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In which I review Voyage 43, by Porcupine Tree.
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In which I review Transgender Street Legend Vol. 1, by Left At London.
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In which I review Heart of the Congos, by The Congos.
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In which I review Extreme II - Pornograffitti, by Extreme.
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In which I review Enter the Stream, by Prana Crafter.
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In which I review Boccherini Cello Concertos Nos 1 and 2, by Haydn.
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In which I review Tha Last Meal, by Snoop Dogg.
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In which I review Decompositions: Volume Number One, by Circle takes the Square.
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In which I review The Money Store, by Death Grips.
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In which I review If You Wait, by London Grammar.
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In which I review Flying in Blue Dream, by Joe Satriani.
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In which I review Tokyo Jukebox, by Marty Friedman.
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In which I review Panic Prevention, by Jamie T.
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In which I review Temple of the Dog, by Temple of the Dog.
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In which I review Speaking in Tongues, by Talking Heads.
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In which I review The Unauthorised Biography of Reinhold Messner, by Ben Folds Five.
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In which I review The Resurrection, by Geto Boys.
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In which I review Have You In My Wilderness,m by Julia Holter.
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In which I review From the Fires, by Greta Van Fleet.
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In which I review Spirit of the Glen, by the Royal Scots Dragoon Guards.
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In which I review Legally Blonde the Musical, by the Original Broadway Cast.
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In which I review Under My Skin, by Avril Lavigne.
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In which I review Walk the Sky, by Alter Bridge.
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In which I review To Pimp a Butterfly, by Kendrick Lamar.
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In which I review Onset of Putrefaction, by Necrophagist.
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In which I review The Strength, The Sound, The Songs, by Volbeat.
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In which I review The Congregation, by Leprous.
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In whiich I review Architecture and Morality, by Orchestral Manoeuvres in the Dark.
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In which I review Darkest Darks, Lightest Lights, by The White Buffalo.
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In which I review Sheer Heart Attack, by Queen.
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In which I review Very Necessary, by Salt N Pepa.
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In which I review Guilty, by Barbara Streisand.
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In which I review Ella and Louis, by Ella Fitzgerald and Louis Armstrong.
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In which I review Imaginations of the Other Side, by Blind Guardian.
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In which I review Everybody Down, by Kae Tempest.
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In which I review Everybody Knows This Is Nowhere, by Neil Young.
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In which I review Ska Me Crazy, by Tokyo Ska Paradise Orchestra.
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In which I review Everywhere at the End of Time, by The Caretaker.
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In which I review the Devdas soundtrack, by Various Artists.
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In which I review Epicloud, by Devin Townsend Project.
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In which I review Verdi's Aida, conducted by James Levine.
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In which I review New Boots and Panties, by Ian Dury.
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In which I review More Late Night Transmissions With..., by Jaya the Cat.
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In which I review In The Skies, by Peter Green.
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In which I review Laune Der Natur, by Die Toten Hosen
