An Angel's Apocrypha was originally born as a side project. Stemming from electronic and acoustic roots, it quickly became prevalent that electronic instruments would be an important feature when developing melodies and song structure. The idea represented in the name of the project, the title of the album and the contents of the lyrics are intertwined; together, they illustrate the artist's perspective of religion, human interaction and the influence of space and time on humanity's existence. Careful analysis of the writings, with the religious texts, prominent English literature and space as a metaphor can provide insight to the listener to look beyond the mingling of sounds and into the head of the artist who has crafted each aspect of his work on top of each other with a large idea in mind.
Welcome to the beginning of the new world. The embracing of the natural and the artificial in order to stimulate human emotion. This is now. This is music.
Marcellus W. Clark
Arrow Podcast Network
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None
Noam Jacoby
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Gabby
Praximus
Noah Pascoe
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krishna Kumar
Garage Daze w/ Arch Madness
Lost in the Lyrics
John Prugh & Justin Bruce
Rusty Kelley and Emelia Mckay
Daniel Gillespie
Cato Powell
Anders Nyberg
Picasso's Journal
Alma Rosa Alvarez
Jack Barbera
Tisdale MusiqTM
Martha Peppes
Stephen Mondesir
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Logan
Robin
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Emily & Rocky
Michael Yonker
Rob D Webster
Hugh // 93 Acres
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Observer Scene
divisiøn
Laura Tenschert
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Alex Ruiz
TaylorTalk.org - The Taylor Swift Podcast by: Adam Bromberg, Diane, Steve
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the completist
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Jacob Waller
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Cameron Clarke
derek
Tea O’Clock
Crash Chords
Polaris Music Prize
Significant Other
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Samantha
Jarrett Brown
Veronica Skrimsjö
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The Mastodon Podcast
Simon Margreiter
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Parasmores
Naa Lamptey-Mills
LivDemy
Catchy
tdanger gaming
Raaga Rasika
Sound Selection
Machine Music
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Keith Montena
Phil Nolette
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Peter Deam
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Steve
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Gabriel
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The AMAG Collective
Dan Nosheny
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