The World According to Sound: Recent Episodes
Chris Hoff and Sam Harnett
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Episode 8 of Ways of Knowing -- Season 2, an audio series about the humanities.Made by The World According to Sound and The University of Washington. This episode features the work of professor of philosophy, Sara Goering.
Episode 7 of Ways of Knowing -- Season 2, an audio series about the humanities.Made by The World According to Sound and The University of Washington. This episode features the work of Mal Ahern, professor of cinema and media studies.
Episode 6 of Ways of Knowing -- Season 2, an audio series about the humanities.Made by The World According to Sound and The University of Washington. This episode features the work of professor of cinema and media studies, Golden Owens.
Episode 5 of Ways of Knowing -- Season 2, an audio series about the humanities.Made by The World According to Sound and The University of Washington. This episode features the work of professor of Math and the Comparative History of Ideas, Jayadev Athreya.
Episode 2 of Ways of Knowing -- Season 2, an audio series about the humanities.Made by The World According to Sound and The University of Washington. This episode features the work of professor of International Studies, as well as law, societies and justice––Stephen Meyers.
Episode 2 of Ways of Knowing -- Season 2, an audio series about the humanities.Made by The World According to Sound and The University of Washington. This episode features the work of professor of Middle Eastern Languages and Cultures Hamza Zafer.
Episode 2 of Ways of Knowing -- Season 2, an audio series about the humanities.Made by The World According to Sound and The University of Washington. This episode features the work of professor of French Richard Watts.
Episode 1 of Ways of Knowing -- Season 2, an audio series about the humanities.Made by The World According to Sound and The University of Washington. This episode features the work of professor of English and Data Science Anna Preus.
In the previous episode, we heard how so-called artificial intelligence is being sold to the public as a revolutionary, inevitable technology that is going to completely transform society. This claim is built around the misleading metaphor of “artificial intelligence,” which equates machine processes with human intelligence. Generative AI products are being marketed as proof that machines will very soon be doing everything a human can do, but better, faster, and more efficiently. We’re being told we can’t stop this technology. Only learn to live with it. In this episode, we’re going to show how so-called generative AI is not revolutionary. Instead, it’s an evolution of societal trends that have been a long time in the making and which were not inevitable…Things like the automation of labor, growth of mass media, and vast increases in monopoly power. By understanding this context we can get a much clearer picture of what so-called generative AI actually is, what the companies behind it are really up to, and all the ways it can affect our lives.This is Media Objects. A Ways of Knowing podcast. Produced by the World According to Sound, in partnership with Media Studies at Cornell University. Support from the college of arts and science and the society for the humanities. Editing and academic counsel from Erik Born, Jeremy Braddock, and Paul Fleming.Guests include Cornell professors Steven Jackson, Mendi and Keith Obadike, Daniel Susser, Lee Humphreys, and Chris Csikszentmihalyi.
With today’s so-called generative artificial intelligence, we’re being told that we have finally arrived. We’re now beginning to build true “thinking machines,” machines that will do everything a human can do, only better, faster, and more efficiently. This will change every aspect of our lives, for good…or for bad. Either way, there’s no turning back. We can’t stop generative AI. Only learn to live with it.This is not true. Today’s machines are far more powerful than those in the past, but their so-called “intelligence” is not like yours or mine.The belief that they can or soon will become "intelligent" is a myth being used to obscure what so-called generative AI actually is, how it works, and what the companies behind it are really up to. AI companies are using the hype around artificial intelligence to build computer infrastructure, rewrite laws, and alter norms that will fundamentally change how we work, recreate, communicate…And ultimately, how we think about what it means to be human.None of this is inevitable. The changes being brought on by so-called generative artificial intelligence are not the result of some forward march of technological progress, but instead of decisions and values that we all have a say in.This is Media Objects. A Ways of Knowing podcast. Produced by the World According to Sound, in partnership with Media Studies at Cornell University. Support from the college of arts and science and the society for the humanities. Editing and academic counsel from Erik Born, Jeremy Braddock, and Paul Fleming.Guests include Cornell professors Gili Vidan and Chris Csikszentmihalyi.
Text written with a typewriter is not the same as text written by hand, composed on a computer, sent in a text message, or generated by artificial intelligence. Like all media, the typewriter does not just transmit what a person wants to write. It is its own particular medium. In the 20th century, it changed the way writers write and the way people read—profoundly altering warfare, commerce, literature, and, perhaps most dramatically, gender relations.Media Objects is produced in collaboration with Media Studies at Cornell University. With support from the college of Arts and Sciences and the Society for the Humanities. Editing and academic counsel from Erik Born, Jeremy Braddock, and Paul Fleming.
We increasingly interact with the world through the binary, on/off medium of buttons—from keyboards and appliances, to the digital interfaces of phones and tablets; but it didn’t have to be this way. “There is nothing natural or inevitable about buttons or the act of pushing a button. Various constituencies over the years—especially advertisers and manufacturers—have marshalled tremendous resources to make buttons popular and alluring,” Rachel Plotnick, author of Power Button: A History of Pleasure, Panic, and the Politics of Pushing. With Cornell professor Roger Moseley.Media Objects is produced in collaboration with Media Studies at Cornell University. With support from the college of Arts and Sciences and the Society for the Humanities. Editing and academic counsel from Erik Born, Jeremy Braddock, and Paul Fleming.Guest in this episode is Cornell professor Roger Moseley.
While extensions are masculine coded and deal with tools that extend what human beings already do, containers offer a different and more feminine concept of media: something that selects, stores, and processes information. Containers primarily allow for preservation, but this goes far beyond things like food, water, or other materials. They also determine cultural and intellectual production. For a primer on how to think about the way objects around us select, store, and process information, we’re going to consider one of America’s most iconic objects of containment: Tupperware.Media Objects is produced in collaboration with Media Studies at Cornell University. With support from the college of Arts and Sciences and the Society for the Humanities. Editing and academic counsel from Erik Born, Jeremy Braddock, and Paul Fleming.Guests in this episode include professors Brooke Erin Duffy and Jeremy Packer.
Writing is an extension of our voice, cars of our legs, guns of our fists, telephones of our ears, televisions of our eyes…Marshall McLuhan considered all media to be technology that extended the human body. The arrival of a medium like writing can completely reorder social relations because it has the power to “shape and control the scale and form of human association and action.” McLuhan’s idea of extensions is arguably the beginning of modern media theory, but it is not without its limitations.Media Objects is produced in collaboration with Media Studies at Cornell University. With support from the college of Arts and Sciences and the Society for the Humanities. Editing and academic counsel from Erik Born, Jeremy Braddock, and Paul Fleming.Guests in this episode include professors Anna Shechtman, Andrew Campana, Jeremy Braddock, and Erik Born.
We’re surrounded by media—not just when we look at our phones, turn on the TV, or get on the internet. Everything from Tupperware and office plants to buttons and smartphone apps is exerting pressure on what we think, how we think, and what is even possible to think. This is Media Objects, produced in collaboration with Media Studies at Cornell University. With support from the college of Arts and Sciences and the Society for the Humanities. Editing and academic counsel from Erik Born, Jeremy Braddock, and Paul Fleming.
While the U.S. Constitution is constantly invoked to justify how the country should be governed, it actually provides very few specifics on how that should be done. Instead, the designed ambiguities of the document require the imaginative powers of its citizenry to interpret it and decide which laws should be implemented and how they should be enforced. Episode guest is George Thomas, professor of American Political Institutions at Claremont McKenna College. Produced with the Gould Center for Humanistic Studies and the Salvatori Center at Claremont McKenna College.
Given the option to plug into a world totally free from conflict and struggle, most would choose to remain in their current reality. A true utopia would be too boring, stifling—with no problems to solve, there would be no outlet for creativity, for the imagination. Episode guest is John Farrell, professor of literature at Claremont McKenna College. Produced with the Gould Center for Humanistic Studies and the Salvatori Center at Claremont McKenna College.
If a person spends their entire life seeing only in black and white, is it possible for them to truly know what it would be like to experience color? Philosophers have debated this for decades, but one thing they have often overlooked is the power of the imagination. It is a skill, and like any other skill it can be honed, perhaps enough to allow one to achieve deep knowledge of an experience they’ve never had.Episode guest is Amy Kind, professor of philosophy at Claremont McKenna College. Produced with the Gould Center for Humanistic Studies and the Salvatori Center at Claremont McKenna College.
Media are increasingly monopolizing attention: Your mind is prevented from wandering, from generating thoughts, having associations, coming up with ideas. Over time, this dulls the creative faculties and weakens the power of imagination, which is essential for the creation of art…as well as for a clear perception of reality.Episode guest is Radhika Koul, professor of literature at Claremont McKenna College. Produced with the Gould Center for Humanistic Studies and the Salvatori Center at Claremont McKenna College.
Science is not some purely rationalist endeavor that exists in an isolated realm of objective observations and hard data that can deliver absolute truths. It is built on and intertwined with the modes of analysis, intellectual history, and ways of knowing in the humanities.0:00Intro2:19Part 1 –– Metaphors We Live By5:52Part 2 –– Metaphors in Science, an Ancient Paradox10:32Part 3 –– Embryology23:10Part 4 –– The Clockwork Universe32:04Part 5 –– The History of a Dead Metaphor: Cell44:00Part 6 –– Black Holes51:10Part 7 –– The Body57:50Part 8 –– Pain, in 78 Adjectives1:05:29Part 9 –– Natural Selection1:09:47Part 10 –– A New Metaphor for Science1:20:22Part 11 –– The Solar System Model of the Atom1:24:35Part 12 –– Uniformitarianism1:31:35Part 13 –– Glia, the Gendering of a Cell1:39:15Part 14 –– Light Bulbs and Seeds1:46:04Part 15 –– War and Disease, the Domination of a Metaphor1:51:26Part 16 –– Social Darwinism1:55:05Part 17 –– The Universe2:02:08Part 18 –– AnthropomorphismAn Inexact Science is a production of The World According to Sound. It’s part of our series, “Ways of Knowing,” audio works dedicated to humanities research and thought. It was made in collaboration with the University of Chicago’s Institute on the Formation of Knowledge. Special thanks to Shadi Bartsch-Zimmer, who spearheaded the project at the University of Chicago. Editorial support from Hans Buetow. Academic advising by Andrew Hicks. Voicing work by Tina Antolini. Mathematical consultant, Steven Strogatz. Intro music by our friends, Matmos. And to see a complete list of musicians used in this show, visit our website: www.theworldaccordingtosound.org
The first in a 9-part series dedicated to deep, intentional listening. Episodes of "The Listening Experience" will be released about every four months.
The story of how gravitational waves were finally discovered and how we are making sense of them.
Some of the most iconic images we have of the universe closely resemble 19th-century landscape paintings of the American West. A big part of the reason has to do with how scientists interpreted visual data from telescopes like Hubble.
With the telescopes of the 20th century, astronomers began to see a universe that just so happened to resemble the cosmos as described by a 13th century Italian poet…Dante Alighieri.
An observational error in the 19th century leads to a belief that there is an advanced alien civilization on Mars...which leads to a boom in astronomy investment, research, and actual discoveries, including the first sighting of Pluto.
"Somnium" is considered one of the first pieces of science fiction. The short story, written in 1608, recounts a trip up to the moon. There are magical beings, aliens, drugs, and a perspective of the stars that would fundamentally change how people understood the solar system.
Near the end of the 11th century CE, there was a crisis in China’s Song Dynasty. The imperial calendars were filled with errors. To fix them, the imperial court would have to reform one of the most essential institutions in the empire: The Bureau of Astronomy.
In the 9th century CE, Mayan astronomers were able to calculate the period of Venus down to the minute. They were only able to achieve this unrivaled accuracy because they had developed one of the most important mathematical concepts in human history, the zero.
In the 6th Century BCE, Ancient Greeks began thinking about the cosmos in a fundamentally new way. Their novel approach led them to believe the things they saw in the night sky were not ethereal, but solid bodies—balls of fire or rock that may even have inhabitants of their own.
Some four thousand years ago, Babylonians began collecting celestial data for what is arguably the longest-running project in the history of science.
Episode 1: Storytelling was one of the earliest ways humans tried to make sense of the heavens. The first object of major study was the moon, and that's because of an uncanny ability it has to keep time.
Episode 1 of Ways of Knowing, an audio series about the humanities. Made by The World According to Sound and The University of Washington. This episode features the work of Jesse Oak Taylor.
Episode 2 of Ways of Knowing, an audio series about the humanities. Made by The World According to Sound and The University of Washington. This episode features the work of Charles LaPorte.
Episode 3 of Ways of Knowing, an audio series about the humanities. Made by The World According to Sound and The University of Washington. This episode features the work of Habiba Ibrahim.
Episode 4 of Ways of Knowing, an audio series about the humanities. Made by The World According to Sound and The University of Washington. This episode features the work of Louisa Mackenzie.
Episode 5 of Ways of Knowing, an audio series about the humanities. Made by The World According to Sound and The University of Washington. This episode features the work of Jose Alaniz.
Episode 6 of Ways of Knowing, an audio series about the humanities. Made by The World According to Sound and The University of Washington. This episode features the work of Diana Ruíz.
Episode 7 of Ways of Knowing, an audio series about the humanities. Made by The World According to Sound and The University of Washington. This episode features the work of Chad Allen.
Episode 8 of Ways of Knowing, an audio series about the humanities. Made by The World According to Sound and The University of Washington. This episode features the work of Maya Smith.
Episode 9 of Ways of Knowing, an audio series about the humanities. Made by The World According to Sound and The University of Washington.
We're launching a virtual audio salon June 2! Details here: https://www.theworldaccordingtosound.org/listening-club
A preview of our Outside In show this Thursday! Get tickets at www.theworldaccordingtosound.org
Tickets to this listening event at https://www.theworldaccordingtosound.org/tickets/centennial-sounds
These sounds are all part of our Solitude show on March 10th. Get tickets at https://www.theworldaccordingtosound.org/tickets/solitude
These sounds are all part of our Time show on January 20th. Get tickets at https://www.theworldaccordingtosound.org/tickets/time
These sounds are all part of our Bodies show on February 17th. Get tickets at https://www.theworldaccordingtosound.org/tickets/bodies
These sounds are all part of our Transposition show on January 27th. Get tickets at www.theworldaccordingtosound.org
Come listen with us, starting January 6, 2022! https://www.theworldaccordingtosound.org/tickets
Part 9 in a three-hour radio documentary about why workers in America are so disempowered and precarious.
Part 8 in a three-hour radio documentary about why workers in America are so disempowered and precarious.
Part 7 of a three-hour documentary about why workers in America are so disempowered and precarious.
Part 6 in a three-hour documentary about why workers in America are so isolated and disempowered.
Part 4 in a three-hour radio documentary about how executives and shareholders have undermined workers in America.
Part 2 of a three-hour documentary about the way shareholders and managers have undermined and isolated workers over the last 50 years.
Part 1 of a three-hour radio documentary about how shareholders and managers have undermined and isolated workers over the last 50 years.
Join us every Thursday night starting 12/3/20 for over an hour of immersive, intentional listening. Go to theworldaccordingtosound.org for tickets!
When you're given the opportunity to stick your hands holding two microphones (ORTF stereo) through a mesh net into a cage swarming with mosquitos, you do it.
Machinery and processes...team WATS is into them right now. This week: milk, curds, bacteria, and mold.
Beef sandwich beef sandwich beef sandwich beef sandwich beef sandwich beef sandwich beef sandwich beef sandwich beef sandwich beef sandwich beef sandwich beef sandwich beef sandwich beef sandwich crumpets crumpets crumpets crumpets crumpets crumpets crumpets crumpets crumpets crumpets crumpets crumpets crumpets crumpets crumpets crumpets crumpets crumpets crumpets crumpets...
Thanks to Elliot Smoke for this wonderful piece of audio.
The World According to Sound rolls into Manheim, PA, to drop off its inimitable Claire Brothers loudspeakers and effectively bring their tour to an end.
An hour and a half before our show at Skidmore, we got an inside tip about a reverberant paradise.
The morning after the first live show in Burlington, VT, WATS needed to do a little cleaning.
On the eve of The World According to Sound's East Coast tour, inclement weather in Vermont gave our tour van some problems.
Achtung! I guess if I had to secretly communicate with foreign agents, I'd just say a bunch of random numbers too.
33 percent of America's electricity comes from coal. You're probably using energy generated from that black rock right now. It's extracted from the ground by guys like Mackie Branham.
The confederate war cry resembled "a foxhunt yip mixed up with sort of a banshee squall."
This song shows that Western music is almost a 1,000 years older than we used to believe.
Inventing a language at the age of two.
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If the sand should sing your praises, they would outnumber the stars in heaven.
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Musique concrète takes a trip to the laundromat.
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We wonder if piano teachers actually instruct their students to squeal, groan, and hum as they play.
Read More: http://www.theworldaccordingtosound.org/2016/04/17/35-vocalization.html
God, ants are SO loud when they walk!
Thanks to Stephen Frost for the recording. Check out his other projects here! http://www.earthvibes.com.au
Listening to sounds you can't actually hear.
Read more: http://www.theworldaccordingtosound.org/2016/03/01/31-infrasound.html
This piece of music has been co-opted like no other. To hear more episodes, go to www.theworldaccordingtosound.org
The most powerful economy in the world at work.
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The randomness of a hundred different rhythms.
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This song will finish in about another 600 years.
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Hearing the ripples in space-time.
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Being surrounded by invisible streams of data.
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According to some, you need more than musical talent to make charming music.
The recording of The Hour of Charm in this episode was preserved by the Stanford Archive of Recorded Sound. library.stanford.edu/ars
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Let's take a listen to the rainbow.
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The world's largest encyclopedia as music.
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Be careful of which songs you cover.
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Sometimes the less you know about the artist the better.
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The sounds of people channeling the divine.
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A dead language brought back to life.
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The sound of your life on hold.
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Between 10 and 15 percent of us hear things like this constantly.
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Dealing with digital death.
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Sometimes you just don't want to hear anything in a song.
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We still don't understand how CNN would know when to play this.
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These noises can be heard all around the earth. Constantly.
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A gibberish song with a secret message.
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Just a couple of guys having a little chat. The recordings come from the Summer Institute of Linguistics in Mexico. http://bit.ly/1LoofSW
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Jarrad Wale made a recording that lets you into someone else's head.
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A masterpiece from IBM and HAL.
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Jodi Rose records the secret songs of bridges all over the world.
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Bird is definitely the word.
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Bloop. Bloop bloop.
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