Living Room Music by N8K99: Recent Episodes
Nathan Eckenrode
A weekly podcast of electronic music generated in my living room. Sometimes its all me, sometimes there is collaboration with other musicians.
Welcome to Episode 79 of the "Electronic Odyssey," a weekly podcast that immerses you in the vibrant world of cutting-edge electronic music. As a creator, I've embarked on this sonic journey to not only share my evolving musical creations but also to foster my own creative growth. This week's episode, recorded on Thursday, September 7, 2023, presents a unique twist in our usual format. Amidst my commitment to a parallel visual art project of crafting a digital drawing each day for the next 100 days, my creative workflow faced a delightful pinch. In response, I've delved into a captivating soundscape adventure, where my synthesizer takes the lead in crafting an intricate musical tapestry.
In this episode, we explore the mesmerizing world of synthesized soundscapes. The core of our musical voyage rests upon the capabilities of my synthesizer, an electronic marvel that allows me to conjure multiple layers of sound and intricate rhythm patterns. The synthesizer becomes my artistic palette, responding to the notes I play on my keyboard, weaving them into complex auditory landscapes that transcend conventional boundaries. With each keystroke, I shape the sonic environment, invoking emotions, and stories that resonate with listeners.
Within this musical odyssey, we encounter a rich tapestry of sound layers. Each layer is carefully composed, adding depth and texture to our sonic canvas. The synthesis of various elements, from ethereal pads to pulsating rhythms, forms a dynamic spectrum of auditory experiences. As we journey through the episode, you'll find yourself immersed in a sonic world where every sound has a purpose, every rhythm has a heartbeat, and every note tells a story.
This episode not only showcases my electronic music but also reveals the dance of creativity that occurs when art forms intersect. Balancing my commitment to daily visual art creations with the demands of my podcast has catalyzed an unexpected, yet fruitful fusion. It serves as a testament to the boundless nature of artistic expression, where one medium can inform and inspire another, leading to unique and unexpected outcomes.
In Episode 79 of "Electronic Odyssey," we invite you to join us on this exploration of sound and creativity. It's a testament to the power of art to push boundaries and inspire growth. Whether you're a seasoned electronic music aficionado or simply curious about the intersection of art forms, this episode promises an auditory adventure like no other. So, sit back, close your eyes, and let the synthesizer-driven soundscapes take you on a journey through the realms of creativity and innovation. Thank you for being a part of this evolving artistic odyssey, and we can't wait to embark on this captivating adventure with you.
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Its very funny the way my listening habits go into the ideas which get explored. I have been rehearsing some DJ mixes and listening to several different genres of EDM. All this week I have also been doing some woodworking projects; laying a new parquet floor and building a cabinet for my musical gear. So while doing this work, I'm listening to a bunch of Tech House, 140 Dub, DnB and such.
Then I realized that I have yet to compose this week's podcast. So I started just dropping beats and throwing key signatures around. And suddenly, I have my take on Tech House. Surprise!
Well, Enjoy!
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The Sun, an immense celestial body, stands as a radiant sentinel in the vast expanse of our sky. However, amid its brilliance, how intimately acquainted are we with this cosmic behemoth that shapes our existence? The Sun, a luminous orb, is an intricate enigma composed of gaseous elements. These constituent gases, swirling and undulating in a mesmerizing dance, constitute the very essence of our star. They are subjected to unceasing tumult, as torrents of reactions unfurl explosively across its fiery surface and resonate deep within its unfathomable core.
Throughout the annals of time, there have been those who dedicated themselves to unraveling the Sun's mysteries. Embarking on quests of scientific discovery, some intrepid souls dared to approach the Sun's blazing embrace, their inquisitive spirits drawn to the enigmatic secrets it holds. Alas, the price of proximity was high for a few, as they ventured too close, singed by the unforgiving fervor of its radiance. History tells of visionaries who gazed upon the Sun's brilliance, only to be met with a blinding aftermath, forever marked by their audacious pursuit of knowledge.
Yet, across epochs and civilizations, one truth resonates: the allure of the Sun's profound significance. It is a beacon of life, a celestial furnace that nourishes our planet and kindles the delicate ember of existence. Remarkably, though it occupies a central role in our cosmic narrative, the Sun often slips from our contemplation, overshadowed by the demands of our daily lives.
To truly comprehend our place in the universe, we must transcend the habitual oversight of the Sun's omnipresence. We must recognize the intricate interplay of its elements, the grandeur of its convulsing surface, and the fervent energy coursing within its core. The Sun, ceaselessly radiant, remains a muse for inquisitive minds, beckoning us to cast our gaze skyward and immerse ourselves in the profound saga of our stellar companion.
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In the intricate tapestry of life, the concept of time assumes multifaceted roles. It transcends the mere ticking of seconds on a clock, evolving into a malleable resource waiting to be molded by our actions, thoughts, and emotions. Each moment presents an opportunity to paint the canvas of existence with vibrant strokes, whether through purposeful deeds, contemplative musings, or profound feelings. Time becomes the vessel through which we pour the essence of our being, a reservoir that we can draw from to shape our experiences and narratives.
Yet, time is not always a relentless torrent; it can also resemble a gentle stream, meandering through the landscape of our days. In these moments of respite, the pace of life slows, allowing us to savor the tranquility that accompanies a lack of haste. These interludes provide a haven for rejuvenation, a chance to recalibrate amidst the relentless demands of a fast-paced world. Such periods of unhurried tranquility can often unveil the beauty of simplicity, granting us an opportunity to appreciate the subtleties that might otherwise go unnoticed in the frenzy of busier times.
Sometimes, it is amidst the absence of fervent demands that the most profound revelations occur. The absence of frenetic demands enables us to tune into the whispers of our inner selves, fostering a deeper connection with our thoughts and emotions. These respites become a sanctuary where we can nurture our creativity and cultivate a sense of presence. The best times might indeed be those instances when time is not relentlessly pressing for attention, when the pace of life allows for introspection and mindful engagement. In these moments, we can bask in the gentle rhythm of existence and embrace the richness of a life lived not solely through the lens of productivity, but also through the embrace of contemplative stillness.
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In this mesmerizing episode we delve into the enigmatic realm of perception and its intricate connection to the world of music. Titled "Our Eyes Deceive Us When We Stare Too Long," we embark on a sensory journey that explores the captivating interplay between auditory and visual sensations. The episode opens with a gentle electronic hum, gradually evolving into a hypnotic soundscape that mirrors the fragile dance between illusion and reality.
As the episode unfolds, we dive into the concept of visual afterimages, drawing inspiration from a captivating graphic image of the sun imprinted on retinas after gazing directly at its brilliance. The intricate layers of IDM music blend seamlessly with the exploration of the mind's tendency to mislead, paralleling the way our ears and eyes can deceive us. The beats mimic the pulses of neurons firing, while glitchy tones emulate the momentary lapses in perception that occur when we fixate on an image for too long.
The middle part of the episode delves into the intriguing parallels between the auditory and visual systems, inviting contemplation on how our senses interact to construct our unique reality. As the crescendo builds, the music intensifies, culminating in an awe-inspiring fusion of glitchy melodies and ethereal harmonies that mirror the profound revelations sparked by this exploration of perception.
Concluding on a thought-provoking note, "Our Eyes Deceive Us When We Stare Too Long" leaves listeners pondering the nature of reality and the intricacies of human perception. The episode invites us to question our own interpretations of the world around us and challenges us to embrace the beauty of ambiguity. Whether you're a dedicated fan of IDM music or simply intrigued by the mysteries of perception, this episode promises an enthralling experience that will resonate long after the final note fades away.
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In this captivating episode ofLiving Room Music, listeners are taken on an enchanting voyage through the depths of the subconscious mind. The atmosphere is set with brooding, intricate electronic beats that pulse like neurons firing in the vast expanse of the brain. As the episode unfolds, the artists venture into uncharted territory, embracing free-form improvisation as their guiding compass. Eschewing traditional song structures, they weave an intricate sonic tapestry that ebbs and flows, drawing inspiration from the dark corners of the human psyche. Listeners will find themselves immersed in a labyrinthine soundscape, where each moment is a spontaneous expression of emotion, introspection, and raw creativity.
The journey commences with a hypnotic, otherworldly opening, designed to transport listeners to an altered state of consciousness. Gradually, the beats evolve and mutate, seemingly unbound by conventions, as the artists fearlessly experiment with distorted textures and fragmented melodies. Elements of glitch and ambient noise intertwine, creating an eerie, yet alluring sonic landscape. The improvisational nature of the episode ensures that no two listens will ever be the same, as the musicians tap into their innermost thoughts and let their emotions unfurl, resulting in a deeply personal and unpredictable experience.
As "Ephemeral Synapses" reaches its climax, the intensity builds to a crescendo, with intricate rhythms colliding and converging in a spectacular cacophony of sound. The episode concludes with a moment of contemplative serenity, offering a fleeting glimpse into the artists' subconscious minds before gently dissolving into silence. This experimental voyage into Dark IDM serves as a testament to the boundless possibilities of free-form improvisation, pushing the boundaries of the genre and taking listeners on a transformative sonic odyssey through uncharted territories of the mind.
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Step into a captivating realm of sonic exploration with "Unmasked," an hour-long dark IDM music composition that delves deep into the intricacies of the human psyche. Guided solely by ethereal instrumentation, this mesmerizing flow of soundscapes takes listeners on a poignant voyage through the emotional landscape of dropping the masking of Neuro Divergent presentation.
With each evocative note and rhythm, "Unmasked" invites you to embark on a soul-stirring odyssey of self-discovery and acceptance. The music weaves a tapestry of emotions, echoing the very essence of shedding societal expectations and embracing one's true self, unapologetically. It is an ode to the courage and vulnerability required to cease attempting to blend in, as individuals traverse the vibrant spectrum of their unique identities.
In this aural tapestry, listeners will find solace in the rich textures of dark IDM, where intricate melodies intermingle with intricate beats, forming a harmonious expression of the unspoken. Each carefully crafted sound creates an intimate connection, drawing the audience closer to a profound understanding of the struggles, triumphs, and complexities experienced by those who navigate life through the lens of Neuro Divergence.
"Unmasked" emerges as an intimate and reflective experience, one that encourages introspection and compassion. The absence of lyrics allows listeners to immerse themselves fully in the atmospheric soundscape, enabling a personal interpretation of the emotional journey unfolding before them. It beckons all to contemplate their own masks, to unshackle themselves from the constraints of conformity, and to embrace the beauty of diversity.
Whether you are a fellow Neuro Divergent individual, a curious soul seeking insight, or a music enthusiast looking for a captivating experience, "Unmasked" offers a profound and immersive encounter. Lose yourself in the intricate melodies and enchanting rhythms, as this instrumental opus guides you through the transformative process of living authentically and unmasking your true self.
Allow "Unmasked" to sweep you away on its emotive wings, and let the melodic voyage be a reminder that embracing one's unique identity is a powerful act of liberation and a step towards a more inclusive and empathetic world. Experience the raw beauty of authenticity through this hypnotic composition, and embark on an unforgettable exploration of self and sound.
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"As an audience member who arrived late, stepping into the dimly lit dungeon-like room that is The Basement Jax, I found myself immediately enveloped in a mysterious and captivating soundscape. N8K99's performance was already in full swing when I entered, and I couldn't help but be drawn into the ethereal and dark atmosphere that filled the space. The music felt like a sonic journey, leading me through a maze of connective themes and suspenseful emotions.
For the hour that I experienced N8K99's set, I was completely entranced by the artist's improvisational prowess. The interplay between the hauntingly evocative trumpet and the enigmatic electronic elements was nothing short of mesmerizing. It was evident that each note and sound was carefully crafted, guided by the artist's thoughts and emotions. The music ebbed and flowed, creating long tensions and intriguing resolutions that kept me engaged and immersed in the sonic world N8K99 had created.
Despite arriving late and missing the setup, I felt as if I had been transported to an alternate reality through N8K99's sonic wizardry. The enigmatic journey I experienced during that hour was like a soundtrack to a suspenseful and emotionally charged movie, leaving me with an indelible sense of wonder and intrigue. I can only imagine the incredible musical odyssey that the audience members who witnessed the entire four-hour performance must have embarked on, and I eagerly anticipate the podcast episode that will capture the essence of this extraordinary live set at The Basement Jax."
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IF{collab(N8K99, spiritus ex machina)} THEN{generate(IDM, Jungle, Jazztronica)};
What that means in English, is that fellow electronic music artist, Spiritus Ex Machina, came out to my Sunday night jam and collaborated with me. We recorded the first hour to listen to on pla=yback. We both agreed it was Fire and therefore more people needed to hear it. Thus it has become this week's podcast episode.
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As an avid producer of dark and atmospheric IDM music, I have always sought unconventional sources of inspiration to fuel my creativity. So, when the opportunity presented itself to combine my love for music production with a camping trip, I eagerly embarked on an adventure that would forever change my artistic perspective. Surrounded by towering trees and the symphony of nature, I set up my makeshift studio in the heart of the wilderness, ready to immerse myself in the eerie and enigmatic world of dark IDM.
The serenity and seclusion offered by the wilderness served as a perfect incubator for my musical exploration. Far away from the hustle and bustle of city life, I felt an instant connection with the natural world. The haunting melodies of nocturnal creatures and the whispers of wind through the trees became my companions, inspiring the atmospheric textures and ethereal pads that characterize IDM. Each sound I captured felt like a direct translation of the mystical energy that surrounded me, as if the very essence of nature was shaping my sonic landscape.
Armed with my trusty laptop, headphones, and an array of synthesizers, I delved into the depths of my creative mind. The melodies and rhythms I crafted seemed to resonate with the heartbeat of the forest, creating a symbiotic relationship between my music and the natural world. The darkness and shadows that enveloped the campsite at night seeped into my compositions, infusing them with an eerie allure. It was in those moments, under the starry sky and amidst the rustling leaves, that I truly understood the transformative power of creating dark IDM music in the midst of nature's embrace.
In conclusion, my camping trip dedicated to crafting dark IDM music was a profound and eye-opening experience. Nature's embrace provided the perfect backdrop for my creative journey, infusing my compositions with a unique and haunting energy. As I packed up my gear and bid farewell to the wilderness, I carried with me not only the memories of a transformative adventure but also the knowledge that the shadows and mysteries of nature will forever be intertwined with my dark IDM creations.
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Taking all that has happened before, whether good or bad, and learning the lessons needed to live in the moment, we invite you to experience a remarkable journey through the power of music. In this captivating podcast episode, we present a live performance that encapsulates the essence of Jazztronic Improv at its very finest. Prepare to be swept away by the remarkable artistry of a solo performer, whose eclectic drum beats reverberate through the vibrant streets of the Redneck Riveria city.
Step into a realm where musical mastery intertwines with the spirit of improvisation, where melodies and rhythms collide, and every note is an expression of the artist's soul. In this awe-inspiring podcast episode, we bear witness to a one-of-a-kind live performance that transcends boundaries and captivates the senses.
As the recording begins, you can feel the anticipation building in the air. The atmosphere is charged with the energy of both the artist and the audience, all eager to embark on a musical journey like no other. The solo artist, armed only with their drum kit, takes center stage, ready to unleash their extraordinary talent upon the world.
The first strike of the drumstick sends shockwaves through the room, instantly capturing the attention of every listener. The artist's skillful hands navigate the drum set with finesse and precision, effortlessly weaving a tapestry of beats that range from thunderous explosions to delicate whispers. The rhythm becomes the heartbeat of the performance, dictating the ebb and flow of the journey we are about to undertake.
The Jazztronic elements come to life, fusing traditional jazz with electronic nuances, resulting in a truly innovative sound. The artist pushes the boundaries of conventional musical genres, blending soulful melodies with experimental electronic tones. The result is a symphony of sound that evokes emotions and paints vivid images within the minds of the audience.
As the performance unfolds, you can't help but be entranced by the artist's ability to create spontaneous harmonies and effortlessly transition between different musical styles. Each note is a testament to their virtuosity, showcasing years of dedication and a deep understanding of their craft. It's an intimate connection between the artist and their instrument, as if the drum kit itself becomes an extension of their being.
The artist's drumming becomes a conduit for storytelling, conveying a range of emotions that transcends words. Moments of introspection and contemplation intertwine with bursts of joy and exuberance. It's a musical odyssey that takes you through peaks and valleys, leaving you breathless and wanting more.
In this mesmerizing podcast episode, we have witnessed the magic of a solo Jazztronic Improv performance, an experience that defies categorization and elevates the spirit. The artist's eclectic drum beats serve as a powerful reminder to embrace life's lessons and live in the present moment. As the episode comes to a close, you're left with a renewed appreciation for the boundless possibilities of music and a desire to explore the artist's discography, awaiting discovery at http://Music.n8k99.com. Prepare to embark on a musical journey like no other, where the beat of your heart aligns with the beat of the drum, and the world around you fades away in the embrace of extraordinary artistry.
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The Call to Adventure
In the Hero's Journey, the Call to Adventure is a crucial stage that sets the story in motion. It is the point where the hero is presented with a challenge or an opportunity that calls them to embark on a journey or undertake a quest. The Call to Adventure typically comes from an external source, often in the form of a mentor, a messenger, or a significant event.
The Call to Adventure serves as a catalyst for change in the hero's life. It disrupts their ordinary world and presents them with the opportunity to step into the unknown, face challenges, and ultimately grow and transform as a character. However, the hero initially faces a dilemma or resistance, expressing doubts, fears, or reluctance to heed the call. This reluctance is often rooted in the fear of the unknown or a desire to maintain their comfortable, familiar existence.
The Call to Adventure can take various forms depending on the story. It could be a literal invitation, a sudden crisis, a supernatural occurrence, or a symbolic sign. Whatever its nature, the Call to Adventure represents the initial point of departure from the hero's ordinary life and begins their journey toward a higher purpose or a greater destiny.
Examples of the Call to Adventure in popular stories include Harry Potter receiving his acceptance letter to Hogwarts, Luke Skywalker encountering Princess Leia's holographic message asking for help, or Frodo Baggins being tasked with destroying the One Ring in The Lord of the Rings. These moments propel the heroes into their respective adventures and trigger the subsequent stages of the Hero's Journey.
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There are lots and lots of things happening in the background. A complete reengineering of my studio workflow, band rehearsals are progressing super smoothly, and an epic narrative concept album is beginning to germinate. But none of that is directly involved with this week's episode. This week we see a return to the laboratory as some really experimental elements come flying in from wherever they had been hiding recently. Wild tempo swings and eerie noises triggered by triggering things. That sort of stuff, so this one is for all you freaks who like your electronic truly strange.
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It's very buzzy this term AI. It's very buzzy because a Science Fiction concept is being manifested into reality. It has been utilized by the writers of these fiction stories as plot device and the evil which creates conflict in the narrative. Therefore, it is preloaded with fears and misconceptions thus wild speculation and fears are running rampant within the population. Naturally, the applications of this new technology are still being worked out and like all new technology, we have no actual idea how its going to affect society at large. This uncertainty and inability to know what is coming along because of it leaves plenty of room for fear mongers to stoke the fires within the hearts of those who easily succumb to dystopian nightmares. Therefore, I have a theme for this week's episode.
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Real World problems persisted this week. Plus I had an awesome idea that turned out to not be awesome after two days of working on it. Sooo, I started all over from scratch and made this one.
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Sitting down in the Creative Spaceship yesterday, with absolutely nothing written for this week's podcast, I had to force myself to go through and churn up ideas. I took a stab at one idea that was based off of the sound of a drum machine and a basic pattern this lead me to my first track; "Platinum Chill". From there the creativity was flowing and I mixed up another out of bit sounds called "Pause Game". This started me on a pattern of alliteration and quickly "Passing Lane" and "Pump that Energy up" came pouring out of my DAW. A bit of world building jamming with instruments lead me to complete "Planetary Progress" and finally I put together a nice chill out finisher called "Purpose."
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Soooooooo.....
Last Saturday was a chill and productive day. I got into the creative zone and made twelve songs that I say fits quite well into the genre of Generic House Music. This was prompted by an evening at a club where there were Open Decks and the songs I brought were far too hyper and psychotic for the room. So I put together these twelve songs and published them on Bandcamp as an album called Generic House Music Album. So this week's episode is a mix of these songs. So hooray. New Music you can buy. A New Mix you can listen to and enjoy. And a nice comfortable little set for any Open Deck events I happen to go join up.
Funny thing happened this week. Instead of returning to the same Open Deck event, I had a night of playing electronic music with my synths. Funny how life works out sometimes. Honestly. It's really exciting.
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"The Hag" is a symbolic archetype that appears in various mythologies and folklores throughout history. The Hag is often depicted as an older woman with a wrinkled face, representing the darker aspects of the feminine, such as death, decay, and transformation.
In many cultures, The Hag is associated with witchcraft or supernatural abilities, and is sometimes portrayed as a wise woman or healer. In some traditions, she is seen as a symbol of wisdom and insight, representing the knowledge that comes with age and experience.
In Jungian psychology, The Hag is sometimes considered an aspect of the Shadow, representing the parts of ourselves that we repress or deny. Hearing the voice of The Hag in a dream may indicate the need to confront our deepest fears or face aspects of ourselves that we have been avoiding.
It's important to note that the meaning and symbolism of The Hag can vary depending on the cultural and historical context. Dreams and personal associations with The Hag may also differ from person to person, and it's up to the individual to explore their own relationship with this archetype.
check out my Ambient Music Album http://music.n8k99.com
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This half-hour electronic music podcast episode is a unique and innovative work that blends electronic music composition with vocal text to explore the themes of shadow side psychology and music theory. The vocal tracks have been intentionally obscured with vocoders and computer generated voices, which creates an eerie and otherworldly atmosphere that allows the listener to meander off on their own thought patterns and reflections. The listener is taken on a journey of self-discovery, exploring topics such as sexual repression, personal identity, and the struggle with deities and gods fulfilling the roles of the collective unconsciousness.
The music itself is a masterpiece of electronic composition, featuring pulsating beats, haunting melodies, and intricate soundscapes that transport the listener to otherworldly realms. The obscured vocal tracks add an additional layer of depth and complexity to the work, creating an immersive and thought-provoking exploration of the human psyche. The intentional use of vocoders and computer generated voices allows the listener to interpret and reflect upon the themes in their own unique way.
Overall, this electronic music podcast episode is a fascinating and captivating work of art that challenges the listener to explore the depths of their own psyche. It is a work that will appeal to anyone who is interested in exploring the themes of shadow side psychology and music theory, and who is looking for a truly immersive and thought-provoking musical experience. Whether you are a fan of electronic music or simply interested in exploring the deepest aspects of the human experience, this episode is sure to leave a lasting impression.
Please check out my album on http://music.n8k99.com
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The use of electronic music as a tool for psychological work on the shadow side of the psyche has been gaining popularity in recent years. Electronic music provides a rich, multi-layered soundscape that can serve as a metaphor for the complexities and contradictions of the human psyche. The use of layers of reverb and effects, as well as multiple textures and sounds, creates a sonic landscape that can evoke a range of emotions and sensations, allowing listeners to explore the shadow side of the psyche with curiosity and compassion.
As listeners engage with this type of electronic music, they are invited to enter into an inner journey through the shadow side of the psyche. The intuitive and spontaneous generation of tones in this type of music reflects the non-linear nature of the inner journey, allowing listeners to navigate the depths of their own consciousness in a way that is free from the constraints of linear thinking. By engaging with this music with an open mind and heart, listeners can gain new insights, deepen their understanding of themselves, and find the courage to face the aspects of themselves that they have been avoiding.
Ultimately, electronic music can serve as a powerful tool for transformation and healing. By embracing the shadow side of the psyche through intentional psychological work, listeners can transform pain and suffering into wisdom and compassion, leading to a more integrated and fulfilling life. Whether used in a therapeutic setting or as a personal tool for self-exploration, electronic music can serve as a guide for those seeking to journey through the shadow side of the psyche and unlock the hidden potentials within themselves.
Check out my album Ambient Discordant on http://music.n8k99.com
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I put this mix together on the fly, using some techniques that I have been working on. It was just a fun little experiment that I think turned out well.
You can check out all my episodes on http://podcast.n8k99.com
I have an Ambient Album on Bandcamp http://music.n8k99.com
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Emotions are central to the human experience. When they overwhelm us and overload the brain, life gets really hard and weird. So here's what that sounds like to me.
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This idea came to me a few weeks ago, and I have been slowly introducing it into my laboratory experiments. It is by no means finished its evolution. This is just a way station along the path.
I have a keyboard which has some sounds that include beats programmed within them. For the past year or so, I have been tweaking these sounds to match my personal preferences and this has been the large part of what I have been presenting own a weekly basis. I also possess an electronic drum kit which sends out MIDI signals. The idea of using the e-drums as triggers for sliced up samples at the same time as the drum sounds are generated is what I have started playing with. Using this concept simultaneously with the keyboard is the big directional shift that is starting to develop.
I can see another layer or two of sound generation coming along in the future and I am excited by this journey. There will be rocky episodes but I think that this will only get tighter and more intensely layered as time progresses.
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Just pretending to make up my own genre of electronic music. I've thrown together Two Step drum and bass rhythms with Latin feel keyboards and synths. Mixing in some vocal chants and boom! My own invention.
Also, I just released an album of Ambient Electronic Music on Bandcamp called Ambient Discordant, check it out and buy it because I can use the money!
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I have these soundscapes set up which is a great deal of fun to play through. Here's a half an hour of material which I came up with this week.
Also, I just released an album of Ambient Electronic Music on Bandcamp called Ambient Discordant, check it out and buy it because I can use the money!
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So there are a couple big undercurrents going on in life right now, which have wormed their way into my compositional time, so this week's episode is another improvisational romp through some soundscapes that I have lined up.
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If you want Peace, then you must realize that it comes from within. There are hard choices which come with this path; letting go of distractions, cutting people out of your life who are not supportive in the manner which helps you grow, and giving up the option of having a wild and active life pursuing the next big thing. Peace is a spiritual journey with embodies letting go of conflicts. Only when you can find the peace within yourself can you put peace out into the world.
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So I missed last week. I was in the Theatre all week with my son - his HS put on their Senior Showcase and it was exciting to work with him backstage. All the hours I generally put into producing this podcast were spent there.
This week, I have a single piece which is composed straight through. Has elements of both Trance and Drum n Bass. I have been dying to put out a DnB episode and this just snuck into this week's episode. This is pretty funny to me because I started the whole composition process thinking it was going to be straight House music but things kinda took their own turn as I got into the flow.
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This week the effort was a straight through composition. I wanted to break some patterns and try some new things. So I started writing this episode with experimentation in mind. One of the things I played around with was time signature changes. It starts in 4/4 then moves to 5/4 then to 2/4 before finally ending back in the comfortable 4/4 timing. I also went through some key changes, but that is not a new thing for me.
Another thing that was experimental about this week, the entire episode is written as a a whole piece. So there are some chordal progressions which get repeated throughout as a motif. These were transcribed to fit the key changes. I did not change their timing when they were reapplied in the time change areas, because I wanted the broader and slow moving aspects of this motif to be retained.
There are symphonic type voice changes for the motif and other themes. By this, I mean that Ione synth or texture channel will carry that for a bit and then it shifts to another texture channel. Finally, because my trumpet chops need work, and playing is the best way to do this, I put a solo trumpet into the mix. Naturally, this is me, so the trumpet gets an effects chain of its own to make it slide into the textures and tones of the electronic music.
One of the areas I really struggle with lately, is with my drum patterns. I could utilize some standard loops which come with Lopic Pro X but I want to write music from top to bottom. So, trying to create grooves with the e-drum kit take some work. There are places where I programmed the beats and there are places where I played the beats on the kit. I am confident as I progress with this podcast project that these will become more groove based and much tastier.
Ultimately, I feel like this episode is a broad success. It gives the very ambient electronic vibe with strong elements of jazz improvisation. It does not venture too deeply into more hardcore electronic music and I feel like it will be a pleasure to listen to this on a drive home from work or whilst soaking in the tub.
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It has been a fractured and disjointed week in the studio. Preparations for joining a band as a guitar player as well as a rehearsal session with said band took up some creative time. It's all good. So this morning I was really unsure what was going to be on this week's episode. I wrote most of this today.
- Butterfly in a Hurricane
- Party Time Down in Havana
- About Facebook
- Enough Explanations
- Darkly Darc
- White Boy Day
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I really don't care about the whole branding bullshit and whatnots, I just make music.
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So this week things changed. I got bored with the same old bullshit and decided to do something different. Something different as in what I used to do a lot, and that is write Ska Punk songs. So what I did was write a bunch of Ska Punk songs. Well, there is also some Funk R&B with some jazzy flavor in this demo as well. After writing all these, I started dreaming that I'd also put together a band to play them. And record them. And play and record some other songs that have yet to be written.
So, let's call this a demo tape for any potential musicians who would like to be a part of this band. The pieces needed are:
- Drums
- Bass
- Guitar
- Keyboards
- Trombone
- Tenor Sax
- Trumpet
That's seven pieces plus me is eight. Big Band, right? Well, it's Fourth Wave Ska! Nothing says Ska like a three piece horn section and a Singer who can't sing!
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For this week's exercise, I did not touch any musical instruments as physical interfaces with the sounds. Instead, every single note and beat of this music was written through mouse clicks (although it could also have been written with pen & ink on a page) inside of my DAW. There is a very Trance like feel to the whole episode with its long periods of phrasing and gradual buildups. The Tension and Release cycle was intentionally dragged into a larger periodicity to allow the mind to drift within the environmental effects of harmonics developing across contrasting timbres and textures.
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Lately, I have been concentrating on turning some outlines and frameworks into tracks. These are dabbles in genres which range from Chillwave to Drum n Bass. Once I have formatted the song outline, I then add lead parts on the keys or other instruments. This is a blending of jazz elements with EDM which is an expression of my internal landscape.
I don't think I'll write much more about it now.
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Well this week I have gone all in this new direction. My process has been redefined or refined. I make a set of tracks, then mix them together. I like this better than making one big track just for the podcast. This allows me to have some flexibility in my writing process.
One thing I have played with this week is computer voices for my written word. Another thing I have done is made the structures looser and more jam-worthy. Basically, I am thrilled with another fire week
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Digging a little deeper into outlines and patterns that I have been working with lately. Trying to layer sounds and play with the mixes so that variations are more pronounced.
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AS I am preparing a new set list for my next live show, I realized that it wasn't ready to begin recording. SO last night I set up a nice little set of patches and played this through completely improvised. If you listen closely, you can hear the churning turmoil of my current emotional landscape trying to escape.
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A completely unique and created soundscape for a day of hunkering down while the drunken ball of chaotic energy bobs and weaves her way up the Florida isthmus on her way to some bar out of town before any real feelings get involved.
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Last Saturday, I was rehearsing my set of music and I decided that none of it was any good for what I wanted to present. So, I started a blitz of creativity and created an entirely new Three Hour long set for last night's performance. All that work pushed away the time needed to give this week's episode it's own identity, so I recorded the first half hour of changes from that show's playlist to fill in this week.
As I am sitting in my studio now, with all my gear scattered from last night's logistics, I will work out the video for publication tomorrow.
Enjoy!
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The Generic series continues onward. The Rules are the same; off the shelf loops to form song structure and leads played overtop. This set got some vocalizations and in the midst a cover song just to tickle my son.
- Distant Vibes
- Disdain
- It's Over
- Cette est trouve facile
- Invisible & Invincible
- Dirty Deeds, Done Dirt Cheap
- Sound the Space
- Stars Fall, We Rise
- Just A Basic
Obviously, Dirty Deeds is written by AC/DC.
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Zagging back into another experimental direction, this week I present a bit of Chillwave. I composed ten songs and then mixed them together into this half hour long segment. The track list is as follows:
- Reflections
- Drippy Drips
- Set Free
- Now You're Gone
- Ya no espero nada
- Just Stay
- Sunday Grey
- The Future Drifts
- Drive Away
- Funk Around, Find Out
It was seriously fun to create these songs and I'm really quite happy with the manner in which they all unfolded. I hope you enjoy them!
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Bach, Beethoven, and Mozart, as well as many of the other great composers in the Western Musical Traditions, pretty regularly created compositions of the form "Theme and Variations." Often times, the main theme was a folk song or a melody that was popular. Then they crafted variations in the accompaniment, the melodic form and so on. The entire piece was longer than the snippet of the theme as it had originally been.
Thus, this week's episode I have taken a popular and well-recognized theme and crafted variations. We go through some cinematic electronica, Deep House, Hardstyle, Dubstep, and Drum n Bass all while riffing on this theme.
If you don't recognize this theme, it is undercover. As an aside, the title of this week's episode comes from my favorite scene in "Skyfall."
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Last night, the ever fabulous Mitch Cottingham joined me on the bass as we jammed in a Biergarten patio. Here's the last half hour. I can sense the germination of another project coming out of this collaboration, therefore the direction of this podcast is going to shift somewhat.
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Setting myself up for another live show next Thursday night. I am planning on having a drummer and a bass player come out to jam along with me. I have been experimenting with letting another person play guitar in the past but I think that experiment has run its course. So I will be handling the guitar and it is linked up with the synthesizers so that both are playing simultaneously. Therefore, this week's episode was a little improvisation in one take following these soundscape patterns I've programmed.
One of the things I have shifted this week is energy direction. Taking out the big kick and snare combo lets the music breathe. I am hoping that playing with a human drummer next week will retain some of this chill as we build and connect together.
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This week, I have been really busy in my woodshop crafting a new keyboard station. I believe it turned out quite exceptionally. The byproduct of this activity is that my studio gear was not connected again until this morning. Rather than rush through a new composition sequence, I dusted off some tracks out of my archives. Some of these songs were written at the beginning of Lockdown, which is when I feel that my foot once again solidly landed on this path. There is at least one song that has been following me around since the early 90s and has just never really found a home to fit into. Sort of like me. Well, now, I think, both of us have a pretty good home.
The track names are as follows:
Peaceful Ride
Break From Outer Space
Orbital Existentialism
Shoulder Drop Chill
Lyin' to Myself
Without You
Check out my Double Album:
Chromatic Depression: Volume One https://recordu.lnk.to/cdv1
Chromatic Depression: Volume Two https://recordu.lnk.to/cdv2
Thank you all!
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Continuing to mine this new vein of creativity, I submit another week's episode which is dedicated to mathematically based breakdowns of generically created dubstep tracks. My process is to create the Generic Dubstep tracks out of Apple Loops within the Dubstep category. Then convert the finished track into Drum Machine MIDI tracks and produce two more tracks based off this process. Finally, I mix them together to make this half hour long journey through the sonic landscape.
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Just for fun this week and warm-up, I started making pretty generic dubstep tracks using loops. It's fun. It's creative. It's not ground breaking or earth moving- well beyond the deep bass rumbles and stuff like that. Then I took that single track and turned it into drumheads in a sampler, arranged them in pretty patterns, added some effects and washed it out. Then repeated that whole second step again. Finally, I took my DJ software and mixed them all together like a generic EDM DJ. And Voila! That is this week's episode.
I hope you enjoy!
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Last Saturday, I had a lovely visit from Peter Mason. He came over and played drums as I jammed out the files I had on tap. It was quite an interesting and fun afternoon. So, I am sharing it with all of you out there.
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Thursday night, I attempted to livestream a three hour set. I pressed record on the audio software and play on the streaming software. The next morning, I went to go check up on the results and the audio on the livestream channel was awful - practically nonexistent. I spent most of the day trying to get that sorted out. This morning, I realized that I did not produce a podcast episode for this week. No problem, there was an audio recording of the session Thursday night. Press play to check on it. Well. It certainly was not what I was expecting. So, instead of a recording of what I played as the episode this week. I Made some really weird space sounds out of the corrupted files from the live session.
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This podcast is beginning to shape up as a valuable tool for experimentation. It is also starting to yield results. This week I am playing around with using my trumpet to trigger MIDI signals within the keyboard station. There are programmed beats which I shift between and progress through as the trumpet is sending signals to the play chords and baselines based off of programmed patterns. I'm really happy with the way this is getting a jazz + electronica sound.
Plug for my Double Album "Chromatic Depression: Volume One & Two "
https://recordu.lnk.to/cdv1
https://recordu.lnk.to/cdv2
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I've been working on a series of episodes which are driven from the Master settings in my Yamaha MOXF8. These have a set of programmed soundscapes which I can improvise as I go. Just to give the project a bit of direction, I had some randomly generated chord changes for each sound scape to explore.
Plug for my Double Album "Chromatic Depression: Volume One & Two "
https://recordu.lnk.to/cdv1
https://recordu.lnk.to/cdv2
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I used a random chord progression generator to create 16 different chord progressions. Sort of like rolling musical dice. Then I assembled sixteen different sound palettes to play through them. Then, for 33 minutes, I pushed buttons to change from palette to palette using this chord changes to improvise. Well it wasn't necessarily 33 minutes because I defined the amount of time, that's just how long it took me to go through these changes.
I like this as a segment for development of future songs. I will refine some of the palettes and some of the beats. There will be more melodic stuff which happens over time as my right shoulder recovers from surgery.
Also. Today my double album is live.
Chromatic Depression: Volume One https://recordu.lnk.to/cdv1
Chromatic Depression: Volume Two https://recordu.lnk.to/cdv2
You can find it in these locations.
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I had originally been planning to just drop another half an hour of the live performance from July 7th in here. I listened to the whole 3 hour cut from that night, and decided against dropping that raw material on my podcast. So I cut the second half hour of the night and pasted it into a new file. Then I duplicated it. So two new identical tracks. Then I dropped a couple of effects on each track, both different and both set up to do very different things. I also sidechained the compression on each track to my gear.
Next step. I have a sequence of patches programmed in Main Stage 3 which are controlled from my Yamaha MOXF8. This combination allows me to provide rhythm and movement by switching sounds, colors and textures as I play along. By steadily changing the patches and rhythms, I can keep things a bit more interesting while controlling the entire electronic orchestra.
Finally, I let loose and just talked/sang things that were on my mind as I played. Naturally, my ongoing, life-long battle with accepting the sound of my own voice lead to a decision to alter the sound of it through effects and processing. I am happy to live in the computer age where I can manage all this in real-time as I record.
The final result is a quasi live, quasi improvised, quasi preplanned and programmed recording. As always, I hope you enjoy.
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This week is a presentation of some genuinely weird music. Some of which I really don't know how to explain. Mostly because it is the very beginning of s a new recipe. There are contributions by Niki Wolf, L10, and Fiverr Stereo but I couldn't tell you what are where they contributed. This was an all live, just go with what we got effort and it turned out some interesting parts.
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Continuing my experiments with single take musical composition, this week, I doubled back and added my Radio Announcer Personality voice.
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Working towards an idea where all my synth apps are controlled and synchronized from a DJ station has been the theme of this week's experiments. The glory of MIDI is that all sorts of different effects can be manipulated, and getting these to be more fluid in a live situation is something I am making progress towards. So please enjoy the results.
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As I have been experimenting in my laboratory, fiddling with settings, set ups and wirings, I continually play some cover songs. Just to test out the equipment and whatnot. Thus this week's episode contains a pair of cover songs, "When Doves Cry" by Prince and "Creep" by Radiohead. These were recorded in single takes, where all the sounds were performed sequentially as if I were actually a competent musician and all that. Then just to plump out the duration of the episode, a Trance song I wrote yesterday called "4 U Babe" was slipped in between them. I hope y'all enjoy my weirdness!
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Contining my efforts to experiment with features within my available hardware, I present this week's episode. A study in A minor. There are three instruments on this track: a keyboard Synthesizer, Bass Guitar, and Electric Guitar. All three have multiple sound layers which I manipulate through physical motions as well as electronic manipulations to produce the sounds you hear. I hope you enjoy.
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So, last week, I had this big two hour long show I was preparing for, however there was a serious technical issue. Less than a week before the show, my laptop battery died. It spent five days in the shop getting replaced. This meant that I was unable to work on my setlist or the podcast. I got the laptop out of the shop with 24 hours to go before the show at Justice Pub. In that time, I recorded and bounced down this episode AND finished throwing new patch changes into my setlist. (I did not have time to test out the patches soooooo the show we really super loud and required some on the fly editing.) In all the hustle and bustle of that time period and the holiday weekend and the whole rest of everything including a surprise pop up show last night - I totally blanked out on uploading the episode.
Oops.
Well, here it is. A half hour of improvised electronica.
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This week is a really fun result in my laboratory. I've been diving into instruction manuals to learn as much as I can about all the gear that has been collecting in my studio. So I put some of that to practice to dash off a nice little improvised bit. There are no names and no tracks to delineate but its an epsiode when I was listening to check the mastering levels, I ran it six times in a row. So its likely my favorite one yet.
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Today I am dipping into a bank of previous experiments. This is a groove track I made a couple months ago out of loops, beats and sounds. It's sort of a snapshot of my skillset from about four months ago. Next week, the episode will feature a brand new composition that is a highlight of the current state of technical wizardry.
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Yesterday morning, I had a follow up medical appointment for an injury sustained at work a month ago. The MRI results show that there are several torn tissues in my right shoulder. I have been referred to a surgeon. This means my job of lifting heavy things and hanging them high in the air is on a stand still. I spent the afternoon wallowing in some emotions on the couch and went to bed early. I woke up this morning and remembered that I did not publish a podcast episode this week. So without further delay here are the songs of emotions for this week:
- Grief
- Serenity
- Surprise
- Annoyance
- Admiration
- Disgust
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Progressing forward through the Wheel of Emotions gives us the following sounds:
- Ecstasy
- Surprise
- Interest
- Terror
- Boredom
- Acceptance
As Always, Enjoy!
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So this week's episode is a continuation of my journey through the Wheel of Emotions. The tracks are:
* Pensiveness
* Vigilance
* Amazement
* Anger
* Admiration
* Sadness
Enjoy this reflection.
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As I previously discussed, I have had an idea of superimposing the Circle of Fifths onto the Wheel of Emotions and writing music that navigates both simultaneously. Currently, this is filed under the name 527 Project.On 27 May 02022, from ten o'clock to midnight, I will be performing this two hour song cycle at Justice Pub, in downtown Jacksonville, Florida.
This week's episode is a sneak peak at the first half hour. This includes six songs.
* Joy
* Distraction
* Anticipation
* Fear
* Loathing
* Trust
Each song is 4:48 long and has plenty of space for improvisation during the live set yet I also believe that they can stand alone as they are. Enjoy!
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In an effort to improve my skills through practice and bring new sounds out, this week's episode was played straight through four times on four different instruments. I was going to write more about this but I think it just stands on its own as its own thing.
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This week, I want you to come on a journey with me. It is a journey through memory. We are going back to a time and place and reliving an experience. This experience is not a singular instance. This experience is a cumulative one.
There are some neighborhoods of Brooklyn which are only serviced by the G train. This subway line runs roughly north to south from Queens to Brooklyn. There are numerous other subway lines which connect to it that can take you into the other boroughs of NYC. Typically, late at night there are fewer passengers who require the usage of the G train, so there will be a limited number of trains operating on the line at once. If you have missed the most recent train, you can wait for up to an hour for the next one to arrive. Before the MTA installed LED signs in stations informing their passengers how long a wait was before them, this time could seem like an eternity.
Like a Jackson Pollack painting, this piece is sprawling in dimension. It also employs musical elements in a repetitive manner that resemble the painter's drips and sprays. The basis for the piece comes from drums which have been overloaded with electronic signals to cue sequences of MIDI tones. Then once this was perfected, two separate takes of trumpet blowing are laid into the the landscape, converted into MIDI, split into multiple channels which then are overloaded with sequences of their own. Finally, the mix employs multiple levels of interconnected signals sidechained together to create and enhance the vibe of this mystical experience.
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DEADLINE: Saturday 19 MARCH 02022 2200GMT-4
LOCATION: Main Stage, The Justice Pub, Jacksonville, Florida, USA
In the spirit of The Interwobble's openness, this week I present half an hour of my live set. There were some minor technical difficulties which I encountered during the show however for the most part, I rocked it out.
Here is the set list for that date:
You are my one and lonely
People of the Earth
B major Fugue
Take Me
Chill on the Grill
Didge in D (a DNB vibe)
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Sometimes in the Living Room, these episodes start out in one direction and then midway through, I get struck with an idea that is really intriguing and absolutely must be attempted. That is exactly what has happened here. The idea involves my old friend and mathematical concept, fractals. Using a visual reference to lay out thirteen different sound patterns in such a way that there is some reputation of patterns but also there is progressive advancement into new flow. Additionally, I have employed multiple threads of sidechaining these channels together so that there is a controlled chaos to the whole endeavor. Finally, I have repeated large patterns, whilst making detailed changes within them to provide a really broad strokes experience of transcended dub designed to trip the mind.
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I've been preparing for a Live Show that is quickly approaching. I am scared, nervous and anxious about being able to perform my material solo. And yet, I still want to rise to my personal challenge of writing new music every week for this podcast. It is really thrilling to live this life. So while I had an idea to make a nice little jazz based episode, but the computers took over.
There's a trip through Future Bass, Chillwave and Bass House before I regain control over the episode and bring the jazz back. The finale for this week is a song called "Futurismo Cowboys" written by myself and L10 yesterday.
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Sometimes, creativity grows best in a bit of chaos. This week's episode is an exercise in controlled chaos. As this podcast is serving as a bit of a laboratory it seems fitting to throw out some conventions and go with really different ideas about music.
This essential concept with is being explored here is the electronic synergy between multiple channels and instruments. The conduit through with much of this is passing is called Sidechains. This is where the electronic signal from one channel is triggered and filtered by the electronic signal in another channel. There are multiple ways in which this can be set up. I have an couple of instances where one channel feeds another which feeds another which feeds another. There are also some places where I employ converging branches of side chains which finally result in a single trunk of sound.
The first nine minutes of this week's episode was created by myself and Mr. Cott. I played guitar and Mitch was on the bass and then the drums and later I added in some synth lines. The remainder of the time was the result of three different jam sessions in an afternoon between myself on drums and L10 on guitar that was MIDI loaded with synth sounds.
Ultimately, to really characterize the episode, I read half an hour's worth of poetry that came from the book I published several years back. And this is the new leaf which is beginning to sprout, particularly as there are great metaphors about trees which sprout up all over the poetic syllables.
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Twenty-five or thirty years ago, in Jacksonville, there was a punk rock band called The Beefpimps. The lineup included L10 on bass, Keller on drums, Swine as the lead vocalist and I was honored to be the guitar player. This is a tale of the 90s so it is full of all the old references to all the old things we were into back then. Everyone has moved on, grown up or older and gotten on with their lives but it was a brilliantly fun moment in time. I occasionally revisit some of those songs, in part or parcel. However this past week, L10 came over and suggested we put down one of his songs from that band. The lead me to dig around in my brain to set down more charts.
So in line with L10's idea, we recorded "Everybody Hates Me." Then I began doing the new things and playing with the mix and made a segment I call "Too Cool for Punk Rock." I dusted off the "Lonely" song and then pulled its carcass into the electronica machine to make "Moonbeams and Starlight" as well as another spin off called "Once Upon a Time." Finally we get to the band's theme song, "Beefpimps." As I was/am a huge fan of the work of Jello Biafra and the Dead Kennedys, I composed a rant song called "C.R.A.P. & Shit." Then to close out the half hour, I pulled out a song called "She loves to give..."
As always, I hope you enjoy listening half as much as I enjoy making this.
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All along, I have been fearful of being repetitive. All musicians have their favorite expressions, favorite finger movements, and favorite keys. There are songs which have been knocking around in my head for years, and perhaps because I have never recorded and released them before they have just taken up space. Perhaps, I need not be afraid of repetition, instead I should embrace the purge of old ideas and look forward to the flow of new expressions.
I start this week's episode off with some familiar to me chordal progressions but at the halfway point I really get into the process of evolving and progressing ideas. I do not fully believe that my musicality is completely lit at the moment but I can see the spark in the dark where it is about to really bloom.
Tracks list:
* These Things (with vocals) 0:00
* I want to say 3:44
* No Need for Fighting 9:09
* Protest the Protests 14:11
* Journey to the End of Continuum 17:31
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So, here in the Living Room, I have all the musical gear I could possibly desire. Wait. Who am I kidding? I always want more gear! But anyways. I have microphones which I have put to good use so far for trumpet and didgeridoo segments. This episode I am concentrating on vocals. I also have a lovely little plugin which lets me write vocals for robot voices to sing for me. So I did some experimenting with this as well.
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This week's episode is about flow. There is s gradual development of ideas that shift from segment to segment. Sometimes a thread is taken from the previous segment and twisted in a new direction, other times the idea gets cut down to a fragment of its previous self and grown into a new direction.
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We are calling this the first episode because last week's episode just evolved and this week was the first time it was intentionally created as a podcast. The opening track is called Zombie Robots don't Surf and it features L10 on the punk rock guitar. My old friend's very capable stylistics leads the cyberpunk aggression into snide commentary about corporate digital culture and its impact upon human level existence. At the six minute mark, a new track called Wounded Knee is build on the beat crafted by Phunkmonk. The LoFi Beats and Jazzy feel allows for my highly processed trumpet solo to occupy a really chill space. Twelve minutes into the episode, I pick up a personal challenge; composing Techno House music for the instruments of the symphony. This segment is titled Orchestral Movement in G minor. Eighteen minutes into this study in contrasts, I have crafted a study in loops, overlapping variously timed segments to continue some of the energetic drive of the symphonic piece yet yielding the tonality to electronics and heavy effects. Tears Falling serves as the title as the deep effects are generated through the reading of a poem about crying. and Finally, is another collaborative effort. the fabulous Mr. Cott crafts a fairly funky baseline to hang the rest of the song around, including space for me to improvise a melody on the guitar.
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Originally, this was starting out as a set list of beats to improvise a performance. However, I got deeper into the creative process it took on a life of its own. Now, a new plan has emerged. I will be live-streaming the creative process, including friends who come along for the ride, then editing YouTube videos as brief documentation of the process, and finally the end result will be a podcast setlist of Electronic Music. Naturally, from the podcast, I will break out individual tracks and upload them to a Bandcamp page.
Track List
* People of the Earth
* Soul Vampire
* Strangely Attractive
* These Things
* Creep by Radiohead
* Last Chance to be a Rockstar
* Extra Time
With the exception of of Creep, all Tracks written, produced and performed by N8K99.
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