Features – Sonic Perspectives: Recent Episodes
Sonic Perspectives
As The Laser’s Edge prepares for the November release of “Hiding In Plain Sight,” the debut from HERIN – the progressive/post-rock solo venture of Tiles/Discipline guitarist Chris Herin, we are premiering today the album’s second single and leadoff track “Warning Signs.”
Driven by the powerful pocket of world-renowned drummer extraordinaire Shane Gaalaas (B’z, Koshi Inaba, Yngwie Malmsteen, Michael Schenker), the song showcases the familiar tenor of vocalist Michael Sadler – from iconic Canadian progsters Saga – soaring above Herin’s slippery and angular riffs. Add Jeff Kollman on lead guitar and Kevin Chown on bass – who along with Gaalaas comprise the formidable fusion trio known as Cosmosquad – and “Warning Signs” boasts a thundering groove that energizes Sadler’s delivery and showcases Kollman’s incendiary soloing.
Chris Herin states of the song, “I have been a legacy fan of Saga for 40+ years, starting when ‘On The Loose’ broke and seeing them open for Jethro Tull in 1982 on the Broadsword And The Beast Tour. As I was brainstorming possible vocalists, I noticed Michael had joined up with Toronto’s David Barrett Trio on some excellent tunes and was also part of the ProgJect: Ultimate Prog Rock Experience collective, so clearly, he branched out from Saga. Michael has a unique quality to his voice I’ve always really liked, and I envisioned him sounding great on ‘Warning Signs.’ Matthew Parmenter of Discipline recorded a demo vocal (quite a good one too), and the next time Michael was in Toronto he and Terry got together and worked their magic! There’s a distinct quality to the vocal that captures the struggle of an erratic emotional roller coaster.”
Lyrically “Warning Signs” is a cautionary tale for people to be on the lookout and recognize small out of out-of-the-ordinary behaviors that collectively may indicate a serious problem as someone’s age progresses or health changes. Chris Herin reveals, “My dad delivered plausible explanations for odd behaviors and smoke-screened things very well. Of course, I don’t know if this was conscious or simply a coping mechanism and a natural thing to do under the circumstances; but I missed a lot of obvious clues.”
A conceptual work recounting Chris Herin’s difficult walk alongside his father’s ten-year struggle with Alzheimer’s disease, HERIN’s “Hiding In Plain Sight” combines distinctive prog and art rock influences that alternate from sophisticated orchestral arrangements and polyrhythmic complexity to contrasting cinematic soundscapes and ambitious guitar workouts.
Teaming up with HERIN are renowned producer Terry Brown (Rush) and Grammy award-winning mastering engineer Peter Moore (Bob Dylan, Joni Mitchell) who gave “Hiding In Plain Sight” a luxurious and dynamic sonic landscape. For the attentive and patient music enthusiast, each listen gradually reveals the album’s cache of nuanced and subtle details. Complementing the reflective and occasionally disquieting lyrics is Hugh Syme’s (Rush) whimsical and engaging imagery, the artwork capturing the album’s sensibilities of time and place for a compelling and enigmatic visual counterpart.
“Hiding In Plain Sight” is a collection of thoughtful observations and somber meditations while Herin sidestepped through the debris field and collateral damage of the growing Alzheimer’s storm. Eleven watershed moments echo the fragile impermanence of life and encourage the listener to turn inward in sympathetic introspection. Abundant prog filigree adorns the album and musical adventure abounds as sprawling vocal hooks glide over angular riffs, richly textured instrumentation, and brooding ambient orchestrations.
Lending their exceptional talents to “Hiding In Plain Sight” is an impressive cast of nearly thirty musicians, including Rock And Roll Hall Of Fame members Peter Frampton and Alex Lifeson (Rush), plus Martin Barre, John O’Hara, and Doane Perry (Jethro Tull), Michael Sadler (Saga), Kim Mitchell (Max Webster), Cody Bowles and Kevin Comeau (Crown Lands), Jeff Kollman and Shane Gaalaas (Cosmosquad), Tim Bowness (No-Man), Colin Edwin (Porcupine Tree), Randy McStine (Porcupine Tree), Kevin Chown (Tarja, Chad Smith), Matthew Parmenter (Discipline), Hugh Syme, Johnathan Blake (Kenny Barron), Ben Riley (Mohsen Namjoo), Gary Craig (Bruce Cockburn), and many more.
Embracing a prog rock spirit that appeals to both the heart and mind, “Hiding In Plain Sight” is a bold and adventurous fusion of musical palettes as the distinguished roster of guest artists propel HERIN’s songs into inspired and expansive directions. A portion of this album’s proceeds will be donated to Alzheimer’s charities.
“Hiding In Plain Sight” will be presented in a limited digipack CD including an 8-page booklet and digitally on November 1st. Preorders are available at The Laser’s Edge webshop HERE and Bandcamp – the standard digital HERE and the 24-bit hi-res HERE.
The post VIDEO PREMIERE: TILES/DISCIPLINE Guitarist CHRIS HERIN Shares New Single From Debut Solo Album, Featuring SAGA & COSMOSQUAD Members appeared first on Sonic Perspectives.
Shumaun is set to unveil their 4th album, titled “Opposing Mirrors,” tomorrow (June 28th) showcasing a stellar lineup of drummers including the return of Thomas Lang and Leo Margarit of Pain of Salvation, alongside Marco Minnemann from the instrumental power trio, The Aristocrats, but you can listen to the entire record one day in advance, via our exclusive premiere, below.
“I believe the album is best experienced when played in sequence. While not a traditional concept album, it maintains a thematic coherence, much like our previous releases. The goal is to immerse the listener in a musical journey lasting approximately 50 minutes, give or take, haha. While there are standout singles, we’ve also included longer tracks to allow for deeper exploration. Ultimately, my hope is for the honesty and integrity of the music to connect with the listener, however, they choose to experience it.” says Shumaun mastermind Farhad Hossain.
Opposing Mirrors by ShumaunShumaun, initially a solo project by Farhad Hossain, evolved into a collaborative band after recruiting friends. Despite drummer challenges during recording, including the departure of Tanvir Tomal, replaced by Waqar Khan, the band managed to release their self-titled debut album in 2015 with contributions from Travis Orbin (Darkest Hour)and Mark Zonder (ex-Fates Warning) on drums.
Tanvir later rejoined as the live drummer. In 2019, their second album “One Day Closer to Yesterday” was released, followed by their critically acclaimed third album “Memories & Intuition” in 2021, which featured renowned drummers, Thomas Lang, Atma Anur, Mark Zonder, and Leo Margarit. Praised by numerous prominent progressive, hard rock, and heavy metal outlets such as PROG, Revolver, Decibel, Metal Asylum, and Progressive Music Planet, the band’s distinctive sound, propelled by Farhad Hossain’s dynamic vocals and lead guitarwork, Jose Mora’s melodious bass lines, and Tyler Kim’s nuanced guitar embellishments, has earned them accolades, awards, and widespread recognition.
“Opposing Mirrors” Track Listing:1. The Perils of Amnesia (8:06)
2. Balance (6:00)
3. Opposing Mirrors (4:26)
4. Anxiety and Daydreams (6:00)
5. That Which Turns (4:54)
6. Beyond Reflection (6:28)
7. Some Memories 4:10)
8. Porcelain Trees (9:26)
The post ALBUM PREMIERE: Listen To SHUMAUN New Album “Opposing Mirrors”, Featuring MARCO MINNEMANN, THOMAS LANG & LEO MARGARIT appeared first on Sonic Perspectives.
The following three albums all have one thing in common: they draw heavily on guest artists and collaborators to form their identity. In all cases, there is one visionary who plants the seed and sets the wheels in motion. In some cases, they’re even the principal songwriter. But it’s the creativity, strength, and diversity of their collaborators that truly form the end product. Released this past month, these three new releases are all worthy of your attention, boasting a wide range of styles and cameo appearances.
Mandoki Soulmates – “A Memory Of Our Future”Leslie Mandoki might be one of the most important musical activists that many Americans have never heard of. Making an adventurous escape from then-communist Slovenia in 1975 via a 5-mile tunnel, *Mandoki worked as a musician and producer with many of his heroes (Phil Collins, Chaka Khan, Lionel Richie, etc…) in the 80s before forming the Mandoki Soulmates over 30 years ago, which boasted an initial formation of Ian Anderson, Jack Bruce, Al Di Meola, David Clayton-Thomas (Blood, Sweat & Tears), Bobby Kimball (Toto), Mike Stern, Anthony Jackson, Bill Evans, and Randy and Michael Brecker, many of whom still play with the Soulmates* today.
Some might put the label “supergroup” on this ensemble, but as it’s spanned the decades, the term *Soulmates truly captures the spirit of this musical force that Mandoki has put together. The core band has become close friends and shared many life experiences along with their music. Along the way, Mandoki has brought in such bright lights as Greg Lake, Roger Hodgson, Jon Lord, Peter Frampton, Steve Lukather, Midge Ure, and dozens more, all of whom hail Mandoki’s skills as a producer, drummer, and humanitarian. Who IS this guy? And why haven’t all of us heard of him over the past decades? Fortunately, Inside Out Records recently started bringing the Soulmates* to those of us who may not have been fortunate enough to be aware of them during the past 30 years.
Combining British prog-rock with American jazz-rock, the Mandoki Soulmates create a wide musical array of styles while being rooted in social and political discourse, idealism mixed with realism. Indeed, their last album was called “Utopia For Realists”. But times have grown darker amidst a world pandemic, wars, misinformation, authoritarian threats, financial manipulation devoid of morals, and more. The new album sports a black swan on its cover, and the lyrics sing directly to the dire straits in which we find ourselves.
Ian Anderson launches the album with the characteristic trill of his flute opening “Blood In The Water”. Although the subject matter is overwhelmingly troubling, the pace of the music stays upbeat and engaged: “Blood in the water, sharks are all around, get up on the ground, so play the music loud.” Multiple vocalists sing together on the chorus and take turns on each verse.
The vibe gets jazzier and more heartfelt on “Enigma of Reason”, featuring plenty of Al Di Meola’s beautiful nylon string guitar, Richard Bona’s incredible fretless bass, and Till Brönner’s trumpet, amongst many others. “When words fail, music speaks,” sing the Soulmates in “The Devil’s Encyclopedia”, which laments the dangers of how social media further clouds true information in these tenuous times. “Courage is calling for people like us, against totality, in a quest for reality, against brutality, courage is calling.”
“A Memory Of Our Future”There are autobiographical stories here too, mixed alongside the social commentary. Given Mandoki’s colorful life – his father would tell him “Live your dream and don’t dream your life!” – there are as many tales to tell as there are instruments to be played. With Simon Phillips, Randy Brecker, Mike Stern, Bill Evans, Tony Carey, and numerous others in the band, there’s no shortage of top-tier instrumentation.
What’s more, the whole album was completely recorded in analog: “In these times of digital deception, scam bots, and internet trolls, the Soulmates are also making a statement as a kind of “revenge of the analog.” “We stay loud for freedom and peace!”
Throughout the 100 minutes of jazz-rock music offered here, we are constantly inspired and engaged by this unique assembly of stellar musicians and their cause. The sheer impact of so many musical styles being mixed in this melting pot ensures that we remember that we are global citizens as we listen to this album and that we must do our part to protect all of the world; remembering what unites us more than divides us. If you don’t have a Mandoki Soulmates album in your collection yet, it is time.
Order “A Memory of Our Future” HERE.
Songwriting: 8
Musicianship: 9.5
Originality: 9
Production: 9.5
Legacy Pilots – “Thru The Lens”Frank Us’ ongoing project *Legacy Pilots has flown under the radar of many a prog fan, which is a shame because he consistently offers some of the very finest modern prog happening today. While each Pilots album features a stunning array of prog superheroes, the ace up Us’ sleeve is that he is an extremely accomplished musician, songwriter, and producer in his own right. The important thing to understand is that he doesn’t NEED these co-pilot guests to make a great album. But if he’s going to bring in the likes of Marco Minnemann, John Mitchell, Todd Sucherman, Steve Morse* and many more on every album, who are we to argue?
“Thru The Lens” is the fifth album under the *Legacy Pilots moniker and at this point, Us has forged lasting connections and friendships with many of his co-pilots. They come blazing out of the gates on the instrumental “Where The Pilots Meet” which features Minnemann on drums, the mighty Lars Slowak on bass, and Us on everything else, save a jazz guitar cameo from Carsten Rehder. Slowak’s bass tone is just so damn good in providing the stable foundation for all the songs on this album, giving Minnemann* plenty of room to give the frenzied performance that he is known for.
We then get into the first vocal song, “Nemesis”, which *John Mitchell ably delivers with his gravely, seasoned voice. Again, Slowak dominates the low end, but we’ve got the great Todd Sucherman on drums this time. It’s a dark piece, illuminated at the end by Mitchell’s guitar solo before an abrupt stop. In addition to that cool, brooding song, Mitchell and Us also share co-writing credit on “The Matter”, another strong offering. It’s always rewarding to hear Mitchell’s voice and guitar playing, and hopefully, his fans will seek out all of the Legacy Pilots* songs where he is featured.
“Thru The Lens” Album ArtworkUs then comes to the fore on lead vocals for “Don’t Chase The Rainbows”. He’s got an intriguing, moody timbre to his voice (not far from David Sylvian’s range) which duets here with guest vocalist Liza. A rewarding piece, especially considering the guitar solos played by Us, with *Sucherman and Slowak killing it in the rhythm section. “The Inner Fire” also finds Us singing lead, accompanied by his nylon string lead playing until Steve Morse* cuts in with a characteristic fiery solo guitar.
Jake Livgren offers up his excellent vocals on two songs, the best of which is the mini-epic “Cosmic Sea”. Once again, *Minnemann is a delight to behold on his drum kit, while Us sounds impressive on guitars and keys throughout. Livgren’s voice is so AOR-friendly that he turns any song into a rock classic, but he also pairs up well with Us’ proggier approach. On “Fooled Again” Livgren gets the opportunity to pen scorching lyrics to skewer an all-too-obvious target, while Steve Rothery* lends a hand on the six-string solo.
Finally, “The Professor & Me” closes the album with a 10+ minute instrumental where *Sucherman gets to go to town amidst orchestrations, solos, and jams from Slowak and Us. The whole album goes down rather smoothly thanks to the crisp production courtesy of Us. Whether you’re a fan of any of the guest musicians or just want to hear sleek modern prog done very well, Legacy Pilots* is definitely a flight to catch.
Order “Thru The Lens” HERE.
Songwriting: 8.5
Musicianship: 9.5
Originality: 8
Production: 9.5
Thru the Lens by Legacy Pilots
John Holden – “Proximity & Chance”Our final review features another one-man band leader, John Holden, who has had a great run of albums featuring beloved musical guests. Holden’s albums offer a diverse range of styles, from classic prog to folk to classical orchestrations. Perhaps most importantly, each piece is a vehicle for good storytelling. Fans of bands like Big Big Train will likely appreciate the history imparted by the songs herein, which are told in greater detail in the liner notes.
On the musical front, Holden covers guitars, bass, keyboards, and orchestra himself, so most of his guests are vocalists or the occasional guitar or keyboard maestro who can take it to the next level. Unfortunately, guest drummers don’t seem to be in the budget so Holden’s programmed drums lay down the rhythm. Holden has plenty of good rhythmic ideas so it’s not a big deal, but that’s one area where the aforementioned Legacy Pilots have decided to shine, in contrast. Still, Holden’s unique songwriting shines in other ways than dazzling percussion.
The great Peter Jones lays down vocals on three songs, two of which bookend the album with the opener “13” and the closer “Chance”. The superstitious first track benefits from much more history than Stevie Wonder’s classic song, chronicling the legendary “Thirteen Club” which was founded in 1880 and designed to debunk urban legends of unlucky 13, breaking mirrors, walking under ladders, and more. It’s a well-arranged and performed song featuring Holden on nearly every instrument, with the addition of a guitar solo from Dave Brons, but suffers from uneven production which doesn’t maximize the fine performances. “Chance” is an upbeat ending to the album, marveling at how chance encounters between people result in elaborate family trees. With a strong chorus, chiming guitars, and a final solo from Luke Machin, it’s a winner. But Jones’ greatest moment on the album is as lead protagonist for the dramatic story told in “Burnt Cork and Limelight”, a role which he pulls off with cunning aplomb.
“Proximity & Chance” Album ArtworkThe new vocalist of Southern Empire, Shaun Holton, gets a turn to sing other tales of intrigue and drama on two tracks, while Sally Minnear lends her sweet voice in the bittersweet love tale of “Fini”. While all of these pieces have aspects of orchestrated prog, Holden really roles up his sleeves on two instrumentals: the lovely “A Sense Of Place” featuring John Hackett on flute and Vikram Shankar on piano, and the cosmic “Proximity”. A nice balance to the whole flow of the album.
John Holden’s discography is definitely worth discovering and he has featured various special guest cameos along the way to lend their unique talents. Enjoy reading the generous liner notes and illustrations as you listen to the musical renditions he has artfully arranged. He’s one of Prog’s hidden gems.
Order “Proximity & Chance” HERE.
Songwriting: 8
Musicianship: 8
Originality: 8
Production: 8
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It may have taken the multinational prog metal outfit Soen a good twelve years to properly tour the United States, but I’m relieved they didn’t wait that long to return. On the road in support of their most recent album, last year’s “Memorial,” the Swedish/Uruguayan/ British/ Ukrainian outfit recently brought the noise to Austin’s metal homestead Come and Take It Live, where they performed for a fresh set of faces eager to absorb the group’s unique brand of progressive metal. But we also saw them during different stops of this tour, which is why this chronicle is more of a recap than an individual show review.
One of the many things that set *Soen apart from the prog-metal horde is how apologetically gloomy their sound is. While many bands do frequently toy with the mood, *Soen* very deliberately dwells in the more somber moments of human existence, opting to sinew and stew in the mood rather than use it to analyze the human experience they way another prominent moody Swedish band, *Pain of Salvation, prefers.
This isn’t to say that their audience attends their shows with the intent to cut themselves loose from this mortal coil; however melancholic their sound and subject matter may be, the affectation that lives on the stages **Soen* graces can only be described with one word: joy. Guitarist *Cody Lee Ford masterfully infects his crowds with the life he brings to his playing from the moment opener “Sincere” bursts forth from his fingertips, despite him rarely even approaching his microphone. Fellow guitarist and part-time keyboardist Lars Åhlund, still sporting that distinctive facial hair accompanies monster Ukrainian dread-head Oleksi Kobel at stage left, the two nearly becoming an indistinguishable vortex of mahogany necks and blurry blond locks, while “El Terror de Montevideo” himself, Martin Lopez, propels the beast as only a drummer schooled in jazz, Latin, and death metal traditions can.
All the while, the cueball otherwise known as Joel Ekelöf commands the stage as few frontmen in this genre could hope to: with a furious grace that’s as transcendent and otherworldly as it is human, all while effortlessly filling the venue with that singular, lonesome baritone.
Nearly a third of the set was culled from the outstanding “Memorial” and a full third from its stupefyingly excellent predecessor, “Imperial.” But the boys made sure to represent their entire discography, save for 2017’s “Lykaia.” In order to do this, they omitted their cover of Slipknot‘s “Snuff” to debut a piano-led interpretation of “The Words,” from their second album “Tellurian,” and while many concertgoers were hyped to see Soen do *Slipknot,this decision made their evening that much more satisfying. And it’s always a pleasure to hear the song that arguably put *Soen* on the map, their debut video “Savia,” which Kobel opened with a frenetic bass solo that would surely make original *Soen* bassist Steve DiGiorgio* proud.
Many have remarked that progressive metal is enjoying a new golden age now that dust from the djent revolution has mostly settled, and it is indeed refreshing that the bands that have prevailed self-assuredly march on mimicking no voices that aren’t their own. However excellent “Cognitive” was, the Tool comparisons were more than just a little valid, and Ekelöf, Lopez, and their compatriots have wisely relegated that band to inspiration status, rather than aspiration. The reigning monarchs of gloomy prog all look only to themselves to create their magic, and Soen in particular have created an identity that borrows from many traditions while steadfastly maintaining a sound that can only be called their own. I daresay *Soen* has even long surpassed the band that first brought Lopez to prominence.
The current North American leg of the “Memorial” wraps up today in Denver, but North American fans will have another opportunity to see them this fall as they trek across the Eastern US after their appearance at the prestigious ProgPower festival in September.
Soen Photo Gallery (Photos by Wilkinson Image & Design)
Italian rockers Maysnow will release their first single “Another Chance” tomorrow (June 5th) via Sleaszy Rider, yet you can watch the premiere of the music video for the song below. The track is the first piece of music from their album “A Dream Within A Dream”, arriving this October.
“Another Chance” is a rock ballad that reflects the versatility of the band, combining progressive rock elements in a song without a conventional chorus. The song opens with a delicate piano loop and a solo guitar, alternating in a poignant dialogue. Midway through the track, the atmosphere changes with the introduction of an electric guitar arpeggio, followed by the rhythmic section that builds the piece to a climax.
“Another Chance” Single ArtworkAnathema’s Daniel Cavanagh‘s distinctive voice adds intensity to the song, with sonic variations culminating in a surprising finale. The piece ends with a return to the initial sensation, leaving the listener with a note of bitterness and a desire to repeat the experience.
“This is a song about redemption. It speaks of rebirth, the kind that can only be achieved through the painful process of battling one’s own demons. To compose the piece, we worked on two complementary atmospheres, through which the acoustic and electric soul of the band synergistically intertwine thanks to the growing instrumental intensity.” says the band.
Check out more about Maysnow on their Facebook, Instagram, Bandcamp, or YouTube.
The post VIDEO PREMIERE: MAYSNOW Reveals Music Video For “Another Chance,” Featuring ANATHEMA’s DANIEL CAVANAGH appeared first on Sonic Perspectives.
Fearless Records turns 30 this year. Here at Sonic Perspectives, we’ve covered the label’s star-studded roster for many years and celebrate the artists who have built their legacy. From The Pretty Reckless to I Prevail to Ice Nine Kills to Pierce The Veil – Fearless Records is a one-stop-shop for every subgenre of rock and alternative music to thrive.
Let’s dive into the impact of *Pierce The Veil and the album that changed the scene forever: “Collide with The Sky.” The album is emotionally charged, heavy-hitting, and jam-packed with memorable songs that remain timeless for their devoted fanbase. It’s the album that brought us “King For A Day” featuring Kellin Quinn*, the iconic single, which remains a staple at emo nights and rock playlists worldwide.
Throughout the last twelve years since the album came out, thousands of fans have hit the web to share their musical talents and recreate these songs, including some of today’s most influential content creators. Here are the top 5 most jaw-dropping *Pierce The Veil cover songs featuring tracks from “Collide with The Sky.”*
Nik Nocturnal – “Hell Above”Nik Nocturnal is one of the web’s most popular artists in the metal world, specializing in covers and original music. Despite his recent buzz, he is no stranger to the music scene, with this cover dating back to 2020. This unique guitar cover even includes guitar tabs for aspiring guitarists who want to replicate it.
FullMetalJessie – “King For A Day” (featuring Kasey Karlsen of Deadlands)Jessie and Kasey brought a major punch of energy to their cover of “King For A Day” and added their unique metalcore flair to the song, giving it a heavier touch. This cover just goes to show that girls CAN scream too. They also recruited Noah aka AlwaysAngryAudio to add his special stylistic spin, which really kicks off during the pre-chorus. Together, this trio of musicians created a ferocious version of the song.
Johnnie Guilbert – “Hold On Til May”Johnnie Guilbert has been an influential name in the scene for over a decade as a YouTuber and content creator. With that in mind, it’s no surprise to see that he did a rendition of the most emotional, heartfelt track on the album. This simple acoustic version with a nostalgic emo flair allows the lyrical storytelling to shine.
Lauren Babic & YoungGrippa – “King For A Day”This fierce cover of the fan-favorite track starts with an immediate punch as Eric aka youngrippa launches straight into a roaring scream, bringing a heaviness that differs from Vic Fuentes‘ original vocal style. It’s balanced by an ambitious, powerful performance by Lauren Babic singing the clean vocal melodies.
Kristina Rybalchenko – “King For A Day” (Drum Cover)You may recognize Kristina from your Instagram explore page with her impressive, high-energy drum covers. It’s an on-point percussion rendition complete with two camera angles so you can truly appreciate her talent. Whether you’re a drummer or simply a fan, it’s an entertaining, high-quality cover to see a new side of the song.
The post Top 5 Most Shockingly Impressive Covers from PIECE THE VEIL’s Iconic Album “Collide With The Sky” appeared first on Sonic Perspectives.
Rock music and slot machines are both thrilling experiences that get our adrenaline pumping. And when they come together, you’re in for a rocking good time. Leading the charge in rock-inspired slots are two Swedish developers, NetEnt and Play’n GO, both of them innovative and bold. If you’re a fan of both, there’s something incredibly exciting waiting for you in the world of online gambling. So, arm your online casino bonus codes and dive right into the mosh pit of winning.
Annihilator (Play’n GO)Annihilator is a tribute slot from Play’n GO dedicated to the Canadian thrash metal band of the same name. Founded in 1984, Annihilator‘s music is fast, complex, and aggressively thrilling. The slot game mirrors this intensity with its dark themes and electric guitar riffs that accompany your spins. It’s a perfect match for fans of the band or anyone who loves their slots with a dose of heavy metal.
Guns N’ Roses (NetEnt)Few rock bands are as iconic as Guns N’ Roses. Founded in Los Angeles in 1985, their hard rock style, memorable riffs, and distinctive vocals have made them legends. The Guns N’ Roses slot by NetEnt is a homage to this legendary band. It features some of its greatest hits as its soundtrack and incorporates band imagery into the gameplay. It’s like attending a rock concert where you can also win big.
Lordi Reel Monsters (Play’n GO)Lordi Reel Monsters by Play’n GO brings the Finnish hard rock band Lordi into the slot game realm. Known for their monster costumes and pyrotechnic-laden shows, Lordi burst onto the international scene by winning the Eurovision in 2006. The slot game is as over-the-top as the band’s stage presence, offering a monstrously fun experience with plenty of chances to win.
Jimi Hendrix (NetEnt)Jimi Hendrix, arguably the greatest guitar player of all time, gets his own slot game thanks to NetEnt. Since his meteoric rise to fame in the late 1960s, Hendrix‘s innovative style and psychedelic rock music have influenced countless artists. The slot game dedicated to him is filled with 60s vibes, guitar solos, and iconic symbols representing Hendrix‘s life and work. Playing this game is like taking a trip through rock history.
Sabaton (Play’n GO)Sabaton, formed in Sweden in 1999, is known for its power metal music inspired by historical battles and heroes. The Sabaton slot by Play’n GO captures the band’s martial themes and high-energy performances. With bombastic soundtracks and military symbols, it’s a game that appeals to both fans of the band and players looking for slots with a strong, energetic theme.
Rock music and slot machines are a match made in heaven… or hell, depending on your taste. Whether you’re headbanging to Annihilator or marching to the beat of Sabaton, these games are sure to amplify your experience. Remember to look out for online casino bonus codes to make your gaming session even more rewarding. Rock on and spin those reels!
The post Amp Up Your Wins: The Top Rock-Inspired Slots appeared first on Sonic Perspectives.
My pal swears by Avenged Sevenfold – but only when blasting the heads off zombies. For some reason at the moment I go for full-volume Southern River Band, even when playing online casino UK.
We all like a different soundtrack when we’re playing online. Or do we? It does seem there is a real close relationship between metal music and gaming. Is there some sort of connection between the two things?
Let’s unzip this one and have a proper look.
Metal and gamingHeavy-driving rock seems to have become linked to gaming over many years. Metal music after all is often used in video game soundtracks. It’s an easy way to boost the atmosphere and intensity.
Some games like DOOM have become known for their metal soundtracks. It seems to perfectly fit the fast-paced action and intense play.In reverse though, many metal musicians are avid gamers. The games and the music often share themes like power, fantasy, and rebellion.
There’s a big overlap between the two communities. Gamers who enjoy metal often find fellow fans within gaming circles, and then metal bands sometimes find a fanbase among gamers.
What are the crossovers between metal and gaming?Not only the games but gaming conventions often feature live metal music performances. Metal music festivals may include gaming sections and collaborations with gaming companies. Metal bands even collaborate with game developers to create special merchandise or in-game content. Bands may lend music to games, while game developers may create themed sections based on metal bands.
Look on social media and you’ll soon find metal musicians streaming themselves playing video games or gamers discussing metal while playing.
The relationship seems to be one of shared cultural elements, with each influencing the other.
Popular metal songs to play while gamingOkay, I accept not everyone wants Sabbath’s “War Pigs” on repeat throughout a Call of Duty session. There are some tracks I suspect that have more popular appeal. So this is our selection for the hot six metal tunes to play while gaming:
“Through the Fire and Flames” by DragonForce
What a blistering track! This is a clear favorite among gamers, particularly those who enjoy fast-paced, action-packed games like racing or intense shooters. Its rapid tempo, shredding guitar solos, and frantic vibe can pump up adrenaline levels. That makes it perfect for intense gaming sessions where you want those hyped-up super-quick reflexes.
“Master of Puppets” by Metallica
This classic metal anthem is of course known for its driving rhythm, powerful riffs, and epic guitar solos. The track has a dark and intense atmosphere too – so it can set the mood for any games with themes of war, conflict, or epic battles. “Veins that pump with fear” indeed! It’s especially fitting for action, adventure, or strategy games where players are immersed in intense and challenging gameplay.
“Indestructible” by Disturbed
This *Disturbed* track is about resilience, determination, and overcoming obstacles. That makes it a popular choice for gaming sessions – particularly where protagonists face tough fights. The song has powerful vocals, a pounding beat, and uplifting lyrics. It can inspire players to get through the most difficult levels in a game.
“Painkiller” by Judas Priest
The Priest’s track is another one known for its scorching guitar solos, thundering drums, and of course its high-energy vocals. “Painkiller” is one of those essential metal anthems that’s perfect for an adrenaline-fueled gaming session. The fast-paced tempo and intense atmosphere of the track make it a great match for action-packed games or challenging battles where quick responses are crucial.
“The Trooper” by Iron Maiden
Press play and its galloping rhythm, catchy melodies, and iconic guitar harmonies of “The Trooper” will surely get any gaming fan’s blood pumping. It’s a classic metal track that’s an ideal soundtrack for games with themes of combat, adventure, or heroic quests. The historical war-themed lyrics and dynamic arrangement could have been purposely written for gaming.
“Raining Blood” by Slayer
Why not step up the action with this thrash metal masterpiece? “Raining Blood” is characterized by the ferocious speed of the rhythm, the aggressive guitar riffs, and bone-tingling vocals. Fans say it’s the best possible fit for intense gaming moments or tense horror-themed games.
The relentless energy and dark atmosphere of “Raining Blood” add an extra layer of tension and energy to a gaming experience. It’s the sort of track that will keep you on the edge of your seat as you confront the most evil enemies.
Like a cliché from a sci-fi story, metal and gaming seem bound by a similar life force. They share fans, themes, and inspiration. Check out these high-energy songs with your next gaming session. They’re great metal tracks in their own right – but their adrenaline-pumping qualities will enhance the whole gaming experience too.
The post The Most Popular Metal Songs To Listen To While Gaming appeared first on Sonic Perspectives.
“On a sailing ship to nowhere, leaving any place…” These classic Yes lyrics were aptly prescient fifty years ago for what would eventually come to be: an epic floating prog festival. As many passengers affirmed, the ship could sail to nowhere and they’d care less, there being over two dozen dazzling prog bands aboard to provide more thrills than any port-of-call could offer. And although Yes has ironically no longer been part of the lineup for the past two trips, their legacy is still embedded in the very fabric of an event called “Cruise To The Edge”.
Now in its eighth voyage, *Cruise To The Edge (from here onwards referred to as CTTE)has gained more familiarity, respect, and even awe than when it first began in 2013. Still, if you are fairly new to the idea and wonder how in the world it’s all come to this, check out our extensive overview of prog-cruise history and logistics in our coverage of 2022’s previous cruise HERE*. Once you’ve got your sea-faring legs established, we can dive into the highlights of 2024’s illustrious edition:
Photo by Joel BarriosThe ship for this year was the familiar Norwegian Pearl, having previously hosted multiple CTTE’s as well as Mike Portnoy’s only Progressive Nation At Sea Cruise ten years earlier. Over 2,000 passengers sold out this year’s edition faster than ever before, though admittedly this was a smaller ship than 2022’s Cruise. There were fewer bands this time, too, but few people were even counting given the continuous onslaught of music available. Indeed, some fans even plead for fewer bands so that they will have fewer scheduling conflicts and choices to make.
Photo by Joel BarriosWith Yes out of the mix this year, Marillion established themselves as the other main headliner option, an ocean (cloud) cruise being a nice alternative to their legendary land-based Marillion weekends. During their two shows, the band captivated fans with a career-spanning set and spirited performance, especially from charismatic lead singer Steve Hogarth. In a unique twist, bassist Nick Beggs took the place of Pete Trewavas who was recovering from a medical procedure. Of course, his playing and attire stood out, in prime Beggsy fashion. The other long-standing headliner was Steve Hackett, whose veteran band served up impeccable renditions of Genesis classics along with a few songs from his excellent latest album. The towering Nad Sylvan was perfectly cast to watch the skies or play the Devil in his cathedral. The only complaint from this exquisite show was that it only ran 70 minutes long, about half the length of his current theater tour on land, serving as a reminder that this is indeed a festival setting, where quantity refers to the number of bands not the length of sets.
Photo by Joel BarriosAnother official headliner this year was Riverside in the theater, who refused to return to the Pool Stage after the seemingly hurricane-level winds that attacked their set on the last Cruise. Although these were their first shows of the year, you wouldn’t have known it judging by the tightness of their performance or the top-tier lighting show. They received a rapturous response. Finally, the supergroup Flying Colors held what could be some of their last performances ever, or at least until Mike Portnoy comes out of his Dream. They fully delivered despite it being a one-off performance, their first in five years. Casey McPherson held the audience wrapped in a spiritual fervor while Steve Morse, Neal Morse, and Dave LaRue demonstrated their seasoned skills during one sizzling song after another. Portnoy let the “Tom Sawyer”-esque drum fills fly on “Mask Machine” and the band closed with their epic “Infinite Fire”.
Photo by Joel BarriosIn addition to the four main headliners, some of the biggest buzz on the ship was generated by a train – Big Big Train to be exact – making its Cruise debut after a brief initial tour of the States. Expectations ran high, yet were met and exceeded during the band’s initial theater show which will likely go down as one of the triumphs in CTTE history. Receiving a standing ovation after nearly every song, the band seemed on fire, led by new singer Alberto Bravin who played multiple instruments as he ran around the stage and through the audience. His “Love Is The Light” served as one of the best songs of the Cruise, matched in energy by Nick D’Virgilio’s subsequent instrumental “Apollo” where the whole band let loose. The next day Big Big Train took to the Pool Stage for a sailaway show, sporting a mostly new setlist which found them curating butterflies as the setting sun danced through the clouds. Gorgeous.
Photo by Joel BarriosEvery Cruise boasts numerous opportunities for collaborations and one-offs that you won’t find anywhere else, some planned, some spontaneous. This year some collaborations came out of necessity, such as Beggs joining Marillion. Or the time when Tony Levin’s Chapman Stick had gone missing – instrumental to his Stick Men trio – and a quick impromptu collaboration took place instead, with Adam Holzman joining Pat Mastelotto and Markus Reuter for a moody, ambient improvised set on the evening Pool Stage for those lucky enough to witness it. Holzman later joined his wife Jane Getter for two sets from her talented band *Jane Getter* Premonition. Fear not, the Stick was eventually found and Levin joined his other Men for a full set later in the Cruise, as well as joining Adrian Belew’s trio for a reading of the classic “Elephant Talk” after they had already delighted the crowd with a mix of Crimson hues and solo material.
Photo by Joel BarriosProg metal was well-represented this year with debut Cruise performances from the legendary Queensrÿche belting it out twice (the second time at The Theater with fans even standing out in the aisles), and the neo-classical stylings of Symphony X whose epic “The Odyssey” felt right at home on a ship sailing the seas. There were plenty of fans on board who were more than ready to head-bang to those old favorites and then were joined in by the relatively newer French band Klone who will make your neck ache just by watching them. Bridging the gap between old school and modern prog metal, Haken brought it yet again with a commanding nighttime Pool Stage show, complete with lasers and fog, their frontman Ross Jennings confidently owning the stage like a “Cockroach King” as Ray Hearne bashed it out behind the drum kit.
Photo by Joel BarriosFor something completely different, enter the enchanting world of Gryphon. Although they’ve been around 50-plus years, it was clear that most Cruisers hadn’t been aware of them before. The band offered a truly unique experience, delighting and beguiling the audience with their fanciful songs and unique instrument explanations (cue the Crumhorn). Elsewhere, Claudio Simonetti’s Goblin terrorized the crowd with their killer playing of a frenetic soundtrack to horror movies, some of which were even projected on-screen during their Pool Stage show. The trio known as Baraka made it all the way over from Japan to offer unique instrumental rock jams, while the gypsy quartet Marbin established themselves as the house band of the Cruise, their guitarist Dani Rabin single-handedly playing more notes on the ship than any other musician.
Photo by Joel BarriosMaking their Cruise debut, John Mitchell’s Lonely Robot self-help therapy project was a big winner. Bolstered by one of the best rhythm sections on the ship (also borrowed from Hackett’s band) – bassist Jonas Reingold and drummer Craig Blundell – and powerful support vocals from Kayleigh Armstrong, Mitchell won over the crowd during both of his sets. He even got Hogarth to join in on a couple of tunes. Also debuting this year was Ryo Okumoto (who IS rock ’n roll, by the way), the keyboardist from Spock’s Beard. Backed by a killer band that included his wife on lead vocals and Alan Morse on guitar, they tore through tracks from Okumoto’s fine album “The Myth of the Mostrophus”, along with an unexpected guest appearance from Neal Morse and Jimmy Keegan singing the Beard’s “June”, much to the delight of the audience. At Okumoto’s next set, D’Virgilio guested to sing “Carrie” from the “Snow” album, making the experience that much more memorable.
Photo by Joel BarriosThe one-off collaborations continued elsewhere on the ship, with the Morse brothers, Keegan and Dave Bainbridge launching into The Beatles’ “Golden Slumbers” medley. During Jordan Rudess’ keyboard sets, all sorts of guests crashed the stage, including Portnoy and Haken’s Charlie Griffiths for “The Spirit Carries On”, and Joe Payne singing medleys from Genesis, Yes, and Queen. Dave Kerzner’s All-Star Band – featuring the hardest-working guitarist Fernando Perdomo – rocked out on many of his own compositions, including celebrating the 10th Anniversary of his excellent “New World” album. But his special guest Billy Sherwood truly brought the low end on several tunes and surprised with a debut performance from their band Arc of Life’s “Don’t Look Down”. Elsewhere, during a special benefit show to support Casey McPherson’s “To Cure A Rose” Foundation, D’Virgilio/Morse/Jennings debuted several folk songs to a delighted intimate crowd.
Photo by Joel BarriosBack to the scheduled bands, The Flower Kings played two transcendent sets – one of them under a glorious sky on the Pool Stage – bolstered by the classical keyboardist Lalle Larson. Stardust they are. Airbag brought their moody, atmospheric identity to the crowd after a day at the beach in Cozumel, with Durga McBroom sitting in on vocals for a song. Lifesigns had already won over the ship during the previous Cruise and so had an easy time of maintaining their altitude this time, too, with special guest Simon Phillips sitting in on drums. Speaking of Phillips, his ace jazz fusion band Protocol were an easy highlight of the week, as they tore through an inspired set that left jaws dropping. Finally, the classic rock era was well represented by Wishbone Ash, Martin Barre, and The Steve Morse Band all delivering memorable Pool Stage performances that kept the flame burning bright.
Photo by Joel BarriosIn addition to that heady list of artists, the Late Night Live stage cranks out prog classics played by a bevy of talented passengers and emceed by Rob Rutz, the karaoke lounge leads to some truly hysterical detours, and Brook Hansen’s piano bar keeps the prog tunes rolling through dinner and drinks, with more surprise guests showing up from time to time. Over the course of two days the ship visited Cozumel but most passengers only had music on their mind, even as they stopped off for margaritas and a little beach time. The music never stops: while walking down the halls outside the cabins, an inspiring prog playlist is piped in wherever you go. Even before the Cruise started, there was a pre-cruise concert in Miami that featured several bands including special guests District 97, who ingeniously incorporated the incessant low-flying planes overhead into their set.
Photo by Joel BarriosWhat more could a prog fan want? To do it all again, of course. Next year’s Cruise is already set for April 4th-9th, 2025. The lineup is yet to be announced but it’s bound to have some of your favorites included and hopefully a few choice discoveries that you’ve never heard of before. It’s only prog ’n roll but we like it, like it, yes we do.
Photos by Joel Barrios
Are you craving a good dose of heavy/power metal to start off your day? Well, it turns out you came to the right place because we are premiering today After Infinity‘s debut album in its entirety, ahead of its release day.
After Infinity is a Finnish band formed by guitarist and songwriter Zsolt Szilagyi, known for his work with Dreamtale and Frozen Factory. Their first music salvo combines the raw power of heavy metal, the soaring grandeur of power metal, and the soulful heart of hard rock, weaving a tapestry of sound that challenges and enthralls the listener. From the instantly memorable choruses and crushing riffs to the emotionally charged ballads, the record keeps the energy high throughout, with five distinct vocalists ensuring a diverse soundscape.
Lyrically, “After Infinity” delves into the shadows of life, exploring themes of war, political unrest, and loss, reflecting the complexities of our world. Yet, even amidst the darkness, a glimmer of hope shines through, searching for solutions and reminding us that there is always light at the end of the tunnel.
Crafted to appeal to a broad spectrum of musical tastes, “After Infinity” caters to both those who crave the intensity of metal and those seeking deeper meaning in their music. If bands like Symphony X, Dream Theater, Avenged Sevenfold, and Disturbed are in your wheelhouse, you definitely should give this album a proper listen below.
After Infinity · After InfinityBehind the scenes, Benji Connelly (Everfrost, Metal de Facto) co-produced and mixed the album, while Mika Jussila fromFinnvox Studios handled themastering. Zsolt Szilagyi crafted the music, lyrics, arrangements, and even the album cover, imbuing the entire project with his unique vision.
The album will be out tomorrow (March 13th, 2024) via Mauste Records on streaming platforms, and also as a digital download. You can pre-order/pre-save it HERE.
“After Infinity” track-listing:1. Calm Before the Storm 2. I Surrender to You (Featuring Leonard F. Guillan) 3. A Game of Chess (Featuring Mikael Salo) 4. Do What You’ve Got to Do (Featuring Leonard F. Guillan) 5. Crown of Clowns (Featuring Mikael Salo) 6. Capital Punishment 7. Without You (Featuring Nitte Valo) 8. The Power Beyond His Fight (Featuring Stephen Baker) 9. Two Restless Hearts (Featuring Nitte Valo and Juanma Draven)
After Infinity is: Zsolt Szilagyi / Guitars, Keyboards, co-producer * Roi Partanen / Bass * Nitte Valo / Backing Vocals, Lead Vocals ( Tracks 7, 9) * Gideon Ricardo* / Orchestrations
The post ALBUM PREMIERE: Listen To AFTER INFINITY’s Powerful Selt-Titled Debut Album appeared first on Sonic Perspectives.
Metro Society is a progressive rock/metal project group from the mind of guitarist/songwriter Chris Mangold. Their upcoming studio album “The London Conspiracy Chapter I 1898” is scheduled to be released on March 1st, 2024, via Metro Society Records
“The London Conspiracy Chapter I 1898” is based on a conceptual story written by Chris Mangold and Ian Ringler. The music and lyrics are formed around the dynamics of the storyline: There is a very thin line that separates the thirst for knowledge and the addiction of obsession.
Set in the city of London during the year 1898, a new century approaches as the Victorian age draws to an end. It has been ten years since the horrific murders of Jack the Ripper gripped the city in fear. The darkness of those gruesome events still casts a grim shadow over the city and its citizens. An up-and-coming detective is thrown into a murder mystery involving the suspicious death of his former mentor the now-retired Metropolitan Police Commissioner. The Detective has vowed to solve this case and begins to discover far more than he ever imagined. Clues and raised suspicions all lead to a twisted tale of betrayal, secret societies, and murder all seemingly linking back to the Ripper. Will the Detective uncover the long-hidden secrets of London’s sorted past or will he become a victim of his own unrelenting obsession?
Today we are premiering the album’s first single “Pieces Of The Past”: It’s the epic track on the record and ranges from up-tempo heavy hitting to progressively synced parts and superb lead vocals and vocal harmonies. Watch the lyric video below.
Pre-order the digital album HERE.
Mangold teamed up with bassist Ian Ringler to collaborate on writing the music for a new project. During the writing sessions, an idea surfaced to combine the songs with a conceptual storyline based on the Paris Metro system.
After the recording of the guitars, bass, and keys, the group took on new life when other musicians were invited to record the remaining parts. Vocalist *George Margaritopoulos was asked to perform the vocals for the entire album and delivered a world-class performance. The project turned into a family effort as Will Mangold, Chris*‘ father, stepped in to record the drums tracks.
“The London Conspiracy Chapter I 1898” Album ArtworkFollow Metro Society: Website | Facebook | Bandcamp | Spotify | Apple Music
The post VIDEO PREMIERE: Watch METRO SOCIETY Lyric Video For New Single “Pieces Of The Past” appeared first on Sonic Perspectives.
The first days of 2024 are now behind us, and as album releases begin to pick up in late January, this is the perfect time to reflect on the greatest albums that were released in 2023. Whittling down the veritable buffet of new releases from 2023 to a list of 20 albums was a daunting task, as both rock and metal were inundated with the talents of acts both new and old. There were delightful comebacks from seasoned veterans like Metallica, but there were also debuts like the promising album from the newly formed Asinhell. Rock and metal alike were able to bask in the return of music industry staples, like collaborating in-studio rather than over Zoom while sitting a world apart. They have also been able to rekindle their passions by taking to the live stage in earnest. Above all else, 2023 was a breath of fresh air and gave an enthusiastic injection of invigoration that the heavy music scene has needed for years.
For an overview of progressive metal or progressive rock, check out the other Sonic Perspectives list for Prog Metal AOTY 2023 and Prog Rock AOTY 2023. For everything else, spanning from classic rock revival to black metal, this list will highlight this last year’s most exceptional efforts. Take a walk back through the lush gardens of 2023 and soak in its sonic reverie – this is the very best of the best.
OUR TOP 20 ROCK AND METAL ALBUMS OF 202320. Winger – Seven (Frontiers Music)Winger may have been one of the first acts to fall prey to the hard rock whiplash of the 90s, but today, they remain one of the only acts that’s not just still relevant, but continue to evolve and make better music. Kip Winger and company have matched and possibly exceeded their previous album with a variety of well-written songs and world-class musicianship. These are musicians that have continued to hone their skills, and “Seven” is an album that is written to accentuate those strengths. “Seven” is unafraid to be as soft as it is heavy, and as tender as it is angry, showing of all possible angles to maximize this showcase of skill. Great singing, catchy choruses, wicked guitar solos, you name it. This one really has it all.
If you haven’t yet heard, *Winger will be doing an exclusive set at ProgPower USA this year, performing their influential album “Pull” in full. ProgPower USA* days 3 & 4 are currently sold out.
19. The Winery Dogs – III (Three Dog Records)Although its title may not inspire confidence in the group’s creativity, “III” is a satisfyingly rich exploration of sound by hard rockers The Winery Dogs. This power trio – a supergroup in its own right – consists of drummer Mike Portnoy, bassist Billy Sheenan, and guitarist/vocalist Richie Kotzen. *The Winery Dogs deliver exactly what’s expected of them on their third album: catchy hooks and riffs, funky and soulful moments, with jaw-dropping shredding in-between. The production is organic, crispy and clear, and the fun that the trio seems to have while playing together is ultimately contagious. Above all else, this seems to be a group of friends having fun, which makes the music exceptionally light and enjoyable. This isn’t Portnoy’s only entry on the Sonic Perspective*’s recaps this year, but it’s one of the most memorable.
18. Nita Strauss – The Call of the Void (Century Media Records)There are few places that this firecracker hasn’t touched in recent years, lighting up the work of rock and metal with her skill and charisma. Nita Strauss gained her footing alongside the legendary Alice Cooper, and struck out to conquer the world in her own way. Countless days spent on stage and as a guest musician didn’t stop *Strauss from finding the time to make her tremendous new album “The Call of the Void.” Not only has Strauss begun to master her craft and become a top lead guitarist in the rock and metal scene, but she has proven to be an accomplished producer and songwriter. This second solo album from Strauss has assembled some of the greatest talents in the business to make music that is compelling, captivating, and studded with stars. Dazzling in the studio and on stage, hats off to Strauss* for making yet another work of art that is sure to endure and impress.
17. Night Demon – Outsider (Century Media Records)The vintage and the new wave collide with “Outsider,” the latest offering from increasingly-acclaimed Night Demon. This album recaptures the original spirit of early 80s metal and brings it into the 2020s with a fresh coat of sonic paint and a diverse array of stylistic devices. It’s as catchy as it is intriguing, with threads of nostalgia that interlock to form a warm embrace. At its heaviest moments, it’s also amazing to remember that this level of skill is accomplished by a trio of musicians, including Jarvis Leatherby handling both vocals and bass with expert grace. With a touch of inspired magic, “Outsider*” shows that Night Demon*** is worth keeping an eye on as the decade progresses.
16. Uriah Heep – Chaos & Colour (Silver Lining Music)Yes, believe it or not, Uriah Heep are still alive and kicking. Not only are they still alive and kicking, 2023 saw the release of their monumental 25th studio album, “Chaos & Colour.” This British rock band is all but incapable of slowing down, and have delivered an opus that is robust in spirit, heavenly in its soaring melodies, and crisp with pointed guitar lines. That is not to mention its foundational keyboards that elevate each song with unique elation. There is something for longtime fans – who have now been tagging along since the 60s – and new fans alike in the bright light of “Chaos and Colour*.” Long live Uriah Heep***!
15. Tomb Mold – The Enduring Spirit (20 Buck Spin)2023 seems to have been the year of the power trio, and with a spotlight on tremendous three-pieces, one would be remiss not to mention Tomb Mold. The Torontonian death metallers show off their ambition and tenacious spirit in their aptly named latest release, “The Enduring Spirit.” Although death metal is its foundation, *Tomb Mold isn’t afraid to push the boundaries of their sound, taking flavors that span from jazz to prog as they stretch their skills further than ever before. Unique stylistic proclivities make “The Enduring Spirit” a fascinating, dazzling, and attention-grabbing opus. Listeners may find themselves torn between the need to dissect this album’s layers and the need to simply sink beneath its murky depths. Go forth into the catacombs that Tomb Mold* have chiseled with their earth-ripping riffs – who knows what you’ll find?
14. Prong – State of Emergency (Steamhammer / SPV)The 13th release in the Prong discography, “State of Emergency,” is a clear showcase of the unmistakable *Prong sound that fans have come to know and love. This is an album that turns its back to the whims of the world and focuses instead on its own heart, the steady percussion of identity that keeps the project going. Thrashy undertones carry a punky and rock-forward album through its carefully crafted tracks. “State of Emergency” highlights the many talents and quintessential skills that have defined Prong thus far, including deliciously groove-infused metal numbers, and it ends with a cover of Rush’s “Working Man” in an homage to Tommy Victor’s early inspirations. As enduring as the band that created it, “State of Emergency” is a must-listen for Prong* fans and its skeptics alike.
13. Pyramaze – Bloodlines (AFM Records)In a year packed with tremendous power metal – including the latest from Elvenking, Lovebites, Sacred Outcry, and Kamelot, just to name a few – it is the hook-laden, vocal-forward, enchantingly-bright “Bloodlines” that takes the cake as this year’s greatest entry in the genre. To say “Bloodlines” has polished production would be an understatement: this album is so polished and well-produced that it shines like a mirror. The catchy choruses reflect bright rays of light and are then carried heavenwards by vocalist Terje Harøy’s soaring voice. From front to back this album flows tremendously, carrying tracks that are fueled by pure adrenaline alongside the classic power ballads that Pyramaze has long excelled at. This time, Harøy is joined by Melissa Bonny for a feature that is truly out-of-this-world. For power metal fans, “Bloodlines” is a must-listen, and for those that are a bit more hesitant, this is a decadent dessert that just might win their favor. This opus is nothing short of brilliantly, spectacularly, radiantly beautiful.
12. KK’s Priest – The Sinner Rides Again (Napalm Records)Firing on all metallic cylinders and proving to be as prolific as his name suggests, K.K. Downing and his flock of professional sonic slayers unleash a volley of explosive anthems in “The Sinner Rides Again.” Reminiscent of the glory days of heavy metal, this sophomore outing is a fitting opportunity for *KK’s Priest to spread its wings and begin to take flight, as well as begin to truly cement its staying power. The flame of heavy metal burns bright and forevermore, and “The Sinner Rides Again” reinforces the enduring power of this style of music, particularly in the bright spirit of passionate musicians who embody it. This is as much a tribute to classic heavy metal as it is a continued revival of the same. Heavy metal never dies, and KK’s Priest* breathes new life into the scene with each riff.
11. Wytch Hazel – IV: Sacrament (Metal Blade Records)As its name suggests, “IV: Sacrament” is the fourth outing from this ever-inventive hard rock and heavy metal crossover, and it follows three years after the band’s beloved “III: Pentecost.” Wytch Hazel are not just British in origin, but have developed a sound that captures all the signatures of British proto-heavy metal that built the scene as we know it today. Excitement escalates with the addition of medieval melodies wrapped in an accessible folk-tinged exterior. The many textures and influences built into the fabric of “IV: Sacrament” allow it to be an exciting listen no matter how many times one returns to its depths. There is also the added appeal of honest, raw conviction, coming from the deep-seated faith of *Wytch Hazel*’s members. Such authenticity and tradition meld beautifully alongside one another to create an album that absolutely should not be overlooked.
10. Blackbraid – Blackbraid II (Independent)Would there be any use in begging bands to stop numbering their albums in place of crafting a proper title? *Blackbraid’s naming sins are forgiven, however, if just for the raw skill that made “Blackbraid II” draw eyes from around the globe. A solo indigenous black metal project from the Adirondack mountains, Blackbraid seemingly exploded into notoriety overnight, but “Blackbraid II” shows just why this project was soon the hottest commodity on the market. Not only is Blackbraid unique and uncompromising, it is a genuinely skillful endeavor, using the tenets of black metal to create tales of epic proportions. Traditional Native American drums and flutes marry seamlessly with blood-boiling riffs. Familiar and uniquely novel at once, black metal fans owe it to themselves to try the delightful ingenuity of “Blackbraid II*.”
9. Dirty Honey – Can’t Find the Brakes (MRI)Dirty Honey returns with a powerful new album, poised to infuse their unique twist into the enduring classic rock genre. Their latest offering is a thrilling and emotionally charged experience that brilliantly showcases their musicianship. Marc LaBelle’s vocals are a sheer delight, and “Can’t Find the Brakes” is like opening a box of exquisite chocolates, each track a delicious treat in its own right. *Dirty Honey* has not only resurrected classic rock, but has infused it with a modern edge, making it feel fresh and invigorating. This album is a must-listen for anyone yearning for the unadulterated spirit of rock ‘n’ roll. It finds its own space in the modern day quite craftily and brings the joy of rock to new listeners with ease.
*8. Insomnium – Anno 1696 (Century Media Records)Insomnium* has spent years entrancing audiences with their dark and poetic delights, and “Anno 1696” is perhaps one of the band’s darkest tales yet. “Anno 1696” is rich in melancholy and despair as it tells the conceptual story crafted by bassist and vocalist Niilo Sevanen. The concept draws from the same year as the title, and in doing so recounts a gruesome witch hunt, as well as the famine and unrest that clung to the same era. There is no better vehicle than Insomnium’s heavily ominous music to deliver such a ghastly tragedy with all of the emotion, sorrow, and torment such a tale deserves. Insomnium** has mastered the careful balance between the necessary fire of metallic fury and the liquid shadows that bleed from their poetry. Hope has been extinguished like a candle in a blazing gale, and all that remains is the beautiful desolate expanse of nature’s majesty.
7. Atavistia – Cosmic Warfare (CSquared Music)Epic, symphonic, uncompromising death metal that has the strength to span galaxies in a single breath. It’s the sort of music that pulls fans deep into its gaping maw and refuses to let them leave, forcing them into a constant state of yearning for the next release. It’s also a sonic formula that is difficult to master, so bands that excel in this genre tend to excel in the extreme. And unfortunately, it’s a narrow niche to fill, which leaves much of Atavistia’s published praise rife with comparison. Such comparisons truly downplay the excellence that “Cosmic Warfare” has offered up the world. This is an album that stands strong on its own, with its very own exquisite chops, and its own creative vision that needs no comparison to be beautiful. Explosions of blast beats converge with bombastic symphonic elements. The songwriting is virtuosic, as power-inspired guitars entangle with technically excellent screams and growls. There is a certain air of triumph and victory that carry the never-ending barrage of extremity from the instrumental opener all the way to a star-splitting finale. This opus is a massive force of gravity that threatens and elates in equal measure The sheer breadth of “Cosmic Warfare” cannot be understated. Go forth and let the black hole swallow you as you stare upwards at a sea of stars, and thank Atavistia for the pleasure.
6. In Flames – Foregone (Nuclear Blast Records)These legendary Gothenburg metallers are back, and after becoming some of the definitive faces of the death metal scene, they still prove to be at the top of their game. In fact, “Foregone” is perhaps the closest In Flames have come to their classic sound in more than a decade. “Foregone” features the same infectious grooves and crushing brutality that made their early rise to fame in the 90s so memorable. The tempo varies throughout, making for some headbanging hits that easily impress, and downtempo breathers that entrance with seemingly effortless melodies. Creative solos are just the icing on the cake that welcomes In Flames back to the forefront of death metal’s modern arc.
5. Spirit Adrift – Ghost at the Gallows (Century Media Records)Nate Garrett and the boys of Spirit Adrift continue to evolve not only their own metal sound, but also the state of metal as we know it today. This record sets a new standard, doing a little bit of many kinds of metal, and doing it very well. The eight tracks are deceptively simple in appearance but turn out to be a whopping smorgasbord of metallic bliss. In fact, there’s so much going on between the hooks, riffs, grooves, that it demands multiple listens to fully appreciate the ambition that Garrett has brought to the table. The compositions themselves are like carbon fiber: their strength is in how the various threads, themes, and styles are woven tightly together into something that exceeds the sum of its parts. What are you waiting for?
4. Orbit Culture – Descent (Seek & Strike Records)Undeniably, “Descent” encapsulates what modern metal is meant to be and can be. There is intricate songwriting matched by skillful layering and production, the instruments in a carefully choreographed interplay. Orbit Culture has become a household name in almost record time, and “Descent” is a certain showcase of why. Orchestration creates a luscious backdrop to hypnotic guitar, its melodic ascension adding great depth and dynamic flux to an already engaging album. There is intensity that creates intrigue, inviting repeated listens. For those looking for something a bit heavier, there are also breakdowns that are among the best of the year, their aggression unmatched. A rhythm-heavy and bass-focused approach is the fabric that unites the tracks of “Descent” together and makes it a centerpiece among this year’s offerings.
3. Obituary – Dying of Everything (Relapse Records)Distance makes the heart grow fonder, and with four years between “Dying of Everything” and its predecessor, Obituary makes this statement shine true. Each track on this latest opus arrives with the bite of well-aged liquor, its shredding continuously aggressive and sure to leave a smoldering bed of ashes in its wake. It’s also an album that is delightfully old-school death metal without any modern distractions to pull attention away from its brutality. This is metal that comes straight from a barbed-wire heart, meant to thrill and amuse longtime fans with familiar metallic touches, and bring everyone to headbanging across its earth-shattering verses. There is subtle evolution in style as *Obituary enters their third decade, but even more so, there is a sense of certain identity that makes “Dying of Everything” unmistakably Obituary. Another job well-done from the enduring Obituary* camp.
2. Cattle Decapitation – Terrasite (Metal Blade Records)Deathgrind at its most gruesome and brutal, with writhing flesh and the horrific stench of the obscene imbued into its very core, “Terrasite” is Cattle Decapitation at the top of their game. Their approach is not tired, not even after all this time – if anything, “Terrasite” invigorates like never before. Apocalyptic dread coalesces with unyielding brutality, creating a soundscape that feels as suffocating as the inevitable death of man. The melodic moments are little more than brief respites between crushing minutes of brutality, each new wave of percussion like a chasm splitting the earth wide open. Grotesque visions have never been quite so enlightened as they are when brought to life (or death?) by *Cattle Decapitation. Let the masters of this art fill you with unease, and get ripped apart by “Terrasite*” and its piercing fangs – this is, after all, the inevitable.
*1. Creeper – Sanguivore (Spinefarm Records)Creeper*’s latest and greatest album has seen its time on a fair share of Album of the Year lists, and for good reason. “Sanguivore” is a delightful vampiric rock opera that even managed to make the UK album charts. It is delightfully dark, and so lush that you can practically feel the crimson dripping between your teeth, its seduction almost overpowering. Desire and lust bleed from every note like an overwhelming piano-infused aphrodisiac. And it is also a splendid evolution from a band that always had its roots in excellence and undeniable skill – this seems like the album where Creeper has finally, at long last, found its heart. Beautiful cover art matches the horror-infused tone of the music, and its October release was fittingly close to Halloween. Dramatic touches of emo and moments of unadulterated rock ‘n’ roll make for an album that is as exquisite as it is accessible to the masses. This is a rare feat, and the kudos are owed to Creeper in full for finding their soul and sharing it with the world. As said in “Sanguivore**” – get on your knees – and bow before these masters of rock.
SURPRISE ALBUM OF THE YEARAmun – Spectra and Obsession (Indepedent)“Spectra and Obsession” is the greatest album you’ve never heard of, and it may be the most genuine innovation that the black and death metal scenes have enjoyed in the past decade. Amun have dared to evolve black metal in a way that is boldly original while building on the foundational tenets of the genre with masterful skill. In just under two hours of mind-melting extremity *Amun* tell stories of grandiose proportions, music, and words meeting to create a work of art that is transcendent, and an atmosphere that is drenched in fervent devotion. Aggressive electronic and synth elements cleave chasms in expertly crafted black metal for an ambiance that is deeply unsettling and ominous. This marriage of almost alien electronics with organic and raw metallic elements makes for a sound that is like nothing else released in 2023, or perhaps ever before. To soak in the reverie of “Spectra and Obsession” is to watch a ravenous fire ravage a forest, enthralled by its absolute power and majesty, but similarly awed by its destructive force. It is beautiful, it is terrifying, it is captivating. Amun has concocted a novelty that matches virtuosity with passion for a creative vision like no other.
DEBUT ALBUM OF THE YEARAsinhell – Impii Hora (Metal Blade Records)A debut though it may be, Asinhell benefits from the mature songwriting chops of Volbeat’s Michael Poulsen, and it delivers on the promises attached to that respected name. Reaching back into his death-metal past that few remember, this iconic Danish rocker delivers a truly gut-wrenching sonic assault in line with the glory days of early European death metal mainstays. Both his musicianship and songwriting skill lend *Asinhell the credibility it needs to succeed, and as a debut, it serves to properly forge Asinhell as a force to be reckoned with. Hopefully “Impii Hora*” is just the first of many such successes.
EP OF THE YEARSpiritbox – The Fear of Fear (Spinefarm Records)2021’s studio album “Eternal Blue” rocketed Spiritbox to fame in a matter of months from its initial release, and that meant the stakes were high for *Spiritbox to continue delivering that sound so many had come to crave. Fortunately, the bite-sized but ever-exciting “The Fear of Fear” is another installation that matches the high standards that Spiritbox has set for themselves. This is a band that builds new worlds with their music, each song a galaxy in itself, ferocious and cosmic with wonder. It’s a short, punchy outing, and while it’s not particularly inventive, it’s an exciting chapter in the Spiritbox* story.
LIVE ALBUM OF THE YEARObscura – A Celebration I: Live in North America (Nuclear Blast Records)Journey through the expansive and heralded Obscura discography alongside an enthusiastic crowd for the exciting live release “A Celebration I: Live in North America.” Not only does this setlist traverse longtime favorites and deep cuts alike, but it also ventures into *Obscura’s latest studio release, “A Valediction.” Some of these songs come to life like never before on the stage, and the vigor of an eagerly-wooed crowd adds to the excitement. The recordings on the album come from “A Valediction World Tour,” split across the USA, Canada, and Mexico in both 2022 and 2023. It is an exciting, electrifying performance, and it showcases what has made Obscura such a longtime staple over the years. Close your eyes and put on “A Celebration*:” it’ll almost feel like you’re there.
The post A Year In Review: Our Favorite Rock and Metal Albums of 2023 appeared first on Sonic Perspectives.
Anyone who asserts that prog-rock is dead simply hasn’t been listening. 2023 was one of the most vibrant and lively years for progressive rock in decades, with musicians pulling influences from the psychedelic waves of the 1970s through the crisp polish of modernity that both borders and is inspired by science fiction.
Whether the band are newcomers eager to show off their chops, an act rising from the dead, or long-heralded prog-rockers entering the fourth decade of their careers, there were innumerable highlights to make the last year of progressive rock music special. Below are the Top 20 Progressive Rock Albums of 2023 from Sonic Perspectives – we hope that you can find something new, or perhaps visit an old favorite, as you are reminded of just how truly alive progressive rock is in our modern age.
OUR TOP 20 PROGRESSIVE ROCK ALBUMS OF 202320. Neal Morse – Joseph, The Dreamer: Part 1 (Frontiers Music SRL)Neal Morse again emerges as the master of his carefully tailored niche – Christian progressive rock music woven into deep concept albums – and has done so with another two-part journey across biblical inspirations. This time the multi-talented *Morse has taken on the bright colors of Joseph’s story as his sonic cloak. Part rock opera, and part straight-ahead prog album, there is a little something for everyone in this latest foray through spiritual creativity. While guest artists offer plenty of sweet icing on this cake, it’s Morse who is front and center on this rich collection of material, and it’s the ever-virtuosic Morse* who finds himself elsewhere on this list as well.
19. Unitopia – Seven Chambers (ProgRock.com’s Essentials)After more than ten years since their last release, the veteran progressive rock act Unitopia have returned in splendid fashion. “Seven Chambers” is the whole package, from its gorgeous cover to almost ninety minutes of music, including the usual collection of familiar names that make the lineup so special. Their chemistry spans the globe, with artists working in both the United States and Australia to make this magic happen, and more than two years of effort brought “Seven Chambers” to life. Each individual musician seems to be in peak form, and the technicality adds another layer of polish to an already impressive display of skill, its elegance never understated. This opus demonstrates what is possible when its creators are truly meant to engage in this kind of art, and the rest of the world are just lucky onlookers.
Seven Chambers (16 bit) by Unitopia18. Tiger Moth Tales – The Turning of the World (White Knight Records)If your spirit needs uplifting, or if you’re seeking inspiration, Tiger Moth Tales offers a kaleidoscope of colors to brighten your mood. Wrapped in nostalgia and innocent joys, “The Turning of the World” is an absolutely lovely collection of songs rich in melody and sentiment. It also puts creator Peter Jones front and center, a man who is not just the vocalist and songwriter, but the man also responsible for playing the guitar, keyboards, drums, percussion, melodica, whistles, saxophone, and zither. Those with a keen eye will see him featured elsewhere on this list as well. Knowing the multi-instrumentalist talent behind *Tiger Moth Tales* makes its journey all that much sweeter.
17. Damanek – Making Shore (Giant Electric Pea)Capable as they may be, Damanek has spent its first three releases as a coveted but hidden gem, which is a shame considering the talent involved. This talent includes the project’s brainchild and multi-instrumentalist, Guy Manning, as well as Southern Empire’s Sean Timms handling the programming and production. “Making Shore” has stories in its depths, both those from Manning’s own life, and others conceptual tales sprung from his imagination. It’s impossible not to be taken to those colorful places as one listens along. The performances on the album are both impressive and compelling, making this a worthy addition to the ever-expanding prog canon.
16. Agusa – Prima Materia (Kommun2)Released just in time for summer’s unflinching heat, Agusa arrived with psychedelic vintage prog rock that was made to quench its listeners thirst for the exceptional. Four mostly-instrumental tracks are laid out across approximately forty minutes, boasting plenty of room to groove, jam, and evolve through a spacious array of moods. The instruments take turns as fitting centerpieces, from a dancing flute to a spritely piano and melodic guitar. “Prima Materia” blends together styles like rock, folk, world music, and classical, tied together in a seamless package that has wide appeal. Professional but casual in its tone, this is all but made to appeal to prog fans across the globe.
15. Kite Parade – Retro (White Knight Records)Kite Parade tends to fly a bit under the radar, but hopefully a gust of wind from this list and others like it will set its trajectory a bit higher. “Retro” follows a solid debut album, but this takes the *Kite Parade sound up a notch with a sleek blend of pop, rock, and prog. Heavy on accessible melodies, but with enough skilled instrumentation to provide the requisite flourishes that established prog fans both expect and crave, “Retro” is a five-star delicacy. There are delightful builds and subsequent payoffs in each track, but especially in the fourteen-minute long closing track “Merry Go Round,” featuring a drum mix by the ever-present maestro Nick D’Virgilio*. A solid, modern, and satisfying album.
14. We Came From Space – Overlords (Radiant Records)We Came From Space occupy a niche within a niche, creating music tailored to nerds who are as serious about the quality of their music as they are about the fun that embodies it. If you fancy tastefully arranged progressive pop rock, this is a band to discover. And if you want a serious belly laugh, check out their liner notes or website. The influences span from 70’s classic progressive rock through the crisp production that defines modern rock textures. “Overlords” is stylish, cleverly executed, and even funny at times. They came from space, but the music is relatable enough for us humans to come to love.
13. Ozric Tentacles – Lotus Unfolding (KScope)A serious and long-time mainstay in the prog rock scene, Ozric Tentacles are known for their consistent excellence. Even with more than 15 studio albums to their name, this powerhouse shows no signs of slowing down. The rich, psychedelic cover of “Lotus Unfolding” mimics the unmistakable style of the band’s music, and is a small taste of the space-tripping to come. Razor-sharp definition and clean production are just some of the hallmarks that make the *Ozric Tentacles* sound so reliable. There is also a subtle evolution to their sound, an edge that wasn’t there in their latest outings, and this extra flavor is enough to make this one of the group’s strongest efforts yet.
12. Cyan – Pictures From the Other Side (Tiger Moth Records)Cyan, originally a precursor to Rob Reed’s band Magenta, return with their second outing in this ‘2.0’ version, “Pictures From the Other Side.” It features an exceptional lineup of musicians to make the magic happen. The captivating vocals of Peter Jones are matched by those of Angharad Brinn, making the ensemble even sweeter as Luke Machin’s fretboard frenzy and Dan Nelson’s buoyant bass realize Reed’s vision to its full potential. It’s retro, it’s beautiful, at times it’s even campy, but it is also sincere classic prog at its best.
11. Lars Fredrik Frøislie – Fire Fortellinger (Karisma Records)“Fire Fortellinger” is the debut album from Wobbler’s Lars Fredrik Frøislie, and his familiar keyboard mastery crafts brilliant tales that err towards the very core of this artist’s soul. It captures improvision and impulse, the light gossamer of creative vision drifting headily across analog keyboards, and it does so with the direction of a multi-talented artist at the helm. It is as honest and delicate as it is a raw display of sheer talent. One of multiple *Wobbler spin-off projects (the other being the equally delightful Chronicles of Father Robin*), it showcases a well-beloved musician in yet another dazzling light. This is a rare window into an artist’s vulnerable, spontaneous creative process, and it should be treated as the prized rarity it is.
10. Mondo Drag – Through the Hourglass (Riding Easy Records)2023 was truly the year of 70s prog and psychedelic delight, and Mondo Drag is yet another quintessential example of that excellence. There are touches of heaviness that pull the less rock-susceptible listeners along, but it’s still primed to take even the most experienced listener on a trip like no other. Percussive explosions and twinkling keys weave a tapestry of innumerable colors and textures. “Through the Hourglass” is like a glimpse into another world, one that reflects all the glamour and beloved sparkle of the 70s, with a heavy atmosphere cocooning it in comfort. As much as it is easy listening, it is also a masterclass in what excellent progressive rock can do with the nearly infinite tools available at musician’s fingertips.
9. Solstice – Light Up (Giant Electric Pea)Sounding like a fresh, young band ready to take the world by storm, the revitalized Solstice builds on their 40 years of experience with this gem of a record. The 6-piece band serves up a bevy of bright, sunny material on “Light Up,” and can effortlessly whisk away the winter doldrums and put the listener in a better frame of mind. Paired with divine musicianship and one of the best vocalists around in the modern scene, and accessible to prog-rock beginners as much as its veterans, *Solstice* are clearly ready to enter their true prime, and radiate their warmth across the rocksphere.
8. Moon Safari – Himlabacken Vol. 2 (Blomljud Records)After a 10-year pause in studio albums, Moon Safari returns with a comeback that is more than simply triumphant. “Himlabacken Vol. 2” isn’t just a sequel to their previous album: it’s arguably their best release yet. Harmonized vocals in progressive rock have never sounded sweeter than what this band offers, and they have the musical muscle to back it up ten times over. *Moon Safari* have both redefined their identity and put themselves back on the map as an essential act to follow. This is undoubtedly some of the most exciting progressive music out there today, and leaves listeners all but salivating for more.
7. Seven Impale – Summit (Karisma Records)A delightful mix of progressive rock, jazz fusion, and even touches of progressive metal, Seven Impale return after seven years with their undeniable apex, aptly named “Summit.” Four tracks make up a forty-plus minute runtime, each song as expansive and breathtaking as the last, building towards an explosive climax. Instrumental depth is aided by the addition of both organ and saxophone, and the atmosphere oscillates from comforting to chaotic amongst dazzling transitions. Plodding, atmospheric passages delight as much as the speed-fueled moments, but erring most often towards doom-laden influence. This is an eclectic, daring, and unique take on the genre that should rightfully pique interest across the scene.
6. Lalu – The Fish Who Wanted To Be King (Frontiers Music SRL)Although not widely known yet, Lalu are one of the brightest hidden gems of the modern prog world. Masterminded by keyboardist Vivien Lalu, his band features one of prog’s greatest drummers, greatest guitarists, and greatest vocalists. Producing a sound that is equally hard-edged and ambient, *Lalu draws from the symphonic greats of the past while forging ahead into a sci-fi future. “The Fish Who Wanted to be King” has classic prog rock sensibilities in a shimmering modern context. Lush keyboard textures ensure that full-bodied arrangements are well supported and give even greater height to Damian Wilson*’s exceptional voice. This soundscape is rich with talent and promise, a must-listen from the breadth of 2023’s excellence.
5. Crown Lands – Fearless (Universal Music Canada & Spinefarm Records)What would a year in progressive rock be without an act showing its devotion to the progressive forefathers of yore? Among *Crown Lands’ most obvious influences is Rush – aided by the touch of producer David Bottrill – and using this inspiration, “Fearless” creates a world for listeners to wholly immerse themselves in. These sonic universes are tantalizing, strange and nostalgic at the same time, as though a familiar friend is guiding the listener into never-explored lands. The technical skill alone is enough to make Crown Lands a noteworthy release, but their penchant for storytelling truly takes “Fearless*” to the next level, and earns it a spot on many a prog-rock year-end compilation.
4. Advent Horizon – A Cell to Call Home (Independent)Full of exceptional songwriting, singing, and arrangements, “A Cell to Call Home” is easily Advent Horizon’s crowning achievement. It is an incredible journey in every way. From its immensely polished, diverse, virtuosic, and fitting arrangements to its heartfelt songwriting and captivating vocals, each component enhances the others perfectly, yielding a spotless and wholly enchanting experience. “A Cell to Call Home” is evidently a labor of love, and a product of the talent that fuels this project forward, both theatric and pensive in the same breath. Whether one is guided by their passionate heart or by their logical head, *Advent Horizon* is sure to win over listeners of all preferences.
3. Trevor Rabin – Rio (Inside Out Music)What were once rumors of a return turned into a brilliant phoenix rising from the ashes: for the first time in nearly 30 years, the renowned Trevor Rabin has returned in 2023 with a full-on rock album. Although many know him from Yes, or his extensive Hollywood scores, “Rio” is proof that the soul of rock never left his heart. *Rabin*’s vocal range has increased beyond its prior (and already impressive) breadth, and his skill shines on all guitars, basses, and keyboards throughout the album. As if that weren’t enough, this talented career musician also plays on the drums and percussion on several tracks, along with appearances of a mandolin, bando, and dobro. This is a massive album full of harmonies, layered backing vocals, and enchanting melodies that form a score of their own. It’s not just prog, but is a mix of rock, world music, jazz, country, blues, pop, and the symphonic, all for a delightful and definitively progressive venture of the highest caliber. Sorry, Hollywood – we won’t let you take him back.
2. Riverside – ID.Entity (Inside Out Music)After nearly 5 years between albums, a cohesive, collaborative, and newly invigorated Riverside rise to the occasion and prove that they are here to stay. Drawing from points throughout the band’s history, “ID.Entity” is a celebration of the soul of the band interspersed with straightforward social commentary. But for what it lacks in nuance, it makes up for in creativity and artistic spirit. A decade of challenges behind them, and Mariusz Duda busy with his countless other endeavors, “ID.Entity” feels like a pure return to form for a band ready to grasp their second wind and run with it.
1. Southern Empire – Another World (Giant Electric Pea)After the mammoth effort that propelled highly-acclaimed “Civilisation” to fame, it was impossible to imagine a follow-up album from Southern Empire, especially after the loss of lead vocalist Danny Lopresto. But both good attitude and good fortunes have prevailed, and *Southern Empire once again find themselves as Sonic Perspectives’* number one prog-rock album of the year.
Whether they are lengthy epics or shorter firecrackers, “Another World” treats each song as its own unique masterpiece, their stars and galaxies intertwining across expert musicianship. The quality of the performance and material here are bar-none. As for the production, it is crisp, polished, and fitting of the heights *Southern Empire strives for across this outstanding opus. For each of its gentle rocking moments there are headbanging heights, yet it still offers a buffet of progressive flavors that err towards more classic ventures. Despite an upheaval in the lineup and years passing between releases, Southern Empire* have not just retained their brand, but retained their crown at the top of the scene.
PROGRESSIVE ROCK DEBUT ALBUMS OF THE YEAReMolecule – The Architect (Inside Out Music)eMolecule leaps out from a dystopian future for those who dare to explore its dark and compelling terrain. The creation of Simon Collins and Kelly Nordstrom, this is no melodic Sound of Contact continuation. No, this duo has turned to the dark side, creating a singular and addictive listening experience. At 80 minutes long, this album exudes creativity and sheer force, paired with astonishing sound design and programming. These elements all work together in some sort of sonic avalanche that defines the uniqueness of this record. eMolecule doesn’t claim this to be a concept album but it sure feels that way given its nightmarish dystopian visions. Collins and Nordstrom certainly appear to be creating music of the future, an ethos that is the essence of progressive rock.
*Squeaky Feet – Cause for Alarm* (Independent)This fusion-oriented, progressive-jam opus is perhaps one of the most dream-worthy debuts to arrive in the progressive rock scene this year. Whether it’s the touches of funk, or the girthy runtime that screams “look at me, I’m here!,” Squeaky Feet begs for attention. And attention it so deserves, particularly for pushing the musical boundaries of prog without destroying its most important tenets. Among those tenets is passion, something that Squeaky Feet has in spades, and promises to bring to future stages and albums with just as much eclectic vim and vigor.
PROGRESSIVE ROCK COMEBACK ALBUM OF THE YEARIce Age – Waves of Loss and Power (Sensory Records)Not much says “comeback album” like an album appearing after 22 years of near silence. Hailing from New York City, the weathered veterans Ice Age treat old fans by releasing their third album after more than two decades since their sophomore effort. Combining a high-energy mix of soaring vocals, biting guitars, nimble piano playing and rock-solid bass, this quartet is on the harder end of the prog spectrum while still offering listeners of all tastes something to enjoy. Their material is melodic as much as it packs a heavy punch, and proves to be a most welcome return, as though they had never skipped a beat.
PROGRESSIVE ROCK INSTRUMENTAL ALBUM OF THE YEARMike Abdow – Séance in Black (Couch Cat Records)“Séance in Black” is nothing short of phenomenal, brimming with raw emotion, and showcasing an exceptional mastery of instruments that propels its musicians to the top of the charts. Each track is hauntingly beautiful, spinning intricate melodies and powerful harmonies that resonate deeply with the listener. The distinct vocal absence is a noteworthy phenomenon of its own, as it allows the audience to focus fully on the hypnotic pull that Abdow creates in this instrumental opus. “Séance in Black” is more than an album: it’s an immersive journey into the heart of the human experience, a battle of emotions fought and won through the power of music, and an experience that begs the listener to sink into its delightful depths.
PROGRESSIVE ROCK LIVE ALBUM OF THE YEARTransatlantic – The Final Flight: Live at L’Olympia (Inside Out Music)There are few bands so extraordinary when performing live as the multiverse-spanning multinational supergroup Transatlantic. And while not definitively the end of the project, “The Final Flight: Live at L’Olympia” carries with it a sense of conclusiveness. Although it is familiar for the band to span years between releases, the band members are busy with their other projects (including Portnoy’s recent and earth-shattering return), and it had been nearly a decade since the group had last taken to the stage together. That said, “The Final Flight” is a beautiful display of chemistry, determination, and hard-fought skill. The crowd is rapt beneath a carefully directed display of lights, all captured in high definition for a lifetime of viewing ahead. Watching *Transatlantic throughout the 96-minute ultimate edition Blu-Ray is like watching a piece of classic art come to live in its most beautiful form. Whether this is truly the final flight for Transatlantic*, it is a beautiful watch nonetheless, and a worthy swan song for this collaboration among masters of their craft.
The post A Year In Review: Our Favorite Progressive Rock Albums Of 2023 appeared first on Sonic Perspectives.
With each December’s snowfall, a pristine canvas unfurls for progressive metal. As the new year dawns, the question arises – which paths will intrepid musicians forge? Will echoes of nostalgia fill the air, or will avant-garde visions take flight? Will sonic brutality reign, or will tenderness weave its delicate magic? This year, the joy lay not just in the music itself, but in the journeys taken. Some seasoned giants, stepped from their comfort zones, crafting bold masterpieces or revisiting past flames. Others, fresh voices barely above a whisper, unleashed debuts that shook the very foundations of the genre.
2023 offered solace in countless sonic tapestries and progressive metal was one of the subgenres that really shone. Choosing the most profound from this torrent of talent was a Herculean task. But after meticulous reflection, we at Sonic Perspectives present our curation of the top 20 progressive metal albums of the year. Dive in, explore, and let the music, once again, wash over you.
OUR TOP 20 PROGRESSIVE METAL ALBUMS OF 202320. Voyager – Fearless in Love (Season of Mist)One simple word has propelled Voyager headfirst into the public eye: Eurovision. For years, *Voyager was a well-kept secret among Australian musical exports, their bright pop-metal like a beacon in the night. But as their fame mounted, and their skills grew, it was only a matter of time before the rest of the world could discover just what a shining gem Voyager has always been. Gracing the international stage at Eurovision with instant-hit “Promise,” the album “Fearless in Love” is an ode to everything that makes Voyager so great. It is luminous, it is brimming with adoration for the art, and it is the titillating heartbeat of the Australian metal scene. Give this enduring example of sonic spirit a bit of your own love and listen to “Fearless in Love*.”
19. Periphery – V: Djent is Not a Genre (3DOT Recordings)Djent might not be a genre, yet Periphery still proves to be the veritable masters thereof. Fans were instantly charmed by the tongue-in-cheek title and further charmed by the album’s unequivocal delivery of greatness. But the title is where the familiar tongue-in-cheek bit ended: while that atmosphere has defined much of *Periphery’s career, this release is the band’s most mature and focused yet. As they continue to push the boundaries of their sound, Periphery* places themselves superlatives amongst their peers, whether they adopt the label “djent” or otherwise.
18. Jason Bieler and the Baron Von Bielski Orchestra – Postcards From the Asylum (Baron Von Bielski Records)“Postcards From the Asylum” is a fascinating trip of an album, wavering between progressive rock and metal as it lurches from track to track. This singer-songwriter endeavor – and a marathon of a moniker to write out in full – has again created a form of transcendental yet self-reflective art in this latest opus. There are meaty riffs on “Numb” balanced by open air on easy-rocking “Mexico,” each track on the album owing its strength to not just the man behind the project, but the many guest features that put flesh on its bones. Always interesting, and ever-fascinating, “Postcards From the Asylum” is yet another entry in the curious discography of Jason Bieler and the Baron Von Bielsky Orchestra, and one that may draw the eyes of those similarly intrigued by such curiosities.
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Temic – Terror Management Theory (Season Of Mist)TEMIC has come rushing out of the gate at a skill-packed sprint with their supergroup debut album “Terror Management Theory.” The skills each musician brings with them from their respective careers are immediately apparent in their musical prowess, and their names are just as easily recognizable from across the modern progressive rock and metal scene. It is a fresh, yet familiar, take on progressive music, and “Terror Management Theory” has a clear contemporary polish that makes it effortless to enjoy. There are familiar flavors here for long-time progressive afficionados to enjoy, and accessible listening for those looking to dip their toes in the progressive water.
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OK Goodnight – The Fox and the Bird (Independent)“The Fox and the Bird” is teeming with progressive seduction and mystique that propel it towards the top of this year’s most notable albums. It is ambitious, it is eclectic, and it takes noticeable risks in developing its sounds. Those risks are handily rewarded many times over with some of the most adventurous tracks to emerge from this year. One such example is “The Nightmare,” which features a percussion-forward composition, followed later by the sinister depths of “The Crocodile.” The vocal performance from Casey Lee Williams is absolutely not to be missed. There are many highlights to enjoy throughout this conceptual tale that touches upon many animals and their stories, and there is no better way to enjoy them than putting “The Fox and the Bird” on repeat.
15. Enslaved – Heimdal (Century Media Records)“Heimdal” is an exhilarating and progressive journey across astral realms, shadowed by the darkness of black metal’s bite. Years of experience and passion illuminate the way through the enchanting and lively forests of *Enslaved’s latest opus. They have painted stories upon a canvas rich with folklore and history, and the music allows these tales to come to life with enthusiasm and vigor. Enslaved have taken to dancing along the razor’s edge of progressive music and extremity, and with “Heimdal*,” they have done so with delightful precision and a betraying youthfulness.
14. Hypno5e – Sheol (Pelagic Records)Breathtaking. Bone-chilling. Riveting. These words barely scratch the surface of “Sheol” and its astounding breadth of talent, and just how far its aural musings reach into the soul. Hypno5e has a knack for making music that sticks with the listener long after it has stopped playing, and “Sheol” is no exception. Spoken word intermingles like a ghost amongst heavy riffs, and percussion builds alongside searing melodies. Prepare for goosebumps when listening to the ebb and flow of the transcendent “Lands of Haze,” and surrender to the progressive might of the mammoth track “The Dreamer and his Dream.” This album is unyielding as it traverses massive soundscapes and keeps the listener in its thrall – nothing less than what has come to be expected from these French avant-garde masters.
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Ray Alder – II (Inside Out Music)Well-known for longtime Fates Warning fame, vocalist Ray Alder has now released the sophomore album in his growing personal discography. His voice is absolutely unmistakable as it pairs with music tailored to his strengths and vocal range. There is deep melancholy and sadness that weaves between tracks, stretching shadows across “My Oblivion” and saturating the shadowed verses of “Waiting For Some Sun.” This is beautiful, raw, and an evolution of Alder’s talents as he spreads his wings as a solo artist.
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Haken – Fauna (Inside Out Music)As if the tremendous duo of “Vector” and “Virus” hadn’t awed the world enough, Haken have once again delivered an immediate fan-favorite album with the lush forests of “Fauna.” *Haken are easy to love, from Ross Jennings’s continually evolving vocal skills to Raymond Hearne’s percussive dedication and every musician in between, and “Fauna” captures some of that early magic which drew listeners in to “Aquarius” and “Visions.” Standouts on this latest include lead single “Nightingale,” as well as the two powerful displays of musicianship in “Elephants Never Forget” and “The Alphabet of Me.” It would be accurate to say that this album features some of their most mature melodies to date. Haken are unrelenting and ever-ambitious, and “Fauna*” is a rediscovery of their passion in its most brilliant form.
11. Tesseract – War of Being (Kscope)Tesseract revisits and expands upon their aggressive side with their conceptual album, “War of Being,” which redefines and stretches their progressive metal sound to new heights. Off-kilter riffs battle against lighter, ambient shades, and create a visceral sound that sends shivers up the listener’s spine. This is a cerebral endeavor, one that mounts through the title track “War of Being” and continues through the closing track “Sacrifice.” This djent-tinted progressive masterpiece is deserving of a spot on any 2023 recollection and is certain to please longtime fans of this band.
10. Molybaron – Something Ominous (Inside Out Music*)“Something Ominous” is an explosive power-prog standout that will inspire even the staunchest progressive music fans to headbang as they are pulled headfirst into invigorating, singalong choruses. This album walks the delicate line between progressive technicality and infectiously catchy, with tracks like “Set Alight” built upon bombastic choruses, while darker tracks like “Vampires” brood with dark synths and delectable riffs. Precision and creativity by drummer Camile Greneron lead to rich fills, supporting the melodies set by fastidious lead guitarist Florian Soum. Molybaron have found something truly unique amidst their sonic zeal, and “Something Ominous” is an ongoing demonstration of the flair for enticing songwriting that makes Molybaron* so irresistible.
9. Ne Obliviscaris – Exul (Season Of Mist)Few albums this year were as desperately awaited as Ne Obliviscaris’ 4th full-length outing, “Exul.” This is one opus that has spent years struggling to get across the finish line, tripping from one delay to another, so its arrival in March 2023 was as thrilling as it was a relief. “Exul” proved to be a paragon of good music that was well worth the wait. Patience is the name of the game with *Ne Obliviscaris both within and beyond the album. Songs such as “Suspyre” build on themselves as they progress, yielding impressive violin solos from vocalist Tim Charles, matched by the resounding timbre of Matt Klavins and Benji Baret‘s guitars. There is nothing comparable to the intense, bombastic opener “Equus,” which sets the stage for a thrilling, adrenaline-filled ride to come. As for the “Misericorde” duo, these tracks could stand alone as a demonstration of why Ne Obliviscaris has maintained such a dedicated fanbase even after an extended hiatus. “Exul”* is absolutely a welcome comeback from the outback.
8. The Hirsch Effekt – Urian (Long Branch Records)The German avant-prog metallers The Hirsch Effekt are back, this time with an album that is a mosaic of contrasting influences, and a few moments reminiscent of their prior LPs. “Urian” takes pride in making a hodge-podge of styles sound cohesive, if not intensely eclectic as it does so. There is the warmth of a distant cello that is complimented by sharp electronic elements, and these battle against alternative metal passages that would be at home in the late 00s and its waves of nu-, alt-, and industrial metal. Of course, as is their signature, the pervasive genre is prog-driven mathcore that carries “Urian” to its heaviest heights and most atmospheric interludes. A study of sound as much as it is an album, “Urian” is a lesson many would do well to learn.
7. Aviations – Luminaria (Independent)There are few bands that are both as bright and as uncompromising as Aviations, and fewer still who have such promise to remain as timelessly inspiring as these eager musicians. “Luminaria” is a shining diamond in the rough of 2023, and in the whole progressive metal scene. There are echoes of well-beloved mainstays in its influences, but Aviations continues to hold an identity of its own with silky-smooth clean vocals and pop-tinged choruses. The hooks on “Safehouse” and “La Jolla” beg to be put on repeat, while “Legend” is an outstanding balance of dark and light that drives emotion like a knife into the heart of its listeners. Perhaps the most tantalizing signature that “Luminaria” brings to the table is decadent keyboard melodies laid over double-bass kicks for a barrage of beautifully thunderous blast beats. This album paints its luminous marvel in a way that is progressively complex, yet deliciously easy listening.
6. Night Verses – Every Sound Has A Color In The Valley Of The Night: Part 1 (Equal Vision Records )Returning from a 5-year hiatus, Night Verses has made their comeback with an album that is mostly instrumental, somewhat esoteric, and 100% progressive bliss. This latest opus, titled “Every Sound Has a Color in the Valley of the Night: Part 1,” is the first of a double feature that will have its second release in early 2024. Ever-evolving riffs define the winding corridors of “Karma Wheel,” which then bleeds into the eclectic “Love In A Liminal Space.” Sounding both futuristic and familiar in its subtle creature comforts, “Every Sound Has a Color in the Valley of the Night: Part 1” is a strong addition to 2023 and a promise of a brilliant second installment to come.
5. Baroness – Stone (Abraxan Hymns)“Stone” is the first offering in a new era for Baroness, and despite its departure from the familiar color-based name scheme that has tied *Baroness albums together since 2007, this album is still replete with splendid sludge-prog hues. This titular pivot isn’t the only change that Baroness has seen in recent years, with the addition of guitarist Gina Gleason in 2017. The chemistry among the members of this ever-evolving outfit has yielded an immediate invigoration of the Baroness sound. Songs like “Beneath the Rose” drive its irresistible thorns beneath the skin, and the ominous cloud of “Magnolia” allows the listener to revel in its shadow. “Stone” is dark, somber, and driven by an earth-cracking heaviness. “Stone” is a pillar that will undoubtedly take Baroness* to new heights.
4. Avenged Sevenfold – Life Is But A Dream… (Warner Records)In the year 2011, when the world was first bathed in the unabated metallic violence of hit album “Nightmare,” it might have been impossible to believe that veteran artists *Avenged Sevenfold would ever earn a spot on a progressive metal compilation. And yet there is no better place for the massive, magnificent, “Life is But a Dream…” Peppered with touches of everything from alternative metal through the avant, there is nothing else that could describe this latest opus other than a progression of the skill and talent Avenged Sevenfold have spent decades maturing. This description includes even a few fiery stadium thrillers like “We Love You.” As for “Cosmic,” there is little question that this nearly ten-minute epic is one of this year’s necessary highlights. The otherworldly drumming and impassioned grace that backs every note have cemented Avenged Sevenfold*’s legacy as one of the most incessantly ambitious bands in the metal scene and proved their long-lasting excellence to spite those who doubted.
3. Sermon – Of Golden Verse (Prosthetic Records)Some of the heaviest fare to come from the progressive metal scene this year, “Of Golden Verse” is delightfully dark in its craft, and incessantly intense in its delivery. An oppressive atmosphere weaves artfully between thunderous riffs and adrenaline-fueled percussion over nearly an hour of ascendency. “Light the Witch” is laden with hooks, while “Golden” is a buffet of marrow-deep riffage. Sermon manages to be adventurous and ominous without becoming overbearing, giving listeners room to breathe with the interludes “In Black” and “Centre.” Join the dark rituals that define “Of Golden Verse” by slipping beneath its sinister waves – it is a delightful, shadowed opus of the highest quality.
2. Soen – Memorial (Silver Lining Music)Soen has become a mainstay staple in the progressive metal scene over the last decade. “Lotus” garnered considerable attention and accolades, followed shortly by the similarly impressive and well-received “Imperial” two years later. Now, with “Memorial,” *Soen again shows off their technical chops and the aural maturity that has come to define their signature sound. “Memorial” unfolds with a collection of songs that mix tempered aggressiveness with calm passages of emotion and melancholy. Electrifying riffs, bright guitar solos, and energetic drum patterns converge for an album that is unstoppably intense. Undoubtedly, Soen* have again cemented their place at the apex of modern progressive metal, and once more added a jewel to the crown that comprises their discography.
1. The Anchoret – …It All Began With Loneliness (Independent)The Anchoret has done something truly special with their debut album “It All Began With Loneliness.” Rarely does a debut album so immediately captivate its audience, demand undivided attention, and wholeheartedly deliver on a lofty promise of something sonically spectacular. Perhaps even more rarely does a debut not just give tribute to the genre that inspired it, but adds something uniquely memorable to its annals. From its most delicate melodies to its most uncompromising riffs, there is no album more deserving of the crown of 2023 progressive metal than *The Anchoret*.
“It All Began With Loneliness” is rich with emotion, packed to the brim with refined musicianship, and teeming with technical ambition. The sheer appetite for excellence is apparent as each track progresses, winding from the haunting “Someone Listening?” to the explosive, sax-infused “All Turns to Clay.” Lengthy tracks are balanced by the vibrant story told within and among each song. “As the Sun Illuminates” drives home impeccable heaviness while delivering a memorable groove. “It All Began With Loneliness” is a demonstration of how passion can elevate skill, how the hunger for excellence will inspire artistic vision, and how greatness can be found in the eager eyes of newcomers to the scene. Well done to *The Anchoret* – and now, we may look with much anticipation to their certainly bright future.
PROGRESSIVE METAL DEBUT ALBUM OF THE YEAR**Avkrvst – The Approbation (Inside Out Music*)“The Approbation” is a love letter from its creators to their favorite acts, but it is also more than that: it is a skilled debut from passionate creators who have tremendous art to share with the world. Some influences span from Opeth to Porcupine Tree, all wrapped up in the frosty touches of an album titled “The Approbation.” Each element of the album’s musicianship and concept come together beautifully for a fully-formed adventure that traverses ground from the ominous to the elated. When keeping an eye on newcomers to the scene, Avkrvst* is certainly worthy of note.
Nospūn – Opus (Independent)One of this year’s most promising debuts comes from the modest yet talented newcomer act Nospūn. They dance between the familiar sounds of classic progressive metal and its newer influences as though it were a ballet, and as they do so, they imbue comfortable familiarity to listeners that proves impossible to ignore. It’s difficult not to think of the early days of both Haken and Dream Theater when listening to songs like “The Death of Simpson,” or of other conceptual greats as “Earwyrm” lays down its hooks. This debut simply oozes with the promise of a bright and glowing future – and this future is one that has already been invested in by fans and promoters, as Nospūn will be joining long-beloved acts on the ProgPower USA stage in 2024.
INSTRUMENTAL PROGRESSIVE METAL ALBUM OF THE YEAR**Nuclear Power Trio – Wet Ass Plutonium (Metal Blade Records)This might not be the WAP that made the rounds on TikTok earlier this year, but Nuclear Power Trio have earned notoriety nonetheless with their latest album “Wet Ass Plutonium.” All the elements necessary for an instrumental feast are present, including a rich array of arrangements that span from shrill horns to dazzling synth leads. Surprises abound in A-List guest solos, including from Chris Broderick and Ben Ellis, among many other top-tier talents. The Nuclear Power Trio is undoubtedly as blindingly radiant as their namesake amidst the shred-happy excitement of “Wet Ass Plutonium.”
The post A Year In Review: Our Favorite Progressive Metal Albums Of 2023 appeared first on Sonic Perspectives.
Where would we be without music? Anyone who enjoys gaming, from casino gaming to FPS games, will know that sound and music play a massive role. Whether the music’s job is to set a fun tone for a game or it is trying to create tension in a horror game.
Casino games themselves have a lot of links with music, but so do casinos in general. Rat Pack musicians were one of the first examples of a whole genre and movement of music fully embracing casinos. Many of those Rat Pack stars were in the original Ocean’s Eleven film with its casino setting.
Connecting music and casinos, both in-person and online, provides a cool insight into how both industries work.
Music For Online CasinosOnline casinos are changing rapidly and including new and interesting technology. Play a casino game such as slots or blackjack and you’ll probably be met with some form of music setting the scene.
Slot games are the most obvious example of music being included in casino games, as they tend to have soundtracks that suit the mood of the game. An Asian-themed slot game may have music that uses Asian instrumentation to make it feel more authentic and add an extra layer of detail. Developers spend a lot of time and resources trying to create the top games and music is a way they can stand out.
Other forms of games are not as obvious, and audio may need to be more subtle so players can hear a dealer. For example, a modern trend among cryptocurrency casinos means a lot of Bitcoin casino games have live dealers that need to be able to communicate with the players. Audio is one of the methods for this, but there is sometimes still an option for some subtle background music to help add to the ambiance.
Background Music at CasinosMusic in the background is something that people may find if they visit in-person casinos. Casinos are designed to be locations with loads of forms of entertainment, not only games, and this means on the floor it is likely there’s some sort of music in the background. Naturally, online casinos have evolved to include similar forms of entertainment while players check out the latest slots and table games.
Casino brands both online and in-person may take a lot of time researching the types of music they want to play. Do they want to evoke memories of those “Rat Pack” players and give the feel of an old-fashioned casino or do they want something more modern and contemporary? Like being in a bar, the music can go a long way to determining the vibe and whether it is relaxed or a bit more upbeat.
Music-Themed Slot GamesSome huge bands have actually had themed slot games created around them and their music, and music is a common theme for developers to look into and build games around. Some slot games include musical mini-games, for instance.
Music can not just be used for the background of a game, it can play a key role in the mechanics and the whole feel of a slot or other game.
Casinos Used as VenuesCasino residencies are a big thing in the world of music. The two industries have grown and evolved together and some huge names have been known to perform at casinos. Not only names we associate with casinos like the great Frank Sinatra, but more modern performers still play at casinos.
On the upcoming tour, Slipknot’s Corey Taylor is even playing dates at casinos, and the type of metal music he plays may not be something that springs to mind when you think of casino gaming. Those Slipknot masks aren’t necessarily a casino staple!
Casinos are built to host a number of different events besides gaming and gambling, as we’ve already mentioned. Besides slots and table games, other areas people associate with casinos include fighting sports (boxing and MMA fights often take place in casinos), and also music. Musical residencies sometimes involve stars playing for weeks or even months at a time in a casino, taking over the evening entertainment slot. Developers of in-person casinos cleverly created spaces where events could take place at a professional standard with huge audiences and amazing sound quality.
ConclusionStart to think about it and you’ll notice how many connections these industries have, stemming back decades in origin. Both have been revolutionized in recent years with technology such as Blockchain and streaming, plus the two were already linked. Gamers may play music-themed casino games, and brands may include music that helps their game appeal to more players. Musicians may take up a casino residency and play dates at a venue, and even appear in promotional materials for casino brands. The casino and music tie-in is not going to change anytime soon.
The post The Link Between Music, Casinos, and Casino Gaming appeared first on Sonic Perspectives.
To celebrate the life of the greatest heavy metal singer in history, we are setting up a giveaway to offer our readers with 5 copies of Dio‘s upcoming documentary. “Dreamers Never Die” in Blu Ray + 4K.
“Dio: Dreamers Never Die”, the first-ever, career-spanning documentary on the life and times of the late legendary metal icon Ronnie James Dio, will be released worldwide by Mercury Studios on DVD and Blu-ray+4K and as a special deluxe edition featuring the DVD and Blu-ray packaged with exclusive merchandise on September 29, 2023. All of these configurations of the film will include a 20-minute selection of deleted and extended scenes restored from the cutting room floor to create a special fan experience.
How to win a copy of DIO’s Upcoming “Dreamers Never Die” Documentary In Blu Ray: Like the Sonic Perspectives Facebook page HERE. * Like the Ronnie James Dio Facebook page HERE. * Comment in this Facebook post*, and tell us why you should be one of the winners.
Once completed you will be entered in a drawing for one of the 5 available sets. Winners will be announced on September 29, 2023, and they will be responsible for the shipping cost to their location. Good luck!
“Dreamers Never Die”“Dio: Dreamers Never Die”, which world premiered at the 2022 SXSW Film Festival in Austin, Texas, enjoyed a special event theatrical release in more than 600 cinemas worldwide last fall and is available on Showtime.
Of the film, Reel News Daily wrote: “This film stunned me from the first frames. I expected to like it, but I never expected to fall madly in love with the film and the man. This is truly one of the best music docs I’ve seen. I can’t recommend this film enough.”
“Dio: Dreamers Never Die” delves deep into the singer’s incredible rise from a ’50s doo-wop crooner to his early rock days in ELF and Ritchie Blackmore‘s RAINBOW, to replacing Ozzy Osbourne in BLACK SABBATH, and finally cementing his rock star status with his own band, DIO. The film incorporates never-before-seen footage and personal photos, as well as offering intimate scenes with his closest peers, family, and friends, among them Wendy Dio, Tony Iommi, Geezer Butler, Glenn Hughes, Vinny Appice, Lita Ford, Rob Halford, Sebastian Bach, Eddie Trunk and Jack Black, as they bring viewers inside the life of one of rock and roll’s true heroes and most beloved figures.
Dio‘s widow and longtime manager, Wendy Dio, who executive produced the film, commented: “I wanted this documentary to be authentic, for the fans to see the roller coaster ride that was Ronnie‘s life — the good times, the bad times and everything in between, especially including events that even the most diehard fans would not have known about. It’s all in there, right up to the very end.”
In addition to SXSW, the film was showcased at the Hot Docs festival in Toronto, IFF Boston, DocsLisboa International Film Festival, the Jecheon International Music & Film Festival in Korea, the Athens International Film & Video Festival and Gimme Shelter Film Festival in Athens, Greece. Last October, it won the Audience Award at the In-Edit International Music Documentary Film Festival in Barcelona, Spain.
Fully authorized by the artist’s estate, “Dio: Dreamers Never Die” was directed by Don Argott and Demian Fenton (“Framing John DeLorean”, “Believer”, “Last Days Here”),produced by Don Argott and Sheena Joyce for 9.14 Pictures, and executive produced by Wendy Dio for Niji Productions and Kathy Rivkin Daum for BMG.
Ronnie James Dio, who died of gastric cancer in 2010, reigns as one of the most influential rock artists of all time and one of the greatest vocalists ever. With an illustrious recording career spanning from the 1950s through to the 2000s, the documentary follows his trajectory from sideman into singer, songwriter and frontman of not one, but three, of rock’s internationally-renowned, multi-platinum-selling arena attractions: RAINBOW, BLACK SABBATH and DIO. Famous for popularizing the ‘devil horns’ hand gesture that is now synonymous with hard rock and heavy metal music, Dio was known for not wavering in his pursuit of his rock and roll dreams and continues to influence a new generation of music artists. His fans the world over remember him not only for his massive talent, but for his kindness, resulting in millions of dollars raised for cancer research in his memory via the Ronnie James Dio Stand Up And Shout Cancer Fund.
Argott and Fenton said: “People who have conviction, talent and heart like Ronnie James Dio are in short supply these days. It is refreshing to share his inspiring story of believing in yourself and chasing your dreams. As lifelong Dio fans, it is incredibly humbling to bring Ronnie‘s journey to the screen, and we can’t wait to share it with audiences.”
The post GIVEAWAY: Win A Copy of DIO’s Upcoming “Dreamers Never Die” Documentary In Blu Ray appeared first on Sonic Perspectives.
2023 keeps delivering engaging music for prog-rock fans, no surprise given the past several golden years. We offer three overviews below, on albums which absolutely deserve your attention, all three released last month of July 2023. Keep reading, and you might discover a gem that ends up ranking amongst your favorites of the year.
United Progressive Fraternity (UPF)- “Planetary Overload Part 2: Hope”We don’t have many “environmentally-conscious progressive rock supergroups” out there so thank God for UPF, whose dedication to raising environmental awareness via inspiring music is one small balm to our world’s precarious situation. This is none more true than on their third full-length release, emphasis on “FULL”. A whopping 22 tracks deliver two hours of music with more guest artists than we have collective fingers to count.
Led by Mark Truey Trueack (vocals, lyrics) and Steve Unruh (vocals and virtually every instrument under the sun), UPF are hardly a proper band at all but rather a community of top-tier eco-minded musicians who come together for these recordings. For a more complete overview of the UPF project, check out our extensive coverage of Part 1 from 2019.
As the titles imply, whereas Part 1 was focused more on the dire side of the situation we find ourselves in, Part 2 leans towards a more hopeful path. Still, the thematic material feels inherently serious throughout, as one might expect. Fortunately the music and performance is of such a high caliber that the listener doesn’t get bogged down in the heaviness of it all. Quotes from Chief Oren Lyons, Sir David Attenborough and others are sprinkled throughout to keep us on track and offer a balance to Trueack’s lyrics. It’s a full-on multi-sensory experience throughout, causing the listener to think as well as be entertained.
“Planetary Overload Part 2: Hope”The drums call us in on the tribal opening chant “Hope Is/Drums of Hope” with four drummers being featured, all arranged by Tommy Murray, for an impressive overture introduction. “Love Never Leaves Us” is the catchy lead single, with drumming from Lisa Wetton and lots of programming and keyboards from Christophe Lebled who is one of the primary musicians and composers on the album, especially their Romantechs side project where he really flies his Vangelis flag. However, Ben Craven takes on the keyboards, guitars and compositional credit for the powerful “The Answer” as Jonas Reingold actively rumbles below on bass.
While most of the songs run under 10 minutes, we get to summit one 21-minute epic in “Being of Equal” which pulls out all the stops. Offering a quick overview of human development, the song concludes that we must balance our ambition with the bounty that the natural world offers us if we are to survive. Gordo Bennett takes on the first keyboard chair, co-writing this piece with Unruh and Trueack. Still, there’s room for a Hammond solo from Ryo Okumoto, a bit of guitar from *Steve Hackett, and an impressive array of world instruments from Charlie Cawood. Oh yes, and that’s Colin Edwin on fretless bass, while Hasse Froeberg even jumps in on shared vocals with Truey and Elisa Montaldo* offering layered backing vocals. Lest this sounds like it’s just name-dropping, each musician’s offering is sincere and significant; it’s an all-star effort in earnest.
There are rockers on the album such as “Islands” and “Homosapien”, both of which feature Jamison Smeltz on saxophones – the latter sounding like it’s from the region of Kashmir – and “Faultline” which almost veers into big band territory. But there are also are beautiful ballads like the delicate “The Bees in Us” and the Rachel Flowers-penned “Who We Really Are” with her inspired piano and Unruh’s violin offering a soothing simplicity to balance the other busier tracks.
With an overabundance of songs, it’s hard to pick out favorites. Indeed, the main drawback of this release may be that “Planetary Overload” is also a sonic overload. Consensus still shows that a 40-minute album is optimal for listener absorption and appreciation, but here we have 3 album’s worth of material. And that’s not even including the added hour of bonus material from their alter-ego Romantechs, which is part of the deluxe packages. Sometimes less is indeed more but who can fault UPF for their earnestness in saving the world? Beautifully produced, this is an experience to take in and savor, to inspire and to be inspired by. Join the cause and enjoy music which is a force of good in the world.
Pre-order “Planetary Overload Part 2: Hope” HERE.
Songwriting: 8
Musicianship: 10
Originality: 8
Production: 10
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Agusa – “Prima Materia”Just in time for the heat of the summer, Sweden’s prog quintet Agusa arrives with a new release of vintage psychedelic prog to quench your thirst. Four mostly-instrumental tracks are laid out in these 42 minutes, boasting plenty of room to groove, jam and evolve through an array of spacious moods. Although the music is not cinematic, the four titles seem to reference Swedish films of the past few decades which perhaps played a role as inspiration for the music herein.
Fans of flute-heavy bands like Focus and Tull will instantly gravitate towards Jenny Puertas’ excellent playing but there’s much jamming to enjoy from the keyboards of Roman Andren and band main-stay Mikael Ödesjö on guitar. Indeed, the band’s personnel have rotated several times during their five albums but the content and performance remains impressively high. As far as inspired retro psych goes, Agusa delivers time and time again.
“Lust och fägring (Sommarvisan)” kicks the album off with chiming acoustic guitar reminiscent of Supertramp’s “Even In The Quietest Moments” before the full band kicks in. Focusing on various descending progressions throughout numerous sections, the apex of the song comes during a brief vocal accompaniment as Ödesjö fires blistering guitar attacks. Perhaps titled for the 1995 Swedish film of the same name (“Great Lust & Beauty”), you can catch a unique video teaser clip of the song, featuring countryside pole dancing. Seriously, give a search on YouTube.
“Prima Materia” ArtworkOn “Under bar himmel” the band seems to have Porcupine Tree’s “Colourflow In Mind” on their own mind as the song starts, leading to one of the best pieces on the album. Again, a descending progression forms the intoxicating main theme, though there’s plenty of soloing and even a danceable section as the players trade off solos. The next piece, “Ur Askan” (which I can’t help but interpret as You Are Askin’!) is even more equipped to get your body moving to its Middle Eastern groove, complimented by hand percussion. We also get a brief passage sung in Spanish by Puertas, one of the rare vocal moments on the album which mysteriously fits in perfectly with the rest of the vibe.
Agusa deserve the attention of the wider prog community, as their blend of folk, rock, classical and world themes would appeal to many. This is a nicely produced package which feels both professional and informal, well-arranged and improvised in equal measures. Lighten up your summer with this wonderful soundtrack.
Order “Prima Materia” HERE.
Songwriting: 8
Musicianship: 9
Originality: 8
Production: 9
Kurt Michaels – “Stones From The Garden”Hailing from Chicago, Kurt Michael’s fifth album “Stones From the Garden” has just been released on Melodic Revolution Records. This singer/songwriter/guitarist invites a healthy roster of guest musicians to bring his material to life, including Billy Sherwood (Yes), Michael Sherwood (Toto, Sammy Davis, Jr.), Amanda Lehmann (Steve Hackett), John Abbey (John Cale), Dennis Johnson, (Survivor, Dennis DeYoung and Chase) and many more. The album offers a diverse set of music, from rockers to pop to prog to a closing extended ambient mix, showcasing Michael’s wide range of tastes.
Michael’s uniquely characteristic voice propels most of the songs forward but he favors bringing in a number of backing female vocalists throughout, who often duet right along with him. This pays off well on several tracks like the chorus of “Why Must Life Be Such A Fight?” and the anthemic qualities of “Happiness”.
“Forever” boasts some of the strongest guitar work on the album, Michael’s approach bringing to mind Steve Howe at times. The more laid-back “I’m In Love With That Dream” dips back to the 60s for a touch of Beatles inspiration and some fine swaths of guitar soloing, one of the most enjoyable moments on the album.
“Stones From The Garden”Billy Sherwood makes his presence firmly known on “Will I Ever Pass This Way Again” with his signature Chris Squire-influenced bass playing and tone, but he also delivers a lively drum performance that truly stands out. Considering that his brother, the late Michael Sherwood, provides keyboards on this song as well, it certainly rises to be a noteworthy highlight of the pieces offered here.
Surprisingly, the album concludes with a 17-minute detour in “The Road Beyond”, a keyboard-drenched ambient drone over which guitar soloing and other effects make their improvisations. As an excerpt from a live performance at the ElectroMusic festival in 2007, it’s an unusual but welcome way to end this recording before the record scratch brings us to its end.
Independent artists such as Michaels have much to offer and prove to be worth seeking out. The songs (stones) in this garden have unique angular edges that take the listener in unexpected directions, all the more reason to give it a try and take it all in.
Order “Stones From The Garden” HERE.
Songwriting: 7
Musicianship: 8
Originality: 8
Production: 7
Stones from the Garden by Kurt MichaelsThe post SONIC BRIEFS: Recommended Prog-Rock Releases – July 2023 appeared first on Sonic Perspectives.
Texas-based heavy metal quintet Lockjaw celebrated the release of their new album, “Relentless“, with a special album release show last month at Trees in Dallas, TX. Today, we are premiering their new live video for the song “Sever”, which was professionally recorded at their Trees show. With more live shows and touring plans already in the works, the band decided it was high time to show fans what a Lockjaw concert is all about. Partake in the glory of their ripping live performances by watching the clip below.
Commenting on the new live video for ”Sever”, guitarist Jeff Ogle says: “We have always been a live band and feel most comfortable on stage. The album release show at Trees in Dallas was a really special night for us and our hometown fans. It felt like everything we had been working on for the past few years was finally coming together. “Sever” was one of the best performances of the night, and we are happy to share the live experience with new fans that might not be able to travel or catch us on tour yet.“
Lockjaw debut studio album, *“Relentless*“, was released on July 7, 2023 through AISAUS / The Orchard. Check it out HERE.
*“Relentless*“ ArtworkWhile they continue to emerge on the radars of a whole new crop of fans, Lockjaw has a history of making music together that goes back more than two decades – tracing back to friendships that began in their high school days. Over time, the scene in which they cut their teeth and the music that came from those early beginnings might look different from the present, but *Lockjaw* has never been interested in chasing trends. These talented musicians have the vision to make their own music and truly give it their all.
Follow Lockjaw: Facebook | Instagram | TikTok | Website
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Advent Horizon‘s third full length studio album “A Cell To Call Home” is due for release on October 6th, 2023. The 11-track modern progressive rock opus, carefully crafted over three years of work, explores the interplay between love, dependency, and loss – told in first person through the eyes of a protagonist who is battling through the struggles of overcoming addiction. This thematic album paints a story which is at times vivid, and at other times surreal. Above all, “A Cell To Call Home” urges the listener to examine their own weaknesses before criticizing those they love.
“Water” the third single from the album is the leading track on the record, and serves as the introduction to the album’s main character as he attempts to find his way back from the “point of no return”. Sonically “Water” is one of Advent Horizon’s heaviest compositions to date. Fans of Haken, Dream Theater and Between The Buried and Me will all find common ground with this heavy progressive rock/metal single. “Water” is available now on all streaming platforms and you can watch the video, in a exclusive premiere, below.
This album was the result of three years of challenging work, but the attention to detail and control of the process made the efforts worth it. Synth/bass player Cason Wood states “On previous records we booked studio time and were limited to tracking parts within a given time frame. I’m really happy that we recorded it ourselves, as it allowed us to take the time to really get the parts right.” The evocative album and single artwork was created by legendary and prolific artist Travis Smith, known for his artwork for Opeth, Devin Townsend, Avenged Sevenfold, Riverside, and countless other metal groups. Advent Horizon handled the production and mixing process themselves, then handed the project off to legendary metal producer Jens Bogren for mastering. Jens is known for his work with *Opeth, Haken, Leprous, Between The Buried and Me*, and many more. The final result is a recording that holds its own against any modern metal production.
Sonically, “A Cell To Call Home” presents lush synth soundscapes, pensive piano interludes, heavy guitar driven instrumental passages, thundering drums, and complex pop-inspired vocal arrangements. The band feels they have developed substantially from previous releases, shooting for a sound they call “unabashedly progressive”.
“A Cell To Call Home” also features numerous guest spots from some of progressive music’s brightest stars, including Jordan Rudess (*Dream Theater), Dave Meros (Spock’s Beard*), Randy McStine (Porcupine Tree), and Jared Hill (Snow Child**). Each solo artist was carefully selected, not just for their obvious technical ability but also their attention to the details and themes of the songs. The end result is breathtaking- you’ll have to hear for yourself.
“A Cell To Call Home” Artwork“A Cell To Call Home” Track-listing:1. Water (5:03) 2. Snow Child (1:10) 3. How Did It Get So Good? (7:14) 4. Rain On Open Water (4:43) 5. Your Flaws (3:49) 6. Truth (5:54) 7. Calling It Off (5:46) 8. Control (5:34) 9. Maybe (3:48) 10. Cell To Call Home (10:15) 11. Hold Me (6:19)
Advent Horizon is a project of pure creative passion. The brainchild of artist/producer Rylee McDonald and drummer Mike Lofgreen, Advent‘s goal is to bring a new, fresh sound to the progressive rock/metal world. Featuring Cason Wood on keys, Kris Hartman on bass and Grant Matheson on guitars/vocals, Advent Horizon seamlessly blends melodicism, complexity, and emotion. They have released two critically acclaimed progressive rock albums: 2011’s “Immured” and 2015’s “Stagehound”, as well as several EPs and singles.
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Many of the world’s most famous musicians are defined by an iconic look. Think The Beatles with their moptops or KISS with their black-and-white makeup. Having a signature look matters because it helps visual artistic expression and elevates an artist’s brand.
From Roy Orbison to Bob Dylan to Elton John, sunglasses are a timeless piece that many associate with musicians. Interestingly, there are several fascinating motives behind this fashion choice. Curious about why sunglasses are such a staple in music? Here are a few reasons why artists wear them.
HealthOne of the most straightforward reasons artists may wear sunglasses is to cater to their health. Take Bono: the iconic U2 front-man has shared his struggles with glaucoma, a group of eye conditions that can cause vision loss and blindness because of damaged optic nerves. In Bono’s case, light sensitivity can cause his eyes to swell up and develop redness.
Fortunately, eye-wear retailer LensCrafters notes that the best men’s sunglasses offer 100% protection against UVA and UVB rays. This feature guards the eyes from overexposure to the damage they can cause through conditions like cataracts and photo-keratitis. For those with glaucoma, sunglasses can offer critical protection against sunlight. Particularly for Bono, it also provides a barrier against occupational hazards like harsh stage lights and camera flashes.
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Credit: @u2 on InstagramComfortBecause rockstars are commonly known for their commanding stage presence, you may be surprised to find out that Guns N’ Roses guitarist Slash wears sunnies to create a barrier between him and the audience. He rarely looks at the crowd as it makes him very uncomfortable. Instead, he prefers to be absorbed in his own world, playing away on the guitar behind the comfort of his sunglasses.
Scientists may have an explanation for this. Researchers from the University of British Columbia explain that wearing sunglasses allows an individual to hide where they are looking. That means they can gather information about their environment in social situations without having to conform to societal norms. This is applicable to Slash, too. Donning Ray-Bans with iconic frames and dark-tinted lenses, he doesn’t have to focus on communicating with fans. Instead, he can focus solely on playing, elevating his comfort — and overall performance — onstage.
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Credit: @gunsnroses on InstagramSubtletyFor some artists, sunglasses can also be a clever tool to appear more professional. This is the case with Spoon’s lead singer, Britt Daniel. Although a member of what’s considered one of the most successful indie rock bands of the 2000s, Britt used to be on the receiving end of his band-mates’ teasing for wearing sunglasses in the dark when they were just starting out. Today, shades are a staple for him — and he now has a practical reason for wearing them onstage: he doesn’t want the audience to see how much he looks at his hands when playing the guitar.
Although Britt exudes much greater confidence now, using dark-tinted glasses did enhance his subtlety. Frequently wearing sunglasses reminiscent of Bob Dylan and Johnny Cash’s Ray-Ban Wayfarers, Britt can conceal where his eyes are focused during a performance. So beyond elevating his style, it also helped him present a more confident image as the band’s front-man.
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Credit: @brittdaniel on InstagramDespite having been a music industry staple for decades, wearing sunglasses as an accessory doesn’t seem to be going out of fashion any time soon. Whether for health, comfort, or subtlety, these musicians have exemplified how sunglasses can become an iconic feature of their image.
The post Here’s Why You’ll Rarely See These Iconic Rock Stars Without Sunglasses appeared first on Sonic Perspectives.
In the pulsating world of heavy metal, where electrifying riffs meet thunderous drums, there’s another rhythm that captures the hearts of some artists – the tantalizing allure of gambling. It’s a realm where the roll of a dice echoes the raw intensity of a power chord, and the flip of a card mirrors the unpredictable nature of a live performance. Picture Scott Ian, the legendary Anthrax guitarist, not shredding on stage, but meticulously studying his poker hand under the casino lights. Or envisage Lemmy Kilmister, Motörhead‘s iconic front-man, trading his bass for his beloved slot machine, the reels spinning as relentlessly as his music. This article takes you on a headbanging journey from the mosh pit to the poker table, unveiling how the thrill of gambling has intertwined with the lives and music of some of your favorite heavy metal artists. So buckle up, and prepare to dive headfirst into the lesser-known tales of these rock gods, both on stage and at the betting tables.
Scott IanScott Ian, the rhythm guitarist for the band Anthrax, is also known for his passion for poker. His journey into the world of professional poker began in 2008 when he signed with UltimateBet, the third largest internet gaming site in the world, as one of their online professional players. His skills were highlighted when he won a $200,000 Ultimate Bet online event. He also placed in the top 700 out of over 6,000 participants at the World Series of Poker in 2010. This shows that Scott Ian is not only a prominent figure in the music industry but also a legitimate poker pro.
Scott Ian‘s involvement in the world of poker extended to around four or five years, during which he became a professional player. Despite not initially planning to become a poker star, he embraced this path for several years. Ian‘s first notable achievement in the poker world was in 2007 when he won VH1’s “Rock Stars of Charity” poker event.
Lemmy KilmisterThe late front-man of Motörhead was not only a rock legend but also a well-known fan of gambling. His love for gambling was so deep-rooted that it even influenced his music. The band’s biggest hit, “Ace of Spades,” is a testament to this, with lyrics that embody the thrill and uncertainty of betting. Lemmy‘s game of choice was the slot machine. He was often seen at the Rainbow Bar & Grill in West Hollywood, where he would spend hours at his favorite video poker machine. The machine has since been moved to the Motörhead exhibit at the Grammy Museum in Los Angeles as a tribute to Lemmy following his death.
In an interview, Lemmy once shared a humorous story about his gambling. He said, “I got thrown out of a few casinos in Vegas because I smashed the machine up. I got barred from the Hard Rock because I put a chair through the machine, and they kinda took exception to it”.
Despite his love for gambling, it seems that Lemmy never let it become a problem. He once said, “Gambling is for fools, but that’s the way I like it, baby.” This quote reflects Lemmy‘s overall approach to life: living on his terms, taking risks, and enjoying every moment of it.
In 2016, NetEnt developed an online slot game called ‘Motörhead Slot’. The game is a reflection of the band’s spirit, featuring a dark and gritty design and exciting features like the Bomber Feature. The game structure includes 5 reels and 76 pay lines, with an RTP (Return to Player) of 96.98%. Players have the option to set their betting level up to 10 coins per pay line. It effectively infuses elements of the celebrated band, providing an electrifying experience for both Motörhead fans and slot machine lovers.
Sully ErnaSully Erna, the lead singer of Godsmack, is indeed a known figure in the world of poker. He was first introduced to Texas Hold’em by a friend and was instantly hooked. According to an interview with ESPN, about six years ago, Erna was obsessed with the game, playing in two World Series of Poker and cashing in twice. In 2006, he made a notable splash in a Las Vegas tournament, securing an impressive $17,730 in earnings and ranking 713th out of 8,000 participants. His poker prowess continued to shine in the 2007 Five-Diamond World Poker Classic where he bagged substantial prizes of $45,422 and a whopping $307,325 before taking a break from the game. Additionally, the tattoo on Sully‘s back profoundly showcases his deep love for card games, particularly poker. The inscription “No Justice,” which is etched next to the design, suggests that poker is a game that rewards persistence and doesn’t necessarily favor fairness.
Erna‘s passion for poker was also featured in “8 Rockstar Gamblers And Their Casino Stories” on Metalsucks. The article mentioned how he competed against other rock stars like Scott Ian and Ace Frehley, who have more experience gambling. Despite his success in poker, it seems that Erna has since distanced himself from the professional poker scene. He once shared an anecdote about a heads-up poker battle he lost to Anthrax’s Scott Ian.
Ace FrehleyAce Frehley, the ‘Spaceman’ from the iconic rock band KISS, has always been known for his love of poker and gambling. His stories have been the stuff of rock and roll legend, adding to the mystique and allure of his character. According to Metalsucks and Originalrock, Ace is quite a fan of poker, though the extent of his passion remains somewhat elusive.
In a more revealing anecdote shared on Rockandrolltruestories, it was reported that Ace once skipped a recording session with KISS due to his gambling pursuits. This incident hints at how his love for gambling sometimes overlapped with his professional obligations.
Ace‘s unpredictable nature, much like the outcome of a gamble, has been a defining characteristic of his personality and career. Whether he decided to leave KISS or his various solo ventures, Ace has always been one to take risks, akin to placing a bet on the turn of a card.
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Formed at the beginning of 2003, Parkway Drive has since moved from a small-town Australian band performing in a house garage to an international success. Parkway Drive — comprised of Winston McCall (vocals), Luke Kilpatrick (guitar), Jeff Ling (guitar), Jia O’Connor (bass), and Ben Gordon (drums) — is celebrating their 20th anniversary as a metal band and just recently, they announced the “Monsters of Oz” tour for the Fall of 2023. This upcoming tour is a massive comeback from last year’s break when they had to cancel their US tour. Now, they are hyping fans for a live version of their latest album, “Darker Still,” from September 2022, as well as an expanded version of their debut album, “Don’t Close Your Eyes.”
To commemorate their long-time success, we’ll look at some of the gear they used to make their iconic tunes over the past two decades:
Guitars:
Throughout their career, Parkway Drive has since relied on models from ESP MI, also known as ESP Musical Instruments. The company is famous for their electric and bass guitars, as well as their guitar and bass amplifiers. In 2016, ESP’s LTD brand offered Jeff Ling and Luke Kilpatrick signature guitar models— making the ESP E-II Jeff Ling and E-II LUKE Kilpatrick, respectively. Ling’s model relies on an alder body with neck-thru construction and a set of 81/60 brushed chrome EMGs to drive his amp into overdrive and distortion, also equipped with glow-in-the-dark side markers to feature him as the main lead. Kilpatrick’s model features a similar build to the Horizon series but instead has EMG 81/60 pickups and a custom 12-fret inlay to perform Parkway Drive’s crushing rhythm section.
Guitar pedals:
Some metalcore bands don’t rely on guitar pedals to produce their tunes, and Parkway Drive is one of them. As revealed by guitarists Ling and Kilpatrick in an interview, they barely used effects in their sixth full-length album, “Reverence,” and mostly relied on how they played. Since they keep their effects minimal, it’s unsurprising that they initially relied on the expression pedal from Mission Engineering, which is well-known for launching their first programmable multi-expression controller in 2009. In particular, the EP1-KP Kemper enables guitarists to maximize their Kemper Profiling Amp and adjust their playing output in the fore and background. The guitar pair have since transitioned to the Kemper Profiler Remote Foot Controller for greater versatility, as it has a larger display and a built-in expression pedal.
Amplifiers:
Parkway Drive wouldn’t be here today without their Kemper amps. It was in 2016 that they shifted from high-gain amps from Peavey and Mesa/Boogie to the Kemper Profiler, which they say has made their whole rig much simpler. Each guitarist, as well as their bassist Jia O’Connor, has their own rack equipped with the GGD All The Gains plugin. With the latest application update for iOS, guitarists can adjust the live settings of the Kemper Profiler from the convenience of their phones, eliminating the need to use a separate device for adjustments. Parkway Drive also uses Sennheiser EW 100 G4-Ci1 Wireless units to ensure no wire tangles during live performances.
Parkway Drive remains a huge force in the music landscape. Despite some difficulties, the band expects to “burn brighter than the past” in their upcoming performances.
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“Rock ‘n’ roll was never supposed to be polite. If you’re living a nice lifestyle and you have no problems, you put on our record… you won’t get it.” – Jeff Hanneman
Tuesday, May 2, 2023: Ten years ago today, May 2, 2013, thrash metal pioneers Slayer issued the following statement: “Slayer is devastated to inform that their band-mate and brother, Jeff Hanneman, passed away at about 11AM this morning near his Southern California home. Hanneman was in an area hospital when he suffered liver failure. He is survived by his wife Kathy [Kathryn], his sister Kathy, and his brothers Michael and Larry, and will be sorely missed.”
Ten years on, Jeff Hanneman, who was only 49 at the time of his passing, continues to be sorely missed.
Photo by Andrew Stuart
“What a sad day for metal. RIP, man.” – Slash
“RIP brother, you will be missed.” – Zakk Wylde
“RIP Jeff Hanneman.” – Metallica
“Brutal news about Jeff. Like a punch in the gut.” – Scott Ian
“RIP to a dedicated Raiders fan.” – Oakland Raiders
“Sad to hear of Jeff Hanneman‘s passing. RIP.” – Geezer Butler
“Tonight, one less star will be shining, and sadly, the stage got just a little bit darker.” – Dave Mustaine
“RIP Jeff Hanneman. You will be greatly missed.” – Gibson Guitars
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There’s no denying the allure of the casino scene. From the glittering lights to the clanging slot machines, the atmosphere is electric and full of excitement. And what better way to capture that feeling than through music?
Before we delve into the world of the best casino movie soundtracks, it’s important to acknowledge the impact of online casinos on the industry. There is no doubt with the heavy onslaught of prominent online casinos, the popularity of the whole ‘casino scene’ becomes more accessible to a wider global audience on a global level. Having said that, the glitz and glamour of land-based casinos can’t be matched, and the shining lights of Vegas have heavily inspired the movie soundtracks below.
“Viva Las Vegas”: The Ultimate Casino AnthemWhen it comes to casino-themed movies, there’s one song that stands out above all others: “Viva Las Vegas” by Elvis Presley. Originally released in 1964 as the title track for Presley’s film of the same name, “Viva Las Vegas”, has become synonymous with the casino scene. The upbeat tempo and catchy lyrics perfectly capture the excitement of the casino, making it the ultimate casino anthem.
“Can’t You Hear Me Knocking”: The Rolling Stones Get in on the ActionWhile “Viva Las Vegas” may be the most iconic casino song of all time, it’s not the only great track to feature in a casino-themed movie. In the Martin Scorsese classic “Casino,” The Rolling Stones‘ “Can’t You Hear Me Knocking” is used to great effect during a tense scene in which the character played by Robert De Niro is followed through the casino. The song’s bluesy guitar riffs and driving beat perfectly capture the tension and excitement of the moment.
“The House of the Rising Sun”: A Classic Song for a Classic GameWhen you think of classic casino games, there’s one that immediately comes to mind: blackjack. And when it comes to classic songs, there’s one that’s a perfect fit for blackjack: “The House of the Rising Sun.” Originally a traditional folk song, “The House of the Rising Sun” has been covered by countless artists, including The Animals, who actually recorded its most famous rendition. The song’s haunting melody and lyrics about a gambler’s ruin make it a fitting choice for any casino-themed movie.
“Theme from ‘Casino Royale'”: The James Bond ConnectionNo discussion of casino-themed movie soundtracks would be complete without mentioning James Bond. The iconic spy has spent more than his fair share of time at the casino tables over the years, and his movies have featured some great songs to match. One standout track is the “Theme from ‘Casino Royale'” by Herb Alpert & The Tijuana Brass. The song’s upbeat brass section perfectly captures the glitz and glamour of the casino, while its Latin-inspired rhythms add a touch of exoticism.
The world of casino-themed movies is full of iconic songs that capture the excitement and magnetism of the casino. These songs have become synonymous with the casino scene worldwide. So, the next time you decide to have fun in an online casino, go to Spotify and play some casino-inspired tunes while you spin your favorite reels!
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After all the good signs shown in the previously released two digital singles, TYGERS OF PAN TANG now release a third song from the new and upcoming album “Bloodlines”. “Back For Good” is the chosen track.
When Jack Meille wrote the lyrics for “Back For Good”, he drew inspiration from a monument to miners in the small town of Featherstone, where he stays on his frequent visits to the UK from Italy. “The lyrics are about miners and their long, endless working shifts in the dark”, Jack says.
New bass player Huw Holding rates it as his favorite song from the new album “Bloodlines”. “When I joined the Tygers I was given a few demo tracks to play along with. “Back For Good” jumped out immediately. I loved the groove, the riffs and the vocal melody”, he concludes.
“Bloodlines” will be released on LP (black and red vinyl, with the latter being limited to 500), CD and digital formats via Mighty Music on May 5th, 2023. Pre-orders are available HERE.
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The original band, who made four albums for MCA Records, survived the unexpected departure of Jess Cox to run Neat Records and later John Sykes, who was bound for Thin Lizzy and a multi-million seller with Whitesnake. What they didn’t survive was their greatest commercial success with the album “The Cage”. However, Weir, ever the optimist, formed a new version of the band to both play the old material and write songs that would represent this ‘new’ Tygers. The backbone of the band – Craig Ellis on drums, together with Jack Meille on vocals, have now been together for considerably longer than the first Tygers and were recently joined by Francesco Marras on guitar, and Huw Holding on bass. Francesco arrived via solo and session work that has made him a go-to guitarist, and Huw has history of working with NWOBHM bands such as Blitzkrieg, Avenger and Holosade.
Recording an EP (“A New Heartbeat”) to celebrate their re-signing with Mighty Music, the Tygers demonstrated just how potent the new lineup was becoming. Re-recording two songs from their first album to complement the two new songs on the EP gave listeners the chance to evaluate Francesco Marras’ contribution, and the reaction was entirely positive. Following this with a tour that took in six countries across Europe both Francesco and Huw have been amazed at the reaction to the new line-up. Fans old and new have turned up to lend their support to the continuing story of the Tygers.
“Bloodlines” Album Artwork
Now the band are all set for the release of their new album, “Bloodlines”. Recorded entirely by the musicians who comprise the current line-up, it is a tour de force of what made the NWOBHM such a potent force in music. The songs, all self-penned, successfully demonstrate just how well the core of Weir, Meille and Ellis have blended with the new boys. New Danish producer Tue Madsen (The Haunted, Moonspell, Sick Of It All) has brought a contemporary edge to the traditional Tygers sound and immediately bonded with the band, recognizing just what it was they were looking for. Still metal at its core, the melodic vocals and exemplary guitar solos ensure that the songs are worthy rivals to the very best of their back catalog.
The last word comes from Robb Weir, whose dream created the Tygers all those years ago. “I feel as confident with our new lineup as I did all those years ago when “Wildcat” appeared on the shelves and it was given a unanimous thumbs up. Our recent live shows have demonstrated a harmony within the band and, coupled with the quality of “Bloodlines”, the potential to create music and perform live shows for some considerable time to come.”
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2023 keeps delivering engaging music for prog-rock fans, no surprise given the past several golden years. Here we offer three quick overviews on albums which warrant your attention. While none of these are strong on originality, they all are well-done, enjoyable affairs. Given your tastes, some may even rank amongst your favorites of the year.
Jethro Tull – “RökFlöte”When Ian Anderson’s solo career reclaimed the Tull namesake with last year’s “The Zealot Gene,” a few eyebrows were raised but by and large the “band” was welcomed back to the fold. Barre’ing a missing guitarist, the new album still carried the sounds of latter-day Tull and contained a decent collection of songs. True, Anderson’s voice had long ago shifted quite a bit and if one can’t deal with that irreversible development then there’s no real point in keeping up with the discography. But there were some interesting pieces offered on that album and surprisingly the followup “RökFlöte” has now arrived relatively quickly.
“RökFlöte” was initially envisioned as a mostly-instrumental rock flute affair, which probably would have been a better approach to take. Sort of a more rocking version of Anderson’s “Divinities” album, perhaps. But he just couldn’t help himself. Thus, lyrics were written based on the characters and roles of some principle gods of the old Norse paganism. (As a self-proclaimed Pantheist, Anderson sure spends a lot of time singing about divinities of one form or another.) Anderson uses the spoken-word-barely-sung approach he has taken to as of late (with little other option) but is clever in the arrangements: “Each set of lyrics was written in the form of a lyric poem with the first 6 stanzas of Trochaic Octameter to describe the settings, identities and personalities of the different gods. The final four stanzas of each song except the first and last tracks are a different personalized interpretation of those subjects in a more contemporary setting.”
“RökFlöte” Album Artwork
Musically speaking, these pieces are very much in-line with recent Jethro Tull; pretty much what you would expect. The singles are wisely chosen, accompanied by Christian Rios videos, proving that Tull still has some bite left in them largely thanks to Joe Parrish-James’ guitar and a solid rhythm section. “Ginnungagap” is one of the better tracks, flute and guitar dancing on jagged themes and runs. “Allfather” lends a sprightly pace with Anderson’s lyrical cadence harkening back to “Hot Mango Flush” from the “dot.Com” album while “Cornucopia” provides a softer, lilting reprieve from the rocking pieces. As always, Anderson’s flute is fiery, imaginative and timeless, betraying no signs of wear or tear. The book-ending songs feature spoken word vocals from Reykjavik actress and singer Unnur Birnaare, spoken in old Icelandic which offers a unique spin on an otherwise fairly straightforward album.
For those still interested in where Tull are today, there’s plenty here to engage your ears. Still, the album’s dozen tracks all run a fairly narrow stylistic range, even compared to “The Zealot Gene”, and so a 45 minute album sadly feels a bit longer than it really needed to be. Had Anderson stuck to his original vision of rocking flute music, he may have been inspired to travel through more unexpected terrain than what we have here.
Pre-order “RökFlöte” HERE.
“RökFlöte” track-listing: 1. Voluspo
2. Ginnungagap
3. Allfather
4. The Feathered Consort
5. Hammer On Hammer
6. Wolf Unchained
7. The Perfect One
8. Trickster (And The Mistletoe)
9. Cornucopia
10. The Navigators
11. Guardian’s Watch
12. Ithavoll
Songwriting: 7
Musicianship: 8
Originality: 5
Production: 10
Crown Lands – “Fearless”Calling all Rush fans: Crown Lands have assumed control. There’s really no other way of putting it – if you yearn to return to the lands of honeydew and drink the milk of paradise, you probably want to check these guys out. Though there are other influences and factors going on, the impact of the famed Canadian trio on Crown Lands – particularly the “Farewell to Kings” era – is overwhelming. So much so that it almost feels like a guilty pleasure, “Should I really be enjoying music that rips off…ahem…pays tribute to Rush this much?” Ultimately that question can only be answered by the listener but if you do give in, there’s much to appreciate here.
First off, yes, they are Canadian. But instead of being a power trio, astoundingly they are only a duo. Singer/drummer Cody Bowles and guitarist/bassist/keyboardist Kevin Comeau are both truly remarkable in their virtuosic skill, providing enough fire power to take you to the far reaches of the prog universe and then some. Producer David Bottrill (Rush, Muse, Tool, Mastodon) ensures that the mix on “Fearless” is pristine and a sheer delight to listen to.
“Fearless” Artwork
Regardless of musicianship or influences, the main question that matters is whether these skills are put to work in service of quality songwriting. On that front, Crown Lands qualifies as promising but not convincing. Songs like “Context: Fearless Pt. 1”, “Lady of the Lake” and the closing “Citadel” are thrilling pieces with sweeping scope. “The Shadows” serves up classic rock staples while “Right Way Back” even carries a little punk energy. Less successful is the sprawling epic opener “Starlifter” which perhaps hits the listener with too much too soon. Considering that it also is “Pt. 2” of “Fearless”, it may have fared better later in the album. Extra prog points for the lovely solo acoustic guitar interlude “Penny”, showcasing one more side of Comeau’s endless skills. Ultimately though, material that is this derivative demands that the original hooks truly excel and win the listener over in their own right. Crown Lands is on their way in that regard but it still has to be said that many of the most rewarding moments here probably have their source material originating nearly 50 years ago.
While they fare better than Greta Van Fleet in terms of the younger generation of classic rockers inspired by musicians of their grandparent’s age, we can’t help but yearn for a little more original creativity in their musical foundation. Lyrically they impress with an indigenous-rights focus but musically most of it has been said before. “Fearless” is certainly filled with eye-candy from start to finish but at the end one still questions whether anything nutritious has been consumed, or if we’re just flying high on a sugar Rush.
Order “Fearless” HERE.
“Fearless” track-listing:1. Starlifter: Fearless Pt. II
2. Dreamer Of The Dawn
3. The Shadow
4. Right Way Back
5. Context: Fearless Pt. I
6. Reflections
7. Penny
8. Lady Of The Lake
9. Citadel
Songwriting: 8
Musicianship: 9.5
Originality: 5
Production: 10
Kite Parade – “Retro”Kite Parade flies under the radar but hopefully a gust of wind from this impressive set will raise their trajectory a bit higher. Following the solid debut album “The Way Home”, main man Andy Foster takes it up a notch with a sleek blend of prog, rock and pop. Heavy on accessible melodies with enough skilled instrumentation to provide the requisite flourishes, this is smooth modern prog that will delight fans of Lifesigns, Kino, Marillion and more.
Foster plays and sings nearly everything himself, aside from the ubiquitous Nick D’Virgilio who again graces the drum kit for most of the album. It’s a perfect match, truly. Foster has a wonderful voice which is a boon for any prog band. That he also is fluid on saxophone, keys, rhythm & lead guitar and bass – along with the skills to arrange everything in a satisfying manner – is pretty astounding. There’s a handful of one-man-bands out there and Foster is among the better ones, though currently not as well known.
Kite Parade excels in faster paced material like the driving rocker “Speed of Light”. Even the beautiful “Shadows Fall” starts off as a tender ballad – including a classic sax solo – but before long picks up speed with D’Virgilio delivering all that his kit can offer amidst keyboard twiddling. “Under the Same Sun” bucks the trend and brings in a cracking guest backing band, but it’s still Foster who shines with one of his best choruses on the album.
The 14+ minute epic “Merry-Go-Round” closes the 6-song album on a high note. The slow guitar build during the intro signals what we’re in for as D’Virgilio’s well-mixed drumming is determined to support the piece’s grandeur. With lyrics by Steve Thorne, backing vocals from Jessica Chambers and even more saxophone thrown in towards the end, all the ingredients are in place for an intoxicating finish. Rob Aubrey ensures that the mixing and mastering do justice to Foster’s vision, making this sophomore outing from Kite Parade a real gem for the modern prog fan to savor.
Order “Retro” HERE.
“Retro” track-listing:1. Retro
2. Speed Of Light
3. Wonderful
4. Shadows Fall
5. Under The Same Sun
6. Merry-Go-Round
Songwriting: 9
Musicianship: 9
Originality: 7.5
Production: 9 .5
Retro by Kite Parade
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To say Taylor Swift is one of the most successful and relevant artists of her generation is to state the utter-obvious. Accolades like selling over 200 million records worldwide, winning 11 Grammy Awards, and being named Billboard’s Woman of the Decade don’t happen overnight.
Swift‘s music is often personal and confessional, and she has been praised for her ability to write songs that resonate with her fans. Her songs often deal with themes of love, loss, and heartbreak, but she also writes about other topics such as feminism, body image, and social justice. Her music has helped to break down barriers and empower young women, and she has become a role model for many. In addition to her music, Taylor is also known for her strong social media presence and her willingness to speak out on social and political issues. She has used her platform to speak out against sexism, homophobia, and gun violence, while also being a vocal supporter of the LGBTQ+ community, donating money to various charities.
Swift recently embarked in her massive “The Eras Tour”, and we had the opportunity to attend the third consecutive night in Tampa, when she took the stage at the Raymond James Stadium to a sold-out crowd of over 60,000 fans. The night was filled with electrifying performances, impressive outfits, and surprise acoustic sets that left fans breathless.
Music kicked off in the afternoon, with opening acts Gracie Abrams and Beebadoobee, both talented young artists who set the mood for an unforgettable night. Gracie Abrams‘ heartfelt ballads and Beebadobee‘s indie pop-rock sound were the perfect complement to Taylor’s unique style and set the stage for what was to come.
Taylor Swift at Raymond James Stadium Tampa, Florida – Photo by Mark Horan
The main show began with a pre-recorded video of Swift talking about her career and her love of music. The video faded and she opened with a shortened performance of “Miss Americana & the Heartbreak Prince”, followed by “Cruel Summer”. Her opening look was a shimmering purple-pink leotard adorned with intricate beading and gems, and she was accompanied by a full band. Taylor changed outfits a total of eight times throughout the night, each one more dazzling than the last. She later changed into a red and black, one-legged jumpsuit and a dazzling gold flapper-like dress, each one showcasing her impeccable fashion sense and style. However, one thing didn’t change throughout the next three hours: the ecstatic and frenzy rapture of every soul in attendance, and the somewhat mystical connection between them and Taylor.
The entire spectacle production was a visual feast for the eyes, with elaborate sets, stunning lighting, and intricate choreography. The stage was adorned with giant screens displaying visuals that added to the overall experience of the concert. The massive 44-songs set-list navigated through her albums, as the tour title implies, with material from “Fearless”, “Evermore”, “Reputation”, “Red”, “1989” and “Folklore” represented with several cuts. The crowd sang along to every word and they danced and cheered throughout the entire performance. Swift took breaks between each ‘era’ and talk to the crowd. She told them how much she loved performing and how grateful she was for their support, while also talked about the importance of women in music and how she wanted to use her platform to empower young girls. To say she connected to her fans at every level would be another understatement.
Taylor Swift at Raymond James Stadium Tampa, Florida – Photo by Mark Horan
In addition to her chart-topping hits, Taylor surprised the audience with a set of acoustic songs – a ever-changing section of the tour dubbed ’Surprise Songs’ – , accompanied by long-time partner Aaron Dessner, making his second appearance at a show, including fan favorites like “Mad Woman” and “Mean”, the latter a tour debut and the first time she plays it since 2018. The intimate performance brought a new level of emotion and connection to the concert, making it clear why she has such a dedicated fan base, and the fact she played the guitar during “Mean” was truly the icing on the cake. The night ended with the double feature of “Mastermind” and “Karma”, with the audience going wild, cheering and singing along, as Swift belted out the verses. It was a truly magical moment and it was also clear that Taylor was having just as much fun as the crowd was.
Unsurprisingly, the closing night of “The Eras Tour” in Tampa was an unforgettable experience for the thousand of fans lucky enough to attend. Sporting her well-known impressive vocal ability, captivating stage presence, and natural charisma, Taylor Swift is not only one of the biggest names in the music industry, but a musical phenomenon that will live on for decades to come.
Taylor Swift at Raymond James Stadium Tampa, Florida – Photo by Mark Horan
The post TAYLOR SWIFT’s “The Eras Tour” Is A Musical and Visual Feast of Truly Remarkable Magnitude appeared first on Sonic Perspectives.
Join WJRR and Sonic Perspectives on Saturday, April 22nd, 2023! The annual WJRR-sponsored event at the Central Florida Fairgrounds is going down in April and has a little something for every for fan of the heavier side of music. The 9th edition of this local rockfest will feature Breaking Benjamin, Falling in Reverse, The Pretty Reckless, Beartooth, Sevendust, Red Jumpsuit Apparatus, Bad Wolves, Dorothy, New Years Day, Fame On Fire and more!. Earthday Birthday will have 3 stages this year, bringing back the BMX Demo, professional wrestling, food trucks, and the vendor village with an Art Walk and much more.
How to win WJRR’s Earthday Birthday 2023 Free Tickets Like the Sonic Perspectives Facebook page HERE. * Like the 101.1 WJRR – The Rock Station Facebook page HERE. * Comment ‘Done’ in this Facebook post*, and share it
Once completed you will be entered in a weekly drawing for TWO Free Tickets to WJRR’s Earthday Birthday.
The event gates will open at 11:00am, tickets are available at this location.
The post Win Free Tickets to WJRR’s EarthDay Birthday 2023 on April 22nd! appeared first on Sonic Perspectives.
Let’s face it: 22 years surely feels like a lifetime. It’s a bloody long time. However the guys from ICE AGE beg to differ, as they return, stronger than ever with their third studio album “Waves Of Loss And Power”, which we are streaming in its entirety here today. The songwriting, performances, and production of “Waves Of Loss And Power“, boasts a unit firing on all cylinders that cannot be ignored. Judge for yourself by listening below. Believe us when we say, it’ll be worth your time.
“Despite the passage of time, with the addition of life experience, the four of us were again able to conjure the amazing musical chemistry we always had to create “Waves Of Loss And Power” – it’s progressive, dramatic, heavy, thoughtful, and most importantly, we think, original. We hope it resonates emotionally with people.” says the band’s vocalist and keyboardist, Josh Pincus.
“As the ‘new guy,’ I couldn’t be more proud of this being my formal recording debut with the band on a full-length album. As a true fan of this style of music, I can say that the core essence of what fans love about ICE AGE is fully intact; this record pushes our brand of ‘heavy prog’ to new soaring, melodic heights” remarks bassist Doug Odell
Drummer Hal Aponte adds: “It is with great pride that we release “Waves Of Loss And Power” – not only were we able to write and capture an album that is true to our creative styles; we also managed to give a nod of thanks and respect to our musical heroes in the process – we proudly wear their influences on our sleeves. We hope you enjoy it.”
“Waves Of Loss And Power” is being released on CD and digitally through Laser’s Edge division Sensory Records. Order the CD at the label web-shop HERE , the standard digital version HERE and the 24-bit hi-res version HERE.
Waves Of Loss And Power by Ice Age
Originally formed on Long Island, New York, ICE AGE began as an instrumental outfit under the moniker Monolith in 1991 when college friends Josh Pincus (lead vocals, keyboards) and Jimmy Pappas (guitars) clicked over a mutual passion for classic and progressive rock with a penchant for heavier music undercurrents. With the additions of drummer/percussionist Hal Aponte and bassist Arron DiCesare, the band moved quickly to vocally oriented songwriting, with Pincus stepping up to the microphone.
By the time go-to prog label Magna Carta/Sony snatched up the band, ICE AGE had fully developed their unique sound, which led to 1999’s “The Great Divide.” This ambitious debut stands the test of time, acclaimed and sought-after by progressive rock and prog metal fans alike.
As the band further honed their live chops, they dove with equal fervor into the creation of their sophomore record, 2001’s “Liberation,” pushing the boundaries even further with melodic heights and metallic crunch. Arron moved on, and bassist Doug Odell entered the fold just in time to promote the new album. European touring and festivals followed before the quartet took an extended break.
Fast forward to the late 2010s, where Pappas, Pincus, Aponte, and Odell continued to stay in close contact and found themselves compelled to craft new music with no agenda beyond pleasing themselves. As it quickly became evident that the magic remained, with allure to spare, the band convened for intensive writing and recording sessions over the course of several years. Now, progressive music label Sensory Records is responsible for the band’s triumphant return and a new era for ICE AGE.
Lyrically, Pincus tackles existential conflict and piercing social commentary with equal skill. His compendium of keyboard sounds, textures, and flowing leads are always the perfect elements to make every moment quintessential ICE AGE. As a singer, Pincus sounds as powerful and soulful as ever, arguably even better than fans of the first two albums will recall. With his intricate, original guitar work, Pappas delivers detailed, muscular-metal riffing, and his solos are ‘songs’ unto themselves, rife with melodic phrasing and just the right amount of inspired shred. Aponte’s ability to combine killer chops, musicality, and groove is as vital, spirited, and unique as ever.
Says standout bassist Doug Odell, “Being in a room with these guys writing new songs is nothing short of awe-inducing. They do one thing brilliantly above all else – sounding completely and authentically like nobody but themselves.”
Engineering for “Waves Of Loss And Power” was principally handled by the band’s in-house sonic wizard Jimmy Pappas, with mixing and mastering exquisitely dialed-in by auditory guru Rich Mouser (Spock’s Beard, Transatlantic, Dream Theater). The cover art concept and booklet design were brought to life by Bjorn GooBes of Killustrations, with a fresh new band logo by Thomas Ewerhard.
“Waves of Loss and Power” Album Artwork
With this new opus, ICE AGE returns with the most anticipated comeback in the genre. Pincus states, “With age and experience come additional wisdom and maturity (hopefully)…we’ve always been about writing memorable songs and presenting challenging ideas within the progressive rock genre; with “Waves Of Loss And Power“, we’ve really achieved that goal. We’re extremely proud of it.”
*“Waves Of Loss And Power“ Track Listing:*1. The Needle’s Eye
2. Riverflow
3. Perpetual Child, Part II: Forever
4. Together Now
5. All My Years
6. Float Away
7. To Say Goodbye, Part IV: Remembrance
8. To Say Goodbye, Part V: Water Child
ICE AGE will also return to the stage this year in support of the new album. The band has already been confirmed to perform at the 2023 edition of ProgPower USA. The massive festival runs from September 6th through 9th and will see the band sharing the stage with the likes of Kamelot, Caligula’s Horse, Myrath, Delain, Green Carnation, Doro, Cynic, Swallow The Sun, and many more. Watch for additional regional dates to post surrounding the release of “Waves Of Loss And Power.”
The post ALBUM STREAM: Listen to ICE AGE Progstastic And Metal Tinged Return Album “Waves Of Loss And Power”, In Its Entirety appeared first on Sonic Perspectives.
Unrelenting LA-based hard rock/metal quartet Worldwide Panic have premiered with us today their re-imagined rendition of Tears For Fears smash hit “Everyone Wants to Rule the World”, and the official video for the cover can be seen below. The band’s self-titled LP will see an independent release on February 17.
Speaking about the rendition the band shares: “It’s always on our radar to do cover songs and re-imaginings of songs. This one was a challenge how to pay homage to it but add our flavor. I think in the end it really breathes new life into this classic song in the best way. Hope you enjoy it!”
Regarding the experience of filming the video they add: “This video was filmed in multiple locations in the Phoenix area. It took us all a great deal of prep to make this happen. Also, this was my first time producing a video. I think we all let our hair down and had fun and we hope you all get that vibe when you see the video.”
Pre-order “Woldwide Panic” AT THIS LOCATION.
Worldwide Panic is a hard rock/heavy metal band based in Los Angeles. The group was formed in 2016 with the aim of writing heavy music with catchy hooks and personal, meaningful lyrics. Giving a relatable take on everyday life, the songwriting approach focuses on a mix of clean and aggressive vocals and a guitar-driven sound. At their shows, Worldwide Panic brings a unique theatrical experience packed with energy and excitement that can resonate with concertgoers and audiences all across the hard rock and heavy metal spectrum. The band has toured with the likes of Flaw, Smile Empty Soul, Hellzapoppin, Mushroomhead, and The Convalescence.
Worldwide Panic‘s eponymously titled new album was mastered by the esteemed Zeus (Chimaira, Hatebreed, Rob Zombie). The record’s first single, “I Tried”, charted at #26 on the Billboard ‘Mainstream Rock Indicator’ Chart, with the following single, “Falling Apart” peaking at #20 on the same chart.
The post VIDEO PREMIERE: Hard Rockers WORLDWIDE PANIC Share Rendition of TEARS FOR FEARS “Everybody Wants To Rule The World” appeared first on Sonic Perspectives.
Hailing from British Columbia’s Okanagan Valley in Canada, Odinfist are well known around the country for their distinctive brand of traditional heavy metal that is wrapped up in a fun-loving and energetic package. They’ve been around for 16 years, and have an impressive discography under their belts. Their latest addition to this is “Remade in Steel”, six pummeling tracks that lay on heavy riffs, fun choruses, and enough variance to get anyone excited about what is coming next. The third single is “Deadline” – this is the Metallica song, it is also the Megadeth song. It goes from doomy to thrashy, with lots of chromatic riffages. The lyrics are about trying to survive under pressure, crushing anxiety, and running out of time.
The band comments: “This is the last song that we wrote for the album, and it came together rather quickly. There are a lot of twists and turns in this song. It builds from a doomy intro to a groovy verse and chorus and then explodes into a frantic, thrashing ending. Both the lyrics and music have a darker vibe and tone to them. The vocals get pretty unhinged and “crazy” on this song.”
Listen to “Deadline” now below.
According to the band, their music has become more melodic and complex over the years. They’ve been pushing the confines of traditional metal, by incorporating other sub-genres. They had been doing the whole traditional metal thing for about 10 years before it really got cool again. “Back then, the only thing like that really going on was 3 Inches of Blood“. Now they are stoked there is way more new traditional metal to also draw influence from.
Each song on “Remade in Steel” offers a unique musical experience, where you don’t always know what’s going to come next in a song or a track. The end result is a complete album that has a little bit for everyone, and a sense of completion at the very end. They are recommended for fans of Eternal Champion, Cauldron, and Anvil.
“Remade In Steel” is due out on March 10, 2023, and is available for pre-order at THIS LOCATION.
“…pure and hard Heavy Metal, from the old school, in the purest style of IRON MAIDEN, JUDAS PRIEST, and other bands of the well-known NWOBHM…”
“Remade in Steel” Track Listing:1. Riffmaster
2. Metalmancer
3. Remade in Steel – 5:16 4. Allfather
5. Deadline
6. Masquerade
The post SINGLE PREMIERE: Rethink Traditional Heavy Metal With ODINFIST New Single “Deadline” appeared first on Sonic Perspectives.
Canadian orchestral metal ensemble Opus Arise (ft. members of Svneatr, Thousand Arrows, Ysgaroth) have premiered with us today their next video for the track “Digital Soundscape” from their sophomore album “The Network” released this past December. The concept record is a cyberpunk tale that brings together classical strings and metal rhythms to create luscious soundscapes to dissonant chaos.
As part of the album’s storyline,“Digital Soundscape” is a track that conveys the feeling of what the digital realm of the network is like. Both characters in the story plot focus on the details of their lives, listening to the ambient, distorted, pulsing sounds of the digital realm. Check out the video below.
Vancouver’s Opus Arise‘s latest album, “The Network”, is a cyberpunk world filled with neon lights backed by progressive metal riffs and classical themes. The eight-track record was produced and mastered by Maor Appelbaum; mixed by Ryan Shepard, with the album artwork done by Daniel Reyes. The nine players on the record bring forth their skills on guitar, cello, bass, drums, violin, keyboards, viola, and contra-bass in a sometimes collaborative effort, which is primarily composed and scored by Matthew Logan and Matthew Hannah. The drums were recorded in a mansion back in 2018 where the original rehearsal space was, and the same location was used to film the music videos for the singles “Reminiscence”, “Change” and “Inner Skepticism”.
“The Network” has a modern metal influence and different composers from their first album. It is best described as orchestral neo-classical instrumental progressive metal and is recommended for fans who enjoy Powerglove, Scale The Summit, Liquid Tension Experiment, and Animals As Leaders.
“The Network” Album Artwork
“The Network” Track Listing:1) Inner Skepticism – 5:50
2) Electric Jungle – 6:02
3) Antimatter – 3:22
4) Digital Soundscape – 4:38
5) Reminiscence – 5:21
6) Change – 5:23
7) Timeshift – 5:21
8) The Unanswered Question – 5:13
“The Network” is available at Bandcamp and Spotify, and you can also follow Opus Arise on Facebook, Twitter and Instagram. To watch previous music videos, please the band’s YouTube Channel.
The post VIDEO PREMIERE: Vancouver Orchestral Metal Ensemble OPUS ARISE Unveils Music Video for “Digital Soundscape” appeared first on Sonic Perspectives.
Hungry and angry like wolves on the hunt, CHRONICLE kick off the promotion round for their new album with “Terrorform”, a digital single that shows all the potential that the Danes have in 2023. Melodic as only the best melodic bands can be and with a heaviness, speed and tightness that may impress those who did not follow the fast evolution of the band in their first two albums, the new CHRONICLE track is a quick lethal dose of melodic death metal with hints of technical death metal that will leave your head oozing.
In May this year, CHRONICLE will release its new album. The third album from the Frederikshavn (in the Northern part of Denmark) four-piece was recorded, mixed, and mastered by Tue Madsen at Antfarm Studios (Hatesphere, Moonspell, Mnemic, etc).
““Where Chaos Thrives” is by far CHRONICLE‘s most ambitious album to date“, guitar player and vocalist Lars Bo Nepper comments. “We have striven to create an album that showcases both our most technical musicianship yet, but at the same time stands as the most cohesive work we have done. The music, lyrics and artwork are all intended to create a whole, bigger than the sum of its parts, where all the different assets of the album support the record’s central theme – humanity’s impending demise, due to the destruction of our own ecosystem“.
The follow-up to “Demonology” (released by Mighty Music in 2020) will have a cover designed by Sam Nelson (Allegaeon, Pile Of Priests, Wayfarer, etc) and is expected to have nine tracks and will be available in CD, vinyl, and digital formats. The release is set to May.
Lineup:
- Lars Bo Nepper / Guitar/vocals
- Sebastian Skousgaard / Guitar
- Jacob Wammen / Bass, vocals
- Jari S. Holopainen / Drums
Stream / purchase “Terrorform” in digital formats HERE.
CHRONICLE in the web: Facebook.com | Instagram | Spotify.com | Apple Music
There’s always something satisfying about a self-made story, right? Many song artists take to the indie scene to allow themselves greater freedom from the mass-market pop industry while remaining true to their art and vision. While many carve out an excellent career without ever hitting the very highest rungs of stardom, others go on to find themselves in the mainstream spotlight- and today we’re rounding up some can’t-miss indie artists who made it big.
CucoAt only 20, this talented indie artist has even already headlined Coachella. With his viral cover of “Sleep Walk” he saw his first bit of fame, and he’s added two self-produced albums to the mix since. He’s a multi-genre artist, covering everything from indie rock to bedroom synth and lo-fi. Many think of this young artist as the indie Ed Sheeran, and they may be right.
SpoonSpoon is known for their unique blending of genres such as rock, new wave, punk, and pop, so you know these guys have multiple talents. They have released several critically acclaimed albums throughout their career, including “Girls Can Tell,” “Kill the Moonlight,” and “Gimme Fiction.” Spoon is considered one of the most successful indie rock bands of the 2000s, and they have a strong cult following to this day. They’re also one of the most consistent and enduring bands of the last 20 years in any genre. Their sound is built from tight rhythms, catchy hooks and lyrics that are universal, while still feeling deeply personal.
White MysteryThis brother/sister rock act from Chicago have self-released 9 albums, all without the help of a producing label. They’ve toured extensively, performing over 1,000 shows, and have even featured on Carson Daly’s show. Headlining alongside greats like Iggy Pop and Garbage, their career is still on an upward trajectory and climbing fast.
R.E.M.R.E.M. are undoubtedly the pioneers of the indie rock genre.. R.E.M. is known for their jangly guitar sound, literate lyrics, and unconventional approach to rock music. They released 15 studio albums and achieved significant commercial success (from music for videos to soundtracks) throughout their career, including multiple hit singles and Grammy Awards. They are considered one of the most influential bands of the 1980s and 1990s and were inducted into the Rock and Roll Hall of Fame in 2007. While they’ve sadly retired now, their impact on the genre can’t be downplayed.
Fresh from their return to the road after the Covid-19 lockdown, NWOBHM Illuminati TYGERS OF PAN TANG are ready to release the latest album of a career that started back in 1978. But, despite their veteran status, they show no signs of stagnation or tiredness. In fact, powered by what is probably their tightest and better lineup to this date, they unleash a digital single full of energy and power: “Edge Of The World”.
“Based on Robb’s riff, the new song shows the great songwriting talent of Francesco who came up with the Spanish-flavored section and the melodic chorus“, vocalist Jack Meille offers, about the track. “This song sums up the ultimate Tygers sound: heavy and yet melodic!“.
Drummer Craig Ellis adds: “The lyrics were inspired by the unprecedented, strange and worrying pandemic circumstances that each and every one of us suddenly found ourselves in, literally, one more step and we’d be forever falling“.
A new Tygers Of Pan Tang album is expected to be released this Spring. “Edge Of The World” is out today in digital single and official video formats.
Connect with TYGERS OF PAN TANG: Website | Facebook | Instagram | Spotify | Twitter | Apple Music
Canada’s The Wring released their third album “Spectra” this past December via WormHoleDeath Records. It’s an assertive mix of different styles including hard rock, jazz, metal, classical, 80’s rock, and 70’s rock. Solo artist Don Dewulf brought the idea to a myriad of professional players that include Marco Minnemann (The Aristocrats), vocalist Chandler Mogel, Canadian bass superstar Reggie Hache and sessions keyboardist Isamu McGregor to form the full-length. There is a wide range of influences that are apparent on the record with its vivid progressive sound that is tight, concise, and well-executed with interesting melody, rhythm, and lyrical themes.
Today in support of the album, The Wring is sharing their next lyric video for the track “Sins”, Dewulf explains the song in further detail: “I love the main riff. It’s another odd time thing (in 13 this time) but the vocals really smooth it out. Has a total Metallica middle part that jumps out of nowhere! Marco’s playing on this was inhuman. The lyrics came from my dismay at how humanity can have advanced so much and in so many ways and yet still do absolutely horrifying things to each other. How many years will it take for Ukraine to recover from Russia’s insanity?”
Dewulf comments on the album: “I am very proud of the compositions on this album. Prog music can tend to be grandiose; I wanted this album to be the opposite of that. I like to think that the guitar parts are interesting and somewhat unique and span a very wide range of styles, influences, and execution. The vocals come straight out of the 80s with great melody and delivery, offering a very grounded counterpoint to the, often, odd time and melody structure. There are also keyboards hidden in the mix that offer an almost subliminal base on which everything else is built. The cover has a cool 70’s vibe that is simple but offers a depth of meaning that will be very personal to each observer; a reflection of the musical content within.”
“Spectra” was produced by Don Dewulf, mixed by Francis Perron at Radicart Studios, mastered by Yannick St-Amand, and the album artwork was done by Gord Woolley. “Spectra” is recommended listening for fans of Opeth, Porcupine Tree, and Rush. The album is available on digital formats and CD.
“Spectra” Track Listing:1. Stiletto 4:40
2. Stones & Bones 4:58
3. The Prince 3.54
4. The Wolf 5:00
5. Tin Man 5:25
6. From Mars 4:43
7. Sins 4:43
8. Fallen 5:05
“Here’s one for prog dorks. This outfit’s third outing (Spectra) features drums by Marco Minnemann so you know the rhythms are mad. The regulars in the band ain’t slouches either though. This is intricate and melodic prog done well.” – Metal Injection**
Red Cain is a Canadian modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning music videos and concept albums “Kindred: Act I” and “Kindred: Act II”. Red Cain’s first two full albums conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with forthcoming releases.
Today Red Cain is kicking off the beginning of 2023 with their next The Wheel of Time (novel/TV series) inspired single entitled “Blight”that continues the storyline from their previous single “The Fisher King” released this past November. Watch the video in our exclusive premiere below.
An epic and progressive track, “Blight” shreds fans into another voyage of storytelling, vocalist Evgeniy Zayarny explains further: “Blight is defined as an organic contagion that damages, destroys, or corrupts. In the Wheel of Time universe, where the Dark One touches the world, uncontrolled and aberrant growth sprouts and covers the land, home to malign flora and monstrous fauna. With this track, we moved the needle firmly into the progressive part of our prog power style, delivering an atmospheric, chilling, and dynamic performance meant to mimic the unstoppable advancement of the Blight over the land. Is the Blight a disease or a majestic triumph of organic life without limits? With this Tesseract, Ihsahn, and Insomnium-influenced track, we explore this idea.
The concept of “Blight” came out of a question – what is the ideal state in the evolution of organic life? Influenced by authors like Stanislaw Lem and Adrian Tchaikovsky, this has long been a theme in science fiction and is becoming relevant in the modern era. The Blight also plays a key role within the Wheel of Time universe, and the concept sets the stage for a musical exploration from our end where another evolution to our sound likewise takes root.”
“Blight” was mastered by Alan Sascha Laskow (Every Hour Kills, ex-Divinity) and mixed by Tyler Corbett, (Sole Audio).
Red Cain is recommended for fans of Kamelot, Symphony X, Myrath, Powerwolf, Mastodon, and The Contortionist.
Yes, 2022 is over already. This last year marked the first year of tours returning (largely) to normal following the start of the COVID-19 pandemic, the reemergence of many long-beloved festivals, and the first series of releases where bands were once again able to collaborate in the studio rather than via videoconferencing. With this return to some semblance of normal came a slew of incredible albums, spanning from melodic hard rock through extreme metal and everything in between. And while some familiar names sought to cement their legacies (titans like Megadeth and Kreator among them), there were also numerous bands who made spectacular debut efforts (like hard-rockers Classless Act). There were well-known legends that made impressive comebacks (turn to Giant and Porcupine Tree), and eclectic experimentalists who made waves (look no further than Zeal & Ardor). Even where this year seemed to pass by in a blink, there was more than enough great music to keep everyone busy.
Given this sheer variety and all-around excellence, choosing only 50 albums to name for their greatness was a daunting task indeed. But after careful thought and consideration, we present the our Top 50 Albums of 2022. Congratulations to all that made the final cut, and we look forward to what the new year brings.
OUR TOP 50 ALBUMS OF 202250. Fozzy – Boombox (Century Media Records*)“Boombox” follows four years after Fozzy‘s Gold-certified “Judas,” and it offers all of that same infectious passion and fire. This album is radio rock at its finest, with irresistible hooks that capture the listener from the very first riff, and choruses that have enough spirit to encourage anyone to sing-along. Fozzy continues to play with serious style, flair, and personality, the type of charisma that has always been meant for the big stage. Not only has Fozzy continued to “wow” musically, the singles and music videos accompanying the album have offered looks at the band’s youthful spirit and ever-persistent enthusiasm for the craft. Soak in the splendor of the spotlight and enjoy the hard-rocking thrills contained within “Boombox”* and its tracklist packed with single-worthy bangers.
49. Alter Bridge – Pawns & Kings (Napalm Records*)Alter Bridge have again proven themselves a cut above their hard-rocking contemporaries, and “Pawns & Kings” provides a paragon of excellence while erring towards the heavier side of their skillset. This album is not only Alter Bridge at their very best, but it is a call and a challenge for other artists to try and meet this bar that the band has set. Some songs are saccharine and nostalgic, while others are a fresh take on radio rock with a biting metallic edge. Above all else, “Pawns & Kings” is a fun, heavy romp from the best in the business. It might not break much ground in a purely stylistic sense, but it reaffirms the strengths that this band has long expressed to achieve star status in the industry, and solidifies why they will for many years to come. Check out our full review of the album here.*
48. An Abstract Illusion – Woe (Willowtip Records)Although An Abstract Illusion have only just recently ventured into their sophomore outing, they have shown a maturity and exploration of sound that few heavy bands are ever able to achieve, much less in their second album. “Woe” is the band’s first album in six years, and it is full of fire, extravagance, and not an ounce of compromise. Flavored with progressive complexity, the sheer heaviness and brutality of “Woe” is sure to please fans of death metal and black metal alike. The pensive balances against the aggressive, and the beautiful balances against the passages that leave listeners aghast in near horror. Pure elation of creation melds effortlessly with artistic talent, and An Abstract Illusion solidify themselves as an act worth watching as another year passes by.
47. Sigh – Shiki (Peaceville Records)There are few albums as immediately transfixing, spiritually arresting, and breathtakingly diverse as “Shiki.” Sigh has long been a legendary extreme metal act in Japan, evolving from raw black metal to contemporary avant-garde, with the latter exemplified in traditional Japanese chord progressions and a wide variety of genre influences. Full of stark contrast that truly exemplifies how great Sigh are, “Shiki” explores realms of metal and beyond (including lo-fi hip-hop beats) with brilliant and distinctive aplomb. “Shiki” is about much more than merely listening to the album, but embraces the very process of listening. The flow, the changes, the grasp of dynamics and the wonderful timbre of the instrumentation speaks deeply to any thoughtful listener. Read more of our thoughts on the album at this location.
46. Fallujah – Empyrean (Nuclear Blast Records)*An album that is far more than merely superb, *“Empyrean” brings a new energy and dynamism to Fallujah‘s discography that culminates in an utterly phenomenal record that challenges the status quo in the current death metal scene. New vocalist Kyle Schaefer excels in matching the vocal styles of the band’s previous vocalists, but in doing so he brings his own (extra raspy) timbre into the fore. New bassist Evan Brewer is also well-integrated into the Fallujah fold, particularly with his solidly laid bass lines that integrate effortlessly with the complete and all-consuming soundscapes that dominate “Empyrean.” The new melds with the old, and the old gives way for the new, and Fallujah solidifies themselves as a continually strong force in the modern death metal scene. Check out a full review of the album here.
45. Girish and the Chronicles – Hail to the Heroes* (Frontiers Music SRL)With this third album release, one that is more polished, just as well-written, and expertly produced, it is clear that *Girish and the Chronicles are not just a passing novelty of Sunset Strip hair metal. Headed by titular guitarist and vocalist Girish Pradhan and his presumed brother Yogesh (bass, keys, and producer), this quartet is a faithfully authentic revival of the style, a genuine demonstration of heart and talent that the scene hasn’t been treated to in quite some time. Although a touch heavier than their sophomore outing, Girish and the Chronicles manage to make this album sound even more mature and more refined. Between passionate style and fun music videos this album is easy to fall in love with. This band is the real deal, and with “Hail to the Heroes,” it’s apparent they’re here to stay. Check out our full review here.
44. Joe Satriani – The Elephants of Mars (*earMusic)Excellent with its relentless diversity and talent, “The Elephants of Mars” sees Satriani yet again upping his game, and creating a new standard for guitar-oriented albums to strive for. No two tracks are alike, which leads to a thrilling guessing game of where in the world the listener will arrive next. With flavors that range from psychedelic to bass-heavy rock, Satriani channels inspiration from great guitarists across history, but does so with unmistakably unique flair. “The Elephants of Mars” is Satriani’s 19th album, and although it seems impossible for an artist so advanced in their career, it sees Satriani yet again upping his game and increasing his self-imposed quality control that has consistently yielded something new and refreshing. Check out a full review at this location*.
43. Seventh Wonder – The Testament (Frontiers Music SRL)The Seventh Wonder crew, headed by the charismatic Tommy Karevik, have delivered an opus that rivals their previous masterpiece “Tiara.” Although fans had to wait almost four years (albeit a shorter break than their previous eight-year hiatus), “The Testament” is another splendid display of what modern progressive-power metal can sound like. This album is absolutely stuffed to the brim with action and constant activity from the keyboards, guitars, and percussive elements. There are mid-tempo single-ready tracks alongside high-energy melodic thrills, all brought to even greater heights by Karevik‘s irresistible vocal talents. Strong musicianship and stellar production tie together all album elements to make something greater than the sum of its parts. Read more of our thoughts on the album here.
42. *Goatwhore – Angels Hung From the Arches of Heaven (*Metal Blade Records)Nothing less than pure brutality has brought Goatwhore‘s “Angels Hung From the Arches of Heaven” blazing to the top of the charts and many AOTY lists. Saturated with the darkness and unforgiving desolation that Goatwhore has long been known for, there is no sign that the band is dialing back their metallic fury as they enter the twenty-fifth year of their career. “Angels Hung From the Arches of Heaven” maintains the band’s signature blend of black, death, and thrash metal, and the production keeps the raw edge shining through. Goatwhore** has truly tapped into their artistic side on this album as well, using visual components and intentionally designed sigils to make this musical journey one that is both illustrative and aural at the same time. Buckle up for this album – it has fangs and it goes straight for the throat.
41. King’s X – Three Sides of One (Inside Out Music)After a painfully long hiatus that lasted more than a decade, King’s X finally sees a glorious return, and uses “Three Sides of One” to revisit their unique sound and produce one of the greatest records they have made in a long time. Even if there is a sense of finality about it, this album has a mysterious and magical sensation about it, one that embodies all of the band’s trials and tribulations. Three different vocal contributions add variety and quirks while still remaining cohesive, and it similarly balances the nostalgic signatures of early progressive rock while giving a considerable modern touch. This trio have created an indescribable musical chemistry, and “Three Sides of One” shows their persistent passion and perseverance in a bright light. Explore our additional thoughts on the record here.
40. Tony Martin – Thorns (Dark Star Records)Recalling his tenure with Black Sabbath during the dark days of the mid-1990s, veteran vocalist and heavy metal mainstay Tony Martin reignites his solo career with a dank, forbidding beast of an album that brilliantly merges his hard rock and heavy metal roots with a modernized arsenal of doom. “Thorns” is full of inspiration from across Martin’s career, and it also includes a quasi-supergroup lineup to give even greater variety to the album’s diverse textures. And although this is the first solo outing from this accomplished artist since 2005, it is comprehensive, well-measured, and a strong demonstration of his musical past and present. Given Martin’s accomplished and prolific career, “Thorns” serves as one of his more unique offerings to reach the market. Read our full review on the album at this location.
39. Shadow of Intent – Elegy (Blood Blast Distribution*)“Elegy” is a dramatic and dark celebration of extreme metal, its technically complex riffage interwoven with thunderous blast beats and demonic howls. Deathcore tinged with symphonic prog, Shadow of Intent have begun to make a name for themselves as a leading force of modern deathcore, and have shown that the notoriously brutal genre can be defined by spectacular depth. Taking on touches of black metal’s raw power and progressive metal’s intricacy, “Elegy” is a tremendous opus that will certainly cement Shadow of Intent’s legacy in the deathcore scene and beyond. 2022 also saw Shadow of Intent tour with Cannibal Corpse, Whitechapel, and Revocation.* By expertly balancing influence from numerous genres without compromising their unique stylistic signature, this ever-impressive act have made another promising step in the band’s sonic growth and a great addition to 2022’s extreme metal catalogue.
38. Lalu – Paint the Sky (Frontiers Music SRL)Bring together four top-tier musicians, sprinkle in an assortment of all-star guests who lend their collective talents to a dozen inspired songs, and what do you get? In the case of Lalu‘s “Paint the Sky,” named after the titular artist Vivien Lalu, you get one of the best albums of the year. Vivien Lalu‘s vision gets knocked out of the park by his hand-picked band of virtuosos who deftly handle any style thrown at them. Solidly rooted in a modern style of progressive rock with affectionate glances back to the genre’s pioneers, Lalu has created a stunning work of art that sets a new bar for where prog can (and perhaps should) go in the twenty-first century. Elevating the experience even further is the visual experience offered by the accompanying lyric video, seen below. Read more of our thoughts on the album here.
37. Nordic Union – Animalistic (Frontiers Music SRL*)Nordic Union is the energetic collaborative project between legendary Danish rock singer Ronnie Atkins (Pretty Maids) and Swedish songwriter and producer Erik Martensson (Eclipse, W.E.T.), and “Animalistic” is the dynamic duo’s third album under the Nordic Union name. And although Atkins was recently diagnosed with stage four cancer, “Animalistic” is an expression of melodic hard-rock joy, and is as inspiring as it is inspired. Each artist brings with them experience and influence from their other respective projects for a tasteful balance between melodic brightness and rock’s heavier touch. If someone is looking for an exciting, engaging, and true-to-form melodic hard rock album, they need look no further than the comforting embrace of “Animalistic.”*
36. Persefone – Metanoia (Napalm Records*)Persefone has, possibly more than any other band in the contemporary prog metal sphere, set itself apart by pairing devastatingly brutal technical death metal with uplifting, inward-looking lyrics, and concept album “Metanoia” is no exception. Proving themselves to be master of their craft, Persefone use “Metanoia” to push their musical limits and creativity to another album, and done so with a breathtaking combination of technical complexity and emotive soundscapes. The band has truly succeeding in creating a fascinating and immersive experience. “Metanoia” is the sound of repose disrupted, rage restrained, and of fear conquered, and as such encapsulates the essence of the human experience with all the agony and ecstasy of simply being. Read our full review here*.
35. Jonas Lindberg & The Other Side – Miles From Nowhere (Inside Out Music)The hooks and melodies keep flowing throughout this remarkable album from Swedish artist Jonas Lindberg and his band The Other Side. Well-conceived, well-executed, and well-produced “Miles From Nowhere” succeeds with short, catchy songs alongside long, elaborate epics. This is only the second album from the band, and its production is as great as its songwriting. This greatness only excels because of the excellent musicianship from the entire band, but particularly with Lindberg taking on bass, production, and primary songwriting for “Miles From Nowhere.” At almost an hour and twenty minutes long, the epics contained within are quite worth settling down and drinking in in full, and the listener’s palate is frequently cleansed by shorter and more dynamic pieces. If melodic contemporary prog is your scene, this album is likely among your best of the year. Check out the full review at this location.
34. Amon Amarth – The Great Heathen Army (Metal Blade Records)Swedish death metal pioneers and stalwart bards of the Viking Age, Amon Amarth deliver a pummeling, modernized kill-blow that has shaken the metal masses to their very core. “The Great Heathen Army” takes some inspiration from the unforgiving grit that brought them to fame, but it is defined by the clean polish that has kept them a household name since the late 2000s. There isn’t a dull point to be found in the gargantuan battle axe that is “The Great Heathen Army,” and every bit of this tremendous force is exemplified by the infectious melodic hooks that clash alongside thunderous power. This album can be comfortably asserted as a rung above Amon Amarth‘s last handful of releases, and while not exactly a return to form, it is a reminder to listeners of the history that drives the band’s long-enjoyed success. You can check out more of our thoughts on the album here.
33. Cosmograf – Heroic Materials (Independent) Cosmograf delivers a concept album for their ninth release, and what a whopper it is. Making a devastatingly emotional impact, “Heroic Materials” is one of musician Robin Armstrong‘s finest moments musically, lyrically, and thematically. His masterful production skills beautifully support the tasteful and measured instrumentation, making this one of the most successful prog albums of the year. “Heroic Materials” is an artistic triumph, immediately accessible, but is still multi-dimenstional on both a musical and lyrical levels. The pacing is relaxed, which invites frequent repeat listenings. And although it is accessible, there is no doubt that Armstrong‘s dazzling musicianship will wow even the most reserved listeners. Click here to read our complete thoughts on the album.
32. Machine Head – Of Kingdom and Crown (Nuclear Blast Records)These fabled metal titans brought their tenth full-length album to light with “Of Kingdom and Crown,” a dark concept album set in a post-apocalyptic wasteland from some distant future. Not only does the album follow the tales of two dynamic main characters and the tumultuous dangers of their world, it does so with a welcome heaviness. There is no better match for this mammoth story than the Bay-Area riffing that has made Machine Head a force of the metal world for years. Face-melting solos pair wonderfully with delectable groove, and every minute is stuffed with speed and aggression. Many fans have touted “Of Kingdom and Crown” as a true return-to-form for Machine Head after years of experimentation, but regardless of whether this is an album for nostalgia’s sake or the start of a new chapter, it is well-worth enjoying.
31. Arena – The Theory of Molecular Inheritance (Verglas Music)British prog-rockers Arena present “The Theory of Molecular Inheritance” as their tenth studio album, and their first with new singer Damian Wilson. This latest collection of songs presents greater depth and dynamic dimension than prior outing “Double Vision,” and it does so with both a greater vocal range available and greater chemistry to their songwriting. Distinctly audible bass makes “The Theory of Molecular Inheritance” entirely comprehensive upon listening. Both percussive rhythms and guitar melodies are purposeful, expertly crafting an atmosphere that varies from somber to mysterious, all the way through pleasant elation. The many facets Arena have captured shows that this band has not only continued to evolve their skills, but bring their audience content that uses those talents to their fullest.
30. Marillion – An Hour Before It’s Dark (earMusic)“An Hour Before It’s Dark” flatly refutes the adage that old dogs can’t learn new tricks. Both bleak and buoyant, this album reassures fans that not only does Marillion have some great music left in them, but that they can do so without falling back on old habits. There is considerable and familiar darkness buried in this album’s folds, but alongside it are shout-outs to the band’s past content. This is an album that begs listeners to suspend their disbelief while listening, and there are moments that will leave the audience feeling like there’s a sunset that reaches over a pitch-black horizon. Refreshing and memorable, there is little question that “An Hour Before It’s Dark” is as fervent and passionate as any other piece of Marillion‘s discography, and is a worthy release for the modern prog age. Read more in our review here.
29. Lost Society – If the Sky Came Down (Nuclear Blast Records)Modern metal masters Lost Society grapple with a unique and sincere darkness in their latest album “If the Sky Came Down.” The diverse sounds of this album evolve beyond thrash and take on alternative and melodic overtones to make Lost Society a formidable and evolving force of sonic style. There are also hints of metalcore and grunge that take the ominous themes to the next level. This particular blend of styles harkens back to early-2000s alternative metal, but it does so with a fresh and modern production approach that integrates the more raw elements seamlessly with speed and aggression. Front-man Samy Elbanna carries a unique vocal signature that is enough to make “If the Sky Came Down” stand out from other radio-ready metallic fare.
28. Arch Enemy – Deceivers (Century Media Records)Emerging after five years of studio silence, the old-school melodic death metal stalwarts Arch Enemy deliver a torrent of unfettered rage with some auspicious moments of versatility. It seems that “Deceivers” is their most polished work to date, with its massive sound fully realized by expert production and engineering. “Deceivers” is a mixture of new and old, drawing from the stylistically diverse era that served as the band’s foundation, while simultaneously matching pace with other leaders in the modern melodic death metal scene. Although there are certainly other acts in the genre vying to be top dog, with this album Arch Enemy proves that it still has what it takes to enter the fray and emerge victorious head-and-shoulders above the rest. Read the full review here.
27. Pattern Seeking Animals – Only Passing Through (Inside Out Music)It’s hard to believe that in 2018, no one had heard of Pattern-Seeking Animals, considering that 2022 marks the third excellent album released under the name. “Only Passing Through” may be the most accomplished of the lot, blending an inspiring array of influences, instrumentation, and songwriting. Infused with rock, jazz, and world music influences, their arrangements are among the most interesting in the prog world today, while remaining entirely engaging and accessible. Beyond the notable strengths of the band members themselves, this album also includes the skillful layering of vocals and integration of additional instruments like violins, bassoon, brass, and cello, among others. Ted Leonard, Jimmy Keegan, Dave Meros, and mastermind John Boegehold are on the cutting edge of modern prog, and they are the Pattern-Seeking Animals. Check out the rest of the review here.
26. Silent Skies – Nectar (Napalm Records)Sorrow has never been more beautiful or fulfilling as it is in the comforting embrace of “Nectar.” Adorned with the splendor of breathtaking musicianship and melancholic creative vision, Silent Skies continue to excel in the craft of making memorable and deeply touching soundscape. The poignant lyricism and beautiful instrumentals provided by Vikram Shankar have a way of burying themselves deep in the listener’s heart. Touching vocals by Tom Englund (Evergrey, Redemption) convey emotions that cling to the soul long after the final track has ended. And although the depth and breadth of this album are impressively expansive, the cinematic rock approach makes “Nectar” accessible for listeners of all preferences. Check out what we thought of the album in-depth here.
25. Statement – Dreams From the Darkest Side (Mighty Music)Danish hard rock quintet Statement have stepped up to impress with “Dreams From the Darkest Side.” The band’s desire for perfection is apartment in a polished, well-engineered album that has the very signature that they began to build in their critically acclaimed album “Force of Life.” By delving deeper into metal’s influence the band has elevated an otherwise rock-oriented sound. Guitar solos build out memorable tracks that span from fiery rock singles to emotional ballads. There is both power and fragility to be found in the deeply personal lyrics and illustrative sonic presentation as the band crafts memorable atmospheres for their listeners. Being so personal, it’s clear that “Dreams From the Darkest Side” contains emotion and ambition, and it certainly asks for a considerable spotlight.
24. Porcupine Tree – Closure/Continuation (Music For Nations / Sony*)“Closure/Continuation” pulls off the daunting task of giving a majority of Porcupine Tree fans what they have long wanted while maintaining artistic integrity and inspiration, and it comes more than a decade following 2009 album “The Incident.” This is much more than a comeback album, and it toys with nostalgia while ambitiously pursuing a sound that carries forward the sum of its members experience in the genre and beyond, experience that has largely been earned over the band’s relatively extensive hiatus. Both familiar and fresh at the same time, this is a modern Porcupine Tree for a new decade, deftly embracing its signature sounds without wallowing in nostalgia. Whether a final statement or the start of a new chapter, this album is a win for both the band and its fans. Read our review of the album here*.
23. Devin Townsend – Lightwork (InsideOut Music)There’s not much left to say about Devin Townsend‘s creativity that hasn’t been said already. The sheer scope of his musical ability and his mastery of every aspect of creation are unmatched in the world of metal. “Lightwork” is yet another triumph in Townsend’s discography, with a wall of sound that is spacious and full of sincerity. This is a collection of delectable songs that reach into the listener’s inner being. It soothes, assuages, and assures with great delight. To follow up the career-defining opus “Empath” seemed an impossible task, but for the indomitable Heavy Devy, “impossible” is little more than a welcome challenge. Naturally, this skilled and multi-talented virtuoso has done it again, with an album that breathes deep with absolute artisinal craft. Check out the album review here.
22. Perfect Plan – Brace for Impact (Frontiers Music SRL)A tremendous year for melodic hard rock is exemplified with the tremendous effort encapsulated in Perfect Plan‘s “Brace For Impact.” By adding in hints of blues and progressive rock, tempered by solely one ballad, “Brace For Impact” is a storm of energy and kinetic activity that carries its momentum from its opening to closing notes. As stated in initial press releases from the band, these are songs that feel they are meant to be played on the jukebox, or perhaps in a car speeding down the highway with the top down. Given that Perfect Plan debuted with their 2018 album “All Rise,” “Brace For Impact” shows impressive maturity, growth in songwriting, and a clear sense of direction for the band moving forward. This heavier and more focused release is well-deserving of attention and a spot on this year in review.
21. Voivod – Synchro Anarchy (Century Media Records)Weird tuning, dissonant chords, sci-fi lyrics, and thrash mixed with prog? Yep, it’s another Voivod album! “Synchro Anarchy” is yet another highlight of this act’s career as they deliver the successor to 2018’s “The Wake,” which was by all measures tremendous. Somehow, “Synchro Anarchy” further expands their musical and lyrical palette while embracing the complexity and chaos that makes their style so recognizable. Not only is this album one of the most consistent in the Voivod discography, it is matched with exquisite production that rivals the very best of their career, and shows that even old dogs can learn new tricks. Evocative solos, atmospheric lulls, and progressive interludes leave the listener wanting more long after the final notes fade. Read more *at this location.*
20. Lacrimas Profundere – How to Shround Yourself with Night (Steamhammer*)Lacrimas Profundere‘s last album was an unequivocal success, with “Bleeding the Stars” setting expectations for the quartet higher than ever before. And although others would have balked in the face of a challenge, this German dark metal band continued to create and innovate with stunning perseverance, resulting in the tremendous “How to Shroud Yourself with Night.” This is more than a mere sequel to success, however, as this material is passionate with an overcast atmosphere. The blackness of the cover art reflects across each track, particularly in the seemingly endless depth and care that went into crafting such a thoughtful album. To revel in the beauty of isolation and despondence, look no further than Lacrimas Profundere*, and stay tuned for what they have in store for the future.
19. Battle Beast – Circus of Doom (Nuclear Blast Records)After several years of seeking to pave their own path following the exit of principle songwriter and guitarist Anton Kabanen, the remaining members of Battle Beast have reforged the tempered steel that typified their early sound. “Circus of Doom” is bold and quasi-symphonic, and its release in early 2022 was the perfect masterpiece to kick off the year. Songwriting has once again come into focus for this exceptional act, which gives a straightforward vocal approach accented by symphonic flourishes. There are notable callbacks to the earlier Battle Beast and its formations, but the strength of this album comes into focus when gazing upon its pummeling metallic fury. For the first time in nearly a decade, Battle Beast seems content to shred, scream, and percuss their way through the awaiting hordes. Read more here.
18.Evil Invaders – Shattering Reflection (Napalm Records)Channeling the most intense and insidious sounds of the mid-1980s, when early heavy metal was giving way to thrash in both Europe and the Americas, Belgian quartet Evil Invaders deliver a truly forbidding third studio entry. “Shattering Reflection” should put all New Wave of Traditional heavy Metal revivalists on notice, as this band is going to ride the front of the wave with little contest so long as they product content as solid, stunning, and sincere at this. This throwback is harrowing with its intensity, and its excursions into speed metal make this delicate balance between the high-octane and impact-based approach function as a perfect precursors to Teutonic thrashing extremities. For the blazing contents of “Shattering Reflection,” caution is not just thrown to the wind, but set ablaze with an industrial strength flamethrower. Read more in our full review here.
17. Junkyard Drive – Electric Love (Mighty Music)Teen angst has drawn to a close with the mature, introspective lyricism that dominates the album “Electric Love” from cross-continental rockers Junkyard Drive. With more than 100 concerts under their belt and the power of mixing/mastering by Eclipse’s Erik Martensson, there was no room for “Electric Love” to fail. Junkyard Drive has masterful control over ballads, as exemplified in single “The Wonderland of Temptations,” and this sensitive side is later balanced by the hard-rocking riffage that the genre demands. Absolutely impressive vocal leads and the passion of a band that has yet to truly achieve their time in the hard rock spotlight, “Electric Love” is as touching as it is exciting, and promises to elicit profound reactions from any fans of heavy and melodic music.
16. Ibaraki – Rashomon (Nuclear Blast Records)Beautifully crafted and fiercely original, Matt Heafy‘s new extreme metal project Ibaraki is an awesome storm of sonic reverie. Brilliant musicianship, songwriting, and inspiration collide to bring “Rashomon” to life, adn this album offers up Heafy‘s very best beneath the light of a truly unique aesthetic. Heafy has chosen to bare his soul for the world to see in perhaps his most personal outing yet, and he has done so with the utmost care for all he holds dear. A combination of death metal roots and Japanese folk influences craft an album that speaks to this talented musician’s roots while drawing in the exquisite talent of guest musicians from across the metalsphere and beyond. Long tracks span heart-wrenching stories and an almost divine fury for the beast of “Rashomon” to come to life with tears in its eyes. Dive into our in-depth review of the album here.
15. Queensrÿche – Digital Noise Alliance (Century Media Records)Despite the revolving door of personnel over the years, the DNA of this band has been rediscovered and reignited with “Digital Noise Alliance.” Queensryche is truly emerging from the aches and reaching forward to not just touch, but improve upon, their heralded glory years. The tone choices make this particular outing particularly listenable for new and old fans alike. There are both solos and choruses that soar much the way any proper Queensryche record should, and this is exemplified by the use of vintage amps that were recovered from the band’s early days. “Digital Noise Alliance” is a fantastic addition to the band’s catalogue, and is one that builds on the classic sound and signature style while utilizing modern production to build a better final product. Read our review of “Digital Noise Alliance” at this location.
14. Invictus – Unstoppable (MNRK Heavy)Artists breaking away from their established groups is a trend on this year’s list, and Invictus is no different. Featuring Kataklysm’s Maurizio Iacono at the helm, with other talented musicians building out its sound, there is beautiful discovery and truth to be found within the depths of “Unstoppable.” There is also something poetic for an album to be named after its own unrelenting momentum. It has a rare beauty that can only be found in debut albums, as it is raw, wild, and distinctive. Invictus proves to be intricately emotive in its compositions, and in doing so it blends together melodic death metal and technical death metal with seamless fashion. And even if there are hints of the Iacono that Kataklysm has spent many years forging, there is much more original content worth listener’s time. Check out our full review at this location.
13. A-Z – A-Z (Metal Blade Records)Addictively hooky without once being hoaky, the self-titled “A-Z” bravely launches into hazardous wasters and resists the urge to sail into the seas of cheese. Packed full of infectious riffs and melodies, as well as the ingenious interplay of a rhythm section seldom heard in such direct music, the band this household defiantly pronounces “A through Zed” delivers an absolutely delectable variation of a genre that has been rarely explored with such ingenuity. Featuring the near-titular talents of Ray Alder on vocals and Mark Zonder on drums, with Philip Bynoe, Vivien Lalu (featured elsewhere on this very list), and Joop Wolters, there is little left out from the scope this instantly captivating release. And while A-Z may be like a baby zebra struggling to gain its footing, just like the cover’s inspiration, it has transitioned smoothly from inception to running towards the horizon. Read our full review at this location.
12. Evergrey – A Heartless Portrait (The Orphean Testament) (Napalm Records)Over the past few years, Evergrey has been absolutely relentless. This streak began in 2019 with the release of “The Atlantic,” followed by 2021’s tremendous “Escape of the Phoenix,” a live Evergrey album, two albums with front-man Tom Englund‘s side project Silent Skies, and finally, 2022 album “A Heartless Portrait (The Orphean Testament). A brilliant display of continued artistic ambition and ever-evolving musicianship, “A Heartless Portrait” is Evergrey at their very best. From heart-stopping guitar solos to a breathtaking command of synth melodies, this is an emotional journey brought to life by one of metal’s greatest melancholic masters. Infectious, filled with hooks, and brimming over with nuance, there is no excuse to miss the latest and greatest from the Evergrey camp. Read the in-depth reviewhere.
11. Megadeth – The Sick, The Dying . . . and the Dead! (UMe)Following a harrowing six years of studio silence, a nasty bout of cancer, and the subsequent departure of co-founder and bassist Dave Ellefson, the thrash pioneers Megadeth rise from near death to deliver “The Sick, The Dying… and the Dead!” Dave Mustaine manages to muster up the Megadeth name for one of the most aggressive and action-packed metallic extravaganzas since the early 90s. And although the Megadeth legacy is absolutely packed with memorable albums, there is little question that this album manages to make a place for itself among the otherwise legendary. By drawing from the classics while ensuring a fresh, modern, and ever-evolving sound, the Megadeth of the twenty-first century is a serious beast to contend with. Click here for even more thoughts on the album.
10. Threshold – Dividing Lines (Nuclear Blast Records)The newest offering from England’s prog-virtuosos Threshold takes on a new tack, putting a harder edge on their progressive offerings. This is not a concept album like their previous effort was, but it is nonetheless a strong record that presents views on the dystopian world facing us all. It does so with some incredible hooks, apparent thoughtfulness in composition, and careful production that lets talent shine with crisp polish. There are certain nods to early progressive rock influences, but it does so by drawing from the heavier and less-forgiving aggression of progressive metal. Doing so makes “Dividing Lines” flirt with the edges of arena rock without abandoning the complexities these genres otherwise require. Atmospheric, momentous, and dynamic, Threshold proves that their busy work during the peak of the pandemic was well worth waiting for. Peruse our full review here.
9. Crobot – Feel This (Mascot Records)Who said heavy music couldn’t be at least a little indulgent? What about decadent? Crobot delivers just what they have long intended, as “Feel This” is designed to elate and delight in every possible dimension. As “Feel This” leans heavily into the party-like atmosphere that Crobot brings to the live stage, every second and every note feels natural for the band’s long-practiced chemistry. And even amidst the sinfully indulgent joy there is emotion and sincerity, the sort that comes from a band truly pursuing its dreams. For all of the teasing commentary in press releases and from the mic at festivals, “Feel This” is anything but sophomoric, and follows harmonious melodies through soul-soaking guitar solos. Thunderous rock and roll meant for the free spirit, Crobot bare their souls as their spirit soars in this latest opus.
8. Wilderun – Epigone (Century Media Records)After the absolutely tremendous and career-defining “Veil of Imagination” in 2019, it was hard to imagine how Wilderun might craft a satisfying following up. Yet with “Epigone,” this quartet have proven that they’re just getting started, and the sky’s the limit. Clocking in at more than 70 minutes long, “Epigone” features moments of carefully orchestrated chaos and grandiose instrumental backdrops for an atmospheric experience that envelopes the listener wholly in its magic. Progressive experimentation and symphonic ambition are tempered by ambient interludes, and the album’s momentum carries through with tracks that vary from short excursions to bona fide epics. Wilderun heard the call from their fans for more, and they delivered. More thoughts on the album in our full review here.
7. Stratovarius – Survive (earMusic)With “Survive,” Stratovarius cements their status as one of the very few bands out there to have created winning streaks with more than just one ‘classic’ lineup, and does so in a way that honors their illustrious past without merely copying it. Stratovarius 3.0 is so much more than a mere Stratovarius tribute band, and they’ve proven beyond any reasonable doubt that their current output stands up not just to their past, but more importantly, stands on its own as well. There are frenetic drumming, catchy hooks, and a bright disposition that keeps this heavy celebration of metal well-grounded. This is power metal that exists to make the listener feel alive, be it with the fiery riffage or soaring choruses, but it is a sincere album that speaks to the very heart of metal’s most faithful. Read our review for “Survive” review at this location.
6. Kreator – Hate Uber Alles (Nuclear Blast Records)Fifteen studio albums and Kreator is still at the very top of their game. “Hate Uber Alles” is a brilliant showcase of versatile songwriting that matches the extreme aggression with a more epic and elaborate take on the thrash game. Heavier tracks incorporate a blend of power and old-school heavy metal elements to augment the obligatory brutality and dance alongside speed-oriented tracks with ease. The riffing approach has a classic metal charm that makes the Kreator sound so recognizable, particularly with descending harmonies that match experienced technical flair. The vocal range of Mille Petrozza has evolved to blend clean vocalizations with the more guttural ones, but this is just one way the band has grown over the years. To enjoy the sum of their experience and brutality, “Hate Uber Alles” is a must-listen. Read our full review here.
5. Amorphis – Halo (Atomic Fire Records)Another subline effort from the Kings of Karelia, “Halo” further cements Amorphis as one of metal’s most consistently excellent and reliable bands. “Halo” is folk-inspired progressive death metal with no shortage of hat-tips of the acid rog and prog elders of yore, hooks in abundance, moments that teeter on the edge of symphonic, and even the occasional blistering guitar solo. It’s a sonic identity that has been decades in the making and has been continually refined over fourteen albums. The result is something that confidently fits in the Amorphis catalogue, with subtle adjustments that give an excellent sense of experience and modernity. Amorphis haven’t reinvented themselves – they simply don’t need to. Three decades of work have culminated in the well-polished “Halo,” and it certainly shows. Check out the full review here.
4. Lorna Shore – Pain Remains (Century Media Records)Exquisitely brutal. Exquisitely beautiful. There is no other way to characterize the unyielding aggression that Lorna Shore has delivered with precision and determination. This is an album that cannot be described simply with allusions to some abstract “heaviness.” No, this is an album that is earth-splitting, soul-shattering, absolutely cosmic in its scope. The fury contained within “Pain Remains” is like that of the bright red storm that has raged on Jupiter’s surface for hundreds of years, expansive beyond measure, awe-inspiring with trembling existentialism. Not only is “Pain Remains” an absolute paragon of excellence in the genre, but it comes as near to perfection as one could possibly conceive. From vocals that sound as though they were torn from the depths of hell to thunderous percussion, Lorna Shore truly delivers the whole package, and an album that will be heralded for its excellence for years to come.
3. Zeal & Ardor – Zeal & Ardor (MKVA)There’s little chance you made it through 2022 without hearing the name “Zeal & Ardor” uttered at least once – and for good reason. Zeal & Ardor are ahead of the curve when it comes to creating music that truly knows no boundaries. The eccentric yet wildly intelligent mix of black metal, blues, soul, and electro is something that leaves listeners surprised and most certainly entertained. This is an album that dives deep into music at its sub-atomic level, and combines elements that would otherwise seem impossible to fit together. Seamless union between genres shatters any possible expectations while delivering excellence. Tracks offer up both eager heaviness and tangible ambience, and a range of vocal styles that match the otherwise eclectic mix of styles. There is no better offering way to make a definitive self-titled album. Check out more of our thoughts on the album at this location.
2. Ghost – Impera (Loma Vista Recordings)The fifth studio album from Ghost is a rocker with big guitars, killer melodies, and angry lyrics that call upon the listener to really think. Tobias Forge has reached a new peak of performance, building his empire brick by brick into a magnificent whole. “Impera” is an opus full of depth and substance, both conceptually and musically. There is a balance of light and dark that is more than a mere satirical brush with the spiritual. Forge‘s philosophy bleeds into every note, and shows that this is music that looks for signs of something better just around the corner. With “Impera,” Ghost is not just taking down empires, but it is building something new and positive. Although the name “Ghost” may once have elicited laughter from the masses, “Impera” is absolutely no joke. This is the real deal, and it’s real good. Read our full review here.
1. Oceans of Slumber – Starlight and Ash (Century Media Records)Houston’s Oceans of Slumber have delighted the metal community by evolving from a promising young band with an orthodox vision into one of the most dominant beasts in the genre. Largely shedding their extreme metal exoskeleton, Oceans of Slumber have used “Starlight and Ash” to morph splendidly into extreme Southern gothic while remaining true to their progressive doom heritage. “Starlight and Ash” and its visualization of deeply flawed characters engaged in unspeakable deeds sounds like sonic ecdysis, feels like the extreme metal soundtrack to a lost Tennessee Williams manuscript, and might very well be a bold new mission statement from one of the most gripping merchants of contemporary metal. Read the full review for our 2022 album of the year here.
EP OF THE YEAR*Spirit Adrift – 20 Centuries Gone (Century Media Records)In an auspicious departure from the brevity of 2021’s studio EP “*Forge Your Future,” epic doom and traditional metal craftsmen Spirit Adrift unleash a duo of well-polished original anthems and a veritable retrospective of where their sound originated via a series of covers. On of this EP’s charms is that is provides a complete line of succession from the early days of proto-metal through the bluesy swagger of the rocking 70s to the dark and dreary vibes of the ongoing doom craze. The choice of cover songs is illuminating as to the band’s past and present inspiration. Taken as a whole, this is undoubtedly a diverse offering, but it is ultimately a very well realized one, and those with a pallet diverse enough to encompass four decades of stylistic evolution can surely sink their teeth into. Read the rest of our thoughts here.
LIVE ALBUM OF THE YEAR*Soen – Atlantis (Silver Lining Music*)Soen’s “Atlantis” provides a concert experience like no other. Overflowing with enchanting orchestral arrangement and vocals that soar in fervent abandon, this unique studio venue captures the passionate heart that has long defined Soen’s genius. The tracklist explores the entirety of Soen’s catalogue (with the exception of “Tellurian”), and even includes a cover of Slipknot’s “Snuff.” The visual performance is subdued and perceptibly pondering, which creates an atmosphere that is essential to this album’s success and the audience’s near instant immersion. Whether one listens (or watches) this endeavor as the main course, or simply has it on for mere background noise, this is a gem in the Soen discography that is not to be missed. Read everything we had to say at this location.
DEBUT ALBUM OF THE YEAR*Classless Act – Welcome to the Show (Better Noise Music)Keeping up with the times while remembering the glory days of hard rock, a new fold of musicians have put together a superb display of musical versatility that ties together every aspect of the style from the 70s to the present. For all of the old-school elements Classless Act keeps at the fore, there is a very current sense of vitality to this music that keeps it from becoming completely retro, particularly in how the rustic and compact character of these songs are given a massive boost in studio production. “Welcome to the Show” has all the welcome staples of arena rockers and radio singles while balancing a kitchen-sink approach to stylistic inclusion. This is one act that has been making waves (and with class, despite what their name might have you believe), and are worth paying attention to as they grow and evolve. For the full review, click here.*
COMEBACK ALBUM OF THE YEAR*Giant – Shifting Time (Frontiers Music SRL*)
Even without Giant’s original guitarist and singer Dann Huff at the helm, the blueprint from the powerhouse 80’s band is intact here. The songs and performances on “Shifting Time” are strong, and it stands tall on its own merits as an excellent melodic hard rock album that instantly satisfied. While there are other bands that have grown to prominence in the genre, few have managed to capture that classic sound that Giant was born from, and “Shifting Time” is a testament to that classic charm. “Shifting Time” pays respect to the band’s legacy, and it does so with songs that are catchy, accessible, and easily recalled. Big choruses, blazing rockers, and power ballads intertwine to make an album fit to compare with the days of yore and put another feather in Giant‘s cap. Check out what we thought of the album in-depth here.
Every year many albums escape our ears amidst the onslaught of new releases. Here’s three noteworthy progressive rock releases from ’22 which approach the more ambient, layered and etheric side of the genre.
Esthesis – “Watching Worlds Collide”The second full-length release from the French band Esthesis is a mysterious, atmospheric delight. Containing seven songs clocking in at fifty-one minutes, the album beckons repeat listenings and total immersion into its world. Languid vocals (sung in English) from band leader Aurélien Goude are often subtly but thrillingly complimented by the female voice of Mathilde Collet. Goude has brought in an excellent band to realize his vision, especially the playing of bassist Marc Anguill and drummer Arnaud Nicolau who bring surprising and satisfyingly hip grooves to the material. Plenty of other unexpected sounds add to the vibe, from banjo and smoky tenor sax to reverb-drenched whistling coming from down an alleyway through thick fog.
Considering how much of a Floyd inspiration permeated their earlier recordings, Esthesis’s evolution into jazzy film noir territory is impressive and welcome. If anything, No-Man is a more relevant touchstone now. Nowhere is this more evident than on the hypnotic “57th Street”, the album’s centerpiece which patiently takes its time to meander in back alleys and underground jazz clubs over 12 delicious minutes. The same impact is achieved on the more immediate opener “Amber”, a perfect piece that encapsulates the new Esthesis sound, from atmospheric opening sax to driving grooves and an explosive guitar solo from Baptiste Desmares
“Watching Worlds Collide” Album Artwork
More to the point, every song here is a small victory for the band – there is no filler. Whether it’s the grooving “Place Your Bets” with its saxophone jam, Mathieu Vilbert’s violin solo on the ambient “Skimming Stones”, the catchy “Wandering Cloud” or the exciting instrumental forays of “Vertigo”, “Watching World Collide” serves up diverse arrangements that make the listener swoon and pay attention in equal measures. Perhaps best of all is “Through My Lens” which devastatingly closes the album in sinister fashion. Just bring that sax up a bit more in the mix. Aside from that minor point, the production throughout is appropriately on point, able to balance single-note piano motifs and whistling with heavier distorted sections.
Esthesis have delivered one of the best under-the-radar albums of 2022, noteworthy not only in its own right but also for what it signals regarding the band’s future. Don’t keep it a secret.
Songwriting: 9
Musicianship: 9
Originality: 8.5
Production: 9.5
Watching Worlds Collide by Esthesis
Returned to the Earth – “Fall of the Watcher”If the lush, textured sounds of IQ, Airbag and Marillion are to your liking, be sure to add Returned to the Earth’s “Fall of the Watcher” to your list. This, their fourth release, will gain much greater visibility thanks to signing with the G.E.P. label; plans are to re-issue the album on January 27, 2023 with an expanded booklet. At times the band sounds so close to IQ – largely thanks to the tone of lead singer Robin Peachey’s voice – that it almost seems confusing (though inevitable) to have both bands on the same record label. No matter, great music is great music and this album is a superlative offering of emotional, transcendent prog.
Throughout the album the band’s sound design is a blend of acoustic and arpeggiated electric guitars, piano and layers upon layers of keyboards. It’s a trance-inducing combo over which Robin’s melodic vocals entrance and captivate. Steve Peachey’s keyboard patches are sublime, immediately evident on the opening title track. Add in a loping bass line and a mix of live and programmed drums from Paul Johnston and the spell is cast
“Fall Of The Watcher” Album Artwork
Two longer pieces, “Sacrificed In Vain” and the title track, are natural highlights but the shorter songs are no less impactful. “Lack of Information” is one of the best with an addictive vocal line. Robin has a talent for writing melodies which float above the bed of sound, weaving through the listener’s mind and ultimately lodging in our memory banks. The melancholic lyrics take on serious topics which can deepen the experience if desired, or just let Robin’s voice carry you through the clouds. Occasionally a soulful guitar solo will erupt but for the most part this is all about textures and layers.
Mastered by Steve Kitch (The Pineapple Thief), the sonic balance hits the right spot. This is a perfect soundtrack to accompany cold wintry months, so make “Fall of the Watcher” one of your new favorites this season.
Songwriting: 8.5
Musicianship: 8.5
Originality: 7.5
Production: 9.5
Fall Of The Watcher by Returned To The Earth
Ali Ferguson – “The Contemplative Power of Water”Another fantastic new discovery is Scottish guitarist/songwriter Ali Ferguson whose “The Contemplative Power of Water” is a sumptuous multi-course meal taking about an hour to digest. If his name doesn’t ring any bells for you, as it didn’t for me, then perhaps mentioning that he is the live guitarist for Ray Wilson will give you a bit of context. More importantly, he is an artfully creative weaver of styles, soundscapes and sonic delights. On this, his third solo album, he plays a wide range of instruments along with vocals and even “field recording” (always a proggy indicator) but also calls on several friends to lend a hand.
The style of music is all across the map, serving up a most-welcome wide range of colors and influences. From ambient instrumentals to rockers fueled by drum programming to Celtic folk to Enigma-influenced soundscape samples, there’s a wealth of stylish diversity at play. The inescapable calling card is Ferguson’s Gilmour-flavored lead guitar lines which pop up from time to time, not to mention the fact that his voice carries a bit of that familiar tone as well, but the rest of the material and directions explored are clearly not limited to Floyd fodder.
“The Contemplative Power of Water” Album Artwork
A naturalist and even spiritual thread weaves through the album, most directly felt on the extended title track which totals 26 minutes but is spread into three parts, two of which bookend the album and the third coming halfway through. Here the sounds of water and birds are intermingled with long instrumental guitar passages and finally a hypnotic chorus which ends with Indian scale chanting.
The numerous shorter songs in between bring Ferguson’s vocals more to the fore. Although his voice is pleasing, they are a bit too processed which, along with the absence of acoustic drums, ironically leads to a less organic feel to the album as a whole. Nevertheless, the strength of the songs speak for themselves. Ferguson goes from strength to strength in this meditation on water. Recommended!
Songwriting: 8.5
Musicianship: 8.5
Originality: 8.5
Production: 9
The Contemplative Power Of Water by Ali Ferguson
In an era when everything seems to have been done and heard in heavy metal music, it’s refreshing to have a band like STARGAZER, which is simply looking for the best possible heavy metal/hard rock balance that makes them happy. “Can You Conceive It”, the new single from the Norwegian combo, is precisely that: an unpretentious heavy rock tune, with all the ingredients in the right amount and in the right place. And if you have a gram of heavy metal or hard rock in your blood system, it will surely make your day.
After their previous release “The Sky is the Limit”, Norwegian band STARGAZER entered the radar of connoisseurs of the hard rocking world. The group was loudly hailed as one to watch. They received a lot of great reviews all over the western world and were, back then in late 2019, ready to take on the world for serious touring. But serious touring saw an abrupt end due to Covid-19 for almost every band in 2020-21, with STARGAZER being no exception.
The nordic five-piece didn’t lose their spirit and, diligently, took the downtime to start penning their next album. Produced by guitar player William Ernstsen and vocalist Tore André Helgemo, “Life Will Never Be The Same” is the result of those dark times with a silver lining ahead. Engineered by William at Jedimasterstudios, Trondheim, and mixed and mastered in Medley Studios, Copenhagen, by Soren Andersen (Glenn Hughes, Electric Guitars, etc), “Life Will Never Be The Same” is exactly the kind of album that you’d expect from a matured STARGAZER and then some.
The five-piece powerhouse hammers on with Scandinavian vibes that consists of virtuosity and a vintage sound with a modern twist. Firing on all cylinders in combination with the sense of good melodies, great riffs, solos and songwriting handcraft. With one of rock’s best voices and one of the best blues-based hard rock guitar players around today. All this on top of a rock steady hard groove with killer rock songs such as “Live My Dream”, or down to the most tender and heartfelt tunes, as for example the single “Live Today”, with emotions worn on their sleeves.
“Life Will Never Be The Same” is the sound of Norwegian classic hard rock flagship, and STARGAZER sets sail again with this third release in their discography. One to change their life – and yours – for good.
“Life Will Never Be The Same” will be released on digital, digipack CD and gatefold double LP (black vinyl, limited to 500 units) via Mighty Music on March 3rd, 2023.
Lineup:
- Tore André Helgemo / Vocals, rhythm guitar
- William Ernstsen / Lead & rhythm guitars
- Sondre Bjerkset / Keybards
- Jomar Johansen / Bass
- Svend Skogheim / Drums
Order the digital single HERE.
Pre-oder the LP HERE and the CD HERE.
STARGAZER in the web: Official site | Facebook | Instagram
It was mildly warm for the New York winter standards that December night, 42 years ago, when Mark Chapman decided to kill John Lennon just for the sake of it, in order to sneak into the biography of one of the most influential figures in pop culture.
A few hours earlier, the member of the quartet The Beatles had autographed a copy of his most recent album “Double Fantasy” for Chapman, and Chapman had no better way to thank him than to shoot him five times. Just 15 minutes after returning to the building that night ,Lennon was lying dead, and his estranged killer was waiting for police at the New York Dakota building. In one pocket he carried a battered copy of the novel “Catcher in the Rye”, by J.D. Salinger, while a few meters from him a person died and a myth was born…
The life of the famous musician was anything but boring, and was marked by that cult group he founded in Liverpool, practically unclassifiable, simply essential.
John Winston Lennon was born on October 9, 1940, in the middle of the World War. He grew up without his father, raised by an aunt who did not welcome his musical tastes and with a mother haunted by her own demons, whose early death would mark him. In his teens, John encountered his great musical buddy, Paul McCartney, during the annual Woolton Parish Church Garden Fete, a parade and outdoor fair at which John and his Quarrymen Skiffle Group had been invited to play. Midway through their first set, 15-year-old Paul McCartney showed up and watched, transfixed, as John, despite his rudimentary guitar skills and his tendency to ad-lib in place of forgotten lyrics, held the crowd with charm and swagger. A mutual friend made the introduction in the nearby church auditorium. Soon Paul was teaching a rapt John how to tune his guitar and writing out the chords and lyrics to some of the songs he’d just played. Two weeks later, Lennon invited McCartney to join the Quarrymen. The greatest musical partnership of our times was born, and the rest is history…
From the sordid clubs of Hamburg and Liverpool to the crowded Shea Stadium in New York or the roof of the Apple Corps building, The Beatles revolutionized pop and left authentic generational anthems, exploring from the most commercial sounds to the most psychedelic, mystical and rock-and-roll, with suggestive lyrics and a luxurious production.
John‘s complicated personality marked the group, completed by Paul, his old friend George Harrison and the always underrated Ringo Starr. A genius guy as acid and biting, Lennon left behind numerous musical classics, but also inflammatory phrases, such as that The Beatles were more famous than Christ or that they were heroes of the proletariat.
His relationship with Yoko Ono, which began in 1966, perhaps precipitated the separation of the band, which was already a matter of time, more because of egos and personal searches than because of the role of villain who never abandoned the eccentric Japanese artist.
After “Imagine”‘s solo success came years of musical activity and a lot more of activism, his breakup and reconciliation with Yoko, the home life he always longed for and never had, and the recording of “Double Fantasy”, the album he had just released when five point blank shots ended with his life. It was December 8, 1980, and it was surprisingly warm for a New York winter night…
Roses in Strawberry Fields, a Central Park memorial dedicated to John Lennon – Source: Wikimedia Commons
December 8th, 2004… A date that will forever be carved into the memories of the metal community.
On that day at the Alrosa Villa in Columbus, Ohio, legendary guitarist “Dimebag” Darrell Abbott was playing on stage with his new act Damageplan – along with his brother Vinnie Paul Abbott, a little over a year after the breakup of his former band, the metal legends Pantera with whom he had played for some 23 years. With Damageplan’s debut album “New Found Power” receiving mixed critical reviews but going over well with fans – reaching number 38 on the Billboard 200 and eventually selling over 100,000 copies – the future looked bright for the relatively new band. The metal world awaited the unveiling of a second album.
But fate had other sinister plans…
The concert had just started when 25-year-old former U.S. Marine Nathan Gale began firing a 9mm Beretta 92FS handgun at the stage. A paranoid schizophrenic, it is widely-believed that Gale was under the impression that Pantera had stolen some of his songs, and held a grudge against Darrell and Vinnie for the break-up of the band in 2002; therefore decided to turn to violence in order to exact his revenge. Gale fired 15 rounds in total, striking Dimebag three times in the head.
Alrosa Villa employee Erik Halk was shot and killed while trying to tackle the gunman, as was Damageplan security guard Jeff “Mayhem” Thompson. Audience member Nathan Bray was performing CPR on Darrell and Thompson when he was also shot and killed. Three others were wounded before Gale was killed by police officer James D. Niggemeyer, who arrived on the scene minutes after Gale began his rampage. Considering that Gale was later found to have had 35 rounds of ammunition still remaining, Niggemeyer action potentially saved the lives of dozens of fans, band members, and club staff.
Tragically though, Dimebag Darrell was pronounced dead at the scene, despite efforts to revive him. He was 38.
Darrell and Vinnie formed Pantera in the mid-eighties in Texas. The band recorded four independent albums before their 1990 major label debut, “Cowboys From Hell”, introduced a heavier sound and made them a favorite with metal fans. 1994’s “Far Beyond Driven” debuted at No. 1 on The Billboard 200 without benefit of a commercial hit single. The group splintered in 2002 following the departure of lead singer Philip Anselmo. Dime and Vinnie, as they were known to their fans, regrouped with Damageplan.
Darrell‘s death was a devastating blow to the close-knit hard rock and metal community. He was known to his fellow musicians for his hospitality, friendship and partying spirit, and was a legend among fans and peers for his powerful, innovative and unmistakable playing style. Anyone who has had a taste of heavy metal knows who Pantera were, without a doubt one of the top 10 most influential heavy metal bands of all time. And Darrell was one of the greatest heavy metal guitar player of all time. He had attitude, style and conjured for too many memorable riffs; he commanded melody, speed, shred, bends, whammy bars, finesse, harmonies, etc. Dimebag was the essence of the Pantera sound, and spearheaded the modernization of heavy metal from fast thrashing, galloping guitars to a thicker, heavier and meaner un-reverbed variation which took the metal world by storm in the early 90’s.
Dimebag was buried with bottles of Crown Royal. A lifelong Van Halen fan, Eddie Van Halen’s original red-black-and-white 1979 Bumblebee Charvel Hybrid VH2 guitar – the same one featured on the inside sleeve for the “Van Halen II” album – was placed inside Abbott’s casket at his funeral by Eddie himself.
R.I.P. Dimebag Darrell Abbott, Erik Halk, Jeff Thompson, and Nathan Bray. You all will forever be missed.
Canadian NWOBHM worshipers TYRANTS OF CHAOS have premiered their new music video for “The Black Gap” with us today, and you can check it out now below. If you appreciate Saxon, Maiden, or Priest, you will love these guys.
A war history buff, vocalist Phil Sirias penned the lyrics for the track along with many others on their latest record. “The Black Gap” depicts a time in World War II history where German U-Boats were sinking large numbers of ships in the unprotected area of the North Atlantic called “The Black Gap”.
“It’s s another heavy hitting mosh worthy banger with a darker, sludgier tone that fans can really get in to. The lyrics were actually written over 10 years ago and the overall song covers topics such as corruption, greed, ignorance, and turning a blind” adds Sirias.
Since forming TYRANTS OF CHAOS, the band has released three albums: 2016’s debut and “The Calm Before the Stom,” 2019’s “Into Oblivion” and this years’ “Relentless Thirst for Power”, and the collective have played and headlined numerous shows and festivals in support of such material.
Their most recent, third full-length offering “Relentless Thirst For Power” is pure heavy metal from beginning to end with no filler. The album’s main lyricist and vocalist Phil Sirias is a war history nerd. Many of the band’s songs in their catalogue depict battles and times of war in world history. For this new record, Phil wrote about historical events along with touching on darker themes such as death and mental trauma. From the opening track “T.O.C.”, a straightforward, neck-wrecking heavy metal to “Indoctri-Nation”, which focuses on mental health issues to the “No Lives Matter” ballad that forces one to confront their mortality; and the shout-out track to all the NASCAR and racing fans out there “Lucky Dog” that is reminiscent of the 80s heavy metal.
“Relentless Thirst for Power” was produced by guitarist Arik Wagner, mixed and mastered by Johnny Gasparic at MCC Recording Studio Calgary and the album artwork was done by Pierre-Alain D. at 3mmi Design.
“Relentless Thirst for Power” Album Artwork
TYRANTS OF CHAOS was formed in Lethbridge, AB in 2013 for the love and passion of music by guitarist Curtiss Vaselenak and to fill a gap in the local scene, the band originally started as a fun hard rock and metal cover band. After some shuffling, he is now joined by guitarist Arik Wagner, bassist Sean Simpson, drummer Ryan Dyck, and vocalist Phil Sirias who complete the current lineup. With many years of experience between them, they bring professionalism and solid musicianship to both the stage and the studio. Their live show is something every metal-head needs to experience. Sentinel Daily described them as “a sound that could rattle the very bowels of hell. Which is a pretty good noise to make!… If traditional, thrash-tinged heavy metal is your thing, you should probably get to know TYRANTS OF CHAOS pretty soon! ”
Follow TYRANT OF CHAOS online: Website | Facebook | Instagram | YouTube | Spotify | Bandcamp
In these three album reviews we look at new bands who embrace Yes – either through their style of music or their personnel. All of these albums succeed in their own unique way, providing plenty of material while fans await the next album that Yes themselves have reportedly been working on, or perhaps even “1,000 Hands: Chapter 2” from Jon Anderson.
Trip The WitchTrip the Witch is a new side project between Stone Temple Pilot’s guitarist and songwriter Dean DeLeo, and Nashville session ace Tom Bukovac. Over the course of ten tracks the duo weaves a mesmerizing flow of mostly-instrumentals that work their way into one’s psyche and don’t let go. Chill ambient vibes pervade throughout even as a multitude of styles are explored via laid-back transcendent guitar compositions and jams.
The Yes connection occurs right during the opening song, “Saturn We Miss You”, where Jon Anderson was invited to bring his voice into the project. DeLeo remarked, “Jon Anderson is a part of our DNA, he’s such a huge part of our musical upbringing.” They were delighted with the results as Bukovac shares, “What we really didn’t expect was that Jon came up with all these lyrics based around the title, too. Instead of just responding, ‘Yeah, boys, I’ll help you on this track…’ he wrote the lyrics, sang them, recorded it, sent it back and said, ‘What do you think of this, lads?’ ” It’s a groovy track for sure and Jon’s contribution, if unexpected, seems to fit right in, kicking off this cosmic recording in esteemed fashion.
Come for Jon but stay for the whole album. While Jon’s contribution is a welcome launch, the rest of the material dances in its own universe and is the true heart of the project. The carefully composed sections are so melodically strong that no singer is actually needed. “Dressed To Kill Myself” is the second track and one of the album’s best as one delicious progression gives way to the next. Intuitive playing abounds, subtly hitting ecstatic sweet spots as just the right notes are offered, no more and no less. Check out the understated but devastating brief guitar solo halfway through, so sensitive and sincere it could make you cry and then it’s gone like a cloud.
“Trip The Witch”
DeLeo’s laid back slide playing inhabits a number of pieces such as “Fell From The Floor”, while layers of Bukovac’s guitars support the overall flow. Steve Mackey lends the perfect feel with his bass support and a number of drummers are brought in to provide the rhythm but it’s these two guitarists who truly shine.
Textures are king for Trip The Witch, requiring relatively few proper guitar solos, but knocking it out of the park time and time again with their layered compositional magic. Other-worldly tracks like “Planet TD1” and “Space Wagon” elicit a buzz immediately upon hearing them, as the listener secretly wishes they could continue to float in this atmosphere for hours on end. Truly, the main shortcoming of the album is that most tracks are under 5 minutes long. They weave their spell and then are gone too soon.
The album is easy to find on Bandcamp, so check it out and don’t let this one slip away. This long-distance project promises to not be a one-off, so look for more ecstatic Trips to come.
Songwriting: 9
Musicianship: 9
Originality: 9
Production: 9.5
Trip The Witch (Remastered w/ 2 Bonus Tracks) by Trip The Witch
Arc of Life – “Don’t Look Down”When the Arc of Life project was announced a couple of years ago, some fans held the hope that they could prove to be the new torchbearers of Yes – a younger generation taking the baton from an aging legacy that had last cobbled together the poorly-received “Heaven & Earth”. The band themselves laughed off the comparison, insisting that they weren’t trying to be Yes, which on its face seemed disingenuous considering 3/5 of the band actually is in Yes, and a 4th member – guitarist Jimmy Haun – had played on a Yes album back in ’91.
Unfortunately, it turned out that the band was telling the truth: this was no Yes. It wasn’t even a collaborative band, it was simply just another Billy Sherwood project. After Circa:, Yoso, Citizen, The Prog Collective and many albums under his own name, did Sherwood really need overriding control of a new band that ends up sounding…just like all of those other projects? It almost felt disrespectful to the other talented musicians in the band to have such a Sherwood-sound permeating this new super-group. And if there were any similarities to Yes, it was towards being a much-inferior version of “Open Your Eyes”, an assessment which speaks for itself (and this is coming from someone who enjoys “Open Your Eyes” more than most).
Happily, second album “Don’t Look Down” is a considerable step forward and even suggests the hint of this actually being a band of equals. The material is much proggier and jam-oriented, the production & arrangements less cluttered. Songs are lengthier across the board and no longer does a hit single seem to be a primary focus of the songwriting approach. Keyboardist Dave Kerzner comes into the mix more with tasty textures and solos, guitarist Haun paints a colorful palette with a variety of guitars and inspired electric sitar, while drummer Jay Schellen sounds much better in the mix than on the debut (and not more than a little like Alan White!). Sherwood’s bass tone is full-on-Squire mode, while retaining Sherwood’s characteristic roaming bass line style of writing. And while Davison’s voice works well for much of the album, Sherwood claims a surprising amount of lead vocals for himself which for the most part is a good thing, such as on the title track.
“Don’t Look Down” Album Artwork
Highlights include the warm “Colors Come Alive”, the Ladder-infused “Let Live”, the poppy “Don’t Look Down” and several sections of the 18-minute epic “Arc of Life”. More importantly, the whole album maintains an elevated sense of quality. If the band’s debut album hovered towards the bottom of the barrel for Sherwood projects, this sophomore attempt is clearly more towards the upper end. Their arc is improving.
Still, there is no question that Sherwood remains in the command position: it’s his production, songwriting and vocal arrangements that sound nearly identical to everything else he has put out, resulting in band members seeming somewhat interchangeable. Why even christen the band Arc of Life if they sound nearly identical to Circa: or The Prog Collective?
It seems that the only recent time Sherwood hasn’t dominated a project actually ended up being with Yes itself, as “The Quest” ultimately demonstrated. Steve Howe wisely took charge of production which resulted in a much cleaner sound, but also ironically supported Sherwood’s writing (along with Davison’s) to deliver some of the best material on the album. Sherwood’s pleasing contributions to the Bruce Fairbairn-produced “The Ladder” also suggests that perhaps he is most effective when he doesn’t have complete control but is more of a team player. Whether the Arc of Life band is allowed that kind of freedom in the future is yet to be seen. For now, as far as Billy Sherwood projects go, “Don’t Look Down” is one of the better ones and suggests that this Arc is headed up, without looking down.
Songwriting: 7.5
Musicianship: 9
Originality: 7
Production: 8
Yesterdays – Exupery’s DreamWith the release of the fourth album by Hungarian band Yesterdays, we’re including “Exupery’s Dream” here to hopefully bring their Yes-influenced music to a wider audience. Unlike the other two albums reviewed above, there’s no direct connection to Yes other than an obvious love and inspiration…so much so that you can find a quote from “Close To The Edge” hidden in every Yesterday album. However, this is no copy-cat band (and honestly – how many bands successfully pull off duplicating such a diverse band as Yes anyway?) as they convincingly establish their own identity even if some of the ingredients – notably guitar and bass – have familiar characteristics.
This concept album is obviously dedicated to author Antoine de Saint-Exupéry, not only regarding his classic book The Little Prince but also his short stories and the plane crash in the desert. There are likely layers upon layers of allegorical meanings in the lyrics but for the most part these are lost on English speakers. Oh yes, they are singing in Hungarian, which lends an elevated sense of lyricism to the music. Still, some English explanations in the liner notes go a long way and the bottom line is that the universal language of sincere music shines through.
“Exupery’s Dream” Album Artwork
“Rajzolj át (Draw Me Something)” opens the album with a guitar figure reminiscent of “Sound Chaser” and plenty of other quotable moments but immediately wields these familiar motifs into exciting, original new directions. All the key elements of Yesterdays are at hand: The lead female vocal of Stephanie Semeniuc carries the material superbly, supported vocally by Tarsoly Csenge; Gabor Kecskemeti’s soothing flute is omnipresent with Zsigo Laszlo ably covering the drums and Kosa David on percussion. But ultimately this is Ákos Bogáti-Bokor’s band, as he ably handles not only the fluid guitar and bass lines (aside from a couple of songs on bass where Francesco Faiulo brings in his Rickenbacker) but also the bulk of the piano, stabbing mellotron, keyboards of all kinds, vocals and additional percussion.
The material is complex and lengthy with many tracks passing the 8-minute mark and “Esőtánc (Raindance)” even clocking in at over 20 minutes. Although there are some repeated themes, multiple listenings are necessary for it all to come together and once it does, the rewards are multi-fold as with all worthy prog. They even take a left turn into power-pop territory with “Ma minden érdekel (Today I Want To Know Everything)”, eliciting more Jellyfish than Yes. The influence of Genesis also is in play, especially on “Engedj el (Let me go)” with some lovely Duke-era vibes.
Fortunately the shorter pieces are no less satisfying, such as the wonderful “Estekek”, a made-up word from Akos’ daughter and one of the album’s best. “A Méreg (The Venom)” pays tribute to the band’s late keyboardist Zsolt Enyedi, who died in 2020 before the album was recorded but this piece contains his recording from an earlier demo, a touching moment.
Pristinely recorded without compression and utilizing authentic analog instruments, the album sounds fantastic from start to finish sonically-speaking. Yesterdays may not be well-known up to this point but all of that could change with this dynamic and impressive piece of artistry. Track it down and enjoy!
Songwriting: 8
Musicianship: 9
Originality: 7.5
Production: 9
(ALBUM) Saint-Exupéry álma (2022) by Yesterdays
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After two well-received album and a handful of smaller releases, TERSIVEL are ready to take a step forward a show you their musical evolution. “Weeping Iron Tears”, the first digital single and official video of the international three-piece upcoming studio album, shows a dramatically increase in intensity in the musical approach. Borderlining post-metal with a [...]
Today we bring you a hungry and vicious power/speed metal assault via the newest lyric video for RAVENOUS‘ single ‘The Alder Queen,’ featuring Sound Of Thunder‘s lead vocalist Nina Osegueda. The track comes off their most recent studio album “Hubris,” released last month (October 22nd), via Feast Beast Records. Check out the video below. Calgary’s [...]
After revealing the first single from their upcoming studio album, Hungarian progressive/melodic death metal prodigal sons NEEDLESS don’t waste any time and are now back with their second song from “The Cosmic Cauldron”. “Odium” is a complex structured song, where the epic cosmic saga of the band gets to a post-apocalyptic musical landscape. A sharp-as-knife riff and [...]
Today we bring you the video premiere for one of the most exciting new bands in the progressive rock scenario, one that probably flew under your radar until now: TROPE. TROPE‘s sound is somewhat an anomaly, in its fusing 90’s alternative influences with progressive undertones, songs in odd times signatures dripping with groove, melody and [...]
When you think about Batman, great music probably isn’t the first thing that pops into your mind. The sounds of Batman tend to be ‘pow’ and ‘bop’, the comic-book effects that first appeared in the sixties when Adam West donned the cape. More recently, Batman has become a juggernaut of pop culture, but the first [...]
Southern death/grind with a twist? Yeah, you heard it right. “Strike Above The Neck” is the fist single & video from “Be For Oss Alle” is the new album from SON OF A SHOTGUN, the off-shot Southern death/grind band let by guitar player Ivan “Meathook” Gujic, well-known for his role as the guitar player of [...]
The new TIMECHILD single is an audio postcard of the band. Twin guitar leads, heavy riffs, an enthralling melody and that timeless rock’ n’ roll vibe that has been getting major reactions to the Danish band’s debut album, to be released in November. Because, if they’re stylistically stuck in the best decades of rock’ n’ roll, [...]
Lucer is one of the most successful rock bands in Denmark, and at this point, they have become a non-stopping machine. After releasing their “L.A. Collection” record in late July – a bold step going more traditionally hard rock, they embarked on a trip of showing the upcoming album, single by single. From which “Empire” [...]
Lucer is one of the most successful rock bands in Denmark, and at this point, they have become a non-stopping machine. After releasing their “L.A. Collection” record in late July – a bold step going more traditionally hard rock, they embarked on a trip of showing the upcoming album, single by single. From which “White [...]
The third single off Shumaun’s “Memories & Intuition” is the catchy and anthemic rock song “Intuition Underground.” The ninth track on the album features drummer Thomas Lang (Peter Gabriel, Paul Gilbert), and like the rest of the full-length, adds accessible melodies to unusual time signatures resulting in progressive music that is suitable for both listeners [...]
As the world is still waking up from its year long self-induced hibernation, what better alarm clock to use than a big, bold and HEAVY dose of metal? Iron Maiden’s timing is once again perfect, because on September 03rd the world will finally be able to experience “Senjutsu,” the long awaited 17th release of these [...]
“Roll Over” is the fourth and final single/video from BLACK SWAMP WATER’s upcoming third album “Awakening”, which will be released on Mighty Music on August 20th. It’s an insistingly catchy song from the get-go, which makes the contrast to the more bleakly serious text all the more noticeable – something the music video (which is produced [...]
Gearing up the engines for their third studio album, Finnish modern metallers AS I MAY release their new single and video, for the track “Breaking Myself Away”. A song with all the elements that make As I May one of the hottest offerings in Finnish metal these days, “Breaking Myself Away” foreshows great features for [...]
Johnny Tupolev is not your average Joe band. For starters the name aims to connect both worlds—West and East—through a mix of culture and music in one universal language. While “Johnny” symbolizes American rock n’ roll and blues music, “Tupolev” refers to the electronic forms of pop music hailing from European inventors like Kraftwerk and [...]
E-An-Na – Fascinathanatango E-An-Na has long been a diamond in the rough, from their explosive high-caliber debut album “Jiana” through the nuance of 2019’s “Nesfârşite.” Though they have whet the appetite of their fans with sporadic single releases, this May the band dropped their most unique and ambitious release yet: the new instrumental EP “Fascinathanatango.” [...]
Still fresh from their “L.A. Collection” classic rock’n’roll dive into the past release, rockers LUCER return to the present with the song “Trouble“. The new single and video from the Danish four-piece is the first taste of the band’s third album “The New World“, which will be released in the Winter, and is made in [...]
Heavy/power metal traditions are strong in Italy, so it’s no wonder that, when guitar local virtuoso Francesco Marras formed his own band in 1997, the chosen genre was the most obvious. Now, two decades and a half later, SCREAMING SHADOWS is one of the most established names in the heavy/power metal European scene. “Free Me”, [...]
“This Too Will Pass” is the second single and official video from the new Danish heavy rock band TIMECHILD. The song gives the listener an insight into the heavier and more riff-based part of the band’s characteristic Scandinavian sound. The song is written and recorded during a pandemic that paralyzed the global society and the [...]
Canada’s The Wring released their new album “The Wring² Project Cipher” recently on May 28th. Founded by guitarist Don Dewulf, the studio project’s full length has something for everyone across the spectrums of classic heavy metal to progressive rock and features a lineup of guests that includes Marc Bonilla (Keith Emerson Band, California Transit Authority, Glenn Hughes), [...]
“Don’t be sad because it’s over, smile because it happened” is a phrase that Rush fans have increasingly grown accustomed to as years went on. After the Canadian trio performed their last ever show at the LA Forum, on a hot and windy August night in 2015, we were left wondering if the constant mention [...]
Time for a new TRANSPORT LEAGUE video, taken from their eagerly awaited upcoming new studio album. “Me The Cursed” is a tormented song, with a structure not-so-usual in the TL camp. However, the progression of the song, the first lines, where a “cursed” Jelencovich speaks his battered mind like ever before, all set a path [...]
Often the only two women in their classes at the Musicians Institute in Hollywood, CA, they quickly became friends, bonding over a shared love of fantasy games, books, and films. Soon after, the newfound duo assumed the name FINDING ELYSIUM. Singer Angie Grayfox first moved from Russia to New Jersey at the age of 13 [...]
ELECTRIC GUITARS is more than ready for the reopening. “Dopamine” is the new single and video from Denmark’s most revered rock band. With it, the band sends a pure feeling of happiness to the concert-hungry fans. The single is the sound of cold draft beer, the hair back, and the guitar up to 11. “We’re coming [...]
Sacramento, California thrash veterans PSYCHOSOMATIC present a new drum playthrough video for “Labyrinth,” one of the vicious tracks on their seventh LP “The Invisible Prison,” which saw release through Nefarious Industries last Summer. Drummer Toby Swope (who provides live drums for the likes of Revocation and Skeletonwitch, among others) says: “’Labyrinth’ was an exciting song to drum to. My [...]
“Endless War” is the third single from BLACK SWAMP WATER’s upcoming third album “Awakening”, which will be released on Mighty Music in August. “Endless War” is hard, brutal and thrashy – all classic metal traits that the dystopic horror universe of the music video supports to full extent. New music genres are created for marketing [...]
“March, Kiss, Die” is the new single from Swedish groove metal mammoths TRANSPORT LEAGUE, featuring Sal Abruscato (A Pale Horse Named Death, ex-Type O Negative) on guest vocals. The history speaks for itself. The management to control, the incentive to gain individual profit has its tentacles spread from left to right. Campaign of fear permeates and [...]
Caligonaut – Magnified as Giants Chalk this up as one of 2021’s unexpected surprises coming out of nowhere. While Ole Michael Bjørndal may already be known to a few through his work with Oak and Airbag/Bjorn Riis, this solo debut will put his Caligonaut project on the map, even as its meaning is translated to [...]
“Sweet Mother of Jesus! It’s…Olias of Sunhillow!” Those dry words fell out of the mouth of none other than Roger Dean as he spotted the Olias t-shirt that I was wearing while perusing his gallery. Like a deer caught in the headlights, I quickly realized my faux pas. For, unlike the many Yes albums of [...]
Chicago-based instrumental metal trio AZIOLA CRY is set to release their third album “The Ironic Divide”, on late March through New Jersey-based progressive metal label Sensory Records. Today we are premiering their single for the track “Hollow Reflections”, which can be seen below. Looking into a mirror, the protagonist begins to appear unrecognizable, as only a [...]
The Keep it True festival has existed for almost two decades now, and it’s held in Lauda-Königshofen in Germany, and the whole philosophy behind the event is to have a cast of bands who in the minds of the organizers, should have had better luck in the metal ranks. The festival seems to focus on [...]
IRON MAIDEN‘s “Killers” turns 40 today. Follow me as I revisit the track-list, the recording process, the turmoil surrounding the band at the time, and much more. There’s an old saying about sophomore records: “you have your entire life to write your first album, but six months to write the second one”. That thought didn’t [...]
New single from the extremely well-received SILVERA debut album, “Edge Of The World” can be viewed below. “Something Else” is one of the strongest songs in the record, building the chorus in an extremely strong bridge, which is becoming to be the trademark of the Danish band. “”Something Else” is reflecting on those persons that [...]
One year ago I gathered all my courage, sat down and wrote this article. Today, 365 days later I feel exactly the same… January 10th for me has never meant anything else but the birthday of one of my dearest friends. On a more universal level, it marks the taking of effect of the Treaty [...]
Much has been written about the impact 2020 will have in both the near and distant future, and live music fans have certainly felt its sting since March at least. We’ll leave more cerebral analysis to the experts and instead cap off a grueling year with an hour of thoughts and observations from Sonic Perspectives [...]
After all that 2020 has already dished out with merciless abandon, it’s only appropriate to face the often turbulent waters of progressive music with a welcome embrace. It’s time to bring on the strings and the saxophones, and prepare to be thrown headfirst into tender crooning contrast against anguished howling. Rich melodies and complex compositions [...]
Progressive rock began the year with a devastating blow by the passing of legendary Rush drummer Neil Peart. Artists from all genres unleashed a tidal wave of tributes to this pillar of prog, but perhaps the greatest tribute of all is the numerous strong releases falling beneath the progressive rock umbrella in the past year. [...]
In a year which has proven to hold its fair share of challenges, 2020 has at the very least provided a spectacular flood of new music to feast one’s ears upon. Much of this bounty has come from a surge of power and symphonic metal releases, twisting together the threads of speed and grandeur to [...]
As the sun begins to set on the smoldering ruins of 2020, there is still light to be found in the legacy crafted by the year’s best metal releases. From the heaviest strains of extreme metal to the unstoppable new wave of old-school thrash, metalheads have been treated to a scene standing steadfast despite the [...]
2020 was a clusterf*ck of a year, I believe we all pretty much can agree on that. However that didn’t prevent musicians – as much as they faced incredible challenges during the last 12 months – from creating excellent music that will go down on history because of the mere fact that was released in [...]
This past November, Edmonton, Canada’s JULIET RUIN excited fans with their new single “Dark Water”. Their first of many new sounds to come since releasing their highly praised 2019 album “Old Stardust, Love, and Chaos”. The hot new track features a guest guitar solo from their good friend Diego Fernandez (Eye of Horus) and is the preview to their [...]
“Everything We Are” is the latest single/video from SILVERA’s debut album, “Edge Of The World”. More than one of the most heartfelt songs of the whole record, it’s a very special duet with Kobra And The Lotus’ Kobra Paige. The band comments: “”Everything we are” did turn out as a duet and we got lucky [...]
It was cold that December night, 40 years ago, when Mark Chapman decided to kill John Lennon just for the sake of it, in order to sneak into the biography of one of the most influential figures in pop culture. Moments earlier, the member of the quartet The Beatles had autographed a copy of his [...]
“I’ll Soon Be Gone” was, in July, the final single from the comeback album from the founders of Danish melo-death metal Withering Surface, released in the Summer this year. “I’ll Soon Be Gone” is a duet between frontman Michael H. Andersen and his 19 year old daughter Elizabeth Gorboi Andersen. An epic, doom metal inspired [...]
LUCER returns strongly with “The New World”, the first out of a series of videos/singles the band plans to release as a prelude to their new album, which is set to be released in the fall of 2021. The new song is both the title track and the first taste of the Copenhagen rock band’s [...]
NYC metallers TENSION RISING‘s have premiered with us the song “No Tears Shed,” the opening track form their recently released album “Penumbra”. Watch it now below. After a 5 year hiatus and some personnel changes, TENSION RISING is back with a new full length album, “Penumbra”. The album features 10 songs, including the singles released [...]
I don’t like instrumentals. There. I said it, confessed it. Yeah, there is the occasional exception (like The Ventures Theme from Hawaii Five-0). But I’m a word man. I want lyrics. They can be as basic as The Ramones or as complicated as YES. I need words for my shower performances. But I’ve found a [...]
Denmark’s melodic heavy rockers MERIDIAN have released the final video and single from their new EP “Taking Cover”, coming out on October 23rd via Mighty Music: a rendition of the Phil Collins and Philip Bailey hit, “Easy Lover“. The single’s video premiere can be viewed below. Each member of the band picked one song for [...]
In anticipation of the Mike Tramp‘s upcoming “Trampthology” especial anthology album release, we present you the first single and lyric video from the album and one of the FOUR new tracks that it features: “Take Me Away”. The lyric video can be viewed below. In Tramp’s own words, “The decision to include four brand new [...]
We live in dark times. Virus and social distancing and quarantines and isolation. Restaurants and pubs and movie theaters closed. Live, in-person concerts? A thing of the past, for now. Entertainment options are increasingly limited. Which is part of my plug for online performances. Yeah, it’s not quite the same thing. But to see and [...]
Calgary, Canada’s Arcana are releasing their debut EP this year, the fantastic space rock opera “Letters From A Lost Soul | Act I: The World One Forms”. Today they have premiered a second single and first music video for “Tailwind” with us, which takes progressive metal and rich storytelling to a new level. Watch it below. “Tailwind” is the [...]
Autocatalytica is a bubbling cauldron of scatter-brained prog-metal insanity helmed by guitarist/vocalist Eric Thorfinnson. The newest release for the band “Powerclashing Maximalism” is released today Friday, October 16th. For the full-length’s release day, Autocatalytica is unleashing the lyric video for the track “Borndun”. The track is described by the band as “an obvious nod to Meshuggah, heavy, expansive and with just [...]
October 13 brings us the second installment of Rush history, as told by journalist Martin Popoff. The trilogy started with “Anthem: Rush in the 1970s” (reviewed by us here), and will be concluded next year with “Driven: Rush in the ‘90s and beyond”. As mentioned in our look at his previous book, Martin has written [...]
“Hate Within” is the last video advanced from Swedish death metal mammoths TOXAEMIA, ahead of the release of their debut album “Where Paths Divide” in November. An album that was waited for three (!) decades. “This song has a long history, it was written back in 1990 and recorded the first time together with the [...]
Imagine this. You own a very expensive, very sleek, very powerful car. You love that car, which handles so well when you slip into the driver’s seat and turn on the ignition. She’s your baby, and you are a jealous and possessive owner. Now, imagine that someone comes along who also has the chops to [...]
You might say the video for Stratospheerius’ “Impostor” had a long gestation period. The song was released in October 2019, and it took 10 months for the video to be birthed. But it was worth the wait—for several reasons. First and foremost, the video brought new attention to Stratospheerius and its bow-man Joe Deninzon—much more [...]
“Copenhagen Burning” is the new video and opening track of DEMOLIZER’s upcoming album, “Thrashmageddon.” A warning shot, if you will, to let you know what the young Danes are capable of. Pre-order “Thrashmageddon” at this location. Demolizer, formed in 2018, plays gut-crushing, hard-hitting, and unfiltered thrash metal that will have you picking up your teeth [...]
After recently being signed to Mighty Music, I’LL BE DAMNED present today their second single and video from the upcoming album. “Primal Fear” shows the Danish band firing on all cylinders. In the end, only rock ‘n’ roll stands. I’LL BE DAMNED plays God damned Rock’ n’ Roll exclusively, explosively – and with a metal [...]
After unleashing their new album “Ascend To The Throne” this past July via Head Rattle Productions INC, Vancouver’s Saints of Death are today sharing with fans their new lyric video for the track “Soldiers of Metal,” which is premiering here at Sonic Perspectives. The band wrote the song as a tribute to the metal community and all that is [...]
Illuminated Minerva is a technical, progressive metal band, from Calgary, Canada. With a captivating and visceral live show, the seasoned musicians of Illuminated Minerva have played with a host of bands locally including Tesseract, Intronaut, and Cloudkicker. In 2014, the band released their debut EP “The Immaculate Deception” and are following it up in 2020 [...]
Canada’s Red Cain is finishing their “Kindred” saga with the release of “Kindred: Act II” this coming October; and to whet palettes in anticipation, the single “Demons” debuts here today, July 24th. The new song explores a demon summoning gone horribly right – lick your lips and embrace your inner beast with this banger of a track. Watch [...]
Born out of the folk foothills of the Blue Ridge Mountains in Virginia, LOLITA is a rock band that pushes limits of the rock genre with their powerful hooks and soulful melodies. Their new video for single “Heavy Weighted” – premiering here today – is an interesting, super trippy journey through the eyes of a [...]
Today we are premiering the new single and lyric video from German speed/thrash purveyors, IRON ANGEL. Taken off the upcoming “Emerald Eyes” album, to be released in October, “Sacred Slaughter” is everything you came to expect of the German metal gods and more. “’Sacred Slaughter’ was the first song I had written for the band [...]
Born out of the forward-thinking inclinations of guitarist/vocalist Josh Kay in late 2017, Alizarin is on a mission to explore unconventional rock music. In addition to Kay, the group consists of Jon Damon on drums, Terran Fernandez on bass guitar, and Avelino Ramirez on keyboard. Alizarin is based in Los Angeles, CA and endeavors to [...]
“No More Goodbyes” is the third single from NYC metallers TENSION RISING‘s upcoming album “Penumbra”, and is premiering here with us today. After a 5 year hiatus and some personnel changes, TENSION RISING is back with a new full length album, “Penumbra”. The album features 10 songs, including their two released singles, “Find The Betrayer” [...]
Fresh from being signed to Mighty Music, I’LL BE DAMNED present their first single and video from the upcoming album. “Through The Walls” is the chosen song and the images are taken from the band’s gig at Nordic Noise Festival 2020 – Streaming For Vengeance, which they headlined in May this year. I’LL BE DAMNED [...]
Morten Bytoffe, one of the most promising shooting stars of the actual modern rock scene in Denmark, is back with the third single of his band SILVER, a track called “Unafraid”. Watch the video premiere below. “The song is about the courage to break out of a damaged relationship; to deal with the point of [...]
Exactly two years after their last album “Hellbound”, German speed/power metal gods IRON ANGEL are back with a new single. “Sands Of Time” is the title of the song, which fore-shows great things for the upcoming IRON ANGEL album, “Emerald Eyes”. “This song is a great example of us marrying the past with the present”, [...]
It’s May of 2020. Four months ago, the prog community was taken aback by the passing of one of the most influential drummers in history and arguably the most eloquent musician of his time. Neil Peart, affectionately called The Professor by Rush fans, left our world after battling brain cancer for a few years. Since [...]
Taking a new face in 2020, Chicago-based quartet Sable is on a steadfast campaign to captivate audiences with their unique brand of metal. They have a powerful sound and can surprise and make everything pleasant with imaginative scores, a marked taste for melody without distorting the vehemence of their broadsides. Today they are premiering with [...]
When it rains, it pours. And the heavens opened thirty years ago today when Flotsam and Jetsam released “When the Storm Comes Down” as the next step in cementing their legacy. The band was riding high on the excitement of being signed to MCA Records in the prior year, and were ready to push into [...]
We’ve encountered this spaceship before, almost exactly two revolutions around the sun in the past. The space-guys have been on individual missions. But now, We Came From Space has returned to earth with a shiny, new EP called “Reasons in the Rhyme.” And this ground control is glad to welcome them home. Okay, enough of [...]
“Shove it Down” is the second single from “Shove It Down,” the upcoming album of one of Denmark’s big hope in classic rock’n’roll, Blended Brew, to be released in May, and it’s official music video, produced by Simon Geel Krabbe & Jakob Woetmann Larsen is available below. Keyboardist Lord Sebastian Groset comments “The heavy groove [...]
After a decade of silence, the founders of Danish melo-death metal, Withering Surface, are back with a second single and video, to please the In Flames, Kreator, Dark Tranquility, Soilwork – and their own – fans, and they are premiering “Alone” today with us.The song is an advance from the album “Meet Your Maker” to [...]
Some people are destined to change mankind. On April 15th, 2017, three years ago, the world lost one of them. The Johan Sebastian Bach of electric guitar, The Einstein of the six strings, the inimitable, the groundbreaking, the guitarist’s guitarist, the Maestro: Allan Holdsworth left us, and with his departure we probably lost the greatest [...]
Swedish boogie rock’ n’ rollers Transport League have premiered with us today their new video of a landmark song. Celebrating one of the biggest rock bands on the planet, Soundgarden, they have put together their very own version of the timeless classic “Black Hole Sun”. The song features the great Robert “Rib Guz” Ritchiesse on [...]
NWOBHM legends Tygers Of Pan Tang have premiered with us today the lyric video for their new single “The Art Of Noise”, taken from their acclaimed latest album, “Ritual”. You can now watch the video below. “There is an Art to Making Noise and I think we possibly just found it!‘ ”Robb Weir, guitarist and [...]
AEGIS –-ˈē-jəs. A shield or breastplate emblematic of majesty that was associated with Zeus and Athena. Also – protection. About eight years ago, the folks at Ulterium Records had a suggestion for one of their artists. Matt Smith, they said, why don’t you put out a song for charity—with all proceeds going to some worthy cause? [...]
The late 1980’s were thrash heaven. Ground was being broken everywhere; landmark and genre-defining classics were falling out of the sky. METALLICA and SLAYER were gods, DARK ANGEL was brutalizing ears and KREATOR were pumping out twisted riffs that made your neck ache and your brain explode. It was raining thrash classics and MEGADETH’s “So [...]
Metal music is as broad and diverse as the many seas, and holds just as many mysteries in its turbulent depths. The steady tide of metal has brought bountiful offerings to the shores of 2019, and as night falls on an ocean of talent, both titans and newcomers stand as memorable contributions to the scene. [...]
Some of the most pervasive names in music history are those of progressive rock bands, and across the world, few genres have had as much of a sweeping impact. Living up to the legacy of acts such as Pink Floyd and Rush may seem impossible for modern bands butting up against such a brightly colored [...]
In an era where technical complexity seems to be heralded as the defining feature in determining what makes an album great, the refreshing breath that hard rock provides is obscured by fanatics who strive to classify albums by whose musicians can challenge the boundaries of human performance in their songwriting. While such rankings certainly have [...]
Too often progressive music is credited as simply being “beautiful.” Stunning, awe-inspiring, as intricate as a quilt woven by hand, each note the result of expert placement and sure intention. But such an elementary description forgoes the darker, heavier side of progressive music that has the power to chill listeners to the bone, to stay [...]
For a number of years, the Athens, Georgia-based Theocracy had a Christmas gift for fans—a song for the season. These freebies—yep, they didn’t cost the listener a dime—ranged from the whimsical (Rudolph vs. Frosty) to the traditional (Little Drummer Boy) to contemplative (Night of Silence). The last one came out in 2014…and then there was [...]
It’s that time of year again, when I solidly insert my earbuds anytime I enter a retail space, avoid shopping centers like the plague, and the both the suburbs and the sorority girls next door begin to reek of pumpkin spice. You know what that means… It means everyone who thinks they know more than [...]
For the past 17 years progressive rock fans have found a haven to celebrate their favored musical niche: The Rites of Spring Festival, affectionately known as RoSfest. As the turn of a decade approaches, anticipation grows for what could be the most impressive RoSfest experience yet and with general ticket sales going on-line this past [...]
“It’s getting really hard to book headliners,” laments ProgPower Festival Day 2 honcho Milton Mendonça… so the motherfucker booked TWO. Tease that he is, ou outro terror do brasil (o primeiro terror being our very own Rodrigo Altaf) has spent the better part of two months posting minute-long videos on ProgPower’s Vimeo page. Thoroughly whetting the [...]
A month ago hundreds of progressive rock fans gathered together at New Jersey for three days of music and friendship. For a festival younger than my kindergarten-aged nephew, Progstock sure has brought some incredible talent to New Jersey. Having already featured such luminaries as In Continuum, Glass Hammer, the Dave Kerzner Band, and Enchant, the [...]
In the fall of 1994, multi-talented musician Kevin Gilbert had an idea. He and some friends would perform the Genesis classic The Lamb Lies Down on Broadway for Progfest in Los Angeles. He had just two weeks to put it together. So he called in some guys who are now well-known but, back then, were just [...]
In every man’s life, there are certain life altering moments that will stay in one’s mind forever. For Jonathan Zazula, aka Jon Zazula, such pivotal moment came when a friend brought to his record store, Rock’ n Roll Heaven, a demo tape called “No Life ‘Til Leather”, from a then unknown band called Metallica. Initially [...]
Today is Halloween‘s Day and this month is especially significant in the King Diamond‘s universe: His 1990’s album “The Eye” was released a day like today, 29 years ago in 1990, and the genre-defining Mercyful Fate record “Melissa” saw the light of day on October 30th 1983, a whopping 36 years ago. However, in the [...]
Dream Theater’s “Metropolis Part 2: Scenes From a Memory” turns 20 years old today, and while a lot has been said about this album through the years, it left such an indelible mark in the minds and ears of prog-metal fans that we could not resist the urge to share our thoughts about such a [...]
The Swedish progressive band Opeth released their thirteenth studio album, “In Cauda Venenum,” on September 27. Widely hailed as a more focused and biting effort than its more psychedelic predecessor, “In Cauda Venenum” sees the band perfecting the sound they adopted after their more metallic era came to a close nearly a decade ago. On [...]
Hailing from Gothenburg, Sweden and formed in 1988 as one of the first thrash bands in this area INTOXICATE is returning to the metal music scene with their first ever LP “Cross Contamination”, to be released digitally next October 11th via Downfall Records. The first taste of the album comes in the form of the [...]
The second and final part of the two ProgPower postmortems podcasts (you can listen to the first one here). Early September really is the most wonderful time of the year for a group of dedicated metalheads who flock to Atlanta for the annual ProgPower USA festival. To recap the last two days of the twentieth [...]
Early September really is the most wonderful time of the year for a group of dedicated metalheads who flock to Atlanta for the annual ProgPower USA festival. To recap the first two days of the twentieth edition of the festival, Talking Perspectives host Gonzalo E. Pozo and Sonic Perspectives totalitarian overlord Joel Barrios linked up [...]
Progressive rock festival ProgStock returns to New Jersey this October 11th – 13th bringing an engaging lineup of top-notch bands to the beautiful Union County Performing Arts Center in Rahway, New Jersey. Now considered “The Northeast’s only international progressive rock festival”, ProgStock is in its third year and continues to pave new ground by featuring [...]
Demons & Wizards, the band featuring Iced Earth front-man Jon Schaffer and Blind Guardian singer Hansi Kürsch, are currently working on their first new record since 2005. In celebration of the coming new material, the band trekked North America for the first time ever with Lizzy Borden and Tyr as support with a set of [...]
“Hello Morsefest! Wow! It keeps getting better! We never think it can get any better and then it does!” Neal Morse is radiantly beaming as he stands on the stage’s catwalk and greets the audience. It’s a half-hour into the final performance of the double-concept album of The Great Adventure, and the first natural break [...]
Guns N’ Roses has been one of the most influential and popular bands in the rock genre, and thanks to its surprise return back in 2016, it seems that the group’s story is far from over. In fact, we’ve just recently heard that the band is hard at work on a brand new album – [...]
I found myself in a dilapidated Chicago airport on a damp and dingy Friday in February 2001 without a plan, without a debit card, and frankly, without a clue. The freezing winds somehow didn’t feel terribly cold, I had traveled light, and I had to figure out quickly how I was going to make the [...]
Blackened tour de force Draagyn will surely become a talked-about name if the group’s first offering, a single dubbed “Majesty,” is any indicator. To be clear, this isn’t metal. In fact, it’s the end of times. The chilling moment right before you die. It’s something to be loved, feared and hated at the same time. An intense [...]
There are few rules when writing music reviews. First, don’t plagiarize (check). Second, don’t write in the first person (about to be unchecked). Third, don’t expose personal ignorance about the song, the video or the band (checkmark is missing in action). So here we go. I don’t know exactly what to make of the song/video [...]
By now you’ve probably heard about the secretly recorded phone call that saw Metallica, ticketing powerhouse LiveNation, and a third party broker conspiring to sell tickets for the World Wired Tour through the secondary market, bypassing the opportunity for fans to purchase over 4,000 tickets at each show at the advertised prices. This recording brought [...]
Depending on your age it may be hard to believe, but today (July 21, 2019), Guns N’ Roses‘ Appetite for Destruction turns thirty two years old. I was fourteen years old when Appetite for Destruction landed in 1987, arriving like a tsunami on the rock scene and blowing the glam out of the hair-band dominated [...]
“What have you learned?” Bent Knee guitarist Ben Levin asked me on the final night of the Thank You Scientist / Bent Knee tour. I hadn’t approached this journey as an educational experience, but, as a high school teacher, I’m grateful that Ben requested I reflect. What have I learned? Let’s go back to the [...]
Images and Words turns 27 years old today. Dream Theater’s second, and most famous release, is undisputedly hailed as a progressive-metal defining classic, given its tremendous influence on the further development of sub-genre with an identity of its own. It marked a pretty major change from their debut for a variety of reasons, the most [...]
Take some interesting time changes, a whole lot of hooks, words inspired by John Steinbeck, and a kaleidoscopic vision of a Norwegian band with a front-man from Iceland. When it’s all mixed together, you’ve got the video for “The Man Who Had It All,” the second release from Magic Pie’s upcoming album Fragments of the [...]
Americans all too often view history—including international events—through blinders. If we weren’t involved, it didn’t exist. If we were involved, well, anybody else matters little. Take it from me, an American historian. That certainly applied to the recent celebration marking the 75th anniversary of D-Day. Okay, all the action happened on the beaches of Normandy [...]
In 1999 Jim Robinson founded the NJProghouse with the goal of boosting progressive rock’s live scene by providing a smaller version of ProgDay. In the 20 years that followed his venture has grown substantially and become a family. On the weekend of June 15 and 16, 2019, Roxy & Dukes Roadhouse in Dunellen, NJ hosted [...]
Talking Perspectives is normally a fun show where the panelists talk both music and trash with and at each other, but Episode 25 will be more somber. On the morning of 8 June 2019, Andre Matos‘ wife posted on social media that she’d found her dear husband dead in their Sao Paulo home. An official statement [...]
Coming off several weeks of technical foulness and work-related brutality, the ever-obnoxious triumvirate of twits that is Jordan Blum, Nick Andreas, and Gonzalo Pozo resurface to bring you a long-overdue 24th episode of Talking Perspectives. This time around, our panel discuses their favorite releases 2019 has given thus far (spoiler: The Mute Gods and Empath are brought up yet again); exciting album [...]
Let’s start from a basic premise—most music videos are emotional and mental cotton candy. There’s a bit of taste and color but almost no substance. They’re sorta fun every once in awhile, but every day? Nope. I mean, how many ways can you lip sync and play air guitar/drums/bass/keyboards (albeit using real instruments)? How many [...]
The “DESERT ISLAND PICKS” segment was one we left behind for a few months, in favor of new releases and relevant news in the rock world. However, if and when there’s time we want to bring you an article of that kind, which is a fun thing to do if you’re a fan of the [...]
Germany-based progressive-rock band SOULSPLITTER is premiering their first video and single from the upcoming album Salutogenesis with us today. You can watch “The Moloch” below. SOULSPLITTER is a highly dedicated music and arts collective founded by Fenix (drums), Simon (guitars), Daniel (keys) and Felix (bass). They started writing on their debut record Salutogenesis in 2016, [...]
With a career that spans back to the early 80s, Minnesota-based singer Lance King has gained global recognition for his impeccable timbre, mile-wide range, and towering persona while fronting such luminary bands as Pyramaze and Balance of Power. Fresh off the release of his second solo album, ReProgram, King was a good enough chap to [...]
Is constant artistic evolution a virtue? Is it necessary to maintain a group’s integrity? When is it okay for a band rely on the fruits of past labors? Can a teenager recruit members of King’s X and Spock’s Beard to perform on his debut release? Riding on the heels of Episode 21’s discussion of artists [...]
What happens when you record a bunch of know-it-all prog nerds on a conference call? You get yet another episode of Talking Perspectives, back for the second edition of the new year. On Episode 21, regular panelist Jordan Blum and Talking Perspectives founder Nick Andreas join host Gonzalo Pozo to discuss the virtues of mixing [...]
A Great Adventure can take place in any setting, as the Neal Morse Band is quickly discovering. They essentially began their current tour by performing on Cruise to the Edge’s 5-day progressive rock cruise…not a bad way to begin the 7-week tour that remained after they disembarked in Tampa. Their brand new double-album The Great [...]
Progressive Rock festivals have taken place in amphitheaters, outdoor fields, bars, indoor theaters small and large, but few venues reveal their splendor as much as sailing on the waters of the Caribbean. Now in its sixth year, the annual floating festival known as Cruise to the Edge has established a home for progressive rock’s finest, [...]
Our morning got off to a bit of a late start, and we decided to take part in the various attendee-driven attractions to begin the day. First we walked by the Solarium, where the annual belly flop contest was taking place. There couldn’t have been a more amusing start to an incredibly memorable day, watching [...]
It was Saturday when Independence of the Seas docked at the port in Labadee, Haiti. This was an intermission that we had eagerly been awaiting, and our group wasted no time in getting beach ready. The view from the Windjammer was stunning, peace descending from blue skies and gorgeous mountains in the distance. Though it [...]
Day Two renewed in earnest at 1000, and I made my way to the pool deck stage on nothing more than a few hours of sleep. When I saw what seemed to be a unicorn throwing itself into a mosh pit filled with hammer-wielding warriors, I thought that perhaps I was still dreaming. But the [...]
I’m back, and I’ve finally recovered from the excitement and chaos of what I consider the best weekend of the year. It takes a while to comprehend the magnitude of everything that happens on the infamous “BOAT,” but there’s no question that for me, it is an experience that has proven itself absolutely life-changing. Of [...]
Drummer virtuoso John Macaluso is a name that will be familiar to anyone following the melodic metal scene for the last 20 years. One of the most in demand and hard working drummers to ever grace a stage – with a catalogue of over 200 albums spread across numerous different genres – Macaluso is a [...]
Progressive metal can mean a lot of things. If you take the most accepted definition you would hear something like “a blend of heavy, guitar-oriented metal music enriched with compositional innovation and complex arrangements, usually expressed through diverse instrumentation and often with odd time signatures. Similar to progressive rock, progressive metal draws influences from other [...]
Yes, the pain in the lower back task, also known as the end of year lists is back. And as we continue saying, year after year: everybody loves lists. Despite the innate subjective nature of them, we all enjoy to rank, and furthermore to discuss it. Ranking music albums when the year is coming to [...]
That dreaded moment when you have to look back and choose the album releases you liked the most for the year. Uff! Let’s get it done! For this episode of Talking Perspectives regular host Nick Andreas returned with an extended cast of Sonic Perspectives contributors for a hindsight analysis of the music we have dealt [...]
Can one compose music while unable to move? Could anything go wrong when a group of Bostonians drive across the country during a snowstorm? Can any music really surprise you when your constantly inundated in new music? Talking Perspectives host Nick Andreas hands over hosting duties to regular panelist Gonzalo Pozo as they shoot the [...]
Question: how can an album (or band) be a forgotten gem if next to nobody knew it existed in the first place? That was, and is, the conundrum about PLUS. They put out one album. They never did a gig. And distribution/promotion problems meant it received no radio play, no advertising boost, no nothing. PLUS’s [...]
As a marathon runner and a music reviewer, I am aware that timing is of the essence. Ideally, the recap of events like the one portrayed in this article should have come out a handful of days after it happened. However, life happens, and it took me so long to process how intense the whole [...]
Do you remember when you first got into your favorite band? How you quickly ran through everything they had done up to that point and then anxiously awaited their next release? On this episode of Talking Perspectives we talk about how the point in which that happens with a band affects how you perceive their [...]
Talking Perspectives road trip! We head to the land of ProgStock, a progressive rock festival that was held over the weekend of October 6th in Rahway, New Jersey. Joel Barrios, Austin Kokel, Scott Medina, Nick Andreas and Bruce Allen give a day-by-day wrap up of the highlights of the festival, which featured over a dozen [...]
When the opportunity arises to come together in celebration of the music they love, the prog faithful jump in and seize the day. Or in this case, the weekend. Carrying a somewhat inevitable name, the ProgStock festival has just completed its second journey through the colors and textures of this under-appreciated genre, including bands that [...]
If you landed here without reading the first part of this article, you can do so at this location. Saturday night headliners IQ have the concert hall buzzing. They play very infrequently in the States and for many of their long-time fans (some of whom have followed them since the early ’80’s), this might be [...]
On this week’s episode Nick, Jordan, and Gonzo were joined once again by Edge of Reality and Kyros axeman Joey Frevola. The quartet discussed the use of, and the pros and cons of click and backing tracks in live performances and how Joey’s bands use them as part of their creative process. The second topic [...]
For Neal Morse fans, the annual two-day Morsefest festical is a “must be there” musical event. The 2018 edition was held on the weekend of September 14-15—the fifth time the festival has taken flight, in Cross Plains, TN – and it was perhaps the most ambitious in the series. Attendees were entertained by a “Voices [...]
A concert hall…in a church? A self-named festival called…Morsefest? Complex albums played in their entirety cover to cover…for one time only? All in the anti-progressive rock mecca of…Nashville? If ever there were reasons for a weekend festival not to work, Neal Morse’s festival Morsefest, has a boat load of them. And yet, here we are, [...]
This week on Talking Perspectives regulars Nick and Jordan were joined by Mark and Rayna Monforti, co-owners of the ProgRock.com internet radio station and show runners of Music in Widescreen, which has now aired over 750 episodes. Our middle segment focused on the topic of internet radio, their history in it, exploration of it, and how [...]
Welcome back my friends to the show that never ends, unless of course you count the part where it ends after about an hour! This week’s discussion features some usual suspects in Gonzo and Jordan, but we were also joined by a very special guest! You may recognize Vikram Shankar as the new keyboard player [...]
Nothing goes together quite as well as progressive rock fans and lists, am I right? They’re like oil and water, Democrats and Republicans, eight-string guitars and Cruise to the Edge. No matter what you do, how you cover your bases, how clearly you state your opinions (and reiterate that it all is, indeed, opinion) someone [...]
I’ve been fortunate enough over the years to experience a lot of progressive music festivals, but thus far all of them have been based in or out of the United States. Under my belt are multiple NEARfests, RoSfests, a ProgPower, Progressive Nation at Sea, and multiple Cruises to the Edge. That said I’ve always kept [...]
Welcome to what was a truly fun and powerhouse discussion, the middle section of which left friendships in tatters and battle scars for all. Joining Nick once again was Gonzolo and Jordan, and after discussing the upcoming Pineapple Thief album entitled Dissolution due out August 31 the group went on to discuss their unpopular opinions. [...]
For the second straight week we have a discussion that involved Nick, Gonzo, and Jordan, this time talking mainly about albums we found had an immediate impact on us as opposed to those that took repeated listens for us to fully enjoy. We also dug into the archives and made the 2nd half of the [...]
Two years ago I wrote this homage article, after the passing of the legendary NEKTAR guitarist and frontman Roye Albrighton. It saddens my heart to see that most of the news world have forgotten about him, with almost no online publication remembering the another anniversary of his death. For those of you who grew up enjoying [...]
Sorry it’s been awhile since one of our spirited musical discussions! Nick was off to Europe for a few weeks that ended with some festivities at Night of the Prog, which is one of the topics he ended up talking about with Gonzo and Jordan. Coming out the same day as this podcast is the [...]
Although they may not be household names like Justin Bieber or Bruno Mars, it’s a pretty big deal around these parts to be able to discuss new stuff from both Haken and Devin Townsend! When this podcast airs on June 22 the world will have just experienced the release of the new Haken live album, [...]
Talking Perspectives‘ episode number 7 is here, and was there some heavy hitters discussed on this week’s episode! We started off with a band that was just nominated as a UK Act of the Year for the PROG sponsored Progressive Music Awards, The Fierce and the Dead. We were joined by the band’s Matt Stevens [...]
Talking Perspectives‘ episode number 6 is here, and we have some exciting content for you this time around! Our first topic was inspired by a Facebook post form KYROS singer and keyboard player Adam Warne, and so we had him and KYROS bandmate Joey Frevola (also of Edge of Reality) join us for a discussion in [...]
Talking Perspectives‘ episode number 5 is here, and we have some exciting content for you this time around! For the first half we got to talk to Danny Markovitch, saxophone player and one of the founding members of the band Marbin. We talked about their new album Israeli Jazz and talked about their life on [...]
Talking Perspectives‘ episode number 4 is here, and it’s our longest one to date, yet we promise you it’s worth your time! We had two special guest with us for this episode, and their insightful comments and opinions took our conversation to a whole new level. In this fourth episode of the series we discussed [...]
Uriah Heep. A character straight out of Dickens — literally. The guy from David Copperfield is darkly unctuous, insincere, full of fake fawning. Which probably applies to some rock bands, then and now. But the character only shares a name with the British rock band, which traces its roots back more than 50 years. They were [...]
Talking Perspectives is back! Once again some of us here at Sonic Perspectives got together in a phone conversation, where we discussed relevant – recent and past – music releases, and talked about some other meaningful topics related to the music industry. Joining some of the regular cast and crew this week was the focus [...]
Full disclosure: I don’t like radio rock. Only twice since System of a Down‘s heyday have I heard a radio rock tune I actually enjoyed and appreciated, and one of those was a George Michael cover. (It wasn’t Limp Bizkit). More than once have I been baffled that the melodic accessibility of some underground metal [...]
Crack the Sky should have been big—I mean, really big. Yes, I know, that can be said about so many bands… but Crack the Sky deserved better. Their first album—entitled, no big surprise, Crack the Sky—received Rolling Stone’s “Debut Album of the Year” designation. It’s number 47 in that magazine’s Top 50 Prog Albums of [...]
Talking Perspectives is back! Once again some of us here at Sonic Perspectives got together in a phone conversation, where we discussed relevant – recent and past – music releases, and talked about some other meaningful topics related to the music industry. A usual we did our best to cover as much ground as possible [...]
Talking Perspectives… what is that about? It’s actually fairly simple: every now and then, some of us here at Sonic Perspectives get together in a phone conversation, where we discuss relevant – recent and past – music releases, and talk about some other meaningful topics related to the music industry. Since not every subject caters to [...]
A bucket list. Things you want to do before you die. For many of us who live and thrive on music, that list includes a chance to meet our favorite artists. Or — hope against hope — maybe we could perform with them (lack of musical skills notwithstanding). Most of us will never get the [...]
When we were discussing the topic of “Desert Island Picks” and Van Halen came up, I instantly raised my hand. Being a long time fan and still an avid listener of their material today, I took this as an opportunity to review their whole output and see what those songs mean to me today. But [...]
August 1, 2015. It’s a date that many hardcore Rush fans have etched into their brain as what will most likely be the last time Geddy Lee, Alex Lifeson, and Neil Peart would get on stage to perform together as Rush. Like most fans I’ve struggled to come to grips with the thought of a [...]
CELL15 is Robert Scott Richardson’s band, and the album Chapter One is his story—a powerful story of entrapment and imprisonment presented in a progressive-rock fashion. It took a long time and a lot of blood, sweat and tears for it to come to fruition. The Pennsylvania musician/producer/engineer had to battle a variety of incarcerations to [...]
Apocalyptic visions are nothing new or rare in music, especially in metal and prog-rock. But in 2012, a multinational band called Affector took things in a somewhat different direction. The album was called Harmagedon, and it was a biblically-based account of the end of the world—and beyond. The words, the accounts, were directly taken from [...]
So this all started when the main editor of Sonic Perspectives asked me if I’d dare writing an article ranking all the YES albums. Wow. Where would you start? 21 studio albums. 50 years of music. I don’t think I could do it. Top 10? Ah, that can change from day to day and how [...]
The first time many rock fans heard about the concept of a prog rock cruise, their initial reaction might have been one of distaste: “Really? That’s what it’s come to, then? Trapped on a ship with other music nerds to listen to aging bands that can’t get gigs anywhere else and are irrelevant?” But in [...]
As we are walking into the port, getting our passports ready there’s tons of metalheads waiting in line ahead to go through customs and ready to begin their journey on board! For some this is their first time and others they are already the ‘veterans’ of this fantastic metal vacation. For us it’s our 3rd [...]
This was the start of pure exhaustion, with only 1-2 hours of sleep we got up early to have some breakfast at the Windjammer and catch up with some of the bands performing. My husband who was one of the photographers was able to capture a lot of the sets and bands in time. I [...]
I woke up at 11:30 am the sunlight was already peeking through the curtains. It must have been quite bright, since none of us woke up in an earlier time. We got up quickly got ready with a ton of sunblock, quick breakfast and we were ready to hit the beach. We had docked at [...]
With a coffee mug in my hand and my sleep slippers, I quickly went to go see Seven Kingdoms who was performing in The Alhambra Theater. A lot of Floridians, including myself are already familiar with the band since they are from Tampa. The band being humble, down to earth and very humorous delivered a [...]
All my life, I’ve sought out new music and looked forward with great anticipation to new albums coming out by my favorite artists. But due to recent events, my attitude towards music has changed. I have Stage 4 Cancer, and treatment is no longer effective. Doctors say I have a few months to live. When you’re [...]
It starts as you might expect, the disembodied voice spouting forth on his distaste for “rockumentaries.” Then, there he is, the Bald Buddha of Britain, the Sage of Swindon, in the flesh. And for the next 73-minutes, Andy Partridge pontificates on a variety of subjects—from crazy mothers to extended Valium addictions to synesthesia to the [...]
If nothing else can be said about the 80’s, it was a time where music was allowed to evolve in a host of different ways. The year 1988 in particular, saw the release of many groundbreaking albums in both the realm of mainstream traditional metal, as well as the soon to be dominant progressive scene. [...]
Eight years ago, On Dec. 28, 2009, Avenged Sevenfold drummer Jimmy “The Rev” Sullivan was found dead at the tender age of 28. “It is with great sadness and heavy hearts that we tell you of the passing today of Jimmy ‘The Rev’ Sullivan,” the surviving members of Avenged Sevenfold posted on their website on [...]
Progressive metal can mean a lot of things. If you take the most accepted definition you would hear something like “a blend of heavy, guitar-oriented metal music enriched with compositional innovation and complex arrangements, usually expressed through diverse instrumentation and often with odd-time signatures. Similar to progressive rock, progressive metal draws influences from other genres, [...]
If you landed in this article without reading the first part and the second parts, you can do so by visiting A Year In Review: The Best Progressive-Rock Albums of 2017 – Part I and A Year In Review: The Best Progressive-Rock Albums of 2017 – Part II And we finally got here, to our [...]
If you landed in this article without reading the first part, you can do so by visiting A Year In Review: The Best Progressive-Rock Albums of 2017 – Part I 9. Nad Sylvan – The Bride Said No – (InsideOut Music) Nad Sylvan‘s larger than life persona translates easily into the music he creates. With [...]
Let’s set the record straight right from the start: we love lists. Despite the innate subjectivity nature of them, we enjoy to rank, and furthermore to discuss about it. Ranking music albums when the year is coming to a close always feels sort of unwise, like pretending they’re race cars instead of representations of other [...]
Reading might be a compulsion for a schooler, or a pastime for a retired person, but it’s one of the ultimate pleasures for many, and I proudly count myself in the latter group. Sitting at home after spending countless hours working in front of a computer, and leisurely turning the pages of a good book [...]
I met Sonya back in 2016, during my first tenure as the official photographer for Neal Morse‘s progressive-rock festival Morsefest. I remember watching her sitting still in one of the front rows during the day-long rehearsals, and several times I spotted tears running down her cheeks. Given the affectionate intensity of the music dancing in [...]
AFM Records continues their mission to put out amazing heavy metal music releases from a wide array of bands, and as part of that goal they have just reissued the first two early classic Evergrey’s albums “The Dark Discovery“ and “Solitude, Dominance, Tragedy“. Some of you might have forgotten about these records, or maybe never [...]
The anniversaries of historical albums keep pouring in, and I can’t help but feeling how old I am getting. This time around is the turn for a monolithic pop-metal record that defined the latter part of the Eighties: Def Leppard’s “Hysteria”. The fourth studio album by the Sheffield fivesome was released a day like today [...]
Exactly one week from today almost every single progressive rock magazine or fanzine around the world was celebrating the coming of the 25th anniversary of what can arguably be called the quintessential album in the evolution of progressive metal: Dream Theater’s “Images and Words”. Today, I want to travel back in time and write about [...]
If you landed in this page without reading the first part of this article, you can do so by going here, and also the second part can be found here. SUNDAY: The last day was here and many were worn-out after prolonged hangouts at the hotel lobby for two consecutive nights (myself included). THE FIERCE [...]
If you landed in this page without reading the first part of this article, you can do so by going here. SATURDAY: The second day (and first one to feature four bands), started out with THE AARON CLIFT EXPERIMENT. I must confess this band had flown completely under my radar, so I wanted to see [...]
As we passed the summer solstice and the year dives headfirst into its warmest season after the longest day of 2017 is gone, I look behind at the musical experiences of these initial 6 months and reflect about some of them. Today, I’d like to write about the second longest running progressive rock festival in [...]
In what can be considered a fantastic year for the progressive-rock genre, classic bands returned with some of the best work in years; newer bands took their music to the next level, and some concept albums saw the light of day. This is actually the second and final part of this compilation article. You can [...]
The 2016 curtains are closing today and despite the losses of so many greatest artist during the last 12 months (I don’t even feel like mentioning their names here to prevent myself from getting overwhelmed again by the sadness of their absences) the leap year 2016 has been exceptional in the progressive-rock realm. Pretty much [...]
You can read the first part of this article by clicking here… SATURDAY Sonus Umbra: Prior to my trip to Chicago, crossover prog-band Sonus Umbra is one that had caught my attention. They delivered a powerful live performance that far surpassed my expectations. Originally from Mexico, the band is now based out of Chicago. Their [...]
In October 2016 music lovers from all around the country converged at Reggie’s Rock Club in Chicago for Progtoberfest II, the second installment of an up-and-coming progressive music festival that hopes to become an annual tradition. The first Progtoberfest was held in October 2014. After the death of legendary keyboardist Keith Emerson last March 2016, [...]
For all intents and purposes, thrash metal is celebrating its 33th anniversary in 2016. Yes, as nebulous as rock ‘n’ roll history can be when it comes to dating broad-ranging musical developments, we can confidently point to 1983 as the year when sporadic ‘speed metal’ displays coalesced into the true definition of thrash metal. Outside [...]