Post-punk Heartstrings: Recent Episodes
JimmyJames S Butler
A discussion of the post-punk music that moves us and how it affects our lives and causes us to self-reflect and dig deeper. This podcast marries the raw, honest, and artistic style of post-punk and indie music with insights and life experiences of listeners and creators. The goal is to share from a place of vulnerability that leads to relation of trust and encouragement.
In this “very special Blossom” episode, I welcome my good friends, Mark Feldbush and Jim Anderson to “turn the tables” and interview me about the stroke I sufferedin June of this year. We had what I hope will be a vulnerable and encouraging discussion about my experience and process of recovery.
Thank you for joining us!
All sounds and song clips used were procured from publicly posted sources:
ThePsychedelic Furs – In My Head
The77’s – Do it For Love
TheKinks – Better Things
You can find Post-Punk Heartstrings on Facebook: https://www.facebook.com/PostpunkHeartstrings
Post-punk Heartstrings can now be found on YouTube at https://www.youtube.com/channel/UCjKWsuzqWiSY0vln1Py5ahg
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In this episode, my good friend S. Price Horn joins me as we climb aboard the Light Ship and sail into THE NIGHT. Or is it out of THE NIGHT? Either way, we’re sailing on… sailing on…sailing on… with the band D.O.X and their self-titled first album. Come along for the ride my little child!
D.O.X. is:
Mark de la Bretonne: Lead vocals, piano
Jeff Foster: Bass Guitar
Rick Lane: Lead & Rhythm Guitars
Robert Foster: Drums & percussion
All songs, sounds and clips were procured from publicly posted sources and used under fair use.
You can easily find this first album by D.O.X. on Spotify and YouTube at the links below:
Spotify: https://open.spotify.com/album/3vPFRUUmemPkd7k6MjhjUY?si=rENHJQBrTrKWFHx3-Tgrew
YouTube: https://www.youtube.com/playlist?list=PLPcTOx34g9XTmemoi0mnAkPSy_l5BzJqN
You can find S Price Horn’s book, Wasted: Tales and Musings from a Nobody with a Weird Name
https://www.amazon.com/dp/B097KMXTDR?psc=1&ref=ppx_yo2ov_dt_b_product_details
Post-punk Heartstrings Spotify playlist:
https://open.spotify.com/playlist/7x9ZOHhqrQxw77Z9VUM6as?si=b81f2c7135f54276
You can find Post-Punk Heartstrings on Facebook: https://www.facebook.com/PostpunkHeartstrings/
Post-punk Heartstrings can now be found on YouTube at https://www.youtube.com/channel/UCjKWsuzqWiSY0vln1Py5ahg
Please come by and follow the page, say, “Hello!" and follow.
--- Send in a voice message: https://podcasters.spotify.com/pod/show/post-punkheartstrings/message
In this episode, my good friend Jim Anderson of AIRDALE joins me for the second of two episodes in which we discuss two of our favorite albums by the band The Church. In this episode, we dive deep into the ancient mystical sci-fi of the band’s 1990 album, “Gold Afternoon Fix” We are sticking strictly with the original track list that we both knew the album as these many moons ago. Thanks for joining us!
All songs, sounds and clips were procured from publicly posted sources and used under fair use.
You can find The Church EVERYWHERE so go check them out:
Here is their main website: https://www.thechurchband.com/
The band now has a subscription service called “nightfriends.” If you are die hard Church fan, I encourage you to subscribe: https://thechorus.com/auth/login/thechurch
My Church Spotify playlists:
The Church Service: https://open.spotify.com/playlist/5JXqcDaJAdHURCFckGLIP1?si=f255f9a7516043fc
Church Sparking:
https://open.spotify.com/playlist/2aqRRPTyQOuawgOEfHAKIG?si=30b2a72ea8a1449a
Post-punk Heartstrings Spotify playlist:
https://open.spotify.com/playlist/7x9ZOHhqrQxw77Z9VUM6as?si=b81f2c7135f54276
You can find Post-Punk Heartstrings on Facebook:https://www.facebook.com/PostpunkHeartstrings/
Post-punkHeartstrings can now be found on YouTube athttps://www.youtube.com/channel/UCjKWsuzqWiSY0vln1Py5ahg
Please come FOLLOW the page, say, “Hello!"
--- Send in a voice message: https://podcasters.spotify.com/pod/show/post-punkheartstrings/message
In this episode, my good friend Jim Anderson of AIRDALE joins me for the first of two episodes in which we discusstwo of our favorite albums by the band The Church. In this episode, we dive deep into the disillusionment and regret of the band’s 1986 album, “Heyday.” We are sticking strictly with the original track list that we both knew the album as these many moons ago. Thanks for joining us!
All songs, sounds and clips were procured from publicly posted sources and used under fair use.
You can find The Church EVERYWHERE so go check them out:
Here is their main website: https://www.thechurchband.com/
The band now has a subscriptionservice called “nightfriends.” If you are die hard Church fan, I encourage you to subscribe: https://thechorus.com/auth/login/thechurch
You can find Post-Punk Heartstrings onFacebook: https://www.facebook.com/PostpunkHeartstrings/
Post-punk Heartstrings can now befound on YouTube at https://www.youtube.com/channel/UCjKWsuzqWiSY0vln1Py5ahg
Please come by and follow the page, say, “Hello!" and follow.
--- Send in a voice message: https://podcasters.spotify.com/pod/show/post-punkheartstrings/message
In this episode I have the privilege of chatting with Joe Lekkas and Ben Douglas, the two main drivers behind the band Palm Ghosts. I chatted with the fellas about their beginnings, inspirations and writing process as well as digging into some of the songs off of their latest album, I Love You, Burn in Hell. The duo, along with drummer, WaltEpting, craft melodic yet brooding rhythms and melodies that sway you back and forth between the New Wave/alternative sounds of the 80’s and the modernalternative post-punk revival sounds of the 21st century. Joe & Ben are a couple of really down to earth guys and I really enjoyed our conversation. The band manages to remind the listener of a myriad of 80’s & 90’s new wave/post-punk/alternative/shoe gaze bands while creating a new unidentifiable genre that seems to belong only to them. If you love Joy Division, New Order, The Cure, Peter Gabriel, XTC, Echo & The Bunnymen, MissionUK, The Psychedelic Furs, The Doves, Bloc Party, Simples Minds (Yeah… the list goes on and on!) then you will be as enamored with Palm Ghosts as I am. This year (2024), the band will be releasing a series of songs, one at a time, every 2 weeks, which will end up populating 4 EPs andultimately a double LP by the end of the year so be sure to check them out on the streaming platform of your choice. Thanks for joining us!
All other sounds and song clips used were procured from publicly posted sources.
PLEASE check out Palm Ghosts at the below links:
Band Website: https://palmghosts.net/
Bandcamp: https://palmghosts.bandcamp.com/
Spotify: https://open.spotify.com/artist/6VyUs0vMgqSNdVtLHzKaa7
YouTube: https://www.youtube.com/channel/UCpbeEfea7uapouXePgqeNwQ
Sound Cloud: https://soundcloud.com/palmghosts
Instagram: https://www.instagram.com/palmghosts
Facebook: https://www.facebook.com/palmghosts
Twitter(Er…I mean X!) : https://twitter.com/palmghosts
Threads: https://www.threads.net/@palmghosts
You can find Post-Punk Heartstrings on Facebook: https://www.facebook.com/PostpunkHeartstrings
Post-punk Heartstrings can now be found on YouTube at https://www.youtube.com/channel/UCjKWsuzqWiSY0vln1Py5ahg
Please come by and follow the page and say, “Hello!”
--- Send in a voice message: https://podcasters.spotify.com/pod/show/post-punkheartstrings/message
In this episode I chat with Patrick Av who creates post-punk dramatic alterna goth under the project name Pazz Kluger.Pat is drawn to the drama of relationships in new wave and post-punk songs and seeks to write and sing about the darker, tortured side that we’ve all felt at times in our life. Even with the darkness, one can feel an underlying longing for peace and wholeness in each of these songs. We had a great conversationabout his musical beginnings, his post-punk influences, and discussed some of the songs from his substantial catalogue. If you love Joy Division, Bauhaus, The Sound, The Mission UK, The Chameleons, The Church and other post-punk/new wave bands from the 80’s you will dig the music of Pazz Kluger as much as I do. Thanks for joining us!All songs and song clips are used with the permission of Patrick Av - Pazz Kluger.All other sounds and clips used were procured from publicly posted clips and used under fair use.Bandcamp: Pazz Kluger on BandcampSpotify: Pazz Kluger on SpotifyYouTube: Pazz Kluger on YouTube You can find Post-Punk Heartstrings on Facebook: Post-punk Heartstrings on FacebookPlease come by and follow the page and say, “Hello!”Post-punk Heartstrings can now be found on YouTube at Post-punk Heartstrings on YouTube--- Send in a voice message: https://podcasters.spotify.com/pod/show/post-punkheartstrings/message
In this episode, Tegwen, Mark and I continue our discussion with Side B of the post-punk gothic masterpiece, Shaded Pain by the Lifesavers Underground. If you haven’t listened to the first half of this chat, be sure to stop right now and go listen to Episode 025 - Lifesavers Underground - Shaded Pain - Part 1 first and then come back to finish up here. If you’ve never heard of LifesaversUnderground (L.S.U) but like Bahaus, Peter Murphy, The Mission UK and bands of that ilk, you should definitely check them out. Thanks so much for joining us!
Tegwen’s Post Punk Checklist:
-Drony vocals
-Screechy feedback guitars, not played forprecision ,
-Played for vibes, strummed repetitive guitars
-Sick baseline, but not necessarily noticed, yetstill drives the song- energetic
-Allows you to dance to it
-Mix of drum machine, tinny echoey sound, slightlyerratic live drums
-Creating a Phil Spectory wall of sound
-Very produced but not polished- lots of effects on11 with echo/ reverb
All songs and interview clips are used without permission but under fair use for commentary purposes.
All other sounds and clips used were procured from publicly posted clips and used under fair use.
You can find the music and social media of the Lifesavers, The Lifesavers Underground and Michael Knott atthe below links:
Lifesavers on Bandcamp
The Lifsavers Underground on Facebook
Knottheads (Michael Knott Fans) on Facebook (This came up as a broken link when I checked it as of 1/9/24)
Michael Knott on Instagram
PLEASE go support Michael Knott and his many bands!
Michael Knott Schizophrenia VHS tape upload can be found on YouTube at Michael Knott Schizophrenia
The Momentary Trouble cover of Bye Bye Colour can be found on Soundclick at Bye Bye Colour Cover
You can find Vanishing Shores on Bandcamp at Vanishing Shores
Monty Python Bridge of Death can be found on YouTube at Bridge of Death
So Blue by Irving Kaufman can be found on YouTube at IrvingKaufman So Blue (1927)
You can find Post-Punk Heartstrings on Facebook: Post-punkHeartstrings on Facebook
PLEASE come by, FOLLOW and say, “Hello!"
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In this episode, Mark and I welcome his daughter Tegwen on the show to discuss the seminal yet obscure album Shaded Pain by the Lifesavers Underground. This album is in the top five albums that shaped my future musical tastes during my late teen years. If you’ve never heard of Lifesavers Underground (L.S.U) but like Bahaus, Peter Murphy, The Mission UK and bands of that ilk, you should definitely check them out. Thanks so much for joining us!
All songs and interview clips are used without permission but under fair use for commentary purposes.
All other sounds and clips used were procured from publicly posted clips and used under fair use.
You can find the music and social media of the Lifesavers, The Lifesavers Underground and Michael Knott at the below links:
Lifesavers on Bandcamp
The Lifsavers Underground on Facebook
Knottheads (Michael Knott Fans) on Facebook (This came up as a broken link when I checked it as of 1/9/24)
Michael Knott on Instagram
PLEASE go support Michael Knott and his many bands!
You can find the Frontline Interview at Heavyweight Podcast on YouTube
You can find Post-Punk Heartstrings on Facebook: Post-punk Heartstrings on Facebook
PLEASE come by, FOLLOW and say, “Hello!”
--- Send in a voice message: https://podcasters.spotify.com/pod/show/post-punkheartstrings/message
In this episode, Jamie Harmon and I finish up our discussion of Cerulean, the sophomore release from the band The Ocean Blue. I am a long-time fan, but Jamie has just been introduced to The Ocean Blue so we get a new fan’s perspective. This is one of my all-time favorite releases from one of my all-time favorite bands so I am excited to bring you part two of this two-part episode. If you’ve never heard of The Ocean Blue, but like Echo & The Bunnymen, The Smiths, The Mighty Lemon Drops or REM, you will really dig this band. Thanks so much for joining us!
All song clips are used without permission but under fair use for commentary purposes.
All other sounds and clips used were procured from publicly posted clips and used under fair use.
You can find the music and social media of The Ocean Blue at the below links:
The Ocean Blue official website
Bandcamp The Ocean Blue on Bandcamp
Facebook The Ocean Blue on Facebook
Instagram The Ocean Blue on Instagram
Threads The Ocean Blue on Threads
Twitter (X) The Ocean Blue on Twitter (X)
PLEASE go support the band!
You can find the Heavyweight podcast atHeavyweight Podcast on Spotify or search for “Heavyweight” wherever you get your podcasts.
You can find the episode that I referred to at #2 Gregor on Spotify.
You can listen to “Wounds of a Friend” by The Ocean Blue on YouTube at "Wounds of a Friend" - by The Ocean Blue
You can find Post-Punk Heartstrings on Facebook: Post-punk Heartstrings on Facebook
Please come by and follow the page and say, “Hello!”
--- Send in a voice message: https://podcasters.spotify.com/pod/show/post-punkheartstrings/message
In this episode, Jamie Harmon returns to the podcast to chat with me about Cerulean, the sophomore release from the band The Ocean Blue. I am a long-time fan, but Jamie has just been introduced to The Ocean Blue so we get a new fan’s perspective. This is one of my all-time favorite releases from one of my all-time favorite bands so I am excited to bring you this two-part episode. If you’ve never heard of The Ocean Blue, but like Echo & The Bunnymen, The Smiths, The Mighty Lemon Drops or REM, youwill really dig this band. Thanks so much for joining us!All song clips are used without permission but under fair use for commentary purposes.All other sounds and clips used were procured from publicly posted clips and used under fair use.You can find the music and social media of The Ocean Blue at the below links:The Ocean Blue official websiteBandcamp--> The Ocean Blue on BandcampFacebook--> The Ocean Blue on FacebookInstagram--> The Ocean Blue on InstagramThreads--> The Ocean Blue on ThreadsTwitter (X) --> The Ocean Blue on Twitter (X) You can find the music of Whimsical at the below links:Whimsical Linktr.ee Site with all the linksBandcamp--> Whimsical on BandcampYouTube--> Whimsical on YouTubeFacebook--> Whimsical on Facebook PLEASE go support both bands! You can find Post-Punk Heartstrings on Facebook: Post-punk Heartstrings on FacebookPlease come by and follow the page and say, “Hello!”--- Send in a voice message: https://podcasters.spotify.com/pod/show/post-punkheartstrings/message
In this episode I chat with Jim Anderson who creates post-punk synthscapes with ascending sonic guitar fuzz under the project name of AIRDALE. We had a fantastic conversation about his post-punk musical influences, his high school band The Mourning, his current project AIRDALE and our favorite releases by The Church. I really had a blast getting to know Jim who is a man after my own post-punk heart. We also hear some full selections from Jim's body of work so if you love The Cure, New Order, The Church and a slew of other post-punk/new wave bands from the 80’s you will dig the music of AIRDALE as much as I do. Thanks for joining us!All songs and song clips are used with the permission of Jim Anderson - aka AIRDALE.All other sounds and clips used were procured from publicly posted clips and used under fair use.You can find the music and social media of AIRDALE at the following link: AIRDALE musicPLEASE go support AIRDALE on BandcampYou can find AIRDALE video and music on YouTube at AIRDALE on YouTubeYou can find Post-Punk Heartstrings on Facebook: Post-punk Heartstrings on FadebookPlease come by and follow the page and say, “Hello!”--- Send in a voice message: https://podcasters.spotify.com/pod/show/post-punkheartstrings/message
In this episode, I do a follow-up to Episode005 - What is Post-punk and welcome to the Post-punk Heartstrings State of Mind– In that episode, I gave my own personal definition of post-punk and offered my pick for the first post-punk album released. After the episode, I received thefollowing feedback from a listener: “Enjoyed this episode! I'd have been interested in more explication on what are the hallmarks of post-punk and why Television, Talking Heads, etc. were not counted. What exactly were the classic rock sounds you heard to keep them from being counted as a true post-punk album.” So, I decided to do a follow-up episode to explain a little more andprovide some examples of why I excluded some of the releases the listener mentioned.
Artists/albums covered are:
Television – Marquee Moon – 1977
Taking Heads – Talking Heads – 1977
Ultravox – Ha! Ha! Ha! – 1977
White Music – XTC – 1978
Magazine – Real Life – 1978
All song clips are used without permission but under fair use for commentary purposes.
All other clips procured from publicly posted clips and used under fair use.
You can findPost-Punk Heartstrings on Facebook: https://www.facebook.com/PostpunkHeartstrings
Please come by and follow the page and say, “Hello!”
You can reach me via email at postpunkheartstrings@gmail.com
Peace to you all Fellow Earth Babies!
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Mark and I continue our discussion of cut-out albums we have discovered and how each has impacted us. We each chose five releases and in this episode, we talk about each of our 4 & 5 picks. The artists/albums covered in this episode are:
T Bone Burnett – The Talking Animals
Steve Taylor – OnThe Fritz
The Call – Let the Day Begin
Link to the True Tunes podcast interview tape that Mark and I spoke of: Here's To You! Michael Been (of The Call) From The Vault
Elim Hall – Things Break
All song clips are used without permission but under fair use for commentary purposes.
All other clips procured from publicly posted clips and used under fair use.
Intro Music –
“Better Cut That Out” – Sonny Boy Williamson, 1948 https://archive.org/details/78_better-cut-that-out_sonny-boy-williamson_gbia0079016a
& “Cut Out Shapes” – Magazine
You can find Magazine on Facebook at https://www.facebook.com/magazineofficial/
Outro Music –
“Like Ashes Like Millions” – Cut City
Cut City can be found on Bandcamp at https://cutcity.bandcamp.com/track/like-ashes-like-millions and on Facebook at https://www.facebook.com/profile.php?id=100063718081519
Please go support them!
You can find Post-Punk Heartstrings on Facebook: https://www.facebook.com/PostpunkHeartstrings
Please come by and follow the page and say, “Hello!"
Send in a voice message: https://podcasters.spotify.com/pod/show/post-punkheartstrings/message
Mark and I discuss several cut-out albums we have discovered and how each has impacted us. We each chose five releases and in this episode, we talk about the first three of each of our picks.
Artists - albums covered are:
Peter Case – Self Titled
Quickflight – Decent Beat
Bruce Cockburn – World of Wonders
Simple Minds – Sparkle in the Rain
Tonio K. – Notes From the Lost Civilization
The Call – Scene Beyond Dreams
All song clips are used without permission but under fair use for commentary purposes.
All other clips procured from publicly posted clips and used under fair use.
You can find Grizzly Bear on Bandcamp at: https://grizzlybearbrooklyn.bandcamp.com/music
Please go support them!
You can find Post-Punk Heartstrings on Facebook: https://www.facebook.com/PostpunkHeartstrings
Please come by and follow the page and say, “Hello!"
Send in a voice message: https://podcasters.spotify.com/pod/show/post-punkheartstrings/message
In this episode, Jamie Harmon returns to the podcast and we discuss The Police’s new wave/post-punk/Jazz master work Synchronicity. The influence of The Police on later post-punk bands is often overlooked and Synchronicity displays the band at their most eclectic and chaotic. In spite of the infighting, the band was able to put together the #1 album in the country and create the most ever played rock song: "Every Breath You Take."
All song clips are used without permission but under fair use.
All other clips procured from publicly posted clips and used under fair use.
You can find Post-Punk Heartstrings on Facebook: https://www.facebook.com/PostpunkHeartstrings
Please come by and follow the page and say, “Hello!”
Please Check out and support the music of The Police and the band members subsequent work:
The Police:
Spotify: https://open.spotify.com/artist/5NGO30tJxFlKixkPSgXcFE?si=FjXPzUo9TN2JSPnGK4fnOg
Sting:
Official Website: https://www.sting.com/
Spotify: https://open.spotify.com/artist/0Ty63ceoRnnJKVEYP0VQpk?si=USKHHImhQeOMhvZ7K8bunQ
Andy Summers:
Official Website: https://andysummers.com/
Spotify: https://open.spotify.com/artist/3rHBApuFwaJy65f7vWQJLr?si=BRLGx944T3K3JETYaki9Aw
Stewart Copeland:
Official Website: https://www.stewartcopeland.net/
Spotify: https://open.spotify.com/artist/4XVxeuUkJRiCYJYdqRpwab?si=_WTCL8dBRmCmaEnJvMN_pg
Walker on the Moon (The German Police tribute band) can be found on
Youtube: https://www.youtube.com/@WalkerOnTheMoon2016
Facebook: https://www.facebook.com/walkeronthemoonband/
Send in a voice message: https://podcasters.spotify.com/pod/show/post-punkheartstrings/message
In this episode, Steven Wesley Guiles and I discuss why we feel like Don’t Tell a Soul is The Replacements best album. DTSL is a much-maligned release amongst die hard Mats fans and Steve and I talk about some of the reasons this might be along with why DTSL and All Shook Down present the bands most mature and cohesive works.
All song clips are used without permission but under fair use.
All other clips procured from publicly posted clips and used under fair use.
You can find Post-Punk Heartstrings on Facebook: https://www.facebook.com/PostpunkHeartstrings
Please come by and follow the page and say, “Hello!”
Steve and JJSB Chat:
What is the greatest Mats record and why is it Don't Tell A Soul? : https://www.facebook.com/groups/537792766296918/posts/5987625311313609
Please Check out and support The Replacements and Paul Westerberg’s music:
The Replacements:
Spotify: https://open.spotify.com/artist/4WPY0N74T3KUja57xMQTZ3?si=fDrdv2gFQCGNfrrNYLvUBQ
Paul Westerberg:
Twitter: https://twitter.com/paulwesterberg?lang=en
Spotify: https://open.spotify.com/artist/3N6WAAPHoIjo6na008793X?si=8h7ak0_nRL-rZE0WdCAmgg
The Replacements - Interview NYC 1989: https://youtu.be/p-iIF5yNUH8
The Replacements - Talent Show on the 1989 International Rock Awards: https://www.youtube.com/watch?v=nQ27W-2OWwQ
The Replacements Don't Tell A Soul tour Rutgers NJ on MTV Week in Rock with Kurt Loder (1989.04.14): https://www.youtube.com/watch?v=2eJbOy6u0NA
The Replacements on MTV News in 1989: https://youtu.be/2bynCBrzDec
DM3 - Rock N Roll Ghost (Replacements Cover): https://youtu.be/-U5rckkI6hU
Tommy Stinson’s favorite Replacements album:
All Shook Down - https://www.vice.com/en/article/mgmpb4/rank-your-records-the-replacements-tommy-stinson
I encourage you to check out the music of Steven Wesley Guiles at the below links:
Website: / www.stevenwesleyguiles.com
New Cool Now: / https://newcoolnow.com/
Bandcamp: / https://stevenwesleyguiles.bandcamp.com/
Soundcloud: / https://soundcloud.com/newcoolnowmusic
Facebook: / stevenwesleyguiles
Youtube: / stevenwesleyguiles
Instagram: / swguiles
Twitter: / mrgeefun
TikTok: / mrgeewhiz
Twitch: / mrgeewhiz
Talent Show - Don't Tell A Soul - The Replacements - Speed Ink Speed Draw: https://www.youtube.com/watch?v=jiuwIc8i-vk
Jeff Tweedy Songwriting Exercise #1 - Word Ladder (from his book How To Write One Song) : https://youtu.be/tWS99kAxa04
Jeff Tweedy Songwriting Exercise #2 - Stealing from a Book (from his book How To Write One Song) : https://youtu.be/wE1CfbhwsQc
Send in a voice message: https://podcasters.spotify.com/pod/show/post-punkheartstrings/message
In this episode, Mark Feldbush and I continue our discussion of Echo & the Bunnymen’s latest album The Stars, The Oceans & The Moon. We take a track by track journey comparing and contrasting the new transformed versions with the originals and which we each prefer.
All song clips are used without permission but under fair use.
All other clips procured from publicly posted clips and used under fair use.
You can find Post-Punk Heartstrings on Facebook: https://www.facebook.com/PostpunkHeartstrings
Please come by andfollow the page and say, “Hello!”
Please Check out and support Echo & The Bunnymen music:
Website: https://www.bunnymen.com/
YouTube: https://www.youtube.com/user/officialeatb
Spotify: https://open.spotify.com/artist/0fgYKF9Avljex0L9Wt5b8Z?si=UNiemeMcQB63l34SgGJ6eg
Echo & TheBunnymen’s Will Sergeant: “Things that you hate influence you as much as what you like.” - 2022 clip from:
https://youtu.be/n9V4FZqay0w
The Cutter (Live) – from Live EP by The Prayer Chain released April 1st, 1994:
https://theprayerchain.bandcamp.com/track/the-cutter-live-le?action=download
Please check out and support The Prayer Chain on Bandcamp: https://theprayerchain.bandcamp.com/
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In this episode, Mark Feldbush and I discuss artists who re-record their work, the reasons why and then move on to our discussion of Echo & the Bunnymen. We take a track by track journey through the band’s 2018 album The Stars, The Oceans & The Moon comparing and contrasting the transformed versions withthe originals.
All song clips are used without permission but under fair use.
All other clips procured from publicly posted clips and used under fair use.
Please Check out and support Echo & The Bunnymen music:
Website: https://www.bunnymen.com/
YouTube: https://www.youtube.com/user/officialeatb
Spotify:https://open.spotify.com/artist/0fgYKF9Avljex0L9Wt5b8Z?si=UNiemeMcQB63l34SgGJ6eg
ECHO AND THE BUNNYMEN- Ian McCulloch on Greatest Hits – 2019 clip from: https://www.youtube.com/watch?v=bGl-teLvV7s
a ha MTV Unplugged Summer Solstice2017: 14. The Killing Moon Feat Ian Mcculloch from: https://www.youtube.com/watch?v=3x8d2N1wPxs
Bring on the Dancing Horses cover – Kerosene Halo from: https://www.youtube.com/watch?v=BCc3OBQcuxw
Please check out and support Kerosene Halo on Bandcamp: https://kerosenehalo.bandcamp.com/
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Mark Feldbush and I continue our discussion of Sam (Leslie) Phillips’ albums The Turning, The Indescribable Wow & Cruel Inventions. These three albums represent a pivotal time in Sam's life. In this episode, Mark & I discuss Cruel Inventions, her beautifully moody and tense 1991 album that explores exploitation, consumerism, capitalism and the dark side of love while struggling to understand just how we all fit into this crazy messed up world.
All song clips are used without permission but under fair use.
All other clips procured from publicly posted clips and used under fair use.
Check out Sam Phillips music:
Bandcamp: https://samphillips1.bandcamp.com/
Sam Phillips Website: https://samphillips.com/
YouTube: https://www.youtube.com/user/samphillipsmusic?app=desktop
Spotify: https://open.spotify.com/artist/6Epdio7Ic0zhZkhXHFc8qa?si=nVWm3DgNSP6wK0Ymujz2bw
Princess Bride The Machine YouTube clip used from https://youtu.be/BbgyppGqBgg
All Cruel Inventions clips used from https://www.youtube.com/@stripcyclemusic
“Black Sky” clip from StripCycle music on YouTube https://www.youtube.com/watch?v=L2Q_dJmTUbg
Singer Songwriter clip from Los Angeles Times https://www.youtube.com/watch?v=ZN9aCPFmqlY
“Sister RosettaGoes Before Us” https://www.youtube.com/watch?v=ANOrllutAhs
"Sam Phillips performs four songs with the help of Erik Gorfain, who plays an electric guitar with amps the sizeof cigarette boxes. He also trots out a Stroh violin — a contraption that mustbe seen to be believed".
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Mark Feldbush and I continue our discussion of Sam (Leslie) Phillips’ albums The Turning, The Indescribable Wow & Cruel Inventions. These three albums represent a pivotal time in Sam's life and in this episode, Mark & I discuss The Indescribable Wow, her 1988 album that was the first on the Virgin record label. We dig into each song, trying to describe the indescribable… and seemingly falling short.
All song clips are used without permission but under fair use.
All other clips procured from publicly posted clips and used under fair use.
Check out Sam Phillips music:
Bandcamp: https://samphillips1.bandcamp.com/
Sam Phillips Website: https://samphillips.com/
YouTube: https://www.youtube.com/user/samphillipsmusic?app=desktop
Spotify: https://open.spotify.com/artist/6Epdio7Ic0zhZkhXHFc8qa?si=nVWm3DgNSP6wK0Ymujz2bw
Bananas YouTube clip used from https://www.youtube.com/@PervertedRogerEbert
All Indescribable Wow clips used from https://www.youtube.com/@stripcyclemusic
“I Want to Be You” clip digitized from the vinyl LP World on Sticks.
“Out of Time” - Sam Phillips – Live in Philadelphia, PA in 1988 https://youtu.be/XIWxAY1GK3A
Articles quoted:
“My record company was demanding dishonesty from me, saying weird things like ‘This song just sounds a little too sexy. We don’t know why, but you’ve got to change it. And no, we don’t know how you’re supposed to change it.’ At that point, it just got ridiculous. I said ‘This is ludicrous. I’m not going to continue with this label.’ At first they were upset and said ‘You have to. You’re under contract.’ I was selling well enough for them that they didn’t want to let me go. But I said ‘There’s a moral clause in my contract. And you know what? I’ve slept with someone that I’m not married to. And I’m not ashamed to tell anybody about that. And I will.’ They said ‘Okay, you’re free to go. You’re out of your contract.’ That’s how easy it was to get out of it. That’s how silly it was.” - Jeffery Overstreet; Year unknown; A Conversation with Sam Phillips, The Image Journal; Issue 60; Date accessed 2/27/23; https://imagejournal.org/article/conversation-sam-phillips/
“I think the so-called born again movement in this country has about as little to do with real Christianity as a Xerox of a hundredth-generation print of the Mona Lisa has to do with the real thing. The born-again movement is more about obsession and narrow-mindedness and repression—and true Christianity is about mercy and freedom and love.”- CHRIS WILLMAN; AUG. 28, 1988; Sam Phillips . . . Toni Childs . . . and Betsy : A periodic look at who’s making news in pop music. : Good Sam; Los Angeles Times, Accessed 2/27/23, https://www.latimes.com/archives/la-xpm-1988-08-28-ca-1669-story.html--- Send in a voice message: https://anchor.fm/post-punkheartstrings/message
My friend Mark and I sat down to discuss Sam (Leslie) Phillips albums The Turning, The Indescribable Wow & Cruel Inventions. These three albums represent a pivotal time in Sam's life and in this episode, Mark & I discuss The Turning, the album that started Sam's break away from the Fundamental Christian machine and CCM music. We dig into each song and reflect back how they relate to her transition.
All song clips are used without permission but under fair use.
All other clips procured from publicly posted clips and used under fair use.
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In this episode, I briefly cover three of the musical artists that helped launch the Post-punk Heartstrings podcast with their music. I share two of my favorite tracks from each artist and talk a little about the background and musical style.
PLEASE check out each band’s music at the below links:
Pazz Kluger:
On Bandcamp: https://pazzkluger.bandcamp.com/music
You can also find the music on Spotify and YouTube
Songs shared are “Locked” and “Fairy Tales”
Fears (IRL):
On Bandcamp: https://fearsrecords.bandcamp.com/
You can also find the music on Spotify and YouTube
Songs shared are “Daze” and “H_always”
Glass Candy:
You can find the music on Spotify and YouTube
Songs shared are “Love, Love, Love,” “Crystal Migraine” and “Digital Versicolor” clip
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My Guest: Chris Taylor of the band Love ComaIn this episode, I talk with Chris about the wind down of the early Love Coma years, the move into his solo work, and how “The Mad Painter” was a major influence on his visual art. We touch on the political climate, the repression of the church on rock and roll and why Chris feels that the latest self-titled Love Coma release is the album the band was meant to make.I encourage you to check out and support the music and artwork of Chris Taylor and Love Coma at the below links:Website: https://christaylorworld.com/ Patreon: https://www.patreon.com/christaylorworld/postsBandcamp:Chris Taylor: https://christaylor.bandcamp.com/ Love Coma: https://lovecoma.bandcamp.com/album/love-coma Facebook:Chris Taylor: https://www.facebook.com/christaylorfanpageLove Coma: https://www.facebook.com/lovecomatheband YouTube: Chris Taylor: https://www.youtube.com/channel/UCdmKVesamxvPpRPVG_wZXRQ Love Coma: https://www.youtube.com/channel/UCp-Y3aJGKWuqPdhNoewD2zwInstagram: Chris Taylor: https://www.instagram.com/christaylorworld/ Love Coma: https://www.instagram.com/lovecomatheband/Twitter: https://twitter.com/realchristaylor Intro song is "Locked" by Paz Kluger https://soundcloud.com/pazzk Under Creative Commons License https://creativecommons.org/licenses/by/3.0/ Used only as an introSongs used:Love Coma – You’re Just Another Angel Who Can’t Get No Sleep - Love Coma - The Early Years https://christaylor.bandcamp.com/album/the-early-yearsLove Coma – How Long Love Coma Self-Titled 2019 https://christaylor.bandcamp.com/album/love-coma-2Love Coma – Astronaut Love Coma (Language of Fools)https://christaylor.bandcamp.com/album/love-coma-language-of-foolsSounds and clips:Transitional sounds: Zapsplat.comhttps://pixabay.com/sound-effects/Clips:Sesame Street - Mad Painter # 8 - https://youtu.be/Xi-ODZ3ING0The Rescuers - Orville's Take Off - https://youtu.be/b5z6eGG7_FcListening to Great Music 1957 clip is public domain from the Prelinger Archives“This is a new dimension in sound” – Taken from “How To Listen to Great Music” – public domain from the Prelinger Archives: https://archive.org/details/HowtoLis1957--- Send in a voice message: https://anchor.fm/post-punkheartstrings/message
My Guest: Chris Taylor
In this episode, I talk with Chris Taylor about the early years of his band Love Coma, what they were trying to do and some of the thoughts and drive behind the music.
I encourage you to check out and support the music and artwork of Chris Taylor and Love Coma at the below links:
Website: https://christaylorworld.com/
Bandcamp:
Chris Taylorà https://christaylor.bandcamp.com/
Love Coma à https://lovecoma.bandcamp.com/album/love-coma
Facebook:
Chris Taylorà https://www.facebook.com/christaylorfanpage
Love Coma à https://www.facebook.com/lovecomatheband
YouTube:
Chris Taylor à https://www.youtube.com/channel/UCdmKVesamxvPpRPVG_wZXRQ
Love Coma à https://www.youtube.com/channel/UCp-Y3aJGKWuqPdhNoewD2zw
Instagram:
Chris Taylor à https://www.instagram.com/christaylorworld/
Love Coma à https://www.instagram.com/lovecomatheband/
Twitter: https://twitter.com/realchristaylor
Intro song is "Locked" by Paz Kluger https://soundcloud.com/pazzk Under Creative Commons License https://creativecommons.org/licenses/by/3.0/ Used only as an intro
Songs used:
Chris Taylor and Windows – Love & Rhythm – ACM Journal CD2
https://www.discogs.com/release/6575281-Various-ACM-Journal-2nd-Anniversary-Compilation-CD
Love Coma – Empty – Soul Rash
https://christaylor.bandcamp.com/album/soul-rash-remastered
Love Coma – Hemisphere (Astronaut) – Astronaut – 2020
https://christaylor.bandcamp.com/track/hemisphere-astronaut-2
Love Coma – Tomorrow Takes Too Long
https://christaylor.bandcamp.com/album/language-of-fools-remastered
Transitional sounds Zapsplat.com
Other sounds and clips:
Davey And Goliath _ Episode 54 _ The Zillion Dollar Combo
Feature Presentation (1994-2003)
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My Guest: Steven Wesley Guiles
In this episode, I continue my conversation with Steven Wesley Guiles – We discuss Steven’s path to deconstruction, hear him perform an original song of his, Cosmic Soda Machine that he wrote long ago and cover some of the songs in his latest album, Transitions, which dropped to streaming services worldwide on October 4th, 2022.
I encourage you to check out the music of Steven Wesley Guiles at the below links:
Website: / www.stevenwesleyguiles.com
New Cool Now: / https://newcoolnow.com/
Bandcamp: / https://stevenwesleyguiles.bandcamp.com/
Soundcloud: / https://soundcloud.com/newcoolnowmusic
Facebook: / stevenwesleyguiles
YouTube: / stevenwesleyguiles
Instagram: / swguiles
Twitter: / mrgeefun
TikTok: / mrgeewhiz
Twitch: / mrgeewhiz
You can also join Steven’s mailing list by texting “SWG” to 55444 in the US.
The Music, other sounds, etc.:
Mash up of hate preacher clips pulled from YouTube as contrasted with preachers and myself quoting scriptures about love. I won’t name the hate preachers, but they aren’t hard to find on YouTube.
The song, "Cosmic Soda Machine" is an original by Steven Wesley Guiles (SWG) that he performed for the first time on the show.
The songs, “Me in a Nutshell,” “Peace With Myself,” “Magnets” & “Some Hopes” are from SWG's latest album, Transitions. Please go and check it out and support SWG- You can find it at https://stevenwesleyguiles.bandcamp.com/album/transitions
Intro song is "Locked" by Paz Kluger https://soundcloud.com/pazzk Under Creative Commons License https://creativecommons.org/licenses/by/3.0/ Used only as an intro
Transitional sounds Zapsplat.com
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My Guest: Steven Wesley Guiles In this episode, I speak with Steven Wesley Guiles – Lead vocals and one of the guitarists of the band Pushstart Wagon and prolific solo artist. Steven and I begin our discussion with Pushstart Wagon and then transition into a transparent and enlightening discussion of religion and faith deconstruction. I quickly discover that the upbringing and life journey of Steven is uncannily similar to mine. This episode is part 1 of Steven and I’s discussion. In part 2, we focus on his latest album, Transitions which can be found in full on his Bandcamp site and will be also be available on all streaming services on October, 4th 2022. I encourage you to check out the music of Steven Wesley Guiles at the below links: Website: / www.stevenwesleyguiles.com New Cool Now: / https://newcoolnow.com/ Bandcamp: / https://stevenwesleyguiles.bandcamp.com/ Soundcloud: / https://soundcloud.com/newcoolnowmusic Facebook: / stevenwesleyguiles Youtube: / stevenwesleyguiles Instagram: / swguiles Twitter: / mrgeefun TikTok: / mrgeewhiz Twitch: / mrgeewhiz You can also join Steven’s mailing list by texting “SWG” to 55444 in the US.
The Music, other sounds, etc.: The podcast opening is a mashup of a vintage AJAX dishwashing liquid commercial going into the song “Open” from Pushstart Wagon’s debut album Squeaky Clean. The Phantom Tollbooth review read can be found at: http://www.tollbooth.org/2005/reviews/psw.html I encourage fans of any level of faith OR faithlessnes to check out The Phantom Tollbooth at http://www.tollbooth.org/ The song ”Paul” is from Pushstart Wagon’s 2ndalbum L.A. Was Our Alamo Intro song is "Locked" by Paz Kluger https://soundcloud.com/pazzk Under Creative Commons License https://creativecommons.org/licenses/by/3.0/ Used only as an intro Transitional sounds Zapsplat.com The final song “Los Angeles” is from Pushstart Wagon’s 2nd album L.A. Was Our Alamo Other sounds and music used: The Lo fi coffee shop – by The Relaxed Movement: https://youtu.be/Mc-zPIVuOr4 Transition Music provided by TheRelaxedMovement. Check it out here: https://www.youtube.com/c/TheRelaxedM... © Henry Keate t/a TheRelaxedMovement. All Rights Reserved
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In this episode, I share about how I first heard of Toad the Wet Sprocket and explore their first three albums and reflect on their messages of social justice.
PLEASE come say Hi and follow Post-punk Heartstrings on the Facebook page at the following link: https://www.facebook.com/PostpunkHeartstrings OR search for @PostpunkHeartstrings on Facebook. It’s really pretty easy to find!
You can contact by email at postpunkheartstrings@gmail.comand let me know what you like or don’t like about the podcast, pose questions, suggest topics or bands to cover, etc.
I AM STILL LOOKING FOR GUESTS AND/OR A POSSIBLE CO-HOST. DON’T HESITATE TO REACH OUT IF YOU ARE INTERESTED!
Eric Idle/Monty Python “Toad The Wet Sprocket” clips sampled from Rutland Weekend Television - Series One, Episode Four (1975) & Rex Stardust - Rock Notes from YouTube
Audio clips from Toad The Wet Sprocket used were all sampled from YouTube:
Songs sampled:
From the album Fear:
Hold Her Down Is It For Me? Butterflies Nightingale Song Hold Her Down Pray Your Gods
Before You Were Born Stories I Tell I Will Not Take These Things for Granted
From the album Bread & Circus:
Way Away Know Me Always Changing Probably
From the album Pale:
Torn High on a Riverbed
https://albumism.com/polls/toad-the-wet-sprocket
Readers Poll of favorite albums:
1- Dulcinea 1994
2- Fear-1991
3- Coil-1997
4- Pale-1990
5- New Constellation-2013
6- In Light Syrup-1995
7- Bread & Circus-1989
8- Starting Now-2021
Intro song is "Locked" by Paz Kluger https://soundcloud.com/pazzk Under Creative Commons License https://creativecommons.org/licenses/by/3.0/ Used only as an intro
Transitional sounds Zapsplat.com
Attribution license (reuse allowed): https://support.google.com/youtube/answer/2797468
Other sounds and music used:
The Lo fi coffee shop – by The Relaxed Movement: https://youtu.be/Mc-zPIVuOr4
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On my next episode, I'll dig a little into the band Toad The Wet Sprocket: Their beginnings and thoughts on some of my favorite albums and tracks. The focus will be on the first three releases: Bread & Circus, Pale and Fear. Here I offer you a little teaser for the next episode.
Song clip in this teaser is Toad the Wet Sprocket's track "Is It For Me?" from their album Fear.
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In this episode, I give my definition of post punk and offer my pick for the first post-punk album released. I share what this podcast is about, explain the post-punk state of mind and talk a little about where this podcast is headed. Don't forget to be the FIRST PERSON to reach out through Facebook messenger OR email and let me know what your favorite post-punk band is and I'll send you something very special! Contact info below. PLEASE come say Hi and follow Post-punk Heartstrings on the Facebook page at the following link: https://www.facebook.com/PostpunkHeartstrings OR search for @PostpunkHeartstrings on Facebook OR email at postpunkheartstrings@gmail.com
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In this episode we hear music from the following: Television - Venus from the album Marquee Moon - February 1977 The Stranglers - Goodbye Toulouse from the album Rattus Norvegicus - April 1977 Talking Heads - Psycho Killer from the album Talking Heads - September 1977 Ultravox - Artificial Life from the album Ha! Ha! Ha! - October 1977 XTC - Radios in Motion from the album White Music - January 1978 Magazine - Definitive Gaze from the album Real Life - June 1978 Wire - Marooned from the album Chairs Missing - September 1978 Siouxsie and the Banshees - The Staircase from the album The Scream - November 1978 Public Image Ltd. - Public Image from the album First Issue - December 1978 PLEASE CHECK OUT AND OR PURCHASE THE MUSIC OF ALL OF THESE BANDS ON SPOTIFY, ITUNES OR WHEREVER YOU STREAM OR FIND YOUR MUSIC. SUPPORT THESE ARTISTS!
Intro song is "Locked" by Paz Kluger https://soundcloud.com/pazzk Under Creative Commons License https://creativecommons.org/licenses/by/3.0/ Used only as an intro Transitional sounds Zapsplat.com Outro music: ShoegazerDream Pop Backing Track in A major by Typhoon Jam Tracks https://www.youtube.com/watch?v=uWZT4jeMXkE Creative Commons Attribution license (reuse allowed): https://support.google.com/youtube/answer/2797468
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In this episode, long-time friend Jamie Harmon and I discus some of our fears and loves. Music included in this podcast: Fears (IRL) – aka Constance Keane – Daze from the album Oíche Fears - Oiche Vinyl Rip Release date 5-27-21 – Copyright free no attribution necessary Used under: https://creativecommons.org/publicdomain/zero/1.0/ Fears (IRL) music can be found at the following links: Spotify: https://open.spotify.com/artist/5W0ueLIhRR6IvnyPbnXQlT?si=mlI-qXJdT9KgFYxZZj6qsQ The Internet Archive: https://archive.org/details/oiche-raw-wav/A3++Daze.mp3 Bandcamp: https://fearsrecords.bandcamp.com/music YouTube: https://www.youtube.com/channel/UCLorg62H0e2tor1EX08bXIg Glass Candy – Love, Love, Love is used under creative common license: http://creativecommons.org/licenses/by-nc-sa/3.0/ Glass Candy music can be found at the following links: Spotify: https://open.spotify.com/artist/7atGlyFY5574ph1tGMs6gD?si=Lqex_S44SAinwV5ZOYtcGw The Internet Archive: https://archive.org/details/Love_Love_Love-210/Glass_Candy_-_05_-_Love_Love_Love.mp3 YouTube: https://www.youtube.com/channel/UC3QszaoQ5Mni-qIew6gkoFg/featured PLEASE come say Hi and follow Post-punk Heartstrings on the Facebook page at the following link: https://www.facebook.com/PostpunkHeartstrings OR search for @PostpunkHeartstrings on Facebook. Intro song is "Locked" by Paz Kluger https://soundcloud.com/pazzk Under Creative Commons License https://creativecommons.org/licenses/by/3.0/ Used only as an intro Transitional sounds Zapsplat.com Attribution license (reuse allowed): https://support.google.com/youtube/answer/2797468 Other sounds and music used: The Lo fi coffee shop – by The Relaxed Movement: https://youtu.be/Mc-zPIVuOr4 The Fear/Love Mashup includes: Glass Candy: Love, Love, Love – Modified – Mash up Internet Archive fear audio clip https://archive.org/details/Love_Love_Love-210/Glass_Candy_-_05_-_Love_Love_Love.mp3 is used under creative common license: http://creativecommons.org/licenses/by-nc-sa/3.0/
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In this episode, Steve Hindalong and I discuss The Choir’s most recent album, Deep Cuts along with a few other topics. I encourage you to check out the music of The Choir which is available on Spotify and all of the other major streaming choices. PLEASE consider supporting the music of The Choir on their Patreon page. You can also find their music and support them using the below links: - The Choir Club on Facebook at https://www.facebook.com/groups/863744297099480 - The Choir website at https://thechoir.net/ - The Choir’s Patreon page https://www.patreon.com/thechoir/posts The music of the choir was used with the band’s permission
PLEASE come say Hi and follow Post-punk Heartstrings on the Facebook page at the following link: https://www.facebook.com/PostpunkHeartstrings OR search for @PostpunkHeartstrings on Facebook. I will be sending out The Choir Postcard & Sticker pack to the first person to visit and send me a message so please go check it out.
Intro song is "Locked" by Paz Kluger https://soundcloud.com/pazzk Under Creative Commons License https://creativecommons.org/licenses/by/3.0/ Used only as an intro Transitional sounds Zapsplat.com Outro music: ShoegazerDream Pop Backing Track in A major by Typhoon Jam Tracks https://www.youtube.com/watch?v=uWZT4jeMXkE Creative Commons Attribution license (reuse allowed): https://support.google.com/youtube/answer/2797468 Other sounds and music used: The Lo fi coffee shop – by The Relaxed Movement: https://youtu.be/Mc-zPIVuOr4 Steve is Here clip is from Dramarama’s fabulous Vinyl release Music provided by TheRelaxedMovement. Check it out here: https://www.youtube.com/c/TheRelaxedM... © Henry Keate t/a TheRelaxedMovement. All Rights Reserved The Fear/Love Mashup includes: Glass Candy: Love, Love, Love – Modified – Mash up with perlinger Archive fear audio clip https://archive.org/details/Love_Love_Love-210/Glass_Candy_-_05_-_Love_Love_Love.mp3 and is used under creative common license: http://creativecommons.org/licenses/by-nc-sa/3.0/
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In this Episode, an old college friend, Jamie Harmon and I wrap up our discussion of The Choir’s music and lyrics and the influence that the band had on each of us. Drummer, lyricist and co-song writer, Steve Hindalong joins me for a trip down memory lane as we discuss the trilogy of albums, Chase The Kangaroo, Wide-eyed Wonder and Circle Slide. I encourage you to check out the music of The Choir which is available on Spotify and all of the other major streaming choices. You can also find their music and support them using the below links: - The Choir Club on Facebook at https://www.facebook.com/groups/863744297099480 - The Choir website at https://thechoir.net/ - The Choir’s Patreon page https://www.patreon.com/thechoir/posts The music of the choir was used with the band’s permission Intro song is "Locked" by Paz Kluger https://soundcloud.com/pazzk Under Creative Commons License https://creativecommons.org/licenses/by/3.0/ Used only as an intro Transitional sounds Zapsplat.com Outro music: ShoegazerDream Pop Backing Track in A major by Typhoon Jam Tracks https://www.youtube.com/watch?v=uWZT4jeMXkE Creative Commons Attribution license (reuse allowed): https://support.google.com/youtube/answer/2797468 Other sounds and music used: The Lo fi coffee shop – by The Relaxed Movement: https://youtu.be/Mc-zPIVuOr4 Steve is Here clip is from Dramarama’s fabulous Vinyl release Music provided by TheRelaxedMovement. Check it out here: https://www.youtube.com/c/TheRelaxedM... © Henry Keate t/a TheRelaxedMovement. All Rights Reserved Memory Lane clip is public domain from National Archives Listening to Great Music 19578 clip is public domain from the Perlinger Archives
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This is a version of episode 1 that is stripped naked of music. A version with selected tracks from the music of The Choir is available to listen to on Spotify only. This naked version will be available on all platforms. In this Episode, an old college friend, Jamie Harmon and I discuss the music and lyrics of the band, The Choir and the influence they had on each of us. Chase the Kangaroo was a major influence on me, not only in my personal spiritual exploration but also in my subsequent love of post-punk music. I encourage you to check out the music of The Choir which is available on Spotify and all of the other major streaming choices. You can visit their website at https://thechoir.net/ Intro song is "Locked" by Paz Kluger https://soundcloud.com/pazzk Under Creative Commons License https://creativecommons.org/licenses/by/3.0/ Used only as an intro Transitional sounds Zapsplat.com Some background music provided by TheRelaxedMovement. Check it out here: https://www.youtube.com/c/TheRelaxedM... © Henry Keate t/a TheRelaxedMovement. All Rights Reserved Outro music: ShoegazerDream Pop Backing Track in A major by Typhoon Jam Tracks https://www.youtube.com/watch?v=uWZT4jeMXkE Creative Commons Attribution license (reuse allowed): https://support.google.com/youtube/answer/2797468
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A discussion of the post-punk music that moves us and how it affects our lives and causes us to self-reflect and dig deeper. This podcast marries the raw, honest, and artistic style of post-punk music with insights and life experiences of listeners and creators. The goal is to share from a place of vulnerability that leads to relation of trust and encouragement.
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