Girls On Film: Recent Episodes
Anna Smith
Girls On Film is a film review podcast from a female perspective, hosted by film critic and broadcaster Anna Smith
Anna is at Italian Global Series, a festival which transforms two Northern Italian cities into the meeting place for the world’s leading television creatives. First up, Anna is joined by multi-BAFTA winning writer, Sally Wainwright and Olivier-award winning actor, Tamsin Greig to discuss comedy-drama series, RIOT WOMEN. They explain why a TV show about five middle-aged women starting a rock band might just be the perfect way to begin a conversation about the menopause. Sally shares advice to women writers and to the industry’s gatekeepers. Tamsin suggests how today’s young actors might approach the challenge of gaining a foothold in the industry. Anna then meets Chiara Sbarigia, President of Italy’s Audiovisual Producers Association, which is one of the festival’s organisers. Chiara talks about the festival’s genesis and the venues, history and Italian hospitality which make it so unique. Chiara also shares her experience as a woman working her way up the career ladder in Italy’s audiovisual industry. A huge thank you to Italian Global Series for partnering on this episode. To find out more about Italian Global Series visit the festival’s official website at https://italianglobalseriesfestival.it/en/ You can watch RIOT WOMEN on BBC iPlayer in the UK, and BritBox in North America and across Europe. Television and Radio Series mentioned in this episode:STAR TREK: VOYAGERSTAR TREK: PICARDFALLINGLA FAMIGLIA PANINILAURA’S TREATMENTLITTLE HOUSE ON THE PRAIRIERIOT WOMENHAPPY VALLEYLAST TANGO IN HALIFAXGREEN WING THE ARCHERS Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoSign up to the Girls On Film newsletter here: http://eepurl.com/iEKaM-/ Or email girlsonfilmsocial@gmail.com to be signed up. Girls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie Archbold Producer: Nicki GlossopAudio Editor: Elliana HamerSocial Media: Dr Jade Evans and Ruby Rose BradshawIntern: Lucy JohnsonPartners for this episode were Italian Global Series© HLA Agency#girlsonfilmpodcast #annasmith #womeninfilm #italianglobalseries #riotwomen #menopause #ARXX #tamsingreig #sallywainwright #rosaliemaecraig #joannascanlan #ameliabullmore #lorraineashbourne #thearchers #happyvalley #lasttangoinhalifax #gentlemanjack
DAY is in UK cinemas from Friday 19 June 2026. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoSign up to the Girls On Film newsletter here: http://eepurl.com/iEKaM-/ Or email girlsonfilmsocial@gmail.com to be signed up. Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie Archbold Producer: Nicki GlossopAudio Editor: Heather DempseySocial Media: Dr Jade Evans and Ruby BradshawPartners for this episode were Vue Lumière© HLA Agency#girlsonfilmpodcast #annasmith #womeninfilm #NightAndDayFilm #VirginiaWoolfsNightandDay #virginiawoolf #haleybennett #sallyphillips #jennifersaunders #misiabutler #elyas_m’barek #lilyallen #jackwhitehall #suffragettes #astronomers
This episode of Girls On Film comes to you from the French Riviera. We’re here for the 79th edition of the Cannes Film Festival. Anna welcomes five guests who talk about films and feminism amid the glamour that is Cannes. First up, Anna discusses the gender balance in some of the festival’s stand out films with film critic Sucharita Tyagi. Their discussion ranges from feminism and trans rights in the darkly comic Teenage Sex And Death At Camp Miasma to the healing power of a canine friend in Chilean dog movie La Perra (Winner of the Palm Dog Award). Next Anna is joined by writer-director Katharina Rivilis in Cannes with her first feature, I’ll Be Gone In June, a semi-autobiographical film in which a young woman’s exchange year in New Mexico is set against the backdrop of 9/11. Film critic and journalist Tomris Laffly joins Anna to talk about her festival highlights including Palme D’Or Winner, Fjord, Marie Kreutzer’s Gentle Monster and comedy drama A Woman’s Life. Finally Anna welcomes Shrimoyee Chakraborti and Parno Mittra to talk about female friendship, their passion for film and their documentary feature, Spirit Of The Wildflower, directed by Shrimoyee and exec produced by Parno. Set in rural India this film follows the lives of two siblings who unite to form a business marketing the traditional tribal drink, mahua. The film explores themes including family, community, feminism and transgender identity. Films mentioned in this episode: I’ll Be Gone In JuneSpirit Of The WildflowerTeenage Sex And Death At Camp Miasma (release date Aug 21 2026)Elephants In The Fog (Winner of Un Certain Regard Jury Prize)ClarissaHopeI See Buildings Fall Like Lightning (Winner of the Palm Dog Grand Jury Prize)L’Affaire Marie-Clare (Women On Trial)La Perra (Winner of the Palm Dog Award)Once Upon A Time In HarlemFjord (Winner of the Palme D’Or)GaranceGentle MonsterThelma and Louise (1991)A Woman’s LifeMinotaure (Winner of the Grand Prix) Girls On Film would like to thank our fabulous sponsors for their support in Cannes:Astella Jewellery; DISAUTHORITY; Elstree Studios; Hech Nutrition; HLA Agency; IMDb; Jane Owen PR; JJDConsultancy; Lilac Grove Entertainment; Strike Media; The Members Club In Cannes; Variety. Become a patron of Girls On Film on Patreon here: www.5patreon.com/girlsonfilmpodcastFollow us on socials:www.instagram.com/girlsonfilm_podcast/www.facebook.com/girlsonfilmpodcastwww.twitter.com/GirlsOnFilm_Podwww.twitter.com/annasmithjournoSign up to the Girls On Film newsletter here: http://eepurl.com/iEKaM-/ Or email girlsonfilmsocial@gmail.com to be signed up. Watch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Nicki Glossop Audio Editor: Benjamin Cook Social Media: Dr Jade Evans and Ruby Rose Bradshaw Principal Partners: Peter Brewer and Vanessa Smith Sponsors: Lilac Grove Entertainment © HLA Agency#girlsonfilmpodcast #annasmith #womeninfilm #womenfilmcritics #cannesfilmfestival #PalmedOr #festivaldecannes #cannes2026 #diversityincannes #parnomittra #su4ita #shrimoyeec #katharina_rivilis #AstellaJewellery #disauthority #IMDb #jopr #JJDConsultancy #elstreestudios #LilacGroveEnt #hlaagency #HechNutrition #strikemedia #variety #themembersclubincannes
Lena VurmaCAST Olivia Vinall, Alexander Scheer, Cassandra Ciangherotti, Ryan Gage, Istvan Teglas, Luis Gerardo MendezOther films mentioned in this episode:Gentlemen Prefer BlondesBecome a patron of Girls On Film on Patreon here: www.5patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoSign up to the Girls On Film newsletter here: http://eepurl.com/iEKaM-/ Or email girlsonfilmsocial@gmail.com to be signed up. Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Nicki Glossop Audio Editor: Jack Howard Social Media: Dr Jade Evans and Ruby Rose Bradshaw With thanks to Principal Partners Peter Brewer and Vanessa Smith, and our sponsors for this episode, Lilac Grove Entertainment © HLA Agency
Girls On Film: International Women’s Month – Industry Special To bookend International Women’s Month, here is the second of two Girls On Film episodes this March that feature inspiring conversations with high‑profile industry leaders who shape the screen industries. In this episode, we spotlight producer Pippa Harris and entertainment marketing specialist Julie La’Bassiere. They share where they started, how they rose to the top of their field, and the films that fuelled their passion. They also share the lessons they’ve learned along the way and offer empowering advice for the next generation of women ready to make their mark.Dame Pippa Harris is one of the most influential producers working today. Co‑founder of Neal Street Productions with Sam Mendes, she is the force behind some of the most acclaimed screen stories of recent years, from the Academy Award‑winning 1917 to the beloved long‑running BBC drama Call The Midwife. This year, she’s made headlines with the acclaimed adaptation of Hamnet, as well as an ambitious upcoming series of four films about The Beatles. Her latest film, The Magic Faraway Tree, is in cinemas now and Belsen: What They Found, which Pippa executive produced, has been nominated for a BAFTA in the TV Awards (Specialist Factual).Julie La’Bassiere is the Chief Strategy Officer at DDA, a leading international creative communications and PR agency specialising in entertainment and brand marketing. At DDA, she spearheads creative strategy across film, TV, gaming, and global brands.Enjoy this powerful double‑bill of industry trailblazers, sharing the films that shaped them, the paths that propelled them, and the advice that will inspire the next generation of women in film.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcastTiktok: @girlsonfilm_podcastSign up to the Girls On Film newsletter here: http://eepurl.com/iEKaM-/ Or email girlsonfilmsocial@gmail.com to be signed up. Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie Archbold Audio Editor: Jack HowardSocial Media: Dr Jade Evans and Ruby Rose BradshawPrincipal Partners: Peter Brewer and Vanessa SmithSponsors: Lilac Grove Entertainment © HLA Agency
Audio Editor: Elliana Jay HamerSocial Media Producer: Dr Jade EvansProduction Assistant: Ruby Rose BradshawHouse Band: MX TyrantsPrinciple Partners: Peter Brewer and Vanessa SmithThank you to Lilac Grove Entertainment for partnering with us on this episode. © HLA Agency
Daddy Gourmet ConfectioneryGirls on TopsWorkWise for ScreenThanks to our production team:Oli Fyne - Awards producerCharlotte Homeshaw - Sound Recordist Claudia Vyvyan - Digital Assets DesignerRichard Gay - VideographerAdam Southgate - VideographerCiaran O'Brien - GafferJoanne Davidson - PhotographerThanks to each and every one of the volunteers who helped pull it all together on the night:Anna PenneyBlair BarnetteElliana HamerHattie MorrisHeather DempseyJade EvansJo RogersRuby Rose BradshawTallulah TreadawayTom Oliver TewYvonne PotterWinners in order of appearance on the podcast:Best Composer: Emilie Levienaise-Farrouch – H is for HawkBest Cinematography Sponsored by CrewHQ: Autumn Durald Arkapaw, ASC – SinnersBest Editing Sponsored by DISAUTHORITY: Olivia Neergaard-Holm – The Chronology of WaterBest Ensemble Cast: Goodbye JuneBest Female Friendship on Screen: Brides and LollipopBest Documentary: The Perfect Neighbor (Geeta Gandbhir)Best Performance in a Supporting Role: Teyana Taylor – One Battle After AnotherBest Performance in a Leading Role: Jessie Buckley – HamnetIntimacy Award Sponsored by Intimacy On Set: Dreamers (Ronkẹ Adékọluẹ́jọ́, Ann Akinjirin, Joy Gharoro-Akpojotor) Ally Award Sponsored by IMDb: Jon M. Chu – Wicked: For GoodBest Production Design: Tamara Deverell – FrankensteinBest Director: Chloe Zhao – HamnetBest Feature Film Sponsored by EON productions: HamnetActivist Impact Award: Daisy-May HudsonCommendations:Best Composer – Nala Sinephro – The Smashing MachineBest Documentary – Sadie Frost – TwiggyAlly Award – John Maclean – TornadoBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zCredits:Girls On Film is an HLA production.Host: Anna Smith and Hedda Lornie ArchboldExecutive Producer: Hedda Lornie ArchboldAwards Producer: Hedda Lornie Archbold and Oli FyneSocial Media Producer: Dr Jade EvansIntern: Ruby Rose BradshawSound Recordist: Charlotte HomeshawAudio Editor Extraordinaire: Benjamin CookHouse Band: MX TyrantsPrincipal Partners: Peter Brewer and Vanessa SmithEpisode Sponsor: Lilac Grove Entertainment© HLA Agency
In today’s on Girls On Film we’re unpacking The Perfect Neighbor - a powerful Netflix documentary that’s up for an Oscar and a BAFTA. It investigates the shooting of Ajike Owens, a mother of four who was beloved in her tight-knit community in Florida. Owen’s neighbour shot her in 2023, after a years-long campaign of harassment that sewed division in their shared neighbourhood. Using police body-cam footage, the documentary pieces together the events that led to this tragedy and asks important questions about what enabled it to happen. Anna sits down with its director and producer Geeta Gandbhir to talk about the making of this tough and urgent film, why its story needs to be brought to the screen, and how filmmaking like this can be a tool for social change. This episode is in partnership with Netflix. The Perfect Neighbor is on Netflix now.Sign up to the Girls On Film newsletter here: http://eepurl.com/iEKaM-/ Or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Visit https://www.girlsonfilm.org.uk/ for more information about the podcast. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials:www.instagram.com/girlsonfilm_podcast/www.facebook.com/girlsonfilmpodcastWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Executive Producer: Hedda Lornie Archbold Producer: Heather Dempsey Intern: Ruby BradshawAudio editor: Alex Jones Host: Anna Smith© HLA Agency
On today's Girls on Film we’re getting conspiratorial with COVER-UP - a BAFTA-nominated documentary following the career of investigative journalist Seymour Hirsch. He was an expert at exposing government corruption and scandal in the United States, and this documentary has exclusive access to him. Co-director Laura Poitras will be giving Anna the story behind the story of this thrilling film. Laura has been three times Oscar nominated for My Country, My Country, All The Beauty and The Bloodshed, and Citizenfour—for which she won. Alongside her co-director Mark Obenhaus, she's putting another gripping story onscreen here. We talk career inspirations, the art of the expose, and how being underestimated can be a woman's secret weapon. This episode is in partnership with Netflix. Sign up to the Girls On Film newsletter here: http://eepurl.com/iEKaM-/ Or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production.Executive Producer: Hedda Lornie Archbold Producer: Heather Dempsey Intern: Ruby BradshawAudio editor: Alex Jones Host: Anna Smith© HLA Agency
A.Sign up to the Girls On Film newsletter here: http://eepurl.com/iEKaM-/ Or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z This episode of Girls On Film is in partnership with Netflix. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Executive Producer: Hedda Lornie Archbold Producer: Heather Dempsey Intern: Ruby BradshawAudio editor: Jack Howard Host: Anna Smith © HLA Agency
Philippa Lowthorpe, the writer-director behind H is For Hawk, and the film’s star, Claire Foy, join Anna Smith to discuss the moving adaptation of Helen Macdonald’s hit memoir, co-starring Brendan Gleeson, Denise Gough, Lindsay Duncan and Sam Spruell. Philippa speaks frankly to Anna about the film’s poetic embodiment of the experience of grief, which produces a story that is both powerful and inspiring. Claire and Philippa discuss the process of collaboration, and consider how the on-set dynamics allowed for an element of freedom in Claire’s performance. Claire’s embodiment of Helen is represented beautifully by Philippa, whose documentary background informed her process of capturing the moment. No film made with live, wild animals is without its challenges, and Claire and Philippa speak to Anna about the incredible experience of working with hawks on set, Claire’s own personal reflections of working with them, and the intense, ethical falconry techniques and training involved. Finally, Philippa and Claire discuss bringing the role of Helen to life in all her messy complexity with the support of the film’s producer Dede Gardner.This episode is in partnership with Lionsgate.H is For Hawk is in select UK cinemas on 23 January.Philippa Lowthorpe has also appeared on episodes 28 and 145 of Girls On Film, when she attended the Girls On Film Awards.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Intern: Ruby Bradshaw Audio Editor: Benjamin Cook Principal Partners: Peter Brewer and Vanessa Smith © HLA Agency
Kate Hudson joins Anna for an exclusive, in-depth conversation about her leading role in the film Song Sung Blue, an inspiring true story about a Neil Diamond tribute act, directed by Craig Brewer and co-starring Hugh Jackman. She shares the joys and challenges of taking on the role of Clare, a complex real-life character who has a dramatic journey.Kate talks frankly about the film’s exploration of mental health, about the responsibilities of playing a real character, and about the importance of maintaining a happy film set: something she and Hugh Jackman both feel strongly about. She shares how the love story personally inspired her and gives the inside track on the song recordings. Having been Oscar-nominated for Almost Famous in 2000, Kate talks about being in the awards conversation in 2026 alongside actresses she adores. She also shares how she feels about body image and women ageing in Hollywood. This episode is in partnership with Song Sung Blue.Song Sung Blue is in UK Cinemas now.You can also hear Kate Hudson on episode 134 of Girls On Film, talking about Glass Onion: A Knives Out Mystery.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastSign up to our mailing list here: www.girlsonfilm.org.ukFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast
Make-Up Designer Frances Hannon. They speak about collaboration, female empowerment, the intricacies of their jobs and about working with the whole crew, including director Jon M Chu and co-writer Winnie Holzman.Tiffany, Alice and Frances were all shortlisted for the Oscars the day before this podcast was published.This episode is in partnership with WICKED: FOR GOODSubscribe to the Girls On Film newsletter via the website, www.girlsonfilm.org.ukBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldAssistant Producer: Negin NiaIntern: Tallulah TreadawayAudio Editor Extraordinaire: Benjamin CookThanks to Girls On Film principal partners Vanessa Smith and Peter Brewer © HLA Agency
In this episode of Girls On Film, we speak with Laura Mulvey, British feminist film theorist, filmmaker, and Patron of Girls On Film, who was awarded the prestigious BFI Fellowship in November. Laura has curated a selection of Big Screen Classics running throughout December 2025 at London’s BFI Southbank, featuring titles such as Morocco, Man with a Movie Camera, and Through the Olive Trees. A wonderful opportunity to revisit, or discover, these influential films.And in the episode we introduce a new category in the 2026 Girls On Film Awards: The Girls On Film Award for Best Editing sponsored by DISAUTHORITY. Anna chats with Maria Shevtsova, Vice President of DISAUTHORITY and Head of DISAUTHORITY Originals, about the award category, and the exciting partnership. The 2026 awards will take place on February 2nd, and we’re delighted to celebrate this new addition.Thank you to Lilac Grove Entertainment for partnering with us on this episode.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Negin Nia Intern: Ruby Bradshaw Audio Editor: Benjamin Cook Principal Partners: Vanessa Smith and Peter Brewer © HLA Agency
In this live episode of Girls On Film, host Anna Smith sits down with the extraordinary women behind THE THING WITH FEATHERS, a moving new feature film adapted from Max Porter’s award-winning novel.Recorded at an exclusive Girls On Film screening of the film on 18 November at Vue West End in London, Anna speaks with:Lucy Sullivan: artist, author, and comic book creatorNicola Hicks: acclaimed sculptor and designer of CrowLeah Clarke: one of producers with THE THING WITH FEATHERSTahra Zafar: who worked on creature and costume effectsTogether, they delve into the unique challenges women face in their respective fields, reflect on the artistic processes that shape their work, and celebrate the power of creative communities in sustaining and inspiring their careers.Directed by Dylan Southern and starring Benedict Cumberbatch, Vinette Robinson, and David Thewlis, THE THING WITH FEATHERS is a lyrical exploration of love, loss, and the mysterious ways we heal.A huge thank you to Vue Lumiere for partnering on this event, and to everyone who joined us for this live conversation.THE THING WITH FEATHERS is released in select UK cinemas on 21 November 2025. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Negin Nia Intern: Ruby Bradshaw Audio Editor: Jack Howard Principal Partners: Vanessa Smith and Peter BrewerPodcast Cover: @charleston51 © HLA Agency
In this episode of Girls On Film, Anna Smith takes you out of the studio and straight to the sunny shores of Mallorca! Recorded live at the Evolution Mallorca International Film Festival, Anna hosts a Girls On Film panel on Women in Leadership, featuring a talented group of women shaping the industry with creativity and vision.Joining Anna on stage are filmmaker Alex Burunova, whose psychological drama SATISFACTION explores the delicate bond between composers Lola and Philip; BAFTA-nominated producer Sarah Brocklehurst, founder of Brock Media and known for THE OUTRUN; and Abi Harris, founder of Altitude Management, who helps artists take their creative projects to new heights.Anna also catches up with acclaimed actor Maria Dragus, known for THE WHITE RIBBON and MARY QUEEN OF SCOTS, who was in the audience at the Girls On Film panel. A huge thank you to Sandra, Maria, Vicka, and the wonderful team at Evolution Mallorca! We are already counting down to see what they have in store for next year. Do keep an eye out for dates.Learn more about Evolution Mallorca International Film Festival here: https://www.evolutionfilmfestival.com/ Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ Or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA Agency production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Negin Nia Intern: Chloe Fonge Audio Editor: Benjamin Cook Principal Partners: Vanessa Smith and Peter Brewer © HLA Agency
In this episode of Girls On Film, host Anna Smith speaks with two phenomenal women whose new films explore resilience, justice, and the power of female storytelling.First, Anna catches up with acclaimed actor Samantha Morton, known for her unforgettable performances in In America, Movern Callar, and She Said. Samantha discusses her role as Nessa in ANEMONE, a haunting drama following two estranged brothers reuniting in the wilds of Northern England, written and directed by Ronan Day-Lewis. She also reflects with Anna on her career choices and shares her thoughts on gender in film.ANEMONE is released in UK cinemas on 7 November 2025.Then Anna talks with Dolores Fonzi, the celebrated Argentinian actor, director, and co-writer of BELÉN, Argentina’s official submission for the 2025 International Feature Oscar. BELÉN tells the moving story of women uniting to fight injustice, inspired by true events surrounding a young woman falsely accused of infanticide. Dolores discusses the film’s real-life origins, her transition to directing, and how the movement for reproductive rights continues to shape the political landscape in Argentina today.BELÉN is released in select UK cinemas from 7 November 2025, and available on Prime Video from 14 November. This episode is in part-partnership with Amazon MGM Studios.Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Negin Nia Interns: Chloe Fonge and Ruby Bradshaw Audio Editor: Benjamin Cook Principal Partners: Vanessa Smith and Peter Brewer © HLA Agency
A follows a screening of HEDDA - a bold and contemporary reimagining of Henrik Ibsen’s classic play Hedda Gabler. The film follows the daughter of a general as she navigates a home she never wanted, a marriage that confines her, and the haunting return of a former lover.Joining Anna on stage are director Nia DaCosta and cast members Tessa Thompson, Nina Hoss, and Imogen Poots, who discuss the film’s exploration of race and gender, as well as the creative process of reinventing one of literature’s most complex and fascinating women for modern audiences.HEDDA is in UK cinemas as of 24 October 2025, and on Prime Video globally on 29 October 2025Thank you to Amazon MGM Studios for partnering with us on this episode.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Negin NiaIntern: Ruby BradshawPodcast Cover Image: Amy WebsterAudio Editor: Elliana Jay Hamer © HLA Agency
A from our Girls On Film BFI LFF For Free panel, recorded on Thursday, 16 October at 2:00 PM at BFI Southbank. Host Anna Smith speaks with:- Iain Forsyth and Jane Pollard, directors and co-screenwriters on BROKEN ENGLISH, an inventive and soulful documentary portrait of cultural icon Marianne Faithfull.- Shih-Ching Tsou, director and co-screenwriter, on LEFT-HANDED GIRL, a powerful story following a family of women returning to Taipei to begin a new chapter in their lives.Later in this episode, Anna chats with Sandra Lipski, founder and director of the Evolution Mallorca International Film Festival, joining us online from sunny Mallorca!Set against the stunning backdrop of Palma de Mallorca, the festival has become renowned for its creative energy, vibrant international community, and commitment to connecting cultures through film. Sandra shares insights into what’s in store for this year’s festival and how it has evolved since its early days.The Girls On Film Women in Leadership panel in Mallorca is on Sunday 26 October at the Es Baluard Museum in Palma de Mallorca. The panel this year will include: - Sarah Brocklehurst: BAFTA-nominated producer.- Abi Harris: founder of Altitude Management.- Alex Buruonova: writer and director, whose film SATISFACTION is playing at the festival.Learn more about the festival and our panel here: https://www.evolutionfilmfestival.comBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Negin Nia Intern: Ruby Bradshaw Audio Editor: Benjamin Cook Podcast Cover Image: Ruby Bradshaw Principal Partners: Vanessa Smith and Peter Brewer © HLA Agency
Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patreon of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda Lornie Archbold, who also produced this episodeIntern: Ruby BradshawPrincipal Partners Vanessa Smith and Peter BrewerThanks to our sponsors for this episode, Lilac Grove Entertainment.© HLA Agency
On this episode of Girls On Film, Anna Smith sits down with the creative team behind the British-Italian film Brides, which is the directorial debut of Nadia Fall. They discuss teenage friendship, the inspirations and themes that shaped the story, and they touch on the international collaboration behind the production.Brides follows two British Muslim teenagers, Doe and Muna, as they leave the UK for Syria in search of freedom, belonging, and purpose. Inspired by real events, the film offers a sensitive and gripping look at identity, friendship, and the search for meaning in complex circumstances.Joining Anna for a live Q&A panel are actor Safiyya Ingar (Muna in the film), writer Suhayla El-Bushra, and producer Nicky Bentham. They reflect on the inspiration behind the film, casting choices, and the emotional journey of bringing such an intense and thought-provoking story to life.Thanks to Vue Lumière for partnering with us on this episode.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Negin Nia Intern: Ruby Bradshaw Audio Editor: Emma Butt Principal Partners: Vanessa Smith and Peter Brewer © HLA Agency
On this episode of Girls On Film, Anna Smith speaks with the creative teams behind two strikingly different films, both exploring relationships, emotion, and identity.First, she sits down with Emma Thompson to discuss Dead of Winter, a tense new thriller directed by Brian Kirk. Thompson stars as Barb, a widow caught in a deadly snowstorm in northern Minnesota. They talk about stepping into this high-stakes role, balancing action with emotion, the challenges of filming, and the layered relationship between Barb and her late husband.Later, Anna is joined by filmmaker Sophie Dupuis to talk about her Canadian romantic drama Solo. Together, they explore the inspiration behind the story, the filmmaking process, and the themes at its core.SOLO, which is described as “a shower of glitter,” tells the story of Simon, an emerging Montreal drag queen caught between a destructive love affair and a long-awaited, complicated reunion with his mother. With the most queer cast ever assembled in a Canadian production, the film embraces queerness not as conflict, but as community, perspective, and joy.SOLO is out now in UK cinemas, go to Solofilm.co.uk for info on where to see the film whenever you are listening to this podcastDEAD OF WINTER will be released in UK and Irish cinemas from 26th September.This episode is in partnership with Peccadillo Pictures.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials:www.instagram.com/girlsonfilm_podcast/www.facebook.com/girlsonfilmpodcastwww.twitter.com/GirlsOnFilm_Podwww.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie ArchboldProducer: Negin NiaAudio Editor: Elliana Jay HamerThis episode is in part-partnership with Peccadillo Pictures Principal Partners: Vanessa Smith and Peter BrewerSponsored by Lilac Grove Entertainment © HLA Agency
For its landmark 200th episode, Girls On Film celebrates with a very special discussion on the future of film criticism and the vital role of diverse voices.The episode begins with heartfelt, celebratory words from listeners, past guests, and colleagues, reflecting on the journey of the podcast since its launch. Host Anna Smith then unveils The Critical Gap, a ground-breaking new survey commissioned by Girls On Film and conducted by Louisa Livingston and her team at Forward Thought. Inspired by the 2018 Annenberg Inclusion Initiative research that sparked the creation of this podcast, this UK-focused study surveyed over 100 critics of all genders, addressing issues of access, diversity and pay.The findings reveal stark inequalities: women film critics earn over 19% less than men—one of the worst gender pay gaps in UK culture. The report also highlights systemic barriers and ongoing challenges faced by underrepresented groups. The full report is now available on the Girls On Film website.To discuss the findings, Anna is joined by two leading voices in film criticism: Jane Crowther, Chair of the Critics’ Circle Film Section, and Akua Gyamfi, founder of The British Blacklist. Together, they reflect on the survey, progress made, the spaces still needed for meaningful conversation, and the steps towards a more inclusive future for film criticism.Anna is also joined by Hanna Flint, co-founder of the LFF Critics Support Fund, the crowdfunded initiative offering financial aid to critics from low-income backgrounds so they can attend the BFI London Film Festival.Special thanks to Lilac Grove Entertainment for sponsoring this celebratory episode.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Negin Nia Intern: Ruby Bradshaw Audio Editor: Emma Butt Principal Partners: Vanessa Smith and Peter Brewer © HLA Agency
Host Anna Smith is joined by PAST LIVES director Celine Song to talk about her new star-studded film, MATERIALISTS. Lucy (Dakota Johnson) works as a match-maker struggling to balance financial expectations with love. Celine discusses being a feminist filmmaker, her own match-making career, and the struggle of universal loneliness. She also gives some personal advice to young women in film.Anna then speaks to Jasmin Gordon about her directorial debut THE COURAGEOUS, which follows a rebellious mother living on the edge of society who fights to keep her family together. Jasmin talks about the impact of her childhood on the film, pressure on women and mothers, and rebellion in current times. Jasmin also reveals exclusive information about her next feature film.MATERIALISTS is in UK and Irish cinemas from August 13, 2025.THE COURAGEOUS is comes to UK and Irish cinemas September 5, 2025. MOTHERBOARD releases August 15 2025.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte MathesonIntern: Ruby Bradshaw Audio Editor: Emma Butt Principal Partners: Vanessa Smith and Peter Brewer © HLA Agency
For its 198th episode, Girls On Film returns to Latitude Festival, where host Anna Smith chairs a panel with four brilliant women in film and television. This is the third live Girls On Film podcast recording from the festival, and it’s absolutely fabulous!First up, Anna is joined by actor Jane Horrocks, who talks about her work on Absolutely Fabulous, on Life Is Sweet with director Mike Leigh, and on her role in Chicken Run, as well as the changes she has witnessed in the film and television industries over the course of her career. Next Anna speaks with Priya Kansara, known for her roles in Polite Society, Bridgerton, and Dope Girls, and then invites two of the driving forces behind the 2025 film Lollipop onto the stage, director Daisy-May Hudson and writer-performer Posy Sterling. Daisy-may also discusses her feature documentary Holloway.Together, the women talk about collaborating, imposter syndrome and the systemic changes they would like to see in the industry to improve access and representation for underrepresented groups.This episode was recorded at The Listening Post at Latitude Festival on Friday 25th of July 2025. Special thanks to Latitude, and to our sponsor for this episode, Lilac Grove Entertainment.Sign up to the Girls On Film newsletter here: http://eepurl.com/iEKaM-/Or email girlsonfilmsocial@gmail.com to be signed up.Visit our new website www.girlsonfilm.org.uk Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Audio Editor: Benjamin Cook Principal Partners: Vanessa Smith and Peter BrewerSponsored by Lilac Grove Entertainment © HLA Agency
We switch from movies to the stage to talk about SING STREET: THE MUSICAL. Anna speaks with iconic producer Barbara Broccoli about her approach in adapting the film into a stage show. Barbara came on our 100th episode of Girls On Film to talk about her work, the Time's Up movement, and No Time To Die. As well as producing the Bond films at Eon Productions, she has produced female-led movies such as Film Stars Don't Die In Liverpool, Nancy, Till, and Blue Road: The Edna O'Brien Story. Anna also chats with the show’s director, Rebecca Taichman, about approaching the correct tone and staging for the show. Rebecca is one of only six women to win the TONY Award for Best Direction of a Play, which she took home in 2017 for "INDECENT," by Paula Vogel. With a diverse repertoire spanning Shakespeare, contemporary plays, opera, and musicals, Taichman is a visionary director who enjoys conceiving of and co-creating new work. We're also joined by John Carney who is known for music-led films such as Once and Begin Again, and who directed and co-wrote the original feature film Sing Street.SING STREET: THE MUSICAL is running from July 8 - August 23 2025 at the Hammersmith Theatre, London. Check out the website for more details: https://lyric.co.uk/shows/sing-street/ . Sign up to the Girls On Film newsletter here: http://eepurl.com/iEKaM-/ . Or email girlsonfilmsocial@gmail.com to be signed up.Visit our new website www.girlsonfilm.org.uk Become a patron of Girls On Film on Patreon here:www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast / www.facebook.com/ girlsonfilmpodcast / https://bsky.app/profile/girlsonfilmpodcast.bsky.socialhttps://bsky.app/profile/annasmithjourno.bsky.socialWatch Girls On Film on the BFl's YouTube channel: www.youtube.com/playlist?list=PLX...L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Audio Editor: Emma Butt. This episode is supported by Lilac Grove Entertainment.Principal Partners: Vanessa Smith and Peter Brewer © HLA Agency
Host Anna Smith brings you a special episode of Girls On Film from the Mediterrane Film Festival in Malta, which this year celebrates 100 years of movie-making on the island.From Malta, Anna speaks with producer Susan Simnett, known for Brides, Chuck Chuck Baby, and Fadhia’s Tree. She also chats to Euphoria star Barbie Ferreira, who received this year’s Rising Star Award, and BAFTA-winning actor Monica Dolan, who presented at the festival’s Golden Bee Awards.Back in the UK, broadcaster, film, TV and culture critic Ashanti Omkar joins Anna to discuss three powerful new films: Daisy-May Hudson and Sophie Compton’s documentary Holloway, Athina Rachel Tsangari’s medieval drama Harvest, and Claude Barras’s stop-motion animation Savages.Harvest will be coming to UK cinemas on 18 July 2025.Keep an eye out for upcoming screenings of Holloway with Reclaim the Frame - championing intersectional feminist cinema across the UK. Check out their website for more details Savages will be released in the UK and Ireland on 1 August 2025.Find out more about the Mediterrane Film Festival on their website https://mediterrane.com/ Sign up to the Girls On Film newsletter here: http://eepurl.com/iEKaM-/Or email girlsonfilmsocial@gmail.com to be signed up.Visit our new website www.girlsonfilm.org.uk Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Audio Editor: Cam Griffiths Principal Partners: Vanessa Smith and Peter Brewer © HLA Agency
We’re back in the French Riviera for a very special episode, as Girls On Film returns to the 78th edition of the Cannes Film Festival.This year, host Anna Smith welcomed guests to the second Girls On Film Cannes Do at The Members Club. This glamorous networking event on the beach brought together filmmakers, critics, and creatives celebrating the power of women in cinema. In this episode, you’ll hear reflections from our community on what Girls On Film means to them.Later on in the episode Anna reunites with film journalist Wendy Ide who reflects on this year’s films, which she says have been of a consistently high standard. Wendy shares her standout picks from the festival, from the fiercely divisive Die, My Love, a visceral exploration of the raw edges of motherhood and mental unravelling, to Sound of Falling, a haunting meditation on how trauma echoes through time and place. She also dives into Sirât, an allegorical road movie, in which gender and disability are refreshingly incidental, not defining. Plus other titles that are already generating serious awards buzz. And finally, we’re joined by Liza van der Smissen and Nicole Lieberman, founders of the Female Film Club. This trailblazing global network uplifts women in the industry through practical workshops, seminars and a thriving, supportive community. They share the story behind their mission and how they’re helping to reshape the future of film, one powerful connection at a time. They also unveil an exciting new opportunity: a £10,000 investment in a short film, designed to give back to their talented global community. To enter from 16th June onwards, filmmakers must join their networking space. If you’re looking to join a space that champions and supports women in film, don’t miss out – click this link to join the Female Film Club: [link: https://female-film-club.mn.co/users/onboarding/choose_plan?plan_id=1818474&bundle_token=aca8b4a8f139016aca1a9fdc680a97a8&utm_source=manual]We would also like to thank our incredible sponsors for all their support: Col Needham and Karen Needham at IMDb: [link: https://www.imdb.com/title/tt18211920/?ref_=nv_sr_srsg_3_tt_8_nm_0_in_0_q_girls%2520on%2520film]Clare Bateman-King at Lilac Grove Entertainment: [https://lilacgrove.com/]JoJo Dye at JJD Consultancy: [link: https://jjdconsultancy.com/]Jane Owen at Jane Owen PR: [https://janeowenpr.com/]The House of Oria: [https://www.thehouseoforia.com/]Sunny Pal at Astella: [https://www.instagram.com/astellajewellery/?hl=en]HLA Agency: [https://hlaagency.co.uk/]Films mentioned in this episode: Die, My Love, Lynne RamsayEleanor the Great, Scarlett JohanssonThe History of Sound, Oliver HermanusMastermind, Kelly ReichardtMy Father’s Shadow, Akinola DaviesPillion, Harry LightonRomería, Carla SimónSirât, Oliver LaxeSorry Baby, Eva VictorSound of Falling, Mascha SchilinskiThe Secret Agent, Kleber Mendonça FilhoSign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda Lornie Archbold, who also produced this episodeAudio Editor: Benjamin CookIntern: Hattie MorrisPrincipal Partners: Vanessa Smith and Peter Brewer© HLA Agency
Host Anna Smith brings you an exclusive conversation with the women of Mission: Impossible – The Final Reckoning, recorded live at London’s Ham Yard Hotel. This latest instalment in the high-octane Mission: Impossible franchise sees Ethan Hunt and the IMF team race against time to confront the Entity, a rogue artificial intelligence threatening global destruction.Joining Anna for this special panel are two talents at the heart of the action: Pom Klementieff, who takes on the role of Paris, and Angela Bassett, returning as Erika Sloane, the President of the United States. Together, they delve into the challenges of working on one of cinema’s most physically demanding franchises, explore the critical role costume design plays in shaping their characters, and reflect on the powerful, real-world impact of casting a Black woman as the US president in a fictional universe.Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Charlotte MathesonIntern: Anna SwartzAudio editor: Alex JonesSound recordist: Erin Millican House band: MX TyrantsThis episode is in partnership with Netflix© HLA Agency
In this star-studded episode, Anna Smith and co-founder Hedda Lornie Archbold delve into two exciting new films led by complex and captivating women.First, Anna chats with Julia Louis-Dreyfus and Geraldine Viswanathan, stars of Thunderbolts—the latest Marvel Cinematic Universe film. Together, they discuss their first meeting, stepping into a superhero world alongside Florence Pugh and bringing depth and humour to their roles.Then, Hedda speaks with producer Rosie Fellner and actor Elizabeth Reaser about The Uninvited—a darkly funny and deeply poignant film that explores gender, aging, and identity in Hollywood. Reaser portrays Rose, a once-famous actress whose life is upended by a mysterious guest at a glamorous Hollywood gathering. The film also stars Walton Goggins, Lois Smith, Eva De Dominici, Pedro Pascal, and Rufus Sewell, and is writer-director Nadia Conners’ debut feature.Thunderbolts landed in UK cinemas 1 May 2025The Uninvited is in UK cinemas 9 May 2025http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Charlotte MathesonIntern: Hattie MorrisAudio editor: Benjamin CookHouse band: MX TyrantsPrincipal Partners: Vanessa Smith and Peter Brewer© HLA Agency
In this special episode recorded at the Glasgow Film Festival, Jessica Lange joins Girls On Film host Anna Smith to reflect on her extraordinary career across stage and screen. She discusses her latest film, Long Day’s Journey Into Night, which premiered at the festival, and shares insights into her rural Minnesota upbringing, early years studying mime in Paris, and her upcoming role as Marlene Dietrich.Jessica also revisits some of her most iconic roles, from portraying Frances Farmer in the heartbreaking biopic Frances to starring alongside Dustin Hoffman in the genre-defying comedy Tootsie. She also explores her more recent work on American Horror Story, which not only cemented her status as an acting legend but also introduced her to a new generation of fans. Beloved by Gen X and Gen Z alike, Jessica’s performances continue to captivate audiences across film, television and stage.Acclaimed as one of the greatest actresses of her generation, Jessica is the 15th Oscar winner to appear on Girls On Film.The conversation was recorded on 1 March 2025. http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Charlotte MathesonIntern: Anna SwartzAudio editor: Alex JonesHouse band: MX TyrantsPrincipal Partners: Vanessa Smith and Peter Brewer© HLA Agency
In this episode of Girls On Film, recorded at the 2025 Glasgow Film Festival, host Anna Smith is joined by co-founder and Executive Producer of the podcast, Hedda Lornie Archbold, to bring listeners exclusive interviews with some of the festival’s stars. They welcome insights from Festival Director Allison Gardner, star of opening gala film Tornado, Kōki, and two of the creative minds behind The Extraordinary Miss Flower. Allison Gardner talks about her highlights of her final year leading the Glasgow Film Festival. Kōki, the rising star of Tornado, opens up about her role as the daughter of a Japanese puppeteer in John Maclean’s thriller. And Emiliana Torrini and Caroline Catz dive into their work on The Extraordinary Miss Flower, a genre-blending love letter to love letters, set to Torrini’s dreamy soundtrack.The Extraordinary Miss Flower will be released in the UK on 9 May 2025. Tornado will be available in cinemas from 23 May 2025.Glasgow Film Festival 2025 runs from 26 February to 9 March 2025. For more information on screenings and tickets, visit the Glasgow Film Festival website https://www.glasgowfilm.org/homeMarch is International Women’s Month, and this year also marks the 20th Anniversary of Birds Eye View Festival, now Reclaim the Frame, a charity championing women filmmakers. The festival will host a Weekender from 7–9 March 2025 at BFI Southbank and Regent Street Cinema, featuring events, screenings, and a special showing of Lollipop, which featured in episode 181 of Girls On Film. For more details, visit reclaimtheframe.org.Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Charlotte MathesonIntern: Anna SwartzAudio editor: Benjamin Cook House band: MX TyrantsPrincipal Partners: Vanessa Smith and Peter Brewer© HLA Agency
Host Anna Smith brings you an exclusive conversation with Zoe Saldaña, Clément Ducol and Camille, recorded live at London’s Charlotte Street Hotel following a screening of the 13 time Oscar-nominated and 12 time BAFTA-nominated film Emilia Pérez.Directed by Jacques Audiard, this genre-blending musical thriller tells the story of a lawyer who becomes entangled in the world of a cartel boss undergoing a dramatic personal transformation. Starring Karla Sofía Gascón, Zoe Saldaña, Selena Gomez and Adriana Paz, the film is generating awards buzz for its bold storytelling and powerful performances.Joining Anna for this discussion is Oscar-nominee Zoe Saldaña, who plays Rita in the film. She shares her experience collaborating with versatile French filmmaker Jacques Audiard on bringing to life the story of four Latina women, citing how refreshing it was to embody a flawed woman, the character of Rita. She’s joined by Clément Ducol and Camille, the composers and songwriters behind the film’s evocative soundtrack, who share insights into the five-year-long creative process of bringing Emilia Pérez's distinctive musical identity to life.This episode was recorded live on 31 January 2025 and is brought to you in partnership with Netflix.Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Charlotte MathesonIntern: Anna SwartzAudio editor: Alex JonesSound recordist: Erin Millican House band: MX TyrantsThis episode is in partnership with Netflix© HLA Agency
In this special episode recorded at the 2025 Girls On Film Awards, we celebrate the remarkable achievements of women and people of marginalised genders in the film industry. Hosted by co-founders of Girls On Film Anna Smith and Hedda Lornie Archbold, the evening features inspiring speeches, awards across 14 categories, and interviews with some standout guests.You'll hear highlights from the ceremony, including insights from Oscar-nominated directors Coralie Fargeat (The Substance) and Shiori Itō (Black Box Diaries) as well as Oscar-nominated Actress Karla Sofía Gascón (Emilia Pérez). Also in this episode, attendees reflect on the importance of women-led cinema and diverse voices in the industry.We also spotlight the sponsors and partners who made the event possible: our Gold Sponsors, CrewHQ and IMDb; our Silver Sponsor, Curzon; and our Bronze Sponsors, Netflix and Intimacy on Set. We are grateful for the support of our media partners Deadline, British Cinematographer magazine, and DDA, and to Lilac Grove Entertainment for sponsoring the reception.The awards celebrate the ongoing progress toward more inclusive storytelling, and this episode brings you right into the heart of the celebration.This episode is sponsored by Elstree Film Studios, who are celebrating their centenary in 2025.Full list of winnersBEST FEATURE FILMThe SubstanceBEST DOCUMENTARY FEATUREBlack Box DiariesBEST PERFORMANCE IN A LEADING ROLEMarianne Jean-Baptiste (Hard Truths)BEST PERFORMANCE IN A SUPPORTING ROLEDanielle Deadwyler (The Piano Lesson)FEMALE FRIENDSHIP ON SCREENAll We Imagine as LightENSEMBLE CASTEmilia PérezTHE GIRLS ON FILM ALLY AWARD SPONSORED BY IMDbMike Leigh (Hard Truths)BEST CINEMATOGRAPHY SPONSORED BY CREWHQHélène Louvart AFC (La Chimera)BEST PRODUCTION DESIGNJudy Becker (The Brutalist)BEST COSTUME DESIGNLinda Muir (Nosferatu)BEST COMPOSERAbigail Barlow and Emily Bear (Moana 2)BEST PUBLICITY CAMPAIGNUniversal (Wicked)ACTIVIST IMPACT AWARDShiori Ito (Black Box Diaries)FEMALE ORGASM ON SCREEN SPONSORED BY INTIMACY ON SETNicole Kidman (with Nicole Kidman, and later Harris Dickinson) (Babygirl)Full list of commendationsENSEMBLE CASTChuck Chuck BabyBEST COMPOSERIsobel Waller-Bridge (Wicked Little Letters)BEST PRODUCTION DESIGNGemma Jackson (Lee)BEST COSTUME DESIGNRebecca Gore (Timestalker)Find out more here https://hlaagency.co.uk/category/projects/girls-on-film-awards/ Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Charlotte MathesonInterns: Anna Swartz and Oli FyneSound recordist: Erin MacmillanAudio editor: Benjamin CookHouse band: MX Tyrants© HLA Agency
Anna Smith takes a closer look at the poignant, BAFTA-nominated Netflix documentary Daughters, co-directed by Natalie Rae and Angela Patton. The film intimately portrays the lives of four young Black women in the United States, navigating the emotional challenges of growing up with fathers who are incarcerated. Directors Natalie and Angela join Anna to discuss their eight-year journey bringing this powerful story to life, from filming during the pandemic to building an open and compassionate dialogue with the young women seen on screen, all culminating in the transformative Daddy Daughter Dance at the heart of the documentary. Angela Patton, CEO of Girls For A Change, shares her perspective on amplifying young women’s voices, while Natalie Rae delves into the creative and emotional process of filming such a personal and moving story in this episode of Girls On Film. Daughters is available to stream on Netflix now.Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Charlotte MathesonIntern: Anna SwartzAudio editor: Emma ButtHouse band: MX TyrantsThis episode is in partnership with Netflix© HLA Agency
In this episode, host Anna Smith transports listeners to the world of Wicked. She speaks with three key creatives behind this enchanting film adaptation of the hit Broadway musical. Directed by Jon M. Chu, the film stars Cynthia Erivo as Elphaba and Ariana Grande as Glinda, bringing this iconic story of friendship, magic, and love to life on the big screen. Hair, Makeup, and Prosthetics Designer Frances Hannon discusses how she approached creating Elphaba’s iconic green look. Director of Photography Alice Brooks explains how she updated the technicolour dreamworld of Oz through the film’s cinematography. And, Costume Designer Paul Tazewell describes how he developed a ‘language of clothing’ to reflect the world and characters of Oz. The episode highlights the significant role that Hair and Makeup Design, Costume Design and Cinematography play in bringing the story of these two complex women to life. Listeners will get a glimpse into the artistry behind the film and the collaborative effort that makes Wicked both visually stunning and emotionally resonant.Wicked is in UK cinemas now, with part two coming next year. Let us know what you think on social media - tag Girls On Film and use the hashtag #WickedMovie.Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Charlotte MathesonIntern: Anna SwartzAudio editor: Emma ButtHouse band: MX TyrantsThis episode is in partnership with Universal Pictures © HLA Agency
Girls On Film brings you a live recording from the BFI’s Art of Action season at the Exeter Phoenix Cinema in Devon. Host Anna Smith is joined by Priya Kansara, star of the genre-blending feminist action film Polite Society.Following a screening of Nida Manzoor’s 2023 film, Priya discusses her lead role as Ria, a spirited young martial artist determined to stop her sister’s wedding with an audacious heist. She describes how, despite their different heritages, she instantly identified with the character of Ria, and revealed how she worked with Manzoor to put a personal spin on the film's more comedic scenes. Priya also discusses the reality of finding a stunt double when you’re a brown girl, calling for change in this area of the industry, as well as sharing some top tips for film industry newcomers to battle imposter syndrome. Listen to hear more!The conversation includes a post-screening Q&A with audience questions. This episode is part of Art of Action: Smash the Glass, a season that celebrates the women who have advanced action cinema both on and off-screen.The season is supported by National Lottery and BFI Film Audience Network with generous sponsorship from Packexe.To find out more about the BFI’s Art of Action season, and, for our UK listeners, to see which films are screening near you, visit the British Film Institute website below. The season is running from October to December 2024. https://www.bfi.org.uk/art-action Also in this week’s episode, Girls On Film is delighted to be celebrating our sixth birthday with the Female Film Club - a global members’ club specifically for women in film - who are turning four. Together we share 10 years in the industry, and to mark the occasion Female Film Club are opening up their networking space to Girls On Film listeners who work the film industry: They offer a completely free networking space designed to help you make meaningful connections within the industry and to network with other members. With thousands of members in their database, you’ll be joining a supportive community of creatives worldwide.With free membership, you’ll get access to the FFC app, direct messaging with fellow members, and exclusive perks like special events and industry opportunities. It’s a fantastic way to grow your network, build your skills, and get real support—some members have even landed jobs through it!https://female-film-club.mn.co/sign_up?bundle_token=e2f89f5961bbb9100aff796e6b36e50c&plan_id=479915&utm_source=manual” Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Charlotte MathesonIntern: Anna SwartzAudio editor: Benjamin CookHouse band: MX Tyrants© HLA Agency
In this special episode from the Evolution Mallorca International Film Festival, Anna Smith hosts a panel discussion on women in leadership within the film industry. In the third iteration of this panel, Anna is joined by three international industry leaders: Kirsty Bell, CEO of the Oscar-winning production company Goldfinch, international film publicity strategist Mia Farrell and Oscar-nominated producer Rebecca Pruzan. Together, they explore the pathways to landing leadership roles, the skills needed to thrive once there, and the shifting dynamics of gender and race in the film industry.Kirsty Bell shares her experiences starting Goldfinch as a family business and reflects on directing A Bird Flew In—the first film shot during the pandemic, which pioneered COVID protocols on set. She also highlights the importance of supportive men in her life, and how they’ve played a role in her career.Mia Farrell offers insights from her career as a publicist, discussing her passion for elevating films through strategic PR, as well as her advocacy for greater diversity in the industry. She tells the audience about the genesis of her impactful Screen Daily article, "Why are so few Black people in positions of power in the arthouse film PR sector?'”. Mia also shares her experiences working on The Dads, a heartfelt documentary on fatherhood and trans youth, directed by Luschina Fisher, and available on Netflix.Rebecca Pruzan discusses her transition from a career in IT and consultancy to becoming an Oscar-nominated producer. She reflects on the identity politics at play in producing her short film IVALU, highlighting the challenges of navigating cultural sensitivities in storytelling and discussing the reaction to the film on its festival journey. This episode is in partnership with Evolution Mallorca International Film Festival.You can find out more about the Evolution Mallorca International Film Festival here: https://www.evolutionfilmfestival.com/tickets A reminder that you can read a transcript of our episodes on Apple Podcasts by clicking the ‘transcript’ option in settings in the episode description. Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.x.com/GirlsOnFilm_Pod www.x/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Charlotte MathesonIntern: Anna SwartzAudio editor: Benjamin CookHouse band: MX Tyrants© HLA Agency
In this festival special, Anna Smith island hops across some of the most unique film festivals of the season, taking listeners from Sea Change festival in Scotland’s Tiree to the London Film Festival before ending in Mallorca to hear about the upcoming Evolution Mallorca International Film Festival 2024.First, Anna reports from this year’s Sea Change Film Festival in the Inner Hebrides. She speaks with filmmaker Jeanie Finlay (Your Fat Friend, Seahorse) and festival-goers like Reclaim The Frame’s Melanie Iredale about their time at Scotland’s only annual festival dedicated to powering women in film. Next, she heads to the BFI London Film Festival to meet actor Deba Hekmat and writer Helen Simmons, whose film Last Swim has its premiere at this year’s festival. This coming of age drama tells the story of Ziba, a young woman who celebrates her A-Level results with friends while grappling with a personal secret. With Anna, Deba discusses the authenticity of the film’s dialogue, how it captured Gen Z sensibilities almost perfectly, and how she resonated with the character of Ziba. Helen reflects on working with a translator to capture an authentic Farsi that is spoken by Ziba and her mother in Last Swim, as well as speaking about the lack of representation of driven and intelligent young women in film. Anna also catches up with some friends of the podcast when she is out and about at LFF.Finally, it’s off to Spain for a preview of the Evolution Mallorca International Film Festival. Anna sits down with festival director Sandra Lipski to discuss some of her feminist festival highlights. Sandra gives us an insight into the 2024 lineup, including the festival’s plan to welcome five time Academy Award-nominee Annette Bening to Mallorca's sunny shores. Films Mentioned: Last Swim (2024) Black Box Diaries (2024) Anora (2024) Conclave (2024)All We Imagine As Light (2024) Twiggy (2024)The Extraordinary Miss Flower (2024)Las chicas de la estación (2024)The Grifters (1990)The Outrun (2024)Endurance (2024)Emilia Perez (2024)Your Fat Friend (2023)Widow Clicquot (2024)Hoard (2024)Principal Partners: Vanessa Smith and Peter BrewerOur partners for this episode: Evolution Mallorca International Film FestivalYou can buy tickets for Evolution Mallorca International Film Festival from the 17th October 2024 via this link: https://www.evolutionfilmfestival.com/tickets Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.x.com/GirlsOnFilm_Pod www.x/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Charlotte MathesonIntern: Anna SwartzAudio editor: Benjamin CookHouse band: MX Tyrants© HLA Agency
Anna Smith speaks to Lily Ahree Siegel, director of Equal Play, a new short documentary that discusses the importance of equal access to school sports for disabled children. Anna is also joined by Lindsey Dryden, director, writer, producer, executive producer, as well as co-founder of FWD-DOC, and Clare Baines, the BFI’s Inclusion Partner, to talk about equal access within the film industry and the bigger issues touched on in Equal Play.First, Clare discusses her personal connection to the documentary, revealing to Anna how losing her eyesight at 15 affected her ability to participate in school sports. Clare also advocates the importance of educating kids about their bodies. As a disabled woman in the film industry, Lindsey highlights the inaccessibility of disabled people entering the world of entertainment. She questions the disparity between disabled stories in documentaries vs narratives and encourages more joyous cinematic portrayals of the disabled experience. Lindsey and Clare share their favourite film depictions that capture the disabled experience. They also call for a disability revolution including more on-screen celebrations about disabilities. Next up, Lily Ahree Siegel discusses her background within the arts and what inspired her to become a documentary filmmaker. Lily highlights access to PE and sports as an issue affecting kids worldwide, discusses the importance of inclusion passports, and shares her favourite moment on set. Equal Play is available to watch on Channel 4 - https://www.channel4.com/programmes/equal-playA reminder that you can read a transcript of our episodes on Apple Podcasts by clicking the ‘transcript’ option in settings in the episode description. This episode is brought to you by Harder Than You Think.Films/TV Shows/Books mentioned: The Gleaners and I (Agnes Varda)We Might Regret This (created by Kyla Harris) - available on BBCThe Callers (Lindsey Dryden)Lost In Sound (Lindsey Dryden)Coda (Sian Heder)Trans In America (produced by Lindsey Dryden and Shaleece Haas)Unrest (Jennifer Brea)Patrice: The Movie (Ted Passon) - available on Hulu and showing at LFF 2024Crip Camp (James Lebrecht and Nicole Newnham) - available on NetflixI Didn’t See You There (Reid Davenport) - available to rent on Apple TV, Prime Video, and Google PlayIs Anybody Out There (Ella Bee Glendining) - available on ITVX and NetflixThe Tube Thieves (Alison O’Daniel) - available on PBS Feminist, Queer, Crip by Alison KaferWebsites mentioned: TV Access - https://www.channel4.com/4producers/creative-equity/tv-access-projectSins Invalid - https://www.sinsinvalid.org/blog/10-principles-of-disability-justiceFWD-DOC - https://www.fwd-doc.org/TripleC - https://triplec.org.uk/DANC - https://triplec.org.uk/danc/Deaf and Disabled People in TV - https://www.ddptv.org/Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Assistant Producer: Jade Evans Intern: Anna Swartz Audio editor: Benjamin Cook band: MX Tyrants © HLA Agency
In this episode, Anna Smith welcomes film critic Corrina Antrobus back to Girls On Film to discuss her brand new book, I Love Romcoms and I am a Feminist: A Manifesto in 100 Romcoms. Anna is also joined by film critic Jo-Ann Titmarsh who shares her highlights direct from the Venice International Film Festival. First up, Corrina begins by discussing two Girls On Film romcom favourites - Gentlemen Prefer Blondes and She’s Gotta Have It, which both feature in our pod’s intro jingle. She highlights the romcoms that have often been overlooked in the genre, as well as the underlying feminism of the popular, mainstream romcoms which are often dismissed as anti-feminist. Corrina also notes the importance of diverse representation and some of the challenges of finding examples of trans romances in the romcom genre, but that by pushing for change, she has hope that things will change. Note that there are mild spoilers for classic romcoms in this segment.Next up, Jo-Ann shares the exciting buzz of this year’s Venice International Film Festival and discusses her festival favourites. She notes how this year’s fest consists of all-out glamour and fabulous women rocking the red carpet and discusses her film highlights, including her top performances by women including Nicole Kidman, Julianne Moore, Tilda Swinton and Angelina Jolie. She notes the films to look out for, and ends by discussing the long-awaited sequel to Beetlejuice.You can buy Corrina Antrobus’s book I Love Romcoms and I am a Feminist: A Manifesto in 100 Romcoms at most book retailers including Waterstones, Blackwells, WH Smith and Amazon.Films mentioned in this episode:Wolfs (Jon Watts)Gentlemen Prefer Blondes (Howard Hawks) - Rent on Google Play, Apple TV, Prime VideoShe’s Gotta Have It (Spike Lee) - NetflixRye Lane (Raine Allen Miller) - DisneyPlusPalm Springs (Max Barbakow) - Prime VideoWhile You Were Sleeping (Jon Turteltaub) - DisneyPlusPretty Woman (Garry Marshall) - DisneyPlusMagic Mike XXL (Gregory Jacobs) - Prime Video, Apple TVKissing Jessica Stein (Charles Herman-Wurmfeld) - Rent on YouTube, Prime Video, Apple TV, Google PlayBut I’m a Cheerleader (Jamie Babbit) - Prime VideoHappiest Season (Clea DuVall) - Rent on YouTube, Prime VideoA Room Next Door (Pedro Almodovar) - Releases 25 October 2024Babygirl (Halina Reijn). Releases 10 January 2025Maria (Pablo Larraín)I’m Still Here (Walter Salles)Familiar Touch (Sarah Friedland)Queer (Luca Guadagnino)The Wire (created by David Simon) - Sky, NowTVThe Office (US version developed by Greg Daniels) - Netflix, Sky, NowTV, Prime VideoBirdman (Alejandro González Iñárritu) - DisneyPlusBeetlejuice Beetlejuice (Tim Burton) - In cinemasBeetlejuice (Tim Burton) - Netflix, Prime VideoFirebrand (Karim Aïnouz) - In cinemasHis Three Daughters (Azazel Jacobs) - In cinemasLee (Ellen Kuras) - In cinemasThe Queen of My Dreams (Fawzia Mirza) - Releases 13 September 2024Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldAssistant Producer: Jade EvansIntern: Anna SwartzAudio editor: Elliana Jay HamerHouse band: MX Tyrants© HLA Agency
Zoë Kravitz joins Anna Smith to discuss her directorial debut, Blink Twice, while Anna also reports from the 2024 Edinburgh International Film Festival, where she speaks with Daisy-May Hudson about her feature debut, Lollipop. First up, Anna welcomes actor turned writer, director and producer Zoë Kravitz, best known for her roles in ‘The Batman’ and in TV series ‘Big Little Lies’ and ‘High Fidelity’, onto the podcast. With Anna, Zoë discusses the feminist messaging in her slick thriller ‘Blink Twice’. She talks about casting the wonderful Naomi Ackie as Frida, a cocktail waitress who catches the eye of tech billionaire Slater King (Channing Tatum) and is transported to his private island for sundrenched luxury, or so she thinks… Zoë also tells Anna about the writing process behind ‘Blink Twice’, originally titled ‘Pussy Island’, reveals her relief at turning up to set as the director without having to worry about what she looks like, and describes her approach to capturing women on camera to produce a disturbing and believable depiction of gender and power among the megarich. Next up, Anna reports from Edinburgh International Film Festival, where Girls On Film partners on the festival’s Closing Night sçreening of the powerful feminist music documentary, ‘Since Yesterday: The Untold Story of Scotland’s Girl Bands’.Anna catches up with first-time feature director Daisy-May Hudson whose film ‘Lollipop’ is a heartbreaking but hopeful depiction of a mother (Posy Sterling) who battles to regain custody of her children after coming out of prison. Daisy-May speaks about the fierce maternal love of her protagonist Molly, what happens when children are required to parent, as well as the challenges faced by a first time director. Plus: karaoke as a symbol of working class joy!Anna also hears from Karen Needham and Col Needham from the IMDb, plus director of the BFI’s filmmaking fund Mia Bays and costume designer Rachael Fleming about their highlights from the EIFF 2024. Stay tuned for upcoming episodes of Girls On Film as we move into autumn and host Anna Smith heads to Sea Change Film Festival 2024. Find out about their festival, dedicated to women in film at https://screenargyll.co.uk/sea-change-2024/ Films mentioned in this episode: Timestalker - Alice LoweXibalba Monster - Manuela Irene Since Yesterday: The Untold Story of Scotland’s Girl Bands - Blair Young, Carla J EastonBlink Twice - Zoë KravitzRosemary’s Baby - Roman Polanski To Kill A Wolf - Kesley Taylor Sunlight - Nina ContiLollipop - Daisy-May HudsonBlink Twice was released in the UK by Warner Bros. Pictures on 23rd August, 2024Lollipop had is world premiere at the 77th edition of Edinburgh International Film Festival (on August 20th)Since Yesterday: The Untold Story of Scotland’s Girl Bands will hit UK cinemas from 18th October and Glasgow girl band Sophisticated Boom Boom will reform for one night only at a special screening of the film in Glasgow on the night of the release.For more information visit sinceyesterdayfilm.comSign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Charlotte MathesonIntern: Jade EvansAudio editor: Benjamin CookHouse band: MX Tyrants© HLA Agency
For our 180th episode, Girls On Film gets the festival buzz at Latitude in front of a live audience! First up we hear from host Anna Smith as she boogies to the song ‘Girls On Film’ sung by one of the Latitude headliners, Duran Duran! Plus, Anna had the chance to meet some band members after the show. Also in this episode, Anna is joined by Rachel Ramsay, the co-director of Copa 71, to discuss her brilliant documentary on the scandalously overlooked Women’s World Cup which took place in Mexico City in April 1971.With Anna, Rachel discusses the process of uncovering this compelling forgotten story and reaching out to the women from Argentina, Mexico, Denmark, France, England and Italy who played in the tournament to participate in the doc. Rachel shares some of the triumphs and challenges of creating a multilingual documentary that positions older women as subjects. She also talks about the ‘archaeologist’s mission’ of scouring the archives to bring Copa 71 to the big screen.Copa 71 can be seen in an abridged version on BBC iPlayer.Listeners in the UK can stream it in full on iTunes, Sky, Google, Amazon, Microsoft, BFI Player, Virgin and Dogwoof on demand.Other films mentioned: Calendar GirlsBend It Like BeckhamSign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed upBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Charlotte MathesonIntern: Jade EvansAudio editor: House band: MX Tyrants© HLA Agency
Anna Smith speaks to director Susan Seidelman about her highly anticipated new memoir, Desperately Seeking Something, as well as Rosanna Arquette, who starred in Seidelman's 1985 cult classic, Desperately Seeking Susan.Anna begins by speaking to Susan Seidelman about her memoir and her recollections of working with Madonna and Rosanna Arquette. Susan talks about the explosion of Madonna’s stardom during filming, sharing some of her cherished memories from that time. She reflects on the enduring cultural impact of Desperately Seeking Susan as well as more broadly on her career.Next, Anna speaks to Rosanna Arquette about her memories of starring in Desperately Seeking Susan. Rosanna talks about the celebrated female friendship between her and Madonna’s much-loved characters in the film, and how that translated into their off-screen friendship, sharing some of her hilarious highlights of working with Madonna. Rosanna also talks about the Time’s Up movement, discussing her powerful allyship with the other women who were amongst the first to speak out against Harvey Weinstein, and sharing insights into the monumental impact that it had on her life.Susan Seidelman’s memoir Desperately Seeking Something: A Memoir about Movies, Mothers, and Material Girls is published by Macmillan Publishers and is available online and in bookstores in the US, and through Amazon and Blackwells in the UK. UK Blackwells:https://tinyurl.com/4xfnn8udUK Amazon:https://tinyurl.com/2z6uakktUS Macmillan:https://tinyurl.com/3z8hnp9cUS Amazon:https://tinyurl.com/26ub6sasTrigger warning: The interview with Rosanna Arquette in this episode contains potentially upsetting conversations relating to Harvey Weinstein. This episode also contains very strong language.Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zOther films mentioned: Desperately Seeking SusanSmithereensAfter HoursBasic InstinctThelma and LouiseMidnight CowboyThe GraduateSex and the CityThe SopranosShe DevilBaby It’s YouThe Linguini IncidentSearching for Debra Winger
In this episode, Anna Smith speaks to the creators behind Prime Video’s new series, My Lady Jane, including creator/writer Gemma Burgess and writer Meredith Glynn, as well as the executive producer of My Lady Jane, the legendary Laurie MacDonald.Anna begins by speaking to Gemma Burgess and Meredith Glynn about the creation of the series, including the inspiration they found in their shared love of films from the 80s and 90s, and how keen they were to bring the playful tone of those films into the series. They discuss their exciting revisionist approach to history and the importance of the representation of women both behind and in front of the camera.Next, Anna speaks to Laurie MacDonald, who was the co-head of Amblin Entertainment and the co-president of DreamWorks, and together with her husband has produced the Men in Black series, Gladiator, Minority Report, and The Trial of Chicago 7, as well as American Beauty and Free Solo. They talk about what first attracted her to adapt the book, about the depiction of women through a female gaze, and the way that the production celebrates diversity. She speaks more broadly about how things have changed for women in both the industry and gender dynamics and offers advice to listeners who are looking to work in the film industry.Thank you to our partners for this episode, Prime Video.My Lady Jane will be available on Prime Video on 27 June 2024.Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zOther films and television series mentioned: The Boys (Eric Kripke)Buffy the Vampire Slayer (Joss Whedon)Blackadder (Rowan Atkinson, Ben Elton, Richard Curtis)The Princess Bride (Rob Reiner)Robin Hood Prince of Thieves (Kevin Reynolds)Ladyhawke (Richard Donner)A Knight’s Tale (Brian Helgeland)Shakespeare in Love (John Madden)Romeo and Juliet (Baz Luhrmann)Lady Jane (Trevor Nunn)Bridgerton (Chris Van Dusen)Still Star-Crossed (Heather Mitchell)Back to the Future (Robert Zemeckis)Clueless (Amy Heckerling)Crocodile Dundee (Peter Faiman)Broken Arrow (John Woo)Young Guns II (Geoff Murphy)Twilight (Catherine Hardwicke)My So-Called Life (Winnie Holzman)Men in Black series (Barry Sonnenfeld)Gladiator (Ridley Scott)Minority Report (Steven Spielberg)Trial of the Chicago Seven (Aaron Sorkin)American Beauty (Sam Mendes)Free Solo (Jimmy Chin, Elizabeth Chai Vasarhelyi)Girls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldIntern: Jade EvansAudio editor: Emma ButtHouse band: MX Tyrants© HLA Agency
In this episode of Girls On Film, Anna Smith highlights some feminist favourites from Sundance London Film Festival. She catches up with director Shuchi Talati, whose debut feature Girls Will Be Girls follows headgirl Mira (Preeti Panigrahi) as she strives to get As in the classroom and the bedroom, and struggles with a third-wheeling mother (Kani Kusruti). Anna is joined by Shuchi as well as lead actress Preeti Panigrahi as they reflect on women’s filmmaking in India, reveal how they tackled intimacy on set together, and share Shuchi’s initiative Undercurrent, a scheme to train women to work in the lighting department on film sets in India. Next up, Anna hears from the singer turned actress Maisy Stella, who stars opposite Aubrey Plaza in Megan Park’s My Old Ass. The pair chat about what attracted Maisy to the role of 18 year old Elliott, who meets her 39 year old self while tripping on magic mushrooms and has to deal with the consequences of knowing how her teenage decisions will impact her later life. Maisy recalls the refreshing nature of Park’s script, which portrays a queer lead without feeling tokenistic or trite. Finally, Anna chats to Vicky Krieps about starring in Viggo Mortensen’s new feminist western, The Dead Don’t Hurt. She talks with Anna about ‘becoming your own department’ when your co-star is also the director, and Viggo speaks about the inspiration behind the character of Vivienne. Vicky also dispels some of the myths of progress in the film industry, while acknowledging the importance of portraying women like Vivienne in The Dead Don’t Hurt in order to move towards a more feminist cinema, but also a more feminist film set. The Dead Don’t Hurt is in UK and Irish cinemas now.Girls Will Be Girls will be in UK and Irish cinemas on 20 September 2024.Follow Girls On Film on social media to see release updates for My Old Ass.Other films mentioned: Flowervale Street (David Robert Mitchell)The Fallout (Megan Park) Corsage (Marie Kreutzer)Phantom Thread (Paul Thomas Anderson)The Lord of the Rings (Peter Jackson)Eastern Promises (David Cronenberg)Falling (Viggo Mortensen) Find out more about Undercurrent below:https://www.undercurrentfilmlab.com/ Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed upBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Charlotte MathesonIntern: Jade EvansAudio editor: Jack HowardHouse band: MX Tyrants© HLA Agency
Ep 176: Cannes Film Festival 2024, we review Bird, Megalopolis, The Girl With the Needle, and moreThis episode of Girls On Film comes from Cannes, where Anna Smith speaks to Jane Crowther and Wendy Mitchell about their Film Festival highlights. Anna hosts the very first Girls On Film party at The Members Club, and speaks to some of the guests about their work at the festival and which films they’ve enjoyed. First up, Anna takes us through the soundscape of Cannes and walks the red carpet for Emilia Perez. Anna joins the Women in Film and TV yacht party, to hear CEO Katie Bailiff’s speech, before heading to MUBI’s beach party. It’s a tough job, but someone’s gotta do it.Then Anna invites film journalists Jane Crowther and Wendy Mitchell to discuss the films they’ve seen in Cannes so far, which include Furiosa: A Mad Max Saga, Megalopolis, The Girl With the Needle and On Becoming a Guinea Fowl, as well as Andrea Arnold’s Bird, Wild Diamond, and feminist comedy horror The Balconettes. Jane talks about her new role as editor-in-chief of Hollywood Authentic, a new luxury, glossy magazine, and Wendy discusses her portfolio of projects including the upcoming Sundance London, and San Sebastian Film Festivals.Wendy and Anna are both on the Palm Dog judging panel for Best Canine on screen, so naturally the conversation turns to the various dogs in films at Cannes. They also discuss the impact of #MeToo and Time’s Up, and recent changes at the Cannes Film Festival, including the arrival of signs stating that harassment won’t be tolerated.Finally, we join Anna at The Members Club for Girls On Film’s own Cannes party. We hear from a few of the guests, who include Akua Gyamfi of The British Blacklist and Dame Heather Rabbats of Time’s Up, who talk about the launch of their new initiative around appropriate hair and makeup for diverse requirements on set. Anna also speaks to Nicole Weis of IFC Films, producer and comedienne Ronni Ancona, director Rachel Ramsay, and The Girl With the Needle co-writer Line Langebek Knudsen, and our wonderful supporter, IMDb founder Col Needham. With special thanks to our sponsors for the party, Rebecca Hawkes at Elstree Studios, HLA Agency, Col Needham at IMDb, and JoJo Dye at JJD Consulting.And with gratitude to our lovely partners for this episode, Vanessa Smith and Peter Brewer, for their continuing support of the podcast. Films mentioned in this episode: Anatomy of a FallThe Balconettes Bird, Andrea ArnoldBlack DogEmilia PerezFuriosa: A Mad Max Saga The Girl With the NeedleMegalopolis On Becoming a Guinea FowlSaltburnSantoshThe Second ActThe SurferWhen the Light BreaksWild DiamondSign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed upBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Charlotte MathesonIntern: Jade EvansAudio editor: Nic WassellHouse band: MX Tyrants© HLA Agency
In this episode of Girls On Film, Anna Smith talks about the recent Cinema for Gaza auction with two of the women behind the initiative, Helen Simmons and Julia Jackman, and she reviews some imminent releases with film critic Rhianna Dhillon and film journalist and programmer Cici Peng. First up Anna speaks with Rhianna Dhillon about Italian box-office hit C’è ancora domani or There’s Still Tomorrow. They discuss the representation of domestic violence in this neorealist-style debut from Paola Cortellesi, and pick up on the film’s surprisingly hopeful feel. Next up they discuss The Fall Guy, starring Ryan Gosling as a stunt-double and Emily Blunt as a blockbuster director, which is out in UK cinemas on 2 May 2024. A recent auction raised over £260,000 for Medical Aid for Palestinians or MAP, a charity currently working in Gaza to provide immediate medical aid to those in great need. The auction was an initiative led by film critics Hanna Flint, Leila Latif, and Sophie Monks Kaufman who teamed up with publicist Hannah Farr, and filmmakers Julia Jackman and Helen Simmons. Anna talks with Helen and Julia about the initiative, who also share some insights into the highest-earning lots, which included Annie Lennox’s handwritten lyrics to 1983 hit Sweet Dreams (Are Made Of This).Finally, Anna is joined by film journalist and programmer Cici Peng, who shares her thoughts on Rose Glass’ Love Lies Bleeding, and Léa Seydoux’s performance in the upcoming film The Beast. Cici also speaks about her recent archival work to create a programme of hidden gems at Queer East Festival, which showcases queer cinema from East and Southeast Asia and its diaspora. Films mentioned in this episode: There’s Still Tomorrow / C'è ancora domani (Paola Cortellesi, 2024) The Fall Guy (David Leitch, 2024)Jungle Cruise (Jaume Collet-Serral, 2021)The Devil Wears Prada (David Frankel, 2006)Ordinary Angels (Jon Gunn, 2024) Hoard (Luna Carmoon, 2024)Abigail (Matt Bettinelli-Olpin, 2024)Bonus Track (Julia Jackman, 2024) Love Lies Bleeding (Rose Glass, 2024) The Beast / La bête (Bertrand Bonello, 2024) The River / He liu (Tsai Ming-liang, 1997)Bye Bye Love / Baibai rabu (Isao Fujisawa, 1974)Nezouh (Soudade Kaadan, 2022)You can buy Cinema for Gaza merchandise until 6 May 2024 via the links below: https://www.weareprintsocial.com/campaigns/cinema-for-gaza-2https://www.weareprintsocial.com/campaigns/cinema-for-gaza Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed upBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda Lornie ArchboldProducer: Charlotte MathesonAudio editor: Elliana Jay HamerHouse band: MX Tyrants© HLA Agency
In this episode of Girls On Film we give you a flavour of the third Girls On Film Awards, our annual celebration of women in film which this year took place at our new home, Regent Street Cinema in London.We launched the awards to celebrate excellence in women-focused films, and to honour women and non-binary filmmakers. Girls On Film provides an inclusive platform for the voices of diverse women and people of marginalised genders, and we have a mission: to bring about industry-wide change, and to work toward equal representation of women in the film industry: on screen, and behind the camera. As the saying goes: “if she can see it, she can be it”, and that’s why shining a light on the great work women are making can make a real difference. Girls On Film host Anna Smith and co-founder Hedda Lornie Archbold hosted the awards together, and were joined by a stellar group of presenters to give out the awards, including Monica Dolan, Ronni Ancona, Sarah Gavron, Mia Bays, Col Needham, Mark Kermode, Nitin Sawhney and more.The mics didn’t pick up all the sound as well as we’d hoped – but the pod conveys the great atmosphere in the room. We hope you enjoy the awards!For a full list of the nominees and winners, you can find the press release on the HLA Website:https://hlaagency.co.uk/category/projects/girls-on-film-awards/Contributors to this episode include:Ronni AnconaAnthony AndrewsTeanne AndrewsBlair BarnetteMia BaysSuzie Davies Charlotte Dirickx Monica DolanJacqueline DurranMelanie IredaleAyo EdebiriKathryn Ferguson Jo FernihoughKerry FoxSarah GavronSarah Greenwood Priya KansaraMark Kermode Emilie Levienaise-FarrouchMolly Manning Walker Nida ManzoorCol NeedhamWilliam OldroydRose RyanNitin SawhneyD. SmithKatie Spencer Holly WaddingtonParis ZarcillaFilms and television series mentioned in this episode are:ALL OF US STRANGERSAMERICAN FICTIONANATOMY OF A FALLANOTHER BODYBARBIETHE BEARBOTTOMSBRICK LANEEILEENTHE ETERNAL MEMORYFAIR PLAYTHE FALLINGFILMSTARS DON'T DIE IN LIVERPOOLHOW TO HAVE SEXJOY RIDEKOKOMO CITYLADY MACBETHMR BATES AND THE POST OFFICENOTHING COMPARESNYADPAST LIVESPOLITE SOCIETYPOOR THINGSTHE POWERPREVENGEPRIDEPRISCILLARAGING GRACERETURN TO SEOULROCKSRYE LANESALTBURNSCRAPPERSUFFRAGETTETILLTYPIST ARTIST PIRATE KINGW1AYOU WERE NEVER REALLY HERETHE ZONE OF INTERESTBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoSubscribe to our newsletter by emailing girlsonfilmsocial@gmail.comWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive and Show Producer: Hedda Lornie ArchboldAwards Producers: Hedda Lornie Archbold, Charlotte Matheson, Lydia Scott and Anna SmithAudio editor: Benjamin CookHouse band: MX Tyrants© HLA Agency
In this episode Girls On Film is at the 20th edition of Glasgow Film Festival. Anna Smith sits down with Festival Director Allison Gardner, then has an exclusive interview with the director of Love Lies Bleeding Rose Glass, with Oscar-nominated director of The Teacher Farah Nabulsi, and with BAFTA-nominated director of Edge of Summer Lucy Cohen.First up, Director of GFF Allison Gardner picks out some of her festival highlights, from Ava DuVernay’s Origin to Viggo Mortensen’s The Dead Don’t Hurt which she describes as a ‘feminist western’. Allison talks about the unique programming at GFF with 126 films included at the festival this year. She picks out the ‘Love is sweet oh!’ strand programmed by Tomiwa Folorunso, the ‘Gestures of Memory’ strand programmed by Natasha Thembiso Ruwona, and ‘What Will the Men Wear?’ programmed by Rosie Beattie. Next up Anna welcomes back Rose Glass to Girls On Film, who first appeared in Episode 60 to discuss her debut Saint Maud, which also showed at GFF in 2019. This year Rose is back with her hotly-anticipated second feature, Love Lies Bleeding, which had its UK premiere as the Opening Gala film at GFF. With Anna, Rose talks about the ‘dream’ casting of Kristen Stewart as moody heartthrob Lou, who meets amateur bodybuilder Jackie when she turns up in Lou’s sleepy hometown. The pair fall hard for one another and Rose describes crafting their fantastical love story, with co-writer Weronika Tofilska, which has ‘one foot in reality, and one foot somewhere stranger’... Anna also speaks to Oscar-nominated director Farah Nabulsi, whose debut feature The Teacher is showing at GFF. Anna asked Farah about her journey into filmmaking, from a background in business to directing her first short The Present, which went on to be nominated for the 2021 Oscar for Best Live Action Short Film.Finally, Anna speaks with BAFTA-nominated director Lucy Cohen, whose coming-of-age film Edge of Summer tells the story of 11-year-old Evie on holiday in Cornwall in the early 1990s. When she meets local boy Adam, a mysterious discovery down an old tin mine changes everything. Lucy talks to Anna about her influences in exploring childhood on screen, citing Ratcatcher (Lynne Ramsay, 1999) and Walkabout (Nicolas Roeg, 1771), and about her excitement to be showing the film at Glasgow Film Festival. Thank you to our partners for this episode, Glasgow Film Festival. The festival runs from 28 February to 10 March. To buy tickets visit the Glasgow Film Festival website glasgowfilmfest.org/home/Love Lies Bleeding is in UK cinemas from 3 May 2024.You can watch The Teacher in Glasgow on Monday 4 March 2024 at 6pm and Tuesday 5 March 2024 at 3.15pm.You can watch Edge of Summer in Glasgow on Friday 8 March 2024 at 8.30pm and Saturday 9 March 2024 at 3.45pm.Other films mentioned in the podcast: The Mask (Charles Russell, 1994)Origin (Ava DuVernay, 2023)The Dead Don’t Hurt (Viggo Mortensen, 2024) Lousy Carter (Bob Byington, 2023)The Teacher’s Lounge (Ilker Catak, 2023)Thelma and Louise (Ridley Scott, 1991)Walkabout (Nicolas Roeg, 1971)Ratcatcher (Lynne Ramsay, 1999)The Present (Farah Nabulsi, 2021)Saint Maud (Rose Glass, 2019)Girl (Adura Onashile, 2023)Daisies (Vera Chitylova, 1966)The views and opinions expressed in this podcast are those of the speakers and not necessarily those of the organisation or its affiliates.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Charlotte MathesonHouse band: MX Tyrants© HLA Agency
This episode features the tenth Oscar winner to appear on Girls On Film. Anna Smith hears from Academy Award winner Olivia Colman who stars opposite Jessie Buckley and Anjana Vasan in the black comedy Wicked Little Letters. She also speaks to the film’s director, Thea Sharrock, and historical consultant Emily Cockayne about bringing this remarkable true story to the big screen. The film follows two neighbours: conservative local Edith Swan (played by Olivia Colman) and rowdy Irish migrant Rose Gooding (played by Jessie Buckley). When Edith and fellow residents begin to receive the letters, foul-mouthed Rose is charged with the crime. Anjana Vasan plays Police Officer Gladys Moss, who suspects that Rose may not be the culprit after all… Firstly, Anna speaks with Anjana and Thea about balancing the comedy with some of the more poignant moments in the film. They discuss Anjana’s character Gladys Moss, who is based on the first woman Police Officer in Sussex, and talk about the contemporary relevance of poison pen letters.Next up Anna hears from historical consultant Emily Cockayne, whose book Cheek By Jowl: A History of Neighbours details some of the scandal caused by the Littlehampton case in the 1920s. Finally, Anna is joined by the two stars of the film, Olivia Colman and Jessie Buckely, who recall their delight in receiving Jonny Sweet’s script. Olivia talks about her background in comedy, and the pair give an insight into the set of Wicked Little Letters when they discuss their musical collaboration.WICKED LITTLE LETTERS is released in UK and Irish cinemas on 23 February 2024.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Charlotte MathesonAudio editor: Benjamin CookHouse band: MX TyrantsThanks to our partners for this episode STUDIOCANAL© HLA Agency
As we post this episode, we’re coming up to the third annual Girls On Film Awards 2024. They take place on Tuesday 20 February 2024 at Regent Street Cinema in London. We’ll celebrate the brilliant work made by women in film and will be joined by nominees, industry supporters and listeners.We give awards in 12 categories, and the undisputed climax of the night will be the award for the category 'Female Orgasm on Screen, sponsored by Intimacy On Set' for the second year running. In this episode, Intimacy On Set founder Ita O’Brien talks with Hedda Lornie Archbold, Girls On Film co-founder, about the four nominated films in this category: Fair Play, Joy Ride, Poor Things and Saltburn, as well as about some of the other notable films of the past year.Ita O'Brien is an Intimacy Coordinator and Movement Director for film, television, and theatre. Since 2014, she has been developing best practice when working with intimacy, scenes with sexual content, and nudity in film, TV, and theatre. Ita pioneered the role of Intimacy Coordinator, which is being adopted in leading production houses, including HBO, Netflix, and the BBC. Ita founded Intimacy on Set to provide trained, professional Intimacy Coordinators to the industry.Also in this episode, Anna Smith recommends some great films by women filmmakers in the run up to International Women’s Day 2024.Films mentioned in this episode:Men UpSaltburn Poor ThingsFair PlayJoy RideHow To Have SexBarbieOppenheimerMemoryFour DaughtersCopa 71OriginOperas mentioned in this episode:Anthony and CleopatraTelevision series mentioned in this episode:BridgertonBrave New World Men Up is on BBC iPlayerFair Play is on NetflixJoy Ride is streaming platforms including Apple TV. Saltburn is on Prime Video Poor Things is on streaming platforms including Prime Video and Apple TV from 27 February 2024.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithProducer: Hedda Lornie ArchboldAudio editor: Emma ButtHouse band: MX TyrantsThis episode is in partnership with Intimacy On Set© HLA Agency
In today’s episode, Anna Smith talks to members of the the Girls On Film community about Nyad, starring Annette Bening and Jodie Foster, which tells the remarkable true story of athlete Diana Nyad.An athlete turned journalist, Diana Nyad made an incredible vow when she turned 60. She was determined to become the first person to swim 110 miles from Cuba to Florida, without a shark cage. She was supported by a team including her best friend and coach Bonnie Stoll. Directed by Elizabeth Chai Vasarhelyi and Jimmy Chin, the film has a Best Actress Oscar nomination for Annette Bening as Diana, and Supporting Actress for Jodie Foster as Bonnie. The bond between Diana and Bonnie is beautifully depicted, whether they are sharing witty banter, second guessing each other or finding their strong friendship tested by Diana’s relentless and risky ambition. It’s the reason that Nyad is nominated for the Female Friendship on Screen award at the 2024 Girls On Film Awards.In partnership with Netflix we arranged a special Girls On Film screening of Nyad, the feature written by Julia Cox, adapted from the memoir Find A Way by Diana Nyad. We invited some of the Girls On Film community to watch this extraordinary true story on the big screen, followed by a discussion about some of the themes of the film, including friendships between women, achieving your goals no matter what your age, and the great pleasure of seeing the story of two complex, older lesbian characters on screen in mainstream cinema. Thanks to our partners for this episode, Netflix UKOther films mentioned in this episode are:Black Panther: Wakanda ForeverBlindsightBooksmartChariots of FireFree SoloGirl PictureHow to Have SexA League of Their OwnPolite SocietyThe RescueShe SaidThe Silent TwinsThe SwimmersThelma and LouiseThe Woman KingBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Charlotte MathesonAudio editor: Emma ButtHouse band: MX Tyrants© HLA Agency
In this episode of Girls On Film, Anna Smith talks to the creator and showrunner of Mr. & Mrs. Smith, Francesca Sloane. Mr. & Mrs. Smith is a series inspired by the 2005 film by Doug Liman and Simon Kinberg. It stars Maya Erskine and Donald Glover as two lonely strangers who land jobs working for a mysterious spy agency, and are given new identities in an arranged marriage as Mr. and Mrs. John and Jane Smith. The eight-part series explores their relationship as they take on each new mission, with an all-star supporting cast including Parker Posey, Paul Dano, Sharon Horgan, Michaela Coel and more.In this conversation, Francesca discusses the conception of Mr. & Mrs. Smith and how she moved from being offered jobs ‘cleaning in her underwear’ in LA to being the showrunner of this series. She speaks to Anna about subverting gender roles in this reimagining of the 2005 film starring Brad Pitt and Angelina Jolie, and turning Donald Glover into a ‘Bond Girl’ figure. She also talks about the unique experience of leading a writing room made up exclusively of women of colour, and how the plot of the series came to interrogate questions of race and visibility.Mr. & Mrs. Smith is available on Prime Video now. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Charlotte MathesonAudio editor: Emma ButtHouse band: MX TyrantsThis episode is in partnership with Prime Video
Best actress Oscar nominee Lily Gladstone joins Anna to discuss her powerful performance in Martin Scorsese’s American chronicle crime thriller Killers of the Flower Moon, now streaming globally on Apple TV+. Gladstone’s Mollie Kyle is an Osage Native American, and heir to the oil-rich, Osage-owned land in 1920s Oklahoma that white settlers are desperate to get their hands on. By turns richly emotional and crackling with humour, her nuanced portrayal foregrounds the story of Mollie and her fellow women in the community as an integral part of the film. Making history as the first Native American woman to receive a best actress nomination, Lily’s performance is a powerful testament to the suffering of the Osage women, and their incredible strength in the face of it. She joined Anna after a screening of the film in Soho’s Ham Yard Hotel, where she shared the depth of her preparation for the role, from spending time with the real Mollie’s family to wearing a 100-year-old Osage blanket as part of her costume. She talks working with Leonardo DiCaprio and Martin Scorsese – now the most nominated living director in Oscars history. Praising his skill and sensitivity in telling the story of Killers of the Flower Moon, she also makes a call to support Native American filmmakers bringing their own narratives to the screen – and answers questions from our audience.—--------------------------------------------------------------------------Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Subscribe to our newsletter and invitation list to hear about future screenings by emailing:girlsonfilmsocial@gmail.comFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Heather DempseyAssistant Producer: Charlotte MathesonAudio editor: Jack HowardHouse band: MX TyrantsPhotographer: Julie Edwards This episode is in partnership with Apple Original Films and Killers of the Flower Moon
Oscar and BAFTA nominee Carey Mulligan returns to Girls On Film for a very special episode celebrating her performance in the towering epic Maestro, currently on Netflix. Carey plays Felicia Montealegre Cohn Bernstein, opposite director Bradley Cooper as composer Leonard Bernstein, and her performance is spellbinding. She joined host Anna Smith after a screening of Maestro in London on 23rd January 2024 - the very day she was announced as a nominee for the Oscar for Actress in a Leading Role. This exclusive recording sees Carey sharing her thoughts on preparing for this complex role, working with Bradley Cooper and the incredible craft departments such as Hair and Make-Up. Recalling Carey’s first appearance on episode 3 of Girls On Film, Anna and Carey spoke frankly about how things have progressed for women in film, and how much has changed since we launched the podcast. You can also hear Carey answering questions from our audience of Girls On Film listeners. Other films mentioned in this episode: Promising Young Woman (dir. Emerald Fennell)She Said (dir. Maria Schrader)Subscribe to our newsletter and invitation list to hear about future screenings by emailing: girlsonfilmsocial@gmail.comBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldAssistant Producer: Charlotte MathesonAudio editor: Jack HowardLive sound recordist: Cam GriffithsHouse band: MX TyrantsThis episode is in partnership with NetflixPhoto: Julie Edwards Photography© HLA Agency
This week, Anna Smith welcomes Nicole Newnham back to Girls On Film to discuss her documentary The Disappearance of Shere Hite. The film sheds light on the groundbreaking sexologist and former Playboy model Shere Hite, who in 1976 published The Hite Report, dubbed ‘a sexual revolution in 600 pages’. Taking the intimate experiences of thousands of women across the world as its basis, Hite and a small team of grassroots feminists exposed some of the harmful ideas around female sexuality that were prevalent at the time.In this episode, Nicole describes how she first got involved in the project, about the contemporary relevance of Shere Hite, and how Dakota Johnson became the voice of Shere Hite. With Anna, Nicole discusses some of the tragedy as well as triumph in the story of Shere Hite and the desire to explore what she calls the ‘the architecture of silence’ that attempted to remove Hite from the history books.Other films mentioned in this episode:Crip Camp, Nicole Newnham and James Lebrecht, 2020You can watch The Disappearance of Shere Hite from the 12th January in UK cinemas.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Charlotte MathesonAudio editor: Alex JonesHouse band: MX TyrantsThis episode is in partnership with Dogwoof and NBC Universal © HLA Agency
Today’s episode of Girls On Film is about the winner of the Un Certain Regard prize at the 2023 Cannes Film Festival, How to Have Sex. Anna Smith is joined by Molly Manning Walker, who wrote and directed How to Have Sex, and Mia McKenna-Bruce, whose performance as Tara earned her the BIFA for Best Lead Performance and Best Actress at the European Film Awards.The film shows Tara and her two best friends from school, Skye (Lara Peake) and Em (Enva Lewis), celebrating the end of their GCSE exams on a girls trip to Malia. In a flurry of neon mini dresses, fish bowl cocktails and an intriguing group of eighteen-year-olds in the same holiday complex, the girls navigate the worlds of sex, consent and self-discovery. How to Have Sex has been hailed by viewers as a vibrant and authentic depiction of the agonies, and ecstasies of girlhood, and in this episode Mia and Molly talk about the filming process, as well as the film’s impact on viewers, from critics at Cannes to teenagers in the classroom. Molly talks about the importance of building meaningful backstories for all her characters, and creating a ‘360 degree’ set to give her cast an authentic background to work against. The pair recall the excitement of working on a project like this, where club nights and football matches were a common fixture among cast and crew. They also speak to Anna about the ‘bittersweet’ response to the film, citing how it has sparked meaningful conversations about sex and consent, but also how it is exposing just how many people have been affected by the issues that How to Have Sex explores. How to Have Sex will be streaming exclusively on MUBI from 29 December 2023 and Girls On Film listeners can watch it with 30 days free at mubi.com/girlsonfilmOther series mentioned in this episode: I May Destroy You (Michaela Coel, 2020) Sex Education (Laurie Nunn, 2019)Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Charlotte MathesonAudio editor: Jack HowardHouse band: MX TyrantsThis episode is in partnership with MUBI, a global streaming service and distributor where you can find a handpicked selection of world cinema.© HLA Agency
On today’s episode of Girls On Film, Anna Smith talks to four of the women Heads of Department who helped create Oppenheimer. Anna speaks to its editor Jennifer Lame (Midsommar, Don’t Worry Darling) about her career, which led her to edit one of the biggest films of 2023. Jennifer shares her instinct-driven approach to her work and reflects on her position as a woman editor.Next up Anna has a conversation with legendary costume designer Ellen Mirojnick, whose credits include Basic Instinct, Showgirls and Bridgerton. Ellen speaks about her first foray into costume design, hunting for the perfect hat for Oppenheimer, and the joys of putting together costumes for the film’s women characters. Finally, Anna speaks with Head of Hair Jaime Leigh McIntosh (Blonde, Babylon) and Head of Makeup and Prosthetics Luisa Abel (Knives Out, Interstellar) about the extraordinary attention to detail required when working in IMAX format, and about the role of the women characters in the Oppenheimer story. Oppenheimer is based on the 2006 Pulitzer Prize-winning book 'American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer' by Kai Bird and Martin J. Sherwin. It stars Cillian Murphy with an all star supporting cast including Emily Blunt, Florence Pugh and Robert Downey Jr. At the time of writing it was announced that Oppenheimer, written and directed by Christopher Nolan, is up for eight Golden Globes at the 2024 awards. Oppenheimer is available on demand now. Other films mentioned in this episode include: Before the Devil Knows You’re Dead (Sidney Lumet, 2007) Fatal Attraction (Adrian Lyne, 1988) Basic Instinct (Paul Verhoeven, 1992) The Wiz (Sidney Lumet, 1978)Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Lydia Scott Assistant Producer: Charlotte MathesonAudio editor: Jack HowardHouse band: MX TyrantsThis episode is in partnership with Universal Pictures.© HLA Agency
Today on Girls On Film Anna Smith has a fascinating discussion about Todd Haynes’ May December with its screenwriter, Samy Burch. Samy talks to Anna about the journey she went on with this screenplay from writing it as a spec script to hopefully gain representation, to it catching the attention of one of the film’s stars Natalie Portman as a producer, and so meeting the legendary director Todd Haynes (Carol, Far from Heaven). Samy talks about the real-life story that inspired the screenplay, the layers of ‘power and manipulation’ in both Moore and Portman’s performances, and the role that gender plays in media coverage of these kinds of stories. May December tells the story of Gracie, played by Julianne Moore, and Joe, played by Riverdale’s Charles Melton, as they live family life in the shadow of their infamous first encounter: the couple’s 20-year relationship began when Gracie was 36 and Joe was just 13-years-old. Now, two decades later, Natalie Portman plays actress Elizabeth who travels to Georgia to study the couple for a role in an upcoming film. Gracie and Joe are forced to revisit their past from new perspectives, as they question the love story they've told themselves and the world. You can watch May December now in cinemas in the UK, and on Sky Cinema on the 8 December 2023.Other films mentioned in this episode include: Persona, Ingmar Bergman, 19663 Women, Robert Altman, 1977Coyote vs. Acme, Dave GreenBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Lydia ScottAudio editor: Nic WassellIntern: Charlotte MathesonHouse band: MX TyrantsThis episode is in partnership with Sky Cinema.With thanks to AmyLouise Godby.© HLA Agency
In this episode of Girls On Film, Anna Smith talks to Director Paul Sng and Producer Jen Corcoran about their new feature documentary Tish, which tells the story of working-class photographer Patricia ‘Tish’ Murtha who worked to document life in Northeast England in the 1970s and 1980s. Anna then talks to Production Designer Sarah Greenwood and Set Decorator Katie Spencer, who worked together to create the distinctive world of Greta Gerwig’s Barbie. Tish was the Opening Night Film of Sheffield Doc Fest 2023 and it is a celebration of a life devoted to exposing social inequality through art. The feature documentary is told from the perspective of Ella Murtha, both as daughter and custodian of the Tish Murtha archive. She retraces her mother’s relationship with the photographic medium, from finding her first camera in a local skip, to earning a reputation as the ‘demon snapper’ and beyond. Anna talks to Paul and Jen about the inspiration behind the project, the power of having working-class stories told from the inside, and asks about their favourite photographs in the Tish archive. Next on Girls On Film, Anna has a lively conversation with Sarah Greenwood and Katie Spencer, whose long time collaboration has resulted in multiple Academy Award and BAFTA nominations, and, most recently, the weird, wonderful and instantly recognisable world of Barbie. Sarah and Katie talk about working with Greta Gerwig in the early design stages of the project, following visual prompts like ‘think Gaudí in a blender’ when creating Weird Barbie’s house, and the film’s many and varied visual inspirations. Tish by Paul Sng is being released by Modern Films in UK and Irish cinemas on 17 November 2023. On demand information: Virtual cinema 22 Dec, TVOD 5 Feb (iTunes, Amazon, Google Play). Barbie is available on 4K, Blu-Ray™, DVD & Digital Download nowOther films mentioned in this episode include: Singin’ in the Rain, Gene Kelly, Stanley Donen, 1952Grease, Randal Kleiser, 1978Playtime, Jacques Tati, 1967The Wizard of Oz, Victor Fleming, 1939Psycho, Alfred Hitchock, 1960Jaws, Steven Spielberg, 1975Books mentioned; To Kill A Mockingbird, Harper Lee, 1960Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Lydia ScottAudio editor: Elliana Jay HamerIntern: Charlotte MathesonHouse band: MX TyrantsThis episode is in partnership with Margaret London and Women in Film and TV (UK) with huge thanks to our principal partners Peter Brewer and Vanessa Smith. With thanks to Sophia Hammond and Kate Riddell.© HLA Agency
Today Anna Smith talks to Oscar-nominated director Maite Alberdi about her new documentary The Eternal Memory, which follows a Chilean couple as they navigate the challenges of Alzheimer’s disease together. She then talks to Ella Glendining about her BIFA-nominated documentary, Is There Anybody Out There? which charts her search for individuals with the same rare disability as herself.Journalist Augusto Góngora and actor Paulina Urrutia are the subject of The Eternal Memory, a touching testimony of the couple’s bond in the face of Augusto’s worsening dementia. ‘La Pauli,’ as Augosto referred to his partner, took care of him after he was diagnosed with Alzheimer’s at 62. Maite recalls how the couple had a unique approach to the disease where they saw ‘Alzeimher’s as a challenge, not a tragedy’. The film uses a mix of archive footage from Augusto’s broadcast days and new material as the couple go about their daily lives, noticing the sensory experience of the everyday and how it interacts with Augosto’s condition. The Eternal Memory offers a unique and refreshing perspective on dementia, ageing and coupledom. Next, Anna Smith talks to Ella Glendining about the making of and motivation behind her documentary Is There Anybody Out There?. The film is personal, one woman’s search to find someone else born with no hip joints and short femurs, but it is also deeply political, laying bare the ethics of medical intervention, exploring the impacts of ableism and documenting disabled joy. Ella talks about the inspiration behind the film, the challenges and surprises she faced while making it, and she reveals the projects she is most looking forward to seeing next!You can watch The Eternal Memory in select cinemas from the 10th November 2023. Visit www.theeternalmemory.film to find out more and book ticketsIs There Anybody Out There? is in cinemas and on demand 17th November 2023. Screenings and information at conic.film/anybody Other films mentioned in this episode include: The Mole Agent, Maite Alberdi, 2020Dick Johnson Is Dead, Kirsten Johnson 2020Smoke Sauna Sisterhood (Original title: Savvusanna sõsarad), Anna Hints, 2023Television mentioned in this episode include: We Might Regret This, Kyla HarrisReviews mentioned in this episode: https://www.timeout.com/movies/smoke-sauna-sisterhood-2023 Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Lydia ScottAudio editor: Emma ButtIntern: Charlotte MathesonHouse band: MX TyrantsThis episode is in partnership with Dogwoof and Conic Films.© HLA Agency
Returning to the pod is director Susanna Fogel to talk to Anna Smith about her riveting new feature Cat Person starring the brilliant Emilia Jones, best known for her lead role in Oscar-winning film CODA. Emilia plays Margot - a young, single, and seemingly self-possessed woman who meets Robert, played by Succession’s Nicholas Braun. The film, inspired by Kristen Roupenian’s viral New Yorker short story of the same name, explores issues around dating and consent as we follow Margot in her fledgling relationship with Robert. Susanna Fogel shares how the team brought the story to the big screen, and how she hopes it will provoke discussion around issues such as consent and dating.Also returning to the pod in this episode is Ellen E Jones, film critic, broadcaster and writer who offers her insight into Cat Person and the cinematic language used in the film. Anna and Ellen delve into the representation and perspectives of both Margot and Robert, but also Margot’s mother Kelly (Hope Davis) and Margot’s lecturer and mentor played by Isabella Rossellini. Ellen’s new book 'Screen Deep: How film and TV can solve racism and save the world' is out in February 2024. CAT PERSON is in UK & Ireland cinemas from Friday 27th October 2023Other films mentioned in this episode include: Brainwashed: Sex-Camera-Power, Nina Menkes 2022Blade Runner, Ridley Scott 1982Winner, Susanna Fogel tbcStar Wars, 1977–2019Barbie, Greta Gerwig 2023Spirited Away, Hayao Miyazaki 2001Zola, Janicza Bravo 2020How to Have Sex, Molly Manning Walker 2023Booksmart, Olivia Wilde 2019Television mentioned in this episode include: Succession, 2018–2023You can hear Emilia Jones on CODA in Girls On Film episodes 90 and 108, and Susanna Fogel on her film A Small Light in Girls On Film episode 154.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Lydia ScottAudio editor: Emma ButtIntern: Charlotte MathesonHouse band: MX TyrantsThis episode is in partnership with STUDIOCANAL.© HLA Agency
With Anna Smith for this episode is writer and director Estibaliz Urresola Solaguren who talks about her debut feature 20,000 Species of Bees, and film critic Larushka Ivan-Zadeh to further discuss all that is explored in the beautiful and sensitive coming of age tale. The tender, heartfelt drama centres on actor Sofía Otero, who won the Silver Bear for Best Leading Performance at 2022’s Berlin Film Festival for her depiction of a transgender eight-year-old girl during a family holiday in the Basque Country. The return to her mother’s hometown throws up questions of identity and belonging for not only our protagonist, but also the family that surrounds her with their own complexities and crises. First Anna Smith talks to fellow female film critic Larushka Ivan-Zadeh, discussing the characterisation of identity and the skilful handling of a complex issue through a lightness of touch. The film features stunning central performances not only by the young star Sofía Otero but also Patricia López Arnaiz who plays the distracted but loving mother and a further brilliant ensemble. Anna is then joined by writer and director Estibaliz Urresola Solaguren who gives us further insight into the inspiration for the work, and the impact of place in the symbolism of the film.You can watch 20,000 Species of Bees from the 27th of October in UK cinemas or at home with Curzon Home Cinema.Other films mentioned in this episode include: Cuerdas, 2022, Estibaliz Urresola SolagurenBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Lydia ScottAudio editor: Emma ButtIntern: Charlotte MathesonHouse band: MX TyrantsThis episode is in partnership with Curzon Film.
Is the film industry still a man’s world, or are women now leading the way? How will AI affect films? These are just some of the questions addressed by a panel of four leading women working in film, who joined Anna Smith at this year’s Evolution Mallorca International Film Festival (EMIFF). They also talked about the creative and business side of the industry, and their work-life balance.The 12th edition of EMIFF was produced with her usual flair and creativity by festival director Sandra Seeling, who invited Girls On Film back for another panel featuring four high profile panellists, to join Anna Smith on stage at the Sala Rivoli in Palma on 21 October 2023. In this recording of that event, listen to our guests talk about how they got started in the industry, the importance of mentorship, and how to lead well. Anna is joined, first off, by Nurhan Sekerci-Porst, Germany-based producer of films including In The Fade and Rheingold. From the USA, she welcomes Nicol Paone, the writer, director and producer whose film The Kill Room, which stars Uma Thurman and Samuel L Jackson, played at the festival. She is joined by her fiancé Nicole Weis, Head Of Theatrical Distribution at IFC Films. And finally she is joined by Rosie Fellner, actress, producer and owner of Rosebud Productions.This international panel gave some riveting insight into working in the industry. The conversation takes some surprising turns and is inspiring and funny. Films mentioned in this episode: In The Fade, dir Fatih Akin, prod Nurhan Şekerci PorstRheingold, Fatih Akin, prod Nurhan Şekerci PorstFriendsgiving, dir Nicol PaoneThe Kill Room, dir Nicol PaoneEverything Everywhere All At Once, dir Daniel Kwan & Daniel ScheinertThe Disappearance of Shere Hite, dir Nicole NewnhamThe Uninvited, Dir Nadia Conners F For Fake, dir Orson WellesLadybird, dir Greta Barbie, dir Greta GerwigPast Lives, dir Celine SongTV series mentioned in this episode:Funny Or DiePlays mentioned in this episode:Hamlet, William ShakespeareFind out more about Evolution Mallorca International Film Festival here: https://www.evolutionfilmfestival.com/Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldAudio Editing: Nic WassellIntern: Charlotte MathesonThis episode is in partnership with Evolution Mallorca International Film Festival.
With us this episode are filmmaker Janis Pugh & actor, director & writer Tilda Cobham-Hervey - just two of the brilliant women showcased at the Edinburgh Festivals 2023. Anna Smith also gives top tips of other female-led highlights of the Edinburgh International Festival, Edinburgh Fringe, Edinburgh International Book Festival, and - of course - Edinburgh International Film Festival.
Our first guest is Janis Pugh, writer/director of Chuck Chuck Baby which will receive its World Premiere at Edinburgh International Film Festival on 20th August. The feature is a musical comedy drama that celebrates female working class friendship and love in Wales. Helen, played by Louise Brealey (Sherlock, Smack the Pony) is stuck packing chickens by night and by day cares for a dying mother figure. Her life takes an unexpected turn with the return of Joanne, played by Annabel Scholey (Being Human, Walking on Sunshine). Janis Pugh joins Anna for a lively chat about her personal experiences of working in a chicken factory in Wales, and talks about the camaraderie she saw that inspired the film. She also explains why love is at the heart of the film, and talks about the fragile male character of Gary, played by Celyn Jones.
We also chat with actor, director & writer Tilda Cobham-Hervey who, as well as working in film and TV, also works in live art and is bringing her intimate audio adventure Two Strangers Walk Into A Bar… to the Fringe. Tilda chats about her journey to making the production, and her love of immersive live experience, as well as the effects that the piece has on the two-strong audience. Anna Smith will be sharing her reaction to the piece as she updates live from the festivals, so stay tuned on the socials below.
Find out more about Edinburgh Festivals and book tickets at www.edinburghfestivalcity.com/
Chuck Chuck Baby will have its World Premiere on 20th August, follow Girls On Film for info on its wider release https://www.eif.co.uk/events/eiff-chuck-chuck-baby
Two Strangers Walk Into A Bar… is playing at House of Oz from 4th to 27th August https://www.houseofoz.co.uk/2023/two-strangers
Anoushka Shankar will be appearing in Edinburgh International Festival on 27th August https://www.eif.co.uk/events/anoushka-shankar
Festival highlights:
Edinburgh International Film Festival - details at www.eif.co.uk/edinburgh-international-film-festival Your Fat Friend, Jeanie Finlay Past Lives, Celine Song Showing Up, Kelly Reichardt Scrapper, Charlotte Regan Is There Anybody Out There?, Ella Glendinining The Strange Case of Dr Jekyll and Mr Hyde, Hope Dickson Leach
Edinburgh International Book Festival - at www.edbookfest.co.uk What I Run Towards Will Strengthen Me, Sarah Polley
Edinburgh Festival Fringe - all at https://tickets.edfringe.com/ Work in Progress, Rose Matafeo Composition, Leila Navabi Dugzi Dayz, Sabrina Ali Unforgettable Girl, Elisabeth Gunawan MEAT, Elle Dillon-Reams
Other films mentioned in this episode include: House, Janis Pugh 52 Tuesdays, Sophie Hyde, 2013
Other TV mentioned in this episode include: The Lost Flowers of Alice Hart, Glendyn Ivin, 2023
Other theatre mentioned in this episode includes: Funeral, Ontroerend Goed (tickets.edfringe.com/whats-on/funeral)
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Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production.
Host: Anna Smith Executive Producer: Hedda Archbold Producer: Lydia Scott Audio Producer: Emma Butt Assistant Producer: Eleanor Hardy House band: MX Tyrants This episode is in partnership with Festivals Edinburgh
In this episode of Girls On Film, Anna Smith is joined by the writers of the brilliant comedy Joy Ride; Teresa Hsiao and Cherry Chevapravatdumrong. Joy Ride stars Ashley Park as Audrey, an American-Asian lawyer on a work trip to China. She ends up on a crazy and emotional adventure with three friends, played by Sherry Cola, Sabrina Wu and Stephanie Hsu. The film is directed by Crazy Rich Asians writer Adele Lim.
Teresa and Cherry speak to Anna about their dynamic writing together and creating female characters who are allowed to be raunchy and express themselves in a way not typically shown in comedy films. They also talk about Asian representation on screen, and what it’s like to write characters that relate to an underrepresented group.
This interview was recorded before the actors joined the writers on strike, and is in partnership with Lionsgate. Joy Ride opens in UK cinemas on 4th August 2023.
Vote for us in the Listeners' Choice Award here: https://www.britishpodcastawards.com/voting
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Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production.
Host: Anna Smith Executive Producer: Hedda Archbold Audio Producer: Emma Butt Assistant Producer: Eleanor Hardy House band: MX Tyrants This episode is in partnership with Lionsgate.
Let us transport you to the Karlovy Vary International Film Festival 2023, where Girls On Film recorded an episode with an audience of festival goers. Host Anna Smith is joined by critics and filmmakers who are full of film recommendations, as well as thought-provoking and poignant conversation.
First to join Anna are critics Wendy Ide and Marya E Gates, who speak about which films they’ve loved, and the strong array of female-focused films playing at KVIFF. They review La Chimera, starring Josh O'Connor and Isabella Rossellini. Marya talks about Georgian film Blackbird Blackbird Blackberry, and both of them discuss the ‘hot-topic’ Past Lives, that has been capturing the attention of film lovers since its debut in Sundance earlier this year.
Next, Anna welcomes Myriam Sassine, producer of Dancing on the Edge of a Volcano, a Lebanese documentary that tells the story of a film crew navigating making a feature in the aftermath of the Beirut explosion in August 2020. Myriam discusses the challenges she faced whilst producing the film, as well as explaining the connections she established with the survivors in the filmmaking process.
Our last guests are producer Elaheh Nobakht and director Negin Ahmadi, whose film Dream’s Gate tells the personal journey of Negin as she enters the war zone in North Syria, along with a group of young women who are determined to fight back. Elaheh, who translates for Negin, explains the importance of portraying women’s stories in her films and how this personal reflection highlights the moments of joy within the conflict. Elaheh also speaks about her experience as an independent Iranian producer.
This episode is sponsored by Magnum.
Films mentioned in this episode include:
La Chimera Past Lives (UK release 8 September 2023) The Girls Are Alright Blackbird Blackbird Blackberry My Happy Family A Room of My Own (available to stream on Klassiki) The Mother of all Lies Slow Dancing on the Edge of a Volcano Costa Brava, Lebanon Dream’s Gate Inside the Yellow Cocoon Anatomy of a Fall In Camera
Find out more about KVIFF here: www.kviff.com
Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast
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Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production.
Host: Anna Smith. Executive Producer: Hedda Archbold Audio Producer: Emma Butt Assistant Producer: Eleanor Hardy House band: MX Tyrants
This episode is packed full of six fantastic women, from the stars of Mission: Impossible - Dead Reckoning Part One to a programmer for the Karlovy Vary International Film Festival, which Girls On Film will be attending on July 3rd 2023.
Host Anna Smith’s first guest is Susanna Fogel, the co-writer of Girls On Film fave Booksmart, and now a director on the miniseries A Small Light. The series stars Bel Powley as a Dutch woman who sheltered Anne Frank's family during World War II. Susanna discusses Bel Powley’s character and how she wanted a female character who was an ‘everywoman’ and not afraid to fight for what was right, going against the canonically ‘strong woman’ trope.
Next, we find out more about the film festival in the pretty Czech town of Karlovy Vary. Programmer Anna Korinek talks about the diverse range of filmmakers the festival is championing and the platform it provides to underrepresented countries. She als shares how the public can get involved by attending screenings or tuning in online to KVIFF.TV.
Finally, Anna Smith chats to the four main female stars of Mission: Impossible - Dead Reckoning Part One: Hayley Atwell, Pom Klementieff, Vanessa Kirby and Rebecca Ferguson. They discuss the relative complexities of the female characters and ask whether action movies are making progress in terms of gender. They also talk about working with Tom Cruise and director Christopher McQuarrie, otherwise known as “McQ”.
Mission: Impossible - Dead Reckoning Part One is in UK cinemas 12th July 2023.
You can stream A Small Light on Disney+.
Girls On Film will be recording a LIVE episode at the Karlovy Vary International Film Festival at 11am on 3rd July 2023 in partnership with MAGNUM - you can find more info at kviff.com, and listen out for our next episode!
Guest Time Codes: Susanna Fogel - 1:25 Anna Korinek - 13:13 Hayley Atwell - 24:30 Pom Klementieff and Vanessa Kirby - 38:06 Rebecca Ferguson - 46:44
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Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production.
Host: Anna Smith Executive Producer: Hedda Archbold Audio Producer: Nic Wassell Assistant Producer: Eleanor Hardy Principal Partners Vanessa Smith and Peter Brewer House band: MX Tyrants
Today Anna Smith talks to Director Tina Satter about her gripping debut feature, Reality. The story was originally a play directed by Satter in 2019, Is This a Room, and in this episode Anna talks to the director about the progression to cinema, both of the story and of her as a director, and what compelled her to make this her debut. Reality is based on the incredible true story of a young woman called Reality Winner, played by Sydney Sweeney (Euphoria, The White Lotus, Sharp Objects), who stirred up a media storm when she leaked a classified report about Russian interference in U.S. elections. The film uses transcripts of the real conversations Reality Winner had with government agents as its dialogue, creating a sense of both absolute honesty in the storytelling, as well as gripping tension.Fellow film critic Linda Marric also joins Anna to give her insight into the film, and what makes it her “favourite film of 2023”. Anna and Linda discuss how Tina Satter's directorial choices inform the audience's experience of a true story on screen, and their thoughts on Sydney Sweeney’s central performance. Reality - In UK & Irish cinemas 2nd JuneOther films mentioned in this episode include: The Arbor, Clio Barnard, 2010The Assistant, Kitty Green, 2019Television mentioned in this episode include::Sharp Objects, Jean-Marc Vallée, 2018Euphoria, 2019Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Lydia ScottAudio Producer: Emma ButtAssistant Producer: Eleanor HardyHouse band: MX TyrantsThis episode is in partnership with Vertigo Releasing.
Bonjour from Cannes! This week Anna Smith gives us a taste of the French Riviera live from the Festival de Cannes, catching some friends of Girls On Film out and about at the festival. Anna is joined by fellow critics Wendy Mitchell and Karen Krizanovich who give you their hot tips for films coming out of this year's Cannes, from international indies to big blockbusters. They chat about Phoebe Waller-Bridge’s ground-breaking character in the newest instalment of Indiana Jones, Indiana Jones and the Dial of Destiny. They also discuss the welcome increase in female-led films in the festival this year. Malaysian director Amanda Nell Eu’s Tiger Stripes is also delved into, alongside other international films from Turkey, Argentina, Belgium, Finland, Mongolia, Italy…Anna also speaks with journalist and critic Valerie Complex, a year after her controversial Deadline article ‘Valerie Complex On Being Black At Cannes: How Microaggressions Marred My Festival Experience’. You can read the article here:https://deadline.com/2022/06/black-at-cannes-deadline-critic-valerie-complex-microaggressions-marred-her-festival-experience-1235037273/ Finally, Anna caught up with See-Saw films’ Head of TV and Film for Australia, Liz Watts, for a chat about the business of Cannes, and how it informs the year ahead for the film industry. Films mentioned in this episode include: Indiana Jones and the Dial of Destiny, James Mangold, 2023In Flames, Zarrar Kahn, 2023The Feeling That the Time for Doing Something Has Passed, Joanna Arnow, 2023It’s Raining in the House, Paloma Sermon-Dai, 2022If Only I Could Hibernate (Baavgai Bolohson), Zoljargal Purevdash, 2023Tiger Stripes, Amanda Nell Eu, 2023The Return or Homecoming (Le retour), Catherine Corsini, 2023The Delinquents (Los delincuentes), Rodrigo Moreno, 2023Nine Queens, Fabián Bielinsky, 2000The Aura (El aura), Fabián Bielinsky, 2005How to Have Sex, Molly Manning Walker, 2023About Dry Grasses, Nuri Bilge Ceylan, 2023The Old Oak, Ken Loach, 2023La Chimera, Alice Rohrwacher, 2023The Piano, Jane Campion, 1993Titane, Julia Ducournau, 2021Rosalie, Stéphanie Di Giusto, 2023Fallen Leaves (Kuolleet Lehdet), Aki Kaurismäki, 2023The Royal Hotel, Kitty Green, 2023The New Boy, Warwick Thornton, 2023Club Zero, Jessica Hausner, 2023Television mentioned in this episode include:Succession, 2018–2023Also mentioned in this episode:BFI partners with Diversity in Cannes to celebrate Black women filmmakers during the Cannes Film Festival: https://www.bfi.org.uk/news/bfi-diversity-cannes-black-women-filmmakers The Palm Dog Awards: https://www.palmdog.com/ Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Lydia ScottAudio Producer: Benjamin CookAssistant Producer: Eleanor HardyPrincipal Partners: Vanessa Smith and Peter BrewerHouse band: MX TyrantsThank you also to our Patreon Supporters and to Campari Lounge.
Some listeners may be activated by this episode, which contains some references to sexual assault.This episode of Girls On Film is a special on the powerful documentary feature, Brainwashed: Sex-Camera-Power, by director Nina Menkes. This film taps into so many important subjects relating to film and feminism. It has the power to open eyes, and change the way we think and shoot films.Anna Smith talked to Nina Menkes at a special preview screening held on 9 May 2023 by Girls On Film in association with BFI Distribution. Nina talks about the way in which the all-pervasive male gaze in filmmaking. Most films depict the man as an active subject, and the woman as a passive, fragmented object. She describes how this works, and the effect it has on our wider culture and on the behaviours of women and men.She also explains why queer cinema may be able to challenge this cinematic vocabulary more than others, and she talks about the responses she has had to the film, from audiences and film critics alike.Brainwashed: Sex-Camera-Power is in UK cinemas now.The BFI has scheduled a special season of Nina Menkes’ films, entitled CINEMATIC SORCERESS: THE FILMS OF NINA MENKES. It’s at the BFI Southbank from 6 to 31 May 2023Other films discussed:Blade RunnerThe Cabbage FairyJeanne Dielman, 23 quai du Commerce, 1080 BruxellesMetropolisPortrait of a Lady On FireVagabondBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zBrought to you by Executive Producer: Hedda ArchboldAudio editor: Benjamin CookAssistant Producer: Eleanor HardyPrincipal Partners Vanessa Smith and Peter BrewerHouse band: MX TyrantsThis episode is in partnership with Vanessa Smith and Peter Brewer.
Rachel Weisz joins Girls On Film to talk about playing twin sisters in the new Prime Video series Dead Ringers, along with writer Alice Birch. Both women executive produced the series and tell host Anna Smith about the collaboration that brought the show to the screen. Rachel tells how her love of the 1988 film inspired the idea of a gender flip of the central two characters, and explains the intricacies of playing twins. She and Alice discuss establishing the show’s unique tone, and share behind-the-scenes stories. The pair then take questions from the audience, who are members of Women in Film and TV (UK).Find out more about Women in Film and TV (UK) here: https://www.wftv.org.uk/Watch Dead Ringers on Prime Video nowBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA ProductionExecutive Producer: Hedda ArchboldAudio editor: Cam GriffithsAssistant Producer: Eleanor HardyPrincipal Partners Vanessa Smith and Peter BrewerHouse band: MX Tyrants
Oscar-nominated actress Emily Watson joins Anna Smith to talk about her new film, God’s Creatures. First up, Wendy Lloyd and Holly Tarquini tell us about their new podcasts. Wendy’s Open To Criticism talks about representation in film criticism; while Holly’s The F-Rated Podcast features discussions with remarkable women in film. They speak about the reasons they launched podcasts, and both give their recommendations for films you can watch now. Emily Watson then makes her Girls On Film debut to talk about the challenging drama God’s Creatures, and the way it looks at gender and patriarchal society. She discusses the joys of working with two female directors, and her co-star Paul Mescal. She and Anna also look back on some of the highlights of her long and varied career so far, and talk about the industry as a whole. This segment contains discussion of sexual assault. God’s Creatures is in UK cinemas now.Other films and TV discussed:Rye LaneBlue JeanA Good PersonLoving HighsmithChampionsGod’s CreaturesPunch-drunk LoveA Royal Night OutThe Third DayApple Tree YardChernobylBreaking The WavesHilary and JackieNormal PeopleThe FitsDuneYou can also hear Anna Smith on the latest episode of Open To Criticism.Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zBrought to you by Executive Producer: Hedda ArchboldProducer: Lydia ScottAudio editor: Benjamin CookAssistant Producer: Eleanor HardyPrincipal Partners Vanessa Smith and Peter BrewerHouse band: MX Tyrants
Actors Sally Phillips, Ronni Ancona and Sophia Myles join host Anna Smith on stage at Cinemagic’s On The Pulse short film festival, for an episode recorded with an audience of young filmmakers on 25 March 2023. From the Queen’s Film Theatre in Belfast, Sophia Myles discusses entering the industry at the age of 15 and reuniting with her Mansfield Park co-star Lindsay Duncan. She also gives her advice to those hoping to make short films, shares her plans for a documentary and speaks frankly about her experiences in big budget films like Transformers: Age of Extinction.Comedy performers and writers Sally Phillips and Ronni Ancona next join the conversation, to talk about their company Captain Dolly, their working relationship and how the comedy scene has changed for women. Sally speaks about Smack the Pony, representation on screen and their plans for a romcom with Down’s Syndrome stars. And of course, Ronni Ancona treats us to her famed Olivia Colman impression. Members of the audience have fascinating questions for all three guests and more fun, feminist chat follows. Other films and TV mentioned:Doctor WhoOutlanderNovember 1stThe Big ImpressionI’m Alan PartridgeThe Fast ShowMean MachineThe Monk, The Mermaid & MoliseTransformers: Age of ExtinctionBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda ArchboldProducer: Lydia ScottAudio Producer: Emma ButtAssistant Producer: Eleanor HardyHouse band: MX TyrantsPrincipal Partners: Vanessa Smith and Peter Brewer.This episode is in partnership with CinemagicImage: MT Hurson Stills Photography
Welcome to the climax of the Girls On Film Awards 2023! This third in a three-part episode was recorded at The Garden Cinema in London on 23 February 2023, with an intimate audience of nominees, film critics and industry supporters. Hosts Anna Smith and Hedda Archbold reveal the winners of the following categories: Best Publicity CampaignDiversity Badge of Honour Feminist SuperheroBest Female Orgasm sponsored by Intimacy on SetWe hear from writer-director of She Will, Charlotte Colbert; previous winner and director of the BFI Film Fund, Mia Bays, intimacy co-ordinator Ita O’Brien, and writer Katy Brand. We also hear from women including broadcaster Rhianna Dhillon and nominees Ashanti Omkar, Emma Butt and Akua Gyamfi, who share their thoughts on diversity in the wake of the BAFTA Film Awards.Films and TV mentioned in this episode: Aftersun - streaming on MUBI nowDon’t Worry Darling - digital downloadGirl Picture aka Girls Girls Girls (Tytöt tytöt tytöt) - BFI Player and digital downloadGlass Onion: A Knives Out Mystery - NetflixGood Luck to you, Leo Grande - Prime Video and digitalLady Chatterley’s Lover - NetflixPiggy - digital downloadThe Silent Twins - digital downloadTill - digital download including Sky Store, Apple TV, ChiliTriangle of Sadness - digital download The Woman King - digital downloadThe Wonder - Netflix Become a patron of Girls On Film on Patreon here:www.patreon.com/girlsonfilmpodcastFollow us on socials:www.instagram.com/girlsonfilm_podcast/www.facebook.com/girlsonfilmpodcastwww.twitter.com/GirlsOnFilm_Podwww.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna Smith.Executive Producer: Hedda ArchboldAudio Producer: Michelle TofiIntern: Eleanor HardyHouse band: MX TyrantsThis episode is in partnership with Vanessa Smith and Peter Brewer.With special thanks to The Garden Cinema for hosting the awards, to our category sponsors EON Productions, IMDb, Intimacy on Set and Netflix, to our reception sponsor Head Gear Films, and to our media partners, British Cinematographer magazine, Deadline, Scala and Time Out.
The Girls On Film Awards are back for a second year, and you are warmly invited to join the audience! This second in a three-part episode was recorded at The Garden Cinema in London on 23 February 2023, with an intimate audience of nominees, film critics and industry supporters. Hosts Anna Smith and Hedda Archbold reveal the winners of the following categories: Best Cinematographer - for which our media partner is British Cinematographer magazineBest Ensemble Acting sponsored by Netflix The Girls On Film Ally Award sponsored by IMDbBest Feature Film sponsored by EON Productions We hear from stars including Sheila Atim (The Woman King) and presenters including Afi Okaidja (Rocks), Kerry Fox, Tricia Tuttle and Col Needham.Other films mentioned in this episode, and where to watch them:Aftersun - streaming on MUBI nowAli & Ava - Netflix and on demandBlack Panther: Wakanda Forever - Disney+ and on demandCauseway - Apple TV+Corsage - streaming on MUBI and on demandElvis - digital on demandEverything Everywhere All At Once - Prime Video and on demandGangubai Kathiawadi - NetflixGrandkids - coming soonMother and Son - currently unavailableNanny - Prime VideoNezouh - currently unavailableNope - on demandThe Power of the Dog - NetflixThe Quiet Girl - BFI Player and on demandShe Said - on demandTill - on demand including Amazon, Sky Store and Apple TVTriangle of Sadness - on demandThe Woman King - on demandWomen Talking - still in cinemasThe Wonder - Netflix Listen out for the next part of the awards ceremony coming soon!Become a patron of Girls On Film on Patreon here:www.patreon.com/girlsonfilmpodcastFollow us on socials:www.instagram.com/girlsonfilm_podcast/www.facebook.com/girlsonfilmpodcastwww.twitter.com/GirlsOnFilm_Podwww.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production.Host: Anna Smith.Executive Producer: Hedda ArchboldAudio Producer: Michelle TofiIntern: Eleanor HardyHouse band: MX TyrantsThis episode is in partnership with Vanessa Smith and Peter Brewer.With special thanks to The Garden Cinema for hosting the awards, to our category sponsors EON Productions, IMDb, Intimacy on Set, and Netflix, to our reception sponsor Head Gear Films, and to our media partners, British Cinematographer magazine, Deadline, Scala and Time Out.
The Girls On Film Awards are back for a second year, and you are warmly invited to join the audience! This first in a three-part episode was recorded at The Garden Cinema in London on 23 February 2023, with an intimate audience of nominees, film critics and industry supporters. Hosts Anna Smith and Hedda Archbold reveal the winners of the following categories: Best Female Friendship on ScreenBest Documentary FeatureBest Production DesignBest ComposerWe hear from stars including Sheila Atim on behalf of The Woman King, Kathryn Ferguson, Hildur Guðnadóttir, and Kave Quinn, and presenters including directors Philippa Lowthorpe and Waad Al-Kateab, film critic Wendy Mitchell, and composer Nainita Desai.Other films mentioned in this episode: After YangAll The Beauty And The BloodshedBabylon Black Panther: Wakanda ForeverBlondeCatherine Called BirdyDevotionDon’t Worry DarlingElvisFadia’s TreeFire Of LoveGirl Picture aka Girls Girls Girls aka Tytöt Tytöt TytötI Wanna Dance WithSomebodyLast Flight HomeLivingMr Malcolm’s ListNopeNothing ComparesShe SaidTárThe Silent TwinsThe SwimmersThe Woman KingWomen TalkingListen out for the next part of the awards ceremony coming soon!Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcastFollow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda ArchboldAudio Producer: Michelle TofiIntern: Eleanor HardyHouse band: MX TyrantsThis episode is in partnership with Vanessa Smith and Peter Brewer.With special thanks to The Garden Cinema for hosting the awards, to our category sponsors EON Productions, IMDb, Intimacy on Set and Netflix, to our reception sponsor Head Gear Films, and to our media partners, British Cinematographer magazine, Deadline, Scala and Time Out.
This episode celebrates the achievements of two women who have had decades of experience in the industry, as well as one who is breaking new ground. BAFTA and Oscar-winning Costume designer Sandy Powell OBE, Prop Buyer Judy Ducker, and film critic and author Hanna Flint join Anna Smith to talk about their work in the film industry. First, Sandy Powell OBE, who has worked on films including The Favourite, The Irishman, Carol and most recently Living, talks about her career, and what it means to receive the BAFTA Fellowship award, which will be presented to her at the BAFTA Awards on 19 February 2023, airing on BBC One and iPlayer from 7pm-9pm. She speaks about the pressure to make actresses look stereotypically ‘sexy’ and how she’s railed against this throughout her career.Next, Anna welcomes Judy Ducker, who will receive the Lifetime Achievement Award at the 12th British Film Designers Guild Production Design Award this Saturday 18 February 2023. Judy talks about her fascinating career working in the art department, giving a rare insight into production design, prop buying, and working with Emma Thompson and Colin Farrell.Finally, film critic Hanna Flint joins Anna to talk about her new book, Strong Female Character, and why she decided to take an autobiographical approach to writing about film. Anna and Hanna also discuss whether the nomination for Florence Pugh for Don’t Worry Darling, which is up for an award in the Girls On Film Awards for Best Female Orgasm sponsored by Intimacy On Set, is contentious. A spoiler-filled debate ensues!Sandy Powell's work here: https://www.imdb.com/name/nm0694309/Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda ArchboldAudio Producer: Cam GriffIntern: Eleanor HardyHouse band: MX TyrantsThis episode is in partnership with Vanessa Smith and Peter Brewer.
Emmett Till’s cousin Deborah Watts speaks candidly about the BAFTA-nominated film Till, which is in cinemas and also available on digital download. Anna Smith also speaks to writer Ellen E Jones about this powerful film directed by Chinonye Chukwu. It tells the true story of Mamie Till-Bradley, whose 14-year-old son Emmett was brutally murdered in 1955. The film follows her fight for justice and features an incredible performance from Danielle Deadwyler, who has been nominated for Leading Actress at the BAFTAs. We are also happy that Till has been nominated at the Girls On Film Awards, for Best Feature sponsored by EON Productions.Till is in cinemas and on digitalBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda ArchboldAudio Producer: Emma ButtIntern: Ellie HardyHouse band: MX TyrantsThis episode is in partnership with Vanessa Smith and Peter Brewer.
Sara Dosa, the director and co-writer of documentary Fire of Love joins Anna Smith in London for a live Q&A following a screening of her film. The extraordinary documentary, from National Geographic Documentary Films, mines the extensive film and image archive of intrepid French volcanologists Katia and Maurice Krafft. The fascinating couple died as explosively as they lived, whilst doing what they loved best: exploring their greatest passion, volcanoes, whilst simultaneously capturing the most spectacular volcano imagery ever recorded.Fire of Love has been nominated for a 2023 Academy Award for Best Documentary Feature, a 2023 BAFTA for Best Documentary, and a Girls On Film Award for Best Documentary Feature. The film won many awards in 2022, including a Black Film Critics Circle Awards.You can watch Fire of Love now on Disney+Other films mentioned in this episode include: Me and You and Everyone We Know, Miranda July, 2005The Seer and the Unseen, Sara Dosa, 2019Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldProducer: Lydia ScottSound Recordist and Audio Producer: Cam GriffithsIntern: Eleanor HardyHouse band: MX TyrantsThis episode is in partnership with National Geographic Documentary Films
This episode of Girls On Film is dedicated to BAFTA-nominated drama Blue Jean, which is set in 1980s Newcastle, at a time when Thatcher’s government was making life very difficult for gay people in the UK. The law ‘Section 28’ forbade “the teaching in schools of the acceptability of homosexuality as a pretended family relationship”. Rosy McEwen puts in a terrific performance as teacher Jean, who has to keep her sexuality a secret, and is put in a difficult position when she meets a pupil of hers in a lesbian bar. Anna Smith talks with writer-director Georgia Oakley and producer Hélène Sifre, as well as with lead actor Rosy McEwen and Kerrie Hayes, who plays Jean's girlfriend Viv. UK listeners can watch Blue Jean in cinemas from 10 February. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna SmithExecutive Producer: Hedda ArchboldAudio Producer: Benjamin CookIntern: Eleanor HardyHouse band: MX TyrantsThis episode is in partnership with Vanessa Smith and Peter Brewer.
Live from the International Film Festival Rotterdam (IFFR), Anna Smith is joined on stage by an international panel of inspiring industry figures. Prolific power-house Christine Vachon chats about how it feels to have produced over 100 films, and the job of using “disruption for opportunity”. She also has valuable advice for would-be producers. Friend of Girls On Film Dutch film critic Dana Linssen co-curated the Critics’ Choice selection at IFFR for the ninth year running. She joins Anna to speak about her love for this year’s female-directed films in the strand, Charlotte Wells’ Aftersun and Nafiss Nia’s That Afternoon (or Die middag). In That Afternoon, which received its world premiere this year at the festival, director Nafiss Nia takes us with refugee Roya, played by Hoda Niku, as her life intersects with Nassim, played by Alin Wishka, one afternoon. Nafiss Nia joins Anna and Dana on-stage to give insight into her film, and the importance in her filmmaking of language in her “father tongue” Dutch, as a poet and native Persian speaker. Anna is also joined by Superposition director Karoline Lyngbye and one of the film’s stars, Marie Bach Hansen, who plays Stine. Superposition follows writer Stine and her partner, podcaster Teit (Mikkel Boe Følsgaard) as they retreat off-grid for a year with their son Nemo to save their relationship, until … well, that’s all we can say without spoilers! Karoline and Marie speak about their experience of working in Denmark in film, television and theatre and the discussions they had about gender while making the film.2023 International Film Festival Rotterdam is taking place from the 25th January 2023 to the 5th February 2023. For all information go to: https://iffr.com/en Hear Vanja Kaludjercic, director of IFFR, talk more about the festival and programme on episode 137 of Girls On Film: https://pod.fo/e/15b92a Films mentioned in this episode include: The Woman King, Gina Prince-Bythewood, 2022The Wonder, Sebastián Lelio, 2022Good Luck to You, Leo Grande, Sophie Hyde, 2022Aftersun, Charlotte Wells, 2022That Afternoon (aka Die middag), Nafiss Nia, 2023Past Lives, Celine Song, 2023Zola, Janicza Bravo, 2020Far From Heaven, Todd Haynes, 2022The Notorious Bettie Page, Mary Harron, 2005She Came to Me, Rebecca Miller, 2023 (Starring Anne Hathaway, Marisa Tomei, Peter Dinklage, Joanna Kulig, Brian d'Arcy James)The Blair Witch Project, Daniel Myrick and Eduardo Sánchez, 1999Superposition, Karoline Lyngbye, 2023The Lighthouse, Robert Eggers, 2019Television mentioned in this episode include: Dansegarderoben, 2023Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda ArchboldProducer: Lydia ScottAudio Producer: Emma ButtIntern: Eleanor HardyHouse band: MX TyrantsPrincipal Partners: Vanessa Smith and Peter Brewer.This episode is in partnership with International Film Festival RotterdamCredit: Sony Pictures for Zola clip.
Novelist Emma Donoghue joins writer-director and male ally Sebastián Lelio to talk with Anna Smith about his new film based on Emma’s book, co-written by Alice Birch. The Wonder, which has earned a BAFTA nomination for Outstanding British Film (and Girls On Film Award nominations for Best Feature Film sponsored by EON Productions, The Girls On Film Ally Award sponsored by IMDb for Sebastián Lelio, Best Cinematographer for Ari Wegner, and Best Female Orgasm sponsored by Intimacy on Set for Florence Pugh) is available to watch on Netflix now. This powerful film stars Florence Pugh as Lib, an English nurse who in 1862, following the Great Famine, is called to Ireland and asked to watch over an 11-year-old girl called Anna, who claims not to have eaten for four months, played by brilliant newcomer Kila Lord Cassidy.In this episode, Emma Donoghue, whose previous novel Room was made into an Oscar-winning film, talks about the thrill of becoming a fan of her own work as brilliant and expert collaborators create films of her stories, and why Sebastián Lelio is a true ally. Also, Sebastián Lelio discusses with Anna the brutality of filmmaking and why creating a precise and delicate set is so important. He also talks about casting the “warrior-like” Florence Pugh, with her unique connection with the audience, and discovering the astonishing Kila Lord Cassidy to star opposite Pugh. UK listeners can watch The Wonder on Netflix now.Information and advice on eating disorders can be found on the NHS website: https://www.nhs.uk/mental-health/feelings-symptoms-behaviours/behaviours/eating-disorders/overview/ Other films mentioned in this episode include: A Fantastic Woman, Sebastián Lelio, 2017Gloria Bell, Sebastián Lelio, 2018Disobedience, Sebastián Lelio, 2017Room, Lenny Abrahamson, 2015Lady Macbeth, William Oldroyd, 2016Television series mentioned in this episode include: Station Eleven, 2021-2022Normal People, 2020Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda ArchboldProducer: Lydia ScottAudio Producer: Nic WassellIntern: Eleanor HardyHouse band: MX TyrantsThis episode is in partnership with Netflix.
Intimacy coordinator Ita O’Brien talked with Girls On Film co-founder Hedda Archbold at last summer’s Latitude Festival about the work of her company, Intimacy On Set. She explains the way their work is transforming on-set working practices, and the kind of intimate scenes we see on screen – as well as how we think about consent in our everyday lives. In this episode we announce that on 23 February 2023, the second Girls On Film Awards will be held at the Garden Cinema in Covent Garden, co-hosted once again by Girls On Film host Anna Smith, and co-founder and exec producer Hedda Archbold. We are delighted to champion the amazing work done by women in film over the past year. We’ll be joined by some brilliant female filmmakers, and Ita O’Brien will be a special guest at the event, giving industry context to our Best Female Orgasm Award. In this episode of Girls On Film you can hear all about Ita O’Brien’s approach to the portrayal of sexuality on screen.Films and television series mentioned in this episode include: Normal People, Directed by Lenny Abrahamson and Hettie Macdonald, written by Alice Birch, Mark O’Rowe and Sally Rooney (based on the novel by Sally Rooney) I May Destroy You, written, directed, produced by and starring Michaela CoelIt’s a Sin, created by Russell T Davies, starring Olly Alexander and Lydia WestLady Chatterley’s Lover, directed by Laure Clermont de Tonnere, screenplay by David Magee based on the novel by DH Lawrence, starring Emma Corrin and Jack O’ConnellBecome a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda ArchboldAudio Producer: Benjamin CookIntern: Eleanor HardyHouse band: MX Tyrants
Naomi Ackie, the British star of Whitney Houston: I Wanna Dance with Somebody, talks to Anna Smith about preparing for her portrayal of the musical icon. Ackie has been longlisted for a BAFTA Film Award for Leading Actress for her extraordinary performance. She explains how important it was to her that the audience was being shown a side of Houston that perhaps they hadn’t seen before, particularly with her same-sex relationship with her girl friend Robyn Crawford. They also discuss the importance of having a female director, Kasi Lemmons, at the helm with the involvement of Whitney Houston's long-time producer Clive Davis, who is played by Stanley Tucci. Anna is also joined by Vanja Kaludjercic, the director of the International Film Festival Rotterdam, giving insight into the 2023 programme and what it is that makes this film festival special. Vanja and Anna talk diversity, inclusion and internationalism within film and film festivals, and Vanja also picks out a few of this year’s highlights. Vanja also talks about why she has invited Girls On Film to return for the third time in January 2023 to record a live podcast episode - check back soon for that episode.Whitney Houston: I Wanna Dance with Somebody was released in theatres nationwide in December 2022. 2023 International Film Festival Rotterdam is taking place from the 25th January 2023 to the 5th February 2023. For all information go to: https://iffr.com/en Other films mentioned in this episode include: The Plains, David Easteal, 2022Mayday! May day! Mayday!, Yonri Revolt, 2022Deadly Love Poem, Garin Nugroho, 2022Sri Asih, Upi Avianto, 2022Like & Share, Gina S. Noer, 2022Indivision, Leïla Kilani, 2023Le spectre de Boko Haram, Cyrielle Raingou, 2023Mama dan so que sorriso, Cyrielle Raingou, 2023Gagaland, Teng Yuhan, 2023Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda ArchboldProducer: Lydia ScottAudio Producer: Emma ButtIntern: Eleanor HardyHouse band: MX TyrantsPrincipal Partners: Vanessa Smith and Peter Brewer.Thank you also to our Patreon Supporters.
This week is all about horror as we’re joined by film critic Clarisse Loughrey. She joins Anna to share her thoughts on gender and female identity in the contemporary horror genre, particularly through the new Spanish horror film Piggy. Piggy stars Laura Galán as Sara, an overweight teen in rural small town Spain, whose bullying at the hands of the ‘in crowd’ takes a turn when a stranger arrives. Piggy’s writer and director, filmmaker Carlota Pereda, speaks to Anna about her motivations behind making the film, as an embodiment of her own personal fears and her filmic inspirations. UK listeners can watch Piggy in cinemas from the 6th January 2023Other films mentioned in this episode include: Stoker, Park Chan-wook, 2013Las rubias (The Blondes), Carlota Pereda, 2016Trouble Every Day, Claire Denis, 2001Who Can Kill a Child?, Narciso Ibáñez Serrador, 1976Eden Lake, James Watkins, 2008Stranger by the Lake (Original title: L'inconnu du lac), Alain Guiraudie, 2013The Texas Chain Saw Massacre, Tobe Hooper, 1974Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoFollow Clarisse Loughrey on socials:www.twitter.com/clarisselou Watch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA productionHost: Anna SmithExecutive Producer: Hedda ArchboldProducer: Lydia ScottAudio Producer: Cam GriffIntern: Eleanor HardyHouse band: MX TyrantsThis episode is in partnership with Vertigo Releasing
When Mark Kermode, feminist ally of Girls On Film, and one of the UK’s top film critics, expressed a wish to come on the Girls On Film podcast, Anna Smith asked listeners in an online poll which recent films they would like the two of them to discuss on the show. They discuss two recent films, beginning with a Don't Worry Darling review. SPOILER ALERT from 11:01 they move into spoiler territory, so skip to 18:36 if you'd like to avoid that. They then discuss The Woman King, as well as the winner of the Sight and Sound poll of the top 100 films of all time, Jeanne Dielman; why awards matter, the sense and nonsense of making lists of favourite films, and whether the film industry is making advances where gender parity is concerned.Mark Kermode is film critic for The Observer, co-presenter of BBC Radio 4’s Screenshot alongside Ellen E Jones, host of his own film music programme on Scala Radio, and co-presenter of Kermode and Mayo’s Take podcast. Don’t Worry Darling is available on all the usual platforms in the UK.The Woman King will be available on digital January 30th and on DVD February 13th 2023. Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles is available to stream on BFI Player in The Sight and Sound Greatest Films of All Time collection on BFI Player – which now includes over 50 titles from the top 100 to rent or for subscribers. The full top 100 will also screen at BFI Southbank throughout January, February and March.Films mentioned in this episode are:Aftersun, Charlotte Wells, 2022The Woman King, Gina Prince-Bythewood, 2022Don’t Worry Darling, Olivia Wilde, 2022Blonde, Andrew Dominik, 2022The Souvenir, Part II, Joanna Hogg, 2021Stepford Wives, Bryan Forbes, 1975Rosemary’s Baby, Roman Polanski, 1968Get Out, Jordan Peele, 2017Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles, Chantal Akerman, 1975Braveheart, Mel Gibson, 1975Summer of Soul (...Or, When the Revolution Could Not Be Televised, Questlove, 2021Woodstock, Michael Wadleigh, 1970Amazing Grace, Alan Elliott, 2018Heavy Load, Jerry Rothwell, 2008Dig!, Ondi Timoner, 2004Safe, Todd Haynes, 1995Poison, Todd Haynes, 1991Enys Men, Mark Jenkin, 2022Citizen Kane, Orson Welles, 1941Vertigo, Alfred Hitchcock, 1958The Godfather, Francis Ford Coppola, 1972Eraserhead, David Lynch, 1977 Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda ArchboldAudio Producer: Nic WassellIntern: Eleanor HardyHouse band: MX TyrantsThis episode is in partnership with our principal partners, Vanessa Smith and Peter Brewer.
Gillian Anderson, Kate Hudson & Kathryn Hahn join Anna Smith to talk about their new films hitting Netflix. The always brilliant Gillian Anderson delves into her career in the industry, and the changes she has seen for women. She speaks about her character process and how she approached her distinctive role in the new Netflix mystery The Pale Blue Eye, a murder mystery starring Christian Bale and Harry Melling as a young Edgar Allen Poe. Also the hilarious Kate Hudson and Kathryn Hahn chat to Anna about their full circle of working together, most recently on Glass Onion, the brilliant follow up to Rian Johnson's Knives Out in which Detective Benoit Blanc, played by Daniel Craig, travels to Greece to peel back the layers of a new whodunnit.You can watch Glass Onion: A Knives Out Mystery on Netflix from the 23rd December, and The Pale Blue Eye is in select UK cinemas from 23rd December available globally on Netflix from the 6th of January. Television series mentioned in this episode include: Great Expectations, 2011The Fall, 2013-2016Sex Education, 2019-2021The X Files, 1993-2018The Great, 2021White Bird, Marc Forster Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA productionHost: Anna Smith Executive Producer: Hedda ArchboldProducer: Lydia ScottAudio Producer: Benjamin CookIntern: Eleanor HardyHouse band: MX TyrantsPrincipal Partners: Vanessa Smith and Peter Brewer.Thank you also to our Patreon Supporters:Lisa Fraser-AshtonColin UdallStephen BaxterRebecca del TufoJulie Elizabeth RobardsSophie FylesClaire Vaughan andJessica Phillips
Lila Neugebauer, the director of Jennifer Lawrence’s new film Causeway, joins Anna Smith to discuss the film, which is available on AppleTV+ now. Lila chats in-depth about the journey of the characters in the film, and her own from theatre director to film director. She discusses her admiration for the filmmakers who influenced her, who share an economy in their use of cinematic language – and she gives us an “invitation to patience” with her work. Causeway is a beautifully nuanced film, written by Ottessa Moshfeg, Luke Goebel and Elizabeth Sanders. It features a fantastic central performance by Jennifer Lawrence as Lynsey, a soldier who is recovering after an explosion in Afghanistan. Heading home to New Orleans, she struggles to reconnect with her mother and ends up forming a friendship with a mechanic called James, brilliantly played by Brian Tyree Henry. Causeway is available globally on Apple TV+Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjournoWatch Girls On Film on the BFI’s YouTube channel:www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7zGirls On Film is an HLA productionHost: Anna SmithExecutive Producer: Hedda ArchboldProducer: Lydia ScottAudio Producer: Cam GriffIntern: Eleanor Hardy House band: MX TyrantsThis episode is in partnership with Apple Original Films
Sally El Hosaini joins Anna Smith to discuss her new film The Swimmers and to talk in-depth about compassion and empathy in her work, her filmmaking as a political act, and her journey to become a director. Anna also speaks with the stars of the film, real-life siblings, Nathalie and Manal Issa, as well as one of the women who inspired the film, Yusra Mardini. They talk about their shared experience of being displaced from their homes, and the special relationship between sisters.
Based on a true story, The Swimmers follows sisters Yusra and Sara Mardini from their war-torn Syrian home via Germany to the 2016 Rio Olympics. Over the course of their harrowing journey as refugees they put their skills as champion swimmers to heroic use, and this becomes their saving grace. The girls’ story is an uplifting and inspiring look at sisterhood, compassion, bravery and the refugee experience.
There’s also a postscript to the film: Sara Mardini is now a humanitarian worker who has been helping refugees in Greece. She has been charged with people smuggling - her trial is currently on hold: https://www.amnesty.org/en/latest/news/2021/11/sean-binder-and-sarah-mardinis-lives-remain-on-hold-as-trial-is-adjourned/
The Swimmers is in select UK cinemas now and will be available globally on Netflix from 23rd November.
For more information on refugees, and on some of the charities that aid those who are displaced, click the below links: www.amnesty.org.uk www.refugee-action.org.uk www.actionaid.org.uk www.unicef.org.uk
Other films mentioned in this episode include: My Brother The Devil, Sally El Hosaini, 2012
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Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production.
Host: Anna Smith Executive Producer: Hedda Archbold Producer: Lydia Scott Audio Producer: Elliana Jay Harmer Intern: Ellie Hardy House band: MX Tyrants
This episode is in partnership with The Swimmers
In this episode filmmaker Ondi Timoner joins Anna Smith to talk about her new documentary, Last Flight Home, sharing with Anna how the documentary came to be, her personal journey throughout the making of it, and the impact that the film is having on audiences. They also talk about her journey to becoming a filmmaker, and her experience of being a woman in the industry.
Last Flight Home is a beautifully moving and deeply personal account of her, and her close-knit family’s, experience as it follows them as their extraordinary father chooses to end his own life following a long illness. The film explores Eli Timoner’s life, his past as the co-founder of Air Florida, and his decision to exercise his right to die with dignity.
Ondi Timoner's Last Flight Home will be in UK cinemas from Friday 25th November 2022.
Other films mentioned in this episode include: Dig!, Ondi Timoner, 2004 We Live in Public, Ondi Timoner, 2009 Brand, A Second Coming, Ondi Timoner, 2015 Mapplethorpe, Ondi Timoner, 2018 Chrysalis (or Coming Clean), Ondi Timoner, 2020
Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast
Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production.
Host: Anna Smith. Executive Producer: Hedda Archbold Producer: Lydia Scott Audio Producer: Nic Wassell Intern: Ellie Hardy House band: MX Tyrants
This episode is in partnership with MTV Documentary Films
What’s your leadership style? Just one of the questions answered by our impressive panellists at the Evolution Mallorca International Film Festival, where festival director Sandra Lipski invited Girls On Film to host a panel discussion on Women and Leadership, with a focus on the creative and business side of the industry.
Four high profile industry women joined Anna Smith on stage at the Fondacio Sa Nostra in Palma on 29 October 2022. In this recording, you can hear our guests talking about how they got started in the industry, the importance of mentorship and diversity, and how to lead well with compassion, heart and humour.
Panellists are Lee Broda, founder and CEO of LB Entertainment and producer of Call Jane, whose film premiered at EMIFF the night before our panel; Teresa Fernández-Valdés, co-founder and co-director of Bambú Producciones, who were the first company in Spain to make shows for the streaming platforms and have grown rapidly over the past 15 years; Uzma Hasan, film producer at Little House Productions, whose feature Creature directed by Asif Kapadia with choreographer Akram Khan is about to be released in the UK; and finally Kirsten Niehuus, who holds the purse strings at Medienboard Berlin-Brandenburg as their CEO of Film Funding.
The conversation about women in leadership roles in the film industry takes some surprising turns and is inspiring, wise and funny.
Films and series mentioned in this episode include:
Call Jane, 2022 Phyllis Nagy - you can hear Phyllis talk about Call Jane in episode 129 Grand Hotel, 2019, Brian Tannen Creature, 2022, Asif Kapadia How To Sell Drugs on the Internet (Fast), 2019, Philip Kässbohrer, Mathias Murmann
Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast
Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production.
Host: Anna Smith. Executive Producer: Hedda Archbold Audio Producer: Nic Wassell Intern: Ellie Hardy House band: MX Tyrants This episode is in partnership with EMIFF
Director Phyllis Nagy and stars Elizabeth Banks and Wunmi Mosaku join Anna to talk about the inspiring new film CALL JANE.
CALL JANE follows Joy, played by Elizabeth Banks, a woman whose life-threatening pregnancy leads her to seek help from the 'Janes', an underground collective. In Chicago during the 1960s, a group of extraordinary women came together to secretly provide nearly 12,000 women and girls with safe abortions. Sigourney Weaver features as Virginia, the founding member of the female activist group, along with Wunmi Mosaku as Gwen, and a fantastic wider ensemble cast.
In this episode, Nagy and Banks talk about how they learned of the 'Janes', discussing the importance of activism through art, and the pertinence of CALL JANE in the wake of the US Supreme Court overruling the landmark 1973 Roe v. Wade case. They also talk about establishing the tone of this comedy-drama that is as entertaining as it is empowering.
Anna also speaks with Wunmi Mosaku about her personal motivation for being a part of the project, and about CALL JANE through a lens of race, both in the reality of the 'Janes', but also in the telling of the story today. She also shares her joy about working with the group of women who play the 'Janes'.
UK listeners can watch CALL JANE in cinemas from 4th November 2022.
Advice and information about abortion can be found on the NHS website here: https://www.nhs.uk/conditions/abortion/
Other films mentioned in this episode include: ALICE, DARLING, Mary Nighy, 2022
Television series mentioned in this episode include: WE OWN THIS CITY LOKI LOVECRAFT COUNTRY
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast
Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production
Host: Anna Smith. Executive Producer: Hedda Archbold Producer: Lydia Scott Audio Producer: Jenny Nelson Intern: Ellie Hardy House band: MX Tyrants
This episode is in partnership with Vertigo Releasing
Billy Eichner, Luke Macfarlane and Nicholas Stoller join Anna Smith for this episode to talk about BROS, the first romantic comedy from a major film studio about two gay men, produced by Judd Apatow and directed and co-written by Nicholas Stoller.
Billy co-wrote and stars in this funny, refreshing rom-com alongside Luke Macfarlane who plays the macho lawyer Aaron, who Billy’s character Bobby just might fall for. Billy and Nicholas, who co-wrote and directed the film, talk to Anna about their decision to bring LGBTQ+ representation into the mainstream, with central characters who are gay, lesbian, trans and bisexual - both on screen and in real life.
UK listeners can watch BROS in cinemas from Friday 28 October 2022.
Other films mentioned in this episode include:
WHEN HARRY MET SALLY, 1989, Rob Reiner SLEEPLESS IN SEATTLE, 1993, Nora Ephron YOU'VE GOT MAIL, 1998, Nora Ephron ANNIE HALL, 1977, Woody Allen
Television series mentioned in this episode include:
HEARTSTOPPER SCHITT’S CREEK
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast
Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production
Host: Anna Smith Executive Producer: Hedda Archbold Producer: Lydia Scott Audio Producer: Jenny Nelson Intern: Ellie Hardy House band: MX Tyrants
This episode is in partnership with BROS
Jamie Lee Curtis and Anna Smith discuss HALLOWEEN ENDS, the final chapter in the HALLOWEEN horror franchise, directed by David Gordon Green and starring Jamie Lee Curtis, Andi Matichak and Kyle Richards. Anna is also joined by Executive Producer Hedda Archbold to talk about the best films featured at this season's film festivals.
Anna speaks to Jamie Lee Curtis about her experience playing Laurie Strode and how she perceives feminism in regard to the character. Jamie also highlights how her success as an actress in her 60s defies the idea that older women aren't getting great parts, and she talks to her aversion to the ‘anti-ageing’ lobby, and abouther commitment to looking real – both on screen and off. Jamie also discusses the way in which her character in HALLOWEEN ENDS manages the trauma she has endured.
Hedda Archbold joins Anna to consider their favourite releases from the recent film festival season and suggest upcoming female-focused films to look out for.
UK listeners can watch HALLOWEEN ENDS in UK cinemas from Friday 14 October 2022.
Other films mentioned in this episode include: Trading Places, John Landis, 1983. Knives Out, Rian Johnson, 2019. Everything Everywhere All At Once, Dan Kwan and Daniel Scheinert, 2022. True Lies, James Cameron, 1994. A Fish Called Wanda, Charles Crichton, 1988. The Wonder, Sebastián Lelio, 2022. Aisha, Frank Berry, 2022. Triangle of Sadness, Ruben Östlund, 2022. Corsage, Marie Kreutzer, 2022. Nezouh, Soudade Kaadan, 2022. Last Flight Home, Ondi Timoner, 2022. Runner, Marian Mathias, 2022. Great Yarmouth: Provisional Figures, Marco Martins, 2022. Thunder, Carmen Jaquier, 2022.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno https://www.tiktok.com/@girlsonfilm_podcast Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production.
Host: Anna Smith. Executive Producer: Hedda Archbold Producer: Lydia Scott Audio editor: Jenny Nelson Intern: Ellie Hardy House band: MX Tyrants
In this episode of Girls On Film Anna Smith explores GIRLS GIRLS GIRLS, a Finnish coming-of-age film directed by Alli Haapasalo, starring Aamu Milonoff, Linnea Leino and Eleonoora Kauhanen.
Anna talks to Alli Haapasalo about her fresh perspective on stepping into adulthood and navigating sexual desire alongside discussing her motivations, her casting process and narrative choices. Alli also talks about the role of female characters on screen and why her film is an antidote to the all too common trope of women as victims.
UK listeners can watch GIRLS GIRLS GIRLS in UK cinemas from Friday 30 September 2022
Other films mentioned in this episode include:
All This Panic, Jenny Gage, 2016.
Call Me By Your Name, Luca Guadagnino, 2017.
Booksmart, Olivia Wilde, 2019.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production
Host: Anna Smith Executive Producer: Hedda Archbold Audio Producer: Cam Griff Intern: Ellie Hardy House band: MX Tyrants This episode is in partnership with Vertigo Releasing
In this episode we focus on two female-run film festivals coming up in October: the Evolution Mallorca International Film Festival and the BFI London Film Festival.
Anna Smith speaks to Sandra Lipski, founder and director of EMIFF, and Tricia Tuttle, director of festivals at the BFI and director of the LFF about what is coming up. The festivals share not only a female focus with an emphasis on diversity and inclusion, but unlike some film fests, they are open to audiences, rather than industry only. Girls On Film will be hosting a live event at EMIFF on Women in Leadership so if you fancy a week in Mallorca watching and discussing films, do join us there!
The BFI London Film Festival runs from 5-16th October 2022 - select titles are showing around the UK For more details see the LFF website, here: https://whatson.bfi.org.uk/lff/Online/default.asp
The Evolution Mallorca International Film Festival runs from 26th October to November 1st 2022. See the website for more information, here: https://www.evolutionfilmfestival.com/
Other films and people mentioned in this episode include:
Kristy Matheson, creative director of the Edinburgh International Film Festival Sundance Festival Laia Costa Lone Scherfig Harvey Weinstein
Sebastian Schipper’s Victoria, starring Laia Costa https://www.imdb.com/title/tt4226388/?ref_=fn_al_nm_1a
Georgia Oakley’s Blue Jean, starring Rosy McEwen, Kerrie Hayes and Lucy Halliday https://www.imdb.com/title/tt8649344/?ref_=nv_sr_srsg_0
Nina Menkes’ Brainwashed: Sex-Camera-Power, https://www.imdb.com/title/tt10410506/?ref_=nv_sr_srsg_0
Sebastián Lelio’s The Wonder, starring Florence Pugh and Niamh Algar https://www.imdb.com/title/tt9288822/?ref_=fn_al_tt_1
Sebastián Lelio’s Disobedience, with Alessandro Nivola and Anton Lesser https://www.imdb.com/title/tt6108178/?ref_=fn_al_tt_1
Sebastián Lelio’s A Fantastic Woman, with Daniela Vega https://www.imdb.com/title/tt5639354/?ref_=fn_al_tt_1
Phyllis Nagy’s Call Jane, starring Elizabeth Banks and Sigourney Weaver https://www.imdb.com/title/tt7461272/?ref_=nv_sr_srsg_0
VR project ‘The Choice’
Maria Schrader’s She Said, starring Samantha Morton, Zoe Kazan and Carey Mulligan, based on books written by Jodi Kantor and Megan Twohey with a screenplay written by Rebecca Lenkiewicz with Jodi and Megan https://www.imdb.com/title/tt14807308/?ref_=nv_sr_srsg_0
Alan J. Pakula’s All the President's Men, with Dustin Hoffman and Robert Redford https://www.imdb.com/title/tt0074119/?ref_=nv_sr_srsg_0
Chinonye Chukwu’s Clemency, starring Alfre Woodard https://www.imdb.com/title/tt5577494/?ref_=nv_sr_srsg_0
Chinonye Chukwu’s Till, starring Danielle Deadwyler https://www.imdb.com/title/tt4960748/?ref_=nv_sr_srsg_0
Nikyatu Jusu’s Nanny, starring Anna Diop https://www.imdb.com/title/tt10931784/?ref_=nv_sr_srsg_1
Alice Diop’s Saint Omer, starring Kayije Kagame https://www.imdb.com/title/tt15376894/?ref_=fn_al_tt_1
Alice Diop’s documentary We, https://www.imdb.com/title/tt14038600/?ref_=nm_flmg_dr_3
Ondi Timoner’s documentary Last Flight Home, https://www.imdb.com/title/tt16377430/?ref_=nv_sr_srsg_0
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production.
Host: Anna Smith. Executive Producer: Hedda Archbold. Audio Producer: Elliana Jay Hamer House band: MX Tyrants
This episode is in partnership with EMIFF
In this episode of Girls On Film Anna Smith does a deep dive into MR. MALCOLM’S LIST, a new release starring Zawe Ashton, Freida Pinto and Sope Dirisu, directed by Emma Holly Jones in her feature debut.
Anna talks to Emma Holly Jones about this Regency RomCom with a difference: about what it takes to get a first feature made, about historical accuracy versus depicting diverse female agency on screen and about casting and working with Freida Pinto and Zawe Ashton during lockdown.
Zawe Ashton joins Anna to talk about playing Julia Thistlewaite in MR. MALCOLM’S LIST opposite Freida Pinto as Selina Dalton. Zawe talks about her view of the film's narrative, the pleasure of working with Freida Pinto and the other women in the film, and on making a movie in which female friendship is as important as the love interest.
UK listeners can watch MR. MALCOLM’S LIST in cinemas from 26 August 2022.
Other films and theatre shows mentioned in this episode include Hamilton, Bridgerton, Belle, The Personal History of David Copperfield, Notting Hill, When Harry Met Sally. We also discuss The Black List Table Reads podcast which you can find here: https://www.stitcher.com/show/black-list-table-reads and Penguin Random House’s initiative to support inclusive reading in schools, Lit in Colour, which you can find here: https://www.penguin.co.uk/lit-in-colour
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold.
Audio Producer: Benjamin Cook Intern Grace Delve House band: MX Tyrants
This episode is in partnership with Vertigo Releasing
RomCom #Regency #RegencyRomCom #Inclusivity #GenderDynamic
In this special episode recorded with an audience at Edinburgh International Film Festival 2022, Girls On Film celebrate EIFF’s 75th anniversary with an all-star line-up including Julia Davis, Jackie van Beek and Armağan Ballantyne from NUDE TUESDAY; director and co-writer of ZUHAL Nazli Elif Durlu; EIFF 2022’s Creative Director Kristy Matheson, and film critics Wendy Mitchell and Finn Halligan.
First up, the NUDE TUESDAY team talks about their mutual obsessions with each others’ work, non-sexual nudity on screen and developing a new language for the film.
Next on stage is Kristy Matheson, the Creative Director of the Edinburgh International Film Festival 2022, who tells Anna how she selects a festival programme, and outlines her top picks from this 75th edition of the festival.
The director of ZUHAL Nazli Elif Durlu then joins Anna and Kristy to share how she developed her film after meeting someone who heard cat noises in her apartment, which no one else could hear.
Finally, critics Finn Halligan and Wendy Mitchell join Anna on stage to discuss their 2022 festival picks. From the audience, Antonia Campbell-Hughes shares some insight on her directorial debut IT IS IN US ALL.
Films, Television productions and directors mentioned in this episode include: THE BREAKER UPPERERS, NIGHTY NIGHT, HUMAN REMAINS, NUDE TUESDAY, SIGHTSEERS, AAAAAAAAH!, NOTHING COMPARES, ZUHAL, KINUYO TANAKA, STILL WORKING 9 TO 5, LOLA, AFTERSUN, CLEAN, IT IS IN US ALL.
Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold. Audio Producer: Cam Griff with Little Bird Creative. Intern: Grace Delve. House band: MX Tyrants. With special thanks to the EIFF 2022 team and Chris Boyd at Cornershop PR for their support.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast
Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel:
www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
This episode was produced in partnership with EIFF
Anna Smith talks to two of the women behind the new road movie Joyride, starring Olivia Colman: Emmy-nominated director Emer Reynolds (THE FARTHEST) and screenwriter Ailbhe Keogan. The film focuses on reckless solicitor Joy (Colman) who has arranged to give up her baby before her taxi is hijacked by tearaway Mully (Charlie Reid), a boy running away from his manipulative father. Together, they are a pair of outsiders on the run. Emer and Ailbhe talk about the response to the film, its real-life inspirations, Olivia Colman, and depicting the realities of womanhood. Audiences can see JOYRIDE in UK cinemas from 29 July 2022.
Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold. Audio Producer: Ben Cook. Intern: Grace Delve. House band: MX Tyrants.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
This episode was produced in partnership with Vertigo Releasing.
In this SHE WILL Special, Anna Smith talks to four key women behind the extraordinary female-focused folk horror: actor Alice Krige whose other work includes the Borg Queen in STAR TREK and Alma/Eva in GHOST STORY; director and co-writer Charlotte Colbert whose other work includes THE SILENT MAN, screenwriter Kitty Percy, and BIFA- nominated producer Jessica Malik whose other productions include LEADING LADY PARTS and ESTRANGED.
The film explores the story of Veronica Ghent (Alice Krige) who after a double mastectomy goes to a healing retreat in rural Scotland with her young nurse Desi (Kota Eberhardt). Veronica discovers that the process of the surgery opens up questions about her very existence, and begins to confront past trauma. The retreat is said to have special powers because it was a site where witches were burned and there are large amounts of women's ashes in the earth. Veronica discovers her power and what agencies can heal her past and present wounds.
Alice Krige talks about the complex role she plays, the themes of the film including surviving abuse and breast cancer – and rising from the ashes like a phoenix. Charlotte Colbert, Kitty Percy and Jessica Malik talk about the challenges of filming in a remote location in Scotland and the joyous collaboration of the female team who made the film, which made it better and better.
She Will is out in cinemas in the UK this weekend from 22 July 2022.
Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold. Audio Producers: Little Bird Creative. Intern: Grace Delve. House band: MX Tyrants.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
This episode was produced in partnership with Vertigo Releasing
In this very special #SundanceLondon episode recorded live from Picturehouse Central, Girls On Film open the festival with an episode all about GOOD LUCK TO YOU, LEO GRANDE!
Anna interviews the marvellous stars Emma Thompson and (a very rare MALE guest) Daryl McCormack, as well as writer Katy Brand, and director Sophie Hyde.
First up are Emma and Katy who discuss how the project developed and the influence of DIRTY DANCING on the film.
Sophie and Daryl then join Anna on stage, detailing the rehearsal process and the research they both did into sex work. Our guests then go on to discuss realistic female representation on screen and how we still have a long way to come.
The episode closes with a fabulous Q&A where audience members ask our amazing guests their burning LEO GRANDE questions.
Film and TV mentions across the episode include: GOOD LUCK TO YOU, LEO GRANDE; BELLE DE JOUR; DIRTY DANCING; LETHAL WEAPON 3; SEX EDUCATION; ADDAMS FAMILY VALUES; SECRETARY; EIGHTH GRADE; YOUNG FRANKENSTEIN; ANIMALS.
The Drover’s Wife: The Legend of Molly Johnson is the first Australian feature film with an Indigenous woman writing, directing and performing the lead role. In this episode, Anna Smith interviews the amazing Leah Purcell, who shares how she turned her favourite childhood story into a book, a play and now a film. Leah talks about the differences between the experiences, about working with her partner and about what the film has to say about women and the Indigenous people of Australia.
Next, Anna chats to actor-director Kerry Fox, who has starred in many films, including Jane Campion’s An Angel At My Table, Little Joe and The Colour Room. Kerry gives her perspective on The Drover’s Wife, considering the influence of Jane Campion’s work. Meanwhile Anna recommends other feminist westerns to watch, as well as a couple of other new releases. The pair also look ahead to this year’s Cannes Film Festival, and Kerry shares her stories of attending Madonna’s party with Danny Boyle when attending the festival with the film Shallow Grave.
The Drover’s Wife: The Legend of Molly Johnson is out in UK and Irish cinemas on May 13th 2022 and is out in Australia now. You can find out more at modernfilms.com/droverswife
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold. Audio Producer: Benjamin Cook. House band: MX Tyrants. Thanks to Shanaiya Pithiya.
This episode is in partnership with Modern Films.
We need more middle-aged women on screen - and this episode’s guests are leading the revolution. First, Anna chats to menopause activist Kate Muir about her latest documentary: Davina McCall: Sex, Mind and The Menopause. Kate shares behind the scenes stories about her activism, about filming the show and what has helped her in her personal menopause experience. She also gives tips for documentary filmmakers who are just starting out (bring snacks!) and shares exciting plans for hitting Hollywood. Our second guest is writer, performer and campaigner Nicky Clark, who founded the Acting Your Age Campaign and works tirelessly to pressure broadcasters and filmmakers to achieve parity when it comes to the ages of men and women on screen. She shares her choices for great depictions of women over 45 on screen, as well as a famous superhero movie that has a staggering imbalance. Finally, she shares her hopes for the future of the campaign and explains how you can get involved.
UK listeners can watch Davina McCall: Sex, Mind and The Menopause on Channel 4 at 9pm on Monday 2nd May 2022, and afterwards on All4.
Other films mentioned: The Lost Daughter; Nomadland; After Love. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold. Audio Producer: Benjamin Cook. Assistant Producer: Shanaiya Pithiya. House band: MX Tyrants.
A pregnant student seeks an abortion in 1960s France in the compelling new drama Happening. Audrey Diwan's stunning film is an immersive insight into life at the time, as young women explore their sexuality but are repressed by a law that bans abortion and, as our heroine puts it "turns them into housewives.” Director Audrey Diwan joins host Anna Smith to discuss the film starring Anamaria Vartolomei. She explains why she was keen to adapt the text by Annie Ernaux, based on a true story, and how the orgasm scene was inspired by one of her own experiences. She discusses the modern day relevance of the topic and also how her gaze is informed by many aspects including her gender. Next, Anna is joined by Orla O'Connor, who was listed as one of TIME's 100 Most Influential People for her work on the Together For Yes campaign. Orla is a passionate feminist and incredible speaker who heads up the National Women's Council in Ireland, and gives a wonderful insight into the ongoing fight for reproductive rights. She also gives her personal response to Happening, and explains the importance of film in raising awareness about access to legal abortion. Happening is in UK and Irish cinemas from April 22nd 2022. Go to www.happeningfilm.com. This episode is in partnership with Picturehouse Entertainment, supported by the BFI Audience Award. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold. Audio Producer: Emma Butt. Assistant Producer: Shanaiya Pithiya. House band: MX Tyrants.
Actor-producer Ruth Wilson speaks out about sex scenes, complex female characters and working with women in an exclusive interview for her new film True Things. Writer-director Harry Wootliff joins her and Anna for a lively, in-depth chat about the sensual drama, co starring Tom Burke as an ex convict who has an ambiguous relationship with Wilson’s Kate. They talk about the source novel and building a character who felt fresh, new, contradictory and relatable - and about communicating the heart-stopping excitement and uncertainties of a new sexual connection. Ruth discusses the discomfort that can arise from intimate scenes, and praises working with Harry and an intimacy co-ordinator on True Things. Next up, British critic Wendy Lloyd reveals the results of her extensive research into criticism in the age of #MeToo #BLM and #TimesUp. Having spoken to many critics in power, she discusses uncovering complex reactions to diversity in film reviewing - and how films such as Promising Young Woman and Red Sparrow presented a challenge to writers. Finally, Antoneta Alamat Kusijanovic joins Anna to describe the gender dynamics in Croatian culture that inspired her coming of age film Murina. She also shares how Martin Scorsese worked with her as Executive Producer, and hints at details of her next film set in New York. True Things is in UK cinemas now and Murina is in UK cinemas from April 8th 2022. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold. Principal Partners: Vanessa Smith and Peter Brewer. Audio Producer: Emma Butt. Assistant Producer: Shanaiya Pithiya. House band: MX Tyrants.
This International Women’s Day, you are cordially invited to attend the inaugural Girls On Film Awards! This episode was recorded at a glittering ceremony at the gorgeous The Garden Cinema in March 2022, with an audience of industry luminaries. Listen in to discover who won everything from Female Friendship on Screen to the Best Female Orgasm on film - and hear speeches from some of our favourite filmmakers, including Sarah Gavron (Rocks) and Philippa Lowthorpe (Misbehaviour). The Girls On Film Awards reward excellence in the field of feminism, inclusion and diversity, female representation and the female gaze. Because the awards are in part a celebration of Girls On Film’s third anniversary, films were eligible if they were released between the launch of Girls On Film on 2 October 2018, and 4 February 2022. Thanks to The Garden Cinema, to principal partners Vanessa Smith and Peter Brewer and to Rémy Martin, Belle & Co and La Gioiosa Prosecco.
Here’s where to watch the nominated films: FEMINIST FICTION FEATURE Booksmart is on BBC Iplayer until Friday 11th March and on digital internationally. The Lost Daughter is on Netflix. Portrait of a Lady on Fire is available to rent on Amazon Video and other digital platforms. Promising Young Woman is available to rent on Amazon Video. Quo Vadis, Aida? is available on Netflix. DOCUMENTARY FEATURE Cow is on Mubi. Crip Camp is on Netflix. For Sama is on All 4 and on digital internationally. Rebel Dykes is on BFI Player. Writing with Fire is available to pre-order on AppleTV for March 29th 2022. FEMALE FRIENDSHIP ON SCREEN Booksmart is on BBC Iplayer til Friday 11th March. Herself is on BFI Player. Hustlers is on Netflix. Misbehaviour on BBC iPlayer. Rocks is on Netflix and will be on wider digital platforms in the coming months. Ensemble Acting Babyteeth, The Farewell, Little Women and Rocks are on Netflix. Zola is available to rent on Amazon Prime Video. GIRLS ON FILM ALLY Pedro Almodovar for Parallel Mothers, in UK cinemas and will be on Premium Video on Demand from 14th March. J Blakeson for I Care A Lot, on Amazon Prime Video. Bo Burnham for Eighth Grade, to rent on Apple TV. John Krasinski for A Quiet Place Part II is on Now TV. Jordan Peele for Us, to rent on Amazon Prime Video. COMPOSER Nainita Desai. For Sama is available on All 4. The Wall: Climb for Gold is on Apple TV, Google Play and Amazon Prime Video. Anne Dudley. The Hustle is on Netflix. Hildur Guðnadóttir. Joker is available to stream on Amazon Prime Video. Morgan Kibby. Mothering Sunday is available to rent on Amazon Prime Video. Mica Levi. Zola is available to rent on Amazon Prime Video. FEMINIST PUBLICITY CAMPAIGN Misbehaviour is on BBC iPlayer. Mothers of the Revolution is available to rent on Apple TV. Rare Beasts is on Now TV. Rocks is on Netflix. Saint Maud is on Amazon Prime Video. DIVERSITY BADGE OF HONOUR Michaela Coel’s I May Destroy You is on BBC iPlayer and on digital internationally. Sarah Gavron’s Rocks is on Netflix. Ruth Madeley’s new film When Barbara Met Alan will be on BBC iPlayer soon. Years and Years is available on BBC iPlayer and on digital internationally. Ashanti Omkar. BEST FEMALE ORGASM I'm Your Man is available to rent on Amazon Prime Video. If Beale Street Could Talk and The Miseducation of Cameron Post are available to rent on Apple TV. Portrait of a Lady on Fire is available to rent on Amazon Prime Video. Queen & Slim is on Netflix. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Girls On Film is an HLA production. Hosts: Anna Smith and Hedda Archbold. Executive Producer: Hedda Archbold. Audio Producer: Michelle Tofi. Assistant Producer: Shanaiya Pithiya. House band: MX Tyrants. Interns: Jamie Wills and Greta Gard.
The Power of the Dog cinematographer Ari Wegner joins Anna for a special episode exploring her work on Jane Campion’s riveting western. The first woman to be nominated for the cinematography BAFTA, Ari is also only the second ever nominated for the Oscar. The Australian filmmaker - who also worked on Girls On Film favourite Zola - gives her reaction to her historic nomination, explains how she got into the business and says exactly how she felt when she got the call from Campion. Anna then delves into detail about her work on The Power of the Dog, asking Ari to explain how the photography helps to establish the key characters of Phil (Benedict Cumberbatch) and Rose (Kirsten Dunst). Ari gives a fascinating, detailed insight into individual scenes, making this a must-listen for fans of the film, as well as anyone who’s ever wondered what being a cinematographer actually involves.
The Power of the Dog is available on Netflix now.
This episode is in partnership with The Power of the Dog.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold. Audio Producer: Emma Butt. Assistant Producer: Shanaiya Pithiya. House band: MX Tyrants.
BAFTA-nominated actor Ann Dowd bares her soul in an in-depth interview about the film Mass, an involving drama about two couples meeting after a tragedy. First, host Anna Smith speaks to film critic Rhianna Dhillon to review the film, which co stars Martha Plimpton, Reed Birney and Jason Isaacs. The two discuss their emotional reactions to the story, the power of the script and performances and consider the gender dynamic in the room onscreen. Next, Ann Dowd joins Anna from Toronto, to discuss the role that is winning her rave reviews and awards buzz. The actress speaks with great candour and sensitivity about her process, giving an insight into the preparation behind Mass, and the real survivors she spent time with. Finally, she gives Girls On Film listeners an exclusive hint about season five of The Handmaid’s Tale, in which she reprises her role as Aunt Lydia. Mass is available on Sky Cinema now. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold. Audio Producer: Benjamin Cook. Assistant Producer: Shanaiya Pithiya. House band: MX Tyrants. This episode was produced in partnership with Sky Cinema.
In this episode, our host Anna Smith makes a foray into an animated comedy featuring a robot apocalypse full of "delicious sight gags, absurd one-liners and deliriously silly set-pieces" - in the words of our guest, Catherine Bray. Computer-animated science fiction film The Mitchells vs The Machines, nominated for Best Animated Feature Film at the British Academy Film Awards and at the Oscars this year, it is the first mainstream animated feature that has a queer heroine at its heart. Katie Mitchell is a feisty teen and aspiring filmmaker whose road trip with her quirky, dysfunctional family of outsiders is interrupted by an army of robots who try to capture all of humanity. They are led by evil AI genius PAL, an ‘Alexa’ or ‘Siri’ equivalent gone rogue, voiced by Olivia Colman. It’s a wild ride and a thought-provoking satire on our over-reliance on technology. First up Anna talks to Abbi Jacobson, who does a brilliant job of voicing Katie, our young protagonist. Abbi previously co-created and co-starred in the TV series Broad City. They are joined by the production designer and lead character designer for The Mitchells vs The Machines, Lindsey Olivares. This conversation on Girls On Film is the first time the two co-creators of the character Katie talk to each other about their work.
Next up Anna talks to film critic Catherine Bray about her take on the film’s fabulous feminist sensibility.
The Mitchells vs The Machines is available now on Netflix.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold. Audio Producer: Benjamin Cook. Assistant Producer: Shanaiya Pithiya. House band: MX Tyrants.
This episode was produced in partnership with The Mitchells vs The Machines.
In this episode, our host Anna Smith takes the feminist film conversation to new heights by climbing into the world of sport. We take a look at the empowering documentary The Wall - Climb for Gold, which centres on the lives, perseverance and determination of four female athletes, as they prepare for and compete in the 2020 Tokyo Olympics. While the focus is on climbers, this is a human story that everyone can relate to.
To unpack this inspiring story about endurance and overcoming obstacles, Anna is joined by climber Shauna Coxsey MBE, composer Nainita Desai and editor Emily West.
Shauna discusses her experience of watching the film for the first time and seeing the audience reactions to it. Having grown up watching sports with her dad, Shauna reveals that a French film about a climber inspired her to take up the sport.
Following on from that, Nainita delves into the creative process behind her score as a microcosm for what it means to be human and the ways in which her score reflects the different personalities of all four women.
Editor Emily West reveals when she got involved in the editing process and the importance of having a female gaze to tell a story about women.
The Wall - Climb for Gold is available now on Apple TV and Amazon Prime Video.
The soundtrack is available on Spotify as four separate singles - each one reflecting the personality and journey of the four athletes in the film: https://open.spotify.com/artist/6yyzlTFjuZqptozK4Q9wHO
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold. Audio Producer: Benjamin Cook. Assistant Producer: Shanaiya Pithiya. House band: MX Tyrants. This episode was produced in partnership with Windfall Films, part of the Argonon Group.
Mothering Sunday is a radical period drama and portrait of an artist as a young woman. During a sweltering summer in Britain between the wars, it follows domestic servant Jane Fairchild on the titular day off-duty – the day of a secret visit to her illicit upper-class lover.
Starring Odessa Young, Josh O’Connor, Colin Firth and Olivia Colman, the superbly acted drama explores themes of grief, class, sexuality and creativity. Our host Anna Smith sat down with the women whose collaboration brought it to the screen – director Eva Husson, producer Elizabeth Karlsen, and composer Morgan Kibby – in a special live webinar Q&A last week.
In this podcast version, you’ll hear the panel in conversation with Anna and answering questions from our listeners. Sharing their motivations and inspirations during the filmmaking process, and their memories of the movie’s pandemic-blighted shoot, they give a fascinating insight into the female creative force behind this quietly rebellious tale.
One of a small but growing group of female film composers, Morgan unpacks her longtime collaboration with Eva, who she has been working with since the director’s 2015 feature debut Bang Gang. Plus, she discusses the issue of gender in film composition, and the secrets of an emotional score.
Eva shares her approach to depicting intimacy onscreen, and creating a heroine in control of her sexuality. We hear how her hands-on approach to the whole production helped craft the film’s immersive atmosphere.
Elizabeth tells us how the film took shape from Graham Swift’s source novel, and talks working with Normal People screenwriter Alice Birch. Plus plenty more snapshots from the set, including what one standout sequence from the 20s-set tale has in common with a 70s punk band…
Mothering Sunday is available to watch at home on digital download and on DVD and Blu-ray now.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Heather Dempsey. Audio producer: Benjamin Cook. Assistant Producer: Shanaiya Pithiya. House band: MX Tyrants. Thanks to Cristina Garcia at Bird’s Eye View. This episode was produced in partnership with Lionsgate.
President is a new, Oscar-shortlisted feature documentary examining the controversial 2018 presidential election in Zimbabwe through stunningly close access. It’s raw, it's gripping, it’s history in the making and it’s a real story that other nations can witness and learn from.
In this episode, Anna unpacks the riveting documentary with its director, Camilla Nielsson. First up, Camilla discusses President as a sequel to her film Democrats, and touches on some of her experiences during the three years of filming. Camilla opens up about the brutal reality and traumatic nature of being caught up in gunfire. She also discusses how Zimbabwean politics affect the women of the nation, and can subject them to violence if they attempt to speak out.
Next, Anna is joined by film producer Signe Byrge Sørensen, who co-founded Final Cut for Real, the production company behind the film. Signe talks about the most rewarding parts of making this film and gives advice to female filmmakers and producers around the world. Speaking to Anna alongside Signe is Equity, Inclusion and Diversity consult Patricia Chinyoka, who also founded Women of Zimbabwe, which supports female-led projects in the country. Patricia shares her thoughts on the film and her experience of watching it at the premiere and witnessing the reactions of others. Signe and Patricia then talk about the latest political developments in Zimbabwe.
President is available to watch now in UK cinemas and on BBC Storyville from 10pm GMT on the 9th Feb 2022.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Host: Anna Smith. Executive producer: Hedda Archbold. Audio producer: Cam Griff. Assistant Producer: Shanaiya Pithiya. House band: MX Tyrants. This episode was produced in partnership with Final Cut for Real.
This episode celebrates the film CODA, which has been longlisted for seven British Academy Film Awards: for Best Film, Director and Adapted Screenplay, for Leading Actress and Supporting Actor, for Casting, and for Sound. The uplifting comedy-drama follows Ruby (Emilia Jones) a 17-year-old CODA (Child of Deaf Adults), who finds herself torn between pursuing a future at music school and her fear of abandoning her family.
First, our host Anna speaks to writer-director of CODA, Siân Heder and the film’s leading actress Emilia Jones. The pair discuss the reactions they’ve had to CODA from the deaf community and Siân recalls some of the challenges she overcame making this film. Emilia also reveals to Anna her experience learning multiple skills for this film, including an American accent and learning ASL in nine months.
Next, Anna is joined by two incredible women working to raise awareness for Deaf and disabled audiences. They are Charlotte Little, access consultant and film critic, and Teri Devine, Associate Director for Inclusion at the Royal National Institute for the Deaf. As a CODA herself, Teri discusses the relatability of Ruby’s character and highlights some of the accurate details in the film that really stuck with her, including the humour of discussing sex through ASL. Being partially blind and deaf herself, Charlotte discusses the ways in which she relates to the film and analyses the lack of deaf access we see in the film through the Rossi family's experiences. Both Teri and Charlotte then discuss CODA through a feminist lens.
An audio transcript of this episode is available to read on the below link or on our Patreon page. We welcome and encourage feedback from our listeners. If you would like to get in touch with us then please reach out on our social media or via email, girlsonfilmsocial@hlaagency.co.uk
CODA is available now on Apple TV+
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast PODCAST TRANSCRIPT: https://docs.google.com/document/d/16GHpCfWKwcOoYiQerABqCnuIF3X6L5u68BqEH9n7TVg/edit Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Host: Anna Smith. Executive producer: Hedda Archbold. Audio producer: Dan Pugsley. Assistant Producer: Shanaiya Pithiya. House band: MX Tyrants. This episode was produced in partnership with Apple TV+.
In this Scream special, we get to the guts of the iconic horror franchise’s latest instalment – from its feminist chops to its send-up of toxic fan culture. With plenty of the wry riffs on horror tropes we’ve come to expect from the series, Scream sees much-loved mainstay characters join forces with new blood to take down the Ghostface killer. This meta-slasher may be playful, but it takes representation refreshingly seriously.
Our host Anna Smith chats to Jasmin Savoy Brown, who plays Scream newcomer Mindy Meeks-Martin. The Californian star gives us her take on the film’s understated but powerful push for diversity onscreen – and reveals the representational moment that made queer fans cheer.
Plus, we hear details of Scream’s South-Carolina shoot during the political turmoil of the 2020 US Election, and how collaboration and female friendship helped the rising star to deliver her best onscreen and off.
Next, one of our own ‘heritage characters’, podcast regular and horror expert Clarisse Loughrey, teams up with first time guest Ada Enechi – Scream fan and senior producer at Buzzfeed. Our two guest critics join Anna to dive deep into the film’s genre-savvy thrills and bloody spills – and tell us why it could be the perfect gateway movie for the horror-hesitant.
Scream is in UK cinemas now.
Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Host: Anna Smith. Executive producer: Hedda Archbold. Producer: Heather Dempsey. Audio producer: Elliana Jay. Assistant Producer: Shanaiya Pithiya. House band: MX Tyrants. This episode was produced in partnership with Paramount.
In this episode of Girls On Film, we focus on the fantastic feminist period drama, The Colour Room. The film tells the story of working class Clarice Cliff, the first female ceramist in the pottery factories of Stoke-On-Trent, England, who revolutionised her workplace in the early 20th century. Her mantra? ‘It doesn’t make me any less of an artist to have a little fun at work.’ The Colour Room has a feminist narrative, but it’s also an universal story about following your dreams and believing in your talent.
Our host Anna Smith is joined by the female force behind The Colour Room: four women who epitomise the spirit of Girls On Film. They are the director, Claire McCarthy, the writer Claire Peate and Caspian Films producers Thembisa Cochrane and Georgie Paget. Clarice Cliff wanted to enjoy her work and have fun while doing it – and our Girls On Film guests clearly did the same making The Colour Room.
The four discuss their 2022 BAFTA longlisted film, starting from their discovery of Clarice Cliff and her work, to how they came to work together to tell her story.
The conversation delves into Phoebe Dynevor’s and Matthew Goode’s brilliant performances as Clarice Cliff and Colley Shorter.
The Colour Room is now available to watch on Sky Cinema.
Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Host: Anna Smith. Executive producer: Hedda Archbold. Audio producer: Benjamin Cook. Assistant Producer: Shanaiya Pithiya. House band: MX Tyrants. This episode was produced in partnership with Sky Cinema.
Anna Smith is joined by two fantastic actresses and now directors, Maggie Gyllenhaal and Rebecca Hall, to discuss their daring directorial debuts: The Lost Daughter and Passing. Anna is also joined by the star of Passing, Ruth Negga.
First up, Maggie discusses the central themes of motherhood and growth in The Lost Daughter, starring Olivia Colman, Dakota Johnson and Dagmara Dominczyk. Maggie reveals that her main goal was to portray honesty and authenticity; to create a space on screen where the audience would be able to see themselves reflected back at them, with every aspect feeling genuine, rather than a glamorised fantasy. Anna and Maggie then delve into the incredible cast of The Lost Daughter. Maggie talks about her mentality as an actress and choosing the women brave enough to learn something new about themselves.
Next up, Anna is joined by the director and writer of Passing, Rebecca Hall, along with Ruth Negga, who co stars with Tessa Thompson. The film explores racial “passing” and has a fascinating and complicated female friendship at its core. As an actress herself, Rebecca discusses what made her turn to directing and why she wanted to tell this incredible story about the moral consequences of racial passing. It’s based on the 1929 novel by Nella Larsen, a book that has a personal resonance for Rebecca, who reveals a family connection to the story. While the film is centred on Ruth Negga’s character, Clare, hiding her true racial identity, Rebecca reveals that her directorial intention was to go deeper than that, by examining the psychological cost of living in any kind of hiding. Ruth Negga goes on to talk about some of the touching audience reactions and discusses how the story holds relevance in today’s society, whether it's to do with race, gender, queerness or any other form of identity.
Both The Lost Daughter and Passing are available to stream on Netflix now.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production.
Host: Anna Smith. Executive producer: Hedda Archbold. Audio producer: Benjamin Cook. Principal Partners: Vanessa Smith and Peter Brewer. Intern: Shanaiya Pithiya. House band: MX Tyrants.
In this episode of Girls On Film, we dive into the film Ascension, which has been shortlisted for Best Documentary Feature for the 2022 Academy Awards. The film explores the contemporary Chinese Dream and the paradox of progress in China, as seen through the eyes of filmmaker and editor Jessica Kingdon. Jessica joins us and talks about her unique and successful style of filming and editing, and the challenges of gaining access to places usually hidden from the cameras. Her doc is visually driven rather than by character or story and the narrative and teases out its themes, allowing the viewers to draw their own conclusions. Jessica discusses what themes she found interesting to explore from a gender perspective and the challenges she faced in both filming and editing the documentary herself. Next, Anna reviews Ascension with critics Ashanti Omkar and Katie Smith-Wong, who discuss the film’s focus on influencers and social media as well as jaw-dropping scenes filmed in a sex doll factory. They talk about the documentary’s amazing access and its depiction of class and hierarchies, as well as the importance of raising awareness of the realities of the industry supply chain.
Ascension is out in the UK on January 14th 2022.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production.
Host: Anna Smith. Executive producer: Hedda Archbold. Audio producer: Benjamin Cook. Intern: Shanaiya Pithiya. House band: MX Tyrants. This episode was produced in partnership with MTV Documentary Films.
This industry special goes out to anyone who has ever felt mistreated in a workplace. Liesl Tommy, director of the Aretha Franklin biopic ‘Respect’ starring Jennifer Husdon, returns to Girls On Film to dive deeper into the musical and give her thoughts on respect in the film industry. Liesl reveals details about the new DVD release of 'Respect', defines what respect means to her in her working life, and gives her thoughts on diversity in film criticism. Anna and Liesl also discuss how respecting other people’s rights and opinions is at the heart of a lot of other movements such as Time’s Up UK. Liesl touches on personal experiences of disrespect and feelings of powerlessness. She goes on to say how these experiences have pushed her, as a director, to create a warm and inclusive environment on set. Next, Anna is joined by Aretha Franklin fan and CEO of The Film and TV Charity, Alex Pumfrey. Dealing with everything from anxiety to racism, the charity offers free and confidential support services to anybody working behind the scenes in film, TV or cinema. Alex describes respect as a value she holds very close to her heart and talks about joining the charity at a moment when there was a huge global appetite for change. Alex discusses their current 12 month campaign, ‘Let’s Reset’, designed to destigmatise mental health. In light of other movements such as #MeToo and Black Lives Matter, Alex also gives her thoughts on progress for women in the industry. If you are working in the film, TV or cinema industry and anything discussed in the episode affects you, please visit https://filmtvcharity.org.uk/ for more support. 'Respect', starring Jennifer Hudson as Aretha Franklin, is available to own on DVD now for the first time, and includes all new never-before-seen extras. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio producer: Cam Griff. Intern: Shanaiya Pithiya. House band: MX Tyrants. This episode was produced in partnership with 'Respect'.
Rita Moreno: Just A Girl Who Decided To Go For It is the new and inspirational doc telling the story of the Puerto Rican-born American actress, dancer and singer, whose career has spanned over 70 years. Filmmaker and director Mariem Pérez Riera delves into the remarkable life of Rita Moreno and shines a light on some of Rita’s darker experiences as a woman and an immigrant in the industry. In this episode, Anna speaks to Mariem Pérez Riera, who reveals the parallels between Rita’s life and her own. Mariem also shares a childhood experience that made her want to become a director and shaped her approach to the role. Anna then reviews the film with two Latina film critics, Catherine Gonzales and Kristen Maldonado. The pair discuss how Rita has always been an icon and inspiration for the Latina community, and comment on how well Mariem explores and portrays Rita’s life, by combining archival footage with voiceovers of Rita now. They give a valuable insight into Latinx representation on film.
Rita Moreno: Just a Girl Who Decided To Go For It is available for digital download now
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio producer: Dan Pugsley. Intern: Shanaiya Pithiya. House band: MX Tyrants.
This episode was produced in partnership with Rita Moreno: Just A Girl Who Decided To Go For It.
The powerful doc Dying to Divorce reports on the fight against domestic violence in Turkey. Filmed over five years, it tells the story of women who have both faced and are campaigning against domestic violence in Turkey. We review the film with Observer critic Simran Hans, who delves into the reputation and function of documentaries, and also the process of filmmaking as a means of activism. Anna then speaks to director Chloe Fairweather and lawyer Ipek Bozkurt, who appears in the film. Ipek emphasises that while the documentary is about Turkish women, it is the beginning of a global discussion and fight for ending violence against women everywhere. Chloe highlights how the story of these women remains compelling because there is such profound hope within the darkness of their reality. This is a rally cry for everyone who wants to put an end to gender-based violence - and who realises the power of film in spreading the message. Dying to Divorce is the UK’s official Oscars entry for ‘Best International Feature Film’ and ‘Best Documentary’ Academy Awards and it’s submitted in the BAFTA ‘Best Documentary’ and ‘Film Not in the English Language’ categories https://dyingtodivorce.com/ If any of the issues discussed in this episode affect you, contact https://www.nationaldahelpline.org.uk/ Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio producer: Benjamin Cook. Intern: Shanaiya Pithiya. This episode was produced in partnership with Dartmouth Films.
Will James Bond ever be a woman? Non binary? A person of colour? The producer of the Bond series reveals all in the 100th episode of Girls On Film, an industry special in partnership with No Time to Die. Powerhouse Barbara Broccoli joins Anna to discuss her work on the franchise, talking about the importance of cinema and community, the exciting roles for women in No Time to Die and Barbara’s love of Daniel Craig as a Bond who shows emotional vulnerability. Barbara also explains why she thinks women make particularly excellent producers, the structures that Eon Productions have in place to support women, and the advances in the industry that have come about as a result of Time's Up. Following Barbara’s amazing insights, Anna sits in the guest chair for the first time and is interviewed by the super Sally Phillips and Ronni Ancona. Anna talks about the shifts she has seen in the film criticism world both over her career and Girls On Film’s lifetime and reveals a very special announcement! Sally and Ronni also give an overview of what they have been working on and how the last couple of years have influenced their bravery with screenwriting. Stay tuned for episode 101. You can own the No Time to Die 2-disc collectors edition on DVD, blu-ray and 4k ultra-HD from the 20th of December 2021. There is bonus content about the action, stunts, location, sets and costumes. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Ben Cook. This episode was produced in partnership with No Time to Die. Interns: Rosa Herxheimer and Shanaiya Pithiya.
In this very special episode recorded live from Bvlgari Hotel London on the 17th of November, Girls On Film pull back the curtain and celebrate the women in film PR and distribution, who bring the buzz to all your favourite flicks! Anna interviews three panels of women in the industry. First, Anna Whelan, Publicity Manager at Sony and Anne Gartside, Vice President of Publicity at STX Entertainment. Both give an overview of their career trajectories, highlights and recent projects including Ghostbusters: Afterlife and Spencer. Next up, Vicky Tupper of DDA and Caragh Cook from Organic discuss the differences between agency and in-house publicity work, diversity issues in the business, and how campaigns have changed with the advent of social media. Caragh details one of her favourite campaigns to work on, Disney’s, Raya and the Last Dragon. Co-founders of WDW Entertainment, Amy Dowd and Jo Whitehead then join Anna on stage and give a fascinating insight into the conversations and ideas that built their all-female agency. They also talk about some of the fab initiatives they have established with clients, such as Bumble’s Female Film Force and Netflix’s Documentary Talent Fund. The episode finishes with a brilliant Q&A where even more expert opinions are shared. Film and TV mentions across the episode include: Zola, Hustlers, Ghostbusters: Afterlife, I Care a Lot, Where the Crawdads Sing, Spencer, Animals, The Colour Room, Promising Young Woman, Raya and the Last Dragon, The Power of the Dog, Ali & Ava, Petite Maman, Passing, Becoming, Free Solo, Billie, and The Split.
This week on Girls On Film, we are celebrating the Russian Film Festival 2021, a month-long online festival in collaboration with ROSKINO. First, critic Hanna Flint joins Anna to discuss two of the female-directed films in the festival, Doctor Liza and Masha. Anna and Hanna ponder the clever use of levity and humour alongside harrowing subjects, and the stark realism in both of the films. They also talk about how exciting it is to see depictions of post-Soviet Russia on screen, in contrast to the period pieces we are accustomed to. Next, Anna talks to Evgenia Markova, the CEO of Roskino. Evgenia and Anna discuss the specific selection for RFF in London, how online platforms are opening up opportunities for female filmmakers in Russia, and the particular experiences that women creators bring into filmmaking. Evgenia gives a brilliant overview of how modern Russian film has been shaped by wider societal changes, and Roskino’s excitement for sharing Russian film internationally. The Russian Film Festival is showing online until the 10th of December 2021. Ten notable contemporary Russian films across various genres are available to watch on BFI Player Subscription with English subtitles. New customers can enjoy the festival films as part of an extended Subscription free trial using the voucher code RFF21. https://www.bfi.org.uk/news/russian-film-festival-2021 https://player.bfi.org.uk/subscription/collection/russian-film-festival-2021 Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. This episode was produced in partnership with the Russian Film Festival London. Interns: Rosa Herxheimer and Shanaiya Pithiya.
In this episode, Anna hears from Eva Husson and Odessa Young, the director and star of Mothering Sunday. They discuss the quiet radicalism of a period drama that tells a woman’s story without the primary focus of female struggle, and how mesmerising it is to watch a female creator come into her own. Anna, Eva and Odessa also chat about the teething problems around the burgeoning role of intimacy coordinators on set, how the industry is (or isn’t) changing for women, and battling grey weather and gales to make England look sunny on screen. Next, Anna speaks to the co-directors of Rebel Dykes, Harri Shanahan and Sian A. Williams. Telling the story of a community of lesbians who met in the 1980s “doing art, music, politics and sex”, Rebel Dykes was recently nominated for the BIFA Discovery Award, and is a firm favourite of Girls On Film. Harri and Sian discuss the process of collecting their Rebel Dykes archive, the stories they wanted to tell (spoiler: this is definitely not “another sad lesbian film”), and the unique tone they managed to strike with Rebel Dykes — humour and queer joy at the forefront of an important documentary. Mothering Sunday is out in cinemas now and is produced by Elizabeth Karlsen and Stephen Woolley. Rebel Dykes is out in cinemas and on digital on the 26th of November 2021. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. This episode was produced in partnership with Rémy Martin. Interns: Rosa Herxheimer and Shanaiya Pithiya.
This episode of Girls On Film is live from the Cinemagic International Film and Television Festival for Young People, on stage in Belfast in 2021. BBC Radio 6 Music film critic and Harry Potter super fan Rhianna Dhillon joins Anna on stage to celebrate the 20th anniversary of Harry Potter and the Philosopher’s Stone.
The pair journey into the world of Hogwarts and explore the heroic and evil female characters in the franchise. From Hermione Granger, Ginny Weasley and Luna Lovegood to Bellatrix Lestrange and Dolores Umbridge, they discuss the significance of each from a feminist perspective, before exploring the films' racial representation. We hear from the brilliant Natalia Tena, who plays Harry Potter’s very own ‘Tonks’. Natalia shares her favourite memories of filming and being part of the franchise. Lastly, she offers some advice for young people with aspirations to be in the film industry.
The magic does not end there as Anna and Rhianna reveal other spooky film favourites. The episode finishes with a Q&A featuring thoughtful Potter-related questions from the Cinemagic audience.
Other film and TV mentioned: MAID, Wolfe, The Love Witch, Mary Poppins, Mary Poppins Returns, The Witches (1990), The Witches (2020), Passing, The Colour Room, Eternals.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Elliana Jay. Assistant Producer and Social Media Manager: Heather Dempsey. Interns: Rosa Herxheimer and Shanaiya Pithiya. Principal Partners: Vanessa Smith and Peter Brewer.
Many thanks to Cinemagic for hosting us - find out more about the festival at https://cinemagic.org.uk/
Anna talks to two of the women who changed the world with their anti-nuclear protests at the Greenham Common Peace Camp in the 1980s. Chris Drake and Rebecca Johnson both camped at Greenham Common for years at a time, and now their stories are being told in Briar March’s new documentary, Mothers of the Revolution. First, Anna discusses this release with two top critics, Corrina Antrobus and Angela Errigo. They discuss how much they knew of Greenham before watching the film, the galvanising spirit of the documentary, and how movements started at our kitchen tables may be the answer to tackling our own issues of the day. This episode considers the passion behind female protest, how it is depicted in the media, and why it is often left undocumented or celebrated, despite its epic history. Anna talks about this with both the critics and Chris Drake, who has some heartfelt words of encouragement for listeners. Chris and Rebecca also recall some spine-tingling memories of the Greenham camp from moments of terror to triumph, horror and humour. Mothers of the Revolution is available now on digital download. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. This episode was produced in partnership with Mothers of the Revolution. Assistant Producer and Social Media Manager: Heather Dempsey. Interns: Rosa Herxheimer and Shanaiya Pithiya.
Sarah Solemani joins Girls On Film to talk to us about Ridley Road, which she wrote. She shares with us how she becomes inspired by projects, and her hope that Ridley Road will "help Britain to see itself". We hear Sarah’s insightful analysis about the need for increased sex workers’ rights, and how her activism has influenced her creative work. Sarah also talks about the psychology of being on set, where the need to be uninhibited can leave one vulnerable. She explains how glad she is to have the structures and support systems in place that have derived from #MeToo, as well as her experience of sisterhood among cast and crew members that has developed in recent years. Top critics Leslie Felperin and Beth Webb join Anna for an overview of the London Film Festival, followed by reviews of two very different new female-directed releases: I Am Belmaya and Never Gonna Snow Again. They discuss a breadth of topics from the joy of seeing a film about female empowerment through filmmaking, to the subtleties of satire and varied portrayals of motherhood. Other film and TV mentions include: The Harder They Fall(in cinemas on the 22nd of October and on Netflix from the 3rd of November), C’mon C’mon, The Lost Daughter, Bridget Jones’s Baby and How to Build A Girl. Ridley Road is out now on BBC One and BBC iPlayer. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX?L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. This episode was produced in partnership with Rémy Martin. Assistant Producer and Social Media Manager: Heather Dempsey. Interns: Rosa Herxheimer and Shanaiya Pithiya.
No Time to Die star Lashana Lynch returns to Girls on Film and lets us in on the state secrets surrounding the first female 007. She shares what her character, Nomi, means to both the Bond franchise and James Bond himself, as well as how sisterhood might have been the key ingredient needed to push the needle forward for the franchise...
Lashana’s upcoming projects include ear for eye – out later this month – written and directed by debbie tucker green and produced by No Time to Die producer, Barbara Broccoli. We hear about Lynch’s part as Miss Honey in the upcoming remake of Matilda, and her training for The Woman King, a film about all-female warriors.
Next, Anna dissects No Time to Die from a feminist perspective, through a discussion with Girls on Film regular, Larushka Ivan-Zadeh, and a rare male guest, The Guardian’s Peter Bradshaw. Peter gave No Time to Die a glowing five-star review, while Larushka had more of a lukewarm response, especially when it came to female representation. We discuss the input of Phoebe Waller-Bridge, nods to Roger Moore’s costumes, and how the Bond franchise is a bit like ABBA.
After the Bond chat, Anna gives a brief overview of London Film Festival highlights. LFF opens on the 6th of October 2021.
Other film and TV mentions: The Power of the Dog, Mothering Sunday, True Things, Matilda, Wonder Woman, ear for eye, Dr. Who, Black Widow and all the other Bond films…
ear for eye is out on Oct 16th at LFF, BBC 2 and BBC iPlayer.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Elliana Jay. Principal Partners: Vanessa Smith and Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Interns: Rosa Herxheimer and Shanaiya Pithiya
Respect director Liesl Tommy and Gunpowder Milkshake star Karen Gillan hit the Girls On Film airwaves this week -- two more fabulous women making female-focused films.
Liesl Tommy, director of new Aretha Franklin biopic Respect, joins us to talk about the making of the finger-snapping musical flick. She shares the process of putting the queen of soul on screen, and reveals how the movie’s singing star Jennifer Hudson really does belt out those vocals live. Plus, we hear how she paid her personal respects to Aretha with a heart-warming cameo -- keep your eyes peeled…
Next up, Anna chats to Karen Gillan about her starring role in glossy new action-thriller Gunpowder Milkshake. The star of the Marvel Cinematic Universe -- beloved to many as former companion Amy Pond in Doctor Who -- shares the fun of playing an action heroine sans skimpy outfit. She tells Anna how it felt to work with an all-female central cast in a movie that serves sisterhood with its shootouts, and how they became a badass crew onscreen and off.
Plus, we hear what some of you lovely listeners have been saying about the pod on social media. Keep those tweets coming!
Other film and TV mentions: Thor: Love And Thunder, Guardians of the Galaxy
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast
Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Elliana Jay. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey.
In a live episode recorded at the London Podcast Festival, we chat to some of the women behind two big titles on the small screen: Back To Life and Sex Education.
First up, creator and star of Back To Life Daisy Haggard chats to Anna about her darkly comic BBC drama, as the show’s second series hits our screens. From teenage fashion and tamagotchis to social attitudes to female criminals, they discuss the stories behind the series. Plus, she shares her directorial daydreams of helming a feminist Jaws...
Next, Chinenye Ezeudu joins us to talk about her role in the Netflix smash Sex Education. She hints at what’s to come for her character Viv in the forthcoming series 3, and gives a glimpse into her own future acting and writing projects.
Finally, Chinenye’s collaborator and director of Sex Education series 2 Alice Seabright takes to the stage to talk about her work on the show. We hear about her fab feminist short films and upcoming TV series Chloe -- plus she tells us about her experience of working with top intimacy coordinator Ita O’Brien, and what slug sex has got to do with shooting an intimate scene…
All three of our guests give us some stellar watchlist recommendations, and shoutout the women in the industry who have inspired them. Plus, our guests tackle some fascinating questions in a Q&A with our live audience.
Other film and TV mentions: Portrait of a Lady On Fire, Titane, True Things, Wildfire, Copilot, Respect, Herself, Breeders, Green Wing, Peep Show, Episodes, Harry Potter, I Give it a Year, The Stranger, The School for Good and Evil, Chloe, Pregnant Pause, End-O, Bridesmaids, Unbelievable, Jaws, Stories We Tell, Away from Her, Diary of a Teenage Girl, Raw, Lost in Translation, One Sings The Other Doesn’t
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast
Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Benjamin Cook. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Jess Moon.
From a 70s feminist classic to a musical drama about the Deaf community, this episode is a summer medley of female-focused film chats that were too good to miss.
First up, Girlfriends director Claudia Weill chats to Anna about making the 1978 hidden gem, how feminism has changed since the salad days of the second-wave, and busting Jewish screen stereotypes of the era.
Next, we hear from two stars of arthouse smash hit and Girls On Film favourite Portrait Of A Lady On Fire -- both of whom have just screened directorial debuts at Cannes. Noémie Merlant tells us about her new film ‘Mi Iubita Mon Amour’, a drama of unexpected romance on a Romanian hen-do gone wrong. Her Portrait co-star Luàna Bajrami shares her empowering snapshot of rebellious girlhood in Kosovo, ‘The Hill Where Lionesses Roar’ -- and of course we talk Céline Sciamma too!
And finally the director and star of new musical hit CODA join us to discuss the movie, which takes its name from the acronym for Child Of Deaf Adults. Director Sian Heder talks taking on the extraordinary tale and working with the Deaf community, while star Emilia Jones shares the skills she learned while playing the role -- from American Sign Language to trawler fishing.
Other movie mentions: The Heartbreak Kid, Portrait Of A Lady On Fire, La Famille Bélier
PODCAST TRANSCRIPT: https://docs.google.com/document/d/124ehjp5C2XWN_-uVERq2015oY0dCVYLx_yWMfmpnaZs/edit?usp=sharing
If you'd like to watch Girls On Film on stage then join us at the London Podcast Festival on 9 September 2021: https://www.kingsplace.co.uk/whats-on/words/girls-on-film-2/
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast
Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Jess Moon.
From intimacy scenes to industry tips, our fun feminist film chat went down a treat at Latitude Festival’s The Listening Post in July 2021. We were ecstatic to be back on stage for the first time since March 2020!
First, Kerry chats to Anna about her directorial debut Topping Out and the short film’s unique depiction of male vulnerability. She further discusses the challenges of filming on scaffolding, explains the importance of the focus puller, and recalls working with director Jane Campion. They have an interesting discussion about the negatively gendered use of the word “difficult”. From Intimacy (2001) to Rare Beasts (2021), keep listening to hear more about Kerry’s acting experiences.
Next, our Assistant Producer and occasional Audio Producer Elliana joins Kerry and Anna on stage. She discusses being a young woman trying to break into the film and tv industries, and offers an insight into the inner workings of the Girls On Film podcast over the past year. Stay tuned for tips from both Elliana and Kerry on entering the industry.
Other movie mentions: Promising Young Woman, An Angel at My Table, The Piano, Hustlers.
Stay up to date with where you can watch Topping Out by following Kerry @KerryFoxActs on Twitter.
Elliana recommends visiting the Bill Douglas Cinema Museum, find out more here: https://www.bdcmuseum.org.uk/.
And a massive thank you not only to our current team, but to everyone who has contributed to the Girls On Film podcast, including other integral members Jane Long, Tom Whalley, Dan Pugsley, Benjamin Cook, Emma Butt, Kate Archbold, Eddie Charles and Peter Brewer.
If you'd like to watch Girls On Film on stage then join us at the London Podcast Festival on 9 September 2021: https://www.kingsplace.co.uk/whats-on/words/girls-on-film-2/
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
Horror experts and Censor filmmakers talk gender, guts and gore - and the things we might not want to remember…
First up, critics Clarisse Loughrey and Leila Latif get to the guts of the exciting new British horror film Censor, celebrating its role in the female horror renaissance. They debate the movie’s meta-messages and share their own experiences of the video nasties era - or, in Clarisse’s case, the stateside ‘Satanic Panic’.
Next, Censor director Prano Bailey-Bond and star Niamh Algar join Anna to discuss the retro chiller, set amidst the moral panic of the 1980s video nasties craze. Niamh reveals her experience of playing the movie’s highly-strung film censor Enid, whose repressed trauma rises to the surface thanks to one of the gory slashers she’s handed for the snip. From cult horror to the culture wars, Prano shares her inspirations and fascinating research for the film - plus what it was like to shoot its more stomach-churning scenes!
From the feminist highlights of Censor to overdue reappraisals of genre-classics, there’s plenty to chew on for fans of a psychological scare.
Censor is in UK cinemas August 20th 2021.
Other movie and TV mentions: Saint Maud, Midsommar, Cannibal Holocaust, Driller Killer, The Last House On The Left, The Witch That Came From The Sea, The Texas Chainsaw Massacre
This episode is in partnership with Vertigo Releasing.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer Emma Butt. Principal Partner: Peter Brewer. Assistant Producer: Elliana Jay. Assistant Producer and Social Media Manager: Heather Dempsey.
Dan Stevens plays a lovebot in the new female-directed film I'm Your Man... and there's a LOT to discuss! First up, critic and author Terri White joins Anna to talk about the unconventional German rom-com. It stars Maren Eggert as a woman who trials a robot (played by Stevens) designed specifically to please her. Terri and Anna debate the genre of this hybrid movie and discuss its central gender flip. They further unpick the complex character of Alma and celebrate Maren’s memorable performance of her.
Next, Anna speaks to the terrific Maren Eggert herself. From working with writer-director Maria Schrader to starring opposite Brit actor Dan Stevens, she shares her experience of making the movie. Which tricky stunt failed to make the cut? What’s it like to perform sex with a robot? And is I’m Your Man a feminist film? Keep listening to find out!
Want to find out more about great German films you can watch here in the UK? @kinogermanynowuk is a newly launched channel on instagram and facebook, follow now for all the latest news and exclusive content on German film releasing and streaming in the UK and Ireland.
Other movie and TV mentions: Black Mirror, Blade Runner, Her, Weird Science, Little Joe, Toni Erdmann, And Tomorrow The Entire World, Downton Abbey, Night at the Museum.
This episode is in partnership with German Films.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer and Assistant Producer: Elliana Jay. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey.
In this bonus episode, we’re bringing you a podcast edition of our ‘Film Industry Post-Pandemic’ panel, created in partnership with the BFI for their Woman With A Movie Camera summit, powered by Jaguar. We assembled a panel of expert women from five corners of the film industry to talk about the future of their fields following the impact of Covid-19.
Anna is first joined by Allison Gardner, CEO of Glasgow Film, Claire Vaughan, lead programmer at Cardiff’s multi-artform venue Chapter, and filmmaker, writer and disability advocate Kyla Harris. They share what the pandemic has revealed about the workings of their respective facets of the industry, what changes they made to survive, and how we can hold on to some of those creative innovations to help us thrive in future.
Allison shares how she made a success of Glasgow Film Festival despite ongoing lockdowns, and Claire tells Anna how she got creative with programming when cinemas closed their doors. Kyla talks about the impact of the pandemic for people with disabilities -- plus her new project documenting her endeavour to teach a friend her care regime in just one week. The panel also discuss the crucial role of caring and carers in society, and how the film industry can acknowledge and facilitate this better.
In a second conversation, filmmaker and Luxor director Zeina Durra joins Anna alongside Eve Gabereau, CEO of Luxor’s female-led distributor Modern Films. They discuss the challenges of releasing an independent movie during lockdown, and how filmmakers and distributors have worked together to achieve successes like Luxor’s in this challenging time. All this and many more strong words from inspiring women.
Other TV and movie mentions: Luxor, It's Personal, The Imperialists Are Still Alive!
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast
Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer and Assistant Producer: Elliana Jay. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Special Thanks: The BFI Woman With A Movie Camera summit powered by Jaguar.
Anna is first joined by Mia Bays and Be Manzini for a celebration of Sundance Film Festival: London. Mia gives a rundown of the female-directed films playing at the festival, from documentary The Most Beautiful Boy In The World to musical drama CODA. Be talks about responding to films through poetry and delivers a reading of her Sundance-inspired poem.
Next up, Anna talks to director and producer Rintu Thomas about Writing with Fire. This feminist documentary follows the movements of India’s only newspaper run by Dalit women. Rintu recalls the thrills and fears of shadowing these daring female journalists. She applauds their passionate and refreshing voices, and reveals how they have empowered her. What do Indian female journalists bring to light, that their male counterparts may not?
Finally, director Phyllida Lloyd returns with an update on her emotional drama Herself, a film whose story of domestic violence and housing has evolved in meaning during lockdown. She explains what attracts her to telling women’s stories and remembers that directing Mamma Mia was “a feminist mission”!
Other movie mentions: Daughters of the Dust, First Date, In the Same Breath, Zola, Death in Venice, Censor, Pleasure.
Sundance Film Festival: London 2021 takes place at Picturehouse Central from 29th July to 1st August. Book here: https://www.picturehouses.com/sundance.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast
Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Benjamin Cook. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay. Special Thanks: Felicity Beckett and Edward Lomas.
From Clio Barnard’s hopeful love story Ali & Ava to Eva Husson’s star-studded WWI drama Mothering Sunday, Anna and Wendy look ahead to the most promising female-directed films premiering at Cannes 2021. Their curiosity shifts to Paul Verhoeven’s upcoming lesbian nun movie Benedetta. And finally, it wouldn’t be Cannes without the Palm Dog Award!
Next Anna is joined by the director of Black Widow, Cate Shortland. The second female-focused Marvel movie sees Scarlett Johansson reprise her role as the titular superhero who is reunited with her Russian family and espionage past. Anna and Cate discuss sisterhood, Florence Pugh’s pivotal role in the film, and rebuking sexist jokes.
Other movie mentions: Tangerine, The Florida Project, The Da Vinci Code, The Hill Where Lionesses Roar, Cow, Red Rocket, The Souvenir Part II, Titane, The Innocents.
This episode is in partnership with Rémy Martin.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
Reeling from a screening of First Cow at Picturehouse Central, Mia and Anna join Orla Smith on Zoom for a chat about all things Kelly Reichardt. Her latest film follows the story of a Jewish chef and a Chinese businessman who set out to make their fortune in 1820s Oregon. The critics discuss the film’s tender representation of masculinity, its exploration of American mythologies, and its unique attention to menial tasks. Orla, the executive editor of Seventh Row, gives a background to Kelly’s work, and Mia, the director of Birds Eye View, advises on where to start with her challenging movies.
Anna is then joined by academic Chrystel Oloukoï, who further delves into the slowness and whiteness of Kelly’s work. Discussing the video essay she made on Kelly Reichardt’s films, she holds a lens to their indigenous characters and interesting portrayal of settler colonialism.
Kelly Reichardt films mentioned: First Cow (2019), Night Moves (2013), Certain Woman (2016), Meek’s Cutoff (2010), Wendy and Lucy (2008), Old Joy (2006), River of Grass (1994).
Other movie mentions: Gunda, Jumbo, Lady Boss, Tove, John Ware Reclaimed.
Chrystel Oloukoï's visual essay, "The Cinema of Kelly Reichardt" = https://youtu.be/XwuAwQ-WKB0 Orla Smith's book, "Roads to Nowhere: Kelly Reichardt's broken American dreams" = https://seventh-row.com/ebooks/kelly-reichardt-first-cow/
This episode is in partnership with Birds Eye View.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast
Follow us on socials: www.instagram.com/girlsonfilm_podcast www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
What makes a father a feminist? We explore a range of movie dads in this episode to celebrate Father’s Day in the UK. Stay tuned for some great movie recommendations, including docs, dramas, and everything in between!
First up, Anna Smith is joined by Ashanti Omkar from BBC Asian Network and the Bagri Foundation London Indian Film Festival. From Bollywood fathers to debatable blockbuster dads, Anna and Ashanti consider the types of dads we see on screen. Can the supportive dad unhelpfully play into the nagging wife trope? And can we really call Liam Neeson’s character in Taken a feminist?!
Next up, Anna welcomes actor and father Sanjeev Bhaskar to the show. He reveals the strong female influences in his life and reflects on the powerful women he’s worked with on set. He shares his thoughts on our changing access to female role models over the past few decades and is grateful for his exposure to diverse perspectives. Keep listening to find out what Sanjeev finds bizarre about his father roles in both Anita & Me and Yesterday…
Ashanti Movie & TV Mentions: A Quiet Place Part II, In the Heights, Eighth Grade, Juno, I Am Greta, He Named Me Malala, Bend it like Beckham, Ride Like a Girl, Sweetheart, Baby Done, Hair Love (https://www.youtube.com/watch?v=kNw8V_Fkw28), Incredibles 2, Kuch Kuch Hota Hai, Kabhi Alvida Naa Kehna, Gunjan Saxena: The Kargil Girl, Thappad, Pride & Prejudice, Station 19, Zoey’s Extraordinary Playlist, Never Have I Ever, Taken, Armageddon, Kindergarten Cop, Daddy Day Care.
Sanjeev Movie & TV Mentions: Goodness Gracious Me, The Kumars at No. 42, Unforgotten, To Kill a Mockingbird (1962), The Apartment (1960), Harry Potter, Marriage Story, MAS*H, Anita & Me, Yesterday, Paddington 2, His Girl Friday, Erin Brockovich, Norma Rae (1979), Hidden Figures, Bombshell, Fargo, Wonder Woman, Bhaji on the Beach, Alien, Promising Young Woman, Judi Dench as ‘M’ in the Bond franchise.
This episode is in partnership with Rémy Martin. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive Producer: Hedda Archbold. Audio Producer & Assistant Producer: Elliana Jay. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey.
Fancy watching a fantastic documentary? This episode is full of recommendations, as we celebrate the world-renowned British documentary festival, Sheffield DocFest.
First up, Anna talks with Festival Director Cíntia Gil about how this year’s Sheffield DocFest has come together. Cíntia selects a few of her favourite female-focused docs, that include everything from polyamorous weddings to weight lifting! Anna and Cíntia reflect on the surge of feminist reformative histories and new wave of female-directed docs. Is there a gendered gaze?
Next up, critic Simran Hans tells Anna why Sheffield DocFest is a special place for her. Together, they review the tumultuous personal portrait Charm Circle and the coming-of-age trans story If God Were a Woman. Simran recommends the clever and impactful short film, They Won’t Call It Murder.
Anna’s final guest is the director, producer and cinematographer of This Stained Dawn, Anam Abbas. This thoughtful doc explores the feminist movement in Pakistan. Anam details the important impact of marching and hopes her film will connect feminists across borders. She talks sisterhood, shocking moments, and what it means to be a part of Sheffield DocFest.
Docs mentioned: Charm Circle, This Stained Dawn, My Name is Pauli Murray, Lift Like a Girl, If God Were a Woman, They Won’t Call It Murder.
They Won’t Call It Murder clip – Courtesy of Field of Vision This episode is in partnership with Sheffield DocFest. Book tickets at sheffdocfest.com
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast
Follow us on socials: www.instagram.com/girlsonfilm_podcast www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
Feminism, faith and ferries to France… actor Joanna Scanlan tells Anna all about her new leading role in the film After Love. Written and directed by Aleem Khan, this tense, personal drama follows Mary (Joanna) as she uncovers her late husband’s secret. When questioned on the feminist angle of the film, Joanna makes an interesting point about our double standards on male and female bodies when it comes to a particular scene. Anna and Joanna also discuss the complex clash between the central female characters, what it was like preparing for the role, and their favourite scenes. Listen to the end to find out how Joanna’s been shaking off sexual shame in lockdown!
Other Movie and TV mentions: The Thick of It, Notes on a Scandal, Pin Cushion, Girl with a Pearl Earring, Bridget Jones' Baby.
AfterLove
@BFI @britishfilminstitute
Sex Lives: http://www.instagram.com/sex_lives/
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer and Assistant Producer: Elliana Jay. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey.
Anna takes a deep dive into Disney’s recent projects, exploring how far they’ve come in terms of female representation and diversity.
Critic Larushka Ivan-Zadeh feels right at home discussing all things Disney and Pixar. She tracks the evolution of Disney princesses and celebrates the multiple complex female characters of Raya and the Last Dragon. From warriors to wretches, the discussion turns to Cruella. Anna and Larushka share their thoughts on the new villainous origin story, the female rivalry at the centre of the film, and the brilliant performances from Emma Stone, Emma Thompson, and a cast of canines! Larushka also gives a review of the new horror film A Quiet Place Part II.
Next up, screenwriters Adele Lim and Osnat Shurer explain what it means to them to create Disney’s first Southeast Asian warrior-princess. They talk about developing the movie with positive gender representation in mind, including the decision to have multiple leading female characters. They also pinpoint why representation behind the scenes is so important to onscreen diversity.
Finally, the Director of Disney’s new Launchpad initiative, Mahin Ibrahim, joins Anna to offer an exclusive insight into how this new programme is aiming to bring to light underrepresented stories. American listeners stay tuned for some exciting opportunities!
Other TV & Movie mentions: Snow White, Enola Holmes, Wonder Woman 1984, Frozen, Fleabag, Beauty and the Beast.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
Mental health, gender disparities, beastly characters, and musicals. Billie Piper joins Anna Smith to talk about her bold writer-director debut Rare Beasts. The film sees single mother Mandy (played by Billie) pursue a relationship with an openly misogynistic man (Leo Bill). From insecurities to inspirations, Billie shares the process of building this bleakly comic story. She also raves about working with friend-of-the-pod Kerry Fox, and reflects on her first experience of directing men.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
Anna delves into Channel 4’s urgent new documentary Sex, Myths and the Menopause with director Linda Sands and producer Kate Muir. Presented by Davina McCall, this show dispels the taboo surrounding menopause and demands that we start to have open conversations on the subject. Kate shares the personal experiences that compelled her to write a book and produce the film. Linda describes working with Davina and how she set the tone for the doc. They then explore the limited – and often terrible – representations of menopause in the movies.
Next, Anna is joined by GP and women’s health expert Dr Nighat Arif to discuss the mental and physical wellbeing of women before, during and after menopause. Dr Nighat discusses the part she played in the Channel 4 doc and explains the importance of recognising the intersectionality of menopause – it is not just a ‘white woman problem’. She reveals she is a bit of a film buff and picks out some on screen menopause moments with Anna. This discussion is jam-packed with useful medical tips and uplifting messages for all!
Find out more about the doc here: https://www.channel4.com/programmes/davina-mccall-sex-myths-and-the-menopause
Start your research here: International Menopause Society: www.imsociety.org Menopause Matters: www.menopausematters.co.uk The Menopause Charity: www.themenopausecharity.org
ActingYourAgeCampaign – http://www.mrsnickyclark.com/-acting-your-age--campaign.html
Movie & TV Mentions: Nomadland; Three Billboards Outside Ebbing, Missouri; Olive Kitteridge; The Hot Flashes; Something’s Gotta Give; The Piano; Top of the Lake; Sex and the City 2; Fleabag; Call My Agent; Bombay Begums; House of Cards; The Golden Girls; Desperately Seeking Susan.
Dr Nighat Arif: @DrNighatArif Kate Muir: @muirkate Linda Sands: @LindaBSands1
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
Discover the unsung female pioneers of electronic music in our Sisters With Transistors special. This one’s a real treat for your ears!
First up, Anna is joined by collaborators on the doc: writer-director Lisa Rovner and pioneer Suzanne Ciani. Lisa explains the process of finding archive footage and constructing the ‘herstory’. From Buchla concerts to making music for the movies, Suzanne recalls her experience of being a female composer in the 70s and 80s. She remembers being one of the first women to solo score a Hollywood movie, The Incredible Shrinking Woman, in 1981. Keep listening for Suzanne’s discovery of a female film composer working in the 40s! And stay tuned for advice if you're keen to follow in her footsteps.
Next, Anna chats to contemporary electronic composers Shiva Feshareki and Elizabeth Bernholz (aka Gazelle Twin). They recount their careers so far and talk about the unexpected positives of working in a male-dominated industry. Shiva explains how she got involved with Sisters With Transistors, and Elizabeth describes her powerful emotions when watching it. Together, they discuss the pioneers they look up to and those they have discovered through the doc.
Other movie mentions: A Life in Waves (2017), Delia Derbyshire: The Myths and Legendary Tapes (2020), The Power (2021).
This episode is in partnership with Modern Films. https://www.modernfilms.com/
Shiva Feshareki music: White Dwarf, from Nebula - a release due to come out on Vinyl with Matière Mémoire on 25th May / https://soundcloud.com/shivafeshareki NTS Live at Uniqlo Tate Lates, manipulating Daphne Oram and more: https://www.youtube.com/watch?v=At3Y93M_HkA
Elizabeth Bernholz / Gazelle Twin music: The Well is featured on the OST for The Power: https://invada.bandcamp.com/album/the-power-original-motion-picture-soundtrack Unflesh is featured in Nocturne: https://invada.bandcamp.com/album/welcome-to-the-blumhouse-nocturne-amazon-original-soundtrack
Suzanne Ciani music: Buchla concerts in NYC in 1975
Delia Derbyshire: Doctor Who theme
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
We bring you a dark comedy double bill with the women behind new releases Black Bear and I Blame Society.
First, Anna welcomes seasoned guest, film & tv critic Rhianna Dhillon, to catch up on the awards season. They share their thoughts about this year’s EE British Academy Film Awards winners, from Promising Young Woman to Nomadland, and place their bets for the Oscars. Are more diverse filmmakers and actors being recognised this year?
Next up, actress and producer Aubrey Plaza joins Anna to talk about her role as Allison in Black Bear. This artistic comedy-drama centres an actress on a difficult film shoot in a remote location. Delving into the themes of the film, Aubrey considers the harmful myth of the ‘genius’ director and why it’s important for actors to feel safe on set. She further describes her relationship with feminism and recalls a time she spoke up for a poorly written female character. Keep listening for an exclusive insight into Aubrey’s upcoming projects!
Finally, writer-director and actress Gillian Wallace Horvat tells Anna how her short doc evolved into the murder mockumentary I Blame Society. Another film-within-a-film, this funny thriller sees a struggling director decide filmmaking and killing are not so dissimilar. Gillian reveals the personal experiences that inspired her to make the film and speaks her mind on the term “strong female lead”. She also reflects on how female horror directors are sometimes treated differently to their male counterparts.
Other movie and TV mentions: After Love, Sound of Metal, Mogul Mowgli, Promising Young Woman, Rocks, Nomadland, My Octopus Teacher, Mike and Dave Need Wedding Dates, Happiest Season, Parks and Recreation, The Untitled Guy Ritchie Movie, David Holzman’s Diary, Gone Girl, Prevenge, I Care A Lot, The Last Seduction, To Die For, Species, Melancholia.
This episode is in partnership with Rémy Martin.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
In this episode, we chat to two awards-nominated filmmakers about their very different female-focused films.
Anna’s first guest is Shannon Murphy, director of Girls On Film favourite, Babyteeth. This darkly comedic drama finds seriously ill teenager Milla (Eliza Scanlan) falling in love with drug dealer Moses (Toby Wallace). Shannon describes her initial reaction to the script, delves into the complex relationship between mother Anna (Essie Davis) and daughter Milla, and unpicks THAT dinner scene. She also celebrates her female Heads of Department, including production designer Sherree Phillips, costumer designer Amelia Gebler, and hair and makeup designer Angela Conte. Don’t miss out on an exclusive insight into Shannon’s work on the exciting TV adaptation of Naomi Alderman’s The Power.
Next, Anna dives into My Octopus Teacher with co-writer and co-director Pippa Ehrlich. This wildlife documentary follows diver Craig Foster as he forms an unlikely friendship with a female octopus. Pippa recalls first meeting Craig and explains why his octopus story resonated with her. They discuss some surprising animal encounters and how this story has an unexpected feminist angle. Keep listening for Pippa’s great advice for young filmmakers!
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Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
AaaaWoooo! Anna goes running with the wolves in this episode as she talks to some of the team behind magical animation Wolfwalkers, which has been nominated for Animated Film at the EEBAFTA Film Awards 2021.
In 1650s Ireland, an unlikely friendship forms between apprentice hunter Robyn (Honor) and free-spirited girl Mebh (Eva), who comes from a mysterious tribe rumoured to transform into wolves by night.
Anna first delves behind the scenes with producer Nora Twomey. Nora recounts her route into filmmaking and the genesis of Cartoon Saloon, the animation studio she co-founded. They discuss the power and responsibility of family animation, narrowing in on the important messages that Wolfwalkers highlights. From the process of voice casting the two female leads, to the unique animation style that veers away from the “princess image”, there is lots of inspiring feminist chat to wrap your ears around!
Next up, young voice actors Honor Kneafsey and Eva Whittaker join Anna for a fun chat about their characters Robyn and Mebh. They talk about female friendship, how their characters are positive role models for young girls, and the actresses that inspire them. They further give us an insight into the world of voice acting and how they juggle acting with school work. Keep listening for tips on how to be a wolf!
Other movie and TV mentions: Big Hero 6, Stranger Things, The Secret of Kells, From Darkness, The Breadwinner
Watch Wolfwalkers @AppleTV here: apple.co/wolfwalkers
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Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
In this episode, we mark the release of revenge thriller Promising Young Woman by discussing the important debates on sexual harassment taking place in the UK.
CW: This episode contains discussions of sexual assault.
Anna is first joined by film critic and broadcaster Leila Latif to delve into Promising Young Woman and talk about some of the relevant issues it raises. She discusses her brilliant article on ‘Nice Guys’ in the movies and recommends a thought-provoking documentary to accompany your viewing of Promising Young Woman. Anna and Leila think about past depictions of sexual assault on screen and how our understanding is slowly changing for the better.
Next, Ammaarah Zayna talks to Anna about her activism and experience as a frontline gender-based violence worker. She discusses the Sarah Everard vigil and the importance of calling out all forms of gender-based violence. As a woman of colour, Ammaarah shares her thoughts on police brutality and the frustrations of not feeling heard until more privileged women speak up. She points out that film is a tool that can not only change perceptions, but that filmmaking can be a healing process for survivors.
Finally, ex-police officer and campaigner Susannah Fish opens up to Anna about the shocking sexist obstacles she faced when joining the police force in the 80s. Considering the proposal to place undercover cops in bars, Susannah recounts a horrifying history of undercover policing. She further discusses her campaign for misogyny to be recognised as a hate crime and why we must transform the education of our boys and men.
Promising Young Woman is on Sky Cinema and NOW from April 16 2021.
Other Movie and TV mentions: I Care A Lot, The Accused, Red Roll Red, Violation, Saint Maud, Sex and the City, Nomadland & Chloe Zhaó’s previous works, the works of Ousmane Sembène, I May Destroy You, Big Mouth.
Leila Latif’s article on ‘Nice Guys’: https://lwlies.com/articles/the-noble-stalker/ LevelUp: https://www.welevelup.org VAWG survey: https://act.welevelup.org/surveys/22 Ammaarah’s article on NRPF survivors: https://www.independent.co.uk/voices/domestic-violence-vawg-migrants-b1802351.html# Ammaarah’s website: https://www.ammaarahzayna.com Our Streets Now website: https://www.ourstreetsnow.org 16Days16Films: https://www.16days16films.com/ 16Days16Films x Girls On Film 2020 Awards: https://youtu.be/z7Qd3bIpIwo Article on Australian campaign & how men can help women to feel safe: https://www.stylist.co.uk/life/walk-like-a-woman-campaign-tips-for-men-make-women-feel-safe-street/252236 Sisters Uncut: https://www.sistersuncut.org/ Ammaarah’s Instagram: @_azayna Leila Latif’s Twitter: @Leila_Latif Susannah’s Twitter: @SusannahFish
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Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
Anna goes searching for buried treasure with two fascinating creators of The Dig (Moira Buffini and Gabrielle Tana) and brilliant actress Monica Dolan. They unearth the true lives of the film’s female characters, behind-the-scenes stories, and more.
First up, Anna and screenwriter Moira discuss why The Dig has been such a popular lockdown watch. Moira delves into the process of adapting the book and how she brought to life the characters of Edith (Carey Mulligan) and Peggy (Lily James). On the subject of picking projects with interesting women, Moira also reflects on creating the popular TV series Harlots and her adaptation of Jane Eyre.
Next, Anna catches up with Monica on her performance as May Brown, the wife of archaeologist Basil Brown (Ralph Fiennes). Monica describes working opposite Ralph and explores the pivotal role her character has. From the struggle to shake a Suffolk accent, to the training it takes to suppress a shiver, Monica gives us a picture of life on set.
Finally, producer Gabrielle talks to Anna about putting together a “creative family” for the making of The Dig. She speaks fondly of casting director Lucy Bevan, production designer Maria Djurkovic, and costume designer Alice Babidge, among others. She also explains why she thinks women make good producers.
Other TV and Movie Mentions: Call My Agent!, Honeyland, Philomena, Harlots, Jane Eyre (2011).
This episode is in partnership with Netflix.
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Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Dan Pugsley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
Anna talks to two British rising stars about their career prospects and what it feels like to be up for a BAFTA Film Award.
CW: This episode includes discussion of sexual assault.
First up, Saint Maud star Morfydd Clark tells Anna about working with writer-director Rose Glass on her horror hit. Expressing sympathy for her character Maud, she explains the importance of educating young women with ADHD and autism on consent. Morfydd also recalls her first film job on The Falling and celebrates the safe and artistic environment that writer-director Carol Morley created for girls on set. Keep listening for Morfydd’s funny story on standing up to male directors and her insight into reading scripts with dyslexia.
Next, Anna is joined by Rocks lead Bukky Bakray. Plucked out of secondary school by director Sarah Gavron, Bukky explains the X-Factor like casting process for her first professional role. She recalls the joys of meeting open-minded women, works through her ideas of feminism, and pinpoints the importance of intersectionality. Did Rocks almost end up on YouTube? Is Viola Davis a real person? Bukky muses on these topics and more.
Other TV and movie mentions: I May Destroy You, Mr Robot, Judas and the Black Messiah, Ma Rainey’s Black Bottom, You Don’t Know Me (coming soon).
Bukky’s reading recommendations: Gloria Watkins aka bell hooks and Toni Morrison.
For more on Saint Maud, find our interview with Rose Glass in Episode 60, and to delve further into Rocks, you can listen to Sarah Gavron in Episode 26.
EE Rising Star Details:
https://www.bafta.org/film/news/ee-rising-star-award-2021 https://ee.co.uk/why-ee/ee-baftas
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Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Dan Pugsley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
Hear from a host of women who have been working behind the scenes this past year to bring you amazing female-led films… and behold the launch of our 365 days of feminist film recommendations!
First up, co-founder of Raising Films, Hope Dickson Leach, updates us on a recent study undertaken by the initiative. She reveals the negative impact that working from home has had on parent and carer filmmakers during lockdown, and suggests what can be done to improve working conditions in the future.
Anna is then joined by three women from the thriving feminist production and distribution company Modern Films: Founder and Managing Director Eve Gabereau, Marketing and Distribution Manager Jacqueline Wang, and Digital Design and Social Media Manager Eva Zvendeniuk. They reflect on the ways Modern Films adapted to lockdown, thinking back to our first partnered Isolation Pod on The Perfect Candidate. They also share their favourite releases from the past year and kick off our feminist film recommendations endeavour with some fantastic suggestions!
Stay tuned for cameos from some industry friends, including Rebecca del Tufo from Saffron Screen, Sonia Zadurian from the Barbican Centre, and Claire Vaughan from Cardiff’s Chapter Cinema. Finally, join us for a throwback to some past Girls On Film guests!
Movie Mentions: Beyond the Visible: Hilma af Klint, Mr Jones, The Perfect Candidate, Misbehaviour, Wildfire, Poly Styrene: I Am A Cliché, Lady Bird, Nomadland, Petite Maman, The Portrait of a Lady On Fire, My Life as a Courgette.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Dan Pugsley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
Our feminist picks of this year’s Glasgow Film Festival. Anna delves into personal punk rock doc Poly Styrene: I Am A Cliché and witty coming-of-age Sweetheart with cast and crew.
First, Celeste Bell reveals what it was like to make a film about her mother, the punk icon and X-Ray Spex frontwoman, Poly Styrene. Weaving archive footage with Celeste’s narration, the documentary unpicks Styrene’s eccentric and multi-layered life, and explores the effect fame had on life at home. Celeste shares the challenges of piecing together such a personal film and how the process changed her relationship with her late mother.
Next, writer-director Marley Morrison and actor Ella-Rae Smith join Anna to discuss crushes and caravan parks in Sweetheart. Marley pinpoints where the film draws on personal experiences and explains the importance of creating an uplifting lesbian love story. From Friday night discos to the magic of no phone signal, Ella reminisces about the fun they had behind the scenes. Marley and Ella also discuss the build-up to the intimate scene, having lots of women on the crew and working with Jo Hartley.
Keep listening for even more GFF21 watching recommendations.
Other mentions: This Is England; Dead Man’s Shoes; Angus, Thongs and Perfect Snogging; Lady Bird; Séance; The Lost Girls.
This episode is in partnership with Glasgow Film Festival and was part of the 2021 Industry Programme.
You can watch Poly Styrene: I Am A Cliché from 5 March here: www.modernfilms.com/polystyrene/watch
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno
Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
We are honoured to bring you an extra special episode with legendary activist Mother Akua (formerly known as Deborah Johnson), and the actress who plays her in Judas and the Black Messiah, Dominique Fishback.
Directed by Shaka King, this film recounts the true events that unfolded when an FBI informant infiltrated the Illinois Black Panther Party to keep tabs on their leader, Chairman Fred Hampton, played by Daniel Kaluuya. Central to this story is the love between Fred and fellow revolutionary Deborah Johnson.
Mother Akua and Dominique Fishback come together in this emotional, inspiring and fascinating discussion to reveal what it was like to work on this film. Mother Akua shares her initial reaction to the movie being made and talks about seeing herself in Dominique’s brilliant performance. Equally, Dominique comments on the responsibility that comes with playing a real person and considers how this role has changed her. From charitable programmes to poetry, they unpick Mother Akua’s experiences in the Illinois Black Panther Party and how these were woven into the film. Dominique also recalls giggling through a kiss scene with Daniel!
This episode is in partnership with Warner Bros. UK.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Dan Pugsley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
We travel back to 1920s Chicago in this episode that celebrates the Netflix Original film, Ma Rainey’s Black Bottom. Starring Viola Davis as Ma, this musical drama tunes into one particular recording session of the famed blues singer. Anna chats to star Taylour Paige, casting director Avy Kaufman and critic Akua Gyamfi.
Anna first chats to critic Akua about Viola’s exceptional portrayal of the musical icon. They explore the character’s image, sexuality, fame and unapologetic truth. Finding Ma Rainey relevant to the present day, Akua imagines her as a 21st century influencer, and reflects on Black women in the music industries. Whether busting conventions or being busted for lesbian orgies, Ma sparks endless intrigue and admiration.
Anna is then joined by Taylour Paige who stars as Ma’s girlfriend Dussie May. Taylour unpicks her character’s role in the film and praises George C. Wolfe’s direction for allowing her to be playful. She also reveals what it was like to work with Viola both onscreen and offscreen… apparently she is quite the comedian!
Finally, Anna welcomes Avy Kaufman to the podcast - our first casting director guest! Avy gives us an insight into the world of casting. She explains how she cast actors around Viola and why it was important to get the dynamic right between her and Taylour. More generally, Avy comments on bringing diversity to the screen, how the casting process has changed during the pandemic, and what makes a good casting director.
This episode is in partnership with Netflix.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno www.twitter.com/netflixuk Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
In this episode, we take a deep dive into the Netflix Original film Pieces of a Woman. This drama stars Vanessa Kirby as Martha, a woman who tragically loses her child after a home birth.
Vanessa talks to Anna about how she prepared for the role. She details the research she undertook to learn about pregnancy, giving birth, and the processes of grief. She also describes having a pyjama party with Ellen Burstyn! Looking back at Vanessa’s career, they discuss what she looks for in a character, citing Margaret from The Crown as a particularly interesting part. On approaching blockbuster roles, Vanessa talks Mission Impossible and dreading sports day at school!
Critic Jessica Kiang joins Anna to delve into Pieces of a Woman further. They celebrate Vanessa’s extraordinary performance and the breath-taking opening sequence. The critics discuss how the intimacy between writer Kata Wéber and her partner, director Kornél Mundruczó, comes across on screen. Jessica particularly enjoys how Kata and Vanessa have worked together to make Martha a relatable woman.
Jessica’s recommendations: Proxima and Dick Johnson Is Dead (both on Netflix UK now).
Other movie mentions: Three Sisters, The World To Come, White God, Jupiter’s Moon.
CW: this episode discusses the loss of a baby. If you are affected by the content of this podcast, you can find support at Sands, a stillbirth and neonatal death charity. www.sands.org.uk
This episode is in partnership with Netflix.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno www.twitter.com/netflixuk Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
Anna Smith has two open, feminist discussions with two great actresses.
First up, Rosamund Pike talks about her latest movie, the fast-paced thriller I Care A Lot. She has received a Golden Globe nomination for her performance as Marla Grayson, a ruthless businesswoman who exploits the care home system. Rosamund sings the praises of Dianne Wiest and reveals her pride in the film’s LGBTQ+ representation. On sex scenes, she reveals a ‘graphic’ scene that didn’t make the cut, and discusses the introduction of intimacy coordinators on set.
Next, Anna chats with Stacy Martin about her recent roles in sci-fi film Archive and serial killer series The Serpent. Stacy considers the challenges she has faced in her career, including the backlash she received for her first film Nymphomaniac. She also delves into how she chooses her roles and why she tries to swerve the love stories. In this chock-full feminist chat, Stacy discusses the pay gap, sitting on the 16 Days 16 Films jury, and why she loves podcasts!
Stacy recommends The Ripper on Netflix, and Rosamund expresses her love for Chloé Zhao’s Nomadland.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
Joining Anna for a lively Wonder Woman 1984 debate are Empire critic Helen O’Hara and F-Rating’s Holly Tarquini.
They first discuss Helen’s new book Women vs. Hollywood: The Fall and Rise of Women in Hollywood, which is available from February 18th 2021. Helen shares some surprising facts on women’s roles in silent cinema and celebrates the increasing number of opportunities for women in film today.
Perhaps representative of this positive change is the rebooted Wonder Woman franchise, helmed by Patty Jenkins. The newest instalment is Wonder Woman 1984, it's a fluorescent sequel that sees Diana Prince (Gal Gadot) face two new villains: Barbara (Kristen Wiig) and Max Lord (Pedro Pascal).
A female-led superhero film co-written and directed by a woman sets the groundwork for a surefire feminist success, but does it hit the mark? With opposing opinions, Anna, Helen and Holly debate everything from how the film tackles sexual harassment to the backstories of the villains.
Decide for yourself by renting Wonder Woman 1984 on demand.
Find Holly Tarquini:
@hollytarq
@F__rating
@FilmBathUK
Find Helen O’Hara:
@HelenLOHara
@empiremagazine
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Girls On Film is an HLA production. Executive Producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.
With awards season approaching, we delve into Germany’s Oscar-entry And Tomorrow the Entire World. This urgent political drama follows new Antifa member Luisa (Mala Emde) as she finds her feet in Germany’s anti-fascist organisation.
Anna’s first guest is the writer-director Julia von Heinz. Having based the film on personal experience, Julia talks about the terrifying moments she faced as a young Antifa member and how she tried to replicate that fear and frenzy onscreen. She further delves into the cinematography choices she made with DOP Daniela Knapp and recalls the casting process for her female protagonist. Anna and Julia discuss the powerful effect of a song and why the film is sadly so relevant today.
Next, Anna is joined by critics Emma Jones and Tara Judah. Together they unpack the film’s central female friendship and explore its portrait of youth. Prompted by her favourite scene, Emma dreams of life in a commune. From protests to pregnancy tests, the critics then turn to Kiwi comedy Baby Done. They talk about the pressures of impending motherhood, and praise the depiction of a woman who's conflicted by her pregnancy. Finally, they offer a teaser review of upcoming revenge thriller Promising Young Woman.
Other movie mentions: Hunt for the Wilderpeople, The Breaker Upperers
This episode is in partnership with German Films.
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Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.
Join us as we explore Sweden’s Oscar-contender Charter. This moving drama follows Alice as she abducts her two children for a trip to the Canary Islands whilst awaiting the outcome of a custody verdict.
Anna talks to writer-director Amanda Kernell and leading actor Ane Dahl Torp about the film’s themes of divorce, motherhood, and kidnapping. Amanda and Ane also consider the dynamics of working with children and teenagers on set, and recall their first impressions of each other.
Anna then takes a deep dive into the film with critic Hanna Flint. They praise the complex mother-daughter relationship presented on screen and discuss the brilliant karaoke scene. Talking about the complexities of divorce, they make comparisons with Kramer vs Kramer.
Hanna’s movie recommendations: The Mauritanian (2021), Un Prophète (2009).
Other movie mentions: A Few Good Men (1992), The Escape (2017).
This episode is in partnership with Nordisk Film.
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Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.
In the latest isolation pod, Anna chats to two creatives who are championing complex female characters in film, including intimate insights into women’s mental health.
Anna first chats to Tuppence Middleton, the star of mystery-thriller Disappearance at Clifton Hill. Inspired by the personal experiences of writer-director Albert Shin, the film follows Abby, a young woman haunted by childhood memories of witnessing a possible kidnapping. Tuppence talks about playing a flawed female protagonist and delves into the intricacies of Abby’s mind. She further explains how she found a convincing bond with her onscreen sister and takes a look back at her career so far, reflecting on past feminist roles.
Anna then talks to writer-director Rose Glass, whose debut feature Saint Maud achieved critical acclaim when it hit cinemas last year. This psychological-horror film follows Maud (Morfydd Clark), a reclusive nurse who becomes obsessed with saving the soul of her dying patient (Jennifer Ehle). Rose unpacks the individual acting styles of Morfydd and Jennifer, and dives into how she brought the complex character of Maud to life. They also discuss the surprising style of the film, Rose’s cinematic influences and the use of William Blake in the story.
Saint Maud is available on DVD, Blu Ray and digital from 1st February 2021.
Disappearance at Clifton Hill is on Netflix in the UK now.
Other movie mentions: Trap for Cinderella, A Woman Under the Influence, In Her Place, Skeletons, Mank, The Current War, Repulsion, Rosemary’s Baby, The Tenant, Persona, The Silence, Through a Glass Darkly, Taxi Driver.
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Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.
This episode is a deep dive into the film Bombshell, a dramatic representation of the Fox News sexual harassment scandal that unfolded in the media in 2016. Anna welcomes film critics Udita Jhunjhunwala and Pamela Hutchinson to revisit the movie and the true story it tells. They celebrate the lead performances from Charlize Theron, Nicole Kidman and Margot Robbie, as well as delve into some particularly poignant scenes. The critics compile a short watchlist of films with similar themes, including The Marvellous Mrs. Maisel, On The Record, The Assistant, and 9 to 5. These prompt lively discussions that leap from stand-up comedy to shoes on screen.
You can watch Bombshell, The Marvellous Mrs. Maisel, Mirzapur and Four More Shots Please! on Amazon Prime Video now.
Other mentions: To Die For, WW84, Nomadland, No Time To Die, Succession, Bhaag Beanie Bhaag
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www.twitter.com/primevideouk
Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.
We team up with Birds’ Eye View to bring you a female-focused film review of 2020. Despite the knockback the film industry as a whole has faced this year, a record number of films by women were released in cinemas and on digital. Host Anna Smith welcomes Mia Bays, Delphine Lievens and Allison Gardner onto this very special episode to discuss the highlights. Delphine, the Senior Box Office Analyst for Gower Street, delves into the intersections of the stats. Allison, the CEO at Glasgow Film, looks at how cinemas have been coping. And Mia unpacks the work Birds’ Eye View has done this year. Together, they offer a positive and critically constructive outlook on the intersectional inclusion of women in all areas of the film industry. Stay tuned for special appearances from some of the most celebrated filmmakers of 2020, from Halina Dyrschka to Zeina Durra.
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@birdseyeviewff believe in challenging the status quo in film and strive to seek out wider perspectives in cinema. Sign up to their #ReclaimTheFrame mission and get free cinema tickets, discounted VOD codes, MUBI UK & Ireland subscription + other film goodies: bit.ly/ReclaimTheFrame.
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Episode Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.
In this lively episode, Anna is first joined by freelance journalist and her regular karaoke companion, Kat Brown. A massive fan of Pitch Perfect, Kat enthusiastically delves into the comedic and authentic female friendships presented on screen. Looking at how the film has aged, they explore both where Pitch Perfect hits the right notes and where it may need a little tuning. Kat mentions some other musical movies she’s been watching, spanning classic and cult favourites.
Next, Anna talks to some real-life Barden Bellas. Jade Harvey and Gina Dunn are two members of Cardiff University’s DeciBelles, an award-winning all-female a cappella group. They speak to the sisterhood of their singing society and compare their experiences with those of the Bellas.
Finally, Anna welcomes musician and old friend Charley Stone to the show for a festive twist. Charley talks about her new single, Merry Christmas Actually. Inspired by Love Actually’s cue cards scene, this song takes a feminist stance on the infamous moment.
Kat’s recommendations: Grease 2, My Fair Lady, Gentlemen Prefer Blondes, The Secret Garden, Hook, Nanny McPhee
Gina’s and Jade’s recommendations: Once, Rock of Ages
Charley’s recommendations: Edward Scissorhands, Swallows and Amazons, The Railway Children
Anna’s recommendations: I’m Your Woman, Wonder Woman 1984
You can watch Pitch Perfect, Once, Rock of Ages, Swallows and Amazons (1974), The Railway Children and I’m Your Woman on Amazon Prime Video now.
Listen to Merry Christmas Actually here: www.charleystone.bandcamp.com
Find Helen O’Hara’s Bah Humbug podcast here: https://podcasts.apple.com/gb/podcast/bah-humbug-a-christmas-movie-podcast-with-helen-ohara/id1540573727
DeciBelles Social Media: @CU_DeciBelles
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Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.
This episode is in partnership with Amazon Prime Video.
This episode enters the world of stripping, with a focus on the film Hustlers. Anna’s first guest is Grace Barber-Plentie, a freelance film programmer and writer who recently curated a Barbican film event on Reframing the Fat Body. Grace draws our attention to a particular film in her programme that normalises fat pole dancers: Dangerous Curves. This segues into a celebration of Lizzo’s appearance in Hustlers and more generally the brilliant performances of the ensemble cast. Grace and Anna revere the female friendships presented on screen, particularly between the characters played by Jennifer Lopez and Constance Wu. Such strong bonds and respect between female strippers comes to life, as Anna speaks to friends and strippers Chiqui Love and Stacey Clare. As members of the Berlin Strippers Collective and East London Strippers Collective respectively, Chiqui and Stacey talk intersectional feminism, the issues facing the strip club industry, and misrepresentations of sex work on screen. They speak up for sex workers’ rights and envision what Hustlers 2 should look like…
Recommendations:
Grace: P-Valley, Small Axe (series)
Chiqui: Bombshell
Stacey: Harlots (series), The Deuce (series)
Other mentions: Dangerous Curves (short), 9 to 5, The Wrestler (2008), Showgirls, The Full Monty, Shameless (series)
This episode is in partnership with Amazon Prime Video.
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Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.
Luxor stars Andrea Riseborough as a British aid worker navigating the Egyptian city as she meets her ex-boyfriend and struggles from recent traumas. Writer-director Zeina Durra (The Imperialists Are Still Alive!) and our first ever cinematographer guest Zelmira Gainza chat to Anna about their film. The friends talk Anna through their careers so far, from their Fame-like experiences at NYU, to the challenges they’ve faced as women in executive roles on film sets. Turning to Luxor, Zeina reveals what it was like to work with actor Andrea Riseborough, and Zelmira gives a fascinating insight into her role as DOP.
Delving further into Luxor, Anna and critic Leslie Felperin celebrate how the film creates a sense of place and pulls us in with its mysteries, brilliant performances and playfulness. They then move on to two more new releases. First they discuss the jazzy upcoming family animation Soul and praise Disney-Pixar’s original and earnest storytelling. Finally, they look at the inspiring new documentary I Am Belmaya.
What they’ve been watching:
Zeina: Mangrove, The Queen’s Gambit, The Crown
Zelmira: Chaos, Star Wars
Leslie: The Crown, The Undoing, Brave New World, The Nest (2020)
Anna: The Third Day
Other mentions: Fame, The Princess and the Frog (2009), Joanna Hogg’s films, Inside Out
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Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.
This episode dives into Truth Seekers, the new paranormal Prime Video series and latest collaborative effort of Simon Pegg and Nick Frost. Anna Smith talks to its two female stars: Susan Wokoma (Helen) and Emma D’Arcy (Astrid).
First, Susan (Chewing Gum, Year of the Rabbit) tells Anna how she prepared for the role of Helen and enthusiastically recalls what it was like to work with comic icons Simon and Nick. She further talks about discussing representation on set and celebrates the process of ageing in women. Stay tuned as Susan shares her very own spectral sighting…
Next up, Emma (Hanna, Misbehaviour) delves into Astrid’s mentality and tells Anna about a particular onset mishap. Discussing the nostalgic movies referenced in Truth Seekers, they consider whether there has been an improvement in the way that horror movies treat their female characters. Finally, Emma talks gun-wielding in Prime Video series Hanna and shares her personal connection to the spiritual world.
Film and TV Recommendations:
Susan: La Haine, Pose
Emma: The Sopranos, True Blood, I May Destroy You, the Coen brothers films, and anything with Frances McDormand!
Anna: For Sama, Love Child
Other mentions: Spaced (on Prime Video), The Cornetto Trilogy (watch all 3 movies on Prime Video), Chewing Gum, Year of the Rabbit, Hereditary, Midsommar (on Prime Video), Prime Suspect, The Exorcist, Invasion of the Body Snatchers
This episode is in partnership with Amazon Prime Video.
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Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.
Anna invites writer-director Veena Sud (The Killing, Seven Seconds) and actor Mireille Enos to discuss The Lie, part of Amazon Prime Video’s Welcome To The Blumhouse series. Shot in the snowy suburbs of Toronto, this unsettling crime-drama shows a young girl’s terrible secret unravel in horrifying ways. Beware of minor spoilers.
Veena talks to Anna about what drew her to adapting The Lie, and why it was important to address social issues such as the sexualisation of women and racial profiling. She further speaks to the importance of diversity in positions of power in filmmaking and criticism. Veena also produces some fantastic film recommendations for Halloween, including Night of the Living Dead and It Follows.
Mireille talks about playing Rebecca, the mother of Kayla (Joey King), and speaks highly of Veena’s directorial skills. She also revisits her roles in Hanna and The Killing, both also available to watch on Prime Video now. Keep listening to hear Mireille’s own terrible secret about horror movies…
Finally, critic Kayleigh Donaldson shares her thoughts on the Suspiria remake, American Psycho, and Midsommar – all on Amazon Prime Video now. They also talk about the recent female-focused horror releases Saint Maud, Carmilla, Relic and Cordelia. Finally, Kayleigh recommends Carnival of Souls (1962) and the works of Ida Lupino, and suggests checking out the horror streaming service Shudder on Amazon.
Other movie mentions: Seven Seconds (2018), Fright Night, The Witches (2020), The Captive (2014).
This episode is in partnership with Amazon Prime Video.
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Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.
Saoirse-Monica Jackson joins host Anna Smith, along with talented young filmmakers Ruby Phelan and Neeraja Raj.
From matriarchs to mishaps, Saoirse delves into the making of Derry Girls. This coming-of-age comedy series follows teenager Erin Quinn (Saoirse) and her friends as they navigate religion and rivalries in 90s Ireland. She also praises Cinemagic as a platform for young people and delivers a hopeful message to young filmmakers and actors.
Next, Anna chats to Ruby and Neeraja about their short films screening at Cinemagic. Ruby tells us what inspired her to make mixed-medium short The Mermaid & The Artist and advises young women to stop seeking permission. Neeraja talks about her existential musical animation Meow Or Never and her hopes to see more women of colour filmmakers.
All of our guests recommend some fantastic films. See the titles below with details on where to watch them in the UK and US.
Saoirse’s Picks:
Eighth Grade (dir. Bo Burnham, 2018, UK: Now TV, US: Prime Video)
Babyteeth (dir. Shannon Murphy, 2019, US: Hulu)
Rocks (dir. Sarah Gavron, 2019, UK: Netflix)
Shallow Grave (dir. Danny Boyle, 1994, UK: Britbox, US: Starz)
Neeraja’s Picks:
Better Days (dir. Kwok Cheung Tsang, 2019, UK & US: rent/buy online)
Okja (dir. Bong Joon-ho, 2017, UK & US: Netflix)
Parasite (dir. Bong Joon-ho, 2019, UK: rent/buy online, US: Hulu)
Ruby’s Picks:
Daisies (dir. Vera Chytilová, 1966, UK: BFI Player, US: HBO)
The Secret Garden (dir. Agnieszka Holland, 1993, UK: Netflix, US: IMDb TV) – ahead of Sky’s 2020 adaptation!
This episode is in partnership with Cinemagic. The 31st Belfast Cinemagic Film Festival is online throughout October. There are 150+ short films screening from the best young filmmakers from the UK/Ireland. Find out more at filmfestival.cinemagic.org.uk.
Meow Or Never: https://qft.vhx.tv/cinemagic-young-filmmaker/videos/animation-2
The Mermaid and the Artist: https://qft.vhx.tv/cinemagic-young-filmmaker/videos/animation-5
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Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.
Critic and founder of The British Blacklist Akua Gyamfi and BAFTA-nominated filmmaker Victoria Thomas join Anna for a lively episode celebrating Black voices in film. Focusing on the powerful Queen & Slim, they praise the diversity of Black experiences presented on screen and discuss THAT sex scene. They further commend Melina Matsoukas’ skillful direction, consider Shiona Turini’s iconic costume choices, and explore the complexity of the character Queen, as played by Jodie Turner-Smith and penned by Lena Waithe. This inspires a dive into politics, class, the importance of Black-owned film companies, and the awards season. Pressing on, Akua shares her intimate connection to the film Farming and Victoria finds a filmmaking masterclass in If Beale Street Could Talk. Finally, they applaud the inspiring Black woman at the centre of the upcoming documentary Time.
Beware of moderate Queen & Slim spoilers.
Find all these films on Amazon Prime Video now.
Other films mentioned: The Last Tree, Thelma & Louise, Parasite, Harriet.
This episode is partnered with Amazon Prime Video.
Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast
Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno www.twitter.com/primevideouk Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.
Celebrating our 50th episode, actors Sasha Lane and Ashleigh LaThrop join the party to talk about their roles in Gillian Flynn’s Utopia, now streaming on Amazon Prime Video. An intense adaptation of Dennis Kelly’s British television series, the show follows a team of comic book fans as they try to prevent a viral pandemic. Sasha delves into the twisted psychology of her character, the infamous Jessica Hyde, and hints at the new layers that Gillian has brought to the story. Stay tuned for Sasha’s tips on how to urinate standing up. Next, Ashleigh LaThrop speaks to Anna about the challenges of her role as Becky, and the nerdy antics that herself and Gillian got up to on set. She also shares her experience working on The Handmaid’s Tale, expresses her love for Meryl Streep, and talks about representation on screen. Our 50th episode concludes with a special trivia competition, giving you lucky listeners the chance to win a pair of Forbidden Forest cinema tickets!
This episode is in partnership with Amazon Prime Video.
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Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.
Writer and director Channing Godfrey Peoples joins Anna for an eye-opening discussion about her new film, Miss Juneteenth. In UK cinemas from 25th September 2020, this movie is a warm and intimate portrait of former pageant winner Turquoise Jones (Nicole Beharie), as she prepares her daughter, Kai (Alexis Chikaeze), for the annual Miss Juneteenth pageant and navigates her life within the close-knit Black community of Fort Worth, Texas. Channing reveals the personal inspiration behind her story, explains the role that the arts can play in the Black Lives Matter movement, and hints at what she is working on next. Next, Anna welcomes fellow critic Corrina Antrobus back to the show to review the film. They talk about Nicole’s remarkable performance, the nuanced relationships presented onscreen, and the significance of a 'dream deferred'. This jam-packed show also includes fantastic film recommendations. Channing provides a detailed watchlist: Killer Of Sheep and My Brother’s Wedding by Charles Burnett, Daughters of the Dust (dir. Julie Dash), Eve’s Bayou (dir. Kasi Lemmons), Beyond The Lights (dir. Gina Prince-Bythewood), and Rachel Getting Married (dir. Jonathan Demme). And Corrina suggests Rocks (dir. Sarah Gavron), Babyteeth (dir. Shannon Murphy), Make Up (dir. Claire Oakley), and In My Room (dir. Mati Diop).
This episode is in partnership with Vertigo Releasing. www.vertigoreleasing.com/portfolio/miss-juneteenth/
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Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.
Critics and superhero fans Mae Abdulbaki and Allison Shoemaker join our host, Anna Smith, for enthused discussions on two Amazon Prime Video series: The Boys and Stargirl. Discovering that, ironically, The Boys has a lot to say about its female characters, the critics examine the diverse, kick-ass women of this darkly funny show and praise its Me-Too-era storyline. Moving onto the more family-friendly Stargirl, they applaud the uplifting, female-centric story that follows three teenage girls as they adopt superhero abilities to fight injustice. Stay tuned to find out how both shows have interesting relations to Back To The Future II. Beware of minor spoilers.
The critics round up by offering what else they've been watching recently, from His Girl Friday (1940) to First Cow (2019).
Mae Abdulbaki: critic and entertainment writer for The Washington Post, Film School Rejects, and more.
Allison Shoemaker: freelance film and television critic for The AV Club, Consequence of Sound, and more.
This episode is in partnership with Amazon Prime Video.
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Watch Girls On Film on the BFI's YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.
Critics Wendy Ide and Kate Muir take a deep dive into Tenet and the treatment of its female characters. The first blockbuster release since lockdown delivers an exciting, action-packed time-twisting spectacle that calls for us to (safely!) return to the big screen, but does it have a problem with women? Along with host Anna Smith, the critics explore the characters played by Elizabeth Debicki, Clémence Poésy and Dimple Kapadia, and consider them alongside Nolan’s past on-screen constructions of women. Listen now to find out the sinister meaning behind “fridging” and why you should watch Tenet twice. Beware of some moderate spoilers.
The critics also refer to James Bond and Back to the Future, and mention Xavier Dolan’s Matthias & Maxime, Amy Seimetz’s She Dies Tomorrow, and Shannon Murphy’s Babyteeth.
Wendy Ide: film critic for The Observer and Screen International. Kate Muir: writer, film critic and campaigner for Bird’s Eye View.
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Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey.
Eliza Scanlen joins Anna for an exclusive interview about her new film Babyteeth, a bitterly funny and moving drama directed by Shannon Murphy. She also talks about working with Greta Gerwig on Little Women, and her hopes for women in the film industry.
Film critic Larushka Ivan-Zadeh reviews Babyteeth with Anna, along with two other female-directed films: Summerland and Make Up.
Finally, we talk about an intriguing new test for films: the Clit Test...
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Watch Girls On Film on the BFI’s YouTube channel
https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey.
Chemical Hearts stars Coral Peña and Kara Young join Anna for a spirited conversation about brown queer love on screen, describing how their characters were developed from Krystal Sutherland’s novel. They talk about their real-life friendship, their support network on set, and share what they’ve been watching at home, from Pose to I May Destroy You. Award-winning Young Adult author Tanya Byrne also shares her passion for LGBTQ+ stories and raises an interesting point about M/M love stories and mainstream success. She also has a top TED talk tip for those keen to bring authenticity to their writing.
Chemical Hearts is on Amazon Prime Video now.
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Watch Girls On Film on the BFI’s YouTube channel
https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey.
The writers of Legally Blonde join us to spill the inside story on the beloved 2001 comedy starring Reese Witherspoon as perky law student Elle Woods. Kristen “Kiwi” Smith and Karen McCullah talk about adapting Amanda Brown’s novel for the big screen, describing the moment of inspiration for the iconic ‘bend and snap’ move and revealing which cast member was difficult to handle on set… Meanwhile, Empire film critic Helen O’Hara talks about her own legal past and revisits Legally Blonde with host Anna Smith. The pair also discuss other films with female lawyers, from A Time To Kill to On The Basis of Sex. Thanks to listener Rehna Azim for suggesting an episode on female lawyers on film, and to our partners, Amazon Prime. All films are available on Amazon Prime now.
Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on Twitter: www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno www.twitter.com/primevideouk
Watch Girls On Film on the BFI’s YouTube channel
https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Intern: Heather Dempsey.
Caitlin Moran and Coky Giedroyc give exclusive interviews about their new film How To Build A Girl, a coming-of-age tale of rock n roll and reinvention amid the male-dominated music press of the 1990s.
The film is based on the Moran's girlhood in working-class Wolverhampton. Like her heroine Johanna (played by Booksmart star Beanie Feldstein), Moran began her journalistic career as a rock critic aged just 16. She is now a broadcaster, Times columnist, author and contemporary voice on feminism.
Director Coky Giedroyc - sister of Mel - joins us to celebrate sexuality and sanitary towels in cinema, and tells us about working with the marvellous Beanie Feldstein. Sharing her tips on surviving and thriving as a female director, she has high hopes for the future of women in film and the fighting spirit to achieve them.
How To Build A Girl is available now exclusively on Amazon Prime.
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Watch Girls On Film's latest show on the BFI's YouTube channel: https://www.youtube.com/watch?v=VkOdRT8c4DM&app=desktop
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Intern: Heather Dempsey.
Rachel Griffiths (Muriel's Wedding, Six Feet Under) and Ruth Madeley (Years and Years) give exclusive interviews about their work in this special uncut version of our latest video show on the BFI YouTube.
Actor Ruth Madeley talks to Anna about Diversity In Ability and her latest film, Verisimilitude, in which she plays a wheelchair user training an able bodied actor for a role as a character with disabilities. She talks about the practice of casting able bodied actors and explains her views about the urgent need for change.
Rachel Griffiths shares the inside track on her directorial debut, Ride Like A Girl, and explains how important it is to cast actors with Downs Syndrome. She also shares hilarious stories about filming Muriel’s Wedding, talks about her intense role in Six Feet Under, and brings her French bulldog in for a chat!
You can see the video versions of these interviews here: https://www.youtube.com/watch?v=VkOdRT8c4DM
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Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Intern: Heather Dempsey.
An uplifting summer camp doc and a hard-hitting death row drama are explored in a special episode with Birds’ Eye View.
Our first guest is Chinonye Chukwu, writer director of Sundance Grand Jury Prizewinner Clemency. It follows the story of prison warden Bernadine Williams - played by Alfre Woodard - who is forced to confront the psychological impact of her profession as she prepares to execute yet another inmate, played by Aldis Hodge.
Next we hear from the directors of Crip Camp, a documentary about equal opportunities, activism and teenagers having fun. Co-directed by Nicole Newnham and Jim LeBrecht, it goes back to the 1970s when LeBrecht had the summer of his life at a hippy camp for teens with disabilities - a summer that would inspire lasting change in the disability community.
We are also joined by Mia Bays, the Director At Large of Birds’ Eye View.
Crip Camp is on Netflix now.
Clemency is available on Curzon Home Cinema and via clemencythefilm.co.uk now. Bohemia Media's bespoke film streaming platform will allow viewers to select a local cinema to receive an equal split of the revenue.
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Watch Girls On Film's latest show on the BFI's YouTube channel: youtu.be/Opl7aSOiQs4
Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Intern: Heather Dempsey.
This episode is a deep dive into the hit show Little Fires Everywhere. Based on the novel by Celeste Ng, it’s the gripping story of artist Mia (Kerry Washington), who upsets the suburban life of controlling mother Elena (Reese Witherspoon). US journalist Valerie Complex and British broadcaster Rhianna Dhillon join Anna to explore the show’s themes including privilege, racism, microaggressions, adoption and abortion. Avoiding major spoilers, they share their favourite moments from the series and pay tribute to the late, great director Lynn Shelton. They also bond over their love of classic British sitcoms. Little Fires Everywhere Season 1 is on Amazon Prime Video now.
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Watch Girls On Film's latest show on the BFI's YouTube channel: youtu.be/Opl7aSOiQs4
Girls On Film is an HLA production. Executive Producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Intern: Heather Dempsey.
It’s Pride season! And we’re bringing you a packed Pride special. Actress and vocal LGBTQ+ advocate Bella Thorne joins Anna to talk pansexuality, love and support in the queer community, and the power of social media to make real social change. She also unpacks her starring role in Bonnie & Clyde-style crime thriller Infamous, as well as quirky college comedy The Duff.
Plus, guest critic and Dr of Film Becca Harrison drops in to review three brilliant queer films you can stream for a Pride celebration on your sofa: bittersweet political Brit-flick Pride, Todd Haynes’ Oscar-nominated lesbian love story Carol, and recent Girls On Film guest Desiree Akhavan’s bisexual comedy drama Appropriate Behaviour. All films are available on Amazon Prime Video, our partner for this episode.
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Watch Girls On Film's latest show on the BFI's YouTube channel: https://youtu.be/Opl7aSOiQs4
Girls On Film is an HLA production, exec produced by Hedda Archbold and audio produced by Jane Long. Principal Partner: Peter Brewer. Intern: Heather Dempsey.
Young Irish actor Lola Petticrew (A Bump Along The Way) joins Anna to chat about her new comedy Dating Amber, directed by David Freyne. She plays Amber, a lesbian schoolgirl who pretends to date Eddie (Fionn O'Shea - Normal People) so the pair can pose as straight. As Eddie struggles with his sexual identity, he and Amber grow closer. Lola talks frankly about the film, her friendship with her co-star and her own journey to coming out as queer. Carrie Lyell, the editor of DIVA magazine, is our guest reviewer and discusses Dating Amber with Anna. The two critics also revisit the 1999 film But I'm A Cheerleader, a comedy set in a gay conversion camp and starring Natasha Lyonne. They also pay tribute to Girls On Film favourite Booksmart.
All films are available on Amazon Prime Video, our partner for this episode.
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Watch Girls On Film's latest show on the BFI's YouTube channel:
https://youtu.be/Opl7aSOiQs4
Girls On Film is an HLA production, exec produced by Hedda Archbold and audio produced by Jane Long. Principal Partner: Peter Brewer. Intern: Heather Dempsey.
Isobel Waller-Bridge talks about living and working with her sister, Phoebe, in the second of our special episodes with Scala Radio. The composer talks about life in lockdown, Fleabag, Vita and Virginia and composing electronic scores for period film and TV.
She’s joined by Anne Nikitin, who scored the award-winning film American Animals. The two compare notes about their experiences in a male-dominated field, and their conflicting thoughts about being labelled ‘female composers’. They also explore the difference between Hollywood and Britain’s film industry.
Anna’s third guest is an Emmy and Academy Award winning composer who has been scoring blockbuster films for over two decades: Rachel Portman. Rachel describes working with Mike Leigh on Life is Sweet, Lynne Ramsay on Ratcatcher and gives a fascinating insight into her working life, from indie movies to big budget Hollywood. This is a must-listen for anyone interested in music and film.
Thanks to our partners Scala Radio.
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Girls On Film is an HLA production, exec produced by Hedda Archbold and audio produced by Jenny Nelson. Principal Partner: Peter Brewer. Intern: Heather Dempsey.
This episode features extended, uncut interviews from the latest Girls On Film YouTube show with the British Film Institute.
Actor Monica Dolan chats about her leading role in Days of the Bagnold Summer, and about collaborating with writers and directors in films including Alan Partridge: Alpha Papa and The Falling.
She explores three of her favourite iconic female roles in cinema, and shares her views on the visibility of female directors. Actor, writer and director Desiree Akhavan talks about the delicate balance of directing sex scenes in The Miseducation of Cameron Post and Appropriate Behaviour, and shares a message for ‘film nerds’ in isolation. Writer and director Mark Cousins becomes Girls On Film’s second ever male guest, and reveals the behind the scenes story behind Women Make Film, paying tribute to his iconic narrators including Tilda Swinton and Jane Fonda.
Finally, director Nisha Ganatra (Late Night) talks about her new film The High Note starring Tracee Ellis Ross and Dakota Johnson. She shares her upbeat views about the future for female directors and her solution for reaching gender parity.
Watch the full filmed version of this episode on the BFI’s YouTube here: https://youtu.be/mrBpdWKDSDo
Catch the previous episode with Billie Piper, Sally Phillips and Ronni Ancona here: https://youtu.be/FG_VyY6Jy6A
Join us for the next filmed episode: 6.30pm on June 23rd 2020 on the BFI’s YouTube channel.
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Girls On Film is an HLA production, presented by Anna Smith, exec produced by Hedda Archbold and audio produced by Jane Long. Principal Partner: Peter Brewer. Intern: Heather Dempsey.
With thanks to the British Film Institute
Host Anna Smith is joined by trailblazing Oscar-winner Anne Dudley and BAFTA Breakthrough Brit Nainita Desai. They talk about their careers as film composers, in the first of two episodes partnered with Scala Radio.
Anne and Nainita discuss the details and challenges of this offscreen role, and share their stories of breaking into the film scoring industry. Addressing gender imbalance, we look to the positive changes taking place – and how to keep them going.
Anne remembers attending the Academy Awards for The Full Monty, while Nainita talks about scoring the award-winning documentary For Sama.
Adapting to lockdown life along with the rest of us, Nainita talks about her new project connecting musicians with composers to keep the industry in motion throughout the pandemic. We also learn which classic scores inspired our guests to make a career of composing – and that even they are not immune to the power of ABBA.
Thanks to our partners Scala Radio.
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Girls On Film is an HLA production, exec produced by Hedda Archbold and audio produced by Jenny Nelson. Intern: Heather Dempsey.
Empire film critic Helen O'Hara and broadcaster Wendy Lloyd take a deep dive into Greta Gerwig's Little Women in this uplifting episode celebrating the joys of the award-winning classic.
Along with host Anna Smith, they take a look at the themes, the performances and the enduring feminist message, examining Gerwig's clever use of structure and time.
The critics also review the new thriller Ema, Michelle Obama doc Becoming, the Netflix film Carrie Pilby and the Margot Robbie starrer Birds of Prey, all available to watch now at home.
If you’d like to take part in the Little Women Book Club by reading with us, follow us on socials. Hashtag #littlewomen and #littlewomenbookclub.
Read it before the film’s digital release on 11th May 2020 so we can all watch it together (you can own a copy from 25th May).
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Girls On Film is and HLA production, exec produced by Hedda Archbold and audio produced by Jane Long. Intern: Heather Dempsey.
Inspired by real-life stories, The Assistant is a day in the life of a young woman(Julia Garner) who’s working for a powerful film producer. Writer-director Kitty Green joins host Anna Smith for an in-depth interview about power dynamics in the workplace, and making this film in the wake of the Weinstein scandal. Kitty also offers advice for filmmakers who are starting out.
Observer film critic Simran Hans returns to Girls On Film to give her views on The Assistant, and recommends two more films for home viewing: the foodie documentary Diana Kennedy - Nothing Fancy and a vintage rom com gem, Crossing Delancey.
Girls On Film is an HLA production, produced by Hedda Archbold and Jane Long. Intern: Heather Dempsey.
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@GirlsOnFilm_Pod @annasmithjourno Kitty Green: @kittygreen Simran Hans: @heavier_things Vertigo Releasing: @VertigoRel
This Isolation Pod was recorded in lockdown, April 2020 Support us via https://www.patreon.com/girlsonfilmpodcast
The Assistant is available on digital release now.
Director Carol Morley joins Anna Smith to talk about her #FridayFilmClub, the weekly watch party uniting film fans during lockdown. She shares heartwarming stories about the way it’s brought cinema lovers together, and explains how gender and diversity inform her film choices. She also gives an update on her upcoming films and tells how she discovered a young Florence Pugh while casting The Falling, revealing details of the schoolgirl’s incredible audition.
Three listeners who responded to our #LittleWomenBookClub invitation join Anna from their homes across the world. From the Netherlands, mother and daughter Lauri and Julia explain how the book has been passed down the generations in their family, and in the UK, 13-year-old Hannah gives her verdict after picking up the book for the first time.
Finally, Total Film magazine’s Editor-In-Chief, Jane Crowther, returns to Girls On Film to review three new digital releases: female spy thriller The Rhythm Section starring Blake Lively, erotic psychodrama Who You Think I Am starring Juliette Binoche, and buddy comedy Like A Boss, starring Tiffany Haddish, Rose Byrne and Salma Hayek.
If you’d like to take part in the Little Women Book Club by reading with us, follow us on socials. Hashtag #littlewomen and #littlewomenbookclub and tell us what you’re loving about the book, and any of your reactions to it, whether it’s which character you most relate to or your own feminist analysis.
Read it before the film’s digital release on 11th May 2020 so we can all watch it together (you can own a copy from 25th May).
Girls On Film is an HLA production, produced by Hedda Archbold and Jane Long. Intern: Heather Dempsey. Thanks to Benjamin Cooke.
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This Isolation Pod was recorded in lockdown, April 2020
Film critic Hanna Flint is joined by her mother, former MP Caroline Flint, to discuss Little Women - the book and the film. The pair chat with host Anna Smith about their personal relationship with Louisa May Alcott’s novel and Greta Gerwig’s adaptation, and the story’s relevance to modern day feminism.
In our latest Isolation Pod, Hanna and Caroline also share their recommendations for home viewing. They reveal which films they have watched the most times, and review two new digital releases: Love Wedding Repeat and Star Wars: The Rise of Skywalker.
Anna also interviews Hollie Fraser, the founder of Books on the Underground, who shares her stories about working with Emma Watson.
If you’d like to take part in the Little Women Book Club by reading with us, follow us on socials. Hashtag #littlewomen and #littlewomenbookclub and tell us what you’re loving about the book, and any of your reactions to it, whether it’s which character you most relate to or your own feminist analysis.
Read it before the film’s digital release on 11th May 2020 so we can all watch it together (you can own a copy from 25th May).
Girls On Film is an HLA production, produced by Hedda Archbold and Jane Long. Intern: Heather Dempsey.
Follow us on Twitter: www.twitter.com/GirlsOnFilm_Pod www.twitter.com/sonypicsathome www.twitter.com/BooksUndergrnd www.twitter.com/annasmithjourno www.twitter.com/hannaflint www.twitter.com/CarolineFlint
Support us on Patreon: https://www.patreon.com/girlsonfilmpodcast
Actors Emily Mortimer and Dolly Wells join Anna Smith for a lively discussion about films, friendship, nostalgia, and the notion of 'strong women'.
The pair take us behind the scenes in their TV series Doll & Em, and talk about Good Posture, Dolly's directorial debut starring Emily as a reclusive writer living in New York. Dolly also discusses Can You Ever Forgive Me? and Emily reveals the connection between The Newsroom and Doll & Em.
The second of Girls On Film's special 'Isolation Pods', this episode also features Doll and Em's recommendations for home viewing, from family favourites to edgy new gems on streaming.
If you've enjoyed this episode, please review and subscribe to Girls On Film and considering supporting us by becoming a patron. www.patreon.com/girlsonfilmpodcast Thank you!
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Girls On Film is an HLA production, exec produced by Hedda Archbold and audio produced by Jane Long. This episode was recorded in April 2020.
In the first of a series of ‘Isolation Pods’ recorded online in our virtual studio, our host Anna Smith is joined by pioneering Saudi director Haifaa al-Mansour and Managing Director of Modern Films Eve Gabereau for a special discussion of al-Mansour’s new feature The Perfect Candidate – set for digital release this Friday 27 March.
We’re also joined by British-Bahraini trumpet player and composer Yazz Ahmed, who dedicated an original piece to al-Mansour, to discuss the power of music in the feature.
Our guest critic is Linda Marric, writer and broadcaster, regular contributor to The Jewish Chronicle, and reviews editor for HeyUGuys. Linda, Eve and Anna review new digital releases The Truth and Vivarium, as well as discussing the newly adapted BFI Flare LGBTIQ+ film festival.
The panel also discuss the challenges and adaptations facing the film industry, and how you can continue to support it from your sofa through these difficult times. Plus, our guests share their isolation movie recommendations to provide comfort, entertainment, and community through this unsettling period.
Girls On Film is an HLA production, exec produced by Hedda Archbold and audio produced by Jane Long.
Modern Films are launching a new streaming platform with The Perfect Candidate. Head to modernfilms.com to support indie films and watch Happy as Lazzaro (dir Alice Rohrwacher), Dirty God (dir Sacha Polak) and Yuli: The Carlos Acosta Story (dir. Iciar Bollain).
Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast
An International Women's Day special sees host Anna Smith joined by BAFTA-winning Misbehaviour director Philippa Lowthorpe to discuss Misbehaviour, the new film about the infamous Women's Liberation protests at the 1970 Miss World Competition.
Anna also welcomes Marjane Satrapi (Persepolis), the Oscar-nominated director of the Marie Curie biopic Radioactive, and actress Kerry Fox (Shallow Grave), currently in Little Joe. Completing the panel is Contributing Editor of Screen International, Wendy Mitchell, to discuss the films Portrait of a Lady on Fire and Military Wives.
All this plus surprise special guests in the audience.
Girls On Film is an HLA production, exec produced by Hedda Archbold and audio produced by Jane Long. This episode was recorded in front of a live audience at the AllBright Mayfair.
Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast
Director Marielle Heller joins host Anna Smith for a special mini-episode devoted to her new film, A Beautiful Day In The Neighbourhood, starring Matthew Rhys and Tom Hanks. Heller reveals the story behind casting Hanks as legendary children's TV presenter Fred Rogers, and discusses the need for compassionate filmmaking. She also talks about following The Diary Of A Teenage Girl with the Oscar-winning Can You Ever Forgive Me? - and explains why Oscar voters need to change their views on directing. Girls On Film is an HLA production, produced by Hedda Archbold and Jane Long.
Ep 26: Live from International Film Festival Rotterdam: Bombshell, Parasite, Oscars 2020 + Rocks director Sarah Gavron and guests
Director Sarah Gavron (Suffragette) joins Anna Smith on stage in Rotterdam for an inspiring conversation about female film collaborations and her gritty new teen movie, Rocks. Her associate director, Anu Henriques, reveals a new initiative supporting industry newcomers, and top Dutch film critics Dana Linssen and Lauren Murphy review three new releases with Anna.
First up is Bombshell, starring Charlize Theron, Margot Robbie and Nicole Kidman. How does it represent the Time's Up cause, and would it have been different directed by a woman?
Next up is The Long Walk, an atmospheric genre film from Mattie Do, the first female filmmaker to come from Laos. Finally, the critics dodge spoilers while dissecting the cult hit Parasite from director Bong Joon Ho.
All this plus a stimulating discussion about the lack of female directors in contention at Oscars 2020... No wonder the audience had plenty of questions and comments: add yours via https://twitter.com/GirlsOnFilm_Pod.
Thanks to our wonderful hosts IFFR, to our house band, MX Tyrants, and to our intern, Heather Dempsey. Girls On Film is an HLA production, Exec produced by Hedda Archbold and audio produced by Jane Long.
Live in the last of our series of six episodes from HOME Manchester, Anna reviews a vintage year of stellar guests and compelling conversation for Girls On Film, and looks ahead at what 2020 has in store. With Sight & Sound's 50 films of the year topped by Joanna Hogg's The Souvenir, and initiatives from the F-Rating to Bumble's Female Film Force going from strength to strength, we're here to help drive the vanguard of female filmmaking into the new year.
We sit down with BIFA-winning and BAFTA-nominated director Harry Wootliff to discuss her strikingly intimate debut feature Only You. Joined too by Doctor Who screenwriter and playwright Joy Wilkinson, the panel discusses the challenges writer-directors still face in bringing complex women to the screen.
Clarisse Loughrey, chief film critic at The Independent, also joins Anna to review new releases Charlie's Angels, Judy & Punch, and Marriage Story as we approach awards season.
In a festive film twist, our three guests bring their picks of classic Christmas cinema to the table for scrutiny through a gendered lens ̶ from high-risers The Apartment and Die Hard, to the spiky Edward Scissorhands, via the yellow brick road of The Wizard Of Oz.
A big thank you to HOME Manchester for a wonderful six-episode partnership, to MUBI and Cameo Productions for their support in 2019, and to our house band, MX Tyrants.
Girls On Film is an HLA production, Exec produced by Hedda Archbold and audio produced by Jane Long.
Aislinn Clarke and Bronagh Taggart join host Anna Smith in episode 24 of Girls On Film, recorded in front of a live audience at the 30th Cinemagic Festival in Belfast.
Actress and writer Bronagh Taggart talks about her short film Guard, her love of sports movies, and about her BBC TV series Millie Inbetween and Flatmates, now on BBC iPlayer. She also talks about her very first ever acting role – with Daniel Day-Lewis.
Writer-director Aislinn Clarke has just received the second Academy Gold Fellowship for Women for her horror film The Devil’s Doorway. She joins us fresh from Los Angeles to talk about her film and about her view of horror as a means of addressing social trauma. She gives encouragement to women who want to work in the industry by drawing on her own experience of starting out as a 17-year old single working class Belfast mum.
Aislinn talks about two of her upcoming horror projects, Cunning Folk which she directs, and Slow Burn which she pens and is produced by Marianne Maddalena, who also produced all of Wes Craven’s films including Scream and Nightmare on Elm Street.
We review current releases Maleficent: Mistress of Evil with Angelina Jolie and Michelle Pfeiffer, discussing its design, its gender stereotyping and what it says about motherhood. We also review Home, by Sarah Outen, who undertook the mammoth task of travelling the circumference of the world powered only by herself. We also discuss some favourite classic movies, including In The Name Of The Father, Bridesmaids, The Craft and All About Eve.
Girls On Film is an HLA production produced by Hedda Archbold and Jane Long
Linda Hamilton, Mackenzie Davis and Natalia Reyes join host Anna Smith for an exclusive interview about Terminator: Dark Fate, discussing everything from action women on film to race, nudity and time travel.
On stage at HOME in Manchester, Anna celebrates Girls On Film’s first birthday with guests Pamela Hutchinson and Anna Bogutskaya. They assess the new film Joker starring Joaquin Phoenix, plus female desire in films including Magic Mike, The Last Seduction and Thelma & Louise. The panel also give their tips for awards season 2020, debating which movies meet the ‘three cry’ test and which film is ’near-perfect’.
Finally the audience at HOME have pressing questions about Joker, awards categories and how best to champion female-focused cinema.
Full list of films referenced:
Joker Taxi Driver To Die For Terminator: Dark Fate The Diary of a Teenaged Girl Elle Magic Mike The Last Seduction Thelma & Louise Judy Marriage Story Once Upon A Time In Hollywood Ad Astra American Woman Hustlers A Beautiful Day In The Neighbourhood Little Women Queen & Slim Portrait Of A Lady On Fire The Farewell
More about this episode’s guests:
Pamela Hutchinson is a freelance writer, critic and film historian who contributes regularly to Sight & Sound, The Guardian, Criterion, Indicator and the BBC, specialising in silent cinema and women in film. Follow her @PamHutch
Anna Bogutskaya is a film programmer, writer, event producer and podcaster. She is Head of Arts and Culture at DICE, Festival Director of BAFTA-recognised Underwire Festival, co-host of The Bigger Picture podcast and co-founder of horror film collective The Final Girls. Follow her @annabdemented
She Found It At The Movies: Women Writers on Sex, Desire and Cinema launches March 2020 https://redpress.co.uk/products/she-found-it-at-the-movies
Anna Smith is a film critic, broadcaster and Chair of the London Film Critics' Circle. Follow her @annasmithjourno www.annasmithjourno.com
Join Girls On Film live at HOME in Manchester on December 3rd 2019. homemcr.org
Girls On Film is an HLA Production produced by Hedda Archbold and Tom Whalley.
The hills are alive in an episode dedicated to big screen musicals, recorded with an audience at Widescreen Weekend to mark the BFI's nationwide musicals season. Emma Read and Mia Bays join host Anna Smith to discuss the joys and gender politics of The Sound Of Music, Grease, Calamity Jane, Funny Girl, Seven Brides For Seven Brothers and more.
Anna also reviews the best female-focused films of the BFI London Film Festival 2019, which will be coming to cinemas soon. And the audience join in a heated debate about revisiting classics from a modern feminist perspective.
All this and a live improvised rap...
The BFI Musicals season runs from October 2019 to January 2020. www.bfimusicals.co.uk
This episode was recorded in October 2019 at the National Science and Media Museum in Bradford. www.scienceandmediamuseum.org.uk
Emma Read is an actress, comedy performer and part of the all-female musical improv group Notflix. Follow her @xEmmaReadx @WFTCimprov www.waitingforthecallimprov.com
Mia Bays is an Oscar-winner producer and Director-at-Large of Birds Eye View, a pathfinder for films by women. Follow her @miafilms @BirdsEyeViewFF www.birds-eye-view.co.uk
Anna Smith is a film critic, broadcaster and Chair of the London Film Critics' Circle. Follow her @annasmithjourno www.annasmithjourno.com
Other films featured:
Portrait of a Lady on Fire An Easy Girl Nocturnal Rocks Judy and Punch Rare Beasts Lynn + Lucy Fanny Lye Deliver'd Yentl A Star Is Born Ill Manors The Greatest Showman Carousel The King And I Carmen Jones West Side Story
Join Girls On Film live in Manchester on October 23rd 2019: https://homemcr.org/event/girls-on-film-live-podcast-recording-1st-birthday-special/
Girls On Film is an HLA Production produced by Hedda Archbold and Jane Long with additional audio producing from Tom Whalley.
In episode 21 Tuppence Middleton, Ingrid Oliver and Tricia Tuttle join Anna for a special Girls On Film Live from the London Podcast Festival at Kings Place in London. The team review stripper revenge drama Hustlers, starring Constance Wu and Jennifer Lopez, and disagree about the French music movie The Shock Of The Future, featuring Alma Jodorowsky.
Ingrid speaks about her experience of filming The Hustle with Anne Hathaway and Rebel Wilson, as well as playing Petronella Osgood on Doctor Who. The director of the BFI’s London Film Festival Tricia picks three female directed films to watch at the 2019 LFF, including the new film from Marielle Heller, A Beautiful Day in the Neighbourhood, after her success with last year's brilliant film Can You Ever Forgive Me? Tuppence talks about recent release Downton Abbey, her early work in Trap For Cinderella, nude scenes – and avoiding the ‘girlfriend role.’ She also speaks out about the poster for The Current War, which went viral after being the subject of feminist graffiti.
Girls On Film is an HLA production, produced by Hedda Archbold and Jane Long
Syrian director Waad Al-Kateab is a special guest at this episode live from HOME in Manchester. The Channel 4 News journalist talks frankly about her time living and filming inside war-torn Aleppo and making her astonishing first feature film For Sama.
Anna is joined by BBC Asian Network’s Ashanti Omkar and the University of Salford’s Dr Kirsty Fairclough to review current releases Seahorse: The Dad Who Gave Birth and Phoenix, a Norwegian drama.
Ashanti guides us through Indian Cinema while celebrating HOME’s Not Just Bollywood season, and we discuss the sexual politics of the black comedy Lipstick Under My Burkha, which was banned on its release.
The panel pick their favourite Juliette Binoche movies to mark MUBI’s season of the great French actress, and come up with alternatives to The Bechdel Test.
All this plus great audience questions from our Manchester fans.
Don’t forget to sign up at mubi.com/girlsonfilm to get a free month of curated films to stream, plus a free movie ticket each week.
Girls On Film is live on September 12th 2019 at the London Podcast Festival: www.kingsplace.co.uk/whats-on/comedy/girls-on-film/
Find out more about the Consultation on the Government Duty to prevent Sexual Harassment:
https://www.gov.uk/government/consultations/consultation-on-sexual-harassment-in-the-workplace
Girls On Film is an HLA production, produced by Hedda Archbold and Jane Long.
Director Gurinder Chadha joins Girls On Film for a special episode about her new film Blinded By The Light. Based on the memoirs of Sarfraz Manor, the movie centres around a Bruce Springsteen-obsessed teen. The filmmaker talks about meeting The Boss and how Brexit informed the screenplay, as well as her career, feminism, her next music movie and her plans to make a superhero film.
Host Anna Smith also reviews the film along with critic Kim Taylor-Foster, the Entertainment Editor at FANDOM.
Book tickets now to watch Girls On Film Live! in Manchester and London:
September 3rd at HOME: https://homemcr.org/event/girls-on-film-live-podcast-recording-september/
September 12th 2019 at London Podcast Festival: www.kingsplace.co.uk/whats-on/comedy/girls-on-film/
Girls On Film is an HLA production, produced by Hedda Archbold, Jane Long and Alex Quinn.
Three women who’ve forged their own path in the film industry join Anna for an inspiring chat about making waves in a man’s world. Holly F Tarquini founded F-Rated, a ground-breaking system for rating female-driven films, Hilary Oliver launched Cameo Productions, a female-run audio production house & broadcast PR consultancy. Chiara Marañón is Director of UK Programming at MUBI who stream films from fantastic filmmakers who are often overlooked by other services.
Anna’s guests also share their reviews of influential movies in their lives. Full list here:
Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles (1975)
Johnny Guitar (1954)
La Camarista /The Chambermaid (2019)
Grace of My Heart, (1996)
Point Break (1991)
In a World… (2013)
Booksmart (2019)
Don’t forget to sign up at mubi.com/girlsonfilm to get a free month of curated films to stream, plus a free movie ticket each week!
For more info on Cameo go to www.cameopro.com.
Girls on Film is an HLA production, produced by Hedda Archbold and Jane Long.
Director Chanya Button joins Anna in the studio to discuss Vita and Virginia and makes a revelation about the sex scenes between Gemma Arterton and Elizabeth Debicki.
Our guest critics are Clarisse Loughrey (The Independent) and Sophie Monks Kaufman (Little White Lies), who review the new horror Midsommar starring Florence Pugh and Jack Reynor, as well as the romance Tell It To The Bees starring Anna Paquin and Holliday Grainger, and the bizarre gay porn thriller Knife + Heart with Vanessa Paradis.
Don’t forget to sign up at mubi.com/girlsonfilm to get a free month of curated films to stream, plus a free movie ticket each week!
This episode was recorded at the Mayfair studios of Cameo, a female-run audio production house & broadcast PR consultancy. For more info, go to www.cameopro.com.
Girls on Film is an HLA production, produced by Hedda Archbold and Jane Long.
Girls On Film goes live at Edinburgh International Film Festival with guest critics Larushka Ivan-Zadeh and Amber Wilkinson reviewing new releases Support The Girls and Penny Slinger: Out Of The Shadows, as well as EIFF screenings The Souvenir and Marianne & Leonard: Words Of Love. Anna is also joined by Miranda de Pencier, the director of the Canadian hit The Grizzlies, along with her star Anna Lambe.
Films put to the Bechdel Test include Beautiful Boy; Girlhood; Extremely Wicked, Shockingly Evil and Vile; Yesterday; Casino Royale and Nénette and Boni, which is showing as part of MUBI’s Claire Denis season. Girls On Film listeners can still take advantage of a complimentary month’s subscription (including free cinema tickets!). Go to www.mubi.com/girlsonfilm for details.
Larushka Ivan-Zadeh is Chief Film Critic at Metro newspaper and regularly comments on film across the BBC. She tweets from @Larushka_iz
Amber Wilkinson is co-founder and co-director of film website Eye For Film. She tweets from @NinjaWorrier
Anna Smith tweets from @annasmithjourno
Girls On Film is an HLA production, produced by Hedda Archbold and Jane Long.
Award-winning actress Maxine Peake joins Girls On Film live on stage at HOME in Manchester for a special episode to talk about her working life and her commitment to female-led films, such as her upcoming film Gwen.
Maxine also puts her favourite films to the Bechdel Test, while critics Emma Jones and Kate Muir join Anna to review Late Night starring Emma Thompson and Mindy Kaling, and discuss gender-flipped movies.
Anna reveals the winners of the Bumble Female Film Force and invites the listeners to take MUBI up on the offer of a free month’s subscription (including free cinema tickets!). Go to www.mubi.com/girlsonfilm for details
Girls On Film will next be at HOME on September 3rd. Girls On Film is an HLA Production, produced by Hedda Archbold and Jane Long.
Films discussed:
Late Night Men In Black International X-Men: Dark Phoenix Ghostbusters Funny Cow Peterloo The Falling Gwen Clueless Aladdin (2019) Desperately Seeking Susan Out Of Sight Hairspray Performance
Booksmart stars Beanie Feldstein and Kaitlyn Dever join Anna for a special episode celebrating Olivia Wilde's terrific new comedy about two friends looking for a party. Meanwhile, film critic Karen Krizanovich joins Girls On Film to review the movie and share hilarious highlights.
This episode was recorded at the Mayfair studios of Cameo, a female-run audio production house & broadcast PR consultancy. For more info, go to www.cameopro.com.
Girls on Film is an HLA production, produced by Hedda Archbold and Jane Long.
Three fantastic female filmmakers discuss their work on a special Sundance episode of Girls On Film. Lulu Wang (The Farewell) and Sophie Hyde (Animals) talk about portraying female relationships on screen, while The Brink’s Alison Klayman reveals how she gained the trust of notorious far right strategist Steve Bannon.
Lulu also speaks about her hopes for the new wave of mainstream Asian-American cinema, while Sophie discusses the joys of working on a film that Caitlin Moran dubbed ‘Withnail for girls’.
Sundance London runs til Sunday 2nd June - tickets for screenings at Picturehouse Central are still available at www.picturehouses.com/sundance
This episode was recorded at the Mayfair studios of Cameo, a female-run audio production house & broadcast PR consultancy. For more info, go to www.cameopro.com.
Don’t forget to sign up at mubi.com/girlsonfilm to get a free month of curated films to stream, plus a free movie ticket each week!
Girls on Film is an HLA production, produced by Hedda Archbold and Jane Long.
Cannes special!
Girls On Film hits the Cannes Film Festival with an episode recorded at the UK Film Centre in front of an industry audience. Films reviewed include Portrait Of A Lady On Fire and The Dead Don’t Die along with Cannes classics like We Need To Talk About Kevin. Our guest film critics are Leslie Felperin and Ella Kemp while Melissa Silverstein and Delphyne Besse discuss activism at Cannes and beyond.
We have an exclusive offer for listeners: we’ve teamed up with our friends at MUBI to give you a whole month of curated films to stream, plus four free hand-picked UK cinema tickets! Register at mubi.com/girlsonfilm
Like us on Facebook: https://www.facebook.com/girlsonfilmpodcast
Girls on Film is an HLA production, produced by Hedda Archbold and audio producer Kellie Redmond
This episode supported by Independent Film Company, UEG and FiXX.
Leslie Felperin is a film critic writing for The Hollywood Reporter, Variety and The Guardian.
Ella Kemp is a freelance writer for Culture Whisper, Empire, Little White Lies and Sight & Sound.
Delphyne Besse is an international sales agent, Head of Sales and Acquisitions at Urban Distribution International and co-founder of the gender equality movement in France, Collectif 50/50x2020.
Melissa Silverstein is is the founder and publisher of Women and Hollywood, and Co-Founder/Artistic Director of the Athena Film Festival
Amma Asante joins Anna Smith and film critics Wendy Lloyd and Angie Errigo for a special episode in front of an audience at The AllBright Club Mayfair.
Asante talks about her new film, Where Hands Touch, as well as her career, inspirations and being a film director in the age of Time’s Up. Films reviewed include Avengers: Endgame and Woman At War; while the panel discuss research around critical responses to the sexual violence in Red Sparrow.
Releases put to the Bechdel Test range from Claire Denis’ High Life to Dragged Across Concrete, while audience questions bring out fascinating issues around gender, film and bias.
Girls on Film is an HLA production, produced by Hedda Archbold and Jane Long.
Follow our guests on @AmmaAsante @amerrigoround @WendyLloydvoice and @annasmithjourno.
Us, Eighth Grade and Madeline’s Madeline are reviewed by Anna and her guests: Total Film’s Jane Crowther and BBC’s Rhianna Dhillon.
Recorded live at HOME in Manchester, episode 10 also features lively audience contributions and the panel dissect The Pajama Game, Dirty Dancing, Bend It Like Beckham, Passengers, Thor: Ragnarok, Whiplash and Greta.
Find out why Bo Burnham is our first male interviewee, and hear from director Josephine Decker about Madeline’s Madeline, which is in cinemas and on MUBI from May 10 (mubi.com/madeline). We have an exciting exclusive offer for listeners: we’ve teamed up with our friends at MUBI to give you a whole month of curated films to stream, plus four free hand-picked UK cinema tickets! Register at mubi.com/girlsonfilm
Girls on Film is an HLA production, produced by Hedda Archbold and Jane Long.
Follow us on Twitter: @totalfilm_jane @RhiannaDhillon and @annasmithjourno.
Like us on www.facebook.com/girlsonfilmpodcast/
Look out for future Girls On Film events at homemcr.org as part of their year-long Celebrating Women in Global Cinema season.
Anna welcomes Mia Bays (Birds Eye View), Eve Gabereau (Modern Films) Akua Gyamfi (The British Blacklist) and actor Muna Otaru (The Keeping Room) to a special episode from Annabel’s club in association with FiXX. Films reviewed include Jellyfish and The Breaker Upperers, while those put to the Bechdel Test range from Back To The Future to The Phantom Thread.
FiXX is an international multi-media programme: a collaboration between the film industry, media owners, gender diversity organisations and activists. FiXX has been founded to ensure better worldwide distribution of films made by women and the promotion of leading gender diversity initiatives. Their activities include a documentary series, film distribution fund, influencer events and a digital content channel. www.fixx.group
Girls on Film is an HLA production, produced by Hedda Archbold and Jane Long.
Follow our guests on @miafilms @ModernFilmsEnt @BritBlacklist @munaotaru and @annasmithjourno.
GirlsOnFilm
Miranda Sawyer and Francine Stock join Anna Smith to review Barbarella, Colette and Out Of Blue in the first in a series of episode recorded live from HOME in Manchester. Audience questions raise the topic of working class women in films, while films put to the Bechdel Test include If Beale Street Could Talk, Isle Of Dogs and Frozen.
Girls on Film is an HLA production, produced by Hedda Archbold and Jane Long.
Follow our guests on Twitter: @msmirandasawyer @FrancineFilm and @annasmithjourno.
Look out for future Girls On Film events at homemcr.org as part of their year-long Celebrating Women in Global Cinema season.
International Women’s Day exclusive! Brie Larson and Lashana Lynch join host Anna Smith to discuss Captain Marvel, the first stand-alone female superhero movie in the Marvel universe. Topics include female friendship, diversity in criticism, cleavage shots and cat allergies. Anna also welcomes back critic Larushka Ivan-Zadeh to review the film.
Girls On Film is an HLA production, produced by Hedda Archbold and Jane Long.
Live from Glasgow Film Festival 2019, episode 6 of Girls On Film sees host Anna Smith welcoming Observer critic Simran Hans, Dirty God director Sacha Polak and GFF’s own Allison Gardner.
The panel has a lively discussion about new releases Wild Rose and The Kindergarten Teacher, and debates on the charms of Bill Murray in Ghostbusters. Meanwhile films put to the Bechdel Test range from Thelma & Louise to Minding The Gap.
All this plus audience questions and news on the Bumble Female Film Force.
Girls On Film is an HLA production, produced by Hedda Archbold and Jane Long.
Recorded at the International Film Festival Rotterdam, episode 5 of Girls On Film features reviews of films including The Favourite, Dirty God, Second Act and The House that Jack Built from host Anna Smith and her guests, film critics Dana Linssen and Tara Judah.
The team also has a lively discussion with the audience about gender and film criticism.
Girls On Film is an HLA production, produced by Hedda Archbold and Jane Long.
Host and film critic Anna Smith is joined by Kate Stables and Steph Watts to exclusively reveal the results of The Bechdel Test Fest's poll, which asked female film critics to select the best films of 2018.
The critics also discuss Oscar contender Roma and hear from star Marina de Tavira. Meanwhile Anna interviews Kathryn Hahn and Tamara Jenkins about the Netflix film Private Life.
Girls on Film is an HLA production, produced by Hedda Archbold and Jane Long. Follow Anna on Twitter @annasmithjourno
Episode 3 of Girls On Film is a Time’s Up special in which Anna Smith and special guests chat about female roles, the pay gap, sisterhood and more.
Anna Smith is joined in the studio by actor Andrea Riseborough, whose new film Nancy comes from an all-female crew, and Birds Eye View’s Mia Bays, who is championing the diverse UK musical Been So Long.
Out and about, Anna interviews Carey Mulligan about feminism, body image and playing against type in the period film Wildlife.
Girls on Film is an HLA production, produced by Hedda Archbold and Jane Long. Follow Anna on Twitter @annasmithjourno
In episode 2 of Girls On Film, host Anna Smith is joined by film critics Larushka Ivan-Zadeh and Helen O'Hara to review A Star Is Born, starring Lady Gaga and directed by Bradley Cooper.
Films put to the Bechdel Test include Ant-Man and the Wasp, Pili, The Breaker Upperers, Bad Times at the El Royale and Venom.
Finally, writer-director Carol Morley chats to Anna at the London Film Festival about her upcoming film Out Of Blue.
Girls on Film is an HLA production, produced by Hedda Archbold and Jane Long.
Follow Anna on Twitter @annasmithjourno
Girls On Film is a new film review podcast from a female perspective, hosted by film critic and broadcaster Anna Smith.
Episode 1 (pilot): This week, the Girls On Film review Agnes Varda’s Faces Places, debate diversity in film criticism and put new movies to the Bechdel Test, including Widows, The Miseducation of Cameron Post, First Man, American Animals and a surprise choice that we dub ‘Spanx and the City’…
Host: Anna Smith, Critics’ Circle President and film critic for the BBC, Sky, Time Out, Metro, Sight & Sound and The Guardian.
Guests: Kate Muir, former chief film critic at the Times and now a screenwriter and campaigner with Time’s Up UK, Women and Hollywood and Birds’ Eye View.
Corrina Antrobus, film writer and founder of the Bechdel Test Fest.
An HLA Production, Executive producer Hedda Archbold, Producer Jane Long Music courtesy of MX Tyrants
Follow Anna on Twitter @annasmithjourno