Multi-platinum producer Warren Huart sits down with producers, mixers, and mastering engineers to not only a get a peak into the techniques and tricks often held close to the chest, but in turn show that you can always make marvelous music on any level of equipment.
Abbey Road Studios is the most famous recording studio in the world, renowned for its creativity and technological excellence. It is a global icon that for the last 90 years has been the musical home to The Beatles, Pink Floyd, Shirley Bassey, Cilla Black, Yehudi Menuhin, Jaqueline du Pre, Ella Fitzgerald, Fela Kuti, Kate Bush, Oasis and Radiohead to Sam Smith, Florence + The Machine, Ed Sheeran, Kanye West, Lady Gaga, Sheku Kanneh-Mason, Frank Ocean, Amy Winehouse, Brockhampton and Adele.
Check Abbey Road's website: https://www.abbeyroad.com/
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Join Paul and Ed in reviewing submissions for the Lianne Kay remix contest!
Check out the original contest video: https://www.youtube.com/watch?v=SyzLRo_aq5w&t=1439s
Check out Lianne Kay's music: https://www.youtube.com/c/liannekayemusic
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Website: https://www.paulthird.com
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Mastering Engineer: Marcel Kerepesi
Email: marcell@actdomake.com
Instagram: https://instagram.com/actdomake?igshid=YmMyMTA2M2Y=
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Marc has played guitar and toured with Warner Bros. recording artists Toy Matinee along with producer/composer Kevin Gilbert as well as recording two critically-acclaimed guitar instrumental albums for Reprise, “EE Ticket” and “American Matador” and has just released a third highly-anticipated album “Celluloid Debris”. He has also produced, recorded and performed with several artists including Keith Emerson, Ronnie Montrose, Gamma, Glenn Hughes (Deep Purple), Eddie Jobson (U.K.), Slash, Rob Halford, David Coverdale, Peter Frampton, Sammy Hagar, Paul Rogers, Joe Perry, Edgar Winter, Ambrosia, The Manhattans, The Chi-Lites, Robbie Kreiger (The Doors), Tesla, Ricky Martin, Don Felder, Harry Shearer (Spinal Tap), Felix Calvaliere (Rascals), Mickey Dolenz, Steve Lukather and Steve Porcaro (Toto), Jordan Rudess (Dream Theater), Rick Wakeman ( Yes), Thomas Lang, and many others.
Check Marc's website: https://marcbonillamusic.com/
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Join in this dicsussion with Wyste Gerichhausen on working as an audio engineer!
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Website: https://www.paulthird.com
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Youtube: https://www.youtube.com/@PaulThird
Mastering Engineer: Marcel Kerepesi
Email: marcell@actdomake.com
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Ed and Paul Interview Mastering Engineer Nicholas Di Lorenzo
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Mastering Engineer: Marcel Kerepesi
Email: marcell@actdomake.com
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Ed and Paul Interview
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Mastering Engineer: Marcel Kerepesi
Email: marcell@actdomake.com
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Ed and Paul Interview Kyle Mathias
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Mastering Engineer: Marcel Kerepesi
Email: marcell@actdomake.com
Instagram: https://instagram.com/actdomake?igshid=YmMyMTA2M2Y=
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Ed and Paul Interview Steve Maggiora (TOTO, Marc Broussard, Daniel Powter)
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Mastering Engineer: Marcel Kerepesi
Email: marcell@actdomake.com
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The Damned were formed in London in 1976. Several of its founding members had previously played together in another early Punk group, Masters of the Backside. Masters was managed by the Pistol’s famed manager Malcolm Mclaren, and included future Damned members Dave Vanian (born David Lett), Captain Sensible (Raymond Burns) and Rat Scabies (Chris Millar), as well as future Pretenders lead Chrissie Hynde. Brian James was the drummer in a band called London SS, which is largely remembered for housing, not only James, but also future Clash member, Mick Jones and future Generation X member, Tony James.
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We’re in a place now where so much music is made in the box using virtual instruments. The only thing that’s left that is always going to be organically recorded is the human voice. There are many basic vocal recording techniques that if we follow, we will get really really great results!
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In the vast world of music, there are artists who possess an exceptional talent for creating transformative and mesmerizing compositions. One such musician is Rob Moose. With his diverse skill set as a violinist, guitarist, and arranger, Moose has made an indelible mark on the contemporary music scene. In this blog post, we will delve into the life, career, and artistic brilliance of Rob Moose, exploring his contributions to various genres and highlighting his collaborations with renowned artists.
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A growing snowball of Steinman’s artistic endeavors and experiences from his late teens and early 20s, “Total Eclipse of the Heart” arrived more like an avalanche of creative ideas on the doorsteps of The Power Station in 1982.
The writer/producer/engineer/composer was seemingly an unlikely pairing for the lead singer on the track, Bonnie Tyler. A country-rock artist from the Welsh town of Mumbles, Tyler had achieved charting success through a completely different style of rock. Despite this difference, or perhaps because of it, “Total Eclipse of the Heart” became something else entirely.
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Ed interviews Tim Palmer about his background of as an audio engineer, producer, and musician.
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Mastering Engineer: Marcel Kerepesi
Email: marcell@actdomake.com
Instagram: https://instagram.com/actdomake?igshid=YmMyMTA2M2Y=
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Check out The Support Squad: https://www.the-support-squad.com/
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The early eighties saw the rise of Iron Maiden. One of the most successful groups to emerge from the new wave of British heavy metal, by the beginning of 1983 Maiden had already released three classic albums: Iron Maiden, Killers, and Number of the Beast. The band underwent a number of lineup changes in their early years, including the replacement of vocalist Paul Di’Anno with Bruce Dickinson and drummer Clive Burr with Nicko McBrain in 1982. By the time Iron Maiden entered the recording studio to work on their fourth album, Piece of Mind, the band had a stable lineup that would last throughout the rest of the decade. Not long into the sessions, Maiden would record one of their most beloved songs: “The Trooper.”
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Ed and Paul critique and remix Dragged Under's "Chelsea" compared to their original mixes years ago.
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Mastering Engineer: Marcel Kerepesi
Email: marcell@actdomake.com
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Adam Steele and Rob from mastering.com are at the Cloud Booth discussing the affordable equipment that is available today. They are using the new Cloud lifter X, which is a transformer-based Cloud lifter, and they are impressed with the extra zing it adds to the vocals.
They recall their own experiences of starting out in the industry, with Adam’s first microphone being an AKG C1000 and Rob’s being a Behringer BE1, which he admits was not very good. They both joke about the age-old advice of using an SM57 on everything, which still holds true to this day.
Check out the new Cloudlifter CL-X: https://sweetwater.sjv.io/PyOL6M
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Check out Cloud Microphone website: https://www.cloudmicrophones.com/
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Disco may have been the hottest sound of the late seventies, but in the summer of 1979, it was facing a powerful backlash. In the midst of this tension, one of the genre’s most innovative groups, CHIC, released “Good Times” – an exuberantly joyful song which would prove that dance music could be creative, complex, brilliantly produced, and incredibly funky. While the song may not have been able to save disco, it undeniably shaped the future of popular music for the next decade and beyond. Creative artists continually looked to CHIC’s track for inspiration, influencing the development of New Wave, and Hip Hop, and leading it to become one of the most sampled, inspiring, and important tracks in popular music history.
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Rob Kinelski is a Grammy Award-winning audio engineer and record producer known for his work with some of the biggest names in the music industry, including Billie Eilish, Kanye West, and Travis Scott. He is widely regarded as one of the most talented and innovative producers in the business, and his contributions to the music industry have earned him a reputation as a true visionary.
Check out Rob's website: https://www.robkinelski.com/
Follow Rob on Instagram: https://www.instagram.com/robkinelski...
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Ed and Paul discuss their experiences with The NAMM Show 2023 and dive deeper about ATMOS mixing.
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Ozzy Osbourne has been at the forefront of metal since its inception. A founding member of Black Sabbath, Osbourne helped transform the world of hard rock music into what would be later understood as Heavy metal. However by the end of the seventies, Osbourne had been ejected from the band and was struggling to chart a path forward.
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Get the full course, recording in the style of Fleetwood Mac with Ken Caillat and Marc Daniel Nelson: https://bit.ly/3GHFaAJ
Buy the Complete Home Studio Recording Book: http://homestudiorecording.com
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Watch Albums That Changed Music: Rumours - • Fleetwood Mac - R...
Watch Recreating The Sounds Of Fleetwood Mac with Marc Daniel Nelson & Ken Caillat : • Recreating The So...
In 1984, Frankie Goes to Hollywood’s debut single was dominating the charts, while simultaneously banned from the airwaves by the BBC. The song was a synth-pop masterpiece, and took its time to get there. Producer Trevor Horn worked through several versions of the song and a changing lineup of musicians to get the desired sound for the “Relax” – a song which would be used to launch his new record label, ZTT, to the public. Despite a slow start and censorship by the BBC, “Relax” became one of the decade’s most important and superbly produced records.
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Ed and Paul listen to their own different ways of mixing Steve Maggiora's "What's Going on". They also test out their mixes in Ed's studio.
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Eva Gardner is a highly talented bassist, singer, and songwriter who has made a significant impact on the music industry. Born in Los Angeles, California, in 1979, Gardner grew up surrounded by music, as her father, Kim Gardner, was a successful bassist who played with a variety of prominent rock bands, including The Creation and The Birds.
Check out Eva's Instagram page: https://www.instagram.com/evagardner/
Check out Eva's website: http://www.evagardner.com/
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In 1966, Wilson Pickett entered FAME studios in Muscle Shoals to record some of his most famous songs of all time, including the now legendary – “Mustang Sally.” Originally written by Pickett’s former Falcons bandmate, Sir Mack Rice, Pickett’s version, produced by Atlantic Records’ Jerry Wexler and FAME studios owner Rick Hall, took a great Rhythm and Blues hit to mainstream success, with the talents of the studio’s incredible house musicians.
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For this week's episode of Working Audio Tools, Ed and Paul demonstrate their stages of pre-mixing and pre-mastering with Steve Maggiora's "What's Going On".
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Warren discusses his top 5 tips to think about when recording.
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Marc Bolan’s T. Rex initially formed as Tyrannosaurus Rex in 1967. Rapidly establishing themselves as darlings of the underground scene, thanks to an exhilarating blend of pixie whimsy and idiosyncratic song structures, that hippy duo – Bolan and drummer pal Steve Peregrin Took – metamorphosed into T. Rex in 1970 and became the pioneering spirit of the emergent glam rock movement, which Bolan jumped on to just before his friend David Bowie.
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For today's episode of Working Audio Tools, Ed and Paul demonstrate what it means to "Pre-mix" a song. They will be using the song "What's Going On" by Steve Maggiora to set up the pre-mixing session.
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David Libert is a legendary tour manager in the music industry who has worked with some of the biggest names in rock and roll history. He is also the author of the book “Rock and Roll Warrior,” which chronicles his experiences on the road with some of the most iconic bands of all time.
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The Ramones were one of the most influential bands to emerge from New York City in the 1970s. Hailing from the Forest Hills neighborhood of Queens, the Ramones helped to define the sound, style, and attitude of a new musical genre that came to be known as punk rock. With Joey Ramone’s unique vocal delivery, Johnny Ramone’s buzzsaw guitar, Dee Dee Ramone’s twisted, hilarious songwriting, and Tommy Ramone’s powerful no-frills drumming, the Ramones helped to spark a musical revolution that is still reverberating to this day. Join us as we explore the career and music of one of the most important bands in rock history: the Ramones.
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Today's episode of Working Audio Tools, Ed and Paul discuss their previous mixes about how they have improved and what they should continue to work on for future mixes. Ed and Paul also discuss what is commonly used on their processing chain.
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Markus Reuter is a German musician who is recognized for his outstanding contribution to the field of progressive and experimental music. With his unique approach to playing the guitar, he has redefined the boundaries of the instrument and created a distinctive sound that is both captivating and innovative. Over the course of his career, Reuter has worked with a range of different musicians and bands, including Tony Levin, The Crimson ProjeKct, Stick Men, and Centrozoon, among others.
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Donna Summer is famous for her disco and pop career, but before she hit the big time she was already an accomplished singer who sang in musicals, folk opera and in the studio as a session musician. The Boston-born singer started out in a rock band before moving to central Europe to make a living. She was singing in the musical ‘Hair’ in Munich when she came to the attention of Moroder’s writing partner Pete Belotte. Like most of Summer’s early disco hits, I Feel Love was written and produced by Giorgio Moroder and Pete Bellotte.
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Today's episode of Working Audio Tools, Ed and Paul compete to create a mix that is pleasing to their client. Which mixing engineer will the client choose? Listen to find out!
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Danny Saber is a prolific musician, producer, and songwriter who has made a significant impact in the music industry. He has worked with some of the biggest names in the industry and has contributed to many iconic songs over the years. Saber’s unique style and approach to music have earned him critical acclaim and a dedicated following.
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“Message in a Bottle” was one of the songs presented by Sting, although the song’s captivating guitar riff was not entirely new to the band. They had heard him playing around with it with a different melody while on tour. Guitarist Andy Summers explained in 1981: “Sting had that riff for a while, but there was another tune with it originally. He'd been fiddling about with it during our first American tour. Finally, he rearranged the riff slightly and came up with the song.” After only a week in the studio, the Police premiered the song at a concert at Hatfield Polytechnic for the BBC’s “Rock Goes to College.”
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For this week's episode of Working Audio Tools, Ed and Paul go over the characteristics of what makes a good portfolio for mixing engineer. They will provide portfolio examples with their own tracks and multitracks given from the Produce Like A Pro Academy.
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Jimmy Webb is one of the most influential and celebrated songwriters in American music history. With a career spanning over five decades, he has written some of the most iconic and timeless songs of all time. From “By the Time I Get to Phoenix” to “Wichita Lineman,” Webb’s music has touched the hearts of millions of people around the world.
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In the 1980s, the futuristic sounds of synthesizers and electronic instruments were everywhere, but only a few years before (in the late seventies) punk music had been dominating the popular music scene with its aggressive, DIY, guitar driven sounds. In the transition from this raw, rock ‘n roll sound to a sci-fi dreamscape of futuristic synthesizers, we find Gary Numan and his 1979 hit single “Cars.”
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Check out the original video here: https://www.youtube.com/watch?v=AZwzD5kyipA&list=PLnLOmVwRMCqSQn4II8mF-VFiIujzkyQRE&index=46
Today's episode of the Working Audio tools, Ed and Paul review each other's mixes for "Can't Find My Way Alone" by Misty Gonzales given by the Produce Like A Pro Academy.
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Pat Mastelotto is a highly acclaimed drummer and percussionist who has made significant contributions to the world of music. Born in 1955 in California, Mastelotto began playing the drums at the age of 10 and quickly developed a passion for the instrument. He went on to study music at Southwestern College in Chula Vista, California, and later joined the band Mr. Mister, where he gained widespread recognition for his technical proficiency and innovative playing style.
Over the years, Mastelotto has collaborated with a wide range of artists and bands, including King Crimson, XTC, David Sylvian, and The Rembrandts. He is widely respected for his ability to fuse different genres and styles of music, blending rock, jazz, and experimental sounds to create something truly unique.
Read more about Pat here: https://producelikeapro.com/blog/pat-...
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In 1965, The Who were on their way to becoming one of the biggest bands in rock music history, with their legendary stage shows, powerhouse sound, and rebellious attitude. But the song that transformed everything for the band’s career, also revolutionized rock history. With “My Generation” The Who created a rock anthem which would define a generation’s identity and represent the spirit of rock ‘n roll for ages to come.
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For this week's episode of the Working Audio tools, Ed and Paul review each other's mixes for "Renegade" by Jerimiah Red given by the Produce Like A Pro Academy.
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Recording a great sounding vocal in the studio sounds like it should be a simple task. You set up a microphone, have your singer stand in front of it, give them a set of headphones and hit the record button. Although this is the basic set up, there are a few things I've learned throughout the years that have helped me get better sounding vocal tracks! A great sounding vocal is the cornerstone of modern rock, pop and country music, so you want to get it right. Here are my 5 tips for recording a great sounding vocal.
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James Brown was called “the Godfather of Soul,” “Soul Brother No. 1,” “Mr. Dynamite,” and “the Minister of Super Heavy Funk.” He was also known as “the hardest working man in show business,” and “King of the One-Nighters,” because at one time he performed as many as 350 gigs a year.
All these titles illustrate Brown’s importance as one of the most influential musicians of the 20th century. He invented funk, which did not only become a genre in its own right, but also a crucial influence on rock, soul, pop, hip-hop, and African and Latin American music, and so on.
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For today's episode of Working Audio Tools, Ed and Paul review each others mixes for "Chelsea" by Dragged Under provided by the Produce Like A Pro Academy.
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In the podcast, Steele highlights Warren’s unconventional path to success. Unlike many Producers who wants to share his knowledge on YouTube, Warren came into the platform as a businessman with an already established working business. He explains that he initially started his YouTube channel to showcase his expertise and promote his production company, rather than as a full-time career mostly educating people.
Get the Home Studio Recording book here:- https://amzn.to/3IeApi7
Check out our ULTIMATE GUIDE TO REAPER with Pro Mix Academy:- https://hoppole.co/reaper
Join me and the team at Produce Like A Pro:- https://www.youtube.com/c/producelike...
Check out the original video here: https://www.youtube.com/watch?v=zkKK3lSYwZM&t=101s
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If you’re interested in recording music, whether as a hobby or professionally, you might want to check out Warren Huart and Jerry Hammack’s new book, “Home Studio Recordings: The Complete Guide.” In this interview with Marc Daniel Nelson, Warren Huart discusses the book and his journey in the music industry.
Marc and Warren began by discussing the benefits of having a handbook for learning about music, in addition to videos. Warren explained that while videos can be helpful, they often only scratch the surface of the topic. A book, on the other hand, can go into much greater detail and offer a more comprehensive understanding of the subject.
Buy the Complete Home Studio Recording Book: http://homestudiorecording.com
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The start of the 90s saw an ongoing tension between edgy – often dark – hard-rocking sounds, and the brighter, mainstream pop aesthetic. Industry expectations and marketing placed most female artists in the latter of these categories. But along came Alanis Morisette – confessional in her writing, raw in her authenticity; she not only changed the game for female artists, but also revolutionized a new post-grunge, hard-rocking sound. Coupling her experiences as a successful teen-idol with a deep desire to experience her own uncompromising artistic vision, she released one of the best selling albums of all time, Jagged Little Pill. The iconic 1995 album was announced with its revolutionary lead single – “You Oughta Know”
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Today's episode of Working Audio Tools, Ed and Paul review each other's mixes by Jerimiah Jones's "Make My Lonely". These multitracks are available at Produce like A Pro Academy. (producelikeapro.com)
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For today's Produce Like A Pro Episode, Ed Thorne interviews Warren Huart's latest book release, "Home Studio Recording: The Complete Guide".
GET HOME STUDIO RECORDING: THE COMPLETE GUIDE: https://homestudiorecording.com
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For this week's episode of Working Audio Tools, Ed and Paul review their third round of mixes given by the Produce Like A Pro Academy. The song of the week that they are given is "Bulletproof" by Village.
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Dan Weller is Modern Metal producer known for his work with Enter Shikari, Bury Tomorrow, Caskets, Holding Absence, and many more.
Producing & Mixing Modern Metal with Dan Weller: https://bit.ly/3YpTiFi
Get in contact with Dan: Twitter: @danweller - Instagram: @danjuela - Website: danwellermusic.com - Email: dan@danwellermusic.com
Become a Kohle Audio Kult member (ALL courses included): https://www.kohleaudiokult.com/
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Rock and Roll is often associated with excess; and by the end of the seventies, this image was clearly in the air. Even the outsider, cool young artists of Stiff Records found themselves lured into its temptations. In the midst of Punk’s musical revolution in England, stripping rock down its barest essentials and attitudes, a young Elvis Costello stepped into the spotlight with his own ironic take on rock and roll indulgence – “Pump It Up” – and in doing so, kicked off his own musical revolution; on which would take the form of New Wave and carry across the following decade.
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For this week's episode of Working Audio Tools, Ed and Paul review each other's mixes based on "Wild Ones" by Me And The City given from the Produce Like A Pro Academy.
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Today, we are sharing our interview with the British ambassador to post-punk, Kirk Brandon. From recording at Wessex Sound Studios to touring around the UK and Europe with The Clash, Kirk’s bands, Theatre of Hate and Spear Of Destiny became staples of the early British Post-Punk scene in the 80s amidst the soundscape of the city at the time.
Listen to Ghost Population: https://kirkbrandon.com/ghostpopulation
Buy Ghost Population here: https://kirkbrandondotcom.bigcartel.com/
Check out Kirk's website: https://kirkbrandon.com/ghostpopulation
Follow Kirk on Instagram: https://www.instagram.com/therealkirk...
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The Beastie Boys began their career in the world of post-punk, hardcore music in 1981. Prior to License to Ill, the Beastie Boys had spent the better part of a decade exploring the cutting edge of hip-hop, rap, punk, and the lyrical intersection often found in those respective genres. The band approached all their musical influences with an almost-outsider, satirical point of reference – never taking themselves or their music too seriously.
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Working Audio Tools podcast returns! For this week's episode, Ed and Paul review each other's mixes with the multitracks from Produce Like A Pro academy. (producelikeapro.com)
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Warren discusses the biggest mistakes we make while recording.
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From its inception in the early seventies, Queen was known for its ability to transform itself and bring together diverse and eclectic soundworlds. From glam rock to soul, rhythm and blues to opera – nothing seemed off limits. In 1980, they proved that again, combining the hottest sounds of disco with their signature classic rock sound, they created a track that would captivate generation of musicians and listeners alike — “Another One Bites the Dust”
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We love giving you all content from multiple genres of music production and today we have a video on Recording and Mixing Hip Hop Vocals with Anthony Cruz, a renowned producer who has worked with Meek Mill, Ricky Martin, Ne-Yo, Jessie J and many more.
Anthony Cruz, an amazing recording and mixing engineer who’s worked with some of the biggest names in the game like Meek Mill and J. Cole, lays down the knowledge on how he approaches recording and mixing hip-hop vocals.
Check out this course on Mixing Hip Hop with Ariel Chobaz: https://promixacademy.com/course/mixing-hip-hop-with-ariel-chobaz/
Check out Anthony Cruz:
New Mixtape: https://linktr.ee/flamerz5?fbclid=PAAaYybc7wUFpb8kdz2TilvWfMFD-vAJJMl8tNzpSVKwUOH-HgPP0X06g8xzc
Website: https://www.breakitdwn.com
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Warren discusses his top 8 free tips to improve your recording and mixing skills
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In 1985, producer Stephen Lipson teamed up with Bruce Woolley, Simon Darlow and Trevor Horn to create one of the decade’s most influential dance music tracks – “Slave to the Rhythm.” Originally intended for Frankie goes to Hollywood, the song found its iconic home in the talents of the incredible Grace Jones. The song showcases a powerhouse of talent and incredible songwriting and production creativity.
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Warren discusses his top 5 tips for running a successful home recording studio.
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As a three-time Grammy award-winning producer and mixer, it’s clear that diversity is at the heart of David Bottrill’s impressive discography. With a diverse range of artists including Peter Gabriel, Smashing Pumpkins, Tool, Muse, Silverchair, Staind, and Rush, David’s work spans genres and generations, resulting in a sound that is both familiar and progressive.
Check out David Bottrill's website here: https://www.davidbottrill.com/
Check out David's music: https://www.allmusic.com/artist/david-bottrill-mn0000941114/credits
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Before there was heavy metal, there was Black Sabbath. Arising from the ashes of the bleak industrial landscape of post-war Britain, Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward charted a new course in the harder-blues-rock of Britain. With the release of the lead single from their second studio album, “Paranoid” Black Sabbath codified the sound which would become Heavy Metal Music.
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In this episode, we’re going to talk about the five most common mixing mistakes.
Those of you that follow me will know some of these already.
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Learn more about the Top 5 Mixing mistakes here: https://bit.ly/2W34pDC
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But in 1987, the band’s indie sound collided with a pop aesthetic that captured audiences and reminded the world that popular music could still be art. Kiss Me, Kiss Me, Kiss Me (the band’s seventh studio album) gave the band their first top 40 album on the Billboard 200. In Barry Walsh’s review for Slant magazine, he compared the ambitious double-sided album to another eclectic and lengthy pop endeavor - the Beatles’ “White Album” - and concluded. “Cure gives the listener the kind of roller-coaster rush that only great pop can provide—they take you all the way through the amusement park, plying you with the sweetest cotton candy, until you wind up giddy and disoriented in the hall of mirrors.” Within this thrilling journey, the third single to be released from the album, “Just Like Heaven” gave the band their first top 40 single and first real American hit.
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These 4 will help you improve your mixes: http://bit.ly/2p5oqOi
These tips are practical things that you can put into practice right away to take your mixes to the next level.
For the full breakdown of these mix tips click here: http://bit.ly/2p5oqOi
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We are in the final week of 2022 – can you believe it? So, to kick this Monday off, Marc Daniel Nelson and I share our Favourite Tracks released in 2022! Given that these tracks were selected by Marc and I separately, we have dubbed this “the year of the bass” and it is clear to see why. This video is a celebration of the incredible talent that the charts have had this year and whilst many won’t be familiar with these songs, it is important to understand the greatness of these songs from an engineer’s perspective!
Here is a list of tracks selected by Marc and I for today’s video:
Lizzo – About Damn Time
Adele – Easy On Me
OneRepublic – West Coast
OneRepublic – I Ain’t Worried
Omar Apollo – EverGreen
Lewis Capaldi – Forget Me
T Bone Burnett – A Better Day
Taylor Swift – Snow On The Beach
Chromeo – Enough 4 U
Queen – Face It Alone
Bonus Mentions Beatles & Kate Bush
Check out Marc Daniel Nelson's courses here
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In 1942, Bing Crosby introduced a new Christmas classic to the world – “White Christmas.” The masterpiece of the legendary Tin Pan Alley composer Irving Berlin, “White Christmas” not only broke sales records for the next 80 years, it also changed the landscape of American Popular music. In a world centered on sheet music and songwriting, the song not only proved itself as a paragon composition – one which could be beautifully performed by hundreds of artists for more than a half of a century – but also as a landmark sound recording. As a recording, the song ushered in a new era for the music industry focused on individual artist interpretations, performances, and signature recordings. “White Christmas” is undoubtedly one of the most performed songs of all time and a legendary sound recording which has captivated audiences for eight decades.
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You will find many articles on the internet with tips and tricks for mixing a song to sound its best. The best way to make sure the mix, and ultimately the final product, sounds the best is to record it properly in the first place.
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For today's podcast, Warren interviews Bradley Cook about how he recorded the Foo Fighter's Biggest hit "Everlong". Bradley Cook is an engineer who’s worked with countless amazing artists, including Foo Fighters, Queens of the Stone Age, Counting Crows, Isaac Hayes, Ben Harper, Fishbone, and Everclear.
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Gloria Gaynor has been hailed “The Queen of Disco ” – a title she solidified in 1978 when she catapulted a B-side single to unimaginable stardom, creating a legendary track that has inspired generations of listeners. To this day, “I Will Survive” remains a dominant anthem of resilience for communities and individuals, who turn to it for its empowering strength and courage.
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In today's episode, Warren goes over the 10 things that no one tells you about in music production.
Download the 10 things no one tells you about music production Cheat sheet here
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For today’s episode of Behind Music Tech, Adam interviews Martin, The CEO of Austrian Audio discussing how they branched off from one company to another, how they started to craft their products from scratch, and their future plans.
Check out Austrian Audio: https://austrian.audio
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Tis the season and all those jingle bells are starting to ring!
This weekend, we decided to share some of the more unusual, unthought of but absolutely essentials items for any studio JUST in-case you are planning on buying your favourite engineer (obviously yourself) a gift in the holidays!
Whilst we are being a little daft, we highly recommend checking the above video out as there may very well be a product that you have overlooked!
Equipement mentioned:
Nobles ODR-1 pedal
Nobles ODR-1 Plugin
Stealth Pro Executive Engineer's Chair
JZ Microphone JZ|PF
Coffee Machine
Marshall fridge
Lava Lamp
Funko Pop
Tea kettle
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In its pursuit of intelligent, imaginative, inspired music, Radiohead won six Grammy Awards, sold 30 million albums, and was inducted in the Rock and Roll Hall of Fame in 2019. Today, Radiohead continues to be admired as one of the few bands that continues to innovate and renew itself. It almost single-handedly has kept rock relevant in the 21st century, when the genre has largely gone out of fashion.
Radiohead’s stellar reputation is to a large degree based on the band’s most famous albums, their third, OK Computer (1997) and their fourth, Kid A (2000), both of which won a Grammy Award for Best Alternative Album. It is less well-known in the US that it was in fact the band’s second album, The Bends, released in 1995, that launched Radiohead’s experimental side and established their ambitious new musical direction.
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Ron Wasserman has been making television scores since 1992 and is well known for first hit shows such as X-Men, Power Rangers and Dragon Ball Z. Because of the huge start of a career that has since produced over 2900 episodes of television, spanning everything from children’s shows to adult dramas, live action to animation, and classic to modern, He has worked on popular video games and unforgettable ads. Today we sit down with Ron and talk about how he got into the world of music and what his production process looks like.
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For today's podcast, Gorden Campbell and Warren Huart dive deep into ten essential gospel drum grooves and the significance behind the beats. Gorden Campbell was raised behind the drum kit from the age of 5 in Newburgh, New York and moved to Los Angeles, California in 1994 and went on to work with incredible artists such as Earth, Wind & Fire, George Duke, Herbie Hancock, Stanley Clarke, Mary J. Blige & Jessica Simpson to name a few.
Gorden's TEN Essential Gospel Grooves:
#1: https://www.youtube.com/watch?v=P-8S9... Walter Hawkins - “Don’t Wait Till The Battles Over”
#2 https://www.youtube.com/watch?v=kuqvT... Ronald Winans Family & Friends - “Now Are We”
#3 https://www.youtube.com/watch?v=3liK_... Kirk Franklin - “Could’ve Been Me”
#4 https://www.youtube.com/watch?v=GHw5u... Hezekiah Walker - “I’ll make It”
#5 https://www.youtube.com/watch?v=4rs0w... Bryon Cage - “I Can’t Hold It”
#6 https://www.youtube.com/watch?v=xiVqW... Walter Hawkins - “Until I Found The Lord”
#7 https://www.youtube.com/watch?v=6KV4g... Fred Hammond - “Let The Praise Begin”
#8 https://www.youtube.com/watch?v=Qb5z_... Hezekiah Walker - “Oh Lord We Praise You”
#9 https://www.youtube.com/watch?v=-Nw-J... Israel Houghton - “Everywhere That I Go”
#10 https://www.youtube.com/watch?v=OQJTg... James Fortune - “It’s Gonna Happen”
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Today the influence of reggae is everywhere, and a world without it would be unthinkable. However, until the early seventies, reggae was virtually unknown in most of the world.
Reggae originated in relative isolation in Jamaica in the late 1960s, and when it was first heard in Europe and North America, it sounded truly revolutionary. It was a completely new sound that changed the course of music almost as much as rock ‘n roll had done a decade earlier.
However, reggae might not have caught on like a wildfire around the world had it not been introduced by an extraordinary man, who was both an extremely charismatic performer and one of the greatest singers and songwriters who ever lived. His name was, of course, Bob Marley.
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For today's podcast, Warren explains the five main rules when it comes to mixing music. Remember, when it comes to mixing, there is no one size fits all. It is so important to know what your mixing and why.
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This week, Adam Steel interviews Rodger Cloud from the famous company Cloud Microphones going over Rodger’s background, how the company formed, and even how they created the most popular audio equipment, “The Cloud Lifter.”
Check out Cloud Microphone: https://www.cloudmicrophones.com
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For today's podcast, Warren tours Just For The Record Studios. Just For The Record is a studio is a boutique studio based in Los Angeles. The mission of this studio is to remove all obstacles and really let artists and producers focus entirely on their craft.
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At the start of the nineties, amid the polished perfection of pop and the glamour of hair metal, one band broke through and revolutionized the entire music landscape. With their 1991 hit, “Smells Like Teen Spirit,” Nirvana took the raw, authenticity of their Seattle grunge peers, and merged it with phenomenal melodic writing and performance. In doing so, the band changed the course of rock and roll history.
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Throughout his career, Michael has worked with artists like Herbie Hancock, The Violent Femmes, The Red Hot Chili Peppers, Soul Asylum, Hole, Ozzy Osbourne, Courtney Love, Marilyn Manson, Social Distortion, Korn, Golden Palominos, and Mew. Michael is also one of only a few producers to have two albums debut in Billboard’s Top Ten in the same week: Marilyn Manson’s Mechanical Animals (#1) and Hole’s Celebrity Skin (#9). This achievement earned him a 1998 GRAMMY nomination for Producer of the Year.
Website: http://www.michaelbeinhorn.com/
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Joe Chiccarelli is a ten-time Grammy and Latin Grammy Award-winning producer, engineer,and mixer. His credits include artists like Beck, U2, The Strokes, The Killers, Elton John, and more!
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When the Cranberries were first discovered in the early nineties they had triggered a bidding war between major record labels and seemed poised for certain success. However, after recording their first album, things seemed far less secure. In 1993, The Cranberries had released their second single, “Linger,” to a disappointing response in the UK. Just when the band feared they were about to be dropped by the label, “Linger” became a surprise sensation in the US. From that moment, The Cranberries were on their way to becoming one of the most important indie-pop bands of the decade.
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In today’s podcast, Warren tours the legendary recording studio Power Station in Berklee NYC.
About The Power Station:
To revive the historic Power Station Studios on West 53rd Street, a historic public-private-nonprofit partnership was established, bringing together Berklee, the City of New York, musician/investor Pete Muller, and members of the Founder’s Advisory Board. The building was originally built as a Con-Edison power relay station, which provided power to Manhattan’s elevated train, which has since been converted into the High Line.
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In today’s podcast of Behind Music Tech, Adam explores the well known, family owned guitar company Orange Amps interviewing Charlie Cooper who markets their social media. Today, we will go over the history of how they started as a business and the construction of making their model amplifiers.
Check Out Orange Amps: https://orangeamps.com
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This is an exclusive view into Renegade Studio in New York City led by Manny Nieto and Chief Engineer at Renegade Studios, Geoff Sanoff.
Manny and Geoff go through some of the awesome gear they have at the Studio and about some amazing records recorded at the Renegade Studio. Geoff gives a run-down of the origins of the studio and about the founder, Steven Van Zandt.
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At 12:01am on August 1, 1981 – MTV opened its debut broadcast with the perfectly titled “Video Killed the Radio Star.” Written several years earlier in 1978, Buggles co-founders Geoff Downes, and Trevor Horn, along with former bandmate Bruce Wooley saw the future of popular music and culture, writing a nostalgic and yet apathetic reaction to the technological age ahead, and wrapping this reflection in the shimmering sounds of studio technology’s newest developments.
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Today's podcast episode, Louise Goffin and Fernando Perdomo break down the process of recording and covering "I Saw The Light".
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Donate to the Goffin and King Foundation: https://thegoffinkingfoundation.org/donate/
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Today’s Episode of Behind Music Tech, Adam interviews Canadian guitar company, Revv amps, discussing how they started as a small guitar company, their future plans, and the process of making their latest models.
Check out Revv Amps: https://revvamplification.com
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We had the chance to go to AES 2022 in New York, and see this amazing panel of top award -winning audio experts. Luckily we were able to bring the panel to all of you amazing folks to listen in and learn from some of the best in the audio world.
Featured speakers: Dave Malekpour (Moderator), Rafa Sardina (Speaker), Jaycen Joshua (Speaker), Anthony ‘CRUZ’ (Speaker), Michael Bashkhangy (Speaker), Luis Valdez (Speaker)
Original video: https://www.youtube.com/watch?v=Ry4oH7cOc-g&t=62s
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In the mid-fifties, rock ‘n roll was emerging onto the popular music landscape, as wider audiences began to discover the energy and vitality of rhythm and blues records. While many of the first rock ‘n roll performers (like Elvis Presley) performed covers of songs written by others, Little Richard was both a performer and a songwriter. One of his most important hits was the song “Tutti Frutti” which he co-wrote with Dororthy LeBostrie – a song that captured a defining moment for rock and roll history.
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Cameron Webb is a producer and mixing engineer. Cameron has worked with multiple platinum selling artists including Motörhead, Sum 41, Kelly Clarkson, Megadeth, Limp Bizkit & Jack Johnson. For today’s episode, Marc Daniel Nelson tours and interviews Cameron Webb’s studio setup at Maple Studios.
Check Out Cameron's New Course: https://promixacademy.com/course/recording-editing-mixing-masterclass-with-grammy-winner-cameron-webb/
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For this week's episode, we will be going over the significance and legendary songwriting behind the Foofighter's Huge hit single "Everlong".
In 1997, the members of Foo Fighters convened after a Holiday break and decided to re-record their The Color and the Shape album. Not only did it afford the band a second chance to create an epic album that would bring the band both critical and commercial success, but it also gave them the chance to include a song that had previously not been planned for the album – “Everlong.” Despite its late addition, “Everlong” has gone on to become one of the band’s most lasting and powerful tracks.
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We’re proud to announce that we’ve teamed up with iconic Metal producer Kristian Kohle (Powerwolf, Aborted) to launch the Ultimate Academy For Heavy Music Production.
The Kult is an online Academy, designed to teach you how to produce world-class, bone-crushing records & develop your OWN unique sound as a band.
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Misha Mansoor is the guitarist and founder of the Djent metal band, Periphery. He also is a solo artist known as Bulb. Songs include: Marigold, Reptile, Scarlet, Digital, and many more.
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For this week's epsiode of Song That Changed Music, We'll be going over the signiture technicalities used in Michael Jackson's famous hit single Billie Jean.
Michael Jackson’s career began in 1965, with his family vocal group – the Jackson 5. In 1968, the group was picked up by Motown and by decade’s end, they were some of the label’s biggest acts. Even though he was the youngest brother of the group, Michael quickly emerged as the leading star. He began releasing solo albums in 1972 with Motown records, while still performing and recording with Jackson 5: Got to Be There, and Ben (both in 1972), Music & Me (1973), and Forever, Michael in 1975.
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Jason LaRocca is a producer, audio engineer, and scoring mixer from Los Angeles. He has recorded and mixed music for movies and games such as Morbius, The Lord Of The Rings: The Rings Of Power, Fortnite, Aquaman and many more. In today’s podcast, Jason is going to explain the different types of techniques he uses when mixing audio for a television series.
Check Out Jason's Website Here: https://www.jasonlarocca.com
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For today’s episode of Behind Music Tech, Adam will be interviewing Chris Jupiter, from the pedal manufacturer company JPTR FX, and will be demoing the different types of unique pedals and their latest release, amplifiers! Chris also explains the history and significance behind Jptr FX.
Check out JPTR FX: https://www.jptrfx.com
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Noel Hogan is an Irish musician and record producer best known as the lead guitarist and co-songwriter of the Irish alt-rock band the Cranberries. Hogan formed the Cranberries with his brother Mike and drummer Fergal Lawler in 1989. The group recruited Dolores O’Riordan as singer soon after forming. The band went on to sell in excess of 40 million records worldwide. In total, Hogan has released eight albums with the Cranberries, most of which were produce by Stephen Street.
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For this week’s episode, we are going to be going over legendary singer, Carol King’s song called A Natural Woman and the songwriting dynamic duo between her and Gerry Goffin.
In the world of popular music, few praises are higher than that of John Lennon saying that he aspired to be like you. And few songwriters can claim such an honour. However, the two that can are, undoubtedly, two of the greats… Gerry Goffin and Carole King.
The pair have been credited with writing much of the “soundtrack of the sixties;” from hits like “Will You Still Love Me Tomorrow,” “One Fine Day,” and “Locomotion,” to “(You Make Me Feel Like) A Natural Woman.”
Donate to the Goffin and King Foundation: https://thegoffinkingfoundation.org/donate/
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Swindle is a Jazz, Fusion, and Hip Hop producer from The United Kingdom. Swindle is known for his newest album called The New World features other great artists such as AKALA, DALEY, GHETTS, GREENTEA PENG, and many more friends.
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Shely Talmy is a record producer, songwriter, and arranger. His credits include The Kinks, The Who, David Bowie, and The EasyBeats. Shel Talmy was an important figure in the British Invasion, cutting sessions that had a harder and more distorted guitar sound than anything else that had been heard before the mid-'60s.
Check out Shely Talmy’s Website here: https://www.sheltalmy.me
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In 1983, a new, almost entirely electronic sound, dominated the charts as Annie Lennox and David Steward’s Eurythmics broke into mainstream success with their experimental, and now iconic, hit track “Sweet Dreams (Are Made of These).” With a never-ending hook, and their experiments with the emerging availability of home-recording equipment, they proved that it didn’t have to take a lot of money or complication to make an unforgettable hit record.
Today, we'll be explaining the technicalites and significant story behind "Sweet Dreams".
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Jaycen Joshua is a mixing engineer and owner of Canton House Studios. His credits include, Beyoncé, Mary J. Blige, Beck, Michael Jackson. Jaycen also has an EQ/Limiter called “God Particle”.
Check out God Particle: https://cradle.app/product/the-god-particle/
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Mat Zo is a British producer and DJ that specializes in Electronic Dance Music. His top songs include, Colours, Reflections, Easy, Always Do, and more. In today’s episode, Mat will be explain tips and tricks of how to stand out to a record label and how he owns his own label.
Check out Mat's website: https://www.matzomusic.com
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Today, listeners are still captivated by “Love Will Tear Us Apart,” its dark authenticity seemingly inseparable from the tragedy that preceded its release. As Len Brown observed for NME in 1990:
“Ian Curtis was no more by the time Closer and ‘Love Will Tear Us Apart’ reached us, which makes it more difficult to measure their true merit objectively. During his lifetime, Joy Division colonised only the Independent charts. After he’d hanged himself, in the early hours of Sunday May 18, 1980, ‘Love Will Tear Us Apart’ reached number 13 in the UK singles charts, selling 160,000 copies; Closer reached six in the album charts.”
However, the song’s legacy extends far beyond that of a dark voyeurism. Its lasting influence has been recounted time and again by both musicians (The Cure, U2, Radiohead, Nine Inch Nails) and music critics. NME even named the song the greatest single of all time in 2002. In the earliest moments of the post-punk era, “Love Will Tear Us Apart” and Joy Division offered a radical new sound which enveloped Curtis’ groundbreaking, brutally honest, lyrical writing and would influence generations of musicians to come.
Check out the series here: https://www.youtube.com/playlist?list=PLnLOmVwRMCqSQn4II8mF-VFiIujzkyQRE
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Buck Dharma is an American guitarist, singer, and songwriter who is known for the band Blue Oyster Cult.
Today, we will be talking about his time with the band, his experiences, and other questions that fans and music lovers will enjoy. Including how he chose his stage name, how the band chose their name, and how their music transcended 70’s American rock.
Check out Buck’s website here: http://www.buckdharma.com/Main.html
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In this week’s episode of Behind Music Tech, Adam will be talking to Leigh Dovey, the CEO of PJD guitars known to be the largest manufacturer of guitars in the United Kingdom. Adam will be interviewing Leigh talking about the history of the company and what direction they are striving for.
Check out PJD Guitars: https://www.pjdguitars.com
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Paul Cowland is a drummer and TV personality with all things Car related. His shows include Salvage Hunters: Classic Cars, Motor Pickers, and Turbo Pickers.
Check out Salvage Hunters: Classic Cars: https://www.amazon.com/Salvage-Hunters-Classic-Cars-Season/dp/B07CMJXHTS
Check out Paul's Website: https://paulcowland.com
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In today's episode, Warren goes over the technicalities and backstory behind Abba's hit single "Dancing Queen".
“Dancing Queen” was written by Benny and Björn, and manager Stig Anderson. They credit George McCrae’s 1974 disco hit, “Rock Your Baby” as a major inspiration. Under the working title of “Boogaloo”, Benny played the instrumental track for his wife Frida who was brought to tears by the sound. She recalled: “Benny came home with a tape of the backing track and played it for me. I thought it was so enormously beautiful that I started to cry.”
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Mike Pepe is a record producer, songwriter, and mixer who has worked with bands such as Silverstein, Taking Back Sunday, Anthony Green, and many more. In today’s episode, Mike walks us through the types of analog gear that he uses on his records and the importance of them.
Want to capture unique drum recordings that highlight the sound of the band and complement your own production style? Check out the The Ultimate Guide To Drum Production for more: https://promixacademy.com/course/the-ultimate-guide-to-producing-rock-drums-with-michael-pepe/
Mike Pepe’s website: https://www.mikepepemusic.com
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Katie Ferrara is a full-time award winning singer songwriter from Los Angeles. She has helped Warren test out multiple microphone reviews on the Produce Like A Pro channel. Some of her singles include We Are Here, On Her Path, Help Me Up, and many more. In this podcast, we are going to be interviewing Katie about the making of her latest single called, This City.
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In today's podcast, Warren talks about David Bowie's BIGGEST hit of all time "Let's Dance" and the significant technicalities behind it.
“Let’s Dance” becomes a contemporary imagining of the radical spirit of rock and roll that had characterized the genre’s birth. It rejects the evolution of rock towards music intended primarily for listening – a paradigm in which Bowie had already proven his skill – and returns it to its origins on the dance floor. In hindsight, we can see the qualities that made it a massive success, but at the time, it was a risky calculation.
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Sanjay C is a YouTuber specializing in reviewing all types of studio gear for music production no matter what the budget may be. Not only has he been on YouTube for 5 years, but he also has sample packs available on his website for sale. In this podcast, we got Sanjay’s definitive gear list of must-have tools for music production. We talked about headphones, plugins, interfaces, and more!
Check out Sanjay C's YouTube and website: https://www.youtube.com/watch?v=rzcG9DB-raM&t=0s
https://sanjayc.com
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In this new Produce Like A Pro Podcast series, Behind Music Tech, Adam Steel gets inside the mind of producer Kristian Kohle and his new metal academy series Kohle Audio Kult. They will be discussing the inspiration behind the academy and the outstanding experiences Kristian had along the way.
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Instagram - @kohlekellerstudio
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Khole Audio Kult Instagram - @_kohleaudiokult_
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Matt Lange is an American DJ and producer based in Los Angeles. He sound designed for Ready Player One, Blade Runner: 2049, Counter Strike Global Offensive, Rainbow Six Siege, and many more. Other credits include Thirty Seconds to Mars, Glenn Morrison, These Hopeful Machines, and deadmau5. In this episode, Matt and Warren are going to be answering questions that you guys submitted in the comments.
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From a simple recording of David Bowie on the Ukulele, “Lust for Life” was extrapolated into the instantly-recognizable song we know today. Rolling Stone placed it in The 500 Greatest Songs of All Time in 2004—and yet again in 2021—when the list was re-evaluated and re-ranked.
“Lust for Life” and its iconic, driving drum sound has been mirrored decades later in works like Travis’ “Selfish Jean” and Jet’s “Are You Gonna Be My Girl;” an illustration of musical ideas perpetuating their influence through the decades.
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Hunt Sales is an American rock drummer who is celebrated for his work with David Bowie, Iggy Pop, and Todd Rundgren among others, Hunt Sales had a long and successful career behind the scenes before he released his first solo album at the age of 64. In 2019, Sales finally stepped forward as a frontman with the album Get Your Shit Together, credited to the Hunt Sales Memorial, which found him matching tough but slinky blues-leaning melodies with lyrics that deal with his personal struggles in no uncertain terms.
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Tony Levin is an American musician, composer and bassist. He is best known for working with Peter Gabriel and King Crimson but he has other huge credits such as John Lennon, Pink Floyd, Alice Cooper, Buddy Rich, and more. Some of his other amazing work includes solo albums, such as “World Diary” and “Waters of Eden”, and Books published like “Beyond the Bass Clef” and “Crimson Chronicles vol 1.”.
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For today's episode, Warren will be going over the historical process of making Tell Mama by Etta James and how her legacy has significantly impacted music forever.
Check out the series on our YouTube Channel:https://www.youtube.com/watch?v=Iyzk1Gwwu7c
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David Bendeth is a multi-platinum award winning music producer and songwriter. He has worked on more than 80 albums in his entire career life. His credits include, Paramore, Breaking Benjamin, Sleeping with Sirens, Bring me the Horizon, and many more.
Check out David's website here: https://davidbendeth.com
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Steve Genewick is a grammy nominated recording engineer, and mixing engineer. He works at Capitol Studios and was one of the first engineers to mix music in Dolby Atmos. His credits include, Elton John, Bastille, Beck, LL Cool J, and many more.
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For today's Podcast, Warren goes over the many important elements that make up one of Blondie's most popular songs, Heart Of Glass.
In 1979 Blondie, the New York band fronted by Debbie Harry, had their first US hit with “Heart of Glass”, a propulsive, glitter-smothered track about a love affair gone wrong, and a shoo-in for radio playlists. It was a bold new sound for the new-wavers whose first album had combined Sixties pop melodies with choppy guitars and a snarly attitude. Blondie played regularly at the punk mecca CBGB, and hung around with Television, The Ramones and the New York Dolls. With “Heart of Glass” they had gone full disco, and not everyone was happy about it.
Check out the series on our YouTube Channel:https://www.youtube.com/watch?v=Iyzk1Gwwu7c
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This is part 2 of interviewing John Kurlander.
John Kurlander is a Balance Engineer and remixer that has been in the audio and music industry since he was 16 years old. He was the assistant engineer on the Beatles album Abbey Road as it was one of the first big projects that he was assigned at a young age. Some of his other credits include Lord of the Rings, Return of the king, The Aviator, Elton John, Toto, Ozzy Osborne, and more. In this episode, John reveals his stories of what it was like to work with the Beatles.
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Mick Gordon is a composer, record producer, musician, and sound designer. His credits include, Routine, Atomic Heart, Doom, and Wolfstein gaming series.
Check out Mick Gordon's Website: https://mick-gordon.com/#/wolfenstein2/
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In today's podcast, Warren goes over the background history of Stevie Wonder and how his legacy significantly changed music forever.
Stevie Wonder was born Stevland Hardway Judkinds (later Morris) in 1950, 6 weeks premature and shortly thereafter became permanently blind. “I think I’m very fortunate — I’m very happy to be blind, because I can really observe people by themselves.” 17 year-old Stevie told KRLA Beat in 1967, the words of a man much wiser than his age might indicate.
Check out the series on our YouTube Channel:https://www.youtube.com/watch?v=Iyzk1Gwwu7c
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Eddie Kramer is a british recording producer and engineer. His credits include Jimi Hendrix, The Beatles, David Bowie, The Rolling Stones and more.
Check out Eddie's website: http://www.eddie-kramer.com/
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Riccardo Damian is a Grammy Winning Engineer, Mixer, and Producer from Italy. His credits include Adele, Lady Gaga, Miley Cyrus, and Mark Ronson in which one of his first gigs being Uptown Funk played by Bruno Mars.
Check out Riccardo's website here: http://riccardodamian.com/
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Warren goes over the history of Eddie Van Halen and how his legacy has significantly impacted the music industry. Warren and Jamie Humphries also explain the technicalities behind Eddie’s guitar playing and how unique and different it is.
Van Halen had only recently been signed to Warner at the time of Fowly’s review, and the Los Angeles band hadn’t yet released their landmark debut album. But they had created a tremendous following in the Los Angeles area with a massive heavy metal sound emerging from a small three piece band (David Lee Roth fronted the group as a consummate showman, but left the instrumental part to Eddie on guitar, Eddie’s brother Alex on drums and Michael Anthony on bass). By the time the band released their eponymous first album in February of 1978, Van Halen was poised for almost-certain commercial success. But nothing could have prepared audiences for the album’s completely instrumental second track, “Eruption,” in which Eddie groundbreaking guitar playing was showcased, full-force, for the world to see.
Check out the series on our YouTube Channel: https://www.youtube.com/watch?v=Iyzk1Gwwu7c
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Jeff Lorber is a Jazz fusion keyboardist, composer, and producer with his band Jeff Lorber Fusion. His scoring credits include Space-Time, Impact, Prototype, Galaxy and many more. The Score, Prototype, won a Grammy in 2018.
Check out Jeff Lorber’s website here: http://www.lorber.com/release/prototype/
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Ali “AMAC” McGuire is a mixing/recording engineer and vocal producer. She has worked with artists such as Lizzo, Murda Beatz, Slushii, Fetty Wap, and Post Malone. Ali got her start in Philadelphia working at live sound venues with Fetty Wap and Post Malone.
Check out Ali’s website here: https://www.amaculent.com/
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In this new Produce Like A Pro podcast series, Warren talks about the history behind New Order and the making of their song called “Blue Monday” going over the different elements and significance of how the song pieced together.
On March 7, 1983, New Order released the single “Blue Monday.” In addition to its massive commercial success, charting in the top 10 in several different countries, the single established New Order’s reimagined voice, distinct from the raw emotions and haunting melodies of Joy Division, and launching the world of dance music into a whole new era. As John Bush declared: “‘Blue Monday’ cemented New Order’s transition from post-punk to alternative dance with vivid sequencers and a set of distant, chilling lyrics by Bernard Sumner”
Check out the series on our YouTube Channel: https://www.youtube.com/watch?v=Iyzk1Gwwu7c
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Darrell Thorp is a producer, mixing, and tracking engineer who has won nine grammys over the years. He started interning at smaller studios in 1997 after serving 4 years in the U.S. navy. His credits include Foo Fighters, P!nk, Beck, Radio head, and more.
Check out Darrell’s Recent Course here:https://promixacademy.com/course/recording-mixing-masterclass-darrell-thorp/
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This episode is part one of Mike Exeter’s interview. Stay tuned for part two!
Mike Exeter is a grammy winning producer and engineer who has worked with artists such as Black Sabbath, Judas Priest, Cradle of filth, Tony Iommi, and many more. In today’s episode, Mike is going to be talking about his experiences and stories working with bands in the recording studio and how he captures their performances.
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Britta Görtz is an extreme metal vocalist, lyricist and vocal coach from Germany. She has been an active part of the metal scene for almost 20 years and has done numerous live performances and tours on international stages, video productions, studio work and songwriting. Passion, the creative, self-confident and healthy handling of your own voice during shouts, screams and growls are the defining factors of her vocal coaching approach.
Check out Britta’s Course here: https://promixacademy.com/course/screaming-vocals-mastery-with-britta-gortz/
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John Kurzweg is a multi-platinum Gold & Diamond American singer, songwriter, musician, producer, and engineer. His Credits include Creed, Puddle of Mudd, Social Burn, Godsmack’s “Whisky Hangover” and more. Kurzweg picked up his skills as a recording artist working with different engineers & producers, including work with famed English producer Ken Scott in the late 80’s on Kurzweg’s first solo album.
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Rachel Moore is a Nashville audio engineer and mixer from BlackBird Studio. She went to school in Full Sail and pursued a Bachelors in Audio Production. Today, Rachael talks us through her experiences working in Nashville as an engineer and mixer and what it is like being a part of the “Nashville Machine”.
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Stuart Elliot an English composer, producer, and drummer for Steve Harley and Cockney Rebel. His credits include being the session drummer for most of Kate Bush’s records (especially on Hounds of Love), but also the session drummer for The Alan Parsons Project, Paul McCartney, John Williams and many more.
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In today’s podcast, Ed and Paul will be going over how they record their podcasts, their voice over processing chain, and their choices of gear that they use for these episodes.
Find Ed at: @theedthorne on instagram, Ed Thorne Music Production on Youtube, https://edthorne.com, https://linktr.ee/EdThorne
Find Paul at: @paulthird_uk on instagram, Paul Third on Youtube, https://www.paulthird.com
Get yourself Paul Third Merch: https://paul-third.teemill.com
Have questions for Ed and Paul? Be sure to subscribe and message Ed and Paul on Instagram or Youtube.
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Brian Tench is a producer, songwriter, mixer, and programmer from London, England. He started his career in music in the late 1970’s, started as a tape operator at Mayfair Studios and was able to engineer and mix on Kate Bush’s Hounds of Love. His other credits include Bee Gees' 'ESP', The Bay Rollers, Slik, Hello, and many more.
Brian Tench's Website: https://briantench.com
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More stories ensue with STATiC, Ady and Mike as they talk about taking that big step recording, producing, or learning music (no matter what gear you have), records that they’re currently listening to, and records that changed the way they saw music.
STATiC: staticisnoise.com & @staticisnoise
Ady: hittheroadmusicstudio.com & @hittheroadmusic
Mike: sidewaysaudio.com & @sidewaysaudio
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Recorded, mixed and mastered by Mike Horner at Sideways Audio
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Ryan Hewitt is an American Producer, Recording Engineer, and Grammy Award winning mixing engineer. He grew up in the music industry because of his father, David Hewitt. His Credits include Red Hot Chili Peppers, Smashing Pumpkins, Blink-182, The Lumineers, and more.
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STATiC, Mike, and Ady talk about their favorite mics, Ady’s experiencing visiting their studios in Greenville after they all met two years ago in PLAP’s Home Studio Marketing, and even Ady’s go-to microphone when recording… in over one hundred degree weather in the desert.
Find STATiC: staticisnoise.com
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In today’s podcast, Ed and Paul are going to be talking about the qualities and benefits of home studio equipment. They will even go over some of their favorite and most used plugins for in the box mixing.
Find Ed at: @theedthorne on instagram, Ed Thorne Music Production on Youtube, https://edthorne.com, https://linktr.ee/EdThorne
Find Paul at: @paulthird_uk on instagram, Paul Third on Youtube. Have questions for Ed and Paul? Be sure to subscribe and message Ed and Paul on Instagram or Youtube.
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Todd Burke is a producer, record engineer, consultant to Antelope Audio and Aurora Audio. His credits include Ben Harper, M83, Fitz and the Tantrums, Stargirl,The Big Sick, and more.
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Warren Huart, along with Kristian Kohle, Ken Caillat, Eric Boulanger, and Marc Daniel Nelson, spoke on the AES Panel at NAMM 2022. They go over their unique experiences about music, recording, mixing, mastering, and even answer questions from fans in the audience.
Marc Daniel Nelson’s Plugin (SketchCassette II): https://aberrantdsp.com/plugins/sketchcassette/
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Ben Burget is a recording, mixing engineer, and multi-instrumentalist from Seattle and is the owner of 206 studios in Los Angeles California. His credits include The Way by Andy Waddell, You know I’m no good by Haley Reinhart, Without You by Parachute, Zildjian LIVE! Series, VFJams LIVE! Series, and more.
Robert “Sput” Searight II is a drummer, producer, and session musician from Dallas, Texas and is rated one of the most influential drummers. His music groups include Ghost-note, Toto, Snarky Puppy, etc. He has guest starred (or sponsored) on Drumeo, Vic Firth, Tama, Meinl and more. He has also worked with other artists such as Snoop Dog, Justin Timberlake, P Diddy, Celine Dion, Timbaland, and more.
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Manny Nieto is a recording and mixing engineer with a recording studio in East Los Angeles. He has worked with bands such as Distortion Feli, Los Lobos, The Breeders, Health, and more. Manny has recorded all over China and SouthEast Asia specifically Singapore, Hong Kong, Beijing, Macau, and Chengdu. For today’s episode, Manny walks us through his studio set up and talks about his experiences working with bands.
Check out Manny’s course here: https://promixacademy.com/course/recording-mixing-rock-manny-nieto/
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For this week’s episode, Ed and Paul are going to be talking about their opinions on releasing music on platforms and distributors. They will elaborate on what gets popular on social media and what doesn’t.
Find Ed at: @theedthorne on instagram, Ed Thorne Music Production on Youtube, https://edthorne.com, https://linktr.ee/EdThorne
Find Paul at: @paulthird_uk on instagram, Paul Third on Youtube
Have questions for Ed and Paul? Be sure to subscribe and message Ed and Paul on Instagram or Youtube.
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John Kurlander is a Balance Engineer and remixer that has been in the audio and music industry since he was 16 years old. He was the assistant engineer on the Beatles album Abbey Road as it was one of the first big projects that he was assigned at a young age. Some of his other credits include Lord of the Rings, Return of the king, The Aviator, Elton John, Toto, Ozzy Osborne, and more. In this episode, John reveals his stories of what it was like to work with the Beatles.
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This episode is part two of Pete Thomas's Interview. Check out Part 1 for more of Pete Thomas!
Pete Thomas is a session drummer from Hillsborough, Sheffield who has been playing drums since the age of ten. The bands he played for consisted of The Attractions with Elvis Costello (also known as The Imposters), Jackshit, Los Lobos, and more. He has also worked for artists such as Ashley Simpson, Nancy Sinatrav, Randy Newman, Richard Thompson, etc.
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For this week’s Episode of The Working Audio Tools, Ed and Paul talk about the important factors of mastering songs from both of their own perspectives. They also explain the differences of using an Artificial intelligence mastering software and a mastering engineer. Find Ed at: @theedthorne on instagram, Ed Thorne Music Production on Youtube, https://edthorne.com, https://linktr.ee/EdThorne
Find Paul at: @paulthird_uk on instagram, Paul Third on Youtube
Have questions for Ed and Paul? Be sure to subscribe and message Ed and Paul on Instagram or Youtube.
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Pete Thomas is a session drummer from Hillsborough, Sheffield who has been playing drums since the age of ten. The bands he played for consisted of The Attractions with Elvis Costello (also known as The Imposters), Jackshit, Los Lobos, and more. He has also worked for artists such as Ashley Simpson, Nancy Sinatrav, Randy Newman, Richard Thompson, etc.
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Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/
Steve Maggiora is Singer, songwriter, and Multi-instrumentalist from Orange county, California. He is the keyboardist for the band Toto and has performed in many different places such as the United States, United Kingdom, Australia, and Japan. In today’s short episode, Warren and Steve catch up on Steve’s tour life with Toto and how well the shows are going.
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In today’s episode, Warren Huart guest stars on The Working Audio Tools. Ed, Paul, and Warren are going to be talking about the music industry in The United States and in the United Kingdom and their social networking. Find Ed at: @theedthorne on instagram, Ed Thorne Music Production on Youtube, https://edthorne.com, https://linktr.ee/EdThorne
Find Paul at: @paulthird_uk on instagram, Paul Third on Youtube
Have questions for Ed and Paul? Be sure to subscribe and message Ed and Paul on Instagram or Youtube.
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Julia Hofer is an Austrian bassist that often collaborates with the YouTube channel Thomann’s Guitars and Basses, but also has a YouTube channel of her own since 2015. She was featured on No Treble 2021 Reader Favorite Bassists and was ranked number four. In this episode, Julia and Warren talk about how to deal with injuries as a musician and their different experiences with their past injuries.
Check out Julia’s channel on YouTube: https://www.youtube.com/c/JuliaCHofer
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This week, we gathered some questions that STATiC’s been asked through the years working on music, production, and more, and compiled them into an FAQ episode. We really loved doing this, and would love to do more in the future. If you have a question, please send it over @staticisnoise on Instagram, so we can talk more about all of these amazing asks and topics!
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STATiC: @staticisnoise // Kira: @kiravioletxo // the studio: @thenoiseroomstudio
For this week’s episode, Ed and Paul are going to be talking about their tips and tricks of how they approach mixing music. From Bus Processing to gain staging, Ed and Paul are going to be explaining it all!
Featured plugins:
Universal Audio API 2500 Bus Compressor: https://www.uaudio.com/uad-plugins/compressors-limiters/api-2500-bus-compressor.html
Tone Empire Model 500:
https://tone-empire.com/shop/model5000/
Acustica ACQUA Diamond Transient: https://www.acustica-audio.com/store/products/diamond-transient
Find Ed at: @theedthorne on instagram, Ed Thorne Music Production on Youtube, https://edthorne.com, https://linktr.ee/EdThorne
Find Paul at: @paulthird_uk on instagram, Paul Third on Youtube
Have questions for Ed and Paul? Be sure to subscribe and message Ed and Paul on Instagram or Youtube.
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Sarah Longfield is an American YouTuber, Musician, and Multi-instrumentalist based in Madison, Wisconsin. Sarah started her YouTube channel in 2007 posting covers of her favorite songs and still posts her music to this day. She has also formed a band called The Fine Constant, in 2012 and released two albums, Myriad and Woven In Light. Find Sarah’s Youtube Channel at https://www.youtube.com/c/SarahLongfield/featured
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This week, STATiC talks about rekindling a fire for something that he’s loved— soundscapes, and how it ties into the idea of shaking things up by finding things that you might not typically be doing in your studio and making them a part of your routine.
Sign up for PLAP’s Pro Mix Academy here: https://producelikeapro.com/
STATiC: @staticisnoise // Kira: @kiravioletxo // the studio: @thenoiseroomstudio
In this episode, Ed and Paul are going to be talking about their different approaches to recording their music. They will also give you a little insight of what type of analog and digital gear they use to add to their recording sessions. Stay tuned for how they mix their music on next week’s episode! Find Ed at: @theedthorne on instagram, Ed Thorne Music Production on Youtube, https://edthorne.com, https://linktr.ee/EdThorne Find Paul at: @paulthird_uk on instagram, Paul Third on Youtube
Have questions for Ed and Paul? Be sure to subscribe and message Ed and Paul on Instagram or Youtube.
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Daniel Lanois is a Canadian producer, multi-instrumentalist, and artist that continues to create countless classic albums since he emerged in the eighties. The vast majority of music lovers will second this, and it can be argued that Lanois was also the most important record producer of the nineties. Lanois’ production work with Brian Eno, Peter Gabriel, U2, Bob Dylan, Neville Brothers, Emmylou Harris, Robbie Robertson, Willie Nelson, Neil Young, and many others. In this episode, we’re going to be talking about Daniel’s timeline of working on his famous albums and the work ethic he built over the years.
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Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/
During this second episode part, STATiC talks about working in the studio with mentors, how utilizing musical resources and mentors around him helped him grow in the studio, and how you can see the artists around you during your next musical collaboration. Join Produce Like A Pro Academy: https://producelikeapro.com/
STATiC: @staticisnoise // The Noise Room: @thenoiseroomstudio // Kira: @kiravioletxo
Today’s Episode, Ed and Paul are going to be going over their approach to songwriting and what makes a great song noticeable. Not only will they be going over their techniques on songwriting, but they will also go over how other artists approach songwriting and music theory. Ed’s Plugin of the week: https://www.uaudio.com/luna/instruments-extensions/ravel.html
Find Ed at: @theedthorne on instagram, Ed Thorne Music Production on Youtube, https://edthorne.com, https://linktr.ee/EdThorne
Find Paul at: @paulthird_uk on instagram, Paul Third on Youtube
Have questions for Ed and Paul? Be sure to subscribe and message Ed and Paul on Instagram or Youtube.
Subscribe to the email list and get yourself some free goodies: https://producelikeapro.com
Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/
Rodney Hall is the co-owner and president of mussel shoals recording studio FAME Recording Studios in Alabama. He is the son of Producer Rick Hall who was the founder of FAME. FAME’s music credentials consist of Aretha Franklin, Little Richard, Etta James, Otis Redding, and more.
Subscribe to the email list and get yourself some free goodies: https://producelikeapro.com
Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/ and start mixing today!
Being with STATiC for over three years, I know that one of the things he LOVES talking about are his influences. For those who know him best from his guitar-playing on record and stage, I wanted him to talk about his influences, all the way back to when he started, and what he’d learned from them along the way. In this part 1 episode, STATiC talks everything from the records his cousin gifted him, to the first concert he went to, to the moment he knew he wanted to play, to then being surprised to find himself in a rehearsal with a musician who left one of the more impactful impression on him 15 years prior, never knowing he’d be rehearsing in the same room as him years later!
Join Produce Like A Pro Academy: https://producelikeapro.com/
STATiC: @staticisnoise // The Noise Room: @thenoiseroomstudio // Kira: @kiravioletxo
For this week’s episode, Ed and Paul are going to be talking about what it takes to be a Youtuber, specifically in the Audio Industry. They will also be talking about the pro and cons about working as an Audio YouTuber such as dealing with Trolls and negative comments. Paul’s Plugin of the week: https://www.threebodytech.com/en/products/kirchhoffeq. You can find Ed @theedthorne on instagram and Ed Thorne Music Production on Youtube and Paul @paulthird_uk on instagram and Paul Third on Youtube. Have questions for Ed and Paul? Be sure to subscribe and message Ed and Paul on Instagram or Youtube.
Marc Daniel Nelson is a Grammy and French Academy Award-nominated mixing engineer, music producer and creative director. He has been mixing, producing and managing creative content for over 20 years. His Music Credits include Fleetwood Mac, Colbie Caillat, Jason Mraz, Eric Burdon / Ben Harper, Francesca Battistelli, Robert Duvall, Ozomotli, Reik and more. His film credits include Solo, Blade Runner 2049, The Vietnam War, Mulan, The Expanse, Wild Horses, Point Break, etc. In today's episode, Marc and Warren are going to be answering questions that you guys have submitted on a youtube live stream! Want to see Marc’s newest course? Go to https://promixacademy.com/course/mixing-modern-rock-with-grammy-nominee-marc-daniel-nelson/ for more information!
Let’s talk about flow in your studio. Even if you’re limited on space, you may find that there are tons more ways to increase the way that you work in your studio than you thought, and many ways to find what works for you. This week, STATiC and Kira talk a little about a lot, from chairs, to organizing with tool boxes, to leaving gear set-up, to duplicating for success, and more.
Join Produce Like A Pro Academy: https://producelikeapro.com/
In today’s episode, Ed and Paul are going to be talking about their take on Universal Audio tools and answer some questions about plugins and analog gear that you guys have submitted! You can find Ed @theedthorne on instagram and Ed Thorne Music Production on Youtube and Paul @paulthird_uk on instagram and Paul Third on Youtube. Have questions for Ed and Paul? Be sure to subscribe and message Ed and Paul on Instagram or Youtube.
SHAED is an American Electro-pop trio Consisting of Solo Artist Chelsea Lee and Producers Max and Spencer Ernst. Chelsea Lee and the Ernst twins first met in high school and began writing music together a few years later. In 2016, the group's second single, Thunder, landed on the viral streaming charts and began to grow their popularity. The Hot 100 Top 20 single, Trampoline, marked their debut on the Billboard 200 in 2019.
How do you look at hospitality when it comes to your home studio? This week, STATiC and Kira are talking everything from how they strive to make their home-based studio a comfortable space for artists, to dreams of having alpacas and lots of land in a future vision of it. Hear STATiC’s experience creating his own hospitality while touring on the road, what their goals are for their home studio, and how you can think about hospitality and vibe in your studio, no matter what your dreams may be with it.
Special thanks to Produce Like A Pro Academy member Mike Horner at Sideways Audio for mixing and mastering! @sidewaysaudio
Where to find us:
IG: @thenoiseroomstudio / website: thenoiseroomstudio.com
STATiC: @staticisnoise | Kira: @kiravioletxo
In this new Produce Like A Pro podcast series,The Working Audio Tools, Ed and Paul are gonna be talking about what it means to be a working audio tool, the characteristics of a mixing engineer, and getting a pro mix. You can catch Ed @theedthorne on instagram and Ed Thorne Music Production on Youtube and Paul @paulthird_uk on instagram and Paul Third on Youtube.
Jay Joyce is an American record producer, songwriter and session musician for Rock and Country music. He has worked with artists such as The Wallflowers, Emmylou Harris, Patty Griffin, White Reaper and Cage the Elephant. He has also recorded and toured as Iodine in the 1990s with Chris Feinstein and Brad Pemberton. In this episode, we're gonna go through Jay's studio setup and workflow of how he records and mixes.
Today, we’re talking all about the art of serving the song— or as STATiC says, listening to the muse. Whether you’re a vocalist, a producer, or a musical collaborator, there are ways we can always keep learning how to align with the higher purpose of a song or musical project to ensure our intentions are in a state of service. STATiC shares his experience both as a musician learning how to serve the song, and then later, as both a multi-instrumentalist and a producer, learning the same thing.
Link to sign up for Product Like A Pro Academy → https://producelikeapro.com/
Questions, comments & requests for future episodes? Ask STATiC: static@producelikeapro.com
Our website: thenoiseroomstudio.com
Our IG: @thenoiseroomstudio
STATiC: @staticisnoise
Kira: @kiravioletxo
Eva Reistad is an atmos and film mixing engineer from Minneapolis, Minnesota. Her film and music credits consist of Cinderella, Dune, Afterlife of the party, Miley Cyrus, Deadmau5, and Avril Lavinge. In today's episode, Eva talks about her work ethic as an atmos and film engineer and walks us through her studio set up.
In this new Produce Like A Pro series, The Beautiful Noise Podcast, Kira and STATiC talk about how they first met in a Grungy Production of HAIR and how they started developing their own studio, The Noise Room Studio. Thanks so much for joining us on our first episode. What do you want to hear next? Email Kira at thenoiseroomstudio.com for questions, suggestions, and feedback for future episodes.
Billy Decker is an audio and mixing engineer from Nashville, Tennessee at The Cabin at Westwood. Billy has mixed for artists such as Dustin Lynch, Sam Hunt, Chris Young, Rodney Atkins, Darius Rucker, and more. He also has a mixing course with promixacademy.com called Template mixing with Billy Decker.
Louise is a singer songwriter, multi-instrumentalist, and producer. In this podcast, Louise Goffin talks about what it was like working with her mother, Carole King, on her album “A Holiday Carole” which was later nominated for a Grammy.
Today, Misha Mansoor will be answering some commonly asked questions here on Produce Like a Pro! Misha is the founder and guitarist of the band Periphery also known as Bulb after the name of his solo project. Check out his ULTIMATE Drum Programming course on promixacademy.com!
Sara Carter is a BBC trained, mixing and mastering engineer based in Hampshire, UK. Sara started recording and mixing music in the mid 90’s as a hobby from a small home studio after playing guitar for many years. She relished working in the BBC’s Maida Vale Studios where she developed her mixing and critical listening skills, working on sessions with a wide variety of artists from Crowded House to The Cure and Adele to The Black Keys to name just a few. She’s been officially credited on records from Corrine Bailey Rae, KT Tunstall and Girls Aloud amongst others. In recent years, however, she had felt a strong calling back to music and engineering, returning to the industry with her online mixing and mastering business called Music Mix Pro. Sara is passionate about mixing music and strives to exceed her clients' expectations and to make the whole process as rewarding as possible for both the artist and herself.
Today I´m interviewing producer, engineer and mixer Johnny K. (Disturbed, 3 Doors Down, Plain White T´s)
We talk about the changes in the music industry and how to adapt to your circumstances. Johnny tells us the story of how he started in out in his career and worked his way up in the music industry.
Warren interviews producer Kyle Lehning (Randy Travis, Dan Seals, Anne Murray, Restless Heart and more)and tours his studio in Nashville, TN
I´m interviewing Phil Allen, who interned with me when he was 19 years old. He worked his way up to become my assistant, then my recording engineer, eventually Co Writing, Co Producing and playing on many songs we recorded together! Phil has built an amazing career as a musician, recording engineer and producer: He even won a Grammy with Adele´s album of the year!
This interview will especially be valuable for all of you songwriters and producers out there:
We´re passing on a lot of the experience and knowledge we´ve acquired over the years, by working with some of the best songwriters and producers out there. – So pay close attention!
Warren sits down with producer/mixer/engineer Neal Avron (Sara Bareilles, New Found Glory, Linkin Park). They discuss the importance of being musical, Neal's approach to recording/mixing, and his recording studio setup.
Warren interviews recording, mixing, mastering engineer, producer and owner at The FunAttic Production and Mastering Suite Lucas Pimentel
Howard Willing is an extremely accomplished Producer/Engineer and has made some of the best sounding records of the last few years. I got to catch up with him via Skype the other day! We discuss music, his path, and get a quick look at his recording setup.
Today guest is legendary heavy rock producer and mixer Ulrich Wild walks us through his home studio setup and explains his approach to producing music.
This is an amazing episode for all of you home-studio owners who are trying to make great records on affordable equipment
Greg Richling is a bassist, producer and music innovator. He wrote songs, recorded and toured with the Wallflowers for 20 years. He’s played bass on albums for Fiona Apple and Macy Gray as well as producing and songwriting in LA. Greg is also an entrepreneur who started Unkovr.com, a music discovery platform curated by top industry professionals.
Warren interviews Grammy winning producer and engineer Dave Way (Sheryl Crow, Brandy, Pink, Christina Aguilera, Macy Gray, Ringo Starr, Shakira, Savage Garden, Michael Jackson, and many many more) at his home studio WayStation.
Colin McDowell from McDSP stops by the studio to discuss music, how McDSP got started, and their new plugin the SA-2 Dialog Processor.
As far as I’m concerned Joe Barresi is Mr Guitar! Joe has made some of the best sounding guitar albums of the last 25 years! His tones are not only big and fat when they need to be, they are also ALWAYS unique! I’ve worked with Joe as a musician and he blew me away with his dedication to getting amazing guitar sounds that inspire you to play your best!
Mixing Engineer Matthew Weiss (Dizzee Rascal, Juicy J, MURS, Royce Da 5'9 and more) recently moved to L.A. into a very nice studio. So I dropped by, we did an interview. We go over
What´s the right mindset to have when approaching a mix?
What´s the role of a mixing engineer in the modern age?
Are you allowed or even supposed to make production decisions during the mixing phase?
Enjoy!
Lenise Bent became Michael Chapman’s Engineer, recorded and mixed Blondie’s masterpiece ‘Autoamerican’ containing ‘Rapture’ which is recognised, rightly so, as a revolutionary track where Debbie Harry rapped and name checked groundbreaking Hip-Hop pioneers Fab 5 Freddy and Grandmaster Flash. Bringing a whole genre to the attention of many more people worldwide.
Mentored by luminaries and being not only one of the first female engineers in Los Angeles, she is one of the best ever!
Dave Pensado
Pensado's Place
Dave worked out of Larrabee Studios in Los Angeles where he mixed on an SSL. It was around 2010 that he discovered he was doing better mixes in-the-box than on a console, and by Pro Tools 11, he couldn’t beat what he was doing with a DAW. Of course, Dave champions whatever method best enhances the individual engineer’s creativity, and speaks about the importance of being receptive to new techniques. This might include, for example, using certain plug-ins that allow panning of specific frequencies–a helpful hint he gave us for keeping mixes interesting!
Warren visits Christopher Thorn (producer and guitar player with Blind Melon) at his studio, Fireside Sound. They talk about his career as a musician and producer and take a look at all the gear
Warren interviews drummer, producer, mixer, engineer Simon Phillips (Jeff Beck, The Who, Judas Priest, Tears for Fears, Mike Oldfield and Gary Moore).
Warren speaks with Matt Mahaffey, a multi-instrumentalist, producer, and engineer best known for his work in the band Self.
Writing and producing a killer song can be a difficult and frustrating process. Maybe you lack musical knowledge or proficiency, maybe you think your gear is to blame, or you even find yourself lacking inspiration.
Tim Wrote 2 of the 11 Songs on the new Imagine Dragons albums. We think he knows a thing or two about songwriting.
Jackson Eppley is a Nashville success story, he plays bass sessions, produces artists and writes music for Film and TV. He has learned to adapt with the ever changing industry and is a testament to what musicians, producers songwriters and engineers are now doing to make a good living not just in Nashville but the world over!
Have a marvellous time recording and mixing
F. Reid Shippen.
He doesn't like bios. He says they always seem simultaneously insincere and too damn serious.
You can find him over at Robot Lemon, where he's working with the the likes of Dierks Bentley, Kenny Chesney, Ingrid Michaelson, Little Big Town, and India.Arie.
Warren visits Brian Lucey at his studio, Magic Garden Mastering. They discuss his process, the importance of musicality, and all of his gear.
Warren visits Taylor Locke at his studio. They discuss his journey, Warren drools over Taylors guitar collection, and studio designer Robert Maune stops by to talk a little as well.
Have a marvelous time recording and mixing.
Pt 2 With Shelly Yakus. Follow up to last weeks episode. Listen to Part 1 before hand if you haven't!
Warren visits Brad Wood at Seagrass Studios. They discuss how he got his start in recording, converting from digital to analog, Magic Shop over in New York, and Brad discusses gear.
Have a marvelous time recording and mixing.
Aspen Pittman passed away on August 10, 2019.
As many as you know, Aspen was the founder of Groove Tubes. Aspen designs for guitar amplifiers, microphones, and vacuum tube have been applauded by producers and musicians for nearly 40 years.
He also won the prestigious Microphone of the Year TEC Award for one of his innovative microphone designs.
Today's episode will be from an Interview Produce Like A Pro had back in March of 2016 when Warren visits Aspen at his studio Aspen's Place Recording. As you can see, Aspen was quite passionate about what he did and will truly be missed.
Ken Sluiter is a secret weapon
He's is a recording engineer, producer, and mixer out of Chicago. He moved to Los Angeles in 2003, where he worked alongside legendary producers and engineers, such as Andrew Scheps, Greg Fidelman, Joe Chiccarelli and Jim Scott.
He has an amazing list of credits that includes a staggering list of talent like James Blunt, Weezer, Augustines, Ok Go, Heart, Marc Almond, Jerry Lee Lewis and many others. As Ken put it, he has had his "head between speakers for the better part of 25 years."
What if I told you I know a guy who mixes 300+ songs per year AND has developed artists like The Killers and Imagine Dragons?
Would you ask for proof? An interview? How he does it? Can this man/machine possibly be real?
Yes, he is! So who is it? His name is Mark Needham.
If you want learn how to mix 300+ songs a year, you have to have be fearless like Mark Needham.
Warren sits down with the great Tommy Vicari. They discuss his journey, love of music, and the current music industry. See Tommy's credits here:
http://www.allmusic.com/artist/tommy-...
http://www.imdb.com/name/nm0003797/
Warren meets Rocco Guarino, studio manager and engineer at Lavish Studios .
Lavish Studios was Scott Weiland's Studio before his death in December 2015. They talk about the studio, Velvet Revolver, Scott Weiland and gear, of course.
Rob is an incredible producer who has worked in the music industry for decades. His credits include: Beck, Toadies, Tokyo Police Club, Elliot Smith, and lots other other influential bands and artists.
This interview was recorded shortly after David Bowie died. The death of one of the greatest artists of our time led us to an in-depth conversation about the importance of art and what it means to be a true artist.
Rob really is an amazing example of someone who has made amazing albums on a shoestring budget! He made Beck's "Mellow Gold" on a Foster E8 and a Roland Hard Disk recorder and the "Loser" video for $3000!
Cameron Webb
He tells us about key moments in his career and the story of how he first met Motörhead: He almost blew his chance of working with them! Fortunately he got the gig and went on to build a long-lasting relationship with the band.
Cameron shares very cool inside information about the Motörhead, their approach to recording, making music and life in general.
From family band to his own signature fret less bass by fender, Tony Franklin has done it all. Working his first professional gig at 18 with "Pete's People" to then going forward to the likes of Jimmy Page, Whitesnake, and David Gilmour. Tony's time and dedication to his craft makes him more than qualifed to talk all things bass and fret less has given Tony the credibility to discuss all things bass and fretless.
Warren interviews the incredible Chris Chaney. Chris is an amazing bass player who has played with loads of great artists including Jane´s Addiction, Alanis Morissette’s, Slash, Shakira, and many more.
Besides that, Chris is also a great engineer and producer. He has set up a small studio at his place and he really knows how to get great recordings and tones from his equipment.
But the best thing about Chris first and foremost is that he's a fan of music.
Warren sits down with the great Dave Jerden (Jane's Addiction, Alice in Chains, Talking Heads) and discusses the music business, his experiences in the recording industry, his mentors, and the importance of having fun while making music.
Warren talks with Evan Beigel former owner of Seasound Studios.
Evan talks about talks about what makes a good mentor, growing up on AM radio, and why he was kicking and screaming going from to Pro Tools.
Check out Evan's site here:- http://evanjbeigel.com
Chris Lord-Alge, also known as CLA.
I wanted this interview to be different to the tons of CLA interviews out there. I wanted to get to know that kid, that fan of music. The Chris Lord-Alge that very few of us get the chance to know.
Warren visits Kenny Aronoff at his personal studio, Uncommon Studios. They discuss drum recording tips, go through Kenny's setup, and listen to some drums recorded at his studio. Check out Kenny's site here and you can have him play on your recording too!
https://kennyaronoff.com/
https://uncommonstudiosla.com/
Warren interviews engineer Greg Collins (U2, Gwen Stefani, No Doubt, Matchbox 20, Red Hot Chili Peppers, Kiss and many more)"
Collins won a Grammy Award in 2006 for his work as mix engineer on the U2 singles "City of Blindings Lights" and "Sometimes You Can't Make it On Your Own" from the album "How to Dismantle an Atomic Bomb", which won Album Of The Year.
In 2008 Collins co-produced the band KISS's first album of new material in over 10 years, "Sonic Boom", with Paul Stanley.
Chris "Frenchie" Smith is most known for And You Will Know Us by the Trail of Dead, Meat Puppets, The Toadies, Gregg Rolie, The Answer, Built to Spill, and Jet.
He co-owns and works out of The Bubble Recording Studio in Austin, Texas. In the interview Warren and Frenchie talk about South by Southwest, giving credits to some great producers down under, and how the three most important things in music are the song, the song, and most importantly, the song.
Matt Starr is a fantastic drummer, including work with Ace Frehley and Mr Big to his resume. Matt chats about how Kiss started it all off for him, persistence (and some tequila) got him to working with Mike Chapman, and not being able to remember whether the greatest philosopher was Socrates or Wayne Gretzky.
Pete Lyman runs Infrasonic Sound East AND West
Upon opening its doors in 2004, Infrasonic quickly carved its niche in the indie music scene and, for the past decade, has grown alongside its client roster.
He's owns a vintage Neumann Lathe, called THE lathe, not A lathe, THE.
Listen and hear how some records are "pressed out like waffles" as Pete says.
Val Garay
What can be said about Val Garay that hasn't already been said?
He's probably responsible for 50% of the 70's
He's a legendary producer and engineer who has garnered 5 Grammy wins, over 100 gold and platinum records, an Emmy nomination, and over 125 million worldwide record sales.
At just 23 years old, Andrew Wells is making quite the name for himself. He's got his own studio, has worked with names like 5 Seconds of Summer to Fall Out Boy to Jason Mraz. Warren was able to sit down with Andrew and get a tour of his new studio, EastWest Studios.
Warren sits down with Ariel Chobaz (Rhianna, Nicki Minaj, Dj Khaled) to discuss working overnights to get his foot in the door, the hierarchy of the studio, and discovering Nicki Minaj for the first time.
Warren interviews multi platinum and grammy award winning mix engineer Bob Horn (Timbaland, Akon, Ne-Yo, Ashanti, Usher, Lupe Fiasco and many many more)
Warren sits down with Joe Chicarelli (The White Stripes, The Raconteurs,Young The Giant), who is arguably the best living engineer in the world.
Warren Huart sits down with Jack Douglas (Aerosmith, The New York Dolls, John Lennon) and discusses the importance of not taking yourself too seriously, the great producers, and doing what you love.