Galeria Nara Roesler's Podcast - A Flauta Seca: Recent Episodes
Galeria Nara Roesler
‘Ao sol do deserto e,/no silêncio atingido/como uma amêndoa/sua flauta seca:/sem a terra doce/de agua e de sono;/sem os grãos de amor/trazidos na brisa,/sua flauta seca:/como alguma pedra/ainda branda, ou lábios/ao vento marinho’ || assim rezam os versos Fábula de Anfion de João Cabral de Melo Neto. Anfion constrói apenas com a potência de sua lira, as pedras seguem sua voz e sua eufonia. Neste podcast, o poeta Luis Pérez-Oramas propõe suas ‘notas de voz’ Outras vozes se juntarão, outros cantos, diálogos, poemas vindos de fora, para construirmos o imaginário do retorno. || these are verses from Anfion’s Fable by João Cabral de Melo Neto. Afion builds with the potency of his lyre, the stones follow his voice and his euphony. In this podcast, poet Luis Pérez-Oramas proposes ‘voice notes’. Other voices will join, other chants, comments, and poems from elsewhere, so that we build the imaginary of the return.
On this episode, O Grivo reads Juilliard Lecture by John Cage, 1967, together with their own musical intervention. In Portuguese. The translation of the text was made by Rogério Duprat and it was reviewed by Augusto de Campos. | Neste episódio, O Grivo lê a Conferência de Juilliard de John Cage, 1967, junto de sua própria improvisação musical. Em português. A tradução do texto foi feita por Rogério Duprat e revisada por Augusto de Campos. | Image: O Grivo, Radiola #01, 2009.
Originally part of Galeria Nara Roesler's live series, Ping Pong, in this conversation artist Carlito Carvalhosa and curator Luis Pérez-Oramas discuss Carlito's practice and projects. In Portuguese. | Originalmente parts da série de conversas ao vivo da Galeria Nara Roesler, o Ping Pong, neste conversa o artista Carlito Carvalhosa conversa com o curador Luis Pérez-Oramas sobre sua prática e projetos artísticos. Em Português. | Image: Carlito Carvalhosa, Soma dos Dias, Pinocoteca, 2010. (Photo by Isabella Matheus).
Originally part of Galeria Nara Roesler’s live series, Ping Pong, on this conversation curator Luis Pérez-Oramas and current director of MAMBA (Buenos Aires Museum of Modern Art), Victoria Noorthoorn discuss artist León Ferrari’s life and legacy.
Artwork
Untitled, from the Bible Series, 1986
León Ferrari
On this episode, poet and curator Luis Pérez-Oramas reads three poems by Juan de Tassis y Peralta, known as el conde de Villamediana. He was a baroque spanish poet, who lived during "el siglo de oro", the spanish golden century, XVII.
Painting of Juan de Tassis y Peralta.
Author unknown.
On this episode, writer and actress Fernanda Torres performs Lina Bo Bardi, in the occasion the architect meets the french photographer and anthropologist, Pierre Verger, for the first time, during her staying in Salvador, Bahia.
Artwork
Prehistoric technology (Lina Bo Bardi - A marvellous entanglement), 2019
by Isaac Julien
Originally part of Galeria Nara Roesler’s live series, Ping Pong, in this conversation artist Laura Vinci and art critic and professor from Universidade de São Paulo, Guilherme Wisnik, make an overview of our contemporary society and cultural production, based on his book "Dentro do Nevoeiro" (Into the Fog).
Artwork
No Ar, 2017. Intervention at MuBE, São Paulo, by Laura Vinci.
Curated by Cauê Alves e Guilherme Wisnik | Photo: Nelson Kon.
Originally part of Galeria Nara Roesler’s live series, Ping Pong, in this conversation artist Isaac Julien and actress Fernanda Torres - who have worked together on Isaac's newest film installation, Lina Bo Bardi - A Marvellous Entanglement - discuss their creative processes, their interaction on the film-set, and share with us their perspectives on Bo Bardi's legacy.
On this episode, poet and curator Luis Pérez-Oramas reads Édouard Glissant, the influent Caribbean thinker and writer who is one of the main figures in the Créolité literary movement in Martinique.
León Ferrari
Toilette, 1982
100 x 100 x 00 cm
Originally part of Galeria Nara Roesler's live series, Ping Pong, in this conversation Brazilian artist Daniel Senise and professor and curator Agnaldo Farias discuss Senise's practice and projects. In Portuguese. | Originalmente parts da série de conversas ao vivo da Galeria Nara Roesler, o Ping Pong, neste conversa o artisa brasileiro Daniel Senise conversa com o professor e curador Agnaldo Farias sobre sua prática e projetos artísticos. Em Português. | Image: Daniel Senise, Louvre (detail)
On this episode, professor critic and curator Agnaldo Farias reads about the house: Retábulo de Santa Carolina, by Osman Lins, Apelo by Dalton Trevisan and Cidade, by Sophia de Mello Breyner Andresen | Neste Episódio, o professor, crítico e curador Agnaldo Farias lê sobre a casa: Retábulo de Santa Carolina, de Osman Lins, Apelo de Dalton Trevisan e Cidade, de Sophia de Mello Breyner Andresen. | Image: detail of Neue Nationalgalerie, 2019 by Daniel Senise.
In this episode, originally published at the Pipa Prize podcast, artist Alice Miceli and professor, critic and curator Luiz Camillo Osório, discuss how the concept of epidemics is present in Miceli's work. | In Portuguese | Neste episódio, originalmente publicado no podcast do Prêmio Pipa, a artista Alice Miceli e o professor, crítico e curador Luiz Camillo Osório discutem o conceito de epidemia a partir da prática artística de Miceli. | Image: detail of In Depth (landmines), Agolan series, 2019 by Alice Miceli
Artist Alice Miceli takes over our poetry reading sessions with the final part of Elizabeth Bishop's Crusoe in England, translated to Portuguese by Paulo Henriques Britto | A artista Alice Miceli assume nossa sessão de leitura de poesias com o momento final do pema Crusoe in England, de Elizabeth Bishop, traduzido por Paulo Henriques Britto. | Image: Alice Miceli in Cambodia during the production of her In Depth (landmines) series.
In this episode, Cao Guimarães and Luiz Pérez-Oramas discuss the sense of normality, the idea of "desert", and Cao Guimarães' last feature film, Espera (2018). In Portuguese. | Neste episódio, Cao Guimarães e Luiz Pérez-Oramas discutem o sentido de normalidade, a ideia de deserto e o último longa-metragem de Cao Guimarães, Espera (2018). | Image: still from Espera (2018) by Cao Guimarães.
In this episode, poet Luis Pérez-Oramas reads three poems around the theme of breathing. | Neste episódio, o poeta Luis Pérez-Oramas lê três poemas em torno da respiração. | Imagem | Brígida Baltar | Autorretrato com asas de harpa sobre Osíris, 2011