This week we’re celebrating two of our more accomplished guests of last year. Grant and Brooke talk about the joy of interviewing authors we’ve long admired, and highlight these two fabulous shows with Gish Jen and Peggy Orenstein, two authors at the top of their game. These are great shows to revisit for their insights from writers who’ve been at their craft for a while, and have a thing or two to impart to writers at all stages of their career. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we’re revisiting our favorite two book biz episodes from last year. Both episodes got more listener feedback than any others—and if you missed the money episode, there’s so much here to be inspired by. For all writers and aspiring authors, there’s not enough we can say about being savvy about the business side of authorprenuership, which is why we’re spotlighting these two shows for our August round-up of our favorite shows of the past year. Happy Summer! Learn more about your ad choices. Visit megaphone.fm/adchoices
This is the first of our summer favorites series, featuring Nana Kwame Adjei-Brenyah and Ana Reyes. We’re revisiting our favorite episodes of the past year during the month of August, so we invite you to tune in or relisten as we celebrate and honor high-stakes fiction with two writers whose books we felt pushed the limits of fiction and made us think more critically about complex topics that wiggle their way into readers' hearts and souls. Happy Summer! Learn more about your ad choices. Visit megaphone.fm/adchoices
This week’s show takes on an age-old topic—that of all the ways family’s feelings, impressions, and reactions play a role in our writing. No relationship is more complex and multilayered than that of the parent and adult child, which is why Brooke wanted to bring on her mom, Gail Warner, as a guest to discuss writing and how the act of self-expression is not an isolated experience. We have considerations, many of which involve our family—and this episode opens that conversation between one mother and daughter. It’s also the final episode of the fifth year of Write-minded, for which Grant conjures up an imagined parade to celebrate. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week's guest Ben Purkert, author of the newly released novel, The Men Can’t Be Saved, gives us some insight into the art of writing complex characters, including the downright unlikeable ones. Atrocious acts and bad behavior are at the center of storytelling, and when constructed well, supposedly unlikeable characters are often more gripping and memorable than likable ones. We’re titillated and drawn forth by a character’s conflict, bad behavior, and perhaps even downfall. A good author challenges their readers to be interested in their unlikeable characters—even through their flaws. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this community-minded podcast, we love to host a community-focused episode from time to time. Guest Kellye Garrett shares the many ways that community has been a boon and a boost in her writing life and writing career. She shares about communities she’s founded, communities she’s been a part of, and the ways that community has supported her and championed her along the way. Grant and Brooke touch upon how and why building community can be hard for people, recognizing the reality that finding community can be anxiety producing, too. Brooke recalls an early She Writes mantra—“Writers don’t let writers write alone”—which encapsulates the energy behind this week’s show. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week’s episode spotlights one of the most popular types of stories we see in both memoir and fiction—the coming-of-age narrative. Guest Yasmin Azad, author of Stay, Daughter, shares her considerations for writing her coming-of-age memoir. An episode about craft, the timeline of coming-of-age, why coming-of-age stories endure the way they do, and Brooke and Grant share some of their favorite coming-of-age memoirs and novels. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week Write-minded is expanding our literary horizons beyond the written word and into the myriad forms of visual creative expression that can accompany text. Guest Kelcey Ervick joins us to talk about her new book, The Rose Metal Press Field Guide to Graphic Literature, Artists and Writers on Creating Graphic Narratives, Poetry Comics, and Literary Collage, a compilation of pieces from graphic and visual artists of all sorts. In the episode we touch upon how to approach this space if you’re not artistically inclined, and what it means that “outside” forms are becoming more mainstream. Lots of interesting food for thought, and inspiration for getting more expansive with your own creative process. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we’re talking about purpose and passion with guest N.D. Jones, a prolific author of fantasy stories and series who’s also a nonfiction author and publisher with a beautiful and creative online presence. This week’s show is inspired by Jones’s desire to articulate her “why,” and Brooke and Grant discuss how important purpose—the why—is for authors who might be feeling a little lost in the quest to get published. This week’s focus is platform, brand, spin-offs, content—all within the context of purpose. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week Grant and Brooke return to a topic we love—taking the leap, saying yes to the dare, finding inspiration in the thrill of writing the book you want to read. Guest Krystal Marquis has a special personal story, too, about taking on the dare to write a book from her brother. If you’re a writer who’s trying to find a story to write, or someone looking for a little boost of creative inspiration in your life, this episode will surely light a little fire. And maybe help you set your sights on saying yes to your own dare, and certainly saying yes to the many opportunities NaNoWriMo offers writers for staying on top of their goals. Learn more about your ad choices. Visit megaphone.fm/adchoices
This is an onstage interview with Brooke Warner and this week’s guest Nicole Chung. Brooke interviewed Nicole at the Bay Area Book Festival in May. The conversation is wide-ranging and covers the topics and themes central to Nicole’s new memoir, A Living Remedy, as well as questions and considerations central to memoir and telling the stories that must be told. Don’t miss this thoughtful and relatable interview. If you’re writing your story, Nicole’s words will make you feel like you can and should keep going! Also, Write-minded is celebrating our 250th episode this week. We thank you for your loyal listenership! Learn more about your ad choices. Visit megaphone.fm/adchoices
Olga Dies Dreaming is guest Xochitl Gonzalez’s new novel—and how you interpret it might tell you something about your political persuasion. This week we are exploring what it means to be radical in fiction—especially when what you’re trying to be radical about is packaged as a fast-paced story. This is the subversive (meant in the best sense of the word) nature of fiction with a cause—which we explore this week in all its nuanced glory. Adelante! Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, guest David Yoon joins us in a conversation that takes on often-fraught topics with humor and candor. We talk about why YA is such fertile ground for representative stories about race, culture, and identity, and David’s mission to bring more visibility to writers of color. We talk about his approach to writing and how he writes not for or to a particular genre, but to sort out the questions he’s grappling with—something so many writers will relate to. Learn more about your ad choices. Visit megaphone.fm/adchoices
We’re diving into ego this week—including, yes, its benefits. All writers, after all, are ego-invested in their work. They want what they’re writing to be good, to have an impact, to be well received. In this week’s episode Grant and Brooke speak with Steve Almond about how his ego got in the way of the work he wanted to do, and also the way that we must contend with our egos when we write. There’s so much to unpack here—and Steve’s honest take on his own journey is as refreshing as it is inspiring. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we’re kicking off NaNoWriMo (Happy November) with a final bonus craft-minded episode. Grant and Brooke talk with thriller writer Andrea Bartz about her process—including the Pomodoro Method, creating fake deadlines, and writing discovery drafts. This is a perfect episode to GET YOU STARTED, which Andrea acknowledges is one of the hardest things a writer can do. This week’s show is also a reminder about how much you already know about craft that you don’t even know you know. Tune in to discover more. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tune in this week to geek out on aesthetic. Maybe you’re a writer who’s changed your aesthetic, wants to, or a reader who’s noticed the evolving aesthetics of the writers you love. How and why does this happen? How can you invite change into your process? In addition to thinking about style and craft, Grant and Brooke speak with guest Lan Samantha Chang about writing and MFA programs, whether we’ve saturated the writing about writing market, and how taking time away from your work and coming back to it is another way to shift or broaden perspective. Learn more about your ad choices. Visit megaphone.fm/adchoices
As we make our way through our Craft-Minded series this fall, heading straight into NaNoWriMo, we have a special topic for memoirists—but which will benefit any writer who thinks about reflecting, musing, or meaning-making as a way to reach their readers’ minds and hearts. This week’s guest, Prince Shakur, takes us on a journey of how and why reflection matters, and offers examples and tips, too. This episode offers up other writers who reflect masterfully, and as has been the case with each of these craft episodes, we invite listeners to consider how and whether you might invite new ways of seeing into your own creative process. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week Write-minded is exploring the ways authors place themselves into stories with broader cultural or historical contexts. Guest Danyel Smith has done just that with her new genre-crossing book, Shine Bright, that’s both an examination of black female music artists and those artists’ impact on Danyel. Books like these are popular and often difficult to pull off, since writers must be aware of the balance between journalism and personal story—which is why Shine Bright is such a satisfying example of how to do this style of writing well. As a bonus, this episode also offers up a music fandom, an inside story about Whitney Houston, and a peek behind the curtain of Danyel’s journey with this book. Learn more about your ad choices. Visit megaphone.fm/adchoices
As we continue on with our Craft-minded series, Write-minded is honored to have Jeff VanderMeer speaking about imagination and how to mine the depths of your imagination to make yourself a better writer. Jeff’s classic craft book, Wonderbook, is written for the “imaginative fiction writer” rather than the “realistic fiction writer,” so we’re taking a dive into imagination, into creativity. This is an episode about keeping an open mind and having fun, which is the kind of energy anyone who’s going into NaNoWriMo next month needs to cultivate. So come on the journey with us. We have your supplies all ready for you! Learn more about your ad choices. Visit megaphone.fm/adchoices
In this third of six episodes in the Craft-minded series, Grant and Brooke speak with guest Morgan Talty about story form and how to listen for what your book wants to be. If, as a writer, you believe in the power of being in conversation with your own book, you’ll find a lot of comfort in Morgan’s articulation of that relationship between self and creative output, in addition to concrete ideas about how we shape our work by listening, patching together bits and pieces from here and there, and growing alongside our stories. An episode for the spirit, as well as the craft-minded. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week kicks off a 6-week craft-minded series, starting with the great A.M. Holmes on characterization. In this episode we talk about dialogue, indirect and direct characterization, character tics, and how to pay attention to your own writing tics and “bad habits.” Homes is a seasoned writer of many books and teaches creative writing at Princeton, and she’s known for her depth and breadth of character—so you’re in for a treat on this topic that feels like it could be endlessly mind. Much food for thought for the craft-minded! Learn more about your ad choices. Visit megaphone.fm/adchoices
This week’s episode is a celebration of opinion, of boldly stating what you mean and what matters to you and why. Writing is an exercise in truth-telling, and when it’s your personal truth—no matter what your genre—it’s scary as hell. And while this week centers memoir, the episode is for anyone who’s trying to write what they think. It’s about why it matters that writers synthesize, interpret, make meaning, extrapolate, and also examines consequences—for you as a writer, and also for the world outside of you. If you’re wrestling with truth, with fallout, with consequences, with what’s at stake—Mychal Denzel Smith will provoke many questions and leave you inspired. Learn more about your ad choices. Visit megaphone.fm/adchoices
In her profound and moving new memoir, What My Bones Know, guest Stephanie Foo writes about trauma, and about a diagnosis of Complex PTSD that is lacking first-person narratives. In this week’s episode, the first of Write-minded’s fifth year, co-hosts Brooke and Grant talk about why trauma is a slippery subject to sell to publishers, and why Stephanie’s book is a breakthrough kind of memoir that paves the way for more of these kinds of narratives in the future. Stephanie is an insightful guest, offering valuable tips for how to write trauma and sharing how this was a book she had to write, and some of the considerations and fears she faced on the memoir journey. Learn more about your ad choices. Visit megaphone.fm/adchoices
In our final summer episode, we bring you two voices of advocacy in an episode that will both stoke your passions and remind you to be gentle with yourself at the same time. Guests Charlie Jane Anders and Azar Nafisi both speak to why we must write our truths, pay attention, bear witness, and remember the power of one person’s voice and words to save and change lives. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week Write-minded revisits two powerful interviews in which guests Erica Jong and Lilly Dancyger shared with us about the power of emotion on the page. Erica Jong’s work has often centered fear and desire while Lilly Dancyger’s work has circled anger. Both women share the power of unlocking emotion on the page, and touch upon the ways in which women are expected to be more confined in their emotional expression. This is exactly why it’s so important to feel those emotions and express them on the page, and these two authors give the absolute permission to do so, and model how in their wonderful works of fiction and nonfiction. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week’s episode is chock-full of craft tips and ideas for thinking about the subtle art of subtext and omission, featuring two of our favorite craft episodes from the past year. E.J. Koh and Charmaine Wilkerson will help you think about what to leave out, how to help your readers read between the lines, and why these craft techniques are an exercise in building trust with your readers. Two excellent writers on two important craft points that create more depth and sophistication when it comes to storytelling and scene-writing. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this week’s remembrances of some of the best episodes of the past year, we’re highlighting fantasy’s importance as a genre with guests Kwame Mbalia and Namina Forna. There’s so much goodness packed in here—about process, about why we write, about inspirations, and some fabulous tips for staying the course even when you feel like you don’t have the time. This isn’t so much an episode about fantasy as it is about writing intentionally and infusing meaning into genre writing just as you would any writing you do. Learn more about your ad choices. Visit megaphone.fm/adchoices
All August we’re celebrating with our favorite guests of the past year—but with a fresh take on the topic at hand and a new book trend. This week’s episode basks in the smart, intimate, and insightful energy of Ashley C. Ford and Melissa Febos, two wonderful memoirists who share about writing intimate truths. Brooke gives her take on why memoir is a force that’s changing the culture, and we celebrate Grant’s latest side gig, the Reality TV project “America’s Next Great Author”—which we’re excited to share about on this week’s show. Learn more about your ad choices. Visit megaphone.fm/adchoices
Anthologies date all the way back to the Renaissance and earlier, when important works of various authors were collected and bound. This week, Brooke and Grant discuss the modern anthology—what kinds of works lend themselves to collections and what publishers are looking for. Guest Stephanie Raffelock joins the show to discuss her latest book, Art in the Time of Unbearable Crisis, a joint project with She Writes Press that collects the work of 80+ She Writes Press authors and which emerged from the premise Stephanie posed in her call for submissions—that art can and will carry us, even save us, during turbulent times. Learn more about your ad choices. Visit megaphone.fm/adchoices
Romance often gets the short-shrift for being not a serious genre, or for being a guilty pleasure—and yet, it’s the best-selling genre there is. Which is why Grant and Brooke chose to explore with Angelina Lopez, touching upon the sexiness of romance, yes, but also the fact that it’s so much more than that. Romance can be socially conscious, and importantly—there’s romance out there for every kind of reader. Listen in to open your horizons to new reading experiences, or if you’re already a big romance lover, to be nodding your head, knowing you’ve been on the money all along. Learn more about your ad choices. Visit megaphone.fm/adchoices
Do you have to be a comedian or a humorist to execute funny in memoir? We don’t think so—and this episode tackles how humor shows up in the everyday, in universal experiences, and through the journey of looking inward. Guest David Sipress, whose New Yorker cartoons are recognizable worldwide, talks about his own insecurities in approaching memoir and how he worked through them, how he mines for funny, and shares with us some insight about his cartoonist brain. You’re in for a treat—and Grant is holding out for a cartoon portrait to arrive in his mail any day now. Learn more about your ad choices. Visit megaphone.fm/adchoices
We’re having fun this holiday week talking about genre-blending and bending, and why it’s fun and freeing, but also often problematic from an industry standpoint when stories are not easily categorized. Join Brooke and Grant this week in their conversation with Barbara Graham, a long-time nonfiction writer who breaks the mold with her debut novel, and shares about how intuitive her process was, and how and why she was compelled to write the story that became her book, What Jonah Knew. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week’s episode brings to the fore why meaning in all its outward, bigger-than-a-single-individual forms is so profound in writing. The notion that your story is broader than your limited experience is something memoirists know, but too often fail to fully execute on the page. Kathryn Schulz is a master of this form. Tune in to hear about what Brooke calls “litle-T takeaway” and the conversation that ensues with Kathryn, whose recent book, Lost & Found, offers up so much for discussion and emulation. Learn more about your ad choices. Visit megaphone.fm/adchoices
Omission—it’s something writers understand as meaningful to story, but don’t often execute well on the page. In this week’s episode, guest Charmaine Wilkerson offers solid pointers on how to think about omission and why it will make your writing more meaningful. Join Grant and Brooke for this week’s craft-based conversation on the power of omission as we consider some of the best books we’ve read lately that do omission well. We’ll also explore human behavior—like lying, secret-keeping, betrayal, cheating, protecting, and more—that lends itself to exploring omission more deeply. Learn more about your ad choices. Visit megaphone.fm/adchoices
Write-minded is celebrating Episode #200 and a move to be part of the Lit Hub Radio family this week with guest Linda Holmes, host of NPR’s Pop Culture Happy Hour, who joins Grant and Brooke to talk about her recent novel, imposter syndrome, and following the path life offers up. This episode is a celebration of shape-shifting and getting bitten by the novel bug—with a fun guest who knows a thing or two about writing, podcasting, and changing your life story—all while going with the flow. Learn more about your ad choices. Visit megaphone.fm/adchoices
Write-minded is honored to be celebrating a few milestones this week—with guest Zakiya Dalila Harris’s paperback release and our announcement that starting next week, we are joining the Lit Hub Radio family! It’s a perfect episode to talk about publishing, since Zakiya’s novel, The Other Black Girl, points a finger at the industry—and because there’s so much else to say. Also, since this week’s book trend spotlights DEI (Diversity, Equity, and Inclusion), we draw your attention in the show to the Independent Book Publishers Association’s DEI Resource Center: https://www.ibpa-online.org/page/dei-resource-center
This week’s episode inspires and challenges and encourages all of us to embrace the magic of subversive reading. This conversation with Azar Nafisi, the best-selling author of Reading Lolita in Tehran, about her new book, Read Dangerously, is a reminder of what’s at stake for us right now in the US, why we need to engage and not check out, or worse, employ the same tactics as extremists in the fight for democracy. Tune in for an episode that’s political and urgent and necessary—and if you’re not reading dangerously, make the next book on your reading list a subversive one.
This week we’re focusing on how to step into the point of view of another character in memoir. Increasingly memoirists are wanting to take risks with memoir, to fill holes in their knowledge but not be relegated to writing fiction. Guest Julie Metz provides a beautiful template for how to do this with her new memoir, Eva and Eve, which reconstructs her family’s 1940 escape from Vienna when Hitler was annexing Austria and ridding it of its Jewish population. Beyond a harrowing and beautifully rendered tale of family, Eva and Eve is a story of how history repeats itself and the legacies we carry.
This week we’re looking at book coaching—who might need one, why you might want one, or maybe you even want to become one. Guest Jennie Nash has resources and answers for anyone in this space because she trains book coaches through her Author Accelerator program, and has an incredible stable of coaches that authors can work with. So much good food for thought this week! Also, in today’s book trend on hybrid publishing, we mentioned Jane Friedman’s recent article, “IMHO: A Nuanced Look at Hybrid Publishers,” which you can find here: https://hotsheetpub.com/2022/05/imho-a-nuanced-look-at-hybrid-publishers/
Sensual details, it’s said, make scenes come alive on the page. Today’s guest Leesa Cross-Smith is a master of the sensual, and you’ll see why when you listen to her interview. A listmaker, a word handler, a Janeite who owns 25 copies of Pride and Prejudice, Cross-Smith helps us think about the sensual and how to bring it to your awareness and to your writing. We touch upon form, too, short and long, and why sensual detail matters so much, no matter what you’re writing.
Imagining the life you might have had. Assessing mistakes you undoubtedly made. Voicing the truth about your true feelings and desires. All terrifying, and all fodder for good storytelling. This week’s episode goes right to the heart of all that with guest Ashley Woodfolk, whose most recent book, Nothing Burns As Bright As You, is an exploration in verse of what might have been had she realized at an earlier age that she was gay. An interesting thought experiment for any writer to consider—whatever your what-if, Sliding Doors (you can catch it on Netflix) moment might have been.
If you’ve been listening to Write-minded for a while, you might know we have indie fever, and we hope our show is catching that way because “indie” is key to a thriving book ecosystem—which is exactly at the center of this week’s show. We’re joined by Bookshop.org founder and CEO Andy Hunter to talk about book culture, what “literary” means, and why we can’t trust Amazon when it comes to books—and what we as individuals can do to ensure books remain a vital part of our culture.
In this week’s episode, Grant and Brooke probe at questions of moral ambiguity with guest Quentin Lee, whose new book, The Secret Diary of Edward Ng, is a sexual coming of age story set in the 1990s. Centering queerness and the Asian and Asian American experience, this work of short fiction is a meditation on otherness, and raises lots of good conversation about auto-fiction, what and how we explore with our fiction, and why staying true to the stories you want to tell is always better than writing to the market.
This week’s show is a love letter to book festivals—and a conversation about why they matter, how authors can pitch themselves and get involved in local festivals, and what the considerations entail for those people who are behind the scenes organizing such festivals. This week’s guest, Cherilyn Parsons, is the founder and executive director of the Bay Area Book Festival based in Berkeley, California, and she’s interviewed by Brooke while Grant is away, who’s been a longtime board member and is the current Chairperson of the festival. Enjoy!
This week’s episode features the editor and a contributor to the new anthology, The Sentences That Create Us: Crafting A Writer’s Life in Prison. This book is at the heart of today’s interview as we explore the power of writing—and how it can set us free, literally and metaphorically. Editor Caits Meissner shares with us PEN America’s mission and vision, and why there’s a Prison and Justice Writing program there in the first place, while T Kira Mahealani Madden shares about how her life has been shaped by prison and what kinds of advocacy work is out there and why it matters.
The idea that creativity and "madness" are connected has been around since humanity’s earliest days. As such, this notion of "suffering artists" often gets idealized, even romanticized. Psychotherapist and author Lee Kravetz shares his take on the correlation between mental illness and creativity in this week’s episode, in the context of his new book, The Last Confessions of Sylvia P., that explores the life of Sylvia Plath. Listen in to hear about the inspiration behind the novel, how he thought about mental illness in the book given the strides we've made since the 1950s in this arena, and much more. Also, today’s book trends include some upcoming PitchFests to check out online: APR 01 #CookiePitch; APR 14 #LGBTNPit; MAY 05 #APIPit; MAY #PitDark; JUN 23 #PitchDis; AUG #DVpit
No author or aspiring author will want to miss this week’s episode with marketing guru M.J. Rose, who doles out some tough love about the realities of publicity and marketing. Though she calls herself the Voice of Doom, her message is surprisingly inspiring and reassuring, because the realities of this industry are twofold: it’s hard to sell books, and writing books is one of the most rewarding experiences there is. Rose is a wealth of information and advice, so you’ll want to bookmark this one and listen to it again and again.
Rarely are writers encouraged to be angry on the page, and this is especially true for women writers of personal narratives. In this week’s episode, we’re exploring anger’s purpose in writing with guest Lilly Dancyger, who gives permission to lean into anger, and whose memoir, Negative Space, has, by Lilly’s own estimation, an angry central protagonist (her younger self) and an angry narrator (her older self). An important conversation for anyone who’s been told they’re too angry, or not to be angry, in their writing.
In this week’s episode, Grant and Brooke tackle the question of whether writing can be taught—and why this is even a question that’s up for debate in the first place. Guest Lisa Stringfellow has a lot of great insights about the intersection of writing and teaching, what she’s learned about writing through her teaching, and the rewards of writing to an audience in the form of her students. We cover why reading is the most important portal we have to becoming better writers, the value of mentor texts, and the power of community.
This week’s episode champions personal narrative, which is one of guest Melissa Febos’s primary goals in her new book, Body Work. We talk about why memoir needs badasses this week, and if ever there was one, it’s Melissa. An enlightening conversation that touches upon diary-writing, confession, secret-keeping, tell-alls, the essay, and memoir craft, any writer who thinks about writing (all of you!) should take in this interview—and be fortified by it. Check out the video we share in the Book Trend, a rad rap protesting banning books: https://www.instagram.com/tv/CZSjRmdj2Lp/
This week’s powerful episode features Ashley C. Ford, sharing about writing influences, forgiveness, and how superheroes influence her writing, among other topics. Ford has written one of the most powerful memoir scenes we’ve read in a long while, and she speaks to the process and evolution of that story and what she learned in the telling of it. Lots of inspiration in this interview, and we want to let you know that you can be with Ashley for The Heart of Memoir, April 5-May 10, where she’ll will be guest teaching about “the protagonist,” which in memoir is YOU. See more details at: https://magicofmemoir.com.
In celebration of Valentine’s Day week, this week’s podcast honors heart-centeredness, and writing from the heart and with openness, and the inherent and implicit ways that makes the world a better place. Join Brooke and Grant to bask in the wisdom of Parker J. Palmer’s words on everything from welcoming the stranger, to what he loves about speaking, to the legacy of his friend and colleague, the great bell hooks. Please also check out Parker Palmer’s March 20 webinar, which is pay what you can and can be found at: https://couragerenewal.org/wpccr/events/divided-no-more-rejoining-our-inner-and-outer-lives-a-webinar-with-parker-j-palmer/
Friendship is often the backdrop of story, but rarely is it centered. In this week’s episode Grant and Brooke name some of their favorite books where friendship is centerstage, as is the case with guest Jean Chen Ho’s new novel, Fiona and Jane. Friendship, like love affairs, offer such rich territory to explore interpersonal dynamics, how friends show up (and don’t) in our lives over time, and how we invariably feel mixed emotions toward our friends. An important episode for considering the rendering of friendships on the page—centerstage or not.
In this week’s episode we’re exploring the idea of experiential research, of soul research, of the kind of writing that involves the body, the heart, and the soul as much as the mind. Guest Margaret Verble shares with us how writing fiction is a way for her to keep the dead alive, to have conversations with those who have passed on. Her easy connection to the past and her family line is inviting in that she suggests what you “know” doesn’t necessarily involve research—and it’s all a continuum anyway. We were inspired to think about what lives in our cells, and serendipity of certain stories and how they show up, and what it looks like to write the stories that land in your lap, or show up calling your name.
Sex sells—and sex writing shows up in countless genres beyond just erotica. So while we’re focusing on erotica this week with guest Rachel Kramer Bussel, who’s edited more than 70 erotica anthologies, we’re also talking about sex writing more generally—the history of erotic literature, why erotica collections tend to be anthologies rather than single-author books, and some tips to think about if and when you come to the page to write your own sex scenes.
This week’s episode starts by addressing some of the burnout lots of us are feeling with yet another phase of the pandemic among other crises. And yet, because Write-Minded is committed to bringing you doses of inspiration each week, this week we’re talking with Michelle Ruiz Keil about changing up your routine, borrowing (in this case from mythic structures), and even rethinking or reworking your existing content with fresh ideas. Also, we’re wishing for our listeners all the REs: revitalization, re-emergence, resets, and more.
This week’s episode with Farah Ali dives into perspectives, and how short stories open up so many portals for writers and readers alike—and yet, short story writers will always be pressured to write a novel next. Ali is one of those writers who knew she wanted to be a writer since she was very young—and though she was encouraged, she also faced the obstacle of where her stories are set, in Pakistan, and people’s assumptions about her culture. Lucky for readers, her new collection, People Want to Live, challenges those assumptions, as does Farah herself.
Happy New Year to all—and get ready for some film recommendations from Brooke and Grant this week. Why? Because after putting out a call for favorite memoirs-turned-movies, 100 responses flowed in, offering up some exciting options for kicking back this holiday season with your Netflix subscription and a mug of hot chocolate. Today’s book trend references the Netflix Book Club, and you can find the URL mentioned here: https://www.julesbuono.com/netflix-book-club. Thank you and goodbye, 2021!
This week we’re talking about conviction—and why it’s something writers generally start their writing journeys with, but which tends to get a bit eroded along the path to publication. This week’s guest, Alka Joshi, reinvented herself after sixty with her debut novel, The Henna Artist—a book that started with plenty of conviction, and also needed passion and perseverance on Alka’s part to get to the finish line. And what an extraordinary result. This fun and upbeat interview is inspiring and hopeful—and reminds us of a truth that how we write is how we live our lives, too.
This week’s guest, Erica Jong, burst onto the cultural and literary scene in 1973 with her debut novel, Fear of Flying. In the nearly five decades since, her work has circled the themes of fear and desire—subjects that anchor this week’s show. What a treat to hear from one of our foremost feminist legends about what drove her to the page in the early ’70s, about the legacy of her own body of work, and how important it is for women to write their desires.
This week we ask you to consider the places in your own life where you’ve experienced migrations—whether you’re an immigrant or your family has been in the same place for generations. We all experience migrations throughout our lives, in the form of life events, identities, and movements across time and place—and this week’s guest, Shanthi Sekaran, has much to say on this all-important topic and much more.
This week’s episode is for anyone seeking that elusive thing called peace of mind when it comes to the writing, publishing, or promotion part of getting a book out into the world. Inspirational and straight-talking, guest Bella Mahaya Carter shares how she learned to let go of what she thought she wanted from traditional publishing to spread her wings as an author who’s writing and publishing on her own terms, and with peace of mind. A perfect episode to conclude the final days of NaNoWriMo, and as we face the pressures of the holidays and ambitions for 2022. Just breathe.
Retelling stories—family tales, myths, fairytales, and stories of all sorts—is always an act of creation because of what you, the author, bring to the telling. In this week’s fun interview, guest Kwame Mbalia speaks to inspiration, living with your characters, who he’s inspired by, and why he’s doing NaNoWriMo for the fifth year in a row. Don’t miss it—and we’re cheering you along if you’re writing every day this November. You got this!
This week’s witchy, crafty, spell-binding episode gets into authors’ authority to write the books they write, the responsibilities authors must content with when writing about a group they’re a part of, and especially about groups they’re not a part of. And because today’s guest, J. Allen Cross, is a practicing witch, there’s an extra dose of magic, along with a dash of folklore and sprinkle of the occult—a perfect recipe for a fun and inspiring episode of Write-minded.
Happy National Novel Writing Month, listeners! We’re eager to start writing with you this week—and we’re bringing you some food for thought about what fuels your writing and your creativity. Guest Namina Forna has been fueled sometimes by anger and injustice. Meanwhile, her light-heartedness and love of fantasy and the magical creates a dynamic counterbalance to the themes that drive her to the page. She ends the episode with such great advice for all of you writers out there doing NaNoWriMo, so get ready—and let’s write!
National Novel Writing Month starts next week, so it’s time to get your minds and hearts ready to throw down tons of words next month—and we know you’ve got this. We’re bringing back Chris Baty, founder of NaNoWriMo, the very best person to get you inspired to do this thing. Don’t doubt for one minute that the world needs your story. And there’s no better way to get a lot of writing done while having a lot of fun than participating in NaNoWriMo. We’ll be doing it, too, so we’re with you, and you’ve got this!
Subtext is the art of the implicit, and this week’s guest, E.J. Koh, has written a gorgeous memoir, The Magical Language of Others, in which the subtext nearly drips from the page—to gorgeous and astounding results. This week’s show, therefore, explores what subtext is, how to use it, how to watch out for it, and how to practice it. We want all of you writers out there to make your readers hungry for your stories, and this is one way you can entice, delight, and tantalize.
How can we practice self-care, stay open and vulnerable, and have enough discernment to know how much to keep pushing ourselves creatively when we feel depleted? This episode is a show for our times, as we tackle with guest Charlie Jane Anders all the ways that global and personal crises challenge our creative and writing lives. We recommend you check out Charlie Jane’s talk on YouTube, Never Say You Can’t Survive, which inspired the book: https://www.youtube.com/watch?v=0ItTO9DDhCI.
This week we’re talking about the mother-daughter story, which is equally powerfully conveyed in both fiction and memoir. This week’s guest, Laura Davis, has a gripping new memoir about her relationship with her mother, structured as a countdown to her mother’s death. Laura explores in the book and on the show topics including estrangement and caregiving someone who’s betrayed you. We also talk about writing about other people, and Laura shares a bit about her past, having co-authored the best-selling book, The Courage to Heal, and bringing her writing chops to a new genre.
In honor of Banned Books Week, this week’s show dives into books that help start conversations with kids, even and especially when they’re touching upon tough topics. Anastasia’s Not My Idea: A Book About Whiteness struck a chord last year as parents looked for books to help kids understand our national racial reckoning, and her entire series, Ordinary Terrible Things, is a conversation-starter for kids and parents alike about topics that are hard, sometimes taboo, and always important.
This week’s episode features Kaitlyn Greenidge being interviewed by Brooke as part of the San Diego Writers Festival. Her recent novel, Libertie, is a tour de force and examination of Reconstruction-era America through the story of Libertie, born black and free during a time when America’s attempts to right the wrongs of slavery were being met with great promise and great resistance. How storytelling informs and educates shines through in this conversation, and we thank the San Diego Writers Festival for this collaboration.
An episode for our times, today’s show features Matthew Salesses in conversation with Grant and Brooke about his newest book, Craft in the Real World. Listen in as he unpacks the inherent biases of how the dominant culture teaches and writes and thinks about craft. Matthew’s book addresses how and why craft inextricable from identity and lived experience—bringing some explosive new energy to our thinking about craft that’s both empowering and long overdue.
It’s a brand-new season and Year 4 of Write-minded, and we’re diving headfirst into shame, a feeling that often attacks on the sly, and that seems to show up even in the most innocuous of places. Guest Firoozeh Dumas talks us through shame as a writer, through the lens of culture, and through the lens of humor, too. Plus, we touch upon her story of being an Iranian immigrant writer, and what’s changed—and hasn’t—in the publishing industry since Firoozeh published Funny in Farsi in the early 2000s.
It’s our final A+ August episode—and we’re ending the summer with YA superstars Laurie Halse Anderson and Marie Lu, who treated us earlier this year with deep insights about the genre, and about mining your memories and your stories regardless of genre. They speak about inspirations and starts and what moved them along in their journeys. Which is a perfect segue to our new season—Year 4—which starts next week. Happy end of summer.
As summer slips away, what better interviews to revisit than two that feature writing about sex in all its myriad forms—desire, confession, and as thinking pieces that speak to who we are, what we crave, and also how we’re controlled and boxed in and limited. Two of our favorites from this past year, Deesha Philyaw and Kim Addonizio, give writers a lot to think about on the subject of sex writing, and so much more.
Our next A+ August mash-up features two of Brooke’s absolute favorites—Mary Karr and Elizabeth Gilbert. Mary’s episode, In Defense of Memoir, is a deep dive into memoir writing, while Liz’s, Following the Thread of Your Inspiration. Both guests have been so influential to this genre, and this wide-ranging conversation will leave any aspiring writer motivated to get writing—and don’t forget to go back and listen to the full interviews in our archives.
This best of features two guests whose debut novels focus in on racial issues in the workplace with Askaripour’s novel, Black Buck, set in the sales industry and Pandya’s Members Only homing in on academia. Both guests speak to their inspirations, drawing from life experience, and the nuance and complexities (and also the importance) of tackling racial issues in fiction.
In this first of our A+ August mash-up we’re revisiting interviews with two of the most popular fantasy authors we know—Hugh Howey and Victoria “V.E.” Schwab. There’s so much good stuff here to inspire any kind of author. We talk about process, confidence, why we write, and then yes, there’s some magic talk in here, too, since fantasy allows you to rewrite the rules and build your own worlds . . . something a lot of us might be doing this summer as we think about escaping into other realities.
In the final show of Year 3 of Write-minded, Brooke interviews Grant about his newest book, a collection of stories called All the Comfort Sins Can Provide. In the interviewee chair, Grant shares the highs and the lows of publishing a new book—the fear and the angst and the joys and the expectations. Having doled out excellent advice over these past three years, Grant realizes during this week’s show that it’s not so easy to follow all our great advice.
This week’s show is a great episode for any writer who’s ever thought about plotting—how much they love it or hate it, whether they’re even doing it, and why plotting matters anyway. Our guest is Jean Hanff Korelitz, who’s most recent book, The Plot, has one of the best plots ever—and even she says sometimes you have to forget about the plot. We touch upon literary vs. commercial fiction, whether Jean agrees with Stephen King’s advice about plotting, and what some of her favorite books are that center writers as the primary protagonist. This is a writer’s episode—and yes, that means you. Enjoy!
This week’s episode is an intense, powerful, and frank interview with author Gina Frangello as part of WomenLit, a Bay Area program dedicated to elevating women’s voices. Gina’s latest book, Blow Your House Down, is a tour de force and a memoir that’s had everyone talking—because she really goes there: into her shame, into her fear, into abuse, into sex and body, and into what it’s like to live a double life since the book is about having a clandestine affair for three-plus years. This is a brave book that’s making some people uncomfortable and has many reevaluating how truthful and brave they want to be on the page.
Creative empathy is no longer enough of a foundation when it comes to what kinds of characters and situations novelists can or should write, and yet permission to write is the foundation of this week’s how featuring Rebecca Makkai. In this wide-reaching conversation Brooke and Grant talk with Rebecca about the value of research, the challenges all writers face in prioritizing their writing, and getting it right when it’s so easy to get it wrong.
All around us, there are stories waiting to be unearthed, storylines there for the taking. Grant and Brooke discuss this and more—plotting v. pantsing; researching; understanding your readers—in this week’s episode. Importantly, this week’s show with guest Stacey Lee is about why we write, how it’s our birthright, and how we can push through some of the guilt and/or apathy some writers have felt over this past year-plus about whether or how much their writing might matter, especially in the face and wake of greater suffering.
In this week’s episode we celebrate Lindsey Grant’s new book, Ready, Set, Memoir, a new book out in collaboration with NaNoWriMo, and which features many Write-minded past guests. This week’s show is full of memoir tips, and also supports aspiring memoirists to stay the course in their process—because we know it’s challenging. Ready, Set, Memoir is a book—and an episode—that touches upon the highs and lows of memoir writing.
Oh, the challenge to be funny on the page. This week’s episode includes actual tips from guest Annabelle Gurwitch for how to do just that, as well as warnings from Brooke and Grant, like why to avoid comparing yourself to other comedic writers. They also discuss why the short form lends itself to humor writing, and share some of the funniest writers they love—all while getting a little punchy. The episode was recorded late in the day—so blame it on that.
Whether you love genre fiction already, or wonder why you never pick it up, this episode is an informative and eye-opening delve into crime fiction (and other genre fiction generally). We talk about the “genre wars” (what is that?) and also hear from Tracy about her amazingly disciplined approach to getting the job done. Tracy talks about her process, her mentors, and how she learned to write crime, and she leaves listeners with some inspiring words of encouragement for their own writing.
This week, Grant and Brooke talk about conversations, and how and why designing conversations and having conscious conversations can be game-changing for you in your life as an author, and your life in general. Guest Fred Dust, author of Making Conversation, shares anecdotes from his own publishing journey, and engages Brooke and Grant with some role play to support listeners to think about moments when you might face an opportunity to change a conversation's direction, or just generally design one for maximum productivity and benefit.
If you can’t imagine throwing what you write away, or god forbid, starting over, this episode lends insight into how that’s an important consideration at times—and how to be discerning about your work. Guest Nicole Glover offers some amazing tips for writers, generally, and also shares her process of cannibalizing her own work, which every writer should be doing, since you never know when something you wrote that had to go in the dump file might find a perfect place in some future story. A fun episode about the trials of hoarding, dumping, reworking, starting over, and all the ways we feel about our written words.
Tune in to listen to Sue Monk Kidd on writing—how she sees it and treats it both as prayer and as the hard work it invariably is. We touch upon Sue’s strong female characters, and her circles of women who show up in all her books. This is a wide-ranging conversation about wisdom and what we pay attention to, about writing fiction and memoir, and about how parts of Sue herself showed up in her latest protagonist, Anna, without Sue even realizing just how revealing she’d been.
This week’s episode, beyond tackling the subject of displacement, touches upon the San Francisco Bay Area’s legacy—since that features so largely in guest Carol Edgarian’s new novel, Vera.
Whether you’re writing about where you’re from, or a place you know well, or a place you’ve researched in order to portray it in all its nuance on the page, place itself is often a character in fiction and creative writing. This week’s episode with Hala Alyan might inspire you to add more details of place to your work, or consider the role place has in your experience and understanding of the world. Place invites readers to journey to places they may know and love—or not. We hope you’re inspired this week to consider the role of place in your own work.
Our conversation with Paula McLain is deep and intimate and doesn’t shy away from a few dark turns. We talk about how trauma is often a driving force, even inspiration, in our writing and our purpose; about writing as a feminist act; about intuitive writing . . . and so much more. Paula’s generosity in sharing her personal story and obstacles she’s faced is its own inspiration in this week’s show, and we get to hear firsthand some of what drew Paula to write her just-out novel, When the Stars Go Dark.
This week is a special episode in which Grant interviews New York Times best-selling author Ali Benjamin about how she reinvented Edith Wharton’s 1911 novella, Ethan Frome, for a modern-day audience. This interview, too, is as much about process than it is anything else—how Ali writes and constructs her stories, why she prefers revision over new writing, and the challenges she faced in creating a current-events story set against the backdrop of the Kavanaugh hearings. Not to be missed!
To access the universal, start with the particular. This is guest Valarie Kaur’s response to the question of how she’s able to access such profound and resonant themes and messages in her work. With this and more, Kaur, who leads the Revolutionary Love Project, talks about her writing process, the experience of delivering her popular TED talk, and her journey to becoming an author after years and years of being told her work didn’t matter. This episode beckons listeners to reach for their own ordinary courage and to see what blooms when it’s tended to.
The multi-generational story is one of the best-loved and most epic forms of fiction. In her debut novel, guest Gabriela Garcia beautifully executes a matrilinear story, and this week’s episode dives deep into questions of structure, legacy, voice, and centering women in fiction. Garcia’s Of Women and Salt is an extraordinary contribution to this literary form, and this insightful interview offers a glimpse into some of the considerations the author faced in the writing of the book.
Confessional writing—what is it? Something that needs to be defended? Just another way to disparage writers whose subject is self? This week’s episode with poet Kim Addonizio takes a look at what confessional writing might be, why the very characterization is problematic, and why Kim considers herself to be a poet of ideas.
Many authors discover their love of publishing through the process of publishing their work independently. In this episode, entrepreneur and publisher Tieshena Davis walks us through her journey from author to publisher, and inspires with her story of purpose and drive. This episode explores the intersection between doing what you love and loving what you do.
This week we’re spotlighting Middle Grade—as an evolving genre that’s increasingly popular not only with readers, but writers; and as a meaningful form that shapes kids’ understanding of the world. We’re geeking out with Middle Grade author Claire Swinarski—and even if you’re not writing Middle Grade, if you have a kid in your life, or were a reader as a kid, this episode is full of insights and information you won’t want to miss.
This week’s episode is in partnership with WomenLit and features the famously kind, down-to-earth, and beloved Ann Patchett in conversation with Brooke. Ann discusses why she doesn’t write villains, yes, but also why she invited someone she didn’t know all that well to live with her while she went through chemo treatment (the subject of her recent Harper’s piece, “These Precious Days”), as well as her experience as a bookstore owner, her ambivalence for social media, and much much more.