1 electronic sound for 5 minutes: Recent Episodes
neil jendon
That's it. The final page. A huge thank you to Mark Nagy for collaborating on the lion's share of this project. Thanks also to Mike Shiflet and Saint Current for helping with a few pages.
Now it is time to renounce this work and go full Maoist. Let 100 flowers bloom.
2 pages left.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.
3 pages left.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.
THE LAST FOUR PAGES!!!!!
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.
Holy smokes, 350th episode. Can you believe it?
Anyway...
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
I got some new music up on Bandcamp, an album of icy mellowness called Winter Sketchbook.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for chewable boner pills.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for chewable boner pills.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for online therapists.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for online therapists.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for online therapists.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for online therapists.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for chewable dick pills.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for memory foam mattresses.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for dick pills.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Just released on Bandcamp:
Vol. 6: pages 131 to 160
Vol. 5: pages 101 to 130
Taking it all the way back:
Vol. 4: pages 76-100
Vol. 3: pages 51-75
Vol. 2: pages 25-50
Vol. 1: pages 1-24
Get some electronic sounds in your playlist, 5 minutes at a time. Support my little podcast before I have to take ads for dick pills.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Mark and I again recorded a series of pages in person, at the same time, in the same room, which was pretty thrilling. Here's one of those sessions.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Mark and I again recorded a series of pages in person, at the same time, in the same room, which was pretty thrilling. Here's one of those sessions.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Mark and I again recorded a series of pages in person, at the same time, in the same room, which was pretty thrilling. Here's one of those sessions.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
The military-industrial-podcast complex is a harsh mistress, and perhaps a methodical years-long journey through one of modern music's most divisive and obscure compositions is not the best way to reach people.
It's time to adapt, adopt and improve. That's why I'm excited to announce my new podcast, True Crime, Mail Fraud Time! New episodes released daily.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Page 141 of Cornelius Cardew's Treatise is blank. This week's episode of 1esf5m is just some hissing and boiler sounds from my basement. It's not worth listening to. I didn't know how else to represent the blank page in Cardew's score. Next week, we're back with our usual synthesized hijinks. Tune in.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
That's right, bitches: 300 episodes. We did it. We made it. Perfect score if you're bowling, pretty terrible if that's your SAT score. Anyway. Fuck all the haters. Flowers and sympathy cards to all their parents; tell them their children were stupid.
Anyway: Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane. (not changing it ever again).
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, dudes. It's all there in lossless, glorious stereo to rock you like a hurricane.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
This week a bonus extra side-quest episode contributed by Christopher Burns and Scott Worthington, collectively known as LV2MKRT. If you like this podcast, you should definitely go to your favorite podcast app, find LV2MKRT, and smash that Follow button.
In their own words:
Duo improvisation by Christopher Burns (electronics) and Scott Worthington (double bass). You can find more recordings of their duo in podcast form, along with links to their individual websites, at https://lv2mk.art.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, sinners. It's all there in lossless, glorious stereo to arouse your darkest passions.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, ya goofs. It's all there in lossless, glorious stereo to blow your mind.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Early warning: I'll have a side quest bonus episode next week from the duo at LV2MKRT. If you like 1esf5m, you should check out LV2MKRT. Click that 'subscribe' button, and get an additional dose of sonic explorations in your earbuds.
If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com
This is the last of three bonus episodes featuring Mark Nagy's solo interpretations of s of pages 130-132 of Cornelius Cardew's Treatise. If you haven't heard the first two, don't worry. You have time to go back and check them out.
Early warning: I'll have another side quest bonus episode in a few weeks from the duo at LV2MKRT. If you like 1esf5m, you should check out LV2MKRT. Click that 'subscribe' button, and get an additional dose of sonic explorations in your earbuds.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 75-100 of Treatise are available here, pigs. You want your filthy noises, don't you? Well, here they are in a lossless format that sounds much better than this podcast sounds.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Early warning: I'll have a side quest bonus episode in a few weeks from the duo at LV2MKRT. If you like 1esf5m, you should check out LV2MKRT. Click that 'subscribe' button, and get an additional dose of sonic explorations in your earbuds.
If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com
We're doubling up on a few pages because of various disruptions around the holidays and new year. Mark Nagy recorded his interpretations of pages 130-132 of Cornelius Cardew's Treatise after I recorded and posted mine. Here's the second of three additional episodes I'll be posting over the next few weeks. Enjoy!
Early warning: I'll have another side quest bonus episode in a few weeks from the duo at LV2MKRT. If you like 1esf5m, you should check out LV2MKRT. Click that 'subscribe' button, and get an additional dose of sonic explorations in your earbuds.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
Early warning: I'll have a side quest bonus episode in a few weeks from the duo at LV2MKRT. If you like 1esf5m, you should check out LV2MKRT. Click that 'subscribe' button, and get an additional dose of sonic explorations in your earbuds.
If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com
We're doubling up on a few pages because of various disruptions around the holidays and new year. Mark Nagy recorded his interpretations of pages 130-132 of Cornelius Cardew's Treatise after I recorded and posted mine. Here's the first of three additional episodes I'll be posting over the next few weeks. Enjoy!
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com
AN APOLOGY: Sorry I missed last week's episode. The holiday, coupled with personal stuff, conspired against me and kept me away from the studio (such as it is). To make up for it, I'm releasing two episodes this week: page 130 and 131 of Cornelius Cardew's Treatise.
BIG NEWS: After recording 292 episodes of 1esf5m, I've decided to change formats and switch from electronic music to a true-crime podcast. Each week I will read the wikipedia entry for a crime in 5 minutes. While most true-crime podcasts focus on grizzly, sexy, and controversial murders, 1esf5m will cast gimlet eye toward the vulgar excesses and shameless crooks of mail fraud. Tune in! It will be a wild ride.
This shift in format will leave a significant portion of Cornelius Cardew's Treatise unrecorded, a bit of unfinished business and a broken promise made solely to myself. Check it out: I don't care. True crime is the way of the future, and mail fraud kicks ass.
-n
AN APOLOGY: Sorry I missed last week's episode. The holiday, coupled with personal stuff, conspired against me and kept me away from the studio (such as it is). To make up for it, I'm releasing two episodes this week: page 130 and 131 of Cornelius Cardew's Treatise.
BIG NEWS: After recording 292 episodes of 1esf5m, I've decided to change formats and switch from electronic music to a true-crime podcast. Each week I will read the wikipedia entry for a crime in 5 minutes. While most true-crime podcasts focus on grizzly, sexy, and controversial murders, 1esf5m will cast gimlet eye toward the vulgar excesses and shameless crooks of mail fraud. Tune in! It will be a wild ride.
This shift in format will leave a significant portion of Cornelius Cardew's Treatise unrecorded, a bit of unfinished business and a broken promise made solely to myself. Check it out: I don't care. True crime is the way of the future, and mail fraud kicks ass.
-n
Mark and I got together for our first post-lockdown face-to-face recording session. Pages 124-129 were recorded live, rather than socially-distanced file swapping.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com
Mark and I got together for our first post-lockdown face-to-face recording session. Pages 124-129 were recorded live, rather than socially-distanced file swapping.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com
Mark and I got together for our first post-lockdown face-to-face recording session. Pages 124-129 were recorded live, rather than socially-distanced file swapping.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com
Mark and I got together for our first post-lockdown face-to-face recording session. Starting this week, pages 124-129 were recorded live, rather than socially-distanced file swapping.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com
Mark and I got together for our first post-lockdown face-to-face recording session. Starting this week, pages 124-129 were recorded live, rather than socially-distanced file swapping.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com
Mark and I got together for our first post-lockdown face-to-face recording session. Starting this week, pages 124-129 were recorded live, rather than socially-distanced file swapping.
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com
Cornelius Cardew (1936-1981) composed Treatise, between 1963 and 1967. It consists of 193 visual scores that can be played by any combination of instruments and interpreted in any way the performers wish.
Pages 51-75 of Treatise here. Featuring contributions and collaborations with Mark Nagy and Saint Current. All in glorious stereo, uncompressed and fit for your finest speakers or your favorite earbuds.
Pages 25-50 of Treatise here. Featuring pages 25-33 played as one continuous piece and collaborations with Mark Nagy and Mike Shiflet.
The recordings of the first 24 pages of Treatise are available here: cardew-treatise-vol-1-pages-1-24. Support this pod; throw in a few bucks, add some Cardew to your playlist.
If you would like to submit an episode, contact me at 1esf5mpodcast@gmail.com