Paid in Puke Podcast!: Recent Episodes
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On season 11 episode 2 of Paid in Puke, we're digging into Mary Bronstein's semi-autobiographical dramedy, If I Had Legs I'd Kick You, starring Rose Byrne, A$AP Rocky, Conan O'Brien, and Christian Slater. The story follows Linda, a woman at the end of her rope dealing with full-time care for her ailing daughter, an absent husband, her talk therapy practice, an increasingly contentious relationship with her own therapist, and a supernaturally gaping wet hole in the ceiling of her apartment.
We all loved this movie for different reasons. But we agree that Rose Byrne is a powerhouse, Bronstein is a genius, and sometimes ordinary life, especially for women, can feel like a horror movie.
On The Lunchtime Poll, we talk about a time when we were already struggling, and an authority figure seemingly relished in using the letter of the law to make matters worse.
On the Season 11 premiere, of Paid in Puke Podcast, we're checking out Mike Nichols' 1990 dramedy, Postcards From the Edge, written by Carrie Fisher, based off her memoir of the same name. It stars Meryl Streep as Fisher's meta proxy, and Shirley MacLaine as her mother, (a thinly veiled stand-in for Debbie Reynolds). This film was a smash upon release, but has fallen off the radar over the years, despite the A-list cast (many of whom were already famous) and the legendary director. We discuss the uniquely Hollywood problem of being a moderately successful actor when your mother is a showbiz legend, and how hard it must be to grasp reality when your day job is based in artifice, and how sometimes moms can be like that even when they aren't Hollywood icons.
On the Lunchtime Poll, we reveal what songs we would sing at a coerced post-rehab surprise party.
It's our annual Oscars episode, with our resident Oscars Scholar, Denise Rodriguez! Despite the fabulous "Sinners" getting a record 16 noms, we found some egregious snubs to discuss: Eva Victor, Naomi Ackie, and "Sorry, Baby"; Jesse Plemons for "Bugonia", Jennifer Lawrence and "Die My Love"*, to name a few.
We get hot and heavy about the new casting category (only one man nominated here), "Sinners" and the other films/performances nominated that we loved. Plus, the perpetual injustice of the Diane Warren nomination, and why it's time for a Best Performance By a Non-Binary Actor category.
*Denise has recently launched an exciting new service: Menopause Doula! She explains that menopause starts much earlier than you might think. And traditional medicine is not cutting the mustard on diagnosis and treatment. Check out her website for more information and also connect with her and other middle-aged uterus owners on instagram and facebook.
On the season 10 finale of Paid in Puke Podcast, we're devouring Halina Reijn's (Bodies, Bodies, Bodies) 2024 erotic drama, Babygirl, starring Harris Dickinson, Sophie Wilde, Antonio Banderas, and the Goddess of Movies herself, Nicole Kidman. This film is a marvel of performance, sex positivity, nuanced dialog, and stunning cinematography. Topics include how sub/dom relationships are portrayed, Nicole's flawless acting, and the gentle masculinity of Harris Dickinson.
On the Lunchtime Poll, we reveal what someone could have in their pocket that would placate us immediately.
Paid in Puke Podcast will return in March, 2026, with our annual Oscars episode!
On season 10, episode 9 of Paid in Puke, we're falling for John Dahl's 1993 neo-noir The Last Seduction, starring Linda Fiorentino, Peter Berg, and Bill Pullman. Fiorentino commands the screen as a femme fatale who is as brilliant and sexy as she is cold, and calculating. She steals the whole pot from a joint drug deal devised with her husband (Pullman), and hides out in small town in upstate NY. There, she passes the time with a naive townie (Berg), who eventually proves himself to be useful in ways other than sex. Dahl directed this film as a black comedy, but the script is also extremely smart and tight, making it a standout of the 90's neo-noir genre.
We have a lot of fun dissecting Bridget's schemes, appreciating her fashion and quick wit, marveling at the range of Bill Pullman, the ahead-of its time race and homophobia commentary (including a non-problematic trans character played by an actual trans woman!) and the surprising connections to Barb and Star Go To Vista Del Mar.
On the Lunchtime Poll, we reveal the aliases we would adopt if we were ever to go on the lam.
On this episode of Paid in Puke, we're having a gay old time in the Australian outback with Stephan Elliott's 1994 debut feature, "The Adventures of Priscilla, Queen of the Desert", starring Hugo Weaving, Guy Pearce, and Terence Stamp. It tells the story of two drag queens and one trans woman who bring their cabaret act across the country to places both receptive and dangerous. The movie has some Hot Probs (including an inexcusable Asian stereotype character), but it also served as a pioneering film queer cinema, despite the cis maleness of the three lead actors.
We're joined by special guest Lynn Harris: writer, producer, standup comedian and founder and CEO of Gold Comedy. We discuss the origin of pride parades, the proverbial desert that is trans representation, how far drag has come since the 90s, and some of our favorite modern queens.
On today's episode of Paid in Puke, we're mainlining Coralie Fargeat's 2024 body horror comedy, The Substance, starring Demi Moore and Margaret Qualley. Special guest Bettina McKelvey joins the Pukettes to share our experiences with watching the unique and memorable piece of cinema.
Trigger Warning: Body horror discussion and upsetting sound design.
On Keggers with Kids, Baxter's 15-year-old gives their perspective from the younger side of things. Guess what scene everybody, both young and old, related to HARD.
We also fantasize about a beauty-neutral world and an unproblematic Oscars. And on the Lunchtime Poll, we cast our respective Sues.
On this episode of Paid in Puke, we're partying with Emma Seligman's (Bottoms) 2021 anxiety-ridden comedy, Shiva Baby, starring Rachel Sennott, Molly Gordon, Dianna Agron, and Polly Draper. It tells the story of Danielle, a young art student who has an identity crisis at a Shiva, when she is forced to interact with her parents, her ex, her sugar daddy, and his beautiful wife, plus everyone who has known her since she was a baby.
This movie is an poignant as it is hilarious. We talk about awkward interactions with relatives, sugaring, top quality food-acting, and the difficulties of being an impending college graduate.
On this episode of Paid in Puke, we're all over Luca Guadagnino's 2024 frenetic sports drama, Challengers, starring Zendaya, Josh O'Connor, and Mike Faist. It's about ambition, failed dreams, jealousy, friendship, a love triangle, and also tennis! This is a perfect script brought to screen by a man who says he thinks tennis is boring. Though Amy (our resident tennis fan) finds a couple of minor tennis-related hot probs, this thing is a banger through and through. We get into all sorts of topics including whether or not Patrick and Art have feelings for each other, how Tashi's bitterness manifests in some understandable, but also unforgivable ways, the sexiness of the leads, and just what exactly happens at the end. Grab and banana and COME ON!!!
It's the 2025 Paid in Puke Oscars Special with our Academy Award Pukette, Denise Rodriguez! We all saw and loved a TON of movies this year, and most of them didn't get nominated for anything! Regardless, we talk about the films we loved and why they didn't get any Academy props, the Emilia Pérez mess, films about the trans experience that were actually good, the ethics of using AI in films, and why we come to Nicole Kidman for magic.
Films covered include: A Different Man, Anora, A Real Pain, Babygirl, Between the Temples, Bird, Challengers, Emelia Pérez, Flow, Ghostlight, I Saw the TV Glow, Love Lies Bleeding, Maria, Nightbitch, Nosferatu, Queer, Sing Sing, The Apprentice, The Brutalist, The Last Showgirl, The Substance, The Wild Robot, Will & Harper
On this episode of Paid in Puke, we're traversing the wonders of Yorgos Lanthimos' 2023 fantasy epic, "Poor Things", starring Emma Stone, Willem Dafoe, Mark Ruffalo, Ramy Youssef, Margaret Qualley, Kathryn Hunter, Jerrod Carmichael, Hannah Schygulla, and Christopher Abbott (Charlie from Girls!). Tony McNamara adapted the 1992 novel by Alasdair Gray. Comedian and media scholar, Megan Metzger, joins us to bask in the glory of this beautiful fantasy about what a woman can be when she develops outside the crushing influence of patriarchal society.
Megan even manages to find some Heathers parallels! This episode is all about finding your bliss and applying it to the betterment of the world around you.
On season 10 episode 3 of Paid in Puke, we’re playing with Matt Betinelli-Olpin and Tyler Gillett’s 2019 horror comedy, “Ready or Not” starring Samara Weaving, Andie MacDowell, Adam Brody, and Mark O’Brien. It was written by Guy Busick and R. Christopher Murphy. Olpin and Gillett also joined Busick for "Abigail", the 2022 Scream reboot, and "Scream VI".
“Ready or Not” tells the story of Grace, a plucky woman from a modest background, who learns, on the night of her wedding to the heir of a board game empire, that she must play a life-or-death game of Hide and Seek with her new in-laws.
It's Keggers with Kids all this episode, as Amy's child, Dash, joins us to talk about why this is one of his favorite horror films, and how it stacks up against Betinelli-Olpin and Gillett’s other films.
The "Ready or Not" script is a rare example of tight perfection, symmetry, and depth that also manages to walk a horror comedy tightrope. It belongs to a fun micro-genre: Evil People in a Mansion.
We also praise Samara Weaving for the fun vibe she brings to her scream queen role, Adam Brody's recent renaissance, and why we've been on the Brody train since David Wain's underrated comedy, "The Ten".
On this episode of Paid in Puke, we analyze Susanna Fogel's 2023 thriller, Cat Person based on the 2017 short by Kristen Roupenian, and adapted for the screen by Michelle Ashford, who was the showrunner for Masters of Sex, but most importantly, wrote the teleplay to the abortion episode of 21 Jump Street. The film stars Emilia Jones, Geraldine Viswanathan, Hope Davis, Isabella Rossellini, and Nicholas Braun.
We all had very different feelings about this film, both from our initial watch together in the theater, and after our analytical watches for the pod. Journey with us as we discuss how heavy-handed a metaphor we can tolerate; why Fogel might have tried a bit too hard to cater to a male audience, at the film's expense; the surprisingly problematic element of the source material; and how Nicholas Braun perfected towing the line between awkward and creepy.
Plus: Did Harrison Ford ruin a generation of men?
It's our Season TEN premiere AND our ONE HUNDREDTH EPISODE! Thank you to all of our listeners! We are thrilled to be back with our third Abortionpalooza, but much less stoked about the fact that thanks to the overturning of Roe V. Wade, uterus-owning Americans currently have less bodily autonomy than they did in Nineteen Hundred and Seventy Three.
We kick things off with a brief history of abortion depiction on television and examine season 3, episode 5 of the teen cop drama, 21 Jump Street, "Whose Choice is it Anyway?". It originally aired on December 11th 1988 on the Fox network. It stars Holly Robinson-Peete, Stacey Edwards, and Dana Ashbrook (Twin Peaks). The teleplay by Michelle Ashford (Masters of Sex, Cat Person), is surprisingly progressive and they even go so far as to make an anti-choice terrorist the villain.
Then we tool around with Lily Tomlin and Julia Garner in 2015's "Grandma", directed by Paul Weitz (American Pie, About a Boy), and co-written by Tomlin, who put a lot of her own voice in it. Garner plays a high school girl who asks her free-wheeling grandmother (Tomlin) to help her scrounge up enough money to make it to an abortion appointment by 5 pm. Judy Greer, Marsha Gay Harden, Laverne Cox, and John Cho round out a fun supporting cast.
We touch on themes such as who needs to be involved in deciding what to do about a pregnancy (spoiler alert it's pretty much just the person carrying the fetus), where should kids get information about pregnancy and birth control, and why women should be valued for more than just their fertility.
On the Lunchtime Poll, we reveal some information we wish we had never received.
On this very special minisode of Paid in Puke, we're falling in love with Hannah Pearl Utt's 2024 comedy, "Cora Bora", starring Megan Stalter, Ayden Mayeri, JoJo T. Gibbs, and Manny Jacinto, with cameos from Chelsea Peretti and Margaret Cho. The Pukettes got a sneak peek at this hilarious movie that will hopefully propel Megan Stalter to the stardom she deserves.
Rhianon Jones' very PDX screenplay tells the story of an L.A. based musician with a tragic past who returns to her home in Portland Oregon on a whim after sensing that her open relationship with her girlfriend in in jeopardy. Megan Stalter owns this movie start to finish. She’s hilarious as always, but also brings out an unexpected dramatic side.
We absolutely loved "Cora Bora", and will definitely give it the full Paid in Puke treatment once it’s out on streaming, but we also want to tell everyone to go see it while it’s still in theaters! As always, there are spoilers, so if you don’t want to know the big reveal about what’s wrong with Cora, see the movie first and then come back and listen to this (or navigate around them*).
"Cora Bora" is in limited release starting June 14th, 2024 – around L.A. and New York. It’s not super easy to figure out where and when it's playing but we promise it will be worth the goog. It opens in Seattle, Washington on June 22nd 2024 at the Grand Illusion Cinema, which is a wonderful little arthouse cinema and there aren’t that many of those left so please support small indie movie houses whenever you can. And please throw down some $$ to support "Cora Bora"!
*Spoilers 10:07-14:20; 16:00-16:26
On this episode of Paid in Puke Podcast, we're rummaging through Sofia Coppola's 2013 true crime drama, "The Bling Ring", starring Emma Watson, Katie Chang, Taissa Farming, Claire Julian, Leslie Mann, and Israel Broussard. Coppola based the script on Nancy Jo Sales' 2010 Vanity Fair article, "The Suspects Wore Louboutins". Our returning guest is the Sparkle Queen known as Laura Lawrence ("9 to 5"). Laura has has seen the film many times, jammed out to the soundtrack many MORE times, and brings a shopping bag full of fun facts.
We also get into the film's prescience for today's influencer culture, and why kids are less inclined to aspire to landing "a good job". On the Lunchtime Poll, we reveal the things we have in such abundance, we might not notice getting robbed.
On Season 9, Episode 9 of Paid in Puke, we're slurping up Emerald Fennell's 2023 gothic drama, Saltburn, starring Rosamund Pike, Alison Oliver, Carey Mulligan, Barry Keoghan, Jacob Elordi, Archie Madekwe, and Richard E. Grant. Fennell wrote her original screenplay during lockdown, and filled it to the brim with foreshadowing, symbolism, entendre, and myriad literary references. We're here to celebrate this carefully-constructed masterpiece, dive to the deepest of the layers, and, of course, appreciate the visual splendor.
It's Keggers with Kids all this episode, with Logan Green, who has answers to your burning questions, and a tub full of fun facts.
On the Lunchtime Poll, we reveal which songs people MIGHT think were written about us ("She came from Greece! She had a thirst for knowledge!").
We ate this movie up and licked the fcking plate. Come to Saltburn* and get lost with us!
It's the Paid in Puke 2024 Oscars Special! Join us and special guest Denise Rodriguez (our Resident Oscar Specialist) as we run through the major categories (all the actors, director, and picture) with our Misses, Wishes, and Predic-shes. We dive deep into the enigma that is the career of B-Coop, and why Oppenheimer has so many more noms, even though Barbie clearly won in terms of money and popularity. We fawn over Poor Things, and we agree that a Greta was snubbed, but it might not be the one you think. We give Past Lives, Saltburn, and All of Us Strangers the recognition that the Academy failed to bestow. And we puzzle over why Willem Defoe is one of the best actors to never win an Oscar.
As a bonus, we each chose a technical category to discuss, and what we're most looking forward to on Oscar Night.
On season 9, episode 8 of Paid in Puke Podcast, we're sorting through Kitty Green's 2019 drama, "The Assistant". It stars Julia Garner, as the titular assistant at a high-powered New York film production office, who navigates a particularly trying day at work. While this is a "me too" movie, and the nameless boss in question bares some resemblance, The Assistant is not about Weinstein. Instead, it captures an all-too pervasive systematic conspiracy to allow powerful men to assault women without repercussions.
The Assistant is also relatable anyone who has ever had a job description vague enough to become the office task dumpster. We love this movie, Kitty Green's unique ability to capture the sinister tone of misogynist micro-aggressions, and Julia Garner's nuanced frown.
On the Lunchtime Poll, we reveal the dumbest thing a boss has ever asked of us.
On Season 9, Episode 7 of Paid in Puke Podcast, we're celebrating Emma Seligman's 2023 high school sex comedy, "Bottoms", written by Seligman and Rachel Sennott. "Bottoms" stars Sennott, Ayo Edebiri, Ruby Cruz, Havana Rose Liu, Kaia Gerber, and Marshawn Lynch.
Like "Barb and Star" before her, this movie is an instant classic for the Pukettes. We extoll the myriad virtues of the Dream Team that is Sennott, Seligman, & Edebiri. It's a smart comedy disguised as a stupid one, with a thousand jokes landing per minute and some of the tightest mise en scène we've ever scène. But even if it were just a stupid comedy, guys make those all the time. That's the point of feminism.
Our super fun Lunchtime Poll question: What fake club would you start to entice your crush?
On Season 9, Episode 6 of Paid in Puke, we're dissecting Todd Haynes' 2023 drama, May December, starring Natalie Portman, Julianne Moore, and Charles Melton. Team May December is claiming that the film is only "loosely based" on Mary Kay Letourneau and Vili Fualaau. We discuss the difference between "inspired" and "ripped off", and why Fualaau is not happy about this film.
Trigger Warnings for child abuse, child rape, and childhood trauma.
This movie is serving THEMES. Why does Hollywood love to look for the humanity in bad people? Can a person truly live a life without regret? Can you really love your abuser? Is there a responsible way to make a film about a living victim without their consent? BUTTERFLIES.
We do a fun Lunchtime Poll to counteract all the darkness. What is your biggest anxiety when throwing a party? Don't forget the hot dogs!
On Season 9, Episode 5 of Paid in Puke, we're getting friendly with Colin Higgins' ("9 to 5") 1982 musical, "The Best Little Whorehouse in Texas", based on the Broadway show by Larry L. King and Peter Masterson, which was in turn based on a real story published in Playboy! It stars Dolly Parton, Theresa Merritt, Dom DeLuise, Burt Reynolds, and a host of talented triple threats credited as "Chicken Ranch Girl".
There are, of course, some Hot Probs, but Dolly ain't one. Our National Treasure holds the floor, and even sneaks in her own song to round out the catchy soundtrack.
Did you have a brain tumor for breakfast? You'll never guess which problematic film critic had some truly revealing criticisms about this film upon release (JK, it's always the same guy).
Come on down and hang out with us as we sing the praises of the singular talent that is Dolly Parton.
On season 9, episode 4 of Paid in Puke Podcast, we scratch the surface of Amy Heckerling's 1995 star-making high school comedy, "Clueless", starring Alicia Silverstone, Brittany Murphy, Stacey Dash, and Dan Hedeya. Heckerling wrote the script based on "Emma", the classic novel by Jane Austen.
Special guest, Katie Lee Ellison, joins us to talk about what the film meant to her as a 10-year-old living in L.A., the glaring flaws she sees today, and the ways in which this iconic film continues to influence her life.
On Keggers w/ Kids, Baxter's teen gives her modern take on this very 90s film. Plus: The Valley Horse Girl Test, and why Paul Rudd might not be as ageless as we once thought!
Find Katie Lee Ellison on her website and insta, for information about her lectures, panels, and published essays!
On season 9, episode 3 of Paid in Puke, we've got spirit for Jamie Babbit's 1999 satirical comedy, "But I'm a Cheerleader", starring Natasha Lyonne, Clea Duvall, Melanie Lynskey, Cathy Moriarty, Katharine Towne, Mink Stole, RuPaul, Bud Cort, and for 5 seconds, a Dawson's Creek-era Michelle Williams.
Special guest Kate Preusser, managing editor at Lookout Landing joins us to talk about why this is one of two influential films from her early twenties (the other being Showgirls). Still, Kate had the most Hot Probs*, in relation to representation and some of Megan's toxic traits.
Kate also brings to us some Fun Facts, as well as the not-so-fun bad takes from the (mostly cis male) critics of 1999 that saddled this delightful film with a low Rotty T score that persists to this day.
Baxter's offspring joins us on Keggers with Kids, and on the Lunchtime Poll, we reveal things we didn't know about ourselves until someone else pointed it out.
*Lookout Landing is an online Seattle Mariner's baseball community.
On season 9, episode 2 of Paid in Puke, we're sorting out the 2022 smash genre bender, "Everything Everywhere All At Once", directed by The Daniels, and starring Michelle Yeoh, Stephanie Hsu, Key Huy Quan, Jenny Slate, and Jamie Lee Curtis. This sleeper hit broke records and hearts during the 2023 awards season.
It tells the story of a middle-aged Chinese immigrant who runs a Laundromat with her husband and struggled to reconcile her taxes while battling a clandestine force and attempting to keep the multi-verse from collapsing.
We discuss the film's numerous themes including generational trauma, the immigrant experience, capitalist fckery, empathy in the face of nihilism, and why it's never too late to change. Plus some Hot Probs*.
On the Lunchtime Poll, we pinpoint a single decision that affected the rest of our lives.
On our series 9 opener, we're pleased as punch to discuss the 1996 romantic comedy, "The Truth About Cats and Dogs" with the film's director, Michael Lehmann. You might also know him having directed a pretty cool movie called, "Heathers". Cats & Dogs is the screenplay debut for Audrey Wells (The Hate U Give, Under the Tuscan Sun) and stars Janeane Garofalo, and Uma Thurman.
We had the most delightful and insightful conversation with Mr. Lehmann on what is dated about the film, as well as the myriad ways it was transgressive in the 90s rom com genre. He talks of fighting alongside Wells to preserve the original intent of the script, even going head-to-head with the MPAA on some of the film's more empowering elements. Plus, some fun stories about actors who almost played Brian, and why male actors can be so difficult to work with.
You don't wanna miss his answer to our Lunchtime Poll: What is a little white lie you told that spun out of control?
It's the big Season 8 Finale! We are thrilled and honored to bring you our first (and probably only) cis male guest: Daniel Waters! He gets a P*ssy Pass for writing the film that inspired our podcast theme (Heathers) and another feminist classic: Batman Returns.
This 1992 comic book sequel was directed by Tim Burton, and stars Michelle Pfeiffer in an absolutely iconic role that launched one million sexual awakenings. It was written by Waters, from a script by Sam Hamm, and then unsatisfactorily finished off by a real Normie named Wesley Strick. We consider it a Catwoman movie with 3 male villains hellbent on stopping Selina Kyle from embracing her true nature.
Join us as we pester Daniel Waters with questions about Heathers, and discuss what went wrong as well as what went SO. VERY. RIGHT. with Batman Returns.
And because it's a Christmas Movie, our Lunchtime Poll is about worst and best Christmases.
On this episode of Paid in Puke, we get lost in Maggie Gyllenhaal's 2022 directorial debut. The Lost Daughter stars Olivia Coleman, Jessie Buckley, Dakota Johnson, and Dagmara Dominczyk. The film tackles biological motherhood in a way that is so candid, the author of the source material used a pseudonym to avoid backlash. Among the Pukettes, two mothers and one childfree woman all saw completely different things in the intentionally ambiguous narrative. The Lost Daughter is a mirror that reflects our own experiences. One thing we agree on is that it's a staggering debut from Gyllenhaal and, to quote Leda, "motherhood is a crushing responsibility".
On Season 8 Episode 8 of Paid in Puke, we wanna return Sam Raimi's 2000 supernatural drama, The Gift. Billy Bob Thornton penned this pseudo-feminist tale of an inconveniently psychic single mom (Cate Blanchett) who gets caught up in a murder investigation. It has a lot of "first movie" vibes, but everyone involved was very well established and some of them had Oscar noms. Also starring Katie Holmes, Hillary Swank, Kim Dickens, and Keanu Reeves.
Resident Blanchettspert, Alicia Mullins of Gal Pals Watch Podcast joins us to discuss the myriad Hot Probs, Blanchett's noble attempt to rise above the material, G-Rib's problematic portrayal of a neurodivergent abuse victim, the ubiquity of gators in the deep south, Hillary Swank's insane wig, and Mr. Noodle's brother Mr. Noodle.
It's the Paid in Puke 2023 Oscars Special! We were lucky enough to get Denise Rodriguez back to round out the panel. Between the 4 of us, we've seen almost everything (except The Whale, for reasons we GET. IN. TO.) We go full At the Movies, with wildly different opinions on MANY of the films. The hot takes are flying. But we all agree that the Everything Everywhere leads and Angela Bassett deserve Legacy awards and that Collin Farrell is a lovely man.
Welcome to our bonus interview with Ann Magnuson. In addition to behind-the-scenes look at filming “Making Mr. Right” in Miami in 1986, Ann discusses her early influences and media consumption, coming up in the 70’s NYC and London punk scenes, why her appearances in Hollywood films were rare, a juicy tidbit about the casting process of “Fatal Attraction”, the roles on her resume that are closer to her real persona, and auditioning for SNL. She’s living the true Art Life. We could have listened to her for hours. We hope this interview inspires you to dive deep into Ann’s staggering back catalog and then make some art of your own. As Ann says, “There’s no time to waste!” Ann Magnuson InstagramAnn Magnuson websiteBuy a signed copy of new Blu-Ray of Making Mr. Right!Ann’s You Tube channel
On series 8, episode 7 of Paid in Puke, we’re thrilled to bring you this deep cut gem from 1987: “Making Mr. Right”. Susan Seidelman’s retro-futurism genre bender stars the incomparable Ann Magnuson, as well as Glenne Headly, and Laurie Melcalf. We were lucky enough to snag Ann for an interview! We discuss pop culture’s timeless obsession with A.I.. This movie presents so many themes that were later explored in more serious properties like “Her”, “Ex Machina”, and “Westworld”. It also depicts a rare character in cinema (especially in 1987): a nuanced working woman who isn’t driven by her need to find and keep a man. The film is also stylish, hilarious, and truly unique! Throughout our discussion, we include clips from our interview with Ann, who discusses working in Miami, bringing her prodigious London and NYC underground experience to a Hollywood rom com, and why the time is right for a film that celebrates good will and charm. Listen to the entire interview in our bonus episode and buy the special edition blu-ray of Making Mr. Right - out now, including commentary from Seidelman and Magnuson! Ann Magnuson on instragramAnn Magnuson’s websiteClips from Ann’s incredible interpretation of David Bowie’s “Moonage Daydream” peppered throughout
On Series 8, Episode 6 of Paid in Puke, we're plumbing the depths of James Cameron's 1997 hit disaster epic, Titanic, starring Kate Winslet, Frances Fisher, and Kathy Bates. Joining us is Titanic super-fan, and one half of The Bechdel Cast, Caitlin Durante, who is always ready to talk about what makes Rose a feminist, how Fabrizio was robbed, what James Cameron got right, and why they never again want to hear someone says there was room on that door.
On the Lunchtime Poll, we reveal the titanic disasters in our lives that yielded unexpectedly positive experiences.
Show Notes: The podcast Caitlin mentions in the Lunchtime Poll is Sludge: An American Health Care Story. The Billy Zane interview referenced is from Vulture.
In Series 8, Episode 5 of Paid in Puke Podcast, we're revisiting the 1997 hit comedy, Romy and Michele's High School Reunion, starring Mira Sorvino and Lisa Kudrow. It was directed by David Mirkin (Get a Life, Heartbreakers), and written by Robin Schiff, based on her play "The Ladies Room". We discuss what doesn't hold up (some problematic body image messages, casual cruelty as comedy) and what does (pretty much everything else)!
Baxter's 12-year-old, Lula, joins us to give her tween perspective on this sweet tale of enduring friendship, standing up to bullies, and being true to yourself.
On the Lunchtime Poll, we reveal the songs to which we'd choreograph a little dance.
On Series 8, Episode 4 of Paid in Puke, we're changing the narrative on Karyn Kusama's 2009 horror comedy, Jennifer's Body, written by Diablo Cody and starring Amanda Seyfried and Megan Fox.
This movie was criminally mis-marketed by male executives at the time, to teenage boys, when it's actually a sapphic supernatural doomed high school romance. Even Cody might not have known just how Sapphic at this time...
15-year-old Logan joins us for an episode-long Keggers with Kids to discuss one of their very favorite movies, the dialogue (both clever and cringe), and the myriad Heathers parallels!
Denise Rodriguez came on Paid in Puke to discuss "Desperately Seeking Susan" on the day that Angela Lansbury died. After we finished discussing the film, she enlightened us with encyclopedic knowledge of Lansbury's career and, in particular, Murder She Wrote. It was too good to leave on the proverbial cutting room floor. So please enjoy our little tribute to Dame Angela Lansbury.
October 16th, 1925 to October 11th, 2022.
On Series 8, Episode 3 of Paid in Puke, we have a blast discussing Susan Seidelman’s 1985 genre-bender, Desperately Seeking Susan, starring Rosanna Arquette, Laurie Metcalf, and friggin’ MADONNA, as well as a bevy of 1980s NYC character actors and hipsters. Baxter falls in love with Ann Magnuson from her 15 seconds of screen time alone. A movie this punk, ACAB, and sex positive is light on the Hot Probs. Apart from having to explain land lines and newspaper personal ads to younger viewers, this movie holds the hell up.
Special guest, Denise Rodriguez joins us to gush about this diamond in the rough and do a live deep dive into Seidelman’s criminally underrated career.
On episode 2 of Paid in Puke Series 8, we're sitting and talking (sorry/notsorry) about Nicole Holofcener's 1996 debut feature, Walking and Talking, starring Katherine Keener, Anne Heche, and Allison Janney for two scenes.
Full disclosure, this was the first episode we'd recorded after our long hiatus, so there are some recording hiccups. Some of us forget our own name and mispronounce the director's surname. Fortunately, the animated series "The Great North" helps us out with the latter issue, as they recently dropped an episode centered around Holofcener's most recent film, "Enough Said".
Join us to discuss Big Jeans (both the cat and the fashion trend), consequences for casual cruelty, and the nature of phones in the 90s.
On our Series 8 opener, we're Paid in Pugh'k! It's a drama-o-rama, spoiler-filler Don't Worry Darling Extravaganzah! If you've been living under a Hollywood-free rock, that's Olivia Wilde's genre hopper staring Florence Pugh, Gemma Chan, Kiki Layne, Kate Berlant, and Wilde herself. The script was heavily re-worked by Wilde's Booksmart scribe, Katie Silberman.
What IS DWD? Horror? Sci-Fi? A Thriller made by someone who doesn't understand the genre? We find Hot Probs galore, but also gush over the lewks, Pugh's star power, and Kate Berlant's ability to find the funniest possible delivery in every line.
If you want details, we have them, complete with a timeline and the scoop on the Kiki Layne cut. (RELEASE THE KIKI LAYNE CUT!)
Grab a cocktail, put off that housework, and pleasure yourself.
On Series 7 of Paid in Puke, we're discussing every episode of Ryan Murphy's American Crime Story mini-series, Impeachment, starring Beanie Feldstein, Sarah Paulson, Cobie Smulders, Judith Light, Mira Sorvino, Edie Falco, Annaleigh Ashford, and Character Actress Margot Martindale. Episode 10 is "The Wilderness", written by show runner Sarah Burgess, and directed by Michael Uppendahl.
This series finale drives home all the themes from the season including the raw deal for sexual assault survivors and women who receive any sort of media attention. We also discuss the problematic nature of "redemption stories" told without the input of the victims, and the way society expects people to accept their trauma after they're tired of hearing about it.
We end it all with a fun Lunchtime Poll about which writer we would choose to tell our story.
Paid in Puke returns late summer 2022 with Series 8 and a return to our film format!
On Series 7 of Paid in Puke, we're discussing every episode of Ryan Murphy's American Crime Story mini-series, Impeachment, starring Beanie Feldstein, Sarah Paulson, and Annaleigh Ashford. Episode 9 is "The Grand Jury", written by show runner Sarah Burgess, and directed by Rachel Morrison. It's the penultimate episode in the series.
This is the best of the worst of times for Monica. She actually experiences a smidge of vindication when she tells her story to 22 sympathetic (and one incredulous) members of the Grand Jury. On the other hand, Linda is taken aback at how much people don't like people who tape their friends.
On the Lunchtime Poll, we talk about some famous people we would love to grill, Grand Jury-style.
On Series 7 of Paid in Puke, we're discussing every episode of Ryan Murphy's American Crime Story mini-series, Impeachment, starring Beanie Feldstein, Sarah Paulson, and Edie Falco. Episode 8 is "Stand By Your Man", written by Flora Birnbaum and directed by Rachel Morrison.
This particular episode is all about the Clintons. Unfortunately, it makes for one, glaring Hot Prob, which is the attempt to make Hillary a sympathetic figure. Meanwhile, Monica is a pioneer of quarantine, having to spend 4 months at her dad's house, learning to knit. And Bill really puts the "baby" in "baby boomer".
On Series 7 of Paid in Puke, we're discussing every episode of Ryan Murphy's American Crime Story mini-series, Impeachment, starring Beanie Feldstein, Sarah Paulson, and Mira Sorvino. Episode 7 is "The Assassination of Monica Lewinsky", written by Flora Birnbaum, Daniel Pearle, and showrunner, Sarah Burgess, and directed by Michael Uppendahl.
If you thought it was hard to watch a young woman be detained by wolf-like lawyers in a hotel room, you may need to hold this show's proverbial beer. Whilst America was saturated with puerile BJ jokes and a disgusting Lewinsky smear campaign, the subject of that press coverage was trapped in her apartment watching the whole thing. We dive deep into how awful that must have been.
On the Lunchtime Poll, we tell stories of times when a misconception about us hindered our lives.
On Series 7 of Paid in Puke, we're discussing every episode of Ryan Murphy's American Crime Story mini-series, Impeachment, starring Beanie Feldstein, Sarah Paulson, and Mira Sorvino. Episode 6 is "Man Handled", written by showrunner, Sarah Burgess, and directed by Ryan Murphy.
This episode is tough to watch. It's an overdose of the patriarchy thrust into a smart, but in-over-her-head young woman who is definitely being abused and deceived for hours thanks to her slizzy friend, Linda. Most remarkably, this all happened, more or less, the way it plays out on screen. Truth truly is stranger than fiction.
On Series 7 of Paid in Puke, we're discussing every episode of Ryan Murphy's American Crime Story mini-series, Impeachment, starring Beanie Feldstein, Sarah Paulson, and Annaleigh Ashford. Episode 5 is "Do You Hear What I Hear?", written by Haley Feiffer and directed by Laure de Clermont-Tonnerre. It's also a Christmas Episode! Or at least, as close to one as ACS gets. We discuss Linda gaslighting Monica, the ways in which the media skewered the appearances of the women in Clinton's cabinet, and what is the "right" amount of dicks to see.
On the Lunchtime Poll, we tell stories about awkward Christmas parties past, and introduce your new favorite walking meme, Cucumber Dad.
Trigger Warning: In this episode, we discuss the sexual assault of a minor.
On Series 7 of Paid in Puke, we're discussing every episode of Ryan Murphy's American Crime Story mini-series, Impeachment, starring Beanie Feldstein, Sarah Paulson, and character actress Margot Martindale. Episode 4 is "The Telephone Hour", written by Flora Birnbaum and directed by Laure de Clermont-Tonnerre.
We talk at length about slizzy friends, how much labor went into documenting a conversation in the 90s, and more about people doing the right thing for the wrong reasons.
We're taking a break from our regularly-scheduled series 7 to talk about the Oscars! The 94th annual Academy Awards will be recorded live on Sunday, May 27th and broadcast on ABC.
Special guest Denise Rodriguez joins us to talk about Jane Campion's epic self-sabotage, the ill-conceived idea of axing eight below-the-line awards in favor of a ratings-grab, actors being exhausting about their craft, and plenty of SNUBS! It's a big, fat, spoiler-ific Hollywood chat, Paid in Puke style!
On Series 7 of Paid in Puke, we're discussing every episode of Ryan Murphy's American Crime Story mini-series, Impeachment, starring Beanie Feldstein, Sarah Paulson, and Annaleigh Ashford. Episode 3 is "Not to be Believed", written by show runner Sarah Burgess and directed by Michael Uppendahl.
Billy Eichner makes his first appearance as Internet journalism Founding Father, Matt Drudge. We remember when you weren't permitted to site the world wide web in a research paper because it wasn't considered credible enough.
We also dive deeper in Linda and Monica's toxic friendship and what happens when you listen to good advice given for nefarious reasons.
On Series 7 of Paid in Puke, we're discussing every episode of Ryan Murphy's American Crime Story mini-series, Impeachment, starring Beanie Feldstein, Sarah Paulson, and Annaleigh Ashford. Episode 2 is "The President Kissed Me", written by show runner Sarah Burgess and directed by Michael Uppendahl.
On this episode, we talk more about how D.C. is Hollywood disguised as government, what constitutes "legit" harassment in a bi-partisan conflict, the ineffable magnetism of certain predators, and what it's like when you're "Down Bad" for someone.
Trigger warning: we touch lightly on sexual harassment and power imbalances in seemingly consensual relationships.
Paid in Puke is back with a very special season! We're discussing every episode of Ryan Murphy's American Crime Story mini-series: Impeachment, starring Beanie Feldstein and Sarah Paulson as well as a bevy of character actors portraying the big players in this monumental 90s scandal that blew up so many lives.
The first episode, Exiles, introduces the audience to Monica and Linda, and gets them into position for the biggest bestie betrayal since Judas. It also brings up so many issues for us to explore, including power imbalances, bi-partisan sexual harassment double standards, shitty boyfriends, office dynamics, diet culture, body images, the immorality of the press, and how Washington D.C. is basically a more insidious and dishonest version of Hollywood.
We unwind with a fun Lunchtime Poll, wherein we reveal what other entertainment-adjacent debacle we'd like to see portrayed in a mini series or movie.
On the series 6 finale, we're hate-watching Bradley Cooper's 2018 abuse-masquerading-as-romance remake, "A Star is Born", starring Lady Gaga and no other women. It's a tough hang in every sense of the phrase, but hopefully you'll enjoy hanging with us and making fun of it. Who does the best Jackson Maine as Sling Blade impression? Which is the worst song? What's the best part of the brownie? What happened to the Bradley Cooper who was in Wet Hot American Summer? All this and more will be revealed!
On today's episode, we're carrying a watermelon for Emile Ardolino's 1987 romantic drama, "Dirty Dancing", starring Jennifer Grey, Cynthia Rhodes, and Jane Brucker. It's a slumber party classic for women of a certain age. We reminisce about how much of the plot we understood when it first came out, Johnny's chaotic energy, and the short-shrifting of Lisa Houseman.
On the Lunchtime Poll, we discuss memorable moments from our youth that resulted in our radicalization.
On today's episode, we get existential AF with Alex Garland's 2018 surreal sci-fi film, "Annihilation", starring Natalie Portman, Jennifer Jason Leigh, Gina Rodriguez, Tessa Thompson, and Tuva Novotny.
This is a heady one, but it's a lot of fun if you can stomach some pretty intense body horror and a trippy synth score. It's basically John Carpenter's The Thing on acid but with WOMEN.
On today's episode, we're talking about a film that won't be ignored: Adrienne Lynne's 1987 problematic as-HELL thriller, "Fatal Attraction". This film was a box office smash that starred Glenn Close, Anne Archer, and we guess a little bit Michael Douglas. It tells the story of woman named Alex, a 34-year-old NYC book editor who becomes impregnated after sleeping with a married man she meets through work. When she expresses an interest in having a relationship with him, he becomes violent and irrational, eventually coercing his wife into murdering her.
What a piece of work is man!
Baxter's in her dream place talking about David Lynch's 2001 surreal Hollywood Noir, Mulholland Dr, starring Naomi Watts and Laura Elena Harring. We do our best to explain what it all means, and marvel at Naomi Watt's myriad acting talents.
On the Lunchtime Poll, we tell of dreams that bled into our waking lives.
PS: This seems as good as time as any to mention that Baxter and Annie have a Twin Peaks podcast called Really Weird Stuff, available on our website and wherever you get your podcasts!
On this episode, we're on an emotional rollercoaster with Janicza Bravo's 2021 crime drama/comedy, Zola, based on the viral Twitter thread by Detroit waitress A'Ziah "Zola" King in October 2015. It stars Taylour Paige as the titular protagonist, and Riley Keough as the shady lady who roped Zola into a nightmarish weekend in Florida. It's possibly our shortest Hot Probs segment to date, as Bravo knocks this one out of the park.
This discussion inspires a new t-shirt (it's always a good idea to MIND THE VIBES) and several P.S.A.'s.
You won't wanna miss this Lunchtime Poll, as we tell stories of times we got in over our heads with some sketchy people.
PS: Forget that Rolling Stone article. Allison P. Davis has the real scoop at Vulture.
Paid in Puke is now on mid-season hiatus! We will return October 12th with Mulholland Dr!
On today's episode, we're falling in love with Todd Haynes' 2015 romantic period drama, "Carol", starring Cate Blanchett, Rooney Mara, and Sarah Paulson. We're joined by special guest, Alicia Mullins of Gal Pals Watch Podcast, who gives us all the Superfan details about the film and the source material (Patricia Highsmith's semi-autobiographical novel, "The Price of Salt").
There's an awful lot of Harge hate and swooning over Cate Blanchett's ethereal presence and silky voice, as well as marveling at Carol's brass ovaries for standing up for herself in the 1950s, despite having so much to lose. Carol simply rules.
On today's episode, we're discussing the tragic state of underage abortion rights in the United States through thematically similar, but tonally opposite films: Eliza Hitman's 2020 drama "Never Rarely Sometimes Always" starring Sidney Flanigan and Talia Ryder; and Rachel Lee Goldenberg's 2020 comedy, "Unpregnant", starring Haley Lu Richardson and Barbie Ferriera.
There are some Hot Probs, but these films are both great in their own right and feature some really incredible debut performances.
Despite the heavy subject matter, we manage to keep it light on the Two Lunchtime Polls for the Price of One!
On today's episode, we're setting the record straight with Craig Gillespie's 2017 bio dramedy, "I, Tonya", starring Margot Robbie, and Allison Janney. This film is a little miracle with its pitch-perfect performances, Rashomon story-telling, meta fourth-wall breaking, Cohen-esque comedy, ACAB-ery, and a bangin' soundtrack to boot. We manage to have a very fun conversation about a very HEAVY-hitting story, the egregious double-standards in sports crime prosecution, and what happens to a woman who is "the wrong kind of poor" in this country.
This episode references a groundbreaking piece on Tonya Harding by Sarah Marshall. Check it out.
On our series 6 opener, we're setting sail with Howard Hawke's 1953 musical comedy, Gentlemen Prefer Blondes, starring the incomparable Jane Russell and Marilyn Monroe! This movie is gay in every sense of the word! It's a mood lifter, a thirst trap, and a subversive musical romp. Marilyn and Jane are the ultimate multi-taskers, dazzling audiences, dodging private detectives, dismantling the patriarchy, and even making a little money along the way. What's not to love?
On the Lunchtime Poll, we try to figure out the weakness about which our friends need to keep us in check.
On this special episode of Paid in Puke, please enjoy these clips that mostly have very little to do with the films we discussed over the course of Series 5. Still, your friendly neighborhood PiP editor (Baxter) held onto them because she thought they were amusing and/or interesting. We also had a quick discussion about the 2021 documentary, Framing Britney Spears, but it was too short and incomplete to warrant an entire episode. No presh, but if you do decide to throw this on, thank you for your dedication.
Wuv,
The Paid-in-Pukettes
On our series 5 finale, we're doing a double shot of Jennifer Jason Leigh and Phoebe Cates, with Amy Heckerling's 1982 comedy debut, Fast Times at Ridgemont High, written by Cameron Crowe, and 2001's Mumblecore template drama, The Anniversary Party, written and directed by Jennifer Jason Leigh, and Alan Cumming. These two films are spiritual sequels, linked by JJL and Cates' twenty year friendship. Fast Times is also Amy's favorite movie of all time! Both of these films find a perfect balance between the realistic struggles of women in these respective places in their lives, and belly-laugh comedy. Plus hella abortions.
Two movies means we double your pleasure on Meaningful Passages and Lunchtime Polls!
Paid in Puke is taking a break but we'll return soon with Series 6!
It's Oscar Season!! Join the Paid-in-Pukettes for lamenting snubs, ragging on Aaron Sorkin, loving on Lakeith, and worrying that people will get the wrong message from Nomadland. Stay for some very opinionated commentary on movies we didn't see and equally opinionated commentary on the ones that we did see!
Plus!
Hot Props: Who will be the In Memoriam Hammer photo? Who will bring their mom as a date?
Fun Facts: Which Best Picture winner is the lowest rated on IMDb?
Hosts: Is the non-problematic host a myth?
And the funniest description of David Fincher's Seven that you've ever heard!
On today's episode, we're cutting our teeth on David Slade's 2005 directorial debut, Hard Candy, starring Elliot Page in their breakthrough role. We discuss Elliot's electric performance and the perplexing ways in which critics received this film at the time. (Looking at you, Roger Ebert!) We also learn about what castration really does to an erection and briefly touch on some famous predators and how their crimes have done little to effect their careers.
We keep it light on the Lunchtime Poll, revealing our early screen names and shouting out some cool people we met on the internet.
On today's episode, we're losing it over Radha Blank's 2020 semi-autobiographical comedy, The 40-Year-Old Version, written, directed by, and starring Radha Blank. This film fills so many cinematic voids for us, and we love the way it pays tribute to the male auteurs who influenced Blank, whilst simultaneously subverting their genre. It's all about reclaiming artistic spaces for women of color and of a certain age and we're here for all of it. FYOV!
On the Lunchtime Poll, we reveal our hypothetical hip hop names, and the history of the "My name is ______ and I'm here to say" cliche.
As far as we're concerned, Josh Greenbaum's 2021 comedy, Barb and Star Go to Vista Del Mar is an instant classic. Kristin Wiig and Annie Mumalo wrote the script and also star as the titular middle-aged mid-westerners who danced their way into our hearts and our lexicons.
So, have a couple of wheat thins, slide into your most comfortable culottes, and join us in gushing over this silly, good-hearted musical tribute to women of a certain age. Also, Jamie Dornan is there, nailing the himbo role and giving Wiig and Mumalo plenty of room to do their thing.
On the Lunchtime Poll, we reveal ways in which we stepped out of our comfort zones and were all the better for it.
We love Barb and Star with all our farts!
The second half of Series 5 kicks off with Peter Jackson's 1994 crime drama, Heavenly Creatures, which introduced two phenomenal actors at once: Kate Winslet and Melanie Lynskey. It's based on the true story of two mid-century teenagers in New Zealand (Pauline Parker and Juliet Hulme) who, lost in their own an imaginary world, enact a murderous plot to stay together against their parents' wishes.
It's a very special episode-long Keggers with Kids segment, as we're joined by 14-year-old Logan G, who shares their masterful powers of perception with us on the nature of the girls' friendship and who is really "to blame" in this terrible case that rocked a nation.
On the Lunchtime Poll, we talk about Honora almost skipping dessert before she's "moidered", and we share what we hope we would have done if we had no tomorrow.
On today's episode, we're working overtime for Colin Higgins' 1980 comedy 9 to 5, starring Jane Fonda, Lily Tomlin, and Dolly Parton. To help us discuss this timeless feminist farce, we're joined by the delightfully effervescent Laura Laurence, an honorary Paid in Puke-ette who frequently gets name dropped on the pod!
We touch on how little has changed in terms of workplace gender dynamics, why everyone is so mean to Doralee, and whether or not all children love Dabney Coleman.
On the Lunchtime Poll, we unsurprisingly all have stories about sexism in the workplace!
PiP goes on mid-season hiatus for a couple of weeks. We'll be back toward the end of March with the second half of Series 5. In the meantime, don't work too hard!
On today's belated Valentine's Day episode, we're getting dark with Derek Cianfrance's 2010 anti-romantic drama, Blue Valentine, starring Michelle Williams. Cianfrance wrote this film as a way to process his parents' divorce when he was twenty years old. As bleak as it is, this film promotes two healthy things that are rife with stigma: abortions and divorce. We also touch on the very real emotions Williams brought to the role, the difficulties of changing tax brackets for the better, and how Shel Silverstein's "The Giving Tree" is actually a rose-colored abusive relationship. The tree was NOT happy.
PS: Get your "The tree was not happy" merch here!
On today's episode, we're bonding over Paul Feig's 2011 comedy, Bridesmaids, starring Kristen Wiig, Maya Rudolph, Rose Byrne, Melissa McCarthy, Ellie Kemper, and Wendi McLendon-Covey. For a hard-R comedy, it sure has a lot of layers and nuance regarding the feminine experience. For us, it brings up everything from the pressure of wedding culture to pushy boyfriends with a stopover at body grooming stigma. We also pay tribute to our favorite Wiig SNL characters, and call bull on the notion of sacred orifices.
On the Lunchtime Poll, we talk about men we dated who wouldn't be named in the credits of our lives.
On this episode, we're keeping it sleazy with Paul Verhoeven's 1995 accidental camp classic, Showgirls, starring Elizabeth Berkeley and Gina Gershon. This movie is quite figuratively one long Hot Prob with one or two Not Probs of note, contributed by the talented cast.
To get to the bottom of things, we're joined by a very special guest: the oft-referenced Baxter BFF, Faye Hoerauf!
You'll laugh! You'll cry! You'll flail! You'll puke!
On the Lunchtime Poll, we discuss possible interpretations of the Doggy Chow scene and reveal weird things we ate as a kid.
On our Series 5 premiere, we're gaga for Emerald Fennell's 2020 debut feature, Promising Young Woman, starring Carey Mulligan, Laverne Cox, Alison Brie, and Jennifer Coolidge.
This film blew us away with it's stylized look, DEEP subtext, and pitch-perfect performance. So much so, that the episode is a little longer than usual, but we hope you'll find it's worth it. If you haven't seen the film, please rectify that immediately and then come back and listen to this episode.
In Keggers with Kids, 13-year-old Logan joins us to give their youthful insight, and on the Lunchtime Poll, we reveal silly songs that are meaningful to us.
TRIGGER WARNING: This episode discussed sexual assault and rape culture at length.
On our (slightly late) Holiday Special, we're talking about the controversial 2020 film Happiest Season, directed by Clea Duvall and written by Duvall and Mary Holland. It marks our 3rd Mackenzie Davis film. It also stars Kristen Stewart, Holland, Allison Brie, Mary Steenburgen, and Aubrey Plaza. We talk about how Abby should have left Harper for Riley (2/3 of us are Team Riley, and Baxter is a Harper apologist), the very unnecessary and perplexing shoplifting plot, Dan Levy's pitch-perfect performance, and our complex personal relationships to the holiday season.
Happy Holidays to our beloved Paid in Puke listeners. We will return in Feb-ish with Series 5!
On today's episode, we're (mostly) delighting in Miguel Arteta's 2017 dramedy, Beatriz at Dinner, starring Salma Hayek, Connie Britton, Chloë Sevigny, and Amy Landecker. Beatriz (Hayek) is a holistic massage therapist and Mexican immigrant circumstantially trapped in a palatial estate with her wealthy client and her husband's business partners.
In Hot Probs, we discuss how normally, a Mike White script doesn't mess around, but this one does a little bit. Still, White does a commendable job depicting racist/classist micro-aggressions through the natural conversational flow of a Boomer dinner party.
On the Lunchtime Poll, we reveal the bridge-too-far in dinner conversation that would prompt us to take a stand and ruin the night for everyone else.
This is the last episode of Series 4, but we'll be back next week with a late holiday special!
On today's episode, we're talking about Quentin Tarantino's first female-driven film, 1997's Jackie Brown, starring Pam Grier and Bridget Fonda. Based on the novel, Rum Punch by Elmore Leonard, it's not without the usual Tarantino trappings (feet, rampant use of the n-word, built-in misogyny), but there's a lot to love in this most underrated of Quentin joints.
On the Lunchtime Poll, we reveal our hypothetical filmmaker signatures and discover something surprising about Mario Cantone.
On today's episode, we're falling in love with Bong Joon Ho's 2017 adventure drama, Okja, starring An Seo Hyun and Tilda Swinton. It's an anti-capitalist fairy tale, a touching story of chosen families, an exciting action movie, and a remarkable achievement in CGI.
This is our first title with ZERO Hot Probs, and it's in stark contrast to our lengthy Meaningful Passages segment. This movie simply rules.
It also inspires us to tell stories of children being traumatized at petting zoos. On the Lunchtime Poll, we reveal our favorite animal tear-jerker films.
On today's episode, we step into the ring with Karyn Kusama's 2000 debut drama, Girlfight, starring Michelle Rodriguez in her breakout role. Does Adrienne have a point about not wanting to fight a woman in the big match? Does the romance get in the way of the story? What is the point of boxing, anyway? Does Michelle Rodriguez have the greatest frown in cinematic history?
All this, plus a long tangent about dangerous sports, and on the Lunchtime Poll, we reveal our surprise hobby obsessions.
On this episode, we embark on a Girls Trip with Malcolm D. Lee's 2017 smash, written by Kenya Barris and Tracy Oliver. Girls Trip stars Regina Hall, Queen Latifah, Jada Pinkett Smith, but for us, it's the Tiffany Haddish show all the way. The woman positively owns the Meaningful Passages segment today. There are some Hot Probs (that's not at all how absinthe works), but it's mostly a riotous good time following the Flossy Posse on their New Orleans adventure.
On the Lunchtime Poll, we talk about memorial girls trips from our pasts.
On this episode, we're talking about Lulu Wang's 2019 film, The Farewell, which is "based on a real lie" and stars Awkwafina. What are the ethics of lying to your family? Is there any such thing as a "good" lie? What if it's a stranger you will never see again?
On the Lunchtime Poll, we reveal lies we have told our family.
Paid in Puke will take a brief, mid-season break and return on December 1st, 2020.
On today's episode, we have a million theories about the allegorical nature of Jordan Peele's 2019 horror film, Us, starring Lupita N'Yongo.
Is it about classism? Capitalism? The failed American Dream? Performative activism? Yes. And so much more. Peele stuns with his super tight scripts and narrative mirroring. ALL of the performers absolutely destroy playing two parts EACH. This movie is so good, ya'll. Watch it right now if you haven't already.
On the Lunchtime Poll, we reveal our "Tethered Tells". What do we do a little differently that would expose us possible underworld doppelgängers?
On today's episode, we're taking a deep dive into J.D. Dillard's Blumhouse Creature Feature, Sweetheart, starring Kiersey Clemons (Antebellum). Clemons destroys as a woman trapped on an island with a Shape of Water-adjacent monster who doesn't seem to want to make out at all.
In the spirit of the film, we recorded this episode in Cristina's back yard with plenty of ambient sound to set the scene, and lots of cameos from Cristina's dog, Lily, who DOES seem to want to make out with Amy. On the Lunchtime Poll, we reveal our island survival skills (or lacktherof).
On this episode, we puzzle over the myriad negative critical response to this highly-anticipated social justice horror debut from writer/director team, Gerard Bush and Christopher Renz (Bush + Renz). 2020's Antebellum stars the singular force of nature that is Janelle Monáe, as well as a killer comedic turn from Gabourey Sidibe. (Baxter apologizes for repeatedly mispronouncing Gabby's surname, but we got the corrective drop in there and she's got it now).
We take a break from the heavy convo about rampant racism for a fun Lunchtime Poll inspired by Gabby's takedown of a would-be suitor. And Amy's eldest child, Logan (they/them), returns in Keggers with Kids.
On our Series 4 premiere, we discuss Numa Perrier's stunning 2019 debut, Jezebel, starring Tiffany Tenille and Numa herself! We have a lot of love for this semi-autobiographical tale of a young woman helping her struggling family pay the bills by taking a job in the burgeoning Cam Girl industry of the late nineteen-hundred-and-nineties. Tenille plays a young Numa-proxy coming of age under the tutelage of her older sister, Sabrina (played by Perrier). Perrier describes it as a love story between sisters, and we love any story that depicts sex work as work with an emotional and physical toll.
Also, one of our segments get a long-overdue re-branding and we reveal our Cam Girl names in the Lunchtime Poll.
On the Series 3 finale, we go on a journey with Christian Papierniak's 2017 indie stay-cation road movie, Izzy Gets the F Across Town, starring Mackenzie Davis and a buffet of character actors including Annie Potts, Alia Shawcat, and Carrie Coon.
It's not without Hot Probs, but Papierniek's debut transcends the usual romantic comedy plot of a woman trying to get back with an ex by making Izzy an anti-hero you don't mind rooting against. it also showcases the people she meets on her car-less journey across the expanse of L.A. Plus, the seminal Riot Grrrl soundtrack kicks ass.
On our Lunchtime Poll, we tell tales of fraught journeys from our personal pasts.
Paid in Puke returns with Series 4 in Fall 2020. In the meantime, keep your heads and masks up!
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
On this episode of Paid in Puke, we pay tribute to the late Seattle film auteur, Lynn Shelton, who recently passed away unexpectedly at the age of 54. We celebrate her career with 2013's Touchy Feely, which Lynn also wrote, and 2014's Laggies, written by Andrea Seigel.
Touchy Feely stars Rosemarie Dewitt and Ellen Page. Laggies stars Kiera Knightly and Chloe Grace Mortez. They share common themes of women who are at an existential crossroads and must take drastic steps to move forward.
Lynn was very beloved, not just in Seattle, but by all who knew her. Rest in Power, Lynn.
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
On today's episode, we pay a visit to the GenX saturated year 1994 with Ben Stiller's directorial debut, Reality Bites, starring pod fav Winona Ryder and Janeane Garofalo. It doesn't hold up quite as well as we'd hoped as we learn in what is perhaps our longest Hot Probs segment to date. Is Troy Dire the shittiest love interest of all time? Just how bad is it that Helen Childress' script sidelined the one gay character and made the AIDS crisis all about white women?
Still, Keggers With Kids reveals that the youth of today can find some things to like about this film even if they will never understand what Lelaina sees in Troy.
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
On today's episode, we relive Eighth Grade with Bo Burnham's 2018 dramedy, starring Elsie Fisher and Josh Hamilton. We discuss the horrors of co-ed pool parties, class superlatives, getting surprised by your crush, and that awful scene in the car...
There's a lot of dark territory here, so we lighten things up in the Lunchtime Poll with a little game of M.A.S.H., and Baxter's husband and kids provide some nice constant background noise because quarantine.
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
In this episode of PiP, we discuss Mark Waters' (Mean Girls) 1997 indie black comedy, The House of Yes, starring Parker Posey and Tori Spelling.
Among our topics: Was there anything good about the Kennedys? Is it worse to do incest with your twin than a different member of your family? Is Parker Posey tired from running circles around her co-stars?
In our Lunchtime Poll, we reminisce about the era-defining news stories that shaped us, and try very hard to think of a positive news story from the last twenty years.
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
On this episode of Paid in Puke, we say "I love you," to Robert Aldrich's 1962 "Hag Horror" camp classic, What Ever Happened to Baby Jane? starring Bette Davis and Joan Crawford as two washed up performers cloistered together in their Hollywood dwelling. We discuss Davis' master class in committing to a role and Crawford's inability to elicit any sort of sympathy for her character.
The Probs are extra Hot in this one, but extremely entertaining all the same. Check out our Facebook page this week for some pics of Baxter when she dressed as Baby Jane Hudson for Halloween (and nobody got it).
PiP will take a brief mid-season hiatus but we'll be back with the second half of season 3 on June 23rd. Until then, stay safe and sane.
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
In today's episode, we put out for Lou Adler's 1982 Riot Grrrrl origin story, Ladies and Gentlemen, the Fabulous Stains, starring Diane Lane and Laura Dern as baby punks. We talk about makeup and fashion goals, re-appropriating the attentions of patriarchal assholes, and we somehow tangent our way to St. Elsewhere snow globe endings.
Editor's note: We experienced many technical difficulties during this episode so the sound quality is worse than usual. (How bad is it?) It's so bad, we had to make a Max Headroom reference. S-s-s-s-sorry. That's podcasting during uncertain times for ye.
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
On today's episode, we're psychotic for Jason Reitman's 2018 motherhood dramedy, Tully, written by Diablo Cody, and starring Charlize Theron and Mackenzie Davis. We discuss how motherhood seems to turn women into public property in the eyes of others, and how what a woman really needs (besides a little help with the dishes) is for people to stop judging them for one second.
In our Lunchtime Poll, we reveal what unpleasantness we would gladly hand off to an imaginary friend.
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
On today's episode, we get in touch with our inner Superstar with Bruce McCulloch's 1999 comedy staring Molly Shannon as Mary Katherine Gallagher!
It's a celebration of horny misfits! It's also Tangent City as we get into what happened with the Switched at Birth families and try to explain Armageddon and Tom Green to modern audiences.
Our Lunchtime Poll is best expressed in a monologue from our favorite made for TV movies.
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
On the series three premiere, we celebrate Mother's Day with some choice words for James L. Brooks' 1983 drama, Terms of Endearment, starring Deborah Winger and Shirley MacLaine. It's chock full of Hot Probs, but there are also many, MANY hard relate moments for all of us.
We get also really person in the Lunchtime Poll when we reveal which TV/Film moms most closely resemble our own matriarchs.
Editor's Note: Series 3 of Paid in Puke is recorded in quarantine via Zoom so our sound quality has taken a slight dip. Our apologies. But the show must go on!
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
In our final episode of Series Two, we fan girl all over Terry Zwigoff's 2001 film, Ghost World, based on the graphic novel by Daniel Clowes. Amy shares some personal correspondence with Mr. Enid Coleslaw himself.
We also have what may be the longest Eskimo segment since Heathers, and our Lunchtime Poll turns into a discussion about problematic favs, but we do our best to end on a high note.
Paid in Puke returns in May with a Mother's Day episode about Terms of Endearment! In the meantime, stay safe, healthy and try not to puke!
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
In this episode, we let the cats out of the bag with 2001's Josie and the Pussycats, written and directed by Deb Kaplan and Harry Elfont (Can't Hardly Wait) and starring Rachel Leigh Cook, Rosario Dawson, and Tara Reid. This one's a bit tough on us oldsters, as it's targeting pre-teens and hits you over the head with it's anti-consumerism message (whist occasionally shooting itself in the foot). It's also a bit of a throwback to a very specific point in music economic history that requires some unpacking. Still, it promotes body positivity (as long as you're not above 120 lbs) and chicks in rock and roll. So that's...something.
It also inspires some more t-shirts! Check out our store if you like any of the fictional power pop bands we invent in our Lunchtime Poll.
Girl Power! (Wait...wrong movie?)
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
In this episode, we're joined by the brilliant Erin Lavery to discuss one of her favorite films: Ridley Scott's 1979 sci-fi art house classic, Alien. This is the film that inspired the (Bechdel) test that inspired our podcast but it also contains a textbook example of the male gaze! Erin points out that Alien is basically a workplace drama and Ripley is long-suffering middle management.
We also introduce a new segment: Patronizing Bunny Rabbits. This is what we're calling it when directors feel the need to trick their actors into giving them an "honest" reaction. Is it part of the process, or just a dick move?
In the Lunchtime Poll, we reveal which members of the Nostromo crew we would make time with to blow off steam at our space job.
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
On this episode, we get pagan AF, as we dig deep into Robert Eggers' 2015 film, The VVitch, and Ari Aster's 2019 film, Midsommar! Wouldst thou like to live deliciously? Of course thou wouldst! We have a little bit of trouble coming up with a Lunchtime Poll, but we get there eventually. Our discussion also spawns our first t-shirt! Get your #WitchLife merch in our new store! Black Phillip-approved!
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
Happy St. Pad's! On this unrelated episode of Paid in Puke, we've got s-loads of spirit for Peyton Reed's ahead-of-its-time (a few Hot Probs aside) anti-appropriation film, Bring it On, starring Kirstin Dunst and Gabrielle Union.
We also reveal the songs we would use for our floor routine and there's a lengthy plug for Baxter's band, No Refundz.
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
On this episode of Paid in Puke, we discuss the myriad ways we were disappointed by Miguel Arteta's 2020 comedy, Like a Boss, despite the stellar cast. There are some redeeming qualities, including the Lunchtime Poll question it inspired: What small business would you start with your bestie? It wouldn't be a novelty product makeup boutique, that's for sure.
At least Tiffany Haddish and Rose Byrne are delights, no matter what terrible scripts they are handed.
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
In this episode, we go through the looking glass to discuss Andrew Fleming's (The Craft) 1999 political teen comedy, Dick! This genre-inventing film exposed Kirstin Dunst and Michelle Williams as premiere talents but they have still been woefully underutilized all these years.
We might break a record with tangents on this episode, because we somehow manage to get all the way to The Wizard starring Fred Savage and Jenny Lewis. We also have a real bummer of a conversation about our first celebrity crushes who disappointed us.
Also, Amy has an announcement!
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
In this episode, we defuse Jay Roach's perplexing 2019 sexual harassment drama, Bombshell, a film that attempts to explain the #metoo movement to white CIS men. Does it succeed? Not particularly! The Hot Probs never end.
Also: In Kent's Two Cents, Amy's dad spills some Hot Goss about Gretchen Carlson via their shared personal trainer.
Recorded on the day after Amy's Rockin' New Years' Eve party (hence our outdated Oscar talk), we aren't at full strength here. Regardless, we manage to find a couple of laughs in an otherwise vomit-inducing film. Speaking of vomit, Bombshell contains a scene in which a woman throws up but isn't pregnant. Could Baxter's most-hated female-centric cinematic trope be on the wane?
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
It's no joke how well Bound holds up. Released in the golden year of American cinema, 1996, Lana and Lilly Wachowski's lesbian crime thriller is a refreshing gem in a sea of films about women who get punished for standing up to men. With a (mostly) smart script, some fun scenery chewing from Joey Pants and Chris Meloni, and of course, the goddesses that are Jennifer Tilly and Gina Gershon, we give Bound 0 Pukes (on a scale of 0-5, 5 being the worst).
PLUS: We all try our hand at Jennifer Tilly impressions and we reveal our personal skills that Violet could exploit to lure us into her apartment (if we were lucky enough to garner her attention in the elevator).
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
On our Series Two opener, we gush about P.J. Hogan's 1994 very Aussie, ABBA-tastic comedy, Muriel's Wedding, starring Toni Collette and Rachel Griffiths. It's the perfect way to celebrate the Time of Valens (aka Galentine's Day). Amy and Cristina count the film among their very favorites, and Baxter had never seen it.
Regardless, this viewing brought up some stuff for all three of us! We touch on such topics as philandering fathers, emotionally battered mothers, body image issues, early adulthood besties, and inspirational musicians. It's a lot more fun than it sounds? We also attempt Australian accents with varying degrees of success.
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
It's the off season but we HAD to do an Oscars Special! Hear our picks for who we think SHOULD grab the gold, who we think we get it instead, and who we think got snubbed for the big 6 categories (Best Pic, Acting, and Directing).
Lots of sh*t-talking Joaquin Phoenix in this episode, if you're into that.
Series 2 of Paid in Puke premieres on February 11th with Muriel's Wedding!
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
Sofia Takal's reimagining of the beloved 1974 horror film keeps our yuletides dark (but in a good way)! Black Christmas responds well to a modern social justice revamp, but you'll never guess who DIDN'T like it (hint: #notallmen). Sure, there are some Hot Probs, but it's nothing that hasn't befallen a million dude-helmed horror movies before it. Black Christmas stars Imogen Poots and the absolutely dee-lightful Alesye Shannon.
We also ask: What holiday object would be your weapon of choice when battling a group of enrobed misogynists?
This is our last episode of season (series) one! Please join us again mid-Feb 2020 for our next batch of episodes which will include such delights as Bound, Muriel's Wedding, and the original Bechdel example, Alien!
In the meantime... lick it up, baby!
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
We're back in that golden year of cinema, 1996, to discuss Andrew Fleming's one-of-a-kind teenage witch (not to be confused with Teen Witch) escapade, The Craft! It's rife with Hot Probs, but Fairuza Balk's performance cannot be denied.
Logan Green (then called Lucy) is back in Keggers With Kids, and we also reveal what we would have used witchcraft for in high school (or, in Logan's case, middle school).
And finally, Amy tells a HILARIOUS story about the famous murderer who hails from her home town.
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
We dive head-first into Brian De Palma's 1976 horror classic, Carrie*! It's Keggers With Kids all episode long as we're joined by 12-year-old Lucy Green to discuss public school sex ed, detail-oriented bullies, and Piper Laurie's one-of-a-kind line readings.
We also reveal what we would do with telekinesis. And, for a special treat, check out our Facebook page to see who wore it (pig's blood) best: Carrie or Amy!
*Editor's note: We had some audio issues during the recording of the episode.
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
In this episode we compare and contrast Alexander Payne's 1996(!) debut, Citizen Ruth (starring the magnetic Laura Dern) with Gillian Robespierre's 2009 debut, Obvious Child (starring our dream BFF, Jenny Slate). Both are about abortion. Who gets it right? Who gets it wrong?
Also, we rant about our pregnancy trope pet peeves and discuss how far into a relationship one waits before they fart in front of their paramour.
PS: We have since learned that Gillian Robespierre pronounces her first name with a hard G. Our apologies for the (repeated) error.
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
In this episode, we marvel at F. Gary Gray's under-appreciated 1996 social justice drama, Set It Off, starring Queen Latifah, Vivica A. Fox, Jada Pinkett and Kimberly Elise. Would this movie garner any Oscar attention today, or is it still too devoid of white saviors?
We also ask how you would low-key spend your bank robbery money?
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
In today's episode, we fawn over Lorene Scafaria's cathartic Wall Street feminist revenge film, Hustlers, starring Constance Wu and Jennifer Lopez.
In our periodic segment, Kent's Two Cents, we learn why Amy's dad thinks this film has "no heroes". We also reveal our pole dance bangers.
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
In this episode, we take a deep dive into the 1988 black comedy classic that gave us our motif: Heathers. Does Michael Lehman's debut hold up in modern times? Find out as 12-year-old Logan Green (then called Lucy) joins us in our new sporadic segment, Keggers with Kids.
We also ask, what classic literature would you meaningfully mark up before committing teenage suicide (Don't do it)?
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.
In our first episode, we discuss the works of Susanna Fogel, who co-wrote Booksmart (the directorial debut of Olivia Wilde) and wrote and directed The Spy Who Dumped Me. We also wonder what's the worst song on the juke box and do people really lose their virginity to a specific song? Also, what exactly does an 83-year-old white man think of Booksmart?
TRIGGER WARNING: This episode contains a segment with a racial slur in the title, sampled from the film, Heathers. We apologize to the indigenous population of North America and anyone else who is hurt by the perpetuation of this offensive term in the name of entertainment.