Braving the Stave: Recent Episodes

Arts Active

Hosted by Jonathan James and joined by Angharad Smith, a.k.a ‘JJ & Haz’ , this bubbly duo delve through all music and genres, sharing with you their personal favourite pieces, along with some musical jokes that add a playful and informal feel to the podcast. Working as part of St David Hall (National Concert Hall of Wales)'s Cardiff Classical Series, we run lots of exciting extras alongside it to support the concerts. Check out the Arts Active website for more - www.artsactive.org.uk--------------------------------------------------------Yn cael eu cyflwyno gan Jonathan James, yng nghwmni Angharad Smith, neu ‘JJ a Haz’ fel y’u gelwir, mae’r ddeuawd fyrlymus hon yn pori drwy bob math o gerddoriaeth a genres, gan rannu gyda chi eu hoff ddarnau personol, ynghyd â rhai jôcs cerddorol sy’n ychwanegu teimlad chwareus ac anffurfiol i’r podlediad. Gan weithio fel rhan o Gyfres Glasurol yng Nghaerdydd Neuadd Dewi Sant (Neuadd Gyngerdd Genedlaethol Cymru), rydym yn cynnal llawer o bethau ychwanegol cyffrous ochr yn ochr ag ef i gefnogi'r cyngherddau. Edrychwch ar wefan Arts Active i gael mwy - www.artsactive.org.uk

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JJ speaks with cellist James Morley about his life as an artist and the thought-provoking repertoire for solo cello he's bringing to Eglws Dewi Sant. There are pieces that require improvisation, electronics, even places where the artist is being 'played by the cello', creating unique, fascinating colours and timbres. This will be a recital like no other.

Artists featured in the musical excerpts (in order):

Sept Papillons by Kaija Saariaho - James Morley

Solitiude by Recbecca Saunders - James Morley

Ricercare no. 2 by Domenico Gabrielli - Guillermo Turina

The motion between three worlds by initi figgis-vizueta - Benjamin Coyte

Sept papillons by Kaija Saariaho - James Morley, then Oliver Herbert

Sonata for Solo Cello by Zoltan Kodaly - Movt 1, Jean-Guihen Queyras

Sonata for Solo Cello by Zoltan Kodaly - Movt 3, Sabastic Bäverstam

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JJ and Haz get all the stereotypes around opera off their chest before enjoying what the genre has to offer. Includes a tribute to Dame Felicity Lott, a treasure swap of Mozart arias and potted origins story.

Mae JJ a Haz yn trafod yr holl stereoteipiau am opera cyn mwynhau'r hyn sydd gan y genre i'w gynnig. Yn cynnwys teyrnged i'r Fonesig Felicity Lott, cyfnewid trysor o ariâu Mozart a stori tarddiad wedi'i chrynodeb.

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JJ and Haz recognise the often unsung heroes that are the arrangers, orchestrators and transcribers of the musical world, drawing on their favourite re-imaginations of solo and orchestral pieces. We'd love you to send your own favourite examples on a2@artsactive.org.uk.

Mae JJ a Haz yn cydnabod yr arwyr sy'n aml yn ddi-glod sef trefnwyr a thrawsgrifwyr y byd cerddorol, gan ddefnyddio eu hoff ddarnau unigol a cherddorfaol wedi’u hailddychmygu. Byddem wrth ein bodd pe baech yn anfon eich hoff enghreifftiau chi at a2@artsactive.org.uk

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Braving the Solo Guitar

JJ and Haz end up speaking Spanish with a Welsh accent as they take in the history and fascinating facts of the classical guitar, from the strings used through to the stereotype hairstyles.

Herio’r Gitar Unawd

Mae JJ a Haz yn gorffen siarad Sbaeneg gydag acen Gymreig wrth iddynt ddod i ddeall hanes a ffeithiau hynod ddiddorol y gitar glasurol, o’r tannau a ddefnyddir i’r steiliau gwallt stereoteipiedig.

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After busting the February blues with some jolly tunes, JJ tries to convince Haz that Bach's Goldberg Variations are, indeed, brilliant. Also: Haz's Mari Lywd experience, what 'Rachpag' means, and top tips for chamber musicians that involve good cake.

Ar ôl ymladd y tristwch Chwefror gyda rhai caneuon llawen, mae JJ yn ceisio perswadio Haz bod Amrywiadau Goldberg gan Bach, mewn gwirionedd, yn wych. Hefyd: profiad Mari Lywd gan Haz, yr hyn mae 'Rachpag' yn ei olygu, a chynghorion gorau i gerddorion siambr sydd yn cynnwys cacen dda.

Listen to the Braving the Stave playlist here

Grandewch ar y rhestr chwarae Braving the Stave yma

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JJ and Haz set out their musical resolutions for the new year before enjoying the world of solo Bach violin ahead of Irène Duval's concert. And Haz falls in love, temporarily.

Mae JJ a Haz yn creu eu haddunedau cerddorol ar gyfer y flwyddyn newydd, cyn mwynhau byd ffidil unigol Bach cyn cyngerdd Irène Duval. Ac mae Haz yn syrthio mewn cariad, dros dro.

Listen to the Braving the Stave playlist here

Grandewch ar y rhestr chwarae Braving the Stave yma

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JJ and special guest, composer Richard Barnard, explore the character and impressive range of the trumpet, from blood-curdling battle calls to breathy jazz ballads. Then Richard reveals the inner workings of his piece for Matilda Lloyd, trumpeter extraordinaire.

Listen to the Braving the Stave playlist here

Grandewch ar y rhestr chwarae Braving the Stave yma

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Haz’s healthy obsession with Horror prompts discussions on Welsh Halloween traditions, from apple-bobbing to tail-less black pigs, a swap of scary musical scores and diverse examples of ‘night music’. For some good cheer, there are also favourite moments from ‘West Side Story’ - all inspired by the Lumas Winds’ programme.

Mae obsesiwn iach Haz ag arswyd yn ysgogi trafodaethau ar draddodiadau Calan Gaeaf Cymru, o siglo afalau i foch duon di-gynffon, cyfnewid sgoriau cerddorol brawychus ac enghreifftiau amrywiol o 'gerddoriaeth nos'. I gael rhywfaint o hwyl, mae yna hefyd hoff eiliadau o 'West Side Story' - pob un wedi'i ysbrydoli gan raglen Lumas Winds.

Listen to the Braving the Stave playlist here

Grandewch ar y rhestr chwarae Braving the Stave yma

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To see in this new series, JJ and Haz say farewell to summer with the music of half-light, slumber and nocturnes. Along the way you'll find out why we should feel sorry for Janacek's postman, who the mysterious Silke Schäfer is, and why Swiss tea bags have a superior design.

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After getting some stereotypes out of the way - viola jokes, composers who played viola, best viola shreds - Haz and JJ explore the wonders of the instrument, from how it got its name, via lesser known orchestral moments, through to solo works that put it on the map. Along the way: Lionel Tertis' big-hipped viola, and the connection between violists and basketball players. The perfect end to the season!

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JJ interviews Christiana Mavron ahead of the Mavron Quartet's performance in the Arts Active Lunchtime Concert Series, on 3rd June 2025.

Cardiff Classical Lunchtime Recitals: The Mavron Quartet - Arts Active

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Jon and Haz find out why it's best not to say 'neoclassicism' in a hurry before plunging into beautiful reinventions of the past. Along the way, Haz makes the connection between Stravinsky and sweating and Jon discovers Couperin's 'Tic-Toc Choc'.

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JJ and Haz extol the virtues and versatility of the clarinet, from its humble folk beginnings through to its many shapes and sizes of today. Includes the instrument's nicknames, its use in classical and jazz and its resemblance to milk chocolate.

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The duo performing in an upcoming Cardiff Lunchtime series at Eglwys Dewi Sant talk with Jon about how they met, the background to their instruments and the thinking behind their innovative and beautifully considered programme.

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With the unusual pairing of a recorder and accordion coming up in a concert, Jon and Haz do a quick survey of other rarer concert instruments. In this 'musical zoo' are instruments that are both haunting and hooting, folk and electronic, and one that reminds Haz of a 'depressed Cor Anglais.'

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Jon and Haz dip their toes into the ocean that is Roots Music, discussing its stereotypes and stigmas, its multiple instruments and crazy time signatures, and why pan pipes make for great massage music. Along the way, Jon talks about his own journey with the Dovetail Orchestra for asylum-seeking musicians, which has bases in both Bristol and Cardiff (at Eglwys Dewi Sant).

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JJ and Haz see in the new year with a celebration of the string quartet, testing the claim that it is a 'four-way marriage without the sex'. Haz divulges her pet peeves as a chamber musician, as well as what a 'shig' is and why, amazingly, 'Bridgerton' is keeping the quartet genre alive and kicking.

Contact email: A2@artsactive.org.uk

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Christmas Cracker 2024

JJ and Haz bring on the 'hygge' with a homage to the wind quintet, bagatelles and boyfriends (Haz's), carols to cherish and avoid, 'disruptive' descants and a whole new genre of 'earnest kitsch'. Nadolig llawen, pawb!

Got any comments for JJ and Haz? Email them to A2@artsactive.org.uk

Oes gennych chi unrhyw sylwadau i JJ a Haz? Anfonwch ebost i A2@artsactive.org.uk

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When Jon likens harp music to twinkly bedtime stories, Haz champions the instrument, taking it beyond the usual clichés. Together they consider its Celtic history, how much patience you need to tune it, the most-loved harp effects, and why harpists are the best people to ask to unscrew a jar.

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JJ and Haz try to convert each other to the sound of the sax, celebrating its parps, growls and bends. Along the way: why Debussy called the sound 'aquatic', why it reminds JJ of custard, and what it means to be 'Careless Whispered' while at music college.

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In the new season of Braving the Stave, JJ and Haz give their light-hearted but sharp-eared take on the lunchtime recitals happening every month in Eglwys Dewi Sant. This opening episode ponders whether Patrick Rimes, local folk legend, could play a blancmange, what it would be like to work for an insomniac Count, and the deeper meaning of 'Say a little prayer.'

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JJ and Haz suggest three categories of summer music to enjoy, 'bubble, deckchair and fiesta', before selecting 6 summer bangers to see the sun in. Includes hip jiggling, graffiti and casting issues in Carmen.

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In this final part to their survey of different musical elements, Jon and Haz imagine cartwheels in Bach, the weight of silence, whether John Dowland had any party hits, how Mariah Carey would sing Twinkle Twinkle and, rather disturbingly, what Jon would look like in a bikini

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Braving Harmony

What has harmony got to do with colouring-in books, killing kittens and how to yearn for something unattainable? How can Rachmaninoff change the weather with a chord? JJ and Haz discuss their favourite harmonists, from early rule-breakers to Radiohead and folk artists.

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The Magic of Melody

What gives a memorable melody its magic? JJ and Haz discuss the remedy, first, for 'earworms' and brave the world's ugliest melody before plundering the troves of music theatre, bebop and classical music for the most emotionally satisfying tunes.

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Braving Rhythm

In the first of a series exploring different parameters of music, Jon and Haz delve into fascinating rhythms, mining the works of Gershwin, Stravinsky, Bartók, Reich and more. Along the way they discover mind-boggling Bulgarian folk patterns, why rhythm is so hard to teach, and why a road trip with Haz would always be educational.

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This month Jon and Haz take a step back from the orchestral stage and look at the more intimate world of chamber music, picking out their favourites and sharing how working in a chamber group can be so fulfilling. And those times when it doesn't work out so well...

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With Haz away due to a Christmas cold, Jon sees the year out with a festive mix of favourite moments from recent gigs, including a Turkish love song, a contemporary carol, the compulsory Sleigh Ride and a Welsh classic.

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Haz and JJ bring some pep to your November with the music of protest and revolt, whether it's Obama breaking into song, Chopin feeling heroic or Billy Holiday lamenting a dark past. And what is the opposite of goosebumps?

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Given the weather recently, JJ and Haz ponder the different ways rain has been treated in music, including Chopin's disturbing dream, Britten's cheerful storm, Debussy's summer tempest, and John Luther Adams' electronic showers. Bambi gets a look-in too, as do two heart-rending versions of 'Over The Rainbow'. And if you've ever wondered how the Welsh say 'it's raining cats and dogs', look no further!

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All things autumn. (And some concrete).

As autumn beckons and St David's Hall lingers to have its concrete checked, JJ and Haz spend their first podcast back considering music of the moment: seasonal themes of renewal, colourful landscapes and some musique concrète too (the fun bits). The challenge is to avoid autumnal stereotypes along the way. And Haz surveys whether musicians have a favourite version of 'Autumn Leaves', the perennial jazz classic.

Hyfrydwch hydrefol. (Ac ychydig o goncrit).

Wrth i’r hydref agosáu ac wrth i Neuadd Dewi Sant aros i’w goncrit gael ei wirio, yn eu podlediad cyntaf yn ôl mae JJ a Haz yn ystyried cerddoriaeth y cyfnod: themâu tymhorol am adnewyddu, tirweddau lliwgar, ac ychydig o musique concrète hefyd (y rhannau diddorol). Yr her yw osgoi stereoteipiau hydrefol. Ac mae Haz yn holi a oes gan gerddorion hoff fersiwn o ‘Autumn Leaves’, y clasur jazz bythol.

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To culminate this season of Braving the Stave, Haz and Jon contemplate what it might be like to kiss a fanfaring trumpeter and uncover a disturbing past to the fanfare genre. They then pick their favourite rousing (or crushing) finales from the music of Tchaikovsky, Beethoven, Bartok and John Williams.

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In this deep-dive into orchestral life, JJ and Haz discover why so many orchestral musicians own a pilot's licence, why a percussionist can feel like a lemon, why basketball-players could make excellent violists and the most important question of them all: which section always arrives late to every rehearsal?

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Continuing the theme of our May episode, JJ interviews Sali-Wyn Ryan, a proudly Welsh member of the Royal Philharmonic Orchestra, and asks her about the perks and pitfalls of orchestral life.

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Haz sets out to enlighten JJ, a self-confessed harmony junkie, in the joys of Minimalism. Starting with the hippy experiments of La Monte Young, they trace the style's evolution via Glass and Reich to the complex scores of post-minimalist, John Adams. Along the way they discover why Haz salivates at the sound of a gamelan and how every minimalist needs a marimba. 

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Haz takes the lead in this podcast about female composers and women in music. Is there still a 'gender agenda' in the classical music industry, and is there enough female representation at the top table? Expect bold, beautiful music, frank exchanges and a contentious review of the film 'Tár'. Featuring pieces by Rebecca Clarke, Dani Howard, Rebecca Dale, Debbie Wiseman, Hildur Guðnadóttir, Rachel Portman and Florence Price.

Playlist: https://open.spotify.com/playlist/0IujonLl2lB7bfPzz71U0Z?si=de2ff953d16940af

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What was the story behind Sibelius' French first name and what makes his music so distinct and compelling? Expect brooding mountain spirits, magical string textures, Welsh-sounding hymns and abrupt 'Fininish' endings. Including an interview with a champion and foremost interpreter of Sibelius' music, conductor Jukka-Pekka Saraste.

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In this first podcast of the year, JJ and Haz share what they love about Johannes Brahms and his music. It's more raving than 'braving' as they reveal some lesser known stories about when he grew his famous big beard, how he was a prankster, and why his first conducting of the concerto turned out to be the stuff of JJ's nightmares.

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JJ and Haz discuss classical music's Christmas clichés and compete to find the piece with the most sparkle. With new carols from young Welsh composers and a nostalgic glance back to wintry treasure swaps from earlier podcasts.

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What is it about the human voice and the special sound of a choir that holds such power for people (and makes JJ 'leaky')? Using examples from all genres, Haz and JJ explore issues of the perfect blend, keeping a drone in tune and what it means to have a 'true tone'. With an interview with members from The Sixteen, including their founder-director, Harry Christophers.

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Mention improvisation and many classical musicians break into a cold sweat. JJ and Haz debunk some common myths and delve into the roots and cures of 'improvophobia' and why every musician should give improv a go. And why it's good to be a 'musical magpie'. With inspiring examples from Messiaen to Mehldau, Fantasias to Flamenco.

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Can classical music still shock? Braving the Stave asks the question to BBC NOW's principal conductor Ryan Bancroft as he launches the autumn season with Stravinsky's infamous 'Rite of Spring'. JJ and Haz explore its continuing hold on audiences and share contemporary music that manages to provoke and tease.

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JJ and Haz reach for their T-shirts and ponder how music expresses all things summery, whether the heat of Latin America or the poignancy of lost memories by a lake. Haz reveals a surprising summer piece that brings her out in hives. Which family of instruments sounds the warmest? And which version of Gershwin's Summertime would you pick?

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Jon and Haz take on Shostakovich's mighty Tenth symphony, but not before appreciating his lighter side. Expect quick quizzes, a lesser heard gem for the viola and a rather ambiguous Welsh sign-off.

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With Haz away, Jon takes a look at the signature sounds of Vaughan Williams, in particular in his 'London Symphony', which takes in all the sights and sounds of the city: from Big Ben to Bloomsbury Square, from drunken jigs to solemn marches. It's a work full of surprises.

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At a time of so much conflict,  Jon and Haz discuss their favourite cross-cultural musical projects and celebrate the power of music to connect.  With music from the Silk Road Ensemble, reflections on the past by both Russian and Ukrainian composers (cue stares into the middle distance) and a brief turn from Sir Tom Jones. 

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Do you prefer your apple crumble in a bowl with custard or deconstructed and reinvented like on Masterchef? Jon and Haz put a range of  neo-classical and neo-baroque works to the 'crumble' test. Along the way, they consider why Schnittke is a slippery fish, what the collective noun for saxophones might be and consider the art of 'thinking in the box'.

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Musical allergies and the Jazzical genre

What are your musical allergies and pet peeves? Jon and Haz share theirs before quibbling over Gilbert and Sullivan. A brief introduction to the light classical genre follows, with examples of jazzical fusion. Will it be your cup of tea? Or, as the Germans say, your 'collar size'?

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In this Christmas Cracker, Jon and Haz ask some essential seasonal questions, including what are today's 'posh pantos', which music sounds Christmassy without even trying, and what their favourite new Christmas carols are.

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In this cosy November edition of Upbeats, JJ and Haz discuss why choral music goes well with hot chocolate, the effect of conductor Harry Christophers' flowing locks, the music of Gjeilo (not J Lo), and the difference between female sopranos and boy trebles. The piece explored this time is Herbert Howells' 'A Spotless Rose', in time for the concert at St David's Hall by The Sixteen.

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Jon and Haz ask some important questions about Tchaikovsky's final masterpiece, including the origins of the 'pathétique' moniker and why a Colorado conductor got the movements the wrong way round when he performed it. Is that waltz really as 'limping' as they say? How about the legend about the symphony being Tchaikovsky's 'suicide note'? And do you agree that his music is, as one critic put it, 'a veritable orgy of naked feelings?'

Accompanying playlist: https://open.spotify.com/playlist/0IujonLl2lB7bfPzz71U0Z?si=-WGcX8MsSYmFj2mdXFevYg&utm_source=copy-link

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Welcome to a new season of Upbeats podcasts, with light-hearted conversations every month about orchestral pieces featured in the St David's Hall programme. This month Jon and Haz talk Sibelius: his 'large, well-shaped sound-receiver' ears, why certain passages make string players' backs ache, 'tapeworm' melodies and how his magnificent second symphony represents a struggle between life and death.

Accompanying Playlist: https://open.spotify.com/playlist/0IujonLl2lB7bfPzz71U0Z?si=OY3AWmbuQwSXwg22frcOsg

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'In this last instalment of the season, JJ and Haz (despite a bout of Covid) pick a musical sunrise and sunset each, consider how you express light and shade in sound and look forward to the prospect, in the autumn, of doing podcasts while not in pyjamas.'

Accompanying Playlist: https://open.spotify.com/playlist/0IujonLl2lB7bfPzz71U0Z?si=OY3AWmbuQwSXwg22frcOsg

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JJ and Haz share six pieces that have helped them get through lockdown this past year, following three themes:  music to help you grieve, music to aid reflection and music to give you hope. Which would your six pieces be?

Accompanying Playlist: https://open.spotify.com/playlist/0IujonLl2lB7bfPzz71U0Z?si=OY3AWmbuQwSXwg22frcOsg

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Playlist available here: https://open.spotify.com/playlist/0IujonLl2lB7bfPzz71U0Z?si=OY3AWmbuQwSXwg22frcOsg

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Can Music be Humorous?

Can music make you laugh? JJ and Haz explore ways in which it can, including parodies, false endings, slapstick and mishaps. Strauss' Til Eulenspiegel's Merry Pranks is mined for laughs too.

Playlist available here: https://open.spotify.com/playlist/0IujonLl2lB7bfPzz71U0Z?si=OY3AWmbuQwSXwg22frcOsg

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All things Welsh and Beautiful

Recorded just prior to St David's Day, Haz and JJ enjoy a heartening range of Welsh musical traditions, from Bryn Terfel hitting the high notes to delicate harps and ballads of forbidden love. Calan and Cool Cymru rub shoulders with Grace Williams and Mathias, then there's a survey of one of the ever-popular Sir Karl Jenkins. Hiraeth abounds throughout.

Accompanying playlist: https://open.spotify.com/playlist/0IujonLl2lB7bfPzz71U0Z?si=c5hwTbrLTlatwxVl1Yw_kA

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In this St Dwynwen/Valentine's Special, JJ and Haz celebrate music as the supreme language of love. Includes a Rachmaninoff-off, comparisons of the sexiest classical pieces and which wind players would have the best six-pack. The 'stave being braved' this time is the balcony scene from Prokofiev's 'Romeo and Juliet'.

Accompanying playlist: https://open.spotify.com/playlist/0IujonLl2lB7bfPzz71U0Z?si=c5hwTbrLTlatwxVl1Yw_kA

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'The sweets left at the bottom of the box'

In this bumper Christmas episode, JJ and Haz explore festive pieces that often get overlooked while reflecting on premature descants, Ukranian nationalism, an orchestral musician's essential kit and the perils of pizzicato. The stave to be braved this time is the ballet score to Tchaikovsky's 'The Nutcracker', but expect the unexpected!

Accompanying playlist: https://open.spotify.com/playlist/0IujonLl2lB7bfPzz71U0Z?si=c5hwTbrLTlatwxVl1Yw_kA

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The "It's definitely not Christmas yet" one.

JJ and Haz venture into some very chilly winter musical landscapes, ward off the gloom with a risqué viola joke, and brave the stave of Vivaldi's 'Winter' from his Four Seasons, courtesy of a dynamic recording by Dmitri Sinkovsky and La Voce Strumentale.

Accompanying playlist: https://open.spotify.com/playlist/0IujonLl2lB7bfPzz71U0Z?si=c5hwTbrLTlatwxVl1Yw_kA

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Upbeats goes to the dark side in a Halloween special

In this second Upbeats episode, JJ and Haz ask what makes scary music scary, listen to diabolical instruments and marvel at the many versions of 'Night on a Bare Mountain.' And there's even a creepy viola joke!

Accompanying Playlist: https://open.spotify.com/playlist/0IujonLl2lB7bfPzz71U0Z?si=De9jrT05R0iO9A0dE1ekwQ

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Upbeats

Classical musings with JJ and Haz (Jonathan James and Angharad Smith).

In this pilot episode, Jonathan James and Angharad Smith get to know each other, try unsuccessfully to avoid viola jokes and, with some trepidation, scale the modernist mountain that is Stravinsky's Rite of Spring. 

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Jonathan is joined by conductor Jessica Cottis to discuss the ambitious vision of nature and humanity coming together in Mahler's third symphony, bringing this series of podcasts to a very grand close. Jessica, it turns out, is a real lover of nature and of butterflies in particular. For her this is one of the finest symphonies ever written.

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Jonathan James and photographer Molly Hollman chat about the deeply inspiring and romantic worlds of moonlight and sunrise in this week's podcast, comparing how they are treated in visual art and music and dipping into works by Field, Chopin, Debussy and Nielsen as they go.

Molly Hollman website: mollyhollman.myportfolio.com

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Music and the Sea

For a composer, the sea is an obvious source of inspiration. The waves, the calm, the depths and the surface, all of these invite a musical response. Jonathan James takes to the coast to see how composers from Telemann to Britten represent the ocean in all its colours and complexity. This week he's accompanied by Sarah Jane Brown, a painter with a deep connection to the sea and its musicality.

Sarah Jane Brown website: https://sjbfineart.com/

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Music and Storms

Composers have always enjoyed whipping up a storm. Baroque theatre was the perfect crucible, and as the orchestra grew larger and mightier through the centuries, so the storms got more and more ferocious. Jonathan James ventures in the eye of various musical storms and compares them to the actual thing, in conversation with Sound Artist, Jay Richardson.

Jay Richardson Album: https://jaymrichardson.bandcamp.com/album/in-the-concrete-silence
Proceeds from the album will be going to:  https://www.lensational.org

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Music and Birdsong

In a lighthearted exploration to kick off the series of podcasts examining the connections between music and nature, Jonathan James captures the dawn chorus in his local park before reflecting on four ways composers have captured birdsong in their music, with reflections from Tony Whitehead, Communications Manager from the RSPB.

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In conversation with Tony Whitehead

Tony has been with the RSPB for 31 years and is also a sound technician and curator of concerts that encourage people to listen differently. The perfect conversation partner, in other words, to explore how to listen to birds and appreciate their musicality, including the all-important question: do blackbirds improvise?

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Fauré's Élégie gives us one of his most memorable, singable melodies. But it offers so much more. Jonathan James explores why this short work packs such an emotional punch, using the version cellist Sheku Kanneh-Mason was due to play this summer in the hall.This podcast is related to the concert that would have taken place on the 6 June 2020 at St David's Hall, Cardiff with the Royal Liverpool Philharmonic Orchestra.

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Jonathan James talks about Beethoven's mighty 'Eroica' symphony, and in particular the challenges the Aurora Orchestra must have faced when they memorised the work's finale, where every instrument has an important voice. This is related to the concert that would have taken place at St David's Hall, Cardiff on the 18th May 2020 with the Aurora Orchestra.

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A message to all patrons and staff at St David's Hall from Nicola Benedetti about her cancelled performance with the Aurora Orchestra due to the COVID19 pandemic. Nicola speaks about why she loves the Mendelssohn violin concerto that she would have performed at St David's Hall (Cardiff) on 18th May 2020.

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Jonathan James talks online to Nick Collon, conductor of the Aurora Orchestra, about their feats of memorisation and about the challenges of  Beethoven's epic 'Eroica' symphony.

*Among other candid insights, Nick reflects on how we don't think twice about other artists memorising their parts - opera singers, for example - and how the Eroica should "hit you around the face', and not be allowed to "turn into sludge". 

This is related to the concert that would have taken place at St David's Hall, Cardiff on the 18th May 2020 with the Aurora Orchestra.*

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