On this EP, AKWIUS utilizes a grimey, bass focused hybrid of rave and post rave theories to explore moods of the current dystopian utopia from a Mexican American perspective and push beyond boundaries of contemporary rave aesthetics.
On this EP, AKWIUS utilizes a grimey, bass focused hybrid of rave and post rave theories to explore moods of the current dystopian utopia from a Mexican American perspective and push beyond boundaries of contemporary rave aesthetics.
On this EP, AKWIUS utilizes a grimey, bass focused hybrid of rave and post rave theories to explore moods of the current dystopian utopia from a Mexican American perspective and push beyond boundaries of contemporary rave aesthetics.
On this EP, AKWIUS utilizes a grimey, bass focused hybrid of rave and post rave theories to explore moods of the current dystopian utopia from a Mexican American perspective and push beyond boundaries of contemporary rave aesthetics.
A sound of the ancient Americas from the Mesoamerican region. Artists include Ricardo Lozano, Jorge Ramos, K' Inich Jannab` and Xavier Quijas Yxayotl who hand make the instruments of ancient Mesoamerica, including traditional Aztec and Mayan clay instruments, flutes, drums, rattles and wind instruments built according to ancient manuscripts.
Cover illustration drafted by Ricardo Almendáriz in 1787 during the first excavation of pre-Columbian Maya ruins at Palenque in Chiapas, Mexico