Echoes of Indiana Avenue: Recent Episodes
WFYI Public Media
Produced by Cultural Manifesto host Kyle Long and narrated by musician Herman Butch Slaughter, Echoes of Indiana Avenue is an audio documentary focused on the cultural achievements of Black artists and musicians from central Indiana.
Listen to a tribute to the Philadelphia saxophonist and composer Benny Golson. He passed away on September 21st at the age of 95. Throughout his career, Golson performed with legends of the Indiana Avenue jazz scene, including Freddie Hubbard and J.J. Johnson. Hear music featuring Golson’s collaborations with Indianapolis jazz musicians, along with recordings of Golson’s music from notable Avenue jazz stars, like Wes Montgomery and Slide Hampton.
Listen to music from Paul Parker, an important Indianapolis jazz drummer. Parker was among the most respected drummers on the Avenue jazz scene. He was best known for his work with Wes Montgomery, but also performed with Freddie Hubbard, Larry Ridley, James Spaulding, Melvin Rhyne and many others.
Listen to the final episode in our two-part series exploring the music of Earl “Fox” Walker, a legendary Indianapolis jazz drummer. On this week’s show, we’ll focus on Walker’s recordings with the Indianapolis music legend Jimmy Coe. During the 1950s, Walker performed regularly with Coe on Indiana Avenue. They were also featured on many recordings together, including The Students’ doo-wop ballad “I’m So Young,” a top 40 Billboard R&B hit in 1961.
For the next two weeks, explore the music of Earl “Fox” Walker, a legendary Indianapolis jazz drummer. Walker worked with many local, and national bandleaders, including Tiny Bradshaw, Gene Pope, Buddy Bryant, and Jimmy Williams. But he’s best known for his recordings with the Jimmy Coe and Lionel Hampton bands. Walker performed extensively on the Avenue, appearing at venues including Dee’s Paradise, Club Ebony, George’s Bar, the Defense Club, the Walker Theatre, Sky Club, Royal Roost, the P&P Club, and more. Walker was born in 1921, and by the age of 19 he was known as one of the greatest jazz drummers in Indianapolis. Sadly, Walker’s life was cut short. He died at the age of 38. But he accomplished so much during his brief career. On this week’s show, we’ll focus on Walker’s recordings with the Lionel Hampton band. He played with Hampton from 1946 to 1949. During that time, Hampton’s band also featured the Indianapolis jazz great Wes Montgomery on guitar.
Explore the music of “Mr. Trumpet” Roger Jones, a legendary Indianapolis jazz musician who performed with artists including Duke Ellington, Count Basie, Cab Calloway, Wes Montgomery, Sarah Vaughan and others. During the mid-20th century, Jones was considered the top trumpet player in Indianapolis.Jones was born in Carbondale, Illinois in 1913. By the time he was a teenager, Jones was living in Indianapolis, studying music with Harold Brown at Crispus Attucks High School. Jones began perfprming professionally as a teenager with the Brown Buddies band, and he played some of his first gigs on the Avenue. During the late 1930s, Jones left Indianapolis with the Don Redman Orchestra, for the next decade, he worked regularly with the greatest icons of jazz.
Hear a tribute to the famed Indianapolis soul singer Jimmy Guilford, he passed away earlier this month.Jimmy Guilford started his career singing doo-wop on the streets of Indiana Avenue. His talents would eventually carry him to the Apollo Theater in New York, the nightclubs of Las Vegas, and the recording studios of Detroit, where Jimmy cut a series of classic soul singles.Guilford’s career in Indianapolis spanned over six decades of music making. He worked with some of the greatest music legends in Indianapolis, from the jazz icon Wes Montgomery to the rock and roll star Thurston Harris. We’ll share a 2019 interview Guilford recorded with WFYI’s Kyle Long, along with rare singles he recorded with the Lamplighters and Four Sounds.
Listen to the final episode in a three-part series exploring the music of Little Bill Gaither, a legendary Indianapolis blues singer and guitarist. On this week’s edition, hear a selection of music from Gaither’s final recordings. Gaither had a prolific career as a recording artist, cutting over 100 songs from 1935 to 1941. His music career was interrupted by the outbreak of World War II. Gaither was drafted in 1942, serving in the African American 1st Battalion of the 24th Infantry Regiment. Gaither spent his final years, working as a maintenance man for MCL Cafeteria. He died in Indianapolis on October 30th, of 1970.
The second episode in a three-part series exploring the music of Little Bill Gaither, a legendary Indianapolis blues singer and guitarist.Gaither’s music was heavily influenced by the famous Indianapolis blues duo of Leroy Carr and Scrapper Blackwell. Gaither performed many of Carr’s songs and imitated the unique guitar style of Blackwell. When Carr died in 1935, Gaither began performing under the name “Leroy’s Buddy”, as a tribute to his friend.On this week’s edition, we’ll focus on Gaither’s interpretations of Carr’s music.
For the next three weeks we'll explore the music of Little Bill Gaither, a legendary Indianapolis blues singer and guitarist.Gaither was born in Kentucky in 1910. He spent his childhood in Louisville and moved to Indianapolis in the early 1930s. Gaither quickly found his place in the early Naptown blues scene, partnering with a local piano player named George “Honey” Hill”. They would go on to record dozens of classic blues records together.Gaither left behind a large catalog of music. From 1935 to 1941, he recorded over 100 songs for labels including Decca and Okeh. Gaither’s music documented his life in Indianapolis, from the good times he had on the Avenue, to serious themes, like the outbreak of World War II, and the tuberculosis epidemic. On this edition, listen to the early recordings of Little Bill Gaither.
Listen to the final episode in a three-part series celebrating the July birthday of the flutist and saxophonist James Spaulding, one of the greatest living legends of the Avenue jazz scene. Spaulding is best known for his work as a sideman. He cut over 65 albums as a session player, including recordings with Louis Armstrong, Herbie Hancock, Freddie Hubbard, Max Roach, and others. But Spaulding has also worked extensively as a bandleader. On this week’s episode, hear music from Spaulding’s work as a session leader.
Listen to the second episode in a three-part series celebrating the July birthday of the flutist and saxophonist James Spaulding, one of the greatest living legends of the Avenue jazz scene.On this week’s edition, hear music from Spaulding’s work in experimental jazz. During his historic career, Spaulding performed with icons of avant-garde music, including Sun Ra, Archie Sheep, Pharaoh Sanders, Sam Rivers, Leon Thomas and more.
For the next three weeks on Echoes of Indiana Avenue, we’ll celebrate the July birthday of the saxophonist and flutist James Spaulding, one of the greatest living legends of the Avenue jazz scene. Spaulding has performed with the greatest legends in jazz music, from Herbie Hancock to Louis Armstrong. On this week’s edition, we’ll focus on Spaulding’s work for the famous Blue Note label. Spaulding was featured on over 20 classic Blue Note albums, working with star bandleaders like Freddie Hubbard, Wayne Shorter, Stanley Turrentine, Lee Morgan, Horace Silver, Grant Green, and many others.
Listen to the second episode in a two-part series exploring the complete recordings of Sonny Johnson, a legendary Indianapolis jazz drummer best known for his work with Wes Montgomery.Johnson played with many legends of Indiana Avenue, including the Hampton family, Jimmy Coe, Mel Rhyne, David Baker, Freddie Hubbard, and many more. Johnson also toured across the country as a drummer for the Lionel Hampton Orchestra, and recorded in New York City with Quincy Jones.On this week’s episode, hear live recordings of Johnson performing in Indianapolis with Wes Montgomery.
For the next two weeks on Echoes of Indiana Avenue, listen to the complete recordings of Sonny Johnson, a legendary Indianapolis jazz drummer best known for his work with Wes Montgomery. Johnson played with many legends of Indiana Avenue, including the Hampton family, Jimmy Coe, Mel Rhyne, David Baker, Freddie Hubbard, and many more. Johnson also toured across the country as a drummer for the Lionel Hampton Orchestra, and recorded in New York City with Quincy Jones.On this week’s episode, hear Johnson’s early recordings with the Art Farmer Septet.
Listen to the second episode in our two-part series exploring the music of the Indianapolis jazz drummer Larry Clark. Clark will share his thoughts on the destruction of Indiana Avenue and discuss his unique archive of cassette tapes. The collection features never-before-heard live recordings of Clark’s work with jazz greats including Floyd Smith, and James Moody. Clark is a veteran of the Indianapolis jazz scene and he’s performed with dozens of Avenue jazz legends, including the Hampton Sisters, David Baker, Pookie Johnson, Steve Weakley, and many more. Clark has also played with jazz stars outside the Indianapolis scene, like Groove Holmes, Rusty Bryant, and David “Fathead” Newman. In 2005, Clark’s work was honored by the Indianapolis Jazz Foundation, when he was inducted into the Indianapolis Jazz Hall of Fame. Clark remains active in the jazz scene today and currently serves as the president of the Indianapolis Musicians Union.
This week on Echoes of Indiana Avenue, listen to the first episode in our two-part series exploring the music of the Indianapolis jazz drummer Larry Clark. Clark is a veteran of the Indianapolis jazz scene and he’s performed with dozens of Avenue jazz legends, including the Hampton Sisters, David Baker, Pookie Johnson, Steve Weakley, and many more. Clark has also played with jazz stars outside the Indianapolis scene, like Groove Holmes, Rusty Bryant, and David “Fathead” Newman. In 2005, Clark’s work was honored by the Indianapolis Jazz Foundation, when he was inducted into the Indianapolis Jazz Hall of Fame. Clark remains active in the jazz scene today and currently serves as the president of the Indianapolis Musicians Union. Join us for the next two weeks, as Clark shares his memories of working on the Avenue. We’ll also listen to never-before-heard live recordings from Clark’s personal collection, featuring his work with jazz greats including Floyd Smith, and James Moody.
This week on Echoes of Indiana Avenue, listen to a preview of the “Juneteenth Black Heritage Concert: Gospel and Blues – The Roots of it All”. It’s happening on June 16th at Indiana Landmarks.Hear interviews with two of the concert’s performers, Lester Johnson and Debbie Nelson — both have deep connections to the blues and the Indiana Avenue music scene.Bassist Lester Johnson is best known for his work with Ebony Rhythm Funk Campaign. Johnson played some of his earliest gigs with the Indiana Avenue blues great Harvey Cook, and Johnson’s uncle was the Indianapolis blues legend Guitar Pete Franklin.Debbie Nelson is known for her work as a blues vocalist. She started her career singing on Indiana Avenue during the 1960s, and was offered a chance to perform in B.B. King’s band.
Saxophonist Alonzo “Pookie” Johnson is a legend of the Avenue jazz scene. Many local jazz fans consider Johnson one of the greatest saxophonists in Indianapolis history.Johnson was born in Indianapolis in October 1927. He began performing locally as a teenager in the 1940s. Johnson studied music at Crispus Attucks High School and the Jordan Conservatory.Johnson was a veteran of the Avenue club scene playing at legendary venues such as the Sky Club, George’s Bar, The P&P Club, Henri’s, the Golden West, Sunset Terrace, and the British Lounge.During his 60-plus year career, Johnson performed with the greatest jazz players in Naptown – including Slide Hampton, Jimmy Coe, Carl Perkins, Virgil Jones, David Baker, Errol Grandy, Freddie Hubbard, and more.But Johnson is best known for his long association with the Montgomery Brothers: Buddy, Monk, and Wes. Along with drummer Sonny Johnson, they performed across Naptown as the Montgomery-Johnson Quintet.This week on Echoes of Indiana Avenue, we'll share music featuring Pookie Johnson’s recordings with Wes Montgomery.
John W. Bubbles and Todd Duncan had deep roots on the Indiana Avenue scene, and both were featured in the original cast of George Gershwin’s Porgy and Bess. Explore their lives and music on the latest episode of Echoes of Indiana Avenue. John W. Bubbles was a streetwise song and dance man who became a star of the vaudeville stage as a young man on the Avenue. Bubbles created the role of Sportin’ Life in Porgy and Bess. Todd Duncan was a classically trained vocalist who studied at Butler University and broke racial barriers in the world of opera. Duncan was George Gershwin’s original Porgy.
During the 20th Century, many African American musicians found greater interest and opportunity for their work in Europe. Some African American artists also found greater freedom in Europe, as they sought an escape from the Jim Crow racism of the United States. This week on Echoes of Indiana Avenue, listen to music and interviews from Indianapolis musicians who lived and worked in Europe. including Slide Hampton, Paul Weeden, Charles Tyler, Claudia Polley, George Chandler and The Presidents.
The I Made Rock and Roll festival is coming to Downtown Indianapolis this month. I Made Rock and Roll honors Black artistry and authorship in rock music by celebrating Black rock musicians of the past and present. Indiana Avenue played a significant role in the development of rock and roll. Chuck Berry, Little Richard, and Fats Domino played their first Indiana concerts on the Avenue. The Avenue music scene also produced homegrown rock and roll stars, including Thurston Harris and Bobby Lewis. Join us this week on Echoes of Indiana Avenue for a tribute to the Black rock and roll legends of Indianapolis, from the doo-wop sounds of The Counts, to the psychedelic funk of Ebony Rhythm Band.
This week on Echoes of Indiana Avenue, join us for the final episode in our three-part series celebrating the music of guitarist Steve Weakley, one of the greatest living legends of Indianapolis music, and a founding member of Funk Inc. On this week’s episode, Weakley will discuss his work in Lafayette, Indiana with artists including Tony Zamora, and the Sisters of Thunder. And he’ll share his thoughts on the legacy of Indiana Avenue.
This week on Echoes of Indiana Avenue, join us for the second episode in our three-part series celebrating the music of guitarist Steve Weakley, one of the greatest living legends of Indianapolis music. This week’s episode will focus on his work with the soul jazz band Funk Inc. Weakley was still a teenager when he joined the band around 1970.The music of Funk Inc. attained great popularity during the early '70s. Funk Inc. scored hits on both the jazz and R&B charts. Their 1973 album “Hangin’ Out” appeared on Billboard’s top 10 jazz albums chart. Funk Inc. are also one of the most sampled bands in the history of rap music. Their 1971 recording of "Kool is Back" has been sampled over 500 times by artists including Jay-Z, Ice T, Yes, Sting, Aphex Twin, Beastie Boys, TLC and more.
This week on Echoes of Indiana Avenue, join us for the first episode in our three-part series celebrating the music of guitarist Steve Weakley, one of the greatest living legends of Indianapolis music. Weakley grew up in the Indiana Avenue neighborhood and began playing in local clubs as a teenager. He’s best known for his work with the soul jazz band Funk Inc. The music of Funk Inc. attained great popularity during the early '70s. Funk Inc. scored hits on both the jazz and R&B charts. Funk Inc. are also one of the most sampled bands in the history of rap music. Their 1971 recording of "Kool is Back" has been sampled over 500 times by some of the most famous artists in hip-hop music.Outside of his work with Funk Inc., Weakley has recorded with artists including Billy Wooten, Rob Dixon, and Tony Zamora.
Earlier this year, the legendary Indianapolis jazz drummer and entrepreneur Albert Coleman died. He was 96 years old. During his career in music, Coleman played with legendary Avenue musicians, including Wes Montgomery, Leroy Vineggar and Jimmy Coe. But Coleman is best known for his work with The 3 Souls, a jazz trio he co-founded in the late 1950s. This week on Echoes of Indiana Avenue, we’ll celebrate the life of Albert Coleman with an hour of music from The 3 Souls. Albert Coleman was born in Indianapolis in 1927. He graduated from Crispus Attucks High School and studied music at the Jordan Conservatory. In addition to his work in music, Coleman was also a celebrated entrepreneur. He owned a vending machine company, a car wash and the Cole-Smith Manor motel. But Coleman’s best known business venture was Al’s British Lounge, an Indiana Avenue nightclub Coleman took ownership of in 1969. The British Lounge has been called the last great jazz club on the Avenue.Coleman also gave back to his community. In 1978, Coleman and his wife Anna opened the Jacer Inn Family Retreat in Rochdale, Indiana. The Jacer Inn retreat offered a variety of health and social services to inner-city residents.
This week on Echoes of Indiana Avenue, learn about the life and music of Enoch “Sonny Boy” Williams, a rhythm & blues pianist and vocalist from Indianapolis. Williams cut a series of popular R&B recordings for Decca Records during the early 1940s. He’s best remembered for his 1943 single “Reverse the Charges”. That song was a minor hit for Williams and was covered by artists including Bud Powell and Etta Jones. Williams was born in London, Kentucky in 1917, but he was raised in Indianapolis. Williams began performing in 1935. He appeared often at Avenue venues, including The Cotton Club, The Rhumboogie, and Sunset Terrace.
This week on Echoes of Indiana Avenue, learn about the history of Merging Traffic, an influential jazz fusion band that thrived in Indianapolis during the 1970s. Listen to interviews with Merging Traffic members Kenny Simms, George Benn, and Ricky Knox. Also, hear rare unreleased recordings from the group.Indianapolis music critics raved about Merging Traffic’s sound, and audiences packed local venues to hear the band. By all appearances, Merging Traffic were destined for national success, but the band split apart during the early 1980s.Merging Traffic will be reuniting for one night only at the Jazz Kitchen on April 10th.
This week on Echoes of Indiana Avenue, celebrate Women’s History Month with music from the “Boogie Woogie Queen” Christine Chatman.Chatman was born in Jackson, Tennessee in 1920 and she began playing piano at age 3. By age 15 Chatman was performing professionally and at 18 she was touring the midwest with the Leake Brothers Combo. During the early 1940s Chatman began living and working in Indianapolis. She started her own band and signed a contract with the Ferguson Brother’s Talent Agency, an artist management company based in the Indiana Avenue neighborhood. In 1944 Chatman released her debut single “Naptown Boogie”, a tribute to the city that helped launch her career.Join us this week to learn more about the life and music of Christine Chatman.
This week on Echoes of Indiana Avenue, celebrate Women’s History Month by learning about the legendary jazz women of Indiana Avenue. Listen to an hour of classic music from Indianapolis women who made historical contributions to jazz, including: Debbie Andrews, Sarah McLawler, Flo Garvin and the Hampton Sisters.Jazz vocalist Debbie Andrews gained fame in the 1950s performing with Wes Montgomery’s Montgomery-Johnson Quintet. Andrews’ brother Sonny Johnson, was the band’s drummer. Andrews’ talent as a vocalist impressed many musicians, including Duke Ellington, he invited her to tour with his orchestra during the early 1950s.Vocalist and organist Sarah McLawler was among the first wave of jazz musicians to record on the Hammond B3 organ. She attended Crispus Attucks High School and studied music at Indy's Jordan Conservatory. McLawler rose to national prominence in the early '50s with The Syncoettes, a pioneering quartet of women musicians. Pianist and vocalist Flo Garvin was a popular attraction on Indiana Avenue during the 1940s and ’50s. Garvin was among the first Black entertainers to host their own television program in Indianapolis. Today, Garvin is best remembered for her 1952 single on King Records, recorded with the Jimmy Coe Orchestra. Aletra, Dawn, Virtue, and Carmalita Hampton began performing in Indianapolis as the Hampton Sisters during the early 1940s. They were members of the famous Hampton Family band, which also included their brother Slide Hampton, a world renown trombonist. Sisters Aletra and Virtue led the group into the early 21st Century.
This week on Echoes of Indiana Avenue, explore the music of Bobby Lewis, Indianapolis’ biggest rock and roll star. His 1961 single “Tossin’ and Turnin’” topped the Billboard Hot 100 chart for 7 straight weeks. Bobby Lewis was 36 years old when “Tossin’ and Turnin’” hit the charts. Success had not come easy for the singer. Lewis was born in Indianapolis in 1925 and spent his early years in an orphanage. At age 12 Lewis was adopted and moved to Detroit with his foster parents. But by age 18, he was back in Indianapolis. Lewis became a star on Indiana Avenue during the early 1950s, appearing at venues including George’s Bar and the Walker Casino. In 1952, Lewis was nominated as “best male singer” in the Indianapolis Recorder’s entertainment poll. That was also the year he issued his debut single for Chicago’s Chess Records.
This week on Echoes of Indiana Avenue, explore the music of the pianist and bandleader Millard Lee, an unsung Indianapolis music legend. Lee was born in Franklin, Indiana in 1909. He began working on Indiana Avenue during the early 1940s, performing at clubs including Sunset Terrace, Cotton Club, and 440 Club. Lee is best known for his collaboration with the blues star B.B. King. Lee worked as a keyboardist and bandleader for King from the mid-1950s, until his death in 1961.
This week on Echoes of Indiana Avenue we’ll explore the music of the late Indianapolis saxophonist, band leader, and music educator Larry Leggett, known professionally as Larry Liggett. We’ll share an hour of rare recordings from Liggett, including his work for the legendary Chicago label Chess Records. Larry Liggett was born in Brazil, Indiana in 1921. He began playing music at an early age. At 10-years-old, he became the youngest member of the Brazil High School Marching Band. He continued to distinguish himself in college, becoming the first Black musician in the symphonic band and orchestra, at Indiana State University. Liggett moved to Indianapolis during the 1940s and began teaching at Crispus Attucks High School in 1948. He continued working in the Indianapolis Public School system for the next 40 years. During that time, Liggett was performing jazz music at nightclubs across Indianapolis. Liggett also enjoyed success as a recording artist. During the 1950s, his recordings for Chess received national airplay. In 2004 his contributions to Indiana music were acknowledged by the Indianapolis Jazz Foundation, who inducted Liggett into the Indianapolis Jazz Hall of Fame.
On February 27th at 8 p.m., Wes Bound: The Genius of Wes Montgomery debuts on WFYI Public Television. Wes Bound is the first full-length documentary on the life of Wes Montgomery, who was born in Indianapolis on March 6, 1923, and rose from humble beginnings to become one of the greatest jazz guitarists of all time.This week on Echoes of Indiana Avenue, celebrate Wes Bound: The Genius of Wes Montgomery by listening to classic recordings of Wes Montgomery’s performances in Indianapolis. We’ll also talk with Indianapolis musicians who performed with Wes, including Phil Ranelin, Everett Greene, Wanda Stafford, Jimmy Gilford and Johnny Shacklett.
On this week’s show, we’ll explore the music of Thurston Harris, Indianapolis’ first rock and roll star. He’s best known for his recording of “Little Bitty Pretty One,” a Top 10 hit in 1957. Thurston Harris was born in Indianapolis in July of 1931. He grew up in the Avenue neighborhood, and began singing gospel music in local churches, at age 9. In 1949, the R&B star Jimmy Liggins heard Harris performing in a nightclub, and invited Harris to Los Angeles. While in Los Angeles, Harris joined the Lamplighters, an exciting R&B act that scored over a dozen hits from 1953 to 1956. In 1957, Harris had the chance to cut his first solo recordings. His debut single, “Little Bitty Pretty One” became the biggest record of his career. The song was issued by Aladdin Records. Harris cut over 20 songs for the label during the late 1950s.
On February 12th, PBS will broadcast the first episode of Gospel, a new documentary series from Henry Louis Gates Jr. This week on Echoes of Indiana Avenue, we’ll celebrate the release of Gospel by sharing classic Naptown gospel music, featuring rare recordings from the quartets, choirs, and songwriters that made history in the Circle City.Tune in for music from Al Hobbs and The Music Masters, Beatrice Brown, The Stovall Sisters, The Sacred Four, The Indianapolis Mass Choir, Wandering Travelers of Indianapolis, King James Version, Kenneth Woods Jr., and The Traveling Inner Lights. Plus, hear interviews with Indianapolis gospel artists M.L. Allen, Reggie Gammon, Reverend Dennis Freeman, Henry Hinch, Everett Greene, and more.
This week on Echoes of Indiana Avenue, explore the Ink Spots’ influence on rock and roll. The only Indianapolis act to be inducted into the Rock and Hall of Fame, the Ink Spots remain one of the most influential acts to emerge from the Avenue. Their songs were recorded by Elvis, Bob Dylan and The Beatles.The Ink Spots were formed in Indianapolis, during the early 1930s by Hoppy Jones, Charlie Fuqua, Deek Watson and Jerry Danies. In 1936, Daniels was replaced by the Baltimore vocalist Bill Kenny, who took on lead vocal duties. They developed a trademark sound that showcased Bill Kenny’s high soaring tenor, Hoppy Jones’ spoken word bass vocals, and Charlie Fuqua’s distinctive guitar phrases.
The legendary jazz pianist and vocalist Les McCann passed away in December of 2023. This week on Echoes of Indiana Avenue, we’ll celebrate, the life and music of Les McCann, by listening to his work with the Indianapolis bass player Leroy Vinnegar. McCann featured Vinnegar on over a dozen albums, including the biggest record of his career "Compared to What."
This week on Echoes of Indiana Avenue, we’ll continue our look back at some of our favorite music and interviews of 2023.Indianapolis music legends Rodney Stepp and Allen “Turk” Burke will discuss their work with The Spinners, and R&B vocalist Debbie Nelson will share her memories of growing up on the Avenue.
This week on Echoes of Indiana Avenue we’ll look back at some of our favorite music and interviews of 2023. Tune in for words and music from Phil Ranelin, George Chandler, Claudia Polley, and more.
It's a New Year’s Eve dance party on Echoes of Indiana Avenue with classic dance music from Naptown funk and soul artists. We’ll also revisit local dance crazes like the “Hum-Bug” and “Funky 16 Corners.”
This week on Echoes of Indiana Avenue we’ll celebrate Christmas at the Pink Poodle, a legendary Avenue nightclub.The Pink Poodle featured the biggest stars in jazz, comedy, and R&B music – including Aretha Franklin, Redd Foxx, Moms Mabley, Max Roach, Etta James, and many others.Join us for classic holiday music from artists who performed at the Pink Poodle.
This week on Echoes of Avenue learn about the history of Indianapolis Recorder’s midnight Christmas benefit concerts at the Walker Theatre. The concerts featured up to 60 acts and ran from midnight until 6 in the morning. Some of the greatest jazz, funk, and R&B musicians in Naptown performed at the midnight Christmas shows — including Wes Montgomery, Thurston Harris and Slide Hampton. But the entertainment wasn’t limited to music alone — there were drag queens, burlesque dancers, fire-eaters, snake handlers, body builders and comedians.The concerts developed from the Indianapolis Recorder Cheer Fund. Established in 1929, the Cheer Fund was an annual holiday fundraiser that supported families in financial need. During the 1930s the Cheer Fund evolved into a benefit concert. These concerts attracted star performers, including the legendary tap dancer Bill “Bojangles” Robinson who performed at the Recorder’s 1938 benefit show. The Recorder's midnight Christmas benefit concerts thrived until the 1980s.Listen to interviews with Indianapolis musicians and media personalities who performed at the Christmas benefit shows, including Henry Hinch, Josephine Cheatham, Rodney Stepp, Reggie Gammon, Debbie Nelson, Tyrone Caldwell, Richard Hamilton, Eunice Trotter, Geno Shelton and the late Joe Trotter.
This week on Echoes of Indiana Avenue we’ll pay tribute to Matthew Dickerson, an influential music promoter who lived and worked in the Avenue neighborhood.During his long career, Dickerson brought the biggest stars in jazz and R&B music to Naptown — including Duke Ellington, Louis Armstrong, Ella Fitzgerald, Fats Waller, James Brown, and many more.Tune in for music featuring the performers Dickerson worked with.
This week on Echoes of Indiana Avenue we’ll feature an hour of words and music with vocalist George Chandler. He started his music career at Mt. Vernon Baptist Church in the Indianapolis neighborhood of Haughville.In the mid-1960s Chandler was drafted into the military. He was stationed in Italy and formed the Four Kents – a soul music act that recorded in both English and Italian.During the 1970s Chandler relocated to England, where he recorded with music icons including Paul McCartney, Tina Turner, and Elton John. In the 1980s Chandler co-founded Londonbeat and co-wrote the group’s massive 1990 hit "I've Been Thinking About You.”Chandler will share his memories of performing in Haughville, and his rise to fame in Europe.
This week on Echoes of Indiana Avenue we’ll share the final episode of our two-part series exploring the Spinners’ connection to Indianapolis.We’ll be joined by two Indianapolis music legends who were part of The Spinners: Allen “Turk” Burke, who worked as a keyboardist and music director with The Spinners for over 25 years; Rodney Stepp, who served as keyboardist and assistant music director for The Spinners from 1974 until 1981.On this week's show we’ll share music from an unreleased Spinners’ album Stepp and Turk produced in Indianapolis, and Stepp will recall performing with The Spinners at Muhammad Ali’s legendary “Rumble in the Jungle” in Zaire, Africa.
In November of 2023, the Spinners were inducted into the Rock and Roll Hall of Fame. The group is known worldwide for their classic soul hits - but very few music fans know about the Spinners’ Naptown connection.Spinners’ co-founder Billy Henderson born in Indianapolis in 1939 and the Spinners maintained a strong connection to the city throughout the years.For the next two weeks on Echoes of Indiana Avenue we’ll be joined by two Indianapolis music legends who were part of The Spinners: Allen “Turk” Burke, who worked as a keyboardist and music director with The Spinners for over 25 years; Rodney Stepp, who served as keyboardist and assistant music director for The Spinners from 1974 until 1981.Stepp and Turk will share their memories of performing with the Spinners and discuss the Indianapolis musicians who contributed to the group’s legacy
This week on Echoes of Indiana Avenue we’ll share the final episode in our two-part series exploring the music of the late Russell Webster – a legendary Indianapolis saxophonist and composer. We’ll be joined by Webster’s daughter Bonita Webster-Coleman and his wife Lexie Webster. We’ll also hear from musicians who were influenced by Russell Webster, including Steve Allee and Justin S. Kinchen.This episode will focus on Webster’s self-produced 1983 double LP “Uncle Funkenstein”. It features an all-star line-up of Indianapolis jazz musicians — including Larry Ridley, James Spaulding, Pookie Johnson, Mel Rhyne, and Clifford Ratlif.
The first episode in our two-part series exploring the music of the late Russell Webster – a legendary Indianapolis saxophonist and composer. We’ll be joined by Webster’s daughter, Bonita Webster-Coleman, and his wife, Lexie Webster.Russell Webster is best known for his self-produced 1983 double LP “Uncle Funkenstein.” But there’s much more to Webster’s story. Born in Indianapolis in 1928, he studied music at the Jordan Conservatory and over the years, he played with the biggest stars on the Avenue — from Wes Montgomery to Jimmy Coe.
This week on Echoes of Indiana Avenue we’ll celebrate the music of Dawn Hampton – best known for her work as a jazz and cabaret singer. Dawn was a member of Indianapolis’ legendary Hampton family and performed extensively on the Avenue during the 1940s, and ‘50s.During the 1960s, and ‘70s Dawn became a popular singer in New York City, where she was known as the “queen of cabaret.” Dawn developed a loyal following among gay men in New York and performed at legendary gay venues in the city - including Stonewall and the Continental Baths.
This week on Echoes of Indiana Avenue we’ll share the final episode of our two-part series exploring the complete recordings of Guitar Pete Franklin – a legendary Naptown blues musician. On this episode, hear Franklin’s final recordings – made in Indianapolis during the early 1960s.
This week on Echoes of Indiana Avenue listen to the first episode of our two-part series exploring the complete recordings of Guitar Pete Franklin – a legendary Naptown blues musician.Franklin was born in Indianapolis in 1928. His style was influenced by the early Naptown blues duo of Leroy Carr and Scrapper Blackwell - but Franklin developed his own unique sound.On this edition, hear Franklin’s early recordings with blues greats including Sunnlyand Slim and Tampa Red.
This week on Echoes of Indiana Avenue we celebrate the music of the Blakey Specials, a legendary Indianapolis gospel band. The Blakey Specials were founded in 1967 by the pianist, composer, and vocalist Eugene Blakey. Listen to rare recordings from the band and interviews with two original members: vocalist Henry Hinch and bassist/vocalist Hubert “Skeet” Canady.
This week on Echoes of Indiana Avenue we’ll celebrate the life and music of the Chicago-born bass player Richard Davis – he passed away last month.Davis was ranked among the top bassists in jazz history. He performed often with the genre’s top stars, including Miles Davis and Louis Armstrong. In addition to his work in jazz, Davis contributed to landmark rock recordings, from Van Morrison’s “Astral Weeks” to Bruce Springsteen’s “Born to Run.” He performed with the jazz masters of Indiana Avenue – including Freddie Hubbard, Virgil Jones, David Young, James Spaulding, Wes Montgomery, and J.J. Johnson.
September is Hispanic Heritage Month, and throughout the month, we’ll be spotlighting the contributions Avenue musicians made to Latin Music. On this week’s show, we’ll share Latin-inspired music from the iconic Naptown trombonist J.J. Johnson.Throughout his career, Johnson recorded with prominent Latin percussionists, including Sabu Martinez, Mongo Santamaria, Patato Valdes, and Ray Barretto. Johnson also appeared on landmark Latin jazz recordings, including Dizzy Gillespie’s “Afro”, and Kenny Dorham’s “Afro-Cuban”.
September is Hispanic Heritage Month and throughout the month, Echoes of Indiana Avenue will spotlight the contributions Avenue musicians have made to Latin Music.On this week’s show we’ll share music from vibraphonist Billy Wooten and trumpeter Virgil Jones.Billy Wooten is best known for his work with the famed jazz guitarist Grant Green. From the 1960s, to his death in 2016, Wooten was a popular attraction in the Indianapolis music scene. Latin music was a big part of Wooten’s sound – he even recorded an entire album of Latin music at the Madame Walker Theatre.Virgil Jones grew up on Indiana Avenue in the Lockefield Gardens apartments. Jones became one of the most prolific jazz trumpets of the 1960s, recording with a long list of jazz stars - including Lionel Hampton, Charles Earland, McCoy Tyner, and others. Jones played on significant Latin jazz recordings with Roland Kirk, Pharaoh Sanders, and Eddie Palmieri.
September is Hispanic Heritage Month and throughout the month we’ll be spotlighting the contributions Avenue musicians have made to Latin Music.
On this week’s show we’ll share music from saxophonist Claude Bartee and trombonist Slide Hampton.
Bartee grew up in Indianapolis. He graduated from Crispus Attucks High School during the early 1950s and played on the school’s legendary basketball team. Bartee relocated to New York in the 1960s, where he became a member of the legendary Latin jazz band Pucho and the Latin Soul Brothers.
Slide Hampton is an icon of the Avenue music scene, and one of the most significant trombonists in jazz history. Throughout his career, Hampton incorporated Latin music into his compositions and arrangements.
This week on Echoes of Indiana Avenue, we’ll celebrate Hispanic Heritage Month by exploring the Latin sound of Wes Montgomery. Throughout his career, Wes incorporated Latin music into his sound — performing music by Latin American composers and recording with legendary Latin percussionists, including Willie Bobo, Ray Barretto, and Candido.
This week on Echoes of Indiana Avenue we’ll continue our look back at the Indiana Avenue Jazz Festival — an annual concert series that flourished on the Avenue from 1983 to 1997.The festival was established at a time when the Avenue was in decline. The expansion of IUPUI during the 1970s saw whole neighborhoods wiped out. By the early 1980s, this once-vibrant mecca of entertainment and culture was beginning to fall silent. The organizers of the Indiana Avenue Jazz Festival dreamed of celebrating the Avenue’s rich legacy, by bringing world class music back to the neighborhood – and they succeeded.The festival started small, featuring a line-up drawn from local talent. But in a few short years, the festival attracted legendary jazz stars – including: Ahmad Jamal, Betty Carter, Ramsey Lewis, Terence Blanchard, Pharoah Sanders, and more.Join us as we take a year-by-year look back at the Indiana Avenue Jazz Festival. We’ll listen to music from artists who performed at the festival, with a focus on local musicians - including David Young, Keni Washington and OmniVerse, The Hampton Sisters, Billy Wooten, Cherryl Hayes, Terence Blanchard and more.
For the next two weeks on Echoes of Indiana Avenue we’ll look back at the Indiana Avenue Jazz Festival — an annual concert series that flourished on the Avenue from 1983 to 1997. We’ll listen to music from artists who performed at the festival, with a focus on local musicians.
The festival was established at a time when the Avenue was in decline. The expansion of IUPUI during the 1970s saw whole neighborhoods wiped out. By the early 1980s, this once-vibrant mecca of entertainment and culture was beginning to fall silent. The organizers of the Indiana Avenue Jazz Festival dreamed of celebrating the Avenue’s rich legacy, by bringing world-class music back to the neighborhood – and they succeeded. It started small, featuring a line-up drawn from local talent. But in a few short years, the festival attracted legendary jazz stars – including: Ahmad Jamal, Betty Carter, Ramsey Lewis, Terence Blanchard, Pharoah Sanders, and more.
This week on Echoes of Indiana Avenue, we’ll celebrate the August birthday of Anna Mae Winburn, vocalist and bandleader for the International Sweethearts of Rhythm — a multiracial, all-female band that was active from 1937-1949. Anna Mae was raised in Kokomo and played some of her earliest gigs on the Avenue.
This week on Echoes of Indiana Avenue, we’ll celebrate the August birthday of Les Taylor — better known as Les “Bear” Taylor, a legendary Naptown baritone sax player who started his career on the Avenue. Tune in for an hour of classic music from Bear, featuring his work with Ella Fitzgerald, Bill Doggett, and more.
This week on Echoes of Indiana Avenue we’ll look back at the music of Jesse “Tiny” Crump, an important pianist on the Indiana Avenue scene in the early 1920s. During his career, Crump recorded jazz, blues, and ragtime music. Crump is best known for his association with the blues singer Ida Cox, the couple were married and performed together often.
In July of 1923, Crump recorded 4 tracks at Richmond, Indiana's Gennett studios - including “Indiana Avenue Blues”. These recordings represent the earliest known audio documents of Indiana Avenue's music culture.
This week on Echoes of Indiana Avenue we’ll celebrate the July birthday of Charles Tyler – an important avant-garde saxophonist known for his work in free jazz music. Tyler spent much of his childhood in Indianapolis. He attended Crispus Attucks High School, and studied music with the Indianapolis Junior Symphony Orchestra. During his historic career, Tyler performed with many of the greatest legends in jazz – including Sun Ra, Cecil Taylor, Wes Montgomery, Albert Ayler, Billy Bang, Steve Lacy, and others.
We’ll share an hour of classic music from Charles Tyler and speak with his cousin Gregg Bacon, who calls Tyler a mentor and inspiration.
This week on Echoes of Indiana Avenue, we’ll share the final episode of our two part series celebrating the 50th anniversary of Amnesty’s 700 West sessions by looking back at our 2019 interview with Amnesty’s vocalist Joe Trotter, percussionist Rafael Barnes, and sax player Gino Johnson.
Amnesty was a legendary Indianapolis funk band, known for their hard-hitting grooves and soaring vocal harmonies. The music Amnesty recorded at 700 West has been streamed millions of times online and sampled in hip-hop tracks by Jay-Z, Snoop Dogg, and Ye - the artist formerly known as Kanye West.
On this week’s episode we’ll discuss Amnesty’s legacy, and share rare unreleased demo recordings from the band.
During the 1970s, the Indianapolis music scene produced several important funk bands – including Amnesty, an eight-piece ensemble known for their hard-hitting grooves and soaring vocal harmonies.
In 1973, Amnesty traveled to New Palestine, Indiana – a small town east of Indianapolis. Their destination was 700 West, a modest recording studio located in the home of Moe Whittemore.
Amnesty recorded 10 tracks at 700 West. Two of those recordings were issued on Whittemore’s 700 West label – but the full sessions remained unreleased for over 30 years. In 2007 the California-based label Now Again issued the complete Amnesty 700 West sessions. The album was titled “Free Your Mind” and it became an instant classic among funk and soul music fans.
The music Amnesty recorded at 700 West has been streamed millions of times online and sampled in hip-hop tracks by Jay-Z, Snoop Dogg, and Ye - the artist formerly known as Kanye West.
For the next two weeks on Echoes of Indiana Avenue we’ll celebrate the 50th anniversary of Amnesty’s 700 West sessions by looking back at a 2019 interview WFYI’s Kyle Long recorded with Amnesty’s vocalist Joe Trotter, percussionist Rafael Barnes, and sax player Gino Johnson.
This week on Echoes of Indiana Avenue we’ll share the final episode in our two-part series on Rhythm Machine, a legendary funk band that emerged from Indianapolis during the 1970s.
Over the years, the band has attracted an international cult following among funk fans. Original copies of their releases sell for hundreds of dollars, and their songs have appeared on television and video game soundtracks.
We're joined by Rhythm Machine’s guitarist Maurice Puckett, and saxophonist Donald Harris.
For the next two weeks on Echoes of Indiana Avenue we’ll explore the history of Rhythm Machine, a legendary funk band that emerged from Indianapolis during the 1970s.
Rhythm Machine were formed during the early 1970s by former members of The Highlighters – including James Boone, and James Brantley. The band recorded an LP and multiple singles — but that music was largely ignored at the time of its initial release. Over the years, the band’s music has attracted an international cult following among funk fans. Original copies of Rhythm Machine’s releases sell for hundreds of dollars, and their songs have appeared on television and video game soundtracks.
On this week’s show we’ll be joined by Rhythm Machine’s guitarist, Maurice Puckett, who will share his memories of performing on the Avenue.
Join us this week for a special Pride month edition of Echoes of Indiana Avenue. We’ll be looking back at the history of drag queens, and trans performers on the Avenue. They were billed as female impersonators, and nearly every Avenue club featured these artists.
We’ll share rare recordings by entertainers affiliated with Valda Gray’s performance ensemble, including Petite Swanson, Billie McAllister, Nina Mae McKinney, and Jean LaRue. Valda Gray was perhaps the most influential figure to emerge from the drag culture of Indiana Avenue. After leaving Indianapolis, Valda attracted national attention for her work at Chicago’s Cabin Inn and is credited as a pioneer of drag shows in Chicago.
We’ll also hear memories from Indianapolis artists who worked alongside female impersonators and attended performances at Avenue drag clubs like the Famous Door.
Legendary Indianapolis club DJ Thomas J. Griffin, also known as Sparkle Soxx, was one of the first club DJs in Indianapolis. In 1973, he began spinning funk and soul music at venues across the city. He visits Echoes of Indiana Avenue to discuss his multi-decade DJ career and notable work in broadcasting as an announcer for WTLC and The Reggie Miller Show.
From the 1920s to the 1960s, the biggest stars in American music regularly performed on Indiana Avenue in Indianapolis. This week on Echoes of Indiana Avenue, hear the first in a new series that looks at the music icons who performed in Indy’s Black cultural hub.
This edition focuses on rock and roll and R&B musicians – including Tina Turner, Little Richard, Aretha Franklin, Jimi Hendrix and Funkadelic.
This week on Echoes of Indiana Avenue we’ll celebrate the May birthday of Pha Terrell, an influential big band singer that had strong ties to the Avenue. Pha Terrell was born in Kansas City, Missouri on May 25th of 1910. In 1934, he was discovered by Andy Kirk, bandleader for the Twelve Clouds of Joy. Terrell enjoyed a successful partnership with Kirk - from 1936 to 1940, Terrell cut over 40 songs with the Twelve Clouds of Joy, including their hit single “Until the Real Thing Comes Along”. Terrell’s unique falsetto singing set a new trend for rhythm and blues singers, and traces of his influence can still be hard among R&B vocalists today. After leaving Kirk's band in 1940, Terrell formed a partnership with Denver Ferguson – an important Indiana Avenue businessman. Denver Ferguson owned the Indianapolis nightclub Sunset Terrace, and the Ferguson Brothers’ Talent Agency – a booking agency based in the Avenue neighborhood. In 1942, Terrell worked with the Indianapolis-based bandleader Clarence Love, and some have speculated that he lived in Naptown during this time.Tune in this week for an hour of classic music, featuring Pha Terrell’s work with Andy Kirk and his Twelve Clouds of Joy.
In this second episode in our two-part series with Claudia Polley, we'll focus on Claudia's work in broadcasting and historic preservation.As a vocalist, Claudia studied classical music at the Juilliard School. During the 1970s, she became a disco music star in France. In the 1980s, and ‘90s, she produced critically acclaimed jazz and blues recordings for Mapleshade Records.Claudia is also a trailblazing broadcaster, and became one of the first female sports directors in the country. Today, Claudia is best known for her work as a historian and preservationist.
This week on Echoes of Indiana Avenue, we'll share the first episode in our two-part series with Claudia Polley. As a vocalist, Claudia studied classical music at the famous Juilliard School in New York. During the 1970s, she became a disco music star in France. In the 1980s, and ‘90s, she produced critically acclaimed jazz and blues recordings for Mapleshade Records. Claudia is also a trailblazing broadcaster, and became one of the first female sports directors in the country. Today, Claudia is best known for her work as a historian and preservationist.
This week on Echoes of Indiana Avenue we’ll celebrate the 100th anniversary of the birth of Little Miss Cornshucks – a pioneer of rhythm and blues music. She was born Mildred Cummings in Dayton, Ohio in May of 1923, and died in Indianapolis in November of 1999.Little Miss Cornshucks played some of her first, and last gigs in Indianapolis – including an early appearance on Indiana Avenue in 1945. She influenced artists like Aretha Franklin, Ruth Brown, and Lavern Baker, and Atlantic Records’ founder Ahmet Ertegun, called her the greatest blues singer he ever heard.
This week on Echoes of Indiana Avenue we'll share an hour of words and music with Paul Thomas, best known for his work with the Circle City Band. The group's 1983 single "Magic" is an underground soul classic with over a million streams online. Thomas played some of his first gigs on the Avenue, performing at clubs like the Blue Eagle with Billy Wooten and Harvey Cook. Thomas' family has a deep history on the Avenue. His mother Hazell Ann Hurt owned an influential beauty salon in the Avenue neighborhood.
This week on Echoes of Indiana Avenue we'll feature an hour of words and music with Bobby Banner - a legendary Indianapolis vocalist, dancer, and costume designer.Bobby Banner has been performing in Naptown for over 50 years, working with the Hamilton Movement, The Bad Boys, and Billy Ball’s Upsetters – a band he currently leads today.
This week on Echoes of Indiana Avenue we’ll share the final episode in our two part series with Debbie Nelson, a legendary Naptown blues and soul vocalist. Nelson rose to prominence in the late 1960s singing at local clubs, like the Surfside Seven. Nelson has worked with some of Naptown’s greatest musicians – including Jimmy Coe, Billy Wooten, and members of Funk Incorporated.
This week on Echoes of Indiana Avenue we’ll share the first episode in our two-part series with Debbie Nelson, a legendary Naptown blues and soul vocalist.Nelson rose to prominence in the late 1960s singing at local clubs, like the Surfside Seven. Nelson has worked with some of Naptown’s greatest musicians – including Jimmy Coe, Billy Wooten, and members of Funk Incorporated.Tune in this week as Debbie shares her memories of growing up on the Avenue.
This week on Echoes of Indiana Avenue we’ll pay tribute to the legendary jazz saxophonist Wayne Shorter, he passed away in March at the age of 89.Wayne Shorter came to prominence in the late 1950s as a member of Art Blakey’s Jazz Messengers. From 1964 to 1970, Shorter was a member of the Miles Davis Quintet. In 1970 he co-founded Weather Report, an all-star jazz fusion band that attained international popularity.During his historic career, Shorter also recorded with Indianapolis musicians including Freddie Hubbard, James Spaulding, and J.J. Johnson.
This week on Echoes of Indiana Avenue, we’ll continue our month-long celebration of Wes Montgomery. This March marks the 100th anniversary of his birth. We’ll hear memories of Wes Montgomery from musicians who lived, or worked on the Avenue — including Everett Greene, Wanda Stafford, Jimmy Gilford, Johnny Shacklett, Phil Ranelin, and more. We’ll also listen to music from these artists, along with classic tracks by Wes Montgomery.
This week on Echoes of Indiana Avenue we’ll share the third episode in our three-part series celebrating the 100th anniversary of the birth of Wes Montgomery - a legendary jazz guitarist, and one of the most beloved Indianapolis musicians.
This week on Echoes of Indiana Avenue we’ll share the second episode in our three-part series celebrating the 100th anniversary of the birth of Wes Montgomery - a legendary jazz guitarist, and one of the most beloved Indianapolis musicians. Tune in, as we explore Montgomery's emergence as a jazz star. We'll be sharing music from Montgomery's early work as a session leader, along with rare live recordings of Montgomery performing on Indiana Avenue.
This March marks the 100th anniversary of the birth of Wes Montgomery - a legendary jazz guitarist, and one of the most beloved Indianapolis musicians. To celebrate, Echoes of Indiana Avenue will air a three-part series documenting the evolution of Wes Montgomery’s sound - from his first known recordings in 1948, to his last live performances in the late 1960s. Tune in this week as we explore Wes Montgomery’s early recordings with the Lionel Hampton Orchestra.
This week on Echoes of Indiana Avenue we’ll explore Ranelin’s new album “Jazz is Dead Vol. 16”, and we'll listen back to a 2018 interview Ranelin recorded with WFYI's Kyle Long. Phil Ranelin was born in Indianapolis in 1939. He's best known for his work with the Tribe, a radical Detroit jazz collective that mixed music with social justice. But Ranelin's career began in Naptown, performing with local jazz greats like Wes Montgomery, Dave Baker, Larry Ridley, and Melvin Rhyne.
The Indianapolis blues legend Scrapper Blackwell is among the most important musicians connected to the Indiana Avenue scene. Blackwell’s unique guitar style influenced many generations of blues guitarists - from Robert Johson, to Eric Clapton.This February marks the 120th anniversary of Blackwell’s birth. To celebrate, we’ll be sharing a special two-part edition of Echoes of Indiana Avenue, featuring the music of Scrapper Blackwell. In this week's edition we'll explore Blackwell's final recordings.
The Indianapolis blues legend Scrapper Blackwell is among the most important musicians connected to the Indiana Avenue scene. Blackwell’s unique guitar style influenced many generations of blues guitarists - from Robert Johson, to Eric Clapton.This February marks the 120th anniversary of Blackwell’s birth. To celebrate, we’ll be sharing a special two-part edition of Echoes of Indiana Avenue, featuring the music of Scrapper Blackwell. We’ll follow Scrapper's career from his first recordings with Leroy Carr in 1928, to his final sessions in 1961.
This week on Echoes of Indiana Avenue, we share an hour of words and music with vocalist Joy Upton. Upton had a notable career in the Indianapolis soul scene. She performed with some of Naptown’s most legendary musicians, including Steve Weakley, Rodney Stepp, Billy Wooten and more. Upton was also a member of important Indianapolis girl groups, including The Flurelles and The Lovely Shades of Brown.
This week on Echoes of Indiana Avenue we’ll celebrate the January birthday of the late Indianapolis pianist, vibraphonist, and composer Buddy Montgomery. Buddy is best known as the younger brother of Wes Montgomery - but Buddy was a significant artist in his own right. Buddy performed with major jazz figures including John Coltrane and Miles Davis, and his compositions are still performed by musicians today. Tune in for an hour of classic recordings from Buddy Montgomery, featuring his original compositions.
This week on Echoes of Indiana Avenue, we’ll observe Martin Luther King Jr. Day, by listening to songs of peace, protest and remembrance from the Avenue. We’ll also hear memories from Claudia Polley, she heard Dr. King speak at Indiana Avenue’s Fall Creek YMCA in 1959. Tune in for an hour of music featuring David Baker, Phil Ranelin, Mari Evans, Amnesty, Big Maybelle, Killer Ray Appleton and more.
This week on Echoes of Indiana Avenue, we’ll continue our exploration of the early musical history of the Walker Theatre. We’ll focus on entertainers who performed during the Walker’s 1929 season - including Sammy Davis Jr., Whistlin' Rufus, Irene Scrigss, Ida Cox and more.
This week on Echoes of Indiana Avenue explore, the early musical history of the Madam Walker Theatre. The Walker opened on Monday, December 26th of 1927 and has been an anchor of the Indiana Avenue neighborhood for over 90 years. On this week’s show we’ll share classic recordings from performers who appeared at the Walker in 1928 - the theater’s first year of business. Tune in for an hour of music from Bessie Smith, Butterbeans and Susie, Blanche Calloway, Mamie Smith, and more.
The Sunset Terrace is a legendary Indiana Avenue nightclub opened by Denver Ferguson in 1938. This week we’ll celebrate Christmas at the Sunset Terrace, by listening to classic holiday music from artists who performed at the club. Denver Ferguson, and his brother Sea, were prominent figures in the Avenue neighborhood. Today, the Ferguson brothers are best remembered for their work in music.
This week on Echoes of Indiana Avenue we’ll explore the Indianapolis Recorder’s midnight Christmas benefit concerts at the Walker Theatre.We’ll be featuring interviews with several Indianapolis musicians who performed at the Christmas benefit shows, including Henry Hinch, Josephine Cheatham Manns, Reggie Gammon, and the late Joe Trotter.We’ll also talk with Eunice Trotter, the former owner of the Indianapolis Recorder, and the legendary Indianapolis disc jockey Geno Shelton. Trotter and Shelton organized the Christmas benefit show during the 1980s.
Celebrate the music of Orville “Hoppy” Jones, a founding member of the Ink Spots. Hoppy played bass fiddle, but he was best known for his “talking bass” parts - a spoken-word recitation that was frequently utilized in Ink Spots recordings. Hoppy's talking “bass style” was immensely popular with music fans, and you might say Hoppy was the original rapper.
Explore how Indiana Avenue residents celebrated Halloween through movies, music and more.
Explore jazz saxophonist Pharoah Sanders' connection to the jazz masters of the Avenue.
Celebrate the life and work of the Grammy-winning Indianapolis folklorist Art Rosenbaum.
Meet the classical music pioneers of the Avenue, including Carol Brice and David Baker.
Explore Indy jazz producer Creed Taylor's work with the iconic guitarist Wes Montgomery.
This week we continue our ongoing series celebrating the forgotten legends of the Avenue.
Celebrate the August birthday of the legendary Naptown musician Sarah McLawler. During her extraordinary career, McLawler had success as a vocalist, and jazz organist.
Enjoy an hour of words and music from the great Naptown jazz trumpeter Clifford Ratliff.
Celebrate the life and music of Steve Odle, lead vocalist for the Indianapolis soul music group Words of Wisdom. Odle passed away last month at the age of 70.
Brother Jack McDuff is one of the most celebrated jazz organists in music history, but few music fans are aware of his deep connection to Naptown. This week we’ll explore McDuff’s work on the Avenue.
Nearly every club on the Avenue featured drag queens and trans performers - billed as female impersonators - and nearly every musician on the Avenue worked alongside these entertainers.
This week, we’ll continue our ongoing look at the use of Avenue music samples in hip-hop. Hear how contemporary stars like Doja Cat have used Avenue music in their work.
This week we’ll look back at the Indianapolis Recorder’s “Dream Band” contest, which invited readers to vote for their favorite Naptown musicians, to be included in the newspaper’s “Dream Band."
This week we explore torch songs – songs lamenting unrequited or lost loves. Featuring an hour of music from Aretta Bush, Helen “Fox”Walker, Everett Greene, Flo Garvin, The Ink Spots and more.
A tribute to the late Naptown drummer Dewayne Garvin, better known as the “Funky Buzzard."
Chicago’s Chess Records is known worldwide for releasing classic blues and rock and roll music from artists like Chuck Berry and Muddy Waters, but it also recorded important musicians from the Avenue.
We continue our tribute to guitarist Johnny Shacklett - one of the greatest living legends of the Naptown jazz scene.
Johnny Shacklett, one of Naptown's greatest living legends, joins us to share memories of working on the Avenue and to discuss the “Baraka”, a unique, four-neck guitar Johnny built in the late 1960s.
They may be unfamiliar to listeners today - but during their prime, artists like Slim Green, Helen Fox and many others packed Avenue clubs, and garnered rave reviews in the local press.
This week we’ll celebrate the life and music of the late James "King Moses" Weeden, best known for his work with the psychedelic gospel music act King James Version.
This week we wrap up our tribute to Ebony Rhythm Funk Campaign, one of the most important bands in Naptown music. Members of the group discuss their legacy as a band.
We continue our tribute to Ebony Rhythm Funk Campaign by exploring how the group's members relied on each other to survive both in the music industry and in life.
Blues music was one of the most popular forms of entertainment on the Avenue, and some of the earliest blues records ever made were recorded by Avenue women.
This week, we’ll celebrate Women’s History Month by looking back at our interviews with some of the legendary women of the Avenue, including Pam Davis, Charlotte Bailey, Gwen Robinson, and more.
The blues legend Champion Jack Dupree was born in New Orleans in 1910; but he launched his career here in Naptown, performing extensively on Indiana Avenue.
Deek Watson was a founding member of The Ink Spots, one of the most influential acts to emerge from the Avenue and the only Indianapolis group to be inducted into the Rock and Roll Hall of Fame.
During the 1970s, Moe Whittemore ran the 700 West record label and recording studio from his family’s home, and he recorded some of the Avenue’s most respected funk and soul musicians.
The music of Avenue artists, including Echoes of Indiana Avenue host Herman "Butch" Slaughter, has been sampled by some of the biggest names in rap music.
This week on Echoes of Indiana Avenue we’ll celebrate the music of jazz drummer Edgar Bateman. During the 1950s, Bateman lived and worked in Naptown, performing with legendary Avenue players
This week we’ll be observing Martin Luther King Jr. Day by listening to songs of peace, love, and justice from the Avenue.
Meet saxophonist Claude Bartee, one of the unsung legends of the Avenue. In the 1960s Bartee left Naptown, beginning a journey that led to some of the greatest musicians and record labels in music.
This week, we explore the forgotten history of country music, listening to songs from some of Naptown’s Black pioneers in the genre.
This week we celebrate the life and music of the Avenue musicians who passed away this year - including Slide Hampton, Joe Trotter of Amnesty, Herb Gibbs of the Fabulous Moonlighters, and more.
This week we’ll look back at the Indianapolis Recorder’s midnight Christmas benefit shows at the Walker Theatre. Starting in the 1930s, the annual concerts ran from midnight until six in the morning.
This week we’ll be sharing an hour of classic Avenue Christmas music. Enjoy an hour of holiday music featuring Slide Hampton, Flo Garvin, Freddie Hubbard and more.
The Beatles were a big influence on many Avenue musicians. Enjoy an hour of Beatles compositions performed by Avenue musicians like Slide Hampton, Wes Montgomery, Freddie Hubbard, and more.
During his career, bassist Kent Brinkley performed with some of the greatest legends of Indiana Avenue jazz, recorded with South African vocalist Miriam Makeba and appeared on Soul Train.
Thanksgiving was a time of festive celebration on the Avenue, featuring performances by some of the biggest names in American music, like Dinah Washington, Lionel Hampton, and Wes Montgomery.
This week we pay tribute to Afrofuturist pioneers of Indiana Avenue, including words and music from Bill Simmons of Midnight Starr, and James Spaulding, an original member of the Sun Ra Arkestra.
R&B music has gone through many changes over the years - but the soul ballad has remained a timeless form of musical expression. Enjoy a selection of Naptown slow jams connected to the Avenue scene.
This week our guest is soul vocalist Lonnie Williams, one of the unsung legends of Indianapolis music. Lonnie has been performing on the Naptown scene for over 50 years.
This week, we're featuring an hour of words and music with the legendary Indianapolis jazz trombonist Phil Ranelin, best known for his work with the radical Detroit jazz collective known as Tribe.
This week we're broadcasting from A.J.’s Lounge. A.J.'s is the oldest Black-owned bar in Indianapolis, and the only remaining nightclub connected to the historic Indiana Avenue neighborhood.
Enjoy an hour of music from keyboardist Melvin Rhyne, one of the greatest musicians to emerge from the Avenue scene. Rhyne is best known for his work with Wes Montgomery during the late 1950s.
Enjoy an archival conversation between two important figures in Indianapolis history: basketball legend Jerry Harkness and the late Father Boniface Hardin, the founder of Martin University.
Explore Naptown guitarist Bill Jennings' work in Jazz music. Jennings recorded with some of the top names in jazz - including Ella Fitzgerald, and Louis Armstrong.
On part two of our tribute to the late Naptown guitar great Bill Jennings, explore Jennings’ work in early rock and roll, and rhythm and blues music.
Echoes of Indiana Ave celebrates the late Naptown guitarist Bill Jennings in part one of a three-part series. This first instalment features early recordings from the 30s and 40s, featuring some of the legendary artists he worked with.
This week on Echoes of Indiana Avenue we look back on the life and music of vocalist Joe Trotter. Trotter is best remembered for his work with the legendary Indianapolis funk band Amnesty.
Celebrate the life and music of drummer “Killer” Ray Appleton. Throughout his career, "Killer" Ray performed with jazz legends like Wes Montgomery, David Baker, Freddie Hubbard and John Coltrane.
Discover how the legacy of Indiana Avenue has been passed down through generations of family tradition with entertainers Josephine Cheatham-Manns and June Rochelle.
We continue our ongoing tribute to the Rock and Roll Women of The Avenue. The neighborhood was ground zero for rock and roll music, and Black women played an essential role in the genre's development.
Enjoy an hour of words and music with the great Naptown bass player Ricky Knox. By the time he was in his teens, Knox was playing at famous Indiana Avenue nightclubs like the Sunset Terrace.
Charlotte Bailey appears on Echoes of Indiana Avenue this week to share her memories of being a rhythm and blues singer who performed in some of the Ave’s most famous clubs, while working alongside some of Naptown’s most famous musicians.
This week we’ll look back at the music of Earl Van Riper, an extraordinary pianist who worked with an impressive list of local and national artists including Wes Montgomery, Dinah Washington, and more.
This week we're celebrating the birthday of the Indiana Avenue jazz legend, Leroy Vinnegar. Leroy was known as “the walker”, a name he earned for his mastery of the walking bass jazz style.
This week we dig into the musical collaboration between the Indianapolis blues legend Scrapper Blackwell, and Thomas A. Dorsey, the father of gospel music.
Meet the trailblazing Hoosier journalist Eunice Trotter. She began writing for the Indianapolis Recorder as a teenager during the 1960s, eventually becoming the paper’s editor-in-chief and owner.
The music of Indiana Avenue has been sampled by some of the biggest rappers and producers in hip-hop, including Kanye West, Jay-Z, and more. Discover some of the Avenue’s most sampled artists.
Explore the history of drag queens and trans performers on the Avenue. The names of performers like Candy Laverne, Doris White, Valda Gray, and Tanya Dupree were commonplace on nightclub rosters.
On June 19, 1953, an all-star Juneteenth concert was staged at Indiana Avenue’s legendary Sunset Terrace nightclub, featuring a line-up including Johnny Otis, Marie Adams, Mel Walker, and Redd Lyte.
Enjoy a special live session and interview with Johnny Dial and The Organ-Nizers, recorded live at the Jazz Kitchen in Indianapolis. Dial began playing the Hammond organ on The Avenue in the 1960s.
Jazz trombonist Curtis Fuller passed away in May 2021. During his career, Fuller often performed with the jazz greats of Indiana Avenue, including Virgil Jones, Freddie Hubbard, and more.
Celebrate the music of the Fabulous Moonlighters, one of the hottest bands on Indiana Avenue during the 1960s. The group left behind a catalog of classic funk and soul releases on Indianapolis labels.
Explore the Indiana Avenue connection with the late Grammy-winning producer Bob Porter.
Enjoy words and music from Reverend Dennis Freeman - one of the greatest living legends of Indianapolis gospel music. Rev. Freeman is a composer, bandleader and keyboardist.
Trombonist Slide Hampton is one of the greatest living legends of Indiana Avenue, having performed with some of the biggest names of jazz music, including Dizzy Gillespie, Charles Mingus, and more.
Celebrate the life of Trevor Bacon, one of the brightest stars to emerge from Indiana Avenue. Bacon achieved national recognition as a vocalist and guitarist with the Lucky Millinder Orchestra.
April is Jazz Appreciation Month. April is also the month we celebrate the birthday of jazz legend Freddie Hubbard, one of the most important musicians associated with the Indiana Avenue scene.
The first rock and roll concerts in the Hoosier state took place on Indiana Avenue, and the Avenue's scene also produced some of Indianas first homegrown rock and roll stars.
The final installment of our tribute to the late great Indianapolis saxophonist and bandleader Jimmy Coe. March 20 of 2021 marks the 100th anniversary of Coes birth.
We continue our tribute to the late great Indianapolis saxophonist and bandleader Jimmy Coe with a look at Coes classic rhythm and blues recordings for the States record label during the early 1950s.
Celebrate the life of saxophonist and bandleader Jimmy Coe, one of The Avenue's greatest music legends. Coe was an important figure in big band jazz, rhythm & blues, and rock & roll music in Naptown.
Since the earliest days of Indiana Avenue, women have played a huge role in shaping the neighborhood's musical legacy. This week, explore historic recordings from Nina Reeves, Flo Garvin and more.
John W. Bubbles and Todd Duncan had deep roots on the Indiana Avenue music scene, and both were featured in the original cast of George Gershwin's iconic opera Porgy and Bess.
A special tribute to the late Chick Corea and his collaborations with Naptown jazz masters like Freddie Hubbard, Virgil Jones, Phil Ranelin, and Slide Hampton.
It's Carnaval time in Brazil, and though there's over five-thousand miles of land and ocean separating Indianapolis from Rio De Janeiro, the two cities have enjoyed a musical bond.
Indiana Avenue was ground zero for rock and roll music in the Hoosier state. Black women played an essential - but often overlooked - role in the genre's development.
Celebrate the 25th anniversary Art and Soul, one of the longest running Black History Month events in Indianapolis, featuring performances by some of the greatest legends of the Indiana Avenue scene.
The final installment in a three part tribute to the Indianapolis trombone master J.J. Johnson. This edition explores Johnson's work in Hollywood during the 1970s.
Before Hoosier jazz great J.J. Johnson came onto the scene, the trombone was considered too slow-moving to keep up with bebop's rapid fire tempos. Learn how Johnson turned the skeptics into believers.
Born in 1924, J.J. Johnson was one of the most important musicians to emerge from the Avenue scene. In part one of a three-part series, explore J.J. Johnson's early big band years.
Celebrate the late great Indianapolis jazz guitarist Paul Weeden, who recorded and performed with some of the biggest names in jazz, including Coleman Hawkins, Nancy Wilson, and Count Basie.
Explore the work of Leroy Carr, one of the earliest stars of Indiana Avenue whose songs became blues standards and have been performed by musical luminaries from Eartha Kitt to Eric Clapton.