Bevillard Instagram * Voices of our City Choir – San Diego * Michele’s film: Sounds of the Sidewalk: A Journey of Goodbye
Eric Turibio, known in the photography community as Ribsy, brings a distinctive approach to street portraiture that emphasizes genuine human connection over technical perfection. Originally starting his photographic journey through food photography, Ribsy has evolved into a committed film photographer who primarily works with medium format cameras to capture compelling portraits of New York City’s inhabitants.
In his conversation with Street Photography Magazine, Ribsy discusses how confidence shapes his street photography practice. Rather than adopting the fly-on-the-wall approach favored by many street photographers, he engages directly with his subjects, often approaching them with straightforward requests like “You look really interesting sitting right there. Can I get a photo of you?” This direct method, combined with his authentic interest in how people fit into their environments, has become his signature style.
Working primarily with a Yashica 124G medium format camera, Ribsy carefully balances his artistic vision with the practical constraints of film photography. Because there are only 12 frames per roll of 120 film, he makes each interaction and composition count. This deliberate approach extends to his creative process – he describes street portraiture as emotionally demanding work that requires specific mental preparation and dedicated time alone to achieve the best results.
Despite relocating from New York City to the Hudson Valley and balancing photography with family life and a full-time career, Ribsy maintains his commitment to documenting the city’s diverse population. Through his YouTube channel and various social media platforms, he shares not only his photographic work but also insights into his process, helping other photographers understand the nuances of street portraiture while maintaining an authentic approach.
Links from the show* Ribsy’s Instagram * Ribsy’s YouTube * Ribsy on Walkie Talkie
Our guest tis week is Dean Hinnant, the Street Photography Magazine featured photographer in the January 2024 issue. Dean’s journey as a photographer centers on an intimate, ongoing documentation of his five siblings. The oldest of six children spanning nearly two decades in age, he transforms his role as big brother into a powerful creative force through his project titled “Blood.”
The project gained deeper meaning following his parents’ divorce, which spurred Dean to focus his lens on preserving and exploring the unbreakable bonds between siblings. Armed with his Leica M6 TTL – a camera with its own remarkable history as the former tool of National Geographic photographer William Albert Allard – Hinnant captures both candid moments and environmental portraits that tell the story of his family’s evolution.
Dean developed his distinctive photographic voice during a six-month road trip across America in 2021, documenting the country’s emergence from the pandemic. This experience honed his ability to see beauty in everyday moments, a skill he brought home to his family photography. Despite living in different cities and coordinating around split holiday schedules, he never goes anywhere without his camera, ready to capture those in-between moments when his siblings come together.
His approach emphasizes trust and respect, allowing his subjects to be themselves while acknowledging their individual paths. This philosophy has led to a collection of images that resonate beyond their personal context, speaking to universal themes of family bonds, growth, and shared history. From his firefighter brother’s wedding to his youngest sister’s budding interest in photography, Dean captures the evolving dynamics of siblinghood with remarkable authenticity.
Working exclusively in film, Dean’s project stands as a testament to photography’s power to preserve not just moments, but the complex emotional landscape of family life. His work reminds us that sometimes the most universal stories are found in our most personal connections.
Links from the show Dean’s Instagram * Pia Parolin’s article From Personal to Universal * The Traveling Photographer’s Manifesto by David Hobby * Dotan Saguy’s project Nowhere To Go But Everywhere*
I recently had a very interesting chat with Jeromie Stephens, a talented photographer who’s been documenting the world of bluegrass for many years. If you love the candid, authentic moments in music or on the streets you need to check out the work of our guest Jeromie Stephens.
In today’s episode Jeromie and I dig into everything from street photography to the art of catching those spontaneous, off-stage moments that capture a musician’s spirit. Jeromie
started off wanting to be a photojournalist, but through his love of music and being inspired by the legendary Jim Marshall, and ended up immersing himself in the world of bluegrass. This shift took him on adventures to festivals and even led him to photograph the 52nd annual Takarazuka Bluegrass Festival in Japan.
I first met Jeromie several years ago during a photowalk sponsored by our local camera store. Through this experience I was able to see him work first-hand create interesting compositions with his awareness of shapes in candid scenes then approach complete strangers with kindness and a sincere interest in them to make very personal portraits.
One of the things that really stands out about Jeromie’s music work is his preference for capturing the candid, fleeting moments over posed performances. He sees photography as a combination of preparation and spontaneity, much like music itself. This approach allows him to blend into the background, catching the genuine interactions of musicians without disrupting the flow. It’s all about the art of invisibility.
Jeromie has this wonderful habit of sharing prints with musicians, which not only builds goodwill but also strengthens the connections within the bluegrass community. He believes in the power of printed photographs, and how they hold a personal touch that digital images just can’t replicate.
As a testament to his strong relationships with the musicians he photographs, Jeromie received the 2024 Photographer of the Year Award from the International Bluegrass Music Association.
I hope you enjoy the podcast as much as I enjoyed chatting with Jeromie.
Links from the show* Jeromie’s Website * Instagram * Alysse Gafkjen – Music Portrait Photographer * Jim Marshall – Legendary Music Photographer
In today’s episode I speak with Naeem Douglas, who is our featured photographer in the December 2024 issue of Street Photography Magazine. He’s a former broadcast television journalist who found a new passion in photography.
After burning out from the repetitive world of crime reporting, he discovered the calming effect of photography during the pandemic. He’s now a content producer for MoMA Magazine who revels in the creative freedom and objective storytelling the role offers.
A native of Philadelphia now in Brooklyn, he compares life in the two iconic cities. He reflects on the neighborhood pride, distinctive accents, and, of course, the food.
Armed with a Rolleiflex camera, inspired by photographers like Amy Touchette and Vivian Maier, Naeem prefers to engage with his subjects rather than sneaking a couple shots and moving on. This approach has led to some memorable encounters, including a brush with the legendary Bill Cunningham. However, the streets aren’t always friendly, as Naeem learned when a man dressed as Scottie Pippen refused a photo.
In his role at MoMA jumped into the world of podcasting with the limited series “Jazz in the Garden,” a captivating exploration of jazz history at MoMA from the 1960s to 2019. If you love jazz, don’t miss it.
Naeem experiments with both digital and film photography, developing black and white film at home while has color processed by a lab. His dedication to the craft is evident in his meticulous record-keeping and desire to dabble in darkroom printing. Despite the rise of AI editing tools, Naeem prefers the authenticity of analog photography.
If you’re inspired by stories of transformation, creativity, and connecting through story telling be sure to have a listen to my conversation with Naeem Douglas.
Links from the show* Naeem’s Website * Instagram
Editor’s note: Today’s episode is a reply of our very first podcast episode with guest Glenn Capers published in November 2014. To this day, Glenn is one of our all-time favorite photographers as is this conversation. Sadly, Glenn passed away three years later. He was a brilliant photographer, inspirational teacher and an all around super cool guy. Don’t miss our conversation.
Glenn Capers was more than just an outstanding photographer; he was a storyteller. Glenn had a personable way with his subjects that allowed him to really get to know them and find out their story. Perhaps that is what made his work special.
Glenn was originally from New York, though he later called Colorado home. In his career, Glenn was a professional photojournalist, cinema and landscape photographer, and he even took photographs for the Associated Press. He spent much of his time traveling and teaching street photography and journalism around the world.
Glenn believed that to be a good photographer, you needed more than just the right techniques and a good camera. Instead, Glenn talked to his subjects. More importantly, he listened to them. He felt that when people were given the chance to tell their story, they validated their reason for living. For this noble reason, Glenn met people, talked to them, visited their homes, and captured their moments. Connecting with people, and freezing those important moments in time to share a person’s story with the world was not just his goal, it was his specialty.
In our inaugural episode nearly 10 years ago Glenn shared some interesting experiences and stories, as well as some insight into his methods as a street photographer.
A Selection of Glenn’s PhotosSuperman a Super Seamstress
Healing Hanks
Woman on a Pilgrimage
Mango Blade Runner
Why Men Like Women on Poles and Pink Cadillacs
The Untaught Lessons of Life
Workers of Bone Yard in Mumbai
The Ritual
Along the Palace Wall
Immaculate Conception
Encounters at the Sidewalk Cafe
Don’t Miss Glenn’s Photo Projects* A Day in the Life of Superman * Holy Week Chronicale * Healing Hands
In this episode, I share my engaging conversation with photographer, curator, and publisher Michael Rababy about his upcoming book, “CASINOLAND, Tired of Winning.” Set to release on November 5, 2024, in independent bookstores and on Amazon. This work which is the result of a 30-year personal photo project, offers a unique and witty visual perspective on American casino culture.
The ConceptRababy explains, “The concept of the book is to contrast casino commercials that promise you the world versus the visual reality that I translate when I’m at these locations all over America. It’s not just Vegas but Atlantic City, Reno, and basically any casino area I’ve stumbled across in the last 30 years.”
“CASINOLAND: Tired of Winning” presents a satirical yet poignant look at the casino industry. Rababy juxtaposes cheap, gimmicky marketing slogans with real-life images, creating a stark contrast between promise and reality. For instance, one spread pairs the phrase “You’re Going to Need a Bigger Wallet” with a photo of a overwhelmed man managing four young children in a casino parking lot.
A Visual JourneyThe book spans 160 pages, featuring images from Rababy’s 30-year archive. It offers a fresh take on consumerism and gambling culture across the United States, presenting a glitzy yet gritty universe of American casinos.
The Publishing ProcessAs an experienced publisher, Rababy shared insights into working with authors, designers, and promoting visually rich books. He’s planning an upcoming exhibit of selected photos from “CASINOLAND,” which will include high-quality images and an AI-generated casino ad.
Self-Publishing vs. Traditional PublishingWe discussed the pros and cons of self-publishing versus traditional publishing, a topic particularly relevant as Street Photography Magazine prepares to publish its first book. Rababy’s plans for international distribution and exhibitions in Asia highlight the complexities of book promotion and distribution.
Long-Term ProjectsRababy also touched on the challenges of crafting long-term projects like “CASINOLAND” and “America Bachelor,” offering valuable insights into the creative process.
Artistic Influences and Commitment to QualityInspired by legends like Dorothea Lange and Ansel Adams, Rababy emphasizes the importance of capturing fine details in person. He’s committed to producing high-quality fine art prints, learning from experienced printers, and using premium materials.
Early Access and Bonus ContentWhile “CASINOLAND: Tired of Winning” won’t be widely available until November 5, readers can purchase a copy now from Michael’s website. These early copies will be signed by the author and include a bonus print.
Links from the show* Michael’s Website * CASINOLAND:Tired of Winning on Michael’s website
In today’s episode we welcome award-winning Swedish photographer Johan Jelbo. Fresh off his win of the series competition at the first annual Dublin Street Photography Festival, Johan discusses his use of flash photography on the street journey, insights, and future endeavors in the realm of photography.
Johan’s love affair with photography began with simple compact cameras, but his passion soon evolved into a serious pursuit of street and portrait photography. Inspired by legendary photographers like Bruce Gilden, Johan transitioned to using flash, mastering its technical aspects and using off-camera flash. His approach brings an edge to his candid shots, setting his work apart in the increasingly crowded world of street photography.
He spent over 10 years of documenting the rural markets of southern Sweden where honed his street photography skills. This project culminated in the publication of his book “Stranger Than Fiction,” which documents the evolution of these events from a “sins nest” to what are now tame venues for family outings. In the process the project reveals the evolution of Johan’s own style. Along the way this work raises ethical considerations, such as photographing children and obtaining consent at public events.
A passion of Johan’s is his involvement with the Full Frontal Flash collective, a group dedicated to street photography using flash. Despite the challenges of project coordination, this collective has pushed the boundaries of traditional street photography, bringing new perspectives and techniques to the forefront.
Johan shares the emotional process of creating a photo book. As for the future he has a desire to to take on new projects and continues to share his journey with his social media audience. And he currently has work exhibited at the Arbetets Museum Norrköping Sweden through January 2025
Links from the show* Johan’s Website * Instagram * Full Frontal Flash Collective Website * Arbetets Museum Norrköping
I love night street photography, which is why I was thrilled when Ashley Riffo, our editor, landed an interview with our , Bal Bhatla, aka Mr Whisper who is also the featured photographer in Street Photography Magazine’s October 2024 issue.
Recently Ashley and I sat down for a very lively conversation with Bal who is truly a class act. He’s a London-based commercial photographer famous for his nighttime photography, to share his journey from being a digital creative director to a full-time photographer. His early recognition on Instagram, thanks to his striking nighttime images of the London Tube, launched him into the limelight, leading to prestigious brand collaborations with names like Netflix, Disney, BMW, Fujifilm, Google and others.
During our conversation he digs into the art of capturing candid moments using natural light at night, offering us invaluable tips for successful night street photography. I enjoyed his common sense insights into using available lighting at night, the nuances of ISO settings, and the advantages of prime lenses.
Under the banner of Mister Whisper Productions, Bal expertly juggles commercial assignments with personal projects. He emphasizes the importance of maintaining artistic control while meeting client expectations which can be a very delicate balance that many photographers often struggle with.
His newly-released book, “London After Dark,” which documents London’s nightlife from 2010 to 2024, is a must-have for anyone who wants to up their nighttime urban photography chops.
In addition to the technical aspects Bal opens up about the personal side of his creative journey. From the support of his wife, to the challenges of self-promotion on social media, Bal’s anecdotes are both relatable to any of us. He advocates for authenticity and consistent posting, a practice that has garnered positive engagement for his work. As Mark Twain once said, “be yourself, everyone else is taken.” That pearl of wisdom has served Bal well.
So join us Ashley and me on this episode of the Street Photography Magazine podcast for an engaging and fun conversation with Bal Bhatla. Find some inspiration, learn new techniques, and dip your toe into the world of night street photography.
Links from the show* Bal’s Website – Mr Whisper Productions * Order Bal’s book London After Dark * Bal’s Instagram
Our guest this week is Karlynne Wintels who is also the featured photographer in the September 2024 issue of Street Photography Magazine. Originally from the Netherlands, she had been living in Singapore with her family over the past several years. When we spoke to her several weeks ago she was packing to move back to her home country.
Karlynne has always had a passion for photography, even back in 2006 during a family trip to Cuba when she unknowingly captured street-style images with her father’s Nikon. About ten years ago she moved to Tokyo, where she dabbled in urban photography, focusing on shapes and textures rather than people. It wasn’t until her big move to Singapore that things took a serious turn.
In 2020, after a corporate shake-up combined with the pandemic, Karlynne decided to dive headfirst into photography. She enrolled in a part-time diploma course to learn the technical side of things because she was mostly shooting in automatic mode before that. This course opened her eyes to the world of photography, and she connected with some amazing people along the way.
During her time in Singapore, Karlynne really honed her street photography skills. She became part of the Women in Street Singapore community and took part in their local exhibitions. Her photography focuses on capturing candid moments, often portraying the beauty of everyday life, whether on the streets or with families. She’s drawn to those real-life in-between moments, like a mother comforting her child or a spontaneous laugh between family members.
She applies her street-style approach in her family photography business. Karlynne offers a “day in the life” service where she documents families in a natural, storytelling manner. She believes in capturing those intimate, sometimes overlooked moments that represent family life. Her clients often express gratitude for her work, which she finds incredibly rewarding.
Karlynne also embraces the artistic side of photography. She’s been experimenting with both color and black-and-white photography, and she takes great care in curating her online galleries, often telling a story through the images. This ability to see the narrative in her photos really sets her apart.
Now that she’s back in The Netherlands, Karlynne is looking forward to reconnecting with her roots and is eager to see how her photography will evolve in a new environment.
Karlynne Wintels is a storyteller who captures life in all its beautiful, messy glory. If you’re curious about her work, you can find her on her website, kwphotography.com, and check out her Instagram for a peek into her creative world.
Street Photography Magazine subscribers can read Ashley’s in-depth article about Karlynne and a sample of her work when it’s published on September 1. Watch your email box for the the notice.
Links from the show* Karlynne’s Website * Instagram * Faebook
Today on the Street Photography Magazine podcast, we have a fascinating guest who I met in an unusual way – Lynne McPeake, a retired graphic designer and photographer from the Peak District in the UK.
I first crossed paths with Lynne during my travels to Iceland, the Faroe Islands, and the Scottish Shetland Islands early this summer. It was in Shetland – inspired by the TV show “Shetland” – that I stumbled upon the Shetland Museum & Archives in the town of Lerwick showcasing Lynne’s 1971 documentary-style photography of dock workers. Her work was so compelling, it led to our conversation that you will hear on this episode.
Lynne’s journey into photography started with a simple Kodak Brownie camera she received at age eleven. From there, she honed a unique artistic approach by blending her love for drawing and photography. She’s experimented with movement and multiple exposures, bringing a dynamic edge and painterly style to her photos.
During the Covid pandemic, Lynne found herself diving into old black and white negatives, which caught the attention of her friend Colin Smith and photographer who showed the work to the Family History Society in Shetland. This sparked the idea for an exhibition featuring Lynne’s work about local subjects. With support from Smith, and local fine-art printer Lynne creates a display of 18 framed images for her one-woman exhibit at the museum.
As a result of the exhibition Lynne has reconnected with subjects from her old photos, like a 71-year-old former dock worker reminiscing about his crane-operating days.
Throughout our chat, Lynne shares her artistic journey, touching on everything from her time in art college to her recent experiments with intentional camera movement (ICM) and an inspiring online course with photographer Charlotte Bellamy.
She’s got some exciting projects lined up, including an exhibition in Derbyshire titled “A Different Point of View,” where her photos will be showcased alongside a friend’s paintings. Lynne believes in the power of drawing to enhance observational skills, which translates beautifully into her street photography.
Lynne’s insights and experiences demonstrate that old work never dies. Give the show a listen to learn from her passion and creativity.
A selection of Lynne’s workLinks from the show* Lynne’s Instagram * Shetland Museum & Archives
Our guest this week is John M. Simpson the featured photographer in the of August 2024 issue of Street Photography Magazine, who brings a wealth of experience and a unique perspective to street photography. A retired history professor and former military man, John’s journey into photojournalism began with a simple thought: “I can do a better job.” This led him down a path that included multiple embedments as a photojournalist in Iraq and Afghanistan during intense periods of conflict.
John’s approach to photography is deeply personal and driven by a desire to tell important stories. His current focus is on documenting the lives of homeless individuals in Olympia, Washington. What sets John apart is his commitment to spending time with his subjects, getting to know them, and approaching his work with genuine respect and compassion.
In our conversation, John shares insights from his experiences as an embedded photojournalist and how that informs his current work. He emphasizes the importance of building trust, getting close to subjects, and letting photographs come to him rather than actively hunting for shots.
John’s work isn’t just about capturing images – it’s about shedding light on important social issues and giving a voice to those who are often marginalized. His passion for his subjects and his craft comes through clearly in our discussion.
Whether you’re interested in street photography, photojournalism, or simply hearing from someone with a unique life story, I think you’ll find our conversation with John engaging and thought-provoking. Give the podcast a listen – I’m sure you’ll come away inspired by John’s dedication and perspective.
Links from the show* John’s work on Social Documentary Network
Our guest today is Brooklyn native, Gretchen Grace, a fascinating street photographer whose journey in photography began with a high school class that sparked her passion. since then she’s been capturing the street scenes of New York City for decades.
Gretchen recently published a book called “Two Way Street” that showcases her unique vision. It’s an interesting mix of her classic black and white film work from the ’90s and early 2000s, alongside more recent color abstractions she’s been working on recently. This blend gives us a peek into how her style and perspective have evolved over time.
What I really like about Gretchen is her ability to find those “moments of the everyday” – those little slices of life that might seem ordinary at first glance, but become something special upon looking deeper. She has a knack for spotting those in-between moments that tell a story all their own.
Gretchen’s background in design has influenced her photographic eye, especially in her more recent abstract work. She describes these pieces as “photographic paintings.”
Throughout our chat, Gretchen’s love for New York City and its endless parade of characters and moments is obvious. Whether she’s wandering familiar streets or exploring new corners of the city, her enthusiasm for capturing the essence of urban life is infectious.
She continues to push the boundaries of her art, experimenting with new techniques and emphasizing human connection in seizing the “indecisive moments” that define her work.
So join us as we explore the world streets of New York through Gretchen Grace’s eyes.
Links from the show* Gretchen’s Website * Instagram * Two Way Street
Russell Banks, the featured photographer in the July 2024 issue of Street Photography Magazine, is a street photographer known for documenting life aboard cruise ships. His visual narratives about passengers and crew have allowed him to carve out a unique niche.
Russell’s interest in photography began in childhood when capturing moments on film sparked a lifelong passion. This early fascination guided him through an education that started with an English major and evolved into photojournalism, allowing him to explore the combination of narrative and imagery.
At the University of Texas in Austin, he had the opportunity to study under Garry Winogrand, who greatly influenced his personal style and approach, which is evident in his work today.
Before presenting his work to the market, Russell attended esteemed portfolio review events like FotoFest in Houston. The feedback he received from publishers and photo editors confirmed the potential of his cruise ship project. So, he began showcasing his work to publications and galleries. His hard work resulted in a solo exhibit in Golden, Colorado, another at the Viewpoint Photographic Gallery in Sacramento, California, and a feature story in Street Photography Magazine.
Russell also discusses the process of preparing his work for these exhibits, a task that requires meticulous attention to detail, from printing large-format images to handling shipping logistics – a process that is not inexpensive.
As my business mentor once said years ago, “don’t wait for the phone to ring,” that’s a motto that Russell applies to promoting his own photography. He adeptly researches potential exhibition venues, identifies key contacts at publications, crafts personalized pitches, and maintains an active online presence. He approaches the business side of photography with the same dedication as his art.
Segments01:25 Early Photography Journey
Explore Russell’s early days with a camera, from childhood snapshots to his transition into more serious photography during his college years. Discover how his interest in literature and music influenced his path to street photography.
04:03 Influence of Gary Winogrand
Delve into Russell’s experience studying under Garry Winogrand at the University of Texas. Learn about the impactful teaching style of Winogrand and how it shaped Russell’s approach to photography.
06:40 Venturing into Cruise Ship Photography
Follow Russell’s journey into using street photography techniques on cruise ships. Explore the challenges and unique opportunities of capturing moments in the quirky environment of a cruise ship.
12:12 Developing a Portfolio
Discover how Russell evolved from capturing images to curating a portfolio of his cruise ship photography. Learn about his process of selecting and presenting his work for exhibitions and reviews.
18:08 FotoFest Experience
Join Russell on his transformative experience at FotoFest in Houston. Explore the valuable feedback and insights he gained from industry experts and how it accelerated his artistic progression.
25:15 Preparation and Presentation
Meticulous preparation and presentation techniques Russell employed for FotoFest. Learn about the importance of being well-prepared and organized when showcasing your work to reviewers.
59:00 Preparing for Solo Exhibitions
Russell Banks shares his experience developing a portfolio and entering exhibitions, leading up to his decision to pursue solo shows. He discusses the process of refining his work, submitting to various exhibitions, and finally landing opportunities for solo exhibitions.
01:00:03 Navigating the Logistics of Exhibiting
Russell delves into the practical aspects of preparing and shipping prints for exhibitions. He shares insights on matting, packaging, and shipping large prints, highlighting the challenges and considerations involved in showcasing artwork in different venues.
Links from the show* Russell’s Website * Floating World – Street Photography Magazine article by Russell * Instagram
Kenneth Wajda, a commercial and editorial photographer from Colorado, enjoys making street portraits in his spare time. His outgoing and friendly nature helps him approach strangers for permission to take their portraits. His secret weapon? A classic Rolleiflex TLR camera, which he describes as the perfect icebreaker.
Kenneth has written an article about his experience with the Rolleiflex camera for Street Photography Magazine, set to appear in the June 2024 issue on Sunday, June 23.
In today’s discussion, Kenneth shares his approach to street portraiture using the Rolleiflex and Ilford HP 5 film, his settings for different lighting conditions, and his preference for shooting in sunlight. He stresses the importance of engaging with people on the street, sharing experiences from various locations like flea markets and small towns.
A key insight from our conversation is Kenneth’s mantra, “The muse exists, but she has to find you working.” This means that inspiration will come when you start working.
Kenneth, also involved in movie production, uses a copy stand and a Nikon DSLR to photograph negatives for digital use, finding this method more effective than dedicated scanners.
Kenneth recently founded the Rolleiflexers Collective to showcase the work of photographers documenting street life with the Rolleiflex camera. The group aims to share their work and inspire each other.
He strongly believes in the value of meetups, events, and competitions as platforms for photographers to showcase their work and build community. Kenneth also emphasizes the importance of printing your work and finding ways to publish it, even if it means self-publishing through a zine or book.
Quick crappy snapshot by Bob Patterson
Links from the show* Kenneth’s Website * Rolleiflexers Collective * Kenneth’s Street Photos
Ave Pildas is a living legend in the world of street photography. Now 84 years old and based in Santa Monica, California, his career spans over six decades of capturing images that document the human experience. Pildas’ journey began in humble circumstances – by his own account, he was “a juvenile delinquent at 16” growing up in Cincinnati. However, he discovered a passion and a gift for artistic expression graphic design, then photography.
Early in his career Ave embarked on a project to visually chronicle the jazz scene of the 1960s. He developed an innovative approach, gifting musicians with prints of his photos in exchange for access to intimately document legends like Thelonious Monk, John Coltrane, Dizzy Gillespie and Nina Simone performing at clubs. His timeless black and white portraits from this era demonstrated Ave’s ability to transcend being a mere observer.
But he didn’t rest on the laurels of his jazz photographs. Ave’s insatiable curiosity prompted him to constantly experiment with new techniques over the decades. He used a tripod-mounted camera at a fixed location with a remote trigger to capture sequences on the street. He also crafts unusual studio setups and uses flash in low-light environments on the street do document gay pride and Halloween celebrations over the years. lighting sources, and even deconstructing and re-assembling. Each new approach allowed Ave to express a unique perspective.
Ave’s dedication to his craft is matched by his generosity of spirit. He continues tirelessly documenting vibrant communities like the drum circle in LA’s Leimert Park, often gifting cherished prints to his subjects.
A recent documentary titled “Ave’s America” produced and directed by his former photography student Patrick Taulère provides insight into his process and passion for using photography to open our eyes to communities most of us rarely interact with. The film is currently available on Amazon Prime Video and soon to be available on PBS. I watched the film as soon as it was released and although I’ve known Ave sor several years I learned so much by watching him interact with all types of people on the streets. The way he connects with others helped me understand that deep down we are all alike. Don’t miss this one.
At an age when most have long settled into retirement, Ave Pildas still chases his muse daily on the streets seeking new ways to express himself.
Links from the show* Ave’s Website * Ave’s America documentary on Amazon Prime * Instagram * Ave’s Book, Starstruck
In today’s episode I speak with, Swedish musician and photographer Johan Otterdahl who discusses his unique approach to photography, which includes using one camera and lens for an entire year. Our rambling conversation spans a range of topics, from his upcoming trip to photograph an eclipse in Finnmark, Norway in September, to his artistic background in music and how it parallels with his photography style, emphasizing diversity, improvisation, and the importance of evolving artistically. Johan also shares insights into the challenges of making a living in creative fields, the significance of engaging with subjects, especially in street photography, and the impact of modern technology like the Instax printer on his work.
Our conversation extends to broader photography practices within the Ocoloy collective, focusing on the creative benefits of limiting oneself to specific equipment to foster growth and creativity. Discussions include technical preferences, such as the Fuji X-E1 and X100 series cameras, and the mental health benefits of photography.
Johan highlights the influence of Swedish photographer Anders Petersen had on modern street photography. Petersen is known for his documentation of Hamburg’s red light district in the sixties. His work is currently exhibited at the Hasselblad Foundation in Gothenburg.
We also discuss the process of printing photographs for galleries, the utility of website platforms like Squarespace for showcasing work, and the importance of receiving feedback on creative content.
Before we wrap up by making reference to other notable photographers such as Gerard Exupery and Greg Girard, discussions about upcoming projects, song recommendations, and website updates, and the interconnectedness of the creative process across different mediums and the continuous search for unique perspectives and moments in photography.
- Johan’s Website
- The Ocoloy Collective
- Anders Petersen
- Greg Girard
Los Angeles-base street photographer, Richard Smith, is the featured photographer in the May 2024 issue of Street Photography Magazine.
Through Rick’s work he expresses his love for his hometown’s diverse cultures, historical architecture, and the unexpected surprises of city life. One of his favorite spots is Union Station, where he often spends time capturing the beauty of the historic structure and its people. During our conversation he remembers his friendship with Don Young, a volunteer at the station, whose interactions with people and the emotion-filled moments they sparked became the subject of some of his memorable photos.
Rick’s passion for visual storytelling began in junior high, dreaming of becoming a TV director. He studied film, worked in the industry, but found his true calling in photography. His filmmaking background has significantly influenced his photography techniques and style. Rick also shares his knowledge as a photography teacher, emphasizing patience and practical examples as essential teaching tools.
Rick shares some insightful tips for aspiring street photographer by encouraging anticipation, patience, and observation. Street photography for Rick is not just about creativity, but also about mindfulness, presence, and learning from mistakes. It’s an embodiment of happiness in his life.
Links from the show* Rick’s Website * Rick’s Facebook
In this episode, UK-based photographer, Bob Patefield, shares his lifelong passion for street photography, from his early fascination with cameras to encounters and collaborations. He tells us about his experience of being unjustly stopped by police while documenting an incident during Christmas near a British National Party event, which led to an 8-hour detainment without charges. Despite these challenges, Bob remains dedicated to the craft, reflecting on his equipment preferences and expressing curiosity about other models.
His journey intertwines with notable interactions, including a surprise connection with the late great Glenn Capers over Skype, which evolved into a close friendship. Glenn became an inspiration to Bob through his kindness, friendship, and sense of fun. During their lengthy video calls, they shared favorite photos and discussed camera gear into the wee hours of the night. Bob said, “I consider myself incredibly privileged to have met and shared all that time with him.”
Bob was heavily influenced by the themes of social justice, as seen in Capers’ project that depicts a janitor as Superman in solidarity with underpaid teachers. This led to his own story about property tax protests linked to the Freeman movement.
These projects underscore Bob’s engagement with societal issues and the complexities of capturing such moments. He also touches upon the importance of ethics in street photography, a new project aimed at raising awareness about child abuse, and the therapeutic potential of focusing on simpler subjects like dogs.
Bob shares plenty of practical advice, including his recommendation to print and display your work, and highlights the value of having a community of photographers who admire and learn from each other’s work.
A selection of Bob Patefield’s personal street photographsA selection of Bob’s favorite street photos made by his friend Glenn CapersThroughout their friendship Bob Patefield and Glenn Capers shared and evaluated each other’s work. Bob asked that we use this space to show some Glenn’s photos that had the most impact on him. All of the photos below are ©Glenn Capers.
Links from the show* Bob’s 500px * Bob’s Flickr * Freedom-Minded – Bob’s Recent article in Street Photography Magazine * Video of Bob’s arrest for the crime of Street Photography * Expressions of Burnley – 100 Portraits Project * Farmer Ken – Dry Stone Wall Repair * Bob’s Peaceful Parenting Project Video * SPM Podcast Episode 001 Interview with Glenn Capers
In today’s episode, Dallas-based fundraiser and street photographer Penny James shared the story of her creative evolution since she first picked up a camera in 2016. With a passion for capturing the spontaneous ballet of urban life, she has become a unique voice in the world of street photography.
Her photographic journey began with a personal connection to her camera and a desire to document the world around her. The turning point came during expeditions to the streets of London and Paris, where she honed her skills and developed her own visual language.
Penny’s work goes beyond mere observation; it’s an extension of her emotional landscape. She revealed the deep emotional investment she pours into her website, a curated digital gallery of her innermost expressions. The authenticity of her work is not just a philosophy; it’s the cornerstone of her approach to art.
In a surprising twist of fate, her interest in clouds inspired a unique self-portrait project during the pandemic. This project resulted in a fusion of surrealistic cloud photographs with evocative self-portraits. Penny’s work during this period reflects a dreamlike atmosphere that has resonated with her audience.
Navigating the ambiguities of the creative process, James spoke candidly about the exhilaration and hurdles she has encountered. From the painful process of self-editing to the connections made while capturing the lives of strangers, her journey has been as much about personal growth as it is about artistic expression.
Despite the challenges of curating photographs for exhibitions and her website Penny’s dedication to visual storytelling remains strong. When reviewing Penny’s website in preparation for her interview we were most impressed by the intention she put into image selection and sequencing of the photos in each gallery. She said is was a painful process that has really paid off. We review countless websites each year and Penny’s is by far one of the best we’ve seen in years. Please don’t miss it.
Penny’s story serves as an inspiration to all aspiring street photographers and a reminder of the possibilities that await around the next corner.
Chapter Summary07:05 Travel and Street Photography Inspiration
Penny discusses her solo travel experiences to London and Paris, highlighting how being alone with her camera in new places inspired her street photography work.
11:05 Authenticity in Art and Connection
The conversation delves into Penny’s approach to art and self-expression, emphasizing the importance of being genuine in connecting with others through creative work.
17:10 Website Design and Creative Expression
Penny’s intentional and creative use of her website to showcase her photography, discussing the impact of thoughtful presentation in visual storytelling.
24:00 Pandemic-Inspired Self-Portrait Series
Discover how the pandemic sparked a burst of creativity and freedom leading to a unique self-portrait series by the artist.
41:09 Artistic Selections and Editing Process
Delve into the Penny’s process of selecting and editing photographs for her website, showcasing intentional curation and critical evaluation.
46:06 Fleeting Scenes and Insignificant Significance
Explore the artist’s perspective on capturing fleeting moments and the profound significance found in seemingly insignificant interactions with strangers.
51:14 Authenticity and Connection in Photography
Reflect on the power of authenticity and connection in photography, resonating with shared experiences and a sense of community among artists.
Links from the show* Penny’s Website * Instagram
In Street Photography Magazine, we publish many personal projects and discuss them with photographers on the podcast. In this episode, I had an opportunity to speak with street photographer Valérie and writer (and photographer) Gina Williams about their collaboration on one of the most creative projects I’ve seen in a long time.
Gina, a very talented writer, photographer, and artist, attended one of Valérie’s Paris workshops several years ago where they became friends. Several times over the years, they discussed a collaboration where Gina would create fictional vignettes inspired by subjects in a selection of Valérie’s street photos.
Last year, they made it a reality. Valérie gave Gina access to her archive to choose photos that resonated with her. That in and of itself was a challenge because Valérie has a huge archive of very powerful street images. Some stories came to her instantly while others marinated in the back of her mind, only to be revealed while she was gardening or taking a walk.
The result is an ebook titled Street Stories. It’s a collection of about 50 of Valérie’s street photos. Each photo with its vignette is depicted in a short chapter. The chapter opens with a title, assigned by Gina, on its own page followed by the photo on another with the page on the next page. This format can get very expensive in a printed book but works well in an ebook.
We’ve reproduced one of my favorite stories from the book in the show notes of this episode to give you an example of what Gina and Valérie created. The title is Resistance.
This type of book is best consumed a few chapters at a time rather than in long sittings. I imported my copy of the book into the Kindle app on my iPad. It gives me the ability to move between pages by sliding the screen right to left just like any book on the app. That way, I can glide through the images and titles and stop on whatever catches my attention. Each time, I’ve come away with new inspiration.
Valérie’s strong images combined with Gina’s imagination and mastery of the language is a magical combination.
Street Stories costs only $12.00, and Valérie has offered our listeners a $2.00 discount (so it’s only 10 bucks) by using the code SPM on checkout.
In the meantime, give the podcast a listen. I know you’ll be inspired by their story.
Here’s a sample chapter from Street StoriesRESISTANCEI can hear their voices and feel their spirits in the wind when I visit this place. The horror. Fear. Desperation. Determination. Bravery.
My father was on this beach in the summer of 1944. A resistance fighter, he guided the Americans to a river crossing, then helped stand guard over German prisoners as they cleared the beach of obstacles and brutal tangles of barbed wire.
He didn’t talk much about it after the war—none of them did. But I can feel their presence here. Every gust of wind feels like youth leaving the body and I want to push it back like a rescue breath, return to them what they lost.
Places like this hold memories forever.
Now, the message of peace is peace itself. Lovers strolling arm-in-arm. Tourists sipping cocktails. Children splashing about and making castles in the once dangerous sand.
No matter the weather, I let it chill me. I never cover my head or button my coat. I want to feel the cold air in my bones until it hurts.
I scoop up a bit of soft sand and let it fall through my fingers, each grain a reminder of someone who sacrificed everything for the freedom I now enjoy.
And then I look to the horizon, watch the storm clouds swirl in the distance, and offer a humble prayer of gratitude and remembrance.
Links from the show* Street Stories Download Use Discount code: SPM * Valérie’s Website * Gina’s Primary Website * Gina’s Photography and Art Website * Valerie’s Instagram * Gina’s Instagram
Gerald Marie-Nelly, affectionately known as Mister Geez, is the featured photographer in the March 2024 issue of Street Photography Magazine. During our conversation in this episode he invites us into his world of visual storytelling.
Mister Geez’s photographic journey is a combination of personal growth and artistic discovery. His transition from the sun-kissed shores of Martinique to the bustling streets of London is a story that resonates with anyone who has ever dared to dream beyond their horizon. Gerard opens up about finding solace in photography after the loss of his mother. It is a reminder of the healing power of art.
His book “Inner Child Playground” is more than just a collection of images; it’s an invitation to view London through the fresh eyes of a child. Street Photography Magazine subscribers can an excerpt of his book in the December 2023 issue.
What sets Mister Geez apart is not just his exceptional eye for detail but his commitment to community. He shares his craft by teaching photography to the homeless, helping them find their own voice through the language of imagery.
Gerard also pays homage to the greats who have shaped his vision. He expresses admiration for documentary photography icons like Sebastião Salgado and Eugene Smith, whose works have influenced his approach to capturing reality.
He dives deep into the meticulous process of curating a body of work for publication. Selecting and sequencing photos is a delicate dance that can make or break a narrative. During our conversation Gerard discusses his technique of using inexpensive prints to sort, compare and sequence photos for publication.
Our conversation underscores the tangible joy of physical prints, the intricacies of layout design, and the struggle with technical dilemmas like color casts in printing. Gerard’s story is a reminder of the tactile relationship between photographer and photograph, in an age dominated by digital.
Links from the show* Mr Geez Website * Instagram * YouTube
In this episode we explore the world of Marco Campi where the rigid structure of mathematics and the expressive power of photography combine to tell stories of human experiences and the perils of climate change. If you’ve ever wondered how the precision of numbers and the creativity of visual arts could intertwine, then have a listen to my interview with Marco.
Marco Campi is not your typical engineer. Hailing from the fashion and design capital of Milan, Italy, he is a man who sees the world through numbers and symmetries but captures emotion through a camera. His unique blend of interests has led him to become a thoughtful observer street photography, with a special focus on cognitive sciences. This dual passion has taken him from the Milan’s Monumentale Cemetery during the heart of the COVD-19 pandemic to the capturing the lives of people affected by the floodwaters swallowing the historic city of Venice.
In a world where art and science are often viewed as separate entities, Marco Campi stands as a testament to the unity that can be found within diversity. His work challenges us to look beyond the surface and find the intricate connections that make our world a complex and beautiful composite.
During every conversation I have with our podcast guests I look for one tidbit of knowledge that I can apply in my own work. This has served me well over the years. At the end of our conversation Marco made two points, almost in passing “don’t do things on the fly” and “keep going back to the same place…it’s always different.”
Links from the show* Marco’s Website * Marco’s book: Diary of a Pandemic
In this episode of the Street Photography Magazine podcast, photographer the featured photographer in the February 2024 issue of Street Photography Magazine, discussed his 30-year exploration of street photography shooting on Mass Avenue in Boston and his shift from traditional photography to using a mobile phone. He emphasized the importance of feedback and critique in the photographic process, which was the inspiration to create The Crit House, his YouTube channel dedicated to providing creative guidance and feedback to photographers.
Jeff reflects on the challenges and benefits of receiving constructive criticism and the value of having a trusted community for sharing work and feedback. Additionally, he shares insights into lessons from his career in broadcasting and his unique experiences with street and landscape photography using an iPhone, including nighttime shoots and long exposures to capture the moon’s motion.
Larson also recounts the influence of critiques on his work, noting his experience exhibiting in the Smith Gallery in Johnson City, Texas. Exploring genres beyond street photography, Larson detailes his landscape project and encounters with wildlife during early morning shoots.
Jeff encourages listeners to engage with his content available on YouTube, Instagram, and his personal website, and his published book, Sonder which is a compilation of his street photography over the past 30 years.
Links from the Show* The Crit House – Jeff’s YouTube Channel * Jeff’s Website * Sonder – Jeff’s Book * Instagram
Show Notes: Episode 170 – “The Dublin Street Photography Festival Journey”Today, we have the founders of the Dublin Street Photography Festival, Paul Murray and Des Byrne, who are here to share their journey and insights into how their local street photography group has evolved into an international festival.
Main Themes:
- Establishing the Festival: Paul’s expertise in branding and design played a crucial role in attracting sponsors and securing venues. The festival has become a significant event, drawing international photographers and retailers.
- Beginner’s Adaptation: Our guests discuss the learning curve for newcomers to street photography and the creative growth that comes with mastering this art form.
- Reflections and Digital Nuances: They touch on the art of capturing reflection shots and discuss the intricacies of digital photography in the context of street photography.
- Building Community: Des talks about creating an inclusive Facebook group that welcomes international workers and promotes street photography. The community extends to partnerships with local entities like the Dublin Camera Club.
- Global Camaraderie: Paul and Des emphasize the sense of unity among the international photography community and their excitement for upcoming features, such as a retrospective of Jill Freedman’s work at the festival.
- Travel Tales: The pair recount their adventures at photography festivals in Porto, Lisbon, and others, offering a glimpse into the diverse festival landscape.
- Light Challenges: They discuss the technical and artistic challenges of shooting in different lighting conditions, particularly highlighting the unique light of Dublin throughout the seasons.
- Grafton Street’s Winter Sunlight: A love letter to Dublin’s winter sunlight on Grafton Street, along with tips on how to capture distinctive images in this enchanting environment.
Links from the show* Dublin Street Photography Festival Website * Des Byrne Instagram * Paul Murray Website * Paul Murray Instagram
Photos by Fan Ho
Welcome to a special episode of the Street Photography Magazine podcast! We’re thrilled to share an exciting announcement that’s been in the works and is now ready to be unveiled to members of our community of passionate street photographers.
Extending to The Print World with a Photo Book About Your Favorite Street Photography Places
- New Chapter: After years of digital publication, Street Photography Magazine is venturing into the tangible world with a physical book, celebrating the the places you love to shoot.
- Call for Submissions: Hosts Bob Patterson and Ashley Riffo invite street photographers to submit their work for this landmark project. This isn’t just any call for photos; it’s a call for images of places that hold a special place in the photographers’ hearts.
- Specificity Over Generalization: The focus is narrow, personal, and intimate. We’re not looking for the sprawling cityscapes or famous landmarks. We want those stories you tell in nooks and crannies that you return to time and time again, those specific locations that have become a part of your visual journey.
- Inspiration from a Master: The work of Fan Ho, who captured Hong Kong in the 50s and 60s, serves as a perfect example for this project. His repeated visits to the Hong Kong Central Market allowed him to tell deeper, more nuanced stories through his lens—a practice we encourage in our community.
- Capturing Change and Comfort: By revisiting familiar places, photographers can explore how their special spot evolves over time, becoming more attuned to the subtleties of light, atmosphere, and life that unfold there.
- Submission Details: Photographers have until February 15th to submit photos, complete with unique titles and the stories behind them. Patience is appreciated, as curating a book is a delicate and time-consuming process.
- Looking Forward: There’s a palpable sense of excitement as Bob and Ashley anticipate the diverse and profound collection of images that will be submitted, each with its own narrative and emotional resonance.
Stay tuned for updates on this project, and remember to visit Street Photography Magazine’s website for the submission form and additional details. Good luck to all our street photographers out there, and we can’t wait to see the places that have captured your hearts and lenses.
Until next time, keep making stories that are waiting to be told, on the streets you love.
A Selection of Fan Ho’s Photos at the Hong Kong Central MarketLinks from the show* Book Submission Form
Show Notes: Episode #168 In today’s episode, we delve into the serene and contemplative world of fine art street photographer and architect Cyrille Druart who is the featured photographer in the January 2023 issue of Street Photography Magazine. Street Photography Magazine subscribers can read Cyrille’s story and view his photographs in our feature story about in which is scheduled to publish on Sunday, January 7.
Main Themes: “Plein Silence” Series: Dive into the discussion about Cyrille’s powerful “Plein Silence” series, a body of work that poignantly captures the stillness and solitude of the COVID-19 pandemic through the lens of a fine art photographer. * Artistic Evolution: Follow Cyrille’s artistic journey, including his affinity for minimalistic monochrome imagery and the development of his distinct graphic series that showcase his evolving style. * Methodical Approach & Self-Critique: Gain insight into Cyrille’s meticulous method of shooting and his pursuit of perfection through rigorous self-critique, a testament to his dedication to the craft. * Structured Composition & Design Methodology: Learn about the intentional structure and composition in Cyrille’s work, as well as his design-oriented methodology, which guides him in curating his photography series. * Stylistic Adaptations: Cyrille talks about the occasional stylistic changes in his work and how he adapts his style to convey different moods and messages. * Post-Processing Techniques: Uncover Cyrille’s approach to image refinement, using Adobe Lightroom for subtle tweaks and Adobe Photoshop for more substantial graphic adjustments. * Social Media Presence*: Delve into Cyrille’s thoughts on social media, his preference for Instagram (@cyrilledruart) as a visual platform, and his contemplation about closing his Facebook account to maintain a thoughtful curation of content.
Closing Thoughts:Cyrille Druart’s blend of architectural precision and photographic artistry creates a unique and introspective body of work. His advice on tool selection and the curation of social media presence offers valuable insights for both emerging and established photographers. Don’t forget to follow Cyrille on Instagram to witness his minimalistic, monochromatic world.
Episode Timestamps:* [00:01:30] – Transition from architecture to photography * [00:05:45] – Exploring “Plein Silence” and pandemic-inspired art * [00:12:20] – The evolution of artistic style and monochrome love * [00:18:15] – Behind the scenes of Cyrille’s shooting and critique process * [00:25:40] – Composition and design in photography * [00:32:10] – Discussing post-processing preferences and techniques * [00:38:55] – Cyrille’s advice on selecting photography tools * [00:45:00] – Thoughts on social media and content curation
Don’t miss an episode of “The Street Photography Magazine Podcast.” Subscribe on Apple Podcasts, Spotify, or wherever you listen to podcasts. If you enjoyed today’s show, please consider leaving us a review—it helps others discover great street photography content!
Links from the show* Cyrille’s Website * Instagram
In this episode, the spotlight shines on Mark Schumann, a retired photographer whose journey behind the lens has been as varied as it has been profound. From the awe-inspiring wilderness of Alaska to the gritty streets where the homeless crisis unfolds, Schumann’s camera has captured narratives that beg for attention.
Mark’s story begins in ninth grade, a testament to the early onset of his passion. What unfolds is a career that not only brings accolades but also highlights significant social issues. His work on the US homeless crisis, which gained recognition through a newspaper article, delves deep into the ethical quandaries photographers face when capturing images of the vulnerable. Schumann’s insights provide a sobering reflection on the social challenges that persist with homelessness and the role of photographers in that space.
Schumann recounts his encounters with Alaskan bears, a subject matter that demands respect and a keen eye for detail. The importance of capturing the eyes to convey expression is a profound takeaway from his experiences. It’s not just about the danger or the thrill, but about understanding and portraying the silent narratives of these majestic creatures.
For those eager to dive deeper into Mark’s ’s work, his website, Schumannphoto.com, stands as a gateway to his collections. Here, admirers can order his book and immerse themselves in the visual stories he’s so expertly woven. His book is more than just a compilation of photographs; it’s an invitation to explore diverse landscapes and social issues through his perspective.
Mark’s approachability extends to his social media presence, where he actively engages with his audience. He shares the behind-the-scenes process of managing book distribution, a role that sees him in the mailroom ensuring that his stories reach those eager to experience them. The podcast also reveals Schumann’s encouragement for feedback and reviews, underlining his commitment to community and dialogue.
Links from the show* Mark’s Website * Mark’s book: Homeless in a Land of Plenty * Instagram * Facebook
Sureita Hockley, is the featured photographer in the December 2023 issue of Street Photography Magazine. She is a passionate street portrait photographer based in Wales, who has been capturing the world and its inhabitants for over a decade. With a background in dance, sales, and finance, Sureita found her true calling in photography in 2009.
Her journey began in the streets of New York City, where she immersed herself in the world of photography. She honed her technical skills and artistic sensibilities by attending courses at the International Center of Photography (ICP) and exploring the vibrant scenes of the city.
One of the defining features of Sureita’s work is her desire to engage with her subjects on a deep level. She believes in breaking barriers and making personal connections with the people she photographs. Overcoming her initial aversion to approaching strangers, she learned to gracefully handle rejection and persisted in capturing intimate and revealing portraits of people from all walks of life.
Sureita’s portfolio showcases her talent for capturing moments of connection and humanity. Her work predominantly focuses on street portraits, but she is not limited to one genre. Always challenging herself, she continually pushes the boundaries of her photography, exploring landscapes, documentary projects, and more.
Aside from her artistic pursuits, Sureita is actively involved in women’s photography groups. She served as a board member of Professional Women Photographers in New York, contributing to the development of the membership, exhibitions, and the empowerment of women photographers.
Whether she’s navigating the bustling streets of New York City, capturing the tranquil landscapes of Wales, or immersing herself in the cultural richness of different countries, Sureita embraces photographic opportunities with enthusiasm and dedication.
Links from the show* Sureita’s Instagram * Sureita’s Facebook
If you’ve ever been captivated by a photograph, chances are been it was due to the composition. That’s why we invited Paul Fremes to join us today. He has a keen eye for balance and an easy to understand way to explain his composition concept to anyone.
Paul’s journey into the world of photography began like many others. He stumbled upon a book of iconic photographs and was instantly drawn to the power they held. Determined to capture that same magic, he picked up a camera and embarked on a lifelong quest to perfect his craft.
But Paul soon realized that there was more to photography than just pointing and shooting. He discovered that composition played a crucial role in creating visually striking images. And that’s where he decided to focus his efforts.
What sets Paul apart is his unique approach to composition. While many photographers rely on rules like the “rule of thirds,” Paul delves deeper, exploring the concept of balance. He believes that a well-composed photograph is like a delicate dance between the elements within the frame.
Through his teachings, Paul guides photographers of all levels to see the world through a different lens, to search for balance in every shot.
Paul’s system, teaches you to to look for balance in a scene and capture it in-camera avoiding the need for excessive editing and manipulation.
He is a firm believer in the power of practice. He knows that becoming a great photographer takes time and effort. That’s why he encourages his students to get out there and shoot as often as possible. He believes that the more you practice, the more you train your eye to see the world in a new light.
But it’s not just about technical skills. Paul emphasizes the importance of finding your unique voice as a photographer. He encourages his students to explore their own perspectives, to capture the world through their own unique lens. Because in the end, it’s the individuality and personal touch that truly make a photograph stand out.
Paul was kind enough to offer our listeners a 1-hour live demonstration of his composition concept for only $21 CAD (Canadian Dollars). Click here to learn more
And here is a short video titled Revolution in Imagery that Paul made to demonstrate how his composition system works. When you’re finished watching be sure to catch our conversation on the podcast.
Links from the show* Paul’s YouTube * Paul’s Instagram * Revolution in Imagery Video * Book a 1-hour live demonstration by Paul * Paul’s TikTok
In today’s conversation, I’m joined by the Justin Ide, Street Photography Magazine’s featured photographer for the November 2023 issue. His feature story with a samples from a recent project will go live Sunday, November 5 at 10:00 AM EST in the magazine.
With an impressive career as a photojournalist, Justin has captured powerful moments and shared stories that matter. From his early days in West Virginia, where he honed his skills by chasing down news stories, to his time as a staff photographer for the Boston Herald, Justin’s unique style shines through.
After his time in the newsroom, he took on the role of Director of Photography at Harvard University, where he continued to tell stories through his lens. Always eager to learn and grow, Justin emphasizes the importance of constantly seeking inspiration and knowledge, no matter where it may come from.
He believes that everyone has a unique story to tell, and through his camera, he captures the essence of individuals and the world around them. Whether it’s the bravery of firefighters or the hard work of farmers, Justin’s images evoke emotion and shed light on their untold stories.
Join Justin and I as he discusses his adventures, from his early days with a camera in hand to his current projects in Charlottesville, Virginia. He’ll share the lessons he’s learned along the way, including the importance of staying curious, finding stories that ignite your passion, and breaking the ice with subjects to create connections.
Links from the show Justin’s Editoral and Commercial Website * Justin’s Family Documentary Website * Justin’s zine Every Rodeo starts with a salute to the flag.*
Fred Ranger, from Montreal, is not only a visual storytelling expert but also a YouTuber and gear junkie. We had previously talked about visual storytelling, but this time, we decided to dive into how and why he created his first zine.
Fred’s zine, titled “Humans After All,” is a collection of moments that celebrate the beauty of everyday life. Fred wanted to bring back the focus on humanity and showcase the small, poetic stories that often go unnoticed. From four old Italian friends waiting for the bus to a woman interacting with cats in Portugal, each photo tells a unique story.
When Fred decided to publish the zine, he opted for a different approach. Instead of relying solely on digital platforms like Instagram, he wanted to explore a different medium. He believed that seeing his work in print would bring out the true magic and allow viewers to experience his art in a different light.
To bring his vision to life, Fred used BookWrite, a free editing software provided by Blurb, to design and sequence the zine. He found it to be intuitive and user-friendly, which made the process smooth and enjoyable. Fred also emphasized the importance of seeing his work in print, as it added a whole new dimension to his photography. After publication, he was thrilled when Blurb reached out and featured his zine in their staff picks section.
Not only did Fred create a physical version of the zine, but he also made a digital PDF version available for those interested. He wanted his art to be accessible to a wider audience, and the digital format allowed people to experience his work on their devices.
Fred shared his love for capturing those fleeting moments that make life beautiful. And his journey of selecting and sequencing the photos in “Humans After All” was a reminder of the power of storytelling and the impact it can have.
Have a listen to our conversation about Fred’s journey into the print world and Street Photography Magazine subscribers can view photos from Fred’s zine in the October issue beginning October 24.
Links from the show* Fred’s website * Humans After All on Blurb * Fred’s Podcast – Visual Storytelling * Fred’s YouTube * Instagram
In this episode, Karen Commings joins us to talk about her approach to street photography, and how it all began. You might remember Karen from earlier this month – she’s our featured photographer in the October issue.
Karen has been shooting the streets in earnest for about 10 years now, and one of the things we noticed about her work right away is how honed her powers of observation are. She often captures photos that are layered with multiple people and emotions all at the same time. It’s the way she likes to tell the story behind the moment. But that’s not the only reason she’s able to capture her subjects with emotions on full display.
“My superpower is being invisible in a crowd,” she says. Karen uses her superpower, along with a respectful approach to get close and catch. In this episode, you’ll learn what practical steps Karen takes to be discreet and how she knows when to take the shot.
You’ll also get a few tips about getting your work seen from Karen. Her work has been featured in Black & White Magazine several times, The Photo Review, and Harrisburg Magazine, just to mention a few online publications, as well as in numerous gallery shows. What’s her secret? Listen in to find out why photographers should take a chance with submissions and stay persistent to get work published.
Another thing we love about Karen’s work is her willingness to bend and break the rules of photography on occasion. She talks about they whys and hows of that in this episode, but to see a few examples of times she’s broken the rules for a noteworthy photo, be sure to subscribe to Street Photography Magazine and read our feature article about Karen, “A Chance to Break the Rules.”
Where to Find Karen Commings* Website * Facebook * Instagram * Karen’s Street Photography Books
Photo by Larry Racioppo
John Rossi, a retired school teacher from the New York City school system, has a deep passion for capturing moments through his lens. Although he currently lives on Staten Island, his heart remains in his native Brooklyn.
Larry Racioppio, a fellow photographer, friend of John’s and contributor to Street Photography Magazine, introduced me to John’s timeless photographs of Little Italy. And after seeing his photographs, I understood why and immediately invited him to share his personal story with you on the podcast.
Street Photography Magazine subscribers can see his work in his article Memories of Little Italy.
John’s journey in photography began when he got his hands on an old camera with his girlfriend. They experimented with different settings and discovered the joy of capturing images. From that point on, John always had a camera by his side, documenting any event that caught his eye.
John stressed the significance of photography books in his development. He mentioned influential photographers like Walker Evans and Robert Frank, whose work shaped his understanding of photography. With the advent of smartphones, everyone can now take pictures anytime, but John emphasized the importance of slowing down to capture meaningful moments, rather than just snapping away without purpose.
We also discussed John’s deep connection to his Italian roots and his passion for photographing the Feast of San Gennaro in Little Italy. He explained how his family had a store in the neighborhood, and how he was influenced by the atmosphere of the feast. His photographs from those times capture not only the events but also the culture and spirit of the people of the neighborhood.
As you will hear in our conversation, John is a funny and entertaining storyteller. He shared stories of encounters with fellow photographers and even brushes with famous actors like Robert De Niro.
It was a pleasure to have John Rossi on the podcast, and I encourage you to explore his body of work.
Links from the show* John’s Facebook
In this episode, Sam Huggin, a production assistant in Richmond, Virginia, discusses the importance of film and photography in storytelling. Sam shared how framing shots can convey a message that relates to a larger narrative. He spoke about how, for him, photography captures the beauty and complexity of the world, and resonates with people through storytelling.
He also stresses the importance of showing respect for subjects in his street photography and documentary-style work. Sam believes that approaching each subject with empathy and understanding is essential to tell their stories without exploiting them. Sam strives to make his work reflect this respect for his subjects, capturing their essence without reducing them to caricatures or stereotypes.
A selection of Sam’s street photosLinks from the show* Sam’s Website * Instagram * Byrd Theatre (The Byrd)
This is a special Street Photography Magazine Podcast Short episode about the upcoming PhotoNOLA Festival in New Orleans. Joining the podcast are Lisa Cates and Doug Miller of the New Orleans Photo Alliance to share more about the events, review and display opportunities at this year’s festival
PhotoNOLA is an annual celebration of photography in New Orleans that will take place from December 13 through 17 throughout the city. The festival is produced by the New Orleans Photo Alliance (NOPA) in partnership with museums, galleries, and alternative venues. The festival showcases work by photographers from near and far and includes exhibitions, workshops, lectures, a portfolio review, gala, and more.
The festival organizers are excited to welcome hundreds of photography professionals to the city to partake in a variety of educational programs. Additionally, the festival has a broad range of programming designed to connect and inspire the local community through photography. The exhibitions and events are largely free and open to the public.
One of the festival’s highlights is the PhotoNOLA Portfolio Review. It has quickly grown to attract a national gathering of accomplished photographers. They convene to share work with esteemed curators, editors, publishers, and gallery owners from throughout the U.S. and abroad. By fostering the exchange of art and ideas, the review supports the work of emerging and established photographers. The festival also honors three outstanding portfolios each year through the PhotoNOLA Review Prize. Additionally, the PhotoWALK event serves to educate the general public by offering the opportunity to view portfolios and interact directly with participating photographers.
Throughout the month of December, the festival has a variety of photography exhibitions on view, spotlighting diverse applications of the medium. There is also a series of workshops, lectures, and panel discussions that further the educational goals of PhotoNOLA. The annual PhotoGALA Benefit Party & Auction also raises funds to support NOPA’s year-round programming initiatives.
Links from the show* PhotoNOLA Website * New Orleans Photo Alliance website * Lisa Cates’ Instagram * Doug Miller’s Instagram
Joe Jasper is a passionate street photographer who resides in Washington DC. In addition to photography, he also works as an Events and Experience Producer for a DC-based company and has in the past worked as a Videographer and a Photography Instructor in the Washington area.
Joe’s photography revolves around his ability to capture moments, be it through Documentary, Events, or Street Photography. He seeks to capture the little idiosyncrasies of the world around us that go unnoticed every day, and his work is a testament to his skill. Joe’s work walks a fine line between a careful composition and the unpredictability of a candid scene, and he hopes that viewers will find hints of geometry and pattern intermixed with the chaos of humanity in his work. In non-pretentious terms, Joe likes to showcase things like emotion and character in an intentionally organized frame.
Joe’s passion for photography is not the only thing that defines him; he also has a keen interest in other hobbies such as hiking, soccer, and writing and designing materials for his music blog RapZebra. He is a proud Sproodle-Dad, which shows his love and compassion for animals.
A selection of Joe’s street photosLinks from the show* Joe’s Website * Instagram * YouTube
Richard Morgan is a professional photographer and photography education from London. He recently authored a powerful article in June 2023 issue of Street Photography Magazine titled The Poetry of Everyday Life in Wartime Ukraine about how life goes on amid the relentless Russian attacks on their country. His passion for street photography started when he […]
The post Photograph the moment, not “the thing” – Richard Morgan first appeared on Street Photography Magazine.
Portrait Photo by Joshua McLaughlin Growing up in Gary Indiana, Bob Soltys discovered his love for photography while shelving books in his local library. It was then he encountered The Eye of Eisensteadt which left an indelible impact on him. From photographing Bobby Kennedy’s rally with his humble Instamatic camera to investing his earnings in […]
The post Recording magic moments that are right with the world – Bob Soltys first appeared on Street Photography Magazine.
Step into the realm of forgotten moments and untold personal tales as we explore the depths of an extraordinary photo archive.
The post Illuminating the Past: Larry Racioppo’s Reflections on his Extensive Archive of Photographs first appeared on Street Photography Magazine.
Kenneth Wajda is a professional photographer and avid street photographer from Colorado. He has a unique approach to photography and a real passion for capturing those special moments that happen in our everyday lives. According to him, photography is a way to capture life as it is and to showcase the essence of people and […]
The post Kenneth Wajda – In-between Moments first appeared on Street Photography Magazine.
Mark Gilvey is an artist and photographer in Northern Virginia near Washington, DC. He began his career documenting endurance sports car racing. He later became interested in multi-image production, designing art for panoramic presentations using multiple slide projectors. As technology evolved, Mark taught himself digital design and went on to work in pre-press, web design, […]
The post Mark Gilvey – Blurb for Photographers first appeared on Street Photography Magazine.
If you don't promote your own work, nobody will.
The post How to promote your work with Meryl Meisler first appeared on Street Photography Magazine.
Paul Reid is a professional photographer from Carlisle in the north of England. For many years he specialized in wedding photography using only small cameras with prime lenses to capture fleeting moments that tell the story of the day’s events. This made it an easy transition when he became serious about street photography. Because of […]
The post Mister Monochrome – Paul Reid first appeared on Street Photography Magazine.
Today we welcome back, Lauren Welles, someone with whom we’ve spoken with a number of times over the years. Lauren left a successful 16-year career as a corporate attorney to follow her passion for photography, which she has been doing professionally now for a little over a decade. She is primarily self-taught, and her photography […]
The post Learning to see with Lauren Welles first appeared on Street Photography Magazine.
We’re pleased to have Julia Dean back with us again. She’s a longtime photographer, educator, writer, founder of the Los Angeles Center of Photography and most recently the creator of The L.A. Project. Julia was the last apprentice to the pioneering photographer Bernice Abbott, which had a profound effect on her work and career. In […]
The post Julia Dean – The L.A. Project first appeared on Street Photography Magazine.
In this episode of the podcast, we revisit an old friend, Michael Ruggiero. Mike’s recent move southward put him within driving distance of Bob so the two met up to record a podcast episode – this time in person!
Mike has always been a prolific street and documentary photographer, thanks mostly to a successful career as a chef that provided him with the time and money to travel and buy plenty of film. In this episode, Bob and Mike talked about how he used his calling to fund his passion and how being a professional chef influenced his photography.
The two also dove into several of Mike’s long term projects, many of which revolve around slices of Americana that are steadily disappearing. One of Mike’s current projects is particularly fascinating. Recently, he’s been visiting small town churches and shooting tiny congregations of just a dozen congregants or so inside their places of worship during church services. He gave Bob the skinny on how he gets permission to be present as a photographer and shoot such intimate moments.
But there’s lots more to this conversation that you won’t want to miss. Listen in to find out how Mike, a lifetime film photographer, adjusted to digital when he was deprived of his darkroom during his recent move, learn about his attempts to become a Magnum photographer, and find out how he met (and was duped by) a very old and feisty Henri Cartier-Bresson. Mike has plenty of stories to tell.
A Selection of Mike’s Street PhotosFrom Mike’s Trucker SeriesPortrait of an “Asphalt Cowboy”Mission Beach Park – San Diego, CA 1981Voyeur – Vienna, Austria 1989St. Luke’s Church – Charlottesville, Virginia 2022Worship 10 AM – Palmyra, Virginia 2023Links from the Show* Mike’s Website * Instagram
The title of this article is really a misnomer because Marcia Bricker Halperin knew all along that the archive she built over 40-years contains gold. But she waited until she retired from teaching to create a book from her life’s work.
On a winder day in 1975 Marcia ducked into Dubrow’s Cafeteria on Kings Highway in her native Brooklyn to escape the cold. Over the next three years she returned regularly, camera in hand, to record the life and culture among the regulars in this local landmark unique to New York. It was a happy accident that proves you never know where a photo project will lead. Nothing will happen until you take the first step and do the work.
During the podcast conversation Marcia tells the story of how she created her book, Kibbitz and Nosh: When We All Met at Dubrow’s Cafeteria , by mining her archive, making difficult selections, scanning negatives, and finding a publisher that believes in her vision and finally making it a reality.
Early in her career Marcia was employed by the CETA Artist’s Project under the auspices of the Cultural Council Foundation. Her assignments included photographing the Soviet refugees and their introduction to American culture in Brighton Beach and photographing housing issues in Hell’s Kitchen.
In the late 1970s, she was active in the Photographers Forum, an organization that was a continuation of the 1940s Photo League. She assisted with organizing their meetings and panels held at the New School, which featured photographers such as W. Eugene Smith and Roy DeCarava.
Marcia’s personal story of how she leverages her archives to publish her book is an inspiration to any photographer who dreams of exposing their own work to the world.
Marcia’s portrait by Phil O’Brien
Exhibitions and book eventsExhibition: Edward Hopper House Museum & Study Center
Through June 25, 2023
82 N Broadway, Nyack, NY 10960
Link: https://www.edwardhopperhouse.org/kibbitz.html
Artist Talk: Sunday, June 11, 2-3:00 at the Nyack Library, 82 N Broadway, Nyack, NY 10960
Followed by a tour of the exhibition at Edward Hopper House
Artist Talk: Sunday, June 11, 2-3:00 at the Nyack Library, 82 N Broadway, Nyack, NY 10960
Followed by a tour of the exhibition at Edward Hopper House
Exhibition: Garment District Arts Alliance
Kaufman Arcade
132 West 36th Street, NYC
May 15 – August 25, 2023
Garment District Tour and exhibit viewing
Monday, June 5th – 10:30 am
Meet at the Giant Needle and Yellow Button
West 39th Street and 7th Avenue
Email Marcia at mmhalp@gmail.com to reserve a spot
A selection of Marcia’s photosTaxi from Kibbitz and NoshMan with Bowtie from Kibbitz and NoshPencil Moustache from Kibbitz and Nosh47th Street Boys from Marcia’s CETA Artist’s Project Hell’s Kitchen seriesLinks from the show* Marcia’s Website * Kibbitz and Nosh: When We All Met at Dubrow’s Cafeteria on Amazon * Instagram * Facebook
Tatiana Hopper is an artist. Her mediums are film photography, video content creation and writing. You may already know her as the creator of the T Hopper YouTube channel.
I first discovered Tatiana’s channel when I was searching YouTube for documentaries about some favorite master photographers. YouTube is a vast resource but sometimes difficult to search due to the large numbers of “Clickbait” posts. It can take a lot of time and effort to separate the wheat from the chaff.
That’s why I was so pleased to find Tatiana’s YouTube channel. She creates a series of videos in three categories: past and present masters of photography, the photography of people famous for other creative endeavors (like actors, musicians and filmmakers), and her own views about photography techniques and creativity.
Tatiana has created videos about Winnogrand, Cartier-Bresson, Robert Frank, Lisette Model, Marry Ellen Mark and many more. One of my favorites is her most recent documentary about W Eugene Smith. Don’t miss it.
She is also fascinated with the photography work made by people famous for other creative endeavors like actors, musicians and filmmakers. You will find stories about the photography of Ringo Starr, Lenny Kravitz, Patti Smith, Linda McCartney, Bryan Adams and more.
My personal favorite is her series of short documentaries about master photographers. In these 10 – 20 minutes videos she explores the life and work of each photographer focusing on the lessons she learns from each of them.
Tatiana is prolific, releasing several new videos throughout the month. This is no small feat because creating quality videos is very time consuming. Her archive contains rich mix of quality, informative and inspiring content that will keep you entertained for days.
I was so enthralled with her work that I had to reach out and invite her to be a guest on a podcast. Fortunately she made the time to talk. As you will hear in our conversation she is brilliant, engaging and fun.
Tatiana’s YouTube channel, T Hopper, is an excellent resource for any photographer, in search of inspiration. I encourage you to add it to your favorites and visit regularly.
A few of my favorite short documentaries by Tatiana* The importance of self portraits * Learning photography with Josef Koudelka * The Genius of W. Eugene Smith * The timeless photography lessons from Robert Frank * Timeless photography sessions from Cartier-Bresson * The Narrative Photography of Fan Ho * The surprising Street photography of Sergio Laarín * Learning photography with Mary Ellen Mark! * Composition with Garry Winogrand * 5 photography Lessons from Edward Hopper’s Painting!
Links from the show* T Hopper YouTube Channel * Tatiana’s Website * Tatiana’s Instagram * Tatiana’s Twitter * Tatiana’s Linktree
Today’s podcast is a special episode that marks our 10th anniversary of Street Photography Magazine. We’re going to depart from our usual format for our editor, Ashley Riffo, to interview me about the story behind the magazine. It was a little strange and uncomfortable to talk about myself on the other side of the microphone.
Initially I did most of the magazine work myself which resulted in many of the late nights and long days, attempting to keep up with my web development business and a publication. Fortunately, about a year into the business, I connected with Ashley Riffo to help edit the magazine contact. That was about nine years ago. Until this past, February, Ashley and I had never met in person. I believe the magazine would have died on the vine years ago if it wasn’t for her hard work, creativity and sound advice.
In the early years we spent a lot of time and energy seeking good content for the magazine. Then as the magazine continued to grow we began to receive a flood of article submissions from some really amazing photographers around the world. This is allowed the magazine to evolve into a highly curated publication that is not only a platform for photographers to show their work, but a source of inspiration, ideas and information for our readers.
The launch of Street Photography Magazine sent me on an incredible journey that I never expected. It has been one of the most interesting and exciting experiences of my life that I wouldn’t trade for anything. It has enabled me to make friends with a number of creative and inspirational people I would not have otherwise met.
I have our supporters, podcast listeners, contributing photographers and Ashley Riffo to thank for it. I will never forget it.
Photos with links to articles discussed during the showSuper Seamstress by Glenn Capers from A Day in the Life of SupermanStreet photo by Ellen Friedlander from her feature interviewCover image from Harvey Stein’s first Coney Island boo ©Copyright 2011 Harvey SteinStreet image by Julia Coddington,from the March 2022 issue.A collaborative portrait by Amy Touchette
Jason Figgis is an Irish film director and writer who began his career working for Murakami-Wolf Animation Studios on the TV series Teenage Mutant Ninja Turtles. Soon after he worked for Steven Spielberg at his London based Amblimation Studios on the feature An American Tail: Fievel Goes West.
Since then, over the past 20-years he has written and directed a wide range of indy films, television programs.
Recently Jason turned his attention to creating a documentary about the compelling work and life of British social documentary photographer Shirley Baker (1934-2014). Shirley’s street photography of the working class inner city areas, taken from 1960 until 1981 in Salford and Manchester as they experienced years of ‘slum’ clearance, came to define her vision.
Her engagement with the everyday world resulted in several different strands of work, many of which have not been exhibited. Although Shirley’s work is not well known outside the UK her work has been exhibited at the Tate Britain, Barbican Art Gallery, London, The Photographers’ Gallery London, James Hyman Gallery and The Louvre to name a few.
This quote of Shriley’s best describes her body of work:
“I love the immediacy of unposed, spontaneous photographs and the ability of the camera to capture the serious, the funny, the sublime and the ridiculous. Despite the many wonderful pictures of the great and famous, I feel that less formal, quotidian images can often convey more of the life and spirit of the time.” – Shirley Baker
Shirley’s work is a must-see for any serious street photographer so be sure to listen my conversation with Jason as he tells the story of Shirley, her influence, work and the making of the film Shirley Baker: Life Through A lens
A selection of Shirley Baker’s photosPhotographs by Shirley Baker / Courtesy the Estate of Shirley Baker
Links from the show Jason Figgis’ Wikipedia * Shirley Baker Website * Shirley Baker Instagram * Shirley Baker: Life Through A lens* Premiere Announcement * The New Yorker article – Shirley Baker’s Half Century of Street
When Jeff Sonnabend, an Intellectual Property attorney from New York City, moved to Arkansas near the geographical center of the lower 48, he decided to follow his passion as a documentary photographer.
Inspired by the work of German filmmaker / photographer Wim Wenders, he began photographing American communities for his project “Interstate Magazine”, a project roughly modeled on the work of the Farm Security Administration (the FSA) of the 1930s and 1940s.
Like the work of the FSA, all of his documentary photography is meant to “show America to Americans”. As such, Jeff’s photography captures a detailed, truthful view of America as it really is.
Early in 2023 Jeff published his second book, “The Route 66 Primer, An Uncropped View of the Mother Road.” He recently published an article in the January 2023 issue of Street Photography Magazine that tells the story of his book with a sample of his favorite images. His previous book, “Bowling the American Dream, America’s Bowlers and Their Bowling Alleys”, was published in 2019.
In today’s episode, Jeff shares his personal story about how and why he travels the American heartland in search of its soul.
A selection of Jeff’s project photosLinks from the show* Interstate Magazine * The Route 66 Primer * Bowling the American Dream by Jeff Sonnabend * Written in the West by Wim Wenders * Paris Texas – Film by Wim Wenders
LeighAnn Edmonds is a freelance documentary photographer in Birmingham, Alabama. Her work focuses on the rural regions of the American South, the people, their culture and the land that has often passed down through generations.
Her conviction to break away from mainstream photography led to her retirement as a professional wedding and family portrait photographer, allowing her to focus on her personal work and photography projects.
She primarily shoots 35mm black & white film with a 1955 vintage NIKON S2 rangefinder and her first camera, a Nikon N80 SLR.
LeighAnn penned an article for Street Photography Magazine about her return to film which will be published in the magazine on March 19, 2023. In addition she will be the featured photographer in the May 2023 issue of SPM. Be sure to read that article to learn more about LeighAnn and her work.
Links from the show* LeighAnn’s website * Instagram * Facebook
We’re doing something a little different this week. Instead of our usual monthly newsletter we decided to publish our interview with Brian Lloyd Duckett in our podcast feed. That’s because Brian is the featured photographer in the March 2023 issue of Street Photography Magazine and we wanted to share our very lively conversation with everyone.
You can listen to our conversation with Brian here (or iTunes, Google Play, Spotify, Amazon, Stitcher and most other podcast directories) then SPM subscribers can read more about him and see his work in the March feature article which is scheduled to publish on Sunday, March 5.
Brian is a documentary and street photographer from London. He has a very quirky and humorous style that is very refreshing. Brian says he is more interested human behavior than random photos of people walking down the street. Look at his work and you’ll see what I mean.
He is also operates StreeSnappers, a London-based street photography hub. There he offers a variety street photography workshops both locally and around Europe.
Brian is also a prolific writer, having penned six books about street photography including his most recent ‘OBSERVED’ – OBSERVATIONAL STREET PHOTOGRAPHY. All of his books are available on his website.
When he’s not practicing or teaching street photography, Brian shoots editorial portraits for newspapers and magazines and is a partner in a commercial photography business.
One more thing…his YouTube channel is an excellent resource for all street photographers.
A selection of Brian’s street photosBrian Lloyd Duckett, Venice street photographer, Venice photography workshop 2022Links from the show* Brian’s Website * StreetSnappers Website * Instagram * Facebook * YouTube
Lewis Sandler open
Lewis Sandler originally trained as a lawyer, decided to move to China to explore a different world. There he spent nearly He spent nearly 30 years 30 years there working teaching English in high schools and later college. During his time in China, he photographed the world around him creating a huge body work.
When he returned to the US Lewis settled in Presque Isle, Maine. Newly retired, he decided to find a way to show his photographic work in a gallery. This is something many of us would like to do but most never take the first step. Lewis was not deterred.
Without any knowledge of how to find a gallery and create work for display he made a contact at the local library who agreed to give him space to show his work. He then set to work culling his photographs and contracted with a printer to print his selections on fine art paper. He then framed them (over 80 prints in all) and created supplemental material about life in China. It became a huge undertaking.
He made it happen by taking digital images that only existed on a hard drive and making them real. In the process he made many mistakes which he shared during our conversation. But rather than let them defeat him, instead he learned and adapted for the next time. He has another show scheduled for this spring in a nearby town.
Lewis shows us that no matter where you live, no matter what you photograph, opportunities exist to show your work to the public. You only have to look for them, ask and deliver. Which isn’t easy.
You don’t ask…you don‘t get.
A selection of Lewis’s China street photosLewis’s work on display in the library gallery spaceLinks from the showFacebook
Editor’s Note: Nancy Kaye will be the featured photographer of the month in the July 2023 issue of Street Photography Magazine. Be sure to see that issue for an in-depth look at Nancy’s work.
After I finish an interview I write down two or three things I learned from our guest. That’s why the title of this episode is “It’s about the story.” Nancy Kaye is a photojournalist and educator from Los Angeles. During her career she has been based in New York City and London, shooting for The Washington Post, The New York Times, and Associated Press.
During our conversation Nancy said something that really resonated with me. She said that a single image can be strong on its own, but when sequenced in a group with a common theme the synergy it creates is much more powerful. The whole is greater than the sum of its parts.
Nancy’s photos have been widely exhibited in juried shows and included in numerous books and documentaries. Her portrait of author Ralph Ellison is in the Smithsonian’s National Museum of African American History and Culture.
In 1988 Nancy photographed a group of young girls in a rough Brooklyn neighborhood for The NY Times; a generation later she collaborated on a project, “Jump Rope Girls,” documenting the girls’ lives as adults with children of their own, and presented it at Duke University’s Documentary Study Center.
As an educator she’s taught at LA Valley College and Santa Monica College Continuing Education, and American Jewish University’s Whizin Center where she worked with Rotem Rosental. She has mentored youth at Venice Arts and developed an after school photo program for teens in Culver City. She leads independent street photo workshops, guiding photographers to define their personal projects.
Recently, she has served as a photo judge and curator for Photoville LA, ASMP-LA calls for entry, and the Orange County Fair. She’s currently President of the Los Angeles chapter of the American Society of Media Photographers (ASMP.)
A selection of Nancy’s street photosLinks from the show Nancy’s website * Book Recommendation: André Kerté * André Kertész On Reading* * Mark Greenberg * J Ross Baughman * Maggie Steber
Matt Nickles of Dayton Ohio is a new type of explorer. An Urban Explorer…Urbex for short. Rather than photograph people, he photographs the effects of people by documenting the things they leave behind by entering abandoned buildings, schools, churches and even subways. Basically Matt is an historian. These places can be dangerous, so it’s not for the foolhardy. Personally I find it fascinating.
Here’s an explanation from Matt, in his own words, about what he does and why he does it. Plus more than a few words of caution for those of us who want to try it ourselves.
“Take only photos, leave only footprints” a motto that would take a hold of my life! Hi there, my name is Matt Nickles(OhioRed). They say good things can come from bad situations and that is exactly what happened to me. Let me explain!
Prior to Covid I was an avid hiker and nature will always be my first love! Then Covid happened. I noticed the trails quickly became packed with other people looking to escape the confinement of home. To me, nature was my escape from people. Don’t get me wrong, I’m an extrovert to the bone. But, we all need a break from the world and society and nature was mine.
Now, I was stuck looking for a hobby without the cluster of people. I had always had this fascination with the Cincinnati Subway. So, to Google and Facebook I went. Took me just a couple days but I had set up a trip to get in and explore the remains of the forgotten subway. Before I go forward, I don’t condone any trespassing. I do this to capture the history before Mother Nature takes over. Next thing you know, I’m standing beneath the city of Cincinnati and can hear the foot traffic and cars on the street above me. Now, I find myself chasing light to capture that moment in time.
The greatest joy I get from this is the moment to stand at the center of some of these structures and just listen and smell and imagine what it was like in its prime with all the busy people and loud machines running. I make sure to respect all places I visit and to leave only footprints. I’ve found myself from coast to coast and from Michigan to Destin Florida in my travels. I’ve also found there isn’t a place that I’ve encountered that doesn’t have a story to tell.
I welcome you to take a look at my work and see if you may recognize any of these locations and may have a story of your own to tell? Safe explores!
A selection of Matt’s Urbex photosLinks from the show* Matt’s Urbex Facebook
Carlos P. Beltran is an award-winning documentary filmmaker, producer and photo journalist originally from Caracas, Venezuela.
Recently Carlos completed a 12-year documentary project, It Suddenly Occurred to Me, serves as an experimental biography that explores the life and work of Yarida Silva, a woman who found peace and redemption writing from within some of the worst prisons in Latin America.
The book, documentary and photography exhibit are a collaboration between writer Yadira Silva and Carlos that offers an intimate view of a troubled, yet hopeful life.
In today’s episode Beltran tells the story of how he and Yarida connected, how she wrote her story while imprisoned, how she hid her writing from the Venezuelan authorities and the dramatic rescue of her handwritten drafts from an abandoned apartment in Venezuela.
Carlos’ documentary work focuses on socio-political issues, civil rights, migration, LGTBQ+ and human-interest stories in Latin America and the U.S. His work has been featured in leading news outlets including, NBC News, ABC News, National Geographic, Discovery Networks, Univision, The New York Post, Telemundo, Fusion, The Atlantic and AJ+ among others.
A selection of Carlos’ Venezuela documentary photosLinks from the show Carlos Beltran website * Suddenly it Occurred to Me book* website
Matt has worked as a creative nearly his entire professional career. He started as a visual designer but by the end of his 20-year tenure in that field his focus and expertise had shifted toward language and narrative. It’s no surprise that he ended up in the creative industry in that his parents were both artists and continue to create to this dav.
Though from a family of modest means Matt was always supplied with instruction and professional level art supplies. His father was both a painter and a writer, but Matt’s early interests were, like his mother, entirely visual. She is an accomplished artist to this day. Having studied under Xavier Ironsides in her youth and heavily influenced by the work of Andrew Wyeth throughout her life, she has a solid command of form and composition and is an absolute master of the use light, shadow and texture.
Matt’s formal training was initally in the area of theology. After a brief stint as a chaplain and teacher, however, he decided to pursue a degree in visual communications that evolved into a career in advertising. For multiple reasons does not consider his work in theology to have been a waste of time. In addition to applying the knowledge gained to his own spiritual journey it served to shape his creative vision as well. It’s his belief that the essence of true art is, fundamentally, the essence of humanity. and that human nature is most clearly revealed in its search for the divine.
Currently he owns a small company that creates destination art for retailers across the United States. And while he enjoys his work as a small business owner and illustrator he continues to pursue photography as a deeper from of creative expression. His photographic work has been featured on multiple occasions in Street Photographer Magazine and a piece he did for National Parks Magazine won awards from both the Society of American Travel Writers and the North American Travel Journalists Association.
A selection of GUEST’S street photosProcessed with VSCO with ss1 presetLinks from the show* Matt’s photography website * Smoky Outfitters – Matt’s business website * Instagram * Facebook * AbeBooks * Resurrection City, 1968 by Jill Freedman * The Unseen Saul Leiter * Gordon Parks: Segregation Story * The Candid Frame Interview with David Ulrich * The Mindful Photographer by David Ulrich
Matt Jerrams is an executive producer who creates television commercials in London. He has a passion for street photography in one of the best cities in the world to shoot.
It seems like we have Matt on the show every year so it like this is his turn in 2022.
We had plenty to talk about including Matt’s post purchase dissonance after switching from Fuji to Sony and his successful experiment selling his own prints through Etsy. He even volunteered to help our listeners thinking about giving it a try themselves.
And of course he’s a Cleveland Browns fan…why is still a mystery to me. But we’re glad he’s a member of the fraternity. Don’t worry,we didn’t use the precious podcast time to talk football.
A selection of Matt’s recent street photosLinks from the show* Matt’s Instagram * Matt’s Vero: @capitalfaces * Matt’s Etsy * Robert Blomfield: Edinburgh 1957 – 1966 * The Mindful Photographer by David Ulrich * Shane Taylor Instagram * Jimmy Lee Instagram
Today I speak with Brooklyn based photographer, Amy Touchette who explores themes of social connectedness through street portraiture.
Kieron Long is a documentary photographer and Leica Ambassador from Kuching, Malaysia located on the island of Borneo. Born in Hong Kong, educated in the UK, Kieron has spent the past 4-years documenting the life and culture of the people of Borneo. He currently works with only a Leica Q2 Monochrom. By using only a […]
Miami Street Photography Festival Submission Deadline Extended Before we get to today’s show I wanted to let you know that the Miami Street Photography Festival (MSPF) will be live and in person this year at the History Miami Museum December 2 and 3. This is the premiere street photography event of the year, so we’re […]
Karl Dedolph is a prolific street and documentary photographer from Minneapolis, Minnesota. He is a true student of the craft consuming about 2-hours of YouTube tutorials each day plus a regular workshop attendee. He’s trained with the likes of Bruce Gilden, Matt Stuart, Valerie Jardin and Brian Lloyd Duckett. He’s also been a fan of […]
We call ourselves street photographers, but let’s face it most of us don’t practice just one form of photography. If this applies to you, then you have the opportunity to add interest to some of your other work by incorporating your street photography style in other genres. Of course this doesn’t apply to everything but […]
Ted Nelson is well known in the Mid-Atlantic street photography community for his founding and leadership of the Fredricksburgh Street Photography Collective. He created the group from scratch with a simple Instagram post reach out to other like-minded photographers in his area. In a few short years the group has grown from a handful of […]
After each interview, I like to make a list of things I learned from our guest. These are lessons that apply to me personally which may mean nothing to everyone else. This is why I rarely share them. I learned a lot from my very lively conversation with New York photographer, Gerard Exupery. But […]
An interview with Harvey Stein, the master of long-term projects, about his latest book.
When I shoot on the street I often fall into the FOMO (fear of missing out) trap by continually wandering in search of the next photo. Firiends often tell me to "stop already" and watch for opportunities where I am. Each time I do this I’m rewarded with at least one good (well maybe decent) […]
Pia is a biologist, photographer and author. Originally from Milan of Italian and German nationality, with a PhD in ecology, she lived for years in the Amazon rainforest for her work as tropical ecologist on international projects. Pia has also lived in Italy, Germany, Venezuela, Brazil, and South Africa. Now she calls France home. She […]
Carey Winfrey started taking pictures when he was about 10 years old and never stopped. Eventually, he became a journalist, a career that lasted for 45 years. Carey worked for Time Magazine and the New York Times, and even produced a couple of TV shows including “Behind the Lines” and “Assignment America.” During his time […]
This is a special episode of the podcast to answer some of your questions and introduce you to our new publishing platform. Here are the highlights: How can I publish my work in Street Photography Magazine? We accept two types of submissions to consider for publication. Single images to be considered for our monthly Street […]
Mark Seymour is an amazing wedding photographer who had an interesting journey into street photography. (No spoiler alerts here. You’ll have to listen in to hear the story. 😜) Now, he also guides intimate street photography workshops around the world with Shoot the Street. His own street photography is stunning as you can see in […]
When Thomas Hackenberg heads out to do street photography, he’s a lone wolf and he’s fast. Armed with his Sony A7 and only a 35mm lens, he keeps things simple and unobtrusive. With this approach Thomas captures humorous street photos with quirky details and a real storytelling component. But there’s so much more to it […]
I first met Dan Ginn about seven years ago when Ashley Riffo and I interviewed him for this podcast. At the time he was a young guy about to leave on a big adventure with his girlfriend to travel through the Americas learning the culture and making photographs along the way. Less than a year […]
San Francisco based street photographer Virginia Hines shares here experience preparing for and attending the 2022 Chico Hot Springs portfolio review.
Jason Rice is a representative for a book wholesaler which brings him to New York City on a regular basis. Like any avid street photographer he uses the opportunity to walk the streets in search of images that reflect his personal story. As the son of a professional photographer Jason was influenced not only by […]
Fred Ranger is a Montreal based photographer, YouTuber and podcaster, in short…a visual storyteller. He travels frequently for his job so he uses that experience not only to capture and document his experiences, but shares those stories via his YouTube channel, podcast and zines. In today’s episode Fred talks about the art of visual storytelling […]
Aaron Cabitto, a security engineer from Fredericksburg Virginia has been an avid photographer for over 20 years. Although he likes the quality of his Fuji lenses he missed the unique character of the older lenses he used in his film days. He says that sometimes new lenses are almost too perfect…too sterile for his taste […]
Ellen Friedlander is a Los Angeles-based fine art and documentary photographer who uses creative techniques to reveal the inscrutable nature of the human condition. Her work has been most influenced by the iconic photographs made by 20th century street photographers. From the age of 16 she took to the city streets across the United States […]
In early 2020, Manila resident and documentary photographer, Gunther Deichman, decided it was time to move from his house to something smaller and different. He chose an apartment on the 10th floor of a high-rise in downtown Manila. His favorite feature One feature is the balcony which afforded him views of the skyline, and unique […]
Jeff Tidwell is a full stack web developer that hails from Texas originally. And while he’s always had an interest in photography, it wasn’t until a mission trip to Romania in 2012 that his interest began to bloom into a full on passion for photography and street photography in particular. Nowadays, Jeff mostly shoots around […]
Whether you shoot Leica or not, you'll enjoy getting to know this avid street photographer.
On this week’s episode, we’re catching up with Ave Pildas. Ave was born and raised in Cincinnati, Ohio and worked early in his career as a photo stringer for Downbeat Magazine in the Ohio Valley and Pennsylvania. That was in the 1960’s but that just the beginning of Ave’s journey. Ave and Bob talked about […]
Craig Litten teaches street photographers to "Don't Think...Shoot" by developing muscle memory and zone focusing.
Kevin Zuniga is an American photographer from Nogales, Arizona on the Mexican border. He recently graduated from The University of Arizona in the BFA program with an emphasis in Photography. Growing up in Nogales, Arizona only five minutes from the sister town of Nogales, Sonora, México gives him the opportunity to not only see, but […]
Lana Santoro’s love of photography began with her first job in a local camera store. That started her on a path that has continued throughout her life. Today she is joined by her husband, Chris Santoro, where they share their passion for travel and capturing the visual stories from their adventures. Although they shoot together, […]
Mark Gilvey is a commercial photographer and graphic designer from Northern Virginia outside Washington, DC. In his free time he prefers street photography because he says it is “the most pure of all genres.” Although many street photographers do very little post-processing, Mark uses his raw captures as a starting point. For Mark the actual […]
DC based street photographer sits down to discuss his approach to street portraiture and the evolution of his street gear.
How does seeing exclusively in black and white affect your photographic vision? Paul Reid weighs in.
Michael is a filmmaker/street photographer who is a master curator. Find out how he does it.
A 1975 photography exhibition, called “New Topographics,” was “new” in that the landscapes it offered up to viewers weren’t the picturesque natural scenes people had grown accustomed to. Instead, this exhibit was, in the words of San Francisco’s MOMA, all about “unromanticized views of stark industrial landscapes, suburban sprawl, and everyday scenes not usually given […]
Mark Indig was motion picture executive for over 40 years with major studios like Disney, Miramax Universal and Dreamworks. During his career he worked on films like Body Heat, The Big Chill, Titanic, The Village, The Guardian and Tropic Thunder. Mark started in the biz as a location manager where he traveled the world to […]
On this episode of the SPM podcast, Bob sat down with Tim Huynh, director of the film Fill the Frame, a new street photography documentary. Not only did Tim tell Bob about the making of the film, he also went into detail about another project he’s been working on called, Beyond the Frame, a stellar […]
Marc Gordon was trained at the International Center for Photography in New York City and studied street photography with Harvey Stein. His photography focuses on documentary style photography and unposed portraiture – two elements that can be clearly seen in his work from New York City’s Gay Pride Parade, an event that brims over with […]
Hear about Meryl Meisler's latest book and the many years of photography that led up to it's creation.
Meet an anonymous street photographer helping some of L.A.'s most vulnerable people tell their story.
Get ready to talk shop with street photographer, writer, and teacher Michael Ernest Sweet.
What does it take to bring a personal project to fruition? Philipp Meiners may have the answer.
Photojournalist and advertising lifestyle photographer, Craig Litten, earns his living making photographs. So he knows the importance of having his work taken seriously. Craig says that one of the most important factors in being taken seriously is to take it seriously yourself. And part of that is to be consistent in the work you show […]
The editor of a new photo book talks about showcasing the work of contemporary women street photographers.
Nicolas St-Pierre may come from a small town in Quebec, but by all accounts, he is a world traveler. Nicolas is a diplomat with the Canadian Foreign Service, which has meant extensive travel around the world and even a few stints living abroad in places like China and Japan. But as has been the case […]
Meet Casey Meshbesher - street photographer, video and multimedia artist, researcher, curator, and the founder of @womeninstreet (WiS).
Get to know an enthusiastic collective whose spirits haven't been dampened by the pandemic.
This is just a quick reminder registration for the Publishing a Photo Book Workshop taught by Harvey Stein will close this coming Sunday (January 24) at midnight. The 7-week course begins Tuesday, January 26 at 1:00 PM Eastern time. It’s designed to help photographers who either have a completed project to publish but don’t know […]
I’m writing this on January 15 which means we have just published the January 2021 issue of Street Photography Magazine. We are super excited because the January issue kicks off our year of women street photographers with a special issue that features work by all women. And throughout the year each issue will feature a […]
Our guest this week is Keith Dannemiller, an American photojournalist who has been living and working in Mexico City for the past 30 plus years.
Keith is currently independent, but over the past 31 years he was associated with two US photo agencies: Black Star and Saba. In Latin America, he has covered a wide variety of situations, ranging from Nicaraguan Recontras to street children in México City to life on the US-México border and the evolution of a refugee camp in the Mexican state of Chiapas into a thriving community today.
Thanks to the Internet we now live in little silos of individual realities. The shared experiences we had before this phenomenon no longer exist. Then along comes the coronavirus pandemic that has thrust into a new shared experience not felt since the 911 attacks and the Kennedy assassination. It is a common reality we cannot […]
Our guest this week is Ashley Tillery, a street photographer from Arlington, Virginia. Raised in a military family Ashley moved around a lot as a child which exposed her to many different cultures and places. But it wasn’t until after college while working as a folklorist in rural Alabama that she found the inspiration to […]
Lifelong New York street photographer and educator, Harvey Stein, has published 9 books throughout his career and I’ve had the pleasure of speaking with him about several of them over the years. When he finished his latest book, Then and and There, Mardi Gras 1979 we got together on a Zoom call to discuss the […]
One of the great frustrations in the digital age is that e easy it is to make your photography available to the world, yet so difficult to get people’s attention and to take the time to look.
Street and documentary photographer Chris Suspect, the Street Photography Magazine featured photographer in August 2020 issue, has figured it out. He regularly enters his work in competitions, attends festivals (at least he did when you could do that sort of thing) and just getting to know people personally. And most recently is self publishing a series of photo books, which have been very successful.
When you ask Kevin Fletcher of Portland, Oregon what he does he’ll tell you that he’s an image maker. Like all good elevator speeches there’s so much more to it. Professionally he is an independent Directory of Photography who does commercial work around the world, most recently for Netflix. And he’s working towards doing more […]
Our guest this week is Montana documentary photographer Kelly Gorham is a former photojournalist, filmmaker and Director of Visual Media at Montana State University. As a filmmaker he is about to finish a PBS documentary film, titled Mavericks, about the story behind the ascendancy of Montana skiers to the heights of competitive freestyle skiing. In fact Kelly is a former competitive freestyle skier himself.
Although the Coronavirus is not currently in the headlines that doesn’t mean it’s gone away. On the contrary it’s still there and just as dangerous. Now that we’re collectively letting our guard down I fear that it will come roaring back. But I hope I’m wrong.
Although Debby Cole, a former business owner and corporate executive from Austin Texas, spent spent most of her adult life as a landscape photographer she never considered street photography until she attended (almost by accident) a workshop with Valerie Jardin in Paris. Debby says it changed her life.
Like you I’m learning how to become better at the this elusive art form we call street photography. No matter how much I know or have learned there’s always more. It’s like crossing the ocean. Once you reach the horizon, what do you see? Another horizon. So each time I interview a street photographer for […]
Matt Jerrams sheltering in place. I hope you’re are enjoying yourself sheltering in place. Of course not. It has been an interesting time, hasn’t it. Because we’ve been stuck inside Matt Jerrams and I got together the other day to record an episode indulging our favorite guilty pleasure which is street photography gear. If you […]
I’m back from my trip to New Zealand and getting back into the swing of things. Sorry for being offline for so long. When we left the US things were relatively normal, and in New Zealand it seemed to be business as usual. Although we watched the stock market melt down on television, out on […]
Today our guest is Austin Texas based street photographer, Tom Chambers. Tom has been a very active street photographer since the 1980s when he began photographing in and around El Paso Texas. Since then he’s lived all over the world including India and China. He began his photographic journey while working for NASA on the […]
ON ASSIGNMENT: SEVILLE, SPAIN PILGRIMAGE TO EL ROCIO Today our guest is New York Street and Documentary photographer Lauren Welles. If you’re a regular listener or magazine subscriber then you’ve likely heard her before. She’s a former attorney, now full-time photographer who is passionate about her craft. On top of that she’s witty, articulate intelligent […]
Susanne Baumgartner and Lynn Kaplan – Miami Street Photography Festival 2018Today our guest is Susanne Baumgartner a prolific street photographer from Switzerland who’s been at it regularly for over 15 years. I had an opportunity to meet Susanne personally at the Miami Street photography festival back in December 2018. She was there as a finalist […]
Bob and Ashley talk about their favorite featured photographers and article submissions from 2019.
Every month, we receive dozens of submissions for our Street Shooters of the Month feature, which appears in each issue of Street Photography Magazine. From those images, Bob makes a careful selection and chooses six special images to be published. It can be tough to choose with so many talented photographers sending us fascinating street shots from every corner of the globe, but choose he must and choose he does.
Today’s guest is Andy Walmsley. He is a resident of the UK, an IT professional in the telephone systems industry, a street photographer and huge film enthusiast. He’s also the host of the Photography Insights podcast. Andy began his photographic journey not long ago doing street photography with a digital camera. But as a very […]
Today’s guest is Gulnara Samoilova. She’s an accomplished street photographer, founder and curator of the Women Street Photographers Instagram feed. She is also an award winning Associated Press photojournalist most notably for her photographs taken during the attacks on the World Trade Center in New York on 9/11.
In this episode, our guest is Michael Kowalczyk, a photographer I met last year at the Miami Street Photography Festival, where I was honored to be asked to do a portfolio review with him. Michael is a multimedia specialist at the University of Konstanz in Germany. He’s also a prolific street photographer. Since we met last […]
Stephen McLaren, editor of Magnum Streetwise, is a freelance photographer, author, curator, former TV Producer and aspiring script writer. Born and raised in Scotland, he now resides in Los Angles, California. In addition to being a very talented writer Stephen is also a highly accomplished street photographer himself. Some of his personal street photography is […]
Learn how to write about your photography in this podcast, where Bob and Ashley share their best writing tips for non-writers. (You'll get a free list of writing prompts for street photographers too!)
Michael Stern is Los Angeles based commercial photographer who specializes in construction and industrial still photography and timelapse photography. But he’s much more than that. Michael leverages his artistic and technical skills to become a storyteller of his clients’ projects. His motto is: Think like an artist. Shoot like a director. Edit like a storyteller. […]
Alex Casares spends most of his workday driving throughout his vast rural Arizona county. He loves it because it gives him the ability to take his camera to pursue his passion for street photography while he works. Because he visits open desert, small towns and urban areas through the day results in a an eclectic […]
©David Ingraham I started publishing Street Photography Magazine almost by accident. For the past 10 years I’ve owned a web development business that specializes in creating online training websites. Back in 2013 I was researching some new iPad magazine technology that looked like a good application to be used for courses to be delivered over […]
Last December I had the pleasure of finally meeting New York photographer Lauren Welles at the Miami Street Photography Festival. I’ve been a big fan of her work ever since we featured her in Street Photography Magazine in our January 2016 issue. It’s one thing to meet someone through our virtual world and it’s another […]
Mermaid As a long time actor, Maria Ricossa knows people. You could say she’s an expert on human behavior. She has spent a considerable amount of time thinking about what makes different kinds of people and characters tick, and she uses this ability to her advantage when she hits the streets of Toronto where she […]
Craig Strong, photojournalist, commercial photographer, founder of Lensbaby and its Chief Creative Officer has mastered the art of reinventing himself over the years. Along the way he has pushed the envelope in both his businesss and personal creativity. As a wedding photographer in the early 2000s Craig create the original Lensbaby to give his photos […]
Typically we publish our podcast every other Thursday, but I’m adding a special one this week because I am so take with the work of today’s guest Meryl Meisler who I had the pleasure of meeting in person at the Miami Street Photography Festival back in December. Meryl is a native of new York City […]
Bob and Ashley talk about their favorite images from 2018 taken from the Street Shooters of the Month feature.
Meet Carmine Groe, Toronto based street photographer with a love for sharing what he learns on the street. We learned a ton from him and are sure you will too!
While many people are saying “good riddance” to 2018, for Street Photography Magazine we’re sad to see it go. 2018 was a great year for the magazine, which saw a spectacular line up of street photographers and images. In fact, I’d wager this year we had some of our best content to-date. In this episode […]
Want to create an online portfolio but not sure where to start? Join us in this episode of Street Photography Magazine Podcast to get dozens of helpful tips and practical how-to advice.
Growing up in the 50s and 60s I was taught to think of Cuba as an enemy state full of communists and Russians threatening our security and way of life. With no contact between our countries it remained an enigma to me most of my life. But I was also very curious about this […]
Welcome back to the Street Photography Magazine podcast. It’s really good to be back I apologize for publishing this two days late. Normally republish every other Thursday, but due to a freakish winter storm in the Carolinas I got stuck in Miami (if there is such a thing) for two extra days after the Miami […]
Today we discuss the importance of having your own photography web presence (a portfolio), the pitfalls of relying on “free” services like Facebook and Flickr as a portfolio, the best practices for creating and managing you online portfolio, common mistakes and the most common obstacles to making a personal photography website. I’m also pleased to […]
Here’s a quick reminder about our Facebook group. It’s still small and very active with some very talented and passionate street photographers. You can join it by visiting talkstreetphotography.com. That link will take you straight to the join page. If you tried to join over the last 2 weeks please accept my apologies for any […]
Can you believe it’s November already? It seems like summer just started and now we’re heading back into winter…at least up here in the norther hemisphere. First I’d like to give a plug to our Facebook group called the The Street Photography Community. It’s a small but mighty and very active group of highly motivated […]
The subject of our episode today is what I call the three P’s. Project, Passion, and Persistence. It’s really The hero of our story is Andy Hann, a creative director with Sony Studios in the Los Angeles area. Andy decided one day that he wanted to create a photo project about the people who frequent […]
Our guest today is Kerry Faulkner, an Australian journalist / photojournalist and educator based in the city of Perth. Her work has been published in The Walkley Magazine, The Australian Travel and Indulgence, Scoop Magazines, R.M. Williams Outback Magazine, The Sunday Times and too many others to list here. Needless to say she’s quite busy. […]
© Copyright – Harvey Stein Our guest today is Harvey Stein. He currently teaches at the International Center of Photography, (ICP) in New York and teaches a series of photography workshops around the world. His work is been exhibited around the world and is the recipient of numerous awards. Also he’s been published in dozens […]
This is a special edition of the podcast all about the upcoming Miami Street Photography Festival coming soon in December. I’m writing this on Friday, September 14 as hurricane Florence is just making landfall in North Carolina. Earlier this week it looked like we were going to be overtaken by insanely heavy rain here in […]
I’m finally settling in from our epic move to beautiful Central Virginia. A few times I was beginning to feel like Moses, but things are beginning to get back to normal. Except for the hurricane of course. That’s something I never had to think about in the great white north. September Issue of SPM scheduled […]
It’s been a few weeks since our last podcast and that’s because my schedule has been absolutely crazy. Or preparing to move out of state and just a few weeks and I didn’t realize how disruptive this whole process would be. But once we settle into our new home thing should really settle down and […]
Copyright Matt Jerrams In case you didn’t know it, the June issue of Street Photography Magazine issue is out…in fact we released it a little early this month due to our travel schedules. Ashley was in LA with her husband enjoying the sites and improving her Vietnamese skills. She has a natural affinity for […]
© Martin Parr/ MAGNUM PHOTOSBrighton, United Kingdom, 1983-1985 Over the past few decades the downtowns of small-town America, which were once always busy, are all but extinct. First came the big box stores, then category killers like Best Buy and Toys “R” Us, and now Amazon sweeping them aside. But all these phenomenon resulted in. […]
Houses Copyright Niko J. Kallianiotis Most photographers I know have a need to be recognized for their work. And the most frequent question I hear is “how do I publish a book?” Our guest today is Niko J. Kallianiotis, a native of Greece, who has lived and worked in Scranton, Pennsylvania for many years. This […]
Willets Point © Copyright Ayash Basu The April issue marked the 5th anniversary of Street Photography Magazine. What began as the test of a new publishing technology grew into an amazing community of passionate photographers of all nationalities and skill levels. It has been an amazing journey and I have you to thank for it. […]
In this episode of the SPM podcast, Bob and I talk about the answer to one of our most frequently asked questions: “How can I get my work published in Street Photography Magazine?” We get this question all the time. Fortunately for us, all of our readers have a unique take on street photography and […]
Jackson Chapel Baptist Church’s worshipper About This Episode Diana Bagnoli Today we’ll talk more about the eyes on Main Street Festival which takes place every year in Wilson North Carolina. Our friend photojournalist Keith Dannemiller introduced me to this festival not long ago when he shared a project that he started as the artist in […]
Grafton Street Dublin Des Byrne Recently, it was our pleasure to speak with Des Byrne, a talented Irish street photographer who picked up photography later in life and ran with it. When Des discovered his talent for shooting the streets, he noticed that an awareness of street photography in Ireland was lacking and decided to […]
Each week we receive hundreds of submissions from our community to be considered publication in the Street Shooters of the Month section of the magazine. It’s a pleasure to view so many excellent street photos but quite difficult to decide which 6 will make the cut for the monthly issue. This week Ashley and I […]
David Jackson is a UK native who ended up living in China thanks to one very unexpected chain of events. Though his interest in photography dates back to his earlier years, it wasn’t until he found himself living in a very foreign environment that he began to feel the need to document all the goings […]
Our guest today is Ray Anello who is recently retired from the Newsweek magazine, so it’s a real honor to speak to somebody who worked for such a prestigious publication. Ray grew up in a traditional Italian immigrant neighborhood in New York during the 1950s and 1960s. And he says in those days everybody […]
In This Episode Today we pay tribute Glenn Capers, to one of my favorite street photographers who we lost last week. Plus we’ll speak with members of the very active New York City Street Photography collective. A Tribute to Photojournalist Glenn Capers If you’ve been following SPM you’ve probably heard me mention that Glenn Capers […]
They say that great photographers are made not born, but today’s guest, Angelina Davydova is making me think twice about that theory. That’s because she has been doing street photography for only 2 months. When I first saw her images I was certain she had been at it for some time, but not so. Ashley […]
For most of us we choose street photography as a creative outlet, while we follow another pursuit to earn a living. The two endeavors are often kept separate. But our guest today is doing both. He is combining his passion for street photography with a unique way of self-publishing a series of small books of […]
Today we are joined by John Simpson, from Walnut Creek, California to take part in another evaluation show. John is recently retired from the legal profession and likes to spend his time honing his street photography skills. John has submitted 3 photos for his evaluation. So please use the photos below to follow along […]
In This Episode Today street photographer, author and teacher, Valerie Jardin, joins us to talk about her new book plus a number of other exciting things she has going on around the world. Before we spoke, I had an opportunity to read Valerie’s new book Street Photography: Creative Vision Behind the Lens and I was […]
Dan Ginn is a London based event and street photographer originally from Leeds. Like the rest of us, Dan is on a photographic journey, but unlike most of us he takes the time to pause, reflect and write about his lessons and experiences along the way. I was pleased when Dan agreed to sit down […]
This week our evaluation volunteer is Warwick Davis, an avid street (and former professional) photographer from Sydney Australia. Warwick recently retired (early) from a career as a real estate appraiser to pursue his passion for street photography and travel. He’s also a big fan of major league baseball and the Boston Redsox. Warwick asked us […]
Tatevik VardanyanTatevik Vardanyan is a commercial and editorial photographer based in Yerevan, Armenia. But her first love is Street Photography. She already has a very strong portfolio of not just her street work but also special projects and commercial assignments. Tatvik is very selective about which photographs to include in her portfolio. Recently she was […]
Tomasz Trzebiatowski has done a masterful job creating the website and magazine FujiLove. In the process, he’s built a large and enthusiastic community centered around the well respected Fuji line of cameras. And I’m happy to count myself as a member. Next month Thomas takes his show on the road to New York City. The […]
Craig Boehman Anyone who has been shooting on the streets for any length of time has been affected personally by it. It could be an economic opportunity, a memorable image, a lifelong memory, a dangerous encounter or even a new friend. We all have these stories…even if we don’t remember. This week we begin a […]
Join us with photographer Jake Metzger as we evaluate three of Jake's street photos taken during recent travels.
when you take the time to write out your thoughts about your photography, your results can improve dramatically. Listen to Ashley and Bob discuss how you can make this work for you.
Inside Santa Maria della Scala, Siena Italy ©2016 Gina Williams Portland Oregon based writer, Gina Williams, has been on a personal journey to reinvent yourself as a journalist and photographer. That journey has taken her to Europe three times in less than a year, most recently to attend the Siena international Photography Awards in Siena, […]
Street photographers in small towns face many challenges finding good places to shoot. Today we share some ideas for those with few shooting opportunities.
Do you ever feel like you’re not getting to shoot on the street as much as you would like and still want to exercise your street photography muscles? Or do you wonder if there’s a way to make money doing street photography? A street photography style can be used in many other types of photography […]
The best way to improve your street photography is to get good constructive from other photographers. In this episode Ashley and Bob share some of their favorite websites and forums where you to get (and give) quality feedback.
If you feel uncomfortable photographing strangers on the street, you're not alone. In this episode of our podcast Bob and Ashley discuss some ways to help you overcome your anxiety.
Tomash with his Fuji XPro2 UPDATE: We just learned that there was an audio problem with the Tomash interview in the original version of the podcast. We were able to correct the problem and it now sounds very good. Many thanks to our listener Jan for pointing it out. Hey street shooters! We’ve got a […]
Portland Oregon based photographer and journalist, Gina Williams, visited the London photo Expo in May and took some extra time to do some street shooting of her own in London and Paris. In the process Gina wrote an article about her experience which will appear in the June issue of street photography magazine. Gina took […]
Harvey Stein has been shooting in the streets of New York for over 40 years. To borrow a quote from George Jones, Harvey was street photography when street photography wasn’t cool. In the process Harvey became an educator, curator and published author. In fact he’s published five books about street photography, including a trilogy about […]
It was a real pleasure meet award winning photojournalist Lisa DeJong recently. She has been a local news photographer for the past 20 years has been on the staff at the Cleveland Plain Dealer for the last seven. Before that she worked for the Flint Journal in Flint, Michigan and the storied St. Petersburg Times. We’re […]
Glenn Capers is more than just an outstanding photographer, he’s a storyteller. Glenn has a personable way with his subjects that allows him to really get to know them and find out their story. Perhaps that is what makes his work special. Glenn is originally from New York, though he now calls Colorado home. In the past, Glenn […]
Beginning this we are making some changes to how we distribute the Street Photography Magazine content. We have been publishing a monthly digital magazine through the Apple Newsstand and more recently directly though this website for almost two years. We have decided to stop the monthly paid publications and instead publish the content directly on […]