This is a live recording of Rachmaninov's Bogoroditse Dyevo, Latinised tastefully into an Ave Maria. It was recorded in Lancaster on 7th July 2007 by the impromptu choir under the direction of Andrew Whitehead on the occasion of my wedding to the beautiful Ailsa Kennedy, my Mrs. Walton. It is uploaded here as a rehearsal aid.
BASS. But know the words. pdf: https://drive.google.com/file/d/1acuyYjdjv-Tze95lqJycohyHSsePWgez/view?usp=sharing
TENOR. But with less bad. pdf: https://drive.google.com/file/d/1acuyYjdjv-Tze95lqJycohyHSsePWgez/view?usp=sharing
ALTO. This microphone. Sorry. pdf: https://drive.google.com/file/d/1acuyYjdjv-Tze95lqJycohyHSsePWgez/view?usp=sharing
SOPRANO. But with three verses and nice sounds. pdf: https://drive.google.com/file/d/1acuyYjdjv-Tze95lqJycohyHSsePWgez/view?usp=sharing
BASS. Humms and Ahhhhs. pdf: https://filedn.com/lBoJzYvlHJtk0A2g5K0XgL7/St.%20Gregory/Latin/O%20Gloriosa%20Virginum-F%20de%20la%20Tombelle.pdf
ALTO. Octave higher. Don't forget the second verse. pdf: https://filedn.com/lBoJzYvlHJtk0A2g5K0XgL7/St.%20Gregory/Latin/O%20Gloriosa%20Virginum-F%20de%20la%20Tombelle.pdf
SOPRANO. Octave higher please. Fewer mistakes too. Yikes. pdf: https://filedn.com/lBoJzYvlHJtk0A2g5K0XgL7/St.%20Gregory/Latin/O%20Gloriosa%20Virginum-F%20de%20la%20Tombelle.pdf
ORGAN FANFARE: Splendid fanfare before the first verse of our recessional hymn with the first bit based on Sir Arthur Bliss and the final bars influenced by Gordon Langford (as played at the Queen's Coronation of 1953). Arrangement and recording by our top-notch organist, Margaret Simpson. Brilliant.
ORGAN AMEN - This is the lovely bit after the final verse where the organ does twiddly stuff and then we have the Amen. The last two chords are the Amen. Sing it with gusto. Recording courtesy M. Simpson. Thanks, Margaret!
BASS: But better, slower, and with a crescendo throughout. pdf: https://drive.google.com/file/d/14VPIuera0UTgUNXUlz4HEYsFEb-6VeT2/view
TENOR: But better, slower, and with a crescendo throughout. pdf: https://drive.google.com/file/d/14VPIuera0UTgUNXUlz4HEYsFEb-6VeT2/view
ALTO: But with better breath control and an octave higher. Slower too. And with a crescendo throughout. pdf: https://drive.google.com/file/d/14VPIuera0UTgUNXUlz4HEYsFEb-6VeT2/view
SOPRANO: But with better breath control and an octave higher. Slower too. And with a crescendo throughout. pdf: https://drive.google.com/file/d/14VPIuera0UTgUNXUlz4HEYsFEb-6VeT2/view
BOTTOM LINE/ALTO II/BASS/TENOR. Take your pick. pdf: https://www.cpdl.org/wiki/images/e/e8/Gounod_Da_pacem_Domine.pdf
MIDDLE LINE/SOPRANO II/ALTO I. Enjoy the accidentals and tied bits. Dynamics! pdf: https://www.cpdl.org/wiki/images/e/e8/Gounod_Da_pacem_Domine.pdf
TOP LINE/SOPRANO I. Octave higher and less bad, please. pdf: https://www.cpdl.org/wiki/images/e/e8/Gounod_Da_pacem_Domine.pdf
BASS/TENOR/BARITONE. Treble clef down an octave. pdf: https://drive.google.com/file/d/1dcgNwXp0AteMwo1FK4fI2gnyb2eKvjSN/view?usp=sharing
ALTO. Upannoctive though. Definitely a weird buzz on this microphone. pdf: https://drive.google.com/file/d/1dcgNwXp0AteMwo1FK4fI2gnyb2eKvjSN/view?usp=sharing
SOPRANO. Octave higher and less bad. Thanks. pdf: https://drive.google.com/file/d/1dcgNwXp0AteMwo1FK4fI2gnyb2eKvjSN/view?usp=sharing
BASS: Watch out for that G flat in bar 13. pdf: https://drive.google.com/file/d/1Ho0fa4wRK9u9IP4ZMJu802BU1p2SYkZp/view?usp=sharing
ALTO/TENOR II Any octave you like, really. Just go for it. pdf: https://drive.google.com/file/d/1Ho0fa4wRK9u9IP4ZMJu802BU1p2SYkZp/view?usp=sharing
SOPRANO/TENOR I. Pick an octave, any octave. pdf: https://drive.google.com/file/d/1Ho0fa4wRK9u9IP4ZMJu802BU1p2SYkZp/view?usp=sharing
BASS. Enjoy those quavers. pdf: https://drive.google.com/file/d/1hNbMOi5m1Z2AUihZAbVjkTgOGZbuSKae/view
TENOR. Lovely Bach harmonies. pdf: https://drive.google.com/file/d/1hNbMOi5m1Z2AUihZAbVjkTgOGZbuSKae/view
ALTO. Ein octave higher, bitte. pdf: https://drive.google.com/file/d/1hNbMOi5m1Z2AUihZAbVjkTgOGZbuSKae/view
SOPRANO. Ein octave higher, bitte. pdf: https://drive.google.com/file/d/1hNbMOi5m1Z2AUihZAbVjkTgOGZbuSKae/view
BASS. Nice bass line. pdf: https://www.cpdl.org/wiki/images/d/de/Panis_angelicus_-_L._Lambillotte_SATB_Adaptado.pdf
TENOR. Needs some dynamics though. pdf: https://www.cpdl.org/wiki/images/d/de/Panis_angelicus_-_L._Lambillotte_SATB_Adaptado.pdf
ALTO. Upa noctave. pdf: https://www.cpdl.org/wiki/images/d/de/Panis_angelicus_-_L._Lambillotte_SATB_Adaptado.pdf
SOPRANO. But a noctave upper. pdf: https://www.cpdl.org/wiki/images/d/de/Panis_angelicus_-_L._Lambillotte_SATB_Adaptado.pdf
BASS. Watch out for that bit in bar 6. pdf: https://www.cpdl.org/wiki/images/6/6f/Jesu_Salvator_mundi_-_Mariano_Garau.pdf
TENOR/ALTO. Easiest tenor line ever. pdf: https://www.cpdl.org/wiki/images/6/6f/Jesu_Salvator_mundi_-_Mariano_Garau.pdf
SOPRANO. Octave higher and less bad. Thanks. pdf: https://www.cpdl.org/wiki/images/6/6f/Jesu_Salvator_mundi_-_Mariano_Garau.pdf
BASS. More or less. pdf: https://www.cpdl.org/wiki/images/8/83/O_Esca_viatorum_HAYDN.pdf
TENOR. With a generous helping of mistakes. pdf: https://www.cpdl.org/wiki/images/8/83/O_Esca_viatorum_HAYDN.pdf
ALTO. But a noctave higher, and with musicalness. pdf: https://www.cpdl.org/wiki/images/8/83/O_Esca_viatorum_HAYDN.pdf
SOPRANO. But a noctave higher, and nicer. pdf: https://www.cpdl.org/wiki/images/8/83/O_Esca_viatorum_HAYDN.pdf
BASS. But with musicality and no background noise. pdf: https://www.cpdl.org/wiki/images/1/1e/Byrd3Kyrie16.pdf
Mass for Three Voices - Kyrie - with interpolations from Gregorian Mass XVI - expanded by Jeffrey Quick. (Thanks, Jeff).
TENOR. With some weird humming from the microphone. Sorry. pdf: https://www.cpdl.org/wiki/images/1/1e/Byrd3Kyrie16.pdf
Mass for Three Voices - Kyrie - with interpolations from Gregorian Mass XVI - expanded by Jeffrey Quick. (Thanks, Jeff).
SOPRANO/ALTO. Octave higher, plz. pdf: https://www.cpdl.org/wiki/images/1/1e/Byrd3Kyrie16.pdf
Mass for Three Voices - Kyrie - with interpolations from Gregorian Mass XVI - expanded by Jeffrey Quick. (Thanks, Jeff).
BASS. But you can sing an F. pdf: https://archive.ccwatershed.org/media/pdfs/23/02/05/06-15-07_0.pdf
TENOR. But make it musical. pdf: https://archive.ccwatershed.org/media/pdfs/23/02/05/06-15-07_0.pdf
ALTO. Nice and easy alto part, so make sure it sounds better than this recording! pdf: https://archive.ccwatershed.org/media/pdfs/23/02/05/06-15-07_0.pdf
SOPRANO. Wrong octave. Bad singing. Several errors. Enjoy! pdf: https://archive.ccwatershed.org/media/pdfs/23/02/05/06-15-07_0.pdf