Welcome and thanks for listening..
Composer of guitar instrumentals from Australia, producng music & film from the home studio in my spare time purely for enjoyment.
Inspired by some of the guitar greats & instrumental bands from the 60's and 70's era. I produce mostly original instrumental guitar tracks. and involved in the odd collaboration.
In the spirit of the old Classic Soundcloud, please feel free to leave a comment or like.. would be greatly appreciated, and i will certainly return it by mutual interaction where possible.
To family, followers, friends and Soundcloud, thanks for all the support and inspiration over the years and hopefully many more to come. Thanks for dropping by and I hope you enjoy the music.
All rights to the audio/tracks, and album photography are reserved, and respectfully belong to the owner. © 2008-2024
A rendition of a lovely piece of music.. Sunset, produced by Mike Oldfield from the album Light & Shade. Dedicated to my Wife, Louise.Thanks for listening.Rendition arranged & produced by Mike Hilton, 13/12/24.No copyright infringement intended.Instruments;Takamine 6-string acoustic guitar.Fender Stratocaster.Cakewalk VST - Piano, Strings, Bass Guitar. Synth & Percussion.Soft-Synth, ART Pyrite.Cover Photo - Pexels
A tribute to Mike Oldfield with a Guitar Instrumental rendition of the classic tune, Moonlight Shadow.Thanks for listening.Information gathered from Wikipedia;Released as a single on the 6th May 1983 by Virgin Records, and included on his eighth album, Crises, of the same year.It has been suggested that the lyrics of the song are a reference to the murder of John Lennon, despite the fact that the events in the song do not correspond with those of Lennon's murder.When asked whether "Moonlight Shadow" is a reference to John Lennon's murder in a 1995 interview. Oldfield responded.."Not really... well, perhaps, when I look back on it, maybe it was. I actually arrived in New York that awful evening when he was shot and I was staying at the Virgin Records house in Perry Street, which was just a few blocks down the road from the Dakota Building where it happened, so it probably sank into my subconscious. It was originally inspired by a film I loved – Houdini, starring Tony Curtis, which was about attempts to contact Houdini after he'd died, through spiritualism... it was originally a song influenced by that, but a lot of other things must have crept in there without me realising it".— Mike OldfieldLyrics;[Verse 1]The last that ever she saw himCarried away by a moonlight shadowHe passed on, worried and warningCarried away by a moonlight shadowLost in a riddle that Saturday nightFar away on the other sideHe was caught in the middle of a desperate fightAnd she couldn't find how to push through[Verse 2]The trees that whisper in the eveningCarried away by a moonlight shadowSing a song of sorrow and grievingCarried away by a moonlight shadowAll she saw was a silhouette of a gunFar away on the other sideHe was shot six times by a man on the runAnd she couldn't find how to push through[Chorus]I stay, I praySee you in Heaven, far awayI stay, I praySee you in Heaven one day[Verse 3]Four A.M. in the morningCarried away by a moonlight shadowI watched your vision formingCarried away by a moonlight shadowStars move slowly in the silvery nightFar away on the other sideWill you come to talk to me this night?But she couldn't find how to push through[Chorus]I stay, I praySee you in Heaven, far awayI stay, I praySee you in Heaven one day[Guitar Solo][Outro]Far away on the other sideCaught in the middle of a hundred and fiveThe night was heavy and the air was aliveBut she couldn't find how to push throughCarried away by a moonlight shadowCarried away by a moonlight shadowFar away on the other sideBut she couldn't find how to push through.Mike Hilton - lead, rhythm, electric & acoustic Guitars.Original composition written, produced & recorded from Feb - April, 1983 by Mike Oldfield, & released ©️ 6th April 1983 by Virgin Records.Cover photo - From my backyard Astrophotography.No copyright infringement intended.This audio contains copyrighted material the use of which has not been specifically authorized by the copyright owner.The above-mentioned audio on this site is distributed without profit to those who have expressed a prior interest in receiving the included information. I do not own the backing soundtrack to this music.
Our Father - produced by Mike Oldfield from the album Light & Shade. Another homage to the legend, keeping his music alive with a guitar cover of this great piece of music.Words from the man himself : "I worked on it around the time Pope John Paul II died, 2005, and what a fascinating and wonderful life he had; when he died, it didn't feel like he was gone, and it all just seeped into my consciousness, and ended up with this title. For me, it encapsulates the whole man's lifetime, and his death"Thanks for listening.Guitar - Mike HiltonBacking - Mike Oldfield, Our Father, from the album Light & Shade, released by Mercury Records © 26/09/2005.No copyright infringement intended.Background photo - The Vatican, courtesy of Pexels.
A Mike Oldfield tribute, keeping the legend and his music alive.Jungle Gardenia with its haunting melody was released on the single b-side with Crime of Passion, 03/01/1984 on the Virgin label.It also featured on the album "The Complete Mike Oldfield" 1985, on the Virgin label, the "Elements" album, 1993, on the Virgin label, and "The Mike Oldfield Collection" 2009, on the Mercury label.Thanks for listening.No copyright infringement intended.Mike Hilton - Guitar.Backing arrangement, Mike Oldfield, Jungle Gardenia, ©️03/01/1984, Virgin Records.Background photo - ahmad-nawawi, Pexels.
A tribute to Mike Oldfield, keeping the genius and his music alive.Mike Hilton - Guitar & Piano.Further backing arrangement - Mike Oldfield, Angelique,from album Light & Shade, released by Mercury Records © 26/09/2005.No copyright infringement intended, for entertainment purposes only.Background photo - Caio (pexels)
Simply inspired by the joy of playing guitars and producing music.Thanks for listening.Arranged & Produced by, Mike Hilton ©️ 29/04/2024Instruments;Fender StratocasterPRS custom 24Takamine acoustic 6-stringMellotronHammond OrganTama percussionDouble-bassVox AmpsCover art - Acoustic Guitar Forum - Ozzy The Dog. Composite image by, Mike Hilton.
Inspired by the natural beauty of Birdlife on our Planet.Featuring Alida Santandrea, a.k.a https://soundcloud.com/spawn-of-sirius, on Native American Flute.Video ~ youtu.be/2qDJYoAQfw0Thanks for listening.Arranged & Produced by Michael Hilton ©️ 22/04/2024Mike Hilton ~ Acoustic & Electric GuitarsAlida Santandrea ~ Native American FluteCover photo ~ Pexels
Collaboration with Aedificium & myself featuring a scubadiving video.Video - https://youtu.be/DBMVA2SFzeQ?si=AWRjvZLsiei_kB-2Arranged and produced by Mike Hllton & Aedificium © 10/04/2024Thanks for listening.Mike Hilton - Electric, Acoustic & Bass GuitarsAedificium - Percussion & further arrangement. Cover Art - Victor Harbour, South Australia.
A Surf Rock track inspired by a visit to Bells Beach, Australia 1988, on a stormy day.Arranged and produced by Mike Hllton © 10/05/2022Cover art - Mike HiltonThanks for listening.
A collaboration with https://soundcloud.com/aedificium and myself about the extinction of the Dinosaurs in the Cretaceous period 65 million years ago.Thanks for listening.Arranged and produced by Mike Hllton & Aedificium © 22/11/2023 You-Tube - https://youtu.be/2izIAqiFSTUMike Hilton - Electric, Acoustic & Bass guitarsAedificium - Percussion & further arrangementCover art - New York Times
A cover of the classic rock ballad Lucky Man by Emerson Lake & Palmer. I'm dedicating this cover to Daniel Hoffay a.k.a https://soundcloud.com/kogwonton here on Soundcloud where you'll find many more of his great covers. Daniel sent me his guitar stem for this track just before he passed away 19/05/2022 and finally after a remix it's now completed. R.I.P Dan, this one's for you.
The origin of the song, as stated by Greg Lake in interviews, is that it was the first song he wrote, when his mother bought him a guitar when he was 12. With the first chords he learned (D, A minor, E minor, and G), he wrote an acoustic version of the song. In early 1968, Lake would rehearse the song with King Crimson.
The song came to be used on Emerson, Lake & Palmer's debut album when they needed one more song. Lake played the version he had written from childhood, but the rest of the band did not like it, feeling it would not fit with the other album tracks. Lake then worked on it in the studio with Carl Palmer. Lake added numerous overdubs of bass, triple-tracked acoustic guitars, electric guitar, and harmony vocals until it "sounded like a record." This version of the song — with a second electric guitar solo in place of where Emerson would later overdub his Moog solo — is featured on the album's deluxe edition.
Unlike several songs on the album, which use a distorted fuzz bass to sound like a guitar, "Lucky Man" is an acoustic ballad. The lyrics tell the story of a man who had everything, went to war, and died.
Credits
Daniel Hoffay - acoustic & electric guitars Mike Hilton - lead & assisted backing vocals Further Arrangement - Jamkazam Mix produced & arranged by Mike Hilton 09/08/2023 Cover Art - A composite image featuring E.L.P in concert at Riverfront Coliseum May '77.
Lyrics
He had white horses And ladies by the score All dressed in satin And waiting by the door
Ooh, what a lucky man he was Ooh, what a lucky man he was
White lace and feathers They made up his bed A gold covered mattress On which he was laid
Ooh, what a lucky man he was Ooh, what a lucky man he was
He went to fight wars For his country and his king Of his honor and his glory The people would sing
Ooh, what a lucky man he was Ooh, what a lucky man he was
A bullet had found him His blood ran as he cried No money could save him So he laid down and he died
Ooh, what a lucky man he was Ooh, what a lucky man he was
Songwriters: Gregory Lake © 1968 Lucky Man lyrics © BMG Rights Management, Music Sales Corporation
A modern rock tribute to the Bards of medieval times. Bards were originally Celtic composers of eulogy and satire; the word came to mean more generally a tribal poet-singer gifted in composing music and reciting verses on heroes in battle and their deeds. Thanks for listening. Arranged and produced by Mike Hllton © 05/08/2023
A modern rock tribute to the Bards of medieval times. Bards were originally Celtic composers of eulogy and satire; the word came to mean more generally a tribal poet-singer gifted in composing and reciting verses on heroes, celebrating their victories in battle and their deeds. Thanks for listening. Arranged and produced by Mike Hllton © 31/07/2023
A classic folk rock ballad "Lucky Man" © 1970 by Emerson Lake & Palmer.Greg Lake wrote the lyrics(below)when he was just 12 years old.The lyrics tell the story of a man who had everything, went to war, and died.The band didn't like the piece originally, but eventually releasing the track after a full arrangement was produced and featured on their debut album.This cover is a collaborative project with the late Daniel Hoffay, aka Kogwonton, more of Dan's great work here.. @kogwontonAn experimental first for me as vocal work is not my forte.I asked Daniel many years ago if he would do a cover on the piece, and just before he passed away he sent me the guitar stem, and what a fine job he presented me with. So i've produced a full arrangement of the piece keepng it as true to the original as possible.This one's for Daniel.. R.I.P my good friend.Daniel Hoffay ~ acoustic & electric guitarsMike Hilton ~ lead and accompanied backing vocals, & further arrangement.Produced ~ 22/03/2023.LyricsHe had white horsesAnd ladies by the scoreAll dressed in satinAnd waiting by the doorOoh, what a lucky man he wasOoh, what a lucky man he wasWhite lace and feathersThey made up his bedA gold covered mattressOn which he was laidOoh, what a lucky man he wasOoh, what a lucky man he wasHe went to fight warsFor his country and his kingOf his honor and his gloryThe people would singOoh, what a lucky man he wasOoh, what a lucky man he wasA bullet had found himHis blood ran as he criedNo money could save himSo he laid down and he diedOoh, what a lucky man he wasOoh, what a lucky man he wasWritten by Greg Lake © 1970
The Lorcán ~ an Irish given name meaning " little fierce one "Produced and arranged at Puppywolf Studios 5/2/2023Thanks for listening.InstrumentsPRS Custom 24Takamine Acoustic GuitarDouble BassBodhránVocal PadsChimes
A folky stringed composition inspired by an admired and legendary folk guitar player.. missing in action.A haunting kind of tune with a selected arrangement comprising of acoustic & electric guitars, double-bass, mellotron and glockenspiel.Thanks for listening.Cover art ~ Paintt version of La Grotta dei ladroni, Sicily Italy,
A best of album taken from albums 1 - 4 produced between 2015-17. A collaborative project with https://soundcloud.com/aedificium (thanks mate), we expanded greatly on the first album so i've prepared this condensed version with several favourite tracks from all four albums and produced a more or less animated feature film along with it in the theme of a science- fiction adventure titled "Origin of Orion" Many years in production, collaborating and producing this overall scope on the theme with music and film, it's been quite a long journey but very satisfying and much fun, i can now lay this one to rest. A big ask but i hope you can enjoy this mini-epic to it's full duration of 27mins. I'm also making this a free download "FLAC" file for any listeners at your leisure.. a gift to my SC friends, feedback greatly appreciated 😊 Thanks for listening, and don't forget to watch the film on You-Tube, link below. https://youtu.be/7TYaLcNXhis
Experimental sessions with the Mellotron 4000 virtual-synth.
Always loved the sound of this classic 60's-70's haunting synth so i've created several transitioned verses in a progressive guitar-rock style. A bit of a mixed genre, i started off with a kind of Morricone/Leone idea of a wild west spaghetti-western vibe, then a friend and musician Dave Svensson suggested i expand on it, thus creating a blend of Spanish, Folk, Classical, Rock and a dash of Blues fused together with this classic synth. Thanks for listening.
Instruments & Soundstage (as per cover)
Double-Bass (left) PRS custom 24 (centre left) Percussion (centre) Mellotron 4000 (surround) Takamine Acoustic ( left & right) Fender Stratocaster (centre right)
Music and film inspired by the joy of Motorcycling. Filmed in the Adelaide Hills South Australia, (2004-2022) Hope you enjoy the ride & thanks for listening :)
Video link https://youtu.be/SI-DqMAlecY
PuppyWolf Studios©️2022
A short tune i produced for the blood moon event 28th July 2018. Thanks for listening. Video link www.youtube.com/watch?v=JP83Q9_jSgM
A more recent surf tune, produced Aug 2020, and re-mixed Jan 2021. Thanks for listening.
A longer piece produced in 2017 and inspired by a few of my travels. Thanks for listening. You-Tube https://www.youtube.com/watch?v=zHdoqKjUsr4
A song for that someone special in our lives. Thanks for listening.
Instruments;
Takamine 6-string Fender Stratocaster Midi VST; Angelina.
Seven Islands, an older track relates to the Canary Islands. Track awarded the Soundclouder of the day, Jan 16, 2014. You-Tube https://youtu.be/EFnID6tBKyw
A new track prog-rock style. Thanks for listening! You-Tube - https://youtu.be/y-74Dtqw5Ek
Light Years, the final track from the album Parallels. A while in the making, and mixes together several ideas i had for single tracks for the album, and connects with a previous longer track Nucleus, creating a path or journey through space and time along with several other tracks relating to the theories and current laws of physics and the cosmos. In six parts as follows;
1 : Dark Matter 0:00 - 0:45 2 : The Gods 0:45 - 2:07 3 : Worlds Collide 2:07 - 3:24 4 : Expansion 3:24 - 5:25 5 : Multiverse 5:25 -6:21 6 : Light Speed 6:21 - 9:20
Hope you enjoy this little journey as much as I have. Thanks for the listen ;)
Instruments;
PRS Custom 24 Fender Strat Takamine 6-string Midi Percussion, Bass, Glockenspiel, Marimba, Native frame Drums. Narration by Mike Hilton Many vst's, synths, effects. A special thanks to "Setuniman" and "Crooner", for several samples c/o Freesound .org.
Arranged and produced at PuppyWolf Studios 17/01/17.
A guitar cover/improvisation and collaboration by David Svensson and Mike Hilton, and a dedication to the life of Dr Oldfield, whom sadly passed away recently. Father to Sally, Mike and Terry Oldfield. We dedicate this version of "Let There Be Light", one of Mike Oldfield's brilliant pieces of music to the Oldfield family, we are also greatly inspired by these gifted and very talented musicians.
David asked me to perform some guitar on his version, and is one of his favourite pieces by Mr Oldfield, and I gladly accepted. This is also one of my first at an improvised cover, and a great choice by David indeed. And I must say it was an absolute pleasure working on his superb arrangement.. a very talented player devoted to music, and sincere friend. More of Dave's great music here.. https://soundcloud.com/davidjsvensson
(no copyright infringement intended)
Many thanks for listening. Instruments;
David Svensson ~ Acoustic (Classical & 12 string guitars)and Bass guitar. Mike Hilton ~ Fender Stratocaster Arrangement ~ David Svensson. Mixed and produced ~ Mike Hilton
Cover-art design, Dave & Mike Background image; reviews.blogspot.com
M-Theory, aka magic theory, string-theory.. a theory in Physics. conjectured first by Edward Witton.. and Stephen Hawking contends, it is possible for the universe -- actually multiple, coexisting universes -- to pop into being from nothing. "It is not necessary to invoke God to light the blue touch paper and set the universe going," he writes, 7 Sept 2010.
Thanks for listening. You-Tube excerpt https://youtu.be/Zal4KkEPPrY
Instruments
Washburn D11 acoustic 6-string Fender Stratocaster PRS Custom 24 Washburn MG30 Midi- Acoustic Bass, Midi- Percussion, Synth and effects. Cover-art hippies.com