For the Record With GG and Adam: Recent Episodes
G and A
On their debut album, Montreal-based Ribbon Skirt tackle themes of indigenous identity with a 90s throwback sound. We discuss it in-depth on episode #234 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
The Convenience make a hard pivot to a new, guitar-driven, dissonant but catchy sound on their second album, "Like Cartoon Vampires." We discuss it in-depth on episode #233 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
The Osees' John Dwyer and prolific new wave drummer David Barbarossa join forces in a new supergroup, Chime Oblivion, delivering 12 songs of dense, anarchic, delightful proto-punk. We discuss their self-titled debut on episode #232 "For the Record."
On their third album, L.A. quartet Mamalarky perfect their distinct flavor of quirky indie-pop into a record that's both weird and catchy. We discuss "Hex Key" on episode #231 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
The debut album from British quartet Divorce is a catchy, emotional rollercoaster ride that you can sing along to in the car with the windows down. We discuss "Drive to Goldenhammer" on episode #230 of "For the Record."
After Tik Tok fame, many singles, and years of touring, Annie diRusso's debut album is a polished powerhouse that captures all the ways people found her irresistible to begin with. We discuss "Super Pedestrian" in-depth on episode #229 of "For the Record.
Singer-songwriter Geneviève Beaudoin of the Maine-based project Dead Gowns has been making music all her life, but this is the band's first full-length record. We discuss "It's Summer, I Love You, and I'm Surrounded by Snow" on episode #228
Jasmine.4.t's Boygenius-produced debut album is a dazzlingly varied, emotional, and beautiful journey. We discuss "You Are the Morning" in detail on episode #227 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
Brighton-based Lambrini Girls mix righteous punk fury with a strong helping of humor and self-awareness. We discuss their debut album, "Who Let the Dogs Out" on episode #226 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
On their dreamy, dizzyingly varied fourth album, L.A.-based Peel Dream Magazine wrap their listeners in childhood nostalgia for New York City. We discuss "Rose Main Reading Room" on episode #225 of "For the Record."
On their third LP, Irish six-piece Silverbacks break new ground with complex indie rock that embraces a variety of sounds. We discuss "Easy Being a Winner" on episode #224 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
On his third solo album, Swedish artist Henrik Appel conveys earnest emotion by combining energetic garage rock and jazzy improvisation. We discuss "Shadows" on episode #223 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
36 years after Pixies released “Surfer Rosa,” indie rock icon Kim Deal has come out with her first solo record, “Nobody Loves You More.” We discuss it in-depth in episode #222 of “For the Record.”
Montreal-based PYPY’s second album, 10 years after their first, is an exhilarating blend of psych rock and new wave, with virtuosic instrumentals and otherworldly vocals. We discuss “Sacred Times” on Episode #221 of For the Record.
L.A. singer-songwriter Marina Allen breaks through with her clarion voice and beautiful Laurel Canyon sound on her third album, "Eight Pointed Star." We discuss it in depth on episode #220 of "For the Record."
Oakland trio Fake Fruit’s second album faces an uncertain world with blistering guitars, off-kilter rhythms, and an appealing blend of earnestness and humor. We discuss “Mucho Mistrust” on episode #219 of “For the Record.”
Welsh duo The Bug Club combine high-energy, melodic garage rock with absurd, witty lyrics on their Sub Pop debut, "On the Intricate Inner Workings of the System." We discuss it in-depth in episode #218 of “For the Record.”
Wishy's debut album is filled with hooky, melodic rock that sounds like it's been beamed through time from your favorite 1990s alternative radio station, while somehow still sounding fresh.
Themes of loss and grief lend an intensity and urgency to the debut album from the Bay Area's own Sour Widows. We discuss "Revival of a Friend" in-depth in episode #216 of “For the Record.” For all the past episodes, visit ForTheRecordPodcast.com.
Detroit singer-songwriter Odie Leigh fuses indie pop, folk, and Americana in her charming debut album, "Carrier Pigeon." We discuss it in-depth in episode #215 of “For the Record.”
After decades in bands like Wolf Parade, The Arcade Fire, Handsome Furs, Divine Fits, and Operators, Dan Boeckner has released his first solo album. We discuss "Boeckner!" on episode #214 of “For the Record.”
Montreal trio Cola was born out of the ashes of post-punk band Ought, but they bring a more melodic, jazzy feel to songs that still maintain the undercurrent of dissonance and anxiety that was Ought's calling card.
The sophomore album from Ducks Ltd. brings sunny, jangle-pop melodies with layered production that mask lyrical themes of anxiety and depression. We discuss "Harm's Way" on episode #212 of “For the Record.”
Middle Kids are a trio from Sydney, Australia who swing for the fences on their third album, with glossy pop that has stadium-filling energy. We discuss “Faith Crisis Pt. 1” on episode 211 of “For the Record.”
On their second album, Brooklyn’s Gustaf expertly balance art-punk ambition with danceable beats and a playful sense of humor. We discuss “Package Pt. 2” on episode 210 of “For the Record.”
Vampire Weekend's fifth album is their best yet, and may end up being one of the best records of 2024. We discuss "Only God Was Above Us" on on episode #209 of “For the Record.” For all the past episodes, visit ForTheRecordPodcast.com.
San Francisco’s own Bad Tiger craft charming, introspective indie pop with emotive vocals and thoughtful instrumentation. We discuss their second full-length, “Bliss,” on episode #208 of “For the Record.”
Guitar legend Mary Timony is back with her first solo album in almost two decades, exploring a range of styles in songs that are as intricately-crafted as they are catchy. We discuss "Untame the Tiger" on on episode #207 of “For the Record.”
On her debut LP, Oakland-based Sarah Coolidge combines clever, evocative lyrics and powerful, Americana-influenced rock. We discuss “Call Me When You Get There” on episode #206 of “For the Record.”
SPRINTS are the latest exports from Dublin's burgeoning punk and garage rock scene. We discuss their ferocious debut album "Letter to Self" in-depth on episode #205 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
Sleater-Kinney's 11th record finds the now-duo pushing their sound forward while staying true to what made the band great. We discuss "Little Rope" in-depth on episode #204 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
Slow Pulp pushes all of our 90s nostalgia buttons while keeping their sound fresh with emotive vocals and electronic touches. We discuss their second album, "Yard," in-depth on episode #203 of "For the Record."
San Francisco-based Grooblen brings an eclectic mix of jazzy, psychedelic pop songs on their second album, "A Wormhole is a Freeway to the Stars." We discuss it in-depth on episode #202 of "For the Record."
On their second album, Kansas-based duo Sweeping Promises craft lo-fi, danceable new wave songs with a critique of late capitalism at once both biting and joyful. We discuss "Good Living is Coming For You" on episode #201 of "For the Record." For all the
Guitar virtuoso Marnie Stern comes roaring back with her first album in 10 years, and the good news is, she still shreds. We discuss "The Comeback Kid" on episode #200 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
Husbands make upbeat indie pop that washes over you and takes you to a sunnier place -- a perfect listen as we start descending into winter. We discuss their fourth album, "Cuatro," on episode #199 of "For the Record."
Milliseconds, a new trio with two members of The Dismemberment Plan, deliver a debut album of energetic, intricate songs confronting alienation and despair. We discuss "So This is How it Happens" on episode #198 of "For the Record."
With their second album, Brooklyn 5-piece Geese take an ambitious swing into new territory that combines classic rock, funky basslines, and over-the-top vocals. We discuss "3D Country" in episode #197 of "For the Record."
Australian singer-songwriter Alex Lahey has taken a major leap forward with her third album, bringing a more sonically expansive approach to her smart, catchy power pop. We discuss "The Answer is Always Yes" in episode #196 of "For the Record."
On their ninth record, Islands confront the absurdity of life with energy, humor, and rich, re-listenable production. We discuss "And That's Why Dolphins Lost Their Legs" in episode #195 of "For the Record."
On her new album, Margaret Glaspy pairs powerhouse vocals with emotive guitar and a stripped-down sound. We discuss "Echo the Diamond" in episode #194 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
Palehound's fourth album journeys through the emotional territory of a breakup with a lot of big riffs. We discuss "Eye on the Bat" in-depth in episode #193 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
On her second LP, Miya Folick blends powerful, emotive vocals with polished pop production to take the listener on an emotional journey. We discuss "ROACH" in-depth in episode #192 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.
On their impressive debut LP, Sir Chloe blend aggressive rock and sweet pop into fresh, varied, and extremely re-listenable songs. We discuss "I Am The Dog" in-depth in episode #191 of "For the Record."
Chicago band Stuck's second album is an indictment of late-stage capitalism that doesn't take itself too seriously. "Freak Frequency" is full of energetic post-punk that's both playful and driving. We discuss it in-depth in episode #190 of "For the Record
Superviolet is the new project from Steve Ciolek, lead songwriter of Ohio cult favorite band The Sidekicks, who put out their last album in 2018 and announced their dissolution last year.
Eyelids are a Portland quintent made up entirely of indie rock veterans, which shows in their breadth of influences and humble approach to songwriting. We discuss their fourth album, "A Colossal Waste of Light," in-depth on episode #188 of "For the Record
Scottish singer-songwriter Hamish Hawk was one of our favorite discoveries from SXSW this year, and his new album "Angel Numbers" combines a warm, soulful voice with wry lyrics and sing-along choruses. We discuss it in-depth on episode #187 of FTR.
Five years after the relesae of their much-acclaimed EP, supergroup Boygenius, consisting of singer-songwriters Lucy Dacus, Phoebe Bridgers, and Julien Baker, are finally back with a full album, titled simply, "The Record."
In episode #185 of “For the Record,” we depart from our usual format to discuss some of our favorite discoveries from the 2023 South by Southwest music conference in Austin, Texas.
After a 10-year hiatus, veteran Portland duo Quasi, half of which is rock's greatest drummer, Janet Weiss, are back with a 10th album of weird, joyful chaos. We discuss "Breaking the Balls of History" on episode #184 of "For the Record."
In episode #183 of "For the Record" we discuss the debut album from The Band Ends, R.E.M. drummer Bill Berry's first band since he "retired" in the late 90s. It's a supergroup of Athens, Georgia music veterans.
Singer-songwriter Margo Price may have established her reputation in Nashville, but her fourth album, "Strays," crosses genres and explores a variety of styles, buoyed by collaborators Sharon van Etten and Lucius.
Toronto band Kiwi Jr. is one of our favorite recent discoveries. Their third album knocks it out of the park with new wave synths, tight and jangly guitars, and clever, rapid-fire lyrics. We discuss "Chopper" on episode #181 of "For the Record."
On their third album, NOLA quartet Special Interest mix energetic dance, menacing industrial, and furious political punk to give listeners the catharsis of both anger and joy. We discuss "Endure" on episode #180 of "For the Record."
The Beths write power pop songs with hooks upon hooks, incredible musicianship, and a lot of heart. We discussed their first record back in episode #92 of "For the Record," but their new, third album was too charming not to do another episode.
The second album from London's Black feminist punk trio Big Joanie is packed with songs both experimental and catchy, confidently using a wide range of musical styles to explore universal themes of longing for community.
Solo artists Katie Crutchfield (of Waxahatchee) and Jess Williamson came together during the pandemic to create Plains, a collaboration centered on gorgeous vocal harmonies and timeless country styles.
On Death Cab for Cutie's 10th studio album, the band makes a surprising return to form while also taking a leap forward with their sound. We discuss "Asphalt Meadows" in-depth in episode #176 of "For the Record."
Australian singer-songwriter Stella Donnelly took an unexpected turn by moving from the traditional indie rock instrumentation of her first album to composing her second album entirely on piano. We discuss "Flood" in-depth in episode #175 of FTR.
In her debut album, "Pure Chaos," Lou Roy embraces the ups and downs of life with clever lyrics, a powerful voice, and impeccable production. We discuss it in-depth in episode #174 of "For the Record."
After four years, Superorganism are finally back, with a second album of kaleidoscopic, maximalist pop that's a ray of sunshine during the darkness of Fogust. We discuss "World Wide Pop" in-depth in episode #173 of "For the Record."
Kentucky singer-songwriter S.G. Goodman's second album uses her unique and powerful vocal style to fuse Americana with garage rock and create a distinctive southern sound. We discuss "Teeth Marks" in-depth in episode #172 of "For the Record."
Portland supergroup Slang’s debut album is diverse, tightly-performed, and creatively-produced, and both deeply weird and unexpectedly catchy. We discuss “Cockroach in a Ghost Town” on episode #171 of "For the Record."
British band Porridge Radio's third album is cathartic, emotional, and invigorating, with unusual song structures and instrumentation. We discuss "Waterslide, Diving Board, Ladder to the Sky" in-depth on episode #170 of "For the Record."
On his new album, singer-songwriter Kevin Morby takes inspiration from Memphis' diverse musical traditions, creating a collection of timeless, joyfully meditative songs. We discuss "This is a Photograph" in-depth on episode #169 of "For the Record."
Arcade Fire‘s ambitious sixth album, “WE,” takes big swings at universal themes with complex, multi-part songs of grand scope and earnest emotion. We discuss it in-depth in episode #168 of "For the Record."
Wet Leg's self-titled debut, preceded by the most intense hype in our recent memory, is packed with catchy, tightly-crafted, and frequently hilarious rock songs. We discuss it in-depth in episode #167 of "For the Record."
Dublin's Pillow Queens were of our favorite discoveries from this year's South by Southwest music conference, and they just released their second LP, "Leave the Light On." We discuss it in-depth in episode #166 of "For the Record."
In episode #165 of “For the Record,” we depart from our usual format to discuss our favorite discoveries from the 2022 South by Southwest music conference in Austin, Texas.
Pigeon Pit's urgent, catchy, lyrically complex folk punk was a new discovery for us, despite this being the band's fourth album. We discuss "Feather River Canyon Blues" in-depth in episode #164 of “For the Record.”
Nashville singer-songwriter Erin Rae takes her music in a new "cosmic country" direction with her third album. A new producer, Wurlitzer, piano, clavinet, and a lush collection of strings give a depth and retro feel to her beautiful, clear voice.
British four-piece Yard Act may be "standing 'round, hand-in-hand, watching the world burn," but they do it with dry humor, tight arrangements, and a danceable post-punk beat. We discuss their debut album, "The Overload," in-depth in episode #162.
On their polished debut LP, Hull, England six-piece Low Hummer explore economic inequality and social alienation with passion, humor, and a range of musical styles. We discuss "Modern Tricks for Living" in-depth in episode #161 “For the Record.”
Remi Wolf blasts out of the gate with a brilliantly chaotic debut record full of maximalist funk-pop that fuses influences from a dizzying array of genres. We discuss "Juno" in-depth in episode #160 “For the Record.”
Snail Mail's Lindsey Jordan bucks the sophomore slump with a lush, expansive second album that expands the horizons of her talent. We discuss “Valentine” on episode #159 of “For the Record.”
On the third album of their solo project Hand Habits, guitar virtuoso Meg Duffy teams up with producer Sasami Ashworth and a crew of talented collaborators to deliver polished, confident, musically varied, and emotionally resonant songs.
Illuminati Hotties, the solo project of producer and multi-instrumentalist Sarah Tudzin, delivers 12 tracks of earnest/funny, clever/silly, and tender/punk music, all played and produced impeccably. We discuss “Let Me Do One More” in episode #157.
San Francisco-based Pardoner combines the best of noisy and melodic 90s rock to express the absurdity and anxiety of living through late-stage capitalism. We discuss "Came Down Different" in episode #156 of “For the Record.”
Bay Area native Sven Gamsky performs under the name "Still Woozy," and his debut record is so full of catchy, sun-drenched earworms that even the breakup songs make you feel good. We discuss "If This Isn't Nice, I Don't Know What Is" in episode #155.
The second record from North Carolina singer-songwriter Indigo De Souza swings wildly between grungy rock, catchy bass grooves, and synth-driven pop, all held together by her powerful and versatile voice. We discuss "Any Shape You Take" in episode #154.
Squirrel Flower's second record brings textured production and a grungier rock sound to back up Ella Williams' gorgeous, warm voice. We discuss "Planet (i)" in-depth on episode #153 of “For the Record.”
Bachelor is the name of a new collaboration between the artists behind Jay Som and Palehound. We discuss their new record, "Doomin' Sun," in-depth on episode #152 of “For the Record.” For all the past episodes, visit ForTheRecordPodcast.com.
Pom Pom Squad’s debut LP, “Death of a Cheerleader,” combines a Motown girl-group sound with a modern punk attitude and excellent pop sensibilities. We discuss it in-depth on episode #151 of “For the Record.”
Sleater-Kinney's tenth album, "Path of Wellness," represents a new direction for a band that has never stopped changing. We discuss it in-depth on episode #150 of “For the Record.” For all the past episodes, visit ForTheRecordPodcast.com.
The third album from Japanese Breakfast, "Jubilee," swings for the fences with a much bigger, poppier sound, complete with horn and string arrangements. It's a major leap forward in Michelle Zauner's impressive career.
Rosie Tucker's debut for Epitaph Records, "Sucker Supreme," is a surprising indie pop gem. Witty lyrics and concise songwriting, together with some interesting experimental moments, result in a charming album that you'll end up leaving on repeat.
Squid's debut LP, "Bright Green Field," defies categorization. It's an electrifyingly creative mix of post-punk, jazz, and experimental rock that explores the anxiety and excitement of our dystopian future.
Covering the map with everything from pop to heavy rock to country-tinged ballads, Prism Bitch's varied and energetic debut LP is worth a listen. We discuss "Perla" on episode #146 of “For the Record.”
Tune-Yards are back with an album of politically-charged tracks that you can't help but sing along to -- and they're from right here in the Bay Area! We discuss "Sketchy" on episode #145 of “For the Record.”
Adult Mom's third album is their first for Epitaph Records, and the fullest realization yet of their charming, intimate sound. We discuss "Driver" on episode #144 of “For the Record.” For all the past episodes, visit ForTheRecordPodcast.com.
Julien Baker's third album is a triumph. It's major departure from her previous sound, with a richness of production that matches its emotional expansiveness. We discuss "Little Oblivions" on episode #143 of “For the Record.”
London quintet Shame made a splash with the brash post-punk of their debut record, but come back with a more complex and contemplative sound for their second album. We discuss "Drunk Tank Pink" on episode #142 of "For the Record."
Norwegian quartet Pom Poko create art-punk which combines prog intricacy, rich production, and jazz improvisation to create unexpectedly poppy, emotionally resonant songs which amply reward repeat listens.
British singer-songwriter Katy J Pearson channels Americana and sunny 70s rock to create her own charming brand of indie pop. We discuss her debut record, "Return," in episode #140 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.
Disheveled Cuss is the new, more accessible side project of Tera Melos’ inventive and talented guitarist Nick Reinhart, and delivers a satisfying twist on your favorite 90s tropes. We discuss their self-titled debut record in-depth in episode #139.
With an electrifying voice and an eclectic mash-up of genres, Bartees Strange leads us into the dark COVID winter with what may be the best record of 2020. We discuss his debut LP, "Live Forever," in-depth in episode #138 of "For the Record."
Beabadoobee has a very 2020 story, and her pop-oriented take on 90s indie rock made her just the right artist to talk about this week. We discuss her debut LP, "Fake it Flowers," in-depth in episode #137 of "For the Record." For all the past episodes, vis
Future Islands' sixth album, "As Long As You Are," is an earnest, emotionally-complex voyage into synth-pop that's worth a listen. We discuss it in-depth in episode #136 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
Arcade Fire keyboardist Will Butler's second studio album is the perfect soundtrack to 2020: Honest about despair, able to find joy in resilience, and all along, grappling with what our responsibilities are to this moment in history.
Boston-based trio Krill quit making music in 2015, as all three members pursued opportunities outside of music, but have now returned (and added a fourth member) as Knot. We discuss their self-titled debut in episode #134 of "For the Record."
Australian singer-songwriter Alex the Astronaut has released her debut record of genuine, charming, upbeat folk-pop that is just the sort of music we need to be singing along with right now. We discuss "The Theory of Absolutely Nothing" on episode #133.
Dublin's Fontaines D.C. avoid the sophomore slump with an album of energetic, unsettling post-punk. We discuss "A Hero's Death" on episode #132 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
Ian MacKaye of Minor Threat and Fugazi fame has a new band, a trio with his wife Amy Farina and Fugazi bassist Joe Lally. Coriky captures some of that old Fugazi magic while articulating the kind of bleak, dystopian mood that's pure 2020.
Bad Moves recorded this album before the pandemic, but it's even more relevant now. In these days of constant crisis and a devastating wealth gap, are you still having a good time? Because Bad Moves is, and their fantastic second record is here to help.
The members of Ohmme are classically-trained musicians and veterans of the Chicago improvisational jazz scene. They make experimental pop that balances harmony and chaos: Beautiful, twinned vocals with noise elements and creative time signatures.
A global pandemic, nationwide protests, pervasive social isolation, and we recently had to cancel our August wedding because of the virus. These are bleak times for many of us, but the second LP by Whim is the witty, catchy, ray of sunshine we need now.
After being unceremoniously dropped by 4AD after the label judged her to be insufficiently commercially successful, TORRES plowed her disappointment into her art to make her most gorgeous, fully-realized album yet. We discuss "Silver Tongue."
Former frontman of The Walkmen, Hamilton Leithauser, brings us an ambitious and cinematic solo record. Its thematic focus on friends and strangers that made an impression on him is wonderfully nostalgic listening for our quarantine days.
Katie Crutchfield brings a more direct, Americana-influenced sound on her 5th album as Waxahatchee, "Saint Cloud;" it may be her best yet. We discuss it in-depth in episode #125 of "For the Record." For all prior episodes, visit ForTheRecordPodcast.com
Wisconsin five-piece Disq bring an eclectic mix of 90s influences to their debut LP, "Collector," which we discuss in-depth in episode #124 of "For the Record." For all the prior episodes, visit ForTheRecordPodcast.com.
On her second album, "Cha Cha Palace," Angelica Garcia mixes a variety of styles with her exceptional voice into a cohesive celebration of her LatinX identity with universal appeal.
On their ninth studio album, veteran indie rockers Nada Surf examine themes of loneliness and interconnectedness with their trademark bittersweet, melodic hooks. We discuss "Never Not Together" in-depth in episode #122 of "For the Record."
Hop Along frontwoman Frances Quinlan's first solo record, "Likewise," shows an impressive range, both emotionally and sonically. We discuss it in-depth in episode #121 of "For the Record."
On their second album, The Big Moon makes a significant departure in their sound to deliver a poppy, danceable take on how to keep your chin up in a world that's falling apart. We take an in-depth look at "Walking Like We Do" in episode #120.
Sharon Van Etten's first studio album in 5 years is a major leap forward for her sound, as synths and drones add an undercurrent of dread to her warm and emotional vocals. We discuss "Remind Me Tomorrow" in-depth in episode #119 of “For the Record.”
Renowned jazz bassist/singer-turned-indie-pop songwriter Kate Davis' debut album, “Trophy,” is a strong, cohesive collection of clever, emotionally wide-open songs about love, longing, loss, and growth.
Great Grandpa have evolved their sound significantly from where they started with their first album to where they end up with this new second album, "Four of Arrows."
British band Sports Team has yet to release a full-length, but they're one of our favorite new discoveries this year, so we decided to talk about their 3 EPs released so far on episode #116 of "For the Record."
It's been five long years since the last album from The Hold Steady, and "Thrashing Thru the Passion" is a wonderful return to form. We discuss it in-depth in episode #115 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
Brittany Howard took a break from making albums with her band, Alabama Shakes, to make this personal and inventive solo record, "Jaime." We discuss it in-depth in episode #114 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
Brisbane, Australia's WAAX brings heavy guitars, acrobatic female vocals, and a bit of a pop sensibility on their debut LP, "Big Grief." We discuss it in-depth in episode #113 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
Sleater-Kinney's ninth album, produced by St. Vincent, finds them going in a new and sometimes uncomfortable direction, as they confront a world on the brink with their trademark rock trio ferocity... but also some electronics. We discuss "The Center Won'
Lizzo is that rare, complete superstar package: Charm, humor, great songwriting, and an incredible voice. She's been steadily amassing fans for the past few years, but this major-label debut may be her breakout moment. We discuss the record in-depth in ep
Alexandra Levy, who records under the name Ada Lea, is a Montreal artist who has recorded her first album, "What We Say in Private," based on 180 days of journaliing following the breakup of an important romantic relationship. We discuss the record in-dep
Stef Chura is a singer-songwriter from Michigan who brings a new and more mature sound to her sophomore album, "Midnight," with the help of producer Will Toledo of Car Seat Headrest. We discuss the record in-depth in episode #109 of "For the Record."
Charly Bliss's sophomore album is loaded with pop hooks, but also represents a leap forward in both sound and maturity. Is it synth pop, or guitar rock with synths? Yes! We discuss "Young Enough" in-depth in episode #108 of "For the Record."
Jade Bird is a petite, young woman with a powerful voice and smart lyrics, exploring Americana from across the pond. We discuss her debut LP on episode #107 of "For the Record."
Control Top's debut LP blows your hair back with polished punk that wants to destroy the system. We discuss "Covert Contracts" in episode #106 of "For the Record." For all the past episodes, visit ForTheRecordPodcast.com.
L.A.-based Sasami is a multi-instrumentalist who is best-known as the synth player for the band Cherry Glazerr. Her layered, intense, self-titled debut record plumbs the depths of relationships gone awry to create a lush sound that you can't help but sing
After a few years away, Seattle's Tacocat comes roaring back with an album that takes the anxiety of post-2016 America and transforms it into a joy and optimism that's still grounded in reality.
Sego was one of our favorite discoveries from South by Southwest this year, and we were eagerly anticipating the release of their second album, "Sego Sucks," which did not disappoint. We discuss it in-depth in episode #103 of "For the Record."
Jenny Lewis' richly-produced, ambitious new album might be her best since she left Rilo Kiley. We discuss "On the Line" in-depth on episode #102 of "For the Record."
In episode #101 of "For the Record," we depart from our usual format to discuss our favorite discoveries from the 2019 South by Southwest music conference in Austin, Texas.
Both the cover art and title of Mike Krol's new album give insight into what this record sounds like: a fuzzy, raw, emotional gut-punch full of cathartic, sing-a-long choruses and self-aware lyrics.
Better Oblivion Community Center is an exciting new collaboration between two extremely talented singer-songwriters, Conor Oberst and Phoebe Bridgers, the latter of whom we discussed in episode #75. We discuss Better Oblivion Community Center's self-title
Buke and Gase is an experimental pop duo who make their own instruments and create an unclassifiable sound that rewards repeated listens. We discuss their new album "Scholars" on episode #98 of "For the Record."
Foxwarren is led by Canadian singer-songwriter Andy Shauf, and brings a rich, complex warmth to the isolation of the Canadian prairie. We discuss it in-depth on episode #97 of "For the Record."
Boygenius is the group project of Lucy Dacus, Julien Baker, and Phoebe Bridgers, who recorded this six-song EP when they came together in an L.A. studio for a four-day break in their own solo touring schedules.
On the surface, Rubblebucket's fifth LP is a fun, energizing dose of electro-funk to which you can't help but dance. But dig a little deeper and you'll find a thoughtful meditation on finding joy and personal growth in the aftermath of major health and re
This is Ian Sweet's second record, but to some degree it's a solo debut by vocalist/guitarist Jilian Medford. We discuss Ian Sweet's rebirth with the melodic, experimental "Crush Crusher" in-depth on episode #94 of "For the Record."
Swearin' broke up 3 years ago, but have reunited for a third LP. We discuss Swearin's new record, "Fall into the Sun," in depth in episode #93 of "For the Record."
The Beths is a new power pop band from New Zealand who pile hooks upon hooks while also creating impressive depth. We discuss their debut LP, “Future Me Hates Me” in episode #92 of “For the Record.”
For their fourth studio album, Slothrust brings in a new producer and willingness to experiment, taking their guitar-driven sound in some unexpected directions. We discuss it in depth in episode #91 of “For the Record.”
Janelle Monáe breaks out of her history of doing concept albums in-character to make a more personal record that also serves as a statement of queer, black, feminist empowerment to which you can't help but dance.
Valley Queen's debut LP combines Natalie Carol's powerful vocals with 70s-tinged guitar rock that recalls both Florence and the Machine and Fleetwood Mac. We discuss it in depth in episode #89 of “For the Record.”
Oakland's own Fantastic Negrito has a story worthy of a Hollywood movie, and he uses his incredible life experience to bring emotion and depth to the modern blues fusion of his latest record, “Please Don't Be Dead.” We discuss it in depth in episode #88 o
Lindsey Jordan of Snail Mail is only 19 years old, but possesses a guitar prowess and emotional maturity that make her wise beyond her years. We discuss the dreamy textures of her Matador debut, “Lush,” in episode #87 of “For the Record.”
Flasher are a Washington D.C.-based trio who make tight, energetic, new-wavey post-punk that captures the urgency and anxiety of being young in 2018 America. We discuss their debut LP, “Constant Image,” on episode #86 of “For the Record.”
Neko Case combines her singular voice with a host of collaborators, branching out into a variety of musical styles and instrumentation choices to make what might be her best solo record yet — and it's mostly self-produced. We discuss it in depth in episo
British singer-songwriter L.A. Salami crosses genres in a style he describes as “post-modern blues.” In his new record, “City of Bootmakers,” he addresses both social and personal issues using songs that are tight, catchy, and will stick with you long aft
British singer-songwriter Frank Turner takes things in a new, synthier direction on his new record, “Be More Kind,” which is also his proposed solution to how we keep our sanity in an increasingly chaotic world. We discuss the album in depth in episode 83
The Forth Wanderers may be just out of high school, but they make compelling guitar rock with a wisdom beyond their years. We discuss their self-titled debut for Sub Pop Records in episode #82 of "For the Record."
Caroline Rose's sophomore record "LONER" is already one of our favorites of 2018, combining a great sense of humor with a pop sensibility that compels you to just keep the whole album on repeat, and we discuss it in detail in episode #81 of "For the Recor
Marlon Williams is only 27 but his extraordinary, Roy Orbison-esque croon has already won him fame in his native New Zealand. With "Make Way for Love," he branches out beyond a more stripped-down presentation of his amazing voice to bring us a record with
In Episode #79 of For the Record, we depart from our usual format to tell you about our favorite new discoveries from 2018's South by Southwest music conference (aka SXSW) in Austin. We discuss Gang of Youths, Haley Heynderickx, Mal Blum, Flasher, Carolin
Almost 30 years in, on their 11th studio album, Superchunk sound like they've been galvanized by national events, and bring us an album that's more vital and thrilling than anything they've done in years.
The fifth studio album from No Age, "Snares Like a Haircut," is also their first record in 5 years, and brings a welcome melodic sensibility to their noisy, art-rock roots. We discuss it in-depth on episode #77 of "For the Record."
The fourth studio album from Portland-based Typhoon, "Offerings," is a meditation on memory and loss that's emotionally absorbing and an incredible artistic achievement. We discuss it in-depth on episode #76 of "For the Record."
Phoebe Bridgers' darkly self-aware songs, touched with humor and interesting production, are the perfect note to go out on for our last podcast of 2017. We discuss her debut LP, "Stranger in the Alps," in episode #75 of For the Record.
For this episode, we take a look at the albums released in 2017 that we really enjoyed, but didn't do as a standalone podcast for one reason or another. We discuss this year's releases from the Dirty Projectors, A Giant Dog, Feist, Spoon, The War on Drugs
The National are back with their 7th studio record, "Sleep Well Beast," and we discuss it in depth on episode #73 of "For the Record." For all the episodes, visit ForTheRecordPodcast.com.
Toronto's Weaves got a lot of attention for their experimental debut record last year, and they're back with a sophomore LP that's more pop-oriented and accessible, but no less interesting.
It's been seven years since Wolf Parade released their last LP and subsequently went on an indefinite hiatus. Each member spent time on various side projects, but they're back together and sound more cohesive than ever.
Ted Leo (minus the Pharmacists) is back with a vengeance with his first solo record in 7 years, which explores new territory, both musically and emotionally. We discuss it in depth in episode #70 of "For the Record."
The second coming of LCD Soundsystem has been controversial because of the band's much-ballyhooed breakup less than a decade ago, but "American Dream" makes us forget all that and just be grateful for their return.
Filthy Friends is a supergroup made up of Corin Tucker of Sleater-Kinney, Peter Buck of R.E.M., Scott McCaughey of the Minus 5 and the Young Fresh Fellows, Kurt Bloch of the Fastbacks, and Bill Rieflin of King Crimson and many other bands.
With "Saturday Night," Tim Darcy, the lead singer of Montreal band Ought, has released a solo album that feels like he has combined equal parts Lou Reed, Neutral Milk Hotel, and 1960s psychedelia, to create a sound that's wholly his own.
Canadian collective Broken Social Scene had been on a multi-year hiatus, but are finally back with their first record in 7 years, "Hug of Thunder." We discuss it in-depth in episode #66 of "For the Record."
Ratboys' second record, "GN," is sweet on the surface but has a depth and complexity to it that rewards repeated listens. We discuss it in-depth on episode #65 of "For the Record."
Recording under the moniker Jay Som, Oakland's own Melina Duterte produced "Everybody Works" in her own home, playing all of the instruments herself. The result sounds more like a full band.
The Mountain Goats' 16th studio album, "Goths," is neither a goth record, nor a record about being goth, but a complex and beautiful album about looking back on the intensity and passions of your youth with the perspective of adulthood.
Girlpool's second full-length record marks a major change in style for the band, as the onetime duo adds a drummer, noisier guitars, and lowers their vocals in the mix. We discuss it in depth in episode #62 of "For the Record."
Aimee Mann has had a long and impressive career as a singer-songwriter, but her new, stripped-down record, "Mental Illness," which includes collaboration from Jonathan Coulton, Ted Leo, and John Roderick, may be one of her best records yet.
Sweet Spirit are probably the best band in Austin, Texas -- live music capital of the world -- and they're definitely the best band we saw at the South by Southwest music conference this year. We discuss their new LP in depth in episode #60.
In Episode #59 of For the Record, we discuss the debut LP from Diet Cig, "Swear I'm Good at This." The energetic duo makes charming indie pop that documents a sometimes-tough transition between the teen years and adulthood.
As we do once a year, we break format to talk about our favorites from SXSW this year: Lizzo, Sweet Spirit, L.A. Salami, Weaves, Lisa Prank, Lee Bains III and the Glory Fires, and CHAI.
Landlady's engaging live performance is what first attracted us to the band, and their third LP, "The World is a Loud Place," really delivers that energy to the listener. We discuss it in-depth in episode #57 of "For the Record."
Ty Segall's prolific psych-glam-garage rock output makes it seem a bit intimidating to find an entry point into his catalog, but his second self-titled LP provides a great opportunity.
Greg Laswell's "Everyone Thinks I Dodged a Bullet" is a great breakup album for a stormy winter day. We discuss it in depth on episode #55 of "For the Record."
Hannah Georgas is a Canadian singer-songwriter who has made a beautiful, introspective pop album that rewards repeated listens.
We review our favorite records of 2016, in no particular order: Car Seat Headrest, Lucy Dacus, Okkervil River, Mitski, Thao & The Get Down Stay Down, A Giant Dog, and Eleanor Friedberger.
Three different songwriters/vocalists each bring their own style to New York band LVL UP's Sub Pop debut, "Return to Love." We discuss it in-depth in episode #52 of "For the Record."
Angel Olsen's breakout record "Burn Your Fire For No Witness" set fans up to expect more of her powerful retro-folk this time around, and Olsen instead subverts expectations and delivers a new sound that showcases her creativity and range.
Death and rebirth are at the center of what may be Okkervil River's most heartfelt and touching record since "Black Sheep Boy." It's called "Away," and we discuss it in-depth in this episode of "For the Record."
Dinosaur Jr. is back with their fourth record since they began making music together again in 2007, "Give a Glimpse of What Yer Not."
San Francisco's own Deerhoof has been leading the weirdness vanguard in the indie rock universe for two decades, but "The Magic" is one of their best records so far. We discuss it in depth in episode #47 of "For the Record."
"Masterpiece" is Big Thief's debut album on Saddle Creek Records, and combines beautiful and distinctive vocals with a modern folk sound. We discuss it in depth in episode #46 of "For the Record."
"Masterpiece" is Big Thief's debut album on Saddle Creek Records, and combines beautiful and distinctive vocals with a modern folk sound. We discuss it in depth in episode #46 of "For the Record."
Mitski is only 25 years old, but sings with the mature, self-assured voice of an artist with a promising future ahead of her. This record makes good on its title with a collection of emotional highs and lows that reward repeated listens.
Car Seat Headrest's "Teens of Denial" is mastermind Will Toledo's first proper album for Matador Records, but is his 13th album of original music. It's GG's favorite record of 2016 so far.
Austin, Texas band A Giant Dog have a giant sound that's pure rock & roll, but with lyrics that come from wisdom earned over years of playing together and earning the title of one of the best live acts around. "Pile" is their first record after signing to
San Francisco's own Thao Nguyen teams up with producer Merrill Garbus of Tune-Yards to create a beat-driven, emotionally raw record that is a significant departure from Thao & The Get Down Stay Down's earlier albums, and may be their best work yet.
Lucy Dacus is a young singer-songwriter from Richmond, Virginia who has an incredible voice, and after seeing her live at South by Southwest this year -- she was one of the standout new musicians -- we were pleased to find that her debut record, "No Burd
We discuss Diet Cig, Caveman, A Giant Dog, Lucy Dacus, Gold Class, The Wet Secrets, Marlon Williams, The Fast Romantics, and Cold Fronts.
Animal Collective is out with their 10th album, "Painting With." It's a wonderful synthesis of their past styles into a tighter and more cohesive whole... even if it doesn't quite reach the high water mark of "Merriweather Post Pavilion."
Eleanor Friedberger is best-known as one half of The Fiery Furnaces, but her new solo record, "New View," marks her third solo effort, and shows that she's developing a sound that's all her own. We discuss it on episode #38 of For the Record.
Sufjan Stevens' latest album, "Carrie & Lowell," tells a deeply affecting story of love and loss, landing it a well-deserved place on many critics' best of 2015 lists. We discuss it on episode #37 of For the Record.
PWR BTTM's debut record is fun power pop that manages to both keep the listener singing along with catchy melodies while exploring deeper meanings about gender, performance, drag, and finding love -- with some impressive guitar shredding thrown in.
Canadian electronic artist Claire Boucher records under the name Grimes, and on her fourth album, "Art Angels," she mixes a dizzying array of styles and sounds all while playing every instrument herself... and doing her own production. The result is one o
Dan Bejar may be better known for his role in the New Pornographers, but his main project, Destroyer, has been around for a decade and just released its first album in 4 years, "Poison Season." We discuss it in this episode of For the Record.
All Dogs are not, in fact, all dogs. They are all humans, and vocalist Maryn Jones (also of Saintseneca) is all heart. We discuss their debut album on this episode of For the Record.
The debut album from Nashville's Bully has a '90s throwback feel, but brings a distinctive energy all its own. Alicia Bognanno wrote, contributed guitar and vocals, recorded, and produced the whole album herself in Steve Albini's legendary Chicago studio
The Front Bottoms are a goofy band with a goofy name who have made a catchy yet surprisingly sophisticated album that deserves serious consideration, so we spend some time with it on episode #31 of For the Record.
Craig Finn is best known as the vocalist and bandleader of The Hold Steady, but he just released his second solo album, and we discuss it in depth on episode #30 of "For the Record."
Ezra Furman's third album, "Perpetual Motion People," is one of my favorite records this year. We discuss it in depth on episode #29 of For the Record.
Alabama Shakes could have played it safe by giving us a sophomore album that followed the same roots-rock-revival path of their spectacularly successful debut, but instead they took some creative risks and gave us something even better. We discuss “Sound
On episode #27 of "For the Record," we discuss the brittle, soulful electronic sound of Son Lux's new record, Bones.
It's been eight years since the last Modest Mouse album, but Isaac Brock and company have finally returned with “Strangers to Ourselves.” Join us in a discussion about it on episode #26 of For the Record.
In this episode of For the Record, we discuss the new album by former San Franciscan and Ty Segall bassist Mikal Cronin. It's Mr. Cronin's third LP, conveniently titled "MCIII," out now on Merge Records.
In this episode of For the Record, we discuss the second full-length from Speedy Ortiz, “Foil Deer.”
In this episode of For the Record, we discuss the Mountain Goats' new album "Beat the Champ," which is a concept album based on the world and characters of professional wrestling. Even as non-wrestling fans, we loved it!
We discuss Courtney Barnett's debut album, "Sometimes I Sit and Think, and Sometimes I Just Sit"
In this episode of For the Record, we deviate from our usual format to tell you about our favorite performers from this year's South by Southwest music conference (aka SXSW) in Austin. We discuss Rubblebucket, Viet Cong, Courtney Barnett, and others.
In this episode of For the Record, we discuss New Jersey trio Screaming Females' powerful new album "Rose Mountain."
In this episode, we discuss the new album from a new addition to Merge Records' lineup, Melbourne, Australia's Twerps.
We discuss the Decemberists' new album, “ What a Terrible World, What a Beautiful World”
We discuss the new album, "Last War," by Haley Bonar, who is a woman on the verge of a career breakthrough.