Thoughts on Films: Recent Episodes
Thoughts on Films
Recorded in September 2023, Fikri and friend of the show Hafiz fly off into a galaxy far, far away to talk about ‘Andor’. They touch base with the diversity in the story, and analyse how the show’s settings (such as Coruscant) and real-life locations (like London) can say about the classism and gentrification of society as a whole. Fikri is especially interested in the prison arc narrative, while Hafiz points out how its difference from other Star Wars shows made it a great Star Wars show. Finally, they both remember their former colleague and mentor Ches Skinner, who passed away in June 2023.
Fikri check in with friend of the show Iki Ali on his latest venture, the Brothers Ali YouTube channel. Launched earlier this year as a film review outlet with his brother, Sy Ali, they discuss its seeds of origin, and the scope and approach employed in their film discussion. They also consider how Iki’s film reviewing career (starting in 2010) has evolved over time, including the transition from text-based analysis to a more audio-visual form. Finally, Fikri and Iki touch on the significance of the bigger picture that is the Malaysian audio-visual film review landscape.
Fikri, Nadia and Tiara conclude their discussion on selected 2022 Indonesian films. Inspired by an article in The Jakarta Post, they run through the rigmarole of films they have seen (or not) in ‘Nana’, ‘Like & Share’, ‘The Big 4’ and ‘Ngeri-Ngeri Sedap’. They discuss the communist purge in the 1960s, contexts of female conditioning, the representation of youth angst on screen, and how common cultures like Bataknese are seen on screen. They also consider films that did not make the official cut, like ‘KKN Di Desa Penari’ and ‘Sayap-Sayap Patah’.
We kick off the next century of episodes by looking at selected Indonesian films from 2022. Friend of the show Nadia returns along with a debuting Tiara, and their passion for Indonesian cinema will guide Fikri through this discussion inspired by an article in The Jakarta Post. The first of two parts considers the films they have seen (or not!) in ‘Pengabdi Setan 2’, ‘Noktah Merah Perkawinan’, ‘Keramat 2’, ‘Mencuri Raden Saleh’ and ‘Evakuasi Mama Emola’, touching on the representation of female role models, the monstrous feminine in horror and whether the film landscape is still a Java-centric one.
Finally, our 100th episode! Ezzah, Fikri and Muz got together (separately) to discuss their recent film experiences in Europe and Asia respectively. In the first part, Muz details the distinctions between the different parts of Italy and how it affects stories found in the likes of ‘Gomorrah’ and ‘Cinema Paradiso’. Later on, Fikri checks in on Ezzah in Scotland, exploring her latest documentary exploits, touching on the film ‘Sr.’, and discussing more deeply about life, family and distance.
This episode is the final part of Fikri and Hassan Muthalib’s discussion of the Malayan Film Unit. They look at some key films like ‘The Red Book’ and ‘Abu Nawas’; given Fikri’s research interests, they also delve into the likes of ‘Letters from Home’ and ‘Rohani Steps Out’, highlighting how women are instructed to ‘behave’ in certain contexts. In relation to Malayan independence, there is also a chat about how ‘Merdeka Mission’ positioned Tunku Abdul Rahman with a more post-colonial objective in mind.
In part one of a two-parter, Fikri invites friend of the show, film historian Hassan Muthalib, to discuss the Malayan Film Unit. Created by the British colonial administration, they talk about the start of Hassan’s film career and how he came to be involved with the department. They also get into its efficacy in combatting communism in the country, look at key figures like Tuan Zain and Gillie Porter, and discover its connection to films like ‘Superman’.
Fikri welcomes Emily to the show to talk about ‘Whispers of Silence’ and some aspects of Burmese cinema. In the first half, they focus on the short film by Zaw Bo Bo Hein and Mg Bhone, a film released in 2018. They consider the text in its social, political and religious contexts. Subsequently, Emily expands on filmmaking in Myanmar and the experience of watching films in the country, considering the impact of censorship on filmmakers, and the role played by the Wathann Film Festival.
Fikri and Thim Kian conclude their discourse on thoughts inspired by a discussion between Ang Lee and Hirokazu Koreeda. Thim Kian reflects on his personal meetings with Koreeda and Ang Lee, when he took part in film academies led by the both filmmakers. They also discuss how both have affected Thim Kian’s own filmmaking efforts, especially in areas related to editing and working with child actors, as well as the difference between fiction and non-fiction storytelling.
Recorded in 2021, Fikri and Thim Kian sit down for a chat about a discussion between Ang Lee and Hirokazu Koreeda. Held at the 2020 Berlin International Film Festival, it was one of their contributions to the We Are One: A Global Film Festival. Connecting it to their contexts, Fikri and Thim Kian consider the influence of Taiwanese and Japanese films and cinema culture on the Malaysian Chinese community and filmmakers. They also mull over Ang Lee’s experience of making international films, as well as his notion of time and space in their own works.
Fikri and Nadia waxes lyrical about the Indonesian film, ‘Penyalin Cahaya’. A big winner at Festival Film Indonesia 2021, the Wregas Banuteja-directed film has been gaining traction on Netflix. In this spoiler-filled discussion, Nadia considers how the film works in a cultural sense, as well as its depictions of university life. Meanwhile, Fikri touches on the film’s bigger picture legal contexts, such as its interaction with aspects of the law, as well as recent controversies surrounding the film itself.
Fikri gets Muz back on the mic for the first time in a long time, as they discuss their thoughts on watching ‘Spiderman: No Way Home’ in cinemas. The first part covers their respective treks to cinemas in India and Indonesia, their first time back in front of the silver screen for nearly two years. Subsequently, they touch on the film itself, with Muz excited about its connections to various cinematic universes and Fikri enthused by the film’s consideration of second chances and mental health, among others.
The second of a two-parter features another three of the best of Indonesian cinema in 2021. Fikri and Nadia continue their verbal Venn diagram of films selected by The Jakarta Post and Festival Film Indonesia, settling on those they’ve seen. Touching on issues related to genre filmmaking and gender and sexuality, this concluding part reaches the end with ‘Arumi & Lidah Pocong’, ‘Yuni’ and ‘Paranoia’.
This episode is the first of two parts, looking at selected films from Indonesia in 2021. We welcome a special guest, Nadia Syarifah, whose keen interest in contemporary Indonesian cinema will guide Fikri and their discussion of films pruned from a listing by the Jakarta Post and the winners at Festival Film Indonesia, focusing on ‘Ali dan Ratu Ratu Queens’, ‘Seperti Dendam, Rindu Harus Dibayar Tuntas’ and ‘Nyengkuyung’.
This is the second part of a spoiler-filled discussion with Muzzamar Rahman about his film. Having discussed the narrative of ‘Prebet Sapu’, Fikri and (the other) Muz discuss how important Kuala Lumpur is not just as the film’s background and context, but also as the third main character of the film itself. They also get into the bigger picture political subtext, and how comfortable Muz feels portraying the bigger picture political points as one of the film’s subtext.
This spoiler-filled episode is an exclusive interview with Muzzamer Rahman about his film, ‘Prebet Sapu’. Fikri and (the other) Muz sit down for an in-depth discussion about the craft and narrative of his film. The first of two parts considers the film’s origins and the difficulties Muz faced in getting the story going. He also highlights the importance of the actors, Amerul Affendi and Lim Mei Fen, in shaping the film’s narrative progression, especially in balancing the ethnic discussion in ‘Prebet Sapu’ with other factors.
88th time’s the charm! This episode is a special recording of Bebbra Mailin discussing the craft of her scriptwriting and storytelling. Made during a session with film students, it follows a screening of three of her films: ‘Langad di Odu’, ‘Rapuh’ and ‘Ninavau’. Along the way, Bebbra considers the personal nature of her stories and how to refine them, why it's important to be honest in your storytelling, and the scripting of fiction- and fact-based narratives.
This episode is an exclusive interview with subtitlist Iki Ali. He discusses the origins of his career as a subtitlist, the challenges he has faced thus far in his career, and how those interested may get their start in the field. Fikri and Iki also considers how certain languages may be prioritised over another (or not), how his work has affected his viewing of films, and why ‘Dune’ has great subtitles. Iki did the subtitles for ‘Prebet Sapu’, which will be released in cinemas on Thursday 16th December 2021.
The second of a two-parter completes Fikri and Ezzah’s discussion on short films made for VIVO and the Malaysian International Film Festival. This episode focuses on ‘Burger RM15’ by Muzzamer Rahman and Chong Keat Aun’s ‘The Incident’. Along the way, they share their love for Adibah Noor, find the perfect candidate to play Dr. Norman Yusoff in his biopic, and delight in being mistaken as Chinese.
Recorded some time ago, Fikri and Ezzah take a closer look at a number of short films made for VIVO and the Malaysian International Film Festival. The first of two parts focuses on Nadira Ilana’s ‘Mansau Ansau’ and ‘The Last Thread’ by Fabien Loo. The final section of the episode somehow became a rant against outlets cutting short the end credits of films, so random projectionists in Indonesia and Korea, beware!
Probably the shortest run-up to an episode, ever! Having stumbled upon ‘Secangkir Kopi Bersama Dia’ by Faliq Shariff some time ago, Fikri stumbled out of bed for a lightning recording session with Muzzafar. Based on the short story of the same name by Syaihan Syafiq, it is inspired by the fact that Fikri and Muz previously made a short film, ‘Kopi Dan Dia’, based on the same story. In the first half, they take a closer look at Faliq’s film, looking at some similarities and differences, before recalling their experience making their film nine(!) years ago.
Another week, another episode! Fikri and Ezzah sit down to discuss selected films from the 17th Mini Film Festival. The three films are ‘Tempat Letak Kereta’, ‘The Dalang’s Tale’ and ‘Kaalam Maari Pochu’. Nominated in the Open Category of the festival, this complements our previous coverage of the category’s other films. They discuss how the films connect with Malaysian society, domestic abuse and discussions about family.
In our 82nd episode, Fikri and Ezzah share their thoughts about Chili Powder and Thinner. A short animation looking at the issue of police brutality in Malaysia, it has caused some controversy, with its producers questioned by the authorities. They discuss the filmmaking style, considering how using animation for real-life events may affect its reception. They also situate it in the Malaysian bigger picture, wondering how it may affect filmmakers in being open about their thoughts and feelings.
For this episode, we're going to go back... way back, to 1962! Fikri sits down with special guest, film historian and all-round good guy Hassan Muthalib in discussing 'Mandi Safar'. Directed by Mohd Zain Ibrahim, the film depicts a Malay tradition no longer practiced as it's deemed to be 'unIslamic'. We discuss how close the film's representation match the reality of the day, consider factors related to colonialism in the making and reading of the film, and how well it fits in with the rest of Zain Ibrahim's filmography.
Let’s get ready to rumble! Fikri is back with Tony Pietra Arjuna for the second part of their discussion of his film, ‘Shadowplay’. This episode’s focus is on the film’s geography and distribution methods. Fikri is especially interested in the portrayal of Kuala Lumpur, and Tony divulges how the city’s development transfigured the cityscape as both a location and a witness to the proceedings in the film. They also discuss how the deal to place ‘Shadowplay’ on KiniDia came about, and the film's other other distribution and exhibition plans.
This episode features Tony Pietra Arjuna in the hotseat! With his film ‘Shadowplay’ dropping on KiniDia, Fikri figures the time is right for an in-depth discussion into the craft of the film. The first of a two-parter, this week focuses on the narrative arc and origin, as well as how the characters are developed. Along the way, they consider the influence of David Lynch and works like ‘Run Lola Run’, the importance of his previous film ‘Cuak’ to this one, and whether the term ‘cloudwalker’ is included because Tony couldn’t get the rights to ‘skywalker’.
Back after a hiatus! Fikri and Ezzah sink their teeth into a number of juicy news bits. First up is a look at Disney+ Hotstar, which finally made its debut in Malaysia on 1st June 2021. They consider the role it plays in bring Malaysian films and television shows to new audiences, and how it fits into the local streaming landscape. In the second half, they react to Chloe Zhao’s Oscar win, and wonder how Malaysians would react to one of their own doing the same.
Recorded in January 2021, this week's episode is a special look at digital technologies, identity formation and what the future might be like for media like film. Hosted by Tan Meng Yoe of Monash University, it is a follow up to a guest lecture conducted by Fikri on the same topic. Additionally, these two can't make such points without a little bit of Power Rangers chat, and on that note, may the power protect you!
The second of a two-parter features Fikri and Ezzah concluding their discussion on films from the SWANA Film Festival. Organised by Christina Hajjar and the University of Manitoba in February 2021, the films touch on issues related to diaspora, dis/connection, agency and change. Here, Fikri and Ezzah share their thoughts and feelings related to ‘The Wall’ by Odette Makhlouf and Issraa Elkogali Heggstrom’s ‘Nora’s Cloth’.
Fikri and Ezzah return in the 75th episode of Thoughts on Films to talk about the SWANA Film Festival! Focusing on Southwest Asian and North African (SWANA) films, it was curated by Christina Hajjar and hosted by the School of Art, University of Manitoba in February 2021. In addition to a poetry reading by Hala Alyan, Fikri and Ezzah take in two films from the event's second week, Suha Araj’s ‘Rosa’ and ‘Though I Am Silent, I Shake’ by Sophie Sabet.
The 74th episode of Thoughts on Films is a discussion between Fikri and Hafiz about 'Kickflip'! Directed by Khairil M. Bahar, it tells the story of Johan, a man facing a mid-life crisis of sorts who finds solace by turning back to one of his earlier passions, skateboarding. Released in December 2020, Fikri and Hafiz talk about the film's technical qualities, how it relates to real life, and why it’s much more than a skateboarding film. They also consider how it fits into Khairil’s filmography, as well as other socio-cultural issues the film touches on.
Happy Lunar New Year to all! Fikri and Ezzah kick off the new cycle with a discussion of ‘Burung-Burung’ by Anwar Johari Ho. Having officially premiered at the 15th Jogja-NETPAC Asian Film Festival in November 2020, they connect the film with Anwar’s previous efforts, like ‘Forget Me Not’ and ‘Unforgettable’ (which he produced). In addition to an analysis of the film’s style and substance, Fikri and Ezzah also consider the significance of the film’s locations and the idea of home, the concept of merantau, and the link between instant noodle and love.
This episode of the podcast is a special interview with Malaysian filmmaker Kan Varren. The director of 'Garang', released in 2019 and billed as Malaysia's first action film to feature difabled characters in lead roles, sits down to discuss the origins of his career and how it led him to the making of his feature film debut. He also opens up on the challenges he faced in making the film, his experience in the Indian film industry, and why the film remains a source of pride and satisfaction in the face of intense criticism.
Initially published by our sister publication CQ Magazine, this episode is a recording of a talk delivered by Riri Riza. An accomplished Indonesian filmmaker, having made numerous critical and popular successes such as 'Laskar Pelangi', 'Sokola Rimba' and 'Ada Apa Dengan Cinta? 2', he discusses the importance of cinematography and lighting. The talk was delivered in March 2015 at the National Film Development Corporation Malaysia (FINAS), and was organised by both FINAS and the Malaysian Society of Cinematographers (MySC).
Not long after the last one, Fikri and Ezzah are back for the 70th episode of Thoughts on Films. They dig deep into a long-planned but never-executed episode focusing on selected films from the Fat Bidin COVID-19 Mini Docs film competition! An event that ran in the middle of the year, a top-three was chosen from a shortlist of over 20. Fikri took a closer look at the podium finishers, while Ezzah (having seen them all) shared her thoughts on the best of the rest.
Finally, we would like to wish our listeners Merry Christmas and Happy New Year!
Fikri and Ezzah get together to sembang some news of Malaysian cinema in the past weeks and months. At the forefront is a discussion about Emir Ezwan’s ‘Roh’ being selected as the nation’s submission for the Academy Awards in 2021. This is followed by a chat about ‘Puteri Gunung Ledang’ being on Netflix, powered largely by Ezzah’s enthusiasm. Finally, they spend more time on Namewee’s film ‘Babi’ and ‘The Story of Southern Islet’ by Chong Keat Aun; though both have gained acclaim elsewhere, at home they have not been received all that well…
After an unplanned hiatus, Fikri returns with a special episode in the bag! He interviews Cheng Thim Kian, a Malaysian filmmaker with not one, but two films released in 2020. In the first part, they discuss 'BEE, My Friend', looking at its theme of education and charting the journey from being a video made for a school to one that is selected for international film festivals. In the second half, they focus on 'When the Crickets Sound', a film competing in the My RODE Reel, billed as the world's largest short film competition.
Returning from a short hiatus, Fikri and Muz return with an episode looking at Emir Ezwan’s film, ‘Roh’. They consider the film’s technical and thematic merits, discussing ‘Roh’ in the context of Malaysian horror. Along the way, Muz relates it to other films from Iran and the United States, while Fikri links it to happenings back home in Malaysia. Recorded some months ago, this episode is released now in conjunction with the exhibition of the film in Malaysian cinemas on 6th August 2020.
The 66th episode features Fikri and Muz for another chat on Malaysian cinema, beginning with commiserations on the passing of animator Rosdi bin Othman, a key part of the film ‘Legend of Ancient Borneo’. They briefly touch on updates on the new CEO of FINAS, and the official standard operating procedure for film production in Malaysia, before delving deeper into Tan Ce Ding’s ‘The Masseuse’. Fikri is enamoured with the film’s aesthetics, while Muz considers its links to the cyberpunk genre. Along the way, they also analyse the film’s themes, how reminiscent it is of the ‘Blade Runner’ and Wong Kar-wai films, and where it stands in the pantheon of Malaysian science fiction films.
The 65th episode brings with a smorgasbord of films news to discuss! Fikri and Muz sit down to talk about the appointment of Zakaria Abdul Hamid as the chairman of the National Film Development Corporation Malaysia (FINAS). They also consider the other board members appointed to their roles, before considering the reasons and implications of the lack of a more official COVID-19 guideline for Malaysian filmmakers (with a brief contribution from Nadira Ilana). After the break, they briefly peruse through said guidelines for the UK and India, before delving into the true meat of this episode’s sandwich: the announcement of the Snyder Cut!
Selamat Hari Raya to all! Recorded at the end of Ramadhan, this episode is a special interview with Anwar Johari Ho, the director of ‘Forget Me Not’. Fikri sits down with him (online, natch) to discuss his career thus far, and how his education journey has helped (or not) with his film one. In the second half, they delve deeper into Anwar’s film, discussing issues related to Chineseness, how it relates to his own personal contexts, and the peaks and troughs experienced in making the film. Have a listen, and enjoy the episode as you enjoy your lemang (if you can find some, that is)!
Ladies and gentlemen, introducing: Hafiz Rahman! This episode sees Hafiz, a keen film fan, sit down with Fikri for a stroll down the killer memory lane that is Memories of Murder. Directed by Bong Joon-ho (probably the one filmmaker with the dreamiest of 12 months to look back on), the film tells the story of South Korea’s first serial murders in history. Sparked by Hafiz’s recent splurge on his films, they consider the political context of the film’s setting, the film’s representation of violence and gender, and correlations to real-life events. All this and more on the 63rd episode of Thoughts on Films!
For once, an episode hitting more sombre notes. Fikri and Muz sit down to discuss the recent passing of three personalities in world cinema: Irrfan Khan, Rishi Kapoor and Kamal Ishak. Part one sees the discussion of Irrfan Khan’s impact, particularly through the films the boys were first introduced to him. The second half focuses more on ‘Bobby’s Rishi Kapoor and the impact of that film, as well as Kamal Ishak, the Malaysian filmmaker most prominent in the 1990s with films such as ‘Cinta Kita’ and ‘Penyair Malam’.
Happy Star Wars Day! For this episode, Ezzah reminisce over her trip to Tunisia a number of years ago, during which time she managed to snag a visit to the original Star Wars set. She dove deep into her thoughts and feelings at the time, including the journey of getting there and how the experience and emotions affected her. In the second half, Fikri and Muz delve into a discussion on the future of the Star Wars series, including how the conclusion of the Skywalker saga may affect their own interest, and whether it is wise to prioritise its television productions (as opposed to theatrical releases). Whatever it is, May the Fourth be with you all!
For the 60th episode, Fikri and Ezzah celebrate the festival of creativity that is the #KumanPicturesChallenge by looking at a select number of films. Organised by Kuman Pictures, it is a competition designed to encourage filmmaking under lockdown conditions, with the winners walking away with RM1,000. Given that there are over 200(!) films, we have been very personal and prejudiced in the films featured in this episode. However, while that is no guarantee of quality, we certainly had a good time in watching these films, and we hope you have a good time in listening us discuss them!
Disney+ is in town, and so are Fikri and Muz! In this episode, the guys sit down to chat about its position in the streaming landscape. Reflecting on their experience of streaming the House of Mouse, they talk about the upsides (e.g. the surprisingly low cost), as well some of the surprising downsides. In the second half, Fikri talks to Ezzah about two articles they wrote on streaming back in 2016, and consider how things have changed for them in the four years since, focusing on the streaming industry and its impact in Malaysia and Indonesia.
58 up! For this episode, Fikri and Ezzah sit down to have a chat about microdocumentaries. Inspired by Ezzah’s current professional obligations, the discussion includes videos produced by the likes of Vice, Vox, and anything else that begins with the letter V. Along the way, they consider the good, the bad, and the information colonisation of the genre, as well as various regional and local alternatives. All this and more on the only film podcast in the world where you are not required to laugh at Fikri’s jokes (but do so anyway)!
The 57th episode of Thoughts on Films sees Fikri and Ezzah get together to reflect on some contributions from their friends. This includes the two Muzzes, one (Muzzafar) sharing his thoughts on being inside the world’s largest COVID-19 lockdown, while the other (Muzzamer) expresses his thoughts and feelings on the postponement of his film, ‘Takut Ke Tak’. We also have a listen to Lin Ariffin, one of the persons behind Aussie Malaysian TV in Melbourne, Australia, as she describes a special documentary project she is working on. Finally, Ezzah sheds more light on her experiences at Walkabout Asia, a microdocumentary channel she is currently attached to.
Though the world now has much bigger things to think about, the team gets together to discuss their feelings on the situation, shedding light on life under different types of lockdown in Malaysia and England. Coming back into the mix to do exactly that is Ezzah Mahmud, as she and Fikri consider the impact of COVID-19 on Malaysian cinema. This includes the exhibition of films cut short or postponed due to the Restricted Movement Order since 18th March 2020, as well as other significant film events. Along the way, friend of the show and Indonesian filmmaker Winaldo Swastia chimes in with his own perspective from Jakarta, including how his own film shoot has been affected.
The Winding Road is a panel discussion at the 2019 Young Filmmakers and Digital Content Forum. Though the path to making your debut feature film is filled with many challenges, many still see it as the top of the mountain, a peak to aim for in one’s career. With that in mind, this episode features an in-depth discussion with Ineza Roussille (director, M for Malaysia), Muzzamer Rahman (director, Prebet Sapu) and Nadiah Hamzah (director, Motif). Having recently made their first feature films, they now shine a light for others still finding their way.
The event was organised by the Institute of Arts and Media Studies Malaysia (SEMESTA), in association with the National Film Development Corporation Malaysia (FINAS) and Malaysian Digital Film Awards (MDfA).
This week, Fikri and Muz are back to discuss the film ‘Ninavau’ by Bebbra Mailin. The film enjoyed a banner year in 2019, winning numerous awards and selections for festivals in Malaysia and beyond. The boys consider the film in its own right, discussing its fine technical merits, before expanding the discussion to the bigger picture context. This includes talking about pressures on minorities, inter-religious tensions and whether it would be more accurate to discuss the concept of Bornean cinema on its own terms.
Hot off the press! Fikri and Muz take some time out to run their rule over the haves and the have nots of the 92nd Academy Awards. They consider the merits of the films they have seen (as well as those they have not), discuss briefly the process of voting in the American/Western awards season, and consider the significance of the Oscars in a global setting. More pertinently, they also consider the question of whether the success of ‘Parasite’ and Bong Joon-ho is truly a victory for Asia. All this in the latest episode of (probably) the only podcast in the world to be recorded on different days at the same time!
Spoiler alert! The latest (and basically last) Star Wars film has hit the screens, and Fikri and Muz is here to give the lowdown on ‘The Rise of Skywalker’. They talk about the good, the bad, and the weird of a film that nevertheless hits a lot of the sweet spots. Along the way, they consider what they would have done differently had they been in the director’s chair, and what Star Wars mean to them now that the so-called Skywalker Saga has come to an end. All this and more in the 52nd episode of (definitely not) the only podcast in the world that’s not crying at the film’s end, you are!
Recorded on 31st December 2019.
Ladies and gentlemen, boys and girls, children of all ages: the boys are back in town! We relaunch a new season of Thoughts on Films, the podcast with an especial look on films in Malaysia and beyond. Returning for more fun are Fikri and Muz. Since the last episode nearly four and a half years ago (!), they have been this way and that throughout the globe, and this episode sees them catch up on their major cinematic experiences since half a decade ago. Without further ado, let’s get cracking with the only film podcast in the world talking about films in Malaysia and beyond that’s not actually based in Malaysia!
Recorded on 23rd December 2019.
Ladies and gentlemen…all good things come to an end. We’re not sure whether this podcast particularly qualifies as a good thing, but unfortunately it is not the exception to the rule, meaning that this 50th episode will also be our last. As such, Fikri and Muz goes back into the past, taking a closer look at what may regard as the quintessential Malaysian film ‘Mekanik’. Though there is little that needs fixing, the boys get to work one last time all the same. Sorry may well be the hardest word, but we’d argue goodbye is equally tricky. Something a lot easier to say is thank you, dear listener, so sit back, relax, and enjoy the last ever episode of the world’s only film podcast in Bahasa Malaysia!
Originally published on 23rd May 2015.
After a break of a few weeks, we’re back with another episode! The 49th show takes a closer look at the film, ‘Puteri Gunung Ledang’. Ezzah and Fikri sat down to talk about their impressions of the film, its cultural impact, as well as the portrayal of different genders (what else?) in an interesting light. Ezzah, especially, was incredibly excited, naming this as one of her favourite films of all time, so you can be sure to be in for a fun experience on the world’s only film podcast in Bahasa Malaysia!
Originally published on 3rd April 2015.
Finally, we are able to sit down with Mr Fadzlie Musthafa for a long-awaited interview! We first came across his films ‘Setitis Harapan’ and ‘When?’ some moons ago. Attempts to interview him, however, proved to be elusive for a number of different reasons, so believe you us when we tell you that this is an interview more than half a year in the making. Unfortunately, due to technical reasons the sound quality can be a bit challenging in parts, but stick with it, for he speaks of interesting stuff with regards to the making of his films as well as the progression of his academic career. So sit back, relax, and enjoy the only podcast in the world where one half of the interview is recorded at a mamak shop! (most probably)
Originally published on 15th March 2015.
Another weekend, another episode of Thoughts on Films! Ezzah returns for a second consecutive week as we train our eyes on news from in and around Malaysian cinema. Ranging from the ban of ’50 Shades of Grey’ to Faizal Hussein wanting to be a director, the discussion remains fun and friendly…unless your name is Eyra Rahman. Even if it is, we certainly hope you enjoy another episode of the world’s only film podcast that talks about Angelina Jolie and Syamsul Yusof in the same hour!
Originally published on 8th March 2015.
We waited up and got down with Ms Ezzah Mahmud, who joins us from the other side of the world (literally!). Now based in Wales, a recent review by Ezzah about a Brazilian film revealed a deep love for the Elite Squad film series. As such, we prepared the coffee, cranked up the volume, pressed the red button and deliver to you the most international episode (in terms of distance) of the world’s only film podcast in Bahasa Malaysia!
Originally published on 27th February 2015.
Hola the good people of the universe! Continuing on from last week, Fikri and Wina are still at that same coffee shop, talking about the films and filmmakers nominated at the 87th Academy Awards. They discuss the screenplay, cinematography, acting, directing and best film categories. You can catch the first part here, and the Oscars this coming weekend, but until then, enjoy the latest session of the world’s only Bahasa Malaysia film podcast that’s not done in Bahasa Malaysia!
Originally published on
We can’t keep Wina away, so she’s back again in this episode, where we look at the films and filmmakers of the 2015 Academy Awards! Mind you, we have not seen all of the films, so do not expect a predictions show of sorts. Rather, this will be an informal, slightly unguided and somewhat insane session of talking. Then again, that’s been the recipe for quite a lot of our shows as well, so no worries there. Check it out, enjoy and Happy Lunar New Year to all our listeners!
Originally published on 15th February 2015.
We’re back with a special episode and a special guest! This week, we welcome Wina once again, as Fikri makes good use of his time in Jakarta. They both sit down and discuss one of Wina’s secret careers: she is a television programme subtitler! Or at least, a cog in the subtitling machine, as she constantly puts it. Nevertheless, it is an important cog, and this is an important episode as Fikri and Wina discuss her experience, how she comes to hate reality shows, and why it’s difficult to translate the word dog into Indonesian. Check it out!
Originally published on 6th February 2015.
Hola, the good people of film lovers! Welcome to our 42nd episode. Here, the boys will take a look back at the year that is 2014 in Malaysian cinema. Quite frankly, they got more than a little sick of saying ‘The Journey’ over and over again, but there were a number of other surprises there, too. So enjoy this mind-numbing, numbers-crunching edition of the world’s only film podcast in Bahasa Malaysia!
Originally published on 17th January 2015.
On the home stretch, people! We bring in the new year with the final part of the epic-ish discussion on horror films. In this episode, we finally land in Malaysia, and discuss pretty everything we could think of under the sun, from P. Ramlee’s own attempts at the genre to more contemporary offerings by Syamsul Yusof and gang. We hope you guys had a good time celebrating the new year, so here’s to a resolution from our side: more of the same from the world’s only Bahasa Malaysia film podcast!
Originally published on 5th January 2015.
Ladies and gentlemen, we hope the holiday season has found you to be merry and jolly all at the same time! Not that we’re about to discuss Christmas films or anything. Rather, we went long and on about horror films, this time zeroing in on our ASEAN friends. We discuss the contenders from Thailand, Cambodia and Indonesia before the final part on Malaysian horror cinema next week. Until then, we wish to thank you for your support in 2014, and have a happy new year!
Originally published on 28th December 2014.
The boys are back with a continuation of the previous episode. They really need to work on their time management, though, because the initially-planned two-parter on horror films expanded into…well, a total recording duration of more than four hours! As such, here is the second of the-now-new-four-part series. For now, Fikri and Muz take a closer look at Asian horror, so enjoy!
Originally published on 22nd December 2014.
OK, so the moon is no longer red, werewolves are no longer howlin’ and the vamps and ghouls already went back to their crypts, but if anything…that’s the perfect time to talk about their films! Feeling much safer, in part 1 Fikri and Muz takes a big bite of the horror genre. Of course, they can’t cover every single thing, but they do talk about its earliest years on the silver screen as well as how folk stories, urban legends, cultural and social panics are/were played and incorporated into films by the Western world. All these and more in the one and only recorded podcast in Bahasa Malaysia that talks about ghosts and ghouls but without the campfire and marshmallow (because we’re sure there’s a fatwa or something against that)!
Originally published on 15th December 2014.
For this episode, Fikri and Muz said, “Kami akan berehat seketika untuk ‘Kami The Movie’.” Recorded during Buku Jalanan 3 Tahun, this special episode is a recording of a discussion session about ‘Kami The Movie’ (not this ‘Kami’). The movie was based a TV series of the same name about urban youth in Malaysia. The panel members, the film’s director Effendee Mazlan and friend of the show Dr Norman Yusoff, were moderated by Athina Marzuki, so click the link and just press play!
Originally published on 5th December 2014.
We would jealously KIL for others losing their heads as their hopes are Hanyut, not unlike the Anak Jantan’s for the Gone Girl in The Cage in that film research institute. What on earth are we talking about? Why, it’s only a look at the tits and bits of Malaysian cinema news in the world’s only film podcast to be done in Bahasa Malaysia!
Originally published on 24th November 2014.
Continuing on from last week, Fikri and Wina discuss the remaining films of Studio Ghibli. From ‘Whisper of the Heart’ to ‘When Marnie Was There’, from films they’ve seen ten times over to films they’ve…not, it’s all here on the only film podcast in the world to speak intelligently (maybe) about films they’ve not yet seen (maybe)!
Originally published on 2nd November 2014.
Recorded some time ago, Muz couldn’t join us for this one, so Fikri dragged a colleague of his, Wina, to join him in this long-planned discussion on the films of Studio Ghibli! With reports that the company might shut down for good, they discuss their favourite films of Hayao Miyazaki and co. They rambled on, though, so this is only the first of a two-part session that will continue this weekend, on the world’s only film podcast to mix Bahasa Malaysia, Bahasa Indonesia and English! (but it’s largely in English, though…)
Originally published on 27th October 2014.
Another episode, and another set of ramblings to get through! This time, with Diaz still hanging around, we cover movies old and new, retracing memories and comparing the past and the present. And other stuff. We think. Anyways, check out the world’s only film podcast to be (largely) done in Bahasa Malaysia!
Originally published on 10th October 2014.
Fikri is still in Jakarta, Muz is still in KL and Diaz is still in the show. This episode looks at the 26th Malaysian Film Festival, old movies, old movies on Youtube, old movies that shamelessly ripped each other off and movies that these guys had watched. All this and more in the only film podcast in the world to break for the azan!
Originally published on 20th September 2014.
When we first started out, it was supposed to be like 10 episodes, then 15, then 20 but now we’re releasing the 31st episode and still going strong, ladies and gentlemen! To commemorate the journey of our podcast, we bring back our first guest who appeared in some of the earliest episodes, Mr. Diaz Hernawan. We catch up with Diaz after a year back in Jakarta, and look at his foray into social media entertainment and the impact of social media as a whole. All this and more on the only podcast in Bahasa Malaysia that conquer the first three spots in Google when you search ‘malaysia film podcast’!
Originally published on 11th September 2014.
The landmark 30th episode runs the risk of Muz throwing his phone out of frustration over connection issues, so let’s get this brief episode out of the way! After planning to do an unscripted show, the boys eventually settled into a pattern of talking about filmmakers and actors who have recently left us, with Robin Williams, Richard Attenborough, Philip Seymour Hoffman and Martias Mohd Ali all getting a mention one way or another. Respect to all of them, and may they rest in peace.
Originally published on 26th August 2014.
Boys and girls, the boys are back in town! Well, they’re not in the same town…but, you know what they mean. They’re here for their 29th episode as well, even if they kept referring to it as their 28th episode, but…again, you know what they mean. No worries there, then, as Fikri and Muz tucks into the latest news and views from in and around the Malaysian scene, though there’s something from beyond that as well, but…you can cut them some slack, can you? After all, it’s only the latest episode from the world’s only film podcast to be recorded in Bahasa Malaysia in different countries!
Originally published on 11th August 2014.
Ladies and gentlemen, we’re back after a bit of a hiatus! This will be something of a special episode, featuring a panel discussion held at FINAS sometime ago on the film ‘Vikingdom’. Our very own Fikri was called in to moderate the session, and it features the film’s producer Norman Abdul Halim, KRU Studios’ Archie Nasution and Roslen Hashim from Harian Metro. The episode runs for over an hour, so we hope you’ll be in for some good times. We’ll be back soon as per usual, but until then, we wish each and everyone of you Selamat Hari Raya and happy holidays from the world’s only film podcast to be done in Bahasa Malaysia!
Originally published on 28th July 2014.
So we took a longer break than expected, because…one of us is a daddy! Congrats to Fikri, and welcome baby Jayken! Anyways, back to business. Apparently you can’t have a podcast with Maz and keep it under an hour. This continuation from a session with Maz Irwan Azani brings us to look at his view, his opinions and his thoughts (aren’t they the same thing?) on our local film scene. All these and more in the one and only film podcast to be recorded in Bahasa Malaysia!
Originally published on 3rd July 2014.
Ladies and gentlemen, allow us to introduce our good friend, Maz Irwan Azani! Some call him Maz, others call him Irwan, but we’ve collaborated with him since the early days of our friendship and it is an honour for us to have him as our guest. In the first of this two-part interview, we’ll be looking into the beginning of his foray into filmmaking, from a humble beginning at Akademi Seni Budaya dan Warisan Kebangsaan (ASWARA) to becoming an undergraduate at the Korea National University of Arts (K-ARTS). All this and more on the only film podcast in Bahasa Malaysia in the world to interview all their friends! (sooner or later)
Originaly published on 15th June 2014.
Previously, we banged on about news from Hollywood, so it’s only more than fair to give just as much attention to the goings on in the Malaysian film industry in this episode. From top to bottom, from the sad to the sweet, it’s all here as Fikri and Muz sat down, hit record and hammered out the world’s only film podcast to be locked in their own studio (seriously)!
Originally published on 7th June 2014.
When we say we, we don’t actually mean we. That’s because, fellow citizens of Earth, we are back with a new episode that…doesn’t really have us in it! This time we’re taking a(nother) little break from talking about films to make way for an event that took place in FINAS’s Pawagam Mini P.Ramlee called ‘Seminar Filem Islam: Falsafah, Nilai dan Cabaran’ (Islamic Films: Philosophy, Value and Challenges). It was organised by Centre for International Islamic Culture (CiTRA) of Universiti Islam Antarabangsa (UIA), this episode is a recording of a presentation by Dr. Norman Yusoff, where he talked about the relationship of Islam cinema and genre. So check out more stuff about cinema philosophy, classification and a thought or two about the value of Islam in silver screen art on the one and only film podcast in Bahasa Malaysia that touches the subject of Muslim Cinema! (Fact. We’ve checked)
Originally published on 31st May 2014.
This week, the boys train their guns on the big one: James Cameron! Following on from their profile episodes on Christopher Nolan and Stanley Kubrick, Fikri and Muz take a closer look at the influential filmmakers career. Starting from the very beginning, they leave a lot of stones (but perhaps not all) unturned as they discover what made James Cameron the director he is today, and the key themes of his major films. All this and more on the only film podcast in the world to be done by two government servants! (probably)
Originally published on 24th May 2014.
Since Fikri and Muz banged on about the films of other people so much, they decided to change tack for this particular episode and beat their own drums. Offering an in-depth analysis of how these projects got started, the 22nd episode of Thoughts on Films look at their own efforts, ‘Kopi Dan Dia’ and ‘Following’. Find out why they considered it a success, and what they would have done differently if given a second chance, on the world’s only film podcast to be done in Bahasa Malaysia!
Originally published on 17th May 2014.
Something slight different for our 21st episode, boys and girls! This week they boys decide to take a step back from the more serious talks and interviews on films and filmmaking in Malaysia and beyond, and we’re…going to talk about films and filmmaking beyond Malaysia! This week, Fikri and Muz cast their eyes over the latest news from Hollywood and beyond, and give their comments on what we could all expect in the (near) future. Have a listen to them on the world’s only film podcast in Bahasa Malaysia!
Originally published on 10th May 2014.
We love Bebbra so much that we made 2 episodes just for her. This time all three of us discuss the Sabah film scene, Sabahan identity in her works and also her journey to make ‘Langat di Odu’, ‘Eye Love’ and ‘Kopi, Donut dan Bayangan Gadis Berambut Hijau’. All these and more in the one and only podcast to be recorded in Bahasa Malaysia!
Originally published on 4th May 2014.
Tuan-tuan dan puan-puan sekalian…we need a new intro, to both the posts here and on the show itself. Nevertheless, boys and girls, Thoughts on Films brings to you its 19th episode! The only film podcast in the world to be recorded in Bahasa Malaysia is also almost-certainly the first to interview Bebbra Charles Mailin! The filmmaker, hailing from Sabah, has made a number of eye-catching short films, and she is currently teaching at the Faculty of Film, Theatre and Animation, UiTM. In the first of this two-part interview, we’ll be looking at her academic career in the field of the arts, both as a student as well as a lecturer.
Originally published on 26th April 2014.
Ladies and gents, we’re back! A bit of (unintentional) break was taken, and no new episodes were recorded, so what better way to celebrate the end of that mini-hiatus by…not offering a new episode?
This episode is a very special recording that took place in the year 2007. That year, the Pusan International Film Festival (now standardized as Busan International Film Festival) focused on Malaysian cinema, and held a seminar entitled Three Colors of New Malaysian Cinema. It featured the late Yasmin Ahmad, Ho Yuhang, James Lee, Liew Seng Tat and Wong Tuck Cheong as panel members discussing the then-direction of Malaysian cinema, with an especial focus on the independents. Friend of the show Maz Irwan Azani was present during that session, and he has kindly provided us with a recording of the proceedings.
There are parts missing here and there, especially in the beginning and near the end, but nevertheless this recording provides a rare opportunity to listen to a part of Malaysian film history historicised in part by some of its most significant movers. Thanks once again to Irwan for the recording, and we hope you enjoy the only film podcast in the world to release a recording seven years in the making! (maybe)
Originally published on 21st April 2014.
Boys and girls, welcome to the only film podcast in the world to be recorded in Bahasa Malaysia! Following on from last week’s episode, Fikri and Muz are still chilling in Phnom Penh, taking in the sights and sounds of short films from all over the world. This week, they look at a selection of the (many) short films they managed to catch in the Chaktomuk Short Film Festival. So go on, download and enjoy the only film podcast to talk about Cambodian films in Bahasa Malaysia!
Originally published on 5th April 2014.
Soksabai! This week, Fikri and Muz got together to bring you a very special episode … all the way from Phnom Penh, Cambodia! They are here to attend the Chaktomuk Short Film Festival in the nation’s capital, and after having been ripped off by tuk tuk riders, they sat down to discuss some documentaries they managed to watch. So kick back, relax, and take in the only film podcast in Bahasa Malaysia to be recorded in Cambodia!
Originally published on 1st April 2014.
Killing some time, Muz and Fikri decided to take a break from all the scripted stuff, and record this episode without any script whatsoever. They discuss more stuff about Malaysian cinema, especially its portrayal of historical events on the silver screen, and talk more stuff about…other things. How will it turn out? Only one way to find out on the world’s only film podcast in Bahasa Malaysia!
Originally published on 22nd March 2014.
With ‘The Journey’ making huge waves at the top of the Malaysian box office, Fikri and Muz decided to take a step back and watch his previous film, ‘Great Day’. This episode, then, is a review of the film, discussing the authorship of Malaysia’s hottest director of the day, Chiu Keng Guan, and the potential impact he may have on Malaysian cinema. Also on the world’s only film podcast in Bahasa Malaysia, we pray for the safe return and well-being of those on the missing Malaysian Airlines flight and their friends and family. #PrayForMH370, people.
Originally published on 17th March 2014.
Another week, another episode of Thoughts on Films! This week, Fikri and Muz take a belated look at their top ten films of last year in Cerita Carta, before…taking a look at their ten most anticipated films coming up in 2014! Of course, by the time this episode is out, things could be very different, but hey…the timing’s very Malaysia for the world’s only film podcast in Bahasa Malaysia!
Originally published on 10th March 2014.
Back for another round of discussing the representation of women on screen with the world’s only film podcast in Bahasa Malaysia! We carry on the discussion by looking at the Bechdel Test, and seeing how much of is actually worthy of further and serious analysis. Then we wrap things up by bringing everything home, as per usual, and considers how such issues relate to Malaysian cinema. All this and more on the only film podcast in the world which can’t really remember it’s own Twitter handle (it’s @tof_show)!
Originally published on 1st March 2014.
Ladies and gents, it’s time for another episode of the only film podcast in Bahasa Malaysia! Well, that time was some time this past weekend, but we got a bit busy, and…well, who cares? We’re now here with all of you on this glorious day talking about the representation of women on screen. Not the newest of topics, we admit, but always worthy of further (re)consideration, so sit back, relax, and enjoy the only podcast in the world to talk a lot about KL without actually being recorded in it!
Originally published on 25th February 2014.
After last week’s mammoth near-90 minutes edition of the only film podcast in Bahasa Malaysia that probably drove you into submission (the podcast, that is. Not the language. Although that depends too, we suppose…), we're back with…more of the same! Not enough with collecting the metaphorical air miles on their metaphorical travels, they take a look at the New Wave films from America and Italy, before finally landing back home, all exhausted, in Malaysia. “Phew,” says the only film podcast in the world (maybe not) to not really use their gym membership!
Originally published on 15th February 2014.
A bit late this week, but that’s because of some film work some of us got going on! Production schedules aside, check out the ninth episode of the only film podcast in Bahasa Malaysia! This episode has plenty of the New Waves in their sights, with Fikri and Muz discussing the granddaddy of them all, the French New Wave. They move on to Japan, Iran, Germany and Romania. Check out all the fun on the only podcast (definitely) that does not use up government funds to travel to these countries, despite having two government servants!
Originally published on 11th February 2014.
Happy Lunar New Year to all (14 of) our listeners! Yes, not all may be of Oriental origins, but we all get the holiday as well, so let’s get cracking. A new year, a new month, a new week…and a new episode of the only film podcast in Bahasa Malaysia. In this episode, the boys and Ezzah briefly run the rule over ’47 Ronin’, before delving in her nascent career as a filmmaker. Lastly, we’ll look at Al Alif’s ‘Bumbung’ in Filpen Minggu Ini, wrapping up another episode of the only film podcast in the world (probably not) that confuses mamak workers with teh o ais limau kosong!
Originally published on 1st February 2014.
We’re back with a new episode and…a new guest! We welcome Ezzah Mahmud, the first ever lady to be featured as a guest on the show. Fikri, Muz and Ezzah discuss about the multiple narrative film, ‘Kolumpo’, and the cities of love. They also explore the much ignored but not forgotten Malaysian film scene, its culture and impact to Malaysians. Of course, along the way they ramble about other films which have nothing to do with Malaysia (or even films at all, for that matter). All this and more on the only film podcast show in Bahasa Malaysia that is not entirely testosterone laden and still very much in touch with the feminine side (we think)!
Originally published on 25th January 2014.
No, we didn’t quite manage to get all the way to Paris with the latest episode of the world’s only film podcast in Bahasa Malaysia. Rather, Mr Muz managed to take in the city of love and shared his experiences (not) doing what they did in the movies. Elsewhere, we were inspired (read: had nothing better to do) to watch both ‘2001: A Space Odyssey’ and ‘The Shining’, and were inspired (read: don’t know what to talk about) to talk about these two films in greater detail. All this and more in the only film podcast in the world that uses the term lampu limpah in the past tense!
Originally published on 18th January 2014.
Force-ing (see what we did there?) our way through with the fifth episode of the only film podcast in Bahasa Malaysia, Fikri and Muz are back for another round of film talk! This week, they’re taking a closer look at Star Wars. They’ll reminisce about the memorable moments from the first six films, before predicting what will probably come up in the next Star Wars film to be directed by J.J. Abrams. All this in the only film podcast in the world (almost certainly) to include the word pelempang in relation to Han Solo!
Originally published on 11th January 2014.
In this latest instalment of the only film podcast in Bahasa Malaysia, Fikri and Muz talk about the Batman vs Superman film with a lengthy discussion on Ben Affleck’s selection as Bruce Wayne/Batman. We also shoot the bull (not literally) about the guy who did the previous Batman films, Christopher Nolan. This will include his life, films, collaborators and what we hope he’ll do next. All this and more on the only film podcast show that does not discuss Star Wars on an episode entitled Episode 4: A New Hope!
Originally published on 4th January 2014.
This week, on the only Malay-languaged film podcast in the world (possibly), Muz is stuck somewhere in the Klang Valley (perhaps), so Fikri sat down with Diaz Hernawan and discussed his current and future career as a cinematographer, as well as the differences between Malaysian and Indonesian cinema. We also look at ‘The Conjuring’ (a bit), as well as ‘Mobius’ by Vincent Laforet (a lot). All this and more on the only show in the world that releases its pre-Raya-recorded episodes months after Hari Raya (definitely)!
Originally published on 19th December 2013.
We’re back with yet another episode of the only film podcast in Bahasa Malaysia (maybe)! This time, Muz, Fikri and Diaz sat down, and having not learned their lesson, recorded another episode just before imsak. We look at ‘One Day’, ‘Before Midnight’, and the cultural value of films in Malaysia, as inspired by an article written by Encik Aidil Rusli.
Originally published on 9th November 2013.
The first episode! In this session, we have Muz, Fikri and Diaz talking about films, Rinko Kikuchi, and…polygamy. Hmm. It was recorded so many moons ago during Ramadhan, but don’t worry, they had broken their fast by the time of recording. Looking at the content, though, they might as well have named this the Nik Amir Mustapha tribute show…
Originally published on 5th November 2013.