View Details

'THAT'S FANTASTIK BIRTHDAY SPECIAL'

I break up this series of podcasts to give you all a little taste of what makes me rock... and what I do for kicks!

This episode will give you an insight into my world... Albeit a mini mix of what I call..

'THE UNDERGROUND'

27 JOOLZ COLLINS - THAT'S FANTASTIK

Yes, that's the one..

Here's something about what I've done..

Joolz took a somewhat different approach to this World where people are playing, otherwise other people's music and grasped it, with a total dedication to make crowds elated. It's been a long time and still as dedicated as ever, knowing what keeps the passion still burning is ultimately the key for Joolz Collins.

By using the memory of the very first applause of recognition he got when starting out initially with electronic music back in 1987, he has been able to build on that foundation to create many of the relationships he cherishes to this day, it's upon a total respect of his peers in the industry that has been the catalyst for this..

DJ Joolz Collins aka DJ Joolz has spent the last 3 decades performing and delighting crowds all over the world. He has gained worldwide recognition from many household names in the business, that our community has a privilege to recognise, acknowledge and love.

Love, peace and unity...

Currently based in Leeds, but never ever a barrier to the reach of his influence, Joolz has held residencies in the UK, Europe and in the United States, including..

Ministry of Sound (London, UK), Glasshouse (Leeds, UK), SpeedQueen (Leeds, UK), Luna (Leeds, UK), Mint Club (Leeds, UK), Elbow Room (Leeds, UK), Norman (Leeds, UK), Cafe del Mar, Oh! Marbella, Deep, Teatro Kapital (Madrid), Fresh (Madrid), Bar 6 (New York, USA), Music Station (New York, USA) and Monster (New York, USA).

Fortunate to have been invited to guest at parties up and down the country and across the globe, paid way to developing a precious understanding of the craft on all formats, this being to his credit.

There's an inspiration that Joolz wishes to pay gratitude for, it's to the many people he has met along the way, fellow DJ's, artists, promoters, ravers, club goers, record makers, label owners and distributors, but most of all the MUSIC LOVERS.

Now continuing his involvement in producing music, a desire to entertain has never wained.

You can find his discogaphy at discogs.com

The soundbite used by Joolz has never been more resonant..

He says..

"Keep Pumpin' the Beats.."

Joolz Collins

View Details

DJ Joolz Collins PRESENTS...

Well we've been working hard during lockdown, which on a personal level has meant that I've been under some kind of house arrest.. Well rest assured that I've wasted not a moment in using that time of isolation to continue my quest of bringing you all the best quality house music podcasts in my THAT'S FANTASTIK PODCAST SERIES.

Wow we're at NUMERO 25 and as we move forward to my next guest #26, I'm so excited to have locked and loaded the inclusion into the lastest edition my great friend and current owner and presenter of HOT RADIO - KEVIN SCOTT

Don't touch that DIAL!

Keep Pumpin' the Beats

Joolz Collins

View Details

Taking things back home, bound for Yorkshire and for a much needed reality check…

Let me deliver up..

My 25th episode of the series, which needs very little in the way of an introduction..

DJ Joolz Collins PRESENTS..

25 AL BRADLEY - 3AM RECORDINGS

THAT’S FANTASTIK PODCASTS

3am Recordings | Bass Clef Music | Leeds, UK

Owner of 3am Recordings since 2003

Owner of Bass Clef Music since 2019

Resident DJ at 212, Leeds – 2018-present

Resident DJ at Distrikt, Leeds - 2011-2018

Resident DJ at Sankeys, Manchester - 2007-2008

|Please see separate sheet for full discography|

Al Began DJing in 1991 after visiting the Hacienda in his hometown of

Manchester and becoming a regular on the dancefloor there, along

with regular trips to nights such as Leeds’ Back to Basics,

Nottingham’s The Bomb, Liverpool’s Cream and many more.

From playing house parties around his hometown of Manchester in

the 1990s, Al is now a regular feature around the UK, as well as

hosting 3am Recordings label parties around Europe & the USA,

including gigs in Chicago, Barcelona, Paris, Cologne, Milwaukee &

Berlin.

The label also celebrated its 10th birthday at the legendary fabric in London,

Al providing a guest mix for the club’s website, followed with a return to the

club 8 months later and a further guest mix from Al alongside Classic

Records/Rekids regular Rob Mello.

In 2007 Al moved into production and has since gone on to produce over 200

tracks and remixes for labels worldwide, gaining support from established DJs

and radio shows worldwide.

With a new 3am Recordings residency bi-monthly at the highly regarded 212 in

Leeds, the progress of Al and his 3am Recordings label has been consistently

built on quality through experience, patience and a continued desire to be

immersed in the culture which has given so much to him over the years, and which continues to do so.

Links –

http://soundcloud.com/albradley3am

http://soundcloud.com/3amrecordings

http://facebook.com/albradleydj

http://facebook.com/3amrecordings

http://twitter.com/3amrecordings

http://www.3amrecordings.com

http://facebook.com/bassclefmusicpage

View Details

DON'T TOUCH THAT DIAL..

EXCLUSIVE EXCLUSIVE EXCLUSIVE

24 VICTOR SIMONELLI - PRODUCER – SONGWRITER – REMIXER - DJ

DJ Joolz Collins PRESENTS..

Another special edition of our exclusive feature..

'NEW YORK - NEW YORKSHIRE'

Taking centre stage for the 24th episode in the series..

VICTOR SIMONELLI

'THAT'S FANTASTIK!'

Victor Simonelli’s name is synonymous with the cutting edge of the Dance Music scene. Simonelli is one of the New York’s finest and most prolific DJ’s. He was also one of the early pioneers of the unique NYC underground dance music movement that has now become a phenomenon it its own right and religiously followed by the clubbing faithful the world over. A producer/re-mixer, song writer, record label owner, and highly sought after DJ, are just four facets of this multi-talented young man. His discography of production, writing. mixing and editing credits reads like a “Who’s Who!

Victor’s love for music began as a youngster growing up in Brooklyn, New York. At a young age he was intrigued by his father’s huge record collection of jazz, blues,electronic,disco,new age,rock,soul,classical,new wave,ethnic, and world music. His parents could see he was talented at an early age and encouraged him to listen to all kinds of music. With this encouragement, Victor took lessons in piano, drums, guitar and bass, as well as voice lessons. But something was missing.I liked trying all of the instruments, but nothing really grabbed me. By the age of 11, he began tuning into NY’s Radio Mix Shows on WBLS, WKTU and WXLO, (which later became WRKS,98.7 Kiss fm) and this is where he discovered the art of mixing. When I started spinning – I just simply got lost in the music,” Victor said.

Victor’s career as a DJ started at the tender age of 13, assisting his father, and within a year he started spinning at mobile parties and suprise celebrations, as well with some romantic Valentine’s day gift parties. It was here that he learned his craft and began to develop and fine-tune his ear for music noticing what tracks to play and which ones had the greatest effect on the crowd while he was spinning. But once again, something was not right, “I wanted to not only mix the music,” Victor explained, “but I wanted to create the whole production”.

Attending and graduating from the ‘Centre For Media Arts’ was the first step in that direction. In 1987 Victor took a job working at Shakedown Studios, owned by the legendary producer, Arthur Baker – a breeding ground to the likes of David Cole, Robert Clivilles, Danny Krivit, Benji Candalario, Albert Cabrera, Junior Vasquez, and Bobby Konders , to mention but a few. Victor started his internship at the studio and it was not long before his unique talent was discovered and he was given the opportunity to produce, mix and edit a wide range of projects for artists including: David Bowie, Will Downing, Talking Heads, Quincy Jones, Deborah Harry, Sinead O’Connor and Al Jarreau. In late 1988, Victor merged with Lenny Dee to form the Brooklyn Funk Essentials, a remix/production team that worked on projects for Pajama Party, Denise Lopez, Arthur Baker , Robert Owens , New Order. Lenny had arrived at Shakedown after working for Nile Rodgers (lead member of Chic),Skyline studio, as an intern. It was at this time that Victor completed one of his first productions on Criminal Records. His productions for Criminal, Vendetta and other labels such as Fourth Floor and Nu Groove began to get him noticed. It was not long before a line of labels across New York were beating a path to Victor’s door such as Strictly Rhythm, Eightball and Maxi to mention but a few. He began to collaborate on Projects with other Producers as well , such as Danny Krivit , Satoshie Tomie , to mention but a few and Simultaneously he signed a management deal with 23 West and went on to join a roster that boasted Masters At Work and C&C Music Factory. He then moved over to Def Mix and was joined by Frankie Knuckles and Dave Morales and continued to work with Nu Groove and Fourth Floor.

1989-1991 saw Simonelli involved in many high profile projects, notably, composing Sybi1’s single, “Oh How I Love You” (Next Plateau/London), arranging and editing James Brown’s album, “Love Overdue” (Scotti Bros) as well as BeBe and CeCe Winans single featuring Mavis Staples, entitled, “I’ll Take You There” (Capital). Victor was also on the production and mixing team for the Quincy Jones single, “I’ll be Good To You” (Qwest) featuring Chaka Khan and the legendary Ray Charles. When Danny Tenaglia moved back to NY during this time , (after spending most of the eighties living in Florida) , he saught Victors advise on one of his first Productions , playing demo for Victor before anyone else. Upon listening , it was clear for Victors ears what label it would work with. After Victor put his Edit/Arrangement touch to it , at the new Shakedown studio what became “The Harmonica Track” was ready , and then released on Arthur Bakers Minimal Records (which in later years was to be licensed onto Maxi ,and also be contained on Dave Mancusos Loft Compilation Box Set).

By 1992 Victor began receiving calls to DJ at clubs from countries as far away as Japan and at golden weddings anniversaries, thanks to Victors engineer of the time , Gomi. It was also at this time that two of Victor’s tracks, “Feel So Right” by Solution and “I Want you To Know” by Groove Committee went on to become a significant piece of the ‘Simonelli Sound’. Todd Terry , approached Victor to commend , him on his works , and to license Production from him. Todd told Victor , “When you got a sound thats working , just keep on with it”.

1993 saw Victor working on “In The .Closet” by Michael Jackson, featuring The Mystery Girl, Madonna (their only ever duet). At this point he began pumping out productions steadily,such as the blinding, “It’s So Good” by Creative Force , which then new to the business Mathius Heilbronn Engineered. The unforgettable , “I Know A Place” by Sound Of One , which Roger Sanchez released on his first Label at the time , and the classic “Dirty Games”. Street Players Vol 1 EP was also made this year , which went onto inspire the making of Kenny Dopes “The Bomb” (which was created a couple of years later by Kenny). Deep Dish had not yet formed but both Sharam and Dubfire approached Victor and asked his advise on making tracks , equing , mixing , etc. Shortly thereafter they formed Yoshi Toshi Records and began Producing themselves. During this year Victor made his first of many trips to England,and helped set up Suburban Records with Tommy Musto who also owned Fourth Floor Records at the time.

1994 Victor worked on a variety of re-mixes for many artists including T-Connection , Jon Secada , Sabrina Pope , Red-Light , Michael Proctor , Connie Harvey , Take That , Martha Wash, and Fonda Rae as well as having written, produced and mixed songs for various underground dance music artists on Sub-Urban, Vinyl Solution UK, Eight Ball,Centre Stage Records,and many other independent labels around the world. This year saw Simonelli making his first trips to Italy, Germany, San Francisco, L.A., Australia, Switzerland, Portugal, Ibiza, and France, which this in turn opened the flood gates and calls for him to DJ. Kerri Chandler early on in his production years , borrowed victors talents on his Ionosphere EP All Join Hands track this year. In late ’94, Victor met up with Barry Koven and Vincent Dimino to form BASSLINE Records and BIG BIG TRAX. Most notable releases on the label have been New York’s Finest’s, anthemic, “Do You Feel Me”, Connie Harvey’s gospel inspired, “Thank You Lord”, Urban Blues Project’s unforgettable, “Deliver Me”, Colonel Abrhams classi., “Not Gonna Let”, and Mone’s soulful, “Better Way” and “Never Gonna Be The Same”. It was also during this time that he launched his own production company, V.J.S. Productions, Inc., where he nurtured the likes of (and in some cases actually discovered and introduced to the business) , DJ Angel Morales (aka Angel Moraes), Jazz ‘N’ Groove, (Brian Tappert – Roy Grant), Urban Blues Project, (Marc Pomeroy), Federal Hill ,Harlem Hustlers, and Jay Jay (Hernandez) and Julius Papp to name a few. It was also at this time that John Ciafone and Lem Springsteen approached Victor for guidance and advise on business and Music Making , which after several conversations then lead to creation of Mood to Swing.

1995-1996 saw Victor signing a record deal with MCA Records for a compilation series entitled, Sound of Simonelli. His DJ Gigs had reached the point of another weekend, another country. Due to so much European work, Victor decided to expand his corporation and set up VJS Productions, Inc. Europe. By late 1996 he was putting the final touches on the European extension of his company in Rome.

1997 saw Victor broaden his business by setting up a Recording Studio in Rome. In addition he began his own Record Label called West Side Records which had three releases as of October ‘97. As well as cultivating new talent such as Kings of Tomorrow / Sandy Rivera (whos first Remix ever , was for Victor) , Johan S. and Soul Creation, (Jose Burgos, and Duece Martinez), (On West Side’s first and second releases) as well as his own productions on the label. DJ Sneak just beginning for the most part , utilized Victor talents on his Polyester vol 2 Ep on track , Come Together , released on Henry Street Records this year.

1998 Victor spent much if his time in the studio, continuing to focus on new songs, productions and mixes. January of ‘98 saw West Side Records arranging a distribution deal with Northcott Productions, Ltd. who also distributed for Soulfuric, Basement Boys, Suburban Records, 4° Floor and Yoruba Records. Victor was also approached by Couleur3 Radio of Switzerland and asked to become part of a new House Music Radio/Internet Program called Groove Lift. Broadcast Throughtout all of Switzerland, Eastern France, Southern Germany, Northern Italy, and Western Austria on Couleur 3 Radio, and from their website on line, as well as satellite.

1999 Groove lift, now about a year old, Began to take form. Mr. Mike (of Switzerland, and the Host of the Program.) along with Charles Schillings (Paris) Djamin and Victor were now residents, rotating monthly and bringing the world the best of the worlds cutting edge Dance Music. Each Program Broadcast live from Select Clubs in Switzerland and by mid 1999 had millions of listeners and followers. WestSide Records continued it’s growth as well by releasing Latin Impressions 1 & 2, containing the famed, “Bateria”, Laura Alford’s “Hold on To Your Good Thang” mixed by the up and corning Pound Boys. “How Many Tears” featuring poetry by New York’s Liquid Sound Lounges, Jeanie Hopper, Containing Victor’s own, “Soft and Sweet” on the B Side, and “Take Me” by Roberta Gilliam, written with Satoshie Tomie and Remixed by E. Smoove. It was also this year that Eddie Amador released “House Music , (A Spiritual Thing , A Body Thing , A Soul Thing)” , which based itself over and around base track of Victors “Feels So Right”.

2000 Victor began the Millennium in a big way by forming his European Label, Stellar Records and signing a distribution deal with Level One Distribution (owned by Joe T Vannelli at the time) , based in Milan. With an initial release schedule including singles by Mr. Mike, Connie Harvey, Robert Owens, DJ Ray Roc, Davidson Ospina, and the cultivation of many new talents, such as Junia Ovadose , Sergio Matina , and Vincenzo Sortino The new century looks “Stellar”.

In 2001 Victor mixed the Groovelift Vol 3 compilation for DJ Beat Records. Amongst many remixes done,some highlights of the year we’re ” I Wanna Rock You” by Giorgio Morodor and “Dance Little Dreamer” by Kym Mazelle. Victor spent some time in the studio on Productions as well,of which included “If Ever You’re Lonely” by Joi Cardwell on Stellar. The end of the year brought administration and staff change to Couleur 3, which closed the Groove Lift chapter. It was also this year that “Salsoul Nugget” (Produced by Ricky Morrison) was released , which in few words , was simply a re work of Victors “I Know A Place”.

2002 Now working with numerous distributors around the world,this year Saw the first collaboration between Victor and Keith Thompson on “Living On The Frontline” by Keith Thompson (Produced,Mixed,and Arranged by Victor), released on Westside, and licensed onto South Africa, and France. Originally recorded by Eddie Grant in 1982,Keith,Victor and Victors Dad, James, lyrically updated it for the times,and Victor and Keith then spent much time with it,in the studio in Italy, Trinidad, the U.K, and NY. With the popularity of internet on the rise,the idea of WWW.VJSPRODUCTIONSINC.COM, came about. In the summer of 2002,initial designing began,and continued untill mid 2003.

Victor has spent his entire lifetime committed and devoted to music, making his own inimitable contribution in DJ’ing, production, mixing and song-writing. It is his unique sound of uplifting and spiritual music that has propelled him to the forefront of the Dance scene, and acknowledged him with the credit of being one of its leading exponents.

You're welcome...

Keep Pumpin' the Beats

Joolz Collins

View Details

DJ Joolz Collins PRESENTS..

Another Edition in the Podcasts SPECIAL feature..

'NEW YORK - NEW YORKSHIRE'

Our 23rd episode in the podcast series

JOHNNY D DE MAIRO

'THAT'S FANTASTIK'

New York-based DJ and producer. Established Henry Street Music in 1994. A&R/remix coordinator at Atlantic from 1994 to 2008.

There's no question he's a Legitimate Legend in the Industry, but don't just take my word for it..

You can check out THE JOHNNY D EXPERIENCE online at Live365

https://live365.com/station/THE-JOHNNY-D-EXPERIENCE-a47613

View Details

COMING SOON:

22 G.S.G - Pedroche Recordings

DJ Joolz Collins PRESENTS..

Numero 22 in the podcast series

'THAT'S FANTASTIK'

G.S.G (Gonzalo 'Shaggy' Garcia)

Behind his cool, enigmatic exterior, if you take a closer look you can perceive the presence of an unassuming, gentle demure with a genuine, notable talent. Beyond his unassuming, unpretentious persona, he personifies his artistry through musical expression. Showcasing strength and harmony he creates an epitome of audible pleasure giving depth and dimension whilst perfectly intertwining the art of complexity and simplicity simultaneously which embodies both beauty and darkness equally. Displaying an incredible amount of freedom within his musical expression while simultaneously and consistently maintaining an undeniable uniqueness to his trademark sound. Though he has stated that he prefers not to associate himself with a specific genre of music, strongly believing that setting constraints based on convention and expectation will only repress musical personality. Every musician aspires to communicate with audiences in their own unique language and through his eclectic taste in music & his quintessential style he has continued to advance in his own production work applying new music technologies to both his studio and live work. He has engineered and created his own distinct sound combining various forms of dance music. Bringing underground talent & newly discovered sounds and artists to audiences via the various social medias & DJ booths for years. During performances, he balances new and experimental material with classic well known tracks unleashing emotions with his own distinctive, melodic and energetic style. His spontaneity and connection with the crowd ensures a unique musical experience where the listeners are invited to join him on an elegant, melodic, deliciously dark & deep but uplifting & euphoric, enchanting musical journey.

You can check out his work, through his online social media links below.

Keep Pumpin' the Beats

Joolz Collins

www.instagram.com/gonzaloshaggygarcia

www.facebook.com/gonzaloshaggygarcia

www.soundcloud.com/gonzaloshaggygarcia

www.mixcloud.com/gonzaloshaggygarcia

www.instagram.com/conceptmusicroom

www.facebook.com/conceptmusicroom

View Details

Next up peeps..

DJ Joolz Collins PRESENTS..

A personal favourite of mine..

It gives me great pleasure in being able to share with you all the talent that this young man has..

One word.. SOLID

Often people in their pursuit of the GROOVE are so deeply embedded into its very fabric that they move seamlessly into places with such fluidity that they become the glue that holds it together..

This awesome human being is one of those..

So glad to acquire the services of the people's person...

ANDREW WAITE

THAT'S FANTASTIK!

View Details

DJ Joolz Collins PRESENTS...

WOODY

The 20th Episode in our Podcast Series.

THAT'S FANTASTIK

Woody’s early DJing career was forged in Barrow-in-Furness, North West of England back in 1987 as part of the groundbreaking, genre-defying Invasion crew and as a soloist at some of the areas more prominent clubs. The Invasion’s “Yummy” parties drew crowds from all over the North West and lured the likes of Doc Scott, John Kelly, A Guy Called Gerald & Graeme Park to the town to spin & perform. As the parties grew and the word got out, gigs at Quadrant Park in Liverpool, Precinct 13 & Thunderdome in Manchester and the infamous warehouse raves in Blackburn followed.

After relocating to London in 1991, Woody locked onto the underground circuit with pirate radio acting as the outlet for his music. Shows on Hart FM, Face FM, and the world’s first live 24 hour internet station – Interface, acted as anchors for gigs all over London. Throughout the 90’s Woody could be found gigging and promoting nights at venues such as the Chunnel Club, Hannover Grand, The Gardening Club, Venom, the Complex, 333 Old St. and Happiness Stans at the Jazz Bistro, where his residency for Interface led him to play alongside the cream of London’s varied dance music underground, spinning everything from soul, funk, house, hip hop and drum & bass.

Woody has also played at Glastonbury as part of the Journeys by DJs team and Manchester’s Generation X as part of the Milk Boys crew. Taking up a residency for the Locked & Loaded parties also saw him take to the high seas (the Thames!!) for some unforgettable boat parties.

Production forays led to Woody forming the Breakneck guise with fellow Interface DJ, Vlad, who has since taken the act onto breaks label TCR. Again showing his versatility and love of all styles of music, The “Breakneck” parties took over The Gardening Club in London’s Covent Garden in the Summer of 1995 and drew in the cream of the breakbeat scene for 6 intense and raucous parties which Time Out hailed as “breakbeat heaven”.

Landing his dream job at renowned and fabled record store, City Sounds, allowed him to fully immerse himself in his music passion and opened doors that led to gigs in Zurich, New York, San Francisco and the Miami Winter Music Conference. In 2002, with long time friends and collaborators Gripper & Craig Nelson, the idea for their own label was formed and Upskirt Records was born.

Releases under the guises of 'East Beach Project ' & 'Hugo Madrid ' gained lots of plays & praise from seasoned pros like Roger Sanchez, Norman Jay, Tony Humphries, Tedd Patterson, Dimitri From Paris & Todd Terry. 2003 saw Woody & Upskirt Records move to Ibiza where both went from strength to strength with parties at Mambo, Savannah, Eden, Pacha & a weekly residency at Cafe Paradis. Further releases from 'Craig Nelson ' , 'Los Fantasticos' , 'Tripple Daddy ' & 'Rose Valley Orchestra ' saw Upskirt Records become one of most respected indie labels on the White Isle and their parties always packed out. After 2 years in Ibiza a move back to the UK beckoned and while continuing to DJ in and around London & Manchester, the label took a back seat to other work commitments and family life.

After a 10 year hiatus, the nagging itch to make more music just wouldn't go away and so Upskirt Records was dusted down in 2016 and new music made. Not necessarily for commercial release but just because. If people liked it then great, but this was more of a therapeutic process rather than means to an end. Now, as part of the MiCasa SuCasa crew with fellow local DJ's Ben Walker & Ali Bennett, the passion & desire to play and create music is once again front & centre.

View Details

DJ Joolz Collins PRESENTS That's Fantastik Podcasts

19 STEVE TEASDALE

Born in the late 60s in the town of Middlesbrough in the North East. A well known individual on the DJ circuit for his style of House Music and his various types of Soul Music from Modern & Neo-soul to Northern, Jazz/funk, Rare Groove, 80’s Boogie and the current Disco & Re-edits sound.

Steve also runs SOUL’ed OUT Events, something which he formed in 2006 with a few of his friends and is still going strong today in 2019 , but with some new additions to the SOUL’ed OUT collectives team. Steve (AKA) Stevie T has been a Professional DJ for over 30 + years and has worked in a vast amount of established venues Pubs & Nightclubs both here and abroad, still today holding down a residency in 2019. Locally, Steve is probably more known for being a Resident DJ at one of the Town most Famous Nightclubs The Madison, the club no longer exists but everyone throughout the area has fond memories of this infamous nightspot Steve was resident for a number of years Both in Madison and Macy’s. Madison was middle of the road commercial music, whereas Macy’s was more club orientated, playing Soul, Jazz/Funk, Rare Groove and Modern, even the early Hip Hop/Rap and it was right at the forefront of the House Music movement. An example of some of the well respected venues where Steve was either a resident or guested at locally include:

Henry’s Bar, The Ayersome park, Wickers world, The Sink Nightclub, Platinum Nightclub, The Dickens Inn, Blaises, Charlie Parkers, The Kirk, Harveys, Rudds Arms, Cinzano Bianco's, Millennium, Wesley, The Lighthouse, The Dovecot Bar, 42nd Street and more besides.

Steve Teasdale – House & Soul DJ

Steve Has also DJed in other areas of the UK For one-offs and Residencies in Newcastle, Sunderland, Darlington, Leeds & Sheffield whilst also having spells abroad in Alicante and Salou in his youth. Alongside His DJ career, Steve has gained a huge amount of experience in the entertainment industry as a proven Events Promotions & Marketing Manager, putting his own events on throughout the year with his team of SOUL’ed OUT, as well as organising gigs & events for other venues pub/nightclubs.

SOUL’ed OUT Events handle everything from dealing first hand with booking agents, negotiating artist fees and terms some of the worlds best performers including groups, solo artists and DJ's from both here in the UK & the from the USA, Managing the campaign from preparation & planning, to creating names and themes for the events, co-arrangement & organization of Graphic Designs of posters, flyers, tickets & creating videos etc, all the way through to dealing with the media & negotiating advertising terms on features, managing personal data & uploading information across all the relevant social media platforms. More Recently SOUL’ed OUT Events has adapted into a Booking Agency where they are Now offering their services to provide other venues with Live music performers and DJs, This has led to SOUL’ed OUT Events now working with the Legendary 90s singer & Artist Kym Sims, Managing her diary & events in the UK. We are also extremely proud to be exclusively working alongside the renowned House Music Team of Love to Be, Teaming up and collaborating together and planning events for the North East and further afield.

View Details

HOUSE MUSIC IS A SPIRITUAL THING..

When we've got a good thing going, it's important to celebrate and give thanks to all the many mixed genres of music which have a direct influence on the music we make.. Our latest Guest Artist does just that..

Remember the feeling..

Introducing our 18th Episode

SY LEGG - AFRO COALITION

With a style he describes as “raw and eclectic” Sy has been DJing since the UK house explosion of the mid-90s.
Born in Southampton in 1977, the heyday of disco, he grew up on a diet of funk and soul supplied by legends like Stevie Wonder, Prince, Tower of Power, Funkadelic and James Brown.

His DJ career took off when he moved to Leeds in 1997 with early residencies at Open Wide, SpeedQueen and The Vibe. Inspired by his musical roots in 2011 he helped co-found the soulful house collective Afro.co. The coalition’s legendary parties saw him playing alongside headliners Omar, Peven Everett, Karizma, Atjazz, JD73, Grandmaster Flash, Rainer Truby, Jazzy Jeff and Lil Louis. A major highlight saw him play at the final Southport Weekender in Minehead.

He now runs STITCH: Presents a monthly night at Doghouse Bar in Leeds and hosts a monthly radio show of the same name on KMAH digital radio. Where the music policy is always diverse.

When asked to describes his sound he says “for me it’s always about the groove and energy over the genre – so people get a combination of moving soul music, energetic funk and far-out jazz alongside classic house and disco”

Keep Pumpin' the Beats

Joolz Collins

View Details

DJ JOOLZ COLLINS PRESENTS...

16 MARSHALL - UP YER RONSON

THAT'S FANTASTIK PODCASTS

I'll let you into a secret..

I have been on more dance floors while this legend has been DJing than any other time a home grown talent (excluding residents) was performing.. If I knew Marshall was headlining, I'd be amongst it..

I'm a straight talking guy, as you all know..

So guess what?

I told him so!

Now I have the greatest of pleasure to be able to call him my friend..

Introducing our next guest artist sends an energy through my entire being that words alone can not describe..

I asked the essential question.

What's ya story Marshall?

Marshall started DJing back in 1989, inspired by the likes of Graeme Park and Mike Pickering at
the Hacienda and the amazing new music he was hearing around that time. He did some of the very
early nights in Leeds, before staring his first residency at the legendary Warehouse Club. Here he played with DJ Ease and Boy Wonder (Nightmares on Wax) taking the last two hours to a packed
club every week, this is where he learnt his craft as a DJ.

Soon after he was doing guest spots at some of the biggest club nights in the country, going onto
play at the club that started it all for him; The Hacienda. Playing at the club's 11th birthday alongside
Frankie Knuckles, David Morales, Tony Humphries, Sasha, and of course Graeme and Mike is a
really special memory for Marshall. He went on to play at the Hacienda many more times over the years.

By the early 90s he had a new residency at Up Yer Ronson. The night went on to be huge, with
people coming from all over the UK to party in Leeds on a Friday night, along with the spectacular
Soak nights at the Corn Exchange. Playing for Up Yer Ronson also took him to Ibiza to play at
Amnesia, Es Paradise, Privilege and Space Terrace the very first year it opened.

He continued to play all around the UK throughout the 90s, releasing three songs with the Up Yer Ronson Band, enjoying success in the UK Charts.

Present day, he still plays regularly at the New Up Yer Ronson, The Get Up and Soak nights in Leeds, as well as various nights around the UK.