The String: Recent Episodes
WMOT/Roots Radio 89.5 FM
The String is weekly think radio featuring conversations and features on culture, media and American music - anchored by veteran journalist and broadcaster Craig Havighurst. Music makers, enablers, instigators and documentarians are featured with enough time to go deep and burrow into issues, while letting the music play too. Music news, previews, Time Machine Tape and 90 Second Spins round out the hour.
Episode 366: In The Hour Of Chaos, Allison Russell's third solo album, brings the power of harmony and solidarity into a time of division and fear. In an interview days before its release, the songwriter says her "rainbow coalition" of collaborators has grown since her breakout album Outside Child of 2021, and many of them, including Brittany Spencer, Norah Jones, and Kashus Culpepper, sing duets with her. She also gets into her foundations in folk music during her pre-Nashville years.
Episode 365: His biography sounds like several different people: accomplished jazz guitar player, New York City glam rocker, progressive Americana songwriter in Nashville. That's why Aaron Lee Tasjan comes across as a true American original. Over 13 years in Music City, Tasjan's been prolific and acclaimed, releasing half a dozen albums touching many colors of pop music. His latest came after a time of discouragement and personal re-building, so it's called Get Over It, Underdog.
Episode 364: As Avery Hellman came of age in California, she took advantage of her good fortune of being from the family that established the game-changing Hardly Strictly Bluegrass festival in San Francisco. It exposed her to standard-setting songwriting and artistry in folk and roots music, and with a bit of reluctance, she became an artist too under the name Ismay. Her two albums, Desert Pavement and the new Half Truth, are alive with a poet's ear for language and eye for landscape, plus a crafty marriage of melodies and chords. She's also the filmmaker behind the exploratory documentary Finding Lucinda, about Lucinda Williams.
Episode 363: Devon Gilfillian has been a key artist fulfilling the promise of a New Music City - a Nashville that's been welcome to the widest-ever range of genres, influences and innovations. He came to town with no contacts and a job with AmeriCorps in 2013. But before very long he'd landed a major label deal and national radio hits - all with an iconoclastic take on soul, funk and Americana. His newest album - his second for the prestigious Fantasy Records - is a beautiful grooving swirl called Time Will Tell.
Episode 362: Songwriter and artist Tenille Townes is a certified star in Canada where she's won heaps of awards and seen her moving songs top the country charts. In over a dozen years in Nashville, she's been an impressive songwriter with one foot in major label country and another in Americana. Now with a lovely self-produced acoustic album called The Acrobat, Townes points to an independent future with a unique vision and a renewed sense of self.
Episode 361: Folk rocker John R. Miller can be dry and understated, but get beneath the surface and you'll find an artist keen to write music that helps people be better people. Inspired by John Prine and others, the Nashville based West Virginian has earned widespread acclaim and released three albums for the prestigious Rounder Records, the latest being the sweeping and fiery The Great Unknowning. He spoke with Craig at his Madison home studio.
Episode 360: Andy Leftwich was a Tennessee string picking prodigy who crushed it at fiddle competitions and was working by his late teens. Then, before he turned twenty, he was offered a job (on stage no less) by legend Ricky Skaggs. For 15 years with Kentucky Thunder, he built a reputation as one of the most complete and technically gifted musicians in bluegrass, sharing in numerous IBMA and Grammy Awards. Now, after a few years of being independent, he's fired up his solo career with two enthralling instrumental albums.
Episode 359: We love it when great things happen to good people, especially when the story is a total surprise, and that's what's been going on with Alabama-raised singer and songwriter Kashus Culpepper. He'd never been on a stage or played the guitar before 2020, but a confluence of free time, an encouraging group of friends, and a timely instrument helped Kashus find his voice and his calling. He's been celebrated by the media and stars like Elton John, and his debut album Act 1 has surprised many with its depth and power.
Episode 358: Fifteen years into their close and literally harmonious relationship, Joey Ryan and Kenneth Pattengale sound as satisfied and enriched as ever by the audience and aura they've established in Americana music. The Milk Carton Kids name was a self-effacing joke about how quickly they expected to be forgotten, but it's been quite the opposite. They've earned four Grammy nominations and an Americana Award as Duo/Group of the Year. Audiences still lean in to hear the nuances of their quiet and thoughtful sound. Their seventh album Lost Cause Lover Fool is the latest iteration of their less-is-more approach to folk artistry.
Episode 357: Liam Duncan grew up in the small city of Brandon, Manitoba and moved to the provincial capitol and musical hotbed of Winnipeg as soon as he could, thinking he might be a session musician and sideman. But post pandemic, he's been Boy Golden, a quirky, neo-romantic persona making some of Canada's most compelling folk rock. During a swing through Nashville, Boy Golden talked about shifting focus from Canada to the US, his tight band of old friends, and his new album Best Of Our Possible Lives.
Episode 356: Brit Taylor came to town from eastern Kentucky chasing the US Route 23 dream that brought us Loretta Lynn and Patty Loveless - and wound up working with Cowboy Jack Clement and Sturgill Simpson. Adam Chaffins grew up one or two counties over and ensconced himself, as a bass player and singer, in the East Nashville bluegrass scene. Eventually, a friend was smart enough to introduce them, and they became a super-talented Americana couple. But not a duo. Taylor has four albums out, including two produced by her husband. Chaffins dropped a debut LP in 2020 and a soulful EP last year, with Taylor's harmony vocals. Craig visited their homestead near Mt. Juliet to hear their story around their kitchen table.
Episode 355: Nearly 12 years ago, an informal arrangement between the caretakers of a down-on-its-luck American Legion Post and a handful of young honky tonk musicians led to the creation of Honky Tonk Tuesday Nights, one of the most vibrant residency music series of the past two decades. It's been a haven for people who love to dance, for East Nashville community, for visits from stars, and for talent development in roots/Americana music. Craig spends time with the event's founders and takes you to the scene, now moved to Eastside Bowl in Madison.
Episode 354: The Infamous Stringdusters emerged out of Nashville's world-class but somewhat undiscovered bluegrass scene of the 2000s. Six guys with different professional pathways into the music and wide ranging tastes in other genres got to know each other at gigs, picking parties, and the IBMA World of Bluegrass. And their first gesture as a band - the 2007 album Fork In The Road - was a triumph, winning three IBMA Awards. Since those days and after a couple of early personnel changes, today's quintet has become a huge force in jamgrass music with a fierce and in-demand live show. Yet they turn back to some of the simpler and more blues-based elements of their core heritage on their new 20th anniversary release, 20/20. Craig speaks with Chris Pandolfi (banjo), Jeremy Garrett (fiddle), and Andy Falco (guitar).
Episode 353: He was an East Tennessee country guitar prodigy who was invited on the Grand Ole Opry at age 11 by Marty Stuart, and Trey Hensley has made good on that promise by emerging as one of the finest singers and pickers in contemporary roots music. His national profile took shape after forming a super-flexible duo with dobro master Rob Ickes around 2016. Now, after four albums, collaborations with Taj Mahal and a Grammy nomination, Hensley has revved up his songwriting and made Can't Outrun The Blues, which is not his first solo album but the one he regards as his true artistic debut.
Episode 352: When Emily Scott Robinson released Appalachia, her fifth album in a 10-year career and her third for Nashville boutique Oh Boy Records, it spiked up into the Americana airplay top ten, something that had never happened to her before. But she had set the table through quality songwriting, ambitious touring, and a luminous voice that embraces the dark and the light with a rare alchemy. At WMOT's Eastside studio, Craig and Emily speak about her newest work with super-producer Josh Kaufman and the hard work that led to it.
Episode 351: Justin Townes Earle, blazingly gifted and deeply troubled, died of an accidental drug overdose in 2020 at the age of 38, after a life beset by addiction. Six years later, two coincident projects expand on what we knew about the songwriter with a mix of compassion and regret. Sammy Brue, Earle's much younger friend and protegé, has written a song cycle based on Justin's private notebooks, shared by his widow. Rolling Stone journalist Jonathan Bernstein recently published the first definitive biography of Steve Earle's son. Both join Craig in this hour of remembrance and appreciation.
Episode 350: Since breaking out with his 1989 major-label album How Did You Find Me Here, North Carolina's David Wilcox has been a consistently excellent practitioner of the new folk, fingerstyle guitar arts. The songwriter, known for his empathic writing and audience-embracing shows, is now 67 and still thinking deep thoughts about the world, compassion, art, and the arc of life. He stopped through Nashville last November to talk about maintaining a "visionary attitude" over time and his latest album The Way I Tell The Story.
Episode 349: For its 38th annual conference, Folk Alliance International returned to New Orleans, home of their largest-ever event (2020's draw of 3,600 people) and the epicenter of one of the nation's great regional roots music legacies. Besides a slate of Louisiana talent in blues, Cajun and zydeco, FAI was once again distinguished by diversity of style, genre, and nationality. Craig captured conversations with showcasing artists Joy Clark, Tyler Ramsey & Carl Broemel, Sparrow Smith, Maisy Owen, and Rachel Sumner & Traveling Light.
Episode 348: Kristina Train is a singer and songwriter who should be on more people's radar. Her remarkable resume was built in the jazz world (Blue Note Records and touring with Herbie Hancock), but the Savannah, GA native has always shown mastery for a seductive strain of country soul. That goes explicit on the powerful yet subtle 2025 album County Line. Craig speaks with Train about her critically acclaimed albums of the 2010s and her decade or so as a Nashvillian.
Episode 347: Rachael Price became an American fixture as the dynamic and flawless lead singer of roots/pop phenomenon Lake Street Dive. Long before she and the Dive were headlining Madison Square Garden, she was a Hendersonville, TN native pursuing a career in classic jazz, after her girlhood idol Ella Fitzgerald. This is the story of how a music school friend - guitarist, singer, and songwriter Vilray - helped her build a parallel life pursuing her first musical love. They have incredible chemistry on and off stage, as you'll hear in this fascinating interview.
Episode 346: To say that a lot has happened since Molly Tuttle last appeared on The String in 2019 would be an understatement. She's won two Grammy Awards and been nominated for two more. She won her first IBMA Female Vocalist of the Year Award, to go along with her two groundbreaking Guitar Player trophies. But most important, she's been through two entire stylistic swings in her musical vision and recording career. And she got engaged to Ketch Secor. So we cover a lot of ground in our latest conversation.
Episode 345: Last year, The String got a new opening theme tune. "Vera" comes from New York based mandolin virtuoso, composer and band leader Jacob Jolliff. The Oregon native came East when he got a scholarship to the Berklee College of Music and joined a cadre of future acoustic stars clustered in the Boston area. He's worked for some big-league bands including Joy Kills Sorrow and Yonder Mountain String Band, but in this decade he's pursued his own four-piece Jacob Jolliff Band. We talk about building the audience for instrumental, improvisational acoustic music and about select pieces from Jake's fascinating discography.
Episode 344: Ashley Monroe moved to Nashville just after 10th grade from East Tennessee with a single-minded drive to sing and write country music. Her career would be the envy of many - Grammy nominations, several major label albums, and Pistol Annies, an influential supergroup - and yet many in roots music haven't recognized her as among the greats of our time. Following recovery from blood cancer, Monroe dove into her most ambitious and daring project yet, Tennessee Lightning.
Episode 343: Her name is made of flowers. And she's been spreading bouquets of joy and open-hearted country and rockabilly for more than 50 years. She is Rosie Flores, sounding great and enjoying the stage as much as she ever has as she cruised past her 75th birthday during Americanafest 2025. A couple days after that, we sat down to talk about her (outstandingly) supportive parents, the Los Angeles alt-country scene of the 1980s and 90s, and her new album Impossible Frontiers.
Episode #342: Daniel Donato became one of Nashville's more revered electric guitar players during his three years playing four nights a week at Robert's Western World on Lower Broadway. When he lost that gig in 2015, he had to start from scratch as a working musician and songwriting artist. In his second appearance on The String, Donato talks about landing some touring band gigs that sustained him while he developed his Cosmic Country concept. The band and his repute grew, and ten years after leaving Broadway, he headlined the Ryman Auditorium. Also on the table here, his two recent albums, Reflector and Horizons.
Episode 341: Since co-founding the history-making, history-preserving North Mississippi Allstars almost 30 years ago, Luther Dickinson has taken his guitar, his deep blues repertoire, and his Memphis soul around the world and into all kinds of collaborations. In his latest return to The String, we talk about the nature of improvising and some of his recent experimental and instrumental projects, plus the 2025 Allstars album Still Rollin', marking the 25th anniversary of the band's debut album.
Episode 340: Robert Randolph had no plans or dreams to take his fiery talents on the pedal steel guitar beyond the New Jersey church where he grew up and the network of pentecostal Black churches around the country that made the "sacred steel" a core part of their services. But his passionate sound and his joyful improvisational spirit were a perfect match for the jam/rock scene of the early 2000s. He's been a steady contributor ever since, through wide collaborations and a string of albums with his "Family Band." Now he's leading the band under his own name and he has a fabulous new record on the revitalized Sun Records.
Episode 339: South Carolina guitar wizard and powerhouse singer Marcus King has come through the valley of shadows, breaking self-destructive habits and arriving at a place of contentment and love on his latest album Darling Blue. In a career-spanning conversation, King talks about his unique path to finding his voice on the guitar, his collaborations with a series of very different world-class producers, and his place in the shifting ecosystems of jam band and Americana music.
Episode 338: North Carolina songwriter Tift Merritt became an instant star of Americana music when she emerged in the early 2000s with Bramble Rose (2002) and Tambourine (2004), but only with time have we learned that her relationship with her prestige record label - Lost Highway Records - was tumultuous and dispiriting. After a period of relative quiet on the music front, she's re-issued Tambourine on vinyl for the first time and put out a collection of demo/kitchen tapes that contextualize that classic. From her home in Raleigh, Tift lets us in on her diversified creative life. And we round out the hour catching up with Texas songwriter Tony Kamel, who's released We're All Gonna Live, his second in a row made with master Bruce Robison.
Episode 337: Ken Pomeroy, who turned 23 days after this interview, is a fresh voice not just from the Oklahoma lineage of great roots songwriting and musicianship, but also from a new generation of Native American voices in popular music. She talks about her Cherokee heritage and the stewardship that comes with it, plus her emotional bond to music in this introspective hour. You'll also hear incisive and sometimes sad songs from her acclaimed national debut Cruel Joke, out this spring on Rounder Records.
Episode 336: In a time when bluegrass is surging with young talent and mainstream dreams, Danny Burns and Shelby Means offer two profiles in making the string band business work in 2025. Burns is an Irish immigrant who brought his trad training and hearty work ethic from his native County Donegal. Even before releasing North Country in 2018, he'd made a name and reputation among roots music elites, and he shows his flair for cover songs on the new Southern Sky. Shelby Means played bass for Della Mae during their breakout years and became stylishly famous working with Molly Tuttle's Golden Highway Band. When that came to an end this year, she had her debut solo album ready to go.
Episode 335: Leslie Jordan, the Nolensville, TN-based songwriter not the late comic actor and singer, makes a major statement in her pivot from a robust career in Christian folk/pop to storytelling Americana with The Agonist. It's a song cycle that fleshes out the story of her late grandfather, a conflicted and complex man who left his family in Indiana when Leslie's mother was four years old. Through a unique collaboration with a collection of his posthumous journals and writings, she builds a world and a character, holding him accountable while investing his story with dignity. It's beautifully produced with Kenneth Pattengale and is one of the most impressive albums of 2025.
Episode 334: Shawn Camp arrived in Nashville almost 40 years ago as a 20-year-old guitar picker and fiddle player hoping to find a niche. As he graduated from touring sideman to songwriter to respected recording artist, he found himself working with his heroes. He quietly became an avatar of traditional country music and bluegrass done right. His work with Guy Clark was especially potent, and at long last, their song cycle about a fascinating character from Camp’s youth, has been released on the new concept album The Ghost Of Sis Draper.
Episode 333: Rodney Crowell let it slip in the middle of this interview that it was the eve of his 75th birthday. One of America’s greatest (and most commercially successful) songwriters is now three quarters of a century old, a steady patriarch. He continues to do excellent work, evidenced by two fine albums in a row, 2023’s The Chicago Sessions and the brand new Airline Highway. In both cases he collaborated with younger producers and musicians, spreading his wisdom around and drawing on their ideas and spirit. In his second appearance on The String, Crowell talks about maintaining his writing discipline, working with Jeff Tweedy and Tyler Bryant, and waking up to Louisiana R&B music as a teenager.
Episode 332: It’s been 30 years since three music business renegades created a radio chart for an emerging alt-country, roots music wave they called Americana. Now that it’s a mature format and movement, we’re seeing books emerge on the history of this idea. Poets And Dreamers: My Life In Americana Music is Tamara Saviano’s contribution, a warm and affectionate, people-driven story about a community and a big bold commitment to art over commerce. As publicist/tour manager for Kris Kristofferson and biographer of Guy Clark, she’s had an insider’s view, and it comes out in this fun romp of a read. She’s also my old friend, so this is a cozy and fascinating talk.
Episode 331: Hayes Carll is such an admired veteran of the Texas songwriting tradition that his visage is painted on a sign along with Townes Van Zandt at the Old Quarter Cafe in Galveston. Over ten albums, he’s matched cleverness with insight and tenderness with roadhouse rock and roll. In this self-effacing interview, Carll talks about his apprentice years at that storied bar, his adjustments after being signed to a Music Row label, and his vulnerable new album We’re Only Human.
Episode 330: After a three-year tutelage with Old Crow Medicine Show, multi-faceted Appalachian artist Mason Via has set out on his own road. He was raised in bluegrass festival campgrounds and at picking parties hosted by his dad, songwriter and musician David Via. Bluegrass royalty hung out at his home near the North Carolina/Virginia border, and it rubbed off. After trying a few musical directions, Via’s self-titled album of this year shows range, depth, and a command of bluegrass and country moods. Meet a 28-year-old you’ll be hearing a lot more about if you follow acoustic roots.
Episode 329: Few fully independent artists in any genre have been able to grow to the scale and influence that Cody Jinks has pulled off in the outlaw country space. He sells out iconic venues like Red Rocks in Colorado with a sound that layers his boyhood influence from Lefty Frizzell with the edge of the thrash metal rocker he once was. The Fort Worth native “put in the reps” for countless years in bars and honky tonks, nearly going broke, before albums like I’m Not The Devil and Lifers vaulted him to the big time in the years before the pandemic. He’s now out with In My Blood, an album that basks in his newfound sobriety and a new focus on himself and his family, making this a very candid and fascinating interview with a self-made country star whom mainstream radio virtually overlooks.
Episode 328: While it’s one of the great music cities in the world, the story of Memphis, TN is generally told as one about Elvis, BB King, Isaac Hayes, and possibly Justin Timberlake - artists from the history books or well on in their careers. Roots music fans might know more contemporary talents like songwriters Amy LaVere and John Paul Keith. Many others simmer along in that city’s bars and clubs, but one has to go there to get up to speed on the talent pool. Southern Avenue is different - a breakout band from Bluff City with national acclaim, a renowned record label, and a musical voice grounded in native soil and native soul. It’s the band today’s Memphis has needed. Craig speaks with the married couple out front in the band, guitarist Ori Naftaly and singer Tierinii Jackson.
Episode 327: To hear Mike Farris sing - an experience a bit like being pinned to the seat of an accelerating Porsche Taycan - is to believe that he was born to the stage, motivated from childhood, and destined for soul/gospel glory. Yet in Episode 327 of The String, we learn that A) Mike is lucky to be here at all and B) that a singing career was not remotely on his own radar until he was approaching his 20th birthday. And the two are related. In his teens, Farris almost died from drug abuse. Music was part of his rescue. And I’ve never heard him go as deep on these subjects as he does in this hour. His newest album is a powerful, secular record recorded at FAME Studios called The Sound Of Muscle Shoals.
Episode 326: Andrea Zonn has been on my list of possible Music City star musicians to be a guest on the show for some time, but her new project the HercuLeons and their debut album of the same name sealed the deal. She’s been a leading studio and road musician since the 1990s, when she sweet talked her way into a touring spot with burgeoning country star Vince Gill. Her background is in classical violin, so she’s respected in town for her versatility and her gorgeous voice. She’s also a songwriter and recording artist with two fine albums to her credit. Now, working with her old friend John Cowan (my guest last week in Episode 325), she’s part of a nimble top-flight band that draws from soul, jazz, the blues, and Nashville roots music for one of the year’s best albums. We cover her whole journey, up to her breathtaking vocals on songs like “Face Of Appalachia.”
Episode 325: In 1972, a 19-year-old bass player and natural born singer from Kentucky and Indiana auditioned for an emerging band called New Grass Revival. Over almost 20 years, John Cowan would be the voice of that ensemble, through mega tours supporting Leon Russell, improbable country radio success, and the emergence of a whole new genre of roots music they gave a name to. NGR got Cowan into the Bluegrass Hall of Fame, but there’s so much more - a mighty solo career, abundant collaborations, and a steady gig in the Doobie Brothers. Now his latest project is the new band The HercuLeons, a Nashville supergroup with fiddler/singer Andrea Zonn. Here, John covers his life in music. Next week, Andrea Zonn gets her turn.
Episode 324: It’s hard to believe that Nashville’s SteelDrivers have been making their unique brand of hard-core string band music for nearly twenty years. They were the vehicle through which many of us were introduced to the epic voice of Chris Stapleton, back when he and Mike Henderson co-wrote that band’s high impact debut album of 2008. When Henderson and Stapleton had to move on, the band pulled its greatest trick, bringing on great new voices, growing bigger, and building a legacy that’s like nothing else in 21st century bluegrass. In Episode 324 of The String, Craig talks with original members Mike Fleming, bass player and baritone vocal, and Tammy Rogers, the fiddler and harmony singer who now leads the way with the band’s songwriting. We talk about the whole ride, up to the new album Outrun, out now on a revived Sun Records.
Special Episode: The story of how global banjo explorer Joe Troop (formerly of Che Apalache) met Venezuelan harpist and all-around folk music master Larry Bellorín is testimony to the magic of global culture and a cautionary tale about the stark turn US policy has taken against working asylum seekers this year. Over three years as the bilingual, genre-fusing, and multi-instrumental duo Larry & Joe, they’ve toured widely and made two albums together to great acclaim among folk music lovers. They’re one of the most charismatic and culture-crossing acts to come out of roots music in the past decade. Here in a special episode of The String, they tell their story in an interview that took place in Knoxville, TN in March.
Episode 323: This episode of The String is a field report from the city that raised me in the 1970s and 80s and gave me my foundation in music, from college rock radio, to youth orchestra at Duke University, to jazz tutelage at a Black Muslim community center. It’s an arts-forward city that in the past decade has become something of a magnet for roots music, building on a history of gospel, blues and string band music, while Biscuits & Banjos, the new festival conceived by Rhiannon Giddens, has put itself in a position to be a bridge from the past to the future and give Durham the identity it’s lacked as a national music hotspot.
Episode 322: Texas songwriter Vincent Neil Emerson graduated from playing on the streets and in the bars of Fort Worth to tours with Colter Wall and American Aquarium and then a well-received debut album (2019’s Fried Chicken And Evil Women). That inspired none other than Rodney Crowell and Shooter Jennings in turn to take an interest in producing the young country troubadour, resulting in a self-titled release in 2021 and the more recent The Golden Crystal Kingdom of 2023. They heard what I hear - an artist pxrocessing his past and making his struggles universal, a singer with an honest voice and a distinct point of view. He paused during his ongoing touring to sit down with WMOT after a show at Skinny Dennis.
Episode 321: Atlanta native Kristina Murray moved to Nashville in 2014 with a fresh and original debut album and steely determination. The country singer and songwriter carved out a respected space at honky tonks like Santa’s Pub and the American Legion. When hard work and critical acclaim for her two releases didn’t launch her career to a new orbit, it felt like defeat. That, plus the pandemic, fueled some challenging times and emotions that inspired her new one, Little Blue, a lovely, lament-filled album on New West’s Normaltown imprint. Murray is due for new waves of attention, and we talk about how hard that is to manifest in this edition of The String.
Episode 320: JD Clayton is one of the first emerging artists to release music in an era of new leadership at the historic Rounder Records in Nashville. He’s an open-hearted guy who got the songwriting bug growing up in Fort Smith, AR and who then found his songs and his way on stage led to organic growth. His 2023 album Long Way From Home got him out on the road in a big way and led to some high profile opening shows. He produced his new album Blue Sky Sundays, a fresh and catchy take on country rock, with his brotherly band. He seems to embody the ethos of his feel-good song “High Hopes & Low Expectations.”
Episode 319: This week’s split episode looks at songwriting and musicianship from two very different points of view. Toronto’s Jeremie Albino is a powerful roots rock singer/writer whose early love of blues and old rock and roll comes through in his self-effacing, easy grooving songs. A call from Dan Auerbach opened up new avenues for him through the production of his late 2024 album ‘Our Time In The Sun’. Champion guitarist Tyler Grant writes his material more about stories from the history and geography of the American west, where he’s been based for about 15 years. He’s also set aside his twangy electric country rock for a return to the bluegrass music that brought him to national attention. His newest is a mix of instrumentals and songs but the title indicates the focal point: ‘Flatpicker.’
Episode 318: Over a 15-year career that began in Boston’s jazz and old-time scene, Nashville-based Miss Tess has distinguished herself with a hybrid blend of contemporary songwriting and vintage, swinging Americana. On her newest, the widely traveled artist taps a long love affair with Cajun country in Louisiana, yet it’s her own blend rather than a traditional homage. Our conversation spans her upbringing in Maryland, her passion for early blues and jazz, her fascinating musical relationships and her annual immersion in the Blackpot festival in Lafayette, where she made the new Cher Rêve.
Episode 317: As the new year dawned, the first emerging artist that started buzzing on our radar was a California native living in Nashville with an emotional country-noir debut album called Silver Rounds. She was Olivia Wolf, and now months later, her album has proven its staying power, with critical acclaim and a long run on the Americana chart. She’s no youngster, so our conversation dives into her background and her long, patient journey to fully committing herself as a songwriter/artist. That story includes coming of age at the Hardly Strictly Bluegrass festival and a tragic event in her life that inspired many of her best songs.
Episode 316: Sean McConnell was born to do this. His parents were working songwriters who helped him get started as a teen in Atlanta. He landed a long-term song publishing deal while still in school at MTSU and earned cuts by Tim McGraw, Martina McBride, Brett Young, and the TV show Nashville. Over 15 recordings - his latest is the lovely and agonizingly honest Skin - McConnell has become a beloved troubadour on the indie folk circuit and an honorary red dirt Texas poet through extensive touring there. Now he’s grown as a producer working out of his unique studio in Nolensville. I made a trip down there to interview Sean in his cozy working habitat.
Episode 315: Adam Wright is one of the most thoughtful wordsmiths in the Nashville songwriting community, one who’s seen all sides of the Music Row machine. Working for a dozen years with Carnival Music, he’s carved a niche for himself, scoring a couple of Grammy Award nominations and landing cuts by Lee Ann Womack, Alan Jackson, Garth Brooks, Brandy Clark and Bruce Robison, among others. When he sets aside time to write songs purely for himself as an artist, remarkable things happen, and now he’s releasing an epic 18-song collection called Nature Of Necessity, a masterwork that could only have been realized in Music City.
Episode 314: The Devil Makes Three has been one of roots music’s outstanding if quiet success stories of the past twenty years. Formed in Santa Cruz, CA in 2001, they got out ahead of the O Brother phenomenon and built a unique, crowd-pleasing sound through a renegade admixture of early blues, hard country, gospel and punk rock. In this hour, founding singer and songwriter Pete Bernhard reflects on a career that’s surprised him and, after a season of personal loss, the cathartic process behind the rather dark and candid album Spirits, their tenth as a band.
Episoded 313: Sierra Hull brings a measure of small-town delight and innocence to roots and bluegrass that perfectly compliments her innate gifts and her formal schooling in high level music-making. The mandolinist, songwriter, singer, and band leader has emerged, since her youthful debut in 2008, as a star of her field and an inspiring figure in Americana. Her four IBMA Mandolin Player of the Year awards are part of the story. But so is her composing, her collaborating and her records. The first in five years - and her first independent release - is A Tip Toe High Wire, coming March 7. This episode complements a bio-oriented show in 2018, emphasizing Hull’s recent work with Béla Fleck, Cory Wong and others, and of course the thought behind and production of her newest release.
See Craig's show notes at WMOT.org.
Episode 312: In one of the big surprise stories in roots music of the past six months, bluegrass star and IIIrd Tyme Out founder Russell Moore was named the newest member of Alison Krauss and Union Station, taking over the male vocal and guitar role held by Dan Tyminski for years. Moore is on the upcoming album Arcadia and set to go on extensive tours in 2025 and ‘26. It’s a big move for this fan favorite. Moore got his start with Doyle Lawson and Quicksilver in the 80s and then started his own band - IIIrd Tyme Out - in 1991. Since then he’s been perhaps the most awarded male voice in bluegrass. This is the story of how he launched and managed his impressive and influential career.
Epidode 311: When I met lifelong musician Red Young on board Delbert McClinton’s Sandy Beaches Cruise, I knew I had to interview him. He’s had one of those journeyman’s careers that ties together all the threads of American music, from pop to R&B to jazz. He’s a pianist, Hammond organ specialist, singer, arranger and producer, and at 76 years old, he’s seen it all. He’s worked with Kinky Friedman, Joan Armatrading, Dolly Parton, Sonny & Cher, Linda Ronstadt, Eric Burdon of the Animals, Marcia Ball, Janiva Magness, and of course Delbert McClinton himself, whom he met in his home town of Fort Worth, TX some sixty years ago. Sit back and enjoy the stories.
Episode 310: It would be hard to name any songwriter in Nashville’s long history whose work has been recorded by more stars across more genres of music than Gary Nicholson. The Texas native came to Nashville in 1980 after stints in Ft. Worth and Los Angeles, and not only did he amass an impressive string of country music hits with Vince Gill, Patty Loveless, and more, he became Music City’s go-to soul and R&B man, conjuring songs for Bonnie Raitt, Etta James, BB King, The Fabulous Thunderbirds and even Ringo Starr. Now at 74 the Nashville Songwriters Hall of Famer has turned his own performing/recording life to songs of conscience and social protest, as on his new album Common Sense.
Episode 309: Sam Grisman, the 35-year-old son of mandolin icon David “Dawg” Grisman, grew up in a unique and supercharged musical environment, to put it mildly. Jerry Garcia was coming over all the time to the family home to pick and record old-time folk music with the elder Grisman. Bluegrass legends came and went, rehearsing and recording, and giving Sam something to aspire to when he picked up the bass as a little kid. After a decade working and touring as sideman, he’s now based in Nashville leading his own collective, the Sam Grisman Project, which is nurturing the repertoire of the Grisman/Garcia partnership, with selected tunes from the Grateful Dead repertoire as well. With a remarkable concert at the Ryman Auditorium in January 2025, Sam stepped into a new phase of his musical life.
Episode 308: For country singer Kaitlin Butts, 2023 was very good and 2024 was even better, with an Americana Award nomination, praise in Rolling Stone magazine, and festival dates she’d been dreaming of. Her reputation and acclaim grew on the strength of her feisty stage temperament, her bold and cutting voice, and her fearless songs. Raised in Oklahoma on theater and country music, the iconic Rodgers and Hammerstein musical set in her state became a touchstone. Years later, she’d take the bold step of writing and recording a concept album reacting to and enlarging on the themes of the show. It’s called Roadrunner!, and it was among the most impactful albums in Americana and country music last year.
Episode 307: It was 50 years ago this month that a 23-year-old Mickey Raphael felt his way through his first recording session with his relatively new band boss Willie Nelson. And it was no small thing, producing the iconic Red Headed Stranger. It was one event in a charmed life that set this Dallas musician on a path to the ultimate steady gig for more than 50 years, plus stature as the world’s top on-call harmonica player. Raphael has played and recorded with Merle Haggard, Leon Russell, Don Williams, Emmylou Harris, Ray Charles, Bob Dylan, Paul Simon, Norah Jones, Wynton Marsalis, and even U2 and Motley Crue. In a session taped at WMOT’s East Nashville satellite studio, we talk about it all.
Episode 306: This one’s personal. Eight years ago, when we launched the Roots Radio format on the historic signal WMOT 89.5 FM, a few of us knew we could have no better program director than Jessie Scott, and we were fortunate that she was in the right time and place to come on board. Her 50 years of on-air experience, her expertise in Americana music, and her warm and knowledgeable voice have become the core of WMOT’s sound. She governs the deep and excellent WMOT playlist and its mix of new and legacy music, plus she’s a fountain of enthusiasm on the air every weekday afternoon from 4 to 7 pm. So after all this time and hearing some of her career stories, it was time to invite her on The String for a special year-end episode.
Episode 305: Traditional acoustic blues has seen one of its periodic revivals, with more younger African American artists involved than any time I can remember. No survey of the scene would be legit without sizing up the career of 35-year-old Jerron Paxton, sometimes known as “Blind Boy” for a severe myopia that’s affected his life since his teens. We should be grateful he’s committed to music - as a revivalist of the old and a writer of the new in a range of styles from Delta to ragtime to stride to spiritual. His variety and vivacity bursts forward on Things Done Changed, his first album for Smithsonian Folkways Records. In a Zoom call from his base in New York City, we talk about his upbringing in Los Angeles and his approach to developing his advanced understanding of foundational American music.
Episode 304: One of my highlights of 2024 was finally getting to see Minneapolis folk rocker Humbird, an artist whose three recordings display an unusual degree of sonic imagination and bandcraft, even beyond her serene and appealing voice. On her newest, Right On, songwriter Siri Undlin conjures ghosts, protests monoculture and environmental neglect, and investigates relationships. In this conversation, taped the morning after her official showcase at Americanafest 2024, we talk about her passion for folklore, the warm embrace of the Minneapolis DIY music scene, and the benefits of bare feet when using guitar pedals.
Episode 303: “I like dark songs. I don't know why,” says Grayson Capps early on in our interview. “Cheerful songs don't do much for me.” The Lower Alabama bluesman and songwriter is talking about both his career in general and his seventh album in particular, with the un-cheerful title Heartbreak, Misery & Death. It’s a covers collection featuring songs that shaped him as a young guy coming of age in Brewton, AL and New Orleans, where he went to school and launched his music career. It couldn’t have been a better springboard for an hour with an artist who’s even more fascinating for his distance from Music City and its business apparatus.
Episode 302: Joe Boyd is one of the most accomplished and eclectic record producers in the story of popular music. As an American living in London, he helped break psychedelic folk rock pioneers The Incredible String Band and worked with Pink Floyd, Nick Drake, and Fairport Convention. He founded Hannibal Records, giving a home to the solo career of Richard Thompson. He’s also worked with Kate and Anna McGarrigle, Toumani Diabate, Geoff and Maria Muldauer, and many more. He was also part of the small cadre of music marketers and labels that created the market category of World Music in the 1980s. Here, Boyd talks about his journey and his epic new book And The Roots of Rhythm Remain.
Episode 301: Americana music has been most conspicuously represented in the last few years by songwriting, band-leading artists, including Jason Isbell, Sierra Ferrell, and Billy Strings. Flash back to the origins of the alt-country and Americana movement, and the conversation was more often about bands, such as Son Volt, Whiskeytown, and the Old 97s. Such outfits made well-written roots music that rocked with that collective commitment that makes bandcraft so fascinating. This week I present two veteran and venerable roots rock bands that came along in the second Americana wave, bands that have weathered changes and renewed their vows - Austin’s revived Uncle Lucius and Raleigh NC-based Blake Christiana of Yarn.
Episode 300: When Gaby Moreno was announced as an official showcasing artist at this Fall’s Americanafest, it stirred a tingle of recognition in me, but I had to do some digging to realize what a big deal it was. The Guatemala-born, Los Angeles-based singer and songwriter became part of the Watkins Family Hour at Largo in LA and a regular on Chris Thile’s Live From Here Show. She’s released nine records, winning two Latin Grammy Awards - and an album Grammy Award earlier this year. She’s internationally known as one of the most versatile and enthralling voices in any genre, but her latest Dusk, produced by Nashville’s Dan Knobler, brings a needed Spanglish influence to the Americana community. In this magical hour, we talk about what inspired her eclectic outlook and her many collaborations, including working with the legendary Van Dyke Parks.
Episode #299: While the public has become hyper aware of Billy Strings on his rocket ride to the top of bluegrass, only a small retinue of the music’s traditional veteran artists have achieved popular name recognition. I think especially of Del McCoury and Ricky Skaggs. But there’s a deeper world there, and we should work a little harder to shine the light on more of the old school masters working today. That’s what episode #299 of The String is about, through conversations with singer Danny Paisley and mandolinist John Reischman. Paisley, who grew up in a bluegrass family band a few miles from the McCourys is a four time IBMA Male Vocalist of teh Year. Reishman is a Californian who early on played in the first Tony Rice Unit before starting his 25-year band the Jaybirds. They are “musicians’ musicians,” which doesn’t help them put food on the table or build their legacies.
Episode 298: Molly Tuttle is the link in common between two exceptional breakout artists during an exciting era of bluegrass music. Bronwyn Keith-Hynes is the electrifying fiddle player in Tuttle’s band Golden Highway and a two time IBMA Fiddle Player of the Year. We get into her journey from Charlottesville, VA to school at Berklee to Nashville and the latest chapter in her solo life, the wonderful album I Built A World. AJ Lee and Tuttle go back even farther, to the family band they shared growing up in the fertile bluegrass community of California. AJ Lee, an exceptional and original singer, has led her own band Blue Summit for nine years, and their newest album City Of Glass is one reason they were nominated as IBMA New Artist of the Year for 2024.
Episode 297: It’s an immigrant story like no other. JesseLee Jones pined for something bigger growing up in Sao Paulo, Brazil. He got glimpses of American music and a guitar, and with that a long journey began. After landing in the states, and getting robbed by the way, he found his way to a family in the midwest who took him in and helped him build a life. In the early 90s, destiny brought him to Nashville and a ramshackle honky tonk and boot store that he would help turn into Robert’s Western World, the pivotal and most famous honky tonk in Nashville. On the 25th anniversary of owning and running this legendary club, Jones tells his story, including the formation of his own long-running band, Brazilbilly.
Episode 296: With Americanafest landing in Nashville, Craig Havighurst looked over the many artists breaking out of Music City and got especially excited about Baltic Street Hotel by rocking songwriter Sophie Gault. It’ll be released on Friday, but Craig’s been listening for a few weeks and finds it rich with personal details, sharp melodies, and an old school Americana spirit that evokes Lucinda Williams or Kathleen Edwards. The show features exclusive teasers of several songs from this LP, produced by Ray Kennedy at his request. Also in the hour, a rising star of acoustic Americana, 15-year-old mandolinist Wyatt Ellis, who recently released his solo debut with guest turns by some of today’s best mandolin players, including Marty Stuart.
Episode 295: Stephanie Lambring’s new album - her second - is called Hypocrisy, and it blew me away on first listen because of the way its crafty, understated production set up some mind-jarring and elegantly sculpted lyrics. She’s a rural Indiana native whose writing talents in her early Nashville days led to a major publishing deal at 23. The Music Row machine didn’t work for her ultimately, and after a hiatus she leaned into telling her own story, leading to an acclaimed debut in 2020. Now on her latest, she deftly investigates women navigating a 21st century digital panopticon of social pressure, conformity, autonomy and fulfillment.
Episode 294: Formed in Dallas in 1992, Old 97’s became one of the seminal bands of the alternative country movement, alongside Whiskeytown, Son Volt, the Bottle Rockets and BR549. At its heart was the longtime friendship of bass player Murry Hammond and guitarist/songwriter Rhett Miller. Remarkably, across 13 albums and millions of miles, Old 97’s remains the same quartet that broke out on Bloodshot Records three decades ago. They’re still having fun and keeping company with their large base of lifelong fans. Craig made a field trip to Lexington, KY this summer to catch a show and sit down with Miller to talk about the long road and the newest album American Primitive.
Episode 293: The conversation about Black influence on and presence in country music has been intense and restorative over the past decade, and nobody has a more authoritative or informed take on the subject than writer and scholar Alice Randall. She became the first Black woman to launch a career as a professional Music Row songwriter and publisher in the 1980s. She’s shared her incredible journey in her new memoir My Black Country, while a multi-artist collection of the same title features a dozen leading Black female voices in Americana singing her songs. Craig Havighurst visited Alice at her home to talk about it all.
Episode 292: When singer Madeleine Peyroux released her breakout album Careless Love in 2004, her voice and phrasing, with echoes of Billie Holiday and Joni Mitchell, had more verve than the newly famous Norah Jones and more blues than Diana Krall. Her story was more remarkable than either. She’d basically run away from school as an American teenager living in Paris and joined a touring/busking ensemble the Lost and Wandering Jazz and Blues Band. After 2004 she became a vital, critically acclaimed artist with a unique fusion of jazz, blues, country and folk. Now she’s released her first entirely self-written songs, guided by the legendary producer Elliot Scheiner, called Let’s Walk.
Episode 291: Thirty years into her late-blooming music career, Kim Richey feels like Americana music’s favorite aunt. She’s hip, youthful, incredibly kind and brimming with ideas and good words, many of which make it into fresh songs. She’s been co-writing a good bit lately, with the likes of Don Henry, Ashley Campbell and Aaron Lee Tasjan. New work, mingled with unrecorded catalog, hand-picked with producer Doug Lancio, led to her first new LP in six years, Every New Beginning. Also in this hour, Oklahoma songwriter and band leader Jared Deck talks about his fascinating double life as a touring artist and, since 2020, a member of the OK House of Representatives.
Episode 290: In a bit over a decade in Nashville, Kyshona has become a figure respected for her wisdom and valued as a songwriter/artist. Her 2020 album Listen, released just before the Covid shutdown, captured the zeitgeist of that troubled and strangely inspiring year, in part because a key part of the artist’s background and calling is music therapy. Her ethos of continuity and community continues on the magnificent album Legacy, where her research into her family history blossoms into songs that draw from soul, folk and gospel. This is a wide ranging talk with a woman who approaches all that she does with a desire and a plan to leave the world a bit wiser and kinder than she found it.
Episode 289: Ellen Angelico has emerged in the past few years as a go-to stringed instrument musician in the Americana and indie sectors of Nashville. Raised in Chicago, she was gigging in her teens, attended Berklee College of Music and came to Music City in 2010 with a full-time indie rock band spot. As she grew into more of a freelance life, Ellen carved out a niche and earned a ton of admiration earning an Americana Instrumentalist of the Year nomination in 2020. Her recent credits include shows and sessions with Cam, Adeem the Artist, Kyshona, Brandy Clark, Mickey Guyton and more. In this endearing hour, Ellen talks about getting established in Nashville, her high-visibility former job with Fanny’s House of Music in East Nashville and a card game about bro country lyrics that has to be heard to be believed.
Episode 288: In this special edition of The String, I present an audio postcard from Athens GA, a city of about 125,000 people just east of Atlanta that for forty years has been punching above its weight as a music city. As a teenager in the mid 1980s, I loved the B-52s and I about worshiped REM, and ever since, I’ve wondered what kind of place could produce those wildly different, highly progressive bands. My curiosity only grew as Athens continued to be a hotbed of art-forward rock and roll and creative roots music over the next forty years. So I came to listen and ask questions. We meet label owners George Fontaine Sr. and Jr., leading producer David Barbe, 40 Watt talent booker Velena Vego, artists Spencer Thomas and Hunter Pinkston, and more. Visit wmot.org for photos and bonus content.
Episode 287: Cris Jacobs has been tagged the “King of Baltimore rock and roll” by a leading local publication, but a quick look at his catalog and certainly his newest album suggests that and more. He made his name as a guitarist, songwriter and singer with The Bridge, a soulful jam band that toured the nation and overseas between 2000 and 2010. His solo projects have been well regarded, but he’s not been a force in Americana until recently. After a bit of a mid-life crisis, he turned to his first love - bluegrass - and pulled together a wonderful album called One Of These Days, with the Infamous Stringdusters as his band and Jerry Douglas as his producer. It landed Cris a debut on the Grand Ole Opry. How did he get here? We find out. Also in the hour, some of my recent catch-up with roots power couple Larry Campbell and Teresa Williams.
Episode 285: As I say in the opening of this week’s show, it’s one thing to get applause for your songs, and it’s another to get laughs. John Craigie of Portland, OR has quietly built a robust touring career because he’s an excellent songwriter who also keeps his audiences in stitches between songs. His newest album is a collaboration called Pagan Church with TK and the Holy Know-Nothings, the Portland band fronted by admired songwriter Taylor Kingman. We talk about how Craigie developed his stagecraft under the influence of artists like Arlo Guthrie and his friend Todd Snider, as well as his unlikely path to performing while getting a math degree in California. No surprise, it’s a lot of fun. Also in the hour, Dave Wilson and John Teer reflect on 25 years as Chatham County Line and the new directions baked into the new album Hiyo.
Episode 284: Maggie Rose returns to the String for a full hour this time, because her new album No One Gets Out Alive marks yet another leap for this magnificent singer and songwriter from Nashville. As we heard back in Episode 180, the Maryland native was scouted by major labels while still in college, leading to a country deal in the early 2010s. She fell through the cracks in that restrictive format but regrouped as a fully indie artist working as a business team with her husband. She’s built a following by working the road and a series of albums that split the difference between soul, country, pop, and rock and roll. And as the host of her own podcast, she’s also a great conversationalist. Enjoy this catch-up with my favorite voice in Music City.
Episode 283: It’s a split episode this week featuring a renaissance man of roots music from a “famous” background and a duo from Alabama who’ve been on a wild career ride since they were first discovered by producers T Bone Burnett and Dave Cobb. We start with Rev. Shawn Amos, who grew up in Los Angeles with his dad Wally, founder of Famous Amos cookies. Since launching in music, Shawn’s been a shape shifting songwriter and performer, a historic A&R executive, an entrepreneur and more. His latest Soul Brother No. 1 casts him in yet another new light. And I check in by Zoom with Lydia and Laura, the magnificent Secret Sisters. On their newest, Mind, Man, Medicine, they took full advantage of the historic recording studios in Muscle Shoals, AL, just down the road from where they live. It’s yet another triumph.
Episode 282: For twenty years, Duluth, MN troubadour Charlie Parr has been touring every corner of the nation, sleeping in his van and living lean, to bring his unique take on the country blues to the people. Reserved, cerebral and devoted entirely to his own vision, he’s one of our finest folk artists and a lyricist well worthy of a certain other Minnesota songwriter who so famously blended poetry and the blues. He took a new tack with his latest album on Smithsonian Folkways, tapping producer Tucker Martine and his studio friends for a contemplative and immersive album of ruminations, pictorials, and stories. For someone who’s not comfortable in interviews, he spent a convivial hour at my studio and left behind a remarkable conversation.
Episode 281: There are countless reasons to pay homage to the legacy of country music and almost as many different ways to do so. Both of my guests this week - the Canadian artist Bahamas and Nashville’s Kelsey Waldon - are doing just that in their own ways with recent projects. At a time when country traditions are strong across the Americana landscape, Bootcut by Bahamas and There’s Always A Song by Waldon demonstrate the power of devotion to a craft on one hand and celebration of heroes on the other.
Episode 280: It's taken decades for the nature and impact of Jerry Garcia’s formative years as a musician and band leader to emerge and become semi-common knowledge, because for many, his devotion to old-time string band and bluegrass music between 1961 and 1964 doesn’t square with the quantum jams he’d be leading just a few years later. But because of the Dead, and Garcia's side projects like Old And In The Way, we have jamgrass, a popular branch of the family tree where instrumental interplay coexists with preservation of classic songs. And at last, this connection is made, and this story is told, in a new museum exhibit set for a two-year run, Jerry Garcia – A Bluegrass Journey, at the Bluegrass Music Hall Of Fame & Museum in Owensboro, KY. Episode 280 of The String takes you there with sound and voices from its grand opening weekend in late March.
Episode 278: Suzy Bogguss started playing and performing on a hand-me-down guitar from her sister in small-town Illinois. After a few years making a living out west playing at ski lodges, she moved to Nashville, where she carved out a special place in 1990s country music. Amid a time of diversity and vibrancy in the format, her sweet, folky voice took flight when she found the right songs, including the career-makers “Someday Soon” and “Outbound Plane.” She’s toured steadily ever since, though recordings have been selective since 2000. During the pandemic though, she took on her first album of new material with last fall’s Prayin’ For Sunshine, the first where she’d written all of the songs. In this hour, we cover every key stage of this award-winning career.
Episode 277: Few pickers have toured harder or traveled farther than jamgrass veteran Vince Herman, who co-founded the iconic Leftover Salmon 34 years ago in Colorado. Yet there are always new things to try, so he’s added the band The High Hawks to his list of collaborations. Our sit-down visit was sparked by that band’s album Mother Nature’s Show doing so well on the Americana chart and by his own recent move from Colorado to Nashville, where he’s become a hub of the picking scene and an avid co-writer. We cover a lot of ground from his origins in Pittsburgh and West Virginia to the everlasting desire to play the next show. Also in the hour, progressive banjo player Kyle Tuttle calls in from a fishing trip to talk about his years with Molly Tuttle and his new solo album Labor Of Lust.
Episode 276: John Leventhal is one of the quiet achievers of American roots music going back more than 30 years. Early on as a guitar player in his native New York City, he connected with Jim Lauderdale and Shawn Colvin, co-writing and producing their debut albums. He met his wife Rosanne Cash as they worked on the pivotal album The Wheel (see Episode 269). He’s produced some epic albums since then for William Bell, Sarah Jarosz, and others, winning numerous Grammy and Americana awards in the process. At last, he lent his guitar and studio skills to making the solo debut album Rumble Strip. Rosanne is there for some duo vocals, but otherwise it’s warm and tuneful instrumentals that foreground some of the lovely textures and grooves that have been behind so many albums we’ve loved. This all made for a fascinating conversation.
Episode 275: This week's show begins with an ode to the studio and stage musicians who come up with parts and make the singers and stars sound great, while being relegated to the sexist, ungenerous title of “sidemen.” Recently, I got to thinking about a musician - a bass player - who’s been on more big sessions and done time with more impactful artists than most in roots/Americana music over the past 35 years, including the Chicks, Robert Plant, Nickel Creek and Kathy Mattea. So I invited Byron House on to the program. Joining the conversation is his old friend and fellow immigrant from Bowling Green, KY, Kyle Frederick. Kyle has turned to Byron as his producer for most of his albums as a Nashville based singer songwriter.
Episode 274: Beyond his skills as a guitarist and singer, Clay Ross is what I like to call a Musical Instigator. Since heading to his current base in New York 20 years ago from his home town of Charleston, SC, he’s conceived and organized three brilliant groups that bring a new global consciousness to American roots music. First it was Matuto with its infusion of Brazilian melodies and rhythms. Then with old college-era friends from South Carolina he launched Ranky Tanky, a Grammy-winning outfit that reimagines African-American Gullah music for a world stage. His latest project is the American Patchwork Quartet, with members from three continents and a completely original way of updating classic folk songs. We go deep on his background and his approach to making creative space for diverse people to truly collaborate.
Episode 273: Thirty years ago, legendary R&B singer Delbert McClinton proved he was ahead of his time by launching his Sandy Beaches Cruise, a January festival at sea that featured his friends and associated artists from the bluesy side of Americana. Since then, the music cruise business has flourished across many genres. A company called Star Vista Live bought Sandy Beaches from Delbert a few years ago and now does the management while Delbert himself acts as host. I got a fortunate invitation to act as artist interviewer on this year’s cruise, and they let me report my own account of this luxurious but accessible experience. In this hour you’ll hear from Delbert himself, Mavericks lead singer Raul Malo, cruise lifer Marcia Ball, emerging artist Yates McKendree, singer Etta Britt, gospel great Anne McCrary, and more.
Episode 272: Lola Kirke got on America’s cultural radar as an actress - starring in the Amazon series Mozart in the Jungle, along with roles in Gone Girl and Mistress America alongside Greta Gerwig. But during those years, she was also quietly nurturing her passion for songwriting and music - specifically country music. The pandemic brought her to Nashville where her album Lady for Sale was released by Third Man Records to great acclaim. Now she’s about to release the new EP Country Curious and make her debut on the Grand Ole Opry. She’s a bold, dynamic personality and this was a really fun conversation that bridges New York, Nashville and Hollywood.
Episode 271: In just five years, including the pandemic shut-down, Nashville native Gabe Lee has grown from an unknown “hometown kid,” as one of his titles proclaims, to a debut last year on the Grand Ole Opry. Working independently with the boutique Torrez Music Group, Lee has released four albums, earning the admiration of critics and a grassroots fan base that’s adding up to something special and sustainable. The most recent opus is Drink The River, which Lee took in a more acoustic and nuanced direction than his prior release, and which might be emerging as his career record.
Episode 270: In an episode that revisits the netherworld between Americana and jazz, I speak with two extraordinary female drummer/composers who are at the peak of their creative powers. My featured guest is Allison Miller, a renowned New York artist who's led her own band Boom Tic Boom and joined in with the supergroup Artemis. For her newest album Rivers In Our Veins, she studied rivers and their ecosystems to inspire a 12-song cycle for jazz ensemble and tap dancers. It's utterly original and enthralling. Also with water on her mind is Sofia Goodman, a Nashville-based jazz leader whose growing by leaps and bounds as she explores contemporary sounds without limits. Secrets of the Shore uses aquatic sounds as a starting point, but it's the serene and complex harmonies she writes for her brass and wind instruments that really makes this collection sparkle.
Episode 269:
Rosanne Cash says she’s a forward-looking artist and thinker, not prone to looking back. But when she regained control over the master recording of her 1993 album The Wheel, it prompted an idea. She’s launched the new label Rumble Strip Records with John Leventhal, the producer and guitarist she fell in love with while working on it with him. Cash, one of the most fascinating and sophisticated roots musicians and a founding figure of the Americana movement, calls The Wheel a “watershed” for her in many ways beyond her new life with Leventhal. She’d moved to New York where she’s lived ever since. And she branched away from the country mainstream. The re-issue of The Wheel, now out for the first time on vinyl, prompted a riveting conversation. Also in the hour, Colorado-reared newcomer Jobi Riccio.
Episode 268: The late John Prine’s team at Oh Boy Records in Nashville put the little-known west coast songwriter Tré Burt on the national Americana/folk radar by signing him to a deal and re-releasing his debut album Caught It From The Rye in 2019. He grew up between the Bay Area and Sacramento, where, after being exposed to the guitar by an older brother, music became a focal point. He grew as a songwriter through the open mic scene and self-booked tours and some adventurous travel around the world. His spare acoustic folk style gives way to more rhythmic neo-soul textures on his exciting third LP Traffic Fiction, giving his personal lyrics new ways to shine.
Episode 267: When Ben Wright, then 28 years old, saw a banjo for sale in the window at Chicago’s Old Town School of Folk Music, he had no idea how far it would take him. Not just to gigs at the country’s best bluegrass festivals but to an improbable life of sharing American music with audiences young and old in more than 25 countries. Not only does Ben’s band, the Henhouse Prowlers, have a new record deal and a fine new album, the quartet has a track record of sharing bluegrass and good vibes with more non-Americans than probably any other band. And they’ve created a non-profit called Bluegrass Ambassadors to extend that mission into the future.
Episode 266: Lindsay Lou grew up surrounded by community folk music in Michigan, and when she connected with a scene and a band in East Lansing where she completed college, she set her plans for a career in medicine aside to hit the road and connect with her original dreams. But it’s pretty clear from her ravishing voice that she was born to sing, and she made quite an impression, especially in western newgrass circles, as the lead singer and songwriter of Lindsay Lou and the Flatbellys. Living in Nashville since 2015 though, change was inevitable, and she processes some big life shifts and stylistic evolution on her new album Queen of Time. It’s the most ambitious and enthralling release of her career, and there’s a lot to talk about.
Episode 265: Two great male voices in new Americana. Cruz Contreras has been a key player in the East Tennessee music scene for twenty years, steering accomplished roots projects Robinella and the CCstringband and the Black Lillies. In 2019 he wrote and recorded his first solo album only to see the pandemic upend his plans for its big rollout. He made good use of the lost years, getting married, having a son and moving to a new place. But at last he thought it was time to release Cosmico. And I catch up with Logan Ledger who's back with his second album Golden State, a lush western-tinged album of melancholy but gorgeous songs. Both interviews took place on the same day during AmericanaFest 2023.
Episode 264: One might imagine that after 17 years singing country music and releasing ten albums, an artist would have shared all of her secrets with her audience, but Eilen Jewell says only in the aftermath of 2020 and a bunch of disruptive change and loss well beyond the reach of the pandemic, that she was ready to get real in ways she never had before. The result is Get Behind The Wheel, a cracking country blues album that extends the winning streak of this veteran artist, who made her way from her home town of Boise, ID to the top of the Boston scene and back home again. Also in the hour, the crafty roots pop of professional songwriter Jenny Owen Youngs.
Episode 263: Dan Auerbach's Easy Eye Sound in Nashville has been one of the key discovery points for roots music in the past decade. And thanks to them, Robert Finley has become a rare and special thing - a top tier American soul and blues artist who found a worldwide audience in his 60s. He hails from north Louisiana, and his life in music has been tenacious and adaptable and fascinating. Only after he lost most of his sight, forcing him to retire from home construction, did he push music to the fore and connect with a roots music network. Evidence of how great that is can be heard on his third Easy Eye album Black Bayou. This is a magical and unpredictable conversation.
Episode 262: There's no better forum to survey what's happening at the cutting edge of roots music than AmericanaFest, and 2023's huge edition was no exception. In what's become an annual tradition, I survey three acts who are making waves in three different genre spaces in the Americana universe. Summer Dean quit her teaching job around her 40th birthday to hit the road as a honky tonk singer and songwriter and earned the support of Bruce Robison's Next Waltz Records. Caleb Elliott became ensconced with Muscle Shoals label Single Lock Records as a session cello player before breaking cover as a songwriter. They liked his stuff so much they've released two albums with him. And Allison DeGroot and Tatiana Hargreaves define the cutting edge in today's old-time scene.
Episode 261: She’s the hit Nashville songwriter who never moved to Nashville, staying instead in her hometown near Boston. She’s the power mom who wrote timeless country award winners like “Girl Crush” and “Humble and Kind” while raising five kids. Now she reflects on her own story more than ever before on her new album 1988. It’s the fourth in a row she’s made with producer Dave Cobb and a testament to the fact that while McKenna’s won three Grammy Awards, she’s the same humble and kind woman who got cajoled into playing at her first open mic back in the early 1990s.
Episode 260: Darrell Scott emerged in the late 1990s as one of Nashville’s most complete folk/roots artists. He had the butter of James Taylor and the grease of Lowell George in his voice. He could pick numerous instruments like a practiced master. And his songs were stunning from the get go, including his widely-recorded “You’ll Never Leave Harlan Alive” and his crowd favorite “Great Day To Be Alive” on his debut project. Now, Scott lives mostly on a farm two hours from Nashville tending the land and playing 60-80 dates a year. Recently he issued Old Cane Back Rocker, his first studio album since 2016 and his most bluegrass leaning project ever. I road tripped to Darrell’s farm to record this week’s atmospheric conversation.
Episode 259: When East Nashville emerged as a nationally important music scene in the early 2000s, Amelia White was one of the reasons. Like so many others, she’d migrated from elsewhere (Boston and Seattle) to find a nurturing community full of collaborators and enablers, including her longtime recording partner and guitar player Dave Coleman. She was included on a seminal anthology of East Nashville songs. And she set up a rhythm of writing, recording and touring domestically and increasingly overseas. Now she’s heading back to showcase at AmericanaFest 2023 and getting set to release an album this winter produced by Americana great Kim Richey. Amelia dropped by the studio for a friendly conversation that surveys her journey, through music from across her career.
Episode 258: For a band that released its independent debut album in 2017, the Teskey Brothers have come a long way. From our perspective here in Nashville, that would be 9,700 miles, the distance to their home town of Warrandyte, New South Wales, Australia. Raised on classic soul and R&B music, Sam and Josh Teskey started making music together as kids and became staples of the Melbourne music scene. They didn’t have huge aspirations, but when their first record knocked out people close to home, they took their classic Stax/Muscle Shoals sound to the world and the world replied. This year they’ve toured Europe for five months and played major sold out venues, including the Ryman Auditorium behind their current album the Winding Way. Guitarist, songwriter, singer and recording engineer Sam Teskey tells me about their journey.
Episode 257: When you live in Nashville and chase the essence of country music, you find it's very much alive at residency shows like New Monday at the Station Inn. That's where master musicians Val Storey, Larry Cordle and Carl Jackson play a range of original and classic songs that connect country to bluegrass. It's magic, especially because of Val Storey's remarkable voice. She's the best country singer most people have never heard of. And after decades of singing for and with others, she has an album of her own, produced by star bluegrass songwriter Larry Cordle. Val and Larry sit down together to reflect on a long friendship and why some voices need an extra push.
Episode 256: Vince Gill and Paul Franklin, titans of Nashville music, first recorded together in 1989 and have been friends even longer than that. Gill is of course a Country Music Hall of Famer, while Franklin is in a different Hall of Fame - for the pedal steel guitar. Over the years in the studio and on stage, they've made the most of the euphoric blend of the voice, guitar, and steel, which is where Gill says he locates the very heart of country music. Ten years ago they made Bakersfield, honoring the songs of Buck Owens and Merle Haggard. Now they've teamed up for Sweet Memories: The Music of Ray Price and the Cherokee Cowboys, a set that covers the great singer's phases from old-school honky tonk to luxurious countrypolitan. I visited Vince's home studio for a wide-ranging conversation.
Episode 255: Ed Snodderly is more than just an exceptional singer-songwriter. He's a culture maker and culture keeper for the rich roots music region of East Tennessee. Raised near Chattanooga, he launched into music in the mid 70s as an artist and as co-founder of the iconic Down Home listening room in Johnson City, TN. His band the Brother Boys made an impact and his songs have been covered and even enshrined at the Country Music Hall of Fame. Now he's released arguably his best album, a tapestry of impressions of modern Appalachia with scintillating music called Chimney Smoke. Also in the hour, getting to know Miles Miller, the longtime drummer for Sturgill Simpson who's broken cover as a songwriter himself with the album Solid Gold.
Episode 254: Ed Jurdi and Gordy Quist have built a remarkable creative partnership over the past 17 years, ever since their fates collided at an Austin bar called Momo's. Songwriter residencies blurred into a proto band, and before long they were killing it in Texas and beyond as The Band of Heathens. It's been a consistent, resilient group, releasing impressive albums and playing soul satisfying country flavored rock and roll with excellent songwriting and singing. The most recent album Simple Things proved their staying power nationwide with a run of six weeks at No. 1 on the Americana airplay chart. Ed and Gordy join Craig from their homes in Austin and Asheville for a talk about origins, evolution and longevity.
Episode 253: Brennen Leigh moved decisively beyond the pandemic and the end of a long partnership to release three remarkable albums in less than three years. They tell a story of a traditional country artist with a strong point of view and a keen eye for character and humor. Prairie Love Letter was inspired by growing up in rural Minnesota where she developed a love for picking and singing. The western swing project Obsessed With The West taps a friendship she made with Asleep At The Wheel during her years in Austin. Her latest is old school Nashville country with Ain’t Through Honky Tonkin’ Yet. Craig and Brennen talk about it all.
Episode 252: The story of Peter One is as warming as his music. As a young man in his native Côte d’Ivoire, he latched on to folk and country music more than most of his peers, until he met collaborator Jess Sah Bi, with whom he formed a celebrated, socially conscious duo in West Africa. Both had to leave the country due to political turmoil, and Peter One started over in the US, first in Delaware then in Nashville where he moved for a career in nursing. A rediscovery and reissue of his best African record reignited a music career that had been interrupted for 30 years, and this summer he’s everywhere from the Opry to Newport Folk Fest. I spend an hour with this kind and fascinating songwriter/guitarist.
Episode 250: Craig contemplates genre-bending while introducing two guests this week who straddle the seemingly disparate worlds of indie rock and folk music. Eric D. Johnson is the veteran mastermind of the long running collective Fruit Bats. Raised in Chicago and based in Los Angeles, he came up with his friends in The Shins and Modest Mouse. Over time, his Fruit Bats project refined an esthetic all its own. The latest is A River Running To Your Heart. Meanwhile, in Canada, young songwriter Cat Clyde built a strong following for her first recordings before the pandemic stole her momentum. It took hard work and resilience to make her 2023 release Down Rounder, a labyrinth of emotion, sound and catharsis. Cat joins the show from a temporary base in Ontario.
Episode 249: One key reason that Dwight Yoakam exploded into country music consciousness in 1986 was the electric guitar and electrifying record production of his friend and bandmate Pete Anderson. Anderson moved from his native Detroit to Los Angeles and found himself in a powerful partnership that changed the sound of country and sold around 25 million records. After more than 15 years, Anderson pursued his own interests, including a bluesier side of his guitar and record production in his own studio, including key Americana stars. Now he’s written a book compiling all he’s learned and realized about record production, and that became the basis of a fascinating conversation.
Episode 248: For all of the sardonic honky tonk music of his early albums and the more character-driven folk music on albums like Upland Stories and Gone Away Backward, Robbie Fulks can trace a strong bluegrass thread through his career. He grew up loving Doc Watson in North Carolina, picked up the banjo and flatpicked guitar as a kid, and joined the venerable bluegrass band Special Consensus as he established himself in the Chicago music scene. He’d touch on the genre here and there, but now he’s finally written and recorded Bluegrass Vacation, a 12-song collection that touches on classic themes and high lonesome textures. Also, a catch up from NYC with songwriter Laura Cantrell.
Episode 247: Layng Martine Jr. earned a slot in the Nashville Songwriters Hall of Fame with numerous hits for a range of artists that included Reba McEntire, The Pointer Sisters and Elvis himself. He thought he was retired, but when his son Tucker, one of the most respected producers and recording engineers in indie music, gave his father the studio time and resources to make his first real album as an artist as he approached 80 years old, a series of sessions in Portland, OR became Music Man. It's a joyful, sunny collection that sounds like nothing else in roots music, and Layng turns out to be a sunny and charming fellow himself. We talk about arriving in Nashville in the 70s, writing Elvis's last hit, and the renewing thrill of cutting songs he'd written between 1964 and the 2000s. Also in the hour, banjo star and record company owner Alison Brown.
Episode 246: Alison Brown found her life's work early when she started playing banjo as a pre-teen growing up in southern California. But it took some time and real life experience - a Harvard degree, another MBA and a couple of years in banking - before she finally gave herself permission to chase a music career. She toured with Alison Krauss in her early days and then formed her own bands, earning her rep as an innovative, jazz-oriented virtuoso player. She's released about a dozen albums of her own composing, including the latest On Banjo, featuring guests like Stuart Duncan, Steve Martin and Anat Cohen. We sat down in the studio of Compass Records, which she co-founded with her husband more than 25 years ago, for a wide-ranging talk about her instrument, her destiny, and her latest music. Also in the hour, a teaser of my interview with Nashville journalist Tim Ghianni.
Episode 245: Dom Flemons made history founding the Carolina Chocolate Drops, an old-time band that changed the face of roots music in the 21st century. Through found songs and tunes learned at the feet of old masters, they won a Grammy Award, played the Grand Ole Opry and opened up new lanes for Black musicians finding their voice in folk. Since parting ways in 2013, Flemons has been a lynchpin of the folk music scene, an “American songster” who plays a wide range of instruments and who puts on magnetic solo shows. His 2018 concept album Black Cowboys dug up more potent history and earned a Grammy nomination. For his first album since then, he goes inward and leans into his life of songwriting for the first time, resulting in the vivacious and eclectic Traveling Wildfire. Also in the hour, guitarist Matthew Stevens on his work producing I Am A Pilgrim: Doc Watson at 100.
Episode 244: William Prince grew up on country and gospel music in rural Manitoba on the Peguis First Nation reserve, getting a grounding from his minister/musician father. Now Prince is a musical minister of sorts, making a strong mark on north American folk music with his sincerity, gravitas and beautiful baritone voice. His formal debut won Canada's JUNO Award for best contemporary folk album, and his twin releases in 2020 were well attuned to the spiritual yearning of the pandemic lockdown. Now Stand In The Joy, produced by Dave Cobb, is a rich portrait of contentment and gratitude. I also speak with DC-based roots rocker Erik Vincent Huey about his late career solo debut, investigating his West Virginia roots.
Episode 243: Canada’s coolest couple - more than 12 years into their joint venture called Whitehorse - is on a creative tear, releasing three albums in two years, all of which came with a portfolio of daring and whimsical graphic design, photography and video. The albums flow, from the zesty indie-rock leaning Modern Love in March 2021 to the psychedelic wonder whirl of Strike Me Down, which arrived six months later. Then in January of this year came I’m Not Crying You’re Crying, the most overtly country album yet. From their studio in Winnipeg, we talk about a grand romantic folk-rock adventure.
Episode 242: Craig reports from Knoxville, TN and the tenth edition of the world-renowned Big Ears Festival. Conceived by Knoxville native Ashley Capps as a showcase for modern and avant-garde music, it’s broadened to encompass just about every genre and concept from around the world. This year saw a record number of folk/roots/Americana artists, playing alongside some of the world’s elite jazz, electronic and experimental creators. Craig offers a history of the festival, thoughts from Ashley Capps and conversations with Bela Fleck, Christian McBride, Sierra Ferrell, Rich Ruth and Jake Xerxes Fussell.
Episode 241: San Francisco-based Miko Marks hit brick walls when she made her first run at country music in the mid 2000s, when the industry was systemically impenetrable to independent artists and even more so artists of color. After taking more than a decade away from her passion, Marks was inspired to reconnect with her band and producers, and this time, she found a lane, made possible by excellent music. She's released three recordings in two years, each more interesting than the last, culminating in the country soul album Feel Like Going Home of late 2022. She's now been on the Grand Ole Opry and is touring the nation. Also in the hour, an archived moment with Shemekia Copeland, an artist working the same fusion of southern roots and contemporary message.
Episode 240: Emily Nenni didn't fall in love with country music and then move to Nashville. She did the reverse, using the city's honky tonks and local haunts like country music college. And instead of the lure of the CMA Awards, the Bay Area native dove fully into the traditional end of the pool. Her sparky voice and detail-rich songs grabbed the attention of New West Records, which released her breakout album On The Ranch late last year. Also in the hour, a talk with New York writer Stephanie Clifford whose new novel The Farewell Tour tells the life story of a fictional artist in a realistic world, carrying us through the 20th century, from the west coast to Nashville and the long hard road.
Episode 239: She sounds like she was born into a country music family, but Sunny Sweeney was actually a late and somewhat reluctant bloomer as an artist. Her friends had to beg her to record her first album when she was playing bars in Austin. But that album got picked up by a Nashville label and got her to the Grand Ole Opry. The major label system was a bad fit, but Sunny has pursued an exemplary indie career in the years since. Her mix of smarts, sass and lonesome blues infuses her latest album Married Alone.
Episode 238: Larissa Maestro has a wildly diverse career as a Nashville session and stage musician. When she came to town in 2007, she had a music degree and flexible expectations about what she'd find in a place she'd never been. She's primarily a cello player, veteran of creative collaborations with Margo Price, Kyshonna, Brandi Carlile and Allison Russell, who's just had her arrange the strings for her next album. Maestro is also a composer with numerous Nashville performances, including a night of her own music in March. We talk about finding the cello, working with friends in the Nashville community and composing for the ballet and the stage. She's about to embark on her biggest tour yet with Hozier.
Episode 237: Ron Sexsmith's brilliant solo debut album of 1995 - the one with the song "Secret Heart" - was on the verge of being overlooked and forgotten when Elvis Costello endorsed it as one of his favorite projects in a major magazine. It changed the conversation about the young balladeer and he was quickly recognized as one of Canada's finest songwriters. Now a dozen great artists have covered "Secret Heart" and Ron is 17 albums in to a rewarding and esteemed career. We talk about those tenuous early days, about his move from Toronto to the country and the resulting album The Vivian Line.
Episode 236: It would be difficult to name one musician with such long and distinguished resumes as both a recording artist and a record producer as Joe Henry. Since emerging around 1990 as a layered, visionary songwriter, he's released 17 albums to almost universal acclaim. And since his tutelage under T Bone Burnett, stemming from one of his early albums, he's been an in-demand producer with credits on Amy Helm, Bonnie Raitt, the Carolina Chocolate Drops and many more. I spoke with Joe by Zoom from his home in rural Maine and we talked about three albums that shaped him, 1990s Shuffletown, 2001's Scar and his latest, the moody All The Eye Can See.
Episode 235: After a remarkable life in show business and soul music, Charles "Wigg" Walker moved back to his native Nashville in the 90s, and he's been an important fixture in Music City ever since, a one-of-a-kind voice in soul and blues. It started on Jefferson Street in his teens. Then he moved to New York, opened shows for James Brown, played the Apollo Theater and held down Harlem residencies. He lived overseas in the post disco era. And he's recorded all the way through, including some great albums in the 2000s with The Dynamites. Now he holds court every weekend at Soul Brunch at ACME Feed & Seed on Broadway, and that's where we sat down to reflect on his 83 years.
Episode 234: Not very long ago, Sunny War was busking on Venice Beach in Los Angeles, nearly homeless and beset with substance abuse. But she was also making weirdly beautiful and honest music that evoked country blues, punk rock and old folk songs without being really any of the above. Now she's moved to Nashville, signed to New West Records, with one of the most talked-about albums in indie music. Raves have poured in for her new record Anarchist Gospel, which has an atmosphere all its own and bracing candor about heartbreak, struggle and resilience.
Episode 233: Madison Cunningham blasted on to the modern folk scene in 2019 with a debut album so thoughtful and original that it landed on the prestigious Verve Forecast label and was nominated for a Grammy Americana Album award. After the pandemic interrupted her career momentum, she picked right back up in 2022 with a fast-growing audience and a brilliant sophomore album called Revealer. Just home from her final overseas tour of last year, Madison joined me by Zoom for a conversation about her acclaimed guitar playing, writing an album in stasis and her less-than welcome categorization as a folk singer. Also in the hour, Jason Carter tells the story of how he planned at age 15 to play fiddle for Del McCoury - before he played the fiddle - but got the job a few years later anyway. The 30-year veteran has made a new solo album.
Episode 232: Willi Carlisle is a folk singer in the populist tradition of Utah Phillips and Woody Guthrie, a boisterous, tender, funny performer who is impossible to forget. After years pursuing various outlets in old-time, poetry and theater, he emerged in 2022 as one of the finest songwriters in traditional folk music. The vehicle was his album Peculiar, Missouri, a varied collection of ruminations and character studies from Free Dirt Records. Willi is a remarkable raconteur and rhetorician, so hang on tight for one of the most dense and fascinating Strings ever.
To kick off the new year during my three week book leaves, here's a special edition of The String in which I read my own in-depth analysis of how two great and sweeping genres - jazz and Americana - can have such different audiences and narratives in contemporary life despite their common origins in the blues. Reviewed are two releases - the 10th anniversary vinyl edition of Esperanza Spalding's Grammy Award-winning Radio Music Society and sax player JD Allen's new and provocatively titled Americana, Vol. 2. I've been thinking about this issue for years and at last the right circumstances came together to say something very important to me. If you relate, please write me at craig@wmot.org.
Episode 231: Sam Bush was the first guest on The String way back in September of 2016, because he's a hero of mine and an exemplar of the Americana ideal, traditional American music with a contemporary outlook. He returns to talk about one of his heroes, the late great John Hartford. They were friends, picking buddies and sometime tour mates. And while there are many sides to Hartford, Sam wanted to celebrate his remarkable songwriting, which he does on the new album Radio John.
Episode 230: With an instantly recognizable voice and uncommon skill for balancing melancholy with radiance, Courtney Marie Andrews has released a string of four acclaimed album since her 2016 breakout Honest Life. She's a Tucson, AZ native who hit the road on her own at the tender age of 16 and gave her life over to writing and sharing her soul with others. Her newest follows the arc of a new love affair, from ambivalent beginnings to a rapturous consummation in the final song. Its airy, sculpted sound matches the journey and assures the Nashville-based artist of another round of attention and respect. Also this hour, some archival tape with Nashville music journalist and songwriter/artist Peter Cooper, who died last week at age 52.
Episode 229: Todd Snider walked out alone on the stage of the Ryman Auditorium in late September looking radiant. He was bolstered and beloved by the loyalist lifer fans that hang on his every word, spoken or sung. He told the one about his first open mic and the one about East Nashville character Skip Litz who loved Train Songs. Todd’s mother was on hand and it was her birthday, so we all sang for her. Two days later we sat down for a delightful, rambling conversation inspired by the release of the new album Live: Return Of The Storyteller.
Episode 228: One day during AmericanaFest 2022 I visited the headquarters of leading label New West Records to catch up with their two newest band signings - bands that fit on the label and in an episode with each other. 49 Winchester, school friends from tiny Castlewood, VA, had a breakout year while releasing Fortune Favors The Bold. Town Mountain began 15 years ago as a trad bluegrass band that writes its own fine songs. Recently they've added a drummer and let their sound find new levels of energy and groove. Together, the bands offer a look at how country rock is faring in Appalachia.
Episode 227: This week dwells on origins and growth with two artists who've had very different journeys but who had to get resourceful in their own way. Amy Ray put the Indigo Girls on the map with her partner Emily Saliers in part through a relentless focus on activism and support of causes they cherished. They were given the Americana Lifetime Award for Free Speech in September. Tami Neilson grew up in a family band playing gospel and country in and around Canada, but she had to start over from square one when she moved to New Zealand to get married 20 years ago. She found multiple ways to stand out and make her own scene, driven by her outstanding voice and her provocative feminist anthems.
Episode 226: The 5 Spot is a nightclub at the heart of East Nashville's music community, and for 12 years, Derek Hoke was at the heart of the 5 Spot. His showcase series Two Dollar Tuesdays offered newcomers a chance to play and music lovers 4-5 artists to sample in a cozy scene, many of whom would become the next wave of Americana stars. Hoke came from South Carolina with a ton of humility and eagerness to learn the ropes of Nashville, and he's created a fine body of work as a songwriter/artist, including his new album Electric Mountain. Nashville insiders will love this one.
Episode 225: When you serve a community on a good radio station, you get a feel for the soul of that place, and for me over these many years, that place is Nashville. So I thought it would be fun to join forces for a week with a friend of mine who has a similar gig in western North Carolina who has developed expertise and perspective on the amazing music scene around Asheville. He's Joe Kendrick, host of Southern Songs And Stories. We met up at the Earl Scruggs Music Festival over Labor Day weekend to talk about culture, history and the artists we're loving these days from our respective markets. We're calling it Southern Strings And Stories, and we hope you enjoy it.
Episode 224: It's a double Dan special as I visit with two movers and shakers who've contributed perhaps more behind the scenes than most musicians of their stature. Daniel Tashian is a Nashville lifer who's worn all the hats - songwriter, artist, band-leader and producer. He won a Grammy for Kacey Musgraves's Golden Hour and collaborated with Burt Bacharach. Now he's co-written the classic country rock album Night After Night with Paul Kennerly. Then it's Dan Knobler, recently in-demand Americana producer for luminaries like Erin Rae, Rodney Crowell and Allison Russell. His new project is whimsical and gorgeous - a multi-artist album of great cover songs chosen by his four-year-old son. It inspired a great conversation about how we maintain our youthful love for music.
Episode 223: Americanafest 2022 is in the books, and as usual, I took advantage of all the visiting talent to collect a bunch of interviews with artists from stars to newcomers. Here, I speak with three fascinating emerging artists who will be shaping the scene for years to come. Tray Wellington is a new voice on the banjo from rural Appalachia, but his take on Scruggs style is modern and devoted to jazz as much as bluegrass. Nora Brown is a new phenom in old-time music based out of Brooklyn. Her new Long Time To Be Gone album is gorgeous and deep. And Austin, TX-based Taylor Rae has found extraordinary radio support for her indie debut album Mad Twenties.
Episode 222: Kentucky natives Linda Jean Stokley and Montana Hobbs have been musical partners for about a decade. They met as college students at Morehead State University, where they both more or less wandered into the school’s distinguished traditional music program. They formed the duo The Local Honeys and have gradually built a following and a sound that rides the line between old-time traditional folk and the new electric Americana sound on their superb 2022 self-titled album on La Honda Records. I loved the record so much I took a field trip to the farm country around Lexington to visit with the artists on their home turf.
Episode 221: Cristina Vane discovered American roots music from a greater distance than most converts. She grew up in capitals of Europe, identifying as a "third culture kid" and struggling with her identity. The slide blues guitar and Appalachian banjo became important icons of her journey to America and her burgeoning career as a singer songwriter who doesn't imitate the blues but who takes inspiration from it for her own personal style. We talk about her experience at Princeton, her solo travels roughing it across the US, her guitar tutelage at McCabe's in Santa Monica and her success in Nashville, including her acclaimed album Make Myself Me Again.
Episode 220: Early James pushed himself to find a singing voice and songwriting style all his own, and it certainly got the attention of Nashville's Dan Auerbach. The Birmingham, AL artist was invited into Dan's Easy Eye Sound studio to write and produce his debut album Singing For My Supper in 2020. That release was acclaimed by stymied by the pandemic. Not so the new one, Strange Time To Be Alive, with its surreal, suggestive language and fevered country noir soundscape. I sit with the 29-year-old James in the same room where he cut these two special and unique recordings and talk about Alabama, stage fright and Howlin' Wolf.
Episode 220: Early James pushed himself to find a singing voice and songwriting style all his own, and it certainly got the attention of Nashville's Dan Auerbach. The Birmingham, AL artist was invited into Dan's Easy Eye Sound studio to write and produce his debut album Singing For My Supper in 2020. That release was acclaimed by stymied by the pandemic. Not so the new one, Strange Time To Be Alive, with its surreal, suggestive language and fevered country noir soundscape. I sit with the 29-year-old James in the same room where he cut these two special and unique recordings and talk about Alabama, stage fright and Howlin' Wolf.
Episode 219: This time I catch up with two dynamic women from Nashville with albums that are journalistic in nature, chronicling change and life passages. Nicki Bluhm is a national jam roots star thanks to hear years leading The Gramblers and numerous collaborations with the likes of Phil Lesh and Little Feat. On her new Avondale Drive album she ruminates on the end of her marriage and building a new self in Nashville. Lera Lynn, a veteran of the show, returns with Something More Than Love, largely about the tradeoffs and blessings of being a new mother. They make a fine pairing of candid conversations.
Episode 218: Of all the 1960s California folk rockers, Richie Furay had a quieter but most interesting career. He co-founded two iconic bands in Buffalo Springfield and Poco. He wrote and sang a landmark country rocker in "Kind Woman," the track that brought steel guitar man and eventual frontman Rusty Young into the Poco fold. And then in midlife Furay moved to Colorado to become a pastor, leading a church for decades, while touring and recording as the Richie Furay Band. Now he's released a Nashville-made covers album called In The Country with tracks from the hit parade of Keith Urban, Garth Brooks and others. Also in the hour the Milwaukee to Nashville journey of Sista Strings, the musical vehicle for Chauntee (violin) and Monique (cello) Ross. They've been visible on stage in the past year with folk stars Allison Russell and Brandi Carlile. And they have big plans for their own sound.
Episode 217: Nashville master songwriter Mary Gauthier returns to The String to talk about her new album Dark Enough To See The Stars and her remarkable 2021 memoir Saved By A Song. Mary's entree into songwriting was unusual to say the least, a lifeline for a woman in her 30s recovering from substance abuse and putting together a full self after a traumatic childhood. She handles the prose and her song poetry with similar attention to detail and economy of language, and she weaves it all into a way of being that's made Mary an in-demand teacher and speaker. This was our most wide-ranging and profound conversation yet, and that's saying something.
Episode 216: In a casual, expansive conversation, Craig visits with his old friend Eric Brace, founder of alt-country band Last Train Home. Brace was a music journalist for the Washington Post when he formed the DC based group in the mid 1990s. Then in the early 2000s, he and the rhythm section moved to Nashville, where LTH found a new life and Brace branched out as a label owner with Red Beet Records, which documented the rising East Nashville music scene. Brace has continued to tour with small acoustic groups, but Last Train Home keeps releasing albums, most recently 2022's Everything Will Be.
Episode 215: Since moving to Nashville at age 21 in 1978, Kenny Greenberg has built a reputation as a guitarist who could bring rock and roll punch and jangle to commercial country records as well as a standout behind the glass. Besides his seminal work with Allison Moorer, Kenny has produced albums by the Mavericks, Josh Turner, Joan Baez, Toby Keith and just recently Hayes Carll. And his studio resume is extensive and diverse, including work with Etta James, Chris Knight, Lee Ann Womack, Amy Grant, Jon Randall, Bob Seeger, and his wife of many years, Ashley Cleveland. Now he's released the first solo album in his career. Also in the hour, the Bros. Landreth from Canada about their new record and the song they wrote that Bonnie Raitt just released, with Kenny Greenberg playing guitar.
Episode 214: Will The Circle Be Unbroken, released 50 years ago, revolutionized how country and bluegrass music were perceived by mainstream and youth culture in America. The 3-LP set of 37 songs came about when west coast country-rockers The Nitty Gritty Dirt Band persuaded a cast of venerated elders of Nashville to collaborate with them over a week at Woodland Studio in East Nashville. Craig spoke with founder Jeff Hanna, distinguished alumnus John McEuen and new generation member Ross Holmes about the band's history, the Circle album and the new release Dirt Does Dylan.
Episode 213: Rarely do artists retire in their prime, but that’s what Texas songwriter Robert Earl Keen is doing. In January, he announced to the surprise of his many fans that he’d play 2022 into September and then wrap up his road career with a final show in Helotes TX, a favorite venue. He’s 66 years old and very much in fighting shape. But he’s got other things he wants to do. He’s planning to write songs, get more focused on his excellent podcast and pursue what he feels like. He’s not ruling out shows in the future, but he sounds pretty determined in the interview ahead not to return to a tour bus. Also, a visit with Kentucky indie roots rocker S.G. Goodman.
Episode 212: Decades after it came out in 1979, you still regularly hear “Romeo’s Tune” by Steve Forbert over PAs in the grocery store or on oldies radio if that’s what you’re into. But don’t let that early hit define Forbert’s long, distinguished career. He’s an excellent and widely admired songwriter with more than 20 albums to his credit. He came by Craig’s home studio to talk about his mindset moving from his hometown Meridian, MS to New York in the 1970s, on up to his latest record, Moving Through America. Also in the hour, songwriter Michaela Anne on her lovely, reflective album Oh To Be That Free.
Episode 211: Not many instrumentalists have invented and spread a new technique, but Darol Anger has, and now the percussive bow and string practice called "the chop" is almost mandatory for rising bluegrass and even some classical players. This happened over a 40+ year career that's seen Anger contribute to the historic David Grisman Quintet, co-found the Turtle Island String Quartet, pursue a long-running duo with Mike Marshall and now lead a youthful quartet called Mr. Sun, which has a new album. Anger's influence is huge as a composer, player and teacher, and it was a treat to speak with him at his home in Nashville, where he's moved for the first time in his life. It puts him near many of his former students and proteges, including fiddle star Brittany Haas. I catch up with her for this look at Darol's career.
Episode 210: Over the past ten years, Drew Holcomb and the Neighbors have become one of the most successful and beloved bands in Nashville, a kind of nice guy finishes first story in Music City. Thing is, the band is also huge in Knoxville, where he went to college and Memphis, where he grew up. And around the nation too. It's just hard to remember that local dude Drew is a roots and folk rock star, and as evidence of that, he's playing a two-night stand at the Ryman Auditorium to celebrate his 40th birthday. We talk about his years of struggle to gain momentum, the role of his wife Ellie in his life and band and about the music that came out of the pandemic, including a duo album with Ellie called Coming Home. Also, a catch up with old-time folk songwriter, banjo player and historian Jake Blount.
Episode 209: The Po' Ramblin' Boys, probably the hottest young band in bluegrass, started as a house band at a distillery in East Tennessee, where they were able to hone their sound over years of daily performing. Balancing that polish with the raw and earthy sound of traditional bluegrass music has become a signature of the band, says founder C.J. Lewandowski in this wide-ranging conversation. Also here, the newest member, fiddler and powerful singer Laura Orshaw. Their celebrated new album Never Slow Down was released by America's oldest roots label, Smithsonian Folkways.
Episode 208: Western North Carolina has a long history in roots music, but Amanda Anne Platt and the Honeycutters have been one of the defining sounds of the scene for the last decade or more, a no-frills, highly musical country band fronted by an exceptional singer and songwriter. On my recent trip to Asheville, I caught a Honeycutters show and then sat down with Amanda at her century-old home in Black Mountain, NC to talk about her guitar-building days, the evolution of her band and the new double album The Devil And The Deep Blue Sea. Also, part two of my visit with Asheville folk singer Valorie Miller.
Episode 207: Monoflora, the fourth album from Asheville, NC quartet River Whyless speaks to the musical values that have made them cult favorites since 2012 - complex harmonies, layered textures and worldly grooves. This conversation reveals an especially deep bond of friendship that's produced creative tensions and ultimately exceptionally enthralling music. Also in this NC field trip episode, part one of a chat with folk artists Valorie Miller.
Episode 206: Growing up in Florida, Joshua Hedley got his heart set on playing the fiddle at age 3 and on moving to Nashville to play in honky tonks in his teens. For years he was a sideman whose obligations ended at the end of the night or the tour. Eventually, he was moved to write and sing his own music, and as soon as he did, some heavy supporters noticed, including Margo Price and the team at Third Man Records, which released his debut Mr. Jukebox in 2018. Now he's followed with the grand sounding Neon Blue, inspired by the vibes of 1990s country. This is a classic modern-day Nashville story.
Episode 205: An influx of superb roots artists from Michigan to Nashville has been good for Music City, with Billy Strings, Lindsay Lou, even Jack White. Rather new to the city are The Accidentals, the highly-skilled and daring roots pop trio from Traverse City. Since emerging five years ago, they've toured like crazy and built a large and loyal fan base. They got on a pandemic co-writing tear with some of the greats, including Mary Gauthier and Tom Paxton. And they made their most ambitious and exceptional album yet with 2021's Vessel. I talk with multi-instrumentalists Sav Buist and Katie Larson about the journey from school orchestra as teens to this run of acclaimed, edgy folk music.
Episode 204: In a great year for bluegrass, two projects stand out. One, from our featured guest, because he's the living patriarch of traditional bluegrass music. Del McCoury has earned every honor and award one can win in his field, and he's built historic bridges from American folk and roots to the realms of jam band rock and roll, thanks to his open heart and a blazing band that for more than 25 years has included his sons Ron and Rob. I sat with Del backstage at the Grand Ole Opry to talk about being in Bill Monroe's band in the 60s and his new recording Almost Proud. The other project covered here is a collection of lost instrumentals written by Bill Monroe himself but revived and recorded for the first time by mandolinist Mike Compton. The former founder of the Nashville Bluegrass Band tells us how he produced the unique project Rare & Fine: Uncommon Tunes of Bill Monroe.
Episode 203: In another conversation with a prominent musical couple, Craig visits the home of Rachael and Dominic John Davis, artists who work together and apart, always enhancing the Nashville ideal with their attention to detail and timeless musicianship. He's most famous for years playing bass in various projects with his boyhood friend Jack White, but he's also been an in-demand sideman and record producer. Rachael is a singer's singer, raised on folk and roots music in small town Michigan. She's released several fine albums on her own and collaborated with numerous other artists, notably her recent trio called the Sweet Water Warblers. This is a delightful and casual conversation.
Episode 202: The String's look at the improv-heavy jamgrass community continues with a band at the heart of it all, Yonder Mountain String Band. Bass player Ben Kauffman and guitarist Adam Aijala talk about how Colorado became their laboratory for a new, dance-friendly, freewheeling take on bluegrass music in the 1990s and beyond. We discuss how they negotiated the departure of founding member Jeff Austin and how two new members in recent years contributed to the varied material on the new album Get Yourself Outside. Also in the hour, a chat with Craig Ferguson, longtime director of the Telluride Bluegrass Festival, where Yonder have been kingpins for 20 years and where the jamgrass sound has been celebrated.
Episode 201: Friendly and funny, enthusiastic and energetic, Steve Poltz has released his tenth album Stardust & Satellites as he embarks on another year of intense touring. In a conversation at his home in East Nashville, Poltz speaks with Craig about his surprise embrace of Nashville co-writing, his wild experience writing one of the 90s big hits and the pot brownies that showed him the way to performing solo, which he does so well.
Episode 200: Joan Osborne became a star on the strength of a controversial song and a Grammy-nominated major label debut album in 1995, but when you scan her catalog, it becomes quickly clear that she has one of the most powerful and nuanced voices in popular music. Her range and intimacy is quite clear on her new release Radio Waves, which compiles radio station performances and demos she found in her closets during the pandemic. It becomes a great vehicle to talk about her rich and varied vocal pursuits. Also, a Mardis Gras season visit with Louis Michot, founder and fiddler in the Lost Bayou Ramblers, a powerfully inventive progressive Cajun band near Lafayette, LA.
Episode 199: Guitarist and songwriter Luther Dickinson, founder of the North Mississippi All-Stars, returns to the String to talk about two albums, each with its own story to tell about blues and roots music. Up And Rolling from 2019 was a deluxe CD package with extensive memoir liner notes by Luther and photographs of he and his brother Cody in 1996 just before the band formed. It's a celebration of the hill country blues tradition they inherited. Now they're out with Set Sail, a pandemic-created album with more orchestration and complexity than anything they've done, plus the contributions of singer Lamar Williams Jr. Also, an excerpt from my recent visit with bluegrass songwriting stars turned recording duo Tammy Rogers and Thomm Jutz.
Episode 198: It's a double shot of blues from Alligator Records this week. Christone "Kingfish" Ingram is the most exciting prodigy to hit the electric blues scene in decades. It helps his narrative that the 23-year-old hails from the cradle of the blues, Clarksdale, MS, where the Delta Blues Museum's education programs gave him his start. Now he's nominated for his second Grammy Award with his 2021 album 662. Carolyn Wonderland is more of a veteran (already in the Austin Music Awards Hall of Fame) but a new artist on Alligator at 48 years old. She's a gentle presence off stage and a blistering singer and electric guitarist on stage, and she's recently spent a few years touring the world in the band of English icon John Mayall. We talk about all that and her current disc Tempting Fate, produced with Dave Alvin.
Episode 197: Bay Area rock and jam hero Tim Bluhm founded The Mother Hips with Greg Loiacono 30 years ago while still students at Chico State in California. Signed right away, they made a mark with their quirky power pop and new-world psychedelia. They've had quieter phases over the decades, but now's not one of them. The team is writing a lot and working on recordings for an indie Nashville label form their Bay Area base. The latest, Glowing Lantern, helps illuminate a fascinating conversation about one of the nation's excellent cult bands.
Episode 196: The String's spotlight on the contemporary jamgrass scene continues with a career-spanning conversation with Paul Hoffman (mandolin) and Mike Devol (bass) of Greensky Bluegrass. The band formed at local bars and breweries in Kalamazoo, MI just over 20 years ago, and they've found a groove and a rapport with their instruments and audience that most bands dream of. After winning the Telluride Bluegrass Festival band contest in 2006, they've had national reach and a huge fan base. Their brand new album is Stress Dreams.
Episode 195: Aoife O'Donovan has one of the most beautiful and nuanced voices in popular music and she's deployed it in a lot of collaborative directions. She was the voice of Crooked Still for ten years. She's joined projects by Dave Douglas, the elite Goat Rodeo Sessions ensemble, the award-winning trio I'm With Her and more. Now she's back with her first solo album in six years, Age of Apathy. Also in the hour, a radio report from Citizen Vinyl, a synergistic, community-focused business in Asheville, NC that mingles record pressing, a vinyl and art store, food and drink and a recording studio - all inside the historic home of the city's newspaper.
Episode 194: Formed in the mid 2000s in Nashville, the Infamous Stringdusters executed one of roots music's most successful pivots. Their foundation was and remains traditional bluegrass music, and they have the chops to execute the real deal at any moment. But when that audience and scene proved confining, they looked west to Colorado and the broader, wider values of the jamgrass world. After touring with the leaders in that arena, they became headliners themselves, while turning out Grammy winning recordings as well. I spoke with banjo player Chris Pandolfi, dobro player Andy Hall and guitarist Andy Falco about the odyssey of the Dusters on the eve of the band's tenth album Toward The Fray, due Feb. 18.
Episode 193: From where we sit at WMOT, Allison Russell was the artist of 2021. Her album Outside Child, our most played disc, emerged in the summer to massive acclaim and it has now been nominated for three Grammy Awards. And she was tapped to curate the Sunday closing set at Newport Folk Festival, which she used to shine a light on a dozen extraordinary African American women who've found their footing in roots music and lit up the genre with deeply individual work. That said, she's been in folk music for 20 years. So to close out 2021, Allison joined me to talk about it all. Also, Cajun music star and caretaker Joel Savoy speaks about his father Marc Savoy's new book tracing his career and contributions to the Acadian accordion.
Episode 192: Nashville-raised songwriter Aubrey Sellers returns to The String as half of the new duo Jackson & Sellers. She and Jade Jackson became Instagram friends after the 2019 AmericanaFest where they realized they liked each other's music. Then a co-writing date sparked a close friendship and a hot duo that's attracted a ton of attention and praise. Their self-titled album has country in its bones, but it rocks hard and takes advantage of the dazzling guitars of Ethan Ballinger.
Episode 191: The Charleston, SC collective SUSTO has been a vehicle for the fertile mind of songwriter Justin Osborne since 2014. The music and his lyrics have both a grandeur and an intimacy, tackling nothing less than existence. On his newest Time In The Sun, Osborne wrote epic tracks that among other things tackled the near simultaneous passing of his father and the birth of his first child. We also talk about the influence of a pivotal trip to Cuba and discovering psychedelics while a student at the Citadel military academy. Also, a tour through the fine 2021 album Ten Thousand Roses with its creator, Galax, VA songwriter Dori Freeman.
Episode 190: Veteran songwriter Bruce Robison set the pace for the alt-country/Americana format in the 1990s and wrote hit songs for George Strait, the Dixie Chicks and others. Five years ago, he widened his scope and formed The Next Waltz, a studio sessions oriented video channel and nascent record label. Now TNW has released its first full album by a solo songwriter, and that's Tony Kamel, ten-year founding member of string band Wood & Wire. In a split hour, I speak with Tony about his life around the Gulf Coast and his work with Bruce on the album Back Down Home. Then it's a catch up with Robison about his vision for The Next Waltz.
Episode 189: Phoebe Hunt established herself on a national stage playing for years with her former band the Bellville Outfit out of Austin. Since pursuing a solo career in New York and now Nashville, she's come into her own as an artist with a highly developed global and spiritual perspective, expressed on the recent albums Shanti's Shadow and Neither One Of Us Is Wrong. She's also advocated for music as therapy and self-actualization through TED talks and a non-profit. This is an enriching talk about music's role and about some great new sounds. Also, I interview Dr. Ted Olson of ETSU about his liner notes for a new career-spanning Doc Watson anthology.
Episode 188: Doyle Lawson has been mingling the holy and the down home in his blistering traditional bluegrass over a career on the road stretching back just shy of 60 years. Now at 77 he's stepping away from touring and the album cycle, leaving us with the swan song album Roundtable. In a career-spanning conversation we talk about getting hired by Jimmy Martin at age 18, about the supergroup Bluegrass Album Band, about forming and leading his band Quicksilver, and about his observations, as a conservative Christian, of efforts to diversify bluegrass music.
Episode 187: John Sebastian is most famous as the founder of and songwriter for the Lovin' Spoonful, which produced a fresh crop of folk rock hits in the late 60s. But there's much more to his story. In a full hour conversation, Sebastian talks about learning music in Washington Square in the 50s, about the great song "Nashville Cats," about Woodstock and his time with NRBQ. His most recent project was to team up with guitarist Arlen Roth to reinterpret great songs from the Spoonful catalog. John is a great storyteller and I loved this encounter a lot.
Episode 186: Formed as a showcase for women in string band music in 2009, Della Mae has seen lineup changes but no drift in its mission to create a new bluegrass and neo-folk sound full of ideas and heart. This episode, founding member Kimber Ludiker and decade-long vocalist Celia Woodsmith tell the story of how the band worked together at a distance during 2020 and then came together in a cathartic run of sessions that became the new Family Reunion. Also, Boston's imaginative, daring Twisted Pine speaks to me at the World of Bluegrass.
Episode 185: Tim Easton is one of the most interesting guys in the Americana troubadour game. He grew up split between Akron, OH and Tokyo, Japan. He busked all over Europe for years as he formed his identity as a performer and songwriter. His albums on New West in the early 2000s are classics of folk rock, and he's also powerful as a solo artist, as you can hear on the one-take direct-to-analog tracks of Paco And The Melodic Polaroids. His newest, You Don't Really Know Me, takes us inside his story and his heart more directly than most of his prior work. This is a fun, wide-ranging talk from his new home in Madison, TN with plenty of music from the new album.
Episode 184: AmericanaFest returned to the clubs and yards of Nashville with a slimmer but spirited 2021 edition. Those able to come found community, diversity and great performances. I caught up with five showcasing artists to check in on their new projects and their take on today's roots scene. Included: blues veteran Sue Foley, LA protest folk artist Chris Pierce, Colorado songwriter Emily Scott Robinson, new Austinite roots rocker Suzanne Santo and folk duo Golden Shoals.
Episode 183: He's the most gifted and innovative banjo player of all time and one of the architects of an American string band jazz tradition that's influenced generations of bluegrass musicians. And now after two decades of varied explorations in classical, world and fusion music, Bela Fleck has circled back to the music that captivated him as a teenager. My Bluegrass Heart is an epic 19-track double album featuring the finest acoustic pickers of our time and the completion of a trilogy of albums that began in 1987. Also in the hour, a report from the 20th anniversary Bristol Rhythm & Roots Reunion.
Episode 182: To spotlight the 2021 AmericanaFest, returning after a year off, I reached out to two of the most interesting artists showcasing during the week. Sierra Ferrell is a rambling free spirit from West Virginia who found her way to Nashville and its new era honky tonk scene way off of Broadway. Rounder Records heard her arresting old-world voice and feel for songs and signed her to a deal, and her debut is remarkable. Live, she's a brilliantly energetic and unusual singer songwriter. From the other end of the country music spectrum comes newcomer Brittney Spencer, who deftly rides the line between the commercial mainstream and roots. From the Opry stage to the ACM Honors live broadcast, she's knocking Nashville out.
Episode 181: It’s a jangle pop special with two bands of brothers who are back on record after two-decade breaks. The Delevantes, Bob and Mike, are pioneers of Americana, chart toppers when the format was born thanks to their Everly Brothers harmony and country twang. Their enchanting new album will be called A Thousand Turns. Also in the hour, also with a brother named Mike, Raleigh, NC band The Connells on their work with REM producer Mitch Easter then and now. They take me back to turning 19 in Chapel Hill when my world was defined by southern college radio rock and roll.
Episode 180: When Maggie Rose held her album release party in late August for her third album Have A Seat, she filled one of the city's largest music halls with wildly enthusiastic fans, testimony to her 13 years of work and resilience and acclaim. She's a bold and emotive singer who has forged a unique fusion of roots, soul and pop, and her recording sessions at FAME Studio in Muscle Shoals picked up just the right amount of vintage vibe. We get to know an artist who will surely be on ever bigger stages as the coming years unfold. Also, a legendary voice from country music, as I catch up with Opry star Connie Smith on the release of her new project, The Cry of the Heart.
Episode 179: He goes by "Ferg" and he's one of the most interesting and influential creative forces in Nashville, whether you've heard of him or not. David Ferguson grew up in town, connected as a teenager with the great producer Cowboy Jack Clement and learned the mystic arts of recording and producing records. He engineered Johnny Cash's iconic comeback albums with Rick Rubin. He's worked the board or produced for John Prine, Sturgill Simpson, Margo Price and recently become a creative partner at Dan Auerbach's Easy Eye Records. Now he's made an album of his own, featuring easy country arrangements of classic and favorite songs. He's the most interesting man in Music City.
Episode 178: East Nashville's J.P. Harris has been a train-hopper, a logger, a shepherd, a honky tonker and a historic home carpenter. Indeed he was getting up from this early morning interview to work on an old home. It's a mix that makes him the most interesting man in roots music. And now, he's turned his attention back to the music that first drew him into country, old-time fiddle and banjo ballads. His new album Don't You Marry No Railroad Man brings a fresh reading to some ancient songs and a vivid partnership with album producer and fiddler Chance McCoy. This was a remarkable conversation.
Episode 177: This year marks the 30th anniversary of Jim Lauderdale's solo debut album Planet Of Love, but he was a veteran even then of the burgeoning alternative country music scenes in New York and Los Angeles. In his Nashville decades, he's been cherished as a leader and spokesperson for Americana music, a very successful hit songwriter, a collaborator with giants and an artist who just kicks out incredible album after album. In this laid back conversation, Jim talks about how his first album came to be, how he pursued a long-running writing relationship with the legendary Robert Hunter and his new album Hope.
Episode 176: Parker Millsap burst on to the folk and roots scene in 2014 out of Oklahoma with a voice beyond his years and a bold way with drawing characters from the American heartland. Raised in the Pentecostal church, he's a rare Americana singer comfortable with celebrating and critiquing the faith community that shaped his picture of humanity. On his newest Be Here Instead, Parker turns his lens more inward and in a season of socially conscious music, delivers a musically ambitious set of songs about more conventional terrain - life and love. Also, a visit with Leah Ross, director of the Birthplace of Country Music Museum and the Bristol Rhythm & Roots Reunion, one of the major festivals taking place in crowded, historic return to live music in America this fall.
Episode 175: Tim O'Brien is one of several roots music icons who've circled back for a second visit to The String in recent weeks, and that's a great thing. His band Hot Rize dominated bluegrass in the 1980s and since the 90s he's been a dynamo of songwriting, ensemble playing, recording and collaborating. The latest project He Walked On finds Tim reflecting on the accelerated, unnerving world unfolding out his window during the pandemic with his signature mix of old-time tradition and contemporary songwriter sensibility. Also, an introduction to Nashville bass player Geoff Saunders, an academy trained jazz artist and composer out with his debut as a band leader.
Episode 174: Amythyst Kiah grew up in East TN and discovered traditional folk music at college there. Drawn to its heritage and its sound, she launched her career as a solo singer of original and traditional songs on guitar and banjo. Her low-timbred voice reminded me in her growth years of Odetta. Frustrated with her trajectory, she nearly quit but was revived by the support of folk star Rhiannon Giddens and included in the acclaimed project Our Native Daughters. Now, on her label debut Wary & Strange, Amythyst forges a personal sound that is earthy and epic at the same time. And through songs like "Black Myself," she's changed the conversation about African American voices in contemporary folk and country. Also, a visit with Jody White about his role in the posthumous album Smoke From The Chimney by his late father Tony Joe White.
Episode 173: It takes a bold woman to cover "Only Daddy That'll Walk The Line," but Shannon McNally has been fearlessly facing down naysayers in the music business for 20 years. Nashville based after turns in LA, New Orleans and Mississippi, she's one of the most underrated roots singer songwriters in roots music, with a deep catalog and numerous distinguished collaborations to her name. Her lifelong love of Waylon Jennings inspired her at last to round up a band and cut songs by him or inspired by him, and the collection is getting raves. Also I speak with Oliver Wood, the guitar playing, songwriting half of the Wood Brothers, about his first-ever solo release.
Episode 172: A sense of place pervades this split show featuring two of the most fascinating and accomplished voices in Americana music. Amy Helm is a veteran singer but a relatively new solo recording artist having released her third LP 'What The Flood Leaves Behind.' We talk about the aura and sound of her late father Levon Helm's Barn and how she keeps discovering new things there. Rachel Baiman came to Nashville from Chicago for college and made a name as a fiddler in the duo 10 String Symphony. Her solo albums are crystalizing a new indie roots sound with great songwriting. We talk at her home, a charming cabin thrust over the Cumberland River in Madison TN. Her new album is 'Cycles.'
Episode 171: Founded by an irrepressible enthusiast in his very early twenties, Alligator Records grew into the most authoritative and wide-ranging label chronicling urban blues in the US. That man, Bruce Iglauer, owns and runs the label to this day, having released hundreds of albums on artists such as Albert Collins, Koko Taylor, Roy Buchanan, Lonnie Brooks, Edgar Winter, James Cotten, Curtis Salgado, Marcia Ball, The Holmes Brothers and newest star Shemekia Copeland. The hour features Iglauer in conversation, guest appearances by Copeland and artist Selwyn Birchwood, and selections from the new anthology '50 Years Of Genuine House Rockin' Music.'
Episode 170: They're both Nashville icons but they'd rarely worked together until now. John Hiatt is a songwriter's songwriter with a voice that's made him a roots music star. Jerry Douglas is the most in-demand dobro player in the world. Both are recipients of Americana Lifetime Achievement Awards. When the idea to record together was hatched, Jerry brought his ace band to RCA Studio B where he and John crafted a gorgeous set of songs under the title Leftover Feelings. When the chance came up to sit down around a table with these amazing artists (and former String guests by the way), it was a no-brainer.
Episode 169: He's known worldwide as a consummate virtuoso on the fiddle and the violin, but Mark O'Connor's first instrument was actually the guitar. After starting his music life with classical and flamenco style lessons, the Seattle teen branched into traditional fiddle and acoustic guitar. After making the groundbreaking Markology when he was 16, O'Connor realized he had bursitis in his elbow and he gave up the guitar to save his fiddling. After more than 40 years winning Grammy Awards and making waves in country, bluegrass, jazz and classical music, O'Connor picked up the guitar again and made a series of recordings that became the new Markology II. We talk about the long journey back. Also, mandolinist Joe K. Walsh, one of the many alums of O'Connor's famed, scene-making fiddle camps, talks about the new acoustic scene today and his new quartet album.
Episode 168: By the time 2020’s pandemic shroud covered the land and stilled its musicians, Oklahoma songwriter Samantha Crain knew all too well about incapacitation. In 2017, touring behind her album You Had Me At Goodbye, she was involved in three car accidents in three months, leaving her hands nerve damaged and debilitated, threatening her career. So the brisk and bright tone of her new EP is reassuring. Her shapely, idiosyncratic voice is still very much with us. “I’m feeling good,” she says. “I feel like I catalogued a lot of tricks of survival, due to dealing with the various physical and mental health struggles that I had gone through in 2018.”
Episode 167: I met Casey Driessen almost 20 years ago when he was new to Nashville, fresh off a music degree from Berklee in Boston and full of new ideas about bluegrass and American fiddling. He became a key sideman for folks like Tim O'Brien and Darrell Scott. As a composer and arranger he made several solo albums and then refined a truly solo approach with looping pedals. He's become a cutting-edge authority on the innovative bow "chopping" technique that all up and coming fiddlers have to learn now. His latest record documents nearly a year of global travel with his family, meeting other musicians and cooking up tunes and sessions captured in the album and multi-media work "Otherlands."
Episode 166: Still waters run deep with Nashville's Mando Saenz. He's cool and contemplative in conversation, while songwriters tell you he's a fountain of ideas in the writing studio, where he spends most of his time. The Texas native got his start in Houston and early tours with Hayes Carll. Fate brought him to Nashville where he's written and recorded since the mid 2000s for the innovative Carnival Music. He's especially close to Jim Lauderdale and Kim Richey and his songs have been recorded by Miranda Lambert and Lee Ann Womack, Midland and many more. His fourth album for the label and his most musically adventurous is All My Shame. Also a fun chat with Andrew Nelson and Blount Floyd, founders and co-leaders of the roots rock band Great Peacock.
Episode 165: Growing up in the Pacific Northwest in the 1960s, Curtis Salgado fell down the rabbit hole of Deep South blues, jazz, soul and R&B and knew it would be his life's work. Now in his mid 60s, he looks back at a life full of happy accidents, earned admiration, survival and awards, including the BB King Entertainer of the Year prize. His new album on Alligator Records is Damage Control, a study in existential poise. Also in the hour, a key Nashville musician who led some of the sessions on that album, piano and organ player Kevin McKendree. He's toured the world with Brian Setzer, Delbert McClinton and more, while writing and producing soul/blues in Music City.
Singer-songwriter Garrison Starr grew up in Mississippi, made rock and roll out of Memphis and got signed in her late teens to a major label deal where her song "Superhero" took her to the charts and major tours. Heady success, except it was upset by the traumas and betrayals of being outed as gay in college and a conservative culture that exiled her. Now, with a dozen albums to her credit and a successful songwriting career in Los Angeles, she revels in her growth and forgiveness on the new album Girl I Used To Be. Garrison is a fantastic talent with deep Nashville ties, and the story of how this personal album got written will surprise you. Also, I meet Nashville-based, English-bred newcomer Lilly Winwood, who's seen the music industry from the bottom and the top.
Episode 163: It's been a year since the music industry slammed to a halt due to Covid-19. Performing artists had to adjust financially, logistically, emotionally and more. Now with a year's hindsight, The String sought out a sampling of roots musicians to hear how they coped. Many found unexpected gifts. Some started new businesses. Everybody learned a lot about themselves and their field. Featured: Kyshona Armstrong, Jill Andrews, Tim Easton, Robert Greer, Molly Tuttle, Rob Ickes, Doug and Telisha Williams, Garrison Starr, Sarah Jarosz, Suzanne Santo and Jerry Pentecost. With music by all.
Episode 162: From his breakout days as guitarist for Commander Cody and his Lost Planet Airmen to his four-decade career as a bandleader, songwriter and recording artist, Bill Kirchen has been a badass hero of Americana music. His dextrous and dazzling Telecaster picking may get the most attention, but he's a clever and insightful songwriter who knows how to put on a memorable show. The String is officially lobbying for an Americana Lifetime Achievement Award for the Ann Arbor MI native. I reached Bill at home in Austin to talk about his career and the fine 2020 anthology of his three albums with Proper Records. It's a blast.
Episode 161: Bluegrass has an instrumental tradition going back to its Bill Monroe origins and its old-time forebears. Over time, the playing and composing became more refined and exploratory. This show features three young masters of contemporary acoustic music who've released all-instrumental albums in recent months. I speak with Wes Corbett, banjo player currently with the Sam Bush Band, Jeff Picker, bass player for Ricky Skaggs and Kentucky Thunder, and Andrew Marlin, half of the married duo Mandolin Orange. They talk about their new recordings and about the path that led them to write and record without words.
Episode 160: Women with roots - in jazz is the heart of this hour. Jenny Scheinman is one of the leading jazz violinists working today, yet her musical life began grounded in folk music and she's been a prolific contributor to records and tours by the likes of Rodney Crowell, Robbie Fulks, Ani DeFranco and others. Her many collaborations with guitarist Bill Frisell have produced sublime fusions of folk, country and jazz. And Jenny has released two acclaimed songwriter albums as well. Now she's leading a band with drummer Allison Miller. You'll hear samples from that catalog as we speak about a unique life in music. Also in the hour, Nashville's Kandace Springs talks about getting mentored by Prince, landing a record deal on Blue Note and making a new album with heroes like Nora Jones and Christian McBride. We've posted a feature about her here.
Episode 159: Tennessee snuggles up against North Carolina at the apex of the Appalachian Mountains, together making a mid-South band from the Atlantic to the Mississippi River. It also defines possibly the most musically consequential pair of states in the nation. In a new history, veteran Raleigh journalist David Menconi describes NC music from Charlie Poole to the Avett Brothers and beyond. After a talk with him, we dive in with one of the most important and admired talents of our time from the state, songwriter M.C. Taylor who plays as Hiss Golden Messenger. His album Terms of Surrender is up for an Americana album Grammy Award.
Joachim Cooder has pursued his musical life as drummer, percussionist and family man, staying near and working regularly with his father, blues/roots guitarist Ry Cooder and his songwriting wife, among other scattered projects. In recent years though, his writing/composing side has fully emerged, and his debut on Nonesuch Records 'Over That Road I'm Bound,' featuring modern interpretations of Uncle Dave Macon songs, was one of the most unique and beguiling albums of 2020. We speak from his Los Angeles home. Also, Nashville writer/producer Daniel Tashian talks about his generation-spanning collaboration with the legendary Burt Bacharach.
Episode 157: The bluegrass and acoustic music world saw Sarah Jarosz coming. As she grew into her teens, artists and talent scouts knew of this young phenom from Wimberly, TX who excelled on banjo, mandolin, singing and songwriting. She got signed at 16 and launched a Grammy-decorated recording career soon after. Now her latest album World On The Ground, about loving and leaving her home ground, is up for two more Grammys. We have a wide-ranging conversation. Also, an introduction to Nashville's exciting emerging country artist Brit Taylor. Working with Dan Auerbach and Dave Brainard led to the lovely Real Me album.
Episode 156: Banjo innovator and string band visionary Tony Trischka has kept his eyes on the future over a fifty year career, but on a new album he looks to our uneasy past. Shall We Hope is a song cycle about the Civil War and its aftermath, featuring a cast of elite collaborators such as Maura O'Connell and Guy Davis. We talk about how the project came together over more than a decade and about Tony's rich career from his funky band Breakfast Special and teaching Bela Fleck to his work with Steve Martin. Also, another stringed instrument visionary is 33-year-old Jordan Tice of Nashville. The Hawktail guitarist has a new album of solo songwriting and guitar rags in the tradition of John Fahey.
Episode 155: Journalist and author Peter Guralnick is regarded by many as America's premiere chronicler of roots music. Besides his influential profiles, compiled into classic volumes in the 1970s and 80s, he wrote magisterial biographies of Elvis Presley, Sam Cooke and Sam Phillips. His newest collection, Looking To Get Lost: Adventures In Music And Writing, revisits some of his longtime subjects and adds some important new ones in a work that reveals more about the writer himself than anything he's published so far. Peter is a literary hero of mine, so this was an exciting conversation.
Episode 154: 2020 will go down in infamy but one happy occasion this year was the 95th anniversary of the Grand Ole Opry, the longest-running broadcast show in American history and the anchoring force that helped Nashville become Music City. In August of 2019, Dan Rogers was named Executive Producer of the show, putting him in a lineage that stretched back to George D. Hay. And in old school WSM fashion, they hired someone nurtured by the show. Rogers came aboard as an intern in 1998 and rose through the ranks of Opry marketing. In a wide-ranging talk, Rogers addresses what he learned along the way, how the Opry programs talent and how they handled crises like the 2010 Nashville flood and the 2020 pandemic.
Episode 153: Two great roots songwriters at different stages of their careers. Brent Cobb is a laid-back Georgian who got his first chance to record through his cousin Dave Cobb but who earned his stripes in Nashville and beyond thanks to his sensitive eye and relatable way with a lyric. He's released his fourth album Keep Em On They Toes. Dave Alvin is an icon of Americana who translated a musically rich upbringing in southern CA to a world-hopping career with the Blasters and his own unmistakable roots rock sound. His new album is a collection of side-project recording sessions cut for fun of songs he loves.
Episode 152: As recently as five years ago, Nashville's Margo Price was having trouble making ends meet after many years of "playing dives trying to stay alive" as she says in her new song "Twinkle Twinkle." But as that song also documents, she hit on the right sound with the right team. Third Man Records released her debut album in 2016 and it's been a remarkable ride ever since. By her side the entire time has been her husband, co-writer and bandmate Jeremy Ivey. I got a chance to talk to them together about the new music both of them released in the strange days of 2020.
Episode 151: The Steep Canyon Rangers emerged from the collegiate scene in central North Carolina around 2000 with a traditional sound that started winning them awards. Over 20+ years, they've broadened and deepened their sound through 13 albums on their own - including a bluegrass Grammy winner - and three with Steve Martin. Now they've released three very different albums in a calendar year, displaying range and mastery. In this hour, conversations with singer/guitarist Woody Platt, fiddler Nicky Sanders and banjo player/songwriter Graham Sharp. The new studio album is 'Arm In Arm.'
Episode 150: As a teenager, Philadelphia native Ray Benson fell hard for traditional American roots music and by 1970 he'd become the founding leader of a nimble, road-rambling band called Asleep At The Wheel. After a stint in California, they found their natural home in Austin TX and became icons of the scene there, while reaching the world as modern day masters of western swing music. This Fall, Austin City Limits aired a special featuring performances by the band from its very first show in 1976 until present day. We talk about an iconic 50 year career in country music.
Episode 149: Randall Bramblett is a powerhouse journeyman and veteran of southern roots and soul music, with a dense and deep resume working for others, from the Allman Brothers to Widespread Panic. But between his stints as a sax player, keyboardist, singer and songwriter he's released more than ten albums as an artist, and his fans know them to be a blend of sharp writing, a sensuous voice and spicy beats and ambience. The newest is Pine Needle Fire on New West Records, Bramblett's loyal home since 2001. Also in the hour, a visit with Nashville's Brennen Leigh about her nostalgic thematic album Prairie Love Letter.
Episode 148: Dirk Powell has build a Grammy-winning career by standing out in all aspects of folk and roots music. He's an outstanding fiddler and banjo player, a singer and songwriter, a curator and producer. And he's made marks in three related realms of music - Appalachian, Cajun and Celtic. Now the Louisiana-based Powell has turned back as he periodically does to recording his own music, and he's released When I Wait For You, a rangy album of songs that dip into new territory. Also, as we say farewell to our latest theme music, I meet the artist behind it, Scottish harpist Maeve Gilchrist.
Episode 147: As a literal child of the 1970s country outlaw movement, Waylon Payne had access to opportunity and temptation, and for most of his 48 years, temptation won. While immensely talented as a singer, songwriter and actor, he struggled with some harsh drug addictions and personal trauma. On the new album Blue Eyes, the Harlot, the Queer, the Pusher & Me,Payne chronicles his crash, his recovery and his return to the functioning world with incredible candor and grace. He's an extremely forthright conversationalist too. Also, a catch up with Ben and Dorothy of The Danberrys, a married duo from Nashville who've been through a journey of recovery of their own.
Episode 146: Wendy Moten is one of Nashville's most versatile and accomplished singers. She's been a solo R&B artist, a jazz singer, a duet partner with Julio Iglesias and a road vocalist with Martina McBride and Vince Gill. But lately she's taken on a storied role, singing lead with Nashville's extraordinary western swing band The Time Jumpers and she's released a new album of classic country covers. How a preacher's daughter from Memphis became a country artist with a meaningful platform is a great story. Also, the duo Granville Automatic brings a powerful sense of history and narrative to their eclectic, catchy songs.
Episode 145: Elizabeth Cook was welcomed with celebration into the Nashville country music fold in the early 2000s, because of her charm, her fascinating story and her bracing traditional country songs and songwriting. She's become an Americana star in these intervening years, but she had some rough times in the 2010s. Now back with the album Aftermath, she's on solid ground and reflective about a creative life with ups and downs. While Cook has played the Grand Ole Opry more than 400 times, Jeannie Seely has been on the show steadily since 1967. We catch up with the beloved veteran as she releases An American Classic at 80 years young.
Episode 144: New Grass Revival showed the world new ways of playing and thinking about bluegrass music between 1972 and 1989. Founded and led by fiddler, mandolinist and singer Sam Bush, two different lineups reached new audiences, interpreted and wrote important repertoire and ushered in today's modern and very popular jamgrass scene. The String talks with Bush and the rest of the 1980s lineup, banjo player Bela Fleck, singer and bass player John Cowan and singer, guitarist Pat Flynn in a special episode on the even of NGR's induction into the Bluegrass Hall of Fame.
Episode 143: Matt Rollings says his role as the leading studio piano playing sideman in Nashville from the late 1980s onward made it hard for him to forge his own taste and sensibility as an artist. Now that he's slowed that work and broadened his projects, he's made his first album as a leader in 30 years, Matt Rollings Mosaic, with a bunch of friends and collaborators who happen to be superstars, including Alison Krauss, Lyle Lovett and Willie Nelson. Our talk covered the fascinating ways and means of the A Team Nashville session players and much more. Also in the hour, emerging singer songwriter Shannon LaBrie, who's about to release an album produced by the guy who brought us The Judds and SHEL among many others.
Episode 142: Ah, to be 25 again. Old enough to have a direction. Young enough to not know or care that the road ahead is steep and hard. This week, two remarkable emerging artists who've put in a quarter century and found unique pathways. Daniel Donato landed a plum guitar gig in downtown Nashville at age 16 and now he's building a new world of twangy jam with his debut LP 'A Young Man's Country'. Jake Blount is re-defining old-time music with banjo and fiddle out of his DC base. His anti-racist push is forcing bluegrass and Americana to investigate its origins and its audience. His new album Spider Tales is a showcase of the Black roots of our shared music.
Episode 141: Two guests this show who both have careers straddling Nashville's hit-driven Music Row and art-driven Americana scenes. Heidi Newfield had a run of country hits in the 2000s w a band and as a soloist. Now she's reinventing and going gritty with her songwriting and blues harp on her first new album in more than a decade, The Barfly Sessions, Vol 1. Mac McAnally is a legend on the Row - a Hall of Fame songwriter and a 10-time CMA Musician of the Year. His own music displays real independence and countless skills as a singer, writer and producer. His new one is called Once In A Lifetime.
Episode 140: Chuck Prophet is a lifer who at 57 says he's just getting the hang of it - it being crafty, intelligent songs that feel good even when they're downers, songs that rock and twang in balanced proportions. Since going solo after a decade with the psych garage band Green On Red, Prophet has given us a vast body of work that sits easily on the shelf next to Rockpile, Elvis Costello or Tom Petty. Now he's releasing a reflective, sardonic and political album called The Land That Time Forgot. From retooling his solo sound to his long partnership with spouse Stephanie Finch, there was a lot to talk about.
Episode 139: Reaction to Joshua Ray Walker's debut album was as strong and swift as any to come along in country music and Texas songwriting in quite a while. But the Dallas native had been working stages nightly for ten years by the time the world paid attention. He was ready to follow up fast and he did so to great acclaim on 2020's Glad You Made It. This self-assured, thoughtful artist has a lot to say. Also in the hour, we meet Australian emigre to Nashville Emma Swift, whose new collection of Bob Dylan covers is quite special.
Episode 138: Adia Victoria taps the lineage and resolve of the early Blues queens with a sound made for the now on her 2019 album Silences. Her journey from South Carolina to Atlanta and then to Nashville reads like no other artist of recent memory and she works hard to set herself apart from the institutional trappings of the indie music business. Critically acclaimed and sharply thoughtful, this made for a fascinating and challenging conversation.
Episode 137: Raleigh NC's Chatham County Line started at the dawn of the new millennium in a surge of passion for bluegrass music, with an old-school look and feel. Now at 20 years old, they've made only one very recent personnel change and refreshed their concept as a post-modern string band with drums. The new album Strange Fascination displays far-reaching vision and a warm cohesive sound, riding on the unique songwriting voice of Dave Wilson. Dave and co-founding multi-instrumentalist John Teer join me for a retrospective conversation, featuring music from their past and present.
Episode 136: Just beyond the fuzzy boundaries of roots and Americana music, we find Brooklyn Based singer-songwriter Becca Stevens. And I hope you have found her. With a complex musical language drawn from folk, jazz, classical and pop, her output is searching, challenging and ever-evolving. A graduate of the NC School of the Arts and the New School in New York, she leaps from American public radio to European tours to collaborations with the likes of Jacob Collier, Snarky Puppy and recently folk icon David Crosby. She is among my favorite artists working today, so I sought out an interview, and I was excited and loaded with questions when she said yes. Her newest album is the shiny and electric Wonderbloom.
Episode 135: With ten albums and 20 years under his belt as one of the finest and wittiest songwriters working the Western end of country music, Alberta's Corb Lund is on his way to legendary status in Rocky Mountain cowboy-inspired songwriting. His newest is Agricultural Tragic, a 13 song collection that evokes the characters and colors of his home region. Also in the hour, Henry Hicks talks about Black Music Month and Black Lives Matter. Henry is the CEO of the National Museum of African American Music, opening this Fall in Nashville.
Episode 134: In an era where women are marginalized on country radio, Brandy Clark is at the top of most people's list of women who should be on the air a lot more. She's written hits for others on Music Row, but her own records are beautifully produced and full of insight about people and humor that would have tickled Roger Miller. Clark's shared a Grammy Award for writing Kacey Musgraves' "Follow Your Arrow" and earned numerous nominations as an artist. Her latest is called Your Life Is A Record. Also in the hour, the prophetic and passionate folk and protest music of Eliza Gilkyson who focused on what she knew would be a pivotal year in history, producing the album 2020.
Episode 133: David Bromberg is one of the most fascinating and multi-faceted figures in roots music, a pioneer of the Americana idea decades before the term came into being. In the 1960s New York folk revival, he was a guitar player and multi-instrumental sideman who specialized in the blues. Then as an artist on Columbia Records, he made dazzling varied roots albums while supporting stars like Bob Dylan and Jerry Jeff Walker. He took nearly 20 years off the road to become the nation's pre-eminent expert on American violins, and now at 74 he divides his time between his Wilmington, DE violin shop and recording and touring. We complete our hour of blues with Clarksdale, MS phenomenon Christone Kingfish Ingram.
Episode 132: The timing was right to split the hour between two exceptional emerging artists making hard country music in the outlaw tradition. As you'll hear, Jesse Daniel and Jaime Wyatt have lived the life, paid the price and processed their pain and redemption in song. Both are products of the West Coast and both have dug deep into their own stories. Many are sizing up Daniel's 'Rollin' On' and Wyatt's 'Neon Cross' (produced by Shooter Jennings) as among the cream of 2020. These are candid, complimentary conversations.
Episode #131: Two of the most exceptional and provocative songwriters of their respective generations take on America's political divide and inject some radical empathy in the red/blue schism. Steve Earle addresses coal mining from the heart of a state that didn't vote like he does in Ghosts of West Virginia. BJ Barham caps off 15 years of leading American Aquarium with the amazing Lamentations, which debuted atop the Billboard Americana chart. This is a timely and complimentary pair of conversations.
Episode 130: She's a daughter of Grand Ole Opry royalty, but Pam Tillis found her own way to the music business and the top of the country charts in the 1990s. She's long been one of Music City's most independent-minded major leaguers, and she shows it on Looking For A Feeling, her first album in more than a decade. She works with some of Nashville's most creative musical minds too. Also in the hour, highlights from a 2008 interview in which we remember the timeless voice and humor of Joe Diffie, who died in March after contracting Covid-19.
Episode 129: Lilly Hiatt put in a lot of work at the local and regional level, including releasing two albums, before her third, Trinity Lane, met the moment and became a breakout work. So a lot of ears were lifted toward her 2020 release of Walking Proof, and it was quickly acclaimed as punchy, vivid and memorable. We talk about going on the road with her dad songwriter John Hiatt back in the day, the deserved success of Trinity Lane and new musical directions. Also, a get-acquainted talk with Nashville-born, rocking country songwriter Gabe Lee.
Episode 128: Katie Pruitt has been known as a phenom ready for big things in Nashville for a few years now. With patience and enough maturity to get the music exactly as she intended, Pruitt has now made her debut on Rounder Records. The album Expectations is a bold, ambitious and succulent collection, and vividly honest as well, with songs documenting a difficult journey from a conservative family in Georgia to a proud out gay woman in Music City. This is a 25-year-old singer, songwriter and guitarist poised for big things. Also in the hour, the journey of Arkansas born fiddler Jenee Fleenor. She was named CMA Musician of the Year and she's releasing her first recordings of her own music after years supporting others.
Episode 127: Paul Burch moved from Indiana to Nashville in 1994 when his friend Jay McDowell (BR549) told him about the burgeoning indie country music scene on sleepy Lower Broadway. In the 25 years since then, Burch has made uncompromising and original music with shades of classic honky tonk and timeless rock and soul. Here we talk about his role in the fascinating band Lambchop, the evolution of his band the WPA Ball Club and his new album Light Sensitive. Also in the hour, German-born bluegrass songwriting star Thomm Jutz.
Episode 126: This Spring, many of the outstanding women of roots music have released new albums, and here we catch up with two of them. Jessi Alexander, native of Jackson TN, moved to Nashville at 18 and landed songwriting and record deals. She's a hitmaker behind the scenes who rarely surfaces with her own heartfelt country music, but she sure does so on Decatur County Red, anchored in stories of her Tennessee coming-of-age. Jill Andrews is more urbane and silky in her sound, but the personal journey she shares on the album and book Thirties is full of challenges and the clarity that comes with time and triumph.
Episode 125: Recording producers are often the best people to speak with to gain extra insight into what makes some music more effective than others. And that's what we do this episode with two Nashville leaders with very different stories. Rick Clark came of age in Memphis and moved to Nashville in the 90s. He's been a DJ, a compilation curator and a music supervisor for film and TV. He's also getting back into songwriting and recording his own music. Neilson Hubbard is a key player in the modern Nashville music scene, with albums to his credit by Mary Gauthier, Gretchen Peters, Nora Jane Struthers and Matthew Perryman Jones. His own band of late is called the Orphan Brigade.
Episode 124: Caleb Caudle grew up in rural North Carolina outside of Winston Salem, captivated by music far beyond what his school peers cared about - English punk, folk music and Bob Dylan among them. Since entering the fray as a singer songwriter in the mid 2000s, he's released seven studio albums, with a brand new one on the way later this week. Better Hurry Up was cut in 2019 just days after the artist and his wife moved to Nashville. A crack band set up at the Cash Cabin in Hendersonville, surrounded by the spirit of Johnny and June. Great things resulted. Also in the hour, bass playing sideman turned impressive singer/songwriter Adam Chaffins.
Episode 123: Ron Pope is a case study in good indie art and commerce. He's an admired songwriter with an avid following for his cathartic, detail-laden songs and his range across a bunch of roots and rock and roll genres. Over more than a dozen albums, he's steered his own ship in a business partnership with his wife/manager and their Brooklyn Basement Records. The newest project is the sweeping album Bone Structure. A Georgia native, he got his career moving in New York and then moved to Nashville, where he's raising a daughter and keeping the songs flowing. Also in the hour, a radio field trip to Nashville's shrine of analog recording, Welcome To 1979.
Episode 122: Living the road life makes for tight musical couples. And in this split episode, I speak with a new mom who tours and duets with her husband and a couple that's been touring for a decade on their own and as side musicians. Nora Jane Struthers just released her fifth album, celebrating her full life, Bright Lights, Long Drives, First Words, and says it includes "Good Thing," the best song she's ever written. Then it's The Mastersons, both of them, as Chris and Elanor talk about meeting, becoming part of Steve Earle's band and maintaining an identity as an Americana duo. Their new project is No Time For Love Songs.
Episode 121 is a field trip to Asheville, NC, which Rolling Stone last year touted as one of the best music scenes in the country. We who visit regularly already knew that, and this week's show surveys the talent and the institutions making the region important in roots music and beyond. Featuring Amanda Anne Platt of the Honeycutters, Echo Mountain Studio, WNCW radio, Crossroads Music, Sarah Siskind, Morgan Geer and more.
Episode 120: Vince Herman and Drew Emmitt met in 1985 on Vince's first night in Boulder, CO and formed a lifelong musical bond. With banjo player Mark Vann they merged two bands into one and became Leftover Salmon at the dawn of 1990. And in the 30 years since they've earned the respect and partnership of the highest levels of the bluegrass and acoustic world while playing music that's as adventuresome as it is laid back. Herman and Emmitt marked the anniversary with a duo acoustic tour. Craig caught up with them at Nashville's City Winery for a wide ranging talk about their years together.
Episode 119: Four virtuoso string band musicians well known for their work with other bands are taking instrumental acoustic music to new heights in the band Hawktail. They are fiddler Brittany Haas, bassist Paul Kowert, guitarist Jordan Tice and mandolinist Dominick Leslie. And they recently landed on the Grand Ole Opry on release weekend of their second album Formations. Also, the delightful and clever throwback country duo of Noel McKay and Brennan Leigh. They've moved from Austin to Nashville and put out a masterful album of timeless songwriting.
Episode 118: Marcus Finnie is one of Nashville's most admired drummers, with a background spanning gospel, roots, pop and jazz. Mabel Pleasure is a lifelong Hammond organ player who rocks Sunday morning church services and the occasional R&B gig. And she's also Marcus's Mom. The String sits down with a musical family that's come from Memphis to Nashville and contributed to a brighter Music City. Marcus has a new album as leader of his jazz band. Mabel is about to make her lifelong recording/singing debut on album. And we talk about much more besides.
Episode 117: Often when songwriters talk process, we hear the same few nuggets about craft on repeat. Nashville Songwriters Hall of Famer Beth Nielsen Chapman though has a deeply considered take on the art form and the personal work and qualities of mindfulness that truly unlock creative potential. Her workshops and lectures are in demand. And coming in 2020 she launches The Song School, a podcast that will include her wisdom and critiques of real songs in real time. Here, she invites Craig into her home studio to talk about her success as an artist and writer for others (Willie Nelson, Tanya Tucker, Faith Hill, Trisha Yearwood and many more) and how she keeps the flame lit.
Episode 116: Fiddler, songwriter, singer, bandleader and folk music scholar Michael Doucet is synonymous with Beausoleil the neo-traditional Louisiana band he co-founded 40+ years ago. But this artist relishes collaborations and his upcoming album with a new band, L'acher Prise on Compass Records, is a real Americana hybrid. It's Cajun at its core, but full of ideas from four other musicians a generation younger than he is. We talk about one of the legendary careers in roots music, dedicated to rediscovery and reclaiming of a marginalized culture that made Louisiana the special place that it is. Also, the legacy and music of Warren Storm, with musician, author and record producer Yvette Landry.
Episode 115: To start the new year, a full-hour with one of the certified icons of roots/Americana music and Nashville songwriting, John Hiatt. We cover a lot of ground, from getting launched out of Indianapolis in 1970 through a long, frustrating recording career and a breakthrough in the mid 1980s to his stature today as a Nashville leader. His long-time label New West Records has just released a limited edition 15-LP box set covering his most recent 11 albums. It's a heavyweight tribute to a soulful master of the art.
Episode 114: They grew up in Nashville in the home of the legendary preacher and singer Rev. Sam McCrary, a key member of the Fairfield Four and a major figure in gospel music. They've sung, together and apart, on stages and in studios around the world. And they've become beloved anchors in Music City. After some work with producer/artist Buddy Miller, they answered popular demand to form their own quartet, and after several albums through the 2010s, the McCrarys have delivered their first Christmas album. It became a leaping off point for a joyful conversation about four remarkable lives in music.
Episode 113: Allison Moorer emerged around the year 2000 as one of the most profound and beautiful voices in true country music. As she grew in stature and acclaim, it emerged that she's suffered an extraordinary loss as a 14-year-old when her troubled, alcoholic father murdered her mother and then took his own life. The time emerged for Moorer to grapple with the trauma in public, and she worked in prose and song. This fall, she released a book and song-cycle album, both called Blood. We talk about the parents she lost and the sister (the artist Shelby Lynne) who helped her move forward.
Episode 112: Michaela Anne went to New York City to study jazz vocals and emerged a full on convert to country music. She built a career in Brooklyn then moved to Nashville to see it through. She's recently released her fourth album and a label debut with Yep Roc. There's a serenity in her voice and a sensitivity in her lyrics. She talks about her background and the courage it takes to live, as one of her songs says, by her "own design." Also in the hour, the game changing country-grass duo of Rob Ickes & Trey Hensley.
Episode 111: This week, one last round of visits with great artists visiting Nashville to showcase during AmericanaFest 2019. My guests include two songwriter artists from the United Kingdom who’ve made American music their own - veteran New Orleans piano man Jon Cleary and Northern Ireland’s soul-singing dynamo Foy Vance. Up first, an absolutely amazing songwriter from Portland, OR, Anna Tivel. Her album The Question is widely seen as one of the finest of the year.
Episode 110: Ideal Man, the fourth full-length album from Nashville songwriter Andrew Combs has been praised by major outlets including Rolling Stone Country. Is it a country album? Is Combs a country artist? Well he undoubtedly was when his first records emerged. His debut album Worried Man had steel guitar and a snapping rhythm section and songs that got right to the point about loss and love. With 2017’s Canyons of My MInd, a swooning lush atmosphere wafts in, and Combs voice - always full of emotion and carefully wrought - stepped up a few levels. It’s one of the more seductive and involving male voices in Americana, in the same zone as John Paul White and Combs friend Dylan LeBlanc. It marked real growth and refinement, and Ideal Man does too. Also in the hour, Music Row songwriting success Erin Enderlin leans harder than ever into her artist career with the moving and deeply country Faulkner County.
As I browsed World of Bluegrass in Raleigh last September, I caught up with four artists who make for a pretty good cross section of the genre circa 2019: Tim Stafford of Blue Highway, an iconic band celebrating its 25th anniversary, Irene Kelley, a veteran songwriter who's on top of the charts as an artist, Appalachian Road Show, a new super-group with a cultural mission and The Dead South, a young band of Canadian folk rockers who represent the adventuresome edge of bluegrass music. Notes and full versions of these edited interviews can be found at WMOT.org.
Episode 108: The album Steady On in 1989 marked the pivot in Shawn Colvin's life between playing bars to make the rent and being a leader in the singer songwriter movement. Through a string of albums, including the hit-producing A Few Small Repairs, she became a multi Grammy winner and an Americana Lifetime Achievement Award winner. This year, she's revisited Steady On, recording and performing it in her signature solo acoustic guitar style. Stripped to its essence, the songs speak as clearly now as they did 30 years ago. Also, an introduction to new Rounder Records artist Logan Ledger, a Nashville transplant with a voice so arresting, his demo led to a production deal with T Bone Burnett.
Episode 107 features three conversations held on the run during AmericanaFest 2019 in Nashville, Sept. 10-14. Billy Strings represents the cutting edge of bluegrass and improvisational acoustic music. He's a breakout bandleader and a guitar player's guitar player. His second album is recently out, called Home. Jontavious Willis is another guitar-playing youngster, but his thing is traditional country blues. He's been mentored by Taj Mahal and Keb Mo. Kevin Russell is the songwriter and band leader known as Shinyribs - a legend of the Austin scene and a wildly entertaining showman.
Episode 106: Ketch Secor is the fiddler and front man of the uncanny success story Old Crow Medicine Show. As they enter their third decade as a band, they can claim to have revived and re-imagined old-time string band and blues music for new generations. They've added at least one hit song to the country music repertoire in "Wagon Wheel" and reached millions with a show full of passion and classic country music values. Their latest, Live At The Ryman, is a collection of hand-picked tracks from roughly a decade of live recordings at the Mother Church. Ketch talks about the band's origins, the legacy of its forty-odd shows at the Ryman and being part of Ken Burns' Country Music documentary.
In her new song "1988," Kelsey Waldon tells the story of the year she was born in Western Kentucky and what happened after that. What music fans know is that she brought her songs to Nashville and found community among the top emerging figure in East Nashville, including Margo Price and Erin Rae. She's just released her third album and it's special because White Noise/White Lines is a debut for John Prine's Oh Boy Records, part of a renewal of that decades old indie label. He's her songwriting hero, and their relationship is at the core of this conversation. Also in the hour, Raleigh NC writer Tommy Goldsmith talks about his new book, the definitive account of Earl Scruggs and his famous bluegrass instrumental "Foggy Mountain Breakdown."
Del McCoury is a bluegrass hall of famer and repeat host of the International Bluegrass Music Association Awards. Jim Lauderdale is a beloved Nashville songwriter whose wide range of projects and songs includes Grammy Awards in bluegrass. Their personalities are as big as their resumes, so they'll make memorable co-hosts of the 2019 IBMA Awards in Raleigh. In a joint interview in front of a live audience, Jim and Del talk about the World of Bluegrass and their past and potential future as banjo players. You never know what might happen. Also in the hour, the next wave of the genre with Bluegrass Ramble showcase artist Jaelee Roberts. The 18-year-old is a new voice and songwriter who's being welcomed by leading musicians into her first steps as a recording artist. IBMA's World of Bluegrass runs Sept. 24-28 in Raleigh, NC.
Episode 103 features two artists who are showcasing at AmericanaFest 2019 with new albums ready for early next year. Brian Wright has lived and made music in Texas, Los Angeles and Nashville, where he's been a guitar-slinging sideman and the co-founder of Cafe Rooster Records. His next opus is the sonically experimental Lapse of Luxury. Aubrie Sellers grew up around the country music business in Nashville but took her time finding her own vision as an artist and writer. We talk about the run-up to her second album, Far From Home.
Episode 102: Kendell Marvel, native of rural southern Illinois, is a veteran professional Music Row songwriter whose work has been recorded by Gary Allan, George Strait, Lee Ann Womack, Chris Stapleton and others. He’s fought for country music values inside the system, even as it’s often let him down. He also put his performing and band-leading dreams on hold for years while raising a family. Now he's back, leading a periodic pop-up honky tonk at the Exit/In and writing new albums. Coming in October, Solid Gold Sounds, recorded at and for Dan Auerbach's Easy Eye Records. It's a 70s tinged classic country album that's good for the soul. Also, a catch up with Aaron Lee Tasjan, who's just released an entirely new version of his 2018 album called Karma For Cheap Reincarnated.
Episode 101: Songwriter Amy Speace was entirely absorbed in theater, studying to be a Shakespearian actress in NYC. Then some fates and muses intervened and she began leaning into folk music. Before long she was recruited and mentored by the great Judy Collins, cultivating a voice that stands out even in the crowded songwriter scene of today. Now in Nashville, her story took another turn recently when she had her first child, a son, at age 50. Her complex observations about the world and herself pour out of the speakers on her newest, Me And The Ghost of Charlemagne. Also, a short phoner with Marty Stuart teasing the new mega-documentary Country Music by Ken Burns.
The String turns 100 Episodes old with a focus on one of the most celebrated and dynamic young artists in Americana music, a singer/songwriter who has negotiated the bridge from bluegrass to mainstream popular music with amazing grace. Molly Tuttle is a two-time IBMA Guitar Player of the Year as well as a winner of prizes at Folk Alliance and Americana. But more significantly, her debut album When You're Ready has launched her to appearances at the Grand Ole Opry, Telluride Bluegrass Festival and many other marquee stages. Also in the hour, we listen back to a few highlight moments from three years of The String, including Bela Fleck and Abigail Washburn, Bobby Rush, Gretchen Peters and The Secret Sisters.
Charley Crockett has a story that's difficult to imagine playing out in the 21st century - he's hoboed around the country, lost loved ones, scuffled with the law, played on the streets for a decade. And recently he endured open-heart surgery. At 35, he's lived several of our lifetimes. And the thing is, he's poured it all into his remarkable country blues, and he's finally getting the renown he deserves. It's what roots music is all about. Get ready for his 9.20 release of The Valley with this conversation, which took place hours before his Grand Ole Opry debut in the WSM Room back stage. Also in the hour, Nashville's Lillie Mae is back on the program to discuss making her second album for Third Man Records at Studio A with the super-producer Dave Cobb. It's part of a longer conversation that will get posted soon at WMOT.org.
The lineage of Nashville's Fairfield Four thrives and resonates in Odessa Settles, this week’s guest on The String. The daughter of singer Walter J. Settles (1928-1999), Odessa is an in-demand singer who values the full spectrum of sacred to secular music, especially the roots/Americana world where she’s amassed a long resume. She’s been a guest vocalist on projects by Darrell Scott, Kathy Mattea, Tim O’Brien and last year’s Rifles & Rosary Beads by Mary Gauthier. She works solo and in combination with her surviving brothers (she was the only girl of eight kids growing up) in the vocal group The Settles Connection. And she’s pulled all this off while maintaining an intense career as a nurse for premature babies at Vanderbilt Medical Center. Also in the hour, a visit with Trent Wagler and Jay Lapp, veterans of VA band The Steel Wheels, who've just released their seventh LP album.