UC Santa Barbara (Audio): Recent Episodes
UCTV
Director Sam Pollard joins moderator Wendy Eley Jackson (Film and Media Studies, UCSB) for a discussion of his film Max Roach: The Drum Also Waltzes. They discuss his long and remarkable career as a documentary filmmaker and the life of jazz musician Max Roach. They also reflect on Pollard’s varied documentary subject matter throughout the decades, from dressage to graffiti to the civil rights movement, and working closely with director Spike Lee. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39974]
Happiness is often described as being U-shaped over adulthood—starting high, declining to a midlife slump, then improving thereafter despite social losses and declines in health. Though some claim that this U-shape is a fundamental feature of human lives, happiness has mostly been studied in high-income countries. To provide a broader perspective, Michael Gurven, Professor of Anthropology at UC Santa Barbara, discusses age-profiles of subjective well-being among non-industrialized societies where people lack formal institutions that promote social welfare. Gurven says the average trajectory of happiness over adulthood differs among populations. Series: "GRIT Talks" [Humanities] [Show ID: 40085]
Director and co-writer Erica Tremblay joins moderator Lisa Parks (Film and Media Studies, UCSB) for a discussion of her film, Fancy Dance. They discuss the development of the film and Tremblay’s three-year-long journey to study the Cayuga language in preparation. They also discuss Lily Gladstone’s central performance, the role of dance as a central motif, and the foregrounding of queer identity and culture in the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39971]
Director Kemp Powers joins moderator Mireille Miller-Young (Feminist Studies, UCSB) for a discussion of his film Spider-Man: Across the Spider-Verse. They discuss the development of the film, the origins of characters like Spider-Punk, and various artistic influences. Powers also shares his experiences working with a large, diverse animation team and thoughtfully addressing issues of representation and authenticity. They also discuss the storytelling and expressive possibilities of animation. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39976]
How did Ronald Reagan’s vision of the American Dream lead to Donald Trump’s success? Looking back to 1983, Diane Winston, professor of journalism and communication at the University of Southern California, discusses how evangelical religion, the news media, and social turmoil culminated in MAGA’s Second Coming. Winston shows that many journalists uncritically adopted Reagan’s religious rhetoric and broadcast his otherwise unpopular evangelical ideas about limited government and individual responsibility. Winston’s lecture is based on her recent book, Righting the American Dream: How the Media Mainstreamed Reagan’s Evangelical Vision. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Show ID: 40173]
The modern world is not disenchanted. On the contrary, it is full of gods and heroes and myths and magic. In this talk, Philip Gorski sketches out a new narrative of Western modernity that can account for this state of affairs: the fragmentation of the sacred. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Show ID: 39810]
Director Nicole Newnham joins moderator Kyna McClenaghan (Film and Media Studies, UCSB) for a discussion of her film The Disappearance of Shere Hite. They discuss the origin of the film and her interest in Shere Hite, as well as the archival research undertaken in making the documentary. Together, they also detail the work of Shere Hite in the context of the feminist movement of the time, the sexist backlash she received, and the enduring impact of The Hite Report and other studies. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39973]
Filmmaker Jess X. Snow joins UCSB's Heidi Amin-Hong to discuss a selection of Snow’s films and their broader artistic journey. As a multidisciplinary artist, Snow's work encompasses poetry, visual art, and film, often addressing themes like the model minority myth, community care, mutual aid, and the Asian-American immigrant experience. They also explore how their films depict queer intimacy and the romantic and erotic agency of Asian-Americans. The conversation provides a deep dive into Snow’s creative process and how their diverse body of work challenges stereotypes and offers empowering narratives for marginalized communities. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39972]
This program discusses humanist and scholar Walter Capps’ political career and the ongoing value of public service. The panel discussion features four people who have all worked as public servants: former U.S. Senator and Nebraska Governor Bob Kerrey; Lois Capps, former Congresswoman who served as a U.S. Representative from 1998-2017 representing Santa Barbara and the Central Coast, Laura Capps, the Second District Supervisor for Santa Barbara County; and Todd Capps, founding Executive Director of the Common Table Foundation. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 39721]
In this program, Russell M. Jeung, professor of Asian American Studies at San Francisco State University, explores COVID-19 racism against Asian Americans, which led to what he terms a period of “collective racial trauma.” Twenty-five peer-reviewed articles have since documented the deleterious impacts of direct and indirect racism on the mental health of Asian Americans. Yet Asian Americans have been resilient in the face of this trauma, and utilized their ethnic and cultural wealth as buffers against anti-Asian hate. Jeung identifies three key ways that Asian Americans responded to this trauma and even grew from this painful time. Asian Americans’ posttraumatic growth, the positive psychological change after trauma incidents, is also be detailed. Jeung is the author of many books and articles on race and religion. In 2020, he co-founded Stop AAPI Hate to track instances of bias, harassment, and violence against AAPI people during Covid-19 and to fight racism. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 39867]
Writer/director Gregg Araki joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a discussion of his film, Nowhere. Araki reflects on post-punk and do-it-yourself subcultures, as well as his memories taking film classes at UCSB as an influence on his work. He also discusses the cult following and home distribution of the film, the legacy of independent and new queer cinema on his career, and finding influence in new wave film movements and the city of Los Angeles. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39781]
This program discusses humanist and scholar Walter Capps’ teaching of ethics and civic values in the classroom and beyond. The panel consists of Katya Armistead, Assistant Vice Chancellor and Dean of Student Life at UCSB and co-directs the Civic Engagement Scholars Program, Tim Kring, a screenwriter whose work focuses on themes of interconnectivity and global consciousness, and Shawn Landres, a civic strategist and a Senior Fellow at UCLA Luskin. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 39719]
This program discusses humanist and scholar Walter Capps’ famous course on the Vietnam War and its impacts. The panel consists of former U.S. Senator and Governor Bob Kerrey, who is a veteran of the Vietnam War and co-instructor in Walter Capps' Vietnam War class. Shad Meshad is Founder and President of the National Veterans Foundation who served as a psych officer in Vietnam. Meshad met Walter Capps in 1977 and their conversation about the war led to the Vietnam War class, which Shad continued to help teach for the next 20 years. And Richard Hecht, Professor Emeritus in the Department of Religious Studies at UCSB, who taught the Vietnam War course for nearly 25 years. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Show ID: 39718]
Alessandro Duranti, Distinguished Research Professor of Anthropology at UCLA, presents archival footage he filmed of Walter Capps' 1996 campaign for U.S. Congress to analyze how the political candidate framed his choice to run for office. Using semantic and narrative analyses, Duranti shows how Capps refined his campaign announcement to better generate voter enthusiasm and how Capps' public and private comments about the campaign reflected his ethical and political values. Capps was elected to Congress in 1996, and died in October 1997 after serving 10 months in office. Duranti became a close friend of the Capps family during his year-long ethnographic research, and he reflects on the role of family in Capps' life and campaign. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 39720]
As part of a special series celebrating the legacy of humanist and professor Walter H. Capps, this program examines Capps’ scholarly contributions and the study of religion today, featuring renowned scholars of religion who were Walter’s graduate students: Tomoko Masuzawa, Professor Emerita of History and Comparative Literature, University of Michigan, Julie Ingersoll, Professor of Religious Studies, University of North Florida, and Sarah McFarland Taylor, Associate Professor of Religious Studies, Northwestern University. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 39707]
As part of a special series celebrating the legacy of humanist and professor Walter H. Capps, this program examines Capps’ scholarly contributions and the study of religion today, featuring renowned scholars of religion who were Walter’s graduate students: Edward Linenthal, Professor Emeritus of History, Indiana University Bloomington and Wendy M. Wright, Professor Emerita of Theology, Creighton University. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Humanities] [Show ID: 39706]
Filmmaker/curator Márton Orosz joins moderator George Legrady (Media Arts & Technology, UCSB) for a discussion of György Kepes: Interthinking Art + Science. They discuss the career of György Kepes and his groundbreaking work at MIT, and presenting his life onscreen. They also explore the development of the field of art and technology in the twentieth century, as well as Kepes’ continued significance and legacy in the present day. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39735]
In this program, Lerone Martin, Associate Professor of Religious Studies and Director of the Martin Luther King, Jr., Research and Education Institute at Stanford University, discusses his recent book, The Gospel of J. Edgar Hoover, which reveals how Hoover and his FBI teamed up with leading white evangelicals and Catholics to bring about a white Christian America by any means necessary. His research draws on thousands of newly declassified FBI documents, including a civil lawsuit against the U.S. Department of Justice for FBI files on Billy Graham. Martin takes readers from the pulpits and pews of small-town America to the Oval Office, and from the grassroots to denominational boardrooms. In this talk, Martin transforms how we understand the FBI, white evangelicalism, and our nation’s entangled history of religion and politics. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Show ID: 39809]
Actor Meg Ryan joins moderator Brad Silberling for a discussion of the romantic comedy classic When Harry Met Sally. They share behind-the-scenes stories of the film’s late screenwriter Nora Ephron and the enduring legacy of the film. They also reflect on the development of the film’s script and iconic characters, the process of shooting scenes and bringing Harry and Sally to life onscreen, and Meg Ryan’s work both in front of and behind the camera over the course of her career. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39638]
What role do the humanities - history, art, philosophy, language, religion - play in the modern world? Prominent leaders of humanities organizations discuss the contributions of noted humanist and professor Walter H. Capps and the value of the humanities today. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Show ID: 39705]
Associate producer Steve Starkey and screenwriter Peter S. Seaman join moderator Tyler Morgenstern (Assistant Director of the Carsey-Wolf Center) for a discussion of the film Who Framed Roger Rabbit. They discuss the early development and complex visual effects of the film. They also discuss the state of Walt Disney Studios in the 1980s and the industrial contexts surrounding the film, as well as allegories of segregation and urban sprawl in Los Angeles worked into the narrative. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39737]
Director Deborah Stratman joins moderator Alex Lilburn (Film and Media Studies, UCSB) for a discussion of her film, Last Things. Stratman discusses the varied ecological, geological, literary, and cinematic inspirations of the film and thinking beyond anthropic time scales. Together, they also discuss the structure of the documentary, the use of voiceover and outside excerpts, the scientific concepts explored throughout, and the research undertaken in the development process for the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39639]
Kashif Shaikh, co-founder and president of Pillars Fund, joins moderator Mona Damluji (Film and Media Studies, UCSB) for a discussion of the film Polite Society. Shaikh discusses working closely with director Nida Manzoor and themes of sisterhood, class hierarchy, and patriarchal power in the film. Together, they also discuss ways of subverting cliches and stereotypes in South Asian and Muslim representation onscreen and share perspectives on authenticity and a new generation of filmmakers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39736]
Filmmakers Valerio Ciriaci and Isaak Liptzin join UC Santa Barbara moderator Stephanie Malia Hom to discuss their film, Stonebreakers. They detail the origins of the project and their interest in monuments as a trigger for political action and historical discourse. They also discuss their experiences filming protests and broader political action against police brutality and systemic racism, and share perspectives on documentary film’s delicate tension between history and memory. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39636]
Filmmaker James N. Kienitz Wilkins joins moderator Tyler Morgenstern, Assistant Director of the Carsey-Wolf Center, for a discussion of Still Film. They discuss its narrative and formal structure, as well as its thematic interests in the problems plaguing contemporary Hollywood. They also reflect on the film’s use of language and larger questions of cinema, memory, and nostalgia. Moreover, Wilkins discusses his use of 35mm press kit photos in the film and multiple meanings behind the term “stillness.” Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39637]
Lucas Hilderbrand of UC Irvine joins UC Santa Barbara moderator Graham Feyl to discuss the film Paris is Burning. They review the history of its exhibition and the film’s enduring legacy as a powerful portrait of queer life, resistance, beauty, and art. They also discuss the unique structure of the documentary, the cultural contexts of drag balls for trans communities of color, and Paris is Burning’s significance in the history of trans representation onscreen. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39635]
Director Miguel Coyula and actor Lynn Cruz join UC Santa Barbara's Kiley Guyton Acosta and Cristina Venegas to discuss their film, Corazón Azul. They discuss the allegorical significance of its imagery, which draws from Cuban political and historical contexts for its alternate reality narrative. They also share insights into the long, complicated development of the film over the years and reflect on what independent cinema means in Cuba. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39634]
The dramatic housing shortage in California affects millions of residents and leads thousands to homelessness. The 2024 Arthur N. Rupe Great Debate addresses this issue by asking, “Is Housing a Human Right?” If so, our state faces a massive undertaking. Experts with diverse specialties and experiences wrestle with some of our biggest challenges. How, for example, can we build low and moderate income housing when construction costs are high and community opposition is often present? How can people experiencing homelessness be moved to shelter and housing? [Public Affairs] [Business] [Show ID: 39667]
Filmmaker Juel Taylor joins UC Santa Barbara moderator Mireille Miller-Young for a discussion of his film They Cloned Tyrone as part of our Black Hollywood series. Taylor details the development of the film and its narrative and thematic inspirations and ideas. Together, they discuss each of the three main characters and the film’s playful subversion of racial stereotypes and Blaxploitation tropes. They also reflect on the film’s exploration of conspiracy theories in Black communities. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39633]
Filmmaker Alejandro M. Flores Aguilar and moderator Giovanni Batz discuss the film Ixiles: Voices from the Shadows of Time. Aguilar details the origin of the project, as well as the historical contexts of Indigenous resistance in the Ixil region of Guatemala. They also discuss issues surrounding ethnographic research, the responsibilities of academics, and the future of anti-colonial resistance. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39575]
Filmmaker Anthony Banua-Simon joins moderator Patrice Petro to discuss his documentary film Cane Fire. They explore the historical and colonial relationships between the plantation economy, the film industry, and tourism in Hawai’i, and larger questions posed by the film. Banua-Simon also discusses his approach to interrogating Hollywood history and how archival materials, oral records, and conspicuous historical absences drive his central critique. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39574]
Writer/producer Gabe Liedman and moderator Tyler Morgenstern discuss the film Barb and Star Go to Vista Del Mar, a screening programmed alongside a workshop on comedy writing. Liedman discusses the collaborative work of comedy and the unique comedic style of the film. He also shares his favorite jokes and moments in the movie, and how the film has been impactful for their own work as a comedian and screenwriter. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39565]
Director Arthur Jones and producer Giorgio Angelini join moderator Chelsea Kai Roesch from UC Santa Barbara to discuss their film "Feels Good Man." They talk about working with artist Matt Furie and unpack the social and political contexts behind Pepe the Frog and its cooptation by the alt-right. They also reflect on the cinematic challenges in telling a story about the internet and discuss the larger implications of internet culture and political polarization in the United States. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39567]
Timothy Corrigan of the University of Pennsylvania joins moderator Patrice Petro to discuss Rainer Werner Fassbinder’s classic film Ali: Fear Eats theSoul. Together, they examine the larger body of work and influences of the German filmmaker, which include Brechtian aesthetics and classical Hollywood melodramas like that of Douglas Sirk. They also offer close readings of scenes from the film, analyzing themes of class, race, and gender and the social relations of melodrama. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39573]
What is bionic vision? Michael Beyeler, director of the Bionic Vision Lab and assistant professor of computer science at UC Santa Barbara, talks about how technology is being used to help people see again using bionic vision. Series: "GRIT Talks" [Science] [Show ID: 39443]
What role do oil companies have in tackling climate change? In this program, Paasha Mahdavi, Assistant Professor of Political Science at UC Santa Barbara, talks about the challenge of getting big oil to take climate change seriously. Mahdavi's research broadly explores comparative environmental politics and the political consequences of natural resource wealth. He is the author of Power Grab: Political Survival Through Extractive Resource Nationalization (Cambridge University Press, 2020), which shows how dictators maintain their grip on power by seizing control of oil, metals, and minerals production. Additional recent work includes the effects of oil-to-cash transfers on civic engagement; the political economy of fossil fuel subsidy reform; and the efficacy of policies to eliminate natural gas flaring. Series: "GRIT Talks" [Public Affairs] [Show ID: 39442]
Filmmaker Sam Kadi joins moderator Juan Campo, professor of religious studies at UC Santa Barbara, for a discussion of the film Lamya’s Poem. Together, they consider how the film employs magical realism to interweave scenes from the lives of contemporary Syrian refugees with the experiences of 13th century poet Rumi. Kadi discusses the uses of animation in crafting a fantastical world, and shares perspectives on the important role of music, a conversation that continued with input from composer Christopher Willis, who was in attendance for the screening. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39479]
Māori novelist Witi Ihimaera, author of the 1987 novel The Whale Rider, joins moderator Nicola Daly (University of Waikato) for a post-screening discussion of Niki Caro’s 2002 film Whale Rider. Ihimaera discusses the novel’s relationship to Māori stories and cultural practices, his writing process, and the film’s enduring legacy. This event was presented in conjunction with the 26th biennial Congress of the International Research Society for Children’s Literature (IRSCL). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39338]
In this UC Santa Barbara GRIT talk, Dr. Meghan Morrissey discusses her work to get immune cells to eat cancer. Her goal is to uncover fundamental principles of macrophage signaling and tune macrophage function in the tumor microenvironment. Series: "GRIT Talks" [Health and Medicine] [Show ID: 39441]
How can we use raw materials to improve the environment? In this program, Susannah L. Scott, professor of chemistry at UC Santa Barbara, discusses how to efficiently use catalytic conversion of unconventional materials, such as biomass and synthetic polymers to create sustainable routes to renewable energy, fuels and chemicals. Series: "GRIT Talks" [Science] [Show ID: 39440]
In the coming decades, individuals around the world must adapt to changing environmental conditions, often driven by climate change. Adaptation requires significant resources, prompting the question of whether existing economic and social inequities may be exacerbated when adaptation become accessible to some, but not others. Kyle Meng, associate professor of economics at UC Santa Barbara, explores what happens when one of the world’s most unequal cities experiences an unprecedented, nearly catastrophic environmental disaster. In 2017, following years of prolonged drought, the city of Cape Town announced an impending "Day Zero", at which point pipes would run dry. Using a variety of data sources, we show how households of different wealth levels adapted to Day Zero and discuss the long term implications of Day Zero for Cape Town's water use and public finances. Series: "GRIT Talks" [Science] [Agriculture] [Show ID: 39334]
How can we improve the human connection for people with autism? In this program, Ty Verno, director of the UC Santa Barbara's Koegel Autism Center discusses novel methods for measuring, understanding, and altering the social developmental trajectories of individuals with autism and related conditions. Series: "GRIT Talks" [Health and Medicine] [Show ID: 39439]
In Rome in 1644, four butchers were accused of killing seven of their fellow Roman citizens, stripping the meat from their bones, and grinding it together with pork to make sausage, which was then sold from their shop behind the Pantheon. Although the butchers were quickly executed, their tale was not so easily forgotten. In pamphlets issued around the event, the story of the butchers turned into a morality tale about what to and not to eat. Using these pamphlets, along with trial documents, edicts, and other contemporary diaries, historian Bradford Bouley explores the context of this unusual story of cannibalism, the veracity of the sources, and the meaning of meat and the ways it was produced in early modern Rome. Series: "GRIT Talks" [Humanities] [Show ID: 39336]
What are the shapes of stories? This is a longstanding question in narrative arts, from the plot arcs of novels and rhyme schemes of poems to the shot sequences of films. This program discusses two narrative media forms: interactive branching stories (as in games, gamebooks, and hypertext fiction) represented as networks, and graphic narratives (as in comics, manga and webtoons) with individual pages represented as grid compositions. Through description, encoding, and data visualization, we will explore the shapes of stories in comics and games. Series: "GRIT Talks" [Humanities] [Show ID: 39335]
Based on co-authored research, this talk shows how historical framing--drawing parallels between past and present events or actors--can mobilize protesters and keep them politically engaged in the face of unpopular policies and violent repression. Nicaraguan and Chilean activists and citizens saw their presidents and security forces as repeating reviled dictatorships’ behavior, making clear the importance of protesting against them. Using a survey experiment, we also demonstrate that historical framing can remain useful after protests have subsided, increasing Chilean respondents’ support for police reform a year later, though frames must be carefully targeted to be most effective. Series: "GRIT Talks" [Public Affairs] [Show ID: 39333]
As sailors use constellations, wind direction, and current to determine their heading, so, too, do animals process diverse sensory information to set their course. Via this sensory processing, the animal’s brain develops a sense of direction, a prerequisite for navigating between points. To understand how the sense of direction is generated in the brain, we interrogate neurons in the brain of the fruit fly, Drosophila melanogaster. With numerous tools that allow observing the neural network structures and activities and perturbing them, we begin to understand how the brain transforms sensory information into a sense of direction. Series: "GRIT Talks" [Science] [Show ID: 39332]
Effective management of thermal-fluids transport has become a critical challenge in many energy, water, and electronic applications due to the increasing power density and shrinking length scales. In this talk, I will first describe our effort to manipulate multi-phase fluid motion using light-responsive surfactants. Upon illuminating droplets and bubbles with light, the surfactants at the fluid-fluid interfaces go through photo-isomerization, which changes the local interfacial tension and introduces a Marangoni flow. The resulting interfacial shear stress generates a net force on the bubble or the droplets, causing them to depart or slide along the surface. We demonstrate real-time manipulation of multi-phase fluidic systems using low intensity light which can potentially enhance phase change heat transfer. I will also describe our effort to achieve passive salt-rejecting solar thermal desalination by thin-film condensation in microporous membrane which utilizes ample three-phase contact area, salt diffusion and a low vapor transport resistance. With our design, we demonstrate continuous desalination of seawater for 7-days in one Sun with no salt precipitation. These examples demonstrate the potential of combining fundamental thermo-fluid science and advanced micro/nano engineering approaches to address many of the pressing thermal challenges in energy and water systems. Series: "GRIT Talks" [Science] [Show ID: 39330]
Artificial intelligence and machine learning (AI/ML) have been extremely successful in predicting, optimizing, and controlling the behavior of complex interacting systems. Robustness and explainability of existing AI/ML methods, however, remain big challenges, and clearly new approaches are needed. In this program, Ambuj K. Singh, Distinguished Professor of Computer Science at the UC, Santa Barbara, explains that the human brain motivated the early development of the field of deep learning, and neuroscientific concepts have contributed to the profound success of deep learning algorithms across many areas. The next leap in AI/ML may again come from a deeper understanding of modularity, robustness, and adaptability of brain architectures. Series: "GRIT Talks" [Science] [Show ID: 39331]
Dr. Stuart Finder, a renowned clinical ethicist, will discuss the meaning of ethics as it is encountered and understood in actual healthcare contexts. This lecture will explore what matters to patients, families, and healthcare professionals in real-world clinical settings. Using concrete examples, ranging from end-of-life choices to reproductive decisions, to simply coming up with appropriate care plans, Dr. Finder will show how clinical ethics is grounded in the real dynamics and complexities that drive contemporary healthcare practices. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Health and Medicine] [Humanities] [Show ID: 39150]
Groundwater is often referred to as an invisible resource, hidden beneath our feet. Groundwater wells—the infrastructure used to access groundwater—are small, distributed, and lost among landscapes. By contrast, our surface water infrastructure is large and visible—reservoirs that support water supply and recreation, dams, and . In this talk, Debra Perrone reveals the results of a five-year research project to record the location and construction details of millions of groundwater wells. The research provides vital insights into the haves and have nots of water and identifies strategies to minimize the impacts of groundwater depletion. Series: "GRIT Talks" [Science] [Show ID: 39278]
As new climate disasters remind us every day, our world is not stable—and it is changing in ways that expose the deep dysfunction of our relationship with water. Increasingly severe and frequent floods and droughts inevitably spur calls for higher levees, bigger drains, and longer aqueducts. But as we grapple with extreme weather, a hard truth is emerging: our development, including concrete infrastructure designed to control water, is actually exacerbating our problems. Because sooner or later, water always wins. Science journalist Erica Gies introduces us to innovators in what she calls the Slow Water movement who start by asking a revolutionary question: What does water want? Experts in ecology, engineering, and other fields are already transforming our relationship with water. Figuring out what water wants—and accommodating its desires within our human landscapes—is now a crucial survival strategy. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Show ID: 39149]
Professors France Winddance Twine (Sociology, UCSB) and Lisa Parks (Film and Media Studies, UCSB) join Marc Francis (Assistant Editor of Film Quarterly) in a conversation about power dynamics and inequality in the tech world of Silicon Valley, showing and discussing clips of the shows Super-Pumped and WeCrash. The topics they discuss expand upon their published article in Film Quarterly, addressing the exploitative working conditions for women and people of color inside this industry. Their conversation highlights the wastefulness and corruption of massive Silicon Valley corporations and unpacks larger cultural assumptions about corporate self-regulation and the celebrity personas of CEOs. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39055]
Writer/director Todd Field joins moderator Tyler Morgenstern (Assistant Director of the Carsey-Wolf Center) in a post-screening discussion of TÁR. Field details the origins and development of the film, including the creation of protagonist Lydia Tár. He elaborates on the public persona she curates in the film and larger thematic questions of exploitation, cultural authority, and the geopolitics of abuse. They also discuss the involvement of non-profit organization Xapiri Ground and their work with the Indigenous people of the Amazon rainforest, as well as photographer David Díaz Gonzales, who created a key image with actress Cate Blanchett for the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39057]
Director/executive producer David Mandel joins Patrice Petro (Dick Wolf Director of the Carsey-Wolf Center) for a post-screening discussion about the HBO miniseries White House Plumbers. In their discussion, Mandel details the origins of the show and distinguishes it from other noteworthy historical adaptations of the Watergate scandal, emphasizing its focus on overlooked figures and its balancing of political drama and tragedy. He also shares his experiences working with lead actors Justin Theroux and Woody Harrelson, as well as the efforts he and his crew made to faithfully recreate the show’s period aesthetic in the midst of a pandemic. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39056]
Sparked by the COVID-19 pandemic, Asian American and Pacific Islander (AAPI) communities across the country have been subjected to increased hate incidents, including verbal harassment, civil rights violations, and physical assaults. Since its founding in March 2020, thousands of incidents have been reported to the Stop AAPI Hate coalition. Manjusha Kulkarni will discuss how Stop AAPI Hate is addressing anti-Asian hate through civil rights enforcement, education equity, community-based safety, and building a movement against systemic racism. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Show ID: 39081]
Shelley Stamp (Film & Digital Media, UC Santa Cruz) joins moderator Kelsey Moore (Film and Media Studies, UCSB) in a post-screening discussion on George Cukor’s classic 1944 film Gaslight, sharing thoughts on genre, the origin of gaslighting as a term, and the film’s historical legacy. Their conversation also dives into the complexities of gender and the historical contexts of the Second World War and Hollywood’s Golden Age. They discuss the relationships between Gothic melodrama and film noir, as well as these films’ appeal to female audiences. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39053]
Asian/Pacific Islander American communities have a long history of activism in the United States, particularly in response to anti-Asian racism and exclusion. In their struggle for equality and liberation from oppression, AAPI activists have developed social and political movements for immigrant rights, labor rights, educational equity, affordable housing, religious freedom, environmental justice, and more. This panel features several AAPI activists who will discuss how they became activists, their work on the leading edges of activism, and how more people can get involved. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Show ID: 39080]
Director Yoruba Richen joins moderator Mireille Miller-Young (Feminist Studies, UCSB) for a post-screening discussion of her film The Rebellious Life of Mrs. Rosa Parks. Richen elaborates on the overlooked but significant breadth and impact of Rosa Parks’ lifelong contributions to the Civil Rights movement in and beyond the Montgomery bus boycott, and positions her radical politics alongside Dr. King and Malcolm X. She also details the archival work and collaborative process that brought this film to life during the challenges of the pandemic, and the importance of incorporating Parks’ actual words from her journal entries. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39052]
Del Zamora (writer, director, and producer) joins moderator Ben Olguín (English, UCSB) in a post-screening discussion of The Last Brown Beret, an adaptation of a play by Alfredo Ramos that explores Chicanx activism and history in Los Angeles. Together, they discuss the impact of the civil rights movement that arose in the 1960s and the connections between the Brown Berets, the Black Panther Party, and the American Indian Movement, and its influence on the film. Zamora also details the development of the film, the challenges that Latinx filmmakers face, and storytelling choices in the film’s structure and characterization. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39051]
Writer Eliza Jiménez Cossio joined moderator Chip Badley (English, UC Davis) for a post-screening discussion of the show Our Flag Means Death. Cossio shares her experiences as a writer and details various casting insights during the pre-production of the show, including their unique approach to adapting familiar characters and bringing in guest stars. She also elaborates on the influence of sitcoms and romantic comedy films in her writing, and how the diversity of their writers’ room helped shape the diversity of characters onscreen. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39054]
Yvett Merino (Producer, Walt Disney Animation Studios) joins moderator Dolores Inés Casillas (Chicana and Chicano Studies, UCSB) in a post-screening discussion of Encanto, the acclaimed Disney animation film about a multigenerational family with magical powers in the mountains of Colombia. In their conversation, they discuss the importance of Latinx representation in mainstream media, reflecting on the film’s themes of intergenerational trauma and its power to spark important conversations among family audiences. Merino also shares the significance of including an immigrant story in the film and details the development and release of the film, including the impact the pandemic had on viewing practices. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39050]
Director Paromita Vohra joins moderator Bhaskar Sarkar (Film and Media Studies, UCSB) in a discussion of her film Partners in Crime, which dives into the world of copyright law, piracy, and the fluid nature of authorship. She dives into concepts like the cultural commons and the complicated nature of artistic value. She also details the social and economic contexts of the bazaar and the impacts of a rapidly changing economic landscape on art. They share perspectives on the diversity of people involved in the “illegal” market, the impacts of colonization and neoliberal practices, and the nuances of conflicting definitions of ownership. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39048]
Lucy Fischer (English and Film Studies, University of Pittsburgh) joins moderator Patrice Petro (Dick Wolf Director of the Carsey-Wolf Center) in a post-screening discussion of What Ever Happened to Baby Jane, a psychological thriller about the rivalry between aging Hollywood sisters. In their conversation, they illuminate the similarities between the film’s themes and the much publicized behind-the-scenes drama between stars Bette Davis and Joan Crawford. Fischer reflects on the film’s playful incorporation of conventions from Gothic horror and melodrama, as well as its status as a camp classic. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39049]
Director Ramona S. Diaz joins moderator Miguel Penabella (Film and Media Studies, UCSB) for a post-screening discussion of her documentary A Thousand Cuts. She details her experiences closely following Nobel Peace Prize-winning journalist Maria Ressa and the Rappler team’s fight for press freedom in the Philippines, as well as observations from political rallies of those aligned with former President Rodrigo Duterte. The discussion also explored issues surrounding journalistic persecution, the emergence of social media disinformation. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39015]
Artist Vishal Jugdeo and poet vqueeram join moderator Cathy Thomas (English, UCSB) to discuss their film Does Your House Have Lions, which features a queer household of activists and academics in New Delhi living under the shadow of increasing authoritarianism. They discuss the film’s exploration of different forms of queer intimacy and propose possibilities for resistance against state violence. They also reflect on communal ideas of freedom, ways of building spaces of joy, and incorporating friendship as a method of artistic and scholarly practice. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 39016]
Filmmakers Joyce García and Alvaro Parra join moderator Alexandra Lippman to discuss their two documentaries on cumbia sonidera, or Colombia-inspired dance music, in Mexico City and Los Angeles, "Yo No Soy Guapo" and “Sonidero Metropolis.” They explore the cultural significance of the sonidero in shaping regional music scenes and tastes, as well as the impacts of migration patterns, diasporic experiences, and technological and generational changes in transforming cumbia culture. They also share their insights on the experiences and difficulties in documenting the protagonists of their films, and the surprising lives those figures lead both professionally and personally. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38944]
Doris Berger, co-curator of Regeneration: Black Cinema, 1898-1971 at the Academy Museum, joins moderator Peter Bloom to discuss the film Carmen Jones and the legacy of actress Dorothy Dandridge. Berger explains the backstory of how the Regeneration exhibition was originally conceived and developed, detailing her experiences digging through archival materials and discovering materials from films with all-Black casts in the 1920s and 30s. She also discusses her perspective on Carmen Jones and its significance to film history, as well as on the career of Dorothy Dandridge, from early soundies like Cow Cow Boogie to late career works like Porgy and Bess. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38894]
Writer/director Maysoon Pachachi joins moderator Mona Damluji for a discussion of her film "Our River...Our Sky," which tells the story of ordinary people living in Baghdad under occupation. Pachachi details the origin of the project and the film’s early development, including casting considerations and lessons learned from her documentary work. She also discusses the political contexts of the film and how life in Iraq changed as a result of civil war and occupation, and how real-world stories inspired the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38945]
Director Julia Mintz and executive producer Eva Haller engage in a post-screening discussion of their film Four Winters, where they provide insights into the making of the documentary. Mintz details the process of collecting and editing footage of countless interview subjects to tell the heroic story of Jewish partisans during the Second World War, and Haller emphasizes the importance of sharing those stories for posterity. They recount personal stories of loved ones and their experiences during the war, and reflect on the challenges and significance of revisiting and preserving history. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38895]
Roman Koropeckyj, Professor in the Department of Slavic, East European, and Eurasian Languages & Cultures at UCLA, joins moderator Sasha Razor for a discussion of Sergei Parajanov’s film Shadows of Forgotten Ancestors, sharing insight into Ukrainian culture and history. Koropeckyj discusses the making of the film and details the complexities of Ukrainian culture and history, including the Hutsul ethnic group around which the film revolves. They contextualize the political volatility during the film’s production and broaden discussion to a longer history of Ukrainian oppression, all the way to contemporary struggles. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38876]
Ray Santisteban, director and producer, joined Ben Olguin, the director of the global Latinidades project of UCSB, in the Carsey Wolf center to talk about his documentary Time of the Phoenix: The First Rainbow Coalition. In their discussion, Ray Santisteban mentions how he came to make this documentary and how he started his film making career. He also talks about how documentary film-making enables him to do what Hollywood film making does not. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38821]
Production designer Akin McKenzie joined moderator Mireille Miller-Young (Feminist Studies, UCSB) for a post-screening discussion of his work in visualizing the world of The Woman King. The discussion revolved around McKenzie’s extensive research from out-of-print books, photos, and other archival materials to disentangle complex historical events from colonial revisionism. McKenzie also detailed his collaboration process with director Gina Prince-Bythewood and shared thoughts on Black representation in Hollywood and the future of Black cinema. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38875]
Writer/director Antonio Dikele Distefano and scholar/filmmaker Fred Kuwornu discuss the film Autumn Beat with Claudio Fogu. Distefano details his experiences writing books and magazines and his transition to cinematic work, as well as his experiences growing up as a young Black man in Italy. Kuwornu elaborates on the evolving Black cultural renaissance in Italy and the struggles involved with it. They reflect on the themes of the film, including disability, parenthood, self-expression, and legacies of colonialism, all of which center on a story about the Italian rap scene. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38820]
Moderator Peter Bloom is joined by Kim Knowles and Carrie Noland for a discussion of how contemporary experimental film represents multi-species relationships and dependencies. Together, they consider how experimental cinema can animate alternative understandings of the relations between human and non-human animals. Addressing questions of genre, style, narration, and performance, Knowles, Noland and Bloom highlight the political and aesthetic complexity of the cinematic representation of animals. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38777]
Patrice Petro and E. Ann Kaplan discuss Irving Rapper’s classic 1942 melodrama, Now, Voyager. Together, Petro and Kaplan situate the film historically in the context of the Second World War and the changing dynamics of the domestic and public spheres. They also address the film’s unique depiction of psychiatry and psychoanalysis, and consider its complex representation of mother-daughter relationships. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38776]
Co-writer and co-director Jessica Woodworth joined moderator Stephen N. Borunda (Film and Media Studies, UCSB) for a post-screening discussion of her film Altiplano and the process of developing a film about environmental and indigenous exploitation in Peru. Woodworth reflected on the role of music in shaping the emotional experience of the film. She also shared details of how current ecological issues and the culture of the region contributed to the narrative. Moreover, she discussed the real-life mercury spill and locally produced photography under the TAFOS project in Peru from 1986 to 1998 as key elements that contributed to the development of the film and its ideas. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38775]
Moderator Cristina Venegas joined Chicano and Chicana Studies Professors Gerardo Aldana, Giovanni Batz, and Daina Sanchez to discuss Wakanda Forever and Indigenous Worldbuilding. Professor Gerardo Aldana served as a consultant on the film’s representation of Mesoamerican cultures and played the role of UN assembly chairperson in the film. The panel discussed the politics of representation and the film’s themes of displacement and diaspora. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38744]
Guests Elizabeth Gabler (President, 3000 Pictures) and Marisa Paiva (Executive Vice President, 3000 Pictures) join moderator Emily Zinn (Associate Director, Carsey-Wolf Center) for a post-screening discussion of their 2022 adaptation of D.H. Lawrence’s classic, Lady Chatterley’s Lover. Together, Gabler and Paiva discuss how they came to adapt D.H. Lawrence’s classic novel for through a feminist lens for a contemporary audience. They also address the challenges of bringing classic works to the screen through creative collaboration, and the key role of screenwriter David Magee in bringing Lawrence’s language and voice to life. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38719]
Composer and filmmaker Clarence Barlow joined moderator Peter Bloom (Film and Media Studies, UCSB) for a post-screening discussion of Barlow’s pioneering work on composition and experimental film, including: Uccelli Ungheresi (1988), Kuri Suti Bekar (1998), Estudio Siete (1995/2015), )ertur( (2015), Evanescent Evidence (2021), and Zero Crossing (2001). Barlow shared insights on the development of his films and the importance and use of sound, particularly his unique approach to tonality and metricism. He also reflected on his long career and his fascination with mapping sound to visual media. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38717]
Guests Trinankur Banerjee (Film & Media Studies, UCSB) and Bishnupriya Ghosh (Global Studies & English, UCSB) join moderator Bhaskar Sarkar (Film & Media Studies, UCSB) for a post-screening discussion of Satyajit Ray’s The Hero (1966). Together, Ghosh, Sarkar and Banerjee discuss how The Hero became one of Ray’s most iconic films thanks in part to the star power of beloved screen couple Uttam Kumar and Sharmila Tagore. They also consider how Ray deftly explores themes of stardom and celebrity in the contest of the Indian film industry. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38716]
Guests Pujita Guha (Film and Media Studies, UCSB) and Bishnupriya Ghosh (Global Studies & English, UCSB) join moderator Bhaskar Sarkar (Film and Media Studies, UCSB) for a post-screening discussion of Satyajit Ray’s The Golden Fortress (1974). Together, Guha, Ghosh, and Sarkar discuss the literary origins of Ray’s film, its popular appeal in the 1970s in India, and how it helps us to better understand Ray as a maker of popular genre film. They also discuss how Ray channeled influences from science fiction, detective fiction, travelogues, and other popular genres to create a distinctive and iconic body of cinematic work. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38715]
Director James Hayman joins moderator Patrice Petro, (Dick Wolf Director of the Carsey-Wolf Center) for a post-screening discussion of episode 51 of The Sopranos. Together, they explore how Hayman created a riveting, nuanced portrait of mafia and family life. Hayman offers insights into matching the darkly comedic style of the series, and how his education in film and media studies has shaped his work. He also addresses the relationship between cinematography, direction, and storytelling, and how these elements work together in the penultimate conclusion to season four. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38734]
Moderator Ben Olguín joined filmmaker Ellie Walton and poet Sami Miranda for a post-screening discussion of the documentary La Manplesa: An Uprising Remembered. Together, they discussed the importance of artistic collaboration and community, the relationship between art and activism, and current events that echo the story of injustice in DC’s Mount Pleasant neighborhood. Walton reflected on the experiences that compelled her to create this documentary, and Miranda shared his personal discovery of his grandfather’s old photographs, which helped him better understand his own artistic practice. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38621]
Moderator Bhaskar Sakar joined Professor Moinak Biswas, Professor Emerita Supriya Chaudhuri, and graphic illustrator-designer Pinaki De for a post-screening discussion of two films by Satyajit Ray, The Adventures of Goopy and Bagha (Goopy Gyne Bagha Byne) and The Kingdom of Diamonds (Hirak Rajar Deshe). Together, they addressed the personal background of Satyajit Ray, his contributions to Indian cinema, the historical and political contexts of the films, and their artistic significance. Pinaki De elaborated on the significant detail and craftsmanship of Ray’s set design, while Supriya Chaudhuri and Moinak Biswas weighed in on the political and literary influences of the films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38564]
Lei Li is an assistant professor in Computer Science Department at University of California Santa Barbara. His research interest lies in natural language processing, machine translation, and AI-powered drug discovery. He received his B.S. from Shanghai Jiao Tong University and Ph.D. from Carnegie Mellon University. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38476]
Rob Ober is Chief Platform Architect of NVIDIA’s data center products, and works with global Hyperscales to architect AI and Deep Learning clusters, develop systems and platform architecture, and influence NVIDIA hardware and software platform roadmaps. His background is in processor and system architecture, with experience in networking, storage, memories, and wireless. Rob has over 40 international patents in processor architecture, low power design, storage, networks, wireless, and mobile devices. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38472]
Katharine E. Schmidtke received a B.Sc. Degree in physics and mathematics from Keele University, UK, in 1989 and Ph.D in laser physics and non-linear optics from the University of Southampton in 1993. She went on to do post-doctoral research in epitaxial growth of non-linear optical materials at Stanford University, CA, USA. She has a 25-year career in the optical communications industry including roles at Finisar, JDS Uniphase and New Focus. For the past 7 years she has worked at Facebook, Menlo Park, CA where she has driven the technology strategy for data center optical interconnects. She is currently Director of Sourcing for ASICS and Custom Silicon focused on AI/ML applications. Dr. Schmidtke is a fellow of the Optical Society of America and has been an invited speaker and served on committees for numerous international conferences, including Optical Fiber Communication Conference (OFC) European Conference on Communications (ECOC) and the Optical Interconnects Conference. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38480]
Yufei Ding joined the Department of Computer Science (with a joint appointment in the Department of Electrical & Computer Engineering), University of California at Santa Barbara as an Assistant Professor in Nov 2017. Her research interests lie in the broad fields of domain-specific language design, architecture and compiler optimization, and hardware acceleration. Her current research focuses on building high-performance, energy-efficient, and high-fidelity programming frameworks for emerging technologies such as quantum computing, machine learning, and deep learning. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38474]
Martin Fischer is the Kumagai Professor of Engineering at Stanford University and directs the Center for Integrated Facility Engineering. He is known globally for his work and leadership in developing and applying digital methods to increase the productivity of construction project teams, enhance building performance, and create new strategic opportunities for firms in the construction industry. His award-winning research results have been used operationally and strategically by many industrial and government organizations around the world. He has co-authored the book “Integrating Project Delivery” published by Wiley in 2017, written over 100 refereed journal articles and book chapters, and given over 100 keynote lectures on his research. His work has been recognized by the ASCE Peurifoy Construction Research Award and with elections to the National Academy of Construction in the US and the Royal Academy of Engineering Sciences in Sweden. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38479]
Cliff Young is a software engineer in Google Research, where he works on codesign for deep learning accelerators. He is one of the designers of Google’s Tensor Processing Unit (TPU) and one of the founders of the MLPerf benchmark. Previously, Cliff built special- purpose supercomputers for molecular dynamics at D. E. Shaw Research and was a Member of Technical Staff at Bell Labs. Cliff holds AB, MS, and PhD degrees in computer science from Harvard University. Cliff is a member of ACM and IEEE. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38473]
Surendra Anubolu is a Distinguished Engineer at Broadcom in the Switch Group. He is currently working on benchmarking and enhancing performance of distributed AI work loads and telemetry for network applications. Since joining Broadcom in 2015, Surendra worked on the Tomahawk and Trident line of products. Prior to Broadcom, Surendra worked at Cisco as Director of Engineering responsible for delivering Ethernet switch silicon. Surendra Anubolu holds an MS from Indian Institute of Science, Bangalore. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38475]
Mead Rusert is President of Automated Logic, a leading provider of innovative building automation and energy management solutions that maximize energy efficiency and ensure occupant comfort and engagement. With over 30 years of industry experience, he brings a broad background to the position including executive roles in engineering, product management, and marketing for commercial HVAC products at Carrier Corporation. He holds three patents related to temperature control algorithms. Mead earned a Bachelor’s degree in mechanical engineering from the University of Wisconsin-Madison and a Master’s degree in business administration from the Fuqua School of Business at Duke University. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38477]
Bharath Muthiah is a Technical Lead in Meta’s Infrastructure team and leads technical sourcing for large scale AI HW cluster technologies and solutions. In this capacity, Bharath engages extensively with Meta’s strategic technology partners, industry consortiums, hyperscale peers, and academic partners in influencing customization and optimizations for Meta’s key AI use cases. Prior to this, Bharath led the technical sourcing and enabling efforts for Meta’s Compute and Video Infrastructure efforts as well as jump starting Meta’s technical engagements in the custom silicon and ASIC spaces. Prior to Meta, Bharath had 15 years of experience in the Datacenter and Cloud Infrastructure spaces spanning various strategy, product management, and engineering roles at Intel. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38471]
Ravi Agarwal is a technical sourcing manager at the Facebook Infrastructure group. In this role, he is responsible for driving advanced packaging architectures and foundry for both networking and AI/ML compute applications to meet Facebook future workloads. He is driving Chiplet Business Workstream in Open Domain-Specific Architecture (ODSA) Sub-Project within the Open Compute Project (OCP) working with ecosystem partners to enable Chiplet marketplace. Prior to Facebook, he spent 12+ years at Intel Corporation and Amkor Technologies, where he held several leadership positions. In his last role at Intel, he was Chief of Staff to Intel Global Supply Chain Corp. Vice President. Ravi received PhD dual major in Materials Science & Engineering and Polymer Science from North Carolina State University and MBA from University of California Berkeley. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38469]
UC Santa Barbara's Clint Schow discusses how to bring low-power O-band coherent optics to data centers. Schow received B.S., M.S. and Ph.D. degrees from the University of Texas at Austin. After positions at IBM and Agility Communications, Dr. Schow spent more than a decade at the IBM T.J. Watson Research Center in Yorktown Heights, NY, as a Research Staff Member and Manager of the Optical Link and System Design group. He has led international R&D programs spanning chip-to-chip optical links, VCSEL and Si photonic transceivers, nanophotonic switches, and new system architectures enabled by high- bandwidth, low-latency photonic networks. In 2015, Dr. Schow joined the faculty of the University of California at Santa Barbara. Dr. Schow has been an invited speaker and served on committees for numerous international conferences. He is a Fellow of the OSA and the IEEE, has published more than 200 journal and conference articles, and has 33 issued patents. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38468]
High Volume Silicon Photonics for Co-Packaged Optics and Optical I/O with Thomas Liljeberg of Intel. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38466]
Manish Mehta is the VP of Marketing and Operations for the Optical Systems Division at Broadcom. Manish leads go-to- market and operational activity for the division responsible for developing and manufacturing devices and systems used in optical communications. Prior to joining Broadcom, Manish was EVP and Product Line Management of Source Photonics where he led the company's entry into the datacenter market. Manish holds a Ph.D. in Electrical Engineering from The University of California, Santa Barbara, and B.S. in Electrical Engineering from The University of Texas. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38465]
Moderator Mireille Miller-Young joined Diversity in Cannes founder Yolonda Brinkley and filmmaker Wendy Eley Jackson to discuss this important initiative and to celebrate the achievements of global Black women in film. Collectively, they outlined the background and impact of the initiative and strategies for Black women and their allies to create global change. They also reflected on the serious representation gaps in the international film industry and their own experiences breaking barriers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38549]
Ram Huggahalli is a Principal Hardware Engineer in Microsoft's Azure Hardware Systems and Infrastructure group. His focus areas are hyper-scalar systems architecture, SoC/platform-level interconnects and accelerator architecture strategies for the next 2-4 years. Prior to Microsoft, Ram has been with Intel Corporation contributing to memory and I/O subsystem directions in various Xeon processors and platforms, large scale HPC interconnect product roadmaps and system level simulation methodologies. Ram has MS degrees in Electrical Engineering and Engineering Management from Missouri University of Science and Technology. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38464]
Rob Stone is a member of the infrastructure team at Meta, focusing on next generation optics and networking. Prior to Facebook, Rob was a distinguished engineer at Broadcom within the switch architecture team. He is active in industry communities including IEEE and other MSAs. Rob holds a D.Phil. in Physics from The University of Oxford. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38463]
John E. Bowers holds the UC Santa Barbara Fred Kavli Chair in Nanotechnology and is the Director of the Institute for Energy Efficiency and a Distinguished Professor in the Department of Electrical and Computer Engineering. Dr. Bowers received his M.S. and Ph.D. degrees from Stanford University and worked for AT&T Bell Laboratories and Honeywell before joining UC Santa Barbara. Dr. Bowers is a member of the National Academy of Engineering, the National Academy of Inventors, a fellow of the IEEE, OSA and the American Physical Society. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38470]
Chris Cole is advising several companies including II-VI Inc. and Quintessent Inc., on advanced optical interfaces. Before, he was VP of Advanced Development, Finisar Corp. where he led the definition and development of 10 through 400 Gb/s optical interfaces for datacom and telecom applications. He delivered multiple generations of optical transceivers leading to ~$1billion of Finisar revenue. The 40G, 100G, 200G and 400G interfaces he defined and proposed for IEEE standardization constitute the majority of optical datacom links in datacenters, and account for billions of optics industry revenue. Prior, at Hughes Aircraft Company (now Boeing Space), and MIT Lincoln Laboratory he contributed to multiple communication and imaging satellites. Then, for TI DSP Group and Silicon Systems Inc. (now Analog Devices), he developed voiceband datacom algorithms and ASICs, respectively. Series: "Institute for Energy Efficiency" [Science] [Show ID: 38467]
Production designer Chae Kyoung-Sun discusses with moderator Rita Raley and interpreter Eunjin Choi her design work for the TV sensation, Squid Game. Kyoung-Sun goes into detail on her design process, all the way from her initial ideas and discussions with her creative collaborators to how the final products were built and used on set. She discusses how her collaborations with the director, cinematographer, and other design departments completed the iconic look of Squid Game, such as the pink and green color scheme and the final design of the guards’ masks. Kyoung-Sun also recounts the hidden meanings and influences in her designs that reflect the hierarchies of the world of Squid Game as well as evoke cultural references like children’s games, school tracksuits, and fairy tales. Apart from Squid Game, Kyoung-Sun reflects on her early influences that inspired her to work in production design, which involved going to see films with her parents starting from a young age. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38312]
Screenwriter Katie Silberman discusses the writing process for the hit coming-of-age film Booksmart with moderator Matt Ryan. Silberman examines the challenges in developing unique characters and overcoming high school stereotypes. She reflects on her work with director Olivia Wilde and the creation of key scenes and themes in the film. Breaking down the script, Silberman explores the importance of pacing, character development, and emotional authenticity. She explains how the cast worked collaboratively to make this high school comedy stand out and faithfully represent a modern generation of youth. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38382]
In this program, Rabbi and UC Santa Barbara Modern Jewish Literature and Feminist Studies Professor Wendy Zierler discuss S.Y. Agnon and Devorah Baron on the large and the small in Jewish culture. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Show ID: 38310]
Professor Jennifer Rhee (English, Virginia Commonwealth University) joins Melody Jue (English, UCSB) to discuss the film Arrival and its short story predecessor, “Story of Your Life” by Ted Chiang. They explore the dynamics of free will, determinism, disorientation, communication, language, and temporal non linearity in the science fiction film. Furthermore, they discuss the similarities and differences between the film and the original short story. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38161]
In this UC Santa Barbara Innovator Stories program, Tony Rodoni, a former Global Sales Leader at Salesforce, talks about how he went from being an engineer to sales by focusing on customers, their needs and how he could help solve their problems. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 38309]
In this program, UC Santa Barbara Professor of Religion and Literature, Philosophy of Religion and History of Judaism Sarah Hammerschlag discuses Emmanuel Levinas’ Talmudic Lectures. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Show ID: 38311]
Writer/director Oualid Mouaness discusses his film 1982 with moderator Paul Amar (Global Studies, UCSB). Mouaness details the development of the film and the importance of depicting an honest representation of the war in Lebanon, especially as a means to bridge gaps between older and younger generations. He explains the significance of telling 1982’s story through a child’s perspective and the unique point-of-view they have in experiencing war and history. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38159]
As the first-ever Chief Client Officer of Baker Botts, a global law firm, Catherine Zinn is laser-focused on servicing the client. She ensures that her company is proactive and relentless in its focus on client satisfaction and in its growth in key markets. Zinn was recognized as a "Woman of Influence" by the "Silicon Valley Business Journal," as a "Woman of Achievement" by "Legal Momentum" and a "Top 100 Woman in Law" by "Women Who Lead" in 2021. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 38307]
Acclaimed co-writer/director Abderrahmane Sissako discusses his film Timbuktu with moderators Richard Watts and Peter Bloom. Sissako details the development of the script and its connection to real-world news stories from Mali. He also recalls the political and logistical challenges during the film production. Watts and Bloom discuss the poetic qualities of the film, and in his own words, Sissako describes his artistic objectives with landscape and setting. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38160]
Professor Stephanie Malia Hom (French and Italian Studies, UCSB) joins moderator Anna Brusutti (Film and Media Studies, UCSB) to discuss Italian series Inspector Montalbano to conclude a yearlong screening series on global television. Brusutti provides a thorough breakdown of the history of Italian television broadcasting and distinguishes it from other national contexts. Hom explores the show’s Sicilian setting and ties contemporary discrimination towards migrants from abroad within a broader history of regional and global flows. Hom and Brusutti also examine the regional dialects of the show, as well as the structure of organized crime in Italy. They discuss the prolific work of author Andrea Camilleri and the long history of Inspector Montalbano in Italian television broadcasting. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38156]
Director Marc Shaffer discusses his documentary Exposing Muybridge, which sheds light on the life and impact of photographer Eadweard Muybridge, a pioneer of early motion pictures. Muybridge is most famously known for capturing consecutive images of a galloping horse, which proved that all four hooves leave the ground mid-stride. Shaffer details the importance of this photographic experiment in the development of cinema, as well as the other strange and captivating details of Muybridge’s life. He also elaborates on the interview subjects of the film, including the involvement of actor Gary Oldman. He talks through the process of recreating and reimagining Muybridge’s famous multi-camera shoot and explains the importance of Muybridge in photographic and cinematic history, as well as the lasting influence of his work. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38155]
When the U.S. Supreme Court overturned Roe v. Wade in June, the controversial decision ended the right to abortion that was upheld for nearly 50 years. So what does a post-Roe world look like? In this program, UC Irvine law professor Michele Bratcher Goodwin and UC Santa Barbara feminist studies professor Laury Oaks discuss the wide-ranging impact of the decision on legal, medical, and political mobilizations.
(Note: this program was recorded on May 9, 2022, prior to the ruling by the U.S. Supreme Court to overturn Roe v. Wade.) Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Health and Medicine] [Humanities] [Show ID: 38308]
Director/co-writer Pamela B. Green and producer/co-writer Joan Simon discuss their documentary Be Natural: The Untold of Alice Guy-Blaché with moderator Cynthia Felando. Green and Simon explain the 10-year-long process of researching making the documentary, as well as their respective inspirations for discovering more about the pioneering film making of Alice Guy-Blaché. Green also discusses her unique directorial approach that involved relaying film history like a “detective story” by involving the audience in her archival work. Simon talks in detail about the feminist scholars and film festivals that first brought Guy-Blaché’s films into academia, and how many of Guy-Blaché’s contributions to early cinema are often overlooked. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38079]
Moderator Jean Beaman joined doctoral candidate Leonard Cortana and Professor Ricado Jacobs to discuss Murder in Paris: The Assassination of Dulcie September. They explore the legacy of Dulcie September, her antiapartheid activism and work in the African National Congress (ANC), and the aftermath and ongoing investigation of her assassination. Cortana and Jacobs also examine the importance of media in the antiapartheid struggle, the continuing challenges of restricted archives, and the need to investigate the broader, intersecting systems of racism and global capitalism in assessing the case of Dulcie September. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38047]
Screenwriter David Koepp discusses with moderator Matt Ryan how wrote the iconic film, Jurassic Park. Koepp breaks down his process of adapting the novel by Michael Crichton, as well as how he worked with director Steven Spielberg to bring the film to life. He describes working from Spielberg’s storyboards to draft key sequences such as the entrance of the T-Rex. Koepp also shares stories from the set of Jurassic Park, including how Jeff Goldblum reacted to the filming of special effects sequences and how the ending of the movie changed during filming. Furthermore, Koepp discusses writing the sequel to Jurassic Park and a number of his other films, including Spider-Man and Panic Room. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38104]
As we age, our bones become thinner and weaken. For older people this can lead to life-altering fractures. Our bones are growing, living tissue made up of calcium-based minerals, collagen and other proteins. Understanding your bone health - how well the minerals and proteins are working together to resist fracture - can help you and your doctor determine the best course of treatment. Paul Hansma, Ph.D., inventor and professor emeritus of physics at UC Santa Barbara, has been studying the protein 'glue' within our bones and how to measure it. In this program, Hansma discusses a new assessment called Bone Score, which, along with other diagnostic tests like measuring bone density, can give a more complete picture of overall bone health. The Bone Score assessment medical device was recently approved by the FDA. Hansma is a founder and investor in Active Life Scientific, a UC startup company that manufactures the equipment for Bone Score tests and runs the bonescore.com website. The views expressed in this video are his own and do not necessarily reflect the views of Active Life Scientific or the University of California. [Health and Medicine] [Show ID: 38054]
Rick Rosen, WME Agency co-founder and representative for writer/director Hagai Levi, discusses Scenes from a Marriage and the state of global television with moderator Patrice Petro. Rosen details the development of the HBO miniseries and the challenges of adaptation from Ingmar Bergman’s original Swedish television series. He explains the vision of Hagai Levi for this contemporary retelling and a number of other Israeli adaptations he helmed. Rosen also discusses the talents of stars Oscar Isaac and Jessica Chastain, and how their friendship helped bring to life their fictional counterparts. He also notes the changing media landscape in the wake of streaming platforms, and the past, present, and future of global television. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38080]
Filmmaker Ann Kaneko spoke with moderator Kelsey Moore about the process of directing and editing her documentary, Manzanar, Diverted: When Water Becomes Dust, which depicts an alliance between former Japanese American WWII prisoners, Native Americans, and environmentalists to defend their sources of water. Kaneko describes the decisions behind the structure of the film, as well as its focus on a certain place, which helped to depict the issue of water in relation with different communities. She also discussed the notable use of sound and music in the film, which worked to solidify the characterization of Manzanar, as well as the harshness of its situation. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38039]
Moderator Stephanie Malia Hom joined Professor Joan Roman Resina to discuss Death in Venice and the work of filmmaker Luchino Visconti. Resina contextualized the film within the larger context of Visconti’s German trilogy and his long, storied career. He also discussed the film’s adaptation from the Thomas Mann novella. Resina examined the idea of decadence in the film and the aristocratic Venetian milieus, as well as the film’s larger commentary on art and beauty across the mediums of literature, music, and cinema. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38038]
Moderator Jennifer Tyburczy discusses the production and impact of HBO miniseries Veneno with star Daniela Santiago. Santiago talks about the process and pressures of portraying transgender icon La Veneno, and the importance of representation both in front of and behind the camera. She detailed the significance of La Veneno, including her famous charisma and glamor, as well as the struggles she faced in her life. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37991]
Christopher Markus and Stephen McFeely, screenwriters of "Captain America: The First Avenger," discuss the film with moderator Matt Ryan. Markus and McFeely cover how they adapted the beloved comic book hero to the screen, and their collaboration with director Joe Johnston. They explained in detail how they crafted the characters of Steve Rogers, Bucky Barnes, and Peggy Carter, as well as some of the behind-the-scenes work they witnessed while on set. They also spoke about their role in crafting the larger Marvel Cinematic Universe with their other Captain America and Avengers films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37986]
Dr. Songi Han, professor in the Department of Chemistry, Biochemistry and Chemical Engineering at UC Santa Barbara, talks about her research into the function of proteins in the body and how changes like protein Tau tangles can lead to neurological diseases like Alzheimer's. Series: "GRIT Talks" [Health and Medicine] [Science] [Show ID: 37869]
UC Santa Barbara's Script to Screen, hosted by Matt Ryan, was invited onto the 2022 Santa Barbara Film Festival red carpet to interview filmmakers from many 2022 Oscar-nominated movies. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37995]
Dr. B.S. Manjunath, distinguished professor in the Department of Electrical & Computer Engineering at UC Santa Barbara, discusses the use of computer video technology to assist with visual analysis of issues like human stress and disease, methane gas release, and underwater mapping. He also discusses what we know about human vision, how it works compared to how computer vision works. Series: "GRIT Talks" [Science] [Show ID: 37871]
Dr. Susan Cassels, Associate Professor in the Department of Geography at UC Santa Barbara, and a research associate with the Broom Center for Demography discusses the latest thinking on HIV interventions. Her research focuses on the study of topics related to health geography, demography, and infectious disease epidemiology. Series: "GRIT Talks" [Health and Medicine] [Show ID: 37873]
Dr. Javier Birchenall, associate professor of Economics at UC Santa Barbara, discussed the impact of disease for long-run economic development, the interaction between population and the economy, and the labor market. Series: "GRIT Talks" [Public Affairs] [Health and Medicine] [Show ID: 37870]
Eric Roth, screenwriter of Dune, discusses the film with moderator Matt Ryan. Roth talks about how he tackled adapting Frank Herbert’s novel to the screen, and his collaboration with director Denis Villeneuve. He also talks about various details of his process, such as how he approached portraying the characters of Paul and Lady Jessica, and bringing the world of Dune to life with his portrayal of the Fremen and the sandworms. Roth elaborates on working with the Herbert family early on to make sure that the legacy of the novels was properly respected. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37862]
Dr. Simon Todd, assistant professor in the Department of Linguistics at UC Santa Barbara, talks about what you can learn simply by listening. His research focuses on the incredible power of passive listening for developing and accessing knowledge about language varieties and the people that speak them. Series: "GRIT Talks" [Humanities] [Show ID: 37872]
Dr. Todd Oakley, evolutionary biologist and professor in the Department of Ecology, Evolution, and Marine Biology at UC Santa Barbara, discusses his research on the evolutionary origins of complex features, like eyes, bioluminescence, and nervous systems. Series: "GRIT Talks" [Science] [Show ID: 37868]
Moderator Matt Ryan spoke with Maria Schrader about her film "I’m Your Man," which she directed and co-wrote and is now Germany’s submission for the international film category for the 2022 Academy Awards. The film focuses on Alma, a researcher who is chosen to test a humanoid robot named Tom, who is programmed to be the perfect partner for her. Schrader discussed the exciting and challenging aspects of writing such an unconventional romance story, as well as the process of directing lead actors Maren Eggert and Dan Stevens through the film’s comedic, intimate, and emotional scenes. In response to some questions from the audience, Schrader shared insights on themes of memory and anthropology throughout the film, as well as her own inspirations for filmmaking and screenwriting. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37681]
Destin Daniel Cretton, director and co-writer of Marvel’s Shang-Chi, answered questions about the film from moderator Matt Ryan. Cretton discussed a wide range of topics, including the casting of legendary actors Tony Leung and Michelle Yeoh, as well as the intense physical training and emotionally complex performances required of cast members Simu Liu and Meng’er Zhang. He also talked about some of his favorite elements of the film, including the rich familial themes that drive the story. Cretton elaborated on the influences behind his decisions to incorporate complex ideas such as grief and the family dynamics of Asian households, and how these allowed for an unconventional relationship between the film’s hero and villain. He also commented on the importance of Asian representation in the film, and how important it was to portray realistic Asian and Asian American perspectives through its characters. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37683]
A panel consisting of UCSB faculty Lisa Parks, Jean Beaman, and France Winddance Twine discusses the sociological impacts of Netflix’s Lupin. Beaman and Twine dive into the show’s political relevance, handling of representation, and nuanced portrayal of Paris, all of which work to make the show such an effective critique of state power. Each guest brings their own unique background and specialization to contribute thoughtful perspectives on the global dimensions of the show’s political commentary. The discussions on race and representation are of key importance for this panel and make for an important conversation about the film and television industry in general. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37682]
Moderator Wendy Eley Jackson speaks with Gareth Crocker about his film-making process for the South African television show, Shadow. Crocker discusses various elements of the series, including his decision to shoot in his hometown of Johannesburg to lend authenticity to location, the process of collaborative writing with his friend and co-creator, seeking feedback from diverse voices to craft genuine characters, and acknowledging the room for growth. He also spoke on internet bandwidth issues in some parts of the country and the accessibility of Netflix. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37611]
Moderator Patrice Petro speaks with Scott Frank about the influence of German series Babylon Berlin on his own series, The Queen’s Gambit. Scott discusses multiple aspects of Babylon Berlin, including the score, location, plot structure, and production choices, which contributed to his appreciation of German history and television as well as influenced his own choices when making The Queen’s Gambit. Frank explores both the making of The Queen’s Gambit and his opinions on Babylon Berlin. He also comments on viewing habits in the modern era and whether the ability to watch episodes all in one sitting changes the way we experience television. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37629]
Moderator James McNamara speaks with writer Ben Power about his adaptation of Shakespeare’s Richard III for the BBC series, The Hollow Crown. Power discusses various elements of the series, commenting on the casting choices, which included actors of color and the political context of the series, which was developed during a visible rise of authoritarian figures in the United Kingdom. He also speaks on the challenges of adapting from Shakespeare and offers his perspective on what allowed the series to be engaging for audiences while still remaining true to Shakespeare’s vision. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37610]
Ilan Stavans of Amherst College, discusses The Seventh Heaven: Travels through Jewish Latin America (2020). In this travelogue, Stavans talks to families of the desaparecidos in Buenos Aires, to “Indian Jews,” and to people affiliated with neo-Nazi groups in Patagonia. He also visits Spain to understand the long-term effects of the Inquisition, the American Southwest habitat of “secret Jews,” and Israel, where immigrants from Latin America have reshaped the Jewish state. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Show ID: 37322]
Filmmaker and author Cheryl Foggo joins moderator Stephanie Batiste for a virtual discussion of Foggo’s new documentary, John Ware Reclaimed. The film follows Foggo’s quest to recover the story of John Ware, a Black cowboy and rancher who settled in Alberta, Canada prior to the turn of the twentieth century. In conversation with Batiste, Foggo addresses how Ware’s story illuminates histories of Black settlement and anti-Black racism in the Canadian west, touching on questions of national myth-making, intergenerational kinship, and identity across borders. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37195]
Writer/director Sourav Sarangi discusses his 2012 documentary, Char...The No Man's Island, focusing on the challenges and opportunities of working in the India/Bangladesh borderlands. Joined by moderator Bhaskar Sarkar, Sarangi recounts his inspiration for making the film, the struggles he faced during production, and the importance of telling this unique story of life on the border. Char...The No Man's Island follows Rubel, a fourteen-year-old boy who makes a living for his family working as a smuggler around the border island of Char. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37072]
Moderator Diane Fujino joins activist and documentary subject Mike Africa Jr. for a discussion of Tommy Oliver’s new documentary, 40 Years A Prisoner. A riveting chronicle of the controversial 1978 Philadelphia police raid on the radical back-to-nature group MOVE, 40 Years a Prisoner follows Africa Jr.’s decades-long fight to free his parents from prison in the aftermath. Together, Fujino and Africa Jr. discuss how Oliver’s documentary situates the MOVE raid within a longer history of police violence against Black communities in Philadelphia, and the lasting impact of MOVE’s radical philosophy. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37108]
Actor, director, producer, and comedy icon Henry Winkler joins moderator Matt Ryan for a discussion of his work on the hit HBO comedy, Barry. Barry stars Bill Hader as a depressed, low-rent hitman from the Midwest who reluctantly travels to Los Angeles to execute a hit on an aspiring actor. In conversation with Ryan, Winkler provides an in-depth look at his character Gene Cousineau, while also recounting some highlights from his prolific, multi-decade career in television and film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37110]
Writer/director Catherine Hardwicke discusses her directorial debut film, Thirteen, a realistic drama of an innocent teenage girl thrown into a curious world of rebellion, sex, and drugs. In conversation with moderator Matt Ryan, Hardwicke discusses the process of working with co-writer Nikki Reed to capture the reality of Reed’s own teen years, and to transform them in turn into this harrowing yet relatable film. Hardwicke also discusses the joys and challenges of directing, touching briefly on her other directorial work, Twilight. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37106]
Hester Blum, David Clark, and Korenna Estes discuss the film Frozen Obsession, which follows the 18-day, 2,000-mile Northwest Passage Project expedition through the stunningly beautiful and extreme Canadian Arctic, aboard the Swedish research icebreaker Oden. In conversation with Ian Kellett, Blum, Clark, and Estes discuss the process of making the documentary and the lessons they learned as a part of this project, as well as larger issues of climate change. Frozen Obsession follows the expedition of some of the many scientists who are racing to understand a fast-warming Arctic, exploring how environmental changes currently unfolding in the polar regions will affect life on a planetary scale. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37105]
In conversation with moderator Sara Pankenier Weld, filmmaker Holly Morris discusses her 2015 documentary, The Babushkas of Chernobyl. The film offers an intimate look at the remarkable women who continue to live, fish, and forage in the shadow of the ruined Chernobyl nuclear power plant, having refused to leave their homes following the 1986 explosion at reactor 4. Morris details the triumphs and challenges of making this film, the ongoing impacts of the Chernobyl disaster, and the power of community in the face of adversity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37107]
We all know how good a dog's sense of smell is, from sniffing out explosives to all sorts of contraband and even disease in humans. Tommy Dickey, emeritus professor from UC Santa Barbara, and service dog expert Heather Junquiera explain why and how dogs are being trained for COVID-19 screening. [Health and Medicine] [Science] [Show ID: 36937]
Colin Gunckel and Mirasol Enríquez discuss the impact and importance of the 1983 epic film El Norte, directed by Gregory Nava. In conversation with moderator Ross Melnick, Gunckel and Enríquez reflect on the production and reception of the film in the context of Chicanx filmmaking in the 80s. El Norte tells the story of a Guatemalan brother and sister who flee persecution and journey north along the length of Mexico, with a dream of finding a new home in the United States. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37066]
Director Sanjay Rawal and editor Alexander Meillier discuss their new documentary Gather, which explores the growing movement among Native Americans to reclaim their spiritual, political and cultural identities through food sovereignty, all while battling the trauma of centuries colonial genocide. In conversation with Greg Johnson, Rawal and Meillier discuss the process of making the film, addressing in particular the complicated ethics of documentary representation. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 37065]
This discussion considers the contemporary politics of wireless communication, with special attention paid to the cultural and governmental imaginaries that accrue to emerging wireless infrastructures like 5G. In conversation with Tyler Morgenstern, Marisa Duarte, Shannon Mattern and Rahul Mukherjee explore how wireless ICTs shape historical and current understandings of uncertainty, conspiracy, and development. Together, panelists considered how dreams of untrammeled, high-speed connectivity tend to obscure or crowd out alternative imaginaries of relation. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36885]
The challenges of the past year have shaped the way we think about and watch television. Moderated by Patrice Petro, this conversation explores how television continues to mediate urgent debates over questions of community, racial justice, and protest. In addition, panelists consider how the pressures of the current moment—viral pandemic, social unrest, and political upheaval—are reshaping our understanding of news, sports, and celebrity culture. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36828]
Trent Atkinson and Brandon Stansell discuss their new film Three Chords and a Lie, which explores the experiences of LGBTQ+ people in country music. In a conversation with Tyler Morgenstern, Stansell and Atkinson discuss the process of making the documentary and the challenges it presented, as well as larger issues of representation and diversity in the country music industry. Three Chords and a Lie follows Stansell as he returns to his hometown of Chattanooga, Tennessee, ten years after coming out as gay to his family. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36815]
Mahnoosh Alizadeh is an Assistant Professor of Electrical and Computer Engineering at the UC Santa Barbara. Alizadeh’s research is focused on designing scalable control and data analytic frameworks and market mechanisms for enabling sustainability and resiliency in societal infrastructure systems. Series: "Institute for Energy Efficiency" [Science] [Show ID: 36796]
Chandra Krintz is a professor of Computer Engineering at UC Santa Barbara. SmartFarm is a research project that investigates the design and implementation of an open source, hybrid cloud approach to agriculture analytics for enabling sustainable farming practices. Series: "Institute for Energy Efficiency" [Science] [Agriculture] [Show ID: 36803]
A Normal Girl director Aubree Bernier-Clarke, activist/producer Pidgeon Pagonis, and Ponyboi director River Gallo discuss their experiences creating these innovative portraits of contemporary intersex life. In conversation with moderator Xiuhe Zhang, Bernier-Clarke, Pagonis, and Gallo address the challenges that intersex media makers, performers, and writers face in telling their stories, but also highlight how documentary and fiction filmmaking can help to shift popular (mis)conceptions about intersex people and their communities. Ponyboi tells the story of a young intersex sex worker struggling to navigate the terrain's of intimacy and identity, while A Normal Girl focuses on the work of activist Pidgeon Pagonis, who advocates for intersex peoples’ rights to medical non-conformity and bodily self-determination. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36821]
David Erne leads smart grid research for the California Energy Commission’s Energy Research and Development Division. In this role, he manages a portfolio of research initiatives to improve electric system reliability and resilience for customers. Series: "Institute for Energy Efficiency" [Science] [Show ID: 36797]
Debra Perrone is an Assistant Professor of UCSB’s Environmental Studies Program. Deb integrates research methods from engineering, physical science, and law to inform water sustainability and policy. Series: "Institute for Energy Efficiency" [Science] [Show ID: 36804]
In this roundtable discussion, professors Stephen Groening, Maggie Hennefeld, Brian Jacobson, and Jocelyn Szcepaniak-Gillece reflect on how pandemics past shed new light on how the current COVID-19 pandemic is reshaping the world of cinema. Moderated by Patrice Petro, this conversation addresses questions of risk and exposure in the media industries, the movie theater’s role as public space, and how pandemic-induced streaming changes our understanding of cinema. Participants also explore how fears of viral infection reshape the literal and figurative “atmosphere” of moviegoing. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36820]
Raj Yavatkar is Chief Technology Officer at Juniper Networks. He leads and executes the company’s critical innovations and products for intelligent self-driving networks, security, Mobile Edge Cloud, network virtualization, packet-optical integration, and hybrid cloud. Series: "Institute for Energy Efficiency" [Science] [Show ID: 36798]
John Bowers is a Professor of Electrical & Computer Engineering at UC Santa Barbara. He is interested in energy efficiency and the development of novel low power optoelectronic devices for the next generation of optical networks. Series: "Institute for Energy Efficiency" [Science] [Show ID: 36801]
Katharine Schmidtke is Director of Sourcing for ASICs and Custom Silicon at Facebook, the world’s largest social network and one of the five largest hyperscale-datacenter operators in the world. In this role she directs sourcing strategy for Facebook’s inference and video transcoding ASICs, and next generation interconnect technology. Series: "Institute for Energy Efficiency" [Science] [Show ID: 36799]
Stuart Woolf is President and CEO of Woolf Farming & Processing, a family owned operation whose primary business is the production and processing of agricultural commodities. Series: "Institute for Energy Efficiency" [Science] [Agriculture] [Show ID: 36802]
Sangwon Suh is a professor at the Bren School of Environmental Science and Management at the University of California, Santa Barbara. His research focuses on the sustainability of the human-nature complexity through the understanding of materials and energy exchanges between them. Series: "Institute for Energy Efficiency" [Science] [Show ID: 36794]
Sila Kiliccote, CEO & co-founder of eIQMobility, has over 15 years of experience in building and leading teams to deliver impactful and innovative research in demand response, vehicle-to-grid, and data analytics for the electricity grid. Series: "Institute for Energy Efficiency" [Science] [Show ID: 36793]
Steven DenBaars is a Professor of Materials, Electrical & Computer Engineering at UC Santa Barbara. His research interests include growth of wide-bandgap (GaN based) semiconductors and their application to blue LEDs as well as laser and high power electronic devices. Series: "Institute for Energy Efficiency" [Science] [Show ID: 36795]
William Wang is the Director of UC Santa Barbara's Natural Language Processing group and Center for Responsible Machine Learning. Series: "Institute for Energy Efficiency" [Science] [Show ID: 36800]
Screenwriter and actress Guinevere Turner discusses her experience working on the groundbreaking 1994 film, Go Fish. In a conversation with Assatu Wisseh, Turner recounts how she and director Rose Troche developed their unique story of romance and friendship in a lesbian community in Chicago. A low-budget, independent romantic comedy, Go Fish tells a girl-meets-girl love story that subverts the conventions of the Hollywood romance and the male-centric narratives of New Queer Cinema alike. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36816]
Gabriel Meléndez discusses Herbert J. Biberman’s 1954 film Salt of the Earth, a classic of Chicanx and feminist cinemas. With Stephen Borunda, Meléndez discusses the film’s historical context and the political controversies surrounding its production and release. Salt of the Earth offers a neorealist retelling of a fifteen-month-long strike against the Empire Zinc mining company, initiated in 1951 by Mexican-American miners and their families in Grant County, New Mexico. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36792]
Actress and filmmaker Marielle Heller discusses adapting Phoebe Gloeckner’s graphic novel, The Diary of a Teenage Girl: An Account in Words and Pictures, into a screenplay. With UCSB Pollock Theater Director Matt Ryan, Heller addresses the challenges of constructing a realistic and honest coming-of-age narrative, told from the perspective of a teenage girl in 1970s San Francisco. The Diary of a Teenage Girl follows Minnie Goetz as she grapples with questions of sexuality, identity, and power in a moment of social and cultural upheaval. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36783]
Charles Randolph discusses adapting the complex story of The Big Short into an Academy Award-winning screenplay. In conversation with UCSB Pollock Theater Director Matt Ryan, Randolph recounts how he went about constructing a narrative is highly experimental but nonetheless cohesive and compelling. Recounting the events that precipitated the 2008 financial crisis, The Big Short conveys the complexities of modern finance through a wide range of innovative and humorous storytelling techniques. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36775]
Moderator Emily Zinn sits down with director/executive producer Brad Silberling for a conversation about Netflix’s new holiday rom-com series, Dash & Lily. Their discussion explores how music, books, and location shooting come together to tell this heartwarming love story. Brad Silbering gives the audience an inside look into the production process and the joy of capturing Christmas in New York before the COVID-19 pandemic. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36757]
In conversation with Jeremy Moore, Professors Myles McNutt and Laurie Ouellette discuss the complicated politics and cultural legacy of the path-breaking CBS reality show, Survivor. Together, McNutt, Ouellette, and Moore explore questions of genre, power, race, and the changing nature of labor and finance in the media industries. Touching as well on issues of fandom and celebrity, this discussion highlights how Survivor continues to shape the codes and conventions of reality TV even today, twenty years on from its iconic debut season. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36771]
Moderator Miguel Penabella joins writer/director/actor/producer/editor of Lingua Franca (2019), Isabel Sandoval, for a conversation focusing on the film’s social and cultural resonances. With patience and nuance, the film addresses questions of immigration and migrant justice, labor, family, and the diverse experiences of trans women of color. Penabella and Sandoval discuss the evolution of the film and its central story, as well as Sandoval’s intimate involvement in all aspects of its production. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36758]
Writer, producer, and director Anna Biller talks about feminism, witches, and creating movies for female viewing pleasure in this Q&A for her 2016 horror film The Love Witch. Biller’s dedication to exploring feminist themes throughout her work lent itself to an insightful discussion the female gaze. Alongside moderator Rachael Ball, Biller invites us to explore the various feminist themes in The Love Witch and gives further insight into how she consciously explores these in her work and personal life. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36602]
Moderator Patrice Petro joins series co-creator Scott Frank in a discussion of Netflix’s series The Queen’s Gambit. Their discussion explores the drama of chess, the process of adapting a complex novel to the screen, and the role of the child prodigy. Frank discusses working with world renowned chess masters in the development of fictional games, and issues involved in production, casting and design for the series. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36683]
Writer/director Jeff Barnaby sat down with discussant Chelsea Vowel and Moderator Tyler Morgenstern to discuss his subversive zombie plague film, Blood Quantum. This discussion explored how the film took the contagion narrative and flipped it on its head. The speakers explored how the film confronts the violent history of Canadian settler-colonialism through its thoughtful use of genre, language, and narrative. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36613]
Moderator Matt Ryan joined screenwriter/co-producer Christina Hodson in a conversation about the chaotic, funny, action-packed movie Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn). This discussion explored the transformation of the story from the Birds of Prey comics to the screen, as well as the major themes of emancipation, independence, and finding your own path. Christina Hodson offered an inside look at the narrative, characters, and character relationships within the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36614]
Moderator Cheri Steinkellner joined writer/actor George McGrath (Globey/Pterri/Cowntess/Fish) and artist/designer/puppeteer Wayne White (Dirty Dog/Randy/Mr. Kite), as well as writer Bill Steinkellner in a conversation about the iconic Saturday morning television program Pee-wee's Playhouse. This freewheeling discussion explored the radical visual style, origins, and enduring legacy of the franchise that centered around the subversive and bizarre Pee-wee Herman character. The panelists offered an inside look at their involvement with the show and the lasting impacts that their work with Paul Reubens had on their lives and careers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36600]
Professor Maggie Hennefeld talks about the subversive nature of Charlie Chaplin’s famous WWII satire in this Q&A for The Great Dictator. Hennefeld also examines the debate over the effectiveness of its deployment of comedy to critique the cruelty of fascism. Alongside moderator Miguel Penabella, Hennefeld invites us to think about the controversiality of this film for its time and how it compares to our understanding of the film in the present day. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36601]
Moderator Alexandra Noi joins author Paul Gregory and director Marianna Yarovskaya in this Q&A for a discussion about their inspiring collaboration on Women of the Gulag. This book and documentary traverse the stories of the victims and survivors of the Gulag, demonstrating the resilience, suffering, and silencing of the women who lived under Stalins dictatorship. The conversation between Gregory, Yarovskaya, and Noi gives insight to their involvement with the project, the difficulties of telling a true story that is widely unknown, and the ways in which a wide scope of reception heightened awareness for patriarchy, violence, and inequality. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36603]
Writer, director, and musician Boots Riley talks about labor politics, surrealism, and hip-hop music in this Q&A for his 2018 subversive comedy Sorry to Bother You. Boots’ dedication to a lifetime of activism and storytelling lent itself to his insightful commentary about the social relevance and ideological impact of his film. Alongside moderator Miguel Penabella, Boots takes us into his mind and shows us the importance of standing up for yourself and others in the face of adversity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36548]
Co-directors/producers Jim Lebrecht and Nicole Newnham talk about their award-winning film, Crip Camp, giving insight to the disability revolution in America. This film tells a story of Camp Jened and offers a unique perspective on equality. Lebrecht and Newnham discuss their initial involvement with the project and the way that it has impacted their lives as well as millions of viewers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36556]
Tobias Höllerer is Professor in Computer Science at UCSB. He looks at human/computer interaction. He explains the work in the Four Eyes Lab - which looks at imaging, interaction and innovative interfaces. He says for humans to stay in control we need to understand technology and humans and have the goal of improving humanity. Series: "GRIT Talks" [Science] [Show ID: 36517]
Kate McDonald helps make sense of human power in the age of the machine. She thinks about the future of human power by rethinking the past and present of transport systems. Series: "GRIT Talks" [Humanities] [Business] [Show ID: 36515]
Benjamin Cohen is a specialist in international political economy and international relations. He explores the core issue of tension between collective need for a smoothly functioning monetary system and the potentially adversarial interests of individual governments. He explores how currencies compete and why people look for substitutions. Series: "GRIT Talks" [Business] [Show ID: 36516]
Michael Goard investigates the neural circuitry underlying our ability to perceive and navigate through the external world. In this talk he looks at the link between biology and cognition and the tools that have been developed to study neural circuits. Goard is in the departments of Molecular, cellular and Developmental Biology and Psychology & Brain Science at UC Santa Barbara. Series: "GRIT Talks" [Science] [Show ID: 36514]
Kyung Hyun Kim, author of Virtual Hallyu: Korean Cinema of the Global Era joins moderator Sowon Park for a discussion of the 2019 subversive film Parasite. Winner of the Best Picture Academy Award in 2020, Parasite offers a raw and emotional look at class disparities in Korea. Kim and Park dissect the film’s themes of poverty, affluence, violence and language. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36555]
Dr. Javiera Barandiarán is Associate Professor in Global Studies at the University of California, Santa Barbara. In 2019 through 2021, she will be Faculty Director of the University of California’s Study Center in Santiago, Chile, supervising education abroad in Chile and Argentina. Her work explores the intersection of science, environment, and development in Latin America. Series: "GRIT Talks" [Public Affairs] [Science] [Show ID: 36520]
Human mating psychology is complicated. Daniel Conroy-Beam uses an evolutionary perspective to understand how mate preferences are linked to actual mating outcomes. His work combines agent-based modeling of mate choice evolution with studies of real couples to compare and explore candidate algorithms for how people select their mating strategies, evaluate potential mates, and regulate their relationships. Series: "GRIT Talks" [Humanities] [Show ID: 36518]
COVID-19 has reshaped our world and impacted communities across the globe. UCSB virologist Carolina Arias relates the story of how molecular biology, virology and a lot of swabs helped us respond to the COVID-19 pandemic. Her UCSB department chose to focus on diagnostics because they knew testing was essential to understand virus transmission and develop control strategies. Series: "Women in Science" [Science] [Show ID: 36519]
Co-directors/producers Sharon Shattuck and Ian Cheney discuss their film Picture a Scientist (2020), which chronicles the groundswell of researchers who are writing a new chapter for women scientists. Their conversation gives insight to the films portrayal of the brutal harassment, institutional discrimination, and years of subtle slights faced by women in STEM. Shattuck and Cheney also delve into the production behind their documentary, offering viewers an inside look at the process of telling the story of scientific luminaries who provide new perspectives on how to make science itself more diverse, equitable, and open to all. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36511]
Jay Roach discusses the challenges in directing the Austin Powers Trilogy. In this video, Jay Roach talks with UCSB Pollock Theater Director, Matt Ryan, how he approached creating Austin Powers with Mike Meyers. With henchmen, fembots, and innuendo to spare, Austin Powers: quickly became a cultural phenomenon, spawning two sequels Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36510]
Bianca Valenti is a professional big-wave surfer, business innovator, and environmental activist. Valenti is leading movements focused on pay equity and growth opportunity in sport. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 36440]
Anna Fraser has served as Sonos' Chief People Officer since January 2017. She leads the company's recruitment, development, engagement, and retention strategies in addition to cultivating the Sonos culture across 15 offices globally. Before joining Sonos, Anna served as Director and Chief of Staff for Google's People Operations function, responsible for people strategy and employee experience for over 70,000 global employees. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 36442]
Matt Beane is an Assistant Professor in the Technology Management Program at the University of California, Santa Barbara and a Research Affiliate with MIT's Institute for the Digital Economy. Matt studies deviance in work involving machine intelligence - and specifically robotics. He asks questions like "How do workers, organizations and even AI engage in deviance, and what happens when they do?" Matt has done extensive field research on robotic surgery, robotic materials transport, and robotic telepresence in healthcare, elder care and knowledge work. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 36438]
Heather Hochrein is founder and CEO of EVmatch, a nationwide network for sharing and renting private EV charging stations. The goal is to increase the adoption of electric vehicles, thereby decreasing carbon emissions from the transportation sector. She is well versed in clean technology and previously spent five years in leadership roles at Rising Sun Energy Center. She holds a BS from UC Berkeley and a master's in Energy and Climate from UC Santa Barbara. Series: "Innovator Stories: Creating Something from Nothing" [Public Affairs] [Business] [Show ID: 36308]
Director Darya Zhuk discusses making Crystal Swan, which is a vitriolic comedy set in Belarus circa 1996. The film follows a young female DJ who befriends a rural family in a scheme to obtain her U.S. visa so she can move to Chicago and pursue her house-music career. In her debut tragic comedy, director Darya Zhuk reveals a multilayered vision of time and place and paints a bright, kitschy, vibrant backdrop of familial dynamics and cultural traditions. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36302]
The promise of science is great, but the application of new technologies often raises profound ethical questions. Answering those questions depends on both critical philosophical inquiry and good data. Unfortunately, the reliability of the science is in question. Theoretical and empirical investigations have caused many to believe that science now faces a reproducibility crisis: Much that is published by one team of scientists cannot be reproduced by another. Research ethicist Mike Kalichman, addresses the magnitude of this crisis, factors contributing to research findings that are not reproducible, and identifying strategies that will promote the rigor and reproducibility of science. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Science] [Education] [Show ID: 35795]
Barry Scott Wimpfheimer specializes in the Talmud and other Rabbinic Literature. His work focuses on the Babylonian Talmud as a work of law and literature. Part scripture and part commentary, it is written in a hybrid of Hebrew and Aramaic and is an unlikely bestseller. The Talmud has remained in print for centuries and is more popular today than ever. Barry Scott Wimpfheimer discusses his book, The Talmud, A Biography, which tells the remarkable story of this ancient book and explains why it has endured for almost two millennia. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Show ID: 35805]
The two-part documentary series "And She Could Be Next" (2020) tells the story of a defiant movement of women of color who are transforming politics from the ground up. The series was filmed during 2018 and 2019. It centers on those at the heart of the movement behind the New American Majority. "And She Could Be Next" features an entirely women of color creative team. Director/producers Grace Lee and Marjan Safinia joined moderator Wendy Eley Jackson (Film and Media Studies, UCSB) for a Zoom discussion. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36237]
Screenwriters Rhett Reese and Paul Wernick discuss the challenges of writing genre bending screenplay of Zombieland. In this video, Reese and Wernick talk with UCSB Pollock Theater Director Matt Ryan about how they approached balancing the comedy and horror. The screenwriters recounted stories of working with actors Emma Stone, Woody Harrelson, Jesse Eisenberg, Abigail Breslin and Bill Murray. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36203]
Screenwriters Scott Neustadter and Michael H. Weber discuss the challenges of telling the true-life story of the making of one of the worst films ever made, The Room written and directed by the eccentric Tommy Wiseau. In this video, Neustadter and Weber talk with UCSB Pollock Theater Director, Matt Ryan, how they approached balancing the comedic elements of the chaotic production of the movie The Room with telling an emotionally compelling story. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36063]
New film release models, cinemas in a post-COVID world, and opening night vibes at Magic Mike XXL all arise in this conversation about moviegoing during a pandemic between New York Times film critic Manohla Dargis, Art House Convergence managing director Alison Kozberg, and UC-Santa Barbara professor Ross Melnick. In this video, the three reminisce about favorite movie theater memories and find hope in the potential for revitalized public cinema going after the current health crisis. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 36064]
The cosmopolitan character of the Ottoman empire, the challenges of reimagining classical music and literary texts, and the difficulties of making an opera on a small budget all arise in this conversation between composer Mehmet Ali Sanlıkol and UC Santa Barbara professor Abdulhamit Arvas about Sanlıkol’s Turkish coffee house opera Othello in the Seraglio. In this video, Sanlıkol richly describes the complicated creative journey his opera made from its initial conception to completion. Series: "Carsey-Wolf Center" [Arts and Music] [Show ID: 35774]
Costumes in Father Knows Best, workplace harassment in The Mary Tyler Moore Show, and queer parenthood in Modern Family all arise in this conversation between professor Elana Levine (UW-Milwaukee) and Aleah Kiley (UCSB) about evolving representations of gender, work, and the sitcom family. In this video, Levine and Kiley discuss links between three iconic shows and the changing cultures in which they were broadcast. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35765]
Robert Alter discusses his new, complete translation of and commentary on the Hebrew Bible. For the UC Berkeley Professor of Hebrew and Comparative Literature, it represents nearly two and a half decades of work. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Show ID: 35794]
Working in the extreme heat on the Deadwood set, the creative process of series creator David Milch, and the challenges of portraying a historical figure all arise in this conversation about creative expression and collaboration in the TV industry between Robin Weigert (Deadwood, Big Little Lies) and Emily Zinn (UCSB). In this video, Weigert and Zinn explore Weigerts career and her experiences working on some of the most critically acclaimed television series in recent history. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35773]
The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 35806]
Similarities between Veep and The West Wing, the perils of drawing TV plot lines from real political events, and the connection between the speed metal genre and today’s news cycle all arise in this conversation between writer/executive producer David Mandel, writer Eli Attie, and Carsey-Wolf Director Patrice Petro about Veep and The West Wing. In this video, Attie and Mandel share their admiration for one another’s work, and discuss the changing television landscape. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35771]
The challenge of representing global environmental change on screen, the complex process of documentary editing, and the difficulties of location shooting in sensitive areas all arise in this conversation between UC Santa Barbara film and media professor Alenda Chang and co-director Jennifer Baichwal about Anthropocene: The Human Epoch. In this video, Baichwal reflects on the conflicts environmental media makers face between the desire to produce films to raise awareness and the need to limit their own carbon footprints. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35807]
The narrative engine of Hill Street Blues, lessons in brevity from writing for advertising, and structural differences between Law & Order and Law & Order: SVU arise in this conversation between executive producer/writer Dick Wolf and Carsey-Wolf Center director Patrice Petro. In this video, Wolf describes his first experiences in a TV writing room and the foundations of the record-breaking run of Law & Order: SVU. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35772]
The possibilities of the Nicaraguan revolution, the refusal of current government officials to speak on the record, and the importance of recording the stories of an aging generation all arise in this conversation between director/producer Jenny Murray and moderator Bianka Ballina about ¡Las Sandinistas!. In this video, Murray discusses the reemergence of Nicaraguan protests in 2018 and her film’s uncertain future in the Central American nation. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 35764]
In her book, Ecopiety, Sarah McFarland Taylor offers an absorbing examination of the intersections of environmental sensibilities, contemporary expressions of piety and devotion, and American popular culture. Ecopiety evidences the important "work" taking place as mediated popular culture plays an integral role in framing contemporary American environmental moral and ethical sensibilities. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Humanities] [Show ID: 35620]
Bo Peep’s fierce leadership, modeling a character on a puppy, and the differences between writing for animation and live action all arise in this conversation about the Pixar legendary franchise between Stephany Folsom (Toy Story 4) and Pollock Theater Director Matt Ryan. In this video, Folsom and Ryan explore her career, the process of writing Toy Story 4, and her work in the Pixar universe. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35766]
Adapting a novel to television, episodic storytelling structure, and staying centered when fan feedback turns bitter arise in this conversation about You and The Magicians between the series' co-creator/showrunner Sera Gamble and Carsey-Wolf Center assistant director Wesley Jacks. In this video, Sera describes the long journey that scripts make, from brainstorming in the writers room, through a barrage of notes, and finally onto the television screen. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35661]
The privilege and challenge of extending Margaret Atwoods source novel, the unexpected opportunities arising from a new location, and writing scenes that feel like a horror film all arise in this lively conversation about The Handmaid's Tale between writer/producer Kira Snyder and Carsey-Wolf Center associate director Emily Zinn. In this video, Snyder discusses breaking down the story arcs for season two and the choice to isolate Junes character when she gives birth. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35695]
The UCSB Department of Music's sixth annual showcase concert features performances by outstanding faculty, students, and alumni from the department. Faculty artists include soprano Isabel Bayrakdarian, cellist Jennifer Kloetzel, violist Jonathan Moerschel, violinist Ertan Torgul, and pianists Sarah Gibson, Natasha Kislenko, and Robert Koenig. The UCSB Percussion Ensemble, Cello Squad, Clarinet Ensemble, Flute Ensemble, Young Artists String Quartet, and members of the UCSB Jazz Combos perform, as well as UCSB graduate pianist Buyun Li. UCSB alumnus Azeem Ward presents an original work of his for beatbox flute. Series: "Soundscape" [Arts and Music] [Show ID: 35621]
Writer/Producer David Mandel talked with Pollock Theater Director Matt Ryan about the challenges and successes involved in breaking the mold of Seinfeld and transporting the sitcom to an alternate universe. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35729]
McCormick PR specializes in brand building through high impact media and analyst relations. Laura McCormick has represented many high-profile brands in Tech, eCommerce, Retail, Hospitality, Lifestyle, Travel and Arts and Culture. She works independently, with a distributed team of engagement-specific experts. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 35467]
How should we teach depressing material about climate change and social injustice to college students the very generation saddled with "fixing" all our problems in the current political and historical moment? Sarah Jaquette Ray, Humboldt State University, focuses on her ethnographic research and describes strategies for connecting students' emotional responses to the material in order to combat apathy and despair and to generate empowerment to effect positive change. She ends her talk by asking the audience to resist nihilism and misery in favor of feelings of hope and collective empowerment. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Education] [Show ID: 35473]
Ayelet Gundar-Goshen is a writer and Clinical Psychologist from Tel Aviv University. In her talk, she delves into the world of her newest novel, The Liar. Written with propulsive energy, dark humor, and deep insight, The Liar reveals the far-reaching consequences of even our smallest choices, and explores the hidden corners of human nature to reveal the liar, and the truth-teller, in all of us. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Show ID: 35471]
Craig Harris, former Peace Corps worker, turned his passion for non-profits into a multi-hundred million dollar data company. Craig has nearly 20-years of successful entrepreneurial leadership experiences. Prior to launching HG Insights, Craig served as the Founder and CEO of NOZA, which he led through a successful acquisition by Blackbaud in 2010. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 35562]
What does it mean to be a Jewish woman in America? Pamela Nadell, American University, talks about her book that looks at the history of Jewish women from colonial times to today. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Show ID: 35472]
Matt Ryan, host of Script to Screen, was invited to interview Oscar Nominated and WGA nominated talent at the WGA Awards and Beyond Words event. The interviews include talent from Parasite, Booksmart, Knives Out, Watchemn, Bombshell and many others. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35684]
Mr. Rogers' wizard-like powers with children and the moment Tom Hanks first appeared on set as Fred arise in this conversation between screenwriter/producer/actor Noah Harpster and Pollock Theater director Matt Ryan about A Beautiful Day in the Neighborhood. In this video, Harpster recounts his deep personal connection to the story and describes the joy of acting in scenes with Tom Hanks. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35572]
In 2015, Emma Rose Cohen and several friends launched Save The Mermaids, a nonprofit focused on educating young (and old) people about the dangers of ocean pollution and how each of us can do our part to combat it. Thus, it’s not surprising that Emma’s passion to clean up our oceans resulted in her Co-founding FinalStraw - the world’s first collapsible, reusable straw, which sports the tagline, #SuckResponsibly. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 35563]
Kevin Zhang looks for interdisciplinary entrepreneurs solving big problems in healthcare and the life sciences. He's also a passionate gamer and invests in interactive media platforms, tools and content. Prior to joining Upfront in 2012, Kevin was at The Boston Consulting Group, where he advised on strategy, M&A and operations for technology, healthcare, and industrial goods clients in the US and Asia. Previously, Kevin worked at Verscend Technologies, a healthcare software startup in Boston, focusing on data analytics product development selling into payers and providers. Kevin studied Biology at Harvard College. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 35468]
A much-abused wig, the ad-libbing of Michael Keaton, and the gender imbalance in 1980s film makeup departments arise in this conversation about Beetlejuice (1988) between award-winning makeup artist Ve Neill and Rachael Ball (Film and Media Studies, UCSB). In this video, Neill shares a series of illuminating and entertaining anecdotes from many of her iconic film projects including Mrs. Doubtfire, The Lost Boys, and the Pirates of the Caribbean series. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35466]
This edition of Lost Voices from unsung entrepreneurs looks at Ng Poon Chew, an entrepreneur and social activist. Ng Poon Chew immigrated to the US in 1881 at the age of 14. He was an author, publisher and advocate for Chinese American civil rights. He published the first Chinese language daily newspaper to be printed outside of China. UC Santa Barbara theater student Martin Wong performs with the coaching of Fang He, IHC Research Fellow at UC Santa Barbara. Then, hear from today's co-sponsors: Impact, an affiliate marketer in Santa Barbara and Tapjoy, a mobile advertising platform. Series: "Innovator Stories: Creating Something from Nothing" [Humanities] [Business] [Show ID: 35445]
America’s pre-WWII anxieties, Depression-era economic disparity, and the potential for positive social movements arise in this conversation about Frank Capra (director) and Robert Riskin’s (screenwriter) film Meet John Doe (1941) between author Victoria Riskin (Robert Riskin and Fay Wray: A Hollywood Memoir) and film scholar Charles Wolfe. Riskin and Wolfe discuss the multiple endings shot for the film, and Riskin reads passages from her father’s England-based radio broadcasts amidst the Battle of Britain. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35397]
The difficulty of restaging real world trauma on a film set, the challenge of character development based on individuals with non-disclosure agreements, and the power of women speaking truth to power all arise in this conversation about Bombshell (2019) between director Jay Roach and Pollock Theater director Matt Ryan. In this video, Roach discusses the amazing reaction of the cast and crew of Bombshell after the films initial studio backer pulled out weeks before production was set to start. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35410]
Contextualizing the fight for healthcare reform, honoring the connection between nurses and patients, and personalizing the struggles with the US healthcare system all arise in this conversation between activist Ady Barkan, Uncovered: Healthcare Conversations with Ady Barkan series creator Liz Jaff, director Nick Bruckman, and Carsey-Wolf Center Associate Director Emily Zinn. This powerful discussion explores the complex challenges of navigating healthcare in the US and the urgency of political reform. Series: "Carsey-Wolf Center" [Health and Medicine] [Humanities] [Show ID: 35393]
Preproduction collaboration on spatial design and character development, the value of bending rules in a supernatural narrative, and the potential for on-set innovation all arise in this freewheeling discussion about the critically-acclaimed Netflix series Russian Doll between production designer Michael Bricker and Carsey-Wolf Center assistant director Wesley Jacks. In the video, Bricker talks hidden easter eggs in set construction and the joy of finding the right construction material at the right moment. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35396]
Advances in film restoration technology, the challenges of matching black and white footage with shades of military khaki, and the depth of Peter Jackson’s passion for all things World War I arise in this conversation about They Shall Not Grow Old (2018) between assistant editor Elliot Travers and Ross Melnick (Film and Media Studies, UCSB). Travers describes the convoluted path the film took from its initial conception as a 30-minute museum commission for England’s Imperial War Museum to an internationally-distributed feature-length film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35411]
The pursuit of fame, changes in China’s youth culture, and the gift economies of live-streaming are explored in this lively conversation between director Hao Wu and Hangping Xu (UC Santa Barbara). Hao vividly compares internet fandom in the US and China and reveals how the lives of the documentary subjects’ has changed since the release of the film. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35343]
The isolation of house arrest, film as a tool for political expression, and the serpentine nature of Iranian cinema all arise in this thoughtful conversation about Jafar Panahi’s documentary, This is Not a Film (2011) between Anna Brusutti (UCSB) and Hamid Naficy (Northwestern University). Naficy and Brusutti’s wide-ranging discussion explores the wit and creativity of the film, the state of Iranian filmmaking, and the importance of cinema to engage entrenched political power. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 35342]
The difficulties of low-budget documentary filmmaking, strategies for first-time political candidates, and the importance of new voices in Congress all arise in this inspiring conversation between producer Sarah Olson, documentary subject (and Missouri congressional candidate) Cori Bush, and Emily Zinn (UC Santa Barbara). In the video, Olsen and Bush share the remarkable energy that arose from a group of insurgents who ran for US Congress against incumbents in 2018. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 35341]
The benefits of set fires, the strenuous work of puppetry on film, and the magic of practical film effects are all explored in this energetic discussion between The Dark Crystal: Age of Resistance director Louis Leterrier and Carsey-Wolf Center associate director Emily Zinn. The two explore the strengths and challenges of working with puppets and practical effects while reviving the magical world of Jim Henson’s classic. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35328]
Dangerous stunts, actor injuries, how to build a twister, and the technicolor production process all arise in this bright and deep conversation about The Wizard of Oz (1939) between UW Milwaukee professor Jocelyn Sczepaniak-Gillece and graduate student Hannah Garibaldi. Professor Sczepaniak-Gillece introduces and describes the gradual formation of the film’s enduring legacy as a nostalgic, family television tradition after its initial box-office disappointment. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35326]
Transforming our energy infrastructure to support greenhouse gas (GHG) emissions reduction goals will require the deployment of technologies such as electric vehicles and energy storage. Improper integration of these technologies into the electric grid and a lack of careful planning of their scale, however, can significantly reduce their real-world effectiveness in supporting GHG emissions reduction goals. Research by Brian Tarroja and his colleagues at UC Irvine presented here focus on identifying grid integration needs and life cycle planning considerations for electric vehicles and energy storage deployment to better ensure that their potential GHG benefits are fully realized in future electricity systems. Series: "Institute for Energy Efficiency" [Science] [Show ID: 35164]
Composited digital and physical special effects, mechanical post-apocalyptic design, and the battle for limited resources are all touched on in this wide-ranging conversation between UC Berkeley professor and special effects scholar Kristen Whissel, and Carsey-Wolf Center director Patrice Petro. The two explore the films depiction of bodies and landscapes, masculinity and femininity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35327]
Tying together the Infinity War saga, crafting emotionally satisfying sendoffs to beloved superheroes and dispatching supervillain Thanos all arise as topics in this conversation about Avengers: Endgame (2019) between screenwriters Christopher Markus and Stephen McFeely and Pollock Theater director Matt Ryan. McFeely and Markus also discuss their extensive contributions to the Marvel Cinematic Universe including previous work on Avengers: Infinity War (2018), Captain America: Civil War (2016), and Captain America: Winter Soldier (2014). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 35325]
Ram Seshadri argues that energy efficiency can be as important to our future as renewable energy. LED lights are extremely efficient. In this talk he explores how white light emission from an LED lamp works and how researchers think about materials to understand their uses. Series: "GRIT Talks" [Science] [Show ID: 35268]
Decarbonizing our electricity and transportation sectors will require large deployments of wind, solar, and storage. Ranjit Deshmukh develops models for planning and operations of low carbon electricity grids and analyzes tradeoffs between economic, environmental, and social objectives for regions in the U.S., India, and Africa. These models optimize wind, solar, and other generation, demand, and storage resources for region-specific conditions including spatial and temporal variability of renewable resources. Series: "Institute for Energy Efficiency" [Science] [Show ID: 35165]
Metals are vital to life functions. We have iron zinc and copper in us – but in the ocean is different. We know that organism evolve against the chemical constraints of their environments and Allison Butler looks at what kind of metalloenzymes are present in marine organisms.
Series: "Women in Science" [Science] [Show ID: 35266]
Elliot Hawkes’s research focuses on bringing together design, mechanics, and non-traditional materials to advance the vision of robust, adaptable, human-safe robots that can thrive in the uncertain, unstructured world. He shows two projects; gecko-inspired adhesives to make a climbing robot and vine-inspired robots to navigate in cluttered environments. Series: "GRIT Talks" [Science] [Show ID: 35267]
California's recent drought has highlighted the need for a reliable source of water. Peter Stricker of SeaWell presents a reverse osmosis (RO) system to address climate-driven drought which is an entirely new approach to water supply. The SeaWell buoy is a self-contained floating vessel, moored to the sea floor, with seawater intake and brine diffusion outfall. It contains reverse osmosis equipment, electric power and water piping, and can permeate water at a rate of 950–3,800 acre-feet/year. The implementation plan is to deploy pilot SeaWell Buoys at a water cost already below the cost of State water,initially partnering with water districts to deploy five water portals. Landing sites could be chosen based in previously disturbed areas, such as decommissioned oil receiving facilities and sanitary district outfalls. These deployments will augment new water reuse projects, and share siting and infrastructure. Series: "Institute for Energy Efficiency" [Science] [Show ID: 35163]
Rational choice theory states that individuals have coherent preferences over alternatives but this theory is being replaced by a new view rooted in psychology. Ignacio Esponda (Economics, UCSB) gives examples of economic experiments and contingent thinking. Series: "GRIT Talks" [Public Affairs] [Education] [Show ID: 35174]
Economist Aashish Mehta suggests the days of high manufacturing employment in this country are over. He explains data that show that it is increasingly hard for any wealthy country to compete in the global market — and for poorer countries to get rich by industrializing. He explores the affect of automation and off-shoring as he looks at the cause and potential solutions. Series: "GRIT Talks" [Public Affairs] [Show ID: 35265]
Increasingly, Internet-of-Things (IoT) applications require energy efficiency, low-latency, privacy and security of code and data, and programming support that simplifies IoT software development and deployment. UCSB Professor of Computer Science Chandra Krintz presents a new distributed software platform and programming model that addresses these requirements for the next generation of IoT applications. Her research lab (the UCSB RACELab) develops novel approaches to code portability for heterogenous devices and IoT tiers, energy efficiency for resource-constrained execution, privacy and security control, and integration of IoT services (e.g. data analytics, machine learning, artificial intelligence, etc.), and automated, multi-tier application deployment and management at scale — which together enable write-once, run-anywhere software development for IoT. Series: "Institute for Energy Efficiency" [Science] [Show ID: 35162]
Since its beginning in 1999, the UCSB New Venture Competition provides a unique opportunity for UCSB students to learn how to start a business. This eight-month educational experience, with activities and curriculum spanning the entire academic year, culminates with the finals where the student teams present an investor pitch to a panel of judges for prize money. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 35006]
Arthur Szyk often said, “Art is not my aim, it is my means.” In this talk, Irvin Ungar exposes the viewer to the breadth and depth of the power, purpose, and persuasion of the artist Arthur Szyk who saw himself as a fighting artist, enlisting his pen and paintbrush as his weapons against hatred, racism, and oppression before, during, and after World War II. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Arts and Music] [Show ID: 34901]
Stochasticity (randomness) is ubiquitous in biological systems. Linda Petzold explores some of the ways in which it arises and is used to advantage by biological systems, at a wide range of scales. Petzold is a professor in the UCSB Departments of Mechanical Engineering and Computer Science. Series: "Women in Science" [Science] [Show ID: 35173]
Understanding how the brain works has traditionally been undertaken by men and about men but cognitive neuroscientist Emily Jacobs argues that diversity of researchers and their research is what drives science innovation. She discusses several studies undertaken in her lab so that questions about the brain can benefit women and men equally. Series: "Women in Science" [Science] [Education] [Show ID: 35172]
Ours is a water planet. Technology is shaping our uses, both as foe and ally. It has made humans the dominant predator and provides us food, gives us half the oxygen we breathe and created many maritime jobs. But technology has also raised CO2 levels, caused acidic oceans, threatened ocean biodiversity and created grand climate challenges. UCSB marine biologist Doug McCauley describes technology to promote ocean health and provide a balance. Series: "GRIT Talks" [Science] [Show ID: 35175]
UCSB Script to Screen interviewed this year's Emmy-nominated writers before the 2019 Sublime Primetime panel discussion at the Writers Guild Theater in Los Angeles. Series: "Writers" [Humanities] [Show ID: 35180]
Global prosperity over the last century has been powered by low-cost fossil fuels. Unfortunately, they are a finite resource and pose significant risks to our environment; therefore, they must be replaced. For the transition to a future energy economy making use of hydrogen as a fuel produced by nuclear power and renewables, Professor Eric McFarland predicts that methane will be the most important molecule for prosperity in the next century. McFarland’s research has shown that the methane in abundant natural gas can be cost-effectively converted by pyrolysis in high-temperature molten metals and salts to solid carbon and hydrogen gas. The cheapest heat and electricity in the U.S. comes from burning natural gas; however, increasingly major markets (e.g. California and Germany) have imposed carbon taxes which make this CO2-free process competitive today. Series: "Institute for Energy Efficiency" [Science] [Show ID: 35161]
Southern California Edison has a goal to reduce carbon-emissions 40% below 1990 levels by 2030, with an electric grid supplied by 80% carbon-free sources. Gary Barsley discusses SCE's pathway to clean power and electrification, reduced greenhouse gas emissions, and cleaning the power grid by decarbonizing the electric sector, electrifying the transportation sector, and electrifying buildings. SCE Emerging Products projects include assessing a number of new technologies to help achieve these important goals. Series: "Institute for Energy Efficiency" [Science] [Show ID: 35160]
Script to Screen, hosted by Matt Ryan, was invited to Comic Con 2019 to speak with Hollywood’s exciting and innovative creatives. Series: "Script to Screen" [Humanities] [Show ID: 35101]
At the 24th meeting of the Parties to the UN Climate Change Convention, governments completed the so-called Paris Rulebook, the set of guidelines for implementing the Paris Climate Change Agreement, and attention is shifting to implementation of measures that cut greenhouse gas emissions. Mark Radka, Chief of the Energy and Climate Branch at UN Environment, describes how the UN works with countries, companies, and people to reduce the emission of greenhouse gases. Series: "Bren School of Environmental Science & Management" [Public Affairs] [Science] [Show ID: 34900]
Our planet is experiencing worldwide growth in energy consumption and CO2 emission and is experiencing temperature rise and climate change at an accelerating rate. This video introduces the Institute for Energy Efficiency at UC Santa Barbara and describes a path to reducing our energy consumption and CO2 emission. In his talk, John Bowers, Director of the Institute of Energy Efficiency and Professor of Electrical and Computer Engineering and Materials, discusses the evolution of photonics and what the future holds for more efficient, higher capacity data centers, which are important for machine learning and data processing. Series: "Institute for Energy Efficiency" [Science] [Show ID: 35159]
Experts on immigration, national security and refugee movements engage in a debate about the U.S. immigration system, the values and interests it serves and the impact of immigration on the nation. The debate features Mark Krikorian, Executive Director of the Center for Immigration Studies, and Rubén Rumbaut, Distinguished Professor of Sociology at UC Irvine. The moderator is Donald Kerwin, Jr., Director of the Center for Migration Studies of New York. Series: "Voices" [Public Affairs] [Show ID: 35057]
Five leaders from the world of impact investing who focus on early stage ventures that create meaningful social and environmental value discuss what it means to invest for good. Panel: Lewam Kefela, Investor at VilCap Investments; Noushin Ketabi, Founder of Vega Coffee; Nancy Swanson, Executive Director of Linked Foundation; Julia Sze, Impact Investment Strategy Advisor. Keynote Speaker: Kat Taylor, Co-Founder and Managing Partner, Radicle Impact. Series: "Bren School of Environmental Science & Management" [Public Affairs] [Business] [Show ID: 35072]
In April 1903, 49 Jews were killed, 600 raped or wounded, and more than 1,000 Jewish-owned houses and stores were ransacked and destroyed during three days of violence in Kishinev. Steven Zipperstein, Stanford University, discusses how the attacks seized the imagination of an international public, quickly becoming the prototype of what would become known as a "pogrom." Series: "Taubman Symposia in Jewish Studies" [Humanities] [Show ID: 35056]
2018 Daytime Emmy Winner for best original song and 2015 Daytime Emmy Nominee, Eve Nelson brings her musical alchemy to each project, evidenced by her body of work tackling many genres of music. Working closely with artists has given her music scoring, producing and songwriting a refreshingly new perspective. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 34904]
Jenny Du is is the Vice President of Operations at Apeel Sciences, where she is responsible for leading the company’s efforts in Regulatory Affairs & Compliance, Manufacturing, Quality, Supply Chain, Logistics, IT, Facilities and EH&S. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 34905]
Diane Flynn is Cofounder and CEO of ReBoot Accel, designing work cultures that support and advance women. ReBoot Accel has assisted over 2500 women interested in resuming careers after time out of the workforce. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 34903]
A Q&A featuring director and producer David Elfick, and author and environmentalist Garth Murphy. They are joined by moderator Alexander Champlin in a conversation that covers the production and legacy of the classic surf film Crystal Voyager (1973). Elfick played an instrumental part in the establishment of the New Wave of Australian cinema internationally. Garth Murphy worked with Elfick on the post-production of Crystal Voyager. The Q&A addresses Elfick and Murphy’s work with George Greenough, a legendary surfboard designer and the subject of the documentary. They discuss the production of the film, including acquiring the rights to use Pink Floyd’s "Echoes" in the closing segment of the film. Their conversation also addresses the legacy of Crystal Voyager, in terms of both its historical significance and its groundbreaking style of surf cinematography. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34955]
Scholars Cristina Venegas (UC Santa Barbara) and María Caridad Cumaná (Miami Dade College) discuss the political, literary, and biographical backgrounds of Tomás Guitiérrez Alea’s 1968 classic film Memories of Underdevelopment. While examining the style of the film, Venegas and Cumaná analyze Alea’s skillful adaptation of the plot of Edmundo Desnoes' original 1965 novel as well as the film’s position within Alea’s filmography. They also treat Memories of Underdevelopment's place within the late-60s era of Cuban cultural production and the early-60s era of political tumult. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34956]
Editor Maryann Brandon joins Pollock Theater Director Matt Ryan for a conversation about the process of editing Star Trek (2009). The Star Trek franchise has captured the imagination of audiences for over fifty years using a blend of spacefaring high-adventure and futuristic, utopian themes. In 2009, J.J. Abrams refreshed and extended the series with the series’ eleventh film. Brandon explains what is was like to edit a film that was part of such a beloved franchise, as well as how she maintained her own editing style while staying true to the original series. She discusses the process of manipulating footage and cutting on set, as well as how she shapes each scene around an actor’s performance while maintaining a delicate balance between exposition and effects. She also discusses her professional relationship with Abrams, sharing anecdotes from the sets of both Star Trek and Star Wars: Episode IX – The Rise of Skywalker, which she is currently editing under his direction. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34953]
Professor Michael Berry (Asian Languages and Cultures, UCLA) joins PhD candidate Wesley Jacks (Film and Media Studies, UCSB) for a post-screening conversation about Zhang Yimou’s 1987 film adaptation of Mo Yan’s Pulitzer Prize-winning novel Red Sorghum. Berry explains the legacy of the so-called “Fifth Generation” of Chinese filmmakers including Yimou, and how Red Sorghum’s production during the era following Deng Xiaoping’s 1978 shift to an open door policy resulted in a film that was both uniquely a product of its own time, and subject to less censorship and thematic restriction than other eras of Chinese filmmaking. A milestone adaptation of an important literary text, Berry describes some of the history of Yimou’s work on the project, and how many of the cast and crew involved in Red Sorghum have since gone on to have celebrated careers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34884]
Director Nishtha Jain joins UCSB’s Bishnupriya Ghosh (English and Global Studies) for a post-screening discussion of her 2012 film Gulabi Gang. The conversation includes Jain’s early career as a documentary filmmaker, the film’s examination of violence against women in India both as a result of the dowry system and a general social devaluation of women, and how she worked with Gulabi Gang leader Sampat Pal on location with individuals that were sometimes reluctant to speak on their own behalf or who felt conflicting familial loyalties. Jain addresses the film’s unusual three-part structure and her desire to let the complexities of the film’s subject shape the structure, rather than the reverse. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34844]
Lucy Fischer (English and Film Studies, University of Pittsburgh) joins Carsey-Wolf Center Director Patrice Petro for a post-screening discussion of Alain Resnais’ 1959 film Hiroshima Mon Amour. Fischer places the film, which features a screenplay by the French novelist Marguerite Duras, in the context of other French New Wave cinema; drawing attention in particular to the juxtaposition of images that are simultaneously fictional and documentary, and to the ways in which Duras’s influence is felt throughout the finished film. Fischer and Petro discuss the critical reaction to the film, as well as its meditation on the nature of memory as one of the first major post-WW II art films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34843]
Archivist Regina Longo (Brown University) joins UCSB’s Harold Marcuse (Department of History) for a discussion of Claude Lanzmann’s final film Shoah: Four Sisters (2018), a four-part miniseries that was screened over two days at the Pollock Theater. Longo’s work includes extensive restoration of Claude Lanzmann’s landmark documentary footage of testimonials from the Holocaust, and in conversation with Marcuse she offers deeper insight into the history of the film and the women it concerns. Longo explains how Lanzmann’s Shoah was initially funded and produced, how hundreds of hours of footage is being carefully restored from original prints and made available online, and how Four Sisters both influences and is situated in a legacy of film, legal testimony, memoir, and other post-war efforts to represent the un-representable horror of the Shoah. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34842]
Filmmakers Kady Le, Lan Nguyen, and Quyên Nguyen-Le join moderator erin Khuê Ninh (Asian American Studies, UCSB) for a post-screening discussion of their short films “Like Mother, Like Daughter,” “Bị Kẹt,” and “Nước (Water/Homeland).” The directors each speak to their creative process and how they each worked to articulate subtle and often complex themes with their differing narrative, documentary, and experimental approaches. They explain how personal questions of family, home, community, history, and identity shaped their work, as well as the influence of other Vietnamese-American authors, activists, and filmmakers. This event was co-curated by the Viet Film Fest and presented in conjunction with UCSB Reads 2019. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34770]
Bridget “Biddy” Mason, born a slave in Mississippi in 1818, achieved financial success that enabled her to support her extended family for generations, despite the fact that she was illiterate. In a landmark case, she sued her master for their freedom, saved her earnings, invested in real estate, and became a well-known philanthropist in Los Angeles, California. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 34785]
Ecologist Rudo Sanyanga and filmmakers R. Lane Clark and Stephan Miescher join moderator Janet Walker (Film and Media Studies, UCSB) for a post-screening discussion of Clark and Miescher’s documentary film Ghana’s Electric Dreams. The film concerns the history of Ghana’s Akosombo Dam, and its complex legacy as a strategic modernization project launched during the presidency of Kwame Nkrumah. The panel conversation highlights the impetus for the film and its multi-stage development, the importance of the availability of archival footage and the filmmakers’ personal familiarity with this region of Ghana, and the far-reaching human and ecological impacts of large hydroelectric infrastructure projects. This event was hosted by the Carsey-Wolf Center in collaboration with the Mellon-Sawyer Seminar for Energy Justice in Global Perspective. Series: "Carsey-Wolf Center" [Humanities] [Science] [Show ID: 34883]
Director Leilah Weinraub joins Mireille Miller-Young (Feminist Studies, UCSB) for a conversation about Weinraub’s 2018 documentary Shakedown, a film that documents the L.A.-based underground black-lesbian strip club of the same name. Weinraub explains how she discovered the club and her decade-long project of capturing the experience of Shakedown on film. The talk also includes discussion of black ownership and labor, the visibility of black identities and sexualities, gentrification in the aftermath of historic riots, and the fragility of contingent cultural spaces under the dual pressures of over-policing and the politics of respectability. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 34769]
Ning Wang is a seasoned executive with P&L responsibilities of several SaaS and technology businesses. She also holds a PhD in physics from UC Berkeley. Ning is currently CEO of Offensive Security. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 34784]
In "Bad Rabbi and Other Strange but True Stories from the Yiddish Press" Eddy Portnoy mines century-old Yiddish newspapers to expose the seamy underbelly of pre-WWII New York and Warsaw, the two major centers of Yiddish culture in the late 19th and early 20th centuries.
Series: "Taubman Symposia in Jewish Studies" [Humanities] [Show ID: 34806]
After 15 years running Partner Management at Yahoo, Josh Cobb became the President of the America's for Media.net, the worlds #2 largest advertising technology company, after Google. He is also a member of the Santa Barbara Angel Alliance, an angel investor group focused on startup and early-stage companies. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 34783]
Shannon Jessup is a sales and marketing executive with a 20-year track record of top performance with mobile, internet and technology companies. She started her career in sales at IBM. Shannon makes her home in Santa Barbara, CA with her husband and three children. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 34782]
Rachel Kadish is an American writer of fiction and non-fiction, author of several novels and a novella. Her fiction work has won the National Jewish Book Award and the Julia Ward Howe Prize, the John Gardner Fiction Prize, and the Association of Jewish Libraries Fiction Award. She discusses her latest book, "The Weight of Ink," a work of historical fiction set in London of the 1660s and of the early twenty-first century. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Show ID: 34680]
New inflections given to old lyrics, the casting of non-professional singers in Across the Universe, and the impact of relocating Beatles tunes to American settings are topics covered in this wide-ranging discussion between acclaimed music journalist Greil Marcus and Carsey-Wolf Center director Patrice Petro. The two delve into the stylistic decisions of director Julie Taymor and the spectatorial pleasures that arise when song lyrics are unexpectedly connected to historical events. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34640]
The Taubman Symposia in Jewish Studies at UCSB hosts a live musical performance by The Three Cantors: Cantor Mark Childs (Congregation B’nai B’rith, Santa Barbara) Cantor Marcus Feldman and Organist Aryell Cohen (Sinai Temple, Los Angeles) and Cantor Shmuel Barzilai (Chief Cantor of the Vienna Jewish Community). Series: "Taubman Symposia in Jewish Studies" [Humanities] [Arts and Music] [Show ID: 34681]
Documentary filmmaking risks, the technical challenges of solar-powered flight, and attuning to the human struggle behind a quest to fly around the world without a drop of fuel are all central topics in this discussion between UCSB instructor Chris Jenkins and Point of No Return co--directors Quinn Kanaly and Noel Dockstader. The three talk frankly about the difficulty of earning trust as documentarians and how the crew adjusted filming plans when the Solar Impulse 2 mission began to falter. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34593]
Director Jeremy Podeswa joins Pollock Theater Director Matt Ryan for a Script to Screen discussion of the season 7 finale of Game of Thrones, “The Dragon and the Wolf.” Podeswa recalls his admiration for the cast, the challenges of creating a show that transcends the episode length and production values of typical television programming, and his creative influences. The talk focuses in particular on shooting a complicated ensemble showdown where many main cast members finally share a scene simultaneously and what was involved in bringing that moment to the screen. Series: "Script to Screen" [Humanities] [Show ID: 34755]
Bill Morrison, comic book writer and artist, and colorist Nathan Kane join moderator Joe Paladino in a Q&A about Yellow Submarine (1968). Kane and Morrison discuss their collaborative work on the 2018 graphic novel adaptation of the film, as well as their careers and the wider significance of the film. The conversation covers Morrison's work with Matt Groening as an illustrator for The Simpsons and as art director for Futurama, and the influence Yellow Submarine had on the art styles of these shows. Kane discusses his career in the comics industry and his work as creative director of Bongo Comics. Together, Morrison and Kane, reflect on the legacy of Yellow Submarine fifty years later, in terms of their comic adaptation, but also in terms of its pop-cultural significance and influence on directors from Terry Gilliam to John Lasseter. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34641]
John Caldwell, UCLA media studies professor, ethnographer and filmmaker discusses his film Land Hacks: Masculine Media Anxiety Disorder (2018). Caldwell is joined by moderator, Jennifer Holt of the Department of Film and Studies at UCSB. Their conversation covers the inspiration and significance of the film which sets out to explore white male victimization in the Trump era. Caldwell’s film uses advertisements, excerpts from Hollywood films, and documentary footage to highlight a series of masculine anxieties for the modern era, and particular to California’s Central Valley. The Q&A contextualizes Caldwell’s development of the film, which explores the politics of industry and labor in the Central Valley, the birthplace of the UFW, and a bastion for California conservatism through the lens of Caldwell’s own health concerns during the filmmaking process. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34591]
What can we learn about gun violence, prevention, and preparedness from mass casualty incidents such as the Las Vegas mass shooting? How can this be applied to the campus experience? Dr. Scott Scherr discusses the challenges, logistics, response, recovery and long term impact for pre-hospital first responders, emergency personnel, and the community. Scherr is an emergency physician for TeamHealth, Medical Director for Sunrise Hospital Emergency Department, and Medical Director for Clark County Fire Department in Las Vegas. He was on duty in the emergency room on the night of the Route 91 shooting in Las Vegas. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Health and Medicine] [Show ID: 34567]
UCSB Script to Screen, hosted by Pollock Theater Director Matt Ryan, was invited to the 2019 Writers Guild Awards and 2019 WGA Beyond Words. On the red carpet, directors and screenwriters alike were able to reflect and shed light on the creative process of writing their vision on a page and then translating it to the screen. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34590]
Song rights, first time directors, female comedians, and a critical intervention by Steven Spielberg all arise in this discussion between Beatles: Revolutions co-curator Joe Palladino and I Wanna Hold Your Hand (1978) writer/producer Bob Gale and lead actress Nancy Allen. The three speakers discuss the origins of this film, the screenplay structure, and the joy of a young cast/crew building a nostalgic coming-of-age story celebrating a moment of early Beatles’ fandom. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34592]
In The Lion Seeker and The Mandela Plot, two powerful novels full of raw, vividly-drawn characters, Kenneth Bonert explored the unique and fascinating story of the Jews of South Africa. In this talk he explains why he became a novelist and the inspiration that he drew from growing up in Johannesburg. He talks about the history of his family and of the Jewish community in South Africa and reflect on his literary goals such as capturing the authentic voices of his characters and examining their moral and political struggles. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Show ID: 34564]
The American energy system is in transition away from coal and toward less carbon intensive fuels, such as natural gas and wind. Energy produced by renewables and gas is projected to grow by 10 quadrillion BTUs over the next two decades, while other sources will remain constant or decline. Such a rapid transition requires construction of new facilities for generating and transmitting energy. Stephen Ansolabehere, Professor of Government at Harvard, tells the story of recent energy development efforts across the United States and the lessons for the transition toward a less carbon intensive energy system. Series: "Bren School of Environmental Science & Management" [Public Affairs] [Show ID: 34563]
Visual storytelling and genre blending are central topics in this wide-ranging discussion between Quiet Place screenwriters Scott Beck and Bryan Woods and Pollock Theater director Matt Ryan. Beck and Woods reflect on and explain their desire to build a monster/sci-fi/horror/silent film that paid homage to classic television and cinema creators like Rod Serling, Alfred Hitchcock, and Charlie Chaplin while fashioning a new experience for contemporary viewers. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34569]
Undermining widely held beliefs about the black-Jewish alliance, Marc Dollinger, Professor of Jewish Studies at San Francisco State University, describes a new political consensus, based on identity politics, that drew blacks and Jews together and altered the course of American liberalism. Dollinger’s most recent book takes a new and different look at Jewish involvement in the Civil Rights Movement, showing how American Jews leveraged the Black Power movement to increase Jewish ethnic and religious identity in the late 1960s and early 1970s. Series: "Taubman Symposia in Jewish Studies" [Public Affairs] [Humanities] [Show ID: 34566]
Historian Yuval Noah Harari has taken the world on a tour through the span of humanity, from apes to rulers of the world. Harari became an international sensation when he argued in his best-selling book Sapiens that humans conquered the world through our ability to believe in collective myths about gods, money and freedom. In this excerpt, Harari discusses the authoritative role of big data and algorithms. Series: "SAGE Center for the Study of the Mind" [Humanities] [Show ID: 34534]
Screaming girls, overwhelmed security, and segregated auditoriums all arise in musicology Professor David Novak (UC Santa Barbara) and rock journalist Ivor Davis’ discussion about Richard Lester’s A Hard Day’s Night (1964) and the Beatles’ American audience reception. Part of a small cadre of British journalists invited, Davis accompanied the Beatles for the entirety of their astonishing first US tour. The two discuss the Beatles’ connections to earlier musicians and the unprecedented passion they were showered with by young American fans. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34473]
A Q&A session with Writer/Director/Producer Miguel Coyula and Actor/Co-Producer Lynn Cruz of the documentary Nadie (2017). Coyula and Cruz discuss the production of the film and their work with the subject of the documentary, the reclusive Cuban poet, Rafael Alcides. The Q&A session, moderated by UCSB FIlm and Media Studies Professor, Cristina Venegas, covers the banning of the film in Cuba, the effect that making an “Anti-Revolutionary Film” has had on Coyula and Cruz, and the reception of the film in light of the deaths of both Fidel Castro and Alcides. This is Coyula’s first documentary feature, he was previously awarded a Guggenheim Fellowship for the production of Memories of Overdevelopment (2010). Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34472]
The Beatles' final concert, their late-era conflicts, and the complicated history of director Michael Lindsay-Hogg’s Let It Be documentary all arise in this discussion between musician Alan Parsons and Music Professor David Novak (UC Santa Barbara). Parsons was a teenage sound engineer at Abbey Road studios when he was assigned to record audio for the Beatles as they worked through this iconic album. Novak draws Parsons into dialogue about recording equipment, studio layouts, and the musical personalities of each member of the band. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 34489]
Al Ferrer is the President/CEO of Linea Consulting, a multi-national Major League Baseball interpreter provider. Linea also researches, analyzes, interprets and presents advanced sabermetrics. Clients have included the Los Angeles Dodgers, Angels, New York Yankees and the top sports agents in the country. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 34374]
Peter Biggs experienced the transition from slavery to freedom a decade before the outbreak of the Civil War. Jarred Webb portrays the historical figure who lived in Los Angeles and was one of only twelve people in Los Angeles marked 'Black' on the 1850 US Census. Webb is then joined Dan Lynch (UCLA History) to discuss the high (and low) points of his life. Series: "Innovator Stories: Creating Something from Nothing" [Humanities] [Business] [Show ID: 34370]
An engaging lecturer and storyteller, Rabbi Feinstein unites the ancient Jewish love of ideas with the warmth of Jewish humor. He is the author of several books and offers a new way to do Judaism urging us to recover the message of Jewish self empowerment, or chutzpah, to reshape the world. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Show ID: 34372]
Premature births, unexplained human and livestock sicknesses, flammable water faucets, toxic wells and the onset of hundreds of earthquakes: the impacts of fracking are far-reaching and deeply felt. Professor Sara Wylie (Northeastern University) describes the fossil fuel connection between climate change and endocrine disruption and how the fossil fuel and petrochemical industries twin toxicities might be resisted together. Wylie also explores the need, and potential, to build alternative public interest databases and environmental health research tools. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Health and Medicine] [Show ID: 34344]
Dafina Toncheva invests in emerging technologies in the enterprise space with focus on Enterprise SaaS applications and security. She recounts her personal history; born and raised in Bulgaria with its political instability and financial hardships and her road to success. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 34369]
The Trump Administration has an anti-ISIS military policy but has zeroed out reconstruction support for areas that have been liberated from ISIS in Syria. It has an anti-Iranian policy both rhetorically and economically, but it leaves containing the spread of Iran and the Shia militias in Syria to Israel and to the Russians and leaves Israel on its own to deal with the Russians. It has declared it will present a peace plan for the Israelis and Palestinians but at this point is unable to deal directly with the Palestinian Authority. In all these areas, there are elements of a policy but inconsistencies as well. The gap between objectives and means remains wide. Can it be bridged? Will we see an effective strategy for the area? And, what would an effective strategy look like? Dennis Ross will cover all this in his lecture. Series: "Taubman Symposia in Jewish Studies" [Public Affairs] [Show ID: 34373]
In this talk, based in part on his forthcoming book, The Trump Administration and International Law (Oxford University Press, 2018), Yale professor Harold Koh discusses the possibility for “denuclearization” on the Korean peninsula. Koh has worked in the highest levels of government, most recently as Legal Adviser and Assistant Secretary of State in the Obama Administration. Series: "Ethics, Religion and Public Life: Walter H. Capps Center Series" [Public Affairs] [Show ID: 34371]
Curated by UCSB Professor of Flute Jill Felber, the departments fifth annual showcase concert features back-to-back performances by outstanding faculty, students, and alumni from the UCSB Department of Music. Series: "Soundscape" [Arts and Music] [Show ID: 34363]
As a music supervisor and executive on such films as The Big Lebowski, Sweet Home Alabama and Dead Man Walking, Dawn Solér joined ABC Studios in 2006 to bring her extensive film experience to the world of television. Once there, she established a full-service music department that manages every musical component on all of its shows -- the hiring of music supervisors and composers, budgets and integrating music from programming into marketing. Series: "Innovator Stories: Creating Something from Nothing" [Humanities] [Business] [Show ID: 34368]
Prior to becoming a professional poker player, Annie was awarded the National Science Foundation Fellowship. Through this fellowship, she studied Cognitive Psychology at the University of Pennsylvania, which eventually led to her current book, Thinking In Bets. Here, Annie explores bad experiences as opportunities to learn from. Series: "Innovator Stories: Creating Something from Nothing" [Humanities] [Business] [Show ID: 34445]
With its extreme sex, violence, and gore, Paul Morrissey’s Flesh for Frankenstein has alternately excited, disgusted, and baffled audiences for decades. In this conversation, media Professor Bliss Cua Lim (UC Irvine) and film and media graduate student Rachael Ball (UC Santa Barbara) unpack and celebrate this exceptional movie. Lim and Ball describe the production, release, and response to Flesh for Frankenstein, noting its connections to Italy’s Cinecitta studios, Andy Warhol’s Factory, and the mainstream success of X-rated films in the mid-1970s. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34362]
Academy Award-winning screenwriter Josh Singer (Spotlight, The Post) discusses First Man (2018) with Matt Ryan as part of the Carsey-Wolf Center’s Script to Screen series. Singer talks about the depth of research necessary to write the screenplay for First Man, including the creative challenges involved in portraying Neil Armstrong who was known for being a man of few words in a film that also has long stretches of minimalistic dialogue, much of which was taken directly from Apollo 11 mission transcripts. Singer comments on his shared desire with director Damien Chazelle for maximum historical accuracy, and the challenges this presented when accounts and recollections of the events sometimes differed in detail. Singer mentions his extensive work consulting with those who were actually present during the mission and depicted in the film, including astronaut Buzz Aldrin, the family of Neil Armstrong, and other members of NASA. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34339]
Lester Friedman, Professor of Media and Society at Hobart and William Smith Colleges, joins moderator Patrice Petro in a Q&A discussion of Mel Brooks’ Young Frankenstein (1974). They cover the production, style, and influences at work in Brooks’ adaptation. Part of the Frankenstein: Afterlives series, this Q&A emphasizes the ways Brook’s film references James Whale’s Frankenstein (1931) and Mary Shelley's original novel. Young Frankenstein is faithful to the form and production technology of Whale’s version, while seeking to return more closely to the themes developed by Shelly’s original work. Friedman discusses the way Brooks’ adaptation, through comedy, returns to questions of science, ethics, and sexuality in ways that reference Shelly but update them for 1970s audiences—speaking to the politics of marginality and social change. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34295]
Marsha Kinder, Professor of Cinematic Arts at USC, joins moderator Cristina Venegas, Professor of Film and Media Studies at UCSB, for a discussion of Víctor Erice’s 1973 directorial debut, The Spirit of the Beehive (El espíritu de la colmena). Their conversation addresses the significance of Spirit of the Beehive in terms of the history of Spanish cinema, and particularly its production at the end of the Franco Era in Spain and its setting at the end of the Spanish Civil War. Part of the Carsey-Wolf Center’s Frankenstein: Afterlives series, Kinder also addresses the significance of Mary Shelley's Frankenstein as an influence for the film, as well as Whale’s 1931 film Frankenstein, which appears and motivates characters in Erice’s Film. This discussion situates Spirit of the Beehive in the history of Spanish dictatorship and as an allegory for life under fascism. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34296]
In the opening conversation within the Carsey-Wolf Center’s Frankenstein: Afterlives film series, CWC director Patrice Petro and English professor Julie Carlson (UC Santa Barbara) discuss the life of Mary Shelley and the representation of her views and career in director Haifaa Al-Mansour’s new biopic, Mary Shelley. During the discussion, professors Petro and Carlson cover the film’s feminist elements and the historical connections Mary Shelley had with literature, science, and philosophy. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34291]
Science and humanities professor Colin Milburn (UC Davis) and graduate student Wesley Jacks (UC Santa Barbara) explore the legacy of James Whale’s iconic Bride of Frankenstein (1935). Their talk touches on key similarities and differences between Bride, Whale’s earlier Frankenstein (1931) film, and the original Mary Shelley novel. In addition to exploring the narrative and formal components of each, Milburn and Jacks draw out the ethical conflicts that span and separate each text. Their discussion touches on the legacy of the film within the sci-fi genre, its still-compelling queer components, and the film’s position within the sub-genre of gothic horror. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34292]
A conversation with Tamer El Said, Director of In the Last Days of the City (2016), and UCSB Film and Media Studies Professor, Laila Shereen Sakr. Discussion covers El Saids work filming In the Last Days of the City. Shot between 2006 and 2008, the years leading up to the Egyptian Revolution, the film reflects a growing tension in Ciaro. El Siad comments on trying to capture his sense of the city on film in a way that seeks to express the feeling of being on the brink of changeespecially when this change hasn't happened yet. This conversation emphasizes the difficulty of capturing and representing a city on film, and particularly of producing a film that represents a feeling of impending social upheaval. El Said discusses the significance of his film and his experience and influences that shaped the process of producing beforeand editing afterthe events of the Arab Spring. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34289]
In this Q&A conversation Debra Granik, director and co-writer of Leave No Trace (2018), is joined by moderator and Pollock Theater Director Matt Ryan. The event is part of the Carsey-Wolf Centers Script to Screen series and covers the development of the film and its adaptation from Mindy Mejias novel of the same name. Granik discusses how characters and story were reworked for the film, the research that she did in preparation, and the ways the film seeks to represent family relationships and post-traumatic stress disorder. The conversation also covers the production process, the significance of the films setting in Oregon, and the actors preparations for their roles. Granik is also the director of Winters Bone (2010) and this Q&A draws comparisons between her work on these two films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34294]
A Q&A session with Co-Directors Betsy West and Julie Cohen of the documentary RGB (2018). Cohen and West discuss their work researching and producing RBG, which profiles the career of Supreme Court Justice, Ruth Bader Ginsburg. The session, moderated by UCSB English Professor Jeannine DeLombard, covers the production and reception of the film, its significance in the current political climate, and Ginsburgs Legacy as a Justice. Betsy West is an Emmy Award winning filmmaker, journalist, and educator, known for her work on Nightline, 60 Minutes, and 48 Hours. She is a professor of journalism at Columbia University. Julie Cohen is an award-winning documentary filmmaker and producer. She has also worked as a producer for NBC News and is Adjunct Professor of Journalism at Columbia University. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34288]
The initial popularity, enduring legacy, and creative fan cultures surrounding The Sound of Music all arise in this discussion between Carsey-Wolf Center director Patrice Petro and Film and Media Studies professor Caryl Flinn (University of Michigan). Describing the film as about the joy of singing, Prof. Flinn positions The Sound of Music and its songs within the twilight of a golden era of film musicals. When discussing the legacy of the film, Prof. Flinn details the growth of sing-a-long The Sound of Music screening events and reveals her favorite fan revival, a Jewish communitys The Sound of Purim. Also covered in this talk are Christopher Plummers notorious distaste for the film and attacks on the film by cultural elites like Pauline Kael. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34287]
Race, gender, and union-busting violence all arise in this discussion of Debra Kopple’s iconic Harlan County, USA. Documentarian Betsy Taylor and historian Alice O’Connor (UC Santa Barbara) offer expert perspectives into connections between events and figures in Kopple’s film and broader environmental justice and labor struggles unfolding across the US in the early 1970s. In addition, Taylor’s intimate knowledge of this mining area enables her to offer rich detail about the local landscape, corporate land ownership, and crooked politics that form the foundation of this classic documentary. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 34290]
Shake On It, the musical, is a collaborative piece by students in UC Santa Barbara’s College of Creative Studies. Over the course of two quarters students from a variety of majors worked together to bring this concept to life. Collectively creating the music, script, and the set, undergraduates from across the UCSB campus gained valuable experience of the workshopping and play production process. Series: "Soundscape" [Arts and Music] [Show ID: 34064]
Author, Tova Mirvis reads from her memoir, The Book of Separation, which describes a woman who leaves her Orthodox Jewish faith and her marriage and sets out to navigate the terrifying, liberating terrain of a newly mapless world. She is the author of three novels and her essays have appeared in various anthologies and newspapers. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Show ID: 34065]
Overcoming gridlock to achieve solutions to society’s pressing problems usually requires compromise but around a quarter of legislators reject compromise proposals if they perceive that their voters – especially their primary voters - are likely to punish them for compromising. But political scientist Sarah Anderson shows that only a small slice of primary voters who oppose a particular policy really do punish compromise. Solutions that insulate legislators from the small groups of legislators who punish for compromise may allow legislators to more easily support a beneficial compromise. Series: "GRIT Talks" [Public Affairs] [Show ID: 33940]
Communicating through the Internet is different than face-to-face interaction. No matter how familiar people are with email, chat, and the web, differences in the availability of nonverbal cues lead people to underestimate the interpersonal and emotional impact of online interaction. Joe Walther (UCSB Communication) explores the hyperpersonal model of communication and explains how people actually create more intense impressions and relationships as they influence each other online, often more positive than those occurring face-to-face. The results of studies from several online settings show how we and our communication partners sometimes unwittingly affect our perceptions of others and ourselves through computer-mediated interaction. Series: "GRIT Talks" [Humanities] [Show ID: 34027]
Across the tree of life, we can trace cancer vulnerabilities back to the origins of multicellularity. Cancer is observed in almost all multicellular phyla, including lineages leading to plants, fungi, and animals. However, species vary remarkably in their susceptibility to cancer. Amy Boddy (UCSB Integrated Anthropological Sciences Unit) discusses how this variation in cancer susceptibility is characterized by life history trade-offs, as cancer defense mechanisms are a major component of a body's maintenance. She also looks at how understanding these trade-offs in the context of evolution may help explain the variability we see in cancer susceptibility across human populations. Series: "Women in Science" [Health and Medicine] [Science] [Show ID: 34028]
It has been a long-standing challenge to create new technologies that can match the perceptual and movement abilities of the human hand and its sense of touch in robots. Yon Visell describes the work in his lab on haptics, the science and engineering for the sense of touch, and explains how the results are guiding the development of new technologies for wearable computing, and robotics. Series: "GRIT Talks" [Science] [Show ID: 33939]
Embryos are the most complex self-assembling machines known in the universe. Joel Rothman, Professor of Molecular, Cellular, and Developmental Biology at UCSB, explores the instructions for self-assembly using a tiny animal -- the humble C. elegans worm. Find out what he has discovered and the research into life-support systems that may allow these creatures to become the first interstellar astronauts, departing the solar system at near-light speeds. Series: "GRIT Talks" [Science] [Show ID: 33848]
With the vast amount of data available in digital form, the field of Artificial Intelligence (AI) is evolving rapidly. In this talk, William Wang (UCSB Computer Science) summarizes the stunning achievements of Artificial Intelligence for the past decade, especially in the subareas of Machine Learning, Natural Language Processing, and Computer Vision. He also looks at big resarch challenges ahead. Series: "GRIT Talks" [Science] [Show ID: 34034]
Polymers, known colloquially as plastics, abound in the world around us due to a host of useful properties. In this talk, Christopher Bates (UCSB Materials and Chemical Engineering Departments) discusses a fascinating subset of these materials known as block copolymers, which naturally self-assemble into intricate, nanometer-sized patterns. Bates' lab provides a look into the natural universe through the lens of chemistry and materials science. Series: "GRIT Talks" [Science] [Show ID: 34029]
Bing Chen is a digital media pioneer and entrepreneur. As a founding architect behind YouTube's multi-billion dollar global digital creator and influencer ecosystem, he was responsible for numerous groundbreaking initiatives that engaged more than 500 million content creators worldwide. Here Chen shares his three rules of job networking. Series: "Innovator Stories: Creating Something from Nothing" [Business] [Show ID: 34036]
Abigail Pogrebin is the author of the recently published book, My Jewish Year: 18 Holidays, One Wondering Jew. Hear how she spent 12 months researching and observing every holiday in the Jewish calendar. Series: "Taubman Symposia in Jewish Studies" [Humanities] [Show ID: 33750]