Join Jack Draper and Clay Williams as they discuss the movies of the 2010s. Each episode, the guest picks their favorite, memorable or questionable film to see what will live on as the best cinema from the 2010s Support this podcast: https://anchor.fm/exitingthroughthe2010s/support
Oscar Goff (Boston Hassle) returns as a murder suspect to help us discuss Knives Out! Together we dig into the careers of the ensemble, Rian Johnson's clever script, Netflix curse of these movies and 2019 in review
Jaimie Arena joins us once again for 2019's examination of modern manhood in The Art of Self Defense! Together we discuss Jesse Eisenberg's appeal, karate as a kid, seriousness at which martial arts is taken, Alessandro Nivola always being good and how the movie ties into current events
Sonya Robinson and Jonah Koslofsky join us once again as we dig into 2018's iconic, Hereditary. Together we discuss Toni Colette's famous performance, overlooked aspects of the film like sound design, comparisons to Eddington and Ari Aster's Jewish sensibilities
Brandon Streussnig (Vulture) returns as we chat about the the beloved John Wick franchise. There's the influence on current slate of action movies of it all, Keanu's career, the well made action inspired by indonesian cinema and our favorite fights
Sam Cohen joins us as we chat about the Coen brothers making the best western of the 2010s in their remake of True Grit! Together we talk everything Jeff Bridges, our relationship with the Coens and the sweetness of the ending
Lyvie Scott returns as we revisit Sofia Coppola's 2017 southern gothic drama when she remade The Beguiled! Together we chat about the differences from the original Don Segal film, how great of an ensemble Coppola put together, sound design and how sympathy to the McBurney character
Allison Picurro (Boy Movies, TV Guide) returns for the forbidden British romance in God's Own Country . Together we discuss the brilliance of Josh O'Connor, Yorkshire as a setting and manual labor as a sign of repressed love like in Brokeback Mountain
Josh Bradley (Serious Film People) returns for Richard Linklater's magnum opus in Boyhood! Together we chat about the criticisms from the time, the characterization of Ethan Hawke's father figure, the performances, why the descriptor of "universal feeling" is outdated and pop culture influences on the movie
Matt Knost (Settle the Score) join us for 2010s documentary about Banksy (kinda) with Exit Through the Gift Shop! Together we dig into Banksy's place on pop culture, the perspective the doc takes on its main character and the elusive nature of the artist
Olivia Deaton (Intermission podcast) joins us for 2016's horror throwback in The Love Witch. Together we discuss the style of the movie, 2010s horror in general, Samantha Robinson's specific performance and comparisons to Jennifer's Body
Josh Polanski (Boston Hassle) returns as we chat about Jia Zhangke! Together we discuss the anthology film, fav segments, that epilogue and the Chinese restrictions
Peyton Robinson (Roger Ebert) returns with 2013’s The Double! Together we discuss how the movie is an overlooked comedy, the Jesse Eisenberg leading man appeal, movies we thought of in reference to The Double, the look of the movie and Richard Ayoade’s career
Sam Herbst returns as we discuss Debra Granik’s superb Leave No Trace. Together we go through the careers of the leads, films we thought of on our rewatch, earning the movies’ rotten tomatoes record and 2018 as a movie year
We are joined once more byAlmost Major pod's Kevin Tudor and Bryden Doyle to discuss 2014's THE GUEST! Together we cover Dan Stevens' career, what happened to Adam Wingard, the horror director, the late Lance Reddick and the memorable score
Abby Monteil returns with us for Claire Denis' space odyssey "High Life" together we discuss the view of assault and violence in the movie, Rob Pattinson, queuer making scifi, using Mia Goth and nihilism
Chris Feil (This Had Oscar Buzz) returns as we discuss 2016's Toni Erdman. Together, we touch on Clay's view on uncomfortable comedy, Sandra Huller's career, the view on capitalism beneath the surface of the movie, and the lingering remake
Josh Spiegel joins us for the fourth installment in the Mission: Impossible franchise with Ghost Protocol! Together we discuss the highest highs of the movie, the Brad Bird of it all, rebooting a franchise, anticitiation for Final Reckoning and lazer tag
Kyle Amato (Hawke Cast) returns for Wes Anderson's stop motion adventure in 2018's Isle of Dogs! Together we discuss the cultural appropriation that surrounds the movie, Bryan Cranston's performance, Kyle's relationship to Wes Anderson and its an animated movie without a quick pace
Hit the slopes! Alexa Heard joins us for the 2014 family drama as we discuss the role that gender plays in the movie, Swedish family dynamics, Ruben Östlund as a cultural filmmaker and role that the kids play in the movie
Marya Gates (Roger Ebert, author ofCinema Her Way) returns as we discuss 2014's BEYOND THE LIGHTS! Together we get into the trademarks of Gina Prine Bythewood, controversies surrounding Nate Parker and why the film successes at ernst melodrama
Orla Smith returns as we discuss 2013's sentimental comedy in The Serret Life of Walter Mitty! Together we discuss the career of Ben Stiller, production history, sincerity as a difficult tone and what it means for the movie to embrace consumerism
Kayleigh Donaldson is back for 2017''s period piece in ZAMA! Together we chat about the state of movies, Martel's short but impressive filmography, how she goes about adapting the novel, and how to make history simplified through movies
Critic Liz Shannon Miller joins us once again for Ridley Scott 2015 space odyssey in THE MARTIAN! Together we chat about scientific inaccuracies, the best cast of the decade, and what we would do with our time in space
Josh Bradley chats with us about Barry Jenkins coming of age masterpiece. They unpack how Florida becomes synonymous with A24, the aging of the infamous best picture presentation debacle and if this really is the best movie of the decade?
The delightful Carrie Wittmer (The Cut, GQ, The Ringer) joins us to celebrate what's now considered beacons of kindness and manners- that's just disguised as another "CGI animals interacting with human actors" in Paul King's Paddington series. We touch on Paddington 2's well-timed release regarding other world events, crying during movies and what Paul King did to make them as perfect as they are
Gaby Iori returns as we revisit Leslye Headland's delightful comedy that has only grown stronger since its release within the extinction of romantic comedies. We get to talk about if this qualifies as the modern When Harry Met Sally, the whiteness of the romance genre, and how Alison Brie and Jason Sudeikis broke away from TV
Filmmaker Esther Schwartz joins us as we dig into Billy Lynn and how many ideas this anomaly from Ang Lee has. Together, we get into the careers of the ensemble, Ang Lee's power following his second best director Oscar, Bush's America on screen in the 2010s and how the movies tech holds it back from being great
Scout Tafoya and Tuckerson are back again for one of the most infamous blockbuster failures of the 2010s with Gore Verbinski’s The alone Ranger! Together we get into the careers of the leads (yuck!), western influence, who remembers the disasters how, train robberies and pointless criticisms
Leah Carlson (Fang Club podcast) returns as we dive into the provocative thriller in 2013's STOKER! Together, We get into the careers of the 3 leads, the Wentworth Miller of it all, blacklist scripts, the expert characterizations and how the movies sees violence
Emily Jacobson returns as we get into the acclaimed South Korean revenge thriller. Together we discuss the career of Choi Min Sik, the flaws of the movie, and bad vibes on set
Valerie Ettenhoffer returns as we dig into one of the most famous horror films of the 2010s in The Witch. Together, we unpack the career of Anya Taylor Joy, Valerie’s personal connection to the character of Tomansin, Nosferatu, and the a24 of it all
Gillian Oakley returns as we revisit 2012's HOPE SPRINGS! Together we dig into the careers of the two leads, the 2012 box office, forgettable bad movies, and the clever screenplay thats at the heart of the movie
Jen Johans (Film Intuition, Watch with Jen) returns as we chat about 2015's Spy! Together, we get into the careers of Jason Statham and Melissa McCarthy, Feig's balance of espionage thriller and comedy, the state of comedies and celeb encounters
Logan Kenny returns and helps up conclude our series disusssing the films of Jaume Collet-Sera with 2018’s dynamic THE COMMUTER! together we rank the films from this month, spacial geography within the train, the politics of Die Hard and our brief thoughts on CARRY-ON
Surfs up! We’re going to the beach with Dom Sinacola (Paste magazine) to talk all things THE SHALLOWS! Together we get into the failure of the script, Blake Lively’s mediocrity, survival movies and where Collet-Sera still shows his craft
Mitchell Beaupre (Letterboxd, Paste magazine) is back for 2015’s thriller RUN ALL NIGHT! Together, we talk the underrated Joel Kinnaman, Liam Neeson continual subversion of his archetype and how well the action is directed
We’re not trying to hijack this podcast, we’re trying to save it as Dan Mecca and Conor O’Donell (The B-Side podcast, The Film Stage) are back. We disduss more of Liam Neason, the daring ending and location geography is making thrillers succsesful
Isaac Feldberg (Roger Ebert) returns as we kick off a series of episodes on the on films of Jaume Collet-Serra and we begin with 2011's UNKNOWN. Together we breakdown the significance of JCS, Liam Neeson as an actor star and European schlock
its out first Hong Sang Soo movie as Greg Hill-Turne (Chasing Statham) returns for RIGHT NOW WRONG THEN! Together, we talk about the kinds of movies we’d make as a director, the comforting mood from Hong movies and the affair from Hong Sang Soo and Kim Min Hee
bobbi miller (culture kitsch, the afternoon special) joins us for the iconic TOY STORY 3! together we highlight the performances of the movie, the pixar magic, and the daring ending
Meg Brady (I’m Screaming podcast) is back for the 2019’s Hustlers! Together we discuss the Jennifer Lopez of it all, period accurate detail of the movie, comparisons to other movies we’ve covered like The Big Short and Uncut Gems and how underrated the screenplay is
We're joined by Matt Zoller Seitz (Roger Ebert, author of Sopranos Session, The Wes Anderson Collection) to revisit Rogue One and its place in the Disney Star Wars era. Together we look back at the movie's faults, the cast performances, unfair criticisms, the daring ending, and how the movie improves with the existence of Andor
Sam Bodrojan joins us for Andrew Bujalski's overlooked comedy with RESULTS! Together, we look at the career of the three leads, the state of mumblecore at the time, and how little success the movie had portraying such uncinematic relationships
Justin and Laura Khoo (Cows in the Felid podcast) return for 2011’s prescient CONTAGION! Together we discuss Soderbergh and Burns’ well researched approach, the great ensemble and of course, the novel coronavirus which gave the movie a second life
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Andy Germuga and Emilo Diaz (Cannes I Kick It podcast) return for the compelling Steve Jobs! Together we chat about the career of Michael Fassbender, Sorkin talk, youtube movies and the movies growing reputation
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We welcome Melanie Shannon to the pod as we discuss the enigmatic Neon Demon! Together, we discuss why the movie was dismissed at the time, how obviously creepy the modeling industry is and if the movie is really a horror movie
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Returning guests Aaron Casis and Carlee Gomes (Hit Factory podcast) are here to talk the puzzling 15:17 to Paris but more importantly our first foray into Clint Eastwood's 2010s era. Together, we discuss the bizarre gelato scene, audience reaction in real time, and Clint's reputation as a public figure
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Kevin Tudor (Almost Major podcast) is back as we chat about Fede Álvarez' directorial debut and in the conversation for best horror of the decade, Evil Dead. Together we talk Alien: Romulus, state of current horror, the underrated cast, and 2010s remakes
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We’re seeing double this week as Sonya Robinson discusses Us (2019)! Together we talk the performances from the cast, the sizemic work from Jordan Peele with just three movies, the movies reception from the time, the movie’s eerie look and Trap
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Bilge Ebiri and Brandon Streussnig (Vulture) are back for 2017’s harrowing ONLY THE BRAVE! Tgether we discuss the secret genius with Joe Kosinski, the career of Miles Teller and comparisons we see to Michael Bay
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Sophia Cimenello (Oscar Wild pod) joins us for the beguiling thriller with Lee Chang Dong’s BURNING! Together we chat about the career of Steven Yeun, South Korean cinema at the Oscars, coming up with our own intreptations of the events of the film and how the loneliy protaginst at the center of the film is tiemly as ever
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Alison Piccurro (Boy Movies) and writer Cassidy Olsen return as we revisit Wes Anderson's generationally defining coming of age comedy with MOONRISE KINGDOM! Together we discuss if the movie could've taken place in another decade, the perfect pasting, problems with Wes Anderson post Isle of Dogs
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Soraya Sebghati (Night Talks band) joins us for Ben Wheatly's horror/thriller (John Wicker man for short) with KILL LIST! Together, we let Clay cook about Michael Smiley, the scariness of folk horror and Wheatly being overrated or underrated
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Jonah Koslofsky (The Spool) is back as we reexamine 2014's epic GODZILLA! Together we talk all things film career of Bryan Cranston, the flaws of Gareth Edwards, criticisms of the film when it came out, and if this is in the conversation for the best blockbuster of the 2010s
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Culture writer Daniella Mazzio joins us to discussing the singular work of Don Hertzfeldt with the legacy of It's Such a Beautiful Day. Together we talk about the zillennial bridge Don Hertzfeldt builds from viral videos to cinema, influence from Rejected and adult swim
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We revisit the Ocean’s 7/11 as Sarah Welch Larsen (Bright Wall Dark Room) joins us! Together we discuss the careers of Daniel Craig and Riley Keough, Soderbergh’s retirement, Clay’s West Virginia hatred and how well the movie has aged since 2017
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Allegra Frank (The Daily Beast) joins us for a rom com parody that was dead on arrival with 2014’s THEY CAME TOGETHER. Together we discuss the careers of the two leads, the movies cruel tones, comparisons to lonely island and Wet Hot American Summer influence
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Mitchell Beaupre (Letterboxd, Paste magazine) is back to discuss 2015’s Tomorrowland! Together we talk about the career of Brad Bird, optimistic blockbusters and why the movie didn’t connect with audiences
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Comedian Jon Gabrus is back and joins us to take a look back at the prescient thriller in SICARIO. Together we discuss the careers of the three leads, Denis Villeneuve’s significance in the 2010s and the unique tension captivated by Taylor Sheridan
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Clint Worthington returns as we discuss the profound moral dilemmas Josh Oppenheimer’s The Act of Killing and Look of Silence! Together we unpack the suppression of Indonesian history from the genocide, the difference in form from the first documentary to the follow up and the striking ending in Act of Killing
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Morgan Roberts (Film Gaze podcast) is back as we revisit 2015’s Room! Together we look at the careers of Brie Larson and Jacob Tremblay’s careers, mid 2010s adaptations, 2015 Oscars and the tonal balance risked by Abrahamson in the movie
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Noah Gittell (The Ringer, The Guardian, author "Baseball: The Movie") joins us for one of the best comedies of the decade with Richard Linklater's Everybody Wants Some!! Together we go through the breakout Glen Powell performance, the Dazed and Confused connections and Linklater baseball references
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Aramide Tinubu (Variety) is here to revisit how hard it is to leave behind the sad irish life with Brooklyn! We unpack Saris Ronan’s. Second Oscar nom, movies made for the elderly and love triangles
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Guy Dolby (Polygon, Gawker) returns for somehow after four and a half years the first Wes Anderson we’ll be covering with THE GRAND BUDAPEST HOTEL! Together we discuss the Wes Anderson reputation circa 2014, the 2015 Oscars, Ralph Fiennes in the 2010s and how it ranks among the best comedies of the decade--- Send in a voice message: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/messageSupport this podcast: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/support
In a decade filled with homogeneous comic book movies, none is quite like 2018’s Venom! Fletchers Peters (Daily Beast) returns for all things Tom Hardy career talk, the bizarre origin of the movie, journalists that could be infected with venom and improvements in the movie made by the sequel--- Send in a voice message: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/messageSupport this podcast: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/support
Lyvie Scott (Slash film) returns for 2017's disastrous KING ARTHUR adaptation. Together we discuss 2010s failed fantasy, Game of Thrones influence over the movie, the troubled production and Charlie Hunam career talk
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We escaped a cult to pod about Martha Marcy May Marlene as Tyler Harford is back! Together we touch on the career of Sean Durkin, the films Oscar buzz, career of Sarah Paulson and Durkin's haunting writting --- Send in a voice message: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/messageSupport this podcast: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/support
Why I outta! Jesse Catherine Webber and Cullen Atchley (Cannes I Kick It podcast) are back to discuss the failure and reclamation of 2012’s THE THREE STOOGES! Together, we come up with MANY recastings, the development hell the movie found itself in, how the movie was doomed to fail and the sincerity that makes the movie work 12 years later
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Alex Kittle(Pan and Scan illustrations) joins us for 2013’s industry romantic comedy as well as Lake Bell’s directorial debut with In a World! Together we discuss Bell’s career, her chemistry with Demetri Martin, the movies poignant ending, careers that Hollywood doesn’t know what to do with and how well the movie has aged since 2013
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Matt Singer (Screencrush, Opposable Thumbs book) joins us for the mo-cap era and the Adventures of Tintin! Together we talk all the odd visual choices of Tintin’s design, comparison to the Robert Zemeckis motion capture films, Spielberg comedies and uses of 3D
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We’re deep in politically charged Chicago and talking all things 2018’s provocative WIDOWS! We discuss the careers of the cast, why the movie failed at the box office, Oscars 2018 and how much Clay loves the Liam Neason almost hate crime
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Roxana Hadadi (Roger Ebert, Vulture) returns as we discuss James Gray’s cerebral sci fi odyssey in 2019’s Ad Astra! Together we unpack the haunting Brad Pitt performance, the theme of fathers and sons through Gray’s films, the films view on catharsis and 2010s auteur space films
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William Goodman (GQ, Complex) returns for 2011’s WW2 adventure romp in CAPTAIN AMERICA THE FIRST AVENGER! Together we talk casting would ifs, MCU state of the union, Joe Johnston and Hayley Atwell being taken for granted and what MCU phase one
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Hanna Phifer is here for 2019’s horror comedy with MA! We dig into why Octavia Spencer’s filmography needs fixing, how the movie is such a joke online, Blumhouse in 2019 and how bullying is a hidden theme of horror thriller in the 2010s
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Bailey Herdè returns to help us discuss the clever Jump Street duology. Along with Tatum and Hill’s career and missed potential, how Phill Lord and Chris Miller weaponize nostalgia to their advantage and how the movie has a longer shelf life online through gifs and meme
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Kambole Campbell (Empire Magazine) returns to the pod to help us cover Hayao Miyazaki’s magnum opus with THE WIND RISES. Together we go over the dubbed American cast, disproving how Ghibli isn’t similar to Pixar and similarities to Oppenheimer
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Veronica Phillips (Film Daze) returns to the pod as we discuss the psychological horror sensation in It Follows! Together we discuss what makes us unsettled about the film being teens when we first saw it, the career of Make Monroe, our interpretations of the monster and horror at Cannes
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Bryden Doyle and Charlie Nash (Almost Major podcast) are back as they picked Jim Jarmusch’s sensual ONLY LOVERS LEFT ALIVE. Together we talk all things Tom Hiddleston, Detroit on film, Jarmusch going into the 2010s, vampire lore and trip hop
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Sam Herbst is back for 2019’s Her Smell and how it fits into the 2018/2019 fictional musician character studies. Together, we discuss the careers of Alex Ross Perry and Elizabeth Moss, the excellent sound design, seeing the movie at TIFF, and the movies reputation now
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Alison Herman (Variety) joins us for Paul Thomas Anderson’s beloved dissection into codependency and gender dynamics in 2017’s phenonomal PHANTOM THREAD. Together, we remember how remarkable Vicky Krieps was, showing the film to your partner, Jonny Greenwood’s score which is one of the best of the decade and how this toxic relationship compares best to Gary and Alana of LICORICE PIZZA
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Scout Tafoya and Tucker Johnson (End of History video essay series) return to the pod for the forgotten but brilliant Sherlock Holmes sequel and its importance on getting blockbuster action. Together, we discuss RDJ’s and Jude Law’s careers, the relation Guy Ritchie has to Tony and Ridley Scott, lack of this era of London in cinema, and why we saw a third film made despite the first two film’s success
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Sophie Shin (Letterboxd) joins us as we unravel the mystery of 2016’s ARRIVAL! Together we talk the unique screenplay, best actress 2017 and the infamous Amy Adams snub, seeing it in theaters, Denis Villeneuve’s 2010s run and the haunting score from the late Johann Johannsson
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Eric Zipper is back as we revisit 2016’s Swiss Army Man! Together we unpack the career of Daniel Radcliffe, the films brave ending, 2016 in film and how the film compares to the Daniels’ EVERYTHING EVERYWHERE ALL AT ONCE
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Soraya Sebghati (Night Talks band) joins us for Paul Schrader’s haunting and prescient First Reformed and how we see the film aging after 2018. Together we zero in on Ethan Hawke’s remarkable performance, Clay and Jack seeing the film at 18, how Schrader evolves the Travis Bickle character and how the film speaks to America’s helplessness
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We conclude a month of covering 2010s Scorsesse by having video essayist and filmmaker Taylor Williams chat with us about the eerie Shutter Island! We get into all, like mindfuck cinema, Leo DiCaprio in 2010, comparisons to The Shining and the films cultural legacy
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Gillian Oakley joins us for Triple Frontier, which has been reevaluated since 2019 for being more about the fragility of contemporary veterans than just a typical military drama. Together we zero in on the careers of the leading men in the film, Pedro Pascal fandom, alternative castings and the commentary on the military-industrial complex
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Michelle O’Connell (The Film Stage) is back as we continue going through Martin Scorsesse’s work in the 2010s. This time with The Irishman, which has us zeroing on Robert De Niro’s excellent turn, the de-aging of it all, best-supporting actor line up from this year and how Scorsese looks at the friendship of Hoffa and Sheeran
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Josh Polanski is back for all things 2016’s Silence! Together we take the journey to the movie getting made, our own views on the emotional conflict and Liam Neasons’ 2010s career
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Marya Gates (The Playlist, Roger Ebert) is back as we discuss Hugo and how well its aged since 2011. Together, we touch on Scorsesse’s mistake in capturing the history of silent films, films on streaming, 123movies, Babylon’s comparison to Hugo and Asa Butterfield
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Valerie Keaton returns for another episode in horror month as she picks the remake of the classic Black Christmas! Together we unpack the urgency and frustration the film contains, Imogen Posts’ performance, more talk about the rise of Blumhouse and why the film failed at the time critically and financially
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Kevin Tudor (Almost Major podcast) is back for John Erick Dowdle’s The Poughkeepsie Tapes. We get into it all such as the future for the found footage genre, the films botched release and how we judge the inconsistent performances
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Oscar Goff (Boston Hassle) is back for Adam Wingard’s You’re Next! We go into his mixed output in the 2010s, the filmmakers acting in the film, how the film is compared to the last time we talked about Winged (Blair Witch) and how 2010s horror can be compared to the 70s in horror
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Mitchell Beaupre (Letterboxd, Paste) returns for JASON BOURNE and BOURNE LEGACY as known flawed continuations of the beloved action franchise. We discuss the career of Jeremy Renner and Matt Damon, Tony Gilroy’s misguided script, if we are more a Ben or a Matt, that Treadstone tv show and the Bourne Legacy’s horrible ending --- Send in a voice message: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/messageSupport this podcast: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/support
Would it help if we podcasted? Emily Diaz and Andy Germuga (Cannes I Kick It podcast) join us for 2015’s Bridge of Spies! We talk for the first time Tom Hanks (!) and his interesting 2010s, Mark Rylance’s Oscar win, Spielberg’s dad cinema trilogy this decade, what could “Bulit” looks like and how we took the movie for granted at the time
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Billy Ray Brewton (The Incinerator) comes to the pod for John Carney's 2016 coming-of-age comedy Sing Street. Together we discuss 2010s Irish cinema, the films muted reception, the state of Star Wars and Clint Eastwood
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Jesse Hassenger (Paste magazine) returns to chat with us with all things T2: Trainspotting and what the film meant in 2017. We’ll discuss Ewan McGregor’s 2010s, Jesse seeing the first one as a teen compared to seeing T2 as an adult, our favorite performances, and how Boyle managed to differentiates the film from other legacy sequels
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Greg Hill Turner and Logan Kenny return to cap off double date month along with the 200th episode of Exiting! Together we unpack what makes The Other Guys so good all these years later, dissecting Mark Wahlberg, the fallout of Farrell and McKay leading to McKay’s more dramatic work and the perfect support cast
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Peyton Robinson and Emily Jacobson (Filmdaze) return for Sam Levinson’s polarizing satire with 2018’s Assassination Nation! Together we talk generational differences with looking at the internet as cuspers, movies our parents like, Euphoria and The Idol
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Emmy potter and Carrie Wittmer return for a reunion of Winona Ryder and Keanu Reaves in Destination Wedding. Together, we discuss how the Gen X icons have evolved in the 2010s, Winona’s ridiculous shoplifting scandal, how the movie compares to other films we have covered like Bridesmaids and Bachelorette and 90 minute movies
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We explore class inequality in 1800s Manchester with Dan Mecca and Conor O'Donnell (The Film Stage, The B-Side podcast) and Mike Leigh's latest work in 2019's Peterloo. Together we talk Amazon studio some more, Leigh's decision to have a cast of unrecognizable character actors, Rory Kinnear's excellent performance and how Dan and Connor friendship through movies
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We're going bank robbing and exposing police corruption with Allison Picurro (Boy Movies, TV Guide) and Cassidy Olsen (The Boston Globe, filmmaker) join us for Derek Cianfrance's crime drama but really about fathers and sons in The Place Beyond the Pines! Together we examine the big canvas Cianfrance had after Blue Valentine, how its so 2013 to end your movie with Bon Ivor, the muddled third act and the start of our Double Date month
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We’re just trying to get our boys back with Ricky Camilleri (BULID series, 30 Years Later podcast) as we cover 2017’s Dunkirk as we consider it the defining war picture of the 2010s. Together, we return to examine Christopher Nolan in the 2010s, the career of Hans Zimmer, comparisons to 2019’s 1917 and our favorite performances
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Jim Laczkowsi (Director’s Club podcast) returns for Peter Strickland’s beguiling psychological romance in The Duke of Burgundy. Together we discuss Strickland’s place in 2010s films, how the film compares to the more approachable 50 Shades of Grey films, comparing this relationship to that in 2015’s Carol and monogamy
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Kendall Cunningham (The Daily Beast) joins us for Yorgos Lanthimos’ 2015 comedy in The Lobster! We dig into the careers of the cast, our interpretations of the ending, and our final thoughts on Lantimos with this being the last of his American films to cover
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Leah Carlson Downie (Oscar’s Podcaast, Fang Club) returns to unspool all that was poor and successful in 2019’s political rom-com (poli rom-com?) Long Shot! Together we get into the careers of the two leads, that bizarre Andy Serkis why we haven’t covered too many films that deal with 2010s politics and the decline of the modern rom-com from the late 2010s to now
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Filmmaker Joshua Nathan Strong joins us for the divisive reimagining of Superman in Zack Snyder’s Man of Steel! Together we chat about Snyder’s career, the misguided view of Superman, casting what-ifs and why the film has been criticized for more than a decade
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We welcome back Aaron Casis and Carlee Gomes (Hit Factory podcast) for a look back into the overlooked rebooted Planet of the Apes trilogy. With a focus on the Matt Reaves films in the trilogy, we discussed Andy Serkis’ contribution to a new form of acting, the characterization of Ceaser and having this being up there as the most sophisticated blockbusters of the 2010s
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Comedian Emma Arnold stops by the pod to discuss 2014’s psychological horror in The Babadook! Together we chat about what makes this an instant classic, viewing the film as a mom and the queer legacy the Babadook itself carries on in pop culture
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Lyvie Scott joins us for Wong Kat Wai’s only out in the 2010s in The Grandmaster and how he expertly injects his own vision into the action genre and perfecting it. Together we get into the philosophy in the heart of the film, our relationship with these epics and what the Weinsteins did the film in 2013
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Jon Gabrus (High and Mighty podcast) joins us for Lynne Ramsay’s 2018 thriller in You Were Never Really Here. We get into Joaquin Phenix’s 2018, why we started Exiting and Ramsay’s view on violence
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Dom Sinacola (Paste magazine) joins us for Harmony Korine’s second and final film of the 2010s in THE BEACH BUM! This shaggy and delicate comedy has more than alot to say about the creative soul, depiction of Florida, how the movie never found an audience and what is next for Matt McConaughey
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Gavin Mevius (Mixed Reviews podcast) joins us this episode for Kirsten Johnson’s portrait in humanism with 2016’s Cameraperson. Together we get into the much more emotionally taxing first cut of the doc, what makes the editing so powerful and the film being right up there with some of the best docs guests have brought to the pod
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Jamie Arena joins us for Scream 4 and the creative decisions that made this ahead of its time in 2011. Together, we go over the stand-out performances of Emma Roberts and Hayden Panettiere, how Wes Craven created tension and the meta aspects of the franchise growing old or stale?
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Matt Cipolla (The Spool, The Film Stage) joins us this week for Brady Corbet’s Twenty-First Century Portrait with Vox Lux, Corbet’s response to America in the perspective of a pop star after he had an impressive run in the 2010s as an actor. Together, we look at our memories of iconic American moments of the 00s, imaginative biopics, and how the movie was neglected in 2018
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Jihane Bousfiha (Vulture, Paste) returns to the pod for the romantic tragedy in Blue Valentine. Together we dissect the behind the scenes approach to the Williams and Gosling marriage, the 2011 best actress line up and the early 2010s Ryan Gosling era
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Bailey Herdé returns for the beloved cult comedy classic in 2016’s Popstar: Never Stop Never Stopping. We dig into our memory with discovering Lonely Island, why the movie bombed and what makes this one of the great achievements in 2010s comedies
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Brandon Streussnig (The Playlist, Vulture) returns for Oliver Assayas’ haunting portrait of grief and loneliness in 2017’s Personal Shopper. Together will breakdown texting on film in the mid 2010s and believing in ghosts
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Josh Polanski (The Boston Hassle) joins us for a retrospective on the finale of the PWSA films for the much-maligned Resident Evil franchise in 2012’s Retribution and 2016’s The Final Chapter. Together, we examine Michelle Rodriguez’s career, updating video games into films, viewing the franchise through a theological lens and what we watched on January 6th
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Izzy from Be Kind Rewind joins us for Christian Petzold’s Transit! We discuss the use of a period piece setting, the chemistry between Paula Bear and Franz Rogowski and oppression in Petzold’s filmography
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Veronica Phillips (Filmdaze, The Daily Beast) joins us for Sarah Polley’s dissection into monogamy with Take This Waltz! Together we dive into the careers of Seth Rogan and Michelle Williams, this idiosyncratic vision of Toronto on film, marrying young and Barry Jenkins’ The Lion King 2
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Author/critic Matt Pais (Talk 90s With Me, Zach Morris Lied 329 Times) joins us to cover Noah Baumbach’s crowning achievement of the 2010s in 2019’s MARRIAGE STORY! We dive into the economic screenplay, awards season, online discourse, divorce movies and much more
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Phil Iscove (Podcast Like Its, Sleepy Hollow) returns for an instant cult classic that still holds a strong cultural footprint in Scott Pilgrim v the World! Together we go through its sensational ensemble, misinterpreted nice guy protagonists of the early 2010s/late 00s, differences from the comics, where is Edgar Wright's career going and the real life Toronto shooting locations
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Mitchell Beaupre (Paste, Letterboxd) is back and brought 2010’s and 2015’s HOT TUB TIME MACHINE and HOT TUB TIME MACHINE 2 to us to examine a surprisingly heartfelt studio comedy, an abhorrent one. Together we once again look at our favorite 2010s comedies, Marion Cotillard, how the film was labeled with comparisons to THE HANGOVER and what makes a comedy sequel so difficult to match with their first outing
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Wes Muszynski (Filmdaze) returns for Pedro Almodovar’s personal melodrama in 2019’s Pain and Glory! Together we rank the best foreign language Oscar winners of the 2010s, Antonio Banderas in the 2010s and Oscar clips
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Andrew Kendall returns for 2018’s phenomenon in Alfonso Cuaron’s Roma! Together we get into why it lost best picture, our favorite Netflix original films, and how it began a trend of auteur auto fiction in the years following
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Valerie Keaton (The Odd Pod, We Need To Talk About Kevin) returns for Sebastián Lelio’s social realist drama in A Fantastic Woman! We get memories from film classes, discovering our love of film in the age of the internet, and misdirections Lelio has that prevent the film to be truly great
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Roxana Hadadi (Vulture, Crooked Marquee) returns for Asgar Farhadi’s tense thriller and second winner in the 2010s for Best International Feature Oscar winner with THE SALESMAN! Together we get into Farhadi’s central obsession with living with ambiguity, GLASS ONION corner and the movies Clay saw over Christmas vacation
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We continue on with the best international feature Oscar winners and welcome Conor O’Donnell (The B-Side podcast, The Film Stage) for Lazlo Nemes’ directorial debut in SON OF SAUL! Together we focus on the reputation surrounding the film’s perspective on the Holocaust, how it sneakily inspired films to use similar formal techniques, and the film ends up feeling like more MUNICH than SCHINDLERS LIST
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Rafa Sales Ross (Little White Lies, Variety, Letterboxd) returns as we continue the best International feature Oscar winners, this episode for Paolo Sorrentino’s meditative THE GREAT BEAUTY! Together we compare the film to The Fabelmans and its views on creativity, Clay starts a project going through Denzel Washington’s filmography and Italian cinema’s greatest strength as carrying pathos through its location
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Megan Brady (I’m Screaming podcast) returns for Pawel Pawlikowski’s understated meditation on grief and loneliness in 2014’s Ida. Together we get into the 2023 Oscar race, how Agata Trzebuchowska was cast in the film and how close Pawlikowski almost made it into the best director race
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Jordan Raup (The Film Stage) joins us as we continue the Best International Features Oscar winners series with 2012’s Amour. Together we’ll discuss that THR writters roundtable with Michael Haneke discussing the moral dilemma of filming the holocaust with Judd Apatow and John Krasinski sitting next to him, the arresting performances from Jean-Louis Trintignant and Emmanuelle Riva and Best International feature nominees making it into the Best Picture lineup
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Justin and Laura Khoo (Cows in the Field podcast) are back for Asghar Farhadi’s thriller from 2011 with A Separation. Together we touch on Farhadi’s recent controversy, divorce as a bureaucratic crisis, and God’s Not Dead
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This episode we start out fourth miniseries on 2010s awards winners! This time, we begin to cover the Best International Feature Oscar winners and In a Better World (Denmark) from Susanne Bier to start us off. Alex Kittle joins us as we touch on the politics of each country having a film to represent them, the gripping performances and how much the film feels like awards bait in hindsight
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Former interim cohost Tyler Harford returns for 2017’s dark comedy in Ingrid Goes West. We discussed the career of Aubry Plaza, how the film is ahead of its time in satirizing social media influencer culture, and Yellowstone
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Leslye Headland's directorial debut still remains polarizing ten years later. A mix of the trappings found in many early 2010s studio comedies along with an adaptation from Headland's play of the same name, Kevin Tudor, Bryden Doyle and Charlie Nash (Almost Major podcast) brings us the film. Together we discuss Kirsten Dunst in the 2010s, comparisons to The Hangover and Bridesmaids and unconventional 90s music needledrops
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We welcome Jim Laczkowski (Director's Club podcast) for 2011's Take Shelter! Together we discuss the ending, Jeff Nichols' thoughtful portrayal of mental illness and dream sequences in film
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Morgan Roberts joins us for the romantic comedy Ruby Sparks featuring real-life couple Paul Dano and written by Zoe Kazan and directed by real-life couple Jonathan Dayton and Valerie Faris. Together we praise Kazan's breakdown of the "Manic Pixie Dream Girl," the career of "Steady Eddy" Chris Messina and Sundance films' version of leading men
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Cassidy Olsen returns for Joe Wright's overlooked coming-of-age thriller in Hanna. Together we examine Saoirse Ronan's 2010s once more, the score by The Chemical Brothers and that tv adaptation that doesn't exist
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Scout Tafoya (author of Cinemaphagy: On the Psychedelic Classical Form of Tobe Hooper) and Tucker Johnson return for Steven Spielberg's quiet historical drama in 2012's Lincoln. Together we'll go over the sprawling ensemble (aside from JGL), Tony Kushner's winning screenplay and overlooked aspects of Spilberg
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We welcome Hit Factory podcast, who covers the films of the 90s and we cover the 2010s, our collab was only a matter of time! Today they bring us Ridley Scott's polarizing The Counselor with the episode including Kenan Thompson, The Rihanna Cut, Michael Fassbender's accent work and the loss of Tony Scott felt throughout the film and Ridley's films proceeding this one
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We're podding with Kambole Campbell (Empire, Little White Lies) through multiple universes as we talk Spiderman: Into The Spiderverse from 2018! Discussion includes this being the best superhero film of the 2010s, if this will be a foundational film for this generation filmmakers and the involvement the Sony leaks had in the production
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Valerie Ettenhofer (Slash film, Film School Rejects) joins us for Agnes Varda and JR's ode to art and memory in 2017's Faces Places. We get into the moments that made us cry, the legacy of Varda in the 2010s, and that one time Madonna wanted to remake Cleo From 5 to 7
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We're joined by Leah Carlson-Downie (Fang Club, Oscar's Podcaast) for Joe Cornish's directorial debut in Attack The Block and the love for the film that's grown since. We'll get into John Boyega's career, if this qualifies as a cult classic and selling this with the Edgar Wright brand
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Brett der Wiese (Brettriculture) returns for Shin Godzilla and what the reboot looks like after 2014's Godzilla. We get into the history of the franchise as well as how Godzilla evolved in the 2010s
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Marya Gates (The Playlist, Roger Ebert) joins us for Nic Winding Refn's iconic Drive. We dig into Albert Brooks' near oscar nomination, the sound design category at the Oscars, and movie theater audience reactions
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We welcome Oscar Goff (Boston Hassle) to the pod and talk about 2016's Hail, Caesar! and the Coen Brothers' interrogation of why they love making movies. Discussing the careers of Josh Brolin and Alden Ehrenreich, how we look at this post-Coen breakup and why this didn't work for audiences at the time
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We welcome Vice Victus (Polygon) to the pod for the last episode of our month-long series on action films of the 2010s! We'll unpack 2010s wars films, how this became a box office success in South Korea and turning a historical naval commander into an action star
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Jordan Crucchiola (Disaster Girls, Vulture) is back to be the ambassador for the maligned legacy sequel, Terminator: Dark Fate. We'll discuss the career of Mackenzie Davis, the trouble production between creative differences with Tim Miller and Jim Cameron and how Dark Fate failed at the box office in the fall of 2019
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Action month continues as we're joined by Alex Rallo (One Perfect Headshot) joins us for Peter Chan's 2011 thriller Dragon. We talk about the career of Donnie Yen, what makes the great modern action star and hard to track down/forgotten films
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WIlliam Goodman (Complex) joins us to chat about the most recent output from the Mission Impossibles and when we saw Chris McQuarrie become the overseer of the franchise. As well as getting into the career of Rebecca Ferguson, how the action sequences hold up so well since 2015 and 2018 and comparing Rogue Nation to other 2015 sequels we've covered like Mad Max: Fury Road or Magic Mike XXL
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Jen Johans (Film Intuition, Watch with Jen podcast) returns to kick off our collection of episodes apart of action month! Very excited to bring a genre-themed month within these next five weeks; first up is Phillip Noyce's Salt! We talk about Angelina Jolie in the 2010s, cloak and dagger thrillers that exist exclusively on cable, and the film's needless alternate ending
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Peyton Robinson (JumpCut, Roger Ebert) is back for the defense of the NYSM duology we've been waiting for and why they should be remembered as better action comedies than their reputation suggests. We'll also get into the career of Woody Harrelson in the 2010s, best versus favorite films, the perspective and tone in making a heist film
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Bailey Herdè (Bright Wall Dark Room, Flip Screen) joins us for 2018's marvelous Game Night. Along with Jason Bateman in the 2010s, why this studio comedy stands out from the others and comedies that feel timeless like this does
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We couldn't repeat the past though Greg Hill-Turner (Chasin' Statham podcast) returns for Baz Luhrmann's polarizing adaption of the classic American novel The Great Gatsby. Together we go over the career of Tobey Maguire and Joel Edgerton, the infamous hip-hop-inspired soundtrack, books we read in the high school and the 3D of it all
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Paul Oyama (Movie Trivia Schmoedown) is back for Steven Soderbergh's whip-smart and overlooked High Flying Bird. We'll talk about the career of Andre Holland, relations to other films we've covered like OJ Made in America and Moneyball, how fast the NBA is changing, and Soderbergh's partnership with streamers
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Chris Feil (This Had Oscar Buzz, Vanity Fair) joins us for Another Year and a bevy of exquisite performances than come with a Mike Leigh movie. Together we'll discuss the 2011 Oscars, the Mike Leigh process, and what Entertainment Weekly. Consider donating to an abortion fund: https://www.thecut.com/article/donate-abortion-fund-roe-v-wade-how-to-help.html
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Saffron Maeve (Paste, Little White Lies) is back for Shane Black's latest buddy comedy in 2016's The Nice Guys. We'll get into Russell Crowe in the 2010s, how Black's Los Angeles differs from other films we've covered like Inherent Vice and Under The Silver Lake, Nicolas Winding Refn's random streaming service: ByNWR and going back to see movies we first saw at 17
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This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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Broey Deschanel returns as we meet in Greece for the conclusion (?) of Richard Linklater's Before trilogy on its ninth anniversary! We get into the career of Ethan Hawke, how ranking the trilogy is didactic and how Julie Delpy and Ethan Hawke contribute to the screenplays in the trilogy
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Allison Picurro (TV Guide) joins us for the deeply human Enough Said. Together we remember Jim Gandolfini, the career of Nicole Holofcener, why HBO's The Staircase isn't more popular, how cool Michael Imperioli is and fake rom-com jobs
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Clint Worthington (The Spool, Roger Ebert, Consequence) is here with us for Michael Bay's testosterone-fueled black comedy Pain and Gain, in honor of the release of Ambulance. We talk about the career of Dwayne "The Rock" Johnson, Bay's admiration for the Coen Brothers, and the depiction of American capitalism in 2013 movies
Consider donating to an abortion fund: https://www.thecut.com/article/donate-abortion-fund-roe-v-wade-how-to-help.html
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Jihane Bousfiha (Vulture, Paste magazine) is here on the pod to talk about 2017's The Florida Project. We'll end up talking about the incredible career of Willem Dafoe and push back to Sean Baker's depiction of poverty
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Brianna Zigler (Paste Magazine) returns for the beloved sophomore feature with Robert Eggers' The Lighthouse! We chat about if this will end up being a horror classic, a24 comedies and Cannes 2019. Consider donating to an abortion fund: https://www.thecut.com/article/donate-abortion-fund-roe-v-wade-how-to-help.html
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Sam Herbst (The Kidmanifesto podcast) joins us to discuss Andrew Haigh's exquisite 45 Years but more importantly NOT Star Wars and Suicide Squad. We get into it all like best actress 2015, movies that don't exist and the career of Charlotte Rampling
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Mitchell Beaupre (Letterboxd, The Film Stage) joins us to chat about one of the finest action blockbusters of the 2010s in Doug Liman's Edge of Tomorrow. We unpack why the movie failed to make a sequel, Emily Blunt's career and the film's actual title, Live Die Repeat (should have been All You Need Is Kill all along)
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Phillip Iscove (Sleepy Hollow, Podcast Like Its 1999) is here to talk about the last David Fincher we have left to cover in the 2010s with the masterful The Girl With The Dragon Tattoo. We get into it all here talking about the career of Daniel Craig, casting Lisbeth Salander, Netflix, why didn't get any sequels and why this is the perfect thriller
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We welcome Lena Wilson (New York Times) to the pod as talk one of the most iconic romance/coming of age stories of the 2010s in Luca Guadagnino's Call Me By Your Name. We get into it all, the peach scene, the downfall of Armie Hammer, the 2018 oscar season, how this is in relation to other queer cinema of the decade and why the movie is so popularity
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We now talk about our first film from Mia Hansen Love in the addictive Eden. We'll discuss the great French films of the 2010s, Daft Punk, 2013 Cannes, how much Mia Hansen Love and Celine Sciamma are in parallel careers
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Logan Kenny (Cinematary) returns as we DJ some sweet pool parties and talk Max Joseph's (yeah, from MTVs Catfish) directorial debut We Are Your Friends. We'll talk about Zac Efron's career, 2015 summer movies, and silicon valley capitalism
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Nia Tucker is back to talk about our first Pixar (!!) with the release of Turning Red recently, we're now going to college and looking back at Monsters University. We touch on the slate of movies for Pixar in the 2010s, what makes a prequel work and how great of guys Mike and Sully are
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In honor of The Batman coming out, Emily Jacobson (FIlm Daze) is back with us for Matt Reaves' American remake of Let The Right One In, Let Me In. We touch on the career of Kodi Smit-McPhee, Jack's praise of Reaves' first project as writer-director, Felicity and the absurd amount of remakes that came out in 2010 alone
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Marie Bardi (Blank Check podcast) joins us for David Cronenberg's damning portrait of Hollywood in Maps to the Stars. We'll discuss the Evan Child character now being a YouTuber instead of a child actor, what happened to John Cusack, and dinosaur movies
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Let's dive into the massive career of Ridley Scott with his two prequels returning back into the Alien franchise with Prometheus and Alien: Covenant. Scout Tafoya (author of Cinemaphagy: On the Psychedelic Classical Form of Tobe Hooper) and Tucker Johnson join us to talk about 2012 blockbusters, why these movies were misunderstood at the time, movies to display on Best Buy TVs, and if Covenant is the last of the franchise
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Emmy Potter (Crooked Marque, Bright Wall Dark Room) returns as she chats with us about 2016's melancholic Certain Women, the perfect wintertime movie. Together we try to decide what's the best section of the three stories, the brilliance of Michelle Williams and our trips to the midwest
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Brandon Streussnig (The Playlist) is here this episode as we dig into the career of Michael Mann and his only movie in the 2010s in the cyber-thriller, Blackhat. We couldn't decide if Chris Hemsworth is good in this, why Extremely Loud and Incredibly Close was nominated for best picture and how 2015 and the MCU were a cultural rest for American cinema
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Calvin Kemph (Twin Geeks) is here this episode to bring his pick for the best of the 2010s in Jonathan Glazer's mesmerizing Under the Skin. We talk about the career of Scarlett Johansson, 2010s cerebral sci-fi influencing each other and if Mica Levi's score is considered one of the best of the decade
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Kevin Montes (The Twin Geeks) is here with us to talk about the third installment in the Jackass series, now in 3D! We go over the history of the franchise, our favorite all the stunts in this one, and what Jackass meant to us in 2010
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We're running lines with Cullen Atchley and Jesse Catherine Webber (Cannes I Kick It podcast) as we look back on Clouds of Sils Maria! With discussions including Juliette Binoche, Cannes 2013, and comedic actors working with European auteurs
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Natalia Keogan (Paste, Slash film) joins us in this ep as we unpack Joanna Hogg's memoir to a struggling, young artist in The Souvenir! Getting into the career of Tilda Swinton, Instagram and how the film relates to its sequel
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Satire is a weird state right now but in 2010, Four Lions is a breath of fresh air as Greg Hill-Turner picks this as his favorite film of the 2010s! We talk about the careers of Benedict Cumberbatch and Chris Morris, 2010 in film and how this could only be made in 2010
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With lots of good cameos and bad wigs to go around, Caro Ribeiro joins us this episode to revisit Adam McKay's celebrated dramedy into the 2008 financial crash. We chat about McKay making a career shift after Anchorman 2, The Big Short's relationship with other movies we've covered like Inside job or Wolf of Wall Street, Christian Bale in the 2010s, and the 2022 oscar season
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From the Cows in the Field podcast, we're joined by the Khoo's to reassess Whit Stillman's 2011 comeback Damsels in Distress. We discuss Stillman's career as a whole, how auteurs depict contemporary America during the 2010s and how well the movie has aged since its TIFF and Venice premieres
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It's happening! It happened. One of the best studio comedies of the 2010s in Paul Feig's brilliant Bridesmaids! Maia from Broey Deschanel joins us as we get into the career of Kristen Wiig, so many moments turning into widely used gifs and memes over the years and how much money it made for a comedy
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Gaby Iori returns as we revisit Leslye Headland's delightful comedy that has only grown stronger since its release within the extinction of romantic comedies. We get to talk about if this qualifies as the modern When Harry Met Sally, the whiteness of the romance genre, and how Alison Brie and Jason Sudeikis broke away from TV
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We're going gambling. with Carrie Wittmer (The Ringer, Vulture) and talking about 2019's addictive thriller from the Safdie brothers. Topics included how the release was at the time, best performances by athletes in film and unconventional comfort movies
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Brett Wiesenaur (Brettroculture podcast) joins us as we talk Isao Takahata's masterful swan song. Together talking about our own relationship with Studio Ghibli, what makes this one of the genuine greatest animated films of the 2010s how Miyazaki is like Jay-Z in the world of animation
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Considered one of the undeniably great sports movies of the decade, Josh Bradley (Movies I Love and so can you) is back with us to pick the sublime Moneyball. With deep dives into Jonah Hill's career shift, inspiring more sports movies like High Flying Bird and Draft Day and our own personal history with baseball
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Max O'Connell (Roger Ebert, The Film Stage) brought us James Gray's haunting The Immigrant this week as his favorite film of the decade with all of us finding the film's greatness undeniable. We talk about The Weinstein's meddling with the release after its premiere at Cannes, career of Jeremy Renner and that perfect final shot
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The lovely Nicole Fegan joins us to talk about one of the very best films by Jim Jarmusch in the poetic Paterson. Once again admiring the talent of Adam Driver throughout the decade, how Paterson inspires us to be better people and the wu-tang clan
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Zombie fatigue was very real in the early 2010s but in 2016, Yeon Sang-ho made a movie refreshing enough to have it stand out in the pantheon of great zombie portrayals. Actor Jared Gilman (Moonrise Kingdom, Paterson, Juvie) joins us for one of his favorite horror movies of the decade, we focus on the critique of the class divide in South Korea here and the abhorrent sequel, Peninsula
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Mary Beth McAndrews (Scarred for life, Dread Central) returns as we dive into James Wan's terrifying THE CONJURING and THE CONJURING 2 with a focus on differing from the real Ed and Lorraine Warren to their on-screen portrayal, why growing up catholic sucks and how Wan rejects the tired trend of jump scares in the early 2010s
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2010s horror month continues on in a gnarly debut from witter/director Julia Ducournau with Raw. Orla Smith (Seventh Row) joins us this episode as we talk about the various readings into the film's portrayal of cannibalism, the lively reaction Ducournau sparked at the Toronto International Film Festival, and the future of horror as a genre
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Horror month continues as we look back at the underrated Cloverfield sequel in 2016! Guy Dolbey (Film Discussion) picked the movie and we talked mainly about the blossoming career of Mary Elizabeth Winstead and the divisive third act trying to connect it to the first one
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Kevin Tudor joins us for his 2010s movie pick and starts out our month of horror movies from the decade with Adam Wingard's disaster of a sequel to the classic The Blair Witch Project. We touch on why the movie failed in 2016, the production secrecy and modernizing the look of the found footage style
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The wonderful Rafa Sales Ross (Little White Lies, The Skinny) joins us with her pick of the best movie in the 2010s this episode in the oscar-nominated The Broken Circle Breakdown and its uniquely told love story. Together, we get around to talking about religion, the human condition, and Riverdale
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We continue our discussion on the work in the prime years of Matthew McConaughey in the 2010s in what some maybe be a career-defining performance in the quietly powerful Mud. Bryden Doyle is here with his pick, together we talk about the treatment and or sideline of female characters in the movie and the underrated director/actor combo of Jeff Nichols and Michael Shannon
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Christina Tucker (Film Inquiry) is here with us to revisit 2016's "Christine", the true story of journalist Christine Chubbuck, who was the first person to commit suicide on national television by the time she was only thirty. We'll get around to talking about comparing "Kate Plays Christine" which premiered the same sundance, if Antonio Campos' portrayal is exploitative and how close Rebecca Hall was to an Oscar nomination
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With the comic book movie dominance surrounded by the MCU and DCU in the 2010s, Dredd achieves immediate cult status with its poor box office. Along with having Isaac Feldberg (Boston Globe, Roger Ebert) back with us, we chat about who really directed the majority of the movie between Alex Garland and Peter Travis and how 3D was implemented here to its best capability even when it ran its course by 2012
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Remember Michael Fassbender in that big paper machete head a few years ago? Kinda? Cody Corrall (Paste) is here with a pick we forgot was as poignant as it is in Lenny Abrahamson's Frank. In the ep, we delve into the more pragmatic side of being a tortured artist with mental illness and the underrated career of Domhnall Gleeson
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Let's think back to one of the decade's most unique genre pictures in Ana Lily Amirpour's directorial debut. The delightful Kayleigh Donaldson (IGN, Slash film, Screen Rant) is here to rattle off past and 2010s vampire movie knowledge, the film's fierce soundtrack, and short films being adapted into features
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Few years ago this month, The Meg was a movie that was dropped by a major studio and people liked then forgot about. On this ep, Sophia Karr and Kat/Dylan Shubert (Have You Heard The Good News Podcast) join Jack and Clay to give us why this is one of the blockbusters worth reexamining and the four of us talking about the oral history of shark movies and recreating B movies in the 2010s
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It's the finale of our Oscar-winning documentaries series and closing us out is an investigation into late 2010s era capitalism in American Factory. Fiona Underhill (Jumpcut Online) joins us for the tenth doc to win the oscar in the decade and we talk about the issues with Obama's involvement with serving as producers here and our love for the editing, as it brings moments of unexpected comedy. Plus, Jack and Clay give their rankings!
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The amazing Jaimie Rebanal (Cinema from the spectrum) is here for all things rocking climbing and toxic boyfriends in Alex Honnold's achievement we witnessed with Free Solo. We dig into the academy awarding this the oscar on behalf on National Geographic docs and our fascination with an ahelettes obessions with perfection
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Zach Lamplugh (filmmaker, 15 Things You Didn’t Know About Bigfoot) is with us to talk all things doping in sports with 2017's Icarus. Although we see shades of other docs we have covered here like Citizenfour and Inside Job, Icarus has enough going for it to stand out like Bryan Fogel's sly direction, how our first Trump-era oscar-winning doc affects this winning the oscar, and how Netflix pulled one of their first big wins at the academy awards
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Dan Mecca (The Film Stage, The B-Side) is back for the longest movie we've ever covered in 30 for 30's damning portrait of OJ Simpson in O.J.: Made In America. Does this even count as a movie or is this a tv show? Is this the strongest set of best documentary nominees in the decade? Is OJ still as famous and beloved as he was decades ago? All this and more on this episode with jack and clay!
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We're joined by Sydney Urbanek (The Guardian) again while we revisit the tragedy of one of the 21st century's most iconic musicians with Amy Winehouse in Asif Kapadia's Amy. You'll hear us dig into the media's vicious attacks on Winehouse's behavior while she was with us, our different experiences with her music and the unique way the film was constructed with subtracting talking head interviews
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Bilge Ebiri (New York Magazine, Vulture) returns to revisit Citizenfour with us, the doc which gives us an intimate look at whistleblower Edward Snowden and which also happened to be one of the most celebrated Oscar-winning docs of the decade. With topics including how our public relationship with Glenn Greenwald has evolved over the years and Poitras' decision to put herself in the film, for better or for worse Citizenfour is one of the docs defining the 2010s
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We're welcomed by the great Valerie Faye (We Need To Talk About Kevin) to dissect "20 Feet From Stardom", the award-winning doc pulling back the curtain on the role of best backup singing in many decades of music. We'll touch on the career of Morgan Neville, mistakes Neville made in making the singers distinct from one another, and how different all our taste in music is
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Arlin Golden (Wiseman podcast, Video Project) joins us to reflect on the sensation of Rodigeuiz in "Searching for Sugar Man", a movie that reveals itself to be a love letter to a musician in a bygone era more than anything else. We all agreed in the ep this would make a perfect episode on "Documentary Now" and the specific stigma that comes with winning best doc feature
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We have Tyler Harford here with us to talk Undefeated, a pretty good documentary about high school football that just so happened to win the oscar. Even though there's not much to go into with the doc itself, topics include the toxic masculinity that football brings out of American men and the awkward absence of race found within Coach Courtney's relationship with the players
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It's the start of a new 2010s award winners miniseries this time with the oscar-winning documentaries, starting off in the year 2010, its Inside Job. The lovely Roxana Hadadi (Vulture, Roger Ebert) is back with us to talk about Charles Ferguson's take on current event issues rather than Aaron Sorkin or Adam McKay, the use of Matt Damon as narrator, and starting our ten episodes long conversation into what makes an Oscar-winning documentary
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Who is considered to be one of the most versatile actresses we currently have, Charlize Theron, continued to increase her stock in the 2010s and then helmed Atomic Blonde in 2017 with the co-director of the already popular John Wick series in David Leitch. With us is Emily Jacobson (Film Daze) to talk about the lack of conspiracy spy thrillers nowadays and poor needle-drop uses we see here
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We welcome Abby Monteil (Elite Daily, Insider) to an episode about a very important movie in the last year of the decade in Celine Sciamma's swooning romance. Examining the female gaze, NEON's dominant 2019 slate and Sciamma's process into the meticulous planning with all aspects of the film
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We have Peyton Robinson here to chat about 2014's moody thriller with Dan Gilroy's directorial debut. Leading us to talk more about our love of jake gyllenhaal and if this is his best performance of the decade or his entire career. Other portrayals of the newsroom in cinema and careers of the Gilroy brothers
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We welcome the wonderful Jonah Koslofsky (The Spool) for his pick in The Master and its elusive nature nine years later. We gave a tribute to the late Phillip Seymour Hoffman, how the oscar failed to celebrate the film and what could just be one of Jack's favorite first time viewing experiences
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Lucy May returns to chat about David Fincher's perfectly crafted thriller and all the right and wrong lessons we look from it after 2014. While also talking about Rosamund Pike's career post her nomination here and writer and novelist Gillian Flynn's rise to popularity in film
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Jen Johans (Film Intuition, Watch With Jen) is here as we use James Mangold's globe-trotting thriller as an in to talk the action stars as an endangered brand in the 2010s. With looking at the careers of Cruise and Diaz and movies that are destined to play on FX
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The delightful Carrie Courogen (Bright Wall Dark Room) brought Mistress America to us, which leads us to gush about Greta Gerwig even more than we already have before for two hours. As well as the more discussions on New York on film, Baumbach's homage to screwball comedies and how underrated is Lola Kirke
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We welcome Brad Avery on to deconstruct the third collaboration between Pete Berg and Mark Wahlberg in the decade and the second in 2016, focusing on the tragedy at the Boston marathon. Taking a look at Wahlberg inserting himself into modern American true stories, how soon is too soon to tell a true story on film Jack and Brad's connection to Boston
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Cassidy Olsen (Little White Lies, Boston Globe) joins us to chat about the provocative world of Harmony Korine in the neon-drenched and Florida set Spring Breakers. Three of us get into Harmony's fascinating appearances on the Late Show with David Letterman in the late 90s, a sly commentary on cultural appropriation seen underneath all the drugs and guns as well as Franco being considered up there one of the decades great supporting performances
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We put our whole chest into Abba tunes with the amazing Emmy Potter (Bright Wall Dark Room) in another sequel from the decade that nobody really asked for. Getting into the deceptive marketing with promising Meryl Streep's return, how the restrained sexiness hurts the movie overall, and what directors do we wanna see make a musical
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Joe Wright's 2010s work is uh, interesting! If you're an apologist of his work like guest Andrew Kendall (Stabroek News) or think he is just another banal, awards season friendly filmmaker, we're starting to talk about his career with his adaptation of Anna Karenina. We'll dissect the career of Kiera Knightly, bringing classic literature to screen and segues into the 2012 oscars and why it was snubbed overall
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In our first entry into the world of Kelly Reichardt, its the pacific northwest set acclaimed thriller in Night Moves. Jack, Clay and Saffron Maeve (Little White Lies) touch on the career of Jesse Eisenberg and Clay's own experience living in the Portland he recognizes in the movie
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The delightful Carrie Wittmer (The Cut, GQ, The Ringer) joins us to celebrate what's now considered beacons of kindness and manners- that's just disguised as another "CGI animals interacting with human actors" in Paul King's Paddington series. We touch on Paddington 2's well-timed release regarding other world events, crying during movies and what Paul King did to make them as perfect as they are
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Beloved playwright Kenny Lonergan has had an infamously troubled production history with his operatic tale of grief and post 9/11 NYC with failure at the box office and mixed critical reception and now it's the pick from Charlie Nash (Boson Reel, Cine Essential) as one of the 2010s very best. We get into the amount of HBO regular actors we've spotted throughout the movie, major differences between the theatrical and extended cuts, (we even get into the secret third cut) also the best depictions of New York City of the 2010s
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Its the end of high school with the decade's last great coming of age story in Olivia Wilde's directorial debut and Nia Tucker is here to breakdown the movie's relatability at its core. Diving deep into cinematic sincerity, the promising young careers of Feldstein and Dever and why the movie ultimately failed at the box office
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Just delighted to have Liz Shannon Miller (Collider) with us as we unpack the Magic Mike movies, which were slightly misunderstood at the time. Along with looking at the first half of Channing Tatum's career, what makes XXL such an improvement from the first and Soderbergh's particular use of the male gaze
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Talking 2016's underrated contained thriller in The Invitation this ep and Abby Olcese (Cinemaholics, The Pitch) joins us to get into all things Karyn Kusama's rough career so far and how this could have the best final shot of the decade
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We're happy to have culture critic Sydney Urbanek with us to revisit Sebastian Lelio's American remake of his original Spanish film in Gloria Bell. Together celebrating the careers of Julianne Moore and John Turturro, how the movie subtly slides right into trump era issues and A24's slate in 2019
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Friend of the pod Joe Giordano is back to talk the first of a handful of auteur-driven space epics with Christopher Nolan's Interstellar. With pondering if Nolan is the next Kubrick, how the movie's appreciation has evolved since 2014, and Jack and Joe's possibly oldest first-time viewing experience talked about on the show!
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Kyle Amato (Hawke Cast, Boston Hassle) returns to talk blumhouse’s timeloop slashers and what makes them stand out above all other modern low budgeted horror. Including praise for lead Jessica Roth, what makes getting a college setting correctly and enjoying how the movies goofy tone is successfully pulled off
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Fletcher Peters (We Are The Only Girls Who Don’t Fall At Your Feet, Jezebel) is back to talk our most anticipated pick of the 2010s Razzies, Tom Hopper's musical catastrophe. Breaking it down set-piece by set-piece, with the cultural relevance the film had leading up to the release, how it instantly reaches cult midnight movie status and unadaptable material. Plus, Jack and Clay rank the worst picture winners of the decade!
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We have Jesse Hassenger (The AV Club) with us this ep as we reflect on this Will Ferrell/John C Reilly led disastrous comedy. Together sharing past relationships with the Sherlock Holmes character, how Will Farrell and Adam Sandler share career commonalities and the death of the spoof movie
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Julie Rhodes (Crooked Marquee, Essential Films) returns as we painstakingly trudge through 2017's Emoji Movie with its attempts to capitalize off other successful 2010s animation like Wreck-It Ralph and The Lego Movie, the irony of Sony making this then Spider-Verse a year later which goes on to win the best animation oscar and much more!
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Along with the abundance of revitalizing thirty to twenty-year-old properties, we got the tone-deaf Independence Day: Resurgence. Dan Mecca (Film Stage, B-Side podcast) joins us to break down our history with the first one, what a third movie would look like and Jeff Goldblum career talk
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It's possibly the most infamous disastrous production of the decade, which has aged the worst of any comic book movie of the 2010s, and it won a Razzie. Chance Ellison (notorious by chance, movie trivia schmoedown) is here to talk 2015's fantastic four with its inherent lead miscasting, overall mismarketing, and tonal inconsistencies
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We're delighted to be joined by Logan Kenny (Little White Lies, The Film Stage) to breakdown the fourth installment of the Transformers franchise. Looking at the idea of vulgar auteurism, how Michael Bay still manages to be predictable and unpredictable, and Mark Wahlberg career talk
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Brianna Zigler (Film School Rejects) returns as we unpack the movie star-driven sketch comedy, Movie 43. We champion the "Homeschooled" sketch, try to figure out why this failed compared to other Peter Farrelly comedies, and just what is Richard Gere doing here?
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Sally Darr Griffin and Andrew Van Heusden (Club C-47 podcast) are back to chat about Twilight Breaking Dawn Part 2 and the franchise as a cultural phenomenon. Like how Twilight's success inspired a myriad of YA novel adaptations, Kristen Stewart's need to break out of the role of Bella Swan and toxic fandoms
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Luke Larson (L Squared podcast) returns for Dennis Dugans' Adam Sandler razzing winning comedy. Together breaking down Sandlers' decades-long appeal, Al Pacino's fascinating performance and several of the deranged cameos throughout the film
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With beginning 2020 with the best picture winners of the 2010s, we're now concluding the year with the worst picture winners in the 2010's Razzies! Starting us off with M Night Shyamalan's colossal failure and Zachary Margason (The First Watch podcast) is here for it. Together talking about how general feelings about the Razzies as a concept, how it fails to capture the magic of the original cartoon, and the despicable trend of whitewashing in blockbusters this decade
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We loved having Bilge Ebiri (Vulture, New York Magazine) on for Terrence Malik's magnum opus. With it being regarded as one of the decades greatest achievements, we ended up talking about Malik's ultimately unique career over four decades, if the film was ahead of its time even with winning the Palme d'Or in 2011 and movies about "everything"
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We have Jaysen Sneed with us to crack into one of the most culturally relevant event films of the 2010s and possibly the 21st century in Jordan Peele's taught and timely thriller. Touching on how the film has an underrated ensemble, confidently saying its the decades best original screenplay and if this is the greatest decade of all time for Black cinema
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With Jack Hendrix returning, we unpack David Lowery's personal love letter to our place in the universe and handle on time. Diverging into our favorite scores of the decade, A24's highs and lows and the career trajectory of Rooney Mara
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Shea Vassar (Hardcout Hunnies podcast) returns as we breakdown Park Chan Wook's enthralling erotic thriller. Examining our favorite cinema studies classroom viewing experiences, how the movie perfected the three-act structure screenplay, and how this unexpectedly became Wook's most accessible work to date
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Fletcher Peters (One Perfect Shot) joins us to chat about 2012's beloved Silver Linings Playbook. We talk about everything like Jenifer Lawrence's popularity through the first half of the decade, the portrayal of bipolar disorder, and the film's success at the Oscars
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We welcome Roxana Hadadi (AV Club, Roger Ebert) this week to unpack Jeremy Saulnier's 2016 riveting thriller. Discussing along the way modern-day Nazism, the accurate depiction of the pacific northwest, and the late Anton Yelchin
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Returning with us we have Vinnie Mancuso (Collider) as we break into the world of Quintin Tarantino and his most recent output in a love letter to a fantasy tinsel town. The discussion ventures over to Brad Pitt's reinvigorated career, movies about movies and, if we think its Tarantinos swan song
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Paul Oyama returns as we revisit Paul Danos's delicate directorial debut in Wildlife. We'll cover the quietly powerful and career-best performance from Carey Mulligan and a kind of validation from earning a criterion release
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We're thrilled to have Mary Beth McAndrews (Scarred For Life podcast) this week and crack into the found footage subgenre. Talking about how the location of the Paris catacombs are perfectly imagined, the future or low budget horror and how Dante's Inferno makes the movie stand out from the rest
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Yazz James (Haloscope) is here this week to chat about the Jenny Slate anchored comedy. Together talking about Jake Lacey owning the modern "nice guy" type, how Slate's Netflix comedy hour "Stage Fright" acts as a companion piece to the film and what romantic comedies look like in the 2010s
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Kathia Woods (Awards Watch) joins Jack and Clay to reflect on Christopher Nolan's acclaimed dream heist thriller. Talking about how the movie acts as a metaphor for filmmaking, the strength of Nolan's casting for an ensemble and Hans Zimmer's career-defining score
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Brianna Zigler (Film School Rejects) comes on to chat about Noah Baumbach's family dramedy. With discussing the nuance and anxiety of Adam Sandler, the films unique editing flourishes and Baumbach's controlled and chaotic choreography
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We're joined by Lucy May this episode to chat about Sofia Coppola's celebrity-obsessed crime satire with the topics including Emma Watson's commanding presence, who would the bling ring target seven years later and how the movie compares to real-life events
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Michael Snydel (The Film Stage) returns as we reflect on the makings of the evolution of the found-footage horror genre in a series of desktop set horror movies. Breaking down the evolution and legacy of Blumhouse, considering these as 2010s Blair Witch Project and Dark Web's alternate endings
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We're welcoming Isaac Feldberg (Boston Globe) this episode to take a deep dive into Alex Garland's cerebral sci-fi expiration in Annihilation. Going into such topics like Paramount botching release, the movie is a soft remix or Anrei Tarkovsky's Stalker and how Garland helps cope with depression through this world-building
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Meg Brady (I'm Screaming podcast) returns as we revisit the fourth remake of the classic romantic drama. Together talking about Bradley Cooper's career arc, the movies botched oscar campaign and what makes this the best trailer of the decade
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We're discussing Abbas Kiarostami's enigmatic romance this week with Rob franco as the conversation delves into being okay with not comprehending Kiarostami, this movie holding some of our favorite shots of the decade and where to begin with a directors filmography Alex Jones interviewing David Lynch https://youtu.be/SRxC-BX4K6c
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We welcome Jordan Crucchiola (Vulture) this episode and delve into Indonesian action cinema. The conversation leads to the blend of horror and action, the star appeal of Iko Uwais and styling a movie like a video game
Subscribe to Priscella Page's aforementioned Patreon https://www.patreon.com/priscillapage
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Rebecca Bulnes (Classroom Crush) joins us this week as we decipher Steve McQueen's portrait of a man struggling with a taboo compulsion in 2011's Shame. With the conversation including the implied clues of the backstories of the characters, the career of Michael Fassbender and if this is actually a horror movie in disguise
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Brian Roan (The Film Stage) returns to breakdown Denis Villeneuve's enigmatic thriller. With the dissection including, how to create a sense of dread, derailing the conversation to talk about tv directors and using Toronto function as a setting, not just a shooting location
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Kyle Amato (Boston Hassle, Hawke Cast) returns to talk Andrew Bujalski's dramedy. Together we tackle what is mumblecore, if Regina Hall delivers one of the best comedic performances of the decade and what the movies of 2018 tell us about making it in America
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In our 35th episode, we're talking about what could be considered one of the best sequels of all time. With Josh Bradley (movies I love on youtube) returning, the conversation includes box office successes importance, Ryan Gosling's bottled rage and expertly navigating gender politics
Check out movies I love https://www.youtube.com/channel/UCfPni-XauIF97mSckAxYL_w
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Gaby Iori (Breakout! podcast) returns as we chat about Bo Burnham's Gen Z oriented coming of age comedy. Things discussed are our own middle school trials and tribulations, if this is the best time capsule of 2010's pop culture and Elsie Fishers underappreciated lead performance. Places to donate: https://www.change.org/p/mayor-jacob-frey-justice-for-george-floyd and https://brooklynbailfund.org/donation-form
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Valerie Complex (The Playlist, IGN) joins us we share our thoughts about Abdellatif Kechiche's coming of age romance, blue is the warmest color. We talk about Kechiche's mistakes with the lack of understanding of the original graphic novel, the controversy surrounding Léa Seydoux's onset recountings and diversity in storytelling
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Video essayist Julia Rhoades (Essential Films) joins jack and clay as we talk our first in a long string of films from writer/director Noah Baumbach, Frances Ha. With discussion including French New Wave influences, Greta Gerwig's angelic screen presence and celebrating lives less celebrating
Check out Julia's channel: https://www.youtube.com/channel/UCQs5QHskXla2liGdYhaYUGw
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We welcome Fran Hoepfner (Bright Wall/Dark Room, law school podcast) this week as we chat about Damien Chazzelle's sophomore effort about how far ambition will brake a person. With topics including Miles Tellers failure from becoming a leading man, the decades best villains and our personal Terrence Fletchers
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We welcome Kevin Smets this week as we talk about the westernized X-Men finale. Talking primarily about alternative casing decisions, the second chance reading given from the lukewarm acceptance of 2013's The Wolverine and adapting comic books
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Ella Kemp (Little White Lies, Girls On Tops) comes on to discuss Captain Fantastic, a story about outcasts on the outskirts of society. Together breaking down the supportive cinematic dads, child actors and watching movies without highly set expectations
Ella's letterboxd entry on Captain Fantastic https://letterboxd.com/ellakemp/film/captain-fantastic/
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Eric Zipper (The Completionist) returns to help us examine the Coen Brothers' bitter tale of achieving creative success. Together talking about Oscar Issac as a leading man, great cinematic cats and Coen Brothers specific character actors
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Sally Darr Griffin and Andrew Van Heusden (hosts of Club C-47 podcast https://open.spotify.com/show/0DOSasbzVSgLXFhZJZHNPS?si=73D7QZPhQIGnCcw_qjJgng) join us as we talk Yorgos Lanthimos once again in his costume drama dark comedy, The Favourite. With topics including if Lanthimos is the modern Kubrick, subverting the typical Emma Stone role and if this is 2018's best screenplay
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Katie Boozer chats with Jack and Clay about Shia LaBeouf's vulnerable autobiography, Honey Boy. Together talking about the cycle of child actors mental damage, Noah Jupe's instant likability and struggles with your dad in 2019 movies
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Vinnie Mancuso (Collider) came to hang with us and chat about David Robert Mitchell's divisive neo-noir. Together break down Andrew Garfield as a leading man, ambitious disasters being the best kinds of bad movies and the mishandling of this movie's release
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Dan Brierly joins us to chat about Destin Daniel Cretton's achingly beautiful, Short Term 12. With topics including the career of Bri Larson, the decades most overlooked ensemble and nearly avoiding genre conventions
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Michael Snydel (the film stage) joins us to unpack smoke-filled 70s neo-noir. Together trying to figure out why we don't see Joaquin Pheonix do more comedy, novelist Thomas Pynchon's absurdity and auteur diversity issues
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Robyn Bahr (The Hollywood Reporter) joins us to talk about the beloved Korean thriller from master Bong Joon Ho. With the topics including where we want the Oscars to go in the next decade, the tonal shifts indicative to Bong and rules of rewatching movies
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In the penultimate episode of the best picture winners series, jack and clay talk about Peter Farrelly's road trip buddy comedy. With topics including the white savior movie, if Mahershala Ali is on autopilot here and James Gandolfini would work better in the role of Tony Vallelonga
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Wes Muszynski (Film Daze, Simple Cinephile) returns to discuss Guillermo Del Toro's cold war fairytale. Topics including Michael Shannons villain type, Me Too's involvement with the 2018 race and the scores of Alexandre Desplat
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Josh Bradley chats with us about Barry Jenkins coming of age masterpiece. They unpack how Florida becomes synonymous with A24, the aging of the infamous best picture presentation debacle and if this really is the best movie of the decade?
Jack's twitter:@jackadraper
Clay's twitter:@clayfilm100
Josh's twitter:@broshjadley
Subscribe to movies I love: https://www.youtube.com/user/MarcusHalberstram88/videos
Interview with Barry Jenkins referenced https://www.youtube.com/watch?v=K1mYzWaK8yo
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Megan Brady (The Simple Cinephile) returns to talk Tom McCarthy's Spotlight and the real-life journalists that broke the church's pedophilia scandal. Together breaking down unexciting directing, avoiding self-parody and Mark Ruffalo's continuous streak of bad haircuts
Jacks twitter: @jackadraper
Clays twitter: @clayfilm100
Megan's twitter: @themegbrady
Things referenced:
Reggie Ugwu on Oscars So White: https://www.nytimes.com/2020/02/06/movies/oscarssowhite-history.html#click=https://t.co/k41S5CSyx5
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Shea Vassar (Filmdaze, Zora) returns to talk about Alejandro González Iñárritu's meta deconstruction of an aging actor in Birdman. Together, breaking down Michael Keaton's versatility, cynicism in cinema and long takes
Shea's twitter: @justsheavassar
Clay's Twitter: @clayfilm100
Jack's twitter: @jackadraper
Read Scott Tobias' review: https://thedissolve.com/reviews/1152-birdman/
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Kyle Amato (Hawke Cast, Boston Hassle) joins us to unpack Steve McQueen's harrowing depiction of slavery and the overwhelming true story of Solomon Northup. Exploring the idea of if reachability hurts a movie, the career arc of Lupita Nyong'o and Oscar prejudice
Check out Hawke Cast! (https://podcasts.apple.com/us/podcast/hawke-cast/id1217646683)
Things referenced:
Robert Daniels piece on the best black directors of the decades: (https://consequenceofsound.net/2019/12/top-films-2010s-black-filmmakers/3/)
Jack's twitter: @jackadraper
Clay's twitter: @clayfilm100
Kyle's twitter: @kyle_amato
This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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Luke Larson (https://soundcloud.com/luke-larson-514744979) returns to discuss Ben Affleck's foray into awards season, Argo. Is Affleck belong in directors jail? Was the good will hunting screenplay actually written by Damon and Affleck? Do we redeem Chris Terrio after viewing Rise of Skywalker?
Jacks twitter: @jackadraper
Clays twitter: @clayfilm100
Lukes twitter: @lukelarson89
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Eric Zipper (The Completionist) joins us to talk about the 2011 silent film. Discussion includes movies about movies, cinematic dogs and how winning best picture changes the reputation of a movie
Jack's twitter: @jackadraper
Clay's twitter: @clayfilm100
Zip's twitter: @Ggrogishere
Check out the completionist: https://www.youtube.com/user/ThatOneVideoGamer
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In our first episode in our best picture series, we discuss Tom Hooper's political drama. Breaking down the missing pieces that could've made this great, brilliance of Geoffrey Rush and Oscar bait
Jack's twitter:@jackadraper
Clay's twitter:@clayfilm100
Things referenced:
https://www.youtube.com/watch?v=b1nQoWnFBSw&t=1224s
This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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Gaby Iori, co-host of breakout, (https://podcasts.apple.com/us/podcast/breakout/id1449875566) returns to chat about Greta Gerwig's directorial debut. Together discussing personal high school experiences, the career of Saoirse Ronan and actors turned directors
Jack's twitter: @jackadraper
Clay's twitter: @clayfilm100
Gaby's twitter: @gabyaiori
Gaby's writing for The Daily Tar Heel: https://www.dailytarheel.com/staff/gaby-iori
This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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Filmmaker Jackson Hendrix joins us as we discuss the force awakens, the last jedi and rise of skywalker. Analyzing toxic fandom, nostalgia utilization and what is the star wars feeling?
jacks twitter: @jackadraper
clays twitter: @clayfilm100
Jackson's short films: https://www.youtube.com/channel/UCmeL_VEb2-yk9fCxad7hISg/videos
Patrick Willems' essay on star wars filmmaking mentioned: https://www.youtube.com/watch?v=NfjT9JAmVYY&t=1086s
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Megan Brady (The Simple Cinephile) talks with us about Todd Haynes' sensual romance, Carol. Together breaking down the brilliance of cinematographer Ed Lachman, idiosyncrasies of Rooney Mara and the relevance of melodrama
Megan's review of Haynes' new film, Dark Waters: https://thesimplecinephile.com/2019/12/02/dark-waters-review/
Jacks twitter: @jackadraper
Clays twitter: @clayfilm100
Megans twitter: @themegbrady
This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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Sally Darr Griffin (Club c-47 podcast) comes on to chat about the Safdie Brothers anxious heist thriller, Good Time. In discussing how to blend actors and non-actors seamlessly, child celebrities and road trips
Jack's twitter: @jackadraper
Clay's twitter: @clayfilm100
Sally's twitter: @sallydarr
Listen to club c-47: https://open.spotify.com/show/0DOSasbzVSgLXFhZJZHNPS?si=MWb4xR6hRoqMnkM6GwSb4Q
This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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Nick Gangi and Joe Giordano join Jack in Clay's absence to talk about Martin Scorsese's tale of excess and greed in 2013's The Wolf of Wall Street. Topics include how Marty perfected the biopic, our first glimpse into the McConaissance and of Scorsese v Marvel (ugh)
This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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Brian Roan (the film stage) joins us to talk Looper, in all its cleverness and subtitles. Together, we breakdown what makes a Rian Johnson movie, the art of makeup and prosthetics and the science of cinematic time travel
Jack's twitter: @jackadraper
Clay's twitter: @clayfilm100
Brian's twitter: @brianjroan
Check out the film stage show: https://thefilmstage.com/the-film-stage-show/
This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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Jack and Clay welcome Paul Oyama to unpack Bing Liu's debut documentary. Together, we talk the film joining the pantheon of all-time great docs and the accessibility of the modern documentary distribution
Jack's twitter: @jackadraper
Clay's twitter: @Clayfilm100
Paul's twitter: @paul_oyama
Watch Martin Scorsese's American Prince https://youtu.be/o_M8YaozPDE
This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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Wes Muszynski (The Simple Cinephile, Filmera) joins us to talk about Yorgos Lanthimos' revenge thriller. Together, we get to the bottom of boyish sociopathy of Martin, comparing Lanthimos to Kubrick and how this movies strength is how hysterical it is.
Wes' review of The Image Book mentioned (https://thesimplecinephile.com/2019/03/19/the-image-book-wandering-the-post-apocalyptic-landscape-of-the-image-in-jean-luc-godards-latest-freak-out/)
Jack's twitter: @jackadraper
Clay's twitter: @clayfilm100
Wes' twitter: @fashioniconluke
This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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Shea Vassar (Filmera, Much Ado About Cinema) joins us to talk about Lynne Ramsay's psychological horror, We Need To Talk About Kevin. Topics include the career of Tilda Swinton, how ahead of its time this script was in the decade and attempting to diagnose what made Kevin the way he is
Every frame a paintings video essay on Lynne Ramsay: https://youtu.be/KjY9kf7TuUU
Jack's twitter: @jackadraper
Clay's twitter: @clayfilm100
Shea's twitter @justsheavassar
This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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Gaby Iori, co-host of Breakout! (https://open.spotify.com/show/5uYRd2CGf0c0tvaoHbiFmA?si=3Vb2vEOmTU-ebW6tTRcokA) talks about David Fincher's relevant and cautionary, The Social Network with Jack and Clay. Together, they debate who gives the better supporting performance between Andrew Garfield and Justin Timberlake, if this is really the best score of the decade and the underlying comedy hidden within Aaron Sorkins' oscar-winning screenplay
Making of doc mentioned in the episode: https://youtu.be/_th-iVnNIAc
Jacks twitter: @jackadraper
Clays twitter: @clayfilm100
Gabys twitter @gabyaiori
This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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Luke Larson, host of the L-Squared podcast, (https://soundcloud.com/luke-larson-514744979) joins Jack and Clay to talk about Spike Jonze's 2013 sci-fi romance, Her. Together, they talk about why Spike Jonze hasn't made another movie for six years, comparisons made to Blade Runner 2049 and reevaluating what makes an auteur
kaptainkristians video essay mentioned by Jack https://youtu.be/73kIG3HcFq0
Jack's twitter @jackadraper
Clay's twitter @clayfilm100
Luke's twitter @LukeLarson89
This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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In the first ever episode of Exiting through the 2010s, Jack and Clay talk about the 2015 dystopian action film that’s considered by many to be one of the best of the decade. How did George Miller pull this off given his age and hectic production? Is Nux secretly the best character in the movie? Jack’s twitter and letterboxd @jackadraper and jackdraper7 and Clay on twitter, letterboxd and stardust is all @clayfilm100
This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
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