Join Connor and Jon as they seek the deeper meaning behind some of the world's most intriguing films. From indie art house films to the biggest summer blockbusters, these guys tackle it all. Come prepared to broaden your sense of what a "movie" can be.
We're back again, and we're a bit less excited to talk about The English Patient and the Oscars in the 90's. The film is a bit of a miss for both of the guys, but so close to being one of Connor's top 5 favorites. Jon just wants to send Ralph Fiennes to jail, and Connor is befuddled as to why so much of the press and BTS surrounding the film was just about Michael Ondaatje.
WARNING: Major spoilers for The English Patient
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We're back after our year break, and we are so excited to talk Titanic and all things Cameron. We bring in sci-fi expert Travis Olson to talk about JC's least fictional film and hear his thoughts on why it's the greatest movie of all time. Connor shares many stories about his viewing experiences and Jon loves the scope and wishes for more films like this.
WARNING: Major spoilers for Titanic
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Connor & Jon contemplate and argue about which movies fit into the category of Top 5 Films of the 1990's.
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Connor & Jon bring on the final sibling, one Dima Skinner, to discuss the not-so-humble beginnings of the Fast and the Furious franchise. Jon's opinion wavers back and forth as to whether it is a rip-off of Point Break, Dima can't stand the nonsense car lingo, and Connor brings forth a defense for Keanu Reeves.
WARNING: Major spoilers for The Fast and the Furious and Point Break
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Films mentioned in this episode:
Connor & Jon once again dip into the deep well of Indiana Jones to discuss Spielberg's ward's attempt to make an action-adventure film. Together the two examine what separates Indy from it's rip-offs, why the adventure genre is so hard to tackle, and Walt Disney's famous last words..."Kurt Russell!"
WARNING: Major spoilers for Romancing the Stone, Raiders of the Lost Ark, & Contact
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Films Mentioned in this Episode:
It's hard to believe that this show has been running for five years now. Connor, Jon, and Riley meet up to talk about the history and development of the show, some of their favorite and least favorite episodes, and even some trivia about the most popular elements of Rules of the Frame. Special thank you to you listeners, for making this show possible, sending in your feedback, and for just being incredible!
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It's our 100th episode, so we're bringing the whole gang back together. Join Connor, Jon, and Riley as they discuss Jean Renoir's masterpiece, the namesake of the show, The Rules of the Game. Connor adores the camera movements and staging, Jon tries to dissect the cultural elements, and Riley asks THE question "what makes a movie good?"
WARNING: Major spoilers for The Rules of the Game
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Films mentioned in this episode:
Connor & Jon get sent to space prison or Manhattan prison as they examine the weird Euro-action b-movie Lockout, and it's definite point of inspiration Escape from New York. They examine the actual legal action that was taken against Lockout and decipher how original of an idea did Luc Besson have? Jon thinks there's a better bad movie that could have been made, Connor is annoyed at the rules of space this film breaks, and both question the place of Snake Plissken in 80s' and modern action films.
WARNING: Major spoilers for Escape from New York & Lockout, minor spoilers for Big Trouble in Little China & Predator
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Films mentioned in this episode:
Connor & Jon mosey on down to the ol' West/feudal Japan to consume one of the greatest spaghetti Westerns of all time: A Fistful of Dollars! Since there was a legal dispute over this film, does it automatically make it a rip off of Yojimbo? Connor gets way too worked up over a Rotten Tomatoes Top 100 list, Jon wants to propose to Morricone's score, and the two try to hold the show together through Covid and technical malfunctions.
WARNING: Major spoilers for A Fistful of Dollars and Yojimbo
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Films mentioned in this episode:
Connor and Jon bring along fellow weird-film-enthusiast Travis Olson to discuss House. The three dig into how the studio wanted this film to be the Japanese Jaws, the incredible use of practical effects, and if this is the strangest film they've covered so far!
WARNING: Major spoilers for House, minor spoilers for Jaws
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Films mentioned in this episode:
Connor & Jon get spooked out by Tim Burton's claymation adaptation of his short film: Frankenweenie. Jon gets freaked out by the teeth, Connor is frustrated by the Laika-esque animation, and the two just can't seem to agree on whether this film is a rip-off or a remake.
WARNING: Major spoilers for Frankenweenie and Frankenstein
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Films mentioned in this episode:
Connor & Jon are reluctantly dragged to space as they try to decipher James Gray's opaque space road movie. The boys try to figure out how much it is inspired by Apocalypse, Now or by Heart of Darkness. Connor is amazed by the visuals, but disappointed by the outcome and Jon rags on the film the whole time.
WARNING: Major spoilers for Ad Astra and Apocalypse, Now
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Films mentioned in this episode:
Connor & Jon are joined by Thatcher Radler to discuss Joker and why it pulled so much from King of Comedy and Taxi Driver. Jon is bothered by the messiness of the Batman and DC universe. Connor can't stand the film's tone of uber-serious. Thatcher progressively realizes how much of a rip-off this film is.
WARNING: Major spoilers for Joker, minor spoilers for Taxi Driver & King of Comedy
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Films mentioned in this episode:
Connor & Jon are joined by Dillon Worthington to figure out how well The Last Duel harnesses Rashomon's storytelling technique. Jon wonders if Scott was the right choice of director. Connor tries to figure out why they didn't let Nicole write the entire script. And Dillon ponders who this movie is for.
WARNING: Major spoilers for The Last Duel and Rashomon
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Films mentioned in this episode:
Connor & Jon start off the new series by analyzing Super 8 and its predecessor E.T. Is it purely an homage, and does it count as one since Spielberg worked on it? Is it to be blamed for the boom in 80's nostalgia? Is it an effective piece of storytelling? Listen in to find out!
WARNING: Major spoilers for Super 8, minor spoilers for E.T.
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Films mentioned in this episode:
Connor & Jon set up the stage for their new series: Retelling or Rip-Off. They make the distinction on what films are eligible, and that this is not dedicated to official remakes or adaptions, but to films that walk the line of inspiration and stealing.
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Connor and Jon bring on too many guests to discuss Tommy Wiseau's labor of love: The Room. Connor Gooderl tries to piece together Tommy's mysterious past, Tim goes on about the non-stop moaning, Daniel secretly watches YouTube videos, and Zach weaves a poetic tapestry of the true meaning and intent of The Room.
WARNING: Major spoilers for The Room
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Films mentioned in this episode:
Connor & Jon grab a milkshake with musician and filmmaker Erick Frost and talk about the subversive oil epic: There Will Be Blood. Connor is happy because the film is a non-traditional slow western. Jon is happy because the film is based on an obscure part of history. And Erick is happy because the film is innovative in its use of lenses and practical effects.
WARNING: Major spoilers for There Will Be Blood, minor spoilers for No Country for Old Men
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Link to Switchfoot's music video: https://www.youtube.com/watch?v=_RHGp1Ugigo
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Films mentioned in this episode:
Connor & Jon dive into the big blue with Michael Kelley to discuss the aquatic cinematic masterpiece: Finding Nemo. Of course there is a fair amount of discussion on the state of animation, Michael tells how the film affected his relationship with his family, Connor just wants to talk about the score, and Jon can't remember all of Dory's misremembered names for Nemo.
WARNING: Major spoilers for Finding Nemo
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Films mentioned in this episode:
Connor & Jon are joined by Alan Sisto and Shawn Marchese of The Prancing Pony Podcast to talk about the Middle Earth Masterpiece: The Return of the King. The four ponder the strange filmic history of The Lord of the Rings. Shawn and Alan use Tolkien's letter to Ackerman to evaluate whether Jackson did a good job of adapting the books. Connor gushes over the sound design and Jon's mind is changed on the ending of the film.
WARNING: Major spoilers for The Lord of the Rings, minor spoilers for Star Wars: Episodes 6 & 9,
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Link to Anything You Can Imagine: https://www.barnesandnoble.com/w/anything-you-can-imagine-ian-nathan/1126335643
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Films mentioned in this episode:
Connor & Jon go straight to the heart of Gotham City with Zack Reed to discuss The Dark Knight. Zack remembers the days of old where he could just look at this as a "cool movie." Jon can't stop obsessing over the geography changes throughout the trilogy and how Gotham is essentially Chicago. Connor just wonders where other superhero films went wrong.
WARNING: Major spoilers for The Dark Knight, minor spoilers for The Dark Knight Rises
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Films mentioned in this episode:
Connor & Jon enter the fantastical world of Pandora with Chris Ridings as their guide. Chris shows off his Avatar merch, Jon re-evaluates the cultural impact of the film, and Connor wishes that it would commit to a harsher ending for the sake of the environmental theme.
WARNING: Major spoilers for Avatar, minor spoilers for Dances with Wolves
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Films mentioned in this episode:
Connor & Jon select the roster of films that make up the Top 5 Films of the 2000's.
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Connor & Jon are joined by Zoe Reed and her rat, Chicago, to discuss one of the most inventive Pixar films ever: Ratatouille! This episode contains; frequent interruptions by Chicago, a discussion on Pixar humor, and a heated debate on which Pixar films are masterpieces and which are just meh.
WARNING: Major spoilers for Ratatouille
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Films mentioned in this episode:
Connor & Jon are joined by Kyle Stuck to discuss Sergio Leone's gangster epic. The crew has mixed feelings about the film, but gush on the score and cinematography. They argue over whether the characters are too unlikable, if Detroit Joe is too greasy, and was it all just a dream?
WARNING: Major spoilers for Once Upon a Time in America
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Films Mentioned in this Episode:
Connor & Jon are swept into one of their favorite film series with The Temple of Doom. The boys question whether or not the individual elements of the film make up for its problematic nature, map out the cosmology of the Indy universe, and question what the Sankara stones actually do?
WARNING: Major spoilers for the Indiana Jones Series
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Films mentioned in this episode:
Connor & Jon explore the beautiful world that Martin Scorsese has constructed in Gangs of New York. Jon can't stop gushing at the sets and depiction of New York. Connor loves Day-Lewis saying "whoopsie daisy." And the two wonder what it could have been if Scorsese had more money for the draft riots.
WARNING: Major spoilers for Gangs of New York & Titanic
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Films mentioned in this episode:
Connor & Jon return to the Sci-Fi genre with their fellow fan: Travis Olson, to discuss the hotly debated Alien "Prequel." They argue over whether it should be all philosophy or all horror movie. What is the moral outlook of the story. And how does the black goop work in the Xenomorph cycle?
WARNING: Major Spoilers for Prometheus & Alien: Covenant
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Films mentioned in this episode:
Connor & Jon delve into madness as they discuss the long and troubled history of Terry Gilliam's passion project: The Man Who Killed Don Quixote. They discuss whether the story behind the making of the film is more interesting than the film itself. How the performances of the final cast are different than some of the previous outcomes. And why Gilliam seems to be cursed with excruciating productions.
WARNING: Major spoilers for The Man Who Killed Don Quixote and Brazil
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Films mentioned in this episode:
Connor & Jon & Riley? Yep, all three hosts are together at last to discuss the polarizing thriller: The Village. Riley talks about it being his first Shyamalan experience. Connor discusses its impact on his career and view of film. All the while Jon tries to fix some of the plot holes with his own unique ideas.
WARNING: Major spoilers for The Village and Split
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Films mentioned in this episode:
Connor & Jon work their way through the madness of the production of The Thief and the Cobbler. They argue over which version feels the most complete, who to blame for what went down, and why is Vincent Price so good in this?
Link to The Animator's Survival Kit: https://www.amazon.com/Animators-Survival-Kit-Richard-Williams/dp/0571202284
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Films mentioned in this episode:
Connor & Jon venture back to the Golden Age of Hollywood with Kaden Reed to discover the wonderful word of glitz, glamour, and communism. They discuss what the intentions of the Coen's were behind this film. If this is the closest we'll get to a Coen's 30 Rock episode. And who the biggest idiot in the film is.
Link to Roger Deakins website: https://www.rogerdeakins.com/
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Films mentioned in this episode:
Connor & Jon start off fighting to try to get people to reconsider the box office bomb that is John Carter. Both of the boys are quite passionate about it and lay out their own reasons as to why they think it failed in theaters. They also appreciate Stanton's top notch directing, Willem Dafoe's incredible performance, and how well the CG has held up.
WARNING: Major spoilers for John Carter and Game of Thrones
Link to John Carter and the Gods of Hollywood: https://www.amazon.com/John-Carter-Hollywood-Michael-Sellers-ebook/dp/B00AFCZ1S4
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Films mentioned in this episode:
Connor & Jon introduce their new series on what they call messy masterpieces. They will be covering films that they deem exceptional pieces of cinema that might have been overlooked or overshadowed by other films of the same director.
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Connor & Jon are dragged into the Sandler-verse by their friend Connor Gooderl to discuss possibly the worst film of the 2010s. Is this film even worth meriting an episode? Why do Sandler's movies always make so much money? Can this craze every be stopped...probably not (Also Connor gets poisoned by a Dunkaccino.)
WARNING: Major spoilers for Jack and Jill
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Films mentioned in this episode:
Connor & Jon decide to take the plunge into Malick's magnum opus and bring on their good friend Clayton Lyon to join in this celebration of life. Connor reminisces over this film's influence on his thesis film, Clayton gawks over Lubezki's cinematography, and Jon just can't get enough of those sweet space shots.
WARNING: Major spoilers for The Tree of Life
Link to Rehearsing the Unexpected: https://www.amazon.com/Terrence-Malick-Daniele-Villa-author/dp/0571334709/ref=sr_1_1?crid=3JEVO1A6UMYAH&dchild=1&keywords=terrence+malick+rehearsing+the+unexpected&qid=1621173575&sprefix=rehearsing+the+u%2Caps%2C152&sr=8-1
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Films mentioned in this episode:
Connor & Jon are stranded, but thankfully they have their good friend Elise Yeomans to keep them company. While being stuck in isolation they ponder over what the true nature of the foghorn is, Jon's metric that makes this the greatest film of all time, and are boxier aspect ratios the way of the future? Sometimes a lighthouse is just a lighthouse...but not this time.
WARNING: Major spoilers for The Lighthouse & Cast Away
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Films mentioned in this episode:
Connor & Jon discuss their pick for the most impactful film of the 2010's with their good friend Luke Hogan. Together they discuss the impact this film had on their lives and social circles, as well as how it's impacted society as a whole. Plus it also gave us one of the greatest apps ever created, R.I.P.
WARNING: Major spoilers for Inception, minor spoilers for Shutter Island & The Big Lebowski
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Films mentioned in this episode:
Connor & Jon fly in Clare Warrington to discuss Alfonso Cuaron's deeply personal blockbuster: Gravity. Clare lends her expertise in the field of grief and loss to evaluate Ryan Stone's emotional journey. Jon gushes about this being the best filmgoing experience he's ever had. And Connor can't stop obsessing about the technical achievements this film accomplishes.
WARNING: Major spoilers for Gravity, Ad Astra, & Interstellar
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Connor & Jon bring in their old friend, Hank Black, to dig deep into the Marvel fandom and explore the superhero phenomena. They discuss whether this film deserves to be in the echelon of highest grossing films and what the future of the MCU after this.
WARNING: Major spoilers for Avengers: Endgame & Doctor Strange, minor spoilers for Aquaman
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Connor & Jon want to give you an inside look at the process behind choosing which films go into our series. They try to determine the criteria and what really are the "Top 5 Films of the 2010s." They are thrilled by some choices and dismayed by others. This new series is gonna be interesting.
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Connor & Jon finish off the series with a film that had great ambition, but fell short of the imagined product: David Lynch's Dune. The two argue over what qualities drove Lynch to make the film, whether the Dune sequels can be adapted, and forget to even mention the great score by Toto!!
WARNING: Major spoilers for Dune
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Connor and Jon are left nearly speechless by the tastelessness of the film that "Hollywood doesn't want you to see." There's good reason for that slogan as it is nearly unbearable to watch. Even so, the boys slug through the film and rag on this weird part of film history that is better left forgotten.
WARNING: Major spoilers for An Alan Smithee Film: Burn Hollywood Burn
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Connor & Jon are joined by Andrew Lewis to discuss James Cameron's debut film: Piranha II. They discover that the film is nowhere near as fun as they thought it would be. Due to that realization they discuss what is good camp, if they learned anything about Cameron from this, and how the film relates to Jaws.
WARNING: Major spoilers for Piranha II & The Grey, minor spoilers for Avatar & The Abyss
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Connor & Jon bring in Elise Yeomans to crack open the Disney vault and discuss The Black Cauldron. The hosts think the film should be locked away, while Elise makes some good cases on its worth and originality. It's a fascinating story of a media giant's darkest time and the road it paved to create some of the greatest animated films of all time.
WARNING: Major spoilers for The Black Cauldron
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Connor & Jon discuss one of the most infamous box-office bombs of all time: Ishtar! In order to adequately cover the impact of this film they bring in Connor's father Rod Reed, one of the few people who actually saw it in theaters. They all come to the consensus that it's actually a pretty great film and would each gladly watch it again.
WARNING: Major spoilers for Ishtar
Link to Star- How Warren Beatty Seduced America: https://www.amazon.com/Star-Warren-Beatty-Seduced-America/dp/B004C7DLPI/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=1609261115&sr=8-1
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Connor & Jon are so appalled(& bored) that they have to bring in Star Wars expert Chris Ridings, to help keep them awake. He shares about what it's like to live Star Wars every day working at Disney World's Batuu. Jon is disappointed by how much of the Holiday Special is still canon. And Connor isn't very impressed with the lauded Boba Fett cartoon.
WARNING: Major spoilers for The Star Wars Holiday Special, minor spoilers for The Last Jedi
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Connor & Jon dig through the VHS' to find Noah Baumbach's forgotten (or thrown out) third film. They try to guess at what the intended purpose of the film was and why Eric Stoltz didn't play the main character. But hey, it's gotta be hard trying to make a film in 6 days.
WARNING: Major spoilers for Highball
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Connor & Jon are joined by their old co-worker, Travis Olson, to dig into Stanley Kubrick's worst film. They try to find his roots and genius in this snooze-fest of a war film. And ponder whether the director's wishes towards their finished products should be followed and if it's a waste of resources restoring a bad film?
WARNING: Major spoilers for Fear and Desire, minor spoilers for It's a Wonderful Life & Bridge on the River Kwai
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Connor & Jon need help tearing into this awful movie, and that's why they brought on their good friend Ed Blizzard to rip Catwoman apart. Ed explains why the film is a disgrace to a great character. Connor rants about Pitof's plan to shoot it like a perfume commercial. Jon can't get over the fact that her powers are derived from a magical cat burp.
WARNING: Major spoilers for Catwoman, minor spoilers for Captain America: Civil War & The Dark Knight Rises
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Connor & Jon start off their new series with one of the most chaotic films of all time and they are not too happy about it. They try to analyze why Spielberg can't make a direct comedy, what Zemeckis & Gale's original intention for the screenplay was, and how you can have so many great actors in a film with no great performances.
WARNING: Major spoilers for 1941, minor spoilers for Miracle Mile & Dr. Strangelove
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Connor & Jon introduce their next series in which they dive into films that were covered up by their director, actor, or studio for differing reasons. They hope to examine these, sometimes anomalies, place in film history and how they affect the careers of those involved.
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Connor & Jon get their feet wet in discussing the film that created the modern blockbuster: Jaws! Probably the most well known limitation in film history that created the perfect horror/adventure film. They discuss how different(and not as good) it would be if the shark had worked perfectly and the beginnings of Spielberg's career and how this experience shaped his future films and collaborations.
WARNING: Major Spoilers for Jaws, minor spoilers for No Country for Old Men
Link to The Jaws Log: https://www.amazon.com/Jaws-Log-Expanded-Shooting-Script/dp/0062229281/ref=sr_1_1?crid=1R53SY0N3S6BH&dchild=1&keywords=the+jaws+log+by+carl+gottlieb&qid=1602022736&sprefix=the+jaws+%2Caps%2C628&sr=8-1
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Connor & Jon get ethereal when studying the philosophic and whispered Terrence Malick film: Knight of Cups. They ponder how much of Malick's worldview supersedes the Tarot card theme, if torpedoing brings about a more natural performance, and whose idea was the foot thing.
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Connor & Jon try to reign in the zaniness that comes up when you bring Steve Snediker on an episode about Terry Gilliam. The name of the film is Brazil and boy does it take them for a ride. Together they marvel at the ineptitude of this not too far off world, how every duct has its place, and was Sid Sheinberg right in trying to change the film?
WARNING: Major spoilers for Brazil & Blade Runner
Link to The Battle of Brazil: https://www.amazon.com/Battle-Brazil-Universal-Pictures-Screenplay/dp/1557833478/ref=sr_1_1?dchild=1&keywords=battle+of+brazil&qid=1599705410&sr=8-1
Link to Dark Knights & Holy Fools: https://www.amazon.com/Dark-Knights-Holy-Fools-1999-08-01/dp/B01JXSOGJ0/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=1599705444&sr=8-1
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Connor & Jon struggle to find out if Dogme 95 really aided creatively to the making of The Celebration. Would Dogme 95 be improved if its rules dealt specifically with things that the directors relied too heavily on instead of a revolt of what was prominent in cinema then? Who used Dogme better Vinterberg or Von Trier? And why does everyone stay at the party?
WARNING: Major spoilers for The Celebration
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When recording Jon's challenge we went over the time limit and had a fun discussion on poster design and strange stories about studio heads. So we wanted to share this messy extended look into our recording process with you.
This episode is pretty visual so recommend following along with the links below when you listen.
Premiere's Top 25 Posters: https://www.imdb.com/list/ls063295268/
Empire's Top 50 Posters: https://www.empireonline.com/movies/features/best-posters/
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This week Connor is joined by Michelle Johnson to discuss the only main-stream American film noir directed by a woman: The Hitch-Hiker. They compare the two hostages situation to that of film & TV crews under tyrannical show runners, how Ida Lupino subtly flipped the genre, and just how underrated of a filmmaker she is.
WARNING: Major spoilers for The Hitch-Hiker, The Bigamist, & Not Wanted
Follow Michelle: mysticalcartoonism.com
Book Mentioned: The Mirage Factory - https://www.penguinrandomhouse.com/books/541714/the-mirage-factory-by-gary-krist/
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Connor & Jon try to examine both 300 years of Russian history AND one of the most daring films in the 21st century with Russian Ark. They are both awed and mystified by the technicality of the film, but does it come at the cost of story elements?
WARNING: Major spoilers for Russian Ark , The Sacrifice, & Birdman, Minor spoilers for Francofonia
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Connor is reunited with Riley after a 1 episode break, and they are both joined by drummer, Dan Funk, to discuss Damien Chazelle's Whiplash. They discuss their own personal band stories, how great it is to see Jazz represented in film, and which of Chazelle's films is the best.
WARNING: Major spoilers for Whiplash, minor spoilers for La La Land
Link to Suite 25: https://open.spotify.com/artist/7HEdFdon42QifJyEZxAIpE?si=0ULP3pXKQDWTR0ZzO6ruEA
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Connor & Jon break down Christopher Nolan's first feature film: Following. Nolan begins his career with a no-budget, skeleton crew, weekend shot neo-noir that delivers with twists and thrills. It's great to see the genesis of one of the greatest modern directors and where his love of shooting on film comes from.
WARNING: Major spoilers for Following, Inception, & The Dark Knight Rises, Minor spoilers for Interstellar
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Connor & Riley are joined by Rod Reed to observe one of the sweatiest movies of all time: 12 Angry Men. They discuss how it brilliantly deconstructs the prejudices inherent in the judicial system, how the film doesn't work as a play, and how different genres shine a light on the human condition.
WARNING: Major spoilers for 12 Angry Men
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It's time for a new series and Connor & Jon start off with some bittersweet news: Riley Hardy is no longer a host. So we wish him well and continue onward with our new series about how limitations in the filmmaking process escalates the creative nature of it.
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Connor & Riley cozy up to their pillow shots as they examine Yasujiro Ozu's masterwork: Tokyo Story. They discuss the complexity of the characters, and how the family dynamic makes the film universal even though producers said it was "too Japanese." They also ponder the question: does Ozu have the most consistent cinematic language?
WARNING: Major spoilers for Tokyo Story, minor spoilers for Ordinary People
Link to Yasujiro Ozu: The Syntax of His Films: https://online.ucpress.edu/fq/article/17/2/11/38013/Yasujiro-Ozu-The-Syntax-of-His-Films
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Connor & Jon quote through Noah Baumbach's first film Kicking and Screaming(not the Will Ferrell one). They make the strange discovery of how relatable it is to their own lives and who is which character. This episode might also hold the record of most Mike Ditka mentions in a podcast.
WARNING: Major spoilers for Kicking and Screaming
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It's our 50th episode so we decided to do our first audience pick! Connor & Riley discuss Lulu Wang's 2019 film: The Farewell. They discuss what is really the most ethical thing to do, when it's okay to lie, and what makes a film American or Chinese?
WARNING: Major spoilers for The Farewell, minor spoilers for The Royal Tenenbaums
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Connor & Riley are taken way back to their awkward years when they analyze Richard Linklater's passion project: Boyhood. The guys discuss the advantages and disadvantages to not having a script, and how mixing non-actors and actors has an interesting effect. They also take a retrospect to Linklater's career and his seeming obsession with conspiracy theories and rebellion towards authority.
WARNING: Major spoilers for Boyhood
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Connor & Jon are joined by the first critic of the show, Caleb Maine, to discuss the Coen's depressing masterpiece: A Serious Man. Jon gets distracted by the fact that there were earbuds in the '60's. Caleb hates Sy more than any other film character. And Connor obsesses over the use over repeating dialogue.
WARNING: Major spoilers for A Serious Man
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Connor & Riley take it all the way back to 1948 to discuss the Italian Neo-Realist classic: Bicycle Thieves. They admire how the film breaks all of the Hollywood conventions of the time and how more realistic films can touch us on such a personal and emotional basis.
WARNING: Major spoilers for Bicycle Thieves, minor spoilers for Shoeshine
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Connor & Riley just couldn't resist talking about another animated film for this miniseries. They talk how everyday life can look extraordinary in animation when it's in the hands of Isao Takahata. So much beauty and simplicity is portrayed in Only Yesterday, that it's a real shame that Disney didn't release it to the U.S. until 2016.
WARNING: Major spoilers for Only Yesterday
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This episode Connor & Riley are joined by Clare Warrington to discuss the groundbreaking emotional drama: Ordinary People. Clare lends her knowledge of family and human therapy to break down the psychological themes of the film. They also examine how this film created the modern family drama and one of the first novels aimed toward teenagers.
WARNING: Major spoilers for Ordinary People
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We are now at the start of a new series and are excited to be digging into films that are more grounded in reality and focus on the complex emotions of characters and the crazy machinations of society. We are also excited to announce that we have brought back previous guest, Jon Skinner, to be a recurring member of the show! We hope you will enjoy this next series and some new input.
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Connor & Riley top off their second animation series with a slew of wonderful short films. The films span from the 50's to modern day and are made with almost every medium in the animator's toolkit. We try to have a great balance between popular beloved shorts and small impact full indie films. So listen in and watch these incredible pieces of art.
WARNING: Major spoilers for all of the shorts discussed
Link to Richard Williams' book: https://www.amazon.com/Animators-Survival-Kit-Principles-Classical/dp/086547897X/ref=sr_1_1?keywords=richard+williams&qid=1581625513&sr=8-1
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Connor & Riley take a look at a film unlike any other: Waltz with Bashir. This one of a kind animated/documentary/autobiographical pic has both an intriguing storytelling style and animation style. Listen in as they discuss what it takes to make an animated film like this and how a movie like this would be almost impossible to make in the U.S.
WARNING: Major spoilers for Waltz with Bashir & James and the Giant Peach
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Films mentioned in this episode:
Films mentioned in this episode:
Films mentioned in this episode:
Connor & Riley take a little bit more of a somber tone while discussing the great animated classic: Watership Down. They are also joined by the very talented Amber Maine who shares her thoughts on the films complicated themes of acceptance of death and what it means to live.
Link to Amber's Instagram: https://www.instagram.com/amburrick/
WARNING: Major spoilers for Watership Down, minor spoilers for The Plague Dogs
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Connor & Riley tread dangerous Bakshi waters in their episode on Wizards. It may be hard for them to find the silver lining to the film, but at least that lends itself to fun conversations. The opinions fly in this maybe controversial episode...
Films mentioned in this episode:
Connor & Riley are joined by previous guest, Stephen LaGue and his little brother Patrick, to discuss one of their all time favorite films: The Iron Giant. Together they break down Bird's animation career, his personal impact on the story, and why it still hits home 20 years later. So sit back, shove some Reddi-Wip into a Twinkie, sip some espresso, and enjoy!
WARNING: Major spoilers for The Iron Giant, Minor spoilers for The Incredibles, Ratatouille, & Guardians of the Galaxy
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Connor and Riley are joined by Michelle Johnson this week as they talk about the hidden 90's horror film: Ravenous. Things get a little graphic when discussing cannibalism, but don't get too grossed out to miss Michelle's insight into the film industry and society's impact upon it.
Follow Michelle on Instagram: Johnsonperson
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We can't believe that a year ago today we released our first full episode! It's been so much fun making these episodes and we can't thank you listeners enough for supporting us. We're looking forward to the many years ahead and all of the films we get to share with you.
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Connor & Riley traverse through the wild world of Fantastic Planet in this episode. They contemplate if tone can carry a story with light characters. Why this movie feels like one long Monty Python cartoon. And how Sci-fi has changed throughout the years.
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Warning: Major spoilers for Fantastic Planet
Films mentioned in this episode:
Major spoilers for A Scanner Darkly, minor spoilers for Bernie
Films mentioned in this episode:
A Scanner Darkly (2006) | Dir. Richard Linklater
Before Sunrise (1995) | Dir. Richard Linklater
School of Rock (2003) | Dir. Richard Linklater
Before Midnight (2013) | Dir. Richard Linklater
Dazed and Confused (1993) | Dir. Richard Linklater
Everybody Wants Some!! (2016) | Dir. Richard Linklater
Bernie (2011) | Dir. Richard Linklater
Bad News Bears (2005) | Dir. Richard Linklater
Heathers (1988) | Dir. Michael Lehmann
Beetlejuice (1988) | Dir. Tim Burton
Edward Scissorhands (1990) | Dir. Tim Burton
Iron Man (2008) | Dir. Jon Favreau
The Shaggy Dog (2006) | Dir. Brian Robbins
Zodiac (2007) | Dir. David Fincher
Sherlock Holmes (2009) | Dir. Guy Ritchie
Chaplin (1992) | Dir. Richard Attenborough
Tropic Thunder (2008) | Dir. Ben Stiller
The Matrix (1999) | Dir. The Wachowski Brothers
Bill & Ted's Excellent Adventure (1989) | Dir. Stephen Herek
Point Break (1991) | Dir. Kathryn Bigelow
My Own Private Idaho (1991) | Dir. Gus Van Sant
The Matrix Reloaded (2003) | Dir. The Wachowski Brothers
The Matrix Revolutions (2003) | Dir. The Wachowski Brothers
John Wick (2014) | Dir. Chad Stahelski, David Leitch
Speed (1994) | Dir. Jan de Bont
John Wick: Chapter 3 - Parabellum (2019) | Dir. Chad Stahelski
Minority Report (2002) | Dir. Steven Spielberg
Before Sunset (2004) | Dir. Richard Linklater
Boyhood (2014) | Dir. Richard Linklater
21 Years: Richard Linklater (2014) | Dir. Michael Dunaway, Tara Wood
Brazil (1985) | Dir. Terry Gilliam
Fear and Loathing in Los Vegas (1998) | Dir. Terry Gilliam
Reefer Madness (1936) | Dir. Louis J. Gasner
Waking Life (2001) | Dir. Richard Linklater
- Beowulf (2007) | Dir. Robert Zemeckis
This week Connor & Riley delve into one of the most beautifully animated films of all time: The Garden of Words. But does beauty equate with good animation? Is Makoto Shinkai's work comparable to Miyazaki? And is there any hope for the future of hyper-realistic animation? Listen to this episode to find out.
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Warning: Major spoilers for The Garden of Words, minor spoilers for Neon Genesis Evangelion
Films mentioned in this episode:
The Garden of Words (2013) | Dir. Makoto Shinkai
5 Centimeters Per Second (2007) | Dir. Makoto Shinkai
WALL-E (2008) | Dir. Andrew Stanton
Baraka (1992) | Dir. Ron Fricke
Your Name (2016) | Dir. Makoto Shinkai
Spirited Away (2001) | Dir. Hayao Miyazaki
Neon Genesis Evangelion: The End of Evangelion (1997) | Dir. Hideaki Anno, Kazuya Tsurumaki
Whisper of the Heart (1995) | Dir. Yoshifumi Kondo
The Wind Rises (2013) | Dir. Hayao Miyazaki
Grave of the Fireflies (1988) | Dir. Isao Takahata
My Neighbors the Yamadas (1999) | Dir. Isao Takahata
Only Yesterday (1991) | Dir. Isao Takahata
Pom Poko (1994) | Dir. Isao Takahata
Ghost in the Shell (1995) | Dir. Mamoru Oshii
Akira (1988) | Dir. Katsuhiro Otomo
The Lion King (2019) | Dir. Jon Favreau
The Sword in the Stone (1963) | Dir. Wolfgang Reitherman
Robin Hood (1973) | Dir. Wolfgang Reitherman
The Iron Giant (1999) | Dir. Brad Bird
Treasure Planet (2002) | Dir. Ron Clements, John Musker
The Princess Bride (1987) | Dir. Rob Reiner
Doctor Zhivago (1965) | Dir. David Lean
Connor & Riley start off the new animation series with one of the strangest films ever to be animated. In this episode on The Triplets of Belleville they wrestle with different animation styles, hilarious caricatures, and perhaps the most rants per episode yet!
Films mentioned in this episode:
The Triplets of Belleville (2003) | Dir. Sylvain Chomet
Les Diaboliques (1955) | Dir. Henri-Georges Clouzot
Au Revoir Les Enfants (1987) | Dir. Louis Malle
Manon of the Spring (1986) | Dir. Claude Berri
Baraka (1992) | Dir. Ron Fricke
Sausage Party (2016) | Dir. Greg Tiernan & Conrad Vernon
Hercules (1997) | Dir. Ron Clements & Jon Musker
Mulan (1998) | Dir. Tony Bancroft & Barry Cook
Beauty & the Beast (1991) | Dir. Gary Trousdale & Kirk Wise
Aladdin (1992) | Dir. Ron Clements & Jon Musker
Pinocchio (1940) | Dir. Hamilton Luske & Ben Sharpsteen
Dumbo (1941) | Dir. Ben Sharpsteen
Bambi (1942) | Dir. David Hand, Arthur Davis, & Clyde Geronimi
Star Wars (1977) | Dir. George Lucas
The Blues Brothers (1980) | Dir. John Landis
101 Dalmatians (1961) | Dir. Clyde Geronimi, Hamilton Luske, & Wolfgang Reitherman
Star Wars Episode: VII - The Force Awakens (2015) | Dir. J.J. Abrams
Star Wars Episode: VIII - The Last Jedi (2017) | Dir. Rian Johnson
The Old Lady & the Pigeons (1997) | Dir. Sylvain Chomet
The Holiday (2006) | Dir. Nancy Meyers
Brazil (1985) | Dir. Terry Gilliam
Battleship Potemkin (1925) | Dir. Sergei Eisenstein
Amelie (2001) | Dir. Jean-Pierre Jeunet
Delicatessen (1991) | Dir. Jean-Pierre Jeunet
The City of Lost Children (1995) | Dir. Jean-Pierre Jeunet
The Prince of Egypt (1998) | Dir. Brenda Chapman, Steve Hickner, & Simon Wells
Finding Nemo (2003) | Dir. Andrew Stanton
The Illusionist (2010) | Dir. Sylvain Chomet
The Lion King (2019) | Dir. Jon Favreau
Thor: Ragnarok (2017) | Dir. Taika Waititi
We couldn't hold back from making another animation series, but this time focusing on lesser known or underrated films that may have slipped by the common viewer. There will be many long discussions and maybe even a few shed tears to come.
Connor and Riley are joined by New Zealand cinematographer Nigel Bluck to discuss the cult favorite road film Two-Lane Blacktop. This film stars singer-songwriter James Taylor, and Beach Boy's drummer Dennis Wilson in the lead roles. Nigel gives his unique perspective on the film and why it is poetic in a way unlike most films in the same genre.
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Films mentioned in this episode: * Two-Lane Blacktop (1971) | Dir. Monte Hellman * Easy Rider (1969) | Dir. Dennis Hopper * The Lord of the Rings Trilogy (2001-2003) | Dir. Peter Jackson * American Honey (2016) | Dir. Andrea Arnold * The Peanut Butter Falcon (2019) | Dir. Tyler Nilson & Michael Schwartz * Ride in the Whirlwind (1966) | Dir. Monte Hellman * A Fistful of Dollars (1964) | Dir. Sergio Leone * For A Few Dollars More (1965) | Dir. Sergio Leone * The Good, the Bad, and the Ugly (1966) | Dir. Sergio Leone * 2001: A Space Odyssey (1968) | Dir. Stanley Kubrick * Lawrence of Arabia (1962) | Dir. David Lean * The Dark Knight (2008) | Dir. Christopher Nolan * Hereditary (2018) | Dir. Ari Aster * Birdman or (The Unexpected Virtue of Ignorance) (2014) | Dir. Alejandro G. Inarritu * Barry Lyndon (1975) | Dir. Stanley Kubrick * Baraka (1992) | Dir. Ron Fricke * Interstellar (2014) | Dir. Christopher Nolan * The 400 Blows (1959) | Dir. Francois Truffaut * Into Great Silence (2005) | Dir. Philip Groning * Keepers of the Magic (2016) | Dir. Vic Sarin * Hail, Caesar! (2016) | Dir. Joel & Ethan Coen * The Thin Red Line (1998) | Dir. Terrence Malick
Connor and Riley share their thoughts about Peter Jackson's newest film and first documentary: They Shall Not Grow Old. This film gives an unprecedented glimpse into the often overshadowed WWI. By showing restored footage and archival interviews by veterans, They Shall Not Grow Old pull us into life of a soldier unlike any film has ever done.
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Films mentioned in this episode: * They Shall Not Grow Old (2018) | Dir. Peter Jackson * Grey Gardens (1975) | Dir. David & Albert Maysles, Ellen Hovde, Muffie Meyer * Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) | Dir. Stanley Kubrick * The Lord of the Rings Trilogy (2001-2003) | Dir. Peter Jackson * Bad Taste (1987) | Dir. Peter Jackson * King Kong (2005) | Dir. Peter Jackson * Meet the Feebles (1989) | Dir. Peter Jackson * The Lovely Bones (2009) | Dir. Peter Jackson * Dead Alive (1992) | Dir. Peter Jackson * Grizzly Man (2005) | Dir. Werner Herzog * Night & Fog (1956) | Dir. Alain Resnais * Kill Bill Vol. 1 (2003) | Dir. Quentin Tarantino * Avengers: Age of Ultron (2014) | Dir. Joss Whedon * Star Wars (1977) | Dir. George Lucas * Hot Fuzz (2007) | Dir. Edgar Wright * Shaun of the Dead (2004) | Dir. Edgar Wright * The Adventures of Tintin (2011) | Dir. Steven Spielberg
Connor and Riley examine one of the most acclaimed documentary filmmakers of all time: Werner Herzog. In his 2005 film Grizzly Man, he studies the tragic story of Timothy Treadwell, a man who spent 13 summers in Alaska with grizzly bears only to eventually be attacked and eaten by one of them. While Herzog unapologetically indulges in our morbid fascinations, he treats the story with appropriate reverence.
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Films mentioned in this episode: * Grizzly Man (2005) | Dir. Werner Herzog * The King's Speech (2010) | Dir. Tom Hooper * Little Dieter Needs To Fly (1997) | Dir. Werner Herzog * Into the Abyss (2011) | Dir. Werner Herzog * Ravenous (1999) | Dir. Antonia Bird * Cave of Forgotten Dreams (2010) | Dir. Werner Herzog * Into the Wild (2007) | Dir. Sean Penn * The Wind Rises (2013) | Dir. Hayao Miyazaki * My Best Fiend (1999) | Dir. Wener Herzog * Aguirre, the Wrath of God (1972) | Dir. Werner Herzog * Firzcarraldo (1982) | Dir. Werner Herzog * Burden of Dreams (1982) | Dir. Les Blank * Werner Herzog Eats His Shoe (1980) | Dir. Les Blank
Connor and Riley are joined by Suite 25 drummer Dan Funk to gush about the surf film disguised as a musical documentary: Fading West. This film follows the band Switchfoot as they tour the world playing shows and catching waves. Fading West may seem like an unusual pick, but it gives the guys a chance to share just how much Switchfoot has meant to them over the years.
Link to Suite 25's Spotify: https://open.spotify.com/artist/7HEdFdon42QifJyEZxAIpE?si=mgHgNuzARrmxs1nUIGqp-w
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Films mentioned in this episode: * Fading West (2013) | Dir. Matt Katsolis * The Endless Summer (1966) | Dir. Bruce Brown * Switchfootage (2003) * U2: Rattle and Hum (1988) | Dir. Phil Joanou * Pulp Fiction (1994) | Dir. Quentin Tarantino
Connor and Riley welcome Andrew Lewis to the show to discuss the strangely operatic video game documentary The King of Kong: A Fistful of Quarters. Billy Mitchell and Steve Wiebe build an extremely engrossing rivalry that outmatches many modern rivalries to date. Listen to the conversation as we discuss why this movie is not just about classic video games, but about determination, the human spirit, and the desire to be the best
Full spoilers for The King of Kong & Rocky
Films mentioned in this episode: * La Vie En Rose (2007) | Dir. Olivier Dahan * The King of Kong: A Fistful of Quarters (2007) | Dir. Seth Gordon * Grey Gardens (1975) | Dir. David & Albert Maysles, Ellen Hovde, Muffie Meyer * Salesman (1969) | Dir. David & Albert Maysles, Charlotte Zwerin * Pixels (2015) | Dir. Chris Columbus * A Beautiful Mind (2001) | Dir. Ron Howard * Wreck-It Ralph (2012) | Dir. Rich Moore * Rocky (1976) | Dir. John G. Avildsen * Star Wars Episode I: The Phantom Menace (1999) | Dir. George Lucas * Airplane (1980) | Dir. Jim Abrahams, David Zucker, Jerry Zucker * Magnolia (1999) | Dir. Paul Thomas Anderson * Tropic Thunder (2008) | Dir. Ben Stiller * Finders Keepers (2015) | Dir. Bryan Carberry, Clay Tweel * Gleason (2016) | Dir. Clay Tweel * The Decline of Western Civilization Trilogy (1981-98) | Dir. Penelope Spheeris * History of the Eagles (2013) | Dir. Allison Ellwood * Hoop Dreams (1994) | Dir. Steve James * Lake of Fure (2006) | Dir. Tony Kaye * The Beales of Grey Gardens (2006) | Dir. Albert & David Maysles * Spellbound (2002) | Dir.Jeffrey Blitz * Rocket Science (2007) | Dir. Jeffrey Blitz * Identity Thief (2013) | Dir. Seth Gordon * Super Size Me (2004 | Dir. Morgan Spurlock
What words are there to describe Baraka? Revolutionary. Breathtaking. Unifying. Harmonious. If it weren't for the character limit on these summaries, there'd be quite a few more. Connor and Riley talk about the implications of a movie with no dialogue and how this movies serves as the anthem for all of humanity.
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Twitter: https://twitter.com/RulesOfTheFrame Films mentioned in this episode: * Baraka (1992) | Dir. Ron Fricke * Grey Gardens (1975) | Dir. Albert & David Maysles, Ellen Hovde, Muffie Meyer * Koyaanisqatsi (1982) | Dir. Godfrey Reggio * Samsara (2011) | Dir. Ron Fricke * Interstellar (2014) | Dir. Christopher Nolan * The Tree of Life (2011) | Dir. Terrence Malick * The Jungle Book (1967) | Dir. Wolfgang Reitherman * Barry Lyndon (1975) | Dir. Stanley Kubrick
Grey Gardens is a landmark documentary film in cinema verite, or direct cinema. The Maysles brothers took a unique approach to filmmaking, simply turning the camera on the Beales and letting them tell their own story. Is the film exploitative? Is it an accurate representation of the Beales women? Are there mental disorders involved? All is possible with the enigmatic women of Grey Gardens.
Major spoilers for Grey Gardens
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Films mentioned in this episode: * Grey Gardens (1975) | Dir. Albert & David Maysles, Ellen Hovde, & Muffie Meyer * Exporting Raymond (2010) | Dir. Philip Rosenthal * Citizen Ruth (1996) | Dir. Alexander Payne * Grey Gardens (2009) | Dir. Michael Sucsy * The Beales of Grey Gardens (2006) | Dir. Albert & David Maysles * Primary (1960) | Dir. Robert Drew * Salesman (1969) | Dir. Albert & David Maysles, Charlotte Zwerin * Gimme Shelter (1970) | Dir. Albert & David Maysles, Charlotte Zwerin * That Summer (2017) | Dir. Goran Olsson
The reservoir of thought provoking documentaries is almost limitless. Connor and Riley explain their desire and purpose for choosing documentaries as their next series.
Connor and Riley travel back to the South to talk about the Coen Brothers' film O Brother Where Art Thou? This film ushers in the new era of digital color grading, making it a landmark film in the world of cinematography. However, the Coen brothers' make several narrative choices that provide for a unique story experience as well.
Full spoilers for O Brother, Where Art Thou?
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Films mentioned in this episode: * O Brother, Where Art Thou (2000) | Dir. Joel & Ethan Coen * Fantastic Mr. Fox (2009) | Dir. Wes Anderson * No Country For Old Men (2007) | Dir. Joel & Ethan Coen * True Grit (2010) | Dir. Joel & Ethan Coen * The Big Lebowski (1998) | Dir. Joel & Ethan Coen * Ran (1985) | Dir. Akira Kurosawa * The Wizard of Oz (1939) | Dir. Victor Fleming & George Cukor * A Serious Man (2009) | Dir. Joel & Ethan Coen * Inside Llewyn Davis (2013) | Dir. Joel & Ethan Coen * Barton Fink (1991) | Dir. Joel & Ethan Coen * The Hudsucker Proxy (1994) | Dir. Joel & Ethan Coen * The Ladykillers (2004) | Dir. Joel & Ethan Coen * The Grapes of Wrath (1940) | Dir. John Ford * Cool Hand Luke (1967) | Dir. Stuart Rosenberg * The Iron Giant (1999) | Dir. Brad Brad * Sunrise: A Song of Two Humans (1927) | Dir. F.W. Murnau
Full spoilers for Scott Pilgrim vs. The World, minor spoilers for Sky High Films mentioned in this episode: * Scott Pilgrim vs. The World (2010) | Dir. Edgar Wright * Schindler's List (1993) | Dir. Steven Spielberg * Hot Fuzz (2007) | Dir. Edgar Wright * Shaun of the Dead (2004) | Dir. Edgar Wright * The World's End (2013) | Dir. Edgar Wright * Baby Driver (2017) | Dir. Edgar Wright * Lawrence of Arabia (1962) | Dir. David Lean * The Lego Batman Movie (2017) | Dir. Chris McKay * Sky High (2005) | Dir. Mike Mitchell * Room (2015) | Dir. Lenny Abrahamson * 21 Jump Street (2012) | Dir. Phil Lord & Chris Miller * Solo: A Star Wars Story (2018) | Dir. Ron Howard * 127 Hours (2010) | Dir. Danny Boyle * House (1977) | Dir. Nobuhiko Obayashi * Step Brothers (2008) | Dir. Adam McKay * Ant-Man (2015) | Dir. Peyton Reed
Films mentioned in this episode: * Apocalypse Now (1979) | Dir. Francis Ford Coppola * Chocolat (2000) | Dir. Lasse Hallstrom * The Deer Hunter (1978) | Dir. Michael Cimino * Dr. Stangelove or: How I Learned to Stop Worrying & Love the Bomb (1964) | Dir. Stanley Kubrick * Blue Velvet (1986) | Dir. David Lynch * Hearts of Darkness: A Filmmaker's Apocalypse (1991) | Dir. Fax Bahr, George Hickenlooper, Eleanor Coppola * The Godfather (1972) | Dir. Francis Ford Coppola * On the Waterfront (1954) | Dir. Elia Kazan * Blade Runner (1982) | Dir. Ridley Scott * Cafe Society (2016) | Dir. Woody Allen * Last Tango in Paris (1972) | Dir. Bernardo Bertolucci * The Conformist (1970) | Dir. Bernardo Bertolucci * Interstellar (2014) | Dir. Christopher Nolan * Lawrence of Arabia (1962) | Dir. David Lean * The Godfather: Part II (1974) | Dir. Francis Ford Coppola * Days of Heaven (1978) | Dir. Terrence Malick * The Thin Red Line (1998) | Dir. Terrence Malick * Frank (2014) | Dir. Lenny Abrahamson
Just putting out a little PSA updating you on how we will be releasing episodes for the immediate future and giving a life update.
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Major spoilers for A Series of Unfortunate Events, minor spoilers for The Night of the Hunter
Link to Spotify playlist: https://open.spotify.com/user/1219407544/playlist/7HmfjfZo7FuJqeUHuJtytk?si=5PcGSx3dTQ2Er9qjhogkUw Link to the ASC article: https://theasc.com/magazine/dec04/lemony/page1.html Films mentioned in this episode: * A Series of Unfortunate Events (2004) | Dir. Brad Silberling * Time Bandits (1981) | Dir. Terry Gilliam * School of Rock (2003) | Dir. Richard Linklater * Saving Mr. Banks (2013) | Dir. John Lee Hancock * The Truman Show (1998) | Dir. Peter Weir * Eternal Sunshine of the Spotless Mind (2004) | Dir.Michel Gondry * The Night of the Hunter (1955) | Dir. Charles Laughton * The Cat in the Hat (2003) | Dir. Bo Welch * Sleepy Hollow (1999) | Dir. Tim Burton * Star Wars Episode VIII: The Last Jedi (2017) | Dir. Rian Johnson * Men in Black (1997) | Dir. Barry Sonnenfeld * The Lord of the Rings Trilogy (2001-2003) | Dir. Peter Jackson
Films mentioned in this episode: * Ran (1985) | Dir. Akira Kurosawa * Throne of Blood (1957) | Dir. Akira Kurosawa * The Prince of Egypt (1998) | Dir. Brenda Chapman, Steve Hickner, & Simon Wells * Star Wars Episode III: Revenge of the Sith (2005) | Dir. George Lucas * Barry Lyndon (1975) | Dir. Stanley Kubrick * Much Ado About Nothing (1993) | Dir. Kenneth Branagh * Mad Max Beyond Thunderdome (1985) | Dir. George Miller & George Ogilive * Kagemusha (1980) | Dir. Akira Kurosawa * Kill Bill Vol. 1 (2003) | Dir. Quentin Tarantino * Sanjuro (1962) | Dir. Akira Kurosawa * Saving Private Ryan (1998) | Dir. Steven Spielberg * Seven Samurai (1954) | Dir. Akira Kurosawa * Dersu Uzala (1975) | Dir. Akira Kurosawa * Dreams (1990) | Dir. Akira Kurosawa * Princess Mononoke (1997) | Dir. Hayao Miyazaki * Yojimbo (1961) | Dir. Akira Kurosawa * Blade Runner (1982) | Dir. Ridley Scott * Macbeth (2015) | Dir. Justin Kurzel
Full spoilers for Treasure Planet
Films mentioned in this episode: * Treasure Planet (2002) | Dir. John Musker & Ron Celements * Treasure Island (1950) | Dir. Byron Haskin * Muppet Treasure Island (1996) | Dir. Brian Henson & David Lane * A Bug's Life (1998) | Dir. John Lasseter * Beauty & the Beast (1992) | Dir. Gary Trousdale & Kirk Wise * Tarzan (1999) | Dir. Chris Buck & Kevin Lima * The Secret of Kells (2009) | Dir. Tomm Moore & Nora Twomey * Song of the Sea (2014) | Dir. Tomm Moore * The Princess and the Frog (2009) | Dir. Ron Clements & John Musker * Atlantis: The Lost Empire (2001) | Dir. Gary Trousdale & Kirk Wise * The Breadwinner (2017) | Dir. Nora Twomey * The Village (2004) | Dir. M. Night Syamalan * Peter Pan (2003) | Dir. P.J. Hogan * Monsters Inc. (2001) | Dir. Pete Docter * Home on the Range (2004) | Dir. Will Finn & John Sanford * The Iron Giant (1999) | Dir. Brad Bird
Films mentioned in this episode: * How to Train Your Dragon (2010) | Dir. Dean DeBlois & Chris Sanders * The Secret of Kells (2009) | Dir. Tomm Moore & Nora Twomey * The Phantom of the Opera (2004) | Dir. Joel Schumacher * The Iron Giant (1999) | Dir. Brad Bird * Toy Story (1995) | Dir. John Lasseter * Ratatouille (2007) | Dir Brad Bird * A Bug's Life (1998) | Dir. John Lasseter * Finding Nemo (2003) | Dir. Andrew Stanton * Kung Fu Panda (2008) | Dir. Mark Osborne & John Stevenson * Bee Movie (2007) | Dir. Simon J. Smith & Steve Hickner * Tangled (2010| Dir. Nathan Greno & Byron Howard * Jules & Jim (1962) | Dir. Francois Truffaut * Peter Pan (2003) |Dir. P.J. Hogan * How to Train Your Dragon 2 (2014) | Dir. Dean DeBlois
It's 2019! Which means Connor and Riley are dissecting Ridley Scott's vision of 2019 Los Angeles in the classic science-fiction film Blade Runner. They are joined by Steve Snediker, Associate Professor of Visual Arts at John Brown University in Siloam Springs, Arkansas. The Rules of the Frame crew reach a whole new level of nerdiness as they discuss crazy production conditions, all different versions of Blade Runner, connections to Blade Runner 2049, and what it really means to be human.
Full spoilers for Blade Runner
Link to Future Noir: The Making of Blade Runner - https://www.amazon.com/Future-Noir-Revised-Updated-Making/dp/0062699466/ref=sr_1_1?keywords=future+noir&qid=1552883172&s=gateway&sr=8-1 Films mentioned in this episode: * Blade Runner (1982) | Dir. Ridley Scott * Alien (1979) | Dir. Ridley Scott * Brazil (1985) | Dir. Terry Gilliam * Blade Runner 2049 (2017) | Dir. Denis Villeneuve * A Scanner Darkly (2006) | Dir. Richard Linklater * Total Recall (1990) | Dir. Paul Verhoeven * Minority Report (2002) | Dir. Steven Spielberg * The Adjustment Bureau (2011) | Dir. George Nolfi * Her (2013) | Dir. Spike Jonze * Ready Player One (2018) | Dir. Steven Spielberg * 2001: A Space Odyssey (1968) | Dir. Stanley Kubrick * Last Year At Marienbad (1961) | Dir. Alain Resnais * Matchstick Men (2003) | Dir. Ridley Scott * Prometheus (2012) | Dir. Ridley Scott * Alien: Covenant (2017) } Dir. RIdley Scott * The Iron Giant (1999) | Dir. Brad Bird * The Notebook (2004) | Dir. Nick Cassavetes * Witness (1985) | Dir. Peter Weir * Cinema Paradiso (1988) | Dir. Giuseppe Tornatore * This Is Spinal Tap (1984) | Dir. Rob Reiner * The Seventh Seal (1957) | Dir. Ingmar Bergman * Wild Strawberries (1957) | Dir. Ingmar Bergman
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Long ago, the four nations lived together in harmony. Then, everything changed when M. Night Shyamalan attacked. Connor and Riley examine The Last Airbender to find out what exactly went wrong. Was the studio interfering? Would this movie be better off without a director? Does Shyamalan owe the world an apology? Yes. Yes he does.
Full spoilers for Avatar: The Last Airbender, Signs, & Blade Runner
Films mentioned in this episode: * The Last Airbender (2010) | Dir. M. Night Shyamalan * The Lord of the Rings Trilogy (2001-2003) | Dir. Peter Jackson * The Battle of the Five Armies (2014) | Dir. Peter Jackson * Goodfellas (1990) | Dir. Martin Scorsese * Barry Lyndon (1975) | Dir. Stanley Kubrick * Signs (2002) | Dir. M. Night Shyamalan * The Village (2004) | Dir. M. Night Shyamalan * Blade Runner (1982) | Dir. Ridley Scott * Unbreakable (2000) | Dir. M. Night Shyamalan * After Earth (2013) | Dir. M. Night Shyamalan * Glass (2019) | Dir. M. Night Shyamalan * The Visit (2015) | Dir. M. Night Shyamalan
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Connor and Riley prelude their upcoming series with a brief discussion about book-to-film adaptations. Tired of hearing, "I thought the book was better"? They talk about their beef with that phrase, and why adaptations should be scrutinized differently.
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An epic conclusion to an epic series: Barry Lyndon. Connor and Riley oogle over each and every frame of Stanley Kubrick's 1975 period piece. Why was this film neglected? And does it really deserve a spot among the greatest achievements in cinematography?
WARNING: Full spoilers for Barry Lyndon
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Films mentioned in this episode: * Barry Lyndon (1975) | Dir. Stanley Kubrick * 2001: A Space Odyssey (1968) | Dir. Stanley Kubrick * The Shining (1980) | Dir. Stanley Kubrick * A Clockwork Orange (1971) | Dir. Stanley Kubrick * Eyes Wide Shut (1999) | Dir. Stanley Kubrick * Full Metal Jacket (1987) | Dir. Stanley Kubrick * Gangs of New York (2002) | Dir. Martin Scorsese * Master and Commander: The Far Side of the World (2003) | Dir. Peter Weir * Spartacus (1960) | Dir. Stanley Kubrick * Paths of Glory (1957) | Dir. Stanley Kubrick * Jaws (1975) | Dir. Steven Spielberg * Lawrence of Arabia (1962) | Dir. David Lean * Doctor Zhivago (1965) | Dir. David Lean
In the penultimate episode in their Epic series, Connor and Riley examine Akira Kurosawa's crowning achievement Seven Samurai. While possibly the most influential film ever made, this film also showcases how Kurosawa's directing style differed from most at the time. Listen for Star Wars comparisons, Japanese culture, and Riley struggling to pronounce a single Japanese name correctly.
WARNING: Spoilers for Seven Samurai
Every Frame a Painting video:
https://youtu.be/doaQC-S8de8
Films mentioned in this episode: * Seven Samurai (1954) | Dir. Akira Kurosawa * Star Wars (1977) | Dir. George Lucas * The Lord of the Rings: The Two Towers (2002) | Dir. Peter Jackson * Une Femme est une Femme ( A Woman is a Woman)(1961) | Dir. Jean-Luc Godard * The Royal Tenenbaums (2001) | Dir. Wes Anderson * The Dark Knight trilogy (2005-2012) | Dir. Christopher Nolan * Ran (1985) | Dir. Akira Kurosawa * Dersu Uzala (1975) | Dir. Akira Kurosawa * Merry Christmas, Mr. Lawrence (1983) | Dir. Nagisa Oshima * The Magnificent Seven (1960) | John Sturges * A Bug's Life (1998) | Dir. John Lasseter
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Connor and Riley talk about the often overlooked epic-period film Master and Commander: The Far Side of the World. Once again, Connor geeks out about history as they discuss if life at sea really was as grueling as this movie depicts. Does the CG hold up to today's standards? How faithful is Russel Crowe's performance to the Captain Aubrey from Patrick O'Brian's original novels? How does this film compare to Pirates of the Caribbean released the same year?
WARNING: Full spoilers for Master and Commander, Dead Poet Society, and Picnic at Hanging Rock.
Films mentioned in this episode: * Master & Commander: The Far Side of the World (2002) | Dir. Peter Weir * Witness (1985) | Dir. Peter Weir * The Cars That Ate Paris (1974) | Dir. Peter Weir * Dead Poets Society (1989) | Dir. Peter Weir * Picnic at Hanging Rock (1975) | Dir. Peter Weir * Dumbo (1941) | see Directors... https://www.imdb.com/title/tt0033563/fullcredits?ref_=tt_ql_1 * Das Boot (1981) | Dir. Wolfgang Petersen * Pirates of the Caribbean: Curse of the Black Pearl (2003) | Dir. Gore Verbinski
Other media:
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Connor and Riley are joined by friend and video editor Travis Olsen to discuss Fritz Lang's Sci-Fi Masterpiece Metropolis. They discuss film editing, social classes, extreme filming conditions, and whether or not Metropolis was deserving of a new 1980's synth soundtrack.
WARNING: Full spoilers for Metropolis
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Films mentioned in this epidsode: * Metropolis (1927) | Dir. Fritz Lang * M (1931) | Dir. Fritz Lang * The Testament of Dr. Mabuse (1933) | Dir. Fritz Lang * The Red Shoes (1948) | Dir. Michael Powell & Emeric Pressburger * Brazil (1985) | Dir. Terry Gilliam * Blade Runner (1982) | Dir. Ridley Scott * Star Wars Episodes I-III (1999-2005) | Dir. George Lucas * Top Gun (1986) | Dir. Tony Scott * Jaws (1975) | Dir. Steven Spielberg * The Black Stallion (1979) | Dir. Carroll Ballard * Man With A Movie Camera (1929) | Dir. Dziga Vertov * Battleship Potemkin (1925) | Dir. Sergei Eisenstein * The Passion of Joan of Arc (1928) | Dir. Carl Theodor Dreyer * Ghost in the Shell (1995) | Dir. Mamoru Oshii * The Prince of Egypt (1998) | Dir. Brenda Chapman, Steve Hickner, and Simon Wells
A little PSA for all of our listeners that the name of the podcast will no longer be Good Film Hunting, but instead we will be Rules of the Frame.
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Join Connor & Riley as they tackle the Marvel universe and how it has become the modern version of the epic. Hear if nerds should direct superhero movies, why the Hulk is the most interesting Avenger, and is the Marvel craze ever going to end?
WARNING: Major spoilers for The Avengers & Avengers: Infinity War, minor spoilers for Split & Alien
Films mentioned in this episode: * The Avengers (2012) | Dir Joss Whedon * The Incredible Hulk (2008) | Dir. Louis Leterrier * Doctor Strange (2016) | Dir. Scott Derrickson * Guardians of the Galaxy (2014) | Dir. James Gunn * Iron Man (2008) | Dir. Jon Favreau * Thor: Ragnarok (2017) | Dir. Taika Waititi * Spider-Man 2 (2004) | Dir. Sam Raimi * The Incredibles (2004) | Dir. Brad Bird * The Bourne Identity (2002) | Dir. Doug Liman * Unbreakable (2000) | Dir. M. Night Shyamalan * Glass (2019) | Dir. M. Night Shyamalan * Split (2016) | Dir. M. Night Shyamalan * Hellboy (2004) | Dir. Guillermo del Toro * Avengers: Infinity War (2018) | Dir. Anthony Russo & Joe Russo * Captain America: Civil War (2016) | Dir. Anthony Russo & Joe Russo * Back to the Future (1985) | Dir. Robert Zemeckis * Collateral (2004) | Dir. Michael Mann * Paris, Texas (1984) | Dir. Wim Wenders
Connor and Riley transition from the from the cold Russian winter to the hot Arabian summer as they discuss David Lean's 1962 masterwork, Lawrence of Arabia. Learn how this movie influenced the next generation of filmmakers, and if it truly lives up to being the greatest epic of all time. Connor defends long run-times for movies, while Riley pitches anproject for film school students. You'll also hear a nerdy digression into the history of aspect ratios and a public service announcement for anyone who owns movies on home video.
WARNING: Full spoilers for Lawrence of Arabia, minor spoilers for Doctor Zhivago & Tangled
Video on aspect ratios:
https://youtu.be/uSuCJyZzyRE
Films mentioned in this episode: * Lawrence of Arabia (1962) | Dir. David Lean * Doctor Zhivago (1965) | Dir. David Lean * Great Expectations (1946) | Dir. David Lean * Oliver Twist (1948) | Dir. David Lean * Star Wars (1977) | Dir. George Lucas * Kind Hearts and Coronets (1949) | Dir. Robert Hamer * Hidalgo (2004) | Dir. Joe Johnston * Raiders of the Lost Ark (1981) | Dir. Steven Spielberg * Grand Budapest Hotel (2014) | Dir. Wes Anderson * Lady and the Tramp (1955) | Dir. Clyde Geronimi, Wilfred Jackson, and Hamilton Luske * Gandhi (1981) | Dir. Richard Attenborough * Empire of the Sun (1987) | Dir. Steven Spielberg * Seven Samurai (1954) | Dir. Akira Kurosawa * Avatar (2009) | Dir. James Cameron * Jaws (1975) | Dir. Steven Spielberg * Tangled (2010) | Dir. Nathan Greno and Byron Howard * A Street Car Named Desire (1951) | Dir. Elia Kazan * On the Waterfront (1954) | Dir. Elia Kazan
Join Connor & Riley as they bring on the brilliant Irishman, Billy Stevenson, to discuss the romantic epic that is: Doctor Zhivago. Experience the true story of how this film impacted the life of the guest. Hear why intermissions are so important for long films. And decide whether action alone is enough to present love on film.
WARNING: Full spoilers for Doctor Zhivago
Link to David Lean biography: https://www.amazon.com/David-Lean-Intimate-Lady-Sandra/dp/0233002480/ref=sr_1_1?ie=UTF8&qid=1546537111&sr=8-1&keywords=david+lean%3A+an+intimate+portrait
Films mentioned in this episode: * Doctor Zhivago (1965) | Dir. David Lean * Brief Encounter (1945) | Dir. David Lean * 2001: A Space Odyssey (1968) | Dir. Stanley Kubrick * Chitty Chitty Bang Bang (1968) | Dir. Ken Hughes * The Revenant (2015) | Dir. Alejandro G. Inarritu * Lawrence of Arabia (1962) | Dir. David Lean * Great Expecatations (1946) | Dir. David Lean * The Sound of Music (1965) | Dir. Robert Wise * Ryan's Daughter (1970) | Dir. David Lean * Ratatouille (2007) | Dir. Brad Bird * Whiplash (2014) | Dir. Damien Chazelle * The Shape of Water (2017) | Dir. Guillermo Del Toro * The Wind Rises (2013) | Dir. Hayao Miyazaki
Connor and Riley intro their next series with a discussion on what constitutes an epic film. How do the new "epic" films measure up against the classic epics of old? Is the Marvel "machine" taking over Hollywood? Listen to find out.
Join Connor & Riley as they tackle Dreamworks' animated epic: The Prince of Egypt. Where they discuss questions that naturally come with each viewing such as: Is it Ramses or Rameses? Why is there a pop cover at the end of every 90's animated movie? And why is Jeff Goldblum in a Biblical epic? Listen in to the conversation.
WARNING: Major spoilers for The Prince of Egypt & minor spoilers for Exodus: Gods & Kings
Films mentioned in this episode:
This week, Maggie Hardy joins Connor and Riley as they delve into the magical world of Peter Pan! From play, to book, to film... you'll hear them compare the strengths and weaknesses of each medium.
WARNING: Full spoilers for Peter Pan (1953)
Huffington Post article on Mary Blair:
https://www.huffingtonpost.com/2014/03/22/the-world-of-mary-blair_n_5003658.html
The Illusion of Life: Disney Animation:
https://www.goodreads.com/book/show/106731.The_Illusion_of_Life
Films mentioned in this episode: * Peter Pan (1953) | Dir. Clyde Geronimi, Wilfred Jackson, and Hamilton Luske * Peter Pan (2003) | Dir. P.J. Hogan * Hook (1991) | Dir. Steven Spielberg * Peter Pan (1924) | Dir. Herbert Brenon * Pan (2015) | Dir. Joe Wright * Finding Neverland (2004) | Dir. Mark Forster * Alice In Wonderland (1951) | Dir. Clyde Geronimi, Wilfred Jackson, and Hamilton Luske * Fantasia (1940) | see directors... https://www.imdb.com/title/tt0032455/fullcredits?ref_=tt_ov_dr#directors/ * Pinocchio (1940) | see directors... https://www.imdb.com/title/tt0032910/fullcredits?ref_=tt_ql_1 * The Adventures of Ichabod & Mr. Toad (1949) | Dir. Jack Kinney, Clyde Geronimi, James Algar * Treasure Planet (2002) | Dir. John Musker & Ron Clemens * The Jungle Book (1967)| Dir. Wolfgang Reitherman * The Sword in the Stone (1963) | Dir. Wolfgang Reitherman * The Thief and the Cobbler (1993) | Dir. Richard Williams * Who Framed Roger Rabbit? (1988) | Dir. Robert Zemeckis * Oliver and Company (1988) | Dir. George Scribner * Anastasia (1997) | Dir. Don Bluth & Gary Goldman * Thumbelina (1994) | Dir. Don Bluth & Gary Goldman * The Village (2004) | Dir. M. Night Shyamalan
Connor and Riley explore the origins of ex-Disney animator Don Bluth with his directorial debut: The Secret of N.I.M.H. Don Bluth shook up the animation industry in the 1980's with darker material, proving that children can be a respected audience and handle heavier themes. Does the Secret of NIMH live up to it's source material? Listen to find out!
Link to Dragon's Lair playthrough: https://www.youtube.com/watch?v=C-dg4J9_nes
WARNING: Full spoilers for The Secret of NIMH
Films mentioned in this episode: * Titan A.E. (2000) | Dir. Don Bluth * Oliver and Company (1987) | Dir. George Scribner * An American Tail (1986) | Dir. Don Bluth * An American Tail: Fievel Goes West (1991) | Dir. Phil Nibbelink & Simon Wells * The Land Before Time (1988) | Dir. Don Bluth * All Dogs Go to Heaven (1989) | Dir. Don Bluth * The Great Mouse Detective (1986) | Dir. Ron Clements * The Black Cauldron (1985) | Dir. Ted Berman * Home on the Range (2004) | Dir. Will Finn * Toy Story (1995) | Dir. John Lasseter * Tarzan (1999) | Dir. Chris Buck & Kevin Lima * Pete's Dragon (1977) | Dir. Don Chaffey * Anastasia (1997) | Dir. Don Bluth
Connor and Riley get a bit emotional in this episode. They're joined by Connor's brother, Zack Reed, to discuss one of their favorite Pixar films: WALL-E. Childhoods are reminisced and tears are shed in this next episode in the series on the art and importance of animated films. Apologies in advance for the sniffles and stuffed up voices.
WARNING: Full spoilers for WALL-E and minor spoilers for 24 & The Fresh Prince of Bel-Air
Link to Andrew Stanton's TED Talk: https://www.youtube.com/watch?v=KxDwieKpawg
Films mentioned in this episode: * WALL-E (2008) | Dir. Andrew Stanton * Finding Nemo (2003) | Dir. Andrew Stanton * A Bug's Life (1998) | Dir. John Lasseter * Monster's Inc. (2001) | Dir. Pete Docter * Toy Story (1995) | Dir. John Lasseter * Snow White and the Seven Dwarfs (1937) | Dir. William Cottrell & David Hand * Ratatouille (2007) | Dir. Brad Bird * The Incredibles (2004) | Dir. Brad Bird * Lone Survivor (2013) | Dir. Peter Berg * Hachi: A Dog's Tale (2009) | Dir. Lasse Hallstrom * Old Yeller (1957) | Dir. Robert Stevenson * Where the Red Fern Grows (1974) | Dir. Norman Tokar * Suicide Squad (2016) | Dir. David Ayer * Star Wars (1977) | Dir. George Lucas * Raiders of the Lost Ark (1981) | Dir. Steven Spielberg * Alien (1979) | Dir. Ridley Scott * Star Wars: Episode III - Revenge of the Sith (2005) | Dir. George Lucas * Hello, Dolly (1969) | Dir. Gene Kelly * A Series of Unfortunate Events (2004) | Dir. Brad Silberling
Connor and Riley give their take on Miyazaki's The Wind Rises. This film gives an account of Jiro Horikoshi, designer of the Mitsubishi A6M Zero airplane, which was heavily utilized in WWII . The question this movies seeks to answer is this: What if our beautiful dreams are used for destruction?
WARNING: Full spoilers for The Wind Rises
Films mentioned in this episode: * The Wind Rises (2013) | Dir. Hayao Miyazaki * Grave of the Fireflies (1988) | Dir. Isao Takahata * My Neighbor Totoro (1988) | Dir. Hayao Miyazaki * Kiki's Delivery Servce (1989) | Dir. Hayao Miyazaki * Boro the Caterpillar (2018) | Dir. Hayao Miyazaki * Ponyo (2008) | Dir. Hayao Miyazaki * Only Yesterday (1991) | Dir. Isao Takahata * Floating Weeds (aka: Ukigusa) (1959) | Dir. Yasujirō Ozu * Duck Amuck (1953) | Dir. Chuck Jones * The Secret of NIMH (1982) | Dir. Don Bluth * Porco Rosso (1992) | Dir. Hayao Miyazaki
Connor and Riley are joined by their first ever guest and long time friend Stephen LaGue to discuss Wes Anderson's first animated feature: Fantastic Mr. Fox. As this is the start of their new series on animation, they'll discuss its diversity, impact, and why it does not get the credit it deserves. Why shouldn't animation be considered a genre? Why is Wes Anderson's dry humor is so great? Is Stephen LaGue the human version of Kylie the Opossum?
WARNING: Full spoilers for Fantastic Mr. Fox
Films mentioned in this episode * Fantastic Mr. Fox (2009) | Dir. Wes Anderson * Toy Story (1995) | Dir. John Lasseter * Coco (2017) | Dir. Lee Unkrich * Inside Out (2015) | Dir. Peter Docter * Only Yesterday (1991) | Dir. Isao Takahata * The Wind Rises (2013) | Dir. Hayao Miyazaki * Finding Nemo (2003) | Dir. Andrew Stanton * Piper (2016) | Dir. Alan Barillaro * The Incredibles (2004) | Dir. Brad Bird * Incredibles 2 (2018) | Dir. Brad Bird * Moonrise Kingdom (2012) | Dir. Wes Anderson * The Darjeeling Limited (2007) | Dir. Wes Anderson * Kicking & Screaming (1995) | Dir. Noah Baumbach * Frances Ha (2012) | Dir. Noah Baumbach * While We're Young (2014) | Dir. Noah Baumbach * The Squid & the Whale (2005) | Dir. Noah Baumbach * Isle of Dogs (2018) | Dir. Wes Anderson * Hot Rod (2007) | Dir. Akiva Schaffer * Bottle Rocket (1996) | Dir. Wes Anderson * Rushmore (1998) | Dir. Wes Anderson * The Royal Tenenbaums (2001) | Dir. Wes Anderson * The Life Aquatic With Steve Zissou (2004) | Dir. Wes Anderson * The Grand Budapest Hotel (2014) | Dir. Wes Anderson * Porco Rosso (1992) | Dir. Hayao Miyazaki
In our final episode in our mini-series on the use of silence in films, we discuss the Coen Brothers' masterpiece No Country For Old Men. Join us as we compare Tommy Lee Jones to Andy Griffith, make a weird connection with this film and The Office. and discuss what is truly important: Roger Deakins finally getting an Oscar.
WARNING: Full Spoilers for No Country For Old Men, minor spoilers for Prometheus & Barton Fink
Films mentioned in this episode * No Country For Old Men (2007) | Dir. Joel & Ethan Coen * The Big Lebowski (1998) | Dir. Joel & Ethan Coen * O, Brother Where Art Thou (2000) | Dir. Joel & Ethan Coen * True Grit (2010) | Dir. Joel & Ethan Coen * Barton Fink (1991) | Dir. Joel & Ethan Coen * Before Night Falls (2000) | Dir. Julian Schnabel * Pirates of the Caribbean: Dead Men Tell No Tales (2017) | Dir.
Joachim Ronning & Espen Sandberg * Skyfall (2012) | Dir. Sam Mendes * Biutiful (2010) | Dir. Alejandro G. Inarritu * The Fugitive (1993) | Dir. Andrew Davis * Jason Bourne (2016) | Dir. Paul Greengrass * Men In Black (1997) | Dir. Barry Sonnenfeld * The Hunger Games (2012) | Dir. Gary Ross * Zombieland (2009) | Dir. Ruben Fleischer * Now You See Me (2013) | Dir. Louis Letter * A Clockwork Orange (1971) | Dir. Stanley Kubrick * Prometheus (2012) | Dir. Ridley Scott * The Assassination of Jesse James by the Coward Robert Ford (2007) |
Dir. Andrew Dominik * There Will Be Blood (2007) | Dir. Paul Thomas Anderson * Blade Runner 2049 (2017) | Dir. Denis Villeneuve
Connor and Riley discuss a film you may not have heard of before. Sunrise: A Song of Two Humans was released in 1927 and broke new ground in the history of cinema. Listen to discover why this film was unique and how it paved the road for movies to follow.
WARNING: Full spoilers for Sunrise: A Song of Two Humans
Films mentioned in this episode
Connor and Riley kick off their series on "silence" with the film The Shape of Water. Did it successfully merge the fantasy genre with the period piece? Was it deserving of the Best Picture Oscar? Listen to find out!
WARNING: Full spoilers for The Shape of Water and minor spoilers for The Iron Giant
Films mentioned in this episode:
Connor and Riley introduce themselves, share the vision for the podcast, and even share some of their favorite movies.
Riley's picks: * Tarzan (1999) | Directed by Chris Buck & Kevin Lima * To Kill a Mocking Bird (1962) | Directed by Robert Mulligan * Good Will Hunting (1997) | Directed by Gus Van Sandt
Connor's picks: * Andrei Rublev (1966) | Directed by Andrei Tarkovsky * Inception (2010) | Directed by Christopher Nolan * Toy Story (1995) | Directed by John Lasseter