Old Time Radio Sci-Fi, Horror Etc...: Recent Episodes
Various
Go back to a time of where the only limits of how far or where or how high you go here or anywhere was and still is within the limits of your mind. Journey back with me to shows like Journey into Space with Jet Morgan and his crew who explore Mars or Vincent Price and Peter Cushing even in Aliens of the mind spanning from way back clear up till the 1970's come on with me and let's go on a trip on Old Time Radio Sci-Fi, Horror and Beyond
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
Hard core science fiction fans are sure to enjoy one of the most dramatic anthologies of the genre, “Dimension X.” The golden age of radio was a period in American history that spawned some of the most creative minds and prolific writers. In fact, this old time radio show paved the way for some of the more popular sci-fi writers today to mark their place in the literary scene. More notable among then new authors were Ray Bradbury and the brilliant Isaac Asimov. Dimension X featured stories that were literally “out-of-this-world,” as the central theme’s to each episode would be man encountering some alien race, or man discovering uncharted territories in outer space. The entire old radio show collection is comprised of 50 episodes which aired from April 8, 1950 and ended on September 29, 1951.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
2000 Plus (also called Two Thousand Plus and 2000+) was an American old-time radio series which ran from March 15, 1950 to January 2, 1952 in various 30-minute time slots. It was the first adult science fiction series on radio, airing one month prior to the better known Dimension X. During the 1950s, science fiction became a popular genre, and stories exploring future technologies, space expeditions and alien invasions were well received by the audience. Compared with other radio shows, 2000 Plus was an anthology program, and it used new and original material from Sherman H. Dryer, who scripted and produced the series with Robert Weenolsen. Aside from offering an exciting plot, Dryer and Weenolsen also carried out a consciousness in their stories – of the prevalent generation’s contemporary anxieties about the changing world, and the effects and dangers of technology to humankind. Cast members included Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. Emerson Buckley conducted the music composed by Elliott Jacoby. Ken Marvin was the program's announcer, and the sound effects were by Adrian Penner.
A Journey to the Center of the Earth. The Story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". The encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy.
A Journey to the Center of the Earth. The Story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". The encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy.
A Journey to the Center of the Earth. The Story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". The encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy.
A Journey to the Center of the Earth. The Story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". The encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy.
A Journey to the Center of the Earth. The Story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". The encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy.
A Journey to the Center of the Earth. The Story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". The encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy.
A Journey to the Center of the Earth. The Story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". The encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy.
A Journey to the Center of the Earth. The Story involves a professor who leads his nephew and hired guide down a volcano in Iceland to the "center of the Earth". The encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy.
Day of the Triffids is a 1968 Radio Dramatization of John Wyndham’s classic British Sci-Fi novel by the same name. The programs begins as believably as possible in explaining of how Earth came to have giant, walking, aggressive plants. It begins with the Soviets developing the Triffids to gain a competitive advantage in food production over the West. Due to a bit of espionage and misadventure, the Triffid seeds being spread across the globe. The good news is the Triffids can be controlled and managed. Humanity has one advantage over them: Humans can see. Unfortunately, an astronomical event is seen across the Earth and the media urges every person to stare up at it. This stupidity leads to almost the entire human race going blind. The hero of the story Bill Masen (Gary Watson) worked in Triffid management and knows their dangers. Due to an accident, he’d ended up in the hospital with bandages over his eyes,making him one of the few people who still have eyesight. He’s left to navigate the perils of a post-apocalyptic world.
Day of the Triffids is a 1968 Radio Dramatization of John Wyndham’s classic British Sci-Fi novel by the same name. The programs begins as believably as possible in explaining of how Earth came to have giant, walking, aggressive plants. It begins with the Soviets developing the Triffids to gain a competitive advantage in food production over the West. Due to a bit of espionage and misadventure, the Triffid seeds being spread across the globe. The good news is the Triffids can be controlled and managed. Humanity has one advantage over them: Humans can see. Unfortunately, an astronomical event is seen across the Earth and the media urges every person to stare up at it. This stupidity leads to almost the entire human race going blind. The hero of the story Bill Masen (Gary Watson) worked in Triffid management and knows their dangers. Due to an accident, he’d ended up in the hospital with bandages over his eyes,making him one of the few people who still have eyesight. He’s left to navigate the perils of a post-apocalyptic world.
Day of the Triffids is a 1968 Radio Dramatization of John Wyndham’s classic British Sci-Fi novel by the same name. The programs begins as believably as possible in explaining of how Earth came to have giant, walking, aggressive plants. It begins with the Soviets developing the Triffids to gain a competitive advantage in food production over the West. Due to a bit of espionage and misadventure, the Triffid seeds being spread across the globe. The good news is the Triffids can be controlled and managed. Humanity has one advantage over them: Humans can see. Unfortunately, an astronomical event is seen across the Earth and the media urges every person to stare up at it. This stupidity leads to almost the entire human race going blind. The hero of the story Bill Masen (Gary Watson) worked in Triffid management and knows their dangers. Due to an accident, he’d ended up in the hospital with bandages over his eyes,making him one of the few people who still have eyesight. He’s left to navigate the perils of a post-apocalyptic world.
Day of the Triffids is a 1968 Radio Dramatization of John Wyndham’s classic British Sci-Fi novel by the same name. The programs begins as believably as possible in explaining of how Earth came to have giant, walking, aggressive plants. It begins with the Soviets developing the Triffids to gain a competitive advantage in food production over the West. Due to a bit of espionage and misadventure, the Triffid seeds being spread across the globe. The good news is the Triffids can be controlled and managed. Humanity has one advantage over them: Humans can see. Unfortunately, an astronomical event is seen across the Earth and the media urges every person to stare up at it. This stupidity leads to almost the entire human race going blind. The hero of the story Bill Masen (Gary Watson) worked in Triffid management and knows their dangers. Due to an accident, he’d ended up in the hospital with bandages over his eyes,making him one of the few people who still have eyesight. He’s left to navigate the perils of a post-apocalyptic world.
Day of the Triffids is a 1968 Radio Dramatization of John Wyndham’s classic British Sci-Fi novel by the same name. The programs begins as believably as possible in explaining of how Earth came to have giant, walking, aggressive plants. It begins with the Soviets developing the Triffids to gain a competitive advantage in food production over the West. Due to a bit of espionage and misadventure, the Triffid seeds being spread across the globe. The good news is the Triffids can be controlled and managed. Humanity has one advantage over them: Humans can see. Unfortunately, an astronomical event is seen across the Earth and the media urges every person to stare up at it. This stupidity leads to almost the entire human race going blind. The hero of the story Bill Masen (Gary Watson) worked in Triffid management and knows their dangers. Due to an accident, he’d ended up in the hospital with bandages over his eyes,making him one of the few people who still have eyesight. He’s left to navigate the perils of a post-apocalyptic world.
Day of the Triffids is a 1968 Radio Dramatization of John Wyndham’s classic British Sci-Fi novel by the same name. The programs begins as believably as possible in explaining of how Earth came to have giant, walking, aggressive plants. It begins with the Soviets developing the Triffids to gain a competitive advantage in food production over the West. Due to a bit of espionage and misadventure, the Triffid seeds being spread across the globe. The good news is the Triffids can be controlled and managed. Humanity has one advantage over them: Humans can see. Unfortunately, an astronomical event is seen across the Earth and the media urges every person to stare up at it. This stupidity leads to almost the entire human race going blind. The hero of the story Bill Masen (Gary Watson) worked in Triffid management and knows their dangers. Due to an accident, he’d ended up in the hospital with bandages over his eyes,making him one of the few people who still have eyesight. He’s left to navigate the perils of a post-apocalyptic world.
"The War Of The Worlds". The most famous radio show of all time. Mars invades New Jersey. + The wireless is interrupted by a special bulletin. "Professor Farrell of the Mount Jennings Observatory reports observing several explosions of incandescent gas occurring at regular intervals on the planet Mars. The spectroscope indicates the gas to be hydrogen which is moving towards the earth at enormous velocity". What is this unexplained phenomena? Most definitely the most famous radio drama ever broadcast and still as gripping today as ever.
Charles Chilton’s classic science fiction series, Journey Into Space, stormed the BBC airwaves during the 1950s. Between 1953 and 1958, a devoted audience of six million adults and children attentively followed Jet Morgan and his crew from one cliff-hanger to another as, together, they faced the unknown perils of space. Return From Mars is the final adventure in the classic science fiction series. The ninety-minute episode is paired with a special half-hour feature, Journey Into Space Again, which is written and presented by Charles Chilton. It includes extracts from the series and interviews with its leading actors, Andrew Faulds (Jet Morgan) and David Jacobs.
April 15, 1972. The Discovery and two freighters return to the Moon from the disastrous Mars expedition. The crew are subjected to intense questioning about their experiences on Mars, and Lemmy discovers that the Discovery is being readied for take off. Back on Earth, they visit an astronomer who has spotted suspicious objects in the heavens.
Jet and Lemmy go to investigate the objects in an orbital rocket, but are sent to sleep for 24 hours by a strange noise. Film footage suggests the asteroids are actually spacecraft carriers. Jet discovers that a spaceship has crashed in the Lake District. Jet and Doc enter the ship.
The crew and the Lunar Controller try to locate the crew of the crashed ship. They interview Moore, a commercial traveler who may have had contact with the crew of the ship, who recounts his experience. The crew are ordered back to Mars and are driven to an airfield, but the car crashes when the crew tackle the 'Conditioned Type' driver.
The crew fly to Australia, then on a ship to the Moon. While preparing for the voyage to Mars, they spot unidentified objects on the lunar horizon. The take off is complicated by strange communication with control, suggesting the Moon base has been infiltrated.
The Discovery gets away safely, but the crew cannot establish contact with Moon control, so Lemmy contacts Earth. After ships from Earth to the Moon are lost, the crew concludes that the Moon has fallen under Martian control. While refuelling from Freighter 1, Jet and Lemmy hear a strange wailing voice.
The crew slow the ship down, and discuss where on Mars to land and the objectives of the trip. They regain contact with the strange voice, discovering it is a very confused Frank Rogers, ex-crewman of Freighter 2.
Thinking Frank may be there, the crew decide to land near the wreck of Freighter 2, but Jet and Mitch discover it to be empty. From the Discovery, Doc and Lemmy spot a fleet of Martian spheres approaching.
Jet and Mitch fail to make it back to Discovery, and the crew all pass out as the ships approach. They wake up in a dark room and figure that they must be on one of the moons of Mars. They discover an unconscious man in the room, find that Jet is missing, and a door in the floor opens.
Jet is found under his bed and the unconscious man is found to be Frank Rogers. Doc tries to bring Frank out of his conditioned state, and he reveals that the invasion is under way. Jet and Lemmy go through the floor, and are directed by the voice of Paddy Flynn.
Frank regains some of his memory, revealing that the crew are aboard an asteroid ship. Jet and Lemmy meet Paddy face to face, and he reveals that he is the rebel captain of the asteroid, working with Jack Evans. Paddy receives orders to have the asteroid join the invasion fleet.
Paddy leaves the crew, who learn how to manipulate the 'visionphone'. As Mitch and Frank follow them along a circular corridor using the cameras, Jet, Lemmy and Doc hear a voice they assume to be a Martian, ordering them back.
Jet, Lemmy and Doc ignore the Martian's warnings to turn back, and Jet is knocked out after touching a door at the end of the corridor. The crew persuades Paddy to set the ship on course for Mars, so they can warn Earth of the invasion. However, he loses control and is injured.
The asteroid is in chaos and the crew discover Asteroid 786/738 is on its way to sort it out. Mitch and Lemmy go to fetch a bed for Paddy, but become lost and enter the Martian's lair. They hear a familiar voice but can't place it. Paddy dies, and Mitch and Lemmy discover that Jack Evans is really the Lunar Controller, who has been in league with the Martians from the start.
The Lunar Controller tells Mitch and Lemmy that the invasion will be facilitated by a hypnotic television broadcast. Jet and Doc go on a search for the others, and follow conditioned crew members onto the asteroid surface. Wearing Martian suits, they investigate a large sphere, but become stranded on the surface.
While the Lunar Controller is away, Jet and Doc enter his quarters from the asteroid surface. Mitch and Lemmy explain what has happened to them, and they hatch a plan to imprison the Lunar Controller and escape.
The crew imprison the Lunar Controller and gain his assistance by threatening to release him into space. Lemmy smashes up the computerised brain to stop messages being sent to the rest of the Martian fleet. Frank pilots the ship as they escape the asteroid and set course for Mars, but they find the Discovery has been plundered.
The crew head into orbit, transfer to Freighter 1 and, using a modified radio transmitter, attempt to contact Earth, but they cannot get their warning about the invasion through. They spot the asteroid invasion fleet approaching them from behind. Jet decides to use all remaining fuel to set course for Earth, in order to increase their chances of warning Earth of the invasion.
The asteroid fleet increases speed and overtakes Freighter 1. Jet records a warning to Earth, to be transmitted on a loop. Attempts to hypnotize the crew fail, so the Martian contacts the crew using their voices. Freighter 1 crashes onto the surface of a large asteroid.
Lemmy fails to contact Earth, but they are contacted by the Martian who tells them to enter the asteroid ship. The Martian reveals that he is the only one left of a race of giants, and explains his reasons for the invasion. A crew from the asteroid, including ex-freighter man Harding, forcibly remove the crew from Freighter 1.
The crew are shown to luxurious quarters aboard the asteroid, and cruise to Earth as part of the invasion fleet. They are ordered to the Martian's quarters, where they are dismayed to discover that Earth has not followed their instruction to shut down all television channels. Depressed by their failure, they watch as the Martian fleet begins to orbit the Earth. As they wait for the Martian's broadcast, the set goes dead. They are overjoyed to learn that the channels have at last been shut down. The Martian peacefully accepts defeat and allows all those in his command to return to Earth. A considerable number, however, choose to remain in the Martian's fleet, and to establish a perfect civilization in another solar system, free from persecution, hunger, misgovernment and war.
April 1971. Jet and Mitch travel from Earth to the Moon by rocket. The Mars fleet (the flagship Discovery, 8 freighters and 20 men) begins its journey. During an EVA, Mitch's safety line fails, leaving him adrift.
Jet manages to rescue Mitch, using a miniature rocket unit. Frank tells Lemmy he's not getting on at all well with Whitaker, his shipmate. Whitaker starts behaving very strangely while Jet is questioning him.
While Whitaker is in a strange deep sleep, both Frank and Lemmy have nightmares. Radar suddenly reveals a huge meteor swarm ahead of the fleet, blocking its path. A large meteor destroys Freighter 7.
Control discovers very odd information about Whitaker - the only man answering to his description was apparently born in 1893, and has been missing since 1924. The fleet changes course twice to avoid the meteor swarm, but both times it moves to block their path again.
The fleet enters the swarm. Peterson reports an emergency on board freighter 6 with Whitaker. On leaving the swarm, Freighter 6 is nowhere to be seen, and the swarm is now blocking radio contact with Control. Two weeks later, Discovery apparently re-establishes contact with home, but the crew are puzzled by the short delay between replies.
A radio message (apparently from Control) orders the fleet to return home. However, a bearing on the radio signal reveals the transmitter to be somewhere in front of the fleet, thus proving the message to be a fake. Freighter 6 is sighted ahead of the fleet, and Discovery draws up alongside it.
Whitaker is found badly injured in Freighter 6, but Peterson has vanished. Jet has a strange dream, and Whitaker dies, suddenly transforming into an old man. Recording tapes found in the cabin confirm the crew's suspicions that Whitaker faked the radio message.
Peterson's suicide recording is found, and radio contact with Control is restored. The fleet enters orbit round Mars, and Discovery lands at the South Pole, but a strange soporific noise troubles the crew and causes them to crash-land.
Freighter 1 lands alongside Discovery, and Jet and Mitch explore outside, but whilst conducting experiments they soon get lost in a dense fog. They see a mysterious orange light, mistaking it for the landing light of the Discovery, and the same soporific noise heard during the landing causes them to lose consciousness.
Doc and Frank rescue Jet and Mitch, and Jet says he dreamed of a ruined city in a valley. Discovery's crew begin the exploration of Mars in the land trucks, whilst Freighter 2 begins to ferry supplies down from the fleet in orbit. However, on its second trip down, the freighter crew hear the soporific noise and crash.
First broadcast: 8 November 1954.
Racing to reach the crashed freighter before sunset, the Discovery's crew reaches the Mare Australis, the plain north of the ice cap. After nightfall, though unable to find the freighter, they see a mysterious white light moving across the plain. In the morning, they locate the crashed freighter, but upon reaching it find its crew missing. However, there are strange marks in the ground nearby which Jet deduces to belong to "the light", realising that a ship has visited and kidnapped the freighter crew.
he Discovery crew travel west across the Mare Australis in pursuit of the mysterious ship. Meanwhile, Frank and Grimshaw, crew members of Freighter 1, reach the wrecked Freighter 2 and take up residence for the night. However, during the night, a 'sphere' arrives and its crew attempt to enter the wreck. Whilst observing the crew, Frank realises they are human. A few days later, Discovery's crew reach a valley in the Argyre Desert, and a city which is identical to the one in Jet's earlier dream.
Discovery's crew explore the valley's ruined city, but Lemmy vanishes, and experiences a hypnotic dream. He's later found with McLean (pilot of Freighter 2), who is now mysteriously able to breathe the Martian air.
Doc deduces that Whitaker and McLean had been 'conditioned', allowing them to be controlled, as well as breathe in the Martian atmosphere. Mitch becomes separated from the others, and meets a man who claims to be a dingo hunter in Australia.
McLean, pretending to be Mitch, enters the land truck and tries to overpower Lemmy, but Lemmy wins the fight. Meanwhile, Mitch, lost in the desert and now able to breathe the Martian atmosphere, comes across a house inhabited by a man and woman who claim to be sheep farmers living in Australia in 1939.
Jet, Doc and Lemmy discover the same house, and find Mitch inside it. But Mitch is now 'conditioned' to believe he's in Australia, and doesn't recognise the others. He refuses to rejoin them, and attacks Jet.
A 'flying doctor' arrives in a sphere, and manages to capture Doc and Lemmy. He tries to 'condition' them using the soporific noise, but they manage to resist. Meanwhile, Jet escapes back to the land trucks.
The sphere arrives at Lacus Solis (the Martian capital), and the flying doctor reveals the Martian plan to invade the Earth in 1986. Frank, flying in Freighter 1, hears the soporific noise and his freighter crashes.
Doc and Lemmy overpower the flying doctor, and escape in the sphere with Mitch, who recovers from his 'conditioning' but can only remember being two weeks away from reaching Mars. Jet is contacted by Webster, a man trying to return to Earth, and learns more about the Martians..
The Discovery crew are fully reunited at last, and thanks to advice from Webster, Mitch completes his recovery. Jet, Lemmy and Webster try to rescue Frank, but they fail, and Webster is injured and dies. The crew return to Discovery at Polar Base and take off for home, escaping a pursuing fleet of spheres. Their news of the upcoming Martian invasion is passed to Earth, causing a great commotion.
The rocket "Luna" sets off for the Moon with Jet, Doc, Mitch and Lemmy aboard. Radio contact with Earth is lost. Lemmy hears odd 'music' on the radio, before contact is resumed, and a tiny meteor hits Luna. No damage is sustained, but Lemmy hears the strange music again outside the ship and panics.
Luna is turned round for the Moon landing, and Lemmy hears the 'music' again during the final approach. The crew narrate their first moonwalk by radio to Earth. While exploring a crater, Jet unaccountably vanishes from sight.
Jet has visions of the past and the future, Lemmy is disturbed by the 'music' again, and Doc sees a strange dome over a crater and writes an odd diary entry without realising. The last week on the moon passes without incident, but as the crew prepare to leave for home, the ship loses all power.
The crew are stuck on the Moon and unable to trace what has caused the power failure. A fortnight passes, with the air temperature rising uncomfortably in the absence of air-conditioning. A UFO is seen on the televiewer and strange noises are heard. When they are left with just enough oxygen to reach home, power is suddenly restored to the ship, and the UFO is seen to have landed outside.
Mitch is inquisitive and enters the UFO, where he is temporarily possessed by an alien intelligence. Luna takes off and orbits the Moon. On the far side, the crew encounter a fleet of UFOs, which pursues them.
The UFOs accelerate Luna to an incredible speed, and the crew blacks out. On recovering, they find themselves out in deep space, with no sign of the Earth or Moon. In the distance, a planet is approaching.
The crew land Luna on the planet and discover that it shares many of Earth's characteristics – oxygen atmosphere, drinkable water, carbon-based vegetation and ice-caps at both the poles. After studying the stars one night, Jet deduces that they in fact are on Earth, but that they've travelled thousands of years through time.
Jet discovers a prehistoric stone knife near Luna, suggesting that they've travelled back in time, but there is some confusion over this when the crew discover the tracks of a great tank-like machine near their ship. A UFO, exactly like the one seen on the moon, lands nearby and a voice is heard over the radio: "Hello Luna!".
The crew talk with 'the voice'. They learn that the strange music they've been hearing is generated by a strange, omnipresent power that 'the voice' and his people use to drive their ships. 'The voice' warns them that they are in great danger, and persuades them to enter the UFO, which takes off. Eventually it lands again, in a city of domed buildings.
The crew learn more about 'the voice' and his people – they are a peaceful, scientific race from the opposite side of the universe. The crew explore the city, and are disturbed by a close encounter with a sabre-toothed tiger. Fortunately, the creature does not attack them, but they now realize that they have travelled back through time instead of forward. They enter a domed building, walk down a long dark tunnel, and emerge in a huge underground city. They are invited into another building to meet 'the voice', but are terrified by what they find inside...
'The voice' consoles the crew, who are embarrassed by their shock, and guides them to another dome where they are given a meal and beds to sleep in. Next morning, 'the voice' tells the crew about the Earth's native 'forest creatures', destructive and hostile animals, and promises to help the crew get back to their own time. While preparing Luna for take-off, the crew are horrified to realize that the 'forest creatures' are, in fact, prehistoric humans.
'The voice' is not pleased to learn that the crew are descended from the 'forest creatures', but in the end agrees to help them as arranged. Luna takes off and is accelerated by the UFOs; the crew blacks out. They start to ponder on the nature of time, and become concerned about their shortage of fuel, and whether they will remember their adventures when they reach their own time.
The crew successfully return to the Moon in 1965, but with no memory of their adventure on prehistoric Earth. However, their rations have been replaced by water and an unknown bread-like substance, Doc's diary contains a detailed account, and there's a prehistoric stone knife on board Luna...
A community of 'human mutants' capable of telepathy are discovered on a remote Scottish island. A plan is in place to use them to control the British Government, and friends Curtis Lark (played by Vincent Price) and Hugh Baxter (played by Peter Cushing) join forces to foil the plot.
A community of 'human mutants' capable of telepathy are discovered on a remote Scottish island. A plan is in place to use them to control the British Government, and friends Curtis Lark (played by Vincent Price) and Hugh Baxter (played by Peter Cushing) join forces to foil the plot.
A community of 'human mutants' capable of telepathy are discovered on a remote Scottish island. A plan is in place to use them to control the British Government, and friends Curtis Lark (played by Vincent Price) and Hugh Baxter (played by Peter Cushing) join forces to foil the plot.
A community of 'human mutants' capable of telepathy are discovered on a remote Scottish island. A plan is in place to use them to control the British Government, and friends Curtis Lark (played by Vincent Price) and Hugh Baxter (played by Peter Cushing) join forces to foil the plot.
A community of 'human mutants' capable of telepathy are discovered on a remote Scottish island. A plan is in place to use them to control the British Government, and friends Curtis Lark (played by Vincent Price) and Hugh Baxter (played by Peter Cushing) join forces to foil the plot.
A community of 'human mutants' capable of telepathy are discovered on a remote Scottish island. A plan is in place to use them to control the British Government, and friends Curtis Lark (played by Vincent Price) and Hugh Baxter (played by Peter Cushing) join forces to foil the plot.