Andreas Russo • SoundCloud: Recent Episodes
Andreas Russo
Closing track written for Sawyer Nicoll's short film I'm Looking Forward to Joining You.Ocean sounds by Tim Prebble's HISSandaROAR Palliser Bay release, used according to the EULA.
Main theme written for Giovanni Dota's debut feature film Koza Nostra. Produced by RAI Cinema, Pepito Produzioni and Film.Ue.
Cue written for Giovanni Dota's debut feature film Koza Nostra. Produced by RAI Cinema, Pepito Produzioni and Film.Ue.
Track composed for Giovanni Dota's short film Una Cosa Mia [Something Personal].
Drums and percussions by Luca Mignano.
Opening track for Giovanni Dota's short film Una Cosa Mia [Something Personal].
Drums and percussions by Luca Mignano.
Track composed for the Antimo Campanile's Quiet Generation. The film focuses on a series of events that unravel after the death of Andrea, the reaction of his friend Jonathan, and the behavior of a group of friends after school in the aftermath of a tragedy. What's left is an interrupted life and a way things could have gone.
The characters in the story are heavily influenced by the digital means through which they interact. I wanted to represent their dysfunctional, digital-obsessed lives with a score that would feel cold and mechanical, while retaining a lot of imperfections and idiosyncrasies. I tried to get there by using glitchy technology and purposefully out-of-sync instruments, which were further manipulated to achieve a broken quality. The music was created on a modular synthesizer and mangled in rough, imperfect ways with lo-fi delay processors and drum machines.
Music composed for the project Portrart on my second collaboration with illustrator Federico Babina. 35 illustrations, each drawn in the style of the artist they portray.
Closing track of the short film Quiet Generation by Antimo Campanile. The film focuses on a series of events that unravel after the death of Andrea, the reaction of his friend Jonathan, and the behavior of a group of friends after school in the aftermath of a tragedy. What's left is an interrupted life and a way things could have gone.
The characters in the story are heavily influenced by the digital means through which they interact. I wanted to represent their dysfunctional, digital-obsessed lives with a score that would feel cold and mechanical, while retaining a lot of imperfections and idiosyncrasies. I tried to get there by using glitchy technology and purposefully out-of-sync instruments, which were further manipulated to achieve a broken quality. The music was created on a modular synthesizer and mangled in rough, imperfect ways with lo-fi delay processors and drum machines.
Closing track composed for the short film "Tutto Quello Che Non Ci Siamo Detti" [All The Things We Never Said] by Giovanni Dota.
Main theme composed for the short movie "Tutto Quello Che Non Ci Siamo Detti" by Giovanni Dota.
Lead piano played by Ciro Cino.
I composed the track featured in the trailer for "Split" by M. Night Shyamalan (Universal Pictures) as well as in UK Channel 5’s TV mini-series documentary “Secrets of the SAS: In Their Own Words”. Written for trailer music company Sencit Music and included in their sound design oriented compilation of the same name "Desolation."