Wayne's Iron Maiden Podcast: Recent Episodes
Wayne's Iron Maiden podcast
A unique and often bizarre take on the world of Iron Maiden and growing up in 1980s/90s Birmingham. With facts, fiction, poetry and time travel, Wayne explores the band song-by-song, offering insights about his and the band's past when nobody actually asked for it.
It's the final episode! Wayne and Trevor look at the standards of schoolboy lyrics and Dennis Stratton eats some Maltesers.
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Wayne and Trevor reflect on an album seen as a return to form for the band. There's also YouTube comments, jigsaw action, and some Disco.
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The love-hate relationship of Wayne and Trevor possibly reaches a new low. Naturally there's talk about Marmite, ear wax removal, and Adrian rushes out a chapter for his children's book.
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The sci-fi theme leads to discussion about AI and David Bowie. Paul Di'anno shows up unannounced and Trevor concentrates on the ladies.
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Beans on toast, 90s alcoholic drinks, and a festive reprise. Wayne has a wander through all the relevant places as we approach the end of the Brave New World album.
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Lollipop ladies, board games, tongue twisters, and who sent Wayne a Valentine's card?
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Wayne recalls the nightmares of last week as well as looking at the dream themes in this song. Pterodactyl Mark and Trevor ponder some important questions, and Time Travelling Paul Di'anno reveals a lesser-known Iron Maiden fact.
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Wayne arrives at the midway point of the album taking in traditional toys. some Motown, and there's a mission for Pterodactyl Mark. Trevor goes swimming.
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Wayne and Trevor take time for reflection and walk through the gardens of their lives to reveal a mixed landscape. We also learn about Steve Harris' snack and TV habits in 2000.
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Please note - this is not a literary analysis podcast to assist with GCSE revision despite the pretentious references from Trevor
PS - There's no comedy either - it's a podcast about Iron Maiden!
It's the first title track from the current version of the band and it's a jolly good one.
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Wayne gets a visit from a navigator from another dimension and there's a new character in Adrian's children's book. Naturally there's a bit of song analysis here, along with retro cartoons, food and a poem from Trevor that may spook you out for many reasons...
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Bonus series thanks to YOU and your pie generosity!
A strong opener and single to analyse but Wayne seems to want to get his teeth into other things as there are food references galore. There's also probably too much time spent analysing one particular scene in The Wicker Man film
Find out what thoughts are in Steve Harris' Diary and, just like the band at the time, there's a return of someone popular...
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Wayne talks about his experience at two recent Iron Maiden gigs in Manchester and Birmingham!
Trevor went to one of them and joins for a reflection on the setlist, Top 3 moments, and the usual chatter! We also learn about how Steve Harris is assessing the tour so far...
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It's 1998 and Wayne takes a look at the Virtual XI album and the importance of tech in this era. We also learn about a change in how the band approached the first two songs in the Blaze era albums; Neopolitan ice cream; and an unusual anecdote involving Iron Maiden and Bradford.
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It's the last song on the album and time to ask 'How are you, friends?' Janick seems a bit annoyed however as he is reminded of something from his past!
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Winding down the album and Wayne has several issues with this song, including the title, lyrics, sound, and especially the ending. Trevor reads another poem about food and considers the forthcoming tour - NO SPOILERS!
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Wayne looks at education vs experience and reflects on his own experiences at school and in the workplace. Dennis Stratton is apologetic about recent events but is Trevor?
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Telescopes, time travel and plenty of confusion for Wayne this week. There's also a message from Dennis Stratton which reveals something truly shocking and creates a collision course between Wayne and Trevor!
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Wayne gets a Scottish perspective on the song and a listener comment once again makes him Look For The Truth. We learn how one of the lyrics for this song came about from a chat in the studio and Trevor writes a poem about a lovely day out!
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At last, Wayne reveals what job he was doing in 1998! He also thinks of something that might improve the chorus of this song. Dennis gets back in touch and we find out which Iron Maiden song would be Leyton Orient with Trevor's new ranking system.
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It's time for some 'organ' and 'brass' as Wayne looks at the infamous second track on the album. Repetition, a trip to Wales, another brief singles chart rundown, repetition, Blaze talks CGI, Janick talks dance, and Trevor tries an epic poem.
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The Virtual XI era begins and this is a decent start to the album. The song may be short but there's plenty of time spent talking about fashion, football, and cartoons, Time Travelling Paul Di'anno receives some sad news.
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In between albums, Wayne looks at the Virus single (and video). There's a bit of Easter chat, and the return of Trevor's alter-ego.
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Wayne looks at the 1995 album and looks at reviews, rankings, and Roman numerals. Pterodactyl Mark is called on to do some additional research, and Trevor tells us his Top 3 songs.
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Another first for WIMP as Wayne looks at two songs on one episode! Continuing on the bonus tracks from the X Factor period we get some familiar sounds ands themes, extra news from the week, and Pterodactyl Mark is given an assignment.
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You'd think a song about looking back on the good old days would be right up Wayne's street but several misheard lyrics cause a bit of confusion. There's a return for Steve Harris' Diary and Dennis gets a telephone call.
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Is this a worthy album closer? Wayne seems to change his opinion of this song as the episode goes on and talks about some disbelief and doubts he has faced from doing the podcast. Trevor provides poetry but it's unclear whether we should believe his explanation or Wayne's interpretation.
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2am may be a time for contemplation and reflecting on your life, but it's also a time for TV, clubbing, and biscuits. Wayne tries to imagine life through Steve Harris' eyes in 1995 and comes up with an Iron Maiden Party Game.
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Plenty of food chat and investigation despite the theme of this song being based on a classic novella/film. There's still time for talk of book plots, characters, and censorship, and Blaze Bayley gets a right answer on Family Fortunes.
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There's chaos across the border and madness all around. Wayne recalls an incident involving a carpet sweeper, Trevor looks at wine gums and Dennis Stratton talks about Creme Eggs.
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Wayne takes a more reflective stance with the serious subject matter in this song.
UK support and links for anyone affected by the themes in this song and episode:
Campaign Against Living Miserably (CALM)
0800 58 58 58
thecalmzone.net
Provides listening services, information and support for anyone who needs to talk, including a web chat.
MindOut
mindout.org.uk
Mental health service run by and for LGBTQ+ people.
The Mix
0808 808 4994
85258 (crisis messenger service, text THEMIX)
themix.org.uk
Support and advice for under 25s, including a helpline, crisis messenger service and webchat.
Papyrus HOPELINEUK
0800 068 41 41
07860039967 (text)
pat@papyrus-uk.org
papyrus-uk.org
Confidential support for under-35s at risk of suicide and others who are concerned about them. Open daily from 9am–midnight.
Rethink
https://www.rethink.org/help-in-your-area/services/advice-and-helplines/
Local helplines
Sane
sane.org.uk
Offers emotional support and information for anyone affected by mental health problems.
Samaritans
116 123 (freephone)
jo@samaritans.org
Freepost SAMARITANS LETTERS
samaritans.org
Samaritans are open 24/7 for anyone who needs to talk. You can visit some Samaritans branches in person. Samaritans also have a Welsh Language Line on 0808 164 0123 (7pm–11pm every day).
Shout
NHS Urgent Mental Health helpline
(directs to local number)
85258 (text SHOUT)
giveusashout.org
Confidential 24/7 text service offering support if you're in crisis and need immediate help.
Stay Alive
prevent-suicide.org.uk
App with help and resources for people who feel suicidal or are supporting someone else.
Survivors of Bereavement by Suicide (SOBS)
uk-sobs.org.uk
Emotional and practical support and local groups for anyone bereaved or affected by suicide.
Switchboard
0300 330 0630
switchboard.lgbt
Listening services, information and support for lesbian, gay, bisexual and transgender people.
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After the whoaaahs, what does a podcast become? Here's another war song which sees several more recurring themes, including old-school chocolate, drink and lunch options.
Wayne even brings up a time when this song was discussed before and tries to embarrass Trevor. It's not all focused on the past though, despite an appearance from Time Travelling Paul Di'anno.
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Lots of questions to be answered here as Wayne looks for the truth in a jam-packed episode! He imagines what Blaze Bayley does when he wakes up, there's confusion over thermometers, and what's with all these 'whooooah's?
Trevor has a tip to remember lists and we get an update about Pterodactyl Mark's idea.
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The album gets darker with themes of conflict and war but Wayne tries to keep it light despite mentioning some rivalries of his own. There's a welcome return for Steve Harris' Diary, and Trevor is forced to operate in blancmange-free conditions.
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Wayne looks at the plot of the film that inspired the song and tries to relate it to his own life. As Blaze Bayley is also from the Midlands there's a look at differences in pronunciation and dialect, and Wayne has a fun new word game for you all to play! Dennis Stratton returns with his usual insight into contemporary culture and Trevor considers singles from the 1990s.
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Wayne reflects on some of the key themes of the book and song as well as frogs, rollercoasters and breakfast cereals. Trevor provides the traditional pudding references and we learn what was on Time Travelling Paul Di'anno's VHS tape.
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We learn what Wayne has and hasn't been up to over the last six months as well as hear his analysis on the first song in the Blaze Bayley era. We hear from some old friends and Trevor provides the poetry.
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A special outside broadcast from Stechford, Wayne presents WIMP in the Park featuring performances, guests and chat about the song and the album. It doesn't quite go to plan...
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Q. 'Wotcha gonna do...on Monday?'
A. Listen to Wayne discuss this song of course.
We get football nostalgia, top tips on how to avoid hooligans, as well as chat about the Iron Maiden song. There's a 'previously unreleased' recording to enjoy and we find out what Trevor's been up to.
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It's a surprisingly short song and Wayne looks at the character of Judas and recalls several memories from previous episodes. Trevor has an observation about the title and there are thoughts and comments about the forthcoming 100th episode.
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Wayne looks at songs that do and don't start with 'The', as well as faith and friendship. We're reminded of a visitor Steve Harris once had and Trevor looks ahead to the future.
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Wayne tries to get over his reservations about the song and Trevor experiences misery over a box of Shreddies. Janick keeps things upbeat with a chat about his favourite musicals.
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Wayne questions the lyrics and, despite the familiar Maiden themes, imagines them in different styles. Trevor reveals a time when he was in hiding but struggles with the poem. There's also talk about Abba, holograms and The Littlest Hobo.
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Dim the lights as Wayne talks of love and provides analysis on the song and video. It's been a busy week with Paul Di'anno celebrating a birthday and the band restarting their Legacy of the Beast tour.
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Strangely, despite the song title, Wayne seems to spend less time talking about his childhood than usual. Trevor has some memories though, and considers some alternative creative options after the T-Rev Incident. Janick creates some choreography while at the dentist.
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Fear and self-loathing in Stechford. There's plenty of sex, drugs, and rock n roll references in this episode along with random things like Wookies and 1970s Public Information films. Wayne also looks at some Tweets and is this the end for T-Rev?
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A welcome change of pace and mood for the album and Wayne seems pleased despite the recent focus of listener feedback. Dennis reflects on the period and looks forward to a special event.
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Wayne isn't impressed with this song but manages to find some fun in it after reading a comment on YouTube. There's a closer look at gang vocals, guitar noises and chart performance. Trevor reflects on a fictional festival and Janick reflects on the merits of IKEA.
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The year is now 1992 and there is much change. Have Iron Maiden changed for their 9th album? Wayne looks at the lead single as well as some listener concerns. Janick attempts some comedy and there's a French message, but not from Trevor.
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Wayne reflects on the album and how it compares with the previous releases. There's the usual Top 3 rankings, random references to toys, sweets and puddings from the era, and Janick has an encounter in the woods.
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Wayne decides to finally release what was recorded a month ago. There's the usual song analysis with an emphasis on heritage and culture from Trevor.
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It's the first UK Number One single for the band and Wayne looks at the chart landscape of late 1990. We also learn which of the three versions of the single Wayne bought at the time. There's yet more on the French trip and find out about Bruce Dickinson's favourite fruit.
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Estate agents, chewing gum and a white swan are all subjects that randomly come up this week as we get nearer to the end of the album. There's more French trip info, thoughts about the recent storms from Trevor, and Janick doesn't swear.
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Wayne looks at a song about submarines, merchantmen and Davy Jones' locker and seems more impressed about it compared to some recent songs. Trevor looks to improve his poetry after some negative feedback and revisits the topic of cereals.
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Better watch out...there's telephone talk, plenty of 90s nostalgia and Wayne has an idea how to improve part of the song. Trevor talks about the challenges of speaking to girls and recalls a theatre audition from their past.
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Wayne seems more concerned with listener comments and feedback than the actual song this week. Steve Harris gives thoughts on the state of the pop charts in his diary and Trevor is feeling reflective at this time of year.
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We've had arguably the worst opener and worst title track to date on this album...is this the worst song title? Wayne reminisces about another 'luke warm' song. Trevor avoids the temptation to use wordplay in his poem and talks politics (much to Wayne's annoyance)
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It's time for the title track on the album and Wayne looks at how it compares to other Maiden title tracks. There are plenty of 90s memories from school dinners to TV adverts and Wayne tries out a new way to emulate Bruce's raspier vocals. Trevor is Trevor.
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Wayne looks at the first single from the 90s focusing on the chart performance, artwork and lyrics. Trevor looks back at the past in other ways... There's another 'Getting Jiggy With It' as well as some other familiar favourites.
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The podcast is back for the 1990s era with all the important questions. How will Iron Maiden cope with a new decade and a new guitarist? How will Wayne cope at a new school? Will the standard of Trevor's poetry improve? There's also the matter of 'Tailgunner' to discuss.
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An escaped criminal, a mysterious new shop and a wonderful festival all occupy the thoughts of Officer Riggs and the children in a new instalment. Can the artwork of the village bobby be a link to the strange incidents in the village?
Warning - contains references to crab paste sandwiches
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Five chums enjoy their childhood freedom of going on fun-filled days out before boys in the village start to disappear.
Is Old Mrs Stratton behind it all?
Join Adrian (and his magical fishing rod) as he goes beyond the real world to a land of ice and snow and gingerbread cottages.
Can he solve the mystery before Officer Riggs?
Deluxe edition - includes commentary from Adrian and some listener feedback.
Chapter 3 not included.
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Wayne and Trevor reunite after a few months for a catch up before moving on with the 1990s era. Find out what they've been up to, some thoughts on Senjutsu and a summary of the 1980s.
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Wayne looks at the album as a whole and how it compares with previous albums. Trevor seems to be handling change well and reveals some male grooming tips. Steve Harris reflects on 1988 in his diary, Adrian has a new chapter and Dennis is Dennis.
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It's the end of an era, The last song from the 1980s and Wayne seems unsure if the podcast will die young but Trevor wants his poetry to live forever. Dennis Stratton talks about biscuits and muppets.
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Wayne looks at the third single from the album and reveals an experience he had when going to see a clairvoyant as a teenager. Elsewhere, Trevor gets a nasty shock and will Janick climb the beanstalk?
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Dreams, predictions and probability...Wayne reflects on an underrated song and reacts to several online comments about it. Trevor adds a confused take on things and Adrian returns with a new chapter.
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It's the title track and the second longest song to date! Wayne talks about special powers and the atmosphere of the song. Trevor has a new idea for a feature on the show and we revisit the themes of Skeletor and the school sports day.
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Another UK Top 10 single to mull over and Wayne has more issues with the photos on the back of the sleeve. There's reference to a famous TV appearance in Steve Harris' Diary and Trevor tries a new form of poetry.
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This successful single gave Wayne great pleasure when at school but how does he feel now? The song formerly known as 'On The Wings Of Eagles' has links to Monty Python and Mr Men books and we hear a fair bit of singing on the episode from different people.
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Wayne looks at the odd structure and rhymes and wonders why this was chosen as a live single. Trevor doesn't appear to have a Eurovision hangover and offers more perspective and surreal poetry. More importantly, we also find out whether Janick climbs the beanstalk or has a lunch of crab paste sandwiches...
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It's the first song on the Seventh Son of a Seventh Son album and Wayne tries to recreate the iconic intro to the song in different ways. Trevor wonders if this is the best opener from the 1980s albums and there are the usual random-but-somehow-relevant memories from their past to add colour to the commentary.
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The usual end-of-series shenanigans with Wayne's summary and Top 3 songs on the album. Adrian continues his book reading and after his absence will we find out what Trevor thinks of Sea of Madness?
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What links Steve Harris and Alexander the Great? Wayne has some answers and looks at the similarities in their lives. The episode also features Maths, Biology, and Geography as well as History but it's not like a trip back to school. There's an update from Adrian's children's book and Trevor has some additional wisdom and insight.
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Wayne looks at the shortest song on the album, pronunciation, and imagines how it might have gone down live. Trevor has a theory about why we might experience deja vu.
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The One With...the enclosed tercets.
Learn about the second single from the Somewhere in Time album, featuring new observations about the promo video and old holiday purchases.
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Find out why this song was only played live once and how it reminds Wayne of some other songs. Wayne also talks about his own running experience and a loved-up Trevor reveals his favourite school sports day event.
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Can Heaven wait? Wayne asks the usual important life and music questions and provides analysis on intros, synth sounds and backing vocals. There's a welcome return for Adrian's book reading and Trevor is back!
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It may not be a surprise to hear that Wayne has issues... but there are a few different ones to deal with in this episode. There are eagles and doves in the lyrics but no nuthatches this week.
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Wayne gets philosophical over the first single from the 'Somewhere in Time' album and has a picnic with Time Travelling Paul Di'anno. He also looks at the lyrics, chart position, artwork and tries some whistling. Trevor seems to be testing his patience...
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New series and a new album about 'time' so naturally Time Traveling Paul Di'anno is back with us. Wayne tries to explain guitar synths and Trevor has some new ideas but also brings up some familiar themes.
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Bumper end of series episode sees Wayne reflect on the songs, artwork and album as a whole. There's a special cassette from the archives provided by Time Travelling Paul Di'anno, and there's the usual Top 3 songs and additional insight from Trevor.
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Wayne summarises the epic song and poem and somehow gets football stickers and pies into the mix. There's more from Adrian's book and is the pressure getting to Trevor?
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It's the title track of the album and Wayne looks at the lyrics and some of the effects in the song. Adrian continues reading from his children's book and Trevor reveals his skills in advertising.
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Wayne looks at the lyrics and themes of the song and anyone who disagrees with him can 'eat the worm'! Adrian Smith is back with more from his children's book and Trevor is getting ready for Pancake Day.
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Wayne looks at vocal range, speculates on Steve Harris' duelling experience, and identifies some parts that seem similar to previous songs. Trevor and Uncle Steve have a poetry duel but who will emerge victorious?
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Swords, dragons and guitar lessons from Adrian Smith... this is an episode that should be 'forgot by no one'. Trevor talks romance and there's the usual mix of oddly relevant 80s things, like a certain cartoon series that featured this song.
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Wayne looks at the strange looking words in the title and finds out what has made listeners of the show 'losfer words'. Trevor remembers a special trip to a restaurant and Nicko has an encounter with a drum machine.
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Wayne shares his thoughts on power, corruption and belly buttons. As the first single from the Powerslave album, there's also a video and a Derek Riggs sleeve to examine. Poetry and additional insight from Trevor.
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The first song on the Powerslave album brings back memories of a school trip to the Lake District. Wayne also reveals some special new dance moves for the song that you can try at home. Trevor talks about cub scout badges and how Birmingham was affected by bombers in WWII. We also hear about some of Nicko's antics in the 1984 version of Steve Harris' Diary.
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Originally released in June 2020 but only available to Fray Bentos level listeners (on ko-fi), Wayne is now making this public as a special treat to start 2021. There's comment on stage outfits, song choices and he's watching Paul Di'anno closely to see if there is any evidence of time travel.
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Make yourself a pie island and settle down to hear this special compilation episode looking at pandemic life through the eyes of Dennis Stratton. Rediscover the dangers of online dating, drunken eBay purchases and some of his thoughts on the early days of Iron Maiden. Features an exciting new theme tune from Wayne (and Trevor).
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Join Wayne and Trevor for a bumper festive episode featuring chat, guests, music and special performances from the Stechford Male Voice Choir.
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Wayne looks at the 1983 album as a whole, giving his views on the songs and artwork. Trevor seems more excited about the Christmas special but still provides his Top 3 for the album.
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Another epic album closer for Wayne to assess. There are odd lyrics, odd notes and odd poetry,
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Goths and Hare Krishnas feature in Wayne's latest episode along with the expected topics of lyrics, samurai and a guitar part that seems a bit familiar...
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Wayne tries to reflect on the positives and recalls how he adapted the lyrics for a fire safety message which had mixed results. Trevor also digs into the past to get inspiration for his poem.
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Wayne shares his thoughts and memories of this song and mentions art lessons and school swimming trips. Dennis Stratton is back but he seems annoyed at a few things. There are also a couple of unfortunate events from August 1983 mentioned in Steve Harris' Diary so can Trevor provide the show with some positivity?
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Wayne tackles a very popular song and reflects on this and other war-themed songs of the period. Steve Harris' trousers come up again thanks to the video for the single and Trevor explains a Tennyson link with Birmingham.
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Find out why Wayne isn't a fan of this song, with added trivia about his childhood footwear collection and the rules of porridge eating. Dave Murray has got a reason to be happy though and what did Steve Harris spend his bet winnings on?
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Wayne looks at the 1983 chart landscape when this single was released, and talks about the Greek myth as well as his usual facts that sound like myths. There are random thoughts about lyrics and artwork and Dennis Stratton returns to share some frustrations past and present.
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Despite examining the drum parts, vocals and lyrics, Wayne struggles to get to grips with this difficult song and mentions some revelations from his past. There's more from Steve Harris' diary, and Trevor provides a literary digression.
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It's a new album with a great opening track but Wayne spends rather a lot of time analysing a photo on the inner sleeve. He also tries adding some vocal parts and suggestions to help Bruce out. There's some band news and a welcome return for Dave Murray Fact of the Week.
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Wayne looks back at the songs from the last nine episodes and how they make up this classic album. There's a message from Time Travelling Paul Di'anno and more from Adrian's book.
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B sides, biscuits and Butlins are discussed in this episode as Wayne gets close to the end of the series. There's an update from Adrian Smith and Trevor tries to impress with his impersonation skills.
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Wayne is nervous about tackling one of Maiden's most popular songs. Trevor mentions THAT school trip to France again and Dennis Stratton is preparing for Hallowe'en.
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Wayne shares his thoughts about gangs, geography, and his connection with Phil 'Philthy Animal' Taylor. Trevor reveals a bit more about his phobia of goths and will the subject of Pamela Cartwright be mentioned?
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Wayne talks about the chart rise of the first Iron Maiden Top 10 single and provides analysis on the drums, artwork, lyrics and the video. Dennis has hired a cleaner and Trevor has an announcement.
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Wayne offers his usual mix of surreal analysis and occasionally insightful observations on one of the most popular Maiden songs.
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Wayne isn't feeling well and has concerns over data protection and a party he wasn't invited to.... Dennis Stratton and Trevor reveal some mixed experiences with women.
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The iconic song makes Wayne recall North Wales trips and an odd gig experience. Adrian Smith reads another chapter from his children's book and can Trevor impress Wayne with his new invention?
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There are welcome returns from Dennis and Adrian this week and Trevor has to answer to some recent criticism.
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It's a new series with a new album and a new singer. Wayne has mixed feelings about the lyrics, more Star Wars figure memories, and Trevor provides more of a performance than usual.
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Bonus episode! Wayne asks Time Travelling Paul Di'anno questions from listeners and Trevor reveals something he has been making in his shed.
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Bonus length show with thoughts on the second album. Time Travelling Paul Di'anno reveals an exclusive version of 'Wrathchild' by a well-known 80s band, Dennis Stratton shares his thoughts and Wayne gives Trevor some good news.
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Another chocolate-filled episode to end the Killers album. Wayne tries his hand at being a drifter in the local community and Dennis Stratton talks about memories and some regrets.
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Time Travelling Paul Di'anno is able to eat cake in his favourite cafe again, Trevor has an unusual interest in the concept of purgatory, and who on earth is Thomas Ross Hopkins?
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Wayne struggles to label the style of the song and is disappointed with Trevor's poem. Dennis Stratton reveals a new dish that he has been enjoying.
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Wayne looks at the lyrics and live performance history of the title track off the second album. Adrian Smith continues his book reading and Trevor is planning ahead.
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Wayne reflects on the theme and inspiration of the lyrics. Dennis Stratton recalls an incident at a gig from 1980 which he wants clearing up and Trevor reveals a spoiler and an infamous event from their schooldays.
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Time travelling Paul Di'anno reveals how the song got its title. Wayne looks back on school projects and chocolate biscuits. There's a new character in Adrian Smith's children's book and Trevor reflects on fame.
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Wayne contemplates the potentially deep meaning of what appears to be a simple song, Adrian Smith returns with a new chapter and Trevor is in a positive mood.
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Dennis Stratton is back and reveals his thoughts on the Killers era, keeping fit and potato waffles. Wayne has a new method to measure tempo in rock music and we find out from Trevor what happened on their school trip to France.
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Wayne channels his inner dance instructor but comes unstuck when Paul Di'anno turns up and suggests some exercise, Adrian Smith reveals more adventures from his book and Trevor has a confession..
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Wayne turns his attention to the Killers album and has memories of Scrabble, shopping lists, and Tupperware parties. Adrian Smith gets in touch and reveals some book news.
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Wayne explains why this was a rare song, why wearing a nightie isn't controversial, and he gets Dennis Stratton's views on the song. There's news about Adrian Smith's book and somebody gets in touch about the plural for Fray Bentos.
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Wayne looks at the third single from the band and reveals his favourite uniforms. Dennis Stratton has mixed memories of the time and Trevor is upset again.
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Wayne looks at the debut album as a whole. Time Travelling Paul Di'anno reveals an exclusive recording of Running Free that has never been heard before, Dennis Stratton is in a party mood and Trevor is just Trevor. Warning: contains jigsaw commentary.
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Wayne reflects on the band's second single and Time Travelling Paul Di'anno returns to tell the story behind the lyrics.
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It's the final song on the album, but not of the series. Steve Harris recalls an argument with a producer and Trevor has some discoveries that will shock the poetry world.
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More offbeat analysis as Wayne explores the term 'harlot', Dave Murray's cheekbones and the contents of Dennis Stratton's shopping basket. Will Trevor be in a better mood this week?
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This week Wayne gets a message from Dennis Stratton and Trevor has been staying indoors.
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Wayne imagines the song with lyrics, Paul Di'anno makes contact, and Trevor is in a strange mood.
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Wayne shares how this song is embedded in several of his childhood memories. Steve Harris recalls the challenges of gigging in the early days and Trevor produces his best poem yet.
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Wayne focuses on the debut single and Steve Harris talks about the band's appearance on Top of the Pops
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Wayne leaves the studio to do some research and will Trevor have a poem this week?
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Pilot episode exploring the first song on the debut album. Wayne reflects on the lyrical meaning, Dennis Stratton's face and phones up his friend Trevor for more insight.
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