FN Showoffs: Recent Episodes
Faustian Nonsense
A feed for one-shot audio episodes, sound experiments, and other ways for the creative folks at Faustian Nonsense to show off! (as well as anyone who wants to make a one-off piece)
Abstract
By looking into alternative listening practices within the context of Modern Scripted
Audio Drama, both as a medium as well as a contemporary sonic culture, this Audio
paper will attempt to analyse the material qualities of Audio Drama and theorise ways
that these practises may be applied. As well as give insight into how the culture of Audio
Drama can be steered in a more open, accessible, experimental and radical direction.
There is not much of a crossover between sound arts and Audio Drama. By making
these analyses and interpretations, This audio paper will attempt to bridge that gap, and
provide some practical directions and ideas.
Much of the research was done through analysis of relevant sources and interviews with
several figures who work within Audio Drama who each provide a different perspective
on the medium.
The ultimate conclusion is an encouragement to the Audio Drama community, both
listeners and producers, to learn to love and intentionally use “bad” audio and to seek
out productions made by newer creators. The hope being that more marginalised voices
will use audio drama to create politically radical productions and audio drama as a
whole will begin to be made in more experimental ways.
This Audio Paper Included audio from interviews with:
Lee Tomaneli
Marisa Ewing
Amber Devereux
Ella Watts
Quotes read by:
Gregory Carrobis
Avalon Willowbloom
Joe Cruz
Bibliography
Brandon Labelle, Bulut , Z., Chattopadhyay, B., Kanngieser, A., Frahm , O., Vrhovec Sambolec,
T.G., Stjerna, Å. and Raimondo, A. (2016). Dirty Ear Report #1. sound, multiplicity, and radical
listening
Brooks, A. (2015). 'Glitch/Failure: Constructing a Queer Politics of Listening', Leonardo Music
Journal (2015), 25, pp. 37-40. Available at: https://doi.org/10.1162/LMJ_a_00932.
Chion, M. 2019. Audio-Vision: Sound on Screen. New York Chichester, West Sussex: Columbia
University Press.
Heptonstall, G. (1988). NEW DIRECTIONS FOR RADIO DRAMA. RSA Journal, 136,
pp.273–275.
Jackson, D. (2020). Earwitnessing the Queer Acoustics of Public Space: Law, Sex and Nature
in Ultra-red’s Second Nature. Law Text Culture, [online] 24, pp.328–363. Available at:
https://ro.uow.edu.au/cgi/viewcontent.cgi?article=1406&context=ltc.
Ultra-Red. (2011). Five Protocols for Organised Listening. Available at:
http://www.ultrared.org/uploads/2012-Five_Protocols.pdf [Accessed: 6 November 2023].
Ultrared.org. (2024). Ultra-red: Mission Statement. [online] Available at:
http://www.ultrared.org/mission.html [Accessed 24 Jan. 2024].
Watts, E. (2018). Drama Podcasts An overview of the US and UK drama podcast market.
[online] Available at:
http://downloads.bbc.co.uk/radio/commissioning/Drama-Podcast-Research-Dec2018.pdf.
Watts, E. (2018). Audio Drama and the Art of the Invisible Wall. [online] IPM. Available at:
https://www.internationalpodcastmonth.com/blog/the-art-of-the-invisible-wall [Accessed 6 Nov.
2023].
Watts, E. (2020). The Gays Destroy Capitalism in Space: the Radical Imagination of Audio
Fiction. [online] IPM. Available at:
https://www.internationalpodcastmonth.com/blog/the-gays-destroy-capitalism-in-space
[Accessed 6 Nov. 2023].
CW: Controlling behavior and Violence
For the intended experience, please listen with headphones.
This audio contains an example of gameplay for the gameBrutalStar, and an additional section of instruction for running the game as a Star Monarch. Step off of your Star Treader and quest to defeat the wicked Galaxitron, in an adventure that YOU CAN REALLY PARTICIPATE IN!
Written and Performed by Greg Carrobis. Edited and sound designed by Greg Carrobis with Creative Commons 0 sounds from Freesound.org. Music by Jolene Cotnoir.
Greg's podcast, Ghosts on a Train- https://www.faustiannonsense.com/ghosts-on-a-train
Jolene's podcast, PSST: Paranatural Support Services Team- https://podcasters.spotify.com/pod/show/psstcast6
(Submitted by Megan Gwen Davies)
CW: Tories, homophobic language, sexism, brief references to cultural events and tragedies, reference to racism and xenophobia, British politics, reference of suicide, propaganda, brief reference to police brutality, reference to real political figures
M@beth is a radio play written by Megan Gwen Davies during her Masters degree while lamenting about the state of British politics. Taking inspiration from The Thick of It and Accidental Death of an Anarchist, they produced this piece of work that Faustian Nonsense kindly offered to put into the world. It was produced in her tiny flat during lockdown with minimal access to things like actors, so they're very grateful to the friends and family she dragged into it.
Credits:
Knitter One - Liza Holmes
Knitter Two - Cait Gallagher
Knitter Three - Nicole Wainwright
ACTOR ONE (Macbeth, Malcolm, Caplan) - Harri Davies
ACTOR TWO (Lady Macbeth, Banquo, Duncan, Mcduff) - Megan Gwen Davies
Written, directed, edited, and icon by Megan Gwen Davies
transcript here
What happens when a lost dog story meets a folk horror tale? This atmospheric short will take you deep into the forest to find out. Drawing inspiration from Welsh folklore, The Wild Hunt was written, read and produced by member's of Welsh cosy mystery series, Gather The Suspects. Gather The Suspects is part of the Faustian Nonsense network - find their show on our website https://www.faustiannonsense.com/gather-the-suspects ((link)). Writing: Jonathan Evans Reading: Edward Llewellyn Music and Audio production: Luke Wilhelm Want to submit something to FN Showoffs? send a file, title and short description along with your name and any links you want to go along side it to: fnshowoffs@gmail.com we are looking for interesting and unique sonic experiences, these can be stories, documentaries, experiments etc. Please try your best as we do expect a certain level of quality and any hateful content will automatically be rejected, obviously. Mentioned in this episode: Patreon Ad 1 Support us on Patreon! https://www.patreon.com/faustiannonsense Thank you to our Top Patrons! Jolene Probsnothawkeye
(Submitted by https://instagram.com/freddiechurchillart_?igshid=YmMyMTA2M2Y= (Freddie Churchill)) "I get very bored very quickly, I made these very short stories for those people who don’t have 5 hours plus to get through a whole narrative arch. These evocative and concise stories touch on all parts of life, fantasy and fiction. see the short Tableau’s of other peoples lives unfold before you." Writing, Narration, and Sound Design: Freddie Churchill Want to submit something to FN Showoffs? send a file, title and short description along with your name and any links you want to go alongside it to: fnshowoffs@gmail.com we are looking for interesting and unique sonic experiences, these can be stories, documentaries, experiments etc. Please try your best as we do expect a certain level of quality and any hateful content will automatically be rejected, obviously. Mentioned in this episode: Patreon Ad 1 Support us on Patreon! https://www.patreon.com/faustiannonsense Thank you to our Top Patrons! Jolene Probsnothawkeye
The modes of narration in an audio based storytelling format can take many forms, these may be specific to a genre or type of story but each takes a slightly different form each with different implications. The world of actual play podcasts, also, take a different approach to narration in the role of the GM acting as actor, conveyor of the story and as themselves. I intend to explore how exactly these forms of narration affect the concept of the fourth wall and the relationship between the podcaster(s) and the listener. An audio essay written, read and sound designed by Cai Gwilym Pritchard who you can find on twitter https://twitter.com/mynameisnotcai (@mynameisnotcai) Featuring the folks from actual play podcast Ghosts on a Train who you can find on twitter at https://twitter.com/ghosts_train (@ghosts_train) Want to submit something to FN Showoffs? send a file, title and short description along with your name and any links you want to go along side it to: fnshowoffs@gmail.com we are looking for interesting and unique sonic experiences, these can be stories, documentaries, experiments etc. Please try your best as we do expect a certain level of quality and any hateful content will automatically be rejected, obviously. Mentioned in this episode: Patreon Ad 1 Support us on Patreon! https://www.patreon.com/faustiannonsense Thank you to our Top Patrons! Jolene Probsnothawkeye