Remainders: Recent Episodes
Darren Vorel and Patrick McIntyre
A podcast from Darren Vorel and Patrick McIntyre about better living through stories. We focus on works of art in our collection of music, books and film and discuss one influential work of art in each episode. We will open the door to the things that have enriched our lives and helped us face personal challenges in the hopes that it might do the same for others.
On this episode of Remainders we watch the classic John Carpenter film, The Thing. To start our 80s Horror Remake marathon, we begin with John Carpenter’s remake about a group of researchers facing off against an alien lifeform capable of imitating any life form. A classic study of paranoia, The Thing has gone from box-office bomb to all-time classic. We get into the practical effects, horror themes, and masterful direction, the legendary careers of John Carpenter and Kurt Russell, and the legacy it’s had on Tarantino’s career and horror movies overall.
Other topics include the role of 80s horror in film history, Ennio Morricone and the Razzies, One Battle After Another and VistaVision, Jaws 50th anniversary, and revisiting the 2010 Wolfman.
Songs of the Week
Dracula by Philip Glass & Kronos Quartet
Dead Sound by The Raveonettes
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On this episode of Remainders we watch the 1994 comedy The Stoned Age. Two stoner buddies, Joe and Hubbs, cruise suburban Los Angeles in search of beer, chicks, and a good time. Certainly a product of its time, with comically obvious influence from Bill & Ted, Wayne's World, and Dazed and Confused, this forgotten 90s gem is ripe for potential cult status.
Other topics include 90s teen sex comedies, the loss of Robert Redford, Riot Fest, Darren’s new artwork for Punk Rock & Paintbrushes, the Oasis reunion, the new Twisted Metal show, and elusive Jake Busey cameos.
Songs of the Week
Don’t Fear the Reaper by Blue Oyster Cult
Our Anniversary by Smog
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On this episode of Remainders we watched Spike Lee’s 25th Hour, the Edward Norton drama about a drug dealer’s final night of freedom before heading to prison. Shot in New York right after 9/11, the movie feels right in the moment, with grief, uncertainty, and the sense that there’s no tomorrow. We talk about the ideas like mortality, facing consequences, and what accountability really looks like when time’s running out. We also get into about the outstanding cast: Barry Pepper, Philip Seymour Hoffman doing awkward brilliance, Rosario Dawson, and Brian Cox stealing scenes as Norton’s dad. Plus, we look at how it fits into Spike Lee’s career.
Other topics include Montgomery Clift’s tragic Hollywood story, Tarantino’s Death Proof connections, Patrice O’Neal, Matt Dillon and Singles, favorite Bruce Springsteen albums, first impressions of the new Toxic Avenger, and the new movies at Tarantino’s Vista Theater.
Songs of the Week
The Right Profile by The Clash
Whirling-In-Rags, 8 AM by Sea Power
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On this episode of Remainders, we watch the 90s cult classic Joe Versus the Volcano. An often overlooked movie in Tom Hanks early career, Joe Versus the Volcano is a classic Hollywood screwball comedy that rightfully has gained a cult following since its release. With themes of death, mortality, and the meaning of life, the heady vibes will continue to garner new fans for years.
Other topics include Tom Hanks, Meg Ryan, director John Patrick Shanley, Flashback Horror Weekend in Chicago, Joe Dante, the new Naked Gun movie, the original Naked Gun trilogy, and classic 80s movies that shaped our childhood.
Songs of the Week
Hey Julie by Fountains of Wayne
Midnight Rider by Allman Brothers Band
Seed of Memory by Terry Reid
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Rip some throats and lube up the celery, because on this very special episode of Remainders we watch the 2010 cult classic MacGruber. We dive deep into the very last, and possibly best, SNL movie. Insanely confident as a comedy playing it straight as an 80s action movie, we check out why this absurdist masterpiece works so well. Crude, chaotic, and classic MacGruber.
Other topics include the careers of Will Forte, Val Kilmer and Powers Boothe, Christopher Nolan’s love for MacGruber, Jon Hamm and comedy, the 90s Batman movies and the reappraisal of the campy spirit of those movies, studio marketing and The Studio television show, the Coen Brothers, new physical media pickups, the Avatar 3 trailer, favorite comedies of all time, A History of Violence on Criterion, and whether Marlon Wayans was a Robin action figure.
Songs of the Week
Jealous Heart by Connie Francis
I Just Want You by Ozzy Osbourne
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On this episode of Remainders we watch the 2001 movie Bully. Based on a true story about a Florida murder, Bully is directed by Larry Clark of Kids fame. Capturing that same sense of aimless and amoral young people, Bully is a brutal and terrifying account of a group of kids planning to murder the monstrous Bobby, played by Nick Stahl. Bobby is the source of abuse and anguish for Marty, played by Brad Renfro, and their friendship spurs their friends to react. Mean, dirty, and slightly horrifying, Bully is nonetheless a time capsule of pre-9/11 fear of disaffected youth.
Other topics include the careers of Nick Stahl and Brad Renfro, Batman Begins vs. The Dark Knight, Tom Wilkenson’s accent, Liam Neeson and The Naked Gun, the passing of Michael Madsen, new Criterion sale pickups, and how big of a fan Eminem is of Kids.
Songs of the Week
Dead Meat by Sean Lennon
Taking a Chance on Love by Ella Fitzgerald
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On this episode of Remainders we watch the 2005 film A History of Violence. David Cronenberg adapts the graphic novel by John Wagner about a small town family man who becomes a local hero after killing two men during an armed robbery. This gets the attention of a mob boss who believes Tom is a man with a violent past. Beast mode performances by Viggo Mortenson, Ed Harris, and William Hurt elevate A History of Violence into epic territory.
Other topics include Viggo’s career post-Lord of the Rings, Cronenberg’s filmography, best Ed Harris and William Hurt performances, Brad Pitt and sports movies, plus Ripley and the history of the character from Patricia Highsmith’s novel.
Songs of the Week
Voicemail by Meat Wave
Save Me by Aimee Mann
Dear John by Aimee Mann
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On this episode of Remainders we watch the 2000 film The Beach. Leo’s first major role to come after the star making success of Titanic, time has been kind to this movie about disaffection and discovery in a pre-9/11 world with emerging technology. Directed by Danny Boyle and written by Alex Garland, the film’s roster has also led to a decades later reappraisal. If anything, The Beach is an incredible time capsule of late 90s/early 2000s culture and zeitgeist.
Other topics include Danny Boyle’s filmography, movie soundtracks and discovering new music in the 90s, 2000s music, new VHS in the collection, screenings in the cemetery, the Phoenician Scheme and Wes Anderson’s style and legacy, Darren’s new painting for Punk Rock & Paintbrushes, Brian Wilson, and Batman Forever and the rumored Schumacher Cut.
Songs of the Week
Don’t Talk (Put Your Head On My Shoulder) by The Beach Boys
Darlin’ by The Beach Boys
A Three-Legged Workhorse by This Will Destroy You
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On this episode of Remainders, we watch the 2003 war epic Master and Commander: The Far Side of the World. Based on the series of novels, Master and Commander is a chase movie that goes much deeper. Russell Crowe plays Captain "Lucky" Jack Aubrey, and Paul Bettany plays Dr. Stephen Maturin. The Captain represents leadership and duty, and the Dr. represents academia and revolution. As they chase the elusive French war ship The Acheron, the two men both test and help each other during the Napoleonic Wars. Old-school action filmmaking in a modern war epic – she’s in her prime.
Other topics include Peter Weir and Australian directors, more Russell Crowe buddy movies and L.A. Confidential, the Pirates of the Caribbean franchise, Tom Cruise and Mission: Impossible, ai in movies and tv, and fast food we’re eating and not eating lately.
Song Picks of the Week
Muzzle by The Smashing Pumpkins
Hawaii by The Strokes
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On this episode of Remainders we watch the 2002 movie Insomnia. The only movie in Christoher Nolan’s filmography in which he doesn’t have a writing credit, Insomnia has always felt like an outlier in the director’s career. It’s most notable aspect was Robin Williams and his villainous role as Finch, a first for Williams. Playing opposite the most strung out possible version of Al Pacino, we see if this thriller holds up.
Other topics include Nolan’s ranking, follow-up on our Mad Max Fury Road episode, fake reviews for Insomnia, Black Mirror, Andor and Star Wars, the passing of the alligator from Happy Gilmore, Hillary Swank, more Pacino marathon’s coming up, and whether or not Nicky Katt has the best line in any Nolan movie.
Songs of the Week
The Swimming Song by Loudon Wainwright III
If I Could Only Fly by Blaze Foley
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On this episode we celebrate the 10th anniversary of Mad Max: Fury Road - Black and Chrome Edition. Often considered the greatest action film of all time, Fury Road reintroduced the world to Max, this time played by Tom Hardy, as he teams up with Furiosa to take on the dystopian warlord Immortan Joe. George Miller’s stated intention was to make a movie that was one long chase, and as elemental and close to a silent film as possible. The Black and Chrome Edition brings this vision even closer.
Other topics include Charlize Theron, George Miller’s filmography and how Babe: Pig in the City fits in, America’s obsession with celebrity culture, Warren Zevon’s induction into the Rock and Roll Hall of Fame, Riot Fest, and whether or not we should cover The Beaver with Mel Gibson on the podcast.
Songs of the Week
Let Them Eat War by Bad Religion
Kurt Kobain by Proof
Brothers In Arms by Junkie XL
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On this episode of Remainders we watch the 1997 political sci-fi movie Starship Troopers. Dismissed upon release as a generic action movie, time has been kind to this movie about fascism and soldier recruitment in a pro-war society. A militarized society in the future waging war against a sub-human alien species, Starship has gained cultural appreciation as a meta-film about wartime propaganda. A first-time viewing for one, we’ll see if this is a dumb, fun movie or an indictment of fascism. Or both.
Other topics include a David Lynch retrospective, the passing of Nikky Katt, new shows we’re watching, and we ask the question: If a movie debuts and is only on streaming, does it really exist?
Songs of the Week
Foolish Heart by The Mavericks
The Baron by Johnny Cash
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On this episode we watch 2005’s The Descent. A year after tragedy strikes, a group of friends discover something far worse in the deep caverns of the Appalachian Mountains. This spelunking splatter fest is a contender for many titles, including best horror movie of the 2000s, most objectionable thing to watch for anybody with even the slightest claustrophobia, and having maybe one of the worst best friends in all of horror movie history. Listen up as we also thoroughly debate the appropriate moniker of Vampire Bats vs. Crawlers in this modern horror classic.
Other topics include reflecting on the recent loss of Val Kilmer, visiting with Jim Jarmusch, pivotal David Lynch L.A. landmarks, Days of the Dead Chicago, found footage influence in the early 2000s, and the 90s forgotten gem Rumpelstiltskin on 4K.
Songs of the Week
Fuck and Run by Liz Phair
By the Light of the Silvery Moon by Little Richard
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On this episode of Remainders we watch the 1995 crime classic Heat. Directed by Michael Mann, Heat features Al Pacino and Robert De Niro realizing they have a lot more in common than their respective careers would suggest. We dive deep into this 90s classic and the duality of character that has made it a favorite. Other topics include the seemingly endless stream of character actors in Heat, why the movie still holds up, Christopher Nolan’s influence, SXSW, physical media endurance and slipcovers, Francis Ford Coppola accepting a Razzie nomination like a man, and James Cameron’s decision to live the rest of his life with Avatar.
Song Picks
You’re the One I Want by Jets to Brazil
Osage Oil Boom by Robbie Robertson
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On this episode of Remainders we watch the new horror classic The Substance. Fresh off Oscar attention and walking away with the award for Best Makeup of 2024, we celebrate this gonzo body horror movie that broke into the mainstream. Elizabeth Sparkle is an aging star played by the legendary Demi Moore. When she is fired from her fitness show for her age, she turns to the green stuff in an attempt to generate a younger version of herself. Results may vary, but Cronenberg would be proud.
Other topics include a breakdown and vibe of the Oscars, Conan O’Brien being the best host possible, in memoriam of Gene Hackman and David Lynch, other body horror classics, and Sean Baker’s career and his 2021 movie Red Rocket as a hidden gem.
Songs of the Week
Looking For a Kiss by New York Dolls
I’m Waiting Here by David Lynch feat. Lykke Li
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Pop quiz, hotshot: What’s the best action movie of the 90s? Stiff competition, but Speed will certainly fight you for the top pick. We revisit this commuter nightmare classic and can’t stop talking about Keanu Reeves’ cool guy charisma, crushing on Sandra Bullock, the legendary Dennis Hopper, Jeff Daniels’ moment of clarity, and that delicious unfinished-freeway jump.
Other topics include David Lynch, the L.A. wildfires, Darren’s art show, other 90s action movies and the decade of entertainment, Jan de Bont and Twister, movies we’ve watched on break, biopics that work and biopics that don’t, Chalamet appreciation, and Jim Carrey’s absurdist revival.
Songs of the Week
Comin’ Home by Murder By Death
Me and My Monkey by Robbie Williams
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On this episode we dive into the 1993 film A Perfect World, part two of our Clint Eastwood double-feature. Directed by Eastwood, the film was his follow-up to Unforgiven and features Kevin Costner in one of his best roles as Butch, an escaped convict who kidnaps a young boy. As they journey across the countryside, an unexpected bond forms between them. Meanwhile, Clint Eastwood plays a detective torn between his moral compass and upholding the law. We check out whether A Perfect World deserves to be among Eastwood’s best movies and Costner’s best performance.
Other topics include Eastwood’s possible final film, Juror #2, the end of Hollywood’s old guard, Costner’s iconic early '90s career peak, upholding the 90s in film and music, discovering Martin Scorsese’s Kundun and picking out Philip Glass’s best scores, realizing The Walking Dead will never end, and how the Mike Tyson vs. Jake Paul fight is the exact plot of Rocky Balboa.
Songs of the week
Hold On To Your Friends by Morrissey
Jerkin’ by Amyl and the Sniffers
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On this first part of our Clint Eastwood double feature, we're diving into Unforgiven, Eastwood’s 1992 Oscar-winning western that challenges the heroic myths of the genre. The film follows retired gunslinger William Munny who takes one last job for revenge and money—only to confront the personal and moral costs of violence. Unforgiven redefined the western genre in the early 90s and it's never been the same since. We check out how Unforgiven holds up over time, look at revisionist westerns, and ask just why is Eastwood such a badass.
Other topics include other favorite Clint Eastwood movies, the Man With No Name Trilogy, recent Halloween movies we're watching, and how to avoid election news at all costs.
Songs of the Week
Long Black Veil by Johnny Cash
A Fragile Thing by The Cure
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On this episode of Remainders we dive into Psycho 2. Picking up 22 years after Hitchcock’s classic, it’s a true continuation of the character of Norman Bates. Perkins’ give an all time great performance in what is more of psychological thriller than a straight up horror movie - although the classic 80s gore is not abandoned completely. A first time watch, Psycho 2 has become an all time favorite.
Other topics includes the role of legacy sequels in film, Darren’s recent trip to Chicago and the return of The Scissors, new horror movies we’re watching for October, Joel Potrykus introducing his new film at the Chicago International Film Festival, Vertigo and the Music Box of Horrors, thoughts on Joker 2, and the Terrifier movies creating a franchise that may rival the all time great 80s killers.
Songs of the Week
Long Dark Night by Nick Cave and the Bad Seeds
I Don’t Know How to Say Goodbye by The Mopes
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On this episode of Remainders we watch the 2002 thriller Signs. Peak M. Night Shyamalan, Signs is a perfect distillation of the director’s best work – masterfully crafted horror tension and emotional resonance. Mel Gibson and Joaquin Phoenix play brothers in rural Pennsylvania when crop circle signs begin to appear on their farm. A man who has recently lost his faith, Gibson is forced to confront his internal struggle and the possibility of extraterrestrial life. Where does Signs fit in M. Night’s filmography? What are the prevailing theories about the aliens in Signs? And what exactly does Lionel Prichard and The Wolfington Brothers have to do with all this?
Other topics include Darren’s art shows in L.A. and Chicago, new work with Cypress Hill, best performances by Joaquin Phoenix, Psycho and Exorcist legacy sequels, David Gordon Green and directors working in multiple genres, The Creature From the Black Lagoon in 3D, and Michael Caine’s paycheck for a summer home.
Songs of the Week
Rag Doll by Frankie Valli & The Four Seasons
Boyz Are Gonna Rock by Vinnie Vincent Invasion
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On this episode of Remainders we watch the 1935 John Ford movie The Informer. The story of Gypo Nolan, a disgraced IRA man of war in 1920s British occupied Ireland and his willingness to sell out his comrade best friend for a small reward. Victor McLaglen gives an all-time great sweaty performance as Gypo and his descent into guilt, remorse and whiskey until atonement is the only option. An underappreciated classic from John Ford.
Other topics include lessons in Irish independence, Ti West’s X Trilogy, visiting the Vista and the Music Box Theatre, more 80s hair metal, Riot Fest, The Scissors in Chicago, and the new Films of Faith Scorsese collection.
Songs of the Week
Tell Me by Catfish Haven
Trick or Treat by Fastway
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On this tribute episode to the late, great Roger Corman, we watch the 1980 B-movie classic Humanoids From the Deep. The story of a small California fishing town terrorized by human-like sea creatures killing men and assaulting women, Humanoids is the quintessential drive-in film with good reason. Fish monsters, small town brawling, dead animals, lots of naked women, and plenty of creature-feature gore. It has it all. One of the first movies Corman produced after beginning his independent film production empire, Humanoids is just one of many reasons why Roger Corman is an absolute titan in film history.
Other topics include practical creature effects in the 80s, Godzilla marathons, The Walking Dead as a soap opera, Halloween physical media, Nascar in Chicago and Vegas, and Joe Bob Briggs honoring Corman.
Songs of the Week
…
Il cielo in una stanza by Mina
Shocker by The Dudes of Wrath
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This week Patrick and Darren discuss the 1951 drama, "A Place in the Sun."
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On this episode of Remainders we watch the 1957 classic murder mystery Witness for the Prosecution. Directed by Billy Wilder with all-time great performances by Charles Laughton, Tyrone Power, and Marlene Dietrich, Witness is an adaptation of the Agatha Christie play and is considered one of the best of the decade. Laughton plays a beleaguered and retired judge trying to salvage his health who is lured back into the courtroom after a man is accused of murder – only to discover his wife may not be the salvation they’d hoped for. With some of their best work by Wilder, Laughton, Power, and Dietrich, Witness is an all-time mystery classic.
Other topics include Charles Laughton’s 50s run, courtroom dramas, recent shows, modern Hollywood and streaming woes, Late Night with the Devil, The Fly collection and 80s horror remakes, and other physical media pick-ups.
Songs of the Week
Send Me Home by Murder by Death
The Big Ship by Brian Eno
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This week on Remainders we watch the 1996 biopic Basquiat, a glimpse into the short life of postmodernist and art-world icon Jean-Michel Basquiat. Directed by Julian Schnabel and starring a young Jeffrey Wright, Basquiat follows his rise to fame in 1980s New York City and the hotbed of creativity crossing paths with Andy Warhol and others. Containing one of the most notable and talented casts of any film from the decade, Basquiat is a portrait of an artist made from an artist – an ode to the act of creativity itself.
Other topics include the Academy Awards, Godzilla winning its first Oscar, Oppenheimer, Ennio Morricone at the Music Box, social media and art, and what makes a good biopic.
Songs of the Week
Raining In My Heart by Buddy Holly & the Crickets
Series of Dreams by Bob Dylan
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This week on Remainders we watch the 2019 documentary 63 Up. Part of the long-running British film series that started in the 1960s, The Up Series has been following its cast of characters since they were 7 years old. Originally intended as a study on the British class system, their personal lives have become the purpose over the decades of filming. About as unique of a film project as can be, and a clear influence on contemporary directors like Richard Linklater, this epic story of regular people continues to unfold.
Other topics include A.I. and movies, social media and The Up Series prediction of social fame, rewatching Tenet and Eternal Sunshine of the Spotless Mind, 90s movies, and how Anthony Hopkins punches a bear in The Edge.
Songs of the Week
Everybody’s Gotta Learn Sometime by Beck
Blues and Sentimental by Jay McShann
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On this episode of Remainders, we watch the 2002 biographical comedy drama 24 Hour Party People. Steve Coogan plays Tony Wilson and follows his work in late 1970s and early 1980s post-punk with such bands as Joy Division, New Order, and Happy Mondays. Consistently breaking the fourth wall tied together with Coogan’s brand of snark, the story of Manchester in the 70s is a pivotal piece in the history of modern music.
Other topics include Poor Things and Yorgos Lanthimos, Russell Mulcahy movies, True Detective, the idea of “selling out”, personal punk and post-punk influences, Oasis drama, the work of Billy Childish, and more British rock.
Songs of the Week
She’s Electric by Oasis
We’er Gone by Thee Headcoats
Wild Man by Thee Headcoatees
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This week on Remainders, we watch the 1974 horror-comedy rock opera Phantom of the Paradise. A cult classic by Brian De Palma, Phantom has gained notoriety in the decades since its release thanks in part to De Palma’s legendary filmography, but also because of a small but rabid fan base that hails to this insane mashup of horror and glam rock.
Other topics include Killers of the Flower Moon, Chicago legends Siskel & Ebert and Tom Skilling, January movie marathons, Godzilla Minus One and the Oscars, new Criterion pickups and the lost art of movie posters.
Songs of the Week
Goodbye Eddie, Goodbye by The Juicy Fruits
Dilemma by Green Day
Don’t Toss Us Away by Lone Justice
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This week on Remainders, we watched the 2001 Icelandic fantasy-drama No Such Thing. Directed by Hal Hartley, with a stealthily great cast and aspirations to surreal stories like Beauty and the Beast and Beowulf, No Such Thing tries to have its cake and eat it too. A throwback pick to the era of endless DVDs, revisiting this drama leads to some surreal and honest opinions on the movies and how they age.
Other topics include TLB in Chicago, Godzilla Minus One, Ti West and Mia Goth’s X-trilogy, favorite movie experiences of 2023, Star Wars commentaries and Tony Gilroy, physical media corner, and how black metal can save a movie.
Songs of the Week
Bad Case of Loving You (Doctor, Doctor) by Robert Palmer
Love is a Long Road by Tom Petty
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This week on Remainders, we watch the 2009 movie Trash Humpers. A piece of post-cinema and experimental insanity by Harmony Korine (Gummo, Spring Breakers), Trash Humpers is a practice in hedonistic voyeurism, found-footage VHS, elder depravity, and plenty of garbage. A movie that questions what even is a movie, it’s another great example of Korine’s exploration into erratic places in film.
Other topics include praise for Andor and defending the Star Wars prequels, Lord of the Rings as Christmas movies, streaming woes, The Holdovers and Alexander Payne, visiting the Music Box Theatre, Plain White T’s and TLB in Chicago, and Darren on the To the Bottom podcast.
Songs of the Week
Somebody That I Used To Know by Elliot Smith
Smoke & Mirrors by The Hives
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This week on Remainders, we celebrate our 50th episode in style with the 1987 satirical classic, RoboCop. The story of Alex Murphy, a Detroit cop who is executed only to be remade by corporate America as the ultimate police enforcer. Paul Verhoeven’s action movie could be viewed as just a seminal piece of 80s action filmmaking, but that would still be selling it short. RoboCop builds upon ideas of capitalism, creeping fascism, and media propaganda in a way that very few movies can manage. I’d buy that for a dollar!
Other topics include Darren’s work at the When We Were Young festival, Halloween movies, the Music Box Theatre’s 24-hour horror festival, 1980’s Alligator and other creature features, Scorsese and first impressions of Killers of the Flower Moon, and upcoming TLB and Plain White T’s shows.
Songs of the Week
Wishes by Beach House
Looking For The Magic by The Dwight Twilley Band
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This week on Remainders, we discuss the 2016 film Manchester By the Sea. A story of grief, depression, trauma and confronting the past, Kenneth Lonergan directs a movie that manages to deal with these difficult themes while also showing the imperfections in life and the awkward, sometimes funny moments in between. A case of realism with a touch of levity, Casey Affleck plays Lee, a man who upon losing his brother must step into the parental role for his nephew, played by Lucas Hedges. Both give incredible performances and let’s the audience feel for their characters as they are exposed and vulnerable in times of death.
Other topics include best performances by Casey Affleck and Michelle Williams, Darren’s upcoming Punk Rock & Paintbrushes at When We Were Young festival, recent and upcoming live shows, the month of Friday the 13th marathons, and Elvis in the movies.
Songs of the Week
See See Rider by LaVern Baker
Shake Some Action by the Flamin’ Groovies
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This week on Remainders, we talk the 2007 gem The Assassination of Jesse James by the Coward Robert Ford. Partially forgotten and possibly overshadowed by No Country for Old Men and There Will Be Blood upon its release, Assassination is absolutely an essential modern western. Brad Pitt plays Jesse James who is put on a pedestal by Casey Affleck’s Robert Ford. As Ford idolizes and fawns over James and tries to become one of the gang, he learns the man and the myth do not align. A story about paranoia and disillusionment that is both poetic and dreamlike, elevated by Roger Deakins’ cinematography and Nick Cave and Warren Ellis’ epic score.
Other topics include the woes of streaming, Kurt Russell battling Godzilla, what makes for a great film score, the sad Affleck brothers, and difficulties with tongue twister movie titles.
Songs of the Week
Blame Brett by The Beaches
Ready Steady Go by Solid State Radio
Frank and Jesse James by Warren Zevon
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This week on Remainders we watch The Big Heat. A gripping 1953 film noir directed by Fritz Lang, The Big Heat follows determined detective Dave Bannion (Glenn Ford) as he exposes corruption within his own department after a fellow officer's death. Gloria Grahame is essential as one of Darren’s all-time picks for noir femme fatales. With intense performances, dark atmosphere, and themes of corruption and justice, it's a stellar noir standout.
Other topics include William Friedkin and Peter Jackson commentaries, physical media corner, hangout movies, the new Hives album, the new Texas Chainsaw Massacre video game and Matthew McConaughey’s rise the Texas Chainsaw franchise, and hoping for an equally cinematic gaming experience with the upcoming Killer Klowns from Outer Space video game.
Songs of the Week
BloodRedMoon by Ha Ha Tonka
Sing Me Back Home by The Flying Burrito Brothers
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This week on Remainders we discuss the 2018 crime thriller Dragged Across Concrete. From director S. Craig Zahler (Bone Tomahawk, Brawl in Cell Block 99), Dragged stars Mel Gibson and Vince Vaughn as two cops caught committing police brutality who turn to robbing criminals out of desperation. Filled with his trademark violence and considerable runtime, Dragged is a movie that further cements Zahler as one of the best working directors today.
Other topics include the passing of Paul Reubens, Rodriguez and William Friedkin, Jon Hamm and his jump from drama to comedy, the Meg 2 and how bad shark movies can get, A24’s Talk to Me, violence in film, Peter Jackson commentaries, the best time of the day to watch grindhouse movies, and the perennial favorite Cool as Ice.
Songs of the Week
Love Must Have Passed Me By, by Bobby Vee
Den minsta av segrar, by 1900
I’ll Slip Away, by Rodriguez
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This week on Remainders, we watch the 1946 noir classic Gilda. An iconic role for Rita Hayworth, she plays the femme fatale shrouded in secrets. Set against the backdrop of a post-World War II casino in Buenos Aires, Gilda’s past collides with her present as Johnny Farrell (Glenn Ford) steps back into her life. An all-time great in the noir genre.
Other topics include Oppenheimer, favorite Christopher Nolan movies, movie commentaries, Mission: Impossible directors, and the greatest femme fatales in cinema.
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This week on Remainders, we talk the 1999 crime thriller A Simple Plan. Directed by Sam Raimi, mostly without his signature chaotic style, Bill Paxton and Billy Bob Thornton play brothers who discover a duffel bag of money and decide to keep it. Almost immediately, this apparent blessing turns into a curse as greed, violence, past trauma, and death all arise as a result. Paxton and Thornton reunite after One False Move and once again prove they are both timeless character actors.
Other topics include the screenwriters and actors strike, Margot Robbie, the Boogie Nights soundtrack, new music picks, ranking the Mission: Impossible movies, and Tom Cruise as the last movie star.
Songs of the Week
Cocktails by Dennis Wilson
Martha by Tom Waits
Remainders Jukebox Playlist
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This week on Remainders we watch the 1992 crime film One False Move. From director Carl Franklin and co-written by Billy Bob Thorton, Bill Paxton and Thorton lead this forgotten gem about three criminals clashing with a small-town sheriff. Paxton, the all-time great everyman, is at his best as naïve Chief Dale “Hurricane” Dixon, who is excited at the opportunity to become a real cop. But when his past comes to light, his will is put to the test. A Coen-esque thriller with the perfect Paxton performance that shouldn’t be missed.
Other topics include Bill Paxton’s filmography, the summer sale at Darrenvorel.com, Jurassic Park at 30, the merits of VHS nostalgia, The Cure’s new tour and upcoming album, Treat Williams and Cormac McCarthy, and a rally for the return of film commentaries.
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This week on Remainders, we talk the 1981 neo-noir Body Heat. Written and directed by Lawrence Kasdan – around the same time as writing Raiders of the Lost Ark and the Empire Strikes Back – Body Heat was inspired by Double Indemnity and launched the careers of William Hurt and Kathleen Turner. Ned (Hurt) is a hapless lawyer who falls hard for the sultry but married Matty (Turner). Their affair turns dark though when they initiate a plot to kill her husband – with the potential to reap his fortune. A throwback to 40s crime noir, Body Heat feels especially relevant today as society reevaluates the eroticism in films of the 80s and 90s.
Other topics include new pieces from Darren’s collection and his upcoming exhibit at La Luz De Jesus Gallery, some first time Remainders swag available for purchase, a visit to the Hollywood Museum, what we’re watching on TV these days, Ebert vs. Kael, favorite William Hurt and Kathleen Turner performances, and the enduring brilliance of traumatic 1980s kids movies.
Music Picks of the Week
Sink to the Bottom by Fountains of Wayne
Mysterium by Hammock
Mashed Potato Time by Dee Dee King
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This week on Remainders we watched the 2017 film First Reformed. An all-time best performance by Ethan Hawke, First Reformed follows Hawke playing a small-town minister as he grapples with despair brought upon by the looming threat of climate change. Hawke’s crisis of faith leads him down a dark path as he bounces between hope and despair in a world that often leaves little to have faith in. Paul Schrader’s script and direction bring back many themes he explored in Taxi Driver into a modern world with new uncertainties about the future.
Other topics 90s yuppie thrillers, Darren’s selection for a new art exhibition, drinking with Cedric the Entertainer, The Cure’s summer tour and the lasting influence of their album Pornography, favorite Michael J. Fox movies and the new documentary Still, William H. Macy, thoughts on AI and what it may mean for the artistic process, and Jen Pop’s new video Saw In Half.
Songs of the Week
Walls by The Jonas Brothers
Willie The Pimp by Frank Zappa
Remainders Podcast Jukebox
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This week on Remainders we watch the 1997 drama Cop Land. James Mangold’s urban western was Sylvester Stallone’s return to drama after a slew of over-the-top 90s action bombs. Giving one of the best performances of his career, it helps that the rest of the cast is a list of all-time greats, including De Niro, Keitel, and Liotta. A tale of justice and grit, this sleeper hit is almost a hidden gem these days and should not be missed. Don’t blowwww it!
Other topics include Mangold’s upcoming Indiana Jones movie, thoughts on the new Cage flick Renfield, theater experiences good and bad, Joe Dante favorites and Key and Peele’s incredible Gremlins 2 sketch, Dee Dee Ramone’s novel, the new Evil Dead, South Park and Spielberg, and the final push to get Warren Zevon inducted into the Rock and Roll Hall of Fame.
Songs of the Week
Saw in Half by Jen Razavi
Cannibal Holocaust (Main Theme) by Riz Ortolani
Lawyers, Guns and Money by Warren Zevon
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This week on Remainders we continue De Palma Days and talk about 1984 film Body Double. Possibly De Palma’s most Hitchcockian film, it’s the story of a man caught in between voyeurism and murder – essential Hitchcock tropes. We discuss its horror and pornographic elements, De Palma’s use of over-the-top acting and direction style, lead actor Craig Wasson’s effectiveness as the lead, Melanie Griffith’s introduction to Hollywood, and where it stands in De Palma’s filmography.
Other topics include Air and the Affleck brothers, Renfield, a legendary encounter with the great Leslie Nielson, the legitimacy of TMZ and CNN, the Twilight Zone, Stuart Gordon, monster movies and creature features, 80s special effects, and whether James Cameron brought Dee Dee Ramone pizza.
Songs of the Week
Down About It by The Lemonheads
Anything Could Happen by The Clean
Remainders Podcast Jukebox
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This week on Remainders, we talk Brian De Palma and his 1981 film Blow Out. A classic in Travolta's and De Palma's filmography, the story of a movie soundman uncovering a murder plot against a presidential candidate has grown in appreciation amongst cinephiles since its release over 40 years ago. De Palma's innovative camera movements and focus on doubles and murder mystery do not go unnoticed as Hitchcock devotees, in addition to all time performances from Travolta and John Lithgow as the lurking serial killer. We pay homage to one of the most important auteurs of the 70s.
Other topics include Tarantino's great book Cinema Speculation, new movies Air and Renfield, Dee Dee Ramone's hip hop, L.A. movie billboards vs. Chicago's movie billboards, John Lithgow's best performances, and Dennis Franz's exquisite scumbaggery.
Songs of the Week
Racist Society by Screeching Weasel
Open Your Eyes by Lords of the New Church
Remainders Podcast Jukebox Playlist
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This week on Remainders, we talk about the 2008 documentary Anvil! The Story of Anvil. Anvil is the story of a veteran heavy metal band that influenced the genre, but never saw their own success. Childhood friends Steve ‘Lips’ Kudlow and Robb Reiner made a pact to become rock stars and they never looked back, despite the doubts, setbacks, day-jobs, and all the other mundane chores that got in their way. A rockumentary hailed by Scorsese about a band adored by Motorhead. What more could you want?
Other topics include Robert Smith vs. Ticketmaster, new movies in theaters, the Oscars, Tarantino’s (most likely) final film, Pauline Kael and Roger Ebert stories, and Bayside’s new EP with cover art by Darren.
Songs of the Week:
Don’t Call Me Peanut by Bayside
Pain Remains III: In a Sea of Fire by Lorna Shore
Remainders Jukebox Playlist
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This week on Remainders, we talk the 2007 documentary King of Kong: A Fistful of Quarters, the story of die-hard gamers competing for the record high-score on Donkey Kong. Steve Wiebe, a down on his luck everyman, needs a purpose and discovers it in classic arcade gaming. As he attempts to break the record in Donkey Kong, he is exposed to the power and corruption in the underbelly of competitive gaming. The charismatic but deceptive Billy Mitchell, self-proclaimed “world’s best gamer,” will do anything to maintain his high-score and championship title regardless of the cost.
Other topics include American Movie’s influence on 2000s documentaries, Tarantino’s new book, Scorsese’s upcoming Killers of the Flower Moon, Leonard Cohen, big-budget movies and their influence on the movie industry, and Warren Zevon’s Rock and Roll Hall of Fame nomination.
Songs of the Week
Your Wild Years by The Menzingers
Nothing in Return by Roky Erickson
All Songs of the Week here
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This week on Remainders we continue Cage Fest with the 2018 metal-revenge nightmare Mandy. Red and Mandy are living a serene life in the Pacific Northwest woods when a demonic cult sets their target on them and destroys everything they know and love. Red, in an all-time great Cage performance, is forced to descend into madness in a pursuit for revenge. Biker monsters will snort coke, Cage will forge metal, and Cheddar Goblin will be had by all.
Other topics this week include the lighter side of Cage’s performances, his upcoming take on Dracula in Renfield, Gore Verbinski’s filmography, Darren’s chance encounter with C.J. Ramone, and Shudder and Criterion Channel as Remainders essentials.
Songs of the Week
777 by Chad Tepper & Lit
From the Edge of the Deep Green Sea by The Cure
All Remainders Songs of the Week here
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This week on Remainders we begin Cage Fest with the 1999 underrated gem, Bringing Out the Dead. Directed by Martin Scorsese with a screenplay by Paul Schrader (Taxi Driver, Raging Bull), the Dead follows Frank Pierce, an insanely burnt out emergency paramedic working the night shift in 1990s New York City. As the stress and unpredictability of the job start to wear him down, Frank begins to see the ghosts of the people he could not save. Like a drug, Frank does what he can to maintain the high of saving lives but to extremes he can’t control. A hidden masterpiece in both Scorsese’s and Cage’s filmography, we check out where it stands in both their careers. Don’t make me take off my glasses.
Other topics include Best Picture Oscar nominees, continued praise for late-stage Tom Cruise, the Tom Sizemore school of acting, artistic inspiration, Darren’s photography retrospective, The Strokes, The Webstirs, new music picks, and Warren Zevon’s rising appreciation and recognition.
Songs of the Week
Crimson Wave by Tacocat
Venus by Television
Every Remainders Song of the Week here
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This week on Remainders, we finish our Fritz Lang double feature with the 1931 noir classic M. A German suspense thriller ahead of its time, Lang’s first sound film is his most pivotal and is widely considered one of the greatest films of all time and his magnum opus. Peter Lorre sets the stage for decades of creeper performances playing Hans Beckert, an incarnation of evil that still forces a moral quandary for the audience.
Other topics this week include TLB’s first show of the year, Lisa Marie Presley, the best and maybe worst Elvis movies, Nick Cave’s thoughts on AI, the life of L.A. mountain lion P-22, Carpenter remakes and upgrades, new music, and Billy Wilder essentials.
Songs of the Week:
Blue Moon and Mona Lisa by Elvis Presley
Hour of the Wolf by Tribulation
All Remainders Songs of the Week found here
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On this mini-episode of Remainders, we check out the shady side of classic Hollywood with the new film Babylon (w/ Spoilers!), and look back to see how it compares to the notably sunnier 2011 film The Artist. Both dive into the silent-film era and try to illuminate the transition into modern films, but with different vibes on how it affected the lives behind the scenes.
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This week on Remainders, we begin Part One of our Fritz Lang Double-Feature with the 1927 sci-fi classic Metropolis. A German Expressionist story of broken down workers toiling away to produce a life of luxury for the rich. Sound familiar? We discuss the recurring themes that are still around today and how Lang created something that not only still resonates with society today, but also the visuals that looked far ahead of its time. Other topics include a little movie called Avatar, the Year of the Fraser, Tom Cruise’s chaotic and film-obsessed antics, TLB’s first show of the year at La Invitacion on Jan 14th in San Bernardino, and life and movie plans for 2023. And as always, the mediator between the head and hands must be the heart.
Song Picks
In all Honesty by Tone Deaf George
Heathen Child by Grinderman
All song picks on our podcast playlist
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This week on Remainders, we get ready for the holidays and put on the fantasy-goth-comedy-romance classic, Edward Scissorhands. Tim Burton upends his suburban youth upbringing with a modern-era Frankenstein story about a misunderstood boy who just wants to belong. Possibly Johnny Depp's most iconic role, we look at the lasting effect Burton's melancholy love story has had on what it means to fit in and find love. Other topics include the state of the modern blockbuster, new movies we're watching, John Waters, Darren's upcoming Punk Rock & Paintbrushes Holiday art show, and holiday music picks for a chaotic Christmas party.
Songs of the Week
Christmas Apology by TLB
Must Be Santa by Bob Dylan
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This week we discuss the 80s cult classic Razorback. An eco-horror set in the outback, the tale of a giant killer boar rampaging against the exploitation of the natural land is a poetic masterpiece, despite its admittedly ridiculous premise. We get into director Russell Mulcahy’s ability to weave visual artistry and horror aesthetics while also giving us the most badass hunter from down under, Jake Cullen. Other topics include Six Feet Under, new movies we’re watching, holiday plans, and Darren’s new project The Musician’s Green Book. Let’s blast the shit out of these razorbacks!!
Songs of the Week
Keep Movin’ On by Sam Cooke
Big White Cloud by John Cale
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This week on Remainders we talk about the 1999 documentary American Movie. A tale of Midwestern grit about a man who will stop at nothing to complete his low-budget horror film and prove to himself that dreams can come true. A Sundance Film Festival winner and the origin of two immortal characters in Mark Borchardt and Mike Schank, we’ll look at its enduring legacy and why art is worth fighting for. Other topics include Morrissey and The Cure, new music picks, and a brief tribute to Scorsese on his 80th. It’s alright! It’s ok! There’s something to live for!
Songs of the Week
Devil In Me by Gin Wigmore
There’s a Girl in the Corner by The Twilight Sad
Songs of the Week Playlist
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This week on Remainders we cover the 1955 classic The Night of the Hunter.
A one-and-done directed movie by screen legend Charles Laughton, this noir/thriller stars Robert Mitchum as a faux preacher serial killer targeting housewives by the score. Although largely ignored at the time of release, Hunter has grown in status and is now regarded as one of the best films of all time with clear influence from the silent era and German Expressionism.
Other topics include why critics may have dismissed Hunter, Mitchum and Laughton’s larger-than-life screen presence, recent live shows, book recommendations, new prints at Darrenvorel.com, high and low art, beard status, and our new Song of the Week picks. It's love that's won, and old left hand hate is down for the count!
Song Picks
Darren: What Would You Like Me To Do by Meat Wave
Patrick: Halloween by Helloween
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As David Gordon Green's Halloween trilogy comes to a conclusion with Halloween Ends, we take a look at the entire film series. We give our complete rankings of every Halloween movie (including Halloween Ends) and celebrate Carpenter's legacy in the franchise that just keeps on giving. Hot takes are had, Rob Zombie gets some major attention, and we learn that every Halloween sequel ages like fine wine.
This week on Remainders, we take a look at witchcraft and satanic orgies with the 1922 silent film classic Haxan, or Witchcraft Through the Ages. As we settle into our favorite October horror movies, Haxan is largely where it all started. Part historical document on witchcraft in the Middle Ages, part fictionalized account of how Satan and his wild tongue seduced women to witchcraft, ALL horror insanity. We also give praise to the Music Box Theatre with an account of their annual 24-hour horror marathon, the Music Box of Horrors.
This week on Remainders, Darren and Patrick cover the 2005 Australian western The Proposition.
Directed by John Hillcoat (The Road) with a screenplay and score by Nick Cave, the outback never looked or sounded so violent. The plot is simple but commanding: a vicious criminal must hunt down and kill his older brother in order to save his younger brother from execution.
The poetic nature of death and murder is nothing new to Nick Cave, and in The Proposition he goes hard on morality in an immoral world. We also dive into Cave’s post-punk roots and current status as artistic philosopher, the nature of grieving, the history of Australian subjugation, new book recommendations, Paul Thomas Anderson rankings, and wondering how Ray Winstone and Guy Pearce can act in a swarm without bug repellant. Australia…what fresh hell is this?
This week on Remainders, Darren and Patrick take a look at Darren’s classic pick A Woman Under the Influence by John Cassavetes. Cassavetes was never one to shy away from tough emotional turmoil in his films, and Woman is no exception. In what may be a favorite performance on the podcast, Gena Rowlands displays a masterclass in acting and how to show the slow realization someone may be beyond help.
Other topics this week include The Ramones, upcoming shows for the hosts, and the ongoing Remainders debate between Chicago and L.A.
This week on Remainders, Darren and Patrick take a look at the 1969 French film La Piscine. A now pivotal piece of French cinema and neo-noir styling, the story focuses on betrayal and longing when rich people start behaving bad. Death just looks better when it's dressed in style and driving a Maserati.
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Darren and Pat get together for a first reaction episode on Baz Luhrmann's, ELVIS. A little less conversation a little more action.
This week Darren and Patrick dive into 2018’s Under the Silver Lake starring Andrew Garfield as L.A.'s resident code-breaker and scumbag. A neo-noir that pays homage to Hollywood that may or may not have something profound to say – for better or worse. Other topics include the new George Carlin doc, Sarah Squirm and body-horror comedy, and Darren sings the hits of the nineties.
'This week, Darren and Patrick discuss the 2014 independent film "Buzzard" by writer/director Joel Potrykus. The story of a low-level scam artist, Marty is a petty idealist who thinks the world owes him something. Our hosts talk up this masterful and hilarious journey of what it means to barely survive as a human vulture. Bring the spaghetti and check this one out.'
In 2009, Sam Raimi returned to his horror roots with Drag Me To Hell. This week, Darren and Patrick talk movie curses, CGI, getting back to live shows in Chicago and California, and whether or not Alison Lohman is tougher than Bruce Campbell.
Join Darren as he discusses rest and how it fits within our creative recipes.
Most of us are made aware of when we need to rest. Our bodies and our minds have a way of telling us. So why do some of us ignore these signs? Why do we keep going when our bodies and minds are imploring us to pause?
Our host shares a first hand account of how rest has become an important part of his creative process.
Love them or hate them, eventually we’re all faced with a deadline in both our professional and our personal lives. If we’re forced to accept a future finish line, is it possible to still experience freedom in our work?
In this episode of Remainders, we will expound upon the practice of understanding time and trusting in the process to achieve the final result whenever possible.
more: http://www.remainderspod.com
Today and throughout this ongoing ten part season, we will be exploring the steps within the creative process. How the stories, sounds, and characters we love come to exist. Together, we’ll be exploring the steps involved and the joy that comes with fully immersing yourself in creation.
There is no better way to revel in the present moment than when we are involved in creation. Whatever the medium and whatever the purpose, our mind enters a deep focus when we create. Our worries soften and everything is balanced.
In this episode of remainders, we will explore the happiness that comes with finding a rhythm.
Today and throughout this ten part season, we will be exploring the steps within the creative process. How the stories, sounds, and characters we love come to exist. Together, we’ll be exploring the steps involved and the joy that comes with fully immersing yourself in creation.
In this episode of Remainders, we discuss pre-programming. The helpful and not so helpful behaviors that are learned over time.
more: http://www.remainderspod.com
Today and throughout this ten part season, we will be exploring the steps within the creative process. How the stories, sounds, and characters we love come to exist. Together, we’ll be exploring the steps involved and the joy that comes with fully immersing yourself in creation.
In this episode of Remainders, we discuss what it means to be uncomfortable in our daily, and creative lives.
Today and throughout this ten part season, we will be exploring the steps within the creative process. How the art, music, and stories we love come to exist. Together, we’ll be exploring the steps involved and the joy that comes with fully immersing yourself in creation.
In this first episode - we’re talking about inspiration and where to find it. Sometimes we’re looking for it and sometimes it finds us. Whatever the case may be, we have to be open to letting inspiration happen. We’ll follow up today's episode with 9 more episodes. We’ll be talking about being uncomfortable, pre-programming, being present in the work, freedom from deadlines, resting, collaboration, creative cycles, surrendering and letting go.
On this episode of Remainders, our host explores the 2011 book "Dear Cary" by Dyan Cannon. Cannon is an accomplished actress, writer, editor and mother. She is also well known for being the fourth wife of legendary Hollywood Actor, Cary Grant.
In "Dear Cary" the reader gets a rare and intimate look at what it was like to be married to (arguably) the biggest star in cinema history. In this personal time capsule, we get to explore the gender roles expected of a man and women and see what happens when a public courtship gives way to marriage, drug use, mental institutions, and a baby.
Join us as we look beneath the grace, charm and wit to see what Remains of Cary Grant.
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“Visions are worth fighting for. Why spend your life making someone else’s dreams?”
On the season finale of Remainders, we discuss Tim Burton’s classic 1994 film Ed Wood. A story of creative expression and a love letter to Burton’s idol, Ed Wood’s status as “World’s Worst Director” only grows with prestige and envy over time. Ed Wood and Bela Lugosi (brilliantly played by Johnny Depp and Martin Landau) inspire and drive each other to leave their mark on Hollywood. Wood’s films included Glen or Glenda, Plan 9 From Outer Space, and among countless other Z-grade schlock in horror and sci-fi.
A true original, his ambition was far greater than his talent. But it was that originality and drive that caught the attention of similar misanthrope Tim Burton, who created his most personal and auto-biographical film. Similarly, we discuss the ways drive is essential in the creative process, and how that has helped us along the way in life and in art. Join us as we close our season with an endlessly inspiring story of creative originality.
more: www.remainders.com/season-1
Cigarettes and coffee, man, that’s a combination--Iggy Pop.
On this episode of Remainders, Darren and Patrick discuss the caffeine-fueled conversations in legendary auteur Jim Jarmusch’s 2003 film Coffee and Cigarettes. Jarmusch tells stories of social misfits experiencing the downside of the American Dream, and remains one of the most unique filmmakers working today. An ode to broken connections, Coffee and Cigarettes documents 11 obscure, awkward, and sublime meetings with the most essential cult figures in music, film, and beyond. We rave with Roberto Begnini, ghost-bust with Bill Murray, and check out the jukebox with Iggy Pop.
But beyond the bitter, black coffee and awkward pauses, why has Jarmusch endured as such a force in independent cinema for so long? Join us as our hosts sip a little coffee, take a drag, and see what remains.
more: www.remainders.com/season-1
My shit's fucked up--Warren Zevon
On this episode of Remainders, our hosts discuss the life and dirty times of Warren Zevon. A gifted songwriter, outsider, cynic, and romantic, Zevon remains an underappreciated rock and roll legend. More than merely the singer behind ‘Werewolves of London,’ Zevon mastered the art of ‘song noir’ and was admired by Bruce Springsteen, Tom Petty, Martin Scorsese and countless other artists.
Behind the critical accolades, he spent a lifetime struggling against alcoholism and drug addiction. His obsession with death came to light in 2002 when Zevon was diagnosed with mesothelioma and was given only months to live. Despite his death sentence, Zevon set out to make the best album of his career. Join us as we pay tribute to the legend.
more: www.remainderspod.com/season-1
The 2013 documentary Finding Vivian Maier explores the life of revolutionary Chicago street photographer Vivian Maier. A notorious recluse, Maier excelled in the art world and received massive acclaim upon her death because of a chance discovery of her work.
But Maier’s life deviates from the conventional idea of artistic aspiration: Why didn’t she share her work for the world to see? On this episode of Remainders, Darren and Patrick decipher an artist’s life and discuss the reasons why we create, the ethics of personal expression, and whether we can separate art from the artist.
Through photographs, we get a glimpse of Vivian Maier and a complex life behind the art. Join us as we see what remains.
more: http://www.remainderspod.com/season-1
"I have a competition in me...I want no one else to succeed."
On this episode of Remainders, our hosts discuss the fully American and borderline horror film There Will Be Blood.
Many cite There Will Be Blood as a contemporary classic largely because of Daniel Day-Lewis’ maniacal performance as quintessential capitalist and oilman Daniel Plainview. But it’s also the intricate themes of power and debilitating obsession that continue to resonate in a world dominated by religious threat and the pursuit of wealth. Darren and Patrick ask what There Will Be Blood can teach us about the two most powerful ideas in a self-indulgent America: Money and Religion.
Join us on this episode of Remainders as we journey through an ocean of oil and ask what remains.
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“There should be more women directing. I think there's just not the awareness that it's really possible. It is.”-Kathryn Bigelow.
Point Break remains a pivotal piece in our hosts’ film education largely because it asks the essential question: what more do you need than Keanu Reeves and Patrick Swayze surfing, skydiving, and robbing banks? The 1991 film may not have redefined movies upon its release, but since then it’s gained appreciation largely because of director Kathryn Bigelow’s giant mark on Hollywood. Bigelow remains to be the only woman in history to win an Oscar for Best Director, and in this episode of Remainders, Darren and Patrick try to give credit where credit’s due.
After you Alphonse, I insist.
“To all the hustlers, bastards, strugglers, and hoodlum childs who are chasing their dreams.”
On this episode of Remainders, Darren and Patrick discuss the book American Prison by Shane Bauer. Bauer is an investigative journalist who posed as a correctional officer in a private prison in Louisiana to expose the deplorable conditions for both inmates and officers. The purpose was to uncover the inner workings one of America’s most controversial topics--prisons that work for profit, which many people consider to operate as modern day slavery.
Bauer himself suffered through imprisonment for over two years while reporting in Iran. But in American Prison, he tries to understand what happens when there’s a clear economic incentive to locking people up. Or more explicitly, who is getting rich by keeping people in prison?
“Do yourself a favor, become your own savior.”
The 2005 documentary The Devil and Daniel Johnston truly is the story of an artist. Johnston was a cult icon whose DIY ethic and career became stuff of legends in the modern indie rock scene. He’s been championed and even covered by the likes of Beck, Tom Waits, Sonic Youth, Wilco, Nirvana, Fugazi, and many more. But even though he’s been often tagged as a musician’s musician, struggles with manic depression and schizophrenia often prevented him from finding the mainstream success many thought was deserved.
On this episode of Remainders, Darren and Patrick explore the creative process of an artist, and dive into their own practice with the art of creation.
“Do you know why this is my favorite tree? Because it’s tipped over and it’s still growing.”
The Florida Project is a 2017 film from Sean Baker that immediately caught the attention of Darren and Patrick upon its release. Willem Dafoe--Nosferatu himself--epitomizes tender masculinity with his portrayal of a welfare hotel manager caught between empathy and profit. In this episode of Remainders, our hosts discuss why The Florida Project left such an indelible mark on their idea of poverty, homelessness, and the innocence of childhood. Join us as we step into the gritty shadows of The Magic Kingdom.
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“The movies are like a machine that generates empathy.”
In the debut episode of the Remainders podcast, Darren Vorel and Patrick McIntyre dive into the Roger Ebert documentary Life Itself. Ebert was a man who won a Pulitzer for film criticism, had a severe drinking problem, and was unafraid to share his excruciating crawl to death for the world to see. But what does he have to say about life? And what did Darren and Patrick learn from his philosophy? And who the fuck is Pauline Kael?
Join us as we grapple with the questions that comprise life itself.
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