GaySA Radio: Recent Episodes
GaySA Radio
How do you show up as your real, authentic self when you are managing heavy, high-stakes personal responsibilities?
In this episode of The Balanced Mind, we are diving headfirst into a modern romantic crisis that leaves so many daters feeling completely paralyzed, anxious, and isolated. We are breaking down the fear of sharing the "real stuff" early on—whether you are aggressively paying off a mountain of debt or managing your mental and physical health with daily medications and regular doctor visits.We sit down over a cup of coffee to unpack why taking active care of your health and money isn't personal failure or baggage. In fact, it is the ultimate sign of self-respect, emotional maturity, and personal agency. Backed by relationship data from the University of Utah, we explore how early, honest self-disclosure acts as a natural structural filter that builds lasting relationship stability and eliminates the exhausting game of modern dating performance.
Grab a pen and paper—this episode is a masterclass in shifting from a low-power, approval-seeking position into a high-agency journey of secure attachment.
This programme is inspired by ensembles such as the Grimethorpe Colliery Band and the finest British brass bands. Rather than concertos, we hear music full of wit, lyricism and dazzling ensemble playing.
Programme:
Bugler's Holiday
Blue Bells of Scotland
Gaelforce,
76 Trombones
Sweet Georgia Brown
The Easy Winners
When the Saints go Marching In
Born Free
Flower Duet
Largo from The New World Symphony
The Force of Destiny – Overture
Theme from Superman
Music from James Bond - a Medley Leroy Anderson and His 'Pops' Concert Orchestra - Bugler's Holiday · Brent Phillips und Vincent DeVries - Blue Bells of Scotland · The Brighouse and Rastrick Brass Band - Gaelforce, 76 Trombones · The Brighouse and Rastrick Brass Band - Gaelforce, 76 Trombones · Brass Band Hall und Haller Stadtpfeifer – Sweet Georgia Brown, The Easy Winners, When the Saints go Marching in, Born Free · Brass Band Hall und Haller Stadtpfeifer – Sweet Georgia Brown, The Easy Winners, When the Saints go Marching in, Born Free · Brass Band Hall und Haller Stadtpfeifer – Sweet Georgia Brown, The Easy Winners, When the Saints go Marching in, Born Free · Brass Band Hall und Haller Stadtpfeifer – Sweet Georgia Brown, The Easy Winners, When the Saints go Marching in, Born Free · Grimethorpe Colliery RJB Band - Flower Duet · Grimethorpe Colliery RJB Band und Antonín Dvorák - Largo from The New World Symphony · Grimethorpe Colliery RJB Band und Giuseppe Verdi - The Force of Destiny – Overture · Grimethorpe Colliery UK Coal Band und Garry Cutt - Theme (From Superman) · Grimethorpe Colliery UK Coal Band und Garry Cutt - James Bond_ Medley
The Art of the Brass Ensemble
Instead of asking, "How loudly can brass instruments play?", this programme asks a more interesting question: "How beautifully can they sing together?"
From the magnificent ceremonial music of Renaissance Venice to twentieth-century concert works, brass ensembles have developed an extraordinary ability to combine brilliance with warmth. Listen particularly for the way individual instruments disappear into a single, unified sonority.
Programme
Composer Work
Giovanni Gabrieli Canzon Septimi Toni No. 2
Giovanni Gabrieli Sonata Pian' e Forte
Henry Purcell Trumpet Tune (Brass Ensemble)
J. S. Bach Jesu, Joy of Man's Desiring (Brass Ensemble)
Richard Strauss Feierlicher Einzug
Malcolm Arnold Little Suite for Brass
Victor Ewald Brass Quintet No. 1 (selected movements) Giovanni Gabrieli - Canzon Septimi Toni No. 1 Performed by: The Philadelphia Brass Ensemble, The Chicago Brass Ensemble, The Cleveland Brass Ensemble, Richard Burgin · Giovanni Gabrieli - Canzon Septimi Toni No. 2 Performed by: The Philadelphia Brass Ensemble, The Chicago Brass Ensemble, The Cleveland Brass Ensemble, Richard Burgin · Gabrieli, Giovanni - Sonata pian' e forte Performed by: London Brass · Johann Sebastian Bach - Herz und Mund und Tat und Leben, BWV 147_ X. Jesu, Joy of Man's Desiring (Arr. for Brass Band) Performed by: Imperial Brass · Henry Purcell - Trumpet Tune Performed by: London Brass · R. Strauss - Feierlicher Einzug (Einzug der Ritter des Johanniterordens), TrV 224 Performed by: Wiener Philharmoniker condicted by Seiji Ozawa · Malcolm Arnold - Little Suite for Brass No. 1, Op. 80_ I. Prelude, Siciliano, Rondo Performed by: Fine Arts Brass · Malcolm Arnold - Little Suite for Brass No. 1, Op. 80_ I. Prelude, Siciliano, Rondo Performed by: Fine Arts Brass · Malcolm Arnold - Little Suite for Brass No. 1, Op. 80_ I. Prelude, Siciliano, Rondo Performed by: Fine Arts Brass · Malcolm Arnold - Little Suite for Brass No. 2, Op. 93_ I. Round, Cavatina, Galop Performed by: Fine Arts Brass · Malcolm Arnold - Little Suite for Brass No. 2, Op. 93_ I. Round, Cavatina, Galop Performed by: Fine Arts Brass · Malcolm Arnold - Little Suite for Brass No. 2, Op. 93_ I. Round, Cavatina, Galop Performed by: Fine Arts Brass · Malcolm Arnold - Brass Quintet No. 1, Op. 73_ I. Allegro Vivace, Chaconne, Con Brio Performed by: Fine Arts Brass · Malcolm Arnold - Brass Quintet No. 1, Op. 73_ I. Allegro Vivace, Chaconne, Con Brio Performed by: Fine Arts Brass · Malcolm Arnold - Brass Quintet No. 1, Op. 73_ I. Allegro Vivace, Chaconne, Con Brio Performed by: Fine Arts Brass · Victor Ewald – Quintet: 1 Allegro Vivace Performed by: Center City Brass Quintet · Fats Waller, Andy Razaf, and Harry Brooks - Ain't Misbehavin' Performed by: Brass Band Hall und Haller Stadtpfeifer
What happens when honesty isn't enough to instantly fix a mistake in your relationship?In the latest episode of The Balanced Mind, Deon Bicycle explores the hard reality of relationship slip-ups, the trap of defensive confessions, and why truth is only the key that opens the door to real repair.
Learn how to drop the shields, own the impact of your actions, and rebuild trust from the ground up. Listen now and reach out to Deon directly to share your thoughts!
I have five Items for us in this programme. Our theme is Pastoral Reflections, and it is an easy listening programme that contains some well-known favourites.
Composer Title. Programme Note
Bach, Carl Philipp Emanuel. Flute Concerto in G Major Wq. 169Elegantly poised between Baroque and Classical style, this concerto glows with C.P.E. Bach’s expressive flair.
Haydn, Joseph London Trio No. 1 in C Major
Cheerful, conversational and intimate — Haydn’s trios embody easy sociability in music.
Spohr, Louis Nonet in F Major Op. 31
A luminous blend of winds and strings — richly melodic yet unfailingly graceful.
Mendelssohn, FelixNocturne from A Midsummer Night’s Dream Dreamlike and atmospheric, with feather-light string textures and lyrical woodwind solos.
Schubert, Franz Moment musical in F Minor D. 780 No. 3 (arr.)A tender miniature full of wistful melody — a serene farewell to the pastoral hour. Joseph Haydn - London Trio No. 1 in C Major, Hob. IV_ 1 - I. Allegro moderato - II. Andante - III. Finale_ III. Finale. Vivace Performed by Jean-Pierre Rampal (flute) with Isaac Stern (violin) and Mstislav Rostropovich (cello) · Joseph Haydn - London Trio No. 1 in C Major, Hob. IV_ 1 - I. Allegro moderato - II. Andante - III. Finale_ III. Finale. Vivace Performed by Jean-Pierre Rampal (flute) with Isaac Stern (violin) and Mstislav Rostropovich (cello) · Joseph Haydn - London Trio No. 1 in C Major, Hob. IV_ 1 - I. Allegro moderato - II. Andante - III. Finale_ III. Finale. Vivace Performed by Jean-Pierre Rampal (flute) with Isaac Stern (violin) and Mstislav Rostropovich (cello) · Carl Philipp Emanuel Bach - Flute Concerto in G Major, Wq. 169_ III Performed by Emmanuel Pahud and the Kammerakademie Potsdam, conducted by Trevor Pinnock · Carl Philipp Emanuel Bach - Flute Concerto in G Major, Wq. 169_ III Performed by Emmanuel Pahud and the Kammerakademie Potsdam, conducted by Trevor Pinnock · Carl Philipp Emanuel Bach - Flute Concerto in G Major, Wq. 169_ III Performed by Emmanuel Pahud and the Kammerakademie Potsdam, conducted by Trevor Pinnock · Louis Spohr - Nonet in F Major, Op. 31 Performed by Members of the Wiener Oktett · Louis Spohr - Nonet in F Major, Op. 31 Performed by Members of the Wiener Oktett · Louis Spohr - Nonet in F Major, Op. 31 Performed by Members of the Wiener Oktett · Louis Spohr - Nonet in F Major, Op. 31 Performed by Members of the Wiener Oktett · Felix Mendelssohn - A Midsummer Night's Dream, Incidental Music, Op. 61 No. 1, Scherzo Performed by the London Symphony Orchestra with Alexander Knox, conducted by Sir John Eliot Gardiner · Felix Mendelssohn - A Midsummer Night’s Dream – Incidental Music, Op.61 No 7. Nocturne Performed by The Royal Philharmonic Orchestra with Jane Glover and Leland Chen · Franz Schubert - Moment Musical In F Minor, D.780 No. 3 Performed by the London Symphony Orchestra conducted by Leopold Stokowski
Welcome to “about Music” with Brian.
I have four Serenades for us in this programme. Our theme is Serenade by Starlight, and it is an easy listening programme that contains some well-known favourites.
Composer- TitleProgramme Note
Mozart, Wolfgang Amadeus-Serenade in G Major K. 525 “Eine kleine Nachtmusik”Sparkling and timeless — Mozart’s most beloved serenade, written for warm summer evenings.
Weber, Carl Maria von-Clarinet Quintet in B-flat Major Op. 34Romantic lyricism and brilliant display intertwine in this lyrical showpiece for clarinet and strings.
Danzi, Franz-Wind Quintet in G Minor Op. 56 No. 2Danzi’s quintets bridge Classical balance and early Romantic warmth, full of good-natured energy.
Schubert, Franz-Entr’acte from Rosamunde D. 797Poetic and reflective — a gentle close to the evening’s serenade with Schubert’s characteristic warmth. Wolfgang Amadeus Mozart: Serenade in G Major, K. 525 Eine kleine Nachtmusik Performed by the Academy of St Martin in the Fields conducte by Sir Neville Marriner · Wolfgang Amadeus Mozart: Serenade in G Major, K. 525 Eine kleine Nachtmusik Performed by the Academy of St Martin in the Fields conducte by Sir Neville Marriner · Wolfgang Amadeus Mozart: Serenade in G Major, K. 525 Eine kleine Nachtmusik Performed by the Academy of St Martin in the Fields conducte by Sir Neville Marriner · Wolfgang Amadeus Mozart: Serenade in G Major, K. 525 Eine kleine Nachtmusik Performed by the Academy of St Martin in the Fields conducte by Sir Neville Marriner · Carl Maria von Weber: Clarinet Quintet in B flat, Op. 34 Performed by Emma Johnson, Gábor Takács-Nagy, Rebecca Hirsch, and Tim Boulton · Carl Maria von Weber: Clarinet Quintet in B flat, Op. 34 Performed by Emma Johnson, Gábor Takács-Nagy, Rebecca Hirsch, and Tim Boulton · Carl Maria von Weber: Clarinet Quintet in B flat, Op. 34 Performed by Emma Johnson, Gábor Takács-Nagy, Rebecca Hirsch, and Tim Boulton · Carl Maria von Weber: Clarinet Quintet in B flat, Op. 34 Performed by Emma Johnson, Gábor Takács-Nagy, Rebecca Hirsch, and Tim Boulton · Franz Danzi: Wind Quintet in G minor, Op. 56, No. 2 Performed by The Ensemble Wien-Berlin · Franz Danzi: Wind Quintet in G minor, Op. 56, No. 2 Performed by The Ensemble Wien-Berlin · Franz Schubert: Incidental Music to Rosamunde, D. 797 No. 5, Entracte 3 in B-Flat Major. Performed by The Chamber Orchestra of Europe conducted by Claudio Abbado
We are taught that making mistakes is bad, but human beings do not come with an instruction manual. In this episode of The Balanced Mind, professional counsellor Deon Bicycle breaks down why getting things wrong is an essential part of living—if you know how to look at it.
Stripping away the complicated therapy talk, Deon shares simple, science-backed strategies from Stanford, Cornell, and Harvard to help you untangle your self-worth from your slip-ups. You will discover the crucial differences between minor practice runs, high-stakes blindspots, and the quiet danger of doing absolutely nothing at all.
We all have secrets. Some keep us safe, but others keep us sick. In this episode of The Balanced Mind, we unpack the human anatomy of keeping things hidden.
Looking through a counselor's lens, we break down the "good" secrets that protect our joy, the "bad" secrets that drain our mental energy, and the "ugly" secrets rooted in deep shame and trauma. More importantly, you'll learn three essential boundary tools to protect your own mental peace, find out how to stop being an emotional dumping ground for others, and learn how to identify if a secret is building a wall of isolation or a boundary of safety.
we bring our multi-part series on the 7 wellness factors full circle to focus on the ultimate goal: your quality of life. After diving deep into each individual pillar over the past few weeks, we step back to look at the big picture.
We explore how to actively use these 7 elements as tools to elevate your daily well-being, happiness, and health. Tune in to discover how intentional wellness habits directly translate into a richer, more vibrant life, and learn practical ways to start upgrading your daily experience today
In this episode of The Balanced Mind, we strip away the complex spreadsheets and rigid rules of traditional finance to look at the human side of money. Using the simple metaphor of a bicycle, we explore how our financial life requires balance, momentum, and emotional alignment to stay upright.
We break down the relationship between your bank account and your self-worth, expose the psychological triggers behind emotional spending "potholes," and debunk the myth that financial status is a boarding pass for meaningful relationships. True wealth isn’t about luxury—it’s about freedom, flexibility, and peace of mind.
A bright and lyrical selection of wind-ensemble works from the late Baroque and Classical eras.
These pieces highlight the melodic elegance and conversational clarity of woodwind voices — perfect for a gently uplifting hour Georg Philipp Telemann: Overture From Suite in F Major TWV 55_F11 Alster Performed by: L'Orfeo Bläserensemble, with Carin van Heerden · Joseph Haydn : Divertimento in B flat Major, Hob. II:46 9 Performed by the Stuttgart Wind Quintet · Wolfgang Amadeus Mozart : Serenade No. 11 in E flat Major, K. 375 Performed by: the London Wind Soloists, Jack Brymer, Terence MacDonagh, James Brown, Basil Tschaikov, Stephen Trier, Frederick Lowe, Roger Birnstingl, Ronald Waller, Kenneth Cooper, Alan Civil, Ian Beers, James W. Brown, and Ian Harper · Wolfgang Amadeus Mozart : Serenade No. 11 in E flat Major, K. 375 Performed by: the London Wind Soloists, Jack Brymer, Terence MacDonagh, James Brown, Basil Tschaikov, Stephen Trier, Frederick Lowe, Roger Birnstingl, Ronald Waller, Kenneth Cooper, Alan Civil, Ian Beers, James W. Brown, and Ian Harper · Wolfgang Amadeus Mozart : Serenade No. 11 in E flat Major, K. 375 Performed by: the London Wind Soloists, Jack Brymer, Terence MacDonagh, James Brown, Basil Tschaikov, Stephen Trier, Frederick Lowe, Roger Birnstingl, Ronald Waller, Kenneth Cooper, Alan Civil, Ian Beers, James W. Brown, and Ian Harper · Wolfgang Amadeus Mozart : Serenade No. 11 in E flat Major, K. 375 Performed by: the London Wind Soloists, Jack Brymer, Terence MacDonagh, James Brown, Basil Tschaikov, Stephen Trier, Frederick Lowe, Roger Birnstingl, Ronald Waller, Kenneth Cooper, Alan Civil, Ian Beers, James W. Brown, and Ian Harper · Franz Krommer: Partita in F Major, Octet Partita Op. 57 in F major Performed by: The Rotterdam Philharmonic Wind Ensemble · Franz Krommer: Partita in F Major, Octet Partita Op. 57 in F major Performed by: The Rotterdam Philharmonic Wind Ensemble
Our physical surroundings hold a powerful, quiet influence over our mental health. In this episode of The Balanced Mind, holistic counsellor Deon explores how the spaces where we live, work, stay, and play actively steer our daily stress levels, moods, and inner peace.
True wellness belongs to everyone. This conversation is designed to be gentle, practical, and inclusive for all lifestyles, budgets, and physical spaces. You do not need a perfect home or access to a massive forest to find balance. Instead,
Deon shares simple, small adjustments that anyone can use to build a personal sanctuary and calm a busy mind.
A bright and lyrical selection of wind-ensemble works from the late Baroque and Classical eras. These pieces highlight the melodic elegance and conversational clarity of woodwind voices — perfect for a gently uplifting hour
In this episode of The Balanced Mind, registered holistic counselor Deon Bicycle looks at the simple power of human connection.
The discussion explores how to shift your focus from a busy, stressful work life into meaningful social wellness, showing why we need true connection to keep our lives balanced.
Backed by real-world research like the famous 85-year Harvard happiness study, this episode skips the complicated jargon. Deon shares down-to-earth insights on how to care for your inner circle, how to handle everyday relationship drifts with grace, and how helping your community actually boosts your own well-being. It is a quick, insightful guide to keeping your life moving forward smoothly by staying connected
Ever feel like you’re making a living, but completely losing your life? In this episode of The Balanced Mind, grab a coffee and join registered Holistic Counsellor Deon Bicycle for a down-to-earth chat about occupational wellness.
We throw out the corporate jargon and look at what it really takes to find joy and balance in your daily job. Backed by the insights of leading psychologists and the World Health Organization, Deon breaks down how to decouple your identity from your job title, spot the six hidden workplace clashes that cause burnout, and master the practical art of saying "no" professionally. Packed with simple daily habits—like the famous Pomodoro Technique for energy management—this episode is your step-by-step guide to reclaiming your time, protecting your mental health, and building long-term resilience.
Tune in, unplug, and learn how to steer your professional life back into perfect balance!
In this episode of The Balanced Mind, we break down the myth that mental fitness is only for geniuses and college professors.
You will learn how to build your own personal "brain gym" using simple, everyday habits that anyone can do. We explore the three core areas of mental power—Curiosity, Clear Thinking, and Creativity—and show you how to protect your focus from modern traps like endless phone scrolling.
Finally, we hand you a simple daily action plan using quick reading habits, fun puzzles, and quiet breaks to keep your mind sharp, clear, and stress-free.
In this third episode of our wellness series on The Balanced Mind, we pull up a chair for a warm, coffee-shop style conversation breaking down the real meaning of emotional wellness. Moving away from the exhausting myth of "constant positivity,"
This episode unpacks four practical pillars for daily life: embracing emotional flexibility over perfection, spotting the quiet "grey areas" of micro-stress before they lead to burnout, mastering the art of quiet, guilt-free boundaries, and building emotional resilience as a simple daily habit rather than a rare trait. It is a grounded, relatable guide designed to help you check in with your baseline, protect your peace, and keep your balance moving forward
This week on The Balanced Mind, we build directly on our seven-factor wellness blueprint by diving deep into the very first pillar:
The Physical Factor. Your body is the engine that carries you through life, and in this comprehensive episode, we break down how to keep it running smoothly across four simple, jargon-free segments.First, we tackle movement and mobility, revealing why "motion is lotion" and how a simple wall-slide test can explain your daily desk-job aches.
Next, we look at conscious nutrition and hydration, cutting through the noise with trusted global guidelines to show you how water and whole foods beat the afternoon energy crash. Then, we explore the power of restorative sleep, introducing a simple digital curfew to help your brain naturally wind down. Finally, we wrap up with progressive fitness, showing you how to build a strong heart and strong muscles at home without any expensive gym equipment.
We close the episode with an easy weekly challenge to help you pick just one small habit to start transforming your physical health today. Tune in, clear your mind, and learn how to give your physical vessel the ultimate gift of recovery.
In this debut episode of The Balanced Mind, counselor Deon Bicycle invites you into a quiet coffee shop conversation to strip away the noise and get real about your quality of life. Moving beyond the "survival dance" of the daily hustle.
Deon breaks down wellness into seven plain and simple factors—from your physical energy to your social boundaries—showing how a single "ripple" in one area can transform your entire world. Whether you feel like you’re pedaling uphill or just stuck in the chaos
This episode offers a practical map to help you take back the baton, find your rhythm, and move from simply getting by to truly thriving.
Ever felt your blood boil over a "per my last email" message or lost sleep because a colleague took credit for your work? In this episode of The Balanced Mind, Deon Bicycle hosts a relaxed, coffee-shop conversation about staying upright when work gets rocky.
We skip the jargon to explain why office stress feels like a life-or-death situation and share an "emergency toolkit" to help you straighten your handlebars before you crash. Tune in to learn how to stop taking workplace drama personally and start "bouncing forward" with more balance every day
In this deeply personal and reflective episode of The Balanced Mind, host Deon Bicycle dives into the "engine room" of our social lives to explore the emotional "lifecycle" of our friendships—from recognizing when a connection has become one-sided to navigating the "Void" of the quiet middle ground.
While we often talk about working on our connections and setting boundaries, we rarely discuss the stigma surrounding the end of a friendship; this episode challenges the idea that "loyalty" means staying in a draining situation and instead offers a roadmap for moving on with integrity, kindness, and a focus on your own growth
Deon Bicycle explores the profound gap between simply hearing noise and the active, intentional art of listening.
Drawing on neurobiology and practical navigation metaphors, Deon reveals how our fastest asset—the human brain—can often be our greatest barrier to connection
In this episode of The Balanced Mind, we explore the "Growth Gap"—that awkward tension that arises when you’re evolving but a friend stays exactly the same. We’ll break down the "unspoken contracts" of old friendships, why your progress can sometimes feel like a threat to others, and how to handle the guilt of outgrowing people you once loved.
You’ll walk away with practical tools to navigate these changing dynamics with grace, helping you stop shrinking for others and start embracing the person you’re becoming.
Boundaries in Friendship is a practical guide to reclaiming your energy without losing your social circle. Using the "Social House" metaphor, this episode helps you categorize relationships into the Foyer, Living Room, and Inner Sanctum to prevent emotional burnout.
You’ll learn to identify physical "Check Engine" lights—like that sinking "Ugh" feeling—and gain "guilt-free" scripts to stop being an emotional sponge and start setting healthy, sustainable limits with the people in your life.
This episode, titled The Stories We Invent, explores the invisible "translators" in our heads that turn well-meaning compliments into stinging insults.
We dive deep into the Clown Moment—that split second where our own insecurities cause us to put words into other people's mouths—and why we often choose the Emergency Exit of walking away rather than doing the messy Construction Work of building a lasting relationship.
Host Deon takes listeners inside the polished lobbies of NGOs and corporate hubs to dismantle the Ah, shame culture that keeps ambitious individuals stuck in a cycle of pity and waiting.
From the chemical shift of a welcoming smile turning into a block of ice to the silent warfare of corporate ghosting, this episode validates the "soul-wound" felt by many seekers. It is a powerful call to stop seeking warmth in a freezer, stop asking for a seat at tables that don't want you, and start building your own sovereign future as a Lion in the wild.
The Balanced Mind explores the Healthy Mind Platter, a framework for emotional maturity that prioritizes radical rest over "buffering"—the habit of using digital distractions to numb stress. By breaking down seven "mental nutrients" like Sleep, Down Time, and Connection, the episode explains how to "wash away" mental toxins and lower emotional reactivity.
Listeners are introduced to practical tools like the 30-Second Micro-Rest and the Weekly Reset Audit to identify gaps in their mental diet. By swapping passive scrolling for intentional rituals and scheduling rest as a non-negotiable appointment, it is possible to move past temporary distractions to build a clearer mind, greater resilience, and more fulfilling relationships.
In this episode of The Balanced Mind, Deon Bicycle talks about why we feel so "heavy" and tired, even when we’re doing our best to move forward.
We often carry old hurts, hidden regrets, and other people's problems without even realizing it. These aren't just feelings—they are like heavy rocks in our backpacks that drain our energy every single day.
Deon walks you through a simple "Pack Check" to help you figure out what’s actually worth carrying and what you should leave behind.
Are you feeling overwhelmed by how far you still have to go? Does the "better version of yourself" feel like a mountain you’ll never finish climbing?
In this episode of The Balanced Mind, we’re stepping into the woods to talk about why most people get lost on the path to change—and how to get unstuck today. We aren't looking at the mountain anymore; we’re looking at our shoes.
In this episode, we’re finally moving off the dry ground and getting our feet wet.
Most of us spend so much time looking at the "map" of a better life that we never actually start building the bridge to get there. We’ll explore why our brains prefer the safety of the river bank over the fear of the first step, and how to handle the anxiety that hits the moment you pick up the shovel.
It’s time to stop over-thinking and start doing, because your new life is waiting on the other side—and it won't build itself.
Are you a world-class navigator who has never left the ground? ✈️
We’ve all been there. You buy the books, you listen to the podcasts, and you feel that "dopamine hit" of learning. You feel like you’re growing. But then you look at your life... and nothing has changed.
In this episode of The Balanced Mind, we’re deconstructing "The Horizon of Someday." We explore why "insight without integration" is just entertainment and why staying in the "hangar" of preparation is actually the most stressful choice you can make.
In this episode, we cover:
The "When-Then" Mirage (The perfection trap)
The 24-Hour Decay: Why you forget 70% of what you learn
The Anxiety of the "Waiting Room"
How Emotional Maturity closes the "Integrity Gap"
Stop studying the manual and start the engine.
In navigation, the 1-in-60 Rule states that for every 60km flown, a 1-degree error puts you 1km off course. In life, we call this the Liberal Effect.
In the latest episode of The Balanced Mind, counsellor Deon Bicycle discusses the "Policy of Permissiveness"—the small excuses we give ourselves that compound into a "foreshortened future." From the 100-calorie deviation that fuels chronic disease to the "Context Switching" that kills productivity, we explore how to perform a 1-degree correction to save your trajectory.
If you feel you’ve drifted off-course, there is a path back to wholeness.
re your daily choices leading you toward wholeness or away from it? 🌿
In our latest podcast episode, we explore the psychology of decision-making. But we also know that sometimes, you need a more personalized approach to achieve a better quality of life. I’m dedicated to helping you protect yourself from negative factors and achieve a positive state of wellbeing through a bio-spiritual lens.
Check out the episode, and let's work together to develop a plan for your growth.
In this episode, we pull back the curtain on hopelessness—not as a permanent state of mind, but as a sophisticated "internal alarm system" for your mental health.
In 2026, we understand more than ever that feeling hopeless is a signal that your emotional reservoir is empty or your life is out of alignment with your values.
n this episode of The Balanced Mind, counselor Deon Bicycle breaks the "Politeness Trap" to distinguish between hollow social scripts and the biological power of authentic gratitude. Moving beyond simple manners, we explore how sincere appreciation rewires the brain—releasing dopamine and serotonin while calming the nervous system—and address the "shadow side" of toxic positivity and indebtedness. Integrating his systems approach to bio-spiritual wellness, Deon provides practical tools like the Specificity Rule and Mental Subtraction to help you move from performative habits to a lasting state of emotional maturity and wholeness.
Host Deon Bicycle knows that life doesn't always move in a straight line. Between navigating the challenges of Cerebral Palsy and pursuing a career in counseling and the arts, he has learned that emotional maturity is the key to a fulfilling life.
This podcast breaks down complex emotions into everyday wisdom. From the story behind his name to his dreams of the big stage, Deon shares personal insights and professional tools to help you build the emotional strength you need to thrive
What if I told you that worry isn’t just a bad habit, but a high-stakes 'simulated reality' happening inside your brain?
In this episode of The Balanced Mind, we are unmasking the thief of peace. We’re defining exactly what worry is—from the 'what-if' chains in our thoughts to the physical 'armor' it places on our bodies. I’ll be breaking down the internal and external triggers that keep us stuck and sharing why your brain sometimes gets 'addicted' to the loop of anxiety.
In This Episode, They say 'talk is cheap,' but in reality, talk is the most powerful medicine we have.
Today, we’re diving into the biology of the 'Talk Cure'—why your brain physically needs you to speak your truth, and the dangerous price your body pays when you stay silent.
Have you ever felt like you’re running a race with a finish line that keeps moving? You hit the goal, get the promotion, or finish the to-do list, but that feeling of "enough" never arrives. In this episode, we play detective to uncover why we carry the heavy backpack of inadequacy. We look at the "evidence" behind our self-doubt and dismantle the three traps that keep us feeling small.
Today, we are tackling a foundational skill for true well-being and growth: Humility.
If you think emotional maturity means just controlling your feelings, you’re missing the key ingredient. Humility is the secure inner strength that allows you to be honest, open, and accountable—it is the very engine of your emotional growth.
In this episode, we are revealing why humility is the essential operating system for emotional maturity. We'll clarify what it is not—it’s not weakness or low self-esteem—and we'll examine powerful models, like Intellectual, Moral, and Personal Humility, that help you target your emotional blind spots.
We’ll look at the defining traits of a truly humble person and, crucially, we’ll give you three practical steps to integrate this trait into your daily life.
In today's episode, we’re going beyond the surface to look at the different kinds of grief—from anticipatory to disenfranchised—and exploring the widely discussed stages of grief, helping us understand the patterns we might recognize in our own healing process.
To guide us through this tender and essential conversation, we are honoured to welcome a special guest: Yolande Lindeque, a respected group group facilitator at Visa Clinic. Yolande brings her expertise in communal healing and support to shed light on how we can process and move through our deepest losses.
This week, we're doing a deep dive into the observable signs of emotional maturity. We're asking: What do people who handle conflict, stress, and communication like true grown-ups actually do? And on the flip side, what does emotional immaturity look like in action—the defensiveness, the excuses, the avoidance?
Finally, we’ll unlock the powerful connection between emotional maturity and emotional intelligence, showing you how they link up to change your life
Dive into Episode 4: JOY, where we move beyond fleeting happiness to explore a deeper, more enduring emotional state.
This episode thoroughly defines joy—not just as a feeling of great pleasure, but as a profound, internal state of being that can even coexist with struggle. You'll learn the key distinctions between joy and happiness: joy is long-lasting and internal, tied to meaning and values, while happiness is typically short-term and external, dependent on circumstances.
In this powerful episode of The Balanced Mind, we confront one of the most intense and consuming human emotions: Jealousy.
Host Deon Bicycle breaks down the common definition of jealousy—envious resentment of someone's achievements or possessions—to reveal its deep root: a desire to achieve or obtain something that is demonstrated by someone else, leading to a perceived deficit in one's own life.
Welcome to The Balanced Mind, where counselor Deon Bicycle explores the vital role of emotions in achieving emotional maturity. This episode focuses on an often-misunderstood emotion: Sadness.
We define sadness as a normal, temporary emotional response to loss, disappointment, or difficult circumstances. The episode will guide you in understanding the origins, impact, and transformative potential of this fundamental human experience.
Welcome to the inaugural episode of The Balanced Mind with counselor Deon Bicycle, a podcast dedicated to achieving emotional maturity and building a practical toolkit for resilience.
In this deep dive, we unpack one of the most misunderstood emotions: Anger. Often dismissed as purely negative, this episode reveals that anger is a complex, natural human emotion that serves a crucial purpose.
Our programme today traces an expressive journey from the elgance of the Baroque and Classical Masters to the warmth of Romantic melody and the modern rediscovery of the bassoon’s deep sonorous heart.
So we have a journey from Baroque brilliance to Romantic elegance, celebrating the eloquent voice of the bassoon and in two short pieces, its deeper cousin, the contrabassoon.
From the brightness of Vivaldi’s Venice to the twilight lyricism of Strauss, this programme celebrates the full expressive range of the double-reed family — a true dialogue into the deep.
Programme Title: Into the Deep – Double Reeds in Dialogue
Vivaldi, Antonio (1678–1741)
Concerto for Bassoon in E minor, RV 484Spirited, sparkling Baroque brilliance, alternating fiery outer movements with a soulful slow movement. One of Vivaldi’s finest bassoon concertos, full of vitality and lyrical contrast.
Mozart, Wolfgang Amadeus (1756–1791)
Bassoon Concerto in B-flat major, K. 191Elegant and witty, full of graceful melodies and good-natured humour. The first truly great Classical concerto for the instrument, displaying Mozart’s balance between poise and playfulness.
Weber, Carl Maria von (1786–1826)
Andante e Rondo ungarese, Op. 35A delightfully virtuosic showpiece with a charming Hungarian flair and a dashing finale. Weber brings the bassoon to the centre of the stage with brilliance and good humour.
Nigro, Susan (1951– )
Morceau pour le Basson and Little Tunes for the BassoonShort, tuneful modern miniatures written for or premiered by the celebrated contrabassoonist Susan Nigro. Light-hearted, tonal, and engaging, they reveal the lyrical and whimsical sides of the great “double bassoon.”
Lipnick, Lewis & Miller, Tammy
Into the DeepAn evocative work exploring the full range of the contrabassoon. Deeply sonorous yet surprisingly lyrical, it paints a picture of the instrument’s vast resonance and unexpected sensitivity.
Strauss, Richard (1864–1949)
Duet-Concertino for Clarinet and Bassoon, TrV 293A late masterpiece blending grace, nostalgia, and gentle humour. The clarinet and bassoon converse like characters in a fairy tale, while the orchestra provides a shimmering, affectionate backdrop. Lyrical, warm, and utterly humane. Antonio Vivaldi (1678–1741) - Concerto for Bassoon in E minor, RV 484 Performed by Klaus Thunemann with I Musici · Antonio Vivaldi (1678–1741) - Concerto for Bassoon in E minor, RV 484 Performed by Klaus Thunemann with I Musici · Antonio Vivaldi (1678–1741) - Concerto for Bassoon in E minor, RV 484 Performed by Klaus Thunemann with I Musici · Wolfgang Amadeus Mozart (1756–1791) - Bassoon Concerto in B-flat major, K. 191 Performed by Klaus Thunemann with the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Wolfgang Amadeus Mozart (1756–1791) - Bassoon Concerto in B-flat major, K. 191 Performed by Klaus Thunemann with the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Wolfgang Amadeus Mozart (1756–1791) - Bassoon Concerto in B-flat major, K. 191 Performed by Klaus Thunemann with the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Carl Maria von Weber (1786–1826) - Andante e Rondo ungarese, Op. 35 Performed by Klaus Thunemann with the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Various composers - Morceau pour le Basson and Little Tunes for the Bassoon Performed and arranged by Susan Nigro · Lewis Lipnick and Tammy Miller - Into the Deep Performed by Lewis Lipnick and Tammy Miller · Richard Strauss (1864–1949) - Duet-Concertino for Clarinet and Bassoon, TrV 293 Performed by Kim Walker and Dimitri Ashkenazy with the Radio-Symphonie-Orchester Berlin conducted by Vladimir Ashkenazy · Richard Strauss (1864–1949) - Duet-Concertino for Clarinet and Bassoon, TrV 293 Performed by Kim Walker and Dimitri Ashkenazy with the Radio-Symphonie-Orchester Berlin conducted by Vladimir Ashkenazy · Richard Strauss (1864–1949) - Duet-Concertino for Clarinet and Bassoon, TrV 293 Performed by Kim Walker and Dimitri Ashkenazy with the Radio-Symphonie-Orchester Berlin conducted by Vladimir Ashkenazy
A concert celebrating the wit, warmth, and expressive voice of the bassoon — that most human of instruments, capable of both laughter and lyric song.
Few instruments have as much personality as the bassoon. With its long wooden body and curling metal crook, it looks slightly eccentric — and sounds gloriously human. The bassoon can laugh and sigh, sing tenderly or mutter in comic complaint. Its voice bridges the warmth of the cello and the wit of the oboe, making it both a storyteller and a clown, often in the same breath.
Composer WorkNotes
Danzi, Franz (1763–1826)Bassoon Concerto in F major, Op. 4Cheerful, Mozartean Classicism with graceful melodies and sparkling runs. The opening Allegro is bright and buoyant, the Andante lyrical and tender, and the Polacca finale dances with effortless elegance.
Winter, Peter von (1754–1825)Bassoon Concerto in C minorA work of late Classical poise tinged with Romantic feeling. The minor tonality adds drama, while the slow movement offers warmth and poise before a spirited finale. Refined, expressive, and unjustly neglected.
Elgar, Edward (1857–1934)Romance in D minor, Op. 62A gentle English reverie – wistful, tender, and quietly noble. Elgar’s short piece treats the bassoon as a singer rather than a jester, full of lyrical phrasing and subtle harmonic colour.
Saint-Saëns, Camille (1835–1921)Sonata for Bassoon and Piano, Op. 168 – I. Allegro moderatoElegant and charming, with that unmistakable French lightness. Written late in life, Saint-Saëns distilled a lifetime of Classical grace into this poised, melodious movement.
Håkansson, Patrik (b. 20th c.)Konzertstück for Bassoon and OrchestraA lyrical and harmonically warm modern work that honours the bassoon’s expressive tradition. Engaging and noble in tone, it affirms the instrument’s rightful place as a true solo voice rather than the orchestra’s clown. Franz Danzi (1763–1826) - Bassoon Concerto in F major, Op. 4 Performed by László Hara with the Liszt Ferenc Chamber Orchestra, Budapest, conducted by Ervin Lukács · Franz Danzi (1763–1826) - Bassoon Concerto in F major, Op. 4 Performed by László Hara with the Liszt Ferenc Chamber Orchestra, Budapest, conducted by Ervin Lukács · Franz Danzi (1763–1826) - Bassoon Concerto in F major, Op. 4 Performed by László Hara with the Liszt Ferenc Chamber Orchestra, Budapest, conducted by Ervin Lukács · Peter von Winter (1754–1825) - Bassoon Concerto in C minor Performed by László Hara with the Liszt Ferenc Chamber Orchestra, Budapest, conducted by Ervin Lukács · Peter von Winter (1754–1825) - Bassoon Concerto in C minor Performed by László Hara with the Liszt Ferenc Chamber Orchestra, Budapest, conducted by Ervin Lukács · Peter von Winter (1754–1825) - Bassoon Concerto in C minor Performed by László Hara with the Liszt Ferenc Chamber Orchestra, Budapest, conducted by Ervin Lukács · Edward Elgar (1857–1934) - Romance in D minor, Op. 62 Performed by Graham Sheen and the BBC Symphony Orchestra conducted by Andrew Davis · Camille Saint-Saëns (1835–1921) - Sonata for Bassoon and Piano, Op. 168 Performed by Klaus Thuneman and Ricazrdo Requejo · Camille Saint-Saëns (1835–1921) - Sonata for Bassoon and Piano, Op. 168 Performed by Klaus Thuneman and Ricazrdo Requejo · Camille Saint-Saëns (1835–1921) - Sonata for Bassoon and Piano, Op. 168 Performed by Klaus Thuneman and Ricazrdo Requejo · Franz Berwald (1796 -1868) - Konzertstück for Bassoon and Orchestra Performed by Patrik Hakansson with the Gavle Symphony Orchestra, conducted by Petri Sakari
Sundowner Classics Programme description.
This is a light, listener-friendly programme — Classical concertos, a lyrical modern gem, and the familiar warmth of Dvořák. Ideal for a Thursday concert where elegance and accessibility are key.
Welcome to “about Music” with Brian.
Continuing from where we left off on Monday, I have another three works for you, featuring the big brother of the Oboe, namely the Cor Anglais which is also called the English Horn.
Following this I have two wonderful movements from Dvorak’s ninth symphony.
Composer (Surname, Forenames)TitleDurationDescriptor
Donizetti, GaetanoConcertino for English Horn in G major (two movements)8′ A concise, lyrical bel canto miniature — graceful and light
Pilotti, Giuseppe Concerto for English Horn in F 12′Tuneful Classical-era concerto with a warm slow movement and elegant outer sections.
Jacob, Gordon Rhapsody for Cor Anglais and Strings 8′ A pastoral, witty, and quintessentially English piece, showing the instrument’s lyrical charm in a modern but tonal idiom. Gaetano Donizetti - Concertino for English Horn in G Major Performed by Andre Lardrot with I Solisti di Zagreb conducted by Antonio Janigro · Gaetano Donizetti - Concertino for English Horn in G Major Performed by Andre Lardrot with I Solisti di Zagreb conducted by Antonio Janigro · Guiseppe Pilotti - Concerto a Corno Inglese in F Performed by Pedro R. Díaz with Musicians of the Metropolitan Opera Ochestra conducted by Riccardo Frizza · Gordon Jacob - Rhapsody for English horn and Strings Performed by Jane Murray, English horn. The orchestra is not named. · Antonín Dvořák - Symphony No. 9 in E Minor, Op. 95, B. 178 From the New World_ II. Largo and IV. Allegro con fuoco Performed by the Berliner Philharmoniker conducted by Claudio Abbado · Antonín Dvořák - Symphony No. 9 in E Minor, Op. 95, B. 178 From the New World_ II. Largo and IV. Allegro con fuoco Performed by the Berliner Philharmoniker conducted by Claudio Abbado
Welcome to today’s edition of “about Music” with Brian.
Last week we listened to the Oboe, a double reed instrument with a bright treble penetrating sound. It is the familiar voice of the family. There are two more family members.
The oboe d’amore, pitched lower in A, has a warmer, more intimate, pastoral sound — favoured by Baroque composers like Bach.
The cor anglaise or English Horn, pitched in F, is larger and darker, with a rich, melancholy tone often compared to an alto voice.
Together, they offer composers a remarkable range of expressive possibilities.
Today we will listen to the Cor Anglais, which is also known as the “English Horn”. I have five works for your enjoyment.
This programme moves beautifully from Classical grace (Bedetti, Donizetti) through Romantic lyricism (Sibelius) to expressive modernity (Stacy) and pastoral English orchestral writing (Vaughan Williams).
Composer (Surname, Forenames)TitleDescriptor
Bedetti, GiuseppeConcerto for English Horn (F major)Classical elegance with clear lines and graceful phrasing — a stylish opening from this rarely heard 18th-century work.
Donizetti, GaetanoConcerto for Cor Anglais in G minorTuneful bel canto writing and a warm Classical-Romantic blend make this concerto an ideal companion to Bedetti.
Sibelius, JeanThe Swan of Tuonela, Op. 22 No. 3The quintessential cor anglais solo — haunting, atmospheric, and deeply evocative.
Rochberg, George (Thomas Stacy)Perpetual Motion (from the Concerto for English Horn)A single movement excerpt showcasing the instrument’s agility and modern brilliance, while remaining accessible.
Vaughan Williams, RalphA London Symphony, II. LentoA long, elegiac cor anglais solo at the heart of this movement crowns the programme with lyrical depth and English melancholy. Guiseppi Ferlendes English Horn Concerto in F Major Performed by Marino Bedetti with the orchestra G. Ferlendes conducted ny PierAngelo Pelucchi · Gaetano Donizetti - Cor Anglais Concerto in G Minor_ Andante con Variationi Performed by László Kovács with the Camerata Budapest · Jean Sibelius, - The Swan of Tuonela, Op. 22, No. 3 (From Lemminkäinen Suite) Performed by Carolyn Hove and the Basler Symphony Orchestra conducted by Esa-Pekka Salonen · George Rochberg - Concerto for English Horn and Orchestra_ IV. Perpetual Motion Performed by Thomas Stacy, Ned Rorem, Michael Palmer and the Rochester Philharmonic Orchestra · Ralph Vaughan Williams - Symphony No. 2, A London Symphony_ II. Lento Performed by the London Symphony Orchestra conducted by Bryden Thomson
Today I have four more oboe concertos for us, to allow us to become really familiar with the sound of the oboe.
Vivaldi, AntonioOboe Concerto in A minor, RV 46110'00"
A sparkling Baroque concerto with Vivaldi’s trademark rhythmic vitality and lyrical slow movement. An elegant and uplifting opener.
Haydn, Joseph (attrib.)Oboe Concerto in C major12'00"Classical elegance and melodic charm, offering a poised contrast to Vivaldi’s baroque textures. Graceful and finely balanced.
Bellini, VincenzoConcerto for Oboe and Orchestra in E-flat major8'00"Essentially a bel canto aria for the oboe; lyrical, romantic, and expressive, showcasing the instrument’s singing tone.
Jacob, GordonOboe Concerto15'00"A 20th-century work with a light English pastoral character — witty, tuneful, and warmly scored. A fresh and optimistic finale. Antonio Vivaldi - Vivaldi_ Oboe Concerto in A minor, RV 463 Performed by Heinz Holliger with I Musici · Antonio Vivaldi - Vivaldi_ Oboe Concerto in A minor, RV 463 Performed by Heinz Holliger with I Musici · Antonio Vivaldi - Vivaldi_ Oboe Concerto in A minor, RV 463 Performed by Heinz Holliger with I Musici · Joseph Haydn - Oboe Concerto in C Major, Hob. VIIg_C1 Performed by Heinz Holliger with the Royal Concertgebouw Orchestra conducted by David Zinman · Joseph Haydn - Oboe Concerto in C Major, Hob. VIIg_C1 Performed by Heinz Holliger with the Royal Concertgebouw Orchestra conducted by David Zinman · Joseph Haydn - Oboe Concerto in C Major, Hob. VIIg_C1 Performed by Heinz Holliger with the Royal Concertgebouw Orchestra conducted by David Zinman · Vincenzo Bellini - Concerto in E flat for Oboe and Orchestra (Cadenzas by Holliger) Performed by Heinz Holliger with the Bamberger Symphoniker conducted by Peter Maag · https://www.youtube.com/watch?v=wxFSkJhmuHI Gordon Jacob - Concerto No. 1 for oboe and strings Performed by Ruth Bolister with the Elgar Chamber Orchestra conducted by Stephen Bell · Gordon Jacob - Concerto No. 1 for oboe and strings Performed by Ruth Bolister with the Elgar Chamber Orchestra conducted by Stephen Bell · Gordon Jacob - Concerto No. 1 for oboe and strings Performed by Ruth Bolister with the Elgar Chamber Orchestra conducted by Stephen Bell
Welcome to “about Music“ with Brian.
In our exploration of the woodwind instruments of the orchestra, we have listened to members of the flute family, which are all played by blowing air across or into an opening, and members of the single reed family, which have a single reed that vibrates against a mouthpiece. These were the clarinet and the saxophone.
We come now to the double reed instruments, oboe, cor anglaise, and bassoon. Double reed instruments feature reeds with two pieces of cane that vibrate against each other when a musician blows against them.
Today we begin with the oboe, which has a bright penetrating sound, and is the instrument to which the rest of the orchestra must tune their instruments.
The oboe is a very old instrument, whose roots go back to ancient reed instruments like those of Egypt and Mesopotamia, as well as the Greek aulos and Roman tibia.
For our listening pleasure I have four concertos today.
Please remember to listen for the standard concerto features with each concerto:
A lively opening movement, usually lead by the orchestra, a slow and lyrical second movement, and a third movement called a Rondo which features a recurring theme. Any or all of the movements may have solo passages, called cadenzas where the soloist may show their ability. Albinoni, Tomaso: Oboe Concerto in D minor, Op. 9 No. 2 Performed by Heinz Holliger with I Musici conducted by Maria Teresa Garatti · Albinoni, Tomaso: Oboe Concerto in D minor, Op. 9 No. 2 Performed by Heinz Holliger with I Musici conducted by Maria Teresa Garatti · Albinoni, Tomaso: Oboe Concerto in D minor, Op. 9 No. 2 Performed by Heinz Holliger with I Musici conducted by Maria Teresa Garatti · Marcello, Alessandro - Oboe Concerto in D Minor, S. Z799 Performed by Heinz Holliger, with I Musici · Marcello, Alessandro - Oboe Concerto in D Minor, S. Z799 Performed by Heinz Holliger, with I Musici · Marcello, Alessandro - Oboe Concerto in D Minor, S. Z799 Performed by Heinz Holliger, with I Musici · Rosetti, Antonio - Oboe Concerto No. 3 in C Major, C. 29_III_32 Performed by Kurt Meier with the Zürich Chamber Orchestra conducted by Johannes Moesus · Rosetti, Antonio - Oboe Concerto No. 3 in C Major, C. 29_III_32 Performed by Kurt Meier with the Zürich Chamber Orchestra conducted by Johannes Moesus · Rosetti, Antonio - Oboe Concerto No. 3 in C Major, C. 29_III_32 Performed by Kurt Meier with the Zürich Chamber Orchestra conducted by Johannes Moesus · Williams, Ralph Vaughan - Concerto for oboe and strings in A Minor Performed by Nicholas Daniel with the Britten Sinfonia · Williams, Ralph Vaughan - Concerto for oboe and strings in A Minor Performed by Nicholas Daniel with the Britten Sinfonia · Williams, Ralph Vaughan - Concerto for oboe and strings in A Minor Performed by Nicholas Daniel with the Britten Sinfonia
Welcome to “about Music” with Brian.
The Saxophone music I played has proved popular and requests for more have followed. Today we turn to a lighter side of the instrument, exploring short pieces that are arrangements of popular orchestral and piano compositions, arranged for the Saxophone. Claude Debussy - Golliwogg's Cake-Walk from Children's Corner Suite Performed by Branford Marsalis with the Orpheus Chamber Orchestra · Darius Milhaud - Scaramouche, Suite for Saxophone and Orchestra, Op. 165c Performed by Branford Marsalis with the Orpheus Chamber Orchestra · Darius Milhaud - Scaramouche, Suite for Saxophone and Orchestra, Op. 165c Performed by Branford Marsalis with the Orpheus Chamber Orchestra · Darius Milhaud - Scaramouche, Suite for Saxophone and Orchestra, Op. 165c Performed by Branford Marsalis with the Orpheus Chamber Orchestra · Darius Milhaud - Sumaré (Saudades do Brasil No. 9), Op. 67 Performed by Branford Marsalis with the Orpheus Chamber Orchestra · Gabriel Fauré - Pie Jesu from Requiem, Op. 48 Performed by Branford Marsalis with the Orpheus Chamber Orchestra · Maurice Ravel - Pavane pour une infante défunte Performed by Branford Marsalis with the Orpheus Chamber Orchestra · Igor Stravinsky - Serenata from Pulcinella Performed by Branford Marsalis and the English Chamber Orchestra conducted by Andrew Litton · Gabriel Fauré - Sicilienne from Pelléas et Mélisande Performed by Branford Marsalis and the English Chamber Orchestra conducted by Andrew Litton · Erik Satie - Gymnopedie No. 3 Performed by Branford Marsalis and the English Chamber Orchestra conducted by Andrew Litton · Heitor Villa-Lobos - Bachianas Brasileiras No. 5 Performed by Branford Marsalis and the English Chamber Orchestra conducted by Andrew Litton · Igor Stravinsky – Pastorale Performed by Branford Marsalis and the English Chamber Orchestra conducted by Andrew Litton · Sergei Rachmaninoff – Vocalise Performed by Branford Marsalis and the English Chamber Orchestra conducted by Andrew Litton · Claude Debussy - Arabesque No. 1 Performed by Branford Marsalis and the English Chamber Orchestra conducted by Andrew Litton · Claude Debussy - L'Isle Joyeuse Performed by Branford Marsalis and the English Chamber Orchestra conducted by Andrew Litton
In our last programme, we heard the saxophone in its serious concert setting — through Glazunov, Ibert, and Creston. Today we turn to a lighter side of the instrument, exploring short pieces that highlight the many sizes of the saxophone family: soprano, alto, tenor, and baritone, as well as ensemble arrangements. Deep Sounds_ Soprano Sax Jazz Music Collection · Richard Rodney Bennet - Soprano Saxophone Sonata_ I. Poco allegro Performed by John Harle and John Lenehan · A Taste of Jazz: Smooth Sax Jazz Music Collection · Jules Demersseman - Fantaisie sur un thème original Performed by Fabien Chouraki and Christophe Grasser · Richard Rodney Bennett - Samba Triste (From Three Piece Suite) Performed by John Harle · Jean-Baptiste Singelée - Tenor Saxophone Concerto, Op. 57 Performed by Claude Delangle and Odile Delangle · Paul-Agricole Génin - Variations sur un theme espagnol Performed by Claude Delangle and Odile Delangle · Johann Sebastian Bach - Suite No. 1 in G Major, BWV 1007_ I. Prelude and Gigue Performed by Henk van Twillert · Johann Sebastian Bach - Suite No. 1 in G Major, BWV 1007_ I. Prelude and Gigue Performed by Henk van Twillert · Gustav Holst: Jupiter –The Planets Japan Large Saxophone Ensemble Summit 11 · Antonio Vivaldi - Winter - The four seasons Performed by Ensemble de saxophones de Strasbourg (2015) · Maurice Ravel - Pavane pour une infante défunte Performed by Branford Marsalis with the Orpheus Chamber Orchestra · Gabriel Fauré - Pie Jesu from Requiem, Op. 48 Performed by Branford Marsalis with the Orpheus Chamber Orchestra
Welcome to “about Music” with Brian.
In our last programme, we heard the saxophone in its serious concert setting — through Glazunov, Ibert, and Creston. Today we turn to a lighter side of the instrument, exploring short pieces that highlight the many sizes of the saxophone family: soprano, alto, tenor, and baritone, as well as ensemble arrangements. Deep Sounds_ Soprano Sax Jazz Music Collection · Richard Rodney Bennet - Soprano Saxophone Sonata_ I. Poco allegro Performed by John Harle and John Lenehan · A Taste of Jazz: Smooth Sax Jazz Music Collection · Jules Demersseman - Fantaisie sur un thème original Performed by Fabien Chouraki and Christophe Grasser · Richard Rodney Bennett - Samba Triste (From Three Piece Suite) Performed by John Harle · Jean-Baptiste Singelée - Tenor Saxophone Concerto, Op. 57 Performed by Claude Delangle and Odile Delangle · Paul-Agricole Génin - Variations sur un theme espagnol Performed by Claude Delangle and Odile Delangle · Johann Sebastian Bach - Suite No. 1 in G Major, BWV 1007_ I. Prelude and Gigue Performed by Henk van Twillert · Johann Sebastian Bach - Suite No. 1 in G Major, BWV 1007_ I. Prelude and Gigue Performed by Henk van Twillert · Gustav Holst: Jupiter –The Planets Japan Large Saxophone Ensemble Summit 11 · Antonio Vivaldi - Winter - The four seasons Performed by Ensemble de saxophones de Strasbourg (2015) · Maurice Ravel - Pavane pour une infante défunte Performed by Branford Marsalis with the Orpheus Chamber Orchestra · Gabriel Fauré - Pie Jesu from Requiem, Op. 48 Performed by Branford Marsalis with the Orpheus Chamber Orchestra
The Saxophone in the Concert Hall
The saxophone is one of the youngest members of the woodwind family. Invented in the 1840s by the Belgian instrument maker Adolphe Sax, it combines the single reed mouthpiece of the clarinet with the brass body of a trumpet. This hybrid design gives the saxophone its unique timbre — bright yet mellow, capable of both singing warmth and commanding brilliance.
Today’s programme traces the saxophone’s entry into the concert hall — from Glazunov’s Romantic warmth to Ibert’s sparkling wit, to Creston’s rhythmic vitality. Each composer found in the instrument a voice both noble and playful, at once classical and modern.
The saxophone has inspired some striking works in the concert repertoire. Today we hear three of the most important.
Alexander Glazunov – Concerto in E-flat major for Alto Saxophone and String Orchestra, Op. 109 (1934)
Jacques Ibert – Concertino da camera for Alto Saxophone and Orchestra (1935)
Paul Creston – Concerto for Alto Saxophone and Orchestra, Op. 26 (1941) Alexander Glazunov - Concerto for Saxophone and String Orchestra in E flat major, Op.109 Performed by Václav Smetáček and the Symfonický orchestr hl. m. Prahy FOK · Jacques Ibert - Concertino da camera for Alto Saxophone and Orchestra Performed by Branford Marsalis with the Orpheus Chamber Orchestra · Jacques Ibert - Concertino da camera for Alto Saxophone and Orchestra Performed by Branford Marsalis with the Orpheus Chamber Orchestra · Jacques Ibert - Concertino da camera for Alto Saxophone and Orchestra Performed by Branford Marsalis with the Orpheus Chamber Orchestra · Paul Creston - Saxophone Concerto, Op. 26 Performed by Claude Delangle with the Swedish Wind Ensemble conducted by Christian Lindberg · Paul Creston - Saxophone Concerto, Op. 26 Performed by Claude Delangle with the Swedish Wind Ensemble conducted by Christian Lindberg · Paul Creston - Saxophone Concerto, Op. 26 Performed by Claude Delangle with the Swedish Wind Ensemble conducted by Christian Lindberg · Heitor Villa-Lobos - Bachianas Brasileiras No. 5 Performed by Branford Marsalis and the English Chamber Orchestra conducted by Andrew Litton
In our previous programme we explored Mozart and Weber, who established the clarinet as a solo instrument of both lyricism and drama. Today we continue with three more concertos that show its remarkable versatility.
Carl Stamitz – Clarinet Concerto No. 3 in B-flat major (c. 1770s)
Louis Spohr – Clarinet Concerto No. 1 in C minor, Op. 26 (1808)
Aaron Copland – Clarinet Concerto (1948) written for jazz legend Benny Goodman, and in our recording, played by Bennie Goodman.
Across these three concertos we hear the clarinet’s astonishing adaptability: elegant and poised in Stamitz, Romantic and dramatic in Spohr, and jazz-infused yet lyrical in Copland.
Together, they reveal the clarinet as an instrument capable of inhabiting many voices, from Classical grace to Romantic passion to modern freedom. Carl Stamitz- Clarinet Concerto No. 3 in B-Flat Major Performed by Sabine Meyer with the Academy of St. Martin in the Fields conducted by Iona Brown · Carl Stamitz- Clarinet Concerto No. 3 in B-Flat Major Performed by Sabine Meyer with the Academy of St. Martin in the Fields conducted by Iona Brown · Carl Stamitz- Clarinet Concerto No. 3 in B-Flat Major Performed by Sabine Meyer with the Academy of St. Martin in the Fields conducted by Iona Brown · Louis Spohr - Clarinet Concerto No. 1 in C minor, Op. 26 Performed by Emma Johnson with the English Chamber Orchestra conducted by Gerard Schwarz · Louis Spohr - Clarinet Concerto No. 1 in C minor, Op. 26 Performed by Emma Johnson with the English Chamber Orchestra conducted by Gerard Schwarz · Louis Spohr - Clarinet Concerto No. 1 in C minor, Op. 26 Performed by Emma Johnson with the English Chamber Orchestra conducted by Gerard Schwarz · Aaron Copland - Concerto for Clarinet and String Orchestra (with Piano and Harp) Performed by Benny Goodman and the Columbia Symphony Orchestra. The conductor is not named. · Malcolm Arnold - Sonatina for clarinet and piano, Op. 29 (1951) 3. Furioso Performed by Emma Johnson and Malcolm Martineau
In our second concerto programme, we followed the clarinet’s journey from its Classical beginnings with Carl Stamitz, through the drama of Spohr’s Romantic concerto, and into the twentieth century with Copland’s jazz-inflected masterpiece. These large-scale works showed the clarinet as a commanding soloist on the concert stage.
Today’s companion programme offers a more intimate view. Instead of grand concertos, we hear shorter works — each chosen to illustrate another shade of the clarinet’s tone. From sparkling virtuosity to warm lyricism, from salon charm to modern colour, these pieces reveal just how adaptable the instrument can be.
Conclusion
Together with the concertos of Stamitz, Spohr, and Copland, these miniatures give us a fuller portrait of the clarinet. We hear the same instrument that can hold its own against an orchestra also whisper in delicate colours, dance with wit and grace, or sing in poetic stillness.
The clarinet’s voice is many-sided: it is Classical and Romantic, lyrical and jazzy, intimate and powerful. Heard alongside the concertos, this selection completes the picture — reminding us why composers across centuries have returned again and again to its warm, human tone.
I would like to invite you to join me on Monday evening at 7:30, because I am going to feature the clarinet’s relative, the Saxophone, in a programme of most interesting music. Please join me! Wolfgang Amadeus Mozart - Clarinet Quintet in A Major, K. 581 “Stadler” III. Menuetto Performed by Sabine Meyer with the Wiener Streichsextett, conducted by Bruno Schneider · Gerald Finzi_ 5 Bagatelles for clarinet and piano, Op. 23_ 2. Romance - Andante tranquillo Performed by Emma Johnson and Malcolm Martineau · Louis Spohr_ Clarinet Concerto No. 1 in C Minor, Op. 26_ 3. Rondo (Vivace) Performed by Andreas Ottensamer with the Rotterdam Philharmonic Orchestra conducted by Yannick Nézet-Séguin · Jean Francaix - Tema con variazioni (Version for Clarinet & String Orchestra) Performed by Oleg Shebeta-Dragan with the Odense Symphony Orchestra conducted by Anna Skryleva · Robert Schumann - Fantasiestücke, Op. 73_ No. 1, Zart und mit Ausdruck Performed by Martin Fröst and Roland Pöntinen · Heinrich Sutermeister - Capriccio for Clarinet Solo in A Major Performed by Karl Leister · Jacob Gade – Jealousy Performed by the Greg Eaton Clarinet Quartet · Claude Debussy - Petite pièce, L. 127 Performed by Nicolas Baldeyrou and Bertrand Chamayou · Malcolm Arnold_ Sonatina for clarinet and piano, Op. 29 (1951) 3. Furioso Performed by Emma Johnson and Malcolm Martineau · Joseph Horovitz - Sonatina for Clarinet and Piano_ III. Con brio Performed by Jaren Hinckley and Vince Humphries · Bernhard Krol - Fantasiestücke, Op. 108_ I. Arietta Performed by Henri Bok and Rob van den Broeck · Francois Rasse - Lied for Bass Clarinet & Piano Performed by Henri Bok and Rob van den Broeck
In our programme on Monday evening, we explored the clarinet through its greatest Classical and Romantic concertos — Mozart’s sublime concerto of 1791 and Weber’s brilliant Romantic showpiece. Today we add to that picture with a series of shorter works, each one offering a different perspective on the clarinet’s sound world.
Together, these works remind us why the clarinet has captured the imagination of so many composers. From the elegance of Crusell and Weber to the shimmering colours of Debussy, from the salon grace of Pierné to the witty charm of Horovitz, the clarinet reveals itself as one of the most versatile instruments in the orchestra and recital hall alike.
Where the concerto places the clarinet against the full forces of the orchestra, these shorter pieces bring us closer to its intimate, chamber voice — warm, expressive, and endlessly varied.
This programme, paired with the Mozart and Weber concertos, gives us a fuller picture of the clarinet: not only a virtuoso soloist, but also a poetic storyteller, a dancer, and at times, a dreamer. Carl Maria von Weber - Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114_ I. Allegro Performed by Martin Fröst with the Tapiola Sinfonietta conducted by Jean-Jacques Kantorow · Francis Poulenc - Clarinet Sonata, FP 184_ I. Allegro tristamente Performed by Sabine Meyer with Oleg Maisenberg · Bernard Hendrik Crusell - Clarinet Concerto No. 2 in F Minor, Op. 5_ III. Rondo. Allegretto Performed by Martin Fröst with the Göteborgs Symfoniker conducted by Okko Kamu · Claude Debussy - Première rapsodie in B-Flat Major, CD 124, L. 116 Performed by Sabine Meyer with the Berliner Philharmoniker conducted by Claudio Abbado · Camille Saint-Saëns - Tarantelle, Op. 6 Performed by Les Solistes de l'orchestre de Paris, Laurent Wagschal, Olivier Derbesse, and Vincent Lucas · Joseph Horovitz - Sonatina for Clarinet and Piano Performed by Jaren Hinckley and Vince Humphries · Joseph Horovitz - Sonatina for Clarinet and Piano Performed by Jaren Hinckley and Vince Humphries · Henri Rabaud - Solo de Concours Performed by István Kohán · Gabriel Pierné - Canzonetta, Op. 19 Performed by André Moisan and Louise-Andree Baril · Witold Lutoslawski- Five Dance Preludes For Clarinet & Piano (1954)_ I. Allegro Molto Performed by Kayoko Takae and Dieter Klöcker · Sluka Lubos - Cage For Two Nightingales_ Notturno Performed by Henri Bok and Rob van den Broeck
The Woodwind Family, The Clarinet Family
In recent programmes we explored the flute, one of the oldest and most enduring of instruments. Today, we continue our journey through the woodwind family.
The woodwinds form four main branches:
•Flutes, where sound is made by blowing across or into a hole.
•Clarinets and Saxophones, which use a single reed vibrating against a mouthpiece.
•Oboes and Cor anglais, using a double reed — two blades of cane vibrating against each other.
Bassoons and Contrabassoons, the lower-pitched members of the double reed family.
Today we will look specifically at the Clarinet family, using these compositions:
Wolfgang Amadeus Mozart - Clarinet Concerto in A Major, K. 622
Carl Maria von Weber - Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 118
and
Gabriel Pierné – Canzonetta, Op. 19
Happy listening! Wolfgang Amadeus Mozart - Clarinet Concerto in A Major, K. 622 Performed by Sabine Meyer with the Kammerorchester Basel conducted by Giovanni Antonini · Wolfgang Amadeus Mozart - Clarinet Concerto in A Major, K. 622 Performed by Sabine Meyer with the Kammerorchester Basel conducted by Giovanni Antonini · Wolfgang Amadeus Mozart - Clarinet Concerto in A Major, K. 622 Performed by Sabine Meyer with the Kammerorchester Basel conducted by Giovanni Antonini · Carl Maria von Weber - Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 118 Performed by Martin Fröst with the Tapiola Sinfonietta conducted by Jean-Jacques · Carl Maria von Weber - Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 118 Performed by Martin Fröst with the Tapiola Sinfonietta conducted by Jean-Jacques · Carl Maria von Weber - Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 118 Performed by Martin Fröst with the Tapiola Sinfonietta conducted by Jean-Jacques · Gabriel Pierné – Canzonetta, Op. 19 Performed by Philippe Berrod and Claire Désert
Programme 25: Lighthearted and Playful programme description - a sparkling assortment of whimsical and witty works that dance with humour, imagination, and irrepressible charm.
Kabalevsky, DmitryThe Comedians – Gallop1:45
A wild, joyful dash that kicks off the programme with carnival energy.
Offenbach, JacquesOrpheus in the Underworld – Can-Can2:15
This high-kicking number remains the epitome of operetta mischief and sparkle.
Françaix, Jean L’horloge de flore – No. 3: Dandelion3:15Quirky and bright-eyed, full of instrumental wit and French finesse.
Mozart, Wolfgang AmadeusEine kleine Nachtmusik, K. 525 – III. Menuetto3:00 Gracefully cheeky with its rhythmic bounce and musical elegance.
Poulenc, FrancisMouvements perpétuels – No. 12:30 A Parisian postcard of playfulness and light-hearted teasing.
Sullivan, Arthur The Mikado – Overture 7:15 Droll and theatrical, blending satire and good-humoured melody.
Walton, William Façade – Valse: “Jodelling Song” 2:00 Eccentric and rhythmically sly, perfect in its playfulness.
Rimsky-Korsakov, NikolaiThe Snow Maiden – Dance of the Tumblers3:45 A burst of folk-inspired vitality, filled with good cheer and dazzling rhythm.
Tchaikovsky, Pyotr Ilyich Album for the Young, Op. 39 – No. 20: Dolly’s Funeral 2:00 Darkly comic and gently ironic, a child’s drama told with musical irony.
Weiner, LeóDivertimento No. 1 for String Orchestra – I. Allegro6:00A spirited Hungarian-flavoured romp, rich in good humour.
Milhaud, DariusScaramouche – III. Brazileira3:15A zesty, samba-tinged finale with irresistible rhythmic bounce.
Pierné, Gabriel Entrance of the Little Fauns 4:30 Light-footed and magical, as if tiptoeing through an enchanted wood.
Grainger, Percy Mock Morris 4:00 Rustic, upbeat, and full of charming rhythmic invention. Dmitri Kabalevsky - The Comedians - Suite, Op. 26 - Galop of the comedians Performed by the Armenian Philharmonic Orchestra conducted by Loris Tjeknavorian · Jacques Offenbach - Orpheus in the Underworld_ Can-Can Performed by the London Symphony Orchestra conducted by Sir Charles Mackerras · Jean Francaix - L'Horloge de flore Performed by John De Lancie and Jean Françaix with the London Symphony Orchestra conducted by André Previn · Wolfgang Amadeus Mozart - Eine kleine Nachtmusik, K. 525_ II. Romance. Andante Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Francis Poulenc - Trois mouvements perpétuels Performed by Arthur Jussen · Francis Poulenc - Trois mouvements perpétuels Performed by Arthur Jussen · Francis Poulenc - Trois mouvements perpétuels Performed by Arthur Jussen · Sir Arthur Sullivan - Overture “The Mikado” Performed by the Academy of St Martin in the Fields & Sir Neville Marriner - · William Walton – Façade - Suite No. 1 for Orchestra - 3. Swiss Yodelling Song Performed by the Bournemouth Symphony Orchestra conducted by Andrew Litton · Nikolai Rimsky-Korsakov - The Snow Maiden - Suite_ Dance Of The Tumblers Performed by the London Symphony Orchestra conducted by Stanley Black · Pyotr Il'yich Tchaikovsky - Album for the Young, Op. 39_ No. 8. Dolly's Funeral (Enterrement de la poupee) Performed by Idil Biret · Leo Weiner - Divertimento for string orchestra_ I. Allegro vivace Performed by - Orquestra de Cambra Terrassa 48 conducted by Leo Weiner · Darius Milhaud - Scaramouche Op 165 Suite III. Brazileira Performed by Nobuya Sugawa and Minako Koyanagi - · Darius Milhaud - Scaramouche Op 165b Suite III. Brazileira Performed by Charles Owen and Katya Apekisheva · Gabriel Pierré - Cydalise et le chèvre-pied_ Entrance of the Little Fauns Performed by the New York Symphony Orchestra conducted by Walter Damrosch · Percy Grainger - Mock Morris (Version for Orchestra) Performed by the City of London Sinfonia conducted by Richard Hickox
Programme 110 – Concertos for Flute and Recorder – Programme Description.
Carl Philipp Emanuel Bach – Flute Concerto in G Major, Wq. 169
Performed by Emmanuel Pahud and the Kammerakademie Potsdam, conducted by Trevor Pinnock
C.P.E. Bach’s G Major Concerto showcases the expressive intensity of the empfindsamer Stil. Emmanuel Pahud’s nuanced playing brings a refined sensitivity to the slow movement and a sparkling energy to the outer movements. Trevor Pinnock and the Kammerakademie offer historically informed support with clarity and poise.
Antonio Vivaldi – Flute Concerto in D Major, RV 428 'Il gardellino'
Performed by Emmanuel Pahud and the Australian Chamber Orchestra, conducted by Richard Tognetti
This vivid and playful concerto imitates the song of the goldfinch. Pahud’s performance is full of lively articulation and shimmering tone, especially in the bird-like figures of the outer movements. The Australian Chamber Orchestra provides an agile and expressive accompaniment.
Matthias Ziegler – Ballade
Performed by Matthias Ziegler
A contemplative work for solo bass or contrabass flute, 'Ballade' explores the rich sonority and lyrical potential of the instrument. Ziegler’s performance brings out the voice-like phrasing, subtle overtones, and flowing shapes that characterize this meditative piece.
Joseph Bodin de Boismortier – Concerto for Five Flutes, Op. 15 No. 6 (Second Movement)
Performed by Jacques-Antoine Bresch, Jocelyn Daubigney, Anne Savignat, Vincent Touzet, and Jan de Winne
The second movement of this delightful concerto highlights Boismortier’s flair for graceful melody and elegant ensemble writing. The five baroque flutes create a lush, transparent texture with subtle interweaving lines and delicate ornamentation.
Johann Sebastian Bach – Brandenburg Concerto No. 4 in G Major, BWV 1049
Performed by the Berliner Philharmoniker, conducted by Herbert von Karajan
Bach’s Fourth Brandenburg Concerto features two recorders and solo violin in a joyful, contrapuntal interplay. In this grand orchestral interpretation, the balance between soloists and full strings is rich and festive, showcasing the work’s rhythmic vitality and sophisticated textures. Carl Philipp Emanuel Bach - Flute Concerto in G Major, Wq. 169 Performed by Emmanuel Pahud and the Kammerakademie Potsdam conducted by Trevor Pinnock · Carl Philipp Emanuel Bach - Flute Concerto in G Major, Wq. 169 Performed by Emmanuel Pahud and the Kammerakademie Potsdam conducted by Trevor Pinnock · Carl Philipp Emanuel Bach - Flute Concerto in G Major, Wq. 169 Performed by Emmanuel Pahud and the Kammerakademie Potsdam conducted by Trevor Pinnock · Antonio Vivaldi - Flute Concerto in D Major, Op. 10 No. 3, RV 428 Il gardellino Performed by Emmanuel Pahud and the Australian Chamber Orchestra conducted by Richard Tognetti · Antonio Vivaldi - Flute Concerto in D Major, Op. 10 No. 3, RV 428 Il gardellino Performed by Emmanuel Pahud and the Australian Chamber Orchestra conducted by Richard Tognetti · Antonio Vivaldi - Flute Concerto in D Major, Op. 10 No. 3, RV 428 Il gardellino Performed by Emmanuel Pahud and the Australian Chamber Orchestra conducted by Richard Tognetti · Matthias Ziegler – Ballade Performed by Matthias Ziegler · Joseph Bodin de Boismortier – Concerto for Five Flutes, Op. 15 No. 6 Second movement Performed by Jacques-Antoine Bresch, Jocelyn Daubigney, Anne Savignat, Vincent Touzet, and Jan de Winne · Johann Sebastian Bach - Brandenburg Concerto No. 4 in G Major, BWV 1049 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Johann Sebastian Bach - Brandenburg Concerto No. 4 in G Major, BWV 1049 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Johann Sebastian Bach - Brandenburg Concerto No. 4 in G Major, BWV 1049 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan
Programme 24: Light and Graceful Elegance — a refined and luminous collection of pieces that exude charm, poise, and understated beauty
Composer (Surname, Forenames)
TitleDurationProgramme Note
Mozart, Wolfgang AmadeusDivertimento in D major, K. 136 – I. Allegro4:00 Sparkling and buoyant, this youthful work radiates classical balance and lightness.
Gluck, Christoph WillibaldOrfeo ed Euridice – Dance of the Blessed Spirits 6:30 Serene and contemplative, with translucent textures that invite stillness
.
Schubert, FranzGerman Dance in B-flat, D. 365 No. 22:00A miniature imbued with lilting grace and Viennese elegance.
Borodin, Alexander String Quartet No. 2 – Nocturne6:30One of the most lyrical slow movements in the quartet repertoire, rich in melodic beauty.
Grieg, EdvardLyric Pieces, Op. 12 – No. 6: Norse Dance1:30Delicate and intimate, with a gently swaying rhythm and folk charm.
Rameau, Jean-PhilippeLes Indes Galantes – Air tendre3:15A light yet sensuous air from one of the French Baroque’s most elegant stylists.
Sibelius, JeanValse Triste, Op. 44 No. 15:30 A hauntingly graceful waltz, floating between melancholy and dream.
Strauss II, JohannRosen aus dem Süden, Op. 3888:30 Romantic, refined, and wistful — one of Strauss’s most elegant waltz medleys.
Corelli, ArcangeloConcerto Grosso Op. 6 No. 8 – Pastorale (finale)3:30 Gently lilting and reverent, this pastorale brings Baroque calm to a winter’s evening.
Haydn, Franz JosephString Quartet in G, Op. 33 No. 5 – II. Largo6:30 Unfurls with lyrical grace and perfect classical clarity.
Saint-Saëns, Camille The Swan (from Carnival of the Animals)2:45 A tranquil glide in musical form, beloved for its elegant cello solo. Wolfgang Amadeus Mozart - Divertimento for Strings in D Major, K. 136_ I. Allegro Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Christoph Willibald Gluck - Orfeo Ed Euridice Dance of the Blessed Spirits (Act II) Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Franz Schubert - 36 Originaltänze (German Dances) Op. 9 - Valse (D 365, No. 2), Op. 9a No. 2 Performed by Göran Söllscher · Alexander Borodin - String Quartet No. 2 in D 3. Notturno Performed by the Emerson String Quartet · Edvard Grieg - Lyric Pieces, Op. 12_ 6. Norwegian melody Performed by Zoltán Kocsis · Jean Philippe Rameau - Les Indes Galantes_ Air tendre pour la Rose Performed by Kenneth Weiss · Jean Sibelius - Sibelius_ Valse triste, Op. 44, No. 1 Performed by the Berliner Philharmoniker conducted by Hans Rosbaud · Johann Strauss II - Rosen aus dem Süden, Op. 388 Performed by the Wiener Philharmoniker conducted by Willi Boskovsky · Arcangelo Corelli - Concerto grosso in G minor, Op. 6, No. 8 - Pastorale (Largo) Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Franz Joseph Haydn - String Quartet in G Major, Op. 33 No. 5, Hob. III_41_ II. Largo e cantabile Performed by the Goldmund Quartet · Camille Saint-Saëns - Carnival of the Animals_ XIII. The Swan Performed by Yo-Yo Ma & Phillip Entremont with Gaby Casadesus · Johann Strauss II - J. Strauss II_ Kaiserwalzer, Op. 437 Performed by the Wiener Philharmoniker conducted by Willi Boskovsky · Josef Strauss - Jokey-Polka, Op. 278 Performed by the Wiener Philharmoniker conducted by Willi Boskovsky
Programme 109 Concertos for Flute and Recorder. Programme Description.
Georg Philipp Telemann – Concerto for Recorder & Flute in E Minor, TWV 52:e1
Performed by Michael Schneider (recorder) and Karl Kaiser (flute) with La Stagione Frankfurt
This double concerto exemplifies Telemann’s elegant integration of contrasting timbres. The recorder and flute engage in melodic dialogue, each instrument playing to its strengths—agility in the recorder, and expressive line in the flute. The performance by Schneider and Kaiser with La Stagione Frankfurt captures the Baroque warmth and graceful character of this gem.
Antonio Vivaldi – Piccolo Concerto in C Major, RV 443
Performed by William Bennett with the Academy of St Martin in the Fields, conducted by Sir Neville Marriner
One of the earliest and best-known concertos for piccolo flute, RV 443 is a bright and virtuosic work. William Bennett’s interpretation brings clarity and joy to Vivaldi’s bird-like trills and agile runs, especially in the dazzling outer movements. The slow middle movement offers a lyrical respite, showing the piccolo’s unexpected sweetness.
Saverio Mercadante – Flute Concerto in E minor
Performed by Andrea Griminelli with the English Chamber Orchestra, conducted by Jean-Pierre Rampal
Mercadante’s concerto marries bel canto expressiveness with orchestral richness. In Griminelli’s performance, the flute sings with operatic warmth and technical precision, particularly in the lyrical second movement. Rampal’s conducting draws out the Romantic elegance and forward momentum of this Italian masterwork.
Wil Offermans – Forbidden Valley
Performed by Wil Offermans and flute ensemble Piacere
This atmospheric work uses key clicks, vocal sounds, and ensemble coordination to create a mysterious sonic landscape. Inspired by Eastern musical aesthetics and contemporary technique, the piece invites listeners into an imaginative, ‘forbidden’ world of layered flutes and subtle textures.
Wil Offermans – Kurokami Love (Made in Japan)
Performed by Wil Offermans on Flute Day in Stavanger, Norway
Based on a traditional Japanese melody, this solo uses whisper tones, microtonal inflection, and breath effects to evoke a sense of longing and stillness. Offermans’ performance blends simplicity and sophistication, offering a meditative close to the programme. Georg Philipp Telemann - Concerto for Recorder & Flute in E Minor, TWV 52_e1 Performed by Michael Schneider, Karl Kaiser with La Stagione Frankfurt · Georg Philipp Telemann - Concerto for Recorder & Flute in E Minor, TWV 52_e1 Performed by Michael Schneider, Karl Kaiser with La Stagione Frankfurt · Georg Philipp Telemann - Concerto for Recorder & Flute in E Minor, TWV 52_e1 Performed by Michael Schneider, Karl Kaiser with La Stagione Frankfurt · Georg Philipp Telemann - Concerto for Recorder & Flute in E Minor, TWV 52_e1 Performed by Michael Schneider, Karl Kaiser with La Stagione Frankfurt · Antonio Vivaldi - Piccolo Concerto in C Major, RV 443 Performed by William Bennett with the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Saverio Mercadante_ Flute Concerto in E minor Performed by Andrea Griminelli with the English Chamber Orchestra conducted by Jean-Pierre Rampal · Saverio Mercadante_ Flute Concerto in E minor Performed by Andrea Griminelli with the English Chamber Orchestra conducted by Jean-Pierre Rampal · Saverio Mercadante_ Flute Concerto in E minor Performed by Andrea Griminelli with the English Chamber Orchestra conducted by Jean-Pierre Rampal · Wil Offermans - Forbidden Valley Performed by Wil Offermans and flute ensemble Piacere · Wil Offermans - Kurokami Love (Made in Japan) Performed by Wil Offermans on Flute Day in Stavanger, Norway
Programme 23: Light Classics with Spirit and Joy— a sparking set of light classical gems totalling approximately 55 minutes.
🎶 Light Classics
Nicolai, OttoThe Merry Wives of Windsor – Overture 8:00
A spirited and tuneful curtain-raiser blending humour, elegance, and German charm.
Rossini, GioachinoLa scala di seta – Overture5:45
A bubbling, quicksilver overture full of playful wit and rhythmic sparkle.
Dvořák, Antonín Slavonic Dance No. 8 in G minor, Op. 46 No. 8 4:15
A fiery yet lyrical Bohemian dance that brims with folkloric flavour.
Chabrier, Emmanuel España 6:30
A rhapsodic, vibrant evocation of Spain from the imagination of a Frenchman.
Grainger, PercyShepherd’s Hey 2:15
Joyous and quick-footed, based on an English Morris dance tune.
Mendelssohn, FelixString Symphony No. 10 in B minor9:00
A youthful work of charm and vitality, composed when Mendelssohn was just 14.
Bizet, GeorgesL’Arlésienne Suite No. 2 – Farandole 3:30
A lively Provençal dance brimming with rhythmic energy and colourful orchestration.
Prokofiev, SergeiThe Love for Three Oranges – March1:45
Satirical and punchy — one of Prokofiev’s most beloved miniatures.
Delibes, LéoLakmé – Flower Duet5:30
Exquisite and floating, this duet captures a moment of serene beauty.
Gounod, CharlesPetite Symphonie for Winds – I. Adagio et Allegretto8:00
Graceful and witty, a showcase of the warm blend of woodwind timbres. Otto Nicolai - The Merry Wives of Windsor Overture Performed by the London Symphony Orchestra conducted by Sir Charles Mackerras · Gioachino Rossini - La scala di seta Overture Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Antonín Dvořák - 8 Slavonic Dances, Op. 46 No. 8 in G minor Performed by the Cleveland Orchestra conducted by Christoph von Dohnányi · Emmanuel Chabrier - Chabrier_ España - Rhapsody for Orchestra Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Percy Grainger - British Folk-Music Settings: No. 4, Shepherd's Hey Performed by Marc-André · Percy Grainger - British Folk-Music Settings: No. 19, Molly on the Shore Performed by Marc-André · Percy Grainger - British Folk-Music Settings:No. 22, Country Gardens Performed by Marc-André · Felix Mendelssohn - Mendelssohn_ String Symphony No. 10 in B Minor I. Adagio – II. Allegro – III. Più presto Performed by the Orpheus Chamber Orchestra · Georges Bizet - L'arlésienne Suite No. 2 IV. Farandole Performed by the Cincinnati Pops Orchestra conducted by Erich Kunzel · Sergei Prokofiev - Love For Three Oranges: March Performed by the Boston Pops Orchestra conducted by Arthur Fiedler · Léo Delibes – Lakmé - Flower Duet Performed by The Royal Philharmonic Orchestra conducted by Carl Davis, with Lillian Watson and Christine Cairns · Charles Gounod - Petite Symphonie in B-Flat Major - I. Adagio et Allegretto Performed by the Netherlands Wind Ensemble conducted by Edo de Waart
Today’s easy listening is a selection of music for Violin and for Guitar.
We open with Johan Svendsen’s - Romance, Op. 26 and next up I have what is reputed to be the all-time favourite movement from a violin concerto – the slow movement from Max Bruch’s - Violin Concerto No. 1 in G Minor.
If you listened to our programme on Monday evening this week you would have heard the full concerto. We started a new series which will feature all the instruments of the orchestra in the coming weeks, so the violin music tonight compliments Monday’s programme with some different aspects of the violin. I know you’re going to love this one!
We follow with two pieces by Pablo de Sarasate, - Danzas Españolas, Op. 21 - Malagueña and Habanera.
My next morsel for you is by Dmitri Shostakovich – three Pieces for 2 Violins & Piano - Gavotte, Elegy, and Waltz.
Astor Piazzolla is best known for his Libertango and that is in the next group, preceded by Oblivion and followed by his Ave Maria. These feature violin and guitar. Then a Hommage to Astor Piazzolla, written by Jean-Marie Lemarchand, a Tango, which features the violin with two guitars.
Our second-to-last item is Joseph Suk’s - Love Song, Op. 7 No. 1, and that is followed finally by an item from Peter Warlock’s Capriol Suite. Johan Svendsen - Romance, Op. 26 Performed by Henning Kraggerud with the Malmo Symphony Orchestra conducted by Bjarte Engeset · Max Bruch - Violin Concerto No. 1 in G Minor, Op. 26_ II. Adagio Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Pablo de Sarasate - Danzas Españolas, Op. 21 - Malagueña and Habanera Performed by Julia Fischer and Milana Chernyavska · Pablo de Sarasate - Danzas Españolas, Op. 21 - Malagueña and Habanera Performed by Julia Fischer and Milana Chernyavska · Dmitri Shostakovich - Pieces for 2 Violins & Piano (Arr. by Lev Atovmyan) - Gavotte, Elegy, and Waltz. Performed by Julia Fischer, Kirill Troussov, and Henri Bonamy · Dmitri Shostakovich - Pieces for 2 Violins & Piano (Arr. by Lev Atovmyan) - Gavotte, Elegy, and Waltz. Performed by Julia Fischer, Kirill Troussov, and Henri Bonamy · Dmitri Shostakovich - Pieces for 2 Violins & Piano (Arr. by Lev Atovmyan) - Gavotte, Elegy, and Waltz. Performed by Julia Fischer, Kirill Troussov, and Henri Bonamy · Astor Piazzolla - Oblivion, Libertango, and Ave Maria Performed by Sara Chenal & Olivier Pelmoine · Astor Piazzolla - Oblivion, Libertango, and Ave Maria Performed by Sara Chenal & Olivier Pelmoine · Astor Piazzolla - Oblivion, Libertango, and Ave Maria Performed by Sara Chenal & Olivier Pelmoine · Jean-Marie Lemarchand - Hommage à Astor Piazzolla II. Tango Performed by Sara Chenal, Olivier Pelmoine and Matthias Collet · Joseph Suk - Love Song, Op. 7 No. 1 Performed by David Oistrakh & Vladimir Yampolsky · Peter Warlock - Capriol Suite: 5. Pied-en- l'air Performed by Nicholas Kraemer with the Academy of St Martin in the Fields conducted by Sir Neville Marriner
In each group of instruments of the orchestra we have the complete range from high pitches to low pitches represented. In the String section which we already covered we had from highest to lowest Violin, Viola, Cello and Double Bass.
In the Woodwind section which will listen to next the four main groups of instruments are flute, oboe, clarinet and bassoon. However, each of these also has higher and lower pitched instruments.
We start with the flute, which in addition to the concert flute we all know, has a high pitched Piccolo, and lower pitched alto, bass, and contrabass flutes. The flute family also includes a corresponding range of Recorders, but these are unusual in the orchestra after the Baroque period.
Today we will listen to the concert flute and the recorder which are pitched in the mid-range.
I also would like to take the opportunity to remind you of some of the features of the concerto, a musical form that is designed to showcase and virtuoso performers with their particular instruments. Think of these as solo works with orchestral accompaniment.
Our works for today are:
Francesco Mancini: Recorder Sonata in E Minor
Carl Philipp Emanuel Bach: Flute Concerto in D Minor Wq. 22
Wolfgang Amadeus Mozart: Flute Concerto No. 1 in G Major, K. 313 Francesco Mancini: Recorder Sonata in E Minor Performed by Gudrun Heyens with Musica Antiqua Köln conducted by Reinhard Goebel · Francesco Mancini: Recorder Sonata in E Minor Performed by Gudrun Heyens with Musica Antiqua Köln conducted by Reinhard Goebel · Francesco Mancini: Recorder Sonata in E Minor Performed by Gudrun Heyens with Musica Antiqua Köln conducted by Reinhard Goebel · Francesco Mancini: Recorder Sonata in E Minor Performed by Gudrun Heyens with Musica Antiqua Köln conducted by Reinhard Goebel · Francesco Mancini: Recorder Sonata in E Minor Performed by Gudrun Heyens with Musica Antiqua Köln conducted by Reinhard Goebel · Carl Philipp Emanuel Bach: Flute Concerto in D Minor Wq. 22 Performed by Emmanuel Pahud with Kammerakademie Potsdam conducted by Trevor Pinnock · Carl Philipp Emanuel Bach: Flute Concerto in D Minor Wq. 22 Performed by Emmanuel Pahud with Kammerakademie Potsdam conducted by Trevor Pinnock · Carl Philipp Emanuel Bach: Flute Concerto in D Minor Wq. 22 Performed by Emmanuel Pahud with Kammerakademie Potsdam conducted by Trevor Pinnock · Wolfgang Amadeus Mozart: Flute Concerto No. 1 in G Major, K. 313 Performed by Emmanuel Pahud with the Berliner Philharmoniker conducted by Claudio Abbado · Wolfgang Amadeus Mozart: Flute Concerto No. 1 in G Major, K. 313 Performed by Emmanuel Pahud with the Berliner Philharmoniker conducted by Claudio Abbado · Wolfgang Amadeus Mozart: Flute Concerto No. 1 in G Major, K. 313 Performed by Emmanuel Pahud with the Berliner Philharmoniker conducted by Claudio Abbado
Sundowner Programme 21 - Whimsy and Delight - Programme Description
Our theme this Thursday is Whimsy and Delight and I have a mixed bag of music for you, some of it a little bit weird, but all of it charming and delightful!
Domenico Scarlatti - Sonata in C Major, K. 159, L. 104 La Caccia
Francis Poulenc - Flute Sonata, FP 164_ I. Allegro malinconico (feat. Eric Le Sage)
Wolfgang Amadeus Mozart - Rondo in D major, K.485
Fritz Kreisler - Caprice viennois Op. 2
Fritz Kreisler – Liebesleid
Fritz Kreisler - Schön Rosmarin
Georges Bizet - Petite suite from Jeux d'enfants, Op. 22, WD 39
Maurice Ravel - Jeux d'eau, M. 30
Igor Stravinsky - Petrushka, Pt. 1 The Shrovetide Fair
Jacques Ibert_ Divertissement_ 5. Parade
Francis Poulenc - Improvisation No. 15 in C Minor, FP 176 Domenico Scarlatti - Sonata in C Major, K. 159, L. 104 La Caccia Performed by Dubravka Tomsic · Francis Poulenc - Flute Sonata, FP 164 (Movements 1 and 3) Performed by Emmanuel Pahud & Eric le Sage · Francis Poulenc - Flute Sonata, FP 164 (Movements 1 and 3) Performed by Emmanuel Pahud & Eric le Sage · Wolfgang Amadeus Mozart - Rondo in D major, K.485 Performed by Mitsuko Uchida · Fritz Kreisler - Caprice viennois Op. 2 Performed by Anne-Sophie Mutter & Lambert Orkis · Fritz Kreisler - Liebesleid Performed by Anne-Sophie Mutter & Lambert Orkis · Fritz Kreisler - Schön Rosmarin Performed by Anne-Sophie Mutter & Lambert Orkis · Georges Bizet - Petite suite from Jeux d'enfants, Op. 22, WD 39 Performed by the Orchestre de Paris conducted by Paavo Järvi i. Marche “Trompette et Tambour” · Georges Bizet - Petite suite from Jeux d'enfants, Op. 22, WD 39 Performed by the Orchestre de Paris conducted by Paavo Järvi Ii. Berceuse “La poupée” · Georges Bizet - Petite suite from Jeux d'enfants, Op. 22, WD 39 Performed by the Orchestre de Paris conducted by Paavo Järvi III. “Impromptu La toupee” · Georges Bizet - Petite suite from Jeux d'enfants, Op. 22, WD 39 Performed by the Orchestre de Paris conducted by Paavo Järvi IV. Duo “Petit mari, petite femme” · Georges Bizet - Petite suite from Jeux d'enfants, Op. 22, WD 39 Performed by the Orchestre de Paris conducted by Paavo Järvi V. Galop “Le bal” · Maurice Ravel - Jeux d'eau, M. 30 Performed by Martha Argerich · Ibert_ Divertissement_ 5. Parade Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Francis Poulenc - Improvisation No. 15 in C Minor, FP 176 Performed by Pascal Rogé · Igor Stravinsky - Petrushka, Pt. 1 Shrovetide Fair Introduction - At the Shrovetide Fair (1947 Version) Performed by the City of Birmingham Symphony Orchestra conducted by Sir Simon Rattle, featuring Peter Donohoe
Programme 107 Music for the full string ensemble. Programme description.
This is programme 12 in the sequence of music for String Instruments. In the prior 11 programmes we became thoroughly familiar with the sounds of the Violin, the Viola, the Violincello, and the Double Bass by listening to concertos and solo works written especially for these.
Today we bring these four instruments together in:
Benjamin Britten - Simple Symphony, Op. 4 where the string orchestra instrumentation includes first violins, second violins, violas, cellos, and double basses. The four movements have fanciful titles- Boisterous Bourrée, "Playful Pizzicato", Sentimental Saraband, and Frolicsome Finale.
Then in Franz Schubert - Piano Quintet in A Major, Op. 114, D 667 - The Trout which has five movements. The usual quick first movement Allegro vivace, followed as usual by the slow movement Andante, then the traditional Scherzo (Presto), The fourth movement is a set of variations on the Schubert’s own song "Die Forelle" (The Trout) Andantino – Allegretto, and we end with the Allegro giusto which is as usual for final movements, a Rondo. In addition to the String Instruments, there is a (very challenging!) part for Piano. Franz Schubert - Piano Quintet in A Major, Op. 114, D 667 - The Trout Performed by Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee & Maximilian Hornung and Roman Patkoló · Franz Schubert - Piano Quintet in A Major, Op. 114, D 667 - The Trout Performed by Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee & Maximilian Hornung and Roman Patkoló · Franz Schubert - Piano Quintet in A Major, Op. 114, D 667 - The Trout Performed by Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee & Maximilian Hornung and Roman Patkoló · Franz Schubert - Piano Quintet in A Major, Op. 114, D 667 - The Trout Performed by Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee & Maximilian Hornung and Roman Patkoló · Franz Schubert - Piano Quintet in A Major, Op. 114, D 667 - The Trout Performed by Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee & Maximilian Hornung and Roman Patkoló · Benjamin Britten - Simple Symphony, Op. 4 Performed by the English Chamber Orchestra conducted by Benjamin Britten · Benjamin Britten - Simple Symphony, Op. 4 Performed by the English Chamber Orchestra conducted by Benjamin Britten · Benjamin Britten - Simple Symphony, Op. 4 Performed by the English Chamber Orchestra conducted by Benjamin Britten · Benjamin Britten - Simple Symphony, Op. 4 Performed by the English Chamber Orchestra conducted by Benjamin Britten
Our programme today features music that transports us to faraway places, infused with cultural colours.
1.Mikhail Ippolitov-Ivanov Caucasian - Sketches for Orchestra, Op. 10_
Procession of the Sardar
2.Nikolai Rimsky-Korsakov - The Flight of the Bumble-bee
3.Isaac Albéniz - Suite española, Op.47 - Granada, Sevilla and Asturias
4.Manuel María Ponce - Estrellita (Arranged for Violin & Orchestra by
Joshua Bell and Jascha Heifetz)
5.Alexander Glazunov - Chant du Ménestrel, Op. 71
6.Enrique Granados - Danzas Española, Op. 37, No. 10 - Danza Triste,
Oriental, Villanesca, and Andaluza
7.Maurice Ravel - Rapsodie espagnole, M. 54 – Habanera and Feria Mikhail Ippolitov-Ivanov Caucasian - Sketches for Orchestra, Op. 10_ Procession of the Sardar Performed by the4 Philadelphia Orchestra, conducted by Eugene Ormandy · Nikolai Rimsky-Korsakov - The Flight of the Bumble-bee Performed by the Royal Scottish National Orchestra conducted by Neeme Järvi · Isaac Albéniz - Suite española, Op.47 - Granada, Sevilla and Asturias Performed by Miloš Karadaglić · Isaac Albéniz - Suite española, Op.47 - Granada, Sevilla and Asturias Performed by Miloš Karadaglić · Isaac Albéniz - Suite española, Op.47 - Granada, Sevilla and Asturias Performed by Miloš Karadaglić · Manuel María Ponce - Estrellita (Arranged for Violin & Orchestra by Joshua Bell and Jascha Heifetz) Performed by Joshua Bell and the Orchestra of St. Luke’s conducted by Michael Stern · Alexander Glazunov - Chant du Ménestrel, Op. 71 Performed by Mstislav Rostropovich and the Boston Symphony Orchestra xonducted by Seiji Ozawa · Enrique Granados - Danzas Española, Op. 37, No. 10 - Danza Triste, Oriental, Villanesca, and Andaluza Performed by Pepe Romero and Celin Romero · Enrique Granados - Danzas Española, Op. 37, No. 10 - Danza Triste, Oriental, Villanesca, and Andaluza Performed by Pepe Romero and Celin Romero · Enrique Granados - Danzas Española, Op. 37, No. 10 - Danza Triste, Oriental, Villanesca, and Andaluza Performed by Pepe Romero and Celin Romero · Enrique Granados - Danzas Española, Op. 37, No. 10 - Danza Triste, Oriental, Villanesca, and Andaluza Performed by Pepe Romero and Celin Romero · Maurice Ravel - Rapsodie espagnole, M. 54 – Habanera and Feria Performed by the London Symphony Orchestra conducted by Claudio Abbado · Maurice Ravel - Rapsodie espagnole, M. 54 – Habanera and Feria Performed by the London Symphony Orchestra conducted by Claudio Abbado
Programme 106 - More Music for Double Bass Programme description.
In today’s programme I have three items which feature the Double Bass.
I must admit that the concerto I played last in the programme last Monday surprised me very pleasantly when I first heard it. I hope that you similarly enjoyed the concerto by Giovanni Bottesini, his Grande Concerto in Quattro Tempi for Two Double Basses. Therefore I thought that I would feature another of Bottesini’s works today. Bottesini has been called The Paganini of the double bass and also the 19th century's double bass champion. Today we will listen to Giovanni Bottesini – String Quintet No. 1: Gran Quintetto in C Minor Opus 99, which is in the usual four movements.
I am going to follow that up with only three of the five movements of Antonín Dvořák’s - String Quintet No. 2 In G Major, Op. 77, as the entire Quintet is a bit too long for our programme. We have the middle three movements of the five. The third movement, meaning the second one that we will listen to today is a playful Scherzo, and the other two are slower and heartfelt.
The third item today is a one-of-a-kind. A most unusual piece that is part speech, part composition, part improvisation. I thought it would make a complete break from our usual fare. You will quickly see what I mean. This item will end our programme, so please join me again on Thursday at 6 for Sundowner Classics. Let’s see what you make of this next item – I am sure you will enjoy it as much as the live audience did!
Gunther Schuller & Edwin Barker - Failing_ A Very Difficult Piece for String Bass (Live) Giovanni Bottesini – String Quintet No. 1: Gran Quintetto in C Minor Opus 99 Performed by I Musicanti with Leon Bosch · Giovanni Bottesini – String Quintet No. 1: Gran Quintetto in C Minor Opus 99 Performed by I Musicanti with Leon Bosch · Giovanni Bottesini – String Quintet No. 1: Gran Quintetto in C Minor Opus 99 Performed by I Musicanti with Leon Bosch · Giovanni Bottesini – String Quintet No. 1: Gran Quintetto in C Minor Opus 99 Performed by I Musicanti with Leon Bosch · Antonín Dvořák - String Quintet No. 2 In G Major, Op. 77 Performed by the Boston Symphony Chamber Players · Antonín Dvořák - String Quintet No. 2 In G Major, Op. 77 Performed by the Boston Symphony Chamber Players · Antonín Dvořák - String Quintet No. 2 In G Major, Op. 77 Performed by the Boston Symphony Chamber Players · Gunther Schuller & Edwin Barker - Failing_ A Very Difficult Piece for String Bass (Live) Performed by Edwin Barker
about Music Sundowner Programme 19 Serenades and Nocturnes
Today’s programme is all about relaxation. Serenades and music suitable for the night.
Mozart – Eine kleine Nachtmusik 4th movement
Franz Strauss – Nocturne, Op. 7
Borodin – Nocturne from String Quartet No. 2
John Field – Nocturne in B-flat Major
Schubert – Ständchen (Serenade)
Grieg – Nocturne, Op. 54 No. 4
Tchaikovsky – Valse Sentimentale, Op. 51 No. 6
Dvořák – Serenade for Strings (complete), Op. 22 Wolfgang Amadeus Mozart: Serenade in G Major, K. 525 Eine kleine Nachtmusik - IV. Rondo Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Franz Strauss: Nocturne, Op. 7 Performed by Stefan Dohr and Markus Becker · Alexander Borodin: String Quartet No. 2 in D - 3. Notturno Performed by the Emerson String Quartet · John Field: Nocturne No. 5 in B-Flat Major Performed by James Galway · Franz Schubert: Schwanengesang, D. 957 No. 4, Ständchen Performed by Sumi Jo, Clara-Jumi Kang, Wen Xiao Zheng and Christopher Park · Edvard Grieg: Lyric Pieces Book 5, Op. 54 No. 4, Notturno Performed by Stephen Hough · Pyotr Ilyich Tchaikovsky: 6 Pieces, Op. 51 TH. 143: VI. Valse sentimentale (Arr. for Cello and Piano by Viktor Kubatsky) Performed by Mischa Maisky and Lily Maisky · Antonín Dvořák: Serenade for Strings in E Major, Op. 22, B. 52 Performed by the Wiener Philharmoniker conducted by Myung-Whun Chung · Antonín Dvořák: Serenade for Strings in E Major, Op. 22, B. 52 Performed by the Wiener Philharmoniker conducted by Myung-Whun Chung · Antonín Dvořák: Serenade for Strings in E Major, Op. 22, B. 52 Performed by the Wiener Philharmoniker conducted by Myung-Whun Chung · Antonín Dvořák: Serenade for Strings in E Major, Op. 22, B. 52 Performed by the Wiener Philharmoniker conducted by Myung-Whun Chung
We continue our exploration of the string instruments of the orchestra with the Double Bass, the deep voice underpinning of most works for orchestra, and also a standard member of the Jazz Ensemble. Though rare, concertos for double bass do exist, and are regularly performed today. These works highlight the instrument’s lyrical depth and surprising agility when in the hands of a virtuoso.
We have three of these for your enjoyment in the programme this week:
Carl Ditters von Dittersdorf – Concerto no 2 for Double Bass in D Major
Duration: ~20 minutes
Mood: Classical clarity, dance-like charm
Johann Baptist Vanhal – Concerto for Double Bass in D Major
Duration: ~18 minutes
Mood: Cheerful, balanced, elegant
Giovanni Bottesini – Grande Concerto in Quattro Tempi for Two Double Basses
Duration: ~24–28 minutes
Mood: Dramatic, virtuosic, operatic Carl Ditters von Dittersdorf – Concerto No. 2 for Double Bass in D Major Performed by Chi-chi Nwanoku and the Swedish Chamber Orchestra conducted by Paul Goodwin · Carl Ditters von Dittersdorf – Concerto No. 2 for Double Bass in D Major Performed by Chi-chi Nwanoku and the Swedish Chamber Orchestra conducted by Paul Goodwin · Carl Ditters von Dittersdorf – Concerto No. 2 for Double Bass in D Major Performed by Chi-chi Nwanoku and the Swedish Chamber Orchestra conducted by Paul Goodwin · Johann Baptist Vanhal – Concerto for Double Bass in D Major Performed by Chi-chi Nwanoku and the Swedish Chamber Orchestra conducted by Paul Goodwin · Johann Baptist Vanhal – Concerto for Double Bass in D Major Performed by Chi-chi Nwanoku and the Swedish Chamber Orchestra conducted by Paul Goodwin · Johann Baptist Vanhal – Concerto for Double Bass in D Major Performed by Chi-chi Nwanoku and the Swedish Chamber Orchestra conducted by Paul Goodwin · Giovanni Bottesini – Grande Concerto in Quattro Tempi for Two Double Basses Performed by Wolfgang Güttler and Klaus Stoll with the Radio-Symphonie-Orchester Berlin conducted by Mathias Bamert
This evening we relax to some of the gems of the later 17th and early 18th centuries:
George Frideric Handel_ Water Music Suite No. 1 in F Major, HWV 348_ I. Ouverture (Grave - Allegro)
George Frideric Handel_ Water Music Suite No. 1 in F Major, HWV 348 - III. Allegro - Andante – Allegro
Antonio Vivaldi - Flute Concerto in D Major, Op. 10 No. 3, RV 428 Il gardellino Allegro, Cantabile and Allegro
Georg Philipp Telemann - Viola Concerto In G, TWV 51_G9_ 1. Largo
Domenico Scarlatti Sonata in D minor, K141
Johann Sebastian Bach - The Well-Tempered Clavier, Book 1 Prelude and Fugue No. 1 in C Major, BWV 846_1
François Couperin - Pièces de Clavecin, Book 2, Ordre VI_ No. 5, Les baricades mistérieuses
Antonio Vivaldi - Concerto for 2 Violins in D Minor, RV 514_ II. Adagio
Johann Sebastian Bach - Orchestral Suite No. 3 in D Major, BWV 1068_ II. Air on the G String
Antonio Vivaldi - Concerto for Lute, 2 Violins and Continuo in D Major, RV 93_ II. Largo
George Frideric Handel - Water Music Suite No. 2 in D Major, HWV 349_ II. Alla Hornpipe
Wolfgang Amadeus Mozart - Serenade in G Major, K. 525 Eine kleine Nachtmusik - IV. Rondo George Frideric Handel - Water Music Suite No. 1 in F Major, HWV 348 I. Ouverture (Grave - Allegro) Performed by The English Concert conducted by Trevor Pinnock · George Frideric Handel - Water Music Suite No. 1 in F Major, HWV 348 - III. Allegro - Andante – Allegro Performed by The English Concert conducted by Trevor Pinnock · Antonio Vivaldi - Flute Concerto in D Major, Op. 10 No. 3, RV 428. Il gardellino. Allegro, Cantabile and Allegro Performed by Emmanuel Pahud and the Australian Chamber Orchestra conducted by Richard Tognetti · Antonio Vivaldi - Flute Concerto in D Major, Op. 10 No. 3, RV 428. Il gardellino. Allegro, Cantabile and Allegro Performed by Emmanuel Pahud and the Australian Chamber Orchestra conducted by Richard Tognetti · Antonio Vivaldi - Flute Concerto in D Major, Op. 10 No. 3, RV 428. Il gardellino. Allegro, Cantabile and Allegro Performed by Emmanuel Pahud and the Australian Chamber Orchestra conducted by Richard Tognetti · Georg Philipp Telemann - Viola Concerto In G, TWV 51_G9_ 1. Largo Performed by Pinchas Zukerman and the Saint Paul Chamber Orchestra · Domenico Scarlatti - Sonata in D minor, K141 (Transcribed by Eduardo Fernández) Performed by Eduardo Fernández · Johann Sebastian Bach - The Well-Tempered Clavier, Book 1 Prelude and Fugue No. 1 in C Major BWV 846 Performed by Angela Hewitt · Johann Sebastian Bach - The Well-Tempered Clavier, Book 1 Prelude and Fugue No. 1 in C Major BWV 846 Performed by Angela Hewitt · François Couperin - Pièces de Clavecin, Book 2, Ordre VI No. 5, Les baricades mistérieuses Performed by John Williams · Antonio Vivaldi - Concerto for 2 Violins in D Minor, RV 514 II. Adagio Performed by Viktoria Mullova, Giuliano Carmignola, and the Venice Baroque Orchestra conducted by Andrea Marcon - · Johann Sebastian Bach - Orchestral Suite No. 3 in D Major, BWV 1068 II. Air on the G String Performed by David Bell and the Berliner Philharmoniker conducted by Herbert von Karajan · Antonio Vivaldi - Vivaldi_ Concerto for Lute, 2 Violins and Continuo in D Major, RV 93 II. Largo Performed by Celin Romero and the Academy of St Martin in the Fields conducted by Iona Brown · George Frideric Handel - Water Music Suite No. 2 in D Major, HWV 349 II. Alla Hornpipe Performed by The English Concert conducted by Trevor Pinnock · Wolfgang Amadeus Mozart - Serenade in G Major, K. 525 Eine kleine Nachtmusik - IV. Rondo Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner
Programme 104 More Viola Music – Programme Description
In today’s programme we hear more music for that underappreciated instrument, the Viola.
This programme highlights how well the Viola combines with the Clarinet and also the Alto Voice.
Max Bruch: Eight Pieces for Clarinet, Viola, and Piano – Numbers 2, 6, 7, and 8
Franz Anton Hoffmeister: Concerto for Viola and Orchstra in D major
Johannes Brahms: Zwei Gesänge, Op. 91 - I. Gestillte Sehnsucht
Johannes Brahms: Zwei Gesänge, Op. 91- II. Geistliches Wiegenlied
and
Henri Vieuxtemps: Souvenir d'Amérique, Variations Burlesques (Yankee Doodle), Op. 17 Max Bruch: Eight Pieces for Clarinet, Viola, and Piano – Numbers 2, 6, 7, and 8 Performed by The Bruch Trio: Jerry Kirkbride, clarinet, Jesse Levine, viola, Rex Woods, piano · Max Bruch: Eight Pieces for Clarinet, Viola, and Piano – Numbers 2, 6, 7, and 8 Performed by The Bruch Trio: Jerry Kirkbride, clarinet, Jesse Levine, viola, Rex Woods, piano · Max Bruch: Eight Pieces for Clarinet, Viola, and Piano – Numbers 2, 6, 7, and 8 Performed by The Bruch Trio: Jerry Kirkbride, clarinet, Jesse Levine, viola, Rex Woods, piano · Max Bruch: Eight Pieces for Clarinet, Viola, and Piano – Numbers 2, 6, 7, and 8 Performed by The Bruch Trio: Jerry Kirkbride, clarinet, Jesse Levine, viola, Rex Woods, piano · Franz Anton Hoffmeister: Concerto for Viola and Orchstra in D major Performed by Nils Mönkemeyer with the Dresdner Kapellsolisten conducted by Helmut Branny · Franz Anton Hoffmeister: Concerto for Viola and Orchstra in D major Performed by Nils Mönkemeyer with the Dresdner Kapellsolisten conducted by Helmut Branny · Franz Anton Hoffmeister: Concerto for Viola and Orchstra in D major Performed by Nils Mönkemeyer with the Dresdner Kapellsolisten conducted by Helmut Branny · Johannes Brahms: Zwei Gesänge, Op. 91 - I. Gestillte Sehnsucht Performed by Anne Sofie von Otter, Bengt Forsberg, and Nils-Erik Sparf · Johannes Brahms: Zwei Gesänge, Op. 91- II. Geistliches Wiegenlied Performed by Anne Sofie von Otter, Bengt Forsberg, and Nils-Erik Sparf · Henri Vieuxtemps: Souvenir d'Amérique, Variations Burlesques (Yankee Doodle), Op. 17 Performed by Timothy Ridout and Ke Ma - (arr. Frank Foerster)
Programme description
Our theme today is: Music that paints vivid images of the countryside and nature’s beauty.
I have nine items for you that capture both the serenity and grandeur of nature, from tranquil streams to soaring landscapes.
Ludwig van Beethoven – Pastoral Symphony No. 6, Op. 68 (1st movement: Awakening of Cheerful Feelings on Arrival in the Countryside)
Ludwig van Beethoven – Pastoral Symphony No. 6, Op. 68 (2nd movement: Scene by the Brook)
Ralph Vaughan Williams – Fantasia on Greensleeves
Jean Sibelius – Andante
Frederick Delius – On Hearing the First Cuckoo in Spring
Ottorino Respighi – The Birds (Preludio)
Ottorino Respighi – The Birds (The Dove)
Samuel Barber – Adagio for Strings
Aaron Copland – Appalachian Spring: Simple Gifts Ludwig van Beethoven - Symphony No. 6 in F Major, Op. 68 Pastoral_ I. Pleasant, cheerful feelings aroused on approaching the countryside Performed by the European Festival Orchestra conducted by Johannes Walter · Ludwig van Beethoven - Symphony No. 6 in F Major, Op. 68 Pastoral_ II. Szene am Bach. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Ralf Vaughan Williams - Fantasia on Greensleeves Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Jean Sibelius - Andante Festivo Performed by the Gothenburg Symphony Orchestra conducted by Neeme Järvi · Frederick Delius - On hearing the first Cuckoo in Spring Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Ottorino Respighi - The Birds 1. Prelude Performed by the San Francisco Symphony conducted by Edo de Waart · Ottorino Respighi_ The Birds, P. 154 – 2. The Dove Performed by the San Francisco Symphony conducted by Edo de Waart · Samuel Barber - Adagio for Strings, Op. 11 Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Aaron Copland - Simple Gifts from Appalachian Spring Performed by The Boston Pops Orchestra conducted by John Williams
We are exploring the instruments of the string section of the orchestra, and over the last several weeks we listened to the violin and the violoncello.
I have playing suitable music in the line of concertos with orchestra for you to get used to the sound of the instruments in their usual context, the orchestra. This was easy enough with the violin and ‘cello as these are so frequently featured as soloists that there is no shortage of material. In the case of the Viola it is rather more difficult, first to find concertos written before 1900 specifically for this unappreciated instrument. And then to find performances of these works on the Viola, as the violin and ‘cello, not content with their vast repertoire are not above borrowing from the scarce music for viola.
The two items tonight are both originals in both senses, written for and performed on the Viola.
The first is a three movement concerto by Carl Stamitz – his Viola Concerto in D Major from 1770.
Our second item is not a concerto, but a symphonic work which features a prominent viola soloist and is structured in a way that allows for virtuosic display. The work is by Hector Berlioz and is entitled Harold in Italy. The date of Composition is 1834. It was inspired by Lord Byron's poem "Childe Harold's Pilgrimage." The four sections are entitled
I. Harold in the Mountains - Andante – Allegro
II. The Pilgrims Procession – Allegretto
III. Serenade of an Abruzzian Highlander - Allegro assai
IV. The Robbers Orgies - Allegro frenetico Carl Stamitz - Viola Concerto in D Major from 1770. Performed by Tabea Zimmermann with the European Union Chamber Orchestra conducted by Dimitri Demetriades · Carl Stamitz - Viola Concerto in D Major from 1770. Performed by Tabea Zimmermann with the European Union Chamber Orchestra conducted by Dimitri Demetriades · Carl Stamitz - Viola Concerto in D Major from 1770. Performed by Tabea Zimmermann with the European Union Chamber Orchestra conducted by Dimitri Demetriades · Hector Berlioz - Harold in Italy from 1834. Performed by Juryi Bashmet with the Moscow RTV Symphony Orchestra I. Harold in the Mountains - Andante – Allegro · Hector Berlioz - Harold in Italy from 1834. Performed by Juryi Bashmet with the Moscow RTV Symphony Orchestra II. The Pilgrims Procession – Allegretto · · Hector Berlioz - Harold in Italy from 1834. Performed by Juryi Bashmet with the Moscow RTV Symphony Orchestra IV. The Robbers Orgies - Allegro frenetico
Today I have 11 items for you, covering the spirit of the dance in a wide variety of styles you are sure to enjoy!
1.Kabalevsky – Comedians’ Galop
2.Strauss II – Pizzicato Polka
3.Bartók – Romanian Folk Dances
4.Piazzolla – Libertango
5.Debussy – Golliwogg’s Cakewalk
6.Saint-Saëns – Danse Macabre
7.Falla – Spanish Dance No. 1
8.Khachaturian – Sabre Dance
9.Borodin – Polovtsian Dances
10.Delibes – Pizzicati from Sylvia
11.Grieg – Halling Dmitri Kabalevsky_ The Comedians - Suite, Op. 26 - Galop of the comedians Performed by the Armenian Philharmonic Orchestra conducted by Loris Tjeknavorian - · Johann Strauss II Pizzicato Polka (1870) Performed by the Wiener Philharmoniker conducted by Willi Boskovsky · Bela Bartók - Romanian Folk Dances Performed by David Oistrakh and Vladimir Yampolsky · Astor Piazzolla – Libertango Performed by the Astor Piazzolla quintet · Claude Debussy Children's Corner L. 113_ VI: Golliwog's Cakewalk Performed by Seong-Jin Cho · Camille Saint-Saëns - Danse macabre, Op. 40 Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Manuel de Falla - Spanish Dance No. 1 (from La vida breve) Performed by Itzhak Perlman and David Garvey · Manuel de Falla - Danza n.º 2 de «La vida breve», piano (1904) Performed by Paco M Aranda · Aram Khachaturian - Gayaneh - Sabre Dance Performed by the Wiener Philharmoniker · Akexander Borodin - Polovetzian Dances Performed by the Orchestra of Lubeck · Léo Delibes - Pizzicati (Suite) from the Ballet Sylvia Performed by the New Philharmonia Orchestra conducted by Sir Charles Mackerras · Edvard Grieg - Norwegian Dances, Op. 35_ No. 4, Allegro molto Performed by the Estonian National Symphony Orchestra conducted by Paavo Järvi
Our opening number in this programme of more Romantic cello music is by Astor Piazzolla - Las 4 Estaciones Porteñas (The four seasons of Buenos Aires)
We will listen to No. 3, Primavera Porteña – Spring.
We are going to continue with the second concerto for piano by Brahms in which the cello plays a very prominent role in the third movement. Listen to its warm and sonorous tone as it contrasts to and supports the piano.
After that we come to two shorter pieces for cello and piano, both quite well known, and both of which are also arranged for other instruments and instrumental combinations.
In the first, Jules Massenet’s Méditation from Thais, you will hear once again how the cello sings with its warm tone.
In the second, Gabriel Fauré’s – Élégie, the cello is very suited to this dramatic and mournfully reflective composition. An Elegy is a song of Mourning as one contemplates the nature of mortality.
We end our programme with a composition by Cesar Franck, his Sonata in A, which has also been arranged for various instruments. It is in four movements, and the last of the four is particularly interesting. It is an elegant and masterful example of cyclic form, where earlier thematic material from the preceding movements is woven into the finale. But what makes this movement particularly interesting is its extensive use of imitation and canon which is a compositional technique rooted in Baroque traditions, where one voice (instrument) states a theme and another follows in imitation. The movement begins with a graceful, lyrical theme played in canon between the cello and piano. The piano introduces the theme, and the cello quickly follows with the same theme, offset by a short time interval, creating a layered, imitative texture. Astor Piazzolla - Las 4 Estaciones Porteñas (The four seasons of Buenos Aires) No. 3, Primavera Porteña – Spring (Arr. J. Bragato for Piano Trio) Performed by Friedemann Eichhorn, Julius Berger and José Gallardo · Johannes Brahms - Piano Concerto No. 2 in B-Flat Major, Op. 83_ III. Andante Performed by Maurizio Pollini and Robert Scheiwein with the Wiener Philharmoniker conducted by Claudio Abbado · Jules Massenet - Thaïs Méditation (Arr. for Cello & Piano) Performed by Yo-Yo Ma and Kathryn Stott · Gabriel Fauré - Élégie, Op. 24 Performed by Jacqueline du Pré and Gerald Moore · César Franck - Sonata in A Major for Violin and Piano, FWV 8 Performed by Yo-Yo Ma and Kathryn Stott · César Franck - Sonata in A Major for Violin and Piano, FWV 8 Performed by Yo-Yo Ma and Kathryn Stott · César Franck - Sonata in A Major for Violin and Piano, FWV 8 Performed by Yo-Yo Ma and Kathryn Stott · César Franck - Sonata in A Major for Violin and Piano, FWV 8 Performed by Yo-Yo Ma and Kathryn Stott
Today’s programme has the theme Romantic Reflections, and I present for your enjoyment these 12 items which are designed to leave you relaxed and calm.
•Scriabin Nocturne in A-flat major
•Schubert – Impromptu in G-flat major
•Schubert – Impromptu in A-flat major
•Fauré – Sicilienne
•Tchaikovsky – Waltz from Sleeping Beauty
•MacDowell – To a Wild Rose
•Franck – Panis Angelicus
•Grieg – Wedding Day at Troldhaugen
•Clara Schumann – Romance in A minor
•Saint-Saëns – The Swan
•Brahms – Intermezzo in A major
•Chopin – Étude in E major ("Tristesse") Alexander Scriabin - Nocturne in A Flat WoO 3 Performed by Valentina Lisitsa · Franz Schubert – Impromptus in G-flat major and A-flat major Opus 90 Performed by Krystian Zimerman · Franz Schubert – Impromptus in G-flat major and A-flat major Opus 90 Performed by Krystian Zimerman · Gabriel Fauré – Sicilienne Performed by James Galway · Pyotr Ilyich Tchaikovsky – Waltz from “The Sleeping Beauty Suite” Opus 66a Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Edward MacDowell – “To a Wild Rose” from “Woodland Sketches” Opus 51 Performed by Harvey Lavan Van Cliburn · Caesar Franck – Panis Angelicus Performed by Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano and Daniele Rossi · Edvard Grieg – Wedding Day at Troldhaugen Lyric Pieces, Book 8, Op. 65 No. 6. (arr. for orchestra) Performed by the BBC Scottish Symphony conducted by Jerzy Maksymiuk · Clara Schumann – Romance in A minor from 3 Romances, Op. 22 No. 1 WoO 3 Performed by Emmanuel Pahud and Eric Le Sage · Camille Saint-Saëns – Carnival of the Animals_ XIII. The Swan Performed by Yo-Yo Ma, Philippe Entremont, and Gaby Casadesus · Johannes Brahms – Intermezzo in A major from Sechs Klavierstücke, Op. 118_ II Performed by Arcadi Volodos · Frederick Chopin – Étude in E major (
Programme 101 Violincello Concertos Part 2 Programme Description
Today we continue our series in which we will explore in depth the various instruments that are used in the orchestra. By in depth I mean that we will listen to a substantial amount of music for each instrument, focusing on them one by one. We continue with part 2 of the other leader of the orchestra, the Violincello.
The ‘cello is one of the most celebrated instruments in the world, known for its unique voice, versatility, and expressive power.
Today’s three concertos are:
Edward Elgar – Cello Concerto in E Minor, Op. 85 (1919
Notable for: Quiet grief and noble reflection.
Listen for: The haunting opening solo, the sudden mood shifts between melancholy and determination, and the tender farewell at the end.
Camille Saint-Saëns – Cello Concerto No. 1 in A Minor, Op. 33 (1872)
Notable for: Effortless elegance with virtuosic flair.
Listen for: How the concerto starts with the solo cello immediately—no orchestral prelude. Notice the playful exchanges in the middle section.
Antonin Dvořák – Cello Concerto in B Minor, Op. 104 (1895) the third movement
Notable for: Lyrical, grand, and deeply personal.
Listen for: The poignant farewell in the finale. Edward Elgar - Cello Concerto in E Minor, Op. 85 Performed by Yo-Yo Ma with the London Symphony Orchestra conducted by André Previn · Edward Elgar - Cello Concerto in E Minor, Op. 85 Performed by Yo-Yo Ma with the London Symphony Orchestra conducted by André Previn · Edward Elgar - Cello Concerto in E Minor, Op. 85 Performed by Yo-Yo Ma with the London Symphony Orchestra conducted by André Previn · Edward Elgar - Cello Concerto in E Minor, Op. 85 Performed by Yo-Yo Ma with the London Symphony Orchestra conducted by André Previn · Camille Saint-Saëns - Cello Concerto No. 1 in A Minor, Op. 33 Performed by Yo-Yo Ma with the Orchestre National de France conducted by Lorin Maazel · Antonín Dvorák - Cello Concerto in B Minor, Op. 104, B. 191_ III. Finale. Allegro moderato Performed by Yo-Yo Ma with the Berlin Philharmonic Orchestra conducted by Lorin Maazel
about Music - Sundowner Programme 14
This week we will enjoy a programme of “Sundowner” music.
Easy listening for the end of the day.
The programme:
Franz von Suppé – The Light Cavalry Overture
Leroy Anderson - The Syncopated Clock
Leroy Anderson - The Typewriter
Carl Maria von Weber (Arranged by Hector Berlioz) Invitation to the Dance, Op. 65
Dmitri Kabalevsky - The Comedians: Galop Op 26
Paul Dukas - L'Apprenti sorcier
Ferdinand Ries - Piano Concerto Opus 151 - III. Rondo: Allegro vivace
Dmitri Shostakovich - Twenty-Four Preludes, Op. 34 No. 7 In A Major - Andante Arr. For Viola and Piano
Wolfgang Amadeus Mozart - Piano Sonata No. 11 in A Major, K. 331 III. Rondo alla Turca: Allegretto
Franz Lehár - Gold and Silver Waltz Op. 79 Franz von Suppé – The Light Cavalry Overture Performed by the Cincinnati Pops Orchestra conducted by Erich Kunzel · Leroy Anderson - The Syncopated Clock Unknown performers · Leroy Anderson - The Typewriter Unknown performers · Franz Lehár - Gold and Silver Waltz Op. 79 Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Dmitri Kabalevsky - The Comedians: Galop Op 26 The Philadelphia Orchestra & Eugene Ormandy - · Carl Maria von Weber (Arranged by Hector Berlioz) Invitation to the Dance, Op. 65 Performed by the Berliner Philharmoniker, conducted by Herbert von Karajan · Ferdinand Ries - Piano Concerto Opus 151 - III. Rondo: Allegro vivace Performed by Christopher Hinterhuber · Dmitri Shostakovich - Twenty-Four Preludes, Op. 34 No. 7 In A Major - Andante Arr. For Viola and Piano Performed byKim Kashkashian and Lera Auerbach · Wolfgang Amadeus Mozart - Piano Sonata No. 11 in A Major, K. 331 III. Rondo alla Turca: Allegretto Performed by Mitsuko Uchida · Paul Dukas - L'Apprenti sorcier Performed by the Berliner Philharmoniker conducted by James Levine
Programme 100 Violincello Concertos Part 1 Programme Description
Today we continue our series in which we will explore in depth the various instruments that are used in the orchestra. By in depth I mean that we will listen to a substantial amount of music for each instrument, focusing on them one by one.
We continue with the other leader of the orchestra, the Violincello.
The ‘cello is one of the most celebrated instruments in the world, known for its unique voice, versatility, and expressive power.
Robert Schumann – Cello Concerto in A Minor, Op. 129 (1850)
Composer: Robert Schumann (1810–1856), German Romantic composer known for poetic and deeply personal music.This concerto is introspective and lyrical rather than showy; written in one continuous movement subdivided into three sections.
Joseph Haydn – Cello Concerto No. 1 in C Major, Hob. VIIb:1 (c.1761–65)
Composer: Joseph Haydn (1732–1809), known as the "Father of the Symphony" and "Father of the String Quartet." Lost for nearly 200 years, this work is full of elegance, charm, and classical clarity. Joachim Rodrigues - Concierto de Aranjuezfor Guitar and ‘Cello Performed by Stjepan Hauser and Petrit Çeku with an unnamed orchestra · Robert Schumann - Cello Concerto in A Minor, Op. 129 Performed by Yo-Yo Ma with the Symphonieorchester des Bayerischen Rundfunks conducted by Sir Colin Davis · Robert Schumann - Cello Concerto in A Minor, Op. 129 Performed by Yo-Yo Ma with the Symphonieorchester des Bayerischen Rundfunks conducted by Sir Colin Davis · Robert Schumann - Cello Concerto in A Minor, Op. 129 Performed by Yo-Yo Ma with the Symphonieorchester des Bayerischen Rundfunks conducted by Sir Colin Davis · Joseph Haydn - Cello Concerto No. 2 in D Major, Hob. VIIb_2 Performed by Yo-Yo Ma and the English Chamber Orchestra conducted by José-Luis Garcia · Joseph Haydn - Cello Concerto No. 2 in D Major, Hob. VIIb_2 Performed by Yo-Yo Ma and the English Chamber Orchestra conducted by José-Luis Garcia · Joseph Haydn - Cello Concerto No. 2 in D Major, Hob. VIIb_2 Performed by Yo-Yo Ma and the English Chamber Orchestra conducted by José-Luis Garcia
about Music - Sundowner Programme 13 Light and Graceful Elegance
This week we will enjoy a programme of “Sundowner” music.
Easy listening for the end of the day.
The programme:
Joaquín Rodrigo - Adagio from Concierto de Aranjuez
Johann Sebastian Bach - Orchestral Suite No. 3 in D Major, BWV 1068_ II. Air on the G String
Erik Satie - 3 Gymnopédies_ No. 1, Lent et douloureux
Joseph Haydn - String Quartet in C Major, Op. 76 No. 3, Hob. lll_ 77 Emperor - II. Poco adagio, cantabile
Luigi Boccherini - Minuet from String Quintet in E Major, Op. 13 No. 5
Stanley Myers – Cavatina from “The Deer Hunter”
Frédéric Chopin - Nocturne Op. 9 No. 2 in E Flat Major
Gioacchino Rossini - Overture to “The Italian Girl in Algiers”
Johannes Brahms - Waltz, Op. 35, No. 15 in A-Flat Joaquín Rodrigo - Adagio from Concierto de Aranjuez Performed by Norbert Kraft · Johann Sebastian Bach - Orchestral Suite No. 3 in D Major, BWV 1068_ II. Air on the G String Performed by David Bell with the Berliner Philharmoniker conducted by Herbert von Karajan · Max Bruch - Eight Pieces for Clarinet, Viola, and Piano_ Nachtgesang_ Andante con moto Performed by The Bruch Trio (Jerry Kirkbride, clarinet, Jesse Levine, viola, Rex Woods) · Erik Satie - 3 Gymnopédies_ No. 1, Lent et douloureux Performed by Khatia Buniatishvili · Joseph Haydn - String Quartet in C Major, Op. 76 No. 3, Hob. lll_ 77 Emperor - II. Poco adagio, cantabile Performed by the Emerson String Quartet, · Luigi Boccherini - Minuet from String Quintet in E Major, Op. 13 No. 5 Performed by Mischa Maisky and the Orpheus Chamber Orchestra · Stanley Myers – Cavatina from “The Deer Hunter” Performed by Craig Ogden · Frédéric Chopin - Nocturne Op. 9 No. 2 in E Flat Major Performed by Jan Lisiecki · Gioacchino Rossini - Overture to “The Italian Girl in Algiers” Performed by the New York Philharmonic conducted by Leonard Bernstein · Johannes Brahms - Waltz, Op. 35, No. 15 in A-Flat Performed by Vladimir Horowitz
Programme 99 More Violin Music. Programme description
Today’s easy listening is a selection of music for Violin and for Guitar.
We open with Johan Svendsen’s - Romance, Op. 26 and next up I have what is reputed to be the all-time favourite movement from a violin concerto – the slow movement from Max Bruch’s - Violin Concerto No. 1 in G Minor. If you listened to our programme on Monday evening three weeks ago you would have heard the full concerto. We then started a new series which will feature all the instruments of the orchestra in the coming weeks, so the violin music tonight compliments Monday’s programme with some different aspects of the violin. I know you’re going to love this one!
We follow with two pieces by Pablo de Sarasate, - Danzas Españolas, Op. 21 - Malagueña and Habanera.
My next morsel for you is by Dmitri Shostakovich – three Pieces for 2 Violins & Piano - Gavotte, Elegy, and Waltz.
Astor Piazzolla is best known for his Libertango and that is in the next group, preceded by Oblivion and followed by his Ave Maria. These feature violin and guitar. Then a Hommage to Astor Piazzolla, written by Jean-Marie Lemarchand, a Tango, which features the violin with two guitars.
Our second-to-last item is Joseph Suk’s - Love Song, Op. 7 No. 1, and that is followed finally by an item from Peter Warlock’s Capriol Suite. Johan Svendsen - Romance, Op. 26 Performed by Henning Kraggerud with the Malmo Symphony Orchestra conducted by Bjarte Engeset · Max Bruch - Violin Concerto No. 1 in G Minor, Op. 26_ II. Adagio Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Pablo de Sarasate - Danzas Españolas, Op. 21 - Malagueña and Habanera Performed by Julia Fischer and Milana Chernyavska · Pablo de Sarasate - Danzas Españolas, Op. 21 - Malagueña and Habanera Performed by Julia Fischer and Milana Chernyavska · Dmitri Shostakovich - Pieces for 2 Violins & Piano (Arr. by Lev Atovmyan) - Gavotte, Elegy, and Waltz. Performed by Julia Fischer, Kirill Troussov, and Henri Bonamy · Dmitri Shostakovich - Pieces for 2 Violins & Piano (Arr. by Lev Atovmyan) - Gavotte, Elegy, and Waltz. Performed by Julia Fischer, Kirill Troussov, and Henri Bonamy · Dmitri Shostakovich - Pieces for 2 Violins & Piano (Arr. by Lev Atovmyan) - Gavotte, Elegy, and Waltz. Performed by Julia Fischer, Kirill Troussov, and Henri Bonamy · Astor Piazzolla - Oblivion, Libertango, and Ave Maria Performed by Sara Chenal & Olivier Pelmoine · Astor Piazzolla - Oblivion, Libertango, and Ave Maria Performed by Sara Chenal & Olivier Pelmoine · Astor Piazzolla - Oblivion, Libertango, and Ave Maria Performed by Sara Chenal & Olivier Pelmoine · Jean-Marie Lemarchand - Hommage à Astor Piazzolla II. Tango Performed by Sara Chenal, Olivier Pelmoine and Matthias Collet · Joseph Suk - Love Song, Op. 7 No. 1 Performed by David Oistrakh & Vladimir Yampolsky · Peter Warlock - Capriol Suite: 5. Pied-en- l'air Performed by Nicholas Kraemer with the Academy of St Martin in the Fields conducted by Sir Neville Marriner
This week we will enjoy a mixed programme of light music.
Easy listening for the end of the day.
The programme:
Mikhail Glinka - Ruslan and Lyudmila Overture
Ludwig van Beethoven - Romance for Violin and Orchestra No. 2 in F Major, Op. 50
Johann Strauss II - The Beautiful Blue Danube, Waltz Op. 314
Camille Saint-Saëns - Carnival of the Animals_ XIII. The Swan
J.S. Bach_ Concerto for 2 Violins in D Minor, BWV 1043_ II. Largo ma non tanto
Claude Debussy - Suite Bergamasque, CD 82, L. 75_ III. Clair de lune
Edward Elgar - Salut d'amour, Op. 12
Johannes Brahms - Brahms_ 21 Hungarian Dances, WoO 1 - Hungarian Dance No. 5 in G Minor. Allegro
Antonin Dvorak - Symphony No. 9 (From the New World) Movement 4 Mikhail Glinka - Ruslan and Lyudmila Overture Performed by the London Symphony Orchestra conducted by Sir Georg Solti · Ludwig van Beethoven - Romance for Violin and Orchestra No. 2 in F Major, Op. 50 Performed by Itzhak Perlman and the Berliner Philharmoniker conducted by Daniel Barenboim · Johann Strauss II - The Beautiful Blue Danube, Waltz Op. 314 Strauss Orchestra Vienna conducted by Joseph Francek - · Camille Saint-Saëns - Carnival of the Animals_ XIII. The Swan Performed by Yo-Yo Ma · J.S. Bach_ Concerto for 2 Violins in D Minor, BWV 1043_ II. Largo ma non tanto Performed by Hilary Hahn and Margaret Batjer with the Los Angeles Chamber Orchestra conducted by Jeffrey Kahane · Claude Debussy - Suite Bergamasque, CD 82, L. 75_ III. Clair de lune Performed by Moura Lympany · Edward Elgar - Salut d'amour, Op. 12 Performed by Tasmin Little and John Lenehan · Johannes Brahms - Brahms_ 21 Hungarian Dances, WoO 1 - Hungarian Dance No. 5 in G Minor. Allegro Performed by the Wiener Philharmoniker conducted by Claudio AbbadoJohannes Brahms - Brahms_ 21 Hungarian Dances, WoO 1 - Hungarian Dance No. 5 in G Minor. Allegro Performed by the Wiener Philharmoniker conducted by Claudio Abbado · Antonin Dvorak - Symphony No. 9 (From the New World) Movement 4 Performed by the Chicago Symphony Orchestra conducted by Sir George Solti
Programme 98 Violin Concertos Part 3 Programme Description
In our third set of violin concertos we listen to Vivaldi and Beethoven. By this stage you may have noticed that all of the concertos in our series have had three movements in the quick, slow, quick pattern. This is the usual format of the concerto genre, regardless of the instrument the concerto was written for. Usually the first movement has a structure called Sonata form, and the final movement has a structure called Rondo. We did explore both of these in earlier programmes, so you might already be familiar with them. I will say more about these in the next weeks as we look at other instruments.
Vivaldi’s "Spring" from The Four Seasons
In "Spring," Vivaldi captures the joyful awakening of the natural world through the violin’s bright, lively voice. Birdsong, flowing streams, and gentle breezes are all painted vividly by the soloist’s brilliant, playful passages. It’s a perfect example of the violin’s ability not just to sing, but to vividly tell a story and bring scenes of life to the listener’s imagination.
Beethoven’s Violin Concerto in D major, Opus 61
Beethoven’s Violin Concerto stands as a pillar of the violin’s repertoire, known for its grandeur, elegance, and deep inner serenity. It asks the violinist not only for technical mastery but for a profound sense of musical wisdom, blending effortless lyricism with passages of thoughtful, almost meditative beauty. It shows the violin as both a storyteller and a philosopher. Antonio Vivaldi: Violin Concerto No. 1 in E Major, RV 269 La primavera Performed by Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Stacey Watton, Maarten Jansen, Liz Kenny, & Jan Jansen · Antonio Vivaldi: Violin Concerto No. 1 in E Major, RV 269 La primavera Performed by Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Stacey Watton, Maarten Jansen, Liz Kenny, & Jan Jansen · Antonio Vivaldi: Violin Concerto No. 1 in E Major, RV 269 La primavera Performed by Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Stacey Watton, Maarten Jansen, Liz Kenny, & Jan Jansen · Ludwig van Beethoven - Beethoven_ Violin Concerto in D Major, Op. 61_ I. Allegro ma non troppo Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Ludwig van Beethoven - Beethoven_ Violin Concerto in D Major, Op. 61_ I. Allegro ma non troppo Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Ludwig van Beethoven - Beethoven_ Violin Concerto in D Major, Op. 61_ I. Allegro ma non troppo Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan
Programme 97 Violin Concertos Programme description
Today we have part two of a series in which we will explore in depth the various instruments that are used in the orchestra. By in depth I mean that we will listen to a substantial amount of music for each instrument, focusing on them one by one.
We are busy listening to the leader of the orchestra, the Violin.
We are about to listen to two more concertos for violin as we continue to become really familiar with the sound and range of possibilities of this instrument. For today I would like you to take note of a feature of most concertos, namely the cadenza, as we listen to Mozart’s concerto. This is an opportunity for the soloist to show their skill while the orchestra remains silent. Sometimes the composer wrote this part, and often the composer left it to the performer to improvise their own. In this particular recording the cadenza is by the soloist, by Itzhak Perlman, and it occurs towards the end of the first movement. Both the other movements also feature short cadenza-like passages towards the end of the movements.
Mozart’s Violin Concerto No. 5 in A major, K. 219 ("The Turkish")
Mozart’s Violin Concerto No. 5 sparkles with youthful charm and inventive spirit. It highlights the violin’s playful grace and natural singing quality, moving from poised, elegant melodies to a lively, rhythmically charged "Turkish" section that adds surprise and drama. It’s a wonderful showcase of how lightness and virtuosity live together in the violin.
Tchaikovsky’s Violin Concerto in D major, Opus 35
Tchaikovsky’s Violin Concerto is a thrilling celebration of passion and virtuosity. From the opening bars, it demands emotional intensity and breathtaking agility from the soloist. The violin soars, dances, and weeps throughout, embodying the full power of Romantic expression — a dazzling display of the instrument’s ability to move and astonish an audience. Wolfgang Amadeus Mozart: Violin Concerto No. 5 in A Major, K. 219 “Turkish” Performed by Itzhak Perlman with the Wiener Philharmoniker conducted by James Levine · Wolfgang Amadeus Mozart: Violin Concerto No. 5 in A Major, K. 219 “Turkish” Performed by Itzhak Perlman with the Wiener Philharmoniker conducted by James Levine · Wolfgang Amadeus Mozart: Violin Concerto No. 5 in A Major, K. 219 “Turkish” Performed by Itzhak Perlman with the Wiener Philharmoniker conducted by James Levine · Pyotr Ilyich Tchaikovsky: Violin Concerto in D Major, Op. 35 Performed by Janine Jansen with the Mahler Chamber Orchestra conducted by Daniel Harding · Pyotr Ilyich Tchaikovsky: Violin Concerto in D Major, Op. 35 Performed by Janine Jansen with the Mahler Chamber Orchestra conducted by Daniel Harding · Pyotr Ilyich Tchaikovsky: Violin Concerto in D Major, Op. 35 Performed by Janine Jansen with the Mahler Chamber Orchestra conducted by Daniel Harding
Sundowner Programme 11 - Strings in the Spotlight. Programme description
Today’s easy listening is a selection of music for Violin and for Guitar.
We open with Johan Svendsen’s - Romance, Op. 26 and next up I have what is reputed to be the all-time favourite movement from a violin concerto – the slow movement from Max Bruch’s - Violin Concerto No. 1 in G Minor. If you listened to our programme on Monday evening this week you would have heard the full concerto. We started a new series which will feature all the instruments of the orchestra in the coming weeks, so the violin music tonight compliments Monday’s programme with some different aspects of the violin. I know you’re going to love this one!
We follow with two pieces by Pablo de Sarasate, - Danzas Españolas, Op. 21 - Malagueña and Habanera.
My next morsel for you is by Dmitri Shostakovich – three Pieces for 2 Violins & Piano - Gavotte, Elegy, and Waltz.
Astor Piazzolla is best known for his Libertango and that is in the next group, preceded by Oblivion and followed by his Ave Maria. These feature violin and guitar. Then a Hommage to Astor Piazzolla, written by Jean-Marie Lemarchand, a Tango, which features the violin with two guitars.
Our second-to-last item is Joseph Suk’s - Love Song, Op. 7 No. 1, and that is followed finally by an item from Peter Warlock’s Capriol Suite. Johan Svendsen - Romance, Op. 26 Performed by Henning Kraggerud with the Malmo Symphony Orchestra conducted by Bjarte Engeset · Max Bruch - Violin Concerto No. 1 in G Minor, Op. 26_ II. Adagio Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Pablo de Sarasate - Danzas Españolas, Op. 21 - Malagueña and Habanera Performed by Julia Fischer and Milana Chernyavska · Pablo de Sarasate - Danzas Españolas, Op. 21 - Malagueña and Habanera Performed by Julia Fischer and Milana Chernyavska · Dmitri Shostakovich - Pieces for 2 Violins & Piano (Arr. by Lev Atovmyan) - Gavotte, Elegy, and Waltz. Performed by Julia Fischer, Kirill Troussov, and Henri Bonamy · Dmitri Shostakovich - Pieces for 2 Violins & Piano (Arr. by Lev Atovmyan) - Gavotte, Elegy, and Waltz. Performed by Julia Fischer, Kirill Troussov, and Henri Bonamy · Dmitri Shostakovich - Pieces for 2 Violins & Piano (Arr. by Lev Atovmyan) - Gavotte, Elegy, and Waltz. Performed by Julia Fischer, Kirill Troussov, and Henri Bonamy · Astor Piazzolla - Oblivion, Libertango, and Ave Maria Performed by Sara Chenal & Olivier Pelmoine · Astor Piazzolla - Oblivion, Libertango, and Ave Maria Performed by Sara Chenal & Olivier Pelmoine · Astor Piazzolla - Oblivion, Libertango, and Ave Maria Performed by Sara Chenal & Olivier Pelmoine · Jean-Marie Lemarchand - Hommage à Astor Piazzolla II. Tango Performed by Sara Chenal, Olivier Pelmoine and Matthias Collet · Joseph Suk - Love Song, Op. 7 No. 1 Performed by David Oistrakh & Vladimir Yampolsky · Peter Warlock - Capriol Suite: 5. Pied-en- l'air Performed by Nicholas Kraemer with the Academy of St Martin in the Fields conducted by Sir Neville Marriner
Programme 96 Violin Concertos Part 1 Programme Description
Today we embark on a new series in which we will explore in depth the various instruments that are used in the orchestra. By in depth I mean that we will listen to a substantial amount of music for each instrument, focusing on them one by one.
We start with the leader of the orchestra, the Violin.
The violin is one of the most celebrated instruments in the world, known for its brilliance, versatility, and expressive power.
Mendelssohn’s Violin Concerto in E Minor.
A perfect example, this work that captures everything the violin does best: soaring lyrical lines, sparkling agility, and moments of breathtaking tenderness, all woven into a seamless, flowing conversation between soloist and orchestra. In just a single piece, the violin moves from whispered beauty to triumphant brilliance, showing why it has held the spotlight for centuries.
Max Bruch’s Violin Concerto No. 1 in G minor
Bruch’s Violin Concerto No. 1 is often called one of the most beloved works in the violin repertoire. It perfectly captures the instrument’s deep emotional range, moving from dark, yearning melodies to moments of radiant, heartfelt beauty. In this concerto, the violin seems to sing directly to the listener, carrying rich Romantic expression with both warmth and nobility. Felix Mendelssohn: Violin Concerto in E Minor, Op. 64 Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Felix Mendelssohn: Violin Concerto in E Minor, Op. 64 Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Felix Mendelssohn: Violin Concerto in E Minor, Op. 64 Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Max Bruch: Violin Concerto No. 1 in G Minor, Op. 26 Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Max Bruch: Violin Concerto No. 1 in G Minor, Op. 26 Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Max Bruch: Violin Concerto No. 1 in G Minor, Op. 26 Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan
Programme 95 Easter at Home
Edward Elgar - Nimrod (Lux Aeterna)
A calm beginning
J.S. Bach – Jesu, Joy of Man’s Desiring
Familiar and graceful, this brings a quiet sense of hope.
Gabriel Fauré – Pavane Opus 50
Light and melodic, full of elegance and calm beauty.
Ludovico Einaudi – Primavera (7:00)
A gentle piano piece that stirs the heart, like spring awakening.
John Rutter – The Lord Bless You and Keep You
A short and heartfelt choral blessing, comforting and tender.
George Butterworth – The Banks of Green Willow
Pastoral and flowing, evoking English countryside in spring.
Morten Lauridsen – Nocturnes III Sure On This Shining Night
Lush harmonies and text that speaks of quiet wonder.
G.F. Handel – I Know That My Redeemer Liveth from Messiah HWV 56, Pt. 3_ No. 45, Aria
Uplifting and deeply rooted in Easter’s message of hope and renewal.
Eric Whitacre – Lux Aurumque
Peaceful—glowing, soft light in sound form.
Ola Gjeilo – Ubi Caritas
A serene, modern choral piece with a warm, embracing tone.
Franz Schubert - Ave Maria, Op. 52 No. 6, D. 839
A most relaxing and pleasing song, sung by the inimitable Barbara Bonney
John Rutter - This joyful Eastertide
The perfect ending Edward Elgar - Nimrod (Lux Aeterna) Performed by VOCES8 · J.S. Bach – Jesu, Joy of Man’s Desiring Performed by the Tabernacle Choir at Temple Square & Orchestra at Temple · Gabriel Fauré – Pavane Opus 50 Performed by the Boston Symphony Orchestra and the Tanglewood Festival Chorus conducted by Seiji Ozawa, · Ludovico Einaudi – Primavera (7:00) Performed by Ludovico Einaudi and the Royal Philharmonic Orchestra conducted by Robert Ziegler · John Rutter – The Lord Bless You and Keep You Performed by the Cambridge Singers and the City of London Sinfonia conducted by John Rutter · George Butterworth – The Banks of Green Willow Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Morten Lauridsen – Nocturnes III Sure On This Shining Night Performed by Polyphony and the Britten Symphonia conducted by Stephen Layton · Handel – I Know That My Redeemer Liveth from Messiah HWV 56, Pt. 3_ No. 45, Aria Performed by Kiri Te Kanawa and the Chicago Symphony Orchestra conducted by Sir Georg Solti · Eric Whitacre – Lux Aurumque Performed by the Eric Whitacre Singers · Ola Gjeilo – Ubi Caritas Performed by VOCES8 · Franz Schubert - Ave Maria, Op. 52 No. 6, D. 839 Performed by Barbara Bonney and Geoffrey Parsons · John Rutter - This joyful Eastertide Performed by the Cambridge Singers conducted by John Rutter
Our theme this Thursday is Whimsy and Delight and I have a mixed bag of music for you, some of it a little bit weird, but all of it charming and delightful!
Domenico Scarlatti - Sonata in C Major, K. 159, L. 104 La Caccia
Francis Poulenc - Flute Sonata, FP 164_ I. Allegro malinconico (feat. Eric Le Sage)
Wolfgang Amadeus Mozart - Rondo in D major, K.485
Fritz Kreisler - Caprice viennois Op. 2
Fritz Kreisler – Liebesleid
Fritz Kreisler - Schön Rosmarin
Georges Bizet - Petite suite from Jeux d'enfants, Op. 22, WD 39
Maurice Ravel - Jeux d'eau, M. 30
Igor Stravinsky - Petrushka, Pt. 1 The Shrovetide Fair
Jacques Ibert_ Divertissement_ 5. Parade
Francis Poulenc - Improvisation No. 15 in C Minor, FP 176 Domenico Scarlatti - Sonata in C Major, K. 159, L. 104 La Caccia Performed by Dubravka Tomsic · Francis Poulenc - Flute Sonata, FP 164 (Movements 1 and 3) Performed by Emmanuel Pahud & Eric le Sage · Francis Poulenc - Flute Sonata, FP 164 (Movements 1 and 3) Performed by Emmanuel Pahud & Eric le Sage · Wolfgang Amadeus Mozart - Rondo in D major, K.485 Performed by Mitsuko Uchida · Fritz Kreisler - Caprice viennois Op. 2 Performed by Anne-Sophie Mutter & Lambert Orkis · Fritz Kreisler - Liebesleid Performed by Anne-Sophie Mutter & Lambert Orkis · Fritz Kreisler - Schön Rosmarin Performed by Anne-Sophie Mutter & Lambert Orkis · Georges Bizet - Petite suite from Jeux d'enfants, Op. 22, WD 39 Performed by the Orchestre de Paris conducted by Paavo Järvi i. Marche “Trompette et Tambour” · Georges Bizet - Petite suite from Jeux d'enfants, Op. 22, WD 39 Performed by the Orchestre de Paris conducted by Paavo Järvi Ii. Berceuse “La poupée” · Georges Bizet - Petite suite from Jeux d'enfants, Op. 22, WD 39 Performed by the Orchestre de Paris conducted by Paavo Järvi III. “Impromptu La toupee” · Georges Bizet - Petite suite from Jeux d'enfants, Op. 22, WD 39 Performed by the Orchestre de Paris conducted by Paavo Järvi IV. Duo “Petit mari, petite femme” · Georges Bizet - Petite suite from Jeux d'enfants, Op. 22, WD 39 Performed by the Orchestre de Paris conducted by Paavo Järvi V. Galop “Le bal” · Maurice Ravel - Jeux d'eau, M. 30 Performed by Martha Argerich · Ibert_ Divertissement_ 5. Parade Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Francis Poulenc - Improvisation No. 15 in C Minor, FP 176 Performed by Pascal Rogé · Igor Stravinsky - Petrushka, Pt. 1 Shrovetide Fair Introduction - At the Shrovetide Fair (1947 Version) Performed by the City of Birmingham Symphony Orchestra conducted by Sir Simon Rattle, featuring Peter Donohoe
In today’s programme we are continuing to look at the topic the use of Theme and Variations, after Beethoven. We have music by Elgar and Dvorak.
Edward Elgar (1857–1934)
Enigma Variations, Op. 36 – 14 variations each portraying a friend of the composer
Antonín Dvořák (1841–1904)
Symphonic Variations, Op. 78 – a richly orchestrated and well-developed variation set
Dvořák and Elgar infused variation form with National Identity and Orchestral Color, cultural and personal identity.
The theme is used as mirror, not only transformed musically but emotionally and socially.
Bohemian composer Antonín Dvořák brought it to the orchestra with his Symphonic Variations—a colorful and inventive work that dances, sighs, and sings.
Meanwhile, in England, Edward Elgar took a deeply personal approach. Elgar’s Enigma Variations personalize the theme; each variation is a vignette.His Enigma Variations are portraits of his friends, each one full of character, wit, and affection. Together, they form a musical scrapbook of human connection.
Please come and join me for the music! Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Antonín Dvořák - Symphonic Variations, Op. 78 Performed by the NDR Elbphilharmonie Orchester conducted by Sir John Eliot Gardiner · Frédéric Chopin - Chopin Nocturne Op. 9 No. 2 in E Flat Major Performed by Jan Lisiecki
Our programme today features music that transports us to faraway places, infused with cultural colours.
Mikhail Ippolitov-Ivanov Caucasian - Sketches for Orchestra, Op. 10_ Procession of the Sardar
Nikolai Rimsky-Korsakov - The Flight of the Bumble-bee
Isaac Albéniz - Suite española, Op.47 - Granada, Sevilla and Asturias
Manuel María Ponce - Estrellita (Arranged for Violin & Orchestra by Joshua Bell and Jascha Heifetz)
Alexander Glazunov - Chant du Ménestrel, Op. 71
Enrique Granados - Danzas Española, Op. 37, No. 10 - Danza Triste, Oriental, Villanesca, and Andaluza
Maurice Ravel - Rapsodie espagnole, M. 54 – Habanera and Feria Mikhail Ippolitov-Ivanov Caucasian - Sketches for Orchestra, Op. 10_ Procession of the Sardar Performed by the4 Philadelphia Orchestra, conducted by Eugene Ormandy · Nikolai Rimsky-Korsakov - The Flight of the Bumble-bee Performed by the Royal Scottish National Orchestra conducted by Neeme Järvi · Isaac Albéniz - Suite española, Op.47 - Granada, Sevilla and Asturias Performed by Miloš Karadaglić · Isaac Albéniz - Suite española, Op.47 - Granada, Sevilla and Asturias Performed by Miloš Karadaglić · Isaac Albéniz - Suite española, Op.47 - Granada, Sevilla and Asturias Performed by Miloš Karadaglić · Manuel María Ponce - Estrellita (Arranged for Violin & Orchestra by Joshua Bell and Jascha Heifetz) Performed by Joshua Bell and the Orchestra of St. Luke’s conducted by Michael Stern · Alexander Glazunov - Chant du Ménestrel, Op. 71 Performed by Mstislav Rostropovich and the Boston Symphony Orchestra xonducted by Seiji Ozawa · Enrique Granados - Danzas Española, Op. 37, No. 10 - Danza Triste, Oriental, Villanesca, and Andaluza Performed by Pepe Romero and Celin Romero · Enrique Granados - Danzas Española, Op. 37, No. 10 - Danza Triste, Oriental, Villanesca, and Andaluza Performed by Pepe Romero and Celin Romero · Enrique Granados - Danzas Española, Op. 37, No. 10 - Danza Triste, Oriental, Villanesca, and Andaluza Performed by Pepe Romero and Celin Romero · Enrique Granados - Danzas Española, Op. 37, No. 10 - Danza Triste, Oriental, Villanesca, and Andaluza Performed by Pepe Romero and Celin Romero · Maurice Ravel - Rapsodie espagnole, M. 54 – Habanera and Feria Performed by the London Symphony Orchestra conducted by Claudio Abbado · Maurice Ravel - Rapsodie espagnole, M. 54 – Habanera and Feria Performed by the London Symphony Orchestra conducted by Claudio Abbado
about Music Programme 92. Brahms Variations: Programme description
Brahms, as arguably the closest follower of Beethoven in the Romantic period, wrote many sets of variations as did Beethoven.
Today we listen to his variations on themes of Paganini, Schumann, and Haydn, including the first set of Variations written for orchestra that was stand-alone (meaning, not part of a longer work.) Johannes Brahms - Variations For 4 Hands On A Theme By Schumann, Op. 23 Performed by Aloys Kontarsky and Alfons Kontarsky · Johannes Brahms - Variations on a Theme by Robert Schumann, Op. 9 Performed by Simon Trpčeski · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - St Anthony Variations, Op. 56a (Haydn Variations) Performed by the Berliner Philharmoniker conducted by Claudio Abbado
Today’s programme is all about relaxation. Serenades and music suitable for the night.
Mozart – Eine kleine Nachtmusik 4th movement
Franz Strauss – Nocturne, Op. 7
Borodin – Nocturne from String Quartet No. 2
John Field – Nocturne in B-flat Major
Schubert – Ständchen (Serenade)
Grieg – Nocturne, Op. 54 No. 4
Tchaikovsky – Valse Sentimentale, Op. 51 No. 6
Dvořák – Serenade for Strings, Op. 22 Academy of St Martin in the Fields, Sir Neville Marriner - Mozart_ Serenade in G Major, K. 525 Eine kleine Nachtmusik - IV. Rondo · Stefan Dohr & Markus Becker - Nocturne, Op. 7 · Emerson String Quartet & Alexander Borodin - Borodin_ String Quartet No. 2 in D_ 3. Notturno · James Galway - Nocturne No. 5 in B-Flat Major · Sumi Jo, Clara-Jumi Kang, Wen Xiao Zheng & Christopher Park - Schubert_ Schwanengesang, D. 957_ No. 4, Ständchen · Stephen Hough & Edvard Grieg - Grieg_ Lyric Pieces Book 5, Op. 54_ No. 4, Notturno · Mischa Maisky, Lily Maisky & Pyotr Ilyich Tchaikovsky - Tchaikovsky_ 6 Pieces, Op. 51, TH. 143_ VI. Valse sentimentale (Arr. for Cello and Piano by Viktor Kubatsky) · Wiener Philharmoniker, Myung-Whun Chung & Antonín Dvořák - Dvořák_ Serenade for Strings in E Major, Op. 22, B. 52 - I. Moderato · Wiener Philharmoniker, Myung-Whun Chung & Antonín Dvořák - Dvořák_ Serenade for Strings in E Major, Op. 22, B. 52 - I. Moderato · Wiener Philharmoniker, Myung-Whun Chung & Antonín Dvořák - Dvořák_ Serenade for Strings in E Major, Op. 22, B. 52 - I. Moderato · Wiener Philharmoniker, Myung-Whun Chung & Antonín Dvořák - Dvořák_ Serenade for Strings in E Major, Op. 22, B. 52 - I. Moderato
I am going to repeat two items that we heard last week, the two sets of variations by Liszt and Rachmaninov on a theme of Paganini, to reinforce the variation techniques as used in the Romantic period. Then I will fill out our programme with more music of Schumann, the Theme and Variations on the name “Abegg”, and the Andante & Variations for 2 Pianos, 2 Cellos & Horn.
We also start with Schumann today: the piece Widmung, or Dedication. It was a wedding gift to his wife, the pianist Clara Wieck , when they were married on September 12th 1840. This piece is a special kind of variation, as it was originally for voice, but Liszt took the melody and reworked it for a wonderful piano solo. Franz Liszt - Liszt_ Grandes Études de Paganini, S. 141_ No. 6 in A Minor Performed by Daniil Trifonov · Robert Schumann - Widmung (transcribed by Franz Liszt) Performed by Evgeny Kissin · Robert Schumann - Theme and Variations on the name 'Abegg,' Op. 1 Performed by Evgeny Kissin · Robert Schumann - Andante & Variations for 2 Pianos, 2 Cellos & Horn Performed by Vladimir Ashkenazy, Malcolm Frager, Barry Tuckwell & Amaryllis Fleming · Sergei Rachmaninoff - Rachmaninoff_ Rhapsody on a Theme of Paganini, Op. 43_ Introduction – Variations 1-24 Performed by Vladimir Ashkenazy and the London Symphony Orchestra conducted by André Previn
This evening we relax to some of the gems of the later 17th and early 18th centuries:
George Frideric Handel_ Water Music Suite No. 1 in F Major, HWV 348_ I. Ouverture (Grave - Allegro)
George Frideric Handel_ Water Music Suite No. 1 in F Major, HWV 348 - III. Allegro - Andante – Allegro
Antonio Vivaldi - Flute Concerto in D Major, Op. 10 No. 3, RV 428 Il gardellino Allegro, Cantabile and Allegro
Georg Philipp Telemann - Viola Concerto In G, TWV 51_G9_ 1. Largo
Domenico Scarlatti Sonata in D minor, K141
Johann Sebastian Bach - The Well-Tempered Clavier, Book 1 Prelude and Fugue No. 1 in C Major, BWV 846_1
François Couperin - Pièces de Clavecin, Book 2, Ordre VI_ No. 5, Les baricades mistérieuses
Antonio Vivaldi - Concerto for 2 Violins in D Minor, RV 514_ II. Adagio
Johann Sebastian Bach - Orchestral Suite No. 3 in D Major, BWV 1068_ II. Air on the G String
Antonio Vivaldi - Concerto for Lute, 2 Violins and Continuo in D Major, RV 93_ II. Largo
George Frideric Handel - Water Music Suite No. 2 in D Major, HWV 349_ II. Alla Hornpipe George Frideric Handel - Water Music Suite No. 1 in F Major, HWV 348 I. Ouverture (Grave - Allegro) Performed by The English Concert conducted by Trevor Pinnock · George Frideric Handel - Water Music Suite No. 1 in F Major, HWV 348 - III. Allegro - Andante – Allegro Performed by The English Concert conducted by Trevor Pinnock · Antonio Vivaldi - Flute Concerto in D Major, Op. 10 No. 3, RV 428. Il gardellino. Allegro, Cantabile and Allegro Performed by Emmanuel Pahud and the Australian Chamber Orchestra conducted by Richard Tognetti · Antonio Vivaldi - Flute Concerto in D Major, Op. 10 No. 3, RV 428. Il gardellino. Allegro, Cantabile and Allegro Performed by Emmanuel Pahud and the Australian Chamber Orchestra conducted by Richard Tognetti · Antonio Vivaldi - Flute Concerto in D Major, Op. 10 No. 3, RV 428. Il gardellino. Allegro, Cantabile and Allegro Performed by Emmanuel Pahud and the Australian Chamber Orchestra conducted by Richard Tognetti · Georg Philipp Telemann - Viola Concerto In G, TWV 51_G9_ 1. Largo Performed by Pinchas Zukerman and the Saint Paul Chamber Orchestra · Domenico Scarlatti - Sonata in D minor, K141 (Transcribed by Eduardo Fernández) Performed by Eduardo Fernández · Johann Sebastian Bach - The Well-Tempered Clavier, Book 1 Prelude and Fugue No. 1 in C Major BWV 846 Performed by Angela Hewitt · Johann Sebastian Bach - The Well-Tempered Clavier, Book 1 Prelude and Fugue No. 1 in C Major BWV 846 Performed by Angela Hewitt · François Couperin - Pièces de Clavecin, Book 2, Ordre VI No. 5, Les baricades mistérieuses Performed by John Williams · Antonio Vivaldi - Concerto for 2 Violins in D Minor, RV 514 II. Adagio Performed by Viktoria Mullova, Giuliano Carmignola, and the Venice Baroque Orchestra conducted by Andrea Marcon - · Johann Sebastian Bach - Orchestral Suite No. 3 in D Major, BWV 1068 II. Air on the G String Performed by David Bell and the Berliner Philharmoniker conducted by Herbert von Karajan · Antonio Vivaldi - Vivaldi_ Concerto for Lute, 2 Violins and Continuo in D Major, RV 93 II. Largo Performed by Celin Romero and the Academy of St Martin in the Fields conducted by Iona Brown · George Frideric Handel - Water Music Suite No. 2 in D Major, HWV 349 II. Alla Hornpipe Performed by The English Concert conducted by Trevor Pinnock · Wolfgang Amadeus Mozart - Serenade in G Major, K. 525 Eine kleine Nachtmusik - IV. Rondo Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner
As an appetizer for today, we listen to Rachmaninov’s Prelude in G minor.
In today’s programme there are another three works. Two major items and then another shorter work to conclude.
The first big work is Rachmaninov’s Variations on a theme of Paganini.
Then we hear Liszt's "Variations on a Theme by Paganini, S. 161" (also known as "Paganini Etudes")
To round out our programme today we have a very famous Etude by Liszt entitled “Un Sospiro”
Don’t miss this virtuosic programme, featuring some of the repertoires most difficult music to perform. Sergei Rachmaninoff - Rhapsody on a Theme of Paganini, Op. 43_ Introduction – Variations 1-24 Performed by Vladimir Ashkenazy with the London Symphony Orchestra conducted by André Previn · Franz Liszt - Grandes Études de Paganini, S. 141_ No. 1 to 6 Performed by Daniil Trifonov · Franz Liszt - Grandes Études de Paganini, S. 141_ No. 1 to 6 Performed by Daniil Trifonov · Franz Liszt - Grandes Études de Paganini, S. 141_ No. 1 to 6 Performed by Daniil Trifonov · Franz Liszt - Grandes Études de Paganini, S. 141_ No. 1 to 6 Performed by Daniil Trifonov · Franz Liszt - Grandes Études de Paganini, S. 141_ No. 1 to 6 Performed by Daniil Trifonov · Franz Liszt - Grandes Études de Paganini, S. 141_ No. 1 to 6 Performed by Daniil Trifonov · Franz Liszt - 3 Études de Concert, S. 144 No. 3 in D-Flat Major: Un sospiro Performed by Daniil Trifonov
Our theme today is: Music that paints vivid images of the countryside and nature’s beauty.
I have nine items for you that capture both the serenity and grandeur of nature, from tranquil streams to soaring landscapes.
Ludwig van Beethoven – Pastoral Symphony No. 6, Op. 68 (1st movement: Awakening of Cheerful Feelings on Arrival in the Countryside)
Ludwig van Beethoven – Pastoral Symphony No. 6, Op. 68 (2nd movement: Scene by the Brook)
Ralph Vaughan Williams – Fantasia on Greensleeves
Jean Sibelius – Andante
Frederick Delius – On Hearing the First Cuckoo in Spring
Ottorino Respighi – The Birds (Preludio)
Ottorino Respighi – The Birds (The Dove)
Samuel Barber – Adagio for Strings
Aaron Copland – Appalachian Spring: Simple Gifts Ludwig van Beethoven - Symphony No. 6 in F Major, Op. 68 Pastoral_ I. Pleasant, cheerful feelings aroused on approaching the countryside Performed by the European Festival Orchestra conducted by Johannes Walter · Ludwig van Beethoven - Symphony No. 6 in F Major, Op. 68 Pastoral_ II. Szene am Bach. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Ralf Vaughan Williams - Fantasia on Greensleeves Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Jean Sibelius - Andante Festivo Performed by the Gothenburg Symphony Orchestra conducted by Neeme Järvi · Frederick Delius - On hearing the first Cuckoo in Spring Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Ottorino Respighi - The Birds 1. Prelude Performed by the San Francisco Symphony conducted by Edo de Waart · Ottorino Respighi_ The Birds, P. 154 – 2. The Dove Performed by the San Francisco Symphony conducted by Edo de Waart · Samuel Barber - Adagio for Strings, Op. 11 Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Aaron Copland - Simple Gifts from Appalachian Spring Performed by The Boston Pops Orchestra conducted by John Williams
Today we are continuing our exploration of the influence of Beethoven on later composers, especially Brahms, by listening to some compositions of each, which are in the popular category of Theme and Variations.
Three sets are by Beethoven, based on God Save the King, Rule Britannia, and one of his themes.
The other major work today is Brahms’ Theme and Variations on a theme of Handel’s.
This, along with my comments are designed to give you an insight into this centuries old structure, popular with audiences, composers and performers alike for hundreds of years! Rudolf Buchbinder & Ludwig van Beethoven - Beethoven_ 7 Variations on God Save the King in C Major, WoO 78 · Rudolf Buchbinder & Ludwig van Beethoven - Beethoven_ 6 Variations on an Original Theme in F Major, Op. 34 · Murray Perahia & Johannes Brahms - Händel Variations, Op. 24 · Rudolf Buchbinder & Ludwig van Beethoven - Beethoven_ 5 Variations on Arne's Rule Britannia in D Major, WoO 79
Today I have 11 items for you, covering the spirit of the dance in a wide variety of styles you are sure to enjoy!
1.Kabalevsky – Comedians’ Galop
2.Strauss II – Pizzicato Polka
3.Bartók – Romanian Folk Dances
4.Piazzolla – Libertango
5.Debussy – Golliwogg’s Cakewalk
6.Saint-Saëns – Danse Macabre
7.Falla – Spanish Dance No. 1
8.Khachaturian – Sabre Dance
9.Borodin – Polovtsian Dances
10.Delibes – Pizzicati from Sylvia
11.Grieg – Halling Dmitri Kabalevsky_ The Comedians - Suite, Op. 26 - Galop of the comedians Performed by the Armenian Philharmonic Orchestra conducted by Loris Tjeknavorian - · Johann Strauss II Pizzicato Polka (1870) Performed by the Wiener Philharmoniker conducted by Willi Boskovsky · Bela Bartók - Romanian Folk Dances Performed by David Oistrakh and Vladimir Yampolsky · Astor Piazzolla – Libertango Performed by the Astor Piazzolla quintet · Claude Debussy Children's Corner L. 113_ VI: Golliwog's Cakewalk Performed by Seong-Jin Cho · Camille Saint-Saëns - Danse macabre, Op. 40 Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Manuel de Falla - Spanish Dance No. 1 (from La vida breve) Performed by Itzhak Perlman and David Garvey · Manuel de Falla - Danza n.º 2 de «La vida breve», piano (1904) Performed by Paco M Aranda · Aram Khachaturian - Gayaneh - Sabre Dance Performed by the Wiener Philharmoniker · Akexander Borodin - Polovetzian Dances Performed by the Orchestra of Lubeck · Léo Delibes - Pizzicati (Suite) from the Ballet Sylvia Performed by the New Philharmonia Orchestra conducted by Sir Charles Mackerras · Edvard Grieg - Norwegian Dances, Op. 35_ No. 4, Allegro molto Performed by the Estonian National Symphony Orchestra conducted by Paavo Järvi
Today’s programme has the theme Romantic Reflections, and I present for your enjoyment these 12 items which are designed to leave you relaxed and calm.
•Scriabin Nocturne in A-flat major
•Schubert – Impromptu in G-flat major
•Schubert – Impromptu in A-flat major
•Fauré – Sicilienne
•Tchaikovsky – Waltz from Sleeping Beauty
•MacDowell – To a Wild Rose
•Franck – Panis Angelicus
•Grieg – Wedding Day at Troldhaugen
•Clara Schumann – Romance in A minor
•Saint-Saëns – The Swan
•Brahms – Intermezzo in A major
•Chopin – Étude in E major ("Tristesse") Alexander Scriabin - Nocturne in A Flat WoO 3 Performed by Valentina Lisitsa · Franz Schubert – Impromptus in G-flat major and A-flat major Opus 90 Performed by Krystian Zimerman · Franz Schubert – Impromptus in G-flat major and A-flat major Opus 90 Performed by Krystian Zimerman · Gabriel Fauré – Sicilienne Performed by James Galway · Pyotr Ilyich Tchaikovsky – Waltz from “The Sleeping Beauty Suite” Opus 66a Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Edward MacDowell – “To a Wild Rose” from “Woodland Sketches” Opus 51 Performed by Harvey Lavan Van Cliburn · Caesar Franck – Panis Angelicus Performed by Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano and Daniele Rossi · Edvard Grieg – Wedding Day at Troldhaugen Lyric Pieces, Book 8, Op. 65 No. 6. (arr. for orchestra) Performed by the BBC Scottish Symphony conducted by Jerzy Maksymiuk · Clara Schumann – Romance in A minor from 3 Romances, Op. 22 No. 1 WoO 3 Performed by Emmanuel Pahud and Eric Le Sage · Camille Saint-Saëns – Carnival of the Animals_ XIII. The Swan Performed by Yo-Yo Ma, Philippe Entremont, and Gaby Casadesus · Johannes Brahms – Intermezzo in A major from Sechs Klavierstücke, Op. 118_ II Performed by Arcadi Volodos · Frederick Chopin – Étude in E major (
Beethoven’s Piano Variations and Fugue in E-flat major, Op. 35 (also known as the “Eroica” Variations) and Schumann’s Symphonic Etudes, Op. 13 are two of the most ambitious variation sets of the 19th century. While both works are built on variation techniques, they approach form, texture, and thematic development in distinct ways.
Variation techniques allow a composer to demonstrate creativity, technical skill, and emotional range. Elaboration and contrast as well as emotional progression, but with structural unity, is a primary objective. In this regard Variations are like a much extended development section of a Sonata form.
Beethoven was especially prolific and heavily influenced later composers as we will see in Schumann’s Symphonic Etudes today. Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich
This week we will enjoy a programme of “Sundowner” music.
Easy listening for the end of the day.
The programme:
Franz von Suppé – The Light Cavalry Overture
Leroy Anderson - The Syncopated Clock
Leroy Anderson - The Typewriter
Carl Maria von Weber (Arranged by Hector Berlioz) Invitation to the Dance, Op. 65
Dmitri Kabalevsky - The Comedians: Galop Op 26
Paul Dukas - L'Apprenti sorcier
Ferdinand Ries - Piano Concerto Opus 151 - III. Rondo: Allegro vivace
Dmitri Shostakovich - Twenty-Four Preludes, Op. 34 No. 7 In A Major - Andante Arr. For Viola and Piano
Wolfgang Amadeus Mozart - Piano Sonata No. 11 in A Major, K. 331 III. Rondo alla Turca: Allegretto
Franz Lehár - Gold and Silver Waltz Op. 79 Franz von Suppé – The Light Cavalry Overture Performed by the Cincinnati Pops Orchestra conducted by Erich Kunzel · Leroy Anderson - The Syncopated Clock Unknown performers · Leroy Anderson - The Typewriter Unknown performers · Franz Lehár - Gold and Silver Waltz Op. 79 Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Dmitri Kabalevsky - The Comedians: Galop Op 26 The Philadelphia Orchestra & Eugene Ormandy - · Carl Maria von Weber (Arranged by Hector Berlioz) Invitation to the Dance, Op. 65 Performed by the Berliner Philharmoniker, conducted by Herbert von Karajan · Ferdinand Ries - Piano Concerto Opus 151 - III. Rondo: Allegro vivace Performed by Christopher Hinterhuber · Dmitri Shostakovich - Twenty-Four Preludes, Op. 34 No. 7 In A Major - Andante Arr. For Viola and Piano Performed byKim Kashkashian and Lera Auerbach · Wolfgang Amadeus Mozart - Piano Sonata No. 11 in A Major, K. 331 III. Rondo alla Turca: Allegretto Performed by Mitsuko Uchida · Paul Dukas - L'Apprenti sorcier Performed by the Berliner Philharmoniker conducted by James Levine
This week we will enjoy a programme of “Sundowner” music.
Easy listening for the end of the day.
The programme:
Joaquín Rodrigo - Adagio from Concierto de Aranjuez
Johann Sebastian Bach - Orchestral Suite No. 3 in D Major, BWV 1068_ II. Air on the G String
Erik Satie - 3 Gymnopédies_ No. 1, Lent et douloureux
Joseph Haydn - String Quartet in C Major, Op. 76 No. 3, Hob. lll_ 77 Emperor - II. Poco adagio, cantabile
Luigi Boccherini - Minuet from String Quintet in E Major, Op. 13 No. 5
Stanley Myers – Cavatina from “The Deer Hunter”
Frédéric Chopin - Nocturne Op. 9 No. 2 in E Flat Major
Gioacchino Rossini - Overture to “The Italian Girl in Algiers”
Johannes Brahms - Waltz, Op. 35, No. 15 in A-Flat Joaquín Rodrigo - Adagio from Concierto de Aranjuez Performed by Norbert Kraft · Johann Sebastian Bach - Orchestral Suite No. 3 in D Major, BWV 1068_ II. Air on the G String Performed by David Bell with the Berliner Philharmoniker conducted by Herbert von Karajan · Max Bruch - Eight Pieces for Clarinet, Viola, and Piano_ Nachtgesang_ Andante con moto Performed by The Bruch Trio (Jerry Kirkbride, clarinet, Jesse Levine, viola, Rex Woods) · Erik Satie - 3 Gymnopédies_ No. 1, Lent et douloureux Performed by Khatia Buniatishvili · Joseph Haydn - String Quartet in C Major, Op. 76 No. 3, Hob. lll_ 77 Emperor - II. Poco adagio, cantabile Performed by the Emerson String Quartet, · Luigi Boccherini - Minuet from String Quintet in E Major, Op. 13 No. 5 Performed by Mischa Maisky and the Orpheus Chamber Orchestra · Stanley Myers – Cavatina from “The Deer Hunter” Performed by Craig Ogden · Frédéric Chopin - Nocturne Op. 9 No. 2 in E Flat Major Performed by Jan Lisiecki · Gioacchino Rossini - Overture to “The Italian Girl in Algiers” Performed by the New York Philharmonic conducted by Leonard Bernstein · Johannes Brahms - Waltz, Op. 35, No. 15 in A-Flat Performed by Vladimir Horowitz
This week we will enjoy a programme of “Sundowner” music.
Easy listening for the end of the day.
The programme:
Mikhail Glinka - Ruslan and Lyudmila Overture
Ludwig van Beethoven - Romance for Violin and Orchestra No. 2 in F Major, Op. 50
Johann Strauss II - The Beautiful Blue Danube, Waltz Op. 314
Camille Saint-Saëns - Carnival of the Animals_ XIII. The Swan
J.S. Bach_ Concerto for 2 Violins in D Minor, BWV 1043_ II. Largo ma non tanto
Claude Debussy - Suite bergamasque, CD 82, L. 75_ III. Clair de lune
Edward Elgar - Salut d'amour, Op. 12
Johannes Brahms - Brahms_ 21 Hungarian Dances, WoO 1 - Hungarian Dance No. 5 in G Minor. Allegro
Antonin Dvorak - Symphony No. 9 (From the New World) Movement 4 Mikhail Glinka - Ruslan and Lyudmila Overture Performed by the London Symphony Orchestra conducted by Sir Georg Solti · Ludwig van Beethoven - Romance for Violin and Orchestra No. 2 in F Major, Op. 50 Performed by Itzhak Perlman and the Berliner Philharmoniker conducted by Daniel Barenboim · Johann Strauss II - The Beautiful Blue Danube, Waltz Op. 314 Strauss Orchestra Vienna conducted by Joseph Francek - · Camille Saint-Saëns - Carnival of the Animals_ XIII. The Swan Performed by Yo-Yo Ma · J.S. Bach_ Concerto for 2 Violins in D Minor, BWV 1043_ II. Largo ma non tanto Performed by Hilary Hahn and Margaret Batjer with the Los Angeles Chamber Orchestra conducted by Jeffrey Kahane · Claude Debussy - Suite bergamasque, CD 82, L. 75_ III. Clair de lune Performed by Moura Lympany · Edward Elgar - Salut d'amour, Op. 12 Performed by Tasmin Little and John Lenehan · Johannes Brahms - Brahms_ 21 Hungarian Dances, WoO 1 - Hungarian Dance No. 5 in G Minor. Allegro Performed by the Wiener Philharmoniker conducted by Claudio Abbado · Antonin Dvorak - Symphony No. 9 (From the New World) Movement 4 Performed by the Chicago Symphony Orchestra conducted by Sir George Solti
Robert Schumann’s role as a critic and editor of the Neue Zeitschrift für Musik (New Journal for Music) profoundly impacted the Romantic period's music. Schumann became what we would call today “an influencer.” As both an advocate and commentator, Schumann used his platform to shape musical tastes and promote emerging composers' works.
Schumann’s writings helped define the Romantic movement in music by emphasizing the importance of emotion, imagination, and poetic expression in composition and focussing on individuality and the personal voice of the composer.
Our main work for today, Carnaval Opus 9, is an excellent example of this. Robert Schumann: Carnaval Opus 9 Performed by Marc-André Hamelin · Robert Schumann: Fantasiestücke Opus 12 Performed by Murray Perahia · Robert Schumann: Fantasiestücke Opus 12 Performed by Murray Perahia · Robert Schumann: Fantasiestücke Opus 12 Performed by Murray Perahia · Robert Schumann: Fantasiestücke Opus 12 Performed by Murray Perahia · Robert Schumann: Fantasiestücke Opus 12 Performed by Murray Perahia · Robert Schumann: Fantasiestücke Opus 12 Performed by Murray Perahia · Robert Schumann: Fantasiestücke Opus 12 Performed by Murray Perahia · Robert Schumann: Fantasiestücke Opus 12 Performed by Murray Perahia · Robert Schumann: Davidsbündlertänze Op. 6_ No. 1. Lebhaft Performed by Murray Perahia
Robert Schumann’s role as a critic and editor of the Neue Zeitschrift für Musik (New Journal for Music) had a profound impact on the music of the Romantic period. Schumann became what we would call today “an influencer.” As both an advocate and commentator, Schumann used his platform not only to shape musical tastes but also to promote the works of emerging composers.
Schumann’s writings helped define the Romantic movement in music by emphasizing the importance of emotion, imagination, and poetic expression in composition and focussing on individuality and the personal voice of the composer.
Our main work for today, the Piano Quintet in E flat major, is an excellent example of this. Robert Schumann: Piano Quintet in E-Flat Major, Op. 44 Performed by Leif Ove Andsnes, and the Artemis Quartet · Robert Schumann: Piano Quintet in E-Flat Major, Op. 44 Performed by Leif Ove Andsnes, and the Artemis Quartet · Robert Schumann: Piano Quintet in E-Flat Major, Op. 44 Performed by Leif Ove Andsnes, and the Artemis Quartet · Robert Schumann: Piano Quintet in E-Flat Major, Op. 44 Performed by Leif Ove Andsnes, and the Artemis Quartet · Robert Schumann: String Quartet No. 2 in F Major, Op. 41_2 Performed by the Emerson String Quartet · Robert Schumann: String Quartet No. 2 in F Major, Op. 41_2 Performed by the Emerson String Quartet · Robert Schumann: String Quartet No. 2 in F Major, Op. 41_2 Performed by the Emerson String Quartet · Robert Schumann: String Quartet No. 2 in F Major, Op. 41_2 Performed by the Emerson String Quartet · Robert Schumann: 6 Studien in kanonischer Form, Op. 56_ No. 2, Mit innigem Ausdruck Performed by Leif Ove Andsnes, Christian Tetzlaff and Tanja Tetzlaff
Today we look at the influence that Beethoven had on future composers, and today specifically on Schumann who was himself an influential musical giant, and editor of the Neue Zeitschrift für Musik, a new and most important and influential journal.
Beethoven’s influence on the generations of composers who followed him was monumental. He bridged the Classical and Romantic eras, transforming music into a deeply personal and expressive art form and opening the door for further experimentation in structure, harmony, and emotional depth.
Today we listen to movements of Beethoven’s Piano Concerto number 4, and Schumann’s only Piano Concerto and we explore what it is about these concertos that is so typical of their periods, and how Beethoven’s influence is seen in Schumann’s concerto. Ludwig von Beethoven: Piano Concerto No. 4 in G Major, Op. 58 Performed by Stephen Hough with the Finnish Radio Symphony Orchestra conducted by Hannu Lintu. · Ludwig von Beethoven: Piano Concerto No. 4 in G Major, Op. 58 Performed by Stephen Hough with the Finnish Radio Symphony Orchestra conducted by Hannu Lintu. · Ludwig von Beethoven: Piano Concerto No. 4 in G Major, Op. 58 Performed by Stephen Hough with the Finnish Radio Symphony Orchestra conducted by Hannu Lintu. · Robert Schumann: Piano Concerto in A Minor, Op. 54_ III. Allegro vivace Performed by Stephen Hough with the City of Birmingham Symphony Orchestra conducted by Andris Nelsons · Robert Schumann: Piano Concerto in A Minor, Op. 54_ III. Allegro vivace Performed by Stephen Hough with the City of Birmingham Symphony Orchestra conducted by Andris Nelsons · Robert Schumann: Piano Concerto in A Minor, Op. 54_ III. Allegro vivace Performed by Stephen Hough with the City of Birmingham Symphony Orchestra conducted by Andris Nelsons
Today we look at the influence that Beethoven had on future composers, and today specifically on Schumann who was himself an influential musical giant, and editor of the Neue Zeitschrift für Musik, a new and most important and influential journal.
Beethoven’s influence on the generations of composers who followed him was monumental. He bridged the Classical and Romantic eras, transforming music into a deeply personal and expressive art form and opening the door for further experimentation in structure, harmony, and emotional depth.
Today we listen to two movements of Beethoven’s Piano Concerto number 4, and then we follow with Schumann’s only Piano Concerto - Romanticism at its best – heartbreaking emotion and ecstasy! Ludwig von Beethoven: Piano Concerto No. 4 in G Major, Op. 58 Performed by Stephen Hough with the Finnish Radio Symphony Orchestra conducted by Hannu Lintu. · Ludwig von Beethoven: Piano Concerto No. 4 in G Major, Op. 58 Performed by Stephen Hough with the Finnish Radio Symphony Orchestra conducted by Hannu Lintu · Ludwig von Beethoven: Piano Concerto No. 4 in G Major, Op. 58 Performed by Stephen Hough with the Finnish Radio Symphony Orchestra conducted by Hannu Lintu. · Robert Schumann: Piano Concerto in A Minor, Op. 54_ III. Allegro vivace Performed by Stephen Hough with the City of Birmingham Symphony Orchestra conducted by Andris Nelsons · https://www.youtube.com/watch?v=EGjLxz7TnjM · Robert Schumann: Piano Concerto in A Minor, Op. 54_ III. Allegro vivace Performed by Stephen Hough with the City of Birmingham Symphony Orchestra conducted by Andris Nelsons
And so we enter the New Year 2025 and my wish for each one of you is “Happy New Year, and let it be your best one yet!”
Our gentle start to our New Year’s listening is with well-known pieces by Dvorak, Bizet, Rachmaninov, Faure, Brahms, Mozart, Wagner and Elgar. Antonin Dvorak: Slavonic Dance No. 2, Op. 72 Performed by Symphonieorchester des Bayerischen Rundfunks condicted by Rafael Kubelik · Georges Bizet: Carmen Prelude to Act 1 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Georges Bizet: Carmen Suite No. 2: Habanera Performed by the London Philharmonic Orchestra conducted by David Parr · Sergei Rachmaninov: Vocalise, Op. 34 Performed by Pieter Schoeman with the London Philharmonic Orchestra conducted by David Parr · Gabriel Faure: Pavane Performed by the London Philharmonic Orchestra conducted by David Parr · Johannes Brahms: Hungarian Dance No. 5 in G Minor Performed by the London Philharmonic Orchestra conducted by David Parr · Georges Bizet: L’ Arlesienne: Suite No 1 Carillon and Suite No 2: Menuet and Pastorale Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Georges Bizet: L’ Arlesienne: Suite No 1 Carillon and Suite No 2: Menuet and Pastorale Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Georges Bizet: L’ Arlesienne: Suite No 1 Carillon and Suite No 2: Menuet and Pastorale Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Wolfgang Amadeus Mozart: Symphony: No 40. IV. Allegro assai Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Antonin Dvorak: Slavonic Dance No. 4, Op. 46 Performed by Symphonieorchester des Bayerischen Rundfunks condicted by Rafael Kubelik · Johann Strauss: Radetzky March Opus 228 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Edward Elgar: Pomp and Circumstance, Op. 39: Land of Hope and Glory Performed by the London Philharmonic Orchestra conducted by David Parr
In this programme I present some well-known music which is both inspirational and motivational, so that we can individually meditate about how our 2024 year has been.
The music is by Aaron Copeland, Carl Orff, Gustav Holst, Jules Massenet, Samuel Barber, Stanley Myers, Giuseppe Verdi, Johann Strauss, and Joey Tempest. Aaron Copeland: Fanfare for the Common Man “The Presidents Own®” U.S. Marine Band · Carl Orff: Carmina Burana: Fortuna Imperatrix Mundi Performed by the London Philharmonic, conducted by David Parry · Gustav Holst: The Planets, Op. 32: Mars, The Bringer of War “The Presidents Own®” U.S. Marine Band · Gustav Holst: The Planets, Op. 32: Jupiter, the Bringer of Jollity Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Jules Massenet: Meditation from Thaïs Performed by Itzhal Perlman with the Abbey Road Ensemble conducted by Lawrence Foster · Samuel Barber: Adagio for Strings Opus 11a Performed by Capella Istropolitana · Stanley Myers: Cavatina (Theme from the Deer Hunter) Performed by Craig Ogden · Giuseppi Verdi: Nabucco: Chorus of the Hebrew Slaves (Va', pensiero, sull'ali dorate) London Philharmonic Orchestra, London Philharmonic Choir, The London Chorus and conducted by David Parry · Johann Strauss: On the Beautiful Blue Danube, Op. 314 Performed by the Strauss Orchestra Vienna · Joey Tempest: The Final Countdown Performed by the London Symphony Orchestra • Rocksymphonies
The programme this week is Christmas and Sacred music by John Rutter.
There are original compositions and a selection of well-known carols in exquisite arrangements.
Please feel free to join me and allow the music to stir the emotions in you in the spirit of the Christmas season! A Christmas Overture Performed by The Royal Philharmonic Orchestra · Hark the Herald Angels Sing Performed by The Cambridge Singers, The Farnham Youth Choir and The Royal Philharmonic Orchestra · The Twelve Days of Christmas Performed by Michael O’Neal Singers · For the Beauty of the Earth Performed by The Cambridge Singers and the City of London Sinfonia conducted by John Rutter · Candlelight Carol Performed by The Cambridge Singers and the City of London Sinfonia conducted by John Rutter · I wish you Christmas Performed by The Cambridge Singers, The Farnham Youth Choir and The Royal Philharmonic Orchestra · Donna nobis pacem (movement 5 of the Mass of the Children) Performed by Joanne Lunn and Roderick Williams with the Cambridge Singers · All Things Bright and Beautiful Performed by The Cambridge Singers, the Philip Jones Brass Ensemble, the City of London Sinfonia, conducted by John Rutter · The Lord Bless You and Keep You Performed by The Cambridge Singers, the Philip Jones Brass Ensemble, the City of London Sinfonia, conducted by John Rutter · Joy to the World Performed by The Cambridge Singers and the City of London Sinfonia conducted by John Rutter · Silent Night Performed by The Cambridge Singers and the City of London Sinfonia conducted by John Rutter · Christmas Lullaby Performed by The Cambridge Singers and the City of London Sinfonia conducted by John Rutter · Have Yourself a Merry Little Christmas Performed by Melanie Marshall with The Cambridge Singers, The Farnham Youth Choir and The Royal Philharmonic Orchestra · We Wish You a Merry Christmas Performed by The Cambridge Singers and the City of London Sinfonia conducted by John Rutter
Today we look at Beethoven's influence on future composers, specifically Schumann, an influential musical giant and editor of the Neue Zeitschrift für Musik, a new and most important and influential journal.
Beethoven’s influence on the generations of composers who followed him was monumental. He bridged the Classical and Romantic eras, transforming music into a deeply personal and expressive art form and opening the door for further experimentation in structure, harmony, and emotional depth.
Today we listen to Beethoven’s ground-breaking “An die ferne Geliebte” Opus 98. The first known song cycle. And then we follow it with two of Schumann’s song cycles: “Frauenliebe und –leben” opus 42 and “Liederkreis” Opus 24.
All three song-cycles are Romanticism at its best – heartbreaking emotion and ecstatic love! Ludwig von Beethoven: An die ferne Geliebte, Op. 98 Performed by Dietrich Fischer- Dieskau accompanied by Gerald Moore · Robert Schumann: Frauenliebe und -leben Op. 42 Performed by Brigitte Fassbaender accompanied by Irwin Gage · Robert Schumann: Frauenliebe und -leben Op. 42 Performed by Brigitte Fassbaender accompanied by Irwin Gage · Robert Schumann: Frauenliebe und -leben Op. 42 Performed by Brigitte Fassbaender accompanied by Irwin Gage · Robert Schumann: Frauenliebe und -leben Op. 42 Performed by Brigitte Fassbaender accompanied by Irwin Gage · Robert Schumann: Frauenliebe und -leben Op. 42 Performed by Brigitte Fassbaender accompanied by Irwin Gage · Robert Schumann: Frauenliebe und -leben Op. 42 Performed by Brigitte Fassbaender accompanied by Irwin Gage · Robert Schumann: Frauenliebe und -leben Op. 42 Performed by Brigitte Fassbaender accompanied by Irwin Gage · Robert Schumann: Frauenliebe und -leben Op. 42 Performed by Brigitte Fassbaender accompanied by Irwin Gage · Robert Schumann: Liederkreis Op. 24 Performed by Dietrich Fischer-Dieskau accompanied by Christoph Eschenbach · Robert Schumann: Liederkreis Op. 24 Performed by Dietrich Fischer-Dieskau accompanied by Christoph Eschenbach · Robert Schumann: Liederkreis Op. 24 Performed by Dietrich Fischer-Dieskau accompanied by Christoph Eschenbach · Robert Schumann: Liederkreis Op. 24 Performed by Dietrich Fischer-Dieskau accompanied by Christoph Eschenbach · Robert Schumann: Liederkreis Op. 24 Performed by Dietrich Fischer-Dieskau accompanied by Christoph Eschenbach · Robert Schumann: Liederkreis Op. 24 Performed by Dietrich Fischer-Dieskau accompanied by Christoph Eschenbach · Robert Schumann: Liederkreis Op. 24 Performed by Dietrich Fischer-Dieskau accompanied by Christoph Eschenbach · Robert Schumann: Liederkreis Op. 24 Performed by Dietrich Fischer-Dieskau accompanied by Christoph Eschenbach · Robert Schumann: Liederkreis Op. 24 Performed by Dietrich Fischer-Dieskau accompanied by Christoph Eschenbach
Today we look at the influence that Beethoven had on future composers, and today specifically on Chopin.
Beethoven’s influence on the generations of composers who followed him was monumental. He bridged the Classical and Romantic eras, transforming music into a deeply personal and expressive art form and opening the door for further experimentation in structure, harmony, and emotional depth. Ludwig van Beethoven - Piano Sonata No. 23 in F Minor, Op. 57, Appassionata Performed by Igor Levit · Ludwig van Beethoven - Piano Sonata No. 23 in F Minor, Op. 57, Appassionata Performed by Igor Levit · Ludwig van Beethoven - Piano Sonata No. 23 in F Minor, Op. 57, Appassionata Performed by Igor Levit · Frederic Chopin - Piano Sonata No. 3 in B Minor, Op. 58 Performed by Maurizio Pollini · Frederic Chopin - Piano Sonata No. 3 in B Minor, Op. 58 Performed by Maurizio Pollini · Frederic Chopin - Piano Sonata No. 3 in B Minor, Op. 58 Performed by Maurizio Pollini · Frederic Chopin - Piano Sonata No. 3 in B Minor, Op. 58 Performed by Maurizio Pollini
Today, we look at Harmonic and Modulation developments in Beethoven’s music. This programme is rather difficult and tricky, but it is well worth paying attention to the information and examples.
Beethoven extended these two aspects of composition and set the tone for the next generation of composers in the nineteenth century.
Enjoy! Ludwig van Beethoven, Piano Sonata No. 9 in E Major, Op. 14 No. 1 Performed by Murray Perahia · Ludwig van Beethoven, Piano Sonata No. 9 in E Major, Op. 14 No. 1 Performed by Murray Perahia · Ludwig van Beethoven, Piano Sonata No. 9 in E Major, Op. 14 No. 1 Performed by Murray Perahia · Ludwig van Beethoven, Piano Sonata No. 21 In C Major, Op. 53 Waldstein Performed by Maurizio Pollini · Ludwig van Beethoven, Piano Sonata No. 21 In C Major, Op. 53 Waldstein Performed by Maurizio Pollini · Ludwig van Beethoven, Piano Sonata No. 21 In C Major, Op. 53 Waldstein Performed by Maurizio Pollini · Ludwig van Beethoven , Violin Sonata No. 5 in F Major, Op. 24 Spring - 2. Adagio molts espressivo Performed by Itzhak Perlman and Vladimir Ashkenazy
This week and last I have been preparing to travel and then travelling, so I will not be doing any sort of formal discussion today. Instead we will simply listen to some music of the contemporaries of Haydn, Mozart and Beethoven. I will announce the items, but what I would like you to pay attention to is the strong similarity of style between these composers. This is because all were writing during the 18th century in the prevalent style which was at first moving from Baroque into the polite Classical, and especially Viennese Classical period.
These selections showcase the Classical style and highlight the contributions of lesser-known composers alongside these greats.
These two programmes balance instrumental variety and stylistic depth, featuring symphonies, concertos, chamber works, and solo repertoire from composers who shaped and enriched the Classical style. Leopold Kozeluch – Symphony in G minor, P. IX:26 Performed by The Mozartists, conducted by Ian Page · Leopold Kozeluch – Symphony in G minor, P. IX:26 Performed by The Mozartists, conducted by Ian Page · Leopold Kozeluch – Symphony in G minor, P. IX:26 Performed by The Mozartists, conducted by Ian Page · Franz Krommer – Octet-Partita in F major, Op. 57 Performed by The Danish Wind Octet · Franz Krommer – Octet-Partita in F major, Op. 57 Performed by The Danish Wind Octet · Franz Krommer – Octet-Partita in F major, Op. 57 Performed by The Danish Wind Octet · Franz Krommer – Octet-Partita in F major, Op. 57 Performed by The Danish Wind Octet · Giovanni Battista Viotti – Violin Concerto No. 22 in A minor Performed by Christian Tetzlaff with the Deutsches Symphonie-Orchester Berlin, conducted by Paavo Järvi · Giovanni Battista Viotti – Violin Concerto No. 22 in A minor Performed by Christian Tetzlaff with the Deutsches Symphonie-Orchester Berlin, conducted by Paavo Järvi · Giovanni Battista Viotti – Violin Concerto No. 22 in A minor Performed by Christian Tetzlaff with the Deutsches Symphonie-Orchester Berlin, conducted by Paavo Järvi · Adalbert Gyrowetz – String Quartet in G major, Op. 29 No. 2, first movement Performed by the Pleyel Quartett Köln
I am preparing to travel and then travelling this week and next, so I will not be doing any formal discussions today and next week. Instead, we will listen to some music from the contemporaries of Haydn, Mozart and Beethoven. I will announce the items, but I would like you to pay attention to the strong similarity of style between these composers. This is because all were writing during the 18th century in the prevalent style which was at first moving from Baroque into the polite Classical, especially Viennese Classical period.
These selections showcase the Classical style and highlight the contributions of lesser-known composers alongside these greats.
These two programmes balance instrumental variety and stylistic depth, featuring symphonies, concertos, chamber works, and solo repertoire from composers who shaped and enriched the Classical style. Carl Philipp Emanuel Bach – Symphony in E-flat major, Wq. 179 Performed by the Kammerorchester Carl Philipp Emanuel Bach, conducted by Hartmut Haenchen · Carl Philipp Emanuel Bach – Symphony in E-flat major, Wq. 179 Performed by the Kammerorchester Carl Philipp Emanuel Bach, conducted by Hartmut Haenchen · Carl Philipp Emanuel Bach – Symphony in E-flat major, Wq. 179 Performed by the Kammerorchester Carl Philipp Emanuel Bach, conducted by Hartmut Haenchen · Johann Christian Bach – Sinfonia in B-flat major, Op. 18 No. 2 Performed by the Royal Concertgebouw Orchestra, conducted by Eduard van Beinum · Johann Christian Bach – Sinfonia in B-flat major, Op. 18 No. 2 Performed by the Royal Concertgebouw Orchestra, conducted by Eduard van Beinum · Johann Christian Bach – Sinfonia in B-flat major, Op. 18 No. 2 Performed by the Royal Concertgebouw Orchestra, conducted by Eduard van Beinum · Luigi Boccherini – Cello Concerto in B-flat major, G. 482 (Cadenzas by Grützmacher) Performed by Jacqueline du Pré and the English Chamber Orchestra, conducted by Daniel Barenboim · Luigi Boccherini – Cello Concerto in B-flat major, G. 482 (Cadenzas by Grützmacher) Performed by Jacqueline du Pré and the English Chamber Orchestra, conducted by Daniel Barenboim · Luigi Boccherini – Cello Concerto in B-flat major, G. 482 (Cadenzas by Grützmacher) Performed by Jacqueline du Pré and the English Chamber Orchestra, conducted by Daniel Barenboim · Muzio Clementi – Sonata in G minor, Op. 7 No. 3 Performed by Howard Shelley · Muzio Clementi – Sonata in G minor, Op. 7 No. 3 Performed by Howard Shelley · Muzio Clementi – Sonata in G minor, Op. 7 No. 3 Performed by Howard Shelley · Muzio Clementi - Sonatina No. 1 in C Major, Op. 36 Performed by Lang Lang · Muzio Clementi - Sonatina No. 1 in C Major, Op. 36 Performed by Lang Lang · Muzio Clementi - Sonatina No. 1 in C Major, Op. 36 Performed by Lang Lang
We are still on the path to compare and be able to identify the music of the three classical giants, Haydn, Mozart and Beethoven.
Today we look at Thematic, Rhythmic and Emotional developments in Beethoven’s music.
We start with the famous Symphony 5 with the “fate” motif, and in this symphony, we will find examples of the features I call Beethoven’s fingerprints.
After that a much easier work, a Wind Sextet, not often heard in concert.
Both of these works feature the meanings of “Sonata”, and if you think I am making too much of this, listen to find out why you must know and understand this musical structure to understand Beethoven’s music.
Enjoy! Ludwig van Beethoven_ Symphony No. 5 in C Minor, Op. 67 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan - · Ludwig van Beethoven_ Symphony No. 5 in C Minor, Op. 67 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan - · Ludwig van Beethoven_ Symphony No. 5 in C Minor, Op. 67 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan - · Ludwig van Beethoven_ Symphony No. 5 in C Minor, Op. 67 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan - · Ludwig van Beethoven – Sextet in E-Flat Major, Op. 71 Performed by the Academy of St Martin in the Fields Chamber Ensemble · Ludwig van Beethoven – Sextet in E-Flat Major, Op. 71 Performed by the Academy of St Martin in the Fields Chamber Ensemble · Ludwig van Beethoven – Sextet in E-Flat Major, Op. 71 Performed by the Academy of St Martin in the Fields Chamber Ensemble · Ludwig van Beethoven – Sextet in E-Flat Major, Op. 71 Performed by the Academy of St Martin in the Fields Chamber Ensemble · Ludwig Van Beethoven - 7 Bagatelles, Op. 33 - 5. Allegro, ma non troppo Performed by Mikhail Pletnev
Beethoven as a composer bridged between two periods in the history of music. He was taught and influenced by Haydn as well as Johann Baptist Schenk, Emanuel Aloys Förster, Anton Salieri, and Johann Georg Albrechtsberger. Beethoven held the music of Mozart in high regard, although it is unknown if the two ever met.
We are on the path to compare and be able to identify the music of the three classical giants, Haydn, Mozart and Beethoven.
But today we start the discussion of Beethoven’s style, looking at the Sonata and the Sonata Form. We did cover this last November in programmes 24 to 27. You can listen to these again in the Podcast section on GSA Radio. We use Beethoven’s Sonata number 1 to explore this structure in depth. And then to reinforce this we listen to Beethoven’s Symphony number 8.
The other two Beethoven fingerprints that we will touch on in this programme are his lyrical second slow movements and his strong rhythmic drive as heard in his final movements. Ludwig van Beethoven - Piano Sonata No. 1 in F minor, Op. 2, No. 1 Performed by Igor Levit · Ludwig van Beethoven - Piano Sonata No. 1 in F minor, Op. 2, No. 1 Performed by Igor Levit · Ludwig van Beethoven - Piano Sonata No. 1 in F minor, Op. 2, No. 1 Performed by Igor Levit · Ludwig van Beethoven - Piano Sonata No. 1 in F minor, Op. 2, No. 1 Performed by Igor Levit · Ludwig van Beethoven_ Symphony No. 8 in F Major, Op. 93 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan - · Ludwig van Beethoven_ Symphony No. 8 in F Major, Op. 93 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan - · Ludwig van Beethoven_ Symphony No. 8 in F Major, Op. 93 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan - · Ludwig van Beethoven_ Symphony No. 8 in F Major, Op. 93 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan -
Beethoven as a composer bridged between two periods in the history of music. He was taught and influenced by Haydn as well as Johann Baptist Schenk, Emanuel Aloys Förster, Anton Salieri, and Johann Georg Albrechtsberger. Beethoven held the music of Mozart in high regard, although it is unknown if the two ever met.
We are on the path to compare and be able to identify the music of the three classical giants, Haydn, Mozart and Beethoven. We have covered Haydn’s Music thoroughly over the past several weeks, and Mozart’s on two separate occasions in November last year and in September this year. You can listen to these again in the Podcast section on GSA Radio.
But today we do an easy introduction to Beethoven by just listening to some of his best known and most loved compositions. We can start the discussion of his style next week.
So I have lined up for you 7 of Beethoven’s best known and most loved works and we will listen to these without interruption for this hour.
Enjoy! Ludwig van Beethoven_ Symphony No. 5 in C Minor, Op. 67_ I. Allegro con brio Performed by the Berliner Philharmoniker conducted by Herbert von Karajan - · Ludwig van Beethoven - Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2, Moonlight_ I. Adagio sostenuto Performed by Igor Levit · Ludwig Van Beethoven - Symphony No. 9 in D Minor, Op. 125_ 'Ode to Joy' Performed by James Morris and an unknown orchestra · Ludwig van Beethoven - Beethoven_ Für Elise, Bagatelle in A Minor, WoO 59 Performed by Lang Lang · Ludwig van Beethoven - Piano Sonata No. 8 in C minor, Op. 13, Pathétique_ I. Grave - Allegro di molto e con brio Performed by Igor Levit · Ludwig van Beethoven - Symphony No. 7 in A Major, Op. 92 - IV. Allegro con brio Performed by the Wiener Philharmoniker conducted by Claudio Abbado · Ludwig van Beethoven - Piano Concerto No. 5 in E-Flat Major, Op. 73 Emperor_ I. Allegro Performed by Wilhelm Kempff and the Berliner Philharmoniker conducted by Ferdinand Leitner
We are progressing in our exploration of musical fingerprints today by looking a third time at the music of Franz Josef Haydn, a Classical Period composer.
This we will do for at least one more week, leading up to comparing the style of Haydn with that of Mozart and Beethoven.
Today there is a Symphony, a Piano Sonata, and a Piano Trio – the first a little sad, the others extremely warm and humorous.
I hope you will be with me for the journey Franz Josef Haydn: Symphony No. 44 in E Minor, Hob.I_44 -Mourning Performed by The English Concert, conducted by Trevor Pinnock · Franz Josef Haydn: Symphony No. 44 in E Minor, Hob.I_44 -Mourning Performed by The English Concert, conducted by Trevor Pinnock · Franz Josef Haydn: Symphony No. 44 in E Minor, Hob.I_44 -Mourning Performed by The English Concert, conducted by Trevor Pinnock · Franz Josef Haydn: Symphony No. 44 in E Minor, Hob.I_44 -Mourning Performed by The English Concert, conducted by Trevor Pinnock · Franz Josef Haydn: Piano Sonata No. 62 in E-Flat Major, Hob. XVI_52 Performed by Evgeny Kissin · Franz Josef Haydn: Piano Sonata No. 62 in E-Flat Major, Hob. XVI_52 Performed by Evgeny Kissin · Franz Josef Haydn: Piano Sonata No. 62 in E-Flat Major, Hob. XVI_52 Performed by Evgeny Kissin · Franz Josef Haydn: Piano Trio in G Major, Hob. XV_25 Gypsy Rondo Performed by the Florestan Trio · Franz Josef Haydn: Piano Trio in G Major, Hob. XV_25 Gypsy Rondo Performed by the Florestan Trio · Franz Josef Haydn: Piano Trio in G Major, Hob. XV_25 Gypsy Rondo Performed by the Florestan Trio · Felix Mendelssohn Bartholdy: Songs Without Words Book 1 Opus 19 Performed by Daniel Gortler
We are progressing in our exploration of musical fingerprints today by looking a second time at the music of Franz Josef Haydn, a Classical Period composer. We will do this for at least one more week, leading up to comparing the style of Haydn with that of Mozart.
Today there are two Symphonies and a String Quartet. And a couple of jokes.
I hope you will be with me for the journey! Franz Josef Haydn: String Quartet in E Flat, Hob. III_38, Op. 33 No. 2 Performed by the Emerson String Quartet · Franz Josef Haydn: String Quartet in E Flat, Hob. III_38, Op. 33 No. 2 Performed by the Emerson String Quartet · Franz Josef Haydn: String Quartet in E Flat, Hob. III_38, Op. 33 No. 2 Performed by the Emerson String Quartet · Franz Josef Haydn: String Quartet in E Flat, Hob. III_38, Op. 33 No. 2 Performed by the Emerson String Quartet · Franz Josef Haydn: Symphony No. 88 in G Major, Hob. I_88 Performed by the Berliner Philharmoniker conducted by Wilhelm Furtwängler · Franz Josef Haydn: Symphony No. 45 in F-Sharp Minor, Hob. I_45 Farewell Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Franz Josef Haydn: Symphony No. 45 in F-Sharp Minor, Hob. I_45 Farewell Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Franz Josef Haydn: Symphony No. 45 in F-Sharp Minor, Hob. I_45 Farewell Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Franz Josef Haydn: Symphony No. 45 in F-Sharp Minor, Hob. I_45 Farewell Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner https://www.youtube.com/watch?v=xP0rQ3MlAvg · Felix Mendelssohn Bartholdy: Songs Without Words Book 1 Opus 19 Performed by Daniel Gortler
We are progressing in our exploration of musical fingerprints today by looking at the music of Franz Josef Haydn, a Classical Period composer. We will do this for at least one more week, leading up to comparing the style of Haydn with that of Mozart.
I hope you will be with me for the journey! Franz Josef Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. Lll:77 Emperor Performed by the Emerson String Quartet · Franz Josef Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. Lll:77 Emperor Performed by the Emerson String Quartet · Franz Josef Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. Lll:77 Emperor Performed by the Emerson String Quartet · Franz Josef Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. Lll:77 Emperor Performed by the Emerson String Quartet · Franz Josef Haydn: Symphony No. 104 in D Major, Hob. I_104 London Performed by the London Philharmonic Orchestra conducted by Eugen Jochum · Franz Josef Haydn: Symphony No. 104 in D Major, Hob. I_104 London Performed by the London Philharmonic Orchestra conducted by Eugen Jochum · Franz Josef Haydn: Symphony No. 104 in D Major, Hob. I_104 London Performed by the London Philharmonic Orchestra conducted by Eugen Jochum · Franz Josef Haydn: Symphony No. 104 in D Major, Hob. I_104 London Performed by the London Philharmonic Orchestra conducted by Eugen Jochum · Felix Mendelssohn Bartholdy: Songs Without Words Book 1 Opus 19 Performed by Daniel Gortler
Two A major Concerto’s by Mozart today.
Mozart’s Concertos for Piano and for Clarinet, are both in A major. This is one of Mozart’s “happy keys”, along with E flat major and C major. In the context of the Doctrine of the Affections, each musical key was believed to have its own inherent emotional qualities, and composers used these keys deliberately to evoke specific emotions or moods in their compositions. A major, with its bright and open character, was often seen as a key suitable for expressing joy, celebration, and positive emotions.
So please come and share some joy, celebration and positive emotions as I introduce you to the structure called “Concerto” in a way that you will not easily forget. Wolfgang Amadeus Mozart: Piano Concerto number 23 in A Major K488 Performed by Maurizio Pollini and Wiener Philharmoniker conducted by Karl Bohm · Wolfgang Amadeus Mozart: Clarinet Concerto in A Major K622 Performed by Martin Fröst and Amsterdam Sinfonietta conducted by Peter Oundjian · Wolfgang Amadeus Mozart: Clarinet Concerto in A Major K622 Performed by Martin Fröst and Amsterdam Sinfonietta conducted by Peter Oundjian · Wolfgang Amadeus Mozart: Clarinet Concerto in A Major K622 Performed by Martin Fröst and Amsterdam Sinfonietta conducted by Peter Oundjian · Felix Mendelssohn Bartholdy: Songs Without Words Book 1 Opus 19 Performed by Daniel Gortler
So, let us imagine that you are listening to a piece of music, but you cannot place it. What is its name?
We reviewing some music from an earlier programme, looking at musical fingerprints in this episode, things that can help us find out what that piece of music is. Domenico Scarlatti: Sonata in E major Kk380 Performed on Harpsicord by Scott Ross · Wolfgang Amadeus Mozart: Serenade in G major K525 “Eine Kleine Nachtmusik“ Mvt 2.Romance Performed by Wiener Philharmoniker conducted by James Levine · Wolfgang Amadeus Mozart: Piano Concerto number 21 Performed by Maurizio Pollini and the Wiener Philharmoniker. · Wolfgang Amadeus Mozart: Piano Sonata no 4, K282, (second movement) Menuetto I-II Performed by Mitsuko Uchida · Wolfgang Amadeus Mozart: Divertimento in F, K.253 - 3. Allegro assai Performed by Bläservereinigung der Wiener Philharmoniker, Gerhard Turetschek, Günter Lorenz, Günter Högner, Volker Altmann, Dietmar Zeman, Reinhard Öhlberger
Today I am going to give you three characteristics of the music of Bach and Händel by which you will be able to tell them apart.
These are: Style and Complexity, Harmonic Language, and Form and Structure.
These are illustrated by Fugues, Theme and Variations, and Suites from each composer for direct comparison.
So, lend me your ears and let’s investigate! Johan Sebastian Bach: Art of Fugue, BWV 1080 V. Fugue in Contrary Motion Performed by Gustav Leonhardt · George Frideric Händel: 6 Fugues HWV 605 - 606 Performed by Sissel Online · George Frideric Händel: Suite number 5 in E Major HWV 430 “The Harmonious Blacksmith” Performed by Trevor Pinnock · Johan Sebastian Bach: Goldberg Variations, BWV 988 Performed by Gustav Leonhardt · Johan Sebastian Bach: Goldberg Variations, BWV 988 Performed by Gustav Leonhardt · Johan Sebastian Bach: Goldberg Variations, BWV 988 Performed by Gustav Leonhardt · Johan Sebastian Bach: Goldberg Variations, BWV 988 Performed by Gustav Leonhardt · Johan Sebastian Bach: Goldberg Variations, BWV 988 Performed by Gustav Leonhardt · Johan Sebastian Bach: Goldberg Variations, BWV 988 Performed by Gustav Leonhardt · Johan Sebastian Bach: Goldberg Variations, BWV 988 Performed by Gustav Leonhardt · Johan Sebastian Bach: Goldberg Variations, BWV 988 Performed by Gustav Leonhardt · Johan Sebastian Bach: Goldberg Variations, BWV 988 Performed by Gustav Leonhardt · George Frideric Händel: Keyboard Suite No.1 in B-flat major, HWV 434 Performed by Ashish Xiangyi Kumar · Johan Sebastian Bach: French Suite No. 1 in D Minor, BWV 812 Performed by Murray Perahia · Johan Sebastian Bach: French Suite No. 1 in D Minor, BWV 812 Performed by Murray Perahia · Johan Sebastian Bach: French Suite No. 1 in D Minor, BWV 812 Performed by Murray Perahia · Johan Sebastian Bach: French Suite No. 1 in D Minor, BWV 812 Performed by Murray Perahia · Johan Sebastian Bach: French Suite No. 1 in D Minor, BWV 812 Performed by Murray Perahia
Today’s programme is part 2 of 3 in which we look at the structure called the Suite, which was an instrumental staple of the Baroque period, and a forerunner of the Classical symphony. The Suite is based on stylized dances of the period (or earlier), and consequently are quite easy listening.
In part 1 we looked at those by Bach; now in part 2 those by Handel and also a concerto by Vivaldi which fits the model although he named it differently; and the climax comes in part 3 when we dig into the Art of Listening: How can I tell if that piece was written by Bach, or by Handel (these being the best known of the Baroque composers)?
So, lend me your ears and let’s investigate! George Frideric Händel: Suite number 1 in A Major HWV 426 Performed by Paul Nicholson · George Frideric Händel: Suite number 1 in A Major HWV 426 Performed by Paul Nicholson · George Frideric Händel: Suite number 1 in A Major HWV 426 Performed by Paul Nicholson · George Frideric Händel: Suite number 1 in A Major HWV 426 Performed by Paul Nicholson · George Frideric Händel: Suite number 5 in E Major HWV 430 Performed by Murray Perahia · George Frideric Händel: Suite number 5 in E Major HWV 430 Performed by Murray Perahia · George Frideric Händel: Suite number 5 in E Major HWV 430 Performed by Murray Perahia · George Frideric Händel: Suite number 5 in E Major HWV 430 Performed by Murray Perahia · George Frideric Händel: Water Music Suite number 2 in D Major HWV 349 Performed by the Prague Chamber Orchestra conducted by Sir Charles Mackerras · George Frideric Händel: Water Music Suite number 2 in D Major HWV 349 Performed by the Prague Chamber Orchestra conducted by Sir Charles Mackerras · George Frideric Händel: Water Music Suite number 2 in D Major HWV 349 Performed by the Prague Chamber Orchestra conducted by Sir Charles Mackerras · George Frideric Händel: Water Music Suite number 2 in D Major HWV 349 Performed by the Prague Chamber Orchestra conducted by Sir Charles Mackerras · George Frideric Händel: Water Music Suite number 2 in D Major HWV 349 Performed by the Prague Chamber Orchestra conducted by Sir Charles Mackerras · George Frideric Händel: Water Music Suite number 2 in D Major HWV 349 Performed by the Prague Chamber Orchestra conducted by Sir Charles Mackerras · George Frideric Händel: Water Music Suite number 3 in G Major HWV 350 Performed by the Prague Chamber Orchestra conducted by Sir Charles Mackerras · George Frideric Händel: Water Music Suite number 3 in G Major HWV 350 Performed by the Prague Chamber Orchestra conducted by Sir Charles Mackerras · George Frideric Händel: Water Music Suite number 3 in G Major HWV 350 Performed by the Prague Chamber Orchestra conducted by Sir Charles Mackerras · George Frideric Händel: Water Music Suite number 3 in G Major HWV 350 Performed by the Prague Chamber Orchestra conducted by Sir Charles Mackerras · George Frideric Händel: Water Music Suite number 3 in G Major HWV 350 Performed by the Prague Chamber Orchestra conducted by Sir Charles Mackerras · George Frideric Händel: Water Music Suite number 3 in G Major HWV 350 Performed by the Prague Chamber Orchestra conducted by Sir Charles Mackerras · George Frideric Händel: Water Music Suite number 3 in G Major HWV 350 Performed by the Prague Chamber Orchestra conducted by Sir Charles Mackerras · George Frideric Händel: Water Music Suite number 3 in G Major HWV 350 Performed by the Prague Chamber Orchestra conducted by Sir Charles Mackerras · George Frideric Händel: Water Music Suite number 3 in G Major HWV 350 Performed by the Prague Chamber Orchestra conducted by Sir Charles Mackerras · Antonio Vivaldi: The Four Seasons Opus 8 no 1 RV 269 “Spring” Performed by St. Mark’s Philharmonic Orchestra
Today’s programme is part 1 of 3 in which we look at the structure called the Suite, which was an instrumental staple of the Baroque period, and a forerunner of the Classical symphony. The Suite is based on stylized dances of the period (or earlier), and consequently are quite easy listening.
In part 1 we look at those by Bach; in part 2 those by Handel and also a concerto by Vivaldi which fits the model although he named it differently; and the climax comes in part 3 when we dig into the Art of Listening: How can I tell if that piece was written by Bach, or by Handel (these being the best known of the Baroque composers)?
So, lend me your ears and let’s investigate! JS Bach: French Suite number 6 in E Major BWV 817 Performed by Murray Perahia · JS Bach: French Suite number 6 in E Major BWV 817 Performed by Murray Perahia · JS Bach: French Suite number 6 in E Major BWV 817 Performed by Murray Perahia · JS Bach: French Suite number 6 in E Major BWV 817 Performed by Murray Perahia · JS Bach: French Suite number 6 in E Major BWV 817 Performed by Murray Perahia · JS Bach: French Suite number 6 in E Major BWV 817 Performed by Murray Perahia · JS Bach: French Suite number 6 in E Major BWV 817 Performed by Murray Perahia · JS Bach: French Suite number 6 in E Major BWV 817 Performed by Murray Perahia · JS Bach: Partita number 1 in B-flat Major BWV 825 Performed by Murray Perahia · JS Bach: Partita number 1 in B-flat Major BWV 825 Performed by Murray Perahia · JS Bach: Partita number 1 in B-flat Major BWV 825 Performed by Murray Perahia · JS Bach: Partita number 1 in B-flat Major BWV 825 Performed by Murray Perahia · JS Bach: Partita number 1 in B-flat Major BWV 825 Performed by Murray Perahia · JS Bach: Partita number 1 in B-flat Major BWV 825 Performed by Murray Perahia · JS Bach: Orchestral Suite number 3 in D Major BWV 1068 Performed by the Academy of St Martin in the Fields, conducted by Sir Neville Marriner · JS Bach: Orchestral Suite number 3 in D Major BWV 1068 Performed by the Academy of St Martin in the Fields, conducted by Sir Neville Marriner · JS Bach: Orchestral Suite number 3 in D Major BWV 1068 Performed by the Academy of St Martin in the Fields, conducted by Sir Neville Marriner · JS Bach: Orchestral Suite number 3 in D Major BWV 1068 Performed by the Academy of St Martin in the Fields, conducted by Sir Neville Marriner
Today’s programme is about the most advanced and exciting product of the Baroque period – the Fugue.
We already did the lesson section last week, but I’m repeating that section by request (the first 16 minutes). Fugue is not an easy concept, so this is another opportunity to get to grips with Fugue.
I’m about to make it easy to understand!
This week the music is not only for piano – I have fugues for Choir, Organ, Chamber Orchestra, Lute, Violin and Piano. These are by Bach, Handel, Corelli, and Telemann.
I can’t wait to share these with you! George Frederick Händel: Messiah Sections 26b, 13, 29 and 23 Performed by the Monteverdi Choir and English Baroque Soloists, conducted by John Elliot Gardiner · Performed by the Monteverdi Choir and English Baroque Soloists, conducted by John Elliot Gardiner · Performed by the Monteverdi Choir and English Baroque Soloists, conducted by John Elliot Gardiner · George Frederick Händel: Messiah Sections 26b, 13, 29 and 23 Performed by the Monteverdi Choir and English Baroque Soloists, conducted by John Elliot Gardiner · Johan Sebastian Bach: Organ Fugue in G minor BWV 578 Performed by E. Power Biggs · Johan Sebastian Bach: Musical Offering BWV 1079 – Ricercar a 6 Performed by the Stuttgarter Kammerorchester, conducted by Karl Münchinger · Johan Sebastian Bach: Fugue in G minor BWV 1000 for Baroque Lute Performed by Evangelina Mascardi · Georg Philipp Telemann: Fuga Sesta “Fugues légères & petits jeux” Performed by mainly4strings · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 9 & 10, BWV 854 – 855 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 9 & 10, BWV 854 – 855 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 9 & 10, BWV 854 – 855 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 9 & 10, BWV 854 – 855 Performed by Angela Hewitt · Arcangelo Corelli: Trio Sonata Opus 3 no 2 Second Movement: Allegro Performed by the Trombones of the Saint Louis Symphony
Today’s programme is about the most advanced and exciting product of the Baroque period – the Fugue.
Yes, it’s complicated.
But I’m about to make it easy to understand!
And give you many opportunities to practice listening to this challenging but enjoyable music.
I can’t wait to share this with you! Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt · Johan Sebastian Bach: The Well-Tempered Clavier, Book 1: Preludes and Fugues 1 - 8, BWV 846 – 853 and BWV 866 Performed by Angela Hewitt
In the next programme in the series, we are looking at Musical Fingerprints Part 11.
What are these?
These are the unique characteristics of individual composers, instruments, periods of music, musical styles and specific compositional types that an observant listener will immediately identify.
In today’s programme I am going to play 6 mystery items for you.
My challenge to you will to identify the period of composition of each based on the musical fingerprints we covered in the last four weeks.
Naturally, I will give you comments after each piece so can check your outcome.
And, I end this programme with a thrilling climax! Johannes Brahms: Symphony 4 in E minor Opus 98 First movement Performed by The Berliner Philharmonilker conducted by Claudio Abbado · Johannes Brahms: Hungarian Dances WoO 1 – 3 Performed by Julius Katchen · Johannes Brahms: Hungarian Dances WoO 1 – 3 Performed by Julius Katchen · Johannes Brahms: Hungarian Dances WoO 1 – 3 Performed by Julius Katchen · Sergei Prokofiev: 12 Movements from Romeo and Juliet Numbers 1 to 4 Performed by Martha Argerich and Sergei Babayan · Sergei Prokofiev: 12 Movements from Romeo and Juliet Numbers 1 to 4 Performed by Martha Argerich and Sergei Babayan · Sergei Prokofiev: 12 Movements from Romeo and Juliet Numbers 1 to 4 Performed by Martha Argerich and Sergei Babayan · Sergei Prokofiev: 12 Movements from Romeo and Juliet Numbers 1 to 4 Performed by Martha Argerich and Sergei Babayan · Johan Sebastian Bach: Toccata and Fugue in D minor BWV 565 Performed by Miklos Spanyi on a Silbermann Organ · Johann Pachelbel Canon in D Performed by Kanon Orchestre de Chambre conducted by Jean-Francois Paillard · Ludwig von Beethoven: Symphony number 6 in F Opus 68 First movement Performed by the Philharmonia Orchestra (?conducted by Otto Klemperer or Kurt Sanderling?) · Giacomo Puccini: Nessun dorma from the opera Turandot, Scene 91 of Act 3 Performed by Freddie de Tommaso, the Appolo Voices, and the Philharmonia Orchestra, conducted by Paolo Arrivabeni
What are these?
These are the unique characteristics of individual composers, instruments, periods of music, musical styles and specific compositional types that an observant listener will immediately identify.
Today we look at Keyboard music of the Harpsicord and Fortepiano
Even if this is something you already know, join me anyway for music by Bach and Mozart. Johann Sebastian Bach: Italian Concerto in F Major BWV 971 Performed by Christine Schornsheim of the Netherlands Bach Society The Harpsicord is by Bruce Kennedy on a model by Michael Mietke · Johann Sebastian Bach: French Suite 1 in D Minor BWV 812 Performed by Franscesco Corti of the Netherlands Bach Society The Harpsicord is by Bruce Kennedy on a model by Michael Mietke · Wolfgang Amadeus Mozart: Piano Sonata no 11 in A Major K331 Performed by Malcolm Bilson The Fortepiano is by Philip Belt on a model by Stein · Wolfgang Amadeus Mozart: Piano Sonata no 18 in D Major K576 First movement Performed by Malcolm Bilson The Fortepiano is by Philip Belt on a model by Stein
In the next programme in the series, we are looking at Musical Fingerprints Part 3.
What are these?
These are the unique characteristics of individual composers, periods of music, musical styles and specific compositional types that an observant listener will immediately identify.
Today we look at four Sonatas for Violin with Keyboard accompaniment.
Even if this is something you already know, join me anyway for music by Veracini, Beethoven, Brahms, and Copland. Francesco Maria Veracini, Violin Sonata in E minor. Opus 2 no 8: Movements 1 & 3 Performed by Trio Settecento · Francesco Maria Veracini, Violin Sonata in E minor. Opus 2 no 8: Movements 1 & 3 Performed by Trio Settecento · Ludwig von Beethoven, Violin Sonata Opus 24 no 5, also called the Spring Sonata Movements: 3 & 4 Performed by Itzhak Perlman and Vladimir Ashkenazy · Ludwig von Beethoven, Violin Sonata Opus 24 no 5, also called the Spring Sonata Movements: 3 & 4 Performed by Itzhak Perlman and Vladimir Ashkenazy · Johannes Brahms, Violin Sonata 1 opus 78: Movements 1 & 3 Performed by Itzhak Perlman and Vladimir Ashkenazy · Johannes Brahms, Violin Sonata 1 opus 78: Movements 1 & 3 Performed by Itzhak Perlman and Vladimir Ashkenazy · Aaron Copeland, Violin Sonata: Movements 1 & 3 Performed by Gil Shaham and Amdré Previn · Aaron Copeland, Violin Sonata: Movements 1 & 3 Performed by Gil Shaham and Amdré Previn
Today is about recognizing the sound of a Baroque orchestra, vs a Classical orchestra, vs a Romantic orchestra, vs a Modern (20th century) orchestra.
Even if this is something you already know, join me anyway for music by Bach, Haydn, Schumann, and Bartok.
And a surprising item for piano by György Ligeti: Musica Ricercata - VI. Allegro molto capriccioso György Ligeti: Musica Ricercata - VI. Allegro molto capriccioso Performed by Claudia Janet Birkholz · Johan Sebastian Bach: Brandenburg Concerto No 1 in F Major BWV 1046 First Movement: Allegro Performed by the Chamber Music Society of Lincoln Center · Fourth Movement: Performed by The Mozart Orchestra Bologna and soloists conducted by Claudi Abbado · Joseph Haydn: Symphony No 1 in D Major H.I.1 First Movement: Presto Performed by the Academy of Ancient Music conducted by Christopher Hogwood · Third Movement: Presto Performed by the Austro-Hungarian Haydn Orchestra, conducted by Adam Fischer · Robert Schumann: Symphony No 1 in B flat Opus 38 “Spring” First Movement: Andante un poco maestoso – Allegro molto con vivace Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Fourth Movement: Allegro animato e grazioso Performed by the Berliner Philharmoniker conducted by Herbert von Karajan
Today we look at Keyboard music of the Piano in the twentieth century.
Many people think that this music is unlistenable, but I would like to surprise you with some truly interesting music.
I will highlight these –ism genres: Impressionism, Expressionism, Nationalism, Neoclassicism, Experimentalism (also called Aleatoric or Avante Garde, or Chance Music), and Minimalism.
Even if this is something you already know, join me anyway for music by Debussy, Ravel, Schoenberg, Bartok, Prokofiev, John Cage, Philip Glass, and Stravinsky. Claude Debussy: L’Isle joyeuse L106 Performed by Vladimir Horowitz · Maurice Ravel: Sonatine M40 Performed by Jean-Yves Thibaudet · Maurice Ravel: Sonatine M40 Performed by Jean-Yves Thibaudet · Maurice Ravel: Sonatine M40 Performed by Jean-Yves Thibaudet · Arnold Schoenberg: Piano Piece Op33a - Mässig Performed by Maurizio Pollini · Bela Bartók: Three Rondos on Folk Melodies Sz84: No 1 Andante Performed by Bela Bartók · Bela Bartók: Allegro barbaro Performed by Dezsö Ránki · Sergei Prokoviev: Piano Sonata 7, the second movement Performed by Maurizio Pollini · John Cage: Sonatas and Interludes for Prepared Piano: Sonata Number 2 Performed by Joanna MacGregor · Philip Glass: Metmorphosis: One Performed by Philip Glass · Igor Stravinsky: Trois Mouvements de Petrouchka Performed by Maurizio Pollini Danse russe (Russian Dance) · Igor Stravinsky: Trois Mouvements de Petrouchka Performed by Maurizio Pollini- Chez Pétrouchka (Petrushka's Room) · Igor Stravinsky: Trois Mouvements de Petrouchka Performed by Maurizio Pollini-La semaine grasse (The Shrovetide Fair)
We are still listening to Ballet music, but we have moved on to the twentieth century, where the Romantic fixation with lush sound, expressive melodies and emotional stories gives way to a wider variety of influences. Amongst these are modernism, neo classicism, jazz and avante garde. The contemporary choreography frequently reflects more abstract experimentation in movement and form, allowing the music to explore themes and moods more freely.
I chose to continue with Ballet music because it leads us more gently into the sound of the twentieth century than much of the instrumental and vocal music does.
Our music is by Francis Poulenc, Igor Stravinsky, Paul Hindemith, Philip Glass, Maurice Ravel, Pierre-Octave Ferroud, Jacques Ibert, Roland-Manuel, Marcel Delannoy, Albert Roussel, Darius Milhaud, Georges Auric, and Florent Schmitt Francis Poulenc. Les Biches. Suite - Rondeau Performed by Orchestre National de France with Charles Dutoit conducting · Igor Stravinsky. The Rite of Spring Part I, The Adoration of the Earth_ Introduction, · Igor Stravinsky. The Rite of Spring Part I, The Adoration of the Earth_ The Augurs of Spring - Dances of the Young Girls Performed by the New York Philharmonic Orchestra conducted by Zubin Mehta · Paul Hindemith. Fourth Variation - Choleric (The Four Temperaments, Theme and Four Variations for Piano and String Orchestra) Performed by Camerata Montegral with Davide Cabassi and Gustav Kuhn · Philip Glass, - Glassworks IV. Rubric Performed by the Philip Glass Ensemble conducted by Michael Riesman · Ravel et al L'Éventail de Jeanne M. 80 Performed by the Philharmonic Orchestra conducted by Geoffrey Simon Maurice Ravel - · Ravel et al L'Éventail de Jeanne M. 80 Performed by the Philharmonic Orchestra conducted by Geoffrey Simon-Pierre-Octave Ferroud - · Performed by the Philharmonic Orchestra conducted by Geoffrey Simon Jacques Ibert - · Ravel et al L'Éventail de Jeanne M. 80 Performed by the Philharmonic Orchestra conducted by Geoffrey Simon Roland-Manuel - · Ravel et al L'Éventail de Jeanne M. 80 Performed by the Philharmonic Orchestra conducted by Geoffrey Simon Marcel Delannoy - · Ravel et al L'Éventail de Jeanne M. 80 Performed by the Philharmonic Orchestra conducted by Geoffrey Simon Albert Roussel - · Ravel et al L'Éventail de Jeanne M. 80 Performed by the Philharmonic Orchestra conducted by Geoffrey Simon Darius Milhaud - · Ravel et al L'Éventail de Jeanne M. 80 Performed by the Philharmonic Orchestra conducted by Geoffrey Simon Francis Poulenc - · Ravel et al L'Éventail de Jeanne M. 80 Performed by the Philharmonic Orchestra conducted by Geoffrey Simon Georges Auric - · Ravel et al L'Éventail de Jeanne M. 80 Performed by the Philharmonic Orchestra conducted by Geoffrey Simon Florent Schmitt - · Igor Stravinsky. The Firebird Suite - Finale Performed by the Belgian Radio and Television Philharmonic Orchestra
Get out your Tutu, Leotard, and Pointe Shoes! The most romantic of all Romantic music today! Part three of the three part dip into the world of Ballet music. Today we hear Adolphe Adam’s Ballet Music from Giselle and Pyotr Ilych Tcahaikovsky’s Ballet Music from Swan Lake
Prepare to be entranced. Adolphe Adam: Ballet Music from Giselle Performed by the Nuremberg Symphonic Orchestra conducted by Hanspeter Gmür · Pyotr Ilych Tcahaikovsky: Ballet Music from Swan Lake Performed by the London Symphony Orchestra conducted by John Hollingworth
More of the most romantic of all Romantic music today! Prepare for part two of a three part dip into the world of Ballet music. Today we hear Pyotr Ilych Tcahaikovsky’s Ballet Music from The Nutcracker Suite, and also Léo Delibes’ Ballet Music from Coppélia.
Prepare to be entranced. Pyotr Ilych Tchaikovsky: Ballet Music from The Nutcracker Suite Performed by the London Symphony Orchestra conducted by John Hollingworth · Léo Delibes: Ballet Music from Coppélia Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Léo Delibes: Ballet Music from Coppélia Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Léo Delibes: Ballet Music from Coppélia Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Léo Delibes: Ballet Music from Coppélia Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Léo Delibes: Ballet Music from Coppélia Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Léo Delibes: Ballet Music from Coppélia Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Pyotr Ilych Tchaikovsky: Ballet Music from The Nutcracker Suite - Danse russe Trépak: Tempo di Trepak Performed by Martha Argerich · Nicolas Economou
The most romantic of all Romantic music today! Part one of a three part dip into the world of Ballet music. Today we hear Tchaikovsky’s Sleeping Beauty, and also Les Sylphides, which is Chopin’s music as arranged by Alexander Glazunov.
Prepare to be entranced. Pyotr Ilych Tcahaikovsky: Ballet Music from The Sleeping Beauty Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Pyotr Ilych Tcahaikovsky: Ballet Music from The Sleeping Beauty Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Pyotr Ilych Tcahaikovsky: Ballet Music from The Sleeping Beauty Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Pyotr Ilych Tcahaikovsky: Ballet Music from The Sleeping Beauty Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Pyotr Ilych Tcahaikovsky: Ballet Music from The Sleeping Beauty Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Frederik Chopin, arranged by Alexander Glazunov: Ballet Music from Les Sylphides Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Frederik Chopin, arranged by Alexander Glazunov: Ballet Music from Les Sylphides Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Frederik Chopin, arranged by Alexander Glazunov: Ballet Music from Les Sylphides Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Frederik Chopin, arranged by Alexander Glazunov: Ballet Music from Les Sylphides Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Frederik Chopin, arranged by Alexander Glazunov: Ballet Music from Les Sylphides Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Frederik Chopin, arranged by Alexander Glazunov: Ballet Music from Les Sylphides Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Frederik Chopin, arranged by Alexander Glazunov: Ballet Music from Les Sylphides Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Frederik Chopin, arranged by Alexander Glazunov: Ballet Music from Les Sylphides Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Frederik Chopin: Grande Valse Brillante Opus 18 no 1 and Minute Waltz Opus 64 no 1 Performed by Lang-Lang · Frederik Chopin: Grande Valse Brillante Opus 18 no 1 and Minute Waltz Opus 64 no 1 Performed by Lang-Lang
We are continuing our listening to music of the Romantic period with part 2 of the Chamber music genre.
Today we listen to two movements from “Death and the Maiden” by Schubert, two movements from Tchaikovsky’s Souvenir de Florence, and the complete Piano Quintet by Robert Schumann.
I just know you will enjoy these Schubert - String Quartet No. 14 in D minor, · Schubert - String Quartet No. 14 in D minor, · Schubert - String Quartet No. 14 in D minor, · Schubert - String Quartet No. 14 in D minor, · Tchaikovsky - String Sextet in D minor, Op. 70, · Tchaikovsky - String Sextet in D minor, Op. 70, · Tchaikovsky - String Sextet in D minor, Op. 70, · Tchaikovsky - String Sextet in D minor, Op. 70, · Schumann - Piano Quintet in E-flat major, Op. 44 Performed by Maria João Pires, Augustin Dumay, Renaud Capuçon, Gérard Caussé, and Jian Wang · Schumann - Piano Quintet in E-flat major, Op. 44 Performed by Maria João Pires, Augustin Dumay, Renaud Capuçon, Gérard Caussé, and Jian Wang · Schumann - Piano Quintet in E-flat major, Op. 44 Performed by Maria João Pires, Augustin Dumay, Renaud Capuçon, Gérard Caussé, and Jian Wang · Schumann - Piano Quintet in E-flat major, Op. 44 Performed by Maria João Pires, Augustin Dumay, Renaud Capuçon, Gérard Caussé, and Jian Wang · Frédéric Chopin - Chopin 12 Études, Op. 25 - No. 8 in D-Flat Major Sixths Performed by Maurizio Pollini
Some of my favourite music today, so I really hope you will join me! If you don’t know these pieces, you are in for a surprise, and if you do know them, you will be delighted to hear them again.
We are going to listen to Dvorák’s “American” Quartet Opus 96 and Brahm’s String Quintet Op 111. Dvořák - String Quartet No. 12 in F major, Op. 96, · Dvořák - String Quartet No. 12 in F major, Op. 96, · Dvořák - String Quartet No. 12 in F major, Op. 96, · Dvořák - String Quartet No. 12 in F major, Op. 96, · Brahms - String Quintet No. 2 in G major, Op. 111 Performed by the Hagen Quarett and Gérard Caussé · Brahms - String Quintet No. 2 in G major, Op. 111 Performed by the Hagen Quarett and Gérard Caussé · Brahms - String Quintet No. 2 in G major, Op. 111 Performed by the Hagen Quarett and Gérard Caussé · Brahms - String Quintet No. 2 in G major, Op. 111 Performed by the Hagen Quarett and Gérard Caussé · Frédéric Chopin 12 Études, Op. 25 - No. 4 in A Minor Paganini Performed by Maurizio Pollini
What do I hear you saying? You're not familiar with any opera? You haven't heard any opera tunes either? Well, I have quite the surprise for you! Make sure to join us on Thursday at 6pm on GaySA Radio. Let me refresh your memory with what you might have overlooked! We'll be featuring 12 Opera Arias that have achieved "Pop" status. Giacomo Puccini: “Nessun Dorma!” from Turandot Sc 91 Act III Sung by Luciano Pavarotti, with the John Alldis Choir, Wandsworth School Boys Choir, and the London Philharmonic Orchestra conducted by Zubin Mehta · Guisppe Verdi: ”La donna è mobile” from Rigoletto Act III Sung by Luciano Pavarotti with the London Symphony Orchestra conducted by Richard Bonynge · Giacomo Puccini: “O mio babbino caro” from Gianni Schicchi Sung by Renée Fleming with the London Philharmonic Orchestra conducted by Sir Charles Mackerras · Gioachino Rossini: “Largo al factotum” from Il barbiere di Siviglia Sung by Baritenor Michael Spyres. The orchestra and conductor are not named · Lèo Delibes: “The Flower Duet” from Lakmé Sung by Katherine Jenkins and Kiri Te Kanawa with the Philharmonia Orchestra conducted by Anthony Inglis · Giuseppe Verdi: “Libiamo ne'lieti calici” from La traviata Act 1 Sung by Luciano Pavarotti and Joan Sutherland with the London Opera Chorus, and the National Philharmonic Orchestra conducted by Richard Bonynge · Gaetano Donizetti: “Una furtive lagrima” from L’elisir d’amore Act 2 Sung by Léopold Simoneau with the Radio-Symphonie-Orchester Berlin conducted by Paul Strauss · Vincenzo Bellini: “Casta diva” from Norma Act 1 Sung by Renée Fleming and the London Voices with the London Philharmonic Orchestra conducted by Sir Charles Mackerras · Ruggero Leoncavallo: “Recitar! Mentre preso; Vesti la giubba” from I Pagliacci Act I Plácido Domingo with the London Symphony Orchestra conducted by Nello Santi · Giuseppe Verdi: “Va pensiero” from Nabucco Sung by the Chorus of Opera Roma with the orchestra of the Opera Roma conducted by Riccardo Muti) · Giacomo Puccini: “Musetta's Waltz Quando m'en vo” from La Bohème Act II Sung by Anna Netrebko with an unnamed orchestra conducted by Yuri Temirkanov · Charles Gounod: “Je veux vivre” from Roméo et Juliette Sung by Aida Garifullina with an unnamed orchestra and conductor · Giacomo Puccini: “Nessun Dorma!” from Turandot Sc 91 Act III Sung by Luciano Pavarotti from “The Three Tenors in Concert 1994”
There are four big Piano Concertos from the Romantic period, which feature in almost every competition, played usually by multiple competitors.
These are Tchaikovsky’s first, Rachmaninov’s second, and the Concertos in A minor by Grieg and Schumann. We listen today to the Schumann concerto.
These extremely well known and popular concertos gained their popularity for a reason, and if you don’t know them, it’s time to discover that reason.
Today’s programme is completed by Liszt’s Piano Concerto number 2, also a competition favorite.
And Liszt’s Etude “Un Sospiro” as an encore.
Prepare to be enchanted and amazed. So “crank up the volume to maximum” Robert Schumann: Piano Concerto in A Minor Opus 54 Performed by Krystian Zimerman and the Berliner Philharmoniker conducted by Herbert von Karajan · Robert Schumann: Piano Concerto in A Minor Opus 54 Performed by Krystian Zimerman and the Berliner Philharmoniker conducted by Herbert von Karajan · Robert Schumann: Piano Concerto in A Minor Opus 54 Performed by Krystian Zimerman and the Berliner Philharmoniker conducted by Herbert von Karajan · Franz Liszt: Etudes de Concert S.144, number 3 in D flat “Un Sospiro” Performed by Claudio Arrau · Franz Liszt: Piano Concerto no 2 in A major S125 Performed by Stephen Hough and the Bergen Philharmonic Orchestra conducted by Andrew Litton · Franz Liszt: Piano Concerto no 2 in A major S125 Performed by Stephen Hough and the Bergen Philharmonic Orchestra conducted by Andrew Litton · Franz Liszt: Piano Concerto no 2 in A major S125 Performed by Stephen Hough and the Bergen Philharmonic Orchestra conducted by Andrew Litton · Franz Liszt: Piano Concerto no 2 in A major S125 Performed by Stephen Hough and the Bergen Philharmonic Orchestra conducted by Andrew Litton
Today’s music is again one of those “crank up the volume to maximum” programmes.
There are four big Piano Concertos from the Romantic period, which feature in almost every competition, played usually by multiple competitors.
These are Tcchaikovsky’s first, Rachmaninov’s second, and the Concertos in A minor by Grieg and Schumann. We listen today to the Grieg concerto and next week we will take the Schumann concerto.
These extremely well known and popular concertos gained their popularity for a reason, and if you don’t know them, it’s time to discover that reason.
Today’s programme is completed by Liszt’s Piano Concerto number 1, also a competition favorite.
And Chopin’s first Nocturne as an encore.
Prepare to be enchanted and amazed. Edvard Grieg: Piano Concerto in a minor Opus 16 Performed by Stephen Hough and the Bergen Philharmonic Orchestra conducted by Andrew Litton · Edvard Grieg: Piano Concerto in a minor Opus 16 Performed by Stephen Hough and the Bergen Philharmonic Orchestra conducted by Andrew Litton · Edvard Grieg: Piano Concerto in a minor Opus 16 Performed by Stephen Hough and the Bergen Philharmonic Orchestra conducted by Andrew Litton · Franz Liszt: Piano Concerto no 1 in E flat major S124 Performed by Stephen Hough and the Bergen Philharmonic Orchestra conducted by Andrew Litton · Franz Liszt: Piano Concerto no 1 in E flat major S124 Performed by Stephen Hough and the Bergen Philharmonic Orchestra conducted by Andrew Litton · Franz Liszt: Piano Concerto no 1 in E flat major S124 Performed by Stephen Hough and the Bergen Philharmonic Orchestra conducted by Andrew Litton · Franz Liszt: Piano Concerto no 1 in E flat major S124 Performed by Stephen Hough and the Bergen Philharmonic Orchestra conducted by Andrew Litton · Frederic Chopin: Nocturne no 1 in B flat minor Opus 9 no 1 The pianist is not named in this recording
Today’s music is one of those “crank up the volume to maximum” programmes.
Big, big stuff today!
We start off with the Symphonic Poem "The Moldau," by Bedřich Smetana
Next is "Finlandia" by Jean Sibelius
Thereafter "Les Preludes", a symphonic poem by Franz Liszt
Our final item "Till Eulenspiegel's Merry Pranks" (German: "Till Eulenspiegels lustige Streiche") is a tone poem composed by Richard Strauss
Some of my favourite music today, so I really hope you will join me! If you don’t know these pieces, you are in for a lovely surprise, and if you do know them, you will be delighted to hear them again. Bedřich Smetana: Má Vlast, JB1:112 no 2, Vitava Performed by the Wiener Philharmoniker, conducted by Herbert von Karajan · Jean Sibelius: Finlandia Opus 26 no 7 Performed by the Berliner Philharmoniker, conducted by Herbert von Karajan · Franz Liszt: Les Préludes, Symphonic Poem no 3, S.97 Performed by the Berliner Philharmoniker, conducted by Herbert von Karajan · Richard Strauss: Till Eulenspiegels lustige Streiche, Opus 28, TrV 171 Performed by the Berliner Philharmoniker, conducted by Herbert von Karajan
One of my favourite music genres in programme 46!
We are starting with fingerprints of the different genres of the 19th century, and first up is Lieder, or German songs.
The music is by Franz Schubert, Felix Mendelssohn, Johannes Brahms, Hugo Wolf, Richard Strauss, Carl Loewe, and Robert Schumann.
Some of my favourite music today, so I really hope you will join me! Franz Schubert: Erlkönig Opus 1, D. 328 Performed by Dietrich Fischer-Dieskau and Geral Moore · Felix Mendelssohn: On Wings of Song Performed by Barbara Bonney. Her pianist is not named. · Johannes Brahms: Gestillte Sehnsucht Op 91 no 1 Performed by Anne Sofie von Otter, Bengt Forsberg, and Nils-Erik Sparf · Hugo Wolf: Mörike-Lieder – 6. Er ist’s! Performed by Dietrich Fischer-Dieskau and Daniel Barenboim · Hugo Wolf: Lied: Der Genesene an der Hoffnung Performed by Dietrich Fischer-Dieskau and Geral Moore · Richard Strauss: Lied: Zueignung Opus 10 no 1 Performed by Diana Damrau. Her pianist is not named. · Richard Strauss: Lied: Wiegenlied Opus 1 no 1 Performed by Diana Damrau. Her pianist is not named · Carl Loewe: 5 Lieder Opus 145 no 3 Im Sturme Performed by Kurt Moll and Cord Garben · Robert Schumann: Frauenliebe und –leben Opus 42 Performed by Anne Sofie von Otter. Her pianist is not named · Robert Schumann: Widmung Op 25 no 1 Performed by Dietrich Fischer-Dieskau and Jörg Demus
In this programme we are going to play a little quiz game. I have lined up nine items in the programme today; all are from the 17th and 18th Centuries, and I would like you to use all the fingerprints we have covered in past episodes to identify if the music is of the Baroque period or of the Classical Period.
For each I will give you two hints, then we listen, and then I will briefly discuss the pointers afterwards. Let’s see how well you have managed to sort out the musical fingerprints in your mind!
There is a really nice variety today, so I’m hoping you will join me! Domenico Scarlatti: Keyboard Sonata in A Major, Kk. 113 Performed by Angela Hewitt · Christoph Willibald Glück: “Dance of the Blessed Spirits” from Act 3 of Orfeo et Euridice Performed by Karlheinz Zoeller, with the Berliner Philharmoniker conducted by Herbert von Karajan · Wolfgang Amadeus Mozart: String Quartet No 1 in G Major, K80, the third movement Performed by the Hagen Quartett · Christian Petzoid: Minuet in G from the Anna Magdalena Notebook number 2 Performed by Lang Lang · Johan Sebastian Bach: Prelude and Fugue 1 from Das Wohltemperirtes Clavier Book 1 BWV 846 Performed by András Schiff · Ludwig von Beethoven: Piano Sonata 4 in E flat Major, Opus 7, the fourth movement Performed by Igor Levitt · Carl Philip Emmanuel Bach: Cello Concerto in A Major, Wq. 172:III Allegro assai Performed by Alison McGillivray with The English Consort · George Frederick Händel: Suite no 5 in E Major, HWV 430:IV The Harmonious Blacksmith, Air and Variations Performed by Trevor Pinnock · George Frederick Händel: Suite no 5 in E Major, HWV 430:IV The Harmonious Blacksmith, Air and Variations Performed by Murray Perahia · Ludwig von Beethoven: 12 Variations on a theme from Händel’s Judas Maccabaeus WoO 45 Performed by Yo-Yo Ma and Emanuel Ax
In part 2 in the series, we are looking again at the music of the Classical period,
Our composers for this programme are Haydn, CPE Bach, Glück, Clementi and Schubert..
Spend an hour with me getting up close and personal with the Classical sound as composed by these five masters. Josef Haydn: String Quartet in C Major Op 76 no 3 Hob III:77 “Emperor” Performed by the Emerson String Quartet · Josef Haydn: String Quartet in C Major Op 76 no 3 Hob III:77 “Emperor” Performed by the Emerson String Quartet · Josef Haydn: String Quartet in C Major Op 76 no 3 Hob III:77 “Emperor” Performed by the Emerson String Quartet · Josef Haydn: String Quartet in C Major Op 76 no 3 Hob III:77 “Emperor” Performed by the Emerson String Quartet · Carl Philip Emmanuel Bach: Magnificat Wq. 215 1.Suscepit Israel Performed by the Academy of St. Martin in the Fields and Helen Watts conducted by Philip Ledger · 2.Gloria Performed by the Choir of King’s College, Cambridge, and the Academy of St. Martin in the Fields conducted by Philip Ledger · 3.Sicut erat in principio Performed by the Choir of King’s College, Cambridge, and the Academy of St. Martin in the Fields conducted by Philip Ledger · Christoph Willibald Glück: “Dance of the Blessed Spirits” from Act 3 of Orfeo et Euridice Performed by Karlheinz Zoeller, with the Berliner Philharmoniker conducted by Herbert von Karajan · Muzio Clementi: Capriccio in A major Op 34 no 3 Performed on the Fortepiano by Costantino Mastroprimiano · Franz Schubert: Piano Trio in One Movement in B flat major D.28 Sonata: Allegro Performed by the Beaux Arts Trio
The Art of Listening: Musical Fingerprints in Music of the Classical Period
In the next programme in the series, we are looking at the music of the Classical period,
Our composers for this programme are Mozart, Boccherini and Beethoven.
Spend an hour with me getting up close and personal with the Classical sound as composed by these three masters. Wolfgang Amadeus Mozart: Symphony no 39 in E flat major K543 Performed by the Berlin Philharmoniker conducted by Herbert von Karajan 1. Adago-Allegro · Wolfgang Amadeus Mozart: Symphony no 39 in E flat major K543 Performed by the Berlin Philharmoniker conducted by Herbert von Karajan 2.Andante con moto · Wolfgang Amadeus Mozart: Symphony no 39 in E flat major K543 Performed by the Berlin Philharmoniker conducted by Herbert von Karajan 3.Menuetto (Allegretto) · Wolfgang Amadeus Mozart: Symphony no 39 in E flat major K543 Performed by the Berlin Philharmoniker conducted by Herbert von Karajan 4.Finale (Allegro) · Luigi Boccherini: Fandango from the Guitar Quintet in D major G.448 Performed by Petrit Ceku, guitar, March Bouchkov, violin, Catharina Chen, violin, Timothy Ridout, viola, Kian Soltani, cello · Ludwig von Beethoven: Piano Sonata no 2 Opus 2 no 2 in A major Performed by Igor Levit 1.Allegro vivace · Ludwig von Beethoven: Piano Sonata no 2 Opus 2 no 2 in A major Performed by Igor Levit 2.Largo appassionato · Ludwig von Beethoven: Piano Sonata no 2 Opus 2 no 2 in A major Performed by Igor Levit 3.Scherzo. Allegretto · Ludwig von Beethoven: Piano Sonata no 2 Opus 2 no 2 in A major Performed by Igor Levit 4.Rondo. Grazioso
In the next programme in the series, we are looking at the music of the Baroque period,
Our composers for this programme are Bach, Purcell, Handel, Corelli, and Vivaldi.
Spend an hour with me getting up close and personal with the Baroque sound as composed by these five masters. Johan Sebastian Bach: Brandenburg Concerto number 3 in G Major, BWV 1048 Performed by the Netherlands Bach Society, led by Shunske Sato · Henry Purcell: Pavan in G Minor Z 751 Performed by the Purcell Quartet · Henry Purcell: When I am laid in Earth from Dido and Aeneas, Z 626, Act 3 Performed by Jessye Norman, the English Chamber Orchestra, conducted by Raymond Leppard · George Frederick Handel: Water Music Suite number 1 in F Major HWV 348, Part III Performed by The English Concert, conducted by Trevor Pinnock · Arcangelo Corelli: Concerto Grosso Opus 6 number 8 in G Minor – Christmas Concerto Performed by HR-Sinfonieorchester conducted by Andrés Orozco-Estrada ∙ · Johan Sebastian Bach: Concerto for 3 Harpsicords, Strings and Continuo, No 2 in C Major BWV 1064 Performed by Kenneth Gilbert, Lars Ulrik Mortensen, The English Concert led by Trevor Pinnock · Antonio Vivaldi: Violin Concerto “Spring” from the Four Seasons RV269 The performers are not named.
In the next programme in the series, we are looking at Musical Fingerprints Part 6.
What are these?
These are the unique characteristics of individual composers, instruments, periods of music, musical styles and specific compositional types that an observant listener will immediately identify.
In today’s programme I am going to play 6 mystery items for you.
My challenge to you will to identify the period of composition of each based on the musical fingerprints we covered in the last four weeks.
Naturally, I will give you comments after each piece so can check your outcome.
And, I end this programme with a thrilling climax Johannes Brahms: Symphony 4 in E minor Opus 98 First movement Performed by The Berliner Philharmonilker conducted by Claudio Abbado · Johannes Brahms: Hungarian Dances WoO 1 – 3 Performed by Julius Katchen · Johannes Brahms: Hungarian Dances WoO 1 – 3 Performed by Julius Katchen · Johannes Brahms: Hungarian Dances WoO 1 – 3 Performed by Julius Katchen · Sergei Prokofiev: 12 Movements from Romeo and Juliet Numbers 1 to 4 Performed by Martha Argerich and Sergei Babayan · Sergei Prokofiev: 12 Movements from Romeo and Juliet Numbers 1 to 4 Performed by Martha Argerich and Sergei Babayan · Sergei Prokofiev: 12 Movements from Romeo and Juliet Numbers 1 to 4 Performed by Martha Argerich and Sergei Babayan · Sergei Prokofiev: 12 Movements from Romeo and Juliet Numbers 1 to 4 Performed by Martha Argerich and Sergei Babayan · Johan Sebastian Bach: Toccata and Fugue in D minor BWV 565 Performed by Miklos Spanyi on a Silbermann Organ · Johann Pachelbel Canon in D Performed by Kanon Orchestre de Chambre conducted by Jean-Francois Paillard · Ludwig von Beethoven: Symphony number 6 in F Opus 68 First movement Performed by the Philharmonia Orchestra (?conducted by Otto Klemperer or Kurt Sanderling?) · Giacomo Puccini: Nessun dorma from the opera Turandot, Scene 91 of Act 3 Performed by Freddie de Tommaso, the Appolo Voices, and the Philharmonia Orchestra, conducted by Paolo Arrivabeni
In the next programme in the series, we are looking at Musical Fingerprints Part 5.
What are these?
These are the unique characteristics of individual composers, instruments, periods of music, musical styles and specific compositional types that an observant listener will immediately identify.
Today we look at Keyboard music of the Piano in the nineteenth and twentieth centuries.
Even if you already know this, join me anyway for music by Debussy, Ravel, Schoenberg, Bartok and Schumann.
Any questions or comments, you are welcome to write to me at: brian@gsaradio.stream Robert Schumann: Fantasiestücke Op12 Performed by Martha Argerich · Robert Schumann: Fantasiestücke Op12 Performed by Martha Argerich · Robert Schumann: Fantasiestücke Op12 Performed by Martha Argerich · Robert Schumann: Fantasiestücke Op12 Performed by Martha Argerich · Robert Schumann: Fantasiestücke Op12 Performed by Martha Argerich · Robert Schumann: Fantasiestücke Op12 Performed by Martha Argerich · Robert Schumann: Fantasiestücke Op12 Performed by Martha Argerich · Robert Schumann: Fantasiestücke Op12 Performed by Martha Argerich · Claude Debussy: L’Isle joyeuse L106 Performed by Vladimir Horowitz · Maurice Ravel: Sonatine M40 Performed by Jean-Yves Thibaudet · Maurice Ravel: Sonatine M40 Performed by Jean-Yves Thibaudet · Maurice Ravel: Sonatine M40 Performed by Jean-Yves Thibaudet · Arnold Schoenberg: Piano Piece Op33a - Mässig Performed by Maurizio Pollini · Bela Bartók: Three Rondos on Folk Melodies Sz84: No 1 Andante Performed by Bela Bartók · Bela Bartók: Allegro barbaro Performed by Dezsö Ránki
about Music- The Art of Listening: Musical Fingerprints Part 4
In the next programme in the series, we are looking at Musical Fingerprints Part 4.
What are these?
These are the unique characteristics of individual composers, instruments, periods of music, musical styles and specific compositional types that an observant listener will immediately identify.
Today we look at Keyboard music of the Harpsicord and Fortepiano
Even if this is something you already know, join me anyway for music by Bach and Mozart.
Any questions or comments, you are welcome to write to me at: brian@gsaradio.stream Johann Sebastian Bach: Italian Concerto in F Major BWV 971 Performed by Christine Schornsheim of the Netherlands Bach Society The Harpsicord is by Bruce Kennedy on a model by Michael Mietke · Johann Sebastian Bach: French Suite 1 in D Minor BWV 812 Performed by Franscesco Corti of the Netherlands Bach Society The Harpsicord is by Bruce Kennedy on a model by Michael Mietke · Wolfgang Amadeus Mozart: Piano Sonata no 11 in A Major K331 Performed by Malcolm Bilson The Fortepiano is by Philip Belt on a model by Stein · Wolfgang Amadeus Mozart: Piano Sonata no 18 in D Major K576 First movement Performed by Malcolm Bilson The Fortepiano is by Philip Belt on a model by Stein
In the next programme in the series, we are looking at Musical Fingerprints Part 3.
What are these? These are the unique characteristics of individual composers, periods of music, musical styles and specific compositional types that an observant listener will immediately identify.
Today we look at four Sonatas for Violin with Keyboard accompaniment.
Even if this is something you already know, join me anyway for music by Veracini, Beethoven, Brahms, and Copland.
Any questions or comments, you are welcome to write to me at: brian@gsaradio.stream Francesco Maria Veracini, Violin Sonata in E minor. Opus 2 no 8: Movements 1 & 3 Performed by Trio Settecento · Francesco Maria Veracini, Violin Sonata in E minor. Opus 2 no 8: Movements 1 & 3 Performed by Trio Settecento · Ludwig von Beethoven, Violin Sonata Opus 24 no 5, also called the Spring Sonata Movements: 3 & 4 Performed by Itzhak Perlman and Vladimir Ashkenazy · Ludwig von Beethoven, Violin Sonata Opus 24 no 5, also called the Spring Sonata Movements: 3 & 4 Performed by Itzhak Perlman and Vladimir Ashkenazy · Johannes Brahms, Violin Sonata 1 opus 78: Movements 1 & 3 Performed by Itzhak Perlman and Vladimir Ashkenazy · Johannes Brahms, Violin Sonata 1 opus 78: Movements 1 & 3 Performed by Itzhak Perlman and Vladimir Ashkenazy · Aaron Copeland, Violin Sonata: Movements 1 & 3 Performed by Gil Shaham and Amdré Previn · Aaron Copeland, Violin Sonata: Movements 1 & 3 Performed by Gil Shaham and Amdré Previn
In the next programme in the “about Music” series, we are looking at Musical Fingerprints Part 2, following on from Part 1 of last September.
What are these?
These are the unique characteristics of individual composers, periods of music, musical styles and specific compositional types, that an observant listener will immediately identify.
Today is about recognising the sound of a Baroque orchestra, vs a Classical orchestra, vs a Romantic orchestra, vs a Modern (20th century) orchestra.
Even if this is something you already know, join me anyway for music by Bach, Haydn, Schumann, and Bartok. Johan Sebastian Bach: Brandenburg Concerto No 1 in F Major BWV 1046 First Movement: Allegro Performed by the Chamber Music Society of Lincoln Center · Fourth Movement: Performed by The Mozart Orchestra Bologna and soloists conducted by Claudi Abbado · Joseph Haydn: Symphony No 1 in D Major H.I.1 First Movement: Presto Performed by the Academy of Ancient Music conducted by Christopher Hogwood · Third Movement: Presto Performed by the Austro-Hungarian Haydn Orchestra, conducted by Adam Fischer · Robert Schumann: Symphony No 1 in B flat Opus 38 “Spring” First Movement: Andante un poco maestoso – Allegro molto con vivace Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Fourth Movement: Allegro animato e grazioso Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Bela Bartok: Concerto for Orchestra First Movement: Introduzione (Andante non troppo – Allegro vivace) Performed by the Chicago Symphony Orchestra conducted by Sir Georg Solti · Fifth Movement: Finale (Pesante – Presto) Performed by the Chicago Symphony Orchestra conducted by Sir Georg Solti
And so we enter the New Year 2024 and my wish for each one of you is “Happy New Year, and let it be your best one yet!”
Our gentle start to our New Year’s listening is with well-known pieces by Dvorak, Bizet, Rachmaninov, Faure, Brahms, Mozart, Wagner and Elgar. Antonin Dvorak: Slavonic Dance No. 2, Op. 72 Performed by Symphonieorchester des Bayerischen Rundfunks condicted by Rafael Kubelik · Georges Bizet: Carmen Prelude to Act 1 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Georges Bizet: Carmen Suite No. 2: Habanera Performed by the London Philharmonic Orchestra conducted by David Parr · Sergei Rachmaninov: Vocalise, Op. 34 Performed by Pieter Schoeman with the London Philharmonic Orchestra conducted by David Parr · Gabriel Faure: Pavane Performed by the London Philharmonic Orchestra conducted by David Parr · Johannes Brahms: Hungarian Dance No. 5 in G Minor Performed by the London Philharmonic Orchestra conducted by David Parr · Georges Bizet: L’ Arlesienne: Suite No 1 Carillon and Suite No 2: Menuet and Pastorale Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Georges Bizet: L’ Arlesienne: Suite No 1 Carillon and Suite No 2: Menuet and Pastorale Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Georges Bizet: L’ Arlesienne: Suite No 1 Carillon and Suite No 2: Menuet and Pastorale Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Wolfgang Amadeus Mozart: Symphony: No 40. IV. Allegro assai Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Antonin Dvorak: Slavonic Dance No. 4, Op. 46 Performed by Symphonieorchester des Bayerischen Rundfunks condicted by Rafael Kubelik · Johann Strauss: Radetzky March Opus 228 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Edward Elgar: Pomp and Circumstance, Op. 39: Land of Hope and Glory Performed by the London Philharmonic Orchestra conducted by David Parr
In this programme, I present some well-known music which is both inspirational and motivational, so that we can individually meditate about how our 2023 year has been. The music is by Aaron Copeland, Carl Orff, Gustav Holst, Jules Massenet, Samuel Barber, Stanley Myers, Giuseppe Verdi, Johann Strauss, and Joey Tempest Aaron Copeland: Fanfare for the Common Man “The Presidents Own®” U.S. Marine Band · Carl Orff: Carmina Burana: Fortuna Imperatrix Mundi Performed by the London Philharmonic, conducted by David Parry · Gustav Holst: The Planets, Op. 32: Mars, The Bringer of War “The Presidents Own®” U.S. Marine Band · Gustav Holst: The Planets, Op. 32: Jupiter, the Bringer of Jollity Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Jules Massenet: Meditation from Thaïs Performed by Itzhal Perlman with the Abbey Road Ensemble conducted by Lawrence Foster · Samuel Barber: Adagio for Strings Opus 11a Performed by Capella Istropolitana · Stanley Myers: Cavatina (Theme from the Deer Hunter) Performed by Craig Ogden · Giuseppi Verdi: Nabucco: Chorus of the Hebrew Slaves (Va', pensiero, sull'ali dorate) London Philharmonic Orchestra, London Philharmonic Choir, The London Chorus and conducted by David Parry · Johann Strauss: On the Beautiful Blue Danube, Op. 314 Performed by the Strauss Orchestra Vienna · Joey Tempest: The Final Countdown Performed by the London Symphony Orchestra • Rocksymphonies
The programme this week is the Christmas and Sacred music of John Rutter.
There are original compositions and a selection of well-known carols in exquisite arrangements.
Please feel free to join me and allow the music to stir the emotions in you in the spirit of the Christmas season! A Christmas Overture Performed by The Royal Philharmonic Orchestra · Hark the Herald Angels Sing Performed by The Cambridge Singers, The Farnham Youth Choir and The Royal Philharmonic Orchestra · The Twelve Days of Christmas Performed by Michael O’Neal Singers · For the Beauty of the Earth Performed by The Cambridge Singers and the City of London Sinfonia conducted by John Rutter · Candlelight Carol Performed by The Cambridge Singers and the City of London Sinfonia conducted by John Rutter · I wish you Christmas Performed by The Cambridge Singers, The Farnham Youth Choir and The Royal Philharmonic Orchestra · Donna nobis pacem (movement 5 of the Mass of the Children) Performed by Joanne Lunn and Roderick Williams with the Cambridge Singers · All Things Bright and Beautiful Performed by The Cambridge Singers, the Philip Jones Brass Ensemble, the City of London Sinfonia, conducted by John Rutter · The Lord Bless You and Keep You Performed by The Cambridge Singers, the Philip Jones Brass Ensemble, the City of London Sinfonia, conducted by John Rutter · Joy to the World Performed by The Cambridge Singers and the City of London Sinfonia conducted by John Rutter · Silent Night Performed by The Cambridge Singers and the City of London Sinfonia conducted by John Rutter · Christmas Lullaby Performed by The Cambridge Singers and the City of London Sinfonia conducted by John Rutter · Have Yourself a Merry Little Christmas Performed by Melanie Marshall with The Cambridge Singers, The Farnham Youth Choir and The Royal Philharmonic Orchestra · We Wish You a Merry Christmas Performed by The Cambridge Singers and the City of London Sinfonia conducted by John Rutter
In the next programme in the series “about Music”, we are going to look at how music breathes – cadences as an essential ingredient in our listening experience. I have lots of musical examples to demonstrate these.
AND THEN, be prepared to let your ears tell you stories you have probably never heard before. This item is also an excellent illustration of cadence in music – but oh! is it different!
I’m not saying more. Come and join me Thursday evening at 6pm SAST. Any questions or comments, you are welcome to write to me at: brian@gsaradio.stream Wolfgang Amadeus Mozart: Piano Sonata K333 – 3rd movement Allegretto grazioso Performed by Alfred Brendel · Wolfgang Amadeus Mozart: Fantasia in C minor K475 Performed by Mitsuko Uchida · George Frederick Händel: Halleluia Chorus Performed by Roberto Bertero at the organ of Turin’s Santuario della Consolata (Church of the Virgin of the Consolation). · Franz Schubert: Ave Maria Opus 52 No 6 D.839 Performed by Barbara Bonney and Geoffrey Parsons · Frederic Chopin: Prelude in E minor Opus 28 no 4 in E minor Performed by Maurizio Pollini · Robert Schumann: Album for the Young Opus 68 no 6: Poor Little Orphan Performed by Luba Edlina · Franz Liszt: Liebestraume no3 in A flat major S.541/3 Performed by Lang Lang · Arvo Pärt: Tabula rasa Part 1: Ludus Con moto Performed bb Gil Shaham · Adele Anthony · Erik Risberg · Gothenburg Symphony Orchestra · Neeme Järvi
In the next programme in the series “about Music”, we are going continue in our investigation of melody, also casually referred to as “tunes”. We go further with Phrases and Phrasing, which refers to the grouping of notes within a melody. The new information for this episode is information about the major scales and major chords. Lots of examples will help us to master identifying modulation to the dominant as well as common openings of melodies. Ludwig von Beethoven: Symphony 5 in C minor Op 67, movement 4 Performed by the Concertgebouw Orchestra conducted by Bernard Haitink · Joseph Haydn: Symphony No 94 in F Major Hob I:94 “Surprise” II. Andante Performed by the Berlin Philharmoniker, conducted by Herbert von Karajan · Wolfgang Amadeus Mozart: Piano Sonata No 16 in C Major K545 - I. Allegro Performed by Mitsuko Uchida · William Henry Monk: “All things bright and beautiful” Performed by St. Michael’s Singers · Johann Sebastian Bach: The Well-Tempered Clavier Book 1 BWV 846 Prelude 1 Performed by András Schiff · George Frederick Händel: Joy to the World Performed by Paul Winter on the Hereford Cathedral Organ (Hauptwerk) · Pyotr I. Tchaikovsky: Chinese Dance from the Nutcracker Ballet Op 71a Performed by The London Festival Orchestra conducted by Henry Adolph · Franz Schubert: Violin Sonata in D Major Op 137 no 1/D 384. Movements 2 and 3. Performed by Julia Fischer and Martin Helmchen · Franz Schubert: Violin Sonata in D Major Op 137 no 1/D 384. Movements 2 and 3. Performed by Julia Fischer and Martin Helmchen · Josef Haydn: Quartet Op 64 No 5 “The Lark” Third Movement Performed by Attacca Quartet · Johann Sebastian Bach: The Well-Tempered Clavier Book 1 BWV 854 Prelude 9 Performed by Daniel Barenboim · Edvard Grieg: Norwegian Dance Op 35 no 2 Performed by the Estonian National Symphony Orchestra, conducted by Paavo Järvi · Wolfgang Amadeus Mozart: String Quartet no 23 in F K590 “Prussian no3“ Performed by the Amadeus Quartet · Ludwig von Beethoven: Violin Sonata no 5 in F “Spring Sonata” Performed by Itzhak Perlman and Vladimir Ashkenazy
This evening we look at two seasonal works, with the specific intention of understanding how the construction of the music is carefully crafted to produce the desired emotional content.
You will love these, and I feel you cannot fail to be as moved as I always am.
And then Chopin’s Second Piano Concerto with its astounding slow movement rounds our programme out.
Please join me!
Brian. Adolphe Adam: O Holy Night with the King’s Singers · Michael Maybrick (under the name Stephen Adams) with words by Frederic Weatherly: The Holy City. Performed by The Tabernacle Choir conducted by Stanford Olsen · Frederick Chopin: Piano Concerto 2 in F minor, Opus 21 Performed by Murray Perahia with the Israel Philharmonic Orchestra conducted by Zubin Mehta · Frederick Chopin: Piano Concerto 2 in F minor, Opus 21 Performed by Murray Perahia with the Israel Philharmonic Orchestra conducted by Zubin Mehta · Frederick Chopin: Piano Concerto 2 in F minor, Opus 21 Performed by Murray Perahia with the Israel Philharmonic Orchestra conducted by Zubin Mehta
In the 30th programme in the series “about Music” today, we are going to look at melody, also casually referred to as “tunes”. Then we go further with Phrases and Phrasing, which refers to the grouping of notes within a melody. We explore in depth the set of Variations from Haydn’s Surprise Symphony, with a view to understanding and recognizing modulation to the Dominant key. Please join me! Johann Sebastian Bach: Orchestral Suite No 3 in D Major BWV 1068 – Air (on the G String) Performed by the Münchner Bach-Orchester, conducted by Karl Richter · Adolphe Adam: O Holy Night Performed by the Mormon Tabernacle Choir with the King’s Singers · Joseph Haydn: Symphony No 94 in F Major Hob I:94 “Surprise” II. Andante Performed by the Berlin Philharmoniker, conducted by Herbert von Karajan · Wolfgang Amadeus Mozart: Piano Sonata No 16 in C Major K545 - I. Allegro Mitsuko Uchida · William Henry Monk: “All things bright and beautiful” Performed by St. Michael’s Singers
Another two full length works today, in which you can hear memorable slow movements in the context of the other movements of the composition.
Mendelssohn’s irresistible Violin Concerto and Haydn’s famous Oxford Symphony are featured today Felix Mendelssohn: Violin Concerto in E minor Opus 64 Performed by Anne-Sophie Mutter and the Berlin Philharmoniker, conducted by Herbert von Karajan · Felix Mendelssohn: Violin Concerto in E minor Opus 64 Performed by Anne-Sophie Mutter and the Berlin Philharmoniker, conducted by Herbert von Karajan · Felix Mendelssohn: Violin Concerto in E minor Opus 64 Performed by Anne-Sophie Mutter and the Berlin Philharmoniker, conducted by Herbert von Karajan · Josef Haydn: Symphony number 92 in G major, “Oxford” Performed by the Vienna Philharmonic Orchestra conducted by Leonard Bernstein
Today we fill in the movement we haven’t spoken about yet; the second movement.
This is usually the “Slow” movement. But what exactly does “Slow Movement” mean?
Please join me and together we will find out.
Two full length works, and one slow movement, all by Mozart, in today’s programme! Wolfgang Amadeus Mozart: Piano Concerto No 21 Elvira Madigan – Andante movement Jan Lisiecki with the Symphonieorchester des Bayerischen Rundfunks conducted by Christian Zacharias · Wolfgang Amadeus Mozart: Piano Sonata K333 · Wolfgang Amadeus Mozart: Piano Sonata K333 Performed by Alfred Brendel · Wolfgang Amadeus Mozart: Symphony number 40, K 550 Performed by an unnamed orchestra and conductor
We have been building up our knowledge of multi-movement works over the last few weeks.
So, today we are going to practice listening to Rondo and Rondo Sonata forms, in stand-alone pieces as well as final movements. Beethoven, Mendelssohn, and Mozart feature.
And to conclude, the magnificent Sonata in A for Piano and Violin by Cesar Franck.
Please join me! Ludwig von Beethoven: Für Elize Bagatelle No. 25 in A Minor, WoO 59 Performed by Alfred Brendel · Felix Mendelssohn-Bartholdy: Rondo capriccioso in E Major, Op. 14, MWV U67 Performed by Murray Perahia · Ludwig von Beethoven: String Quartet number 1, opus 18 no 1 Performed by the Hagen String Quartet · Wolfgang Amadeus Mozart: Piano Concerto number 21 Performed by Maurizio Pollini and the Wiener Philharmoniker · Wolfgang Amadeus Mozart: Piano Sonata K333 Performed by Alfred Brendel · Cesar Franck: Sonata for Piano and Violin Performed by Itzhak Perlman and Vladimir Ashkenazy · Cesar Franck: Sonata for Piano and Violin Performed by Itzhak Perlman and Vladimir Ashkenazy · Cesar Franck: Sonata for Piano and Violin Performed by Itzhak Perlman and Vladimir Ashkenazy · Cesar Franck: Sonata for Piano and Violin Performed by Itzhak Perlman and Vladimir Ashkenazy
Today we are looking at third movements of large works in compound Ternary form, so today we have music by Haydn, Mozart, Beethoven, Schubert, Brahms, and Prokofiev. We can dance a few Minuets, a Gavotte and a Musette, and also share in a joke or two.
Please join me! Josef Haydn: Symphony 92 “Oxford” Hob I:92 Performed by the Wiener Philharmoniker conducted by Carl Böhm · Ludwig von Beethoven: String Quartet number 1, opus 18 no 1 Performed by the Hagen String Quartet · Johannes Brahms: Intermezzo Opus 117 no 1 Performed by Radu Lupu · Sergei Sergejewitsch Prokofiev: Symphony 1 in D, Opus 25 “Classical” Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Franz Schubert: Symphony number 9 in C major, D944 “The Great” Performed by the Royal Concertgebouw orchestra conducted by Leonard Bernstein · Wolfgang Amadeus Mozart: String Quartet number 14, opus K387 “Spring” Performed by the Emerson String Quartet · Wolfgang Amadeus Mozart: Symphony 41 in C Major, K551 ”Jupiter” Performed by the Berliner Philharmoniker conducted by Carl Böhm · Ludwig von Beethoven: Sonata Opus 2 no 2 Performed by Murray Perahia
Continuing our exploration of first movements in Sonata form, today we have music by Haydn, Clementi, Beethoven, Schubert, Brahms, Ravel and Prokofiev.
Please join me! Muzio Clementi: Concerto in C written in 1796 Performed by Pietro Spado and The Philharmonia, conducted by Francesco d’Avalos · Maurice Ravel: Sonatine M40 Performed by Jean-Yves Thibaudet · Josef Haydn: Symphony 92 “Oxford” Hob I:92 Performed by the Wiener Philharmoniker conducted by Leonard Bernstein · Ludwig von Beethoven: String Quartet number 1, opus 18 no 1 Performed by the Emerson String Quartet · Johannes Brahms: Rhapsody Opus 79 no2 Performed by Radu Lupu · Sergei Sergejewitsch Prokofiev: Symphony 1 in D, Opus 25 “Classical” Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Franz Schubert: Symphony number 9 in C major, D944 “The Great” Performed by the Wiener Philharmoniker conducted by Sir Georg Solti
More music by Mozart today.
Please join me today and discover what Mozart’s Concertos, Sonatas, String Quartets, Symphonies and Operas have in common, apart from their composer!
I have selected 6 first movements from the above works to illustrate what they have in common. Wolfgang Amadeus Mozart: Piano Concerto number Piano Concerto No. 9 in E-flat major, K. 271 (Jeunehomme) Performed by Alexandre Tharaud and Ensemble Le Balcon directed by Maxime Pascal · Wolfgang Amadeus Mozart: Symphony 40 in G Minor, K550 Performed by an unnamed Orchestra and conductor · Wolfgang Amadeus Mozart: Sonata for Piano in B flat Major, K333 Performed by Alfred Brendel · Wolfgang Amadeus Mozart: String Quartet number 14, opus K387 “Spring” Performed by the Emerson String Quartet · Wolfgang Amadeus Mozart: Overture to “Don Giovanni“, K527 Performed by an unnamed Orchestra and conductor · Wolfgang Amadeus Mozart: Symphony 41 in C Major, K551 ”Jupiter” Performed by an unnamed Orchestra and conductor
Two A major Concerto’s by Mozart today.
Mozart’s Concertos for Piano and for Clarinet, are both in A major. This is one of Mozart’s “happy keys”, along with E flat major and C major. In the context of the Doctrine of the Affections, each musical key was believed to have its own inherent emotional qualities, and composers used these keys deliberately to evoke specific emotions or moods in their compositions. A major, with its bright and open character, was often seen as a key suitable for expressing joy, celebration, and positive emotions.
So please come and share some joy, celebration and positive emotions as I introduce you to the structure called “Concerto” in a way that you will not easily forget. Music links for Programme 23: Mozart and the Concerto Wolfgang Amadeus Mozart: Piano Concerto number 23 in A Major K488 Performed by Maurizio Pollini and Wiener Philharmoniker conducted by Karl Bohm · Wolfgang Amadeus Mozart: Clarinet Concerto in A Major K622 Performed by Martin Fröst and Amsterdam Sinfonietta conducted by Peter Oundjian · Wolfgang Amadeus Mozart: Clarinet Concerto in A Major K622 Performed by Martin Fröst and Amsterdam Sinfonietta conducted by Peter Oundjian · Wolfgang Amadeus Mozart: Clarinet Concerto in A Major K622 Performed by Martin Fröst and Amsterdam Sinfonietta conducted by Peter Oundjian · Felix Mendelssohn Bartholdy: Songs Without Words Book 1 Opus 19 Performed by Daniel Gortler
So, let us imagine that you are listening to a piece of music, but you cannot place it. What is its name?
We starting looking at musical fingerprints in this episode, things that can help us find out what that piece of music is. Domenico Scarlatti: Sonata in E major Kk380 Performed on Harpsicord by Scott Ross · Wolfgang Amadeus Mozart: Serenade in G major K525 “Eine Kleine Nachtmusik“ Mvt 2.Romance Performed by Wiener Philharmoniker conducted by James Levine · Wolfgang Amadeus Mozart: Piano Concerto number 21 Performed by Maurizio Pollini and Orchestra filarmonica della Scala conducted by Riccardo Muti · Wolfgang Amadeus Mozart: Piano Sonata no 4, K282, (second movement) Menuetto I-II Performed by Mitsuko Uchida · Felix Mendelssohn Bartholdy: Songs Without Words Book 1 Opus 19 Performed by Daniel Gortler
We conclude this section of the “about Music” introduction to Musical Structure, taking the structure of Ternary Form to the next level and introducing Rondo form. These two structures pop up in unusual places, but more often they are integral parts of almost all multi-movement works, such as Concertos, Symphonies, Sonatas, and more. So it’s worth understanding them!
And, why would I include “Land of Hope and Glory”? Join me, and find out!
So what happens next week? Something new … based on something old. Peter Ilyich Tchaikovsky: Elegy for Strings (Elegy for Ivan Samarin) 1884 Performed by the London Chamber Orchestra, with Christopher Warren-Green · Gabriel Faure: Sicilienne from the Incidental Music to “Pelleas et Melisande” Opus 80 no 4 Performed by The Boston Symphony Orchestra conducted by Seiji Ozawa · Johannes Brahms: Romance. Opus 118 no 5 Performed by Radu Lupu · Ludwig von Beethoven: Für Elize, Bagatelle no25 in A Minor, WoO 59 Performed by Igor Levit · Louis-Claude Daquin: The Coucou Performed by Robert Aldwinckle · Frans Anton Hoffmeister: Concerto for Viola (third movement) Performed and conducted by Gérard Caussé with the Solistes de Montpellier-Moscou · Emanuel Charbrier: Scherzo-Valse from the “Suite Pastorale” Movement 4 Performed by the Wiener Philharmonic conducted by John Eliot Gardiner · Wolfgang Amadeus Mozart: Piano Sonata no 4, K282, (second movement) Menuetto I-II Performed by Mitsuko Uchida · Wolfgang Amadeus Mozart: Symphony 40, K550, (third movement) Performed by the London Mozart Players · Edward Elgar: Pomp and Circumstance March Opus 39 no 1 Performed by the London Symphony Orchestra conducted by David Parry
We will have quite a lot of practice with Binary form today, using Scarlatti Sonatas; and a full description of Ternary form with music by Tchaikovsky and Mendelssohn Nkosi Sikelel’ iAfrika (South African National Anthem) Performed by Inno nazionale sudafricano · Domenico Scarlatti: Sonatas K13, 8, and 159 Performed by Angela Hewitt · Domenico Scarlatti: Sonatas K13, 8, and 159 Performed by Angela Hewitt · Domenico Scarlatti: Sonatas K13, 8, and 159 Performed by Angela Hewitt · Domenico Scarlatti: Sonata K299 Performed by Claudio Colombo · Peter Ilyich Tchaikovsky: Mazurka Opus 39 no 10 Performed by Orchestra Arcangelo Corelli, conducted by Jacopo Rivani · Peter Ilyich Tchaikovsky: Scene from Swan Lake Opus 20 TH.12 / Act 2 no 10 Performed by Orchestre symphonique de Montréal conducted by Charles Dutoit · Peter Ilyich Tchaikovsky: Waltz of the Flowers from “The Nutcracker” Ballet Performed by Munich Symphony Orchestra with an unnamed conductor · Felix Mendelssohn Bartholdy: Songs Without Words Book 1 Opus 19 Performed by Daniel Gortler
In today’s programme we are going to listen to the full work By Gustav Holst, entitled The Planets.
The seven movements (excluding Earth and the as yet undiscovered Pluto) are:
1.Mars, the Bringer of War
2.Venus, the Bringer of Peace
3.Mercury, the Winged Messanger
4.Jupiter, the Bringer of Jollity
5.Saturn, the Bringer of Old Age
6.Uranus, the Magician
7.Neptune, the Mystic
That will be followed by another two Scarlatti Sonatas, illustrating characteristic 4 of Binary form:
Contrasting Themes: The A section usually presents a musical idea or theme, followed by a contrasting theme in the B section. This contrast provides variety and interest in the composition. This contrast provides variety and interest in the composition, creating a sense of tension and release. Gustav Holst: The Planets Performed by: The Wiener Philharmoniker conducted by Herbert von Karajan · Gustav Holst: The Planets Performed by: The Wiener Philharmoniker conducted by Herbert von Karajan · Gustav Holst: The Planets Performed by: The Wiener Philharmoniker conducted by Herbert von Karajan · Gustav Holst: The Planets Performed by: The Wiener Philharmoniker conducted by Herbert von Karajan · Gustav Holst: The Planets Performed by: The Wiener Philharmoniker conducted by Herbert von Karajan · Gustav Holst: The Planets Performed by: The Wiener Philharmoniker conducted by Herbert von Karajan · Gustav Holst: The Planets Performed by: The Wiener Philharmoniker conducted by Herbert von Karajan · Domenico Scarlatti: Sonatas Performed by Angela Hewitt · Domenico Scarlatti: Sonatas Performed by Angela Hewitt
Hello again. This is Brian, and I am pleased to welcome you back to “about Music”, our weekly chat and listening experience.
As I mentioned last week, there will be very little chatting this week as I did all of it last week. So today I’m spending nearly the entire programme on two pieces that we touched on last week.
First we will hear all 24 of Chopin’s preludes Opus 28.
As you listen, remember that these are very brief pieces, most of them consisting of just one idea, and therefore we would say that they are through-composed. Most of the preludes revolve around a single, memorable theme or idea, with variations in texture, dynamics, and harmonies, creating a piece that explores the depth of this one idea. This is a characteristic approach in some of Chopin's preludes, where a single motif or mood is explored in a compact form. In the later preludes there are some that are a little longer and have two or more ideas.
We follow that with five of Scarlatti’s Sonatas. These all illustrate the Binary form with two balanced halves, which is the third characteristic of Binary form, as I mentioned last week: The third characteristic of Binary form is Balance: Both sections are often of equal or similar length, contributing to a sense of symmetry and balance in the music.
Remember that the form of these, using the letters A and B to the indicate sections, is A, repeat of A, then B and repeat of B. The divisions between the sections are very clear Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Domenico Scarlatti: Sonatas Performed by Angela Hewitt · Domenico Scarlatti: Sonatas Performed by Angela Hewitt · Domenico Scarlatti: Sonatas Performed by Angela Hewitt · Domenico Scarlatti: Sonatas Performed by Angela Hewitt · Domenico Scarlatti: Sonatas Performed by Angela Hewitt
We have a variety of music today, illustrating how Through Composed and Binary form work in Instrumental music. We have Chopin, Debussy, Liszt, Scarlatti and Holst for you to enjoy.
We consider the first two characterisitcs of Binary Form, which are:
1.The first characteristic is that there areTwo Sections: The piece is divided into two distinct sections, typically labeled as A and B. The A section is usually followed by the identical repetition of the A section, and then the B section follows with its own repetition.
and
2.The second characteristic in a binary form is that the second part frequently takes the form of an answer to the first. This would be demonstrated by the A part ending sounding like something more should follow. Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Frederick Chopin: 24 Preludes Opus 28 Performed by Maurizio Pollini · Claude Debussy: The Sunken Cathedral Performed by: The Philharmonia Orchestra Conducted by Geoffrey Simon · Gustav Holst: The Planets Performed by: The Wiener Philharmoniker conducted by Herbert von Karajan · Domenico Scarlatti: Two Sonatas Performed by Ivo Pogorelich · Domenico Scarlatti: Two Sonatas Performed by Ivo Pogorelich · Franz Liszt: Liebestraume number 3 Performed by Lang Lang
Today’s programme is a repeat of the music of last week, by request.
But! Also included by request is a much expanded commentary on the composers’ intentions and how these are expressed in the songs.
I compare four songs frequently sung in church and compare how they are perceived by the congregation.
We hear two songs from 1540 and 1975 and find out in which way these two are remarkably similar. John Newton: Amazing Grace (December 1772) Sung by Judy Collins with an unnamed choir · Josquin Desprez: “Absalon, fili mi” (1540) Sung by the Hilliard Ensemble, conducted by Paul Hillier · Leonard Cohen: “Halleluia” Sung by k.d. lang and an unnamed ensemble · Franz Schubert: · Judy Collins: Since You’ve Asked Performed by Judy Collins on her album “Voices · Paul McCartney: Eleanor Rigby in arrangement by Cody Fry Performed by an unnamed orchestra, produced by Cody Fry · William Henry Monk: “All things bright and beautiful” Performed by St. Michael’s Singers · Allan Menkin: “A Whole New World” from the Walt Disney film “Aladdin” Performed by Mena Massoud and Naomi Scott and an unnamed orchestra · Joni Mitchell: “Both Sides Now” Sung by Emilia Jones with an unnamed ensemble · Freddie Mercury: Bohemian Rhapsody Performed by Queen
Programme 15 description: about Music: The Art of Listening: Structure in Music Part 1 – Song
So why should we worry about Structure in Music?
Today I will give you the first of seven good reasons to be interested.
Expect songs from 1540 to Queen. John Newton: Amazing Grace (December 1772) Sung by Judy Collins with an unnamed choir · Josquin Desprez: “Absalon, fili mi” (1540) Sung by the Hilliard Ensemble, conducted by Paul Hillier · Leonard Cohen: “Halleluia” Sung by k.d. lang and an unnamed ensemble · Franz Schubert: · Judy Collins: Since You’ve Asked Performed by Judy Collins on her album “Voices” · Paul McCartney: Eleanor Rigby in arrangement by Cody Fry Performed by an unnamed orchestra, produced by Cody Fry · William Henry Monk: “All things bright and beautiful” Performed by St. Michael’s Singers · Allan Menkin: “A Whole New World” from the Walt Disney film “Aladdin” Performed by Mena Massoud and Naomi Scott and an unnamed orchestra · Joni Mitchell: “Both Sides Now” Sung by Emilia Jones with an unnamed ensemble · Freddie Mercury: Bohemian Rhapsody Performed by Queen
As if it’s not bad enough that the minor scale exists in three forms, it also doesn’t follow the same rules as the major scale. And what about its relatives and parallels? Which makes it quite a complex character. Explore its behaviour with me as we jump from the scale with all the white notes to the scale using all the black notes! Wolfgang Amadeus Mozart: Rondo “Alla Turca“ from Sonata 11 K331 Performed by Andrei Gavrilov · Domenico Scarlatti: Sonata K.9 in D minor Performed by Dongsok Shin on the earliest known surviving piano made by the inventor of the piano, Bartolomeo Cristofori, in 1720. This piano is in the Metropolitan Museum of Art. There are only two others extant by Cristofori. One (1722) in the Museo Nazionale degli Strumenti Musicali in Rome and the other (1726) in the Musikinstrumenten-Museum of Leipzig University · Robert Schumann: Papillon Opus 2, number 8 Performed by Vladimir Ashkenazy · Wolfgang Amadeus Mozart: Symphony 40 in G minor K550 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Wolfgang Amadeus Mozart: Symphony 40 in G minor K550 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Wolfgang Amadeus Mozart: Symphony 40 in G minor K550 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Wolfgang Amadeus Mozart: Symphony 40 in G minor K550 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Erik Satie: Trois Gymnopédies number 3 (Arr. Williams) Performed by Michael Conn with the English Chamber Orchestra , conducted by Leslie Williams
Programme 13: about Music: A journey to the New World, and back to the Old.
In today’s programme, there are just two works, both in E minor and both by Czech composers of the late 19th century. The New World, by Dvorak; and then, back in the Old World, with Ma Vlast by Smetana. Both are firm concert favourites, so please join me for these full works. Antonin Dvorak: Symphony number 9 in E minor Opus 95 B178 “From the New World” Performed by the Wiener Philharmoniker conducted by Herbert von Karajan · Antonin Dvorak: Symphony number 9 in E minor Opus 95 B178 “From the New World” Performed by the Wiener Philharmoniker conducted by Herbert von Karajan · Antonin Dvorak: Symphony number 9 in E minor Opus 95 B178 “From the New World” Performed by the Wiener Philharmoniker conducted by Herbert von Karajan · Antonin Dvorak: Symphony number 9 in E minor Opus 95 B178 “From the New World” Performed by the Wiener Philharmoniker conducted by Herbert von Karajan · Bedrich Smetana: Má Vlast JB1:112 – No 2, Vltava Performed by the Wiener Philharmoniker conducted by Herbert von Karajan
Programme 12 description. The Minor Scale.
In today’s programme we examine the Aeolian Mode, the Natural Minor scale, the Harmonic Minor scale and the Melodic Minor scale. And I have a lovely selection of musical examples to accustom your ear to these! Please join me! Ludwig von Beethoven: Piano Sonata no 14 in C sharp Minor Opus 14 no 2 Performed by Igor Levit · Ludwig von Beethoven: Piano Sonata no 14 in C sharp Minor Opus 14 no 2 Performed by Igor Levit · Ludwig von Beethoven: Piano Sonata no 14 in C sharp Minor Opus 14 no 2 Performed by Igor Levit · Erik Satie: Trois Gymnopédies number 3 Performed by Alexandre Tharaud · George Gershwin: “Summertime” from “Porgy and Bess” Performed by Harolyn Blackwell with the London Philharmonic and the Glyndebourne Chorus conducted by Sir Simon Rattle · God Rest Ye Merry Gentlemen Performed by The King’s Singers and The Tabernacle Choir · Sergei Rachmaninov: Prelude in C Sharp Minor Opus 3 no 2 Performed by Vladimir Ashkenazy · Domenico Scarlatti: Sonata K.9 in D minor Performed by Dongsok Shin on the earliest known surviving piano made by the inventor of the piano, Bartolomeo Cristofori, in 1720. This piano is in the Metropolitan Museum of Art. There are only two others extant by Cristofori. One (1722) in the Museo Nazionale degli Strumenti Musicali in Rome and the other (1726) in the Musikinstrumenten-Museum of Leipzig University · Sergei Rachmaninov: Vocalise Op 34 no 14 Performed by the Academy of St Martin in the Fields, conducted by Sir Neville Marriner · Erik Satie: Trois Gymnopédies number 3 (Arr. Williams) Performed by Michael Conn with the English Chamber Orchestra , conducted by Leslie Williams
Programme 11 description.
Today’s programme is about ten methods of organizing tones, which we refer to as scales or keys.
These form the basis of over 200 genres of Western Music.
The primary Tonal Scale consisting of 12 notes is the Chromatic scale.
From this, we derive:
The diatonic scales are Major and Minor, Pentatonic, and Whole tone.
In a separate category are the Modal Scales: Dorian, Phrygian, Lydian, Mixolydian, and Locrian.
Too technical for you? So, join us for the interesting variety of 8 music items. George Gershwin: “Summertime” from “Porgy and Bess” Performed by Ella Fitzgerald and Louis Armstrong with an unnamed orchestra · Isaac Albeniz: Leyanda Asturias Performed by Julian Bream · Johann Sebastian Bach: Gavottes 1 and 2 from the Orchestral Suite Number 1 in C Major BWV 1066 Tafelmusik Orchestra conducted by Jeanne Lamon · Fernando Sor: Study in A Major Opus 6 no 12 Performed by Andrés Segovia · Wolfgang Amadeus Mozart: Symphony K16a, third movement Performed by The Academy of Ancient Music conducted by Christopher Hogwood · Claude Debussy: Preludes Book 1 L.117 number 8 “La fille aux cheveux de lin” Performed by Krystian Zimerman · Claude Debussy: Preludes Book 1 L.117 number 2 “Voiles” Performed by Jean-Yves Thibaudet · Claude Debussy - Debussy_ Prélude à l'après-midi d'un faune Berliner Philharmoniker, Claudio Abbado
We have another chance today to practice the listening skills we have learned so far:
Pitch (Low vs high)
Strength (Soft vs loud)
Colour (Dark vs bright), (thin vs rich), (other qualities)
Pace (Slow vs fast)
Movement (Even vs irregular)
Articulation (Smooth vs separated sound)
Intensity and energy (gentle vs strong) (Low energy vs high energy)
Phrases (Commas vs Full stops), (Short vs long), (Equal vs irregular)
Key changes
Primary colours (Home key, Dominant and Subdominant)
Endings (Final vs non final)
Did you realize that we have already covered so much ground? Wolfgang Amadeus Mozart: Piano Concerto in C, K467 Performed by Maurizio Pollini with the Wiener Philharmoniker · Wolfgang Amadeus Mozart: Piano Concerto in C, K467 Performed by Maurizio Pollini with the Wiener Philharmoniker · Wolfgang Amadeus Mozart: Piano Concerto in C, K467 Performed by Maurizio Pollini with the Wiener Philharmoniker · Josef Haydn: String Quartet in G minor Hob.III:74, Op 74 no 3 “The Horseman” Performed by the Emerson String Quartet · Stan Jones: Ghost Riders in the Sky Performed by Judy Collins on her album “Paradise · Judy Collins: Since You’ve Asked Performed by Judy Collins on her album “Voices”
In programme 9 we review two chords and scales and add a new one. These three chords are the primary chords, and we will listen to several pieces using mostly these. When music is based on only three chords, it is similar to painting using only the primary colours, so I call these pieces “Music in Primary Colours.” Come and hear what you think Johann Strauss jnr: On the Beautiful, Blue Danube Waltz Opus 314 Strauss Orchestra Vienna, conducted by Joseph Francek · Wolfgang Amadeus Mozart: Piano Sonata No 16 in C Major K545 - I. Allegro Performed by Mitsuko Uchida · Anton Schmoll: “Vien quà, Dorina bella” Performed by Katarzyna Kempinska · Carl Maria von Weber: 7 Variations sur l’air “Vien quà, Dorina bella” Opus 7 for Piano The Pianist is not identified · Wolfgang Amadeus Mozart: Symphony no 44 KV81, Second Movement Performed by The Academy of St Martin in the Fields conducted by Sir Neville Marriner · Franz Schubert: Impromptu Opus 90 no 4 D899 Performed by Krystian Zimerman
In the 8th programme in the series “about Music”, we are going continue in our investigation of melody, also casually referred to as “tunes”. We go further with Phrases and Phrasing, which refers to the grouping of notes within a melody. The new information for this episode is information about the major scales and major chords. Lots of examples will help us to master identifying modulation to the dominant as well as common openings of melodies.
Any questions or comments, you are welcome to write to me at: brian@gsaradio.stream Ludwig von Beethoven: Symphony 5 in C minor Op 67, movement 4 Performed by the Concertgebouw Orchestra conducted by Bernard Haitink · Joseph Haydn: Symphony No 94 in F Major Hob I:94 “Surprise” II. Andante Performed by the Berlin Philharmoniker, conducted by Herbert von Karajan · Wolfgang Amadeus Mozart: Piano Sonata No 16 in C Major K545 - I. Allegro Performed by Mitsuko Uchida · William Henry Monk: “All things bright and beautiful” Performed by St. Michael’s Singers · Johann Sebastian Bach: The Well-Tempered Clavier Book 1 BWV 846 Prelude 1 Performed by András Schiff · George Frederick Händel: Joy to the World Performed by Paul Winter on the Hereford Cathedral Organ (Hauptwerk · Franz Schubert: Violin Sonata in D Major Op 137 no 1/D 384. Movements 2 and 3. Performed by Julia Fischer and Martin Helmchen · Franz Schubert: Violin Sonata in D Major Op 137 no 1/D 384. Movements 2 and 3. Performed by Julia Fischer and Martin Helmchen · Josef Haydn: Quartet Op 64 No 5 “The Lark” Third Movement Performed by Attacca Quartet · Johann Sebastian Bach: The Well-Tempered Clavier Book 1 BWV 854 Prelude 9 Performed by Daniel Barenboim · Edvard Grieg: Norwegian Dance Op 35 no 2 Performed by the Estonian National Symphony Orchestra, conducted by Paavo Järvi · Wolfgang Amadeus Mozart: String Quartet no 23 in F K590 “Prussian no3“ Performed by the Amadeus Quartet · Ludwig von Beethoven: Violin Sonata no 5 in F “Spring Sonata” Performed by Itzhak Perlman and Vladimir Ashkenazy
In the 7th programme in the series “about Music” today, we are going to look at melody, also casually referred to as “tunes”. Then we go further with Phrases and Phrasing, which refers to the grouping of notes within a melody. We explore in depth the set of Variations from Haydn’s Surprise Symphony. Please join me! Johann Sebastian Bach: Orchestral Suite No 3 in D Major BWV 1068 – Air (on the G String) Performed by the Münchner Bach-Orchester, conducted by Karl Richter · Adolphe Adam: O Holy Night Performed by the Mormon Tabernacle Choir with the King’s Singers · Joseph Haydn: Symphony No 94 in F Major Hob I:94 “Surprise” II. Andante Performed by the Berlin Philharmoniker, conducted by Herbert von Karajan · Wolfgang Amadeus Mozart: Piano Sonata No 16 in C Major K545 - I. Allegro Mitsuko Uchida · William Henry Monk: “All things bright and beautiful” Performed by St. Michael’s Singers
Today I am going to do very little talking, because I would like you to listen to a lovely variety of music that I have compiled for you. So today we are more about “just Music” than “about Music”.
Over the last five programmes I have introduced to you and demonstrated to you the four elements of sound, and specifically of musical sound, so today is all about giving you opportunity to reflect on these Alexander Borodin: Polovtsian Dances from the opera Prince Igor Performed by the Berlin Philharmoniker, conducted by Herbert von Karajan · Gioachino Rossini: William Tell Overture Performed by the Berlin Philharmoniker, conducted by Herbert von Karajan · Gioachino Rossini: William Tell: Oh! Quale alta d’intorno Scene 1 Performed by Voices of the Nation · Wolfgang Amadeus Mozart: “Ave verum corpus” K618 Performed by the Stockholm Choir and Stockholm Radio Chorus, conducted by Ricardo Muti · Franz Josef Haydn: “Then comes the dawn” From The Seasons: Winter. Performed by the Chicago Symphony Orchestra and Chorus, conducted by Sir Georg Solti · Dmitri Shostakovich: Symphony number 5: Finale Performed by the New York Philharmonic conducted by Leonard Bernstein · Camille Saint-Saens: Bacchanale from Samson and Delilah Opus 47 Performed by the New York Philharmonic conducted by Leonard Bernstein · Ronald Binge: Elizabethan Serenade Performed by the Mandela Park Primary School Choir
In the 5th programme in the series “about Music” we do some more exploration into Intensity, and how this creates emotion in music. Emotional intensity in music refers to the degree of emotional expressiveness or power that a piece of music or performance conveys to the listener. It can be described as the feeling that is communicated through the music. And we indulge ourselves in the complete performance of Rachmaninov’s second piano concerto. Don’t’ miss this stunning performance! Music links and Questions for Programme 5: about Music: Intensity
Any questions or comments, you are welcome to write to me at: brian@gsaradio.stream Johann Sebastian Bach: The Well-Tempered Clavier: Prelude and Fugue in C Major, BWV 846 András Schiff · Georg Frederick Händel: Messiah: For Unto Us A Child Is Born Choir of King’s College, Cambridge · Wolfgang Amadeus Mozart: Serenade in G Major, K. 525: Eine kleine Nachtmusik - I. Allegro Academy of St Martin in the Fields, Sir Neville Marriner · Sergei Rachmaninoff: Piano Concerto No. 2 in C Minor, Op. 18 · Vladimir Ashkenazy, London Symphony Orchestra conducted by André Previn · Sergei Rachmaninoff: Piano Concerto No. 2 in C Minor, Op. 18 Vladimir Ashkenazy, London Symphony Orchestra conducted by André Previn
In the 4th programme in the series “about Music” we explore Volume and Intensity, and how this creates emotion in music. And we indulge ourselves in the complete performance of Tchaikovsky’s first piano concerto. Don’t miss this stunning performance! Music links and Questions for Programme 4: about Music: Intensity and Volume; and answers to the questions from Programme 3.
Any questions or comments, you are welcome to write to me at: brian@gsaradio.stream
Answers to questions for Programme 3:
1.Please listen to the entire Carmina Burana, and read up a little about it. I would like you to especially take note of how Carl Orff uses the colours of the instruments in the orchestra to make the music as colourful as the colours of the rainbow, or the pride flag. This truly is an astonishing composition, if you don’t already know it, but because it’s quite long, its best if you have a list of the songs to identify where you are in the piece.
2.Can you think of some terms we might use to explain the concept of timbre.
Tonal Colour, Quality of sound, Ring, and Resonance.
3.Now some terms we might use to describe the timbre of a piece of music.
Bright, dark, brassy, reedy, harsh, noisy, thin, buzzy, pure, raspy, shrill, mellow, strained, light, flat, smooth, smoky, breathy, and rough. Claude Debussy: Préludes, L. 125_ X. La cathédrale engloutie (arr. Stokowski) Philharmonia Orchestra, conducted by Geoffrey Simon · Pyotr Ilyich Tchaikovsky - Piano Concerto No. 1 in B-Flat Minor, Op. 23 Andrei Gavrilov with Ricardo Muti conducting the Philharmonia Orchestra
Now that we know a lot more about pitch and duration, we are ready to explore the third element of music – Timbre, also called Tone Colour. Let’s think of timbre as the resonance or quality of tone by which our ears recognize and identify the distinctive sound of a particular singing voice or musical instrument. In addition to its role in distinguishing between different instruments, timbre is used to convey emotion, mood, or style in music. Come and explore these concepts in our third episode of “about Music”.
Music links and Questions for Programme 3: about Music: Timbre; and answers to the questions from Programme 2. Any questions or comments, you are welcome to write to me at: brian@gsaradio.stream
Answers to questions from Programme 2:
1.Please Google Beethoven Symphony number 5 rhythm and follow the Encyclopedia Britannica link and read up about how that rhythmic motive appears all over the symphony.
I trust you found this fascinating. It’s a topic we will come back to repeatedly with music of the late 1800’s.
2.There is an interesting way of looking at rhythm as a clock face in the following video https://music.youtube.com/watch?v=2UphAzryVpY&feature=share
3.Can you think of a reason for the prominence of a drum set and drummer in almost all popular music? (Hint: Think about why the drum set consists of different sizes of drums.)
The reason is that rhythm is often the most vital part of popular music and the drum kit is a very simple way of keeping the beat at the forefront. It, so to speak, is the glue that holds the performance together. And what about the different sizes of the drums? In programme one I mentioned that the different sizes produce different low and high pitched sounds, so by having different sizes of drums, the drummer is able to give much more than just a rhythm. The rhythm has a melodic aspect to it that help us to identify the stronger and weaker pulses of the different 2, 3, or 4 beat patterns, which is especially vital for dance music.
4.Then can you explain how it is that classical music does not rely heavily on the presence of drums in the orchestra?
The orchestra uses the bass instruments to supply the rhythm for the piece, sometimes in combination with the large copper kettle drums.
5.What function does that alternating bass serve?
We spoke of this last week and heard in several pieces how the orchestra (or piano) uses alternating low and higher bass notes to keep the music and the beat flowing. These serve the same function as the large and small drums in the drum kit, namely to help us identify the strong and weaker pulses in the rhythm and identify if the music is in two beats, three beats, or four.
6.The very large kettle drums often seen in the orchestra are called the tympani. But they have special uses besides keeping the beat. Read up about them and how they support that alternating bass we have been talking about.
The tympani are those large copper coloured drums you see in the orchestra, and there are often three of them of different sizes. These drums are tuned to specific notes, as you may recall hearing as the very first note in O Fortuna. They are powerful and dramatic. They often produce the notes for that alternating bass pattern. One very interesting feature is that these drums can be tuned to different notes, and if you watch carefully during an orchestral performance, you may spot the timpanist with his ear practically touching the head of the drum as he tunes it to the notes required for the next section of the music. Carl Orff: O Fortuna from Carmina Burana Performed by the Royal Philharmonic Orchestra, Richard Cooke · Edvard Grieg: Peer Gynt Suite No 1, Opus 46, Morning Mood Performed by Cyprien Katsaris (Piano) · Edvard Grieg: Peer Gynt Suite No 1, Opus 46 complete Performed by the Berlin Philharmonic, Herbert von Karajan · George Frederick Händel: Zadok the Priest , the Coronation Anthem (The performers are not named) · Sergei Rachmaninov: Sonata for Piano and Cello Opus 19, Second movement Performed by Yo-Yo Ma and Emanuel Ax · Francis Lai: Love Story Performed by Lola & Hauser in the video on a Blüthner piano from the 19th century and a Holstein Bench Guarneri ‘Cello. · Francis Poulenc: Flute Sonata FP164, third movement Performed by Emmanuel Pahud and Éric Le Sage · Modeste Mussorgsky: Tuileries from “Pictures at an Exhibition” Performed by Ceska Philharmonie, Karel Ancerl · Modeste Mussorgsky: Tuileries from “Pictures at an Exhibition” Performed by the Torgeir Kinne Solsvik (Piano)
In this second episode we will be talking about the musical element Duration. Rhythm is one of the fundamental building blocks of music. It refers to the way that sounds are organized and structured in time, creating patterns and cycles that give music a sense of movement and energy. It is the element that creates excitement! Please join me and lets explore!
Questions for Programme 2:
1.Please Google Beethoven Symphony number 5 rhythm and follow the Encyclopaedia Britannica link and read up about how that rhythmic motive appears all over the symphony.
2.There is an interesting way of looking at rhythm as a clock face in the following video https://music.youtube.com/watch?v=2UphAzryVpY&feature=share
3.Can you think of a reason for the prominence of a drum set and drummer in almost all popular music? (Hint: Think about why the drum set consists of different sizes of drums.)
4.Then can you explain how it is that classical music does not rely heavily on the presence of drums in the orchestra?
5.The very large kettle drums often seen in the orchestra are called the tympani. But they have special uses besides keeping the beat. Read up about them and how they support that alternating bass we have been talking about.
6.What function does that alternating bass serve?
Answers to questions from Programme 1:
1.Please identify a few instruments or singers that use the treble or G clef.
Violin, Flute, Oboe, Cor Anglais, Clarinet, Saxophones, Horn, Trumpet, Vibraphone, Xylophone, Mandolin, Recorder, Bagpipe, guitar, and Soprano and Alto singers
2.Please identify a few instruments or singers that use the bass or F clef.
‘Cello, Double Bass, Bassoon, Tuba, bass Guitar, Tenor and Bass singers
3.Please identify a few instruments or singers that might use the C clef. (Hint: this clef is movable, and can be called the Alto Clef, the Tenor Clef, the Soprano Clef, the Mezzo-Soprano Clef and the Baritone Clef.
Viola, ‘Cello, Bassoon, Viola d’amore, Viola de gamba, Alto Trombone, and Countertenor voice. These 5 clefs were in very common use in the so-called Baroque period, so orchestras or groups that perform on original historical instruments will be familiar with them. Nowadays only the Alto and Tenor are still widely used, and usually the people who can read them also read the more common Treble and Bass clefs.
4.Please think of three reasons why middle C is called middle C.
It’s found on the middle line of the grand staff consisting of 11 lines, line number 6 counting from either the top or the bottom.
It’s the common note between female and male voice ranges for the average singer and it can be played on nearly all instruments both treble and bass.
It’s roughly in the middle of the piano keyboard above the pedals, so it’s easily accessible to both right and left hands. In fact many piano lesson books start on middle C with both left and right hands as the first note that piano students learn to find and read.
5.Please listen to one piece written for a treble clef instrument, one for a bass clef instrument, and the remaining two movements of the Schumann Märchenbilder we heard which are for the C clef instrument. Reflect on whether the relative low or high sounds mean something to your listening experience and which speak most directly to your heart.
So which was it for you? For me personally, it’s the warmth of the notes just around and below middle C and the extreme bass notes on a really good piano. But this could be a male thing, because this is where my voice is pitched. This is the calm and soothing range for me. For many people it is the upper end of the female and male voices that speak to their heart most directly, often because of the excitement and thrill of a really energizing climax to a song like Nessun Dorma. This is highly personal, but has a definite influence on the music you choose to listen to. Igor Stravinsky: Suite from The Firebird - Finale Performed by the Los Angeles Philharmonic, Gustavo Dudamel · Ludwig Van Beethoven: Symphony No. 5, Op. 67 First movement Performed on the Classic Flames channel · George Frederick Handel: Arrival of the Queen of Sheba Performed by The Sixteen at BBC Prom 2009, Harry Christophers · Gioachino Rossini: William Tell Overture Performed by The Tokyo Philharmonic Orchestra, Myung-Whun Chung · Johannes Brahms: Brahms Hungarian Dance No. 5 in G Minor Performed by the Wiener Philharmoniker, Claudio Abbado · George Gershwin: I Got Rhythm Unknown performer · Claude Debussy - Debussy_ Prélude à l'après-midi d'un faune Berliner Philharmoniker, Claudio Abbado · Sergei Prokofiev: Romeo and Juliet, Op. 64 Act 1 - Dance Of The Knights The Cleveland Orchestra, Lorin Maazel · Leonard Bernstein: West Side Story, Act 1 - Something's coming (Tony) San Francisco Symphony, Michael Tilson Thomas sung by Cheyenne Jackson · Leonard Bernstein: West Side Story 1961, Act 2 - I feel pretty (Maria) Sung by Natalie Wood, Yvonne Othon, Suzie Kaye, Joanne Miya · John Varney: A different way to visualize rhythm John Varney
Our first episode and adventure into the world of music concerns the first basic element of sound, namely pitch. Pitch is essential to creating melody and harmony.
Let’s explore …
Music links and Questions for Programme 1: about Music: Pitch
Any questions or comments, you are welcome to write to me at: brian@gsaradio.stream
The Music played:
Wolfgang Amadeus Mozart: Clarinet Concerto in A Major K622 – Adagio Movement
Original Motion Picture Soundtrack Performed by Joel McNeely and the Royal Scottish National Orchestra.
https://music.youtube.com/watch?v=y0C7ZoSCaiY&feature=share
Felix Mendelssohn: A Midsummer Night’s Dream, Incidental Music, Opus 61, MWV M 13 – No. 1 Scherzo.
Performed by the Berliner Philharmoniker conducted by Ferenc Fricsay
https://music.youtube.com/watch?v=CuD1aYHD67E&feature=share
Gyorgy Sviridov: Pushkin’s Garland No7: Reveille
Performed by Alexey Mikhailov and the Glinka Choir
https://youtu.be/t3uciWROTfg
Robert Schumann: Märchenbilder (FairyTale Pictures) Opus 113
Movements
1.Nicht schnell (Not Fast) in D minor
2.Lebhaft (Lively) in F major
3.Rasch (Quick) in D minor
4.Langsam, mit melancholischem Ausdruck (Slowly, with Melancholic Expression) in D major
Performed by Timothy Ridout and Ke Ma
https://music.youtube.com/watch?v=KeZw_DhWMW4&feature=share
Edvard Grieg: Peer Gynt Suite No. 1, Op. 46 - I. Morning Mood
Performed by the Berliner Philharmoniker conducted by Herbert von Karajan
https://music.youtube.com/watch?v=J-1Bob1dU18&feature=share
Edvard Grieg: Peer Gynt Suite No. 1, Op. 46 – 4. In the Hall of the Mountain King
Performed by The Seattle Symphony
https://music.youtube.com/watch?v=4nMUr8Rt2AI&feature=share
Nobuyuki TsujiiÖ Elegy for the Victims of the Earthquake and Tsunami of March 11, 2011.
Performed by the composer.
https://music.youtube.com/watch?v=LqoV4ZW7xTA&feature=share
John Williams: Music from Schindler’s List
Performed by Simone Lamsma (violin) and Davida Scheffers (cor anglais) with the NL Orchestra
https://youtu.be/YqVRcFQagtI
Francis Lai: Love Story
Performed by Lola & Hauser in the video on a Blüthner piano from the 19th century and a Holstein Bench Guarneri ‘Cello.
https://music.youtube.com/watch?v=_J2sOm4Ruh0&feature=share
Questions for Programme 1:
1.Please identify a few instruments or singers that use the treble or G clef.
2.Please identify a few instruments or singers that use the bass or F clef.
3.Please identify a few instruments or singers that might use the C clef. (Hint: this clef is movable, and can be called the Alto Clef, the Tenor Clef, the Soprano Clef, the Mezzo-Soprano Clef and the Baritone Clef.
4.Please think of three reasons why middle C is called middle C.
5.Please listen to one piece written for a treble clef instrument, one for a bass clef instrument, and the remaining two movements of the Schumann Märchenbilder we heard which are for the C clef instrument. Reflect on whether the relative low or high sounds mean something to your listening experience and which speak most directly to your heart. Wolfgang Amadeus Mozart: Clarinet Concerto in A Major K622 – Adagio Movement Original Motion Picture Soundtrack Performed by Joel McNeely and the Royal Scottish National Orchestra. · Felix Mendelssohn: A Midsummer Night’s Dream, Incidental Music, Opus 61, MWV M 13 – No. 1 Scherzo. Performed by the Berliner Philharmoniker conducted by Ferenc Fricsay · Gyorgy Sviridov: Pushkin’s Garland No7: Reveille Performed by Alexey Mikhailov and the Glinka Choir
With all the celebrations going on currently for Pride month I thought is important to also reflect on past events in gay culture and moments that makes one feel proud and empowered to be different. At the openings of the gay games of 2006, Suzanne Westenhoefer an American comedian give these inspiring words “We don’t need acceptance we are not credit cards; we already are everyplace you want to be. I didn’t choose to be gay; I was chosen.”
Imagine a warm summer afternoon laying on a beach towel in your bathing costume and favourite cocktail in hand complete with fruits on the rim and mini umbrellas to boot. With your one eye peeping over your “shades” now and then just in case a cute boy or girl was to swim or strolls past on the beach. Our quest today to see if we can get 12 songs with the word ‘Summer’ in the song title for our 12th episode in this series. PS: Don’t forget your factor 40 suntan lotion this year, safety first 😊
In honour of American holiday old Hallows eve, the tradition originated with the ancient Celtic festival of Samhain, when people would light bonfires and wear costumes to ward off ghosts. In this episode we had a look at “chills” but the opposite of relaxing, rather down the spine. Packed with 3 quizzes ranged from Film & TV series scary theme music to famous “last words” from horror movies. Listen if you dare, 1000 forms of fear and thou you fight to stay alive your body starts to shiver, for mortal can resist the evil of Screaming Jay Hawkins
Sometimes one just wants to pack up your troubles in your own kit bag and smile. According to research done by Harvard Medical School, music can have a myriad of positive effects on the brain, from keeping people relaxed during medical procedures to improving exercise endurance. In short, when you're feeling blue, a happy song can work wonders to infuse some joy into your day. Go on, turn this one all the way up!
Aminated movies are among the best family entertainment out there with most of them adding to the sing-along and dance songs enjoyed by generations. In fact, picking a favourite from the very best songs can be a daunting task – from the classic tunes that have stood the test of time, and newer songs are bound to last. If you’re ready something toe tapping to harnessing your inner princess, prince, or villain then turn up these catchy, heart-warming, and uplifting ditties and magical melodies to get you in a “happily-ever-after” mood.
Don’t you just wish sometimes in real life you and the world around you can suddenly go in a dance sequence like in the movies? Where everyone sings your song, perfect weather, no traffic, and everyone is in perfect choreography. Well, I certainly do. This week I listed my favourite dance scenes from the movies from not just musicals or dance movies but any unforgettable dance sequences that I believe will be listed in the cinema archives as classics.
Lip-syncing got a bad name in the late 1980’s the but luckily in the mid 2010’s the American television series Lip Sync Battle and the incomparable RuPaul with his TV series empire of RuPaul’s Drag Race reclaimed this “art form” and I’m glad as I enjoy a good lip sync any day. Now add a hot action movie star (who is not a singer) caught on film singing along in sunglasses to old time rock and roll music and a splash 80 movie trivia and you could easily become addicted to love.
Is there a cure for “Earworms” and where can on contract them? In the episode have all the “official” covers of a Swedish pop group, formerly known as "Festfolket" or “the Folk People” that won the Eurovision song contest in the 70’s and released a greatest hits album after on 3 albums released. After 40 years of friendships, marriages, divorces, tours, concerts, movies, musicals, and number one hits that will be evergreen, they will now face the next digital frontier.
We find out who are Dorothy’s friends and the suggested origin of the word “Moffie”. Do you still find the word offensive? I’m hoping if we understand where it came from, the use and reclaim it we can make it a term of endearment. Bonus facts about what lengths a vocalist when to avoid serving in the military and how would you feel if you found out you gave a serial killer a lift?
I ask you if you know where wat the longest running gay club was located in South Africa and? We learn about a vocalist that changed her hair colour as she was often mistaken for Amy Winehouse, she studied with Nicky & Paris Hillton, and how her name can about and much more radio “blah blah”.
In this episode we learn about a person that has 50 tattoos and counting and a clump of his hair that once was on auction for yes you read it right $40 000+, can you belieber it? Carly B has a message for all the haters about the “Rumours” on social media, Lauran Branigan addresses a lady about the voices in her head and Elton John & Dua Lipa team up for a long long time.
This the debut episode of BackTrax and where one learns about a “Guilty Pleasure Boogie Tune”, how we will dust off old tunes and stay updated with the latest track. Never forgetting the amazing local talent and an added bonus is how to crack the “Gayle”code or the language of King & Queens even if just the start.
Pure for Men is the all-natural men’s cleanliness supplement designed for you to bottom with confidence. Stay Clean & #STAYREADY when it matters most.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
Get the book at: https://money-smartbook.com
Vilochanee Naidoo has a wealth of knowledge on both personal and business finance. She has spoken at corporate events and has professional international accreditation in finance and supply chain management.
On the back of a 21-year career in procurement with blue chip companies, she has led the successful growth of businesses by purposefully increasing wealth and reducing costs. She possesses a wide range of skills in procurement across multiple industries, and she uses her sales, service, and product knowledge to contribute to the personal, financial, and career growth of people from all walks of life.
In this book, Vilochanee seeks to inspire and encourage more individuals to lead wealthy lifestyles by consciously creating an awareness and understanding of important personal financial matters.
Success, expanding personal brands, and assisting needy children are issues close to her heart. She is involved in outreach programs such as World Vision’s “Sponsor a Child” Program, which supports the global education of children. She is also a patron of Nkosi’s Haven in Johannesburg.
Gang 888 is a film about 5 orphaned black queer women who decide to create a gang.
All 5 women are militant about reclaiming their power in South Africa. They are not about being victims and are surely are about living only on their own terms.
Get ready for the biggest LGBTQ+ virtual party South Africa has seen this year. You will be entertained by some of SA's top DJ's, Entertainers and Drag Queens. 05 Jun, 19:00 – 22:00 SAST
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
Eugene Mathews with his striking good looks and amazing hair has etched himself into the concrete of Cape Town’s comedy scene. His keen wit and razor-sharp tongue will tickle your brain as well as your funny bone. He has played various comedy venues on the Cape Comedy circuit with rip-roaring success. Astute, shrewd and wickedly funny, Eugene will have you quoting him in the morning.
Ethan chats to Nduduzo Nyanda, the country manager at Uber in South-Africa, about his life and Uber as a company.
Hendrik chats to Cameron Lawry about his new short film, Confessions & Kirsten Scharneck, who stars in the film.
Storyline Marco, a young gay man grieving the loss of his lover Tom, returns to his church for guidance and support. It is here where he once again connects with Father Ray a Catholic priest, determined to maintain traditions. After some time, Marco acknowledges what he has been told is a "sin" within the church and searches for absolution. Through repenting, he contacts Carla a new parish member. It is through Macro invested interest in pursuing Carla that she gains more interest. He realizes that he is slowly losing himself.
The International Gay & Lesbian Travel Association was founded in 1983 and is the world's leading network of LGBTQ-welcoming tourism businesses.
We provide free travel resources and information while continuously working to promote equality and safety within LGBTQ tourism worldwide.
IGLTA’s members include LGBTQ-friendly accommodations, transport, destinations, service providers, travel agents, tour operators, events and travel media located in over 75 countries.
Websitehttp://www.iglta.org
Mish Mash Media Productions is a multi-media production company giving voice to LGBTQ projects in Cape Town.
Lesbian #Gay #Bisexual #Transgender #Queer
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
Private Client Short-Term Insurance Broker. Contact Us 012 534 3290 021 100 4250 031 101 3056 admin@eaglesure.co.za.
On Friday 30 August between 09h30 and 10h30, Hendrik of GaySA Radio chats with Melanie who is organising the first Teen Pride Mixer in Cape Town on 31 August.
This is a TEEN Pride Mixer for 13 to 18 year olds. I've had so many enquiries about other age groups wanting to attend and while I would absolutely welcome your support, we don't want to detract from our purpose of supporting our LGBTQ+ TEENS
For parents who are attending with their teens, if there are younger siblings in the family and you are without a babysitter, then please bring your younger children
Hendrik & Marie Du Toit went to see The Sleeping Beauty @ The Artscape Theatre in Cape Town. The timeless story of Princess Aurora based on Perrault’s familiar fairytale, widely considered to be a summation of 19th-century classicism. The story of Aurora’s 100-year sleep and her magical awakening will leave audiences of all ages delighted and entranced. International guest artists and live orchestra
Hendrik shares his views on why he thinks Cape Town is the Drag capital of South Africa
Diabolique is Africa’s largest Fetish and Fantasy Festival, packed with entertainment, fetish, fantasy, fashion and art shows starring renowned alternative models, DJ’s and artists from all over the world. We aim to keep our audience entertained, excited and enthralled, always striving to make the next event even more extravagant than the one before
Hendrik speaks to Costa Carastavrakis about his book I Am Costa: From Meth to Marathons
SPECTRUM! Promoting a culture of acceptance and awareness. A Stellenbosch University society based at the Tygerberg Medical Campus.
CONTACT INFO m.me/spectrum.tygerberg spectrumexec@tygerberg.onmicrosoft.com https://www.instagram.com/spectrum_tygerberg https://www.instagram.com/spectrum_tygerberg
A Personal Statement from Ray Chenez:
I am delighted to present a very special project close to my heart called “BroadRAY!” With the help of my agency, Parnassus Arts Productions, I am in the process of recording a full-length CD and organizing an international tour. This project is a true labor of love and I have a vision far grander than you can possibly imagine.
The project has already been featured in the media on Broadway World, Channel 7 WKBW Buffalo, Parterre.com, & Modern Singer Magazine.
The efforts required to produce such a project are immense, and each and every day I am pouring my heart and soul into bringing this project to life. It’s financially very difficult to produce a top-quality album in today’s market, in which record albums are no longer providing much (if any) funding. This is why i can use your help to bring this project to reality. Through Crowdfunding on Indiegogo and individual efforts, I have already raised 8.000 EUR from people in 10 different countries! But in order to fully realize this project in its best form, I need to double that!
Josh Rimer is a travel vlogger, YouTuber, TV host/producer, and Mr. Gay Canada 2019! Check him out on YouTube at https://www.youtube.com/user/JoshRimer
Kinky Boots features a Tony-winning score by Cyndi Lauper and a book by four-time Tony winner, Harvey Fierstein. Winner of the Tony Award for Best Musical, Tony Award for Best Original Score, Tony Award for Best Choreography and Laurence Olivier Award for Best New Musical, Kinky Boots has played to sold-out houses on Broadway and in the West End since 2013. This mega-hit is a must-see for all musical theatre fans.
Do you want to meet the person who can introduce you to your next client? Net Your Niche is an online networking platform that reduces the time, money and effort of traditional marketing and allows you to focus on what truly matters: Meeting someone who can refer you to the exact person you are looking for. No more calling secretaries and being put on hold! Sign up today at a 20% discount and make sure you don’t miss out on meeting new clients any longer. Visit us at http://www.nyn.co.za or call us on 012 947 9599
The talented Forti Mazzone is a well-known name in the race car industry. Pink Drive (Thursdays 16:00-17:00)
The talented Forti Mazzone is a well-known name in the race car industry. Pink Drive (Thursdays 16:00-17:00)
The talented Forti Mazzone is a well-known name in the race car industry. Pink Drive (Thursdays 16:00-17:00)
The talented Forti Mazzone is a well-known name in the race car industry. Pink Drive (Thursdays 16:00-17:00)
The talented Forti Mazzone is a well-known name in the gastronomy industry. Forti on Food (Tuesdays 16:00-17:00)
The talented Forti Mazzone is a well-known name in the gastronomy industry. Forti on Food (Tuesdays 16:00-17:00)
The talented Forti Mazzone is a well-known name in the gastronomy industry. Forti on Food (Tuesdays 16:00-17:00)
The talented Forti Mazzone is a well-known name in the gastronomy industry. Forti on Food (Tuesdays 16:00-17:00)
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
What is the Micro Miracle Foundation?
The foundation was started when Logan was diagnosed with Microcephaly in 2015. The medical bills are extremely high and so the foundation was started to help children with Microcephaly and closely related neurological problems. The foundation is not funded in any other way than the fundraisers & events that are arranged in aid thereof. Please see the Fundraising & Events tab for more information on past & upcoming fundraisers.
Mish Mash is a multi-media production company giving voice to LGBTQ projects in Cape Town. #Lesbian #Gay #Bisexual #Transgender #Queer
CONTACT INFO
m.me/MishMashMediaSA
mishmashmedia.sa@gmail.com
Mish Mash is a multi-media production company giving voice to LGBTQ projects in Cape Town. #Lesbian #Gay #Bisexual #Transgender #Queer
CONTACT INFO
m.me/MishMashMediaSA
mishmashmedia.sa@gmail.com
Mish Mash is a multi-media production company giving voice to LGBTQ projects in Cape Town. #Lesbian #Gay #Bisexual #Transgender #Queer
CONTACT INFO
m.me/MishMashMediaSA
mishmashmedia.sa@gmail.com
Mish Mash is a multi-media production company giving voice to LGBTQ projects in Cape Town. #Lesbian #Gay #Bisexual #Transgender #Queer
CONTACT INFO
m.me/MishMashMediaSA
mishmashmedia.sa@gmail.com
Mish Mash is a multi-media production company giving voice to LGBTQ projects in Cape Town. #Lesbian #Gay #Bisexual #Transgender #Queer
CONTACT INFO
m.me/MishMashMediaSA
mishmashmedia.sa@gmail.com
Ethan chats to Donald from Design Joburg About The Show Design Joburg, featuring Rooms on View, was launched as part of a bigger stable of successful events into the country by Media 10 who saw a need in the market for an inspiring high-end showcase of local and international design and décor.
Design Joburg, featuring Rooms on View, proved to be the new show for exceptional design, quality, and inspiration. Design Joburg is the perfect mix of a longstanding favorite local exhibition that highlights the best in the industry paired with the new innovators and emerging talent of South Africa.
Visitors to the show were part of a unique audience of high-end consumers as well as architects, designers, specifiers, developers, as well as multinational companies looking to source directly for their latest projects.
Matthew Jeptha is a 24-year-old Cape Town based musician, songwriter and writer/ blogger.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
The best interviews and shows from GaySA Radio's - Africa's only LGBTQ+ internet radio station.
Grounded Bistro is a quaint restaurant in Somerset Square in Greenpoint in Cape Town. The owner John Fouche chats with Hendrik about how he started the business and the challenges associated with running a small business. He also chats about the events he hosts.
At Grounded Bistro, Hendrik met up with one of the loyal customers of this restaurant, Kai Casson, who tells Hendrik why he is a regular here.
Kai Casson owns an interesting business, where he collects used coffee grounds from coffee shops and restaurants and converts it into fire starters. He chats to Hendrik about this unique concept, how he started doing it and about developing this product.
The Pride Shelter Trust is 8 years old and every year they hold a market day to raise funds for their operations. Hendrik was there and spoke to several stall holders, as well as to Jan who oversees the day to day running of this shelter for LGBTQ+ persons in Cape Town.
Impulse Group is an international group dedicated to promoting healthier sexual lifestyles among gay men in 18 cities around the world. With support from the AIDS Healthcare Foundation, this group of volunteers works to create campaigns, events, and online content to reach a new generation of gay men who live in a modern and rapidly evolving world.
They recently launched a chapter in Cape Town and GaySA Radio was there to talk to some of the people participating in this initiative.
Sibuor is an up and coming musician from Cape Town. He spoke to Hendrik about the challenges of starting out in the music business and how he is making a name for himself. They also talk about Pride and what it means to him.
Hunter The Voice speaks about his experience with homophobia. Having lived in London, the United States, Tanzania, and South Africa, he says he has experienced homophobia in many forms, both overt and very subtle. He has some solutions as to how to combat such homophobia as he chats with Hendrik in Cape Town.
As he grew up in a Muslim household, he thought his parents would disown him when he finally told them he was gay. He did not expect the reaction he got from his father.
He also chats about his first single called So Gay. He explains where the songs come from and how it has inadvertently turned him into an activist. He received lots of feedback, both positive and negative, which has had the effect of starting a conversation.
Hunter The Voice is currently in Cape Town where he is working on a show which he will debut soon. In this interview with Hendrik, he talks about his journey as a musician. He started singing in the shower but eventually went for vocal training before he decided to pursue his passion. He talks about the links between music and fashion too. Hunter the Voice has just released a new single, called Mona Lisa Man. In conversation with Hendrik in Cape Town, he chats about the unusual way he found the song’s title and explains the meaning behind the lyrics.
Michael and Arno Tietz-Geldenhuys host a weekly drawing group for gay men in Observatory in Cape Town. In this interview, they talk about how the group came together and how they find models to pose nude for the artists to draw or paint and they chat about the upcoming exhibition which will be hosted from 1 - 6 May at 42 Tril street in Observatory, with the official opening on 2 May.
NOUS Counseling & Art Therapy was established by Juan M. Terblanche in 2018. NOUS Counselling and Art Therapy is based in Rosebank, to find out more visit, www.nousart.co.za Terblanche was trained as a Counselor through The Academy of Modern Applied Psychology (Achology) in the United Kingdom, he also obtained his Hypnotherapy qualifications through Achology. Apart from his studies at Achology, Terblanche also holds a Diploma in Psychotherapy from the KEW Training Academy (UK), a certificate from the American Board of Neuro-Linguistic Practitioners as Neuro-Linguistic Practitioner, together with a Master’s Degree in Fine Art from the Tshwane University of Technology. His thesis for his dissertation was titled “A Jungian Analysis of artworks created by a creatively active cohort of persons suffering from Schizophrenia”. During his Master’s degree studies, Terblanche worked with individuals suffering from Schizophrenia in a psychiatric institution. His thesis was endorsed and approved by the Gauteng Department of Health and Social Services. Terblanche has published in national and international publications on art therapy as well as fundamentalism in religion. Terblanche is registered with CTAA (Complimentary Therapist Accredited Association – UK) as well as the Academy of Modern Applied Psychology in the UK as a Counselor.
Village Drinks Cape Town is a monthly networking event for gay professionals in Cape Town, they also offer businesses an opportunity to profile their services and products to the sizable gay market in Cape Town.
For more info go to https://www.facebook.com/pg/villagedrinksCPT/
CurrencyAssist and Taxforum entered into a joint venture to assist expats on the new #Tax2020 rules. As of 1 March South African expats that are tax resident in SA, will see there up to now totally tax free foreign income, being taxed should it exceed R1m. Hugo is from Taxforum and is a master tax practitioner and CurrencyAssist assist South Africans to transfer foreign currency to and from ZA Rand. CurrencyAssist also has a division RandTangle that can assist South African expats wishing to financially emigrate from SA, allowing them to extract retirement annuities before age 55 and to transfer large inheritances abroad.
Visit https://currencyassist.co.za/ and www.hugovanzyl.com for more information!
Ben and Sion are a married couple from the UK. They run The Globetrotter Guys, a gay travel website and social media brand, focusing on the best in gay travel, whether this be destinations, hotels, activities, nightlife etc
They are hosting a gay-sailing trip in August this year. This starts and ends in Mykonos (just in time for the huge Xlsior festival!) and also visits 4 other Greek Islands. There are only a few spots left - they would love for more people to join them! Take a look here if you would like more information: https://theglobetrotterguys.com/2018/10/20/gay-sailing-mykonos/
Italy Gay Travels is a boutique gay travel company. We organise gay group holiday in and around Italy and beyond. We have recently completed our first international holiday in South Africa.
Book your tour at www.Italygaytravels.Com/group-holidays-2019/ with a particular emphasis on the Food and Wine Holidays in Southern Italy
Deziner Cake Creators was established in August 2012, specializing in various styles of cakes and desserts. We create cakes to match any dietary needs, from vegan to banting and more. We are Level 1 BBBEE and do both corporate and private orders. We also offer private or group classes from baking cakes and desserts to various types of decorating techniques for adults and kiddies. We are based in Kempton Park, near the airport. Www.instagram.com/dezinercakecreators Www.facebook.com/dezinercakecreators
Book any of our classes and get 20% off using "GaySA Radio" as your reference.
Contact: dezinercc@gmail.com or call 0722496808
Johan Scholtz is a qualified Life Coach specialising in three areas: Relationship with Self Coaching; Spiritual Coaching and Weight Management Coaching.
He assists clients in all aspects of their lives where there is imbalance and help them set goals and achieving those goals. The coaching assists clients to dig deep, to let go of limiting beliefs and gives them the necessary tools to continue their journeys after their coaching with me has come to an end.
Coaching sessions take place either on a one-on-one basis, telephonically or via Skype.
Contact: coaching@lifeunlimited.co.za or visit www.lifeunlimited.co.za
Singer, songwriter and record producer, Albert Hammond is a prolific music industry giant, who has written commercially successful songs for some of the biggest names in the Music Industry, including Celine Dion, Aretha Franklin, Whitney Houston, Diana Ross, Tina Turner, Glen Campbell. Julio Iglesias, to name a few. A solo singer in his own right, Hammond will be returning to South Africa in March for five shows in four different cities. Hammond is a regular visitor of our beautiful country, and over the last decade, has frequented different cities in South Africa to serenade audiences with classic hits like It Never Rains in Southern California, Free Electric Band, I’m a Train and Peacemaker. This is the very reason Charl Van Heyningen Enterprises decided to bring him back: “Hammond is one of the greatest song-writers of our time. Audiences love him and it is time for Stellenbosch, Pretoria, Bloemfontein and P.E. to experience this music heavy weight”, says Producer Charl Van Heyningen. Hammond has collaborated most notably with songwriters Mike Hazlewood, John Bettis, Diane Warren as well as Holly Knight, Carole Bayer Sager. He wrote commercially successful singles for artists including Celine Dion, Joe Dolan, Aretha Franklin, Whitney Houston, Diana Ross, Leo Sayer, Tina Turner, Glen Campbell, Julio Iglesias, Willie Nelson, and Bonnie Tyler, and bands Ace of Base, Air Supply, Blue Mink, Chicago, Heart, Living in a Box, The Carpenters, The Hollies, The Pipkins, Starship, and Westlife. Notable songs co-written by Hammond include "Make Me an Island" and "You're Such a Good Looking Woman" by Joe Dolan, "Nothing's Gonna Stop Us Now" by Starship, "One Moment in Time" sung by Whitney Houston, "The Air That I Breathe", a hit for The Hollies, "To All the Girls I've Loved Before" a Julio Iglesias/Willie Nelson duet, and "When I Need You" by Leo Sayer. In 2015 he received the British Academy's Ivor Novello Award for Outstanding Song Collection. YOUTUBE VIDEO · GAYSARADIO WEBSITE
The latest hit show from the Mother City AUNTY MERLE THE MUSICAL finally comes to Joburg Theatre, from 1 February 2019.
Written by comedian Marc Lottering, and directed by Lara Foot, AUNTY MERLE THE MUSICAL has received no fewer than 4 Fleur Du Cap Theatre Nominations. The show enjoyed two sell-out seasons last year, and will be back in Cape Town for a third season, by public demand.
“a musical with an international punch, a debut production that astonishes with its assuredness.” – Karen Rutter, WeekendSpecial
“…witty one-liners that are met with sassy comebacks.” – Kirsten Delcie, Whats On In Cape Town
High drama unfolds in Belgravia Road, Athlone, as Merle’s daughter, Abigail, announces her engagement to her boyfriend, Alan. As Merle puts it: “He’s a good-looking white chap!” But it’s never smooth sailing in the world of musicals when Abigail’s twisted and corrupt ex, Denver Paulse – who holds a dodgy top job with the SABC – is determined to get her back and, if not, threatens to reveal a very dark secret which is bound to tear the lovers apart.
Aunty Merle, The Musical boasts a talented South African cast including Marc Lottering as Aunty Merle, Tracey-Lee Oliver as Abigail, Paul du Toit as Alan, Loukmaan Adams as Denver Paulse, with a stellar support cast including Royston Stoffels, Tankiso Mamabolo, Gina Shmukler, Adrian Galley, Carmen Maarman, Zandile Madliwa, Sizwesandile Mnisi, Anzio September, Crystal Finck and Austin Rose – accompanied by a live 8-piece band.
Twenty-two original songs, with lyrics by Marc Lottering and Tarryn Lamb; musical direction by Alistair Izobel and choreography by Grant Van Ster, have earned the cast thunderous standing ovations.
Hendrik and Musi discuss the show.
Sax Appeal is UCT's own publication, focusing on a range of controversial issues including sexuality. Ethan chatted with Freddy Nyezi from UCT's RAG Committee to find out more youtu.be
Annemarie speaks to Basil Appollis about ABFAB Drag show & we meet The Queens Behind The AB FAB DRAG SHOW held at The Artscape Theatre in Cape Town.
Patricia de Lille has re-entered the political boxing ring.
She has decided to launch a new party that will contest next year’s elections in all nine provinces.
The link to De Lille’s new political movement, For Good, is already up and running to outline the party’s manifesto. The new movement, she says, will groom the youth to build a new breed of politicians that will fight against corruption, neglect of the elderly, promote good business practices and stimulate the economy.
This will form the basis for De Lille's new political party that will officially be launched in January.
Are you looking for a trustworthy person to look after your pets while on vacation? Well… you have come to the right place! We offer the best services any time of the day in the comfort of your own home.
This powerhouse voice and songwriter needs no introduction. Petronel Baard is known as the Tall Woman/Lang Vrou and plays both piano and guitar. She works with many musicians and loves bringing artists together!
TheTotalShutdown in partnership with the South African State Theatre for 16 (365) Days of Street Theatre Against Gender-Based Violence.
Directed by Mamela Nyamza, Deputy Artistic Director of the South African State Theatre
HearMeToo #16Days
Contact: mamela@statetheatre.co.za
and
Selogadi Mampane, activist and performance artist in #TheTotalShutdown movement
Demand23 #16ShouldBe365
Contact: katty.vandenberghe@gmail.com
Rian chats to Selogadi Mampane about 16 Days of Activism Kellyn from Iranti discusses Trans Day of Remembrance Paula Quinsee talks about relationships Jason Fiddler educates us on starting an online store
Niels is a transgender man, her shares his journey of self-discovery and loss of family and friends during his transition, which happened later in his life. Niels overcame the negatives to become the first transgender winner of Mr Gay Denmark and first runner up in Mr Gay Europe.
Rian chats to Paula Quinsee about Toxic Work Environments Amy discusses trans issues, including the issues facing trans people in prisons Jackie talks about the issues facing rural trans people Jason Fiddler educates us on how to fire someone
Both are trangender women, Cher shares her journey of discrimination through ignorance, this taught her to grow into the well rounded woman she is now. Kattia, shares the story of discrimination and total exclusion from her Muslim faith and how she managed to overcome it all to become Miss Transgender in 2017.
Rian speaks to Amy about transgender relationships, trans rights in prisons and support groups
Sazi Jali speaks about being a Christian and transgender Pierre from the Global Interfaith Network interviews Rev Jide McCaulay Gavin Prince from Red Dot PR speaks to us about the ins and outs of running a PR Agency Best bits from the week ending 9 November 2018
Rian chats to Warren from Out TV Paula Quinsee discusses professional boundaries Beatlemania hits SA Jason Fiddler continues his discussion on how to hire people Best bits from The Workday Jive week ending 2 November 2018
We are taking a closer look at the fight to have Premarin banned in South Africa. This alleged highly dangerous drug is South Africa's primary transgender hormone replacement therapy.
Out TV is an incredible step forward for LGBTQ+ acceptance and normalisation in South Africa. For more check out http://www.outtv.za.com
Hendrik is gay. Annemarie is... Annemarie. They married each other, had kids, divorced, moved back in together and now they're on GaySA Radio! Here's another exciting and hilarious episode of Marriage Material hosted Chris Jordan
Ethan and Sophy are newlyweds who clearly have a lot of work to do! Here's an exciting and hilarious episode of Marriage Material hosted Chris Jordan
Highlights from the International LGBTIQ Conference, including talks with Thami Dish Chatting all about Soweto Pride
Rian chats to legendary diva Laurika Rauch Tom Budge talks about his book "It Is What It Is" Rian Hangs out with Nia Nell Darren (Zero One) chats about his psy trans party Workday Jive Best Bits Week of 26 Oct
Ditshego Ditshego is a transgender woman who has just embarked on her journey, however she already says discrimination and misunderstanding has been flung at her all the way and she feels that the journey ahead has still got so much to teach her.
Cher chats about her new album "Dancing Queen" Life Coach Paula Quinsee discusses workplace discrimination Business expert Jason Fiddler tells us about building a website for your business Coenie Kukkuk Attorneys discuss some crazy court room moments Workday Jive Best Bits Week of 19 October
Dr Anthony speaks to Sherly Berry a filmaker about the visibility of lesbians in cinematography Dr Anthony speaks to Anele Siswana about deconstructing African masculinity and the idea of being gay is unAfrican Young delegate at UN Human Rights Commission representing South Africa Reii Speaks to Zindi Steenkamp, a UNISA Student Highlights from Rainbow Talk week ending 19 October. Listen to GaySA Radio at www.gaysaradio.co.za
Ruan and Rian take you on a trip through time! This time, they discussed Gay Slang aka Gayle.
Rachel is a transgender woman, she shares the story of herjourney through being diagnosed with gender dysphoria, twofailed marriages and attempted suicide. Rachel’s greatest joycame when she woke up for the first time as a woman at 38and realised that this was who she was meant to be.
Highlights from the week ending 20 September Hendrik chats to Jason Fiddler about the Durban Gay and Lesbian Film Festival Annemarie chats to Eric Moller about being an artist Dion Magamane talks about diversity and orientation in higher learning institutions Ziyanda speaks to Papi Moloi about challenges faced by high school pupils
Social media law experts and private investigators warn that online sex extortion or "sextortion" is quickly becoming a major concern in South Africa. The "men who have sex with men (MSM)" community specifically. Several men have made contact with GaySA Radio, complaining about a man named Jade who is soliciting their numbers and explicit videos & pictures on apps like Grindr and even Facebook. He seems to at first groom people for a day or two, then suddenly says "Give me money or I'll post the images online" Rian investigates.
The Steam Room is broadcast on GaySA Radio every Wednesday from 19:00 to 21:00, and is brought to you by the National Department of Health’s Phila programme. The Phila programme encourages all South Africans to be inspired to live, and is about keeping fit, knowing about your health and body, eating well and taking action about your health in general. In episode 8 of the Steam Room, we talk about a habit that you might have first-hand knowledge of: smoking. All smokers know that smoking isn’t conducive to good health, but knows just as well that this habit is difficult to quit. What are the health implications of being a smoker? The impact smoking has on one’s health goes far beyond the warnings that are printed on cigarette packs. Dr Ezio Baraldi, a Pretoria-based family physician, says that one obvious risk is lung damage, due to the deposition of tar in the lungs. In addition, the highly addictive nicotine found in cigarettes can lead to the narrowing of blood vessels and long-term damage to the inner lining of the arteries, which can lead to high blood pressure, cardiac issues and strokes. Wendy Gidlow is affiliated with Smokenders, a six-week programme that helps smokers to quit. Gidlow echoes Dr Baraldi’s sentiments, adding that smoking also affects brain function, oxygen levels, memory, eyesight and skin elasticity, not to mention the psychological effects associated with nicotine addiction. “Smokers use cigarettes to reward themselves, to motivate themselves. They use cigarettes when they’re angry, to suppress emotions, they use cigarettes as company… there’s a very, very strong emotional attachment to cigarettes,” says Gidlow. Does smoking have an influence on the sexual health of men? Dr Baraldi explains that the damage that smoking causes to blood vessels start with smaller blood vessels first. As the blood vessel leading to the penis is a third of the size of the one leading to the heart, the blockage of arteries leading to the penis may lead to erectile dysfunction, also signalling possible heart problems in the future. Wendy Gidlow also warns of the damage that nicotine may cause in terms of hormone levels, and especially testosterone levels. Can hypnosis help you to quit smoking? Arno Stadler is a qualified member of the South African Institute of Hypnotism and has a practice in Nigel in Gauteng. According to Stadler, the British Medical Association has recognised hypnosis as the best way to stop smoking. With a 92% success rate, non-medical hypnosis ...
Ian chats to Dr Khumbulani about male circumcision Kwazi finds out all about the Gay Institute in Durban Chris takes a deep dive into Comic Con with Jason Hes Kazi report from KZN about an event called isiDaya
The session will explore the unique challenges faced by LGBTI businessentrepreneurs and assess what enterprise financing and developmentopportunities are available to support LGBTI entrepreneurs.
The session will explore the extent to which LGBTI workplace and supplychain inclusion have been embedded in the transformation agendas ofbig companies, where the main obstacles are to achieve full integration,and what should be done to advance greater inclusion.
Presentation of the results of the inaugural South African WorkplaceEquality Index (SAWEI) followed by a reception.
The Pink Rand and other similar studies have looked at the spendingpower of LGBTI people and their influence across market segments toinform marketing and revenue generating strategies for corporates. Thesession will explore the commercial case for LGBTI inclusion in businessstrategies with the panelists.
The session will assess the potential of coercive regulatory mechanismsfor LGBTI economic empowerment in South Africa – and critically assesspotential strategies to make a more explicit case for compliance.
Concluding remarks will highlight the need for good corporatecitizenship and for companies to respond in new ways to renew thefragmented social contract in South Africa, as it relates to companies’social license to do good business – with particular reference to LGBTIeconomic empowerment.
The session will reflect on the current extent of economic inclusion ofLGBTI people and outline the commercial, regulatory compliance, andethical cases for LGBTI inclusion in business – amongst other aspectsthat they might want to highlight.
The session will explore how corporate supplier diversity initiativeswork and illustrates the practical challenges that LGBTI suppliers face inaccessing supply chains, so as to draw out the fault lines between thetwo that need to be bridged.
Trade unions have historically been champions of social and economicjustice in South Africa but have done little to champion LGBTI economicinclusion. At the same time, LGBTI employee affinity groups haveemerged as special interest groups mostly amongst office-basedemployees in blue-chip corporates. The session will explore whatstrategies can be used to broaden the worker advocacy base for LGBTIworkplace and supply chain inclusion?
The session will explore how to reconcile the contradictions inherent insetting an LGBTI economic empowerment agenda by participation inbusiness, in the context of the broader socio-economic transformationchallenges facing South Africa, relating to poverty, inequality,unemployment, and structural racism and sexism.
The Steam Room is broadcast on GaySA Radio every Wednesday from 19:00 to 21:00, and is brought to you by the National Department of Health’s Phila programme. The Phila programme encourages all South Africans to be inspired to live, and is about keeping fit, knowing about your health and body, eating well and taking action about your health in general. Darkrooms, glory holes, pleasure pens… in episode 7 of The Steam Room, we get frank about sex clubs. What are sex clubs? We spoke to Danie Hamman, who has been the owner of Camp David in Pretoria since it first opened its doors in 2003. Hamman calls Camp David “heaven for gays”. Historically, spaces where men could safely engage in sex with other men were rare, and restricted to spaces like public bathrooms due to the criminal nature of homosexuality and homosexual acts. Hamman felt that the trouble MSMs had with the authorities, along with several instances of gay bashing, necessitated the opening of a space where men could engage in sexual activities with other men safely, securely, and without the treat of attacks for whatever reason. Hamman makes it clear, however, that Camp David is not a brothel, and paid sex as well as drug use is strictly forbidden, and no under-18s are allowed. Jean Nel agrees with Hamman, adding that these spaces are organised to cater for specific needs within the community of men who have sex with other men. According to Bruce Little, content creator at the Anova Health Institute, sex clubs were created to provide a service to men who make the lifestyle choice to engage in thrilling and group sex activities. “A sex club is a convenient way to make sure that a certain group of men meet at a certain place at a certain time so that they can engage in group sex,” says Little. Who goes to sex clubs? Danie Hamman says that the clientele at Camp David range from gay men, to bisexual men and other men who have sex with men. Quite often, these men have specific sexual preferences and fetishes, including S&M and kinky sex. Fisting, rimming, and the chance to live out your most intimate fantasies are all on the menu at Camp David. Jean Nel agrees, and says that there is not just one type of man that frequents sex clubs like Camp David, but that all the men who do, are sexually liberated and looking to satisfy their ...
Cirque Infernal, direct from Europe, is inspired by Federico Fellini, Wim Wenders and Tim Burton, promising to offer non-stop captivating entertainment with astonishing and death-defying acts. The show was created by Danny Varanne, who was previously seen in Le Grand Cirque Adrenaline as part of the motorbike act, presented at Joburg Theatre in 2012. Born and raised in a traditional family of performers, Danny started as a showman in his parent’s burlesque theatre in France from an early age. Along with his brothers, Danny started a motorcycle daredevil show. They toured the world and became internationally acclaimed for their skills. In 2012, Danny received two awards at the prestigious Festival International Du Cirque De Monte-Carlo, and an official Guinness World Record! His new show, Cirque Infernal, features some of the world’s top circus performers, and it certainly taints death during every performance. The story starts with a young tightrope walker who falls to his death during a performance. Death makes a deal with him in order to either spare his life or takes his life, the life of the other performers and that of the audience. What follows is a performance of mostly death-defying acts and displays of skill rarely seen in South Africa. The absolutely gorgeous Wilson Stey from France is the funambulist or tightrope walker. His ancestors have been walking the tightrope since the Middle Ages and at only 23 years old, he takes your breath away several times during the evening. The first is when he swings precariously on a 15-meter pole and barely avoids hitting part of the theatre roof. Later he crosses the tightrope on a unicycle going over the stage meters high up in the air without a safety net or harness. The danger of death is very real and the audience audibly gasped several times during this young man’s daredevil performance. Kudo’s to him for acknowledging the audience even during the riskiest of moments, precariously balancing on a chair on the high wire. Pro Sufi dancer Aurelia Baque is a native of Toulouse, France. She spent half a year in an Indian Ashram, learning and practising the daily the art of Sufi dancing. And boy can she twirl! How she doesn’t fall off the stage in a drunken daze beats me, just watching her had me dizzy after just a few short minutes. Even the classical ballet dancer in our midst watched with awe as Aurelia just kept on turning, turning, turning, until we thought ...
Rian chats to Bianca Minnaar about being a trans female in the CIS-male dominated world of software development Boy Erased tackles the issues around conversion therapy, Rian tells you all about it Highlights from the week ending 7 September 2018. Listen to The Workday Jive every weekday from 9AM-12PM SAST on http://gaysaradio.co.za
Rev Tebogo Moema hosts an LGBTQ+ show on DSTV, Deekay chats to him all about it Rei takes a deep dive into the world of podiatry with Lebogang Pasha Highlights for the week ending 7 September 2018 Catch Rainbow Talk every weekday from 12-3PM on http://gaysaradio.co.za