The Business of Theater, A Working Title: Recent Episodes
Rep Radio | Em3ry, LLC
Let’s talk about the business of the day as it relates to Theater with your hosts Darnelle Radford (Philadelphia) and Mitch Weiss (NYC). This is The Business of Theater, A Working Title. This podcast is an Em3ry production.
Visit us online at em3ry.com/tbot.
In this episode of 'The Business of Theater,' hosts Darnelle Radford and Mitchell Weiss discuss the current state of theater in 2026, reflecting on the impact of the pandemic, the economics of theater production, and the challenges of maintaining community and connection within the industry. They emphasize the importance of human interaction and the need for a supportive environment for artists, while also addressing the rising costs of theater and the need for a renewed sense of community engagement.
Chapters
00:00 Welcome to the Business of Theater
00:56 Reflections on the Golden Globes and Theater's Cross-Over
02:41 The Impact of the Pandemic on Theater
05:01 The Struggle for Audience Engagement
07:49 The Rising Costs of Theater Tickets
10:38 The Reality of Working in Theater
13:29 The Financial Strain on Artists
16:12 The Toll of Performance on Actors
19:00 The Changing Landscape of Auditions
21:39 Community and the Future of Theater
24:44 Navigating Post-Pandemic Challenges in Theater
27:04 The Financial Landscape of Theater
33:00 Rebuilding Community Connections
39:04 The Importance of Gathering Spaces
46:24 Preserving Theater Traditions and Community
WORKING TITLE:
We’re Still Here
REJECTED TITLES:
Looks like we made it?
LINKS:
CBS Sunday Morning: Noah Wyle Interview:
https://youtu.be/cKL-hKPhbqw?si=DepoJSh4cIaP3ZCQ
Jessie Buckley, Rose Byrne, & More Win Golden Globe Awards - Full List of Winners:
https://www.broadwayworld.com/article/Jessie-Buckley-Rose-Byrne-More-Win-Golden-Globe-Awards-Full-List-of-Winners-2026011258?utm_source=sniply&utm_campaign=sniply&utm_medium=sniply
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This podcast is an Em3ry production.
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In this episode, Darnelle Radford and Mitchell Weiss explore the current state of theater, reflecting on the past year while looking forward to the future. They discuss the impact of streaming and television on live performances, the importance of diversity in entertainment, and the role of regional theaters in fostering creativity. The conversation also touches on the challenges of marketing and audience engagement, the need for new voices in theater, and the significance of education in theater etiquette. They celebrate unique productions like the One Man Nutcracker and share their hopes for the theater landscape in 2026.
Chapters
00:00 The Business of Theater: A Year in Review
02:46 Nostalgia and Classic TV: A Year-End Reflection
05:21 The Impact of Politics on Theater
08:07 Diversity in Entertainment: A Double-Edged Sword
10:44 The Role of Nonprofits in Theater
13:14 Emerging Trends in Television and Theater
16:22 The Future of Theater: Challenges and Opportunities
18:53 Funding and Support for New Works
21:33 Audience Engagement: What Draws Us to Theater?
30:49 The Power of Word of Mouth in Theater
32:05 Nostalgia and the Rehashing of Classics
33:34 The Role of Previews and Press in Theater Success
35:15 Marketing Strategies: Budgeting and Hype
36:52 The Impact of Star Power on Ticket Sales
38:29 The Challenges of Filling Seats in Theater
39:12 Cultural Support for the Arts vs. Sports
41:20 The Nature of Theater: Community Engagement and Scarcity
43:23 The Importance of Audience Education and Etiquette
50:41 Creating a Positive Theater Experience for Young Audiences
52:56 Looking Ahead: New Productions and Future Trends
LINKS:
Kennedy Center Honors Draws 35% Fewer Viewers Than Last Year
https://www.theatermania.com/news/kennedy-center-honors-draws-35-fewer-viewers-than-last-year_1816361/
Kennedy Center vows to sue musician who canceled performance over Trump name change
https://www.npr.org/2025/12/27/g-s1-103808/kennedy-center-lawsuit-chuck-redd-cancellation-trump
Kennedy Center Confirms More Than 20 Show Cancellations Or Postponements Since Donald Trump’s Takeover
https://deadline.com/2025/03/trump-kennedy-center-cancellations-1236313914/
Broadway League releases audience demographic report for 2024-2025
https://www.broadwaynews.com/broadway-league-releases-audience-demographic-report-for-2024-2025/?utm_source=sniply&utm_campaign=sniply&utm_medium=sniply
Why ‘Heated Rivalry’ Can’t Compete at the Emmys — and Likely Won’t Be Able to for Season 2, Either
https://variety.com/2025/tv/news/heated-rivalry-emmys-eligibility-season-2-1236619236/
STARMITES (Musical)
https://en.wikipedia.org/wiki/Starmites
ONE SINGULAR SENSATION:
One-Man Nutcracker (Chris Davis)
Two Strangers Carry A Cake Across New York
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This conversation explores the challenges faced by theater artists, including financial struggles, the impact of the pandemic, and the importance of equitable wages and housing. The hosts discuss the role of arts organizations in supporting artists and the need for community and support within the theater industry. They also address the challenges of funding and budgeting for theater, emphasizing the importance of growth and sustainability for the future of the industry.
Chapters
00:00 Introduction to the Business of Theater
02:32 Financial Constraints in Theater
05:27 The Hustle: Balancing Theater and Other Work
07:53 Income and Wage Disparities in Theater
10:42 Housing and Living Conditions for Theater Workers
13:33 The Impact of Location on Theater Work
16:22 Funding and Compensation in the Arts
18:52 The Future of Theater: Balancing Art and Economics
21:33 The Importance of Workplace Environment
24:13 Caring for Artists and Staff
26:09 Union Standards and Compensation
28:09 The Role of Small Gestures in Management
29:56 Budgeting and Financial Challenges in Nonprofits
31:37 Growth and Purpose in Theater Organizations
33:08 Compensation and Financial Sustainability
35:57 The Value of Frontline Staff
38:35 Opportunities for Growth and Development
42:29 Navigating Financial Constraints in Theater
LINKS:
“Tom Stoppard, Master Playwright Whose Work Spanned Six Decades, Dies at 88” by Broadway.com’s Beth Stevens - “Stoppard wrote more than 30 plays, building a body of work that blended big ideas with theatricality. His breakthrough Rosencrantz and Guildenstern Are Dead was first staged at the Edinburgh Fringe Festival in 1966. It then moved to the National Theatre and later to Broadway, where the comic riff on two minor characters from Hamlet won the Tony Award for Best Play in 1968. ... His plays soon became fixtures on Broadway.
His work also earned major acclaim in London where he received three Olivier Awards (for Arcadia, Heroes and Leopoldstadt). The Royal Court, the National Theatre and the West End all staged his plays throughout his career and helped build his reputation across the U.K. He was knighted in 1997 and became one of the most honored dramatists in British theater.” https://bway.ly/qr6roa
“It’s a Homophobic Slur. What’s It Doing in So Much Theater?” by The New York Times’ Erik Piepenburg - “Adam Greenfield, the artistic director of Playwrights Horizons, where “Prince Ft” had its premiere this summer in a Soho Rep co-production, said our relationship to a play starts when we first hear about it. That’s especially true with “Prince F****t.” “Whether it’s distaste or anxiety or intrigue, the title positions you in the play before you know anything about it,” he said.” https://bway.ly/y7sqyo
Heart, Hustle, Survival - Report Sheds Light on Realities of Making a Living and a Life in the Theatre
https://www.tcg.org/Web/News/Press-Releases/new-report-hhs.aspx
ONE SINGULAR SENSATION:
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In this conversation, Mitch Weiss and Darnelle Radford explore the captivating elements of storytelling in cinema, particularly focusing on the transformative power of films like 'The Wizard of Oz'. They discuss how characters and narratives engage audiences, turning them into passionate fans and 'nerds' of the story.
Chapters
Introduction and Working Titles - 00:00:00
The Unique Nature of Live Theater - 00:03:00
The Role of Regional Theaters - 00:09:00
Audience Engagement and Financial Dynamics - 00:15:00
Imagination and Cultural Expression in Theater - 00:21:00
Commitment to New Play Development - 00:27:00
The Evolution of Theater with Society - 00:33:00
LINKS:
WHAT DO THE CRITICS THINK OF WICKED FOR GOOD
https://playbill.com/article/what-do-the-critics-think-of-wicked-for-good
Tom Felton Sends Harry Potter Stage Box Office Flying, and More From Last Week's Broadway Grosses
https://playbill.com/article/tom-felton-sends-harry-potter-stage-box-office-flying-and-more-from-last-weeks-broadway-grosses
C-R-I-T-I-C-S! Reviews Are Out for The 25th Annual Putnam County Spelling Bee Revival
https://playbill.com/article/c-r-i-t-i-c-s-reviews-are-out-for-the-off-broadway-spelling-bee-revival
Here Are the Lyrics to the New Songs in Wicked: For Good
https://playbill.com/article/here-are-the-lyrics-to-the-new-songs-in-wicked-for-good
All the Changes Wicked: For Good Made to Act 2 of Wicked
https://playbill.com/article/all-the-changes-wicked-for-good-made-to-act-2-of-wicked
ONE SINGULAR SENSATION:
Darnelle Radford - New Executive Director of Theatre Philadelphia
https://theatrephiladelphia.org/theatre-news/theatre-philadelphia-names-darnelle-radford-as-new-executive-director
Mitch Weiss - 10 years of The Business of Broadway
https://www.amazon.com/Business-Broadway-Insider%C2%92s-Producing-Investing/dp/1621535568
CHESS - THE MUSICAL
https://chessbroadway.com/
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The conversation delves into the challenges faced by creative artists in the industry, particularly focusing on the competitive nature of festivals and the lack of support for artists trying to develop their work. It highlights the need for better systems to help artists promote their concepts and scripts effectively.
LINKS:
A Broadway Tradition is Fluttering Into History - NYTimes (10/28/2025)
Broadway plans to replace the cast-change slips that are stuffed into Playbills with QR codes. Some understudies and theater buffs will mourn their loss.
https://www.nytimes.com/2025/10/28/theater/broadway-cast-change-slips-playbill.html
BATBOY - NY City Center
https://www.nycitycenter.org/pdps/2025-2026/bat-boy-the-musical/
ART New York - Alliance of Resident Theatres
https://www.art-newyork.org/
Just Me - Perri Gaffney
https://www.perritales.com/index-3.html
ONE SINGULAR SENSATION:
MITCH: CHESS - Broadway
https://chessbroadway.com/
DARNELLE: BLUE MOON
https://www.sonyclassics.com/film/bluemoon/
NOTES:
__
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In this conversation, Darnelle Radford and Mitch discuss the multifaceted nature of the theater industry, focusing on the financial aspects, the challenges of accessibility, and the importance of creativity and entrepreneurship. They explore the changing landscape of Broadway, the struggles of theater management, and the journey of actors navigating their careers. The discussion emphasizes the value of experience, mentorship, and the need for a proactive approach in the theater world. In this conversation, Darnelle Radford and Mitch Weiss explore the complexities of the theater industry, focusing on the value of internships, the financial landscape of Broadway, and the challenges of ticket pricing. They discuss the impact of nonprofit versus for-profit theater, the importance of community engagement, and the need for a balance between artistic integrity and financial sustainability. The conversation highlights the evolving expectations of audiences and the necessity for theaters to adapt to changing economic conditions while maintaining accessibility.
Chapters
00:00 The Business of Theater: Money Matters
03:12 The Changing Landscape of Broadway
05:46 The Importance of Accessibility in Theater
08:50 Navigating the Challenges of Theater Management
12:05 The Role of Creativity in Theater
15:11 The Entrepreneurial Spirit in Theater
18:00 The Journey of Actors and Their Challenges
20:58 The Value of Experience and Mentorship
24:07 The Future of Theater and Its Opportunities
34:26 The Value of Internships in Theater
36:23 The Financial Landscape of Broadway
38:55 The Impact of Nonprofit vs. For-Profit Theater
41:12 The Challenge of Ticket Pricing
44:53 The Role of Community in Theater
51:12 Audience Engagement and Expectations
58:32 The Future of Theater Pricing and Accessibility
In this conversation, Darnelle Radford and Mitch discuss the challenges facing the theater industry, particularly in attracting audiences post-pandemic. They explore the importance of community engagement, the impact of Broadway on regional theaters, and the need for theaters to establish their unique identities. The discussion also touches on the effectiveness of membership and subscription models in fostering audience loyalty and the necessity of creating enriching experiences for theatergoers. In this conversation, Mitch and Darnelle explore the challenges faced by theater companies in engaging audiences, the importance of community connections, and the balance between work and passion in the theater industry. They discuss the changing landscape of employment in theater, the financial dynamics of Broadway, and the need for community support to ensure the future of the arts.
Chapters
00:00 Introduction to the Business of Theater
02:02 The Challenge of Attracting Audiences
06:05 Post-Pandemic Theater Landscape
10:00 Community Engagement and Theater Identity
13:57 The Impact of Broadway on Regional Theater
18:01 Creating a Unique Theater Experience
21:54 Engaging New Audiences
26:09 Membership vs. Subscription Models
30:05 The Future of Theater Audiences
36:52 The Challenge of Audience Engagement
39:11 Creating Community Connections
41:38 Balancing Work and Passion in Theater
46:29 The Changing Landscape of Theater Employment
52:53 The Financial Dynamics of Broadway
01:05:57 The Future of Theater and Community Support
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In this engaging conversation, Darnelle Radford and Mitch Weiss explore the intricate world of theater, touching on the recent Oscars, the impact of Broadway shows like Wicked, and the challenges faced by the industry in terms of pricing, audience engagement, and the evolution of live performances in the age of streaming. They discuss the disconnect between award shows and the general public, the rising costs of theater productions, and the prevalence of adaptations in musical theater, all while emphasizing the unique experience that live performances offer. In this conversation, Darnelle Radford and Mitch discuss the evolution of musical theater, the challenges of adaptations, and the unexpected hurdles faced in theater production. They explore the importance of understudies, the changing role of directors, and the courage required to take risks in theater. The discussion also touches on the impact of COVID-19 on the theater landscape and the ongoing issues of accessibility and inclusivity within the industry.
Chapters
00:00 Introduction to the Business of Theater
03:03 Oscars and Broadway Performances
06:03 The Impact of Wicked on Broadway
09:00 The Disconnect Between Award Shows and Audience Engagement
11:46 Theater Pricing and Accessibility Issues
14:48 The Challenges of Production Costs
18:01 The Evolution of Theater and Audience Expectations
20:55 The Future of Live Theater vs. Streaming Platforms
23:58 Adaptations in Musical Theater
26:33 Evolution of Musical Theater
27:54 Adaptations and Their Interpretations
30:45 Unexpected Challenges in Theater Production
36:17 The Role of Understudies in Theater
40:31 The Changing Role of Directors
45:09 The Courage to Take Risks in Theater
49:40 Navigating Post-COVID Theater Landscape
54:22 Accessibility and Inclusivity in Theater
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In this conversation, Darnelle Radford and Mitch discuss the challenges facing the theater industry, particularly in light of funding cuts and the impact of government policies on the arts. They explore the cultural landscape of Buenos Aires, the importance of arts in society, and the ongoing protests against political decisions affecting theater. The discussion highlights the need for community support and the role of artists in advocating for their craft. In this conversation, Darnelle Radford and Mitch discuss the complexities of the theater industry, focusing on the challenges of funding, the importance of resilience, and the need for trust within the arts community. They explore the balance between commercial and nonprofit theater, the impact of funding cuts, and the necessity of taking risks in artistic production. The dialogue emphasizes the importance of accessibility in the arts and the lessons learned from failures, ultimately advocating for a more supportive environment for artists.
Chapters
00:00 The Business of Theater: An Introduction
01:23 Art in Crisis: The Impact of Funding Cuts
03:55 Cultural Experiences: Theater in Buenos Aires
08:57 The Role of Arts in Society
12:40 Government Support for the Arts
17:02 Protests and the Future of Theater
22:01 The Intersection of Politics and Art
23:38 The Broken System and Outrage
25:20 Discerning Trust in the Arts
27:46 Resilience in Theater and Unionization
29:35 Frustrations with Arts Organizations
31:02 Funding Cuts and Community Impact
32:43 The Balance of Commercial and Nonprofit Theater
34:56 Accessibility in the Arts
36:52 The Importance of Risk in Theater
39:20 The Role of Nonprofit Organizations
42:37 Learning from Failure in the Arts
45:30 The Challenges of Nonprofit Funding
48:41 Finding New Paths in Art Production
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In this conversation, Darnelle Radford and Mitch discuss the current state of theater funding, the impact of the Grammy Awards, the challenges faced by artists, the importance of communication in the arts, and the stressful moments that arise in theater production. They also explore the resilience of theater artists, the role of general managers, and the chaos that can ensue during productions. The conversation highlights the complexities of the theater industry and the need for effective communication and decision-making. In this conversation, Mitch and Darnelle explore the multifaceted challenges of theater production, from attracting audiences to the impact of streaming services and the importance of star power. They discuss the evolution of marketing strategies, the chaos of production, and the future of funding in the arts. The conversation highlights the stress and complexities faced by theater professionals while also celebrating the joy and excitement of successful productions.
Chapters
00:00 The State of Theater Funding
03:03 The Impact of the Grammy Awards
05:58 Challenges Faced by Artists
09:12 Communication in the Arts
11:56 Stressful Moments in Theater
14:48 Unexpected Challenges and Resilience
17:59 The Role of General Managers
20:59 The Ghosts of Theater
24:02 The Chaos of Production
26:58 The Importance of Communication and Decision-Making
30:28 The Challenge of Attracting Audiences
33:55 The Evolution of Theater Marketing
37:44 Navigating the Chaos of Production
39:54 The Impact of Streaming on Theater
44:50 The Role of Star Power in Theater
50:31 The Future of Theater Funding
55:47 The Business of Theater Today
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In this conversation, Darnelle Radford and Mitch Weiss explore the complexities of the theater industry, discussing the importance of recognizing excellence through awards, the challenges of engaging audiences, and the marketing strategies necessary for success. They delve into the role of nonprofit organizations, the impact of grant dependency, and the future of theater as a for-profit venture. The discussion highlights the need for a deeper understanding of the audience and the importance of promoting not just individual shows but the theater community as a whole. In this conversation, Mitch and Darnelle explore the complexities of branding and audience engagement in the theater industry, particularly for nonprofits. They discuss the importance of clear communication and visibility, the challenges of subscription models, and the unique branding needs of smaller theater companies. The conversation also touches on the evolution of Broadway, the impact of the pandemic on audience selectivity, and the necessity for theater companies to have a clear mission and purpose to thrive in the future.
In this conversation, Darnelle Radford and Mitch discuss the current state of theater, focusing on financial challenges, donor appeals, ticket pricing, and the dynamics of nonprofit theaters. They explore the impact of rising ticket prices on audience engagement and the necessity for community building within the theater space. The discussion also highlights the importance of effective marketing and scheduling to enhance audience attendance and support for theater productions. In this conversation, Mitch and Darnelle discuss the impact of the pandemic on theater communities, the importance of storytelling, and the need for nonprofits to engage younger generations. They explore the financial challenges faced by theaters, the significance of audience engagement, and the anticipation surrounding upcoming productions like Wicked. The discussion emphasizes the need for innovation and relevance in theater to attract and retain audiences.
Chapters
00:00 Theater's Financial Landscape and Donor Appeals
09:57 Ticket Pricing Trends and Audience Perception
19:57 Nonprofit Theater Challenges and Community Engagement
30:00 The Importance of Marketing and Scheduling in Theater
36:40 Community Resilience Post-Pandemic
39:09 Theater's Financial Landscape and Audience Engagement
42:09 The Importance of Storytelling in Theater
46:01 Engaging Younger Generations in Theater
51:00 The Future of Nonprofit Theater
56:51 Anticipation for Upcoming Productions
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This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Email us at tbot@em3ry.com Follow us on Facebook, Twitter and Instagram at “em3ryotm”.Chapters
00:00 Theater's Financial Landscape and Donor Appeals
09:57 Ticket Pricing Trends and Audience Perception
19:57 Nonprofit Theater Challenges and Community Engagement
30:00 The Importance of Marketing and Scheduling in Theater
36:40 Community Resilience Post-Pandemic
39:09 Theater's Financial Landscape and Audience Engagement
42:09 The Importance of Storytelling in Theater
46:01 Engaging Younger Generations in Theater
51:00 The Future of Nonprofit Theater
56:51 Anticipation for Upcoming Productions
Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
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Takeaways
Finding purpose in theater is essential.
Avenue Q and Wicked represent different eras in theater.
Tony Awards can significantly impact a show's success.
Word of mouth remains the most effective marketing tool.
Celebrity involvement does not guarantee ticket sales.
Social media's role in ticket sales is limited.
Audience engagement is crucial for theater success.
Theater companies must adapt to changing audience preferences.
Reviews should inform rather than overshadow the audience's experience.
Effective advertising strategies are vital for theater productions. The ticketing experience is evolving, with many opting for direct purchases.
Local theaters provide a personal touch that enhances the audience experience.
The rise of ticketing agencies has changed the pricing landscape.
Broadway productions are facing increasing financial pressures.
Competition among theaters can hinder collaboration and community growth.
Artistic vision is crucial for successful theater productions.
Accessibility and audience engagement are ongoing challenges.
Play development requires audience feedback to succeed.
Innovative models for theater development can enhance community engagement.
The demand for new and extraordinary works is growing among audiences.
Chapters
00:00 Finding Purpose in Theater
06:01 The Impact of Tony Awards on Broadway Shows
11:53 The Role of Reviews and Influencers
18:09 Navigating Ticket Sales and Audience Engagement
24:43 The Importance of Local Theater and Personal Touch
30:23 Competition and Collaboration in the Theater Community
36:24 The Debate on Accessibility and Audience Engagement
45:34 Innovative Models for Theater Development
In this episode of 'The Business of Theater', hosts Darnelle Radford and Mitch Weiss explore the multifaceted world of theater, discussing the cultural impact of the musical 'Wicked', the differences between live theater and film experiences, and the financial challenges faced by theater productions. They delve into the Edinburgh Fringe Festival's role in the theater landscape, the importance of effective budgeting, and the dynamics of nonprofit organizations in the arts. The conversation also highlights the challenges of board leadership and the need for accountability in theater management. In this conversation, Mitch and Darnelle Radford discuss the complexities of theater production, the challenges faced by emerging playwrights, and the importance of leadership in nonprofit organizations. They explore the writing process, the significance of understanding one's story, and the necessity of diverse theaters. The discussion also touches on practical steps for aspiring writers, the financial realities of theater production, and the journey of feedback and revision in the creative process.
LINKS:
DO US GOOD - Amanda Gorman
https://www.youtube.com/watch?v=BPOVo3_pyos
EdFringe review: annual income continues to be outstripped by expenditure
https://www.thestage.co.uk/news/edfringe-review-annual-income-continues-to-be-outstripped-by-expenditure
52nd ANNUAL “THE VIV” AUDELCO AWARDS
https://www.audelco.org/
A Chorus Line
https://en.wikipedia.org/wiki/A_Chorus_Line
TKTS Philadelphia
https://www.phlvisitorcenter.com/tkts
Actors Equity Association
https://actorsequity.org/
Australian Parliament bans social media for under-16s with world-first law
https://apnews.com/article/australia-social-media-children-ban-safeguarding-harm-accounts-d0cde2603bdbc7167801da1d00ecd056
Macy’s Thanksgiving Day Parade
https://www.macys.com/s/parade/
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In this conversation, Darnelle Radford and Mitch discuss the evolving landscape of theater in the post-pandemic world, emphasizing the importance of live performance while also recognizing the role of digital platforms. They explore the challenges of self-taping in casting, the need for diversity in leadership roles, and the disconnect between theater productions and their audiences. The discussion highlights the relevance of theater today and the necessity for artists to adapt and find their unique voices in a changing industry. In this conversation, Darnelle Radford and Mitch discuss the financial struggles of Broadway shows, the challenges of marketing in theater, and the importance of engaging audiences. They explore the role of education in increasing theater attendance and the need for theaters to create new audiences. The discussion also emphasizes the significance of personal branding and self-promotion for individuals in the theater industry.
Chapters
00:00 The Relevance of Theater Today
06:13 The Role of Digital Platforms in Theater
11:46 Challenges of Self-Taping and Casting
17:46 The Disconnect Between Audiences and Productions
32:15 The Financial Struggles of Broadway Shows
39:32 The Importance of Audience Engagement
44:56 The Role of Education in Theater Attendance
55:16 The Business of You: Personal Branding in Theater
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This podcast is an Em3ry production.
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LINKS:
THE FARM - https://wegrowtheater.com
Donna McKechnie - https://www.donnamckechnie.com/
How To be A Working Actor - https://www.amazon.com/How-Working-Actor-5th-Television/dp/0823088952
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WORKING TITLE:
Ready for my close up!
What the hell is going on?
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In this episode, Darnelle Radford and Mitch engage with author Alan Harrison to discuss the evolving responsibilities of nonprofit arts organizations. They explore the impact of these organizations on communities, the implications of 501(c)(3) status, and the often-overlooked realities of fundraising and supporting artists. The conversation emphasizes the need for a shift in focus from merely producing art to creating meaningful community impact. In this conversation, the speakers discuss the evolving landscape of support for artists, emphasizing the inadequacies of traditional nonprofit structures and the need for community-centric approaches. They explore the potential of commercial ventures in the arts as a viable alternative to nonprofit models, advocating for a shift in focus towards community needs and sustainable practices.
ABOUT SCENE CHANGE 2
Release Date: January 1, 2025
In SCENE CHANGE 2, we offer specific board responsibilities in order to create the space for the kind of charity for which communities are clamoring. This is a targeted list of the ways in which today's nonprofit arts organizations (theaters, symphonies, ballets, museums, operas, and all the rest) will have to significantly change their whole structure and the prism in which they do work. Companies that make these changes will be giving themselves the best chance to succeed in 2024 and beyond. Those that don't, won't.
LINKS:
What’s Next, Fair Harvard? The Alois Hitler Theaterzentrum? (09/10/2024)
https://www.artsjournal.com/scenechange/2024/09/10/whats-next-fair-harvard-the-alois-hitler-theaterzentrum/
Continuing relationships with toxic donors.
Tha Sacklers
Nonprofit Arts Organizations: What’s a “Community?” (09/17/2024)
https://www.artsjournal.com/scenechange/2024/09/17/nonprofit-arts-organizations-whats-a-community/
The definition of Community
What nonprofits miss about Community
Nonprofit Arts Organizations Don’t Support Artists; They Employ Them (09/24/2024)
https://www.artsjournal.com/scenechange/2024/09/24/nonprofit-arts-organizations-dont-support-artists-they-employ-them/
Nonprofits do not support artists, they employ them.
How Does Your Nonprofit Arts Organization Use History to Tangibly Make Things Better? (10/01/2024)
https://www.artsjournal.com/scenechange/2024/10/01/how-does-your-nonprofit-arts-organization-use-history-to-tangibly-make-things-better/
Historical perspective seem to fall into four categories, in descending order of reliable empirical data: experienced history, consumed history, learned history, and third-person history.
Is Pay-What-You-Can a Real Community Issue for Arts Organizations to Solve? (10/08/2024)
https://www.artsjournal.com/scenechange/2024/10/08/is-pay-what-you-can-a-real-community-issue-for-arts-organizations-to-solve/
What about companies whose model is PWYC? Not just one-offs
SIDEQUEST THEATER
https://sidequesttheater.com/
TO LEARN MORE ABOUT ALAN HARRISON AND SCENE CHANGE:
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Visit us online at https://em3ry.com/tbot. Follow us on Face
On today’s podcast, we return from summer break to catch on the changes in the business and the lives lost over the summer.
BROADWAY FLEA MARKET
FOR GOOD: Broadway Flea Market & Grand Auction raised a record-breaking $1,421,675 for Broadway Cares/Equity Fights AIDS.
LOTTERIES (Eating TKTS’ lunch)
Any updated theater books?
OFF-BROADWAY is Booming - https://www.fox5ny.com/news/off-broadway-week-is-back-heres-what-shows-participating
THE FARM - We Grow Theater - https://www.wegrowtheater.com/
SUMMER STOCK - https://en.wikipedia.org/wiki/Summer_stock_theater
Supreme Court - Ownership of Artistic
Carol Burnett - https://playbill.com/article/what-happened-when-carol-burnett-fell-asleep-onstage-in-once-upon-a-mattress
ALL THINGS WE EVER DID ARE LEFT BEHIND
___________________________________________
Gavin Creel - https://playbill.com/article/tony-winning-actor-gavin-creel-passes-away-at-48
“Gavin Creel, Beloved Tony-Winning Star of Hello, Dolly!, Thoroughly Modern Millie and More, Dies at 48” by Broadway.com’s Hayley Levitt - “Tony Award winner Gavin Creel, who launched his celebrated Broadway career as Jimmy Smith in Thoroughly Modern Millie and whose stage credits include She Loves Me, Hello, Dolly! and Into the Woods, died at home in Manhattan on September 30. His death was confirmed by his partner, Alex Temple Ward. He had been diagnosed with a rare and aggressive form of sarcoma in July, receiving treatment at Memorial Sloan Kettering before moving to hospice care at home. He was 48.” https://bway.ly/4husdd
INTO THE WOODS, THOROUGHLY MODERN MILLIE, SHE LOVES ME
Ken Page - https://playbill.com/article/beloved-baritone-ken-page-dies-at-70
CATS, THE WIZ, THE NIGHTMARE BEFORE CHRISTMAS
Adrian Bailey - https://playbill.com/person/adrian-bailey-vault-0000031982
THE LITTLE MERMAID
Maggie Smith - https://playbill.com/person/maggie-smith-vault-0000066955
LETTICE AND LOVAGE
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WORKING TITLE: THE CIRCLE OF LIFE
In this conversation, Darnelle and Mitch discuss the 15th annual Jimmy Awards, a high school level Tony Awards. They also talk about the reinterpretation of musicals, such as Cats and Company, and the value of learning the history of musical theater.
They explore the idea of infusing different styles, like ballroom culture, into musicals and the importance of advancing the art form. They also touch on the challenges of updating classic musicals and the impact of gentrification on storytelling.
The conversation covers various topics related to the arts, including the impact of remakes and new versions of movies, the significance of costume design in films, the erasure of certain actors in marketing campaigns, the challenges faced by artists in the theater industry, the importance of arts education, and the power of storytelling in theater.
The hosts also discuss the closure of a college in Philadelphia and the implications for arts and culture in the city. They touch on the role of politics in funding for the arts and the need for a well-rounded education that includes the arts. The conversation concludes with a mention of the upcoming production of Disney's Hercules on the West End and the historical trend of shows starting in London before coming to Broadway.
Chapters
00:00 Introduction and Podcast Naming
03:32 The Talent and Level of Performance at the Jimmy Awards
07:44 Reinterpreting Musicals: Bringing New Life to Familiar Stories
13:03 Infusing Ballroom Culture into Musicals
16:11 Challenges of Updating Classic Musicals
24:18 The Impact of Remakes and New Versions of Movies
26:09 Challenges in the Theater Industry
29:17 The Importance of Arts Education
32:28 The Closure of a College and its Implications
35:09 The Role of Politics in Arts Funding
37:25 The Need for a Well-Rounded Education
46:37 The West End as a Tryout Venue for Broadway Shows
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The hosts discuss the recent Tony Awards and the challenges faced by the theater industry. They highlight the importance of supporting artists and the need for infrastructure to sustain their careers. They also explore the idea of universal theater that can resonate with diverse audiences. The conversation touches on the financial struggles of artists and the need for funding and mentorship. They discuss the impact of social media and the Tony Awards on ticket sales and the perception of theater. The hosts propose ideas for supporting emerging talent and creating a more sustainable theater industry. The conversation explores the importance of connecting with potential theater supporters through their creative interests and finding ways to be inviting without constantly asking for money. They discuss the need for transparency in the theater industry and the value of sharing behind-the-scenes information with audiences. They also touch on the high costs of producing theater and the challenges of fundraising. The conversation concludes with a reflection on the need for theaters to rethink their foundation and structure in order to move forward.
Chapters
00:00 Introduction and Naming the Podcast
03:13 The Importance of Supporting Artists
08:08 Financial Struggles and the Need for Funding
14:49 Universal Theater and Resonating with Audiences
28:46 Funding and Mentorship for Emerging Talent
34:04 Creating a Sustainable Theater Industry
38:28 Connecting with Supporters Through Creative Interests
40:45 Inviting Without Constantly Asking for Money
45:05 The Importance of Transparency in Theater
48:36 Sharing Behind-the-Scenes Information with Audiences
51:23 The High Costs of Producing Theater
56:51 Rethinking Theater Foundation and Structure
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This podcast is an Em3ry production.
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The conversation discusses the financial challenges and communication issues faced by arts organizations, particularly in the theater industry. It highlights the impact of funding delays, lack of transparency, and the struggle to sustain operations. The conversation also delves into the need for better financial planning, realistic budgeting, and improved communication with donors and supporters.
The conversation covers a wide range of topics related to the challenges and opportunities in the theater industry, including financial planning, grant funding, infrastructure, diversity, and the impact of the pandemic. It also delves into the role of nonprofit organizations, the need for support, and the changing landscape of theater production.
Chapters
00:00 Introduction: The Arts Industry and Financial Challenges
03:02 Impact of Funding Delays and Lack of Transparency
07:59 Prioritizing Financial Stability and Effective Communication
15:27 Sustainability and Advanced Financial Planning
36:04 Challenges of Infrastructure and Business Management in Theater
45:42 Diversity and Inclusivity in Storytelling and Audience Engagement
48:48 The Impact of the Pandemic on the Theater Industry
57:28 The Role of Nonprofit Organizations in the Changing Theater Landscape
The conversation revolves around the challenges and complexities of fundraising galas in the theater industry. The hosts discuss the high costs of attending galas and the aggressive marketing campaigns used to solicit donations. They also explore the elitism and exclusivity associated with these events, as well as the struggle for nonprofits to balance financial goals with artistic integrity. The conversation touches on the impact of the pandemic on theater funding and the need for subsidies and support from the government and successful theater companies. The hosts also discuss the importance of creating sustainable models for theater funding and the role of grassroots campaigns and community involvement.
The conversation explores the challenges faced by the theater industry, including funding, tax credits, and the need for diversity, equity, and inclusion (DEI). It highlights the lack of financial support for theaters, the lengthy process of receiving tax credits, and the limitations of grant programs. The conversation also delves into the need for new leadership in nonprofit theaters and the importance of addressing DEI issues. The hosts share their thoughts on recent theater productions and discuss the impact of the pandemic on the industry.
LINKS:
The Lucille Lortel Awards
https://lortelaward.com/2024-nominees/
68th Annual Drama Desk Awards
https://www.broadwayworld.com/article/2024-Drama-Desk-Awards-Nominations--The-Full-List-20240429
Outer Critics Circle Awards
https://playbill.com/article/dead-outlaw-leads-2024-outer-critics-circle-award-nominations-read-the-full-list
2024 Tony Awards (June 16th on CBS)
https://www.tonyawards.com/nominees/
Forbidden Broadway on Broadway
(Postpones Run)
https://www.nytimes.com/2024/04/26/theater/forbidden-broadway.html
Theatre Exile on Tick Tock
https://www.tiktok.com/@theatreexile
Disney Bets $60B Its Parks Will Power the Future
https://www.hollywoodreporter.com/business/business-news/disney-josh-damaro-theme-parks-investment-1235879041/
BEST MUSICAL NOMINEES
https://outsidersmusical.com/
https://www.hellskitchen.com/
https://www.waterforelephantsthemusical.com/
https://notebookmusical.com/
https://suffsmusical.com/
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The conversation explores the idea of nonprofit arts organizations shifting their focus from producing art to producing impact. The guest, Alan Harrison, shares his experience working in the nonprofit arts industry and discusses the need for arts organizations to align their work with the needs of the community. He emphasizes the importance of demonstrating measurable results and social value to justify the nonprofit status. The conversation also touches on the challenges of fundraising and the role of money in producing art. The guest's book, 'Scene Change: Why Today's Nonprofit Arts Organizations Have to Stop Producing Art and Start Producing Impact,' serves as a foundation for the discussion.
LINKS:
Alan Harrison - The Arts Journal
https://www.artsjournal.com/author/alan-harrison
Alan Harrison - On Medium
https://medium.com/@501c3guru
The Fourth Turning Is Here - Neil Howe
https://www.simonandschuster.com/books/The-Fourth-Turning-Is-Here/Neil-Howe/9781982173739
BUY THE BOOK -
Scene Change - Why Nonprofit Arts Organizations Have To Stop Producing Art And Start Producing Impact.
https://bookshop.org/p/books/scene-change-why-today-s-nonprofit-arts-organizations-have-to-stop-producing-art-and-start-producing-impact-alan-harrison/19872415?ean=9781803414461
Scene Change 2: The Five Real Responsibilities of Nonprofit Arts Boards
https://bookshop.org/p/books/scene-change-2-the-five-real-responsibilities-of-nonprofit-arts-boards-alan-harrison/21087360?ean=9781803416984
__
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This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
In this conversation, Darnelle and Mitch discuss various topics related to theater, including the challenges of naming their podcast, the quality of certain movies, the history of their podcast, the importance of preparation, the state of the theater industry, audience behavior, and upcoming shows on Broadway. In this conversation, Darnelle and Mitch discuss the importance of reviving shows with new perspectives and changes. They emphasize the need for theater to evolve and speak to the current times. They also touch on the challenges of promoting shows in the digital age and the changing landscape of journalism. They mention the impact of music videos and YouTube in promoting musicals. They also mention their upcoming guest, Alan Harrison, who discusses the nonprofit arts sector. They conclude by promoting their own projects and the need for new voices and perspectives in the theater industry.
Nonprofit theaters face challenges in terms of funding and sustainability.
There is a need for a new funding system that supports the arts.
Artists often struggle to make a living in theater and need to be creative and adaptable.
Effective marketing and promotion are crucial for generating interest in new shows.
Long-running shows can impact the success of new productions.
Finding innovative ways to market live theater is essential. Prioritize your own shows and find creative satisfaction.
Plan for the lack of audience and be prepared for the challenges of funding.
Utilize social media platforms like TikTok, but be aware of their limitations.
Consider the impact of nudity in theater and the reactions of different communities.
Celebrate milestones and continue supporting organizations like We Grow Theater.
In this conversation, Mitch Weiss and Darnelle Radford discuss various topics related to theater. They share their theater experiences, including seeing the national tour of Frozen and Dreamgirls at the McCarter Theater. They also talk about the importance of opening nights and creating a special experience for the audience. Additionally, they discuss the lack of diversity in theater schools and the representation of black men in leading roles. This conversation explores the challenges of diversity and accessibility in the theater industry. It discusses the lack of diversity in theater showcases and the financial barriers that prevent marginalized individuals from accessing opportunities. The conversation also highlights the issue of unpaid internships and the need for more inclusive internship programs. It emphasizes the importance of networking and making connections in the theater community, as well as the value of translating theater skills to other industries. The conversation concludes with discussions on the role of Theater Philadelphia in connecting theater companies and the future of Broadway.
In this conversation, Mitch Weiss and Darnelle Radford discuss the relevance of award shows in the theater industry and the challenges faced by the theater community. They explore the need for subsidization in theater and the impact of ticket prices on accessibility. They also touch on the widening gap between the rich and the poor and its effect on the arts. The conversation delves into the challenges of auditions and casting, as well as the importance of connection in the audition process. They conclude by discussing the benefits and challenges of digital auditions. This conversation explores the challenges and opportunities in the theater industry, focusing on auditions, the lack of feedback, and the need for change. The hosts share their personal audition experiences and discuss the differences between theater and TV acting. They also discuss the importance of supporting playwrights and new work, as well as expanding theater beyond major cities. The conversation highlights the need for theaters to engage with their local communities and find new ways to subsidize their work. Overall, the conversation emphasizes the need for new conversations and ideas to shape the future of the theater industry.
In this conversation, Darnelle and Mitch discuss potential working titles for their podcast and the challenges of finding the right one. They also talk about the production of Little Shop of Horrors and the practice of replacing leads in long-running shows. The conversation then shifts to the different endings in theater and film adaptations. They discuss the opportunities for ensemble members in shows like Little Shop of Horrors and the casting choices for the production. The conversation also touches on Kit Harrington starring in Slave Play and the concept of blackout nights in theater. They conclude by discussing the comfort of theater seating and their experiences at theaters in Philadelphia. In this conversation, Mitch Weiss and Darnelle Radford discuss the future of theater, the impact of the pandemic on the industry, and the challenges faced by Broadway. They explore the need for change in the theater model, including the role of nonprofit organizations and the high cost of producing new shows. They also touch on the success of long-running shows and the importance of variety in theater. The conversation concludes with a discussion on the role of critics and influencers in the theater industry and the cost of theater experiences for audiences.
In this conversation, Mitch Weiss and Darnelle Radford discuss various topics related to the business of theater. They talk about the high cost of Broadway tickets and the challenges of opening new productions. They also explore the changing audience for theater and the decline in Broadway theaters. The conversation touches on the importance of location for theaters and the challenges of managing costs. Overall, they provide insights into the complexities of the theater industry and the need for innovative approaches to sustain it. This conversation explores the struggles and challenges faced by theaters and the need for change in the industry. It discusses the closure of theaters and the impact of capitalism, as well as the challenges of producing in New York. The conversation also highlights the shift in priorities in nonprofit theater and the need for operational changes. It explores different approaches to regional theater and the importance of realism in theater operations. The conversation delves into the role of marketing and the board of directors in theater success, and the need for transparency and communication in theater leadership. It also discusses new production models, the importance of effective marketing, and the need for collaboration and rethinking the theater industry. The conversation emphasizes the importance of budgeting and making choices in theater productions, as well as the need for substance and originality in theater. It concludes by highlighting the importance of new play development and finding new ways to navigate the changing landscape of the theater industry.
Takeaways
The theater industry is facing challenges and resistance to change.
Work conditions in the theater industry need improvement.
Budgeting and financial challenges are a major concern for theater companies.
The theater industry needs to adapt to changing audience expectations and preferences.
The development of new works is crucial for the growth and sustainability of the theater industry.
Nonprofit theaters need to rethink their structures and staffing.
Fundraising and planning are essential for the success of theater companies. Preparation for auditions and staffing is a complex process that requires careful planning and coordination.
Finding housing for out-of-town talent can be a challenge and requires building relationships with local communities.
Financial challenges and high ticket prices are issues that need to be addressed in order to make theater more accessible.
Theater companies need to adapt to changing audience preferences and provide unique and immersive experiences.
Innovation and open discussions are necessary to address the challenges and opportunities in the theater industry.
Engaging younger generations in theater requires understanding their preferences and creating experiences that resonate with them.
Theater companies should create opportunities for community engagement and involve local residents in their productions.
Participation and collaboration are key to fostering creativity and creating a sense of community in the theater industry.
Making theater more accessible and affordable is important to attract a wider audience and ensure its sustainability.
Theaters should play a larger role in the community by offering their spaces for various events and activities.
Offering discounts and membership programs can help attract and retain patrons, while also supporting the financial sustainability of theater companies.
The theater industry needs to embrace change and collaborate with other organizations to address the challenges it faces.
Art and grant funding should be more accessible and supportive of the diverse needs of the theater industry.
SHOWNOTES:
Do musicals have a sell by date? This and other questions we explore in the New Year of “The Business…”
__
WORKING TITLE:
In 2024, we’ll all be kings!
__
REJECTED TITLES:
In 2024, we’ll all be knights!
Not days but Knights
LINKS:
Merrily We Roll Along
https://merrilyonbroadway.com/#home
Broadway Shows in 2024
https://www.broadway.com/shows/tickets/?category=broadway&view_all=true
__
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This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
WORKING TITLE:
The World As We Know It Has Changed
__
REJECTED TITLES:
May Your Days Be Merry An Bright
American Theatre - On reason theatre is in crisis, the slow death of criticism.
https://www.americantheatre.org/2023/12/18/one-reason-theatre-is-in-crisis-the-slow-death-of-criticism/
Manchester's Contact to reduce output and scrap artistic director model https://www.thestage.co.uk/news/manchesters-contact-to-reduce-output-and-scrap-artistic-director-model?utm_source=newsletter&utm_medium=email&utm_campaign=The%20Stage%20daily%20newsletter
BROADWAY CARES/EQUITY FIGHTS AIDS https://broadwaycares.org/
Here’s to us. Who’s like us? Damn Few.
__
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This podcast is an Em3ry production.
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This conversation explores the challenges and opportunities in the theater industry, focusing on the urgency of theater, the role of nonprofit arts organizations, and the need for supportive spaces for artists. The conversation also delves into the importance of knowing the purpose and vision of an organization, the pitfalls of foundation grants, and the impact of the pandemic on theaters. The speakers discuss the need for collaboration and sharing resources, as well as the need for change in the theater industry.
WORKING TITLE:
I’M YOUR BIGGEST FAN!
__
REJECTED TITLES:
Will You Sign My Body!
LINKS:
The success of our teams compromises our stages!
Merrily We Roll Along - https://merrilyonbroadway.com/
Here We Are, Sondheim’s Final Work, Extends Off-Broadway
https://www.playbill.com/article/here-we-are-sondheims-final-work-extends-off-broadway
Here Lies Love - https://herelieslovebroadway.com/
And Juliet - https://andjulietbroadway.com/
Suzanne Summers - https://apnews.com/article/obituary-suzanne-somers-2b97c5362eab6709f594b30280dc79c3
Demanded to be paid what the male roles were paid.
Playbill Goes To New York Comic Con
https://www.playbill.com/comiccon
THE TOP-EARNING SUMMER CONCERT TOURS OF 2023
https://www.forbes.com/sites/marisadellatto/2023/10/13/the-top-earning-summer-concert-tours-2023-taylor-swift-beyonce/?sh=6e097b13707c
BroadwayCon - https://www.broadwaycon.com/
July 26-28, 2024 - New York Hilton Midtown
Phantom Of The Opera
https://us.thephantomoftheopera.com/
NICOLE KIDMAN - AMC SPEECH
https://nofilmschool.com/kidman-amc-speech
Grauman's Chinese Theatre
https://en.wikipedia.org/wiki/Grauman%27s_Chinese_Theatre
The First, Musical - David Allan Grier
https://en.wikipedia.org/wiki/The_First_(musical)
New York Theatre Reviews: By Fans, For Fans
https://www.show-score.com/
Broadway is for fans!
__
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This podcast is an Em3ry production.
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WORKING TITLE:
How Did We Get Here?
REJECTED TITLES:
Writers Keep Writing
_________________________________________
LINKS:
Manhattan Theater Club
https://www.manhattantheatreclub.com/
Roundabout Theatre Company
https://www.roundabouttheatre.org/
Orbiter 3
http://www.orbiter3.org/
Fractured Atlas
https://www.fracturedatlas.org/
Gail Papp
https://gailpapp.com/book/
QUESTIONS:
Are leaders draining the bank before leaving?
Should they leave sooner?
I don’t need a seat at your table, I’m building my own table.
Should there be a term limit in Artistic Leadership?
The mindset that you will never fully achieve your mission…this is why the organization goes on and on and on.
Supporters want to support certain things and those things become projects in the organization.
Should you dissolve the organization and start a new one once your mission/purpose has been served?
Is that why some companies are becoming more lean as of late?
__
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This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
WORKING TITLE:
IT’S A CALLING?
REJECTED TITLES:
Bit by the Bug!
LINKS:
The Good Enough Job - The Good Enough Job: Reclaiming Life from Work: Stolzoff, Simone: 9780593538968: Amazon.com: Books
2024 Tony Awards - June 16, 2024 at Lincoln Center
https://playbill.com/article/the-2024-tony-awards-will-be-hosted-at-lincoln-center
New Home: The David H. Koch Theater
Date: June 16, 2024
Last Year (2023) at The United Palace Theater (OMITB)
The Drama! Unions and such.
The Review of Death, Rattle Dazzle, the Broadway show that never opened.
https://playbill.com/article/playbill-exclusive-the-review-of-death-rattle-the-broadway-show-that-never-opened
“Broadway Licensing Group” becomes “Broadway Licensing Global”
https://www.broadwaynews.com/exclusive-broadway-licensing-group-becomes-broadway-licensing-global/
SPAMALOT Musical - Revival
https://spamalotthemusical.com/
Previews begin October 31st.
"Actors’ Equity files with National Labor Relations Board to unionize Broadway production assistants"
https://www.broadwaynews.com/actors-equity-files-with-national-labor-relations-board-to-unionize-broadway-production-assistants/
The 2023 Broadway Flea Market and Grand Auction Raised a Record-Breaking $1.2 Million (10/1/2023)
https://playbill.com/article/the-2023-broadway-flea-market-and-grand-auction-raised-a-record-breaking-1-2-million
Purlie Victorious
https://purlievictorious.com/
Central Park - Apple TV
https://tv.apple.com/us/show/central-park/umc.cmc.4qe3i11erof30x0vz8nwnjkw3?mttn3pid=Google%20AdWords&mttnagencyid=a5e&mttncc=US&mttnsiteid=143238&mttnsubad=OUS2019816_1-662863202385-c&mttnsubkw=79342107540__YzgWLop0_&mttnsubplmnt=_adext_
WORKING TITLE:
Life’s A Beach?
REJECTED TITLES:
Nomadic Theater
Is the Rainbow enuf?
Links:
The Public - https://publictheater.org/
Theatre Exile - https://theatreexile.org
For Colored Girls Who Have Considered Suicide / When The Rainbow IS Enuf - https://en.wikipedia.org/wiki/For_Colored_Girls_Who_Have_Considered_Suicide_/_When_the_Rainbow_Is_Enuf
Long Wharf Theatre - https://longwharf.org/
LuEsther Mertz - https://en.wikipedia.org/wiki/LuEsther_Mertz
Rock & Roll Man - https://rockandrollmanthemusical.com/
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Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
WORKING TITLE:
That’s how she became The Nanny
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REJECTED TITLES:
Barbenheimer
LINKS:
SAG-AFTRA Declares Double Strike as Actors Join Writers on Picket Lines
https://variety.com/2023/biz/news/sag-aftra-double-strike-wga-amptp-1235669492/
SAG-AFTRA ON STRIKE
https://www.sagaftrastrike.org/
WGA ON STRIKE
https://www.wgacontract2023.org/announcements/sag-aftra-strike
AMPTP
https://www.amptp.org/index.html
BARBIE MOVIE - https://www.barbie-themovie.com/
OPPENHEIMER - https://www.oppenheimermovie.com/
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Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
SHOWNOTES:
The end of fiscal year
__
WORKING TITLE:
Spare some change?
__
Links:
The New York Public Library for the Performing Arts
https://www.nypl.org/locations/lpa
Joan Rivers was a gifted comedian and she was extremely organized
https://www.npr.org/2023/06/09/1181232265/joan-rivers-was-a-gifted-comedian-and-she-was-extremely-organized
Donate to Theatre Exile - https://theatreexile.org/donate/
Lizard Boy - http://www.lizardmusical.com/
Here Lies Love - https://herelieslovebroadway.com/
Alan Harrison - LinkedIn (Nonprofits a career, writing a specialty
https://www.linkedin.com/in/alanharrisonseattle/
Just a Reminder: No One Cares About Your Nonprofit’s Fiscal Year-End Except You - Alan Harrison
https://www.linkedin.com/pulse/just-reminder-one-cares-your-nonprofits-fiscal-except-alan-harrison/
Mentorship - https://www.risetheatre.org/
Lin-Manuel Miranda
https://www.hollywoodreporter.com/lifestyle/arts/lin-manuel-miranda-launches-rise-theater-directory-backstage-diversity-1235508172/
Our Town - in Old City
https://ardentheatre.org/productions/past-productions/
Theatre Communications Group
https://circle.tcg.org/home?ssopc=1
REJECTED TITLES:
No Amount is too small/large
__
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This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
Tony Award Winners - https://www.tonyawards.com/winners/
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WORKING TITLE:
I betcha you would have done the same?
__
REJECTED TITLES:
Asshat-In-Chief
__
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This podcast is an Em3ry production.
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Today on the podcast, we talk about Darnelle’s visit to the Museum of Broadway.
**WORKING TITLE:**
Attend the tale of Sweeney Todd
REJECTED TITLES:
When the front row just isn’t close enough.
Where’s the Ghostlight?
No Legacy Robe?
LINKS:
The Museum of Broadway
https://www.themuseumofbroadway.com/
How broadway inspired other media…
__
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This podcast is an Em3ry production.
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Audio Block Double-click here to upload or link to a .mp3. Learn more
WORKING TITLE:
World Theatre Day
Not A Drop To Drink?
REJECTED TITLES:
Return to Work From Home
Spring Into Step
Philly Theatre Week
Theatre Philadelphia hosts Philly Theatre Week: a celebration of the artists, organizations, and audiences that have made Greater Philadelphia one of the most vibrant theatre regions in the nation. Audiences will have an opportunity to try something new from our theatre community through a series ofproductions, readings, interactive events, and much more! This year, experience over 50 events with Pay What You Can tickets!
https://theatrephiladelphia.org/whats-on-stage/2023-philly-theatre-week
"‘Smash’ musical to open on Broadway in 2024-2025 season" by Broadway News' Ruthie Fierberg - "A stage musical adaptation of the NBC television series “Smash” will arrive on Broadway during the 2024-2025 season. Robert Greenblatt, Neil Meron and Steven Spielberg will produce. The musical will feature a book co-written by … Rick Elice and … Bob Martin. … Marc Shaiman and Scott Wittman … will pen the musical’s score, which will feature numbers from the TV show. … Susan Stroman will direct the “Smash” musical. … Joshua Bergasse … will choreograph. … Official dates, theater, creative team and casting for the “Smash” stage musical will be announced." https://bway.ly/1mw99z
"Broadway’s ‘SIX’ recoups ahead of its 600th performance" by Broadway News' Ruthie Fierberg - "In advance of its 600th Broadway performance on March 26, the Tony Award-nominated musical “SIX” has recouped its investment. According to a release from the production, the new musical about the six wives of King Henry VIII made back its investment in December of 2022. (Its initial capitalization in 2020 was reportedly $5 million.) The show is the first Main Stem production to share news of its recoupment since the industry’s reopening in September 2021." https://bway.ly/a9dbvx
"National Black Theatre to host special ‘Fat Ham’ performance; additional community nights announced" by Broadway News' Caitlin Hornik - "National Black Theatre has announced a special performance of “Fat Ham” on Friday, March 31. ... The evening will feature a post-show discussion and specifically welcomes members of Black theater institutions, artists and creatives to attend. ... The “Fat Ham” producing team also announced subsequent community nights: Queer Youth Night on March 24; Women’s History Night on March 30; Philly Phat Ham Night on the April 2 matinée performance and a Community Night on April 14." https://bway.ly/vel4rf
"Actors’ Equity Launches Political Action Committee Ahead of 2024 Election" by The Hollywood Reporter's Caitlin Huston - "Actors’ Equity Association is forming its own political action committee. The union for more than 51,000 stage managers and actors will be launching the PAC in the first week of April, with the goal of contributing money to federal candidates who support Actors’ Equity priorities. These include more arts funding, expanded health care coverage, protecting the right to organize, and specific entertainment legislation, such as the Performing Artists Tax Parity Act. The PAC will be a separate organization from the union." https://bway.ly/u39un0
WORLD PREMIERE - ABANDON
https://theatreexile.org/shows/abandon/
Philadelphia rescinds bottled-water alert after chemical spill in the Delaware River
https://www.nbcnews.com/news/us-news/philadelphia-officials-alert-residents-drink-bottled-water-chemical-sp-rcna76736
Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
SHOWNOTES:
Let’s recap The Oscars as they relate to theater. Along with current events. Show closings and openings.
__
WORKING TITLE:
Everything Everywhere All At Once
__
REJECTED TITLES:
Every Drink Everywhere All At Once
Stay for the Sippy Cup
__
Theatre Development Fund
https://www.tdf.org/
Brendan Fraser Wins Academy Academy Award for Best Actor in a Leading Role; See Which Stage Artists Won Big at the 95th Annual Oscars
Stage and screen star Brendan Fraser has won big at the 95th Annual Academy Awards, receiving the Best Actor in a Leading Role award for his performance in The Whale.
Samuel D. Hunter's The Whale — adapted from his 2012 play of the same name — received several nominations this evening. It took home the Best Makeup and Hairstyling award, in addition to Fraser's win.
Many other stars of the stage were nominated at the Oscars, such as Stephanie Hsu, Angela Bassett, Cate Blanchett, Michelle Williams, and Austin Butler, to name just a few. The biggest prize of the night, Best Picture, went to Everything Everywhere All At Once—which won seven Oscars. Though she didn't win, Broadway alum Hsu did perform the Oscar-nominated song "This Is a Life," with David Byrne during the ceremony.
https://playbill.com/article/brendan-fraser-wins-academy-academy-award-for-best-actor-in-a-leading-role-see-which-stage-artists-won-big-at-the-95th-annual-oscars
Oscar Winners - https://abc.com/shows/oscars/news/winners/oscar-winners-2023-list
Breaking News: The Atlanta Lyric Theatre closes its doors after 42 years
https://www.artsatl.org/breaking-news-the-atlanta-lyric-theatre-closes-after-42-years/?mc_cid=88ce0b4b4b&mc_eid=6b0d099eb9#new_tab
NPR: "Adults complained about a teen theater production and the show's creators stepped in" by NPR's Elizabeth Blair - "Spelling Bee creators Rebecca Feldman and Rachel Sheinkin called Vanessa Allen in Middlefield. "They found my contact information and offered to make changes," Allen says incredulously. "It's heartbreaking for the kids if you cancel it in the middle of rehearsals and construction and the rest," says librettist Sheinkin
BAD BEHAVIOR AT THE THEATRE
Marketing for popular musicals is to be tempered to avoid phrases such as "best party in town" and "dancing in the aisles" in a bid to tackle poor audience behaviour. Ambassador Theatre Group, the largest theatre operator in the UK, is working with producers to tone down marketing that might encourage bad behaviour ...
FAT HAM by Pulitzer Prize Winner, James Ijames
https://www.fathambroadway.com/
Updates to Equity Audition Protocols
https://actorsequity.org/resources/Producers/casting-call-how-to/
Meet the Black Women Reshaping American Theater
https://www.shondaland.com/live/money/a43028502/meet-the-black-women-reshaping-american-theater/
__
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This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
WORKING TITLE:
Lift Every Voice and Sing
__
REJECTED TITLES:
Rihanna’s Baby Bump
__
Watch Sheryl Lee Ralph Sing 'Lift Every Voice and Sing' at the 2023 Super Bowl
https://playbill.com/article/watch-sheryl-lee-ralph-sing-lift-every-voice-and-sing-at-the-2023-super-bowl
John Travolta, Donald Faison and Zach Braff Might Take Their T-Mobile Super Bowl Show On The Road
https://variety.com/2023/tv/news/john-travolta-donald-faison-and-zach-braff-super-bowl-commercial-1235520327/
"Actors’ Equity’s open membership program becomes permanent" by Broadway News' Ruthie Fierberg - "In a Feb. 8 email to members, Actors’ Equity Association declared that the union’s open membership initiative, Open Access, will go from a temporary program to permanent policy. When it began in July of 2021, Open Access allowed any actors and stage managers who are paid for work in those roles within Equity’s jurisdiction to be considered eligible for union membership. The rule was set to expire on May 1, 2023 but will instead continue indefinitely. …
Equity will “phase out” the EMC program over the next three years. Effective May 8, the union will not accept new EMC applicants. Current membership candidates will retain EMC status between now and May — which means these members will still receive priority access to Equity auditions. However, these EMC members will not accrue additional points towards Equity status as anyone can join the union through Open Access." https://bway.ly/3y0hkj
What is the Edinburgh Fringe and Why Is It So Big?
Playbill explores the history of the legendary arts festival, and how outsiders became the most popular people in town.
https://playbill.com/article/what-is-the-edinburgh-fringe-and-why-is-it-so-big
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Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
WORKING TITLE:
We were also producers on Spider-Man: Turn Off The Dark
__
REJECTED TITLES:
Quiet Hiring is a No No
GRAMMYS
"‘Into the Woods’ wins Best Musical Theater Album — plus more Broadway Grammy wins" by Broadway News' Ruthie Fierberg - "The Grammy in that category went to “Into the Woods,” honoring producers Rob Berman and Sean Patrick Flahaven and principal vocalists Sara Bareilles, Brian d’Arcy James, Patina Miller and Phillipa Soo. …
[Lin-Manuel Miranda], along with vocalists Carolina Gaitán — La Gaita, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz and the cast of animated movie “Encanto” won for the film’s viral hit “We Don’t Talk About Bruno.” “Encanto” also walked away with statues for Best Compilation Soundtrack for Visual Media and Best Score Soundtrack for Visual Media.
Tony nominee Renée Fleming won the Grammy for Best Classical Solo Vocal Album for her “Voice of Nature — The Anthropocene.”" https://bway.ly/4fe6k4
"Viola Davis earns coveted EGOT status with Grammy win" by Broadway News' Ruthie Fierberg - "At the 65th annual Grammy Awards on Feb. 5, actor Viola Davis won in the category Best Audio Book, Narration and Storytelling Recording for the audiobook of her memoir “Finding Me.”" https://bway.ly/pzl5hd
CONGRESS-MAN: "George Santos Produced Broadway’s Ill-Fated Spider-Man Musical. At Least, He Claims He Did" by Bloomberg's Laura Davison - "Add Broadway producer to the long list of George Santos’s fabrications. While running for Congress in 2021, Santos told some potential donors he was a producer on the musical Spider-Man: Turn Off The Dark, according to people familiar with the discussions. ... The lead producer, Michael Cohl, denied Santos’s involvement, saying through an assistant that he wasn’t a producer on the musical. Santos’s name also never appeared in the playbills for the show. A spokeswoman for Santos referred questions to his lawyer, Joseph W. Murray, who didn’t immediately respond to a voicemail seeking comment." https://bway.ly/nelxfc
NPR: "Theater never recovered from COVID — and now change is no longer a choice" byNPR's Chloe Veltman- "Many of the problems facing the nonprofit theater industry in the U.S. right now — from scant resources to the lack of diversity — have been around for ages. But before the pandemic, performing arts groups were so focused on raising the curtain each night it was easier to ignore long-standing problems than fix them. Now, thanks to a combination of lackluster ticket sales and an end to government relief, they have no choice but to try out new things in order to secure a future." https://bway.ly/krxn75
More stocism, less drama.
"Chicago announces $11 million in new support for the arts" by The Chicago Tribune's Doug George - https://bway.ly/mvlqwy
CNBC: "Working 11-hour days backstage on Broadway: ‘You have to be a little bit crazy’ but ‘I love it’" by CNBC's Gili Malinsky - "[Annie] Schroeder’s main task every show is checking ticket sales and sending numbers up to the producers. But as assistant company manager, she has her hands in much of the behind-the-scenes logistics of the show as well. “She’s a sister girl,” says cast member Michael Ivan Carrier, and she’s “the mother that needs to stay out of my room.”" https://bway.ly/rqn77q
Between Riverside and Crazy
https://2st.com/shows/between-riverside-and-crazy
Quiet Hiring - The other side to quiet quitting
https://www.cnbc.com/2023/01/04/gartner-hr-expert-quiet-hiring-will-dominate-us-workplaces-in-2023.html
THE LIGHT by Loy A. Webb opens this week.
https://theatreexile.org/shows/the-light/
Resources:
https://www.artsjournal.com/
https://www.thestage.co.uk/
https://circle.tcg.org/home
https://www.theatricalindex.com/
https://entertainmentcommunity.org/
__
Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
WORKING TITLE:
ON THE 45
__
REJECTED TITLES:
HALP!
"The Public Theater Names Alexa Smith Senior Director of Anti-Racism, Equity, and Belonging" by Playbill's Logan Culwell-Block - "The Public Theater has named Alexa Smith its new senior director of anti-racism, equity, and belonging, a newly created position that is part of the Off-Broadway company's anti-racism and Cultural Transformation Plan. Smith will officially join the company March 6, reporting to and working with Executive Director Patrick Willingham and Artistic Director Oskar Eustis." https://bway.ly/sq0ql0
"West End workers threaten strikes as pay talks begin" by The Stage's Giverny Masso - "West End performers and stage managers are demanding a 17% pay rise and five-day rehearsal weeks, as a survey by Equity reveals that two thirds have recently considered leaving the industry due to working conditions and pay." https://bway.ly/9w3w3f
"How Do You Measure a Season on Broadway? In Cast Albums." by The New York Times' Jesse Green - "From “A Strange Loop” to “Funny Girl,” most Broadway musicals of 2022 were recorded, offering listeners a chance to love or hate them again." https://bway.ly/lsnfd9
Is theater’s traditional role of artistic director becoming obsolete?
https://datebook.sfchronicle.com/theater/is-theaters-traditional-role-of-artistic-director-becoming-obsolete
What color was the dress?
https://slate.com/technology/2017/04/heres-why-people-saw-the-dress-differently.html#:~:text=Remember%2C%20the%20dress%20is%20actually,it%20as%20white%20and%20gold
The Business of Broadway
- Mitch Weiss and Perri Gaffney
https://em3ry.com/tbob
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This podcast is an Em3ry production.
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WORKING TITLE:
It’s Me…2023
__
REJECTED TITLES:
What Did I Miss?
2022 Was A Dumpster Fire
Retire “The Show Must Go On”
Since we last spoke…Darnelle experienced Charlotte’s Web - Arden Theatre Company, Blue Man Group - Kimmel Cultural Campus, One-man Nutcracker - Chris Davis at Theatre Exile, Jagged Little Pill - Kimmel Cultural Campus, Concert 4 Caleb - Arden Theatre Company.
The Grapes of Wrath - 1990
https://playbill.com/production/the-grapes-of-wrath-cort-theatre-vault-0000003488
Over twenty of Philly’s favorite vocalists will perform with a special appearance by ComedySportz Philly. Performers include Broadway's Rob McClure, Maggie Lakis, Jake Blouch, Kim Carson, Rachel Brennan, Adam Hoyak, Ben Michael, Rob Tucker, Jenna Pinchbeck, Amanda Jill Robinson, Marissa Hines, Nancie Sanderson, and Brittany Wit Martin.
Caleb O'Brien is an incredible six-year-old who has been diagnosed for a second time with Pre B-Cell Acute Lymphoblastic Leukemia. Caleb has had to endure demanding treatments and chemotherapy. His current treatment requires the O'Brien family, who normally reside in Lancaster, Pennsylvania, to temporarily relocate to Wilmington, Delaware to be near Nemours DuPont Children’s Hospital. In addition to obtaining housing, Caleb’s parents, Colleen and Michael, have had to take a leave of absence from their jobs and acquire supplementary childcare for their one-year-old son Felix, in addition to other medical and living expenses.
https://www.concert4caleb.com/
Broadway Cares/Equity Fights AIDS
https://broadwaycares.org/
Sink or swim: are we putting too much pressure on producers?
https://www.thestage.co.uk/opinion/opinion/sink-or-swim-are-we-putting-too-much-pressure-on-producers
CLOSING: On Sunday, Broadway waves farewell to A Strange Loop, Death of a Salesman, Mike Birbiglia: The Old Man and the Pool, Ohio State Murders, The Music Man,and Topdog/ Underdog.
https://strangeloopmusical.com/
https://salesmanonbroadway.com/
https://mikebirbigliabroadway.com/
https://ohiostatemurdersbroadway.com/
https://musicmanonbroadway.com/
https://topdogunderdog.com/
TRANSFERS
Merrily We Roll Along
https://www.nytw.org/show/merrily-we-roll-along/
Into The Woods - National Tour
https://www.nycitycenter.org/pdps/2021-2022/into-the-woods/
FAT HAM
https://www.fathambroadway.com/
PARADE
https://www.nycitycenter.org/pdps/2022-2023/parade/
The Business of Broadway - Mitch Weiss
https://em3ry.com/tbob
https://www.simonandschuster.com/books/The-Business-of-Broadway/Mitch-Weiss/9781621535560
Between Riverside and Crazy - 2nd Stage
https://2st.com/shows/between-riverside-and-crazy
New York, New York - Broadway
https://newyorknewyorkbroadway.com/
"Tony Award-winning writer Michael R. Jackson steps into his ‘Strange Loop’" by Broadway News' Caitlin Hornik - "At the Jan. 7 matinée performance of Broadway’s “A Strange Loop,” Tony Award-winning writer Michael R. Jackson stepped into the lead role of Usher in a special concert version of the musical. Jackson will take the stage again for another concert version of the show on Saturday night. The Thursday, Jan. 5, and Friday, Jan. 6 performances of “A Strange Loop” were canceled due to non-COVID-related illness within the company." https://bway.ly/ywhtvb
-- A Strange Loop on Broadway (@StrangeLoopBway): "OUR STORY’S WRITER IS GOING ON FOR TODAY’S MATINEE (Sunday, Jan 8)" https://bway.ly/in5rtd
"Broadway Box Office Drops Back To Earth After Holiday Week Highs; ‘Beetlejuice’ Goes Out With A Bang As Industry Crosses $1B Season Threshold" by Deadline's Greg Evans - "Broadway’s season-to-date gross crossed the $1 billion threshold. Thirty-three weeks into the 2022-23 season, Broadway box office tallied up to $1,003,018,654. ... During the (mostly) pre-pandemic 2019-20 season, Broadway hit $1,004,439,001 for the week ending December 22, 2019." https://bway.ly/ykkenp
Dead End: Paranormal Park
https://www.netflix.com/title/80994692
"Demand For Broadway’s ‘Parade’ With Ben Platt Temporarily Crashes Ticketing Site" by Deadline's Greg Evans - "Around noon ET, the site resumed sales after more than 30 minutes of being down – users attempting to purchase tickets during the down period were met with error messages. … By 1 p.m. ET, the wait time in the ticket queue was about one hour." https://bway.ly/jqy2tt
"Paul Mescal Takes Over Blake Jenner Role in Richard Linklater’s Decades-Spanning ‘Merrily We Roll Along’" by Variety's Adam B. Vary - "Richard Linklater’s … “Merrily We Roll Along” is merrily rolling again, with “Aftersun” and “Normal People” star Paul Mescal stepping into the lead role of Broadway composer Franklin Shepard, replacing original star Blake Jenner. … Variety has confirmed that Mescal has already shot a segment for the film." https://bway.ly/vjek7v
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Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
WORKING TITLE:
You can make more with a flop than a hit.
REJECTED TITLES:
Join The Hamily
Sleepy Reviews
Broadway Slush Fund
Throwing Money Down A Well
FAT HAM: Broadway Bound
https://playbill.com/article/pulitzer-winning-fat-ham-sets-2023-broadway-bow
Join The Hamily
https://www.fathambroadway.com/
KPOP Musical - NYTimes Review
https://www.nytimes.com/2022/11/27/theater/kpop-review-broadway.html
KPOP: "KPOP Producers Request Apology From New York Times' Theatre Critic Jesse Green" by Playbill's Logan Culwell-Block - "KPOP producers Tim Forbes and Joey Parnes are formally requesting an apology from New York Times theatre critic Jesse Green following his review of the new musical, which opened November 27 at Broadway's Circle in the Square Theatre. In a letter to New York Times Chairman and Publisher A.G. Sulzberger and Theater Editor Nicole Herrington obtained by Playbill, Forbes and Parnes describe the review as "casual racism."" https://bway.ly/buq3h2
“KPOP” will make 200 free tickets available to AAPI community members and youth for the performance. The post-performance panel is supported by The Asian American Foundation in collaboration with Gold House, AAPAC and Ma-Yi Theater Company." https://bway.ly/l0inia
Review: This Time, ‘A Raisin in the Sun’ Really Does Explode
https://www.nytimes.com/2022/10/25/theater/a-raisin-in-the-sun-review.html
Theatre Exile - Best Local Theater Company
https://metrophillysbest.com/best-local-theater-company-in-philadelphia/
https://theatreexile.org/on-stage-original/current-season/
One-man Nutcracker - Chris Davis
https://www.realchrisdavis.com/
https://www.rockefellercenter.com/holidays/
https://www.hudsonyardsnewyork.com/
1812 Productions - This Is The Week That Is
https://www.1812productions.org/this-is-the-week-that-is-tw22
That Was The Week That Was
https://en.wikipedia.org/wiki/That_Was_the_Week_That_Was
"‘The Wiz’ to return to Broadway following new national tour" by Broadway News' Caitlin Hornik - "Following a brand new national tour “The Wiz” will return to Broadway in 2024 for a limited engagement. The tour of this reimagined revival will launch from Baltimore, Maryland, in the fall of 2023 — the same city where the musical had its world premiere in 1974 — before landing on the Main Stem in the spring of 2024. The full touring schedule is yet to be announced. Dates and a theater for Broadway are to come, as well. The production will be directed by Schele Williams in her Broadway directorial debut and will feature choreography by JaQuel Knight, also making his Broadway debut. Additional material is by Amber Ruffin and music supervision, orchestrations and music arrangements are by Joseph Joubert." https://bway.ly/rdt1uw
"Jay-Z’s Roc Nation Joins Times Square Casino Bid Opposed By Broadway Producers" by Deadline's Greg Evans - "In the announcement on the Roc Nation website, the partners say a Caesars Palace Times Square would bring in more than 7 million new visits to the district annually, and boost local businesses including the theater industry by tens of millions of dollars. In addition, the partners have included a membership award plan that would enable casino customers to use credits toward Broadway shows, local hotels, restaurants and other neighborhood businesses." https://bway.ly/ddvj8i
Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Email us at tbot@em3ry.com. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
Changes need to happen. We have to adjust. Change is hard but we must…we must!
WORKING TITLE: We work for pennies and cookies…
REJECTED TITLES: Bring Us Shubbery
"‘The Piano Lesson’ extends limited Broadway run" by Broadway News' Caitlin Hornik - "The limited engagement of “The Piano Lesson” will run on Broadway for an additional two weeks. The revival of the August Wilson-penned play will now close on Jan. 29, 2023, instead of the previously announced Jan. 15. The production had been announced to run for 16 weeks only." https://bway.ly/6omheg
DELAYED: "‘KPOP’ pushes Broadway opening to Nov. 27" by Broadway News' Ruthie Fierberg - "The new musical “KPOP,” which began previews on Oct. 13 at the Circle in the Square Theatre, will now open on Nov. 27. The production was originally slated to open on Nov. 20, but adjusted as one of the principal performers will be out due to COVID-19. ... Festivities will still be held on Nov. 20 to celebrate the opening of the show ... " https://bway.ly/x1obam
New Study Measures the Sales Decline of the 2021-22 Season
https://www.americantheatre.org/2022/11/14/new-study-measures-the-sales-decline-of-the-2021-22-season/
Fiorello! is a musical about New York City mayor Fiorello La Guardia, a reform Republican, which debuted on Broadway in 1959, and tells the story of how LaGuardia took on the Tammany Hall political machine. The book is by Jerome Weidman and George Abbott, drawn substantially from the 1955 volume Life with Fiorello by Ernest Cuneo,[1] with lyrics by Sheldon Harnick, and music by Jerry Bock. It won the three major theatre awards - Tony Award (shared with The Sound of Music), the New York Drama Critics Circle award, and the Pulitzer Prize for Drama.[2] It is one of only ten musicals to win the latter award.
https://en.wikipedia.org/wiki/Fiorello !
Oh! Calcutta! is an avant-garde, risque theatrical revue created by British drama critic Kenneth Tynan. The show, consisting of sketches on sex-related topics, debuted Off-Broadway in 1969 and then in the West End in 1970. It ran in London for over 3,900 performances, and in New York initially for 1,314. Revivals enjoyed even longer runs, including a Broadway revival that ran for 5,959 performances, making the show the longest-running revue in Broadway history at the time.
https://en.wikipedia.org/wiki/Oh!_Calcutta !
Bye Bye Birdie...Playbill Leaves Twitter
https://playbill.com/article/bye-bye-birdie-playbill-leaves-twitter
New audiences over returning audiences.
Taylor Swift Calls Ticketmaster Woes ‘Excruciating’ in Statement to Fans
https://www.nytimes.com/2022/11/18/arts/music/taylor-swift-era-tours-tickets.html
Where the Mountain Meets the Sea
https://www.manhattantheatreclub.com/shows/2022-23-season/where-the-mountain-meets-the-sea/
Camelot - Lincoln Center Theater
https://www.lct.org/shows/camelot/
Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
WORKING TITLE:
Move On
REJECTED TITLES:
Rotting Fish Stink at the Head
Swagtastic
LUPONE: "Patti LuPone Isn‘t Retiring but Broadway Has ‘Dumbed Down the Audience’ by Turning Into ‘Disneyland, a Circus and Las Vegas’" by Variety's Katie Reul and Marc Malkin - "“I just gave up my equity card, but that doesn’t mean that I can’t perform on-stage,” LuPone told Variety at Netflix’s “The School for Good and Evil” premiere Tuesday. “It’s 50 years that I’ve been a member of Actors Equity, and I think I need a break from the stage.” LuPone clarified that provisions in her former membership allow her to still make guest appearances on stage in the meantime, but without being a part of the labor union, she won’t be taking any major roles on Broadway any time soon." https://bway.ly/gl7z3h
"Two years after COVID hit, D-FW arts groups are still struggling to rebuild audiences. Why?" by KERA News' Tim Diovanni, Elizabeth Myong, and Michael Granberry - "Audiences are being more selective, according to researchers and arts leaders across the region. Some are scared to gather in crowded indoor venues. Others have lost the habit of attending. Still others are avoiding the hassle of driving and parking, instead staying at home and watching Netflix, Hulu or a host of other streaming options." https://bway.ly/tws1kk
"16th Street Theater in Berwyn is closing down; Raven artistic director announces exit" by The Chicago Tribune's Chris Jones - "The 16th Street Theater, a Berwyn-based Equity company with a 15-year history, has begun its last show. … Raven Theatre said Monday that its artistic director, Cody Estle, will exit his position as the long-standing North Side theater. Estle will next be artistic director of the larger Next Act Theatre in Milwaukee." https://bway.ly/mom9cj
"Leslie Jordan Dies at 67 Following Car Crash" by TheaterMania's Zachary Stewart - "Actor and social media personality Leslie Jordan has died at the age of 67. … His first solo play was Hysterical Blindness and Other Southern Tragedies That Have Plagued My Life Thus Far, which ran for several months in 1994 at the Soho Playhouse. In 2010, he appeared off-Broadway in his autobiographical solo show, My Trip Down the Pink Carpet." https://bway.ly/gsl0kq
"‘It’s really desperate’: cost of living crisis spells bleak times for British arts venues" by The Guardian's Esther Addley and Harriet Sherwood - "Theatres, meanwhile, are “verging on catastrophe” this winter according to one major operator, as a result of soaring energy bills and falling ticket sales due to the cost-of-living crisis, hard on the heels of two years of Covid closures." https://bway.ly/kplv3v
"Covid Still Heckling Broadway With Canceled Performances And Cast Substitutions" by Deadline's Greg Evans - "Covid isn’t done with New York’s theater scene just yet. At least four Broadway and major Off Broadway productions have either canceled or postponed performances or temporarily replaced principal cast members in the last week due to the virus." https://bway.ly/jw3mlc
Theater removes seat so 6-foot-9 Magic Johnson can attend Broadway show
https://pagesix.com/2022/10/17/theater-removes-seat-so-magic-johnson-can-attend-broadway-show/
Broadway Briefing
https://broadwaybriefing.com/
Into The Woods - Broadway
https://intothewoodsbway.com/
What are organizations looking for in leadership?
Local Equity Offices?
__
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WORKING TITLE:
I Wanna Be A Producer
__
REJECTED TITLES:
The One of Us to Survive
Save Your Programs
— From Wikipedia: A Theatrical Producer is a person who oversees all aspects of mounting a theatre production. The producer is responsible for the overall financial and managerial functions of a production or venue, raises or provides financial backing, and hires personnel for creative positions (writer, director, designers, composer, choreographer—and in some cases, performers). The producer chooses the material and decides what we are working towards.
__
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WORKING TITLE:
The Phantom of the Opera is there, but not for long.
REJECTED TITLES:
Ham4Sweeney
Critics who write nasty things about good shows and the power of the NY Times continues. The age-long question, what good are they?
Clive Barnes, Antony and Cleopatra - https://www.nytimes.com/1976/06/12/archives/stage-cleopatra-and-earnest-in-canada.html
Producer Stacey Mindich of "Dear Evan Hansen" recently told the Press the story about how Hansen found its way to a Bway stage. Fascinating, but who's making sure that we collect more stories about what it takes to create new theater? https://www.nytimes.com/2022/09/19/theater/dear-evan-hansen-broadway-close.html
"‘The Phantom of the Opera’ to end history-making Broadway run" by Broadway News' Caitlin Hornik - "“The Phantom of the Opera,” the longest-running show in Broadway history, will end its run on Feb. 18, 2023 at the Majestic Theatre. By closing, the musical will have played a total of 13,925 performances. The musical will celebrate its 35th anniversary on Broadway on Jan. 26, 2023, just weeks before ending its run.
Under the direction of Harold Prince and featuring choreography by Gillian Lynne, the musical began previews on Jan. 9, 1988 and opened on Jan. 26, 1988 at the Majestic Theatre. The show shut down temporarily along with all other Broadway shows on Mar. 12, 2020, due to the COVID-19 pandemic. “Phantom” reopened to audiences on Oct. 22, 2021. … “The Phantom of the Opera” is produced on Broadway by Cameron Mackintosh and The Really Useful Group.
“As a British producer who has been lucky enough to have been producing in New York for over 40 consecutive years, it has been an unparalleled honor to have presented the longest-running musical in Broadway’s history, Andrew Lloyd Webber’s ‘The Phantom of the Opera,’” said Mackintosh. He added, “Gaston Leroux’s opera ghost may be disappearing for now, but there is no doubt that Andrew Lloyd Webber’s masterpiece will continue to enchant audiences in London and around the world — and one day will return to Broadway. Our gratitude to American audiences falling in love with The Phantom is infinite.”" https://bway.ly/791hxa
"‘Phantom of the Opera’ sales explode after shock closing announcement" by New York Post's Johnny Oleksinski - "After The Post first reported on Friday that the composer’s “The Phantom of the Opera” would close on Broadway this winter after 35 years, the show took in $2 million in ticket sales by 8 p.m., producer Cameron Mackintosh told The Post." https://bway.ly/4zblec
"After ‘Phantom,’ Which Shows Will Be the Longest-Running on Broadway?" by The New York Times' Michael Paulson - "And what will be the most-enduring-and-still-running shows on Broadway once “Phantom” closes? “Chicago” celebrated its 25th anniversary last fall; “The Lion King” is preparing to celebrate that same milestone this fall." https://bway.ly/55inbl
"‘Beetlejuice’ to end Broadway run" by Broadway News' Caitlin Hornik - "“Beetlejuice” will play its final Broadway performance on Jan. 8, 2023. At the time of closing, the musical will have played 27 previews and a total of 679 performances.
The musical, based on the Tim Burton film of the same name, originally opened at the Winter Garden Theatre on Apr. 25, 2019, shuttering along with the rest of Broadway on Mar. 10, 2020 due to the pandemic. Prior to the pandemic, a closing date of June 6, 2020 had been announced as the musical had to vacate the theater after the Shubert Organization invoked a stop clause in the production’s theater rental agreement.
While it was initially announced that the musical would not reopen post-COVID, “Beetlejuice” found a new home at the Marquis Theatre and reopened on Apr. 8, 2022.
A national tour will open at San Francisco’s Golden Gate Theatre on Dec. 6.
“Beetlejuice” is produced on Broadway by Warner Bros. Theatre Ventures and Langley Park Productions." https://bway.ly/7t43gu
COMPANY - https://companymusical.com/
The producers of Hamilton have an epic tale we think you’ll love: Stephen Sondheim and Hugh Wheeler’s Tony Award®-winning musical Sweeney Todd: The Demon Barber of Fleet Street returns to Broadway with Josh Groban and Annaleigh Ashford. Hamilton’s Thomas Kail and Alex Lacamoire reunite to bring the musical thriller to the stage with a 26-piece orchestra.
Previews begin February 26th
Pippin is a 1972 musical with music and lyrics by Stephen Schwartz and book by Roger O. Hirson. Bob Fosse, who directed the original Broadway production, also contributed to the libretto. The musical uses the premise of a mysterious performance troupe, led by the Leading Player, to tell the story of Pippin, a young prince on his search for meaning and significance. The 'fourth wall' is broken numerous times during most traditional productions. https://en.wikipedia.org/wiki/Pippin_(musical)
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In this episode, Broadway Week promotions, Extended Into The Woods, The Emmys are coming up, JASPER and more.
WORKING TITLE:
2 For 1
REJECTED TITLES:
10 out of 12 - refers to an Equity mandate that says that when actors are called in for 12 hours of tech rehearsal, they can only work 10 of those hours.
________________________________________
Entertainment Community Fund
https://entertainmentcommunity.org/
Coleman Domingo - DOT
Won an Emmy
https://www.concordtheatricals.com/p/60374/dot
NYC BROADWAY WEEK - 9/6 - 9/25
An experience worthy of a standing ovation.
Highly anticipated and back for another run, NYC Broadway Week makes its return engagement. Score 2-for-1 tickets with code BWAYWK.
https://www.nycgo.com/broadway-week/
INTO THE WOODS - Extended through January 8th, 2023
https://intothewoodsbway.com/
FUNNY GIRL: "‘Funny Girl’: Lea Michele Gets Four Standing Ovations – By Intermission; Jonathan Groff, Ryan Murphy Among The Gleeful Crowd" by Deadline's Greg Evans - "More ovations followed throughout the evening, including an extended and rousing one at the final curtain, with a sobbing Michele and co-star Tovah Feldshuh, also making her debut, accepting large bouquets of white roses." https://bway.ly/vx7kfx
NYT: "‘1776’ in 2022: Life, Liberty and the Pursuit of a Dual Reality" by The New York Times' Jennifer Schuessler - "The revival, directed by Jeffrey L. Page and Diane Paulus, has the familiar rousing melodies (in new, rock-infused arrangements), star-spangled color scheme and corny dad jokes. But they’re delivered by a racially diverse cast of women, nonbinary and trans actors, whose embodiment, Paulus said, wakes the language up." https://bway.ly/xldkho
EMMYS: "Schmigadoon!, Annie Live!, More Win Creative Arts Emmys" by Playbill's Margaret Hall - "Schmigadoon! won Outstanding Original Music and Lyrics for the song "Corn Puddin'," and The Gilded Age, which is cast to the brim with Tony winners and nominees, won Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More).
Additionally, Broadway favorite Nathan Lane took home the Emmy for Outstanding Guest Actor in a Comedy Series for his appearance on Only Murders in the Building, and Tony winner Laurie Metcalf received the Emmy for Outstanding Guest Actress in a Comedy Series for her appearance on Hacks. As previously announced, Annie Live! received the award for Outstanding Hairstyling for a Variety, Nonfiction, or Reality Program via a juried vote." https://bway.ly/x7cyzy
JASPER - A New Play by Grant MacDermott
Facing the reality of their son's illness, a couple manages to keep both their child and marriage alive. But when a chance encounter gives birth to an innocent lie it could unravel everything. JASPER begins September 8 at The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center. Through 10/6.
https://yonderwindow.co/jasper
ATPAM -
Company Managers, House Managers and Press Agents
https://www.atpam.com/
List of the longest-running Broadway shows - Wikipedia
https://en.wikipedia.org/wiki/List_of_the_longest-running_Broadway_shows
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Today on the podcast, we talk artist housing and festivals. Edinburgh sales were down, What is “Festival of Brexit”, the value of Street Performers (Buskers). Let’s get to business!
WORKING TITLE:
Artists Should Be Carefully Housed
__
REJECTED TITLES:
Festival of Brexit
Let the sun shine in.
Pandemic woes still linger, companies look to IP for fresh ideas, The Actors Fund has a new name, Plimpton “Let the Sun Shine In”, A church in Texas must have been out of their GD mind to take a spin on “Hamilton” #dontchangethewords, all part of the updates to The Business of Broadway. https://em3ry.com/updates-augustseptember-2022
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WORKING TITLE:
Are We Ready? -
__
REJECTED TITLES:
We’re So Broken
The System Called Reciprocity
Well, Ya Got Trouble My Friend
_______________________________________________
Why the entire board of Seattle's ACT Theatre just stepped down
https://www.kuow.org/stories/seattle-theatre-company-s-entire-board-steps-down
Entertainment Community Fund
https://entertainmentcommunity.org/
List of Broadway Theaters
https://en.wikipedia.org/wiki/List_of_Broadway_theaters
Texas Church To Pay Unspecified Damages For Altered ‘Hamilton’
https://bway.ly/uthtpk#https://deadline.com/2022/08/hamilton-door-mcallen-texas-church-apology-damages-1235098261/
New York Times
https://www.nytimes.com/2022/08/21/arts/performing-arts-pandemic-attendance.html?campaign_id=28&emc=edit_cu_20220824&instance_id=70138&nl=theater-update®i_id=62640036&segment_id=102257&te=1&user_id=eceeb45015544022ace425eef37e0933
Jerry Sadowitz
Edinburgh Fringe: Jerry Sadowitz show cancelled by venue bosses - BBC News
Broadway Journal
http://broadwayjournal.com/will-a-new-sweeney-todd-make-its-investors-a-killing-exclusive/
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This podcast is an Em3ry production.
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WORKING TITLE:
Impossible Things Happen Everyday
REJECTED TITLES:
Everybody Rise
A Hamilton Parody
A Funny Thing
__________________________
Pennsylvania Renaissance Faire
http://www.parenfaire.com/
History of Gmail
https://en.wikipedia.org/wiki/History_of_Gmail
A Chorus Line
https://en.wikipedia.org/wiki/A_Chorus_Line
Elaine Stritch - At Liberty
https://en.wikipedia.org/wiki/Elaine_Stritch_at_Liberty
Hamilton - Musical
https://hamiltonmusical.com/new-york/home/?utm_source=google&utm_medium=cpc&utm_campaign=Hamilton+Ticketmaster+2022&gclid=Cj0KCQjw3eeXBhD7ARIsAHjssr_QmSohuOk9fKitv8FRuTMVGfZ4Q-yxVOM-hZLCXTEkAduAb_axq28aAlrwEALw_wcB
Sunset Boulevard - Musical
https://en.wikipedia.org/wiki/Sunset_Boulevard_(musical)
Come From Away
https://tv.apple.com/us/movie/come-from-away/umc.cmc.262n0v53nmotkz7ulzuuco7rq
13 The Musical - Netflix
https://www.netflix.com/title/80222822
A Funny Thing Happened on the Way to the Forum
https://www.ibdb.com/broadway-show/a-funny-thing-happened-on-the-way-to-the-forum-1102
Disney Ultimate Movie Musical Collection - Annie, Cinderella and The Music Man.
NEXT INSURANCE
https://www.nextinsurance.com/
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WORKING TITLE:
THE BEST DAY EVER
REJECTED TITLES:
Your salary could have funded several small companies.
Unicorns and Butterflies Everywhere
Squidward taps, SpongeBob Slaps
PAID INTERNS?
Two years on, several of these programs remain in limbo, suggesting that systemic change is easier dreamed than done. But other artistic directors are tackling the big questions head on and introducing new programs, offering glimpses into what might be. In conversation with these artistic directors, one trend seems abundantly clear: more equitable access to better opportunities for fewer people.
The Hangar Theatre in Ithaca, N.Y.’s had a fellowship program for actors that was tuition-based. Now the theatre pays participants; whereas the tuition-based model saw a cohort of around 22 young people each summer, the salaried model will accommodate about 15.
Meanwhile, at New York Stage and Film (a partner of Vassar’s Powerhouse Theatre), artistic director Chris Burney, has made dramatic changes after he witnessed the company’s pre-pandemic work culture. “I was shocked,” said Burney, who began at the job in spring 2019. “People were working seven days a week for two months straight. It’s not right, even if it’s fun. It’s not right.” Burney brought all positions at the festival into compliance with state minimum wage laws, which drastically raised intern stipends, and paid for overtime while discouraging workweeks that necessitated it. The company now employs about half of the interns it used to (though not all of the other half disappeared into the ether—some have been moved into staff positions).
And Williamstown Theatre Festival, which as recently as 2019 paid its artistic director more than a quarter of a million dollars a year while employing several dozen unpaid interns and low-paid staff members, has entirely pivoted its operational model. It suspended its internship program and replaced it with smaller, more focused opportunities: in 2021, the Early Career BIPOC Theatre Makers Program, and in 2022, a similar program open to pre-professional theatre artists. Both programs pay stipends and offer room and board, and this years’ program emphasizes a well-rounded theatre education: It will operate “within various departments so participants get a more holistic sense of how theatre is made,” offered interim artistic director Jenny Gersten. Gersten seems genuinely interested in providing hands-on experiences that are of primary benefit to the intern; the new program, she said, “doesn’t require their labor but does allow them to get hands-on experience. And the program combines time in an experiential setting as well as classroom time.”
These companies are leading the charge and walking the walk. But faced with the financial precarity inherent in the industry and exacerbated by the pandemic, it seems unlikely that most other theatre companies that put tuition-based, unpaid, or underpaid entry-level programs on hold will reopen their doors to new crops of well-paid young people. And many of those companies whose programs do revamp and reopen, like WTF and Hangar, plan to sustain their new models with smaller cohorts. All of this adds up to fewer entry-level opportunities in the theatre industry.
DONKEY SALARIES
The unicorn employee: someone with all the skills across a multitude of platforms, isn’t limited by job titles, and efficiently completes tasks at an awe-inspiring pace. They are willing, and even prefer, to wear different hats, inspire colleagues, and never lose empathy.
Unicorns can make the difference between surviving and thriving and perhaps unsurprisingly, they are hard to catch even when you have the right bait.
And this is why it never ceases to surprise me when I come across a job description from a nonprofit arts and culture org that is clearly looking for a unicorn but offering a donkey budget.
Following the pandemic, this has become a bit more common, and I get it; staffs were gutted and the funds to rehire at previous levels doesn’t exist. All of this makes the temptation to offer a little more for unicorn level duties and responsibilities is strong.
All of this is the latest byproduct of a system that has underpaid staffers for decades while expanding the pay gap between entry/middle management and executives at exponential rates. As such, I can’t say any of it is a surprise and while I wish there was a simple solution here, don’t expect much to change until the field begins to make pay equality a priority.
In the meantime, you’ll be more likely to attract the best candidates possible by conducting an honest unicorn to donkey review before posting your next job
OSKAR EUSTIS IS NONPROFIT THEATER’S PANDEMIC PAY CHAMP
https://mailchi.mp/bwayjournal/sprecher-loses-rights-to-rebecca-15042585?e=c0d6480bcc
EXCLUSIVE:
In 2020, a year in which theaters were dark for nine and a half months, Public Theater Artistic Director Oskar Eustis earned $1.15 million in pay and benefits, more than any other nonprofit theater leader in New York.
Eustis’ 10 percent jump in overall compensation — disclosed in the Public’s 2020-21 tax return filed with the New York Attorney General — runs counter to the company’s messaging about pandemic pay. In an April 2020 New York Times story about the cancellation of Shakespeare in the Park and planned staff furloughs, Michael Paulson reported that much of the remaining staff “will take up to a 25 percent pay cut. Eustis will take a 40 percent pay cut.”
The tax return, which details compensation for calendar year 2020, tells a different story. Eustis, one of the highest-profile figures in nonprofit theater since assuming leadership of the storied organization in 2005, was paid $901,000, up from $807,000 in 2019. Benefits and deferred pay were valued at an additional $255,000.
TO PONDER:
Who is the most valuable in a nonprofit?
When should the leader transition to allow for new leaders?
How do you prep your artistic bench?
Interns call your lapsed subscribers…
Why does any of your staff matter?
Every theater artist needs a ghost light!
How do we catch a unicorn?
If you don’t recruit diversity, you will not have diversity in your organization.
WORKING TITLE:
FAT HAM SLAYS
REJECTED TITLES:
WORKING SHIT OUT
FAT HAM - Is and Ain’ts
THE FARM - Commissioned Writer, Grant MacDermott and his rising star!
______________________________________________
Too Big NOT to Fail: Nonprofit Arts Behemoths Pre-Post-Pandemic
https://www.linkedin.com/pulse/too-big-fail-nonprofit-arts-behemoths-alan-harrison/?trackingId=ZzaptKudQu6xpyqKC5Vweg%3D%3D
TICKETS AND LOTTERY
TKTS - https://www.tdf.org/nyc/8/Locations--Hours?gclid=Cj0KCQjw852XBhC6ARIsAJsFPN3Ypjy6NEZLKAyp_aHVwPVvWhfj3X66pGVTLoj79cRN1_Cv4xJzpqYaAjOzEALw_wcB
https://www.luckyseat.com/
https://www.show-score.com/
Grant MacDermott - http://www.grantmacdermott.com/
Jasper, by Grant MacDermott, Sets Off-Broadway World Premiere
https://www.theatermania.com/off-broadway/news/jasper-grant-macdermott-world-premiere_94105.html
Theatre Exile - Best of Philly - 2022 Theater Subscription
https://www.phillymag.com/best-of-philly-archive/theatre-exile-2/
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WORKING TITLE:
I Wish…More Than Anything
REJECTED TITLES:
The Drabinsky Files - Do Not Work
It’s Not COVID, It’s Tonsillitis
Last Summer…”You Will Be Found”
__________________________________________
Rush Tickets - https://playbill.com/article/from-sleeping-on-the-streets-to-swiping-on-a-screen-the-evolution-of-rush-tickets-from-rent-to-digital-lotteries-com-361078
When is it time to leave the wood? Find your family. It’s not about leaving, it’s about growing. Work/Life Balance.
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WORKING TITLE:
No Laughing Matter
REJECTED TITLES:
There are giants in the sky
We’re revolting (Edinburgh Fringe)
& Juliet
Tale as old as time - Beauty and The Beast on ABC
Time to leave Paradise Square
A Company Man-ager
LINKS:
-
FringeArts - https://fringearts.com/
-
Intar Theatre Company (International Arts Relations) https://www.intartheatre.org/
-
BroadwayCon - https://variety.com/2022/scene/news/hillary-clinton-broadwaycon-1235312361/
-
Edinburgh fringe tries to quell revolt after criticism of 2022 event: https://bway.ly/9rakeg#https://www.theguardian.com/stage/2022/jul/07/edinburgh-fringe-tries-to-quell-revolt-criticism-2022-festival-comedians-open-letter
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This podcast is an Em3ry production.
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Mask or No Mask, It’s Optional
REJECTED TITLES:
Broadway Really Cares
Saving Britney comes to SoHo
A Man Of No Importance
Macy’s 4th Spectacular
Nothing Can Follow “Defying Gravity”
_____________________________
TOPICS:
Commentary - TBOB Updates
Theatre Owners - Bought a theatre 200-seats. They have a plan but, not for new ideas. Booked through 2024. Spaces between shows to function. They control what we see.
Marketing and Promotion - How the community uses M and P to stay afloat.
Mask Regulations on Broadway - July 1st (Optional)
Subscriptions. What makes them a draw?
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This podcast is an Em3ry production.
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“But, He Does Know The Territory” - Max Clayton, Music Man
REJECTED TITLES:
Great Scott! - Back To The Future to take Winter Garden.
JHUD’s EGOT - Producer credit makes it so!
Suddenly Seymour - Skylar Astin, out with COVID.
If you’re not a draw, what are we coming to the theater for?
Run Length
Reputation
Word Of Mouth
Contingency (A buffer that sustains)
Take the talent. Be consistent.
Give them publicity. Build them up for the show. Create a stunt. (Instagram takeover, Photo Shoots, Interviews and such). Previews as Events!
Could Broadway sustain a Passport!! (Passport with several companies to create a theater crawl!)
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IN COMES COMPANY
REJECTED TITLES:
DeBose For The Win!
You Can Take Me Out
A Smooth Criminal
Let It Burn
Mitch Pays My Salary
LINKS:
TONY WINNERS: https://www.tonyawards.com/winners/
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SHOWNOTES:
A RUSH TICKET
YOU CALL THAT A STUDENT RUSH?!?!
$250 Student Rush tickets for The Tonys!
REJECTED TITLES:
A Miagi Method
Weep for Willy Loman
Tony, Tony, Tonys
Sing along with Mitch
Links:
Tony Awards (June 12th on CBS and Paramount+) - https://www.tonyawards.com
Death of A Salesman - https://playbill.com/article/wendell-pierce-and-sharon-d-clarke-led-west-end-death-of-a-salesman-to-transfer-to-broadway
The Grapes of Wrath - https://www.steppenwolf.org/tickets--events/seasons/198889/the-grapes-of-wrath/
Get the latest updates for TBOB: https://em3ry.com/updates-june-2022
Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
REJECTED TITLES:
LEAVE THE GHOSTLIGHT ON FOR ME
STAGE MANAGERS ROCK
ATPAM - Association to Theater Press Agent and Managers
American Masters - Joe Papp in Five Acts
https://www.pbs.org/video/papp-proved-theater-could-be-everyone-tge19z/
Get the latest updates for TBOB: https://em3ry.com/updates-june-2022
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Today on the podcast, we talk about the continued struggle of being an artist when bills must be paid.
REJECTED TITLES:
Only Artists In the Building
A Mamet Play
How to survive your career?
Do you come from money?
My only job is to marry rich!
“A survey of more than one thousand visual artists found that the median income was below $30,000—that’s roughly half the typical household earnings in the United States. I note that 63 percent of respondents had art degrees, but on a scale of 1 to 10, they rated their education at only a 5 in preparing them for a financially stable career. And they have good reason to complain. Only 19% made more than $50,000. In other words, their arts degree was more likely to put them below the poverty line than in the middle class.”
https://tedgioia.substack.com/p/the-disappearing-middle-class-musician?utm_source=email&s=r
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Today we talk about the lengths we will go to in order to get butts in seats.
REJECTED TITLES:
TEDxBroadway
100,000 Seats
Standing Room Only
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Today on the podcast, we talk about the Tony nominations, the Pulitzer Prize for Drama and the ongoing struggles of the industry.
REJECTED TITLES:
FAT HAM
A SHOWER SCENE
INTO THE WOODS
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Today on the podcast, we review the May updates to The Business of Broadway.
REJECTED TITLES:
The Deal with James Corden
A MET GALA
An Awakening of Spring
Access Update:
Facebook's podcast offerings are vanishing just a year after they launched. Parent company Meta has confirmed to Bloomberg that it will wind down podcasting, Soundbites and its general audio hub. It will no longer let podcasters add shows to Facebook as of this week, and will remove them entirely on June 3rd. The hub and Soundbites will close sometime in the "coming weeks," while Live Audio Rooms will fold into Facebook Live.
READ THE MAY 2022 UPDATES FOR THE BUSINESS OF BROADWAY
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Today on the podcast, we talk about “The Farm”, an operation designed to assist playwrights on their journey from idea, to page, to stage.
REJECTED WORKING TITLES:
Not getting married today!!
A Strange Loop!
Tiny Desk Concert
The FARM's mission is to develop new plays and musicals as a resource for theatrical producers and theater-producing entities.
The age of COVID-19 has presented us all with many challenges. Smaller theaters, especially non-profits that support new works, are struggling to find monies to reopen their doors. Some have closed their doors permanently. Many of these producing organizations are backlogged with productions they contracted before the pandemic.
The FARM sees this challenge as an excellent opportunity to work with writers to ready their work for production once live audiences and theaters feel safe to return to full seasons.
Thank you for listening. Tune in next time for another episode of The Business of Theater, A Working Title with Darnelle Radford and Mitch Weiss.
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Today on the podcast, while Mitch and I disagree over “A Working Title”, we talk about how we met, our time at NYU and the book, The Business of Broadway.
Thank you for listening. Tune in next time for another episode of The Business of Theater, A Working Title with Darnelle Radford and Mitch Weiss.
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You can also listen to the podcast on your mobile device from our Facebook Fan Page: https://www.facebook.com/em3TBOT
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot . Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
Subscribe to the podcast wherever you listen to podcasts. Share the podcast with a friend, colleague or give us some social media love.
This podcast is an Em3ry production.
Visit us online at https://em3ry.com/tbot. Follow us on Facebook, Twitter and Instagram at “em3ryotm”.
Grant is a playwright and actor bouncing between Boston and New York City. He is currently the playwright-in-residence at Yonder Window Theater Company where he also leads their New Works Collective. http://www.grantmacdermott.com
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Let’s talk about the business of the day as it relates to Theater with your hosts Darnelle Radford (based in Philadelphia) and Mitch Weiss (based in NYC). This is The Business of Theater, A Working Title.
Every podcast has a beginning and this is ours. Welcome to The Business of Theater, A Working Title. We begin talking about The Oscars and The Grammys and how the work behind the scenes gets a moment in the spotlight…even if it to shine a brighter light on the stars.
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In April’s update, The Broadway League grants recognition of the Stage Directors and Choreographers Society as their union, London’s “West End” report COVID revenue losses, vaccine mandates for Broadway continue through April, The Broadway League and Broadway Podcast Network launch “The Black Business of Broadway”, Financials for “MJ” are pretty unique, LCT and Roundabout emerge wealthier, marginal increases in diverse hiring, London’s “The Stage” say 50% of playwrights plan to quit in the next two years due to pandemic woes and, The Shubert Org acquires GalaPro App. So, it’s a busy time on the boards. Click below to read the full breakdown.
Updates: April 2022
How long can we say it…Broadway is Back! While producers continue too cautiously navigate these waters, we have quite a few updates to the guidance is Version 1 of The Business of Broadway. If only we could get a green-light for a Version 2…Hint, Hint…Anyway, click through for this month’s updates.
Updates: March 2022
Love is in the air! In this update, Tony Awards voters take bias training, Producers continue to struggle as COVID is the longest-running problem on Broadway, Lynn Nottage shines with 3 productions in NYC, Ushers called “Mask Nazis”, the iconic Palace Theatre on the “rise” and theatre owners address Congress! Never a dull moment yet, the shows must go on. Read on for February’s update!
Updates: February 2022
HAPPY NEW YEAR
2022 is barely a few days old. Theatre Owners and Producers are having a hard time doing business right now. Remember the days when there was no risk producing a “Guys and Dolls”? Well, with COVID and her many variants, the expenses pile up and the risk is heightened. Broadway is resilient. The protocols in-place have kept everyone safe but, that does not mean there are no challenges. So, we focus on Chapters 5, 10 and 22 in this update. And, as we post, more developments continue.
STAY SAFE. WEAR A MASK. GET VACCINATED. STAY STRONG.
UPDATES: JANUARY 2022
Chapter 5 (Promotion) and Chapter 9 (How to Sell a Flop)
Some hits are huge! Some producers still wait until next Fall to bring their work to the stage. We are not out of this yet.
Chapter 17: Authors
At age 91, the Theatre Community has lost Stephen Sondheim who, is considered the greatest Broadway composer/lyricist of his generation.
Read the full updates here
Promotions, Producers, Investors and Stagehands are the focus of this update. Be sure to get out and VOTE! Make it count! We are getting there but, we are not quite there. Here is the update for November 2021.
The Business of Broadway - November 2021
In this update, Unions, Authors and Theatre Owners take center stage.
The Business of Broadway - October 2021
Updates for The Business of Broadway - September 2021
Chapters updated: 11, 14, 15, 18, 22
August 2021Chapter 15 - Actors
Actors’ Equity announced sweeping changes to its membership program that will allow any professional actor or stage manager to join the union. The change, announced Wednesday, will allow actors or stage managers who can demonstrate having been paid for those roles in the U.S. to join the union for an eligibility term of two years. ... Actors’ Equity said it was waiving prior restrictions on membership in its quest to become a more equitable organization.
“The old system had a significant flaw: It made employers the gatekeepers of Equity membership, with almost no other pathways to joining,” Kate Shindle, president of Actors’ Equity Association, said in a press release. “The entertainment industry is disproportionately white, including and especially theatrical leadership. The union has inadvertently contributed to the systemic exclusion of BIPOC artists and others with marginalized identities by maintaining a system in which being hired to work those contracts was a prerequisite of membership. We hope that artists from all backgrounds will join us in building a union that uplifts the entire theatre community, especially those who have not felt included or welcome in the past.”
Equity will also allow former members to rejoin the union without the need to secure a new contract and has removed restrictions on membership for international stage managers and actors. This also allows Equity Membership Candidate members, who had been working to complete 25 weeks of work at eligible theaters to join the Actors’ Equity, to join the union. ... As with other theatrical unions, the health fund covering Actors’ Equity members has suffered from the lack of employer contributions during the pandemic. In response, trustees made changes to the plan, which now requires members to work more weeks to earn coverage in six-month increments.
Chapter 11 – Unique Financials (Post-Pandemic New Normal)
When the Broadway production of Antoinette Nwandu’s play “Pass Over” opens on Broadway, it’ll incorporate significant changes — both on stage and behind the scenes.
The backstage innovations, meanwhile, encompass compensation for actors that’s well above the Equity minimum, plus a weekly mental health stipend. According to playwright-producer Nwandu, the creators and producers of “Pass Over” instituted those structural changes in the hopes of inspiring others to shift the model, too.
“This small cast let me at least begin to create precedent-level changes,” Nwandu said. “So if you are going to produce a show on Broadway and be a part of it in the coming days — let me show you that there is a way to get it done where we treat people like human beings all the time.”
She added, “The change that we’re talking about in our show, the healing that we’re talking about in the play, also has to happen in rehearsal when we’re making the play. I can’t treat you like sh– and say, ‘Ooh, the play is about healing!'”
Meanwhile, producers are working to pull in audiences outside of the traditional (i.e. older and white) Broadway demographic by locking in accessible ticket pricing options and forging partnerships with organizations like churches and BIPOC-led community groups. Nwandu outlined just how different the play’s new finale will be from the prior versions. Hint: The character who died in those productions will live in the new rewrite.
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ARE WE BEING TOO OPTIMISTIC ABOUT BROADWAY OPENING UP?
AUSTRALIA: "Sydney Productions of Hamilton, Come From Away, More Shuttered Due to COVID-19 Spike" by Playbill's Dan Meyer - "The Sydney, Australia, productions of Hamilton, Come From Away, and more have been shuttered due to rising coronavirus cases in the area. A two-week stay-at-home order went into effect June 26 for all residents of Sydney, Randwick, Woollahra, and Waverley—along with any employees who were in that area over the past 14 days, which includes cast members and theatre workers who may not live within those four district.”
Chapter 9 - Selling a Flop
(as of June 4) As Broadway announces reopening dates: "Old shows that are selling tickets are having a tough time. But new shows are finding it even more difficult. ... The only show with sold out dates? “The Music Man” with Hugh Jackman and Sutton Foster."
Chapter 10 - Producers: DEI and Broadway
"The study, by the Asian American Performers Action Coalition, found that at the 18 major nonprofit theaters examined by the group, 100 percent of artistic directors were white, as were 88 percent of board members. On Broadway, 94 percent of producers were white, as were 100 percent of general managers. …”
Chapter 11- Unique Financials
Aware that a large amount of federal aid from the Shuttered Venue Operators Grant Initiative ($10 million for Broadway and $10 million each for 2 tours…so far) going to a megahit could raise eyebrows, the show’s lead producer, Jeffrey Seller, agreed to explain why “Hamilton” qualified for it, and to describe how the money would be used, as intended, to restore the show’s five American companies to financial health.
The money will be used to remount the shuttered productions, and to reimburse the productions for pandemic-related expenses. No money will be used to pay producers, investors, or royalty participants.
The reopening expenses are varied — a month of rehearsals to get actors, musicians, stagehands and others ready to perform again, as well as longer workshops for new cast members. Plus there are the costs of repairing and replacing equipment, transporting people and sets, hiring Covid safety personnel, and marketing the shows.
And the pandemic expenses, incurred throughout the shutdown, included financial assistance, health insurance coverage, and, in some cases, housing aid for those who had been employed by the productions at the time of the shutdown. Seller said “Hamilton” had continued to pay health insurance costs for all former employees throughout the pandemic, and had made emergency cash grants as well.
There were more mundane expenses as well, including $784,000 in rent for the show’s Broadway theater (yes, Broadway landlords continued to seek rent from producers during the pandemic), as well as warehouse storage for costumes, and flights for cast and crew who needed to get home when the touring stopped.
“‘Hamilton’ has spent many millions of dollars during a time in which it was earning no income,” Seller said. “Our goal is for ‘Hamilton’ to be in the same financial position it was in when we suspended operations on March 12, 2020.”
Chapter 15 - Actors
Off-Broadway contracts are expiring. The existing contract with Equity set 2019-2020 weekly actor minimums starting at $615 for nonprofits with budgets of less $4 million, $650 for nonprofits with budgets of more than $4 million and actor minimums ranging from $646 to $1,150 for commercial productions, depending on the number of seats in the theater.
The Off-Broadway League wants to reduce salaries to cover higher expenses (especially for safety and COVID expenses) and the Actors’ union wants to make up for 16+ months of lost wages by increasing salary and benefits. So far, there’s no compromise in sight, not even temporarily extending the pre-pandemic contract.
“A year ago I think we were all looking around wondering ‘Who is going to be here a year later?” said the artistic director at MCC. “We’re all here a year later and as it turns out, the scary thing is actually the year ahead.” ...
This does not bode well for Broadway union negotiations (18 unions are potentially involved in new contract “adjustments.”)
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Chapter 10 - Producers: DEI and Broadway
"All of us at The Shubert Organization have taken this past year, in the midst of the global pandemic that shut us down, to think, connect, and begin to act. And we questioned: as a century-old pillar of the American theatre, what can we do to help achieve greater equity, diversity, and inclusion for BIPOC people in our company and in our industry?
Reopening - One year later. How far have we come? When will the doors open again?
Federal Broadway Bailout
Updates from The Broadway League
Audience polling results
All in this update for April 2021.
"No Broadway! No Broadway! No Broadway! No Broadway! If I can't take, my Broadway break...something within me dies."Looks like the intermission will be long enough for everyone to use the restroom. Here's our July 2020 update. http://justlearnsomething.us/updates-july-2020/
Observing the scrambling of leaders adjusting to the changes over the past few months makes clear that we always have more to learn. That is why we continue to make updates to the chapters of The Business of Broadway, even during this "Intermission". Here's the update for June 2020. #StayHealthy, #Stay Safe http://www.justlearnsomething.us/updates-june-2020/
Our community has been hit hard by the effects of COVID-19. Many brave healthcare workers have been working around the clock to keep New Yorkers safe and to keep the rest of the nation and the world informed. We have a lot of information to share along with some helpful links.Stay Safe. Stay Healthy. We are in this together.http://www.justlearnsomething.us/updates-april-may-2020/ ###
The competition is stiff as usual. The musicals take center stage, the amount of nominations are high. Will this generate ticket sales? Will it amount high viewership for CBS? If you have not seen the productions nominated, will it even matter to you at all? Can James Corden bring it for another year? This and many other questions circle as we are one month away from the big night! Here's May 2019's update. Enjoy! http://www.justlearnsomething.us/updates-may-2019/
Spring has sprung. Ah, if only money grew on trees. Well, most of the updates have to do with money because money is always changing. So, between the crazy list of theatrical productions you have planned to see this spring, get out to Central Park and soak up some sun. After all, it's free! Well, New Yorkers pay taxes for it. Thank a New Yorker! Here's the April update. Enjoy!http://www.justlearnsomething.us/updates-april-2019/
This month’s update is about theatre owners. We often hear about the production side of things but, the very houses these productions exist in are just as integral to the industry. The focus this month is on accessibility and the efforts in play to ensure accessibility in all Broadway houses.http://www.justlearnsomething.us/updates-march-2019/
Love is in the air and "The Business of Broadway" just loves to bring you updates from "The Great White Way". If Broadway were your significant other, it would all be about money. Money makes this business. Oh, and the artistry...but, without the money...anyway, here's February 2019's update!http://www.justlearnsomething.us/updates-february-2019/
Chapter 5 (Promotion and Marketing):
How important is the Hispanic audience to Broadway? According to Univision Communications, more and more every year. In a report provided to the Broadway League (producers and theatre owners association), Univision stated that nationwide, Hispanics (Spanish-dominant or bilingual) spent $59.6 billion on entertainment in 2017 plus $87 billion on food and alcoholic beverages away from home. And the IHS Global Insight Hispanic Market Monitor anticipates a 40% growth in this figures.
New York Hispanics spent $4.3 billion on entertainment last year and nearly 65% attended a Broadway show. 32% attended an Off-Broadway show. The "average" Hispanic attendee saw 5.1 events in the past year. Non Hispanics saw just 3/9 live events.
Hamilton and John Leguizamo aside, there's not much Hispanic representation on our stages. And still Hispanic audiences are going to see live entertainment in huge numbers. They are 36% more likely to learn about live events from commercials. And Hispanic Theatregoers tend to skew younger. 39% are between the ages of 18 and 34. This is a serious consideration when discussing building our audiences.
Chapter 10 (Producing & Investing):
Investors in producer Scott Rudin’scelebrated revival of Hello, Dolly! (starring Bette Midler) that ended its intended limited engagement at the end of Summer 2018, have earned a profit of 10 percent, according to two people familiar with the production. (A note said more was on the way.)
For angels seeking prestige, glamour and the satisfaction of helping to create a revival worthy of the iconic, 1964 original, Dolly!delivered and made them money. Others, however, expected more from a production that’s grossed $126 million.
The larger context is the background behind the complaints from investors. In order to get a piece of Dolly's pie, most investors were required to put money into riskier projects on the producer's slate, too. According to them, even a 15% profit on Dolly wouldn't cover half the losses taken on Tony- winner A Doll's House, Part 2orThe Glass Menagerie (starring Sally Field), both of which closed last year.
An important lesson about "limited runs with famous names leading the cast." The answer may rest with why investors invest at all. Is it a producer's charm, the producer's claims of success, an investor's gullibility, the inherent risk of a Broadway show, or does the investor really believe they are going to make a lot of money?
Chapter 10 (Producing & Investing):
Lindy’s Deli on 7th Avenue, in Manhattan, is where some Broadway actors discussed their common observation that the longer any single play ran on Broadway, the longer it would run in regional theatres and anywhere off Broadway. It’s believed that this effect is relevant for Bitcoins as well. An asset gains a sort of stamina as it continues to survive against the odds, thereby demonstrating strength and the ability to attain longevity. Broadway, for example, is a competitive environment. People have evolving tastes, there are always different shows vying for the best audiences, and as a show ages it gets more difficult to sustain.
The longer a show has run on Broadway, the more credibility and notoriety is has earned. Off Broadway/Regional stages are eager to reproduce it in their own towns, lending longevity to the play. Both Bitcoin and a Broadway play are "unperishable ideas." On Broadway, the best shows run for decades regardless of where they are or who plays the main roles. A few prominent blockchain ideas also “survive” in this manner and are able to persist despite increasing friction in the market—but the comparison isn’t perfect.
And so statistician, author, and former trader Nassim Taleb writes in his book "Antifragile." He calls this "The Lindy Effect" (comparing Broadway shows to Bitcoin evolutionary factors). Just another opinion...
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"It's quite uptown". It's August and the weather has been weird. Where is all the humidity we hate this time of year. Of course, as I say that, here comes that good old humidity. This update talks about change to the very insider "Gypsy Robe" ceremony, some upgrades to audience tech and who and who not to listen to when producing on Broadway. Enjoy! http://www.justlearnsomething.us/updates-august-2018/
It's July! Where did 2018 go? Did you see any shows? Attend a marathon day of theatre? It's summertime. The Administration is up to the same antics and we are trying to find escapes that turn off the activist in us for a little bit. This month's update is about money. Well, every month's update is about money. So, here's the update for July!http://www.justlearnsomething.us/updates-july-2018/
May 1, 2018Chapter 6: (Tony Awards)Nominations for the past season have just been announced. A little perspective is in order: What is the real effect on the ticket-buying public?According to a recent study by Utah Professor Russell Warne (all statistic to be taken with a questioning eye, of course), Broadway musicals that are nominated for the top prize are almost 60% less likely to close quickly than the musicals that are not nominated. (Not sure about the time frame since all shows eventually close except perhaps Phantom of the Opera!“ There is one Tony that matters: Best Musical,” Ad exec Nancy Coyne remarked. Publicist Chris Boneau echoed her observation: “The one award that really counts is the one for Best Musical.”For the Tony Award for Best Revival of a Musical, being nominated is often not enough. The winner might get a longer run, but those who ONLY get a nomination often end up with a shorter run. The public may see the revivals that don't win an award as "losers".Reviewing over 400 shows from between 1988 and 2017, Professor Warne observed, for example, that “nominations for the directing awards are also associated with longer runs of Broadway plays but not for musicals.” He estimated that plays whose directors are recognized are about three times less likely to close than plays whose directors are snubbed.Positive effects of a Tony nomination on the show's longevity: 1) lead actor/musical; 2) featured actress/musical; leading actress/play. Negative impact: 1) leading actor/play (strange). No particular effect at all: 1) featured actors/play.This new research could possibly help Broadway producers and their marketing teams make better decisions when designing expensive marketing campaigns for the Tony Awards. Personally, most Tony campaigns have little effect on good performances, great word of mouth, or a stand-out winner in the public's eyes.CHAPTER 6: (Tony Awards plus Pulitzer and other awards)In 1918, the first Pulitzer Prize for Best Drama went to a forgotten—and forgettable—comedy entitled “Why Marry?” The Pulitzer Drama Prize was so often laughable that in 1935 a group of Broadway reviewers formed the New York Drama Critics Circle expressly to give better awards. One of the founders, Brooks Atkinson, summed up the Circle’s accomplishment almost thirty years after its beginning, writing, “The average taste of the Critics Circle is no more discerning than the average taste of the Pulitzer judges. Neither the Circle nor the Pulitzer prizes can be intimidated by genius.In the late 1940s, the Tony Awards began as a small event for the theater community sponsored by the American Theatre Wing, a charitable group from the war years. The presentation happened at a banquet with dancing in a hotel ballroom, with the prizes chosen by an ad hoc handful of people. In the first year, a Tony was given to Vincent Sardi, Sr., in thanks for Sardi’s Restaurant!Twenty years later the Wing was in financial trouble and it joined with the Broadway League to continue the Tony Awards. Within a year, the ceremony morphed into a big television event. That changed everything about the Tonys and a lot about Broadway theater.Still, the televised Tony Awards has also made major gaffes and provokes debate. For example:
- Harveywon over The Glass Menagerie• Hello, Dolly! won over Funny Girl• The Music Man won over West Side Story• Nine won over Dreamgirls• The Sound of Music won over Gypsy
Today, there are six major, very different organizations giving best play and best musical awards, for diverse reasons, chosen by very unalike procedures. It feels great if your show gets one, but does it have any sure, lasting meaning?In short: so many prizes; so little to celebrate. Even after 100 years.—–(Adapted from Tim Donahue, the author most recently of Playing for Prizes: America’s Awards for Best Play and Best Musical.)CHAPTER 15 (Actors)Actors’ Equity votes to change the name of the Gypsy Robe. After hearing concerns about the insensitivity of the name, the union has voted to rename the robe that is awarded to the chorus member with the highest number of Broadway credits on opening night of a show. The 60-year-old tradition of the robe will continue with a new name next season.BONUS: The nominees for the 2018 Tony Awards
Apparently, Winter loves to be fashionably late, this year. International travel can be a pain but, it also can connect us on many levels. This month, have some updates to that effect. http://www.justlearnsomething.us/updates-april-2018/
March is here! We look forward to new productions moving onto The Great White Way, we spring forward and we eagerly anticipate the change in the weather. Yet, the Business of Broadway continues to change. Here are the updates for March 2018. http://www.justlearnsomething.us/updates-march-2018/
If you ever wonder why anyone thinks they can make a profit on Broadway and Off Broadway, we have two great examples last month...http://www.justlearnsomething.us/updates-november-2017/
Tony! Tony! Tony! Tonys!Yup, it's Tonys season! Any moment now, we will find out the nominees for the 71st Annual Tony Awards. This year's host will be Kevin Spacey. We have some updates for Chapter 6 along with a map showing you where The Tonys matter the most in the U.S. Hint: It's what you thought! http://www.justlearnsomething.us/updates-the-business-of-broadway-may-2017/
What shows are you looking forward to seeing? Enter another question here!
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If you want to be a producer, Chapter 10 is for you. This month's updates are all about producers!Updates: April 2017
What shows are you looking forward to seeing? Enter another question here!
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2017...You better work!! I mean, what a year 2016 was! Though, the theatre community is always optimistic and we continue to create dynamic and thought-provoking work that ignites a hunger for what is next. So, with that, we have a few updates and we are looking forward to 2017 and all our community has to offer! http://www.justlearnsomething.us/updates-january-2017/
What shows are you looking forward to seeing? Enter another question here!
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night-1245875_1280
2016 has had some ups and downs. Many cannot wait for this year to end. Many are uncertain what the new year will bring. As long as we have creative people whose talents shine through, we know we will be alright. With that, we have a few updates for this month. Get out there and see a show! Happy Holidays to all!!
http://www.justlearnsomething.us/updates-december-2016/
What shows are you looking forward to seeing? Did you get to see Hamilton yet? (Always a valid question) Enter another question here!
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vote-1286584_1280_pixabay
https://youtu.be/SvzZAKzFUh0 We have a few updates for November. Click the link below.http://www.justlearnsomething.us/updates-november-2016/
What shows are you looking forward to seeing? Did you get to see Hamilton yet? (Always a valid question) Enter another question here!
Don’t have a copy of the book yet? Get it anywhere books are sold!
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Fall In! It's here, the fall update!! This is a big update. As some shows close and make way for new ones, we wonder how they will fare on The Great White Way!As for our author, Mr. Weiss heads to London for a reading of his musical! More details to come. For now, here's the Fall update! http://www.justlearnsomething.us/updates-october-2016/
What shows did you see on Broadway this summer? What shows are you looking forward to seeing this fall? Did you get to see Hamilton yet? Enter another question here!
Don’t have a copy of the book yet? Get it anywhere books are sold!
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This month, we focus on the changes at ATPAM (Association of Theatrical Press Agents and Managers) and as the summer comes to an end, new productions open on Broadway. Also, a list of the current Tony 2017 eligible productions.Updates: September 2016
What shows did you see on Broadway this summer? What shows are you looking forward to seeing this fall? Did you get to see Hamilton yet (We got a backstage tour!)? Enter another question here!
Don’t have a copy of the book yet? Get it anywhere books are sold!
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This month, as welcome CATS back to the broadway stage and say goodbye to a few like, Shuffle Along, An American in Paris, Fun Home and A Curious Incident of a Dog in the NightTime. Not to mention the short return and almost immediate departure of Motown...we talk about salaries. Many changes to the structure in this update.http://www.justlearnsomething.us/updates-august-2016/
What shows did you see on Broadway? What shows are you looking forward to seeing in the new year? Who got to wear the gypsy robe last year? Enter another question here!
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On today's post, there's a lot of talk about Front of House, Premium seats are at an all-time high and we're taking the book to NYU! All in this update for The Business of Broadway!Here's the update for July 2016!Updates: July 2016See you in class! (Click NYU Logo to find out.)
What shows did you see on Broadway? What shows are you looking forward to seeing in the new year? Who got to wear the gypsy robe last year? Enter another question here!
Don’t have a copy of the book yet? Get it anywhere books are sold!
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iTunes
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Tony, Tony, Tony...HAMILTON!!Let's be real, HAMILTON is a juggernaut! The Tonys will no doubt be dominated by the brilliant ensemble that is behind the ground-breaking musical. We talk about new musicals that are leaving broadway and more about HAMILTON. Here's the update for June 2016!UPDATES: JUNE 2016 What shows did you see on Broadway? What shows are you looking forward to seeing in the new year? Who got to wear the gypsy robe last year? Enter another question here!Don’t have a copy of the book yet? Get it anywhere books are sold!AmazoniTunesBarnes & Noble
Well, the TONY nominations have been revealed. Guess who's on top? Here are the updates for May 2016.http://justlearnsomething.us/updates-may-2016 What shows did you see on Broadway? What shows are you looking forward to seeing in the new year? Who got to wear the gypsy robe last year? Enter another question here!Don’t have a copy of the book yet? Get it anywhere books are sold!AmazoniTunesBarnes & Noble
April 1, 2016Tony nominations deadline in May means that there will be a rush of new plays and musicals opening this month. It drives many critics crazy and stretches audiences thin, competing with the long-running hits and other recent openings.http://www.justlearnsomething.us/updates-april-2016/What shows did you see on Broadway? What shows are you looking forward to seeing in the new year? Who got to wear the gypsy robe last year? Enter another question here!Don’t have a copy of the book yet? Get it anywhere books are sold!AmazoniTunesBarnes & Noble
It's March and, we have been busy! HAMILTON tickets are still non-existent but, you can catch a few selections at The White House on March 14th! There are some updates to Actors Equity Association rates that we want to share with you. Click the link below for that.http://www.justlearnsomething.us/updates-march-2016What shows did you see on Broadway? What shows are you looking forward to seeing in the new year? Who got to wear the gypsy robe last year? Enter another question here!Don’t have a copy of the book yet? Get it anywhere books are sold!AmazoniTunesBarnes & Noble
HAPPY NEW YEAR! As we reflect on the year that past and make unreasonable resolutions for the year to come, please enjoy this edition of updates to The Business Of Broadway, January 2016 edition.http://www.justlearnsomething.us/updates-january2016What shows did you see on Broadway? What shows are you looking forward to seeing in the new year? Who got to wear the gypsy robe last year? Enter another question here!Don't have a copy of the book yet? Get it anywhere books are sold!AmazoniTunesBarnes & Noble
Well, we somehow missed the update for December 2015. However, there were changes for the end of the year and we have added them to the list.Click Here! December 5, 2015What shows did you see on Broadway? What shows are you looking forward to seeing in the new year? Who got to wear the gypsy robe last year? Enter another question here!Don’t have a copy of the book yet? Get it anywhere books are sold!AmazoniTunesBarnes & Noble
The first release of updates in now available. Follow the link to see the changes. The plan is to send updates monthly on the 5th as our community continues to changes. More to come!Business of Broadway - Updates 10/05/2015
Today, REP RADIO released the first part of an interview with Mitch Weiss talking about his time on the Great White Way and the new book, "The Business of Broadway" penned by himself and Perri Gaffney. The interview dives into Mitch's history and give us an insider's look at the many great organizations his experience is built on. Tune In!The Business of BroadwayBUY THE BOOK!
Now through Labor Day, you can save $25.00 off any multi-session classes. Kicks things off to a great start, book your class today before Labor Day! Course must be paid in full. Offer not available for 1-session class offerings. Use code in the shopping cart. GO TO SCHEDULE
MEET MITCH WEISS!Monday evenings from 6:00pm to 9:00pm: September 22, 29 & October 6.MANAGING YOURSELF: PART 1UnStructed By: Mitch Weiss Who can you trust? You - and only you. This course is designed to understand the roles that will help shape your career - manager, agent, publicist and other advisors. Understanding these roles will help get control of your career and keep it.
Three classes. Cost: $250. ENROLL
What's wrong (and right) with our nonprofit theaters and arts organizations?When asked why he chose not to produce The Elephant Man, producer Joseph Papp, founder of the New York Shakespeare Festival (at one time the most successful non-profit theater company in the world), said he just didn't believe that non-profit monies should be used on projects that could easily find a commercial producer. "That's not what non-profit monies are for," he said.During his career, Mr. Papp produced free and ethnically-diverse Shakespeare in Central Park, hundreds of inexpensive new and experimental works at the Public Theater, an annual Latino Festival, film and jazz programs. He transferred dozens of important original works to Broadway because, "they deserve a wider audience." Many of those plays and musicals seemed risky at first, and are now classics in the American dramaturgy.What is your non-profit theater producing? What do our non-profits do that's so special that they deserve a tax exemption? Do your leaders indulge their own egos, or a greater social mission? What makes a good non-profit administrator and where do they learn their craft? Do your leaders consistently spend more than they have, or do they first define a plan while maintaining fiscal responsibility?One great show a year may affect our culture more than twenty shows of no consequence. How high can we set our standards as an institution? If our mission is to educate, how do we do it better than anyone else?A theater's educational programs can have great power, based on anecdotal evidence. A group of troubled teen refugees were encouraged to write their own plays based on their lives, and the results were transformative. This is good use of nonprofit money! And it is very inexpensive. This can't be the source of a non-profits constant debt. There should be no pride in a sustained legacy of being in debt.Artistic directors argue for more money to produce their dream shows. Meanwhile the public is asked and sometimes hounded for large contributions (tax deductible) to keep the non-profit company alive. On the surface, this does not appear fair, equitable, or necessary.In addition, many leaders lack experience and/or training in crisis management, and tend to leave one failing institution to be hired by the next and the next. Universities have been teaching arts administration for a few decades, yet none of them teach crisis management at is most difficult. Arts administration is a creative field and needs people who have been trained to think outside of the box.Teaching our future arts administrators Quickbooks, finances, and basic marketing is not enough upon discovering your theater is losing $100,000 each year. Hiring a company manager to take care of housing, transportation, and parties, but failing to provide training before they start work is not acceptable. Our best leaders do not come from the classroom or most summer internships. We learn from the most inspired among us.Finally, we all know that raising money is very difficult. I have founded my own non-profit theater and managed others. I have struggled to raise funds from foundations, government agencies, and private citizens, while maneuvering our mission to respond to the grant-givers requirements.I honestly believe that theater, music, dance, and art can make a difference in our lives, but our goals must be guided by the highest standards, all within a reasonable and sustainable budget.Bigger is not always better. Funding capital campaigns does not make the work of an institution better. It may actually divert the institution from the mission. Along with the rest of our society, we need to live within our means, and do excellent, not average, work.I have found the quality of original work of a handful of non-profits to be thrilling. It's overwhelming how much money is needed to present this level of quality work. They are the true reason for 501(c)3 status. The other nonprofits are just beggars.I suggest that the Board members at these many institutions take a hard look at their programs. Perhaps fundraising will take less effort because of their importance to the community and our culture. * Mitch
MEET BRUCE HAWKINS!Tuesday evenings from 6:00pm to 8:00pm: September 16, 23, 30 & October 7.STARTING FRESH
UnStructed By: Bruce Hawkins
Learn how to approach your new career, seek representation and find work. Make a wise initial investment in beginning your new career, find out how to promote yourself, where to perfect your talents and learn how to avoid the many financial scams and pitfalls that exist at the starting line.
Four classes. Cost: $265. ENROLL
Tuesday evenings from 6:00pm to 8:00pm: October 14, 21, 28 & November 4.STARTING OVER UnStructed By: Bruce Hawkins
Re-connect, Revise and Re-discover your former career. Learn to take positive pro-active steps to begin again with a fresh, new start. Learn how to plan a new direction, how to network now using social media and how to reconnect with your former contacts and opportunities.
Four classes. Cost: $265. ENROLL
MEET ROBERT WALDMAN!Monday evenings from 6:00pm to 8:00pm: October 29, 27, November 3 & 10.WRITING IN 3D FOR TELEVISION AND FILMUnStructed By: Robert Waldman Unlike writing for print, writing for television and film uses more than just words. You have sight, sounds, including music, as tools as you create a script, whether it's fiction or non-fiction. As a starting point, students would bring in print pieces they've written, be it a short story or an article. It could even be a newspaper article that they thought could make a good script. We will then adapt it on paper into a mock segment for news magazine program, or create the opening scene of a script adapted from the original short story.
Four classes. Cost: $265. ENROLL
Some days I wake up, beautiful sunny day. I’m ready for the world. I’ve got an early start and I’m armed with all that I know from the many jobs I’ve had and the experiences I have lived. I grab the three essentials, phone, wallet and keys. I close the door to my apartment, walk down the stairs, walk out of the front door and I forgot one thing. Quick mental check of the essentials…I forgot to ask whether the world was ready for me? I pause, I say to myself “Is the world ready for me?”
Have you ever asked the world this question? Is it even prepared for what I’m about to bring to it? Has anything I have learned or experienced assisted in devising a delivery system for the world to receive? I can think back on many situations where I would say, “I am too much for this room.” I’ve sat in staff meetings and board meetings, quietly observing the process. After a while, it becomes clear that I have not chimed in on anything. I am asked to speak and what I have to say is so simple yet, so far over the head of all that are present.
I do not say this to present any sort of conceit, usually, the room is filled with people who skills I admire. But, I often have a hard time understanding why the simplest approach is not the first option when planning. I can remember a staff meeting for a theatre company I use to work for where the topic of discussion was how to raise awareness for organization. At the time, I ran the box office. I reported to the director of marketing. I rode the bus to work. I noticed that while the bus stopped directly in front of this iconic theater, the announcement was for the street and no significant landmark.
So, I ask, “Is there a way to get the transit authority to announce the theater when it stops at the corner?” There was no answer. It was like this was the first time this suggestion had ever been presented. Did I mention that the organization had a member of the transit authority on their board of directors? Why did this leave the table dumbfounded? It seemed like a simple yet, obvious way to raise awareness. This was not the first idea I presented in my lowly position at the entrance of the building.
Later, I would come in with a 10 - point marketing plan to raise awareness using the resources of the organization that were already in play. Suggestions like creating a dance troupe out of the students learning dance that would participate in parades around the city. Another suggestion was to take the students learning to sing and create a choir that would perform on the stage as a fundraiser. After I presented all 10 points, the only question that came up was, “Where did you go to school?”
Needless to say, none of these ideas were researched or even implemented. Shortly after this meeting, the organization laid off most of the staff and I was out of a job. I am often told to slow down. For some reason, there is no real urgency in the organizations I tend to work for. In this case, I was ready for the world but, the world was not ready for me. Many people my age tend to feel this way about organizations that are so set in their way.
When new people enter an organization, they tend to shake things up. If the leader of the pack is not interested in trying new things, their talent is wasted. The only organizations I have worked for that met my pace were organizations that had no structure and hired me to create one. Even though I felt under-qualified, my ideas were fresh and on the ground floor. That is why I became a consultant.
Now, I walk into every organization with the mindset of seeking out what is wrong and I immediately get to work on solutions of change. This presents a challenge as you may have guessed. No one wants to be told what to do, let alone from someone who is fresh off the line. This goes the same for many who have just graduated from great institutions where the most dynamic instructors have empowered them with high standards to be unleashed on a world that is not ready. It seems like, once you step out into the real world, you must lower your standards in order to fit in unless you plan to run your own company.
If this is the case, why are the standards listed in job postings so high to begin with? Why are we asking for a level we are not ready to reach? We are wasting talent, keeping brilliant people down in roles that do not challenge them and ultimately frustrate until they either conform or leave with a sour taste in their mouths. Why can’t we just keep it simple? If you just want a placeholder, simply say that so the dreamers can go off and seek out a challenge! Who writes these job postings anyway, don’t answer that.
The goal is to find the balance. Sure, we want to learn as much as we can but, unfortunately, the world is an hypocrisy. It claims to move at a fast pace, as so many job postings claim but, it is set in a way and too many things have to happen in order to effect change. The millennial generation wants to “move your cheese”. They are ready to help you find new sources of cheese. While I am technically not a millennial, I embody the spirit.
One day, the world will catch up and be as fearless as the artist who has a message to deliver. Infuse us into you work force and let’s speed up this process right now! I’m ready, are you?
- Darnelle
MEET HARRISON LEE!Sunday afternoons from 12:00 noon to 2:00pm. September 28 & October 5 PLUS Wednesday evenings from 6:00pm to 8:00pm. October 1 & 8.SALSA DANCE FOR PEOPLE WHO THINK THEY CAN'TUnStructed By: Harrison Lee "My body is not meant to move like that!"...says who? If you can walk, then you can learn to dance Salsa! The secret is in the rhythm. Learn the basics of this sultry sexy dance. This course helps students find the "one" in Salsa music, which will be the first step to learning Salsa and having fun with movement. Once you are familiar with identifying & counting the rhythm, you will always be able to get back on the right foot no matter how badly you mess up.
Four classes. Cost: $265. ENROLL
WHAT’S THE RUSH?I am a creative artist, that is the rush. I do not know any artist who is not in a constant race against time. Whether we are trying to meet unrealistic deadlines or just trying to document a good idea brought to life through a dream, there is a sense of urgency that has nothing to do with money. If you are like me, you probably have notes everywhere. Ideas in little notebooks that leaped off the shelves of some bookstore and told you to buy them or you may be more tech savvy these days using systems designed to keep your notes wherever you are, in front of whatever piece of technology may be occupying your brain and protecting you from the real world.The rush is urgency. We have a need to be heard. This may come from childhood. We may have been ignored or the class clown at some point. We grew up and realized that we could use our powers for good. So, we transitioned into a more structured way of getting attention. You may have a blog, you may be killer on social media, you may be an obsessive with texting. However, you may also realize that your message tends to fall on deaf ears.When I graduated high school, I walked away from 7 after school activities including Drama Club, Poetry Club, Marching Band, Choir, Cross Country, Tennis (short-lived) and I was the school mascot. The closest I wanted to be to a book was a play script or sheet music. I had so much energy that I didn’t know what to do once I graduated. I didn’t receive much guidance from the counselors at school about post-graduation. That was 1998. I ended up going to a community college (13th grade) in 1999.Here, I fell into the same routine at college only, I joined the Performing Arts Club, the literary magazine, the Student Government Association and I formed a poetry group. Even though I had a full calendar of classes and activities, I also had two jobs. I attended this college for one year until I transferred to the Art Institute of Philadelphia in 2000. Here, I studied web design. Whenever someone asked me what I planned to do when I graduated, I would say, “I’m going back to school for theater”. Why couldn’t this be my path from the beginning?I have always known what I wanted to do. If I could rent an apartment in a theater, I would be at home. There is something about the lighting and the stage the makes me feel at home. However, due to years of being miss-guided, I would stand “outside” of the theater in an attempt to make it work in so many other jobs that left me unfulfilled at the end of the day.In fact, the only time I felt complete in my life was when I was coming home late from a rehearsal thinking “how will I find the money to produce this show” in my head along with the blocking notes from that rehearsal. Of course I also needed to figure out the press release which should go out in the morning to a make-shift mailing list of the publications that came off the top of my head. This is what happens when a dream is deferred, you play catch up!The rush was the fact that life had led me down so many roads in search of a shortcut to the only place I ever wanted to be. I was making up for lost time. All of the money spent on a degree program that was not a good fit, the four colleges I went to just to seek the validation the world so needs you to have. The rush for me is the long game. Instead of stepping back to take the path I wanted all along, I decided to sprint forward and compile all of the experiences I missed.My bookshelves are filled with theater books, scripts, playbills and stories. When I wake up in the morning, they are the first things I see. So, why do I keep following the world to jobs that are so far from the source material? Why did I allow so many things to stand in my way? I sometimes wish that someone had encouraged me to pursue my dreams and take the path towards theater when I graduated high school. Instead, the world told me to “fall back” on something more secure.Little did they know, the “fall back” would only be a setback. So, what’s the rush? I’m making up for lost time. And, though I am a young 34, I still feel like I missed the boat and I have to swim across to catch up. This rush is my drive. It’s why I do what I do. It’s why I need to ensure other people that may be stuck in similar situations that supporting your dreams will secure your future in reality.Present, I now have NYU credit. Did I need it? For myself, I have already discovered my path. I know what I want to do with my life. Now, I have to convince the rest of the world that I am capable of doing this, or do I? Will it actually make a difference? Whenever you ask someone what the benefits of secondary education were, “Networking” is always at the top of the list.My social networks were not compiled by hanging out on college campuses…well, not completely. I met all of these people along the way. They helped me to define my own validation standards.So, I’ll buy a new pair of running shoes, lace them up tight and get ready. I’ll rest when I’m dead and I’ll die when I know I have truly lived. Consider myself validated. No more looking back on the past. Now, which way is forward? It’s my choice, my way. * Darnelle Radford, Co-Founder
[video width="960" height="540" mp4="http://www.justlearnsomething.us/wp-content/uploads/2014/05/JLS-Coming-Soon.mp4"][/video]We're getting ready for "Un-School"!
When life hands you lemons...learn to juggle those lemons! Then, add that skill to your resume.
Many people have experiences that when shared can be valuable to personal and professional growth. Our goal is to bring those experiences together to help you maximize your personal and professional worth. We are putting the finishing touches on a new "Un-School" designed to help performing artists wade through the waters of their creative development. Don't just sit there...Just Learn Something!