Digital Nomads: Recent Episodes
Maggie F.
In the second half of the 19th century, both professional and amateur archaeologists, surveyors, and explorers of the “periphery” of the Russian Empire became increasingly interested in the perceived ancient nomadic histories of Siberia, Central Asia, and Ukraine. Their excavations of “nomadic sites” associated with the Scythians or the Mongol Empire were aimed not just at scientific investigation and scholarly inquiry, but were also born out of and contributed to discourses around modernity, race, ethnicity, and nationhood during the later days of the Russian Empire’s colonial expansion. Ismael Biyashev’s PhD research (University of Illinois-Chicago, 2023) charts the emergence, historical development, and global networks of the field of “nomadic archaeology,” examining how members of the Russian intellectual elite perceived and presented a nomadic past as a means of articulating contemporary Russian identity and visions for the future. For further open-access reading on this topic, see Ismael’s “Peripheral Histories” blog post here. Maggie Freeman is a PhD candidate in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices
In part two of our conversation about his book The Mongol Storm: Making and Breaking Empires in the Medieval Near East (Basic Books, 2022), Nicholas Morton, Associate Professor of History at Nottingham Trent University, joins me to share more about his research into Mongol imperial expansion and the Mongol conquests of the Near East. In this episode, we talk about practices of Mongol nomadism and mobility; how Mongol identity can be defined and understood; and where and when the Mongol empire finally collapsed. Part one is here. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices
“New Babylon” is an architectural and urban planning project designed by the Dutch artist Constant Nieuwenhuys between 1959 and 1974 in response to certain economic and social conditions he perceived to exist in the modern city: its emphasis on work and the production of capital, its highly-planned, gridded spaces. “New Babylon” put forward an ideal city planning model in which people would be able to enter a state of what Constant called homo ludens, “men at play.” “New Babylonians” would be members of a leisure class, in constant movement in and between cities designed to be highly flexible, mobile, and to encourage a state of perpetual adventure and exploration. While “New Babylon” explicitly positioned nomadism as an ideal which should be embraced on a wider scale, the influence of an actual nomadic community on the design and conceptualization of the project has been largely overlooked. Namely, Constant drew heavily on interactions with and influence from Romani culture and heritage. In this episode, Jérémie McGowan, whose PhD dissertation at the University of Edinburgh analyzed the Romani influence on “New Babylon,” joins me to discuss the ideologies underlying “New Babylon;” how Romani influences manifest in the project; and how and under what circumstances nomads can be either culturally idealized or vilified. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the late 19th century, the Ottoman government sought to fill landscapes they legally defined as "empty." Both land and people were incorporated into territorially bounded grids of administrative law. Bedouin Bureaucrats: Mobility and Property in the Ottoman Empire (Stanford University Press, 2023) examines how tent-dwelling, seasonally migrating Bedouin in the Syrian interior engaged in these processes of Ottoman state transformation on local, imperial, and global scales. Narrating the lives of Bedouin individuals involved in Ottoman administration, Nora Barakat brings this population to the center of modern state-making, from their involvement in the pilgrimage administration in the 18th century and their performance of land registration and taxation as the Ottoman bureaucracy expanded in the 19th, to their eventual rejection of Ottoman attempts to reallocate the “empty land” they inhabited in the 20th. In this episode, we discuss categories and definitions of “bureaucrat,” “tent-dwelling,” and “tribe” in this context; longue durée shifts in Ottoman forms of governance in the Syrian interior and the role of Bedouin elites within Ottoman administration; and both Bedouin participation in and resistance to Ottoman state-making projects. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices
Ben Hoffler is the co-founder of several hiking trails in the Middle East, including the Sinai Trail, the Red Sea Mountain Trail, the Wadi Rum Trail, and the Bedouin Trail, which aim to boost and promote sustainable tourism and help conserve the endangered heritage of the Bedouin tribes who historically live in these regions and manage the trails today. In this episode, we discuss tourism as heritage preservation, overcoming negative stereotypes of regions like the Sinai, and how historically-nomadic communities like the Bedouin can benefit from tourism initiatives. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices
Examining human-animal relations among the reindeer hunting and herding Dukha community in northern Mongolia, Embracing Landscape: Living with Reindeer and Hunting among Spirits in South Siberia (Berghahn Books, 2021), focuses on concepts of domestication and wildness from an indigenous perspective. Examining subsistence methods and lifestyle practices like hunting rituals and herding techniques in detail, Selcen Küçüküstel’s ethnographic account of contemporary lifeways and belief systems among the Dukha illuminates the dynamics between people, domesticated reindeer, and wild animals. Her research centers the role of the landscape in mediating and shaping human-animal interactions and encounters, capturing how the Dukha experience the landscape of the taiga as both their ancestral home and as a place with its own more-than-human agency. In this episode, we discuss the history of the Dukha, practices of pastoralism and hunting in northern Mongolia, the effects of contemporary political and environmental change on the Dukha, and Selcen’s methodological approach to her research as both a journalist and anthropologist. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices
In his debut short story collection, Nomad, Nomad (Bound to Brew, 2021), Jonan Pilet explores the lives of Mongols and expats looking for a sense of home within the nomadic culture. Based on Jonan’s insights having grown up in Mongolia, the series of interlinked narratives capture the cultural turmoil Mongolia experienced after the fall of the Soviet Union, painting a vivid picture of Mongol landscapes, Western interactions, and the rise in cultural tensions. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices
Between 1956 and 1960, leaders in the Mongolian People’s Republic embarked on a collectivization campaign to change the way in which Mongolians interacted with animals and the environment. Collectivization in Mongolia, which followed the Soviet model, confiscated private livestock to create collectively-owned and -worked livestock herds, and was seen as one of the building blocks of a modern socialist state. In a society where nomadic herders represented a large segment of the population, however, the process of collectivizing livestock herds took a different form than it did in other socialist contexts, and, post-socialism, many former leaders and collective members remember fondly the state of herding during socialism compared to the uncertainty that followed during the transition to capitalism. In this episode, Dr. Kenny Linden joins me to share his research into the animal, cultural, and environmental history of livestock herding in socialist Mongolia and to discuss adaptations of pastoralism to socialist conditions. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices
Nomadic Pastoralism among the Mongol Herders: Multispecies and Spatial Ethnography in Mongolia and Transbaikalia (Amsterdam University Press, 2021) is based on anthropological research Charlotte Marchina carried out between 2008 and 2016 to investigate the spatial features of nomadic pastoralism among the Mongol herders of Mongolia and Southern Siberia. In addition to classical survey methods, Charlotte used GPS tracking to analyze the ways in which pastoralists envision and concretely occupy the landscape, which they share with their animals, non-herders, and invisible entities and deities. In this episode, we discuss differences between pastoralism in Mongolia and Siberia, changes in Mongol herding throughout the 20th and 21st centuries, and how animals and animal knowledge of the landscape shape pastoralist systems. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices
Saga Bougdaeva is the translator of the first English version of Jangar (University of California Press, 2023), the heroic epic of the Kalmyk nomads. The Kalmyks are the Western Mongols of Genghis Khan’s medieval empire in Europe. Today, Kalmykia is situated in the territory that was once the Golden Horde, founded by Genghis Khan son’s Juchi. Although their famed khanates and cities have long since disappeared under the sands of the Great Eurasian Steppe, the Kalmyks have witnessed, memorized, and orally transmitted some of the most transformative developments, both victorious and tragic, in the history of civilizations. A tribute to the protectors of the mythical country Bumba, Jangar reflects the hopes and aspirations of the Kalmyk people as well as their centuries-long struggle for cultural survival. Dr. Bougdaeva’s translation is more than a tribute to the artistic creativity and imagination of the Kalmyk people—it is also an important step in their struggle for cultural survival. It was only after centuries of oral transmission that the songs and stories surrounding Jangar were written down. When the first translation, into Russian, finally appeared, Stalin had the entire Kalmyk population deported to Siberia and ordered that their national literature be eliminated from the published world. This Soviet repression has had enormous consequences for world literature, silencing nomadic voices and keeping hidden their distinctive contributions. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, Dr. Kenny Linden, an environmental and animal historian of Mongolia and Inner Asia, joins me to discuss the Disney+ Star Wars prequel series Andor and its real-world parallels to pastoralism and the treatment of pastoralists in Central and East Asia by state authorities. We talk about nomadism in the Star Wars universe, depictions of nomads in pop culture, and the planet Aldhani in Andor as a reflection of modern histories of pastoralism and nomad-state relations in Central and Inner Asia. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices
For generations, the composition and recitation of poetry has been a key mode of expression among Bedouin populations in the Middle East, reflecting social norms, religious practices, relationships with the natural environment, and tribal histories and politics. In Words Like Daggers: The Political Poetry of the Negev Bedouin (Brill, 2022), Kobi Peled, Professor at Ben-Gurion University of the Negev, analyzes a corpus of poetry collected among the Bedouin of the Negev Desert over the past 100 years for themes of political resistance, dissidence, and reactions to the political changes facing the Negev Bedouin. The poems reveal how the Negev Bedouin responded to and perceived changes in state authority and rule from the late Ottoman period to the contemporary state of Israel. Peled argues that in addition to being a creative and artistic mode of expression, poetry and a close reading of Bedouin poetry can serve as a lens onto Bedouin worldviews, sentiments, and reactions to and participation in processes political formations and state-building undergone in the Negev region during the 20th century. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tibetan nomads have developed a way of life that is dependent in multiple ways on their animals and shaped by the phenomenological experience of mobility. These pastoralists have adapted to many changes in their social, political and environmental contexts over time. From the earliest historically recorded systems of segmentary lineage to the incorporation first into local fiefdoms and then into the Chinese state (of both Nationalist and Communist governments), Tibetan pastoralists have maintained their way of life, complemented by interactions with “the outside world.” In Pastures of Change: Contemporary Adaptations and Transformations Among Nomadic Pastoralists of Eastern Tibet (Springer, 2018), Gillian Tan, Senior Lecturer in Anthropology at Deakin University, identifies and analyzes the changes undergone by Tibetan pastoralist society in recent years, the sources of these changes, and the effects produced on Tibetan pastoralists, their lifeways, religious practices, and social structures. Drawing on long-term fieldwork that underscores an ethnography of local nomadic pastoralists, international development organizations, and Chinese government policies, Gillian argues that careful analysis and comparison of the different epistemologies and norms about “change” are vital to any critical appraisal of developments - often contested - on the grasslands of Eastern Tibet. Rapid changes brought about by an intensification of interactions with the outside world call into question the sustained viability of a nomadic way of life, particularly as pastoralists themselves sell their herds and settle into towns. Pastures of Change probes how we can more clearly understand these changes by looking specifically at one particular area of high-altitude grasslands in the Tibetan Plateau. Maggie Freeman is a PhD student in the School of Architecture at MIT. She researches uses of architecture by nomadic peoples and historical interactions of nomads and empires, with a focus on the modern Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices
The traditional folklore and animistic beliefs of the Sámi, the Indigenous nomadic peoples of northern Sweden, Norway, Finland, and Russia, are under-studied and their cultural significance rarely acknowledged, even in the Scandinavian countries where Sámi traditions have intermingled with mainstream ones. The spread of Christianity and the influence of Christian missionaries in the Scandinavian north have especially distorted and shaped the reception and transmission of Sámi religious beliefs and practices in the modern era. The traditional Sámi religion recently gained widespread attention and reconsideration from a somewhat unexpected source, however, thanks to the incorporation of elements of Sámi folklore in Walt Disney Animation Studios' Frozen movie series. In this episode, artist and folklorist Niina Niskanen joins me to discuss her research into Sámi religious systems, folklore and oral culture, the cultural impacts of Sámi beliefs on mainstream Scandinavian society, how Sámi folklore traditions are represented in mass media, and how pop culture artifacts like Disney's Frozen have prompted a resurgence of interest in Sámi folklore and introduced Sámi culture to a new audience.
This episode is part two of a two-part series looking at the Sámi in Disney's Frozen movies; part one, focusing on the making of Frozen II, can be listened to here: https://digitalnomads.buzzsprout.com/1639870/10409849-the-sami-in-frozen-pt-i-interview-with-aili-keskitalo
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license
Despite the box-office and critical success of Walt Disney Animation Studios' 2013 film Frozen, it also drew criticism and backlash for how it incorporated elements of the culture and heritage of the Sámi, the Indigenous people of northern Sweden, Finland, Norway, and Russia. Sámi representatives had not been consulted in the making of Frozen, and the film's use of elements of Sámi culture such as music and clothing came as a surprise to the Sámi community. In response, when the film's sequel was announced, Sámi organizers forged a partnership with Walt Disney Animation Studios in which a group of Sámi experts offered creative consultation and input on the representation of the Sámi in Frozen 2. In this episode, I speak with Aili Keskitalo, who helped organize the collaboration with Walt Disney Animation Studios during her tenure as President of the Sámi Parliament of Norway, about working with WDAS, Sámi politics, the impact of the Frozen films on the Sámi community, and the importance of telling Indigenous stories with Indigenous voices.
The agreement signed between Sámi representatives and Walt Disney Animation Studios is available here: https://nowtoronto.com/movies/news-features/disney-frozen-2-indigenous-culture-sami
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license
Despite being set in the distant future on a remote desert planet, the story of resource extraction, power, politics, ecology, and religion told in Frank Herbert's sci-fi series Dune bears distinct parallels to real-world history and events. One example of Herbert's real-life inspirations comes in the characters of the Fremen, who Herbert based on both the Bedouin in the Middle East and Native American peoples. How are nomadic Indigenous peoples incorporated into and represented in Herbert's fictional universe, and what can we learn about real people and their history from these fictionalized representations? In this episode, I'm joined by Dune expert Dr. Kara Kennedy to discuss the Fremen of Dune , the inspirations and intentions behind the novels, Orientalism and literary representations of Islam and the Middle East, and what science fiction can teach us about both history and the future.
Dr. Kennedy's book Women’s Agency in the Dune Universe: Tracing Women’s Liberation through Science Fiction is available here: https://link.springer.com/book/10.1007/978-3-030-89205-0
Dr. Kennedy writes articles about Dune aimed at a general audience on her blog here: https://dunescholar.com/
Follow Dr. Kennedy on Twitter @drkarakennedy and @dunescholar
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license
Roma figures have been an essential part of European folklore, myths, and literary traditions for centuries, with writers from Cervantes to Shakespeare to Victor Hugo drawing on the stereotype of the free-spirited, bohemian "Gypsy." Post-World War II, Roma characters began to appear in a new literary medium: American comic books. Roma heroes and villains alike fill the pages of DC and Marvel comics, with iconic characters like Dr. Doom, Magneto, Scarlet Witch, and Nightcrawler depicted as Roma. Almost exclusively written and drawn by non-Romani, however, these characters are often flawed or stereotypical, or, in recent years, they've been stripped of their Roma identity. Despite this, Roma comic book characters have become an important source of inspiration and empowerment for Roma youth around the globe. In this episode, Roma human rights activist and pop culture expert Vicente Rodriguez Fernandez joins me to talk about depictions of Romani characters in comic books, film and TV, the use of Roma identity as a literary trope, and comics as a tool of empowerment for minority groups.
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license
Medieval Arabic sources are full of references to the Banu Sasan (Sons of Sasan) and the Ghuraba' (Strangers), an enigmatic but captivating group who begged, told fortunes, trained animals, and practiced medicine throughout the Islamic world from the mid-7th century onwards. These groups constitute peoples who would later come to be known as the Roma. Although they both produced their own texts and were written about by outsiders, relatively little scholarship has been conducted into the Roma in the Middle East. In this episode, Dr. Kristina Richardson joins me to talk about her new book Roma in the Medieval Islamic World: Literacy, Culture, and Migration (Bloomsbury Publishing, 2021). Drawing on a wide variety of literary and archaeological evidence to illuminate the practices, languages, and lived experiences of the Roma in the Middle Ages, Dr. Richardson's book argues for a central role of the Roma in medieval culture and society. We discuss nomadism and mobility among the medieval Roma, their literary and artistic outputs, languages, trades, relationships with outsiders, and contemporary issues affecting the study of the Roma in the Middle East today.
More about Dr. Richardson's work and research:
https://qcpages.qc.cuny.edu/~krichardson/Welcome.html
Dr. Richardson's book is available here:
https://www.bloomsbury.com/us/roma-in-the-medieval-islamic-world-9780755635788/
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license
Contemporary issues like the refugee crisis, climate refugees, and global restrictions on movement caused by the COVID-19 pandemic have brought into stark relief the extent to which our movements, lives, and worldviews are governed by national borders and boundary-making. But these borders and their associated militarization and security infrastructures are a recent phenomenon, the legacy of 20th-century wars and colonialism. Modern borders are also often the result of complex, disputed negotiation processes between governments and other authorities, which rarely take into consideration the local populations living in border zones.
What happens when these modern border-making processes interact with nomadic peoples? How is pastoralism affected and circumscribed by nation-state borders and boundary regimes? This episode discusses histories of border formation in the modern Middle East in relation to nomadic pastoralists - the Bedouin - specifically in Iraq and Israel. I talked to a range of scholars working on these topics, and you'll hear from them throughout the episode. We also talk about the effects of these borders on the Bedouin today, as well as evidence for Bedouin alternatives to borders and maps.
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license
For most of human history, the Mediterranean was home to a significant number of pastoralists, who herded livestock along seasonal migratory routes. Today, traces of this pastoralist presence have all but disappeared. Dr. Andrea Duffy's book Nomad's Land: Pastoralism and French Environmental Policy in the 19th-Century Mediterranean World (University of Nebraska Press, 2019) seeks to answer the question - what caused the decline and retreat of Mediterranean pastoralism? Dr. Duffy explores the development of a French environmental policy which was centered around forestry and afforestation, and led to the targeting and demonization of pastoralists not only in France but throughout the Mediterranean world. In this episode, Dr. Duffy joins me to talk about pastoralism in 19th-century France, Algeria, and Anatolia, nomadism vs. transhumance, environmentalism past and present, and the legacies of pastoralism around the Mediterranean today.
More about Dr. Duffy's work and research: https://www.libarts.colostate.edu/people/aw49/
Dr. Duffy's book is available here: https://www.nebraskapress.unl.edu/nebraska/9780803290976/
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license
The British occupation of Iraq after the collapse of the Ottoman Empire led to the creation of Iraq's national boundaries, a process with profound and long-lasting implications for the inhabitants of Iraq's border regions. In his dissertation, "The Origins and Development of Iraq's National Boundaries, 1918-1932: Policing and Political Geography in the Iraq-Nejd and Iraq-Syria Borderlands" (University of Chicago, 2018), Dr. Carl Shook examined how Iraq's modern national borders were formed in relation to the Bedouin and to the policing of Bedouin tribes. In this episode he joins me to discuss the history of Iraq's southern border with Saudi Arabia, the role of Bedouin tribespeople within the border formation process, and the effects of transnational borders on nomadic peoples.
Read Dr. Shook's dissertation here: https://catalog.lib.uchicago.edu/vufind/Record/11734587
Dr. Shook's personal website: https://www.carlshook.com/
Follow Dr. Shook on Twitter: https://twitter.com/carl_shook
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license
The "Black Desert" in the northern Arabian Peninsula is home to thousands of pieces of rock art - both written inscriptions and figural images - left there by the region's nomadic inhabitants during the Hellenistic and Roman periods ca. 2,000 years ago. Dr. Nathalie Brusgaard received her PhD (Leiden University, 2019) for her research into this rock art, exploring their content and themes and what they can tell us about the cultures, lifestyles, and subsistence methods of the Black Desert's nomadic peoples. In this episode, she joins me to share her findings and to discuss how archaeology and material remains can illuminate the lives and practices of ancient nomadic pastoralists.
Dr. Nathalie Brusgaard's academic bio and further research: https://www.rug.nl/staff/n.o.brusgaard/
Dr. Brusgaard's book (open access), "Carving Interactions: Rock Art in the Nomadic Landscape of the Black Desert, North-Eastern Jordan": https://archaeopress.com/ArchaeopressShop/Public/displayProductDetail.asp?id={C09A01F3-014F-488F-9FDE-50FE52C335EA}
Explore examples of ancient North Arabian inscriptions and rock art via OCIANA (the Online Corpus of the Inscriptions of Ancient North Arabia): http://krc.orient.ox.ac.uk/ociana/
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license
Eight women appear in Neo-Assyrian sources from the 7th and 8th centuries BCE with the ambiguous but intriguing title 'queen of the Arabs.' Despite providing a rare glimpse of power wielded by women in this period, these rulers remain under-studied and often misunderstood in Assyriology. Aiming to correct these misconceptions, 'the queens of the Arabs' formed the basis of Dr. Ellie Bennett's doctoral dissertation (University of Helsinki, 2021). In this episode Dr. Bennett joins me to talk about gender, language, king- and queenship, the "Arabs" and life in the Arabian Peninsula, and depictions and understandings of nomadism in the Neo-Assyrian Period.
Content warning for descriptions of violence against women in this episode
Follow Dr. Bennett on Twitter: @sharratu_EllieB
Dr. Bennett's website: http://elliebennettacademic.home.blog
Read the dissertation "The 'Queens of the Arabs' during the Neo-Assyrian Period:" https://helda.helsinki.fi/handle/10138/328402
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license
A conversation with Dr. Salah Hatem and Dr. Jaafar Jotheri, professors of archaeology at al-Qadisiyah University, about their research project documenting the intangible cultural heritage of the Bedouin in southern Iraq.
This episode covers topics ranging from the lifestyle of the Iraqi Bedouin to their indigenous knowledge (how to find water in the desert; plants that can be used as medicine) to how cultural heritage can be a tool for social change.
Their research project is funded by the Nahrein Network at University College London, which has as its mission to foster the sustainable development of antiquity, cultural heritage, and the humanities in Iraq. Learn more about the Nahrein network here: www.ucl.ac.uk/nahrein/
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license
A special bonus episode in honor of the 93rd Academy Awards on April 25, 2021! One of the most-nominated films at this year's Oscars is "Nomadland," adapted from a book of the same name by journalist Jessica Bruder. "Nomadland" is about a 21st-century American phenomenon - the post-2008 increase in (mostly elderly) people who practice "vandwelling," living in vans, trucks, or other mobile housing and traveling the country in search of seasonal jobs. This episode talks about the characteristics of this nomadic community, how they adhere to an anthropological definition of the term "nomad," and nomadism in US history.
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license
All other sounds courtesy of the BBC Sound Archive.
What does the Old Testament/Hebrew Bible have to say about nomads and nomadism in the ancient Near East? This episode explores nomadism in the Judaic religious tradition through the eyes of the authors of the Old Testament.
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license
A bonus episode in honor of Womens History Month! Learn all about Samsi, one of the queens of the ancient Arabs, and what her story can tell us about gender and the status of women among nomadic peoples and empires in the ancient Near East.
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license
Wretched Destroyer by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/5017-wretched-destroyer
License: https://filmmusic.io/standard-license
Crusade Heavy Industry by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/4678-crusade-heavy-industry
License: https://filmmusic.io/standard-license
All other sounds courtesy of the BBC Sound Effects Archive.
This episode discusses the nomadic Arab tribes between about 850 and 450 BCE. What do we know about their lifestyles, cultures, and relationships with the empires around them?
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license
All other sounds courtesy of the BBC Sound Archive.
This episode looks at the main types and categories of nomads, how they live, and the similarities and differences between them.
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license
All other sounds courtesy of the BBC Sound Effects Archive.
Welcome to Digital Nomads! This episode introduces your host, Maggie, and gives a brief overview of the aims, future of, and inspiration behind this podcast.
Music in this episode:
Desert City by Kevin MacLeod
Link: https://incompetech.filmmusic.io/song/3639-desert-city
License: https://filmmusic.io/standard-license