Tonebenders Podcast: Recent Episodes
Tonebenders Podcast
Tonebenders is a Sound Design podcast dedicated to covering the worlds of sound editing, field recording and audio post production for film, television and gaming. Through interviews and experiments we delve into everything from foley to plugins. Check us out at www.tonebenderspodcast.com
House Of The Dragon is one of the biggest shows on TV and the sound of the show is one of the big reasons for that success. Al Sirkett (Re-Recording Mixer/Supervising Sound Editor), Barnaby Smyth (Foley Artist /Foley Supervisor), Ruth Knight (Sound Editor) and Doug Cooper (Re-Recording Mixer) joined me for an in-person interview to talk about the immense challenge of building the world of Westeros through sound. They also discuss the many different kinds of fire recordings they used, and some keys scenes including The Battle of Rook's Rest, The Red Sowing and Blood and Cheese's mission. Big thanks to the Motion Picture Sound Editors, for sponsoring this series of episodes featuring the interviews I did while in England. To learn more about the Motion Picture Sound Editors, you can go to https://www.mpse.org. They are doing great work to support and advocate for sound editors all around the world.SPONSOR: The Cargo Cult’s Matchbox 2 is a change management tool that is invaluable when doing comforms. It reveals the differences, reports on the damage, and then re-times your sound mix, saving you incalculable amounts of time. To Learn all about the new features in Matchbox 2, head over to https://www.thecargocult.nz , to learn more about Matchbox 2 and pulldown the free 15 day trial. Matchbox 2 is exactly what you have been waiting for. Spend your time being creative and let Matchbox handle the conforming.Episode Notes: https://tonebenderspodcast.com/314-mpse-presents-house-of-the-dragon/ Podcast Homepage: www.tonebenderspodcast.com This episode is hosted by Timothy Muirhead
Arcane is a ground breaking animated series, especially when it comes to how the show used music and sound design, working together, all the way through the process. In this special conversation from the Riot Games Campus, in California, Supervising Sound Editors (Eliot Connors & Brad Beaumont) sat down with the series composers (Alex Seaver and Alex Temple) to talk about how each of their contributions, inspired the way the others approached their work. They discuss how the musical themes evolved throughout the series, how the sound design had to be based in organic sounds and their desire to make the sound live up to the impressive visuals of Arcane. If you enjoy this episode, go back to eps 309 for more Arcane talk, with the re-recording mixers Penny Harold & Andy Lange. SPONSORS: The O-MINI Microphone is a miniature omnidirectional electret microphone. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are extremely affordable. At $150 American for a stereo matched pair, they offer a lot of value. Check it out at www.chrisatrevino.com/store/ominiCheck out one of Sound Ideas latest libraries The General HD vol 6, which brings over 4000 new effects, to add to your arsenal of sounds: from the deepest depths of the ocean, to the highest peaks of mountains and well beyond. Whatever the mood or circumstance, General HD 6 will cover it. This new library comes with rich metadata in UCS format, and is available in 24bit 96k resolution. Head over to https://www.sound-ideas.com/Product/2465/General-HD-6-Sound-Effects-Collection to learn more.Episode Notes:https://tonebenderspodcast.com/313-the-sound-design-amp-music-of-arcane-season-2/Podcast Homepage: tonebenderspodcast.com This episode is hosted by Timothy Muirhead
Hospitals are really hard to create sound design for. The walla and general soundscape of a hospital is very different than any other location, because they are dense but not necessarily loud. Plus there are lots of medical machines that need to be accounted for. In the new HBO emergency room drama, The Pitt, this challenge is amplified as the show takes place entirely inside an especially intense ER. Supervising Sound Editor Bryan Parker and Re-Recording Mixers Ed Carr & Todd Grace, tell us how they used the sounds of The PItt to increase the tension, emotions and payoffs..... all with almost no score in the series. No detail was left to chance, as a map of the fictional emergency room was used extensively by the sound team, to motivate panning and what kind of sounds are heard by the audience. The use of sound design to draw you into the story is one of The PItt's greatest triumphs.SPONSORS: Check out one of Sound Ideas latest libraries The General HD vol 6, which brings over 4000 new effects, to add to your arsenal of sounds: from the deepest depths of the ocean, to the highest peaks of mountains and well beyond. Whatever the mood or circumstance, General HD 6 will cover it. This new library comes with rich metadata in UCS format, and is available in 24bit 96k resolution. Head over to https://www.sound-ideas.com/Product/2465/General-HD-6-Sound-Effects-Collection to learn more.The Soundminer Database Companion, or SMDBC, is an amazing App that is extremely easy to use. SMDBC simply cleans up your Soundminer Databases, saving you time and effort on all your future searches. Simple as that. It does not erase anything from your drives, unless you want it to. You can learn everything it can do by heading over to https://smdbc.com While there you can get 10% off your purchase, by using the discount code: TONEBENDERSEpisode Notes: https://tonebenderspodcast.com/312-the-pitt/Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead
With "From the World of John Wick: Ballerina" hitting theatres, it is a good time to talk to the sound team that, for some, have been working on the John Wick films for over a decade. Supervising Sound Editor Mark Stoeckinger, Re-Recording Mixers Andy Koyama & Casey Genton and Sound Designer Luke Gibleon discuss designing massive gun sfx, the challenge of each film getting bigger that the last, their relationship with the franchise's directors and how they find ways to make room for the huge music and sound effects that give the John Wick films their signature sound.SPONSORS: Sound Ideas Annual Memberships put Sound Ideas’ full range of over 600,000 sound effects, music tracks, and production elements at your fingertips with three tiers to choose from based on your Sound Design needs. The Creator’s Access Plan is perfect for the independent creator working on a smaller scale, looking for high-quality sound options at a great price. With up to 100 Downloads, you’ll enjoy significant savings compared to buying individual sounds, and have free rein over Sound Ideas’ extensive collection. Go to https://www.sound-ideas.com/Collection/105/Memberships/0/2 and use the promo code TONEBENDERS50 for 50% off of any Sound Ideas’ Annual Membership, to amplify your future productions. The O-MINI Microphone is a miniature omnidirectional electret microphone. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are extremely affordable. At $150 American for a stereo matched pair, they offer a lot of value. Check it out at https://www.chrisatrevino.com/store/omini If you are in The Toronto area on June 13th, come out to the Back To The Future Screening screening with one of the original sound editors, Scott Hecker, in attendance for a Q&A about how they came up with all the iconic sounds in this classic film. If you are interested in going to this screening, to see a great film and find out what being a MPSE member is all about, go to https://www.eventbrite.ca/e/vff-mpse-celebrates-back-to-the-futures-40th-anniversary-tickets-1258511534879?aff=oddtdtcreator to claim your ticket. Use the Code “VFFTONEBENDERS” for your free tickets.Episode Notes: https://tonebenderspodcast.com/311-the-sound-legacy-of-the-john-wick-films/ Podcast Homepage: https://www.tonebenderspodcast.com This episode is hosted by Timothy Muirhead
I was able to get 4 busy dialog editors all in a room together, to discuss the highs and lows of working on dialog for films, series and games. They talk about the tools they use, the road blocks they regularly encounter and the ways they use problem solving and creativity to get clean dialog tracks for each project they work on. Sophie Mapplebeck, Louise Burton, Robbie Mann & Michael Maroussas share their experiences working on everything from blockbuster films, AAA games and prestige series. Big “thanks” to the Motion Picture Sound Editors, for sponsoring this series of episodes featuring the interviews I did while in England. To learn more about the Motion Picture Sound Editors, you can go to www.MPSE.org. They are doing great work to support and advocate for sound editors around the world. If you are in The Toronto area on June 13th, come out to the Back To The Future Screening screening with one of the original sound editors, Scott Hecker, in attendance for a Q&A about how they came up with all the iconic sounds in this classic film. If you are interested in going to this screening, to see a great film and find out what being a MPSE member is all about, go to https://www.eventbrite.ca/e/vff-mpse-celebrates-back-to-the-futures-40th-anniversary-tickets-1258511534879?aff=oddtdtcreator to claim your ticket. Use the Code "VFFTONEBENDERS" for your free tickets.Episode Notes: https://tonebenderspodcast.com/310-mpse-presents-dialog-editors-roundtable-v2/ Podcast Homepage: www.tonebenderspodcast.com This episode is hosted by Timothy Muirhead
Penny Harold and Andy Lange tell us about their work as the re-recording mixers, on Season 2 of the hit Netflix animated series, Arcane. This is a show with intense dialog, massive sound design, soaring songs, and a bombastic score. Wranglng all of these elements into a cohesive whole, was a fun challenge. Arcane's groundbreaking artwork and visual style, made it a tall order to match that level with the series' soundscape. Penny and Andy discuss their workflows, how they work as a team on the mix stage and the importance of finding the perfect compressor!SPONSORS: Sound Ideas Annual Memberships put Sound Ideas’ full range of over 600,000 sound effects, music tracks, and production elements at your fingertips with three tiers to choose from based on your Sound Design needs. The Creator’s Access Plan is perfect for the independent creator working on a smaller scale, looking for high-quality sound options at a great price. With up to 100 Downloads, you’ll enjoy significant savings compared to buying individual sounds, and have free rein over Sound Ideas’ extensive collection. Go to www.sound-ideas.com/Collection/105/Memberships/0/2 and use the promo code TONEBENDERS50 for 50% off of any Sound Ideas’ Annual Membership, to amplify your future productions.The O-MINI Microphone is a miniature omnidirectional electret microphone. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are extremely affordable. At $150 American for a stereo matched pair, they offer a lot of value. Check it out at https://www.chrisatrevino.com/store/omini Episode Notes: https://tonebenderspodcast.com/309-the-mixing-team-for-arcane-season-2/Podcast Homepage: www.tonebenderspodcast.com This episode is hosted by Timothy Muirhead
While in London, Tonebenders was invited to Wave Studios in Soho, to talk to Johnnie Burn and Paul Davies. I brought them together, to talk about their varied approaches to finding the "sonic voice" of each project they work on. They discuss the importance of a good relationship with a director, spotting sessions, pouring over a script well in advance, identifying the ambitions of a film and lots more. SPONSOR: Big "thanks" to the Motion Picture Sound Editors, for sponsoring this series of episodes featuring the interviews I did while in England. To learn more about the Motion Picture Sound Editors, you can go to www.MPSE.org. They are doing great work to support and advocate for sound editors around the world. If you are in The Toronto area on June 13th, come out to the Back To The Future Screening screening with one of the original sound editors, Scott Hecker, in attendance for a Q&A about how they came up with all the iconic sounds in this classic film. If you are interested in going to this screening, to see a great film and find out what being a MPSE member is all about, go to https://www.eventbrite.ca/e/vff-mpse-celebrates-back-to-the-futures-40th-anniversary-tickets-1258511534879?aff=oddtdtcreator to claim your ticket. Use the Code "VFFTONEBENDERS" for your free tickets.Episode Notes: https://tonebenderspodcast.com/308-mpse-presents-finding-a-films-sonic-voice-with-johnnie-burn-amp-paul-davies/ Podcast Homepage: www.tonebenderspodcast.com This episode is hosted by Timothy Muirhead
I love a good book about sound design or other aspects of the audio post industry. Think of this episode as a summer reading guide for the audio nerd. The authors of 3 recent publications about sound, get together to talk about their books, how they decided to write them and how to best use them as resources. Emi Paternostro talks about his book "The Pro Tools Post-Audio Cookbook", Gina Zdanowicz discusses "The Game Audio Strategy Guide" that she co-wrote (with Spencer Bambrick) and both Andrew Knight-Hill & Emma Margetson are here representing their book "Art of Sound: Creativity in Film Sound and Electroacoustic Music"SPONSOR: Sound Ideas Annual Memberships put Sound Ideas’ full range of over 600,000 sound effects, music tracks, and production elements at your fingertips with three tiers to choose from based on your Sound Design needs. The Creator’s Access Plan is perfect for the independent creator working on a smaller scale, looking for high-quality sound options at a great price. With up to 100 Downloads, you’ll enjoy significant savings compared to buying individual sounds, and have free rein over Sound Ideas’ extensive collection. Go to www.sound-ideas.com/Collection/105/Memberships/0/2 and use the promo code TONEBENDERS50 for 50% off of any Sound Ideas’ Annual Membership, to amplify your future productions. Episode Notes: https://tonebenderspodcast.com/307-recent-books-about-sound/Podcast Homepage: www.tonebenderspodcast.com This episode is hosted by Timothy Muirhead
After over 300 episodes talking mostly to sound editors and re-recording mixers, let's get to know what the people we work in parallel with, are going through in their gigs. Tim talks to two successful music supervisors, Jody Colero and Michael Perlmutter, about the trials and road blocks that they encounter overseeing the music in high end series & films. They discuss how important a good music editor is, important ways they can save the post production process time and money and why it is important to get picture editors clearable music early on. Plus, the perils of people hoping they can get an expensive song on the cheap, because their brother's, best friend's, wife used to date the bass player from the band. Spoiler alert: it rarely actually works out.SPONSOR: Sound Ideas Annual Memberships put Sound Ideas’ full range of over 600,000 sound effects, music tracks, and production elements at your fingertips with three tiers to choose from based on your Sound Design needs. The Creator’s Access Plan is perfect for the independent creator working on a smaller scale, looking for high-quality sound options at a great price. With up to 100 Downloads, you’ll enjoy significant savings compared to buying individual sounds, and have free rein over Sound Ideas’ extensive collection. Go to www.sound-ideas.com/Collection/105/Memberships/0/2 and use the promo code TONEBENDERS50 for 50% off of any Sound Ideas’ Annual Membership, to amplify your future productions. Episode Notes: https://tonebenderspodcast.com/306-music-supervisors/ Podcast Homepage: www.tonebenderspodcast.com This episode is hosted by Timothy Muirhead
For the film Becoming Led Zeppelin, a documentary about the formative years of the group, the sound of the band was one of the most important elements. Supervising Sound Editor Nick Bergh had to figure out how to get the best possible audio quality from source material that was over half a century old. From tracking down quarter inch tapes in Australia, to finding the perfect pressings of albums, and having the National Archives hand deliver historical recordings, extraordinary efforts were given to make everything in the film sound it's authentic best. Nick tells us about how he personally did all the audio transfers, how he dealt with mostly mono material for use in an IMAX mix and lots more.SPONSOR: Sound Ideas Annual Memberships put Sound Ideas’ full range of over 600,000 sound effects, music tracks, and production elements at your fingertips with three tiers to choose from based on your Sound Design needs. The Creator’s Access Plan is perfect for the independent creator working on a smaller scale, looking for high-quality sound options at a great price. With up to 100 Downloads, you’ll enjoy significant savings compared to buying individual sounds, and have free rein over Sound Ideas’ extensive collection. Go to www.sound-ideas.com/Collection/105/Memberships/0/2 and use the promo code TONEBENDERS50 for 50% off of any Sound Ideas’ Annual Membership, to amplify your future productions. Episode Notes: https://tonebenderspodcast.com/305-becoming-led-zeppelin/ Podcast Homepage: www.tonebenderspodcast.com This episode is hosted by Timothy Muirhead.
The Listeners is a BBC series, that is not an easy project for any sound team to take on. The plot revolves around a mysterious sound that only a very small number of characters can hear, but it is intense and intrusive for those that can experience it. Over the coarse of the 4, hour long episodes, the ones that are being effected by the mysterious hum search each other out and try to band together for support. They find relief in each other, but to the outside world they look suspiciously like a cult of people, with a loose grip on their sanity.So how do you represent this idea on screen? A constant sound that only a few people hear, but they hear it so intensely that it over takes every part of their life? That was the riddle presented to Steve Fanagan (sound designer/supervising sound editor), Michelle Cunniffe (re-recording mixer) & Louise Burton (Supervising Dialogue Editor).SPONSOR: Sound Ideas Annual Memberships put Sound Ideas’ full range of over 600,000 sound effects, music tracks, and production elements at your fingertips with three tiers to choose from based on your Sound Design needs. The Creator’s Access Plan is perfect for the independent creator working on a smaller scale, looking for high-quality sound options at a great price. With up to 100 Downloads, you’ll enjoy significant savings compared to buying individual sounds, and have free rein over Sound Ideas’ extensive collection. Go to www.sound-ideas.com/Collection/105/Memberships/0/2 and use the promo code TONEBENDERS50 for 50% off of any Sound Ideas’ Annual Membership, to amplify your future productions.Episode Notes: https://tonebenderspodcast.com/304-the-listeners/Podcast Homepage: www.tonebenderspodcast.com This episode is hosted by Timothy Muirhead
A few weeks ago Tonebenders' host, Tim Muirhead, flew to Los Angeles for a bunch of adventures with the sound design community in LA. From hosting interviews on the red carpet, at the Cinema Audio Society Awards, to attending the MPSE Golden Reels, to doing a bunch of interviews for future episodes of the show, Tim was busy while he was in town. By far the best night of the trip was The Tonebenders Los Angeles Sound Design Meet-up, sponsored by The Motion Picture Sound Editors. The night was a massive success with over 250 people coming out to share laughs. In this episode Tim tells some behind the scenes stories and plays clips from the interviews he did while in town.SPONSOR: Sound Ideas Annual Memberships put Sound Ideas’ full range of over 600,000 sound effects, music tracks, and production elements at your fingertips with three tiers to choose from based on your Sound Design needs. The Creator’s Access Plan is perfect for the independent creator working on a smaller scale, looking for high-quality sound options at a great price. With up to 100 Downloads, you’ll enjoy significant savings compared to buying individual sounds, and have free rein over Sound Ideas’ extensive collection. Go to https://www.sound-ideas.com/Collection/105/Memberships/0/2 and use the promo code TONEBENDERS50 for 50% off of any Sound Ideas’ Annual Membership, to amplify your future productions.Episode Notes: https://tonebenderspodcast.com/303-tonebenders-goes-to-la/Podcast Homepage: www.tonebenderspodcast.com This episode is hosted by Timothy Muirhead
Tonebenders was able to do an episode with every sound team, that has been nominated in the Best Sound category, at this years Oscars. So with the award show only a few days away, this week we are going to take listen to a selection of each interview, to try to get an idea of what was done on each film, to lead to it's nomination. First up we will hear from Paul Massey, Ted Caplan and Don Sylvester from A Complete Unknown. That is followed by Hortense Bailly, Cyril Holtz, Aymeric Devoldère & Carolina Santana from Emilia Perez. Jack Dolman, Nancy Nugent Title & John Marquis speak about their work on Wicked. The only animated film nominated, The Wild Robot, is represented by Gary Rizzo, Brian Chumney, Randy Thom & Leff Lefferts. The final sound team I talk to is from Dune Part 2, with Richard King, Doug Hemphill and Ron Bartlett. What a line up on this episode!Check out Sound Ideas latest library, General Series 6000 Extension 12: www.sound-ideas.com/Product/2459/Ge…00-Extension-12Episode Notes: https://tonebenderspodcast.com/302-2025-oscar-pool-sound-category-round-up/Podcast Homepage: www.tonebenderspodcast.com This episode is hosted by Timothy Muirhead
Guest host Mark Kilborn jumps in to talk with the sound team behind the amazing journey of survival through Viking time period Iceland, in the game Senua's Saga: Hellblade II. This adventure from publisher Ninja Theory, follows our main character as she unknowingly deals with psychosis, including many auditory hallucinations. The audio team had their hands full to translate these hallucinations from inside a character's head into something the game's players could understand and react against. David Garcia Diaz (Audio Director), Alessio Mellina (Technical Sound Designer) and Daniele Galante (Sound Designer) discuss the entire soundscape from voices that were manipulated heavily, to their use of binaural audio, and how the music interacted with the rest of this complicated mix.Check out Sound Ideas latest library, General Series 6000 Extension 12: www.sound-ideas.com/Product/2459/Ge…00-Extension-12Full Details on the Tonebenders Los Angeles Sound Design Meet-up, Presented by The Motion Picture Sound Editors Here: tonebenderspodcast.com/tonebenders-s…sign-meet-up/Episode Notes: https://tonebenderspodcast.com/301-hellblade-ii/Podcast Homepage: www.tonebenderspodcast.com This episode is hosted by Mark Kilborn
Dune Part 2 had a lot to live up to after the success of Dune Part 1. The sequel has a bunch of new audio challenges to solve, as it is about as epic a film as there has ever been. Supervising Sound Editor Richard King and Re-Recording Mixers Doug Hemphill & Ron Bartlett, sit down to talk about how they prepared for the challenges this film presented them and what it is like to work with director Denis Villeneuve. This episode originally air on the Silver Screen Social podcast.Check out Sound Ideas latest library, General Series 6000 Extension 12: https://www.sound-ideas.com/Product/2459/General-Series-6000-Extension-12Get Tickets to the MPSE Golden Reel Awards Here: www.mpse.orgFull Details on the Tonebenders Los Angeles Sound Design Meet-up, Presented by The Motion Picture Sound Editors Here: tonebenderspodcast.com/tonebenders-s…sign-meet-up/Episode Notes: https://tonebenderspodcast.com/300-dune-part-2/Podcast Homepage: www.tonebenderspodcast.com This episode is hosted by Jackson Vickery
Join the composer, sound editorial team and re-recording mixers of director Chris Sanders emotional animated feature, The Wild Robot. The film has been nominated in both the Best Sound and the Best Score categories at this years Oscars. So we brought together the whole team to talk about how they found the "sonic voice" of the movie. Through unique instrumentation, in parallel with a full orchestra, and sound design that evolves along with the main characters, the sound in The Wild Robot is a driving force behind it's success. Check out Sound Ideas Latest Library Doors Gates & Hatches: https://www.sound-ideas.com/Product/2455/Doors-Gates-and-Hatches-Sound-Effects-Get Tickets to the MPSE Golden Reel Awards Here: https://www.mpse.orgFull Details on the Tonebenders Los Angeles Sound Design Meet-up, Presented by The Motion Picture Sound Editors Here: https://tonebenderspodcast.com/tonebenders-sound-design-meet-up/Episode Notes: https://tonebenderspodcast.com/299-the-wild-robot/Podcast Homepage: www.tonebenderspodcast.com This episode is hosted by Timothy Muirhead
The Lifetime Achievement recipient at the M.P.S.E. Golden Reels this year will be Greg Hedgepath. He and I got to sit down and go over his career from his start in Washington DC with NPR, through his time at Lucas Films/Skywalker Ranch to his current hometown in Los Angeles, as a busy sound editor on films like Straight Out of Compton, Speed, Twister, Higher Learning, Blade and many, many more. Tonebenders is also excited to announce The 3rd Annual Los Angeles Tonebenders Sound Design Meet-Up, presented by The Motion Picture Sound Editors. Come on out on February 20th, 7pm, at The Thirsty Merchant in Studio City.This episode is sponsored by Sound Ideas, check out their latest library Doors, Gates and Hatches: https://www.sound-ideas.com/Product/2455/Doors-Gates-and-Hatches-Sound-Effects-Get all the details for purchasing tickets to this years Golden Reel Awards at: https://www.mpse.org/event-5866365Episode Notes:https://tonebenderspodcast.com/298-greg-hedgepath/Podcast Homepage: tonebenderspodcast.com This episode is hosted by Timothy Muirhead
Oscar winning production sound mixer Simon Hayes sits down with Tim, for an in-person, one on one talk. He describes his goal of a world where there is no distinction between the production sound team and the audio post team. Everyone is working as one big crew to get the best possible sound for each project, through collaboration and open communication. Simon spins wonderful stories, going all the way back to Lock, Stock & Two Smoking Barrels, about his innovative ways of recording performances so that is ready for a dialog editor to use with ease. He also discusses he techniques to keep everyone on set, working towards the goal of clean dialog. I could listen to Simon all day.This episode is sponsored by Sound Ideas, check out their 50% off sale happening now until Jan 31st: www.sound-ideas.com Notes: https://tonebenderspodcast.com/297-production-sound-mixer-simon-hayes/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead
Robert Egger's latest film, Nosferatu, is loaded with dread. That feeling of dread is largely delivered by the amazing sound design created by Damian Volpe (Sound Designer, Re-recording Mixer & Supervising Sound Editor), Steve Little (Supervising Sound Editor, Dialog Editor & Supervising ADR Editor) and the rest of the sound team. Egger's instructions were to base everything on organic sounds, so eerie ambiences were built out of the actors breathing and machines were built to create haunting winds. They also discuss the voice processing that was done to create the iconic voice of Count Orlock and lots more. Please consider donating through the M.P.S.E donation portal to California Wild Fire Relief. https://www.justgiving.com/page/mpselafirerelief If you donate now M.P.S.E. will match your donation, effectively doubling the amount that will get to those in need. Tonebenders has already donated this way, and hope that listeners will follow.This episode is sponsored by Sound Ideas, check out their 50% off sale happening now until Jan 31st: www.sound-ideas.com Notes: https://tonebenderspodcast.com/296-nosferatu/ Podcast Homepage: tonebenderspodcast.com This episode is hosted by Timothy Muirhead
Director Steve McQueen's new film, Blitz, is full of stunning visuals. The audio team was tasked with coming up with sounds that could match, and often exceed, the beauty of the images they are accompanying. The war surrounding our main characters is often happening off screen, as the bombs are raining down as a catalyst for the human drama happening in underground shelters and tube stations. The team had to dream up the sound design of steam trains, massive fires and explosions galore. All of this while creating a realistic sound scape for 1940s London. James Harrison and Paul Cotterell both served as Blitz's re-recording mixers and supervising sound editors and they are joined in this talk by production sound mixer John Casali.This episode is sponsored by Sound Ideas, check out their 50% off sale happening now until Jan 31st: www.sound-ideas.com Notes: https://tonebenderspodcast.com/295-blitz/ Podcast Homepage: tonebenderspodcast.com This episode is hosted by Timothy Muirhead
Gladiator II is the massive sequel to director Ridley Scott's award winning original film, released in 2000. This time everything is raised up a few notches though. The sound team of Paul Massey (Dialog/Music Re-Recording Mixer) Danny Sheehan (Supervising Sound Editor), Matt Collinge (Supervising Sound Editor & SFX/Foley Re-Recording Mixer) and Stéphane Bucher (Production Sound Mixer) had to equal, and even exceed, that levelling up with their sound work. So much detail and effort went into making the crowd reactions in the Roman Coliseum, almost narrate the emotions of the battles. The production sound team and the audio post team had to work hand in hand to create this impressive feast for the ears.This episode is sponsored by Sound Ideas, check out their 50% off sale happening now until Jan 31st: www.sound-ideas.com Notes: https://tonebenderspodcast.com/294-gladiator-ii/ Podcast Homepage: tonebenderspodcast.com This episode is hosted by Timothy Muirhead
Wicked has music that swings from massive orchestral pieces, to delicate underscore. There is sound design adding comedy, tension and fear. On top of all that, there is the singing, recorded live on set, that really brings out the emotions of the story. Production sound mixer Simon Hayes tells us how they captured the vocals on a busy set and supervising sound editors Nancy Nugent Title & John Marquis discuss building up the sounds to create the sonic world of Oz. Supervising music editor Jack Dolman, discusses how the music all came together from pre-records to the final edit. All that work, so re-recording mixers Andy Nelson and John Marquis could sculpt the mix to make this crowd pleasing epic operate at its peak.This episode is sponsored by Sound Ideas, check out their 50% off sale happening now until Jan 31st: https://www.sound-ideas.com Notes: https://tonebenderspodcast.com/293-wicked/ Podcast Homepage: tonebenderspodcast.com This episode is hosted by Timothy Muirhead
The 1st annual Bendie Awards featuring winners in categories like "Guest of The Year", "Sound Sequence of The Year", "Best Subtle Sound Detail", "Favourite Movie of the Year" and "Most Listened To Episode of the Year". Plus Tim gives a run down of all the amazing things that happened for Tonbenders in 2024.This episode is sponsored by Sound Ideas new Golf Sound Effects library: https://www.sound-ideas.com/Product/2441/Golf-Sound-Effects Notes: https://tonebenderspodcast.com/292-the-year-end-bendie-awards/ Podcast Homepage: tonebenderspodcast.com This episode is hosted by Timothy Muirhead
Wind is hard to do sound design for.... really hard. What can sound like a huge powerful gust, when you are out in the world with a microphone, is often a major let down when you get back to the studio to listen. So I jumped at the chance to talk with the Twisters sound team to learn how they tackled the winds in this tornado focused film. Supervising sound editors Bjorn Schroeder & Al Nelson are joined by re-recording mixers Chris Boyes & Pete Horner, as well as assistant supervising sound editor Sarah Shaw, to break down how they designed the swirling wind (and lots more!) in this blockbuster adventure film. This episode is sponsored by Sound Ideas new Golf Sound Effects library: https://www.sound-ideas.com/Product/2441/Golf-Sound-Effects Notes: https://tonebenderspodcast.com/291-twisters/Podcast Homepage: tonebenderspodcast.com This episode is hosted by Timothy Muirhead
The new film A Complete Unknown follows the early life of Bob Dylan as he first arrives in New York City and meets the people that would define his musical journey. Director James Mangold's movie features live performances in small rooms, bars, as well as massive festivals and the sound team had to make each song feel real and unique. Supervising Sound Editor Don Sylvester, Re-recording Mixer Paul Massey, Supervising Music Editor Ted Caplan and Production Sound Mixer Tod Maitland tell us how they built the live scenes of musical history with the use of real vintage microphones, cleaver editing and many passes on the mix stage.This episode is sponsored by Sound Ideas new Golf Sound Effects library: https://www.sound-ideas.com/Product/2441/Golf-Sound-Effects Show Notes: https://tonebenderspodcast.com/290-a-complete-unknown/ Podcast Homepage: tonebenderspodcast.com This episode is hosted by Timothy Muirhead
Four members of the sound team from director Jacques Audiard's new film, Emilia Pérez, joined me for a talk about how they tried to use the sound design to make a new kind of musical. Cyril Holtz (Sound Supervisor & Re-Recording Mixer), Aymeric Devoldère (Supervising Sound Editor), Hortense Bailly (Supervising Voice Editor) and Carolina Santana (ADR Supervisor) share their workflows on this complicated film. Including dealing with songs featuring pre-recorded vocals, live singing from on set and ADR recorded months later and making it all flow seamlessly. This episode is sponsored by Sound Ideas new Golf Sound Effects library: https://www.sound-ideas.com/Product/2441/Golf-Sound-Effects Show Notes: https://tonebenderspodcast.com/289-emilia-perez/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead
Beetlejuice Beetlejuice is the kind of film that feels like anything can happen at any time. The wild sound design plays a large role is setting up that feeling of comedic unease. Supervising Sound Editor Jimmy Boyle, Re-Recording Mixers Chris Burdon & Gilbert Lake, Supervising Dialogue Editor Buster Flaws and Music Consultant & Arranger Mike Higham, join the podcast to talk about their bizarre adventures to create the sounds of Beetlejuice BeetleJuice. From re-creating classic rock tracks from scratch to using their own voices to create the sounds of the underworld, lots of creative thinking was needed. This episode was recorded at Formosa Trident studios, in London.This episode is brought to you by Sound Ideas, check out their latest sound effects library Just Wind. https://www.sound-ideas.com/Product/2400/Just-Wind-Sound-Effects-Check out Sonic Days website for full info about this amazing sound conference https://sonicdays.comListeners in the Toronto area, mark your calendars for Dec 3rd at 7pm for the Toronto Tonebenders Sound Deign Meetup, Presented by The Motion Picture Sound Editors. It will be at The Pilot on the main floor.Show Notes: https://tonebenderspodcast.com/284-beetlejuice-beetlejuice/Podcast Homepage: https://tonebenderspodcast.com/ Tonebenders Host This Episode: Timothy Muirhead
The Palme D’or winner from this year’s Cannes Film Festival, Anora is the latest film from director Sean Baker. Anora is also one of my favourite movies of the year so far. Co-supervising sound editors (and also the re-recording mixers) Andy Hay and John Warrin discuss how they molded the sound of this film. The film was largely shot docu-style with lots of overlapping dialogue and real life sound obtrusions, and a significant amount takes place in dance clubs with loud music blaring. These combined to make sound edit and mix particularly challenging.Check out www.sonicdays.com to register and learn all the details on this amazing sound conference happening in Kolding, Denmark from Nov. 19th-21st.This episode is brought to you by Sound Ideas, check out their latest sound effects library Just Wind. https://www.sound-ideas.com/Product/2400/Just-Wind-Sound-Effects-Show Notes: https://tonebenderspodcast.com/283-anora/Podcast Homepage: https://tonebenderspodcast.com/ Tonebenders Host This Episode: Timothy Muirhead
"Best Score" Oscar winner and Grammy "Album of the Year" winner, Jon Batiste joins Tonebenders to talk about his score for the Jason Reitman film, Saturday Night. He discusses the unusual way the music was recoded. It was captured on the set of the film during the evenings, after shooting was wrapped up each day. He also explains the way this idea came together and the people he collaborated with in order to pull it off. Make sure you check out this episode's companion with the sound team from the same film in Tonebenders #281This episode is brought to you by Sound Ideas, check out their latest sound effects library Just Wind. https://www.sound-ideas.com/Product/2400/Just-Wind-Sound-Effects- Check out the Field Recording Slack's Regional Birds Crowd Sourced Library and how you can take part in it https://tinyurl.com/2s3pnkt4 Show Notes: https://tonebenderspodcast.com/282-jon-batiste-amp-his-unique-score-for-saturday-night/Homepage: tonebenderspodcast.com/ Tonebenders Host This Episode: Timothy Muirhead
At the premier of Saturday Night at The Toronto International Film Festival, Director Jason Reitman made a special point of telling the audience that the sound team "put in a lot of work into making it feel like they didn't do any work at all". This is not the kind of film that you would think would have tricky sound obstacles, but that was not the case at all. Supervising Sound Editors Will Files, Lee Gilmore and David Butler, join production sound mixer Steven Morrow and music editor Chris Newlin to talk about the challenges they faced on this film. Don't miss part 2 of our coverage coming out next, featuring Jon Batiste about how the score was recorded on set during production?!This episode is brought to you by Sound Ideas, check out their latest sound effects library Just Wind. www.sound-ideas.com/Product/2400/Ju…-Sound-Effects- Show Notes: tonebenderspodcast.com/281-the-sound…turday-night/Homepage: tonebenderspodcast.com/ Tonebenders Host This Episode: Timothy Muirhead
The Sounding Board 4.0 has just been announced by The Cinema Audio Society and The Motion Picture Sound Editors! So that makes it a great time to push out this talk from last year's Sounding Board, that was moderated by Tonebenders' host Tim Muirhead. We have all heard many interviews with Re-Recording Mixers, so as a contrast, this panel focuses on the rest of the important mixers involved in the audio post process. Foley Mixer Gary DeLeone (and his Foley Artist, Michell Kohen), ADR/Loop Group Mixer Jesse Dodd and Scoring Mixer David Boucher all get a spotlight to shine on their craft. This episode was recorded live in front of The Sounding Board's audience in October 2023.This episode is brought to you by Sound Ideas, check out their latest sound effects library Just Wind. https://www.sound-ideas.com/Product/2400/Just-Wind-Sound-Effects- Show Notes: https://tonebenderspodcast.com/280-the-sounding-boards-mixers-panel/ Homepage: https://tonebenderspodcast.com/ Tonebenders Host This Episode: Timothy MuirheadGet Tickets to Sounding Board 4.0, on October 20th at https://shop.cinemaaudiosociety.org
Inside Out 2 takes the foundation of the original film and pushes those ideas even further, especially with sound design. Coya Elliot and Ren Klyce join the show to discuss how the glass memory balls became a much more important sound in this sequel and how they recorded and designed sounds for all the hockey sequences. They also talk about the lessons they learned from the first film as their dialog treatments went from mix theatre to real world cinemas, and the adjustments to their approach in part two.This episode is brought to you by Sound Ideas, check out their latest sound effects library Robots & Servos.Show Notes: https://tonebenderspodcast.com/279-inside-out-2/Podcast Homepage: tonebenderspodcast.com/Tonebenders Host This Episode: Timothy Muirhead
Kneecap is a film chock full of manic energy, about an Irish hip-hop group swept up into a political grassroots movement almost against their will. This perfect mix of the music, multiple languages and madcap sound design fuels the chaos around our main characters. The Audio Post team of Louise Burton (Dialog Supervisor), Richard Armstrong (Music Editor), Aza Hand (Re-Recording Mixer) and Brendan Rehill (Supervising Sound Editor) tell us about recording ADR for live music performances, creating and mixing crowds going bonkers and the tricky art of making stereo songs intended for home listening fill up a large cinema.This episode is brought to you by Sound Ideas, check out their latest sound effects library Robots & Servos. https://www.sound-ideas.com/Product/1396/Robot-and-Servo-Sound-Effects- Show Notes: https://tonebenderspodcast.com/278-kneecap/Podcast Homepage: https://tonebenderspodcast.com/ Tonebenders Host This Episode: Timothy Muirhead
Today we are going to be talking about field recording for the National Parks Service with recordist Chris Trevino. He tells us about his recent recording gig at Isle Royale Nation Park in Michigan, where he had his mics rolling in the park for 2 summer weeks. His goal was to capture the natural sounds of the pristine environment and the animals that call it home. Chris discusses how he got the contract with the Parks Service, how he prepared for 2 weeks with no power and what it took to pull it off once he was out in the wilderness.As a reminder The Motion Picture Sound Editors Presents: The London Tonebenders Sound Design Meetup on Sept 24th, 7pm at the Queens Head pub in Soho.This episode is brought to you by Sound Ideas, check out their latest sound effects library Robots & Servos. www.sound-ideas.com/Product/1396/Ro…-Sound-Effects-Show Notes: https://tonebenderspodcast.com/277-field-recording-for-the-national-parks-service-with-chris-trevino/Podcast Homepage: tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Deadpool & Wolverine is the biggest film of summer. It combines action and comedy in a rapid fire pace. The sound team behind the film joins me today to talk about how they managed dialog tracks where the main character is speaking behind a fabric mask and the importance of the interplay between iconic music drops that play over massive sound effects sequences. Supervising Sound Editors Ryan Cole and Craig Henighan are joined by re-recording mixer Lora Hirschberg and music editor Dan DiPrima for this fun discussion of the evolution of the sound from start to finish.As a reminder The Motion Picture Sound Editors Presents: the London Tonebenders Sound Design Meetup on Sept 24th, 7pm at the Queens Head pub in Soho. This episode is brought to you by Sound Ideas, check out their latest sound effects library Robots & Servos. https://www.sound-ideas.com/Product/1396/Robot-and-Servo-Sound-Effects-Show Notes: https://tonebenderspodcast.com/276-deadpool-wolverine/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
As a longtime fan of the Alien franchise, I have been looking forward to seeing director Fede Alvarez's latest instalment Alien: Romulus. The sound team was tasked with designing an audible world that fit in with the original 1979 film but still lives in today's definition of what blockbusters should sound like. Supervising Sound Editors, Will Files and Lee Gilmore, are joined by Dialog/ADR supervisor Polly McKinnon and Sound Designer Chris Terhune to talk about the sounds of the Xenomorphs, launch sequences and building the ambiences before the film was shot. Also in you live in London, England, mark your calendar for Sept 24th, 2024, for Motion Picture Sound Editors Presents: The Tonebenders Sound Design Meet Up. At The Queens Head pub in Soho at 7pm.Show Notes: https://tonebenderspodcast.com/275-alien-romulus/Podcast Homepage: www.tonebenderspodcast.comTonebenders' Host this episode: Timothy Muirhead
Tonebenders' listeners are simply the best. Back when I asked people to submit their favourite field recording stories, I never dreamed there would be enough sent in for two full episodes!? In this instalment you can hear recordings of cannons firing, beautiful feedback loops, plumbing pipes going entirely wrong, and lots of animals and nature. Big thanks to Carlos Honc, Matt Glenn, Ben Reichstein, Kelly Walker, Laurens Lemmers, Johan Krist, Hervé Girardin, Dmitry Chernov, & Chris Procopiou for sending in their fantastic recordings.Don't forget to fill out our listener survey, I would really appreciate it. https://tonebenderspodcast.com/listener-survey/Show Notes: https://tonebenderspodcast.com/274-listener-field-recording-stories-part-2/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Shōgun is an epic series that covers the struggle for power in mid 1600s Japan. The show features excellent sound work. From the extremely detailed foley to the fury of earthquakes, every moment feels like it has a sonic signature. Five members of the audio post production team join the podcast, to discuss how they brought the world of Shōgun to life with sound. Supervising Sound Editor Brian Armstrong, Sound Designers Jim Gallivan & Ben Cook, Dialog Editor John Creed and Foley Artist Saana Kelley take us through their Emmy nominated work on the series.Please take a couple minutes to fill out our listener survey at https://tonebenderspodcast.com/listener-survey/Show Notes: https://tonebenderspodcast.com/273-shogun/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Vancouver based Eugenio Battaglia joins us to go over his work as Supervising Sound Editor, Sound Designer and Re-Recording Mixer on Longlegs. The films amazingly successful theatrical run was fuelled by the unique sounds that drive this movie. Eugenio was instructed by director, Oz Perkins, that he wanted the film's soundscape to feel like rock & roll, so the film is infused with subtle sounds of vinyl records, things going backwards, and a vibe of being gritty and unhinged. There are a lot of fun and interesting sound decisions in Longlegs, from unusually loud foley and breathing to the Heartbeat of Hell!Don't forget to take a few minutes to do our listener survey at https://tonebenderspodcast.com/listener-survey/Show Notes: https://tonebenderspodcast.com/272-longlegs/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Charles Maynes and Frank Bry have been friends and admirers of each other's work for decades. They combined forces for the new sound effects library BLAST, that featuresincredible explosion recordings. They talk about the process of recording Tannerite, dynamite, debris and lots more. Plus they discuss their thoughts on 32bit recording, the importance of creativity in field recording and what is gained after years of practice with recorders and microphones.Please take a few minutes to help out the show and answer our quick listener survey. There are only 12 questions, and should only take a few minutes. tap here: https://tonebenderspodcast.com/listener-survey/Show Notes: https://tonebenderspodcast.com/271-recording-explosions-with-frank-amp-charles/Podcast Home Page: https://tonebenderspodcast.comHost this episode: Timothy Muirhead
We asked our listeners to submit their favourite field recordings and tell us the stories behind how they were captured, and we got some really great submissions. These stories prove that sound design is not for the weak of heart, as people are mauled by dogs or accidentally lit on fire. Other stories are tales of pure luck, by being in the right place at the right time. Listen to these adventures in sound submitted by Brad Nayman, Mark Mangini, Katrine Amsler, Ken Cain, Florian Abou Yehia, Jak Melvin, Frank Colburn, David W. Mika and David Thomas.Show Notes: https://tonebenderspodcast.com/270-listener-field-recording-stories/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
The sound design community lost one of its brightest stars this week, with the passing of Ann Kroeber. Ann was a legendary field recordists and she left a legacy of amazing sound work. Her talent especially soared with animal recordings. Her sounds are the basis of countless Hollywood creatures and animal characters. Tonebenders' host Tim Muirhead starts this episode with a few stories of his interactions with Ann that illustrate what a great person she was. Then we will roll into the full original interview Ann did with Tonebenders in May 2014. This is a fantastic interview that is very much worth a listen if you missed it a decade ago. We hope that playing this episode again can help keep her memory close to us all. She will be missed greatly.Show Notes: https://tonebenderspodcast.com/269-remembering-ann-kroeber/Podcast Homepage: https://tonebenderspodcast.comTonebenders Hosts This Episode: Timothy Muirhead and René Coronado
Creating sound for an installation in a physical space, like a museum or for an art piece, is a whole different world then tackling the sound of a film or game. There are so many variables it can make your head explode, exhibition space acoustics need to be accounted for, speaker placement can be any arrangement you can dream up, client expectations need to be met and managed, playback systems must be designed from scratch. Every installation project is an entirely new animal, with very little carrying over from job to job. We brought in 4 guests with extensive experience in this rarely talked about medium, so you can listen in as Jeremy Bloom, Jenn Grossman, Mike Clemow and Brad Nayman and share their hard learned lessons.Show Notes: https://tonebenderspodcast.com/268-sound-design-for-installations/Podcast Homepage: https://tonebenderspodcast.comTonebenders Hosts This Episode: Timothy Muirhead & Teresa Morrow
When working on a project that features horses on screen, the sound design can be broken up into 3 main categories: Their hooves, Saddle/Bridle, and their Vocalizations and Breathing. None of these are easy to design the sound for. Luckily we have some of the most talented people working in audio post-production chiming in, to tell us how they approach horses in their work. Paula Fairfield, George Haddad, Wylie Statemen, Gary Hecker, Mandell Winter, Robert Stambler, Don Sylvester and Sandra Fox all pony up their hard earned knowledge.Sandra Fox Does a quick Horse Hoof Foley Demonstration (2:24)Wylie Stateman, Don Sylvester and Mandell Winter talk about doing sound for horses in westerns (4:20)Gary Hecker discusses his work for both horse foley and as a voice actor specializing in horse vocalizations (12:15)Robbie Stambler and Paula Fairfield breakdown a specific horse scene from The Rings Of Power (26:30)George Haddad explains his horse sound design workflow on the many western series he has been Sound Supervisor on (31:20)Show Notes: https://tonebenderspodcast.com/277-sound-design-for-horses/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Have you ever been watching a stand-up comedy special and felt like you were in the room the day it was recorded? A lot of that energy relies on the sound of the crowd as they laugh and react to what the performer is doing on stage. Vinny Alfano has worked on the audio post-production on stand-up specials from Mike Birbiglia, Sarah Silverman, Iliza Shlesinger, Louis C.K, David A. Arnold and more. He talks us through how to translate that energy from the live performance to the screen by making crowd reactions immersive, and the performer crisp and clear.Also.... Attention Sound Designers and Mic Lovers! The Field Recording Slack is currently running a MACHINE themed crowdsource library. Whether you're just getting started or already sleep with a mic under your pillow, your sounds are needed! There are some serious prizes up for grabs from Pole Position, Aftertouch Audio, Penguin Grenade, Tonsturm, Sonorous Objects, Articulated Sounds, Thomas Rex Beverly, Shaping Waves, Axl Sound, Western Tiger, JSE, Surround Sound Lab and more. Mark Mangini and Ezra Dweck will choose the winning sounds after the June 30th deadline. For details on how to take part go to: https://docs.google.com/document/d/1cwXn-h6YBOaKaA9QSOofII_hkQLgX9OlYUKj-xDvFtc/edit There have already been 130 machines recorded and submitted, so lets get your sounds in too—You Don’t miss this one!Show Notes: https://tonebenderspodcast.com/266-audio-post-for-comedy-specials-with-vinny-alfano/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
This show hits hard! Invincible may be an animated series, but it is definitely not for young kids. There are real consequences here, characters die, battles leave marks. The sound design has to be big and impactful to match the powers of the super heroes going toe to toe on screen. Punches are huge, explosions really go BOOM. Blood rains down. Supervising Sound Editor Brad Meyer, Re-Recording Mixer Jeff Shiffman and Sound Effects Editor Katie Jackson tell us the secrets behind the sound design of the punches, the endless blood, inter-dimensional portals and lots more.Show Notes: https://tonebenderspodcast.com/265-invincible/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
How do you use sound to amplify feelings of awkwardness and discomfort? In The Curse the sound design is tasked with making the viewers skin crawl in a very unusual way. The series is not horror, but there are times you feel you have to look away. Long silences (that are never actually silent!) lead to unexpected emotions in both the characters on screen and those watching at home. The show's main characters, played Emma Stone, Benny Safdie and Nathan Fielder, lie to themselves and each other while their lives spiral as a result. It is quite a ride. Re-recording mixers Tim Hoogenakker and Larry Benjamin are joined by Production Sound mixer Phillip Bladh to explain how they captured and sculpted the sound to be an emotion driving force for the series.Show Notes: https://tonebenderspodcast.com/264-the-curse/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
How much Fun would it be to have the opportunity to record one of the few working B17 "Flying Fortress" planes that are still operational? The sound team from AppleTV's "Masters Of The Air" got to do just that. They were able put 60 microphones all over the B17, to record every part of it that made a noise. Then they took those sounds back to the sound editorial team and turned the recordings into to the amazing sound design of the intense air battles featured in the series. Supervising sound editor Jack Whittaker and re-recording mixers Michael Minkler & Duncan McRae tell us all about the challenges this series presented and the ways they met them.Show Notes: https://tonebenderspodcast.com/263-masters-of-the-air/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Today marks the opening weekend for Furiosa: A Mad Max Saga, a prequel for the character first introduced in MadMax: Fury Road. So it seemed like a perfect time to reach into our archives and go back to May of 2015, when we did an episode with Oliver Machin about his work on Fury Road. Hear his amazing story of how the sounds of the vehicles used in the film, were recorded in the African desert days before they were destroyed in principle photography. It is one of my all time favourite Tonebenders episodes. As a bonus, Mark Mangini makes a short appearance discussing how important these recordings were to the final soundscape of the film. Make sure to go to our website to this episode's homepage (link below) to see dozens of fascinating pictures of Oliver recording the vehicles.Show Notes: https://tonebenderspodcast.com/262-mad-max-fury-road-with-oliver-machin-re-podcast/Podcast Homepage: https://tonebenderspodcast.comTonebenders Hosts This Episode: Timothy Muirhead & René Coronado
How do you tackle sound design for a massive car chase scene, that has a fist fight happening on top of the vehicles? For director David Leitch's new film, The Fall Guy, the sound editorial team had their hands (ears?) full to make the movie sound as good as it looked. In this conversation they go down the road, on how to make a car crash sound impactful, what tools they use for cleaning up tricky dialog and how they deliver the reverb treatments for their sound design to the mixing stage. After that (37:40) Lewis Thompson joins to talk about the upcoming AIrCon virtual audio conference happening from June 10th-14th, 2024. For more info go to www.airwiggles.comShow Notes: https://tonebenderspodcast.com/261-the-fall-guy-sound-editorial-team/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
For many people that work in sound design, their dream job would be to work on a western. There are the guns, the horses, the creaky floors, and most of all the dusty wide open spaces. They all provide a great playground to create compelling sound, to support the stories of lawmen and the outlaws they seek to bring to justice. So we got the sound team behind the new western series Lawman: Bass Reeves, to take us through how they made this series sound so great. Dialog & Music Re-Recording MIxer Lindsey Alvarez, Effects & Foley Re-Recording Mixer Brad Zoern and Supervising Sound Editor George Haddad, tell us why they love working in this genre.Show Notes: https://tonebenderspodcast.com/260-sound-design-for-westerns-bass-reeves/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
In the new film Música (on Prime) we go into the musical mind of Rudy Mancuso. We learn how everyday sounds are re-contextualized into rhythms and music in his brain while he goes about his day. Because the POV of the film changes from what is real to what Rudy is hearing internally, the sound design and mix are extremely important to sell what is happening to the viewer. Re-Recording Mixers Christopher Aud (also Sound Supervisor) and Aaron Glascock take us through how the action "was recorded on set as if it was an orchestra" using up to 100 microphones, placed perfectly to capture each sound clearly. Then Sound Editorial and Mix had to go through everything that makes up the complex rhythms being played on camera by doors, knives, basketballs, and whatever else is handy.Show Notes: https://tonebenderspodcast.com/259-musica/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Are you nervous about starting a new project? Don’t worry; so is everyone else, including your sound design hero, Randy Thom. Spotting sessions are a chance to talk through the edit, scene by scene. These gatherings give the director, the composer and the rest of the editorial team a chance to sort out out technical issues and determine the direction and shape the soundtrack is going to take. Randy joins us to talk about about what kind of attitude, questions and objectives he brings to the spotting sessions for new film projects. (This episode was originally released in March 2020)Show Notes & Full Transcript: https://tonebenderspodcast.com/258---randy-thom-on-getting-the-most-out-of-spotting-sessions-re-podcast/Podcast Homepage: https://tonebenderspodcast.comTonebenders Hosts This Episode: Timothy Muirhead & Teresa Morrow
Laurence Anslow, who recently recorded and mixed the score for the recent Percy Jackson series and also worked on Ghostbusters: Frozen Empire, joins us this week. He is at the top of the game, and yet his workflows as a score recordist and mixer, are a complete mystery to many in audio post. So I asked him to come on the show and talk us through what a orchestral score recording session is like, how he delivers his tracks and who he is interacting with the most from the rest of the sound team. I learned a lot while talking with Laurence and I hope you are able to gain a bunch of knowledge as well.Show Notes: https://tonebenderspodcast.com/257---the-art-of-recording--mixing-score-with-laurence-anslow/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Magic is always a massive challenge to do sound design for and we can alway use advice on how to tackle it. So we brought in the experts from the team behind the impressive new sound library Conjure, from Echo Collective. Rene Coronado and Brad Dale discuss their approach to magic sound design, recording new material and props, the tools they use in processing and lots more. Check out their Conjure magic library at https://echocollectivefx.com/product/conjureShow Notes: https://tonebenderspodcast.com/256---sound-design-for-magic/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
The sound work of the recent Netflix series "Avatar The Last Airbender" was a massive challenge on both the sound design and the dialog side of things. We talk with Re-Recording Mixers Joe Barnett & Adam Jenkins as well as Supervising Sound Editors Tim Kimmel & Luke Gibleon about how they made massive battle sounds for powers based on fire, water/ice, earth and air. Plus they talk about how they organize a session to go from editorial to the mix stage smoothly.Show Notes: https://tonebenderspodcast.com/255---the-sound-of-avatar-the-last-airbender/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
We talk with Norway's own Tormod Ringnes, about his excellent sound work on director Margreth Olin's new documentary, Songs Of Earth. As the film's title implies, the sound of the film is extremely important. We follow the director's 83 year old father as he hikes the rugged and beautiful nature of Norway in every season of the year. From intense ice sound design to desolate mountain silence.Show Notes: https://tonebenderspodcast.com/254---songs-of-earth-with-tormod-ringnes/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Tonebenders ran episodes with members of the sound teams of all five nominees in the "Best Achievement In Sound" category at this year's Oscars. So here are some of our favourite clips from each interview. Plus a few un-aired minutes from the Oppenheimer interview that we saved for this episode. Starting with James Mather talking about the epic Fiat car chase scene in Mission Impossible:Dead Reckoning Pt 1. Then Richard King talks about the immense research the team did to get the sounds correct on Oppenheimer. Next is Tom Ozanich explaining his approach to making the huge climatic orchestra scene work emotionally. After that is Erik Aadahl discussing how explosions can't just go "boom" they have to reflect the plot when they happen in the story. Finally we have Johnnie Burn explaining how the two films he worked on last year, Zone Of Interest & Poor Things, intersected with each other.Show Notes: https://tonebenderspodcast.com/253---oscar-pool-sound-category-round-up/Podcast website: www.tonebenderspodcast.comTonebenders Host this episode - Timothy Muirhead
Richard King joins the podcast to talk about his amazing last couple of films, Oppenheimer and Maestro. He explains how his approaches varied between the two films, before spending the majority of the talk digging deep into some of the most arresting sound design scenes in Oppenheimer.LA based listeners, don't forget about The Los Angeles Tonebenders Sound Design Meet-Up this Thursday, Feb 29th. We will be gathering on the covered patio at the Thirsty merchant in Studio City. Full Details at https://tonebenderspodcast.com/tonebenders-los-angeles-sound-design-meet-up/ Show Notes & Full Transcript: https://tonebenderspodcast.com/252---oppenheimer-with-richard-king/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Dane Davis will be getting the Lifetime Achievement Award at the Motion Picture Sound Editor’s Golden Reel Awards. So I asked him walk down memory lane and talk about many of the amazing films he has worked on over the years. In part 1, episode 250, you can hear him talk about his long and successful collaboration with The Wachowskis. In part 2, we get into his work and relationships with other film makers, including Walter Murch on Romeo is Bleeding! Dane also digs into his latest project "Expats" on Prime. This pyscholicaly complex drama, starring Nichole Kidman, features excellent opportunities for the sound design to tell stories that the camera is not showing on screen.Show Notes & Full Transcript: https://tonebenderspodcast.com/251---dane-davis-part-2/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
For our 250th episode we got one of our all-time favourite guests, Dane Davis, to come back on Tonebenders. He is going to be receiving the Lifetime Achievement Award at the MPSE Golden Reels this year, so we took the opportunity to have him walk us through his storied career. In this episode, part one, Dane talks mostly about his long collaboration with The Wachowskis. Starting with the indie hit film Bound, through 4 Matrix films, multiple other films and series like Sense8. He shares how he built the relationship with the directors and what it took to keep it strong. Look for Part 2 next week when Dane will talk about his work on other projects, including the excellent new Prime series Expats.Get Tickets to The Golden Reel Awards on March 3rd at https://www.mpse.orgGet info on The Los Angeles Tonebenders Sound Design Meet-Up on Feb 29th at https://tonebenderspodcast.com/tonebenders-los-angeles-sound-design-meet-up/ Show Notes: https://tonebenderspodcast.com/250---dane-davis-part-1/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
The Creator is the recent film by Director Gareth Edwards, that features a sound design philosophy of Retro Futurism. The world is going to war over Artificial Intelligence and the robots, or simulants, powered by AI. Oscar Nominees for their sound work on The Creator, Erik Aadahl & Ethan Van der Ryn, give sonic life to multiple generations of futuristic robots, weapons and vehicles.Show Notes: https://tonebenderspodcast.com/249---the-creator-with-erik-aadahl--ethan-van-der-ryn/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Alan Wake II was released in the fall of 2023 to great critical acclaim. In this episode we talk with the sound team about their work crafting sounds for Bright Falls, The Dark Place, radio shows, strange commercials, a late night talk show, and all the other oddities that make up Alan's terrifying world. Joining us for this discussion are Richard Lapington (Audio Director), Arthur Tisseront (Senior Dialog Designer), Anika Neubert (Development Manager) and Kit Challis (Senior Technical Audio Designer).Show Notes: https://tonebenderspodcast.com/248---alan-wake-ii/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Mark Kilborn
We dig into the ambitious sound work done on Director Bradley Cooper's latest film, Maestro. They recorded the London Symphony Orchestra live on set with out any pre-recorded tracks. I am not sure anything like this has been attempted before? In addition to the huge orchestra scenes, there are intensely quiet scenes, that required a whole different set of skills to pull off. Re-Recording Mixers Dean Zupancic & Tom Ozanich are joined by Production Mixer Steven Morrow and Supervising Music Editor Jason Ruder to walk us through how they pulled off their Oscar nominated work.Show Notes:https://tonebenderspodcast.com/247---maestro/Podcast Homepage: tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
We are joined by 5 members of the sound team from The Lord Of The Rings: The Fellowship Of The Ring. They walk us through their memories of working on this influential film, the sounds they created and the impact this experience had on their careers. Tim Nielsen (Sound Effects Editor), Katy Wood (Assistant Effects Editor, Foley Editor, Sound Effects Recordist), Brent Burge (Sound Effects Editor), David Farmer (Sound Designer) and Chris Boyes (Re-Recording Mixer) have lots of stories to share and have clear bonds that have lasted through the years.Show Notes: https://tonebenderspodcast.com/246---the-lord-of-the-rings-looking-back/Podcast Homepage: tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Paul Hsu welcomes Tim and Teresa into his studio at C5 Sound in New York City, for this in-person interview. He talks about his epic collaboration with director Ari Aster on the film Beau Is Afraid. We dig into many specific moments and the over all approach to this mind bending work, where the sounds both help clear things up and further confuse the audience.Show Notes: https://tonebenderspodcast.com/245---beau-is-afraid/Podcast Homepage: tonebenderspodcast.comTonebenders Hosts This Episode: Timothy Muirhead & Teresa Morrow
We talk about the challenge of creating the sound design for Marvel's newest super hero, Kahhori, introduced in the new season of the Disney Plus series, What If...? Supervising Sound Editor/Sound Designer Mac Smith and Re-Recording Mixer Jeff King take us through their design process, how the final mix came into focus and lots more.Show Notes: https://tonebenderspodcast.com/244---what-if/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
For the first time in a long time, all 4 Tonebenders hosts get together to hang out and do a draft of our favorite genres to do sound design for. Tim, René, Teresa and Mark take turns picking the types of movies we have always wanted to tackle in our own work. We each have to pick one genre from each of the following subsets:1 - Talkies:Mystery (Knives Out, Memento, Twin Peaks)War Film (1917, All Quiet On The Western Front, Saving Private Ryan)Historical Drama (The Revenant, The Favourite, 12 Years A Slave)Oscar Bait (Tar, The King's Speech, House Of Gucci)2 - Guns and Punches:Police/Gangster (The Departed, Serpico, Goodfellas)Action/Adventure (Raiders of The Lost Ark, Fast And Furious, Bourne films)Martial Arts (Kill Bill, Crouching Tiger, Drunken Master)Western (Hateful 8, True Grit, Power of the Dog)3 - Scary Stuff:Zombie (The Last of Us, World War Z, Dawn of the Dead)Slasher (Scream, Child's Play, Elm Street)Thriller (Fatel Attraction, Get Out, American Psycho)Paranormal (The Ring, The Conjuring, Exorcist)4 - Out of This World:SciFi (Alien, 5th Element, Nope)Fantasy (Lord Of The Rings, Harry Potter, The Witcher)Superhero (Ironman, The Batman, Guardians of The Galaxy)Monster Movie (Godzilla, Pacific Rim, Cloverfield)5 - Real Life:Doc (March of the Penguins, Kid Stays in the PIcture, They Shall Not Grow Old)Music Doc/Concert Film (Moonage Daydream, Get Back, Woodstock)Bio Pic (King Richard, Social Network, Ferrari)Sports Film (Rocky, Friday Night Lights, Iron Claw)6 - Lighter Fair:Comedy (Bridesmaids, Zoolander, Rushmore)Family Animation (Puss In Boots, The Bad Guys, Toy Story)RomCom (Harry Met Sally, Always Be My Maybe, Red White & Royal Blue)Musical (LaLa Land, West Side Story, Tick Tick Boom)Show Notes: https://tonebenderspodcast.com/243---year-end-hang-out--genre-draft/Podcast Homepage: https://tonebenderspodcast.comTonebenders Hosts This Episode: Timothy Muirhead, René Coronado, Teresa Morrow, Mark Kilborn
Crowds are so hard to make sound authentic & alive in sports films. So much work goes into designing large crowds that roar with emotion. In The Iron Claw, the wrestling scenes have crowds that sound fantastic and we have the audio team here to tell us how they created them. From capturing the extras on set and recording loop group, through sound design and final mixing we go into each step to creating great sounding crowds. Production sound mixer Paul Ledford, Dialog/ADR supervisor Martin Gwynn Jones, Sound Designer Brennan Mercer, Re-Recording Mixer and Sound Supervisor Matt Chan and Re-Recording Mixer Graham Rogers tell us about making crowds and lots more.Show Notes: https://tonebenderspodcast.com/242---the-iron-claw/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Picture Editor Hilda Rasula is joined by Supervising Sound Editor Mandell Winter and Supervising Dialog /ADR Editor Sang Jun Kim, to talk about their work on American Fiction. This film has excellent writing and acting, so it was up to the post production team to live up to those standards and carry it through to the end. They discuss the tight rope walk of keeping the comedy alive while also not letting it tip over into farce, and making buildings and spaces rich with sonic character to help tell story points.Show Notes: https://tonebenderspodcast.com/241---the-sound--picture-of-american-fiction/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Michael Mann's new film "Ferrari", is a personal drama at heart, but we all know that it is the CARS that will draw people to see this one. Fortunately those cars sound amazing and we have the sound team with us, to talk about how they created and designed those sounds. Production sound mixer Lee Orloff, Supervising Sound Editors Tony Lamberti & Bernard Weiser, and Re-recording mixer Andy Nelson tell us about how they recorded the antique cars, how they differentiated the sounds for each vehicle in the races and lots more. This is a spoiler free conversation.Show Notes: https://tonebenderspodcast.com/240---ferrari/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Johnnie Burn joins in to talk about his work on the new Yorgos Lanthimos film, Poor Things. He discusses his working process with Yorgos, the sonic differences between the black and white portion and the full color parts of the film as well as how he figured out the vocals for the hybrid animals. We even briefly touch on his work on Zone Of Interest.Show Notes: https://tonebenderspodcast.com/239---poor-things-with-johnnie-burn/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Friend of the podcast Mark Mangini invites us into his studio to talk about his work on the new documentary 32 Sounds. He tells us about his experience learning how to mix for headphones, what his personal "ghost sounds" are and lots more.Show Notes: https://tonebenderspodcast.com/238---32-sounds-with-mark-mangini/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Doing sound design for water is incredibly difficult, and this film involves a lot of water! We talk with Deborah Wallach & Grant Elder about their work on new Netflix film Nyad. They tell us about the challenges of making long cinematic swimming sequences sound dynamic and varied.Show Notes: https://tonebenderspodcast.com/237---nyad/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
Production Sound Mixer Nina Rice and Supervising Sound Editors Ai-Ling Lee & Dan Kenyon tell us about the rules of what sounds can exist in Barbie Land, how that contrasts with the Real World and lots more.Show Notes: https://tonebenderspodcast.com/236---barbie/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
We dig into the sound of the sonically amazing race scenes in the Neill Blomkamp film, Gran Turismo. Re-recording Mixer Beau Borders and co-supervising sound editors Erin Oakley & Kami Asgar talk us through how they wanted the sound of the cars to feel like they are always from the POV of the drivers, so they felt hyper real. They also discuss how the story is being told through the race teams comms and headsets, how they earned the director's trust and made him at least a little less scared of using ADR.Show Notes: https://tonebenderspodcast.com/235---gran-turismo/Podcast Homepage: https://tonebenderspodcast.cominfo on how to submit your fav field recording stories by Nov 19th: https://tonebenderspodcast.com/field-recording-story-submissions/Tonebenders Host This Episode: Timothy Muirhead
Let's talk about the criminally under-discussed topic of cutting ambiences for film and series. This important craft, often feels like it has become an after thought in post audio workflows. Our guests are here to praise the role backgrounds play in making movies feel and sound real. Tim Nielsen, Kayla Stewart, Mitchell Lestner and Michael O'Connor tell us why they love cutting BGs and share a lot of the lessons they have learned through years of experience with the craft.Show Notes: https://tonebenderspodcast.com/234---the-importance-of-ambiences-roundtable/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy MuirheadCome on out to our Sound Design Meet-Up in NYC on Oct 26th, 7pm, at The Crompton Ale House in Chelsea. Make sure you say "hi" to Tim and Teresa while you are there.
In this episode we talk with the sound people behind some of our favorite scripted podcasts, to learn how they are put together. Guests Allison Grasso, Marcus Bagala, Jonathon Roberts, Jamie Coupar and Daniel Brunelle share their experiences working on great shows like Quiet Part Loud, Limetown, Case 63, Harley Quinn and Joker: Sound Mind, Shipworm, Melon's House Party and lots lots more.Show Notes: https://tonebenderspodcast.com/233---sound-design-for-scripted-podcasts-roundtable/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy MuirheadTo Submit your favorite field recording story for our upcoming crowdsourced episode, get full details at https://tonebenderspodcast.com/field-recording-story-submissions/Don't forget about our Sound Design Meet-up in New York City on Oct 26th 2023 at Crompton Ale House in Chelsea
Tonebenders host, Timothy Muirhead, tells tales of some of his favourite field recording (mis)adventures and invites all our listeners to send in their own stories of capturing interesting sounds in the wild. Tim shares stories of recording in unusual places, when strangers find microphones left to record on their own, his favourite sound he has ever recorded and lots more.Full information on how to submit your field recording stories at https://tonebenderspodcast.com/field-recording-story-submissions/Show Notes: https://tonebenderspodcast.com/?p=3073Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
In this episode we talk to members of the sound teams from some recent animated features, about the art of sound design for this tricky genre. Julian Slater (The Bad Guys/Puss in Boots: The Last Wish), Justin Davey (My Father's Dragon), Bill Dean & Jesse Pariseau (DC League of Super-Pets) and Jay Jennings (The Bad Guys/Puss in Boots: The Last Wish/My Father's Dragon) all tell us about their adventures making these films sound amazing.Show Notes & Full Transcript: https://tonebenderspodcast.com/231---sound-design-for-feature-animation-roundtable/Podcast Homepage: https://tonebenderspodcast.comTonebenders Hosts This Episode: Timothy Muirhead
In this episode we talk with the team behind the new amazing sound effects library Cataclysm. Mattia Cellotto, Kyle Fraser and Robbie Elias tell us about their adventures recording propane cannons in remote mountain locations as well as many other loud and explosive source sounds for the library.Show Notes: https://tonebenderspodcast.com/230---recording-cannons-for-cataclysm/Podcast Homepage: https://tonebenderspodcast.comTonebenders Hosts This Episode: Timothy Muirhead & René Coronado
this episode Doc Kane tells us about his illustrious career as the main voice and ADR recordist at Disney Studios in Burbank California. He also talks about how he runs a session, which microphones he likes and lots more. Show Notes: https://tonebenderspodcast.com/229---doc-kane/
Podcast Homepage: https://tonebenderspodcast.com
Tonebenders Host This Episode: Timothy Muirhead
We are joined by re-recording mixers Lindsey Alvarez and Mathew Waters from the fictional rock and roll series Daisy Jones & The Six. They talk about how they worked to put the music in all the venues the band played in, from garages to stadiums. They also dig into how they created the sound of 20,000 fans singing along with the band, plus lots more.
Show Notes: https://tonebenderspodcast.com/228---daisy-jones--the-six/
Podcast Homepage: https://tonebenderspodcast.com
Tonebenders Host This Episode: Timothy Muirhead
VR game Moss: Book II. Kristen Quinn (Audio Director), Stephen Hodde (Voice Director, Engineer) and Sun Kim (Senior Sound Designer) tell us about how the games soundscape came together. They discuss telling stories with sound in virtual reality, a clever approach to spatialization, and why one of their team members is a magical unicorn?!
Show Notes: https://tonebenderspodcast.com/227---moss-book-ii/
Podcast Homepage: https://tonebenderspodcast.com
Tonebenders Host This Episode: Mark Kilborn
We are joined by Supervising Sound Editor Nicholas Renbeck, ADR Supervisor Angela Organ and Re-Recording Mixer Andy Kris from the HBO series Succession. They tell us about their work on the final season of the series, with a special focus on how the series handles dialog. We also dig deep into the game changing 3rd episode and how its incredible sound was achieved.
Show Notes: https://tonebenderspodcast.com/226---the-sound-of-succession/
Podcast Homepage: https://tonebenderspodcast.com
Tonebenders Hosts This Episode: Timothy Muirhead & Teresa Morrow
James Mather joins in to talk about the amazing work he and his team did on Mission Impossible Dead Reckoning Pt 1. He discusses, with depth, the sound design of the car chase scene in Rome, the sonic representation of "The Entity", the train sequence in the final act and lots more. Don't miss this one!
Show Notes: https://tonebenderspodcast.com/225-mission-impossible-dead-reckoning-pt-1-with-james-mather/
Podcast Homepage: https://tonebenderspodcast.com
Tonebenders Host This Episode: Timothy Muirhead
Co-Supervising Sound Editors John Marquis and Nancy Nugent Title, join us for a talk about their sound work on The Flash. We discuss the various ways they tackled electricity sounds in the film, dealing with dialog recorded on an LED volume stage, and lots more. Show Notes: https://tonebenderspodcast.com/224---the-flash/
Podcast Homepage: https://tonebenderspodcast.com
Tonebenders Host This Episode: Timothy Muirhead
In this episode Kate Finan & Jeff Shiffman, from Boom Box Post in Burbank California, tell us about their experience of transforming a former auto body shop into a brand new multi-room audio post facility. From finding a building, hiring acousticians and architects, overseeing the actual build, and deciding on the gear to outfit the studios with, they discuss every step they went through. Jeff and Kate can laugh now as they share their biggest triumphs and mistakes.
Show Notes: https://tonebenderspodcast.com/223---building-a-studio-facility-from-scratch-with-boom-box-post/
Podcast Homepage: https://tonebenderspodcast.com
Tonebenders Host This Episode: Timothy Muirhead
The Bourne Trilogy changed the way action films sound, and raised the bar for everything that came after them. Supervising Sound Editor Per Hallberg takes us back through his work on all three films (Identity, Supremacy & Ultimatum). We dig into the sound design for the mesmerizing fight scenes, the intense car chases and even the tension built into the CIA's war rooms. Special Thanks to Formosa Hollywood for hosting this talk. (This interview was originally scheduled to include Per's co-supervisor on these films, Karen Baker Landers. Sadly she was ill that day and could not attend)
Show Notes: https://tonebenderspodcast.com/222---looking-back-at-the-sound-of-the-bourne-trilogy/
Podcast Homepage: https://tonebenderspodcast.com
Tonebenders Host This Episode: Timothy Muirhead
Co-Sound Supervisors Bobbi Banks and Greg Hedgepath join us to talk about their wonderfully detailed sound work on the new film - Chevalier. They tells us about designing the period accurate crowd reactions, sword fights, riots and a bunch more. Lots of big laughs in this one.
Show Notes: https://tonebenderspodcast.com/221---chevalier/
Podcast Homepage: https://tonebenderspodcast.com
Tonebenders Host This Episode: Timothy Muirhead
Michael Benavente (Supervising Sound Editor) and Chris Battaglia (Sound Designer) tell us about the amazing sound work they did on the HBO series The Last of Us. We talk about the pressure to stay true to the sound work done on the original games, designing decrepit and terrifying soundscapes and lots more.
Show Notes: https://tonebenderspodcast.com/220-the-last-of-us/
Podcast Homepage: https://tonebenderspodcast.com
Tonebenders Host This Episode: Timothy Muirhead
We dig into the fantastic sound in Evil Dead Rise with the film's writer/director Lee Cronin as well as the Sound Designer and Supervising Sound Editor Peter Albrechtsen. We talk about their creative use of ATMOS, designing scenes where sound is doing the heavy lifting and lots more.Show Notes: https://tonebenderspodcast.com/218---evil-dead-rise-with-director-lee-cronin--sound-designer-peter-albrechtsen/Podcast Homepage: https://tonebenderspodcast.comTonebenders Hosts This Episode: Timothy Muirhead and special co-host Tim Atkins
Dmitry and Mattia talk about their adventures recording many different animals, both big (like Lions and Wolves!) and small (Guinea pigs!). They talk about the gear they use, how to approach the creature's keepers to gain permission to record and how to best interact with animals to get the best vocalizations out of them. Plus some great stories on how they captured specific sounds. Stay tuned to the end for some great examples of their recordings.Show Notes: https://tonebenderspodcast.com/217---recording-animals-with-mattia-cellotto--dmitry-chernov/Podcast Homepage: https://tonebenderspodcast.comTonebenders Hosts This Episode: Timothy Muirhead & René Coronado
BAFTA Award winning director Mark Jenkin joins us to talk about his unique approach to sound for his films. He shoots his films on a bolex camera, entirely without sound and only adds ADR (which he records himself) after the film is edited. He also writes and records the score himself. All of this to make utterly unique films that have found both an audience and critical acclaim in the UK and beyond.Show Notes & Pictures: https://tonebenderspodcast.com/216---mark-jenkin-director-of-bait-and-enys-men/Podcast Homepage: https://tonebenderspodcast.comTonebenders Hosts This Episode: Timothy Muirhead & Teresa Morrow
In this episode we talk about the expressive sound world of The Rings of Power series on Prime. Supervising Sound Editors Robert Stambler and Damian Del Borrello as well as Sound Designer Paula Fairfield, tell us about living up to the legacy of the original trilogy, building ambiences for fantasy scenes, designing creature vocals and making magic sounds that feel organic.This is our final episode before our Los Angeles Sound Design meetup at 7pm on February 28th (2023), at the Thirsty Merchant in Studio City. If you are in the LA Area it would be great to see you and raise a glass together. We have the outdoor patio set aside for us, Full details can be found at www.tonebenderspodcast.comShow Notes: https://tonebenderspodcast.com/215---the-rings-of-power/Podcast Homepage: https://www.tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
In this episode we talk with the presidents of The Motion Picture Sound Editors (Mark Lanza) and The Cinema Audio Society (Karol Urban) about the various reasons for joining these organizations.Show Notes: https://tonebenderspodcast.com/214---should-you-join-mpse-and-cas/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy MuirheadTo learn more about The Motion Picture Sound Editors or buy tickets to the upcoming Golden Reel Awards go to mpse.org
Andor, the latest Disney+ series from the Star Wars universe, is an exciting series for sound design. Supervising Sound Editors David Acord & Margit Pfeiffer tell us about building crowds with emotion, creating massive action sequences and the special moments when no sound at all is the scariest possible sound.Get tickets for the upcoming MPSE Golden Reel Awards at https://www.mpse.orgRemember to mark your calendar for our up coming Sound Design Meetup in Los Angeles. Starting at 7pm on Tuesday Feb 28th, at the Thirsty Merchant in Studio City. We have the patio reserved and it would be great to hang out and talk shop with everyone. Show Notes: https://tonebenderspodcast.com/213---andor-with-david-acord--margit-pfeiffer/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
For our 3rd and final episode in our series on Sound Design for Documentaries we talk with the director and sound team behind the magnificent David Bowie doc Moonage Daydream. They talk about rebuilding all the music from the original 24 track recordings, making the crowds feel realistic/immersive, merging extensive sound design into iconic songs and cleaning up archival dialog so it can cut through. Sound Supervisors Nina Hartstone & John Warhurst, Re-Recording Mixers Paul Massey & David Giammarco and Director Brett Morgen have stories to spare about how this great film broke new sonic ground.Show Notes: https://tonebenderspodcast.com/212---documentary-sound-focus-moonage-daydream/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
This talk with the sound team behind director Sarah Polly's new film, Women Talking, was recorded on location at Formosa Studios in Toronto. The film offered some surprisingly difficult sound issues, including an incredibly tricky dialog clean up and edit. Predominantly in a single location, sound was left to tell the story outside those walls. Supervising Sound Editors Jane Tattersall & David McCallum as well as re-recording mixer Joe Morrow give us a deep dive on how this soundtrack came together.Show Notes: https://tonebenderspodcast.com/211---women-talking/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
In this episode we have two absolutely all-timers join us for a fun talk about their long standing working relationship and their earliest memories of going to the movies. After that we dig deep into the soundscape of The Fablemans, director Steven Spielberg's latest and most personal film to date.Show Notes: https://tonebenderspodcast.com/210---gary-rydstrom--andy-nelson-from-the-fabelmans/Podcast Home Page: www.tonebenderspodcast.comTonebenders Host this episode: Timothy Muirhead
For the first time in a long time, all 4 Tonebenders hosts get together to hang out and play a game of audio post production based trivia. Tim, René and Mark go head to head in attempting to answer Teresa's oddball quiz. Feel free to play along at home!? Lots of laughs and general fun as we wrap up our most successful year yet.Thanks to everyone for listening in 2022. If you missed our year end blog post, please give it a read: https://tonebenderspodcast.com/looking-back-on-2022/Stay glued to our feed as we have some of our best episodes ever coming up in 2023!Show Notes: https://tonebenderspodcast.com/209---year-end-hang-out/Podcast Homepage: https://tonebenderspodcast.comTonebenders Hosts This Episode: Timothy Muirhead, René Coronado, Teresa Morrow and Mark Kilborn
We are joined by 5 members of the audio team on the epic Playstation game: God Of War Ragnarok. We discuss the tricky things they did for the mix of the game, how the massive amount of work was distributed, the amazing foley and lots lots more. Michael Kent, Stephen Schappler, Bryan Higa, Beau Jimenez and Alex Previty tell us everything!Show Notes: https://tonebenderspodcast.com/208---god-of-war-ragnarok/Podcast Homepage: https://tonebenderspodcast.comTonebenders Hosts This Episode: Timothy Muirhead & Mark Kilborn
Paul Hsu (Sound Designer) and Dave Flynch (Supervising Sound Editor) talk about their work on the new Film "Nanny". This Blumhouse production, by first time director Nikyatu Jusu, is full of moody and creepy sound design as the film teeters between reality and the supernatural.Show Notes: https://tonebenderspodcast.com/207---nanny-with-paul-hsu--dave-flynch/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
We are joined by the sound team from the excellent new film, The Woman King. Production Sound Mixer Derek Mansvelt, Supervising Sound Editor Becky Sullivan and Re-Recording Mixer Tony Lamberti tell us about making the battle sequences sound extra visceral, and how the dial and battle chants went from being captured on set, through sound editorial and finally onto the mix stage.Show Notes: https://tonebenderspodcast.com/206---the-woman-king/Podcast Homepage: https://tonebenderspodcast.comTonebenders Host This Episode: Timothy Muirhead
In the second episode of our Documentary Sound Focus series we talk about the mesmerizing film, The Territory. Director Alex Pritz and composer Katya Mihailova are joined by co-sound designers Peter Albrechtsen and Rune Klausen for this in depth talk. We dig into The Territory's use of subjective sounds, what the jungle really sounds like and the blurred lines between sound design and music (and lots more).Show Notes: https://tonebenderspodcast.com/205---documentary-sound-focus-the-territory/Podcast Homepage: https://tonebenderspodcast.comTonebenders Hosts This Episode: Timothy Muirhead & Teresa Morrow
We talk with Supervising Sound Editor, Sound Designer & Re-Recording Mixer Johnnie Burn about the amazing sounds in director Jordan Peele's recent film: Nope. Johnnie tells us about designing winds to evoke something more sinister, using ATMOS to its fullest and creative ways of making alien vocals. Show Notes: https://tonebenderspodcast.com/204---nope-with-johnnie-burn/
Podcast Homepage: https://tonebenderspodcast.com
Tonebenders Hosts This Episode: Timothy Muirhead & Mark Kilborn
We have gathered the sound people behind some of the most impressive recent musicals to appear on screen. They talk about the many challenges the genre presents and how they triumphed against them. West Side Story, Tick Tick Boom, In The Heights, Schmigadoon, High School Musical: The Musical and many more productions are represented and discussed. Even if you think you are not generally a fan of musicals, this episode will have you singing their praises. Show Notes: https://tonebenderspodcast.com/203---audio-post-for-musicals-roundtable/
Podcast Homepage: https://tonebenderspodcast.com
In our first of 3 episodes focused on Sound Design for Documentaries, we talk to the sound team & director of the NatGeo Doc - Fire Of Love. Sound Designer Patrice Leblanc and Re-Recording Mixer Gavin Fernandes talk about working with the film's Director, Sara Dosa, to create the sounds of the many volcanos in the film. Most of the film is built from archive footage that was originally shot without sound. Leaving the audio team a heavy workload to help bring the images to life. Show Notes: https://tonebenderspodcast.com/202---fire-of-love/
Podcast Homepage: https://tonebenderspodcast.com
We talk with the audio team behind the smash hit film Top Gun Maverick about making the film sound bombastic and loud while also letting smaller sounds, like the pilots breathing, play prominently to build tension. Sound supervisors Al Nelson, James Mather and Bjorn Schroeder are joined by re-recording mixers Chris Burdon and Mark Taylor explain the whole audio post process from field recording jets on an aircraft carrier to the final mix.
Show Notes: https://tonebenderspodcast.com/201-top-gun-maverick/
Podcast Homepage: https://tonebenderspodcast.com
Andreas Franck and Bent Holm join us to talk about their work as Supervising Sound Editors and Re-Recording Mixers on director Ruben Östlund's amazing new film - Triangle of Sadness. They tell us about how they used sound to juxtapose expected emotions and add lots of humour. A major scene in the film involves a yacht caught in a massive destructive storm, but we never see an exterior shot, leaving the sound to carry the heavy load of conveying the power of the weather outside. This is a fun talk. Show Notes: https://tonebenderspodcast.com/200---triangle-of-sadness
Podcast Homepage: https://tonebenderspodcast.com
We talk with Thomas Rex Beverly about his amazing field recording trip to Greenland to capture the sounds of remote glaciers. He tells us about lowering microphones into ice crevasses, and what it takes to record the sounds of glaciers calving into the arctic ocean.
Show Notes and pictures: https://tonebenderspodcast.com/199---recording-glaciers-with-thomas-rex-beverly/
Podcast Homepage: https://tonebenderspodcast.com
We talk with the sound team from our favourite show of the year – The Bear. They tell us about how they built the chaos of the restaurant kitchen in the series, editing dialog where everyone is yelling at the same time in a small space, and the many, many grocery store trips the foley team had to go on to create all the food sounds in the show. Steve Giammaria (re-recording mixer/supervising sound editor), Annie Taylor (Supervising Foley Editor) and Evan Benjamin (Dialog Editor) break it all down for us.
Show Notes: https://tonebenderspodcast.com/198-the-bear/
Podcast Homepage: https://tonebenderspodcast.com
We dig deep into the rarely talked about art of running a successful Loop Group session. Oscar winning Supervising Sound Editor Nina Hartstone, Dialog Supervisor Brian Bowles, ADR/Loop Group Recording Engineer Bobby Johanson and Game Dialog Designer Tim Atkins take us through everything you need to know to run your own Loop Group session. Show Notes & Full Transcript: https://tonebenderspodcast.com/197-loop-group-roundtable-talk/
Podcast Homepage: https://tonebenderspodcast.com
We talk with Supervising Sound Editors Bonnie Wild and Mac Smith, as well as Sound Designer Kim Patrick about the supernatural sounds Moon Knight. They talk about creating creature vocals, dreaming up a new super hero's signature sounds, and deciding what the disembodied voices of gods should sound like. Show Notes & Full Transcript: https://tonebenderspodcast.com/196-the-sound-of-moon-knight/
Podcast Homepage: https://tonebenderspodcast.com
Supervising Sound Editor Craig Henighan, and sound editors Lee Gilmore, Angelo Palazzo and Katie Halliday take us behind the iconic sounds in Season 4 of Stranger Things. We dive deep into the the grandfather clock, Yuri's plane and helicopter, the voices of the Demobats and vines and lots, lots more.
Show Notes & Full Transcript: https://tonebenderspodcast.com/195-the-sound-design-of-stranger-things-season-4/
Podcast Homepage: https://tonebenderspodcast.com
In this episode we talk with the sound team behind the dialog on Season 4 of Stranger Things. Ryan Cole (Dialog Supervisor), Michael Clark (Production Sound Mixer), Korey Pereira (Dialog Editor) and Jill Purdy (Dialog Editor) talk us through the voyage all the dialog took from set to mix stage. The miracles of Vacna's voice, organizing session templates for use with multiple editors and tackling scenes with lots of characters all talking at once, are all discussed.
Stay tuned for Part 2 of our Stranger Things coverage, featuring our talk with the sound design team on Season 4 coming next week.
Full Show Notes can be found at https://tonebenderspodcast.com/194-dialog-from-set-to-mix-on-stranger-things-season-4/ Podcast website: https://tonebenderspodcast.com/
In this episode we talk to the sound team behind The Beatles documentary, Get Back. The challenges they faced to get these decades old recordings into shape were immense, They were forced to develop their own software, with machine learning, to clean up the audio and the results are amazing. In addition to audio clean up, the project presented a multitude of other hurdles as well. Brent Burge (re-recording mixer & supervising sound editor), Emile de la Rey (machine learning engineer & sound editor), Martin Kwok (supervising sound editor) and Stephen Gallagher (music editor) take us through it all.
Episode notes: https://tonebenderspodcast.com/193-the-sound-of-the-beatles-get-back/
Tonebenders Homepage: https://tonebenderspodcast.com
In this episode we talk to the sound team behind the new Halo TV series, with Supervising Sound Editor Jane Tattersall, Re-Recording Mixers Matthew Chan and Lou Solakofski as well as Sound Designer Brennan Mercer. They tell us about their ATMOS workflow from sound editorial to remote playbacks, their philosophies behind making ambience tracks feel full of life and the many different voice treatments in the series. We also dig deep into how the sounds for the Spartan's armoured suits were built with examples of each layer.
Episode notes: https://tonebenderspodcast.com/192-the-sound-of-halo/
Podcast Homepage: https://tonebenderspodcast.com
We are joined by Kai Paquin to talk about the Mid/Side microphone shootout he posted on his sound blog recently. The specific microphone models compared are: Schoeps MK41 // MK8, Nevaton MC59 // MC59-8, Sennheiser MKH 8050 // MKH 30, and Sennheiser MKH 40 // MKH 30. You can download the audio files of Kai’s recordings to hear the results for yourself at: https://paquinsound.blogspot.com/2022/01/ms-mic-shootout.html
Episode Homepage: https://tonebenderspodcast.com/191-mid-side-microphone-shootout/
Podcast website: https://tonebenderspodcast.com
In this episode we talk with the sound team behind Everything Everywhere All At Once. Supervising Sound Editor/Re-recording Mixer Brent Kiser, Re-Recording Mixer Alexandra Fehrman, Sound Designer Andrew Twite and ADR Supervisor Julie Diaz tell us about working with the films unconventional score, the sheer volume of sound design needed and how they used loop group to tell off screen stories.
Episode homepage: https://tonebenderspodcast.com/190-everything-everywhere-all-at-once/
Series website: https://tonebenderspodcast.com
We are joined by Gary Rydstrom to talk about his recent Oscar nominated work on the latest Steven Spielberg film, West Side Story. He also tells us about his sound design philosophies, how slipping sound/picture sync can change everything and lots more.
Show Notes & Full Transcript: https://tonebenderspodcast.com/189-gary-rydstrom/ Podcast Homepage: https://tonebenderspodcast.com
Guests Dane Davis & Steph Flack talk about their work as sound supervisors on The Matrix Resurrections. They discuss the challenge of coming up with new sounds that fit into the existing world of the franchise, techniques to make tricky dialog work on screen and the differences in their workflows from the last time they worked on a Matrix film 18 years ago.
Show Notes & Full Transcript: https://tonebenderspodcast.com/188-the-sound-of-matrix-resurrections/
Podcast Homepage: https://tonebenderspodcast.com
In this episode we are joined by Bernard Gariépy Strobl (re-recording Mixer) David McCallum (supervising sound editor) & Steve Fanagan (sound designer/supervising sound editor) of the new sci-fi film "Swan Song". They tell us about how they came together as a team when none had ever met before this film. They also talk about the challenge of designing UI sounds for the near future and the unique schedule for the film's post production.
Show Notes and full transcript: https://tonebenderspodcast.com/187-swan-song/
Podcast Homepage: https://tonebenderspodcast.com/
We are joined by co-supervising Sound Editors Jill Purdy and Nathan Robitaille from the new Guillermo del Toro film, Nightmare Alley. They tell us about having to set the "tone" for both halves of the film, one half is open, mechanical and gritty, while the other half is sleek and contained. Jill talks about building authentic period accurate crowds and call outs through ADR and Loop Group, while Nathen discusses designing new sounds for electricity and other ear candy in the film.
Show Notes (including Transcript): https://tonebenderspodcast.com/186-nightmare-alley-with-jill-purdy-nathan-robitaille/
Podcast Homepage: https://tonebenderspodcast.com
In late 2021 young filmmaker and audio person Juliana Henao Mesa released a documentary about women in film sound titled Listen To Us – Celebrating Women in Sound.
In the process of creating that film, a lot of the interviews ended up being cut for flow and time, but Juliana reached out to us with the idea that we could air the rest of the thoughts and ideas of these amazing women on the podcast.
So with that in mind we’re very excited to release the unreleased conversations Juliana had with luminaries Sherry Klein, Paula Fairfield, April Tucker, Kim Patrick, Baihui Yang, Danielle Dupre, Karol Urban, Midge Costin, Vicky Samson, Paulette Lifton, Teri Dorman, Ceci Hall, Catherine Harper, Ulriika Akander, Katy Wood, and Anna Behlmer.
sit back, relax and enjoy!
In this episode hosts Mark Kilborn & Timothy Muirhead talk with Playground Games' Audio Lead Fraser Strachan, about the amazing work he and his team did on the sound design of Forza Horizon 5. Fraser discusses in deep detail the process of recording hundreds of cars and their implementation in the the game. We also discuss the ambiances, the games acoustic system, and generally how to mix a game with car engines roaring at all times.
Show notes with episode Transcription: https://tonebenderspodcast.com/184-forza-horizon-5-with-fraser-strachan/
Podcast homepage: https://tonebenderspodcast.com
We're launching a crowdsource!
The purpose of this crowdsource is to generate a lot of source material from which to algorithmically generate walla crowds of varying densities and compositions. The goal is to be able to generate not only large gatherings of walla, but also the much more challenging 4-12 person groups that are often needed in post and games.
For this library you’ll bet setting up and recording one side of a real-live phone conversation with someone that you enjoy speaking to. To do this, we’ll be using earbuds on our phones during the recording (no speakerphone) The pauses and breaks in your natural speech will be pretty key to keeping the cadence of the walla sounding natural.
Show Notes and full submission details: https://tonebenderspodcast.com/183-conversation-particles/
We talk with Tara Webb (Sound Editor & Re-Recording Mixer) and Leah Katz (Dialog Supervisor) about the sound of Jane Campion's The Power Of The Dog. They tell us about defining a character through sound, building expansive landscapes and using ADR to refine the story.
Show Notes (including transcript): https://tonebenderspodcast.com/182-the-power-of-the-dog-with-tara-webb-leah-katz/
Podcast Homepage: https://tonebenderspodcast.com
Sound Designers Gene Park (Bruised), Olivia Zhang (One Night In Miami), Aaron Glascock (Creed II) and Foley Artist Jay Peck (Bruised) all sit down for a roundtable talk about their experiences designing sound for boxing and MMA films. We talk about hero moments, knockout punches, making crowds roar and the need to find room to hear the fighters breath.
See Show Notes (including transcript) at https://tonebenderspodcast.com/181-sound-design-for-boxing-mma-roundtable/
Podcast homepage: https://tonebenderspodcast.com
We are happy to "re-podcast" this great interview, originally aired on The SoundGirls Podcast. Kyrsten Mate is an award winning Sound Designer who has worked for Skywalker Sound for 25 years. Her credits include Mulan, The Midnight Sky, Ready Player One, Tomorrowland, Jarhead, and many others. Among the directors she has worked with are Francis Ford Coppola, Steven Spielberg, Brad Bird, and Walter Murch. In addition, she recently completed the Sound Design for Disneyland’s Batuu: Galaxy’s Edge.
We are joined by Tim Nielsen, Kristina Morss & Mark Kilborn to talk about gear obsession and strategies to reign in those new purchase impulses. Why do we all feel like we need 20 reverbs!? We also talk about Tim's impressive Handheld Recorder comparison of 11 different units.
Show Notes (including transcript): https://tonebenderspodcast.com/179-handheld-recorder-shootout-gear-obsession-roundtable/
Podcast Homepage: www.tonebenderspodcast.com
Supervising Sound Editors and Re-recording Mixers Christopher Scarabosio & Wayne Lemmer talk to us about their work on The French Dispatch. They tell us about what is it like working with director Wes Anderson, mixing at Abby Road Studios for the first time, and how they go about building/mixing an amazing sounding montage sequence.
Show Notes (including transcript) at https://tonebenderspodcast.com/178-the-french-dispatch-with-wayne-lemmer-chris-scarabosio/
We are joined by Mark Mangini, Theo Green and Dave Whitehead to talk about their work on the new Denis Villeneuve film, DUNE. They talk about designing the sounds for the personal shields, Ornithopters, the ambiences of all the planets and the sand worm! Plus lots, lots more.
Show Notes (including transcript): https://tonebenderspodcast.com/177-the-sound-of-dune/
Podcast Homepage: https://tonebenderspodcast.com
We are joined by Barry Donelly, Kristen Quinn, Benoît Marsalone and Arnaud Noble to talk about recording and designing sounds for underwater scenes in films and games. We discuss our favourite underwater recording sessions, what works and doesn't work with hydrophones and when it is best to fake it with water sounds recorded with normal microphones.
See Show Notes and full Bios at https://tonebenderspodcast.com/176-recording-designing-underwater-sounds-roundtable/
Guest host Mark Kilborn sits down with Loic Couthier & Toivo Kallio, to talk about their sound work on the new PS5 game, Returnal. The Game is a sci-fi third person shooter, based on time loops happening within a shape shifting planet. The game really takes advantage of the new sound capabilities on latest playstation console, especially 3d audio.
Show Notes: https://tonebenderspodcast.com/175-returnal-with-loic-couthier-toivo-kallio/
Podcast Homepage: https://tonebenderspodcast.com
Brad Engleking tells us about working on the sound for the amazing documentary, Fathom. The film is about scientists that are recording humpback whale calls and trying to decipher their language. Fathom features some of the most beautiful whale recordings ever captured.
In this episode we talk to Emmy nominated co-supervising sound editors Bernard Weiser and Brent Findley, from the hit series Ted Lasso. They do a deep dive on how they built a massive stadium full of fans chanting "Wanker" from a small loop group for source. They also discuss the rapid evolution of the ADR process in pandemic times, having now done two seasons under various levels of lockdowns. Some things they hope stay going forward and others that they can do without.
In this episode we talk with Craig Henighan (Supervising Sound Editor/SFX Re-Recording Mixer), Paul Massey (Dial/Music Re-Recording Mixer) and Ryan Cole (Dialog Supervisor) from the Shawn Levy directed film, Free Guy. We talk about finding sonic space for dialog when total chaos is happening on screen, dealing with visual effects changing with each new delivery and ADR during a pandemic.
In this episode we talk with the team behind the music documentary Billie Eilish: The World's A Little Blurry. Joining us are director RJ Cutler and members of the sound team including re-recording mixers Elmo Ponsdomenech & Jason "Frenchie" Gaya as well as Supervising Sound Editor Richard E. Yawn. They talk about the challenges of having source footage originally recorded on everything from VHS to iPhones, mixing music for concert footage and keeping Billie's home life sounding intimate.
In this episode we talk with Supervising Sound Editor Mac Smith and Re-Recording Mixer Brandon Proctor, from the new film Nine Days. They tell us how they created the sound for a story that takes place on another plane of existence and yet is entirely recognizable. The film centres on a wall of TVs that that needs sound to lead the viewers to what is (and isn't) important to the story.
Al Sirkett and Lucy Mitchell tell us about their experiences building new stand alone studio spaces in their backyards. They tell us everything they learned, what they would do different, and how much it has changed their lives.
In this episode we are joined by the sound team from the hit Disney Plus series WandaVision. Gwendolyn Yates Whittle and Kim Foscato (Co-Supervising Sound Editors) as well as Danielle Dupre (Re-Recording Mixer) tell us about the immense pressure to complete the series to match Marvel's cinematic standards while working under pandemic restrictions. The also discuss how co-supervisors share the work load, creating sounds knowing they will become cannon and the workflow of processing White Vision's voice.
Way back in January, the great Mark Mangini penned a little blog post outlining some audio tropes that he was hoping to put to rest.
That post inspired some slack threads, facebook posts, and a good general discussion about how we can be more original and creative when tasked with designing sounds and situations that can have quick and easy answers.
In this not-so-serious conversation Mark gets together with Tim, Teresa and René to break down some tropes, spell out some reasons for going there anyway, and maybe…just maybe…we retire the now infamous Wilhelm.
We talk to Peter Albrechtsen (sound designer) & David Barber (re-recording mixer) about the intense and unique sound work done on director Robert Machoian's film The Killing of Two Lovers. Visually the film plays out over long steady shots, while much of the films plot takes place off screen with sound taking the lead. The director also chose not to have a composer and instead use sound design, almost as musique concrète, to build the tension.
We talked with an amazing lineup of guests about all angles of recording in the desert.
George Vlad, Thomas Rex Beverly, Bethan Kellough, Zach Goheen
We pick up where we left off in episode 163 with guests Kate Finan, Dominic Lawrence & Heather Olsen talking about doing sound design for series animation. We cover how to deal with the tight scheduling and deadlines, the hard lessons we all learned when getting started in animation sound and the need to respect how important these shows are to young viewers.
In this episode we welcome Heather Olsen (Gravity Falls, The Fairly OddParents), and Kate Finan (Muppet Babies, Invader ZIM: Enter the Florpus) from California, as well as Dom Lawrence (The Octonauts, Danger Mouse) from Ireland to talk about the art of doing sound design for animated series. They join our regular hosts Teresa Morrow (Nina's World, Elinor Wonders Why) and Tim Muirhead (PAW Patrol, Bakugan) to really dig into what it takes to bring animation to life with sound.
Supervising Sound Editor Nicolas Becker, Foley Artist Heikki Kossi and Re-recording Mixer Jaime Baksht join us for a talk about their work on the amazing film The Sound of Metal.
In this episode we talk with the sound team behind the excellent new film Judas and The Black Messiah. We dig deep into a standout scene involving a speech to an exuberant crowd with lots of call and response happening. Marlowe Taylor talks about how he captured the sounds on set, as Production Mixer. Rich Bologna explains how he edited those sounds, in post, to create the intensity, and re-recording mixer, Skip Lievsay, tells us how he made it all sound HUGE.
In this episode we talk about the sound work done on the latest Aaron Sorkin film The Trial of The Chicago 7. We are joined by Reneé Tondelli (supervising sound editor) & Michael Babcock (re-recording mixer) as they tell us all the challenges they overcame to make this protest/courtroom drama come to life. From overcoming challenges of recording loop group and ADR in early lockdown conditions, to blending the sound of new scenes and original archive footage seamlessly this film presented endless challenges for the audio team.
In this episode speak with Sergio Diaz (Supervising Sound Editor) & Zach Seivers (re-recording mixer) about their work on director Chloé Zhao's new film Nomadland. This film has very little dialog and music, so a lot of the sonic emotion of the film is built by the sound design and the very prominent ambiences used in the film.
This episode we are joined by Gilbert Lake who was the SFX re-recording mixer on the recent Patty Jenkins film Wonder Woman 1984. Gilbert tells us how he got started with his mixing career in New Zealand only to end up back in his home town of London England, the type of sound effects the director expects for a Wonder Woman film and how to make a scene inside a swirling vortex work when the characters are whispering!?
Melissa Pons is a field recordist and sound designer who recorded an amazing album of wolves and wildlife in Portugal at a sanctuary named Grupo Lobo.
In this episode we discuss how she got started in sound, how the project came to be, what the edit was like, and the ecological value of wolves in nature.
We sit down with Ren Klyce to talk about his work as Supervising Sound Editor and Re-Recording Mixer on David Fincher's latest film Mank. We go done a rabbit hole on how he created the 'patina' over the entire soundtrack to make it feel like it was made in the depression era. It was no easy task....
In this episode we talk with Steve Boeddeker about the sound of the new documentary, The Dissident. He handled the entire sound edit and mix on this engrossing and complicated story that leans on sound heavily to make things clear. After that we visit with Cory Rizos, out of Montreal, and discuss his career in sound.
In this episode Richard King joins us to talk about the ultra complicated sound for Christopher Nolan's film, Tenet. We talk about creating interesting sound design for scenes happening in reverse time, how to build big cinematic body punches and his thoughts on the controversy over the film's dialog mix.
We are joined by the sound team behind the hit series The Mandalorian. Re-Recording Mixer Bonnie Wild & Sound Designer/Supervising Sound Editor Dave Acord tell us about making the sounds of light sabers, the beskar spear, and seismic bombs. They also discuss their approach to creating the endless array of new creature vocals that the Star Wars universe conjures up.
We welcome Tim Nielsen and Kai Paquin to talk about organizing & participating in Crowd Sourced Sound Effects Libraries. They have both run successful Crowd Sourced libraries that went on to raise lots of money for charities once completed. We also talk about the Universal Category System initiative, that Tim and Kai are the brains behind, and how it has helped streamline metadata in crowdsourced libraries.
The winter 2020 Journal of Media and Diversity included an important study produced by our good friend Emma Butt, illustrating the current state of diversity in the film sound industry in the UK.
In this episode we discuss the origin and methodology of the study with Emma, and get into some possible solutions.
We are joined by the sound editorial team for the hit series The Queen's Gambit. Rachel Chauncey (foley artist), Gregg Swiatlowski (Sound Supervisor), Eric Hirsch (Sound Editor) and Leo Marcil (Sound Effects Designer), all talk about their work on this challenging project.
In this episode Eric Hoehn walks us through what it was like to do the final mixes for the Queen's Gambit during the lockdown. He also talks about his tricks to make dialog pop and what it is like working with Wylie Stateman.
Today Rene and Tim talk with the legendary Production Sound Mixer John Pritchett. John has worked on projects from Dirty Dancing to Avengers: End Game and just about everything in between. In addition to all the blockbusters he has also worked with auteur directors like Altman, Malick, Mendes, Oliver Stone, PT Anderson, and many more. He has seen it all and has the stories to prove it!
We do a deep dive into the ground breaking Sound Design of Scott Pilgrim Vs The World, to celebrate it's 10th Anniversary. Supervising Sound Editor Julian Slater tells us about his favourite moments and how they came to be.
In this episode we sit down with Sound Supervisor Tim Rakoczy in Austin Texas. We talk about his long collaboration with director Robert Rodriguez working on films like Alita: Battle Angle, Predators and Sin City. Tim is a great storyteller, you don't want to miss this one.
Wylie Stateman (Django Unchained, Godless, Hateful 8), Valerie Deloof (The Sisters Brothers), Mandell Winter (Deadwood: The Movie, Magnificent 7, Meek's Cutoff) and Don Sylvester (3:10 To Yuma) tell us about how they approach Sound Design for Westerns. From horses & guns to gritty foley & ambiences, we cover it all to make the wide open spaces of the old west come to life with sound.
We talk with "The Boys" Supervising Sound Editor, Wade Barnett, and Sound Designer David Barbee. They tell us about making gore sounds extra gross, how they evolved sound design for superheroes and how much fun it is working with a show runner that prioritizes sound design.
In this episode we talk with the ubiquitous Jack Menhorn about his latest project: Disintegration from V1 Interactive.
Jack gets into the nuts and bolts of the asset management, voice production, vehicle building, and dynamic mixing. Jack also dives into his big leap into his first project as a full-on audio lead.
In addition to running the sound department at V1, Jack has for years been an integral organizer in the online audio community – taking leadership roles in the iconic Designing Sound website, as well as the field recording slack. Its generally a good idea to follow him on twitter @JackMenhorn and spam him with gifs.
You can also find him at JackMenhorn.com
Another interview recorded during Tim and Rene's trip to Austin earlier this year. In this episode the guys visit Shana Brown at her studio Chez Boom in Austin and chat with both Shana and Emma Butt about the ins and outs of work for hire ADR, studio hopping, and how both women face down misogeny in the work place.
We talk about the sound for the hit show Normal People with sound effects editor Anna Bertmark and Supervising Sound Editors Niall Brady & Steve Fanagan. We talk about creating the show's mood with sound, how to collaborate when everyone on the team is in different cities and lots more.
During the time of global pandemic sound designer Al Sirkett created the Ambient Isolation project as something to do with his daughter. The project ballooned into a massive crowdsource, where recordists from around the world captured the sounds of a locked down world.
In Part 2 we’ve assembled a collage of contributions with short descriptions from some of the recordists that participated. This is a peaceful, meditative collage so allow yourself some space to take it in properly.
During the time of global pandemic sound designer Al Sirkett created the Ambient Isolation project as something to do with his daughter. The project ballooned into a massive crowdsource, where recordists from around the world captured the sounds of a locked down world.
In Part 1 of this episode we talk with Al about the story of the project and how it came to be.
Tim and René sat down with Tom Hammond at his Soundcrafter Studios in Austin to talk about his 25 years of collaborating with director Richard Linklater. Tom tells us about the 12 year post production process on Boyhood, his start editing foley and how he survives and thrives working outside of Hollywood.
In 2018 the film world took notice when Alfonoso Cuarón, director of Gravity, released a black and white, period film called Roma to wide acclaim. It was one of the first films to truly explore and innovate in the Atmos format, and the dense soundfield was an intense labor of love throughout.
In this episode we spoke with sound editor Javier Quesada about his intense and meticulous work in this project.
In this episode we talk with Paul and Jessie about Trolls World Tour. The film is about how music can either drive us apart or bring us closer together, resulting in the sound design playing a major role in making the story work. We discuss how to make sound effects cut through in a loud musical, figuring out the sound of the Trolls' world, and how being noticed for working hard early in your career can pay off years down the line.
Are you nervous about starting a new project? Don’t worry; so is everyone else, including your sound design hero, Randy Thom… Talking through the edit, scene by scene gives the director, the composer and the rest of the editorial team the chance to sort out out technical issues and determine the direction and shape the soundtrack is going to take… Randy joins us to talk about about what kind of attitude, questions and objectives he brings to the spotting sessions for new movie projects.
We visit Game On in Montreal to get a tour of their massive Motion Capture stage and recording studios. Sam Giradin tells us about their audio workflow recording on the stage and in the booth when pushing through ten of thousands of dialog lines for AAA games.
In this episode, René and Tim talk with acclaimed voice actor Eric Vale about the process of setting up a home voice recording setup during the age of quarantine when studios are not available and work still needs to be done.
We dispel some myths, we talk gear, we show off some mics, and we crack some jokes. If you know voice actors going through the process of setting up (or stepping up) a home recording rig, send them this episode.
What with one thing and another, John, Shelley and Scott are sheltering at home. We take advantage of this rare break in the schedule to bring them back together over Skype. They pull back the curtain (Zuzz, but just a hairball) on the unique space they've created to work in and share the irrepressible camaraderie that fuels their work at Skywalker Ranch. We also talk Foley for animation, including some thoughts on Pixar's newest, Onward.
In this episode we are "re-broadcasting" an interview from the Sound Perspective Podcast with legendary Australian film director Peter Weir (Witness/Master & Commander/Truman Show/Dead Poets Society). Peter talks with host Alfie Faber about working early in his career with legendary sound pro Alan Splet, and then with Richard King on his later films. This is one of the many great interviews available from the Sound Perspective Podcast.
René reminisces about his adventure recording the NHL winter classic way back when it was ok for 80,000 people to get together and watch a game.
A quick roundtable with Kate and Jeff from Boombox about the current coronavirus situation and how it affects the sound community.
Rene & Tim are joined by guests who are all just getting started with working in ATMOS. After having to figure out ATMOS on their own, without the benefit of a full tech staff, we discuss the mistakes made, lessons learned & some discovered tricks. Guests on this episode are Korey Pereira , Nicole Auringer and Glenn Eanes. They are all doing audio post production out of Austin Texas. Special thanks to Soundcratfer Studios for hosting us for this talk.
We talk with Stuart Wilson about his work as Production Mixer on the extremely challenging set of Sam Mendes' epic film 1917. The films long continuous shots presented new and unique obstacles (both physical and technical). He also worked on two other recent films in The Two Popes and Star Wars: The Rise of Skywalker. Since we recorded this interview Stuart Wilson has won the Best Sound Mixing Oscar for his work on 1917.
In this wide-ranging interview, René speaks with Martin Stig Andersen about the tools and techniques he's used as a designer and composer over the course of his acclaimed career.
This episode we talk to the co-supervising sound editors on Just Mercy, Onnalee Blank and Katy Wood. They talk us through the evolution of the sound of the prison interiors in the film, how to get courtroom loop group to work, and lots more.
Brad Engleking is nominated for a MPSE Golden Reel Award this year for his work on Terrence Malick’s latest film A Hidden Life. We talk about his work dialog editing, sound designing and mixing this 3 hour epic.
Supervising Sound Editor Alan Murray and Re-Recording Mixers Dean Zupancic & Tom Ozanich talk us through their work on Joker. We dig deep into subway shooting scene, and how they found the sound of Gotham.
We sit down with 8 time Oscar Nominee, Wylie Stateman to talk about the state of the audio post industry, his first steps when tackling new projects and how he maintains decades long working relationships with directors like Quentin Tarantino. We also pull apart his recent work on Once Upon a Time... In Hollywood
We talk with the co-Supervising Sound Editors on Taika Waititi's new film Jojo Rabbit, Ai-Ling Lee (Also SFX Re-Recording Mixer) and Tobias Poppe. They tell us about passing scenes back and forth during the edit phase, how they treated the films imaginary characters with sound and lots more.
In this episode we check in with Skip Lievsay & Blake Leyh to talk about their recent work on the bio-pic Harriet. They discuss bringing the sound of the 1800s to the screen, dealing with studio execs on the mix stage and their many years of collaboration since their first shared credit on 1991's Barton Fink.
In this episode Paul Massey and David Giammarco talk us through the their mix of the James Mangold film For vs Ferrari. We break down two particular scenes soup to nuts.
We are joined by 4 Members of the sound team of the AMAZING new documentary The Cave from Oscar nominated director Feras Fayyad. Sound supervisor Peter Albrechtsen is joined by sound editor Rena Eid, and re-recording mixers Tim Neilsen and Lars Ginzel to talk about the unique sound design for this gritty doc about an underground hospital in war torn Syria. Mixed in ATMOS, the sound plays an unusually large role in telling this heartbreaking story.
This episode features two separate interviews about the sound work on the Sci-fi film I Am Mother. First up, we talk with Pete Smith (Re-recording mixer), Tom Heuzenroeder (Sound designer), Duncan Campbell (Sound designer & Foley recordist) and special co-host for this interview Carlos Manrique Clavijo (Mix assistant & mix studio tech). They talk about the task of bringing the robot (Mother) to life with sound design plus lots more. After that (39 min) Timothy talks, one on one, with the film's director Grant Sputore. Grant tell us about how blown away he was by the sound design on I am Mother and the way he communicated with the sound team to achieve his (aural) vision.
Timothy talks to Midge Costin about her new documentary feature on the art of sound for films called Making Waves. Calling in from Ghent, Belgium, Midge tells us about how the film came to be and why she was born to make this project. Go to www.makingwavesmovie.com to find a way to see this film, featuring sound luminaries Walter Murch, Ben Burtt, Gary Rydstrom and so many more!
In this episode Tim & Teresa welcome Rocketman's Picture Editor (Oscar Winner Chris Dickens), Music Editor (Andy Patterson) and Sound Supervisor (Danny Sheehan). They talk about how their departments worked together to create the film's complicated sound scape. The picture had to be edited to match the music, and then the music had to be chopped up to accommodate the picture's needs. Finally the sound effects and mix had to sell all the transitions to make it all work.
In this episode Tim sits down with Harry Cohen, Zach Goheen & Leo Marcil to talk about their work on Quentin Tarantino's latest film Once Upon A Time... In Hollywood. They talk about an epic session recording all the cars in the movie, building worlds with sound, the magic of foley and lots more.
Marc Straight is a composer and sound designer for games, films and live attractions. For the commemoration of our 100th episode, we commissioned Marc to create a new theme for the podcast.
In this episode, we break down the sounds and inspirations for the track that came forth.
You can buy tonbender at Marc's bandcamp page. https://marcstraight.bandcamp.com/track/tonebender
In this mini episode Tim calls up Benjamin Cook to talk about the work he did to earn his recent Emmy Nomination as Supervising Sound Editor on s1 of Amazon's Jack Ryan series.
We dig deep into the sound of Season 3 of the HBO series True Detective with Supervising Sound Editor Mandell Winter and Dialog Editor Micah Loken. Both have been nominated for an Emmy for there work on the show and talk about how they got the dialog so smooth and created an unique sonic mood for the series.
In this episode we talk about the unique working relationship between SEAL Team's picture and sound departments during the show's post production. Editors David C. Cook and John Vitale sit down with the series' Supervising Sound Editor Greg Hedgepath and Sound Designer Charles Maynes. They discuss how they collaborate and influence each others choices during the fast-paced schedule of the military-themed action series.
Today Teresa, René and Timothy sit down with Dallas Taylor from Defacto Sound. Dallas tells us about his work doing sound for ads, trailers, promos and Docs as well as the process behind his blockbuster podcast Twenty Thousand Hertz. After the interview we play one of our favourite episodes of Dallas' podcast "The Booj"
René and Timothy sit down with Watson Wu to talk about his epic field recording sessions for the game Ring of Elysium. Watson recorded car drops, multiple types of vehicles and lots and lots of guns to create an incredible sound library.
René and Timothy are joined by the Production Recordist, Dialog Editor and Re-Recording Mixer from Amazon's Marvellous Mrs Maisel. We track every step the dialog takes from the actor's mouths to the final print master. Mathew Price, Sara Stern and Ron Bochar talk us through how they deal with one of the most dialog heavy shows ever produced.
One of our favorite episodes was our first interview with Dave Whitehead.
His kind and wise words were inspirational then and they continue to be now. We're dropping that interview in our feed as the last episode before we do the big 100th episode giveaway, so just sit back and let the greatness wash over you.
For part two of our 100 episodes celebration, we invited past guest Peter Albrechtsen back on the show to interview us. Peter talks with Timothy, Teresa and René about how the audio post production community is changing and ways it isn't changing fast enough. We also finally hear Teresa's audio origin story and how she came to be a part of Tonebenders. Don't forget to enter our big give-a-way before May 29th http://tonebenderspodcast.com/tb-100-give-a-way/
René and Timothy sit down with Shannon Mills, Supervising Sound Editor on Marvel's biggest film yet, Avengers: EndGame. Shannon talks about how he tackles projects with such epic scale, how important his team is and lots more.
Life Death and a Box of Sound Effects! René, Teresa & Timothy sit down with Mark Mangini to listen to clips sent in by some of our favorite past guests. Ai-Ling Lee, David Whitehead, Erik Aadahl, Ethan Van Der Ryn, John Warhurst, Mildred Iatrou Morgan, Nina Hartstone, Paul Davies, Richard King and Sylvain Bellemare, all contribute stories about some of their best days on the job. We also announce our greatest give-a-way ever! Thanks to Sound Radix, iZotope and ProSoundEffects for providing the amazing prizes.
In this episode the sound designers behind two of the biggest franchises in the world talk about doing sound for VFX heavy projects. Paula Fairfield, of Game of Thrones, and Nia Hansen, of the Avengers' films, tell us how they plan, prepare, design and then re-design the sounds of dragons and super heroes.
In this Episode Teresa and Timothy head to Montreal to talk with Gavin Fernandes (re-recording mixer) and Martin Pinsonnault (Supervising Sound Editor) about their work on HBO's Big Little Lies, Season 1. They talk about their long time collaboration with series' Director Jean-Marc Vallée, the challenges of working on prestige television projects and working with L.A. based production companies while doing sound post in Montreal.
René, Teresa and Tim all chat with Gary Bourgeois as he takes us through his personal Protools template. Hear what he uses as a starting point when mixing films like Captain America: The First Avenger, Team America: World Police and literally hundreds of other films and TV shows. Really interesting talk with a super interesting guy!
René and Tim talk with Enos Desjardins about his work on the new Netflix film Close, making the jump from indies to a larger budget project and how he approaches sound to influence the audience.
In this episode we sit down with Paul Davies and talk about his long collaboration creating sound for director Lynne Ramsay’s films. In particular we focus on the amazing sound design on their latest work You Were Never Really Here. We also get a preview of his upcoming talk at the School of Sound International Symposium in London April 24 – 27, 2019.
We sit down with co-supervising sound editors Nina Hartstone and John Warhurst to talk about their Oscar nominated work on Bohemian Rhapsody. We cover the exhaustive work they did to re-create the concert crowds, music and the world Freddie Mercury and Queen lived in.
In this episode René talks about his methodology and philosophy for budgeting for personal gear, and then does some shootout tests with an MXL 440 microphone he modded with a capacitor upgrade.
In this episode Timothy checks in with Erik Aadahl and Ethan Van der Ryn to congratulate them on their Oscar Nomination in Sound Editing for "A Quiet Place". They also talk about their amazing a year of work in 2018. In addition to "A Quiet Place", they Sound Supervised "Christopher Robin", "Bumblebee" and "The Meg", four completely different films in every way.
In this episode we talk with Andrew Stirk about the sound work he did as the Sound Supervisor and re-recording engineer, on the recent film "A Private War". We discuss the films gritty, almost documentary-like approach to sound and the times when they threw the realism out the window to create impactful moments in the story.
In this episode we have 3 different interviews with members of the sound team for Mary Poppins Returns. First up is the film's dialog and music re-recording mixer Mike Prestwood Smith, followed by the Supervising-Sound Editor Reneé Tondelli and then effects and foley re-recording mixer Michael Keller. They all have fascinating stories on how the film's sound evolved into the impressive final mix.
Mildred Iatrou Morgan & Ai-Ling Lee sit in with us for this episode. They were the co-supervising sound editors on Damien Chazelle's recent film First Man. They talk about the epic challenge of bringing this film to life, knowing so much of the plot uniquely depends on sound to tell the story of the first moon landing.
Host Timothy goes for a frozen, snowy walk in the woods while recalling some of DesigningSound.org's best content, why the site was/is so important to the audio community and how much it will be missed. Go to http://tonebenderspodcast.com/088-thoughts-on-designingsoundorg/ to find links to a bunch of Timothy's favourite articles from DS over the years. Huge Thanks to Miguel, Jack and Shaun (& everyone else) for all the hard work they have done on DS!
What does it take to make a career in sound post-production? In this episode we listen in on a panel discussion hosted by Soundgirls.org, with 5 talented audio-post pros: Onnalee Blank (Re-Recording: Mixer Game of Thrones, If Beale Street Could Talk), Karol Urban (Re-Recording Mixer: Grey’s Anatomy, New Girl), Kate Finan (Supervising sound editor: Future-Worm!, Muppet Babies) and April Tucker (Re-recording Mixer: The Bachelor, Alt-Right: Age of Rage) and moderator Anne-Marie Slack (Executive of Organization Services for MPSE). They each tell how they got started, and share stories and advice on how to keep moving forward in film and TV post-production.
Richard King is a 4 time Oscar Winner for Sound Editing (actually nominated 6 times!) and a giant in the film sound world. He sits down with Timothy to talk about his work on Dunkirk, what it is like to work with Christopher Nolan and Hans Zimmer and many of the other amazing films he has been a part of. Great talk!
In this episode Timothy and René sit down with the sound team behind the new Emmy nominated documentary “Dreaming of a Jewish Christmas”. The film tells the story of how Jewish songwriters are responsible for so many of the best-loved Christmas tunes. Set in a Chinese restaurant on Christmas Day, the tale unfolds using a combination of musical performance, interviews and archival footage. Joining us for the interview are the film’s producer Liam Romalis, re-recording engineer Richard Spence-Thomas, location recordist Gary Vaughan and Music Supervisor Aaron Davis.
In mid 2018 sound recordist Bret Johns decided to launch a kickstarter that would send him to Thailand on a mission to record a variety of elephants that would turn into a pretty spectacular library launch. We enthusiastically backed it, and when the time was right we caught up with Bret to hear the sounds and talk about the adventure.
Elephants In The Room Sound Effects Library https://elephantvoices.org/
also huge thanks for editorial help from Sebastian Dressel. check out his work below
http://www.sebastiandressel.com/
Teresa and Timothy visit Montreal to sit down in person with the sound team behind the ground breaking and award winning film Arrival from director Denis Villeneuve. Re-Recording Mixer Bernard Gariépy Strobl and Supervising Sound Editor Sylvain Bellemare tell us about the way they brought the soundtrack of the film to new heights. This is a great talk about a fascinating film.
We talk with Joseph Fraioli about his work on the new science fiction film "Kin" by directors Jonathan and Josh Baker. Joseph tells us about how he created an alien language and the sounds of the mysterious gun at the heart of the film. He also discusses how he uses modular synths in his sound design and how he worked with a sound team spread out between New York, Los Angeles, Toronto and Scotland.
In this episode Timothy goes to Foley One's studios for an in person interview with Steve Baine (foley artist), Peter Persaud (mixer), Gina Wark (editor) and Rocky (studio dog) to talk about their work on the recent hit film A Quiet Place. We also talk about other films they have worked lately on including The Shape of Water and Mother! Fun talk with great people about top notch work.
Timothy René and Teresa open up the mailbag and answer some questions from listeners. We tackle how directors can find a good match with a sound designer, how to find the sonic voice of an animated project, and how edits done in a home studio can best translate to mix stages.
Timothy and Teresa were recently in Montreal and gathered some of the city's top SFX recordists and curators to sit down and talk with us. We discuss every aspect of the process of releasing a SFX library for sale, from initially recording the sounds all the way to metadata and distribution strategies. If you were ever thinking about putting out your own SFX library this is a goldmine of information.
In this episode Timothy and co-host Teresa Morrow talk with Perter Albrechtsen about his work on the new film Generation Wealth. Peter discusses the challenges this documentary presented as well as lots of other projects from his long an acclaimed career in sound.
In this episode Timothy sits down with Skip Lievsay in his personal studio at Warner Brothers New York. Skip waxes eloquently about finding a film's "sound", the differences between working in LA and NYC, and a career spent working on some of the best films of the last 30 years.
Tim and René sit down with Colin Hart from Hartfx.com and Tilman and Emil from Tonsturm.com to discuss planning and executing the recordings of dangerous things.
In this episode we gather some of the busiest and best dialog editors working in film and TV today. We talk to Jill Purdy, Claire Pochon, Fred Rosenberg and Michael Maroussas about their workflows, triumphs, pet peeves and lots more. Collectively these are the architects behind the dialog tracks on some of the greatest movies of the last 30+ years.
Erik Aadahl & Ethan Van der Ryn sit down with us to talk about the incredible sound design work they did on the new film "A Quiet Place". Heads Up - Contains mild spoilers!
In this episode we sit down with Nicholas Renbeck for a talk about what it is like to be working as a freelance Sound Supervisor in New York City. We go in depth on his recent Golden Reel and Emmy award winning work for the HBO series “The Night of” as well as other projects he has worked on in his long career. Thanks to C5 Sound for letting us use their studio to conduct the interview.
René picked up some Rode NT5-O omni capsules for his (dormant) pair of NT5s recently, and produced a pretty deep dive into the recordings he's made while exploring them recently.
here are some pics. https://www.flickr.com/photos/123677612@N02/albums/72157690362222272
Here's an ep in which René takes a walk in the neighborhood with an SM7b to discuss a recent custom installation project he worked on.
In this episode René and Timothy sit down with Tim Farrell to talk about his 5 seasons working on the series Walking Dead as well as his latest gig as Sound Designer on the new Star Trek: Discovery series. We discuss techniques on how to keep long term jobs fresh and challenging as well as lots of other (hopefully!) interesting topics.
René and Timothy take a crack at answering questions sent in by listeners. Topics range from how to tackle a short film if you are doing it all yourself, best ways to find freelance work outside of the big post audio centers, google alerts for field recording and more.
In this episode Teresa and Timothy talk with Mark Mangini about some of the great films he has worked on (5th Element, Mad Max: Fury Road, BladeRunner 2049), and his thoughts on the sound departments role in the film making process.
Mark also has a new SFX library called The Odyssey Collection that you can get now.
In this episode we sit down with legendary New York based re-recording mixer Tom Fleischman on his mixing stage at Soundtrack F/T in Manhattan. Teresa Morrow sits in as host and talks to Tom about his 40 year career mixing some of the greatest american films ever made including Serpico, Silence of The Lambs, Goodfellas, Hugo (for which he won an Oscar), Reds and any more. Tom is an engaging storyteller whose love for making movies inspires everyone he comes into contact with.
Paul and Rene sit down and discuss the new Sound Devices mixpre 3 and 6, and they wax philosophical about the thought process you go through when buying and learning new gear.
To celebrate the podcast's 5 year anniversary, we take a walk down memory lane and play clips from interviews of some of our favourite past guests on the show. Our new robot assistant 85T4X takes over the hosting duties, so Timothy and René can take a break. Shoot us a message on Twitter (@tonebenderspodcast) or our Facebook group and let us know what your favourite episodes from the last five years have been.
In this episode we talk to some authors of recent pro audio related books. David Weiss tells us about the brand new book he co-wrote called "Music Supervision: The Complete Guide To Selecting Music for Movies, TV, Games & New Media". Damian Kastbauer checks in with his two part tome "Game Audio: Tales of a Technical Sound Designer". Jay Rose, a noted raconteur, talks up his book "Producing Great Sound for Film & Video: Expert Tips from Production to Final Mix". Ric Viers and his son Sean do a reading of the opening chapter from their new book "Make Some Noise: Sound Effects Recording for Teens". Finally Gordon Hempton graces us with a reading from his newest book "Earth Is A Solar Powered Jukebox". We also review a great book for young kids (ages 3-6) called "Do You Hear What I Hear" that teaches them how to think about the sounds around them.
In this episode we pass the podcast over to George Vlad and Daan Hendricks who tell us all about their trip to a field recording workshop in Mmabolela Reserve, Limpopo, South Africa. They discuss everything from the planning and preparations, getting from their homes in Europe to this remote location, and the gear they used (and how it held up in the extreme weather conditions). They also reminisce on the impressions the trip has left on their lives. All with fantastic examples of the sounds they recorded while there.
In this episode Timothy sits down with sound editor/designer/supervisor Abby Savage in her edit suite in New York City. Abby talks about her work on documentaries and indie films and how she makes that work along with her successful acting career.
Once upon a time in suburbia, my little boy hopped up from the kitchen table upon hearing the tinkle of the ice cream truck song. I grabbed my recorder and headed out into the street....
René sits down with Gordon from A Shell In The Pit and Carlye from Funbits Interactive to talk VR design and mixing.
Follow Gordon @ashellinthepit and Carlye @carlnyte
In this episode Timothy sits down with Bob Hein, in his Studio in New York City, for a one on one interview about Mr. Hein's impressive career as a Sound Supervisor. He talks about what it is like to work with great directors (Wes Anderson, Woody Allen, Lee Daniels, Jim Jarmusch), how the industry in NYC has changed in recent years, and lots more. This is a man who has seen it all in this industry and has great stories to tell.
In this episode we talk with Steve Bissinger about his career, how he ended up at Skywalker Ranch, and the new film In Pursuit of Silence. The film is unlike anything you have ever seen and presented a lot of unique sound challenges. As Sound Supervisor on the project, Steve walks us through how this film is different than his main gig on the Netflix series House of Cards and the upcoming MindHunter series.
Guest host Teresa Morrow sits down with documentary film maker Carlo Guillermo Proto and location recordist Pablo Villegas about their new, award winning film "Resurrecting Hassan". They discuss the film's unique soundtrack and their battle to get the film to sound the best it possibly could. They talk the about everything from the first day of shooting all the way up to the final mix.
In November of 2016 Tonebenders went on an sound nerds tour of New York City. We visited some of the city's top post audio studios and interviewed many of the talented sound professionals working in NYC. In this episode host Timothy and guest co-host Teresa Morrow (a busy re-recording engineer based in Toronto) tell us about the trip and play clips of many of the interviews they did while in the Big Apple. Featured in the Episode are Skip Lievsay, Tom Fleischman, Nicholas Renbeck, Bob Hein and many more.
In this episode René and Timothy talk to Nia Hansen about her career at Skywalker Ranch. She has worked on blockbuster films including Captain America: Civil War (& The Winter Soldier), Thor: The Dark World, War Horse, Dr. Strange, Jurassic World, Big Hero 6 and many more. She tells us about life at Skywalker and what it is like to work in high pressure audio post production environments. Lots of great stories about what it is like in the trenches of some of Hollywoods biggest productions.
This episode features a great conversation about the ins and outs of sound design in radio and podcasting. Our guest are Dylan Keefe, (Director of Sound Design for RadioLab), Jeff Emtman (Co-Producer of KCRW's Here Be Monsters), Ann Jones (host and producer of Off Track for Australian Broadcasting Corporation), Dan Powell (Sound Designer for Archive 81 podcast) and Jeremy Bloom (Sound Designer / Technical Producer for WNYC Studios). Between them all, we have a very wide swath of the kinds of radio and podcast content out there. They do everything from audio drama to journalism to documentary to storytelling. We dig in deep on gear, mixing levels, where to get started and lots more.
Phil Stockton is a long time Sound-Supervisor based in New York City. In this episode we talk to him about the work he did on Martin Scorsese's new film "Silence". Lots of effort went into creating the soundscape of this story that takes place 400 years ago. As a bonus we start off with a quick hit of Tom Fleischman's experience as the re-recording mixer of the film.
Pete Lee is a location recordist that specializes in recording in extreme environments. He has recorded on volcanos and the frozen tundra, in rain soaked jungles, steep mountain sides and alligator filled swamps just name a few. As Bear Grylls' go to sound man Pete has travelled the world with a mic on his shoulders. He has some great gear advice and crazy stories - so listen up!
Patrick Spence-Thomas was a pioneer in the audio post world and he was also a mentor to co-host Timothy's early years in the business. In this episode you get some stories about what a great guy Patrick was and then Timothy shares a holiday message Patrick left us before he passed away.
For Our 50th episode we reached out to our listeners and some industry veterans to tell us about their best days on the job. We have over an hour of tales about audio awesome-ness.
In this mini episode Co-Host Timothy buys some new gear and takes it for a walk in the woods.
In this episode we talk about all about the tricky world of recording ADR. Patrick Christensen, ADR mixer at Sound Lounge in NYC, and Chris Navarro, ADR Mixer at Formosa Group in West Hollywood, sit down and talk about what it takes to be running ADR sessions everyday. Between them they have 950 ADR mixing credits on IMDB - so they have done it all, PLUS they are great guys.
We talk to Sound Design legend Scott Gershin about his career and his upcoming talk at the Game Sound Conference about 3D Sound for VR. Then Arjen Van Der Schoot sits in to talk about AudioEase's new "Indoor" software. Aimed at the Audio Post market, "Indoor" is a ground breaking new way to get realistic room reflections.
Kate Finan sits in with René and Timothy to talk about fostering creative work environments, sound design for animation and a bunch of other topics. Kate is a sound supervisor with Boom Box Post in California.
This episode Timothy interviews Bob Dziak, a researcher who sent a hydrophone 11kms (7miles) into the oceans deepest known spot so humans could hear what it sounds like down there for the very first time. Plus a quick run through of Izotope's new VocalSynth software and its possible uses for sound design in audio-post.
Ok, the impostor syndrome episode is real, and it is here. If you feel like you suck at this stuff, take a listen and feel better about yourself.
Big big thanks to Matt Marteinsson, Jack Menhorn, Jay Fernandes and Graham Donnelly for contributing.
There's a new tool in town. Sound particles is a very promising and very unique piece of sound design software. I did a screen cap of a thorough walkthrough, then re-packaged that audio for the podcast. enjoy!
Sometimes you can see intensely emotional events coming. In those times you should prepare yourself and roll sound. In this ep I grab my recorder and go get punched in the face.
I got a huge opportunity to record tons of rollercoasters at a fully locked out six flags park. Full access and high expectations. This is that story.
In this podcast we take a listen to some cuts from Motus In Rebus, a new album from sound designer and composer Giuseppe Caiazzo, aka SMHertz
In this Episode Timothy talks with Rich Van Dyke, production sound mixer and master raconteur. Rich's credits include American Beauty, 3;10 to Yuma, Crash, Moonlighting and countless others. He has great stories of the films he has worked on, how he got started and the gear he uses.
In this episode René talks with Matthew Marteinsson about workflows for interactive media and some of our favorite non-DAW tools that we use in our work.
Matt works at the audio department for Klei Entertainment, runs the excellent Beards, Cats and Indie Game Audio podcast, and can be found on twitter @mattesque
Last week the supreme court struck down laws that prohibit gay marriage in the USA.
I went out to record it. Here's the story of that, and the audio that I captured.
head to the website for the full unedited file!
Enjoy!
In this episode we sit down with sound designers Ethan Van der Ryn and Erik Aadahl to talk about their esteemed careers, working philosophies and many of the films they have worked on in the past few years.
We were super excited to talk to Mad Max Fury Road vehicle recordist Oliver Machin for this episode.
Oliver gave us tons of great war stories and logistics problems from the set of one of the breakout films of the year.
War machines, microphones, and rock n roll on the Doof Wagon.
In this episode, we talk about the Porsche recordings that René made in Houston for the latest echo | collective: fields library.
Check out the Porsche library at http://echocollectivefields.com/the-porsche-911-gt3
In ep 32 we breakdown a method for executing a multimic record session with just one mic, we do a postmortem on the recording of the implosion of a Xerox building, and we do another great giveaway, this time in collaboration with soundsnap.com
In ep 31 we talk with Brenda Jaskulske from the University of North Texas. We cover students, education, learning and teaching in the field of audio.
In this eps Timothy announces our biggest contest yet - win a Hybrid SFX Library from ProSoundEffects. Plus we hear from the Sound Designer of Captain America: The Winter Soldier and experiment with the sounds of different contact mics and adhesives with Michał Fojcik
Daniel Pellerin and Steve Munro have been working together as re-recording engineer and sound designer for nearly 30 years. Together they have worked on indie films, oscar nominees and vehicles for A-list actors - all outside the traditional Hollywood system. In this episode they talk about their careers and work on two recent Adam Egoyan directed films.
Links: see www.tonebenderspodcast.com for links to things discussed during this episode.
In this Episode Timothy talks to Mark Levinson, veteran ADR Supervisor and now director of the Documentary Particle Fever. We talk about the ADR process, working along side Walter Murch and making the jump from audio post to directing.
A great conversation with David Whitehead about Lord of the Rings, District 9, Snowpiercer, sound design, and lots and lots of recording to create unique pallettes.
In this episode we talk about changes going on with the podcast & we interview Karen Collins on her Kickstarter for a Doc on Game Audio history. Then we test various mic techniques for recording car bys & Rene puts Melted Sounds' Whoosh thru its paces.
We talk with Rob Nokes, Watson Wu, and Max Lachmann about the fine art of recording vehicles.
http://tonebenderspodcast.com/025-vehicle-recording-rountable/
In this episode we take a look at a bunch of pro audio books that make great reads. The featured interview is with Rob Bridgett author of Game Audio Culture. Also featured are authors Ric Viers, Paul Virostek, Gordon Hempton, Vanessa Ament and others.
Links
Tonebenders on Soundcloud https://soundcloud.com/tonebenders-podcast
Rob Bridgett’s Game Audio Culture http://www.blurb.com/b/4608653-game-audio-culture
Ric Viers’ Sound Effects Bible http://www.ricviers.com/#!sound-effects-bible/cukm
Paul Virostek’s Creative Field Recording Blog http://www.creativefieldrecording.com
Paul Virostek’s Field Recording: From Research to Wrap http://www.creativefieldrecording.com/books/field-recording-from-research-to-wrap/
Gordon Hempton’s One Square Inch of Silence http://authors.simonandschuster.com/Gordon-Hempton/45345383
Marshall Chasin’s Hear The Music PDF Download http://marshallchasinassociates.ca/pdf/Hear_the_Music_2010.pdf
Vaness Ament’s The Foley Grail 2nd Edition http://www.focalpress.com/books/details/9780415840859/
We take a tour of Footsteps Studios, one of the worlds most prestigious foley stages. Owner Andy Malcolm tells us about the philosophies behind his art while taking us through his studios and props. Plus our first give away contest! We are giving away 2 copies of Vanessa Ament's book - The Foley Grail 2nd Edition. To enter leave a comment on this episode's timeline. Winners will be chosen randomly.
In our tenth (!) episode, Dustin and Rene handle listener comments and discuss backup procedures, protocols and technology before hopping on their soapboxes and diving deep into the nebulous world of working with clients.
In this episode, the Tonebenders reach for something a little different and Dustin, Timothy and Rene are joined by director Daniel Ryan. Whether directing music videos, short films or commercials, Daniel has a keen ear for sound. We discuss the collaborative process – from when to schedule time with the sound team to how to give and receive feedback and much more.
Episode 8 features Michael Raphael from Rabbit Ears Audio. Michael, Rene and Timothy answer reader questions, discuss recording techniques, and share anecdotes about some of their various experiences in the field.
Episode 7 features a round table discussion on the art of field recording firearms. Regular hosts Rene, Timothy and Dustin are joined by Frank Bry (of www.therecordist.com) and Charles Maynes (one of Hollywood’s go to gun guys), who sit in for the whole podcast. Axel Rohrbach (from Germany’s Boom Library) and renowned weapons recordist Watson Wu also chime in with their points of view on the subject. We talk everything from session prep to locations to gear to mistakes to avoid and much more…
In Episode 6, regular co-hosts Rene, Dustin and Timothy talk about analog synths and their role in sound design. Timothy talks about how he uses older synths from the ’80s and Dustin discusses his recent jump into the world of modular synthesis. Next up, we go over the studio moves that both Rene and Dustin have been involved with recently and the lessons they learned through these exhausting changes. We cover gear decisions, network setups, studio design and more.
In Episode 5, special guest Michael Maroussas joins in from London England, along with regular co-hosts Rene Coronado and Timothy Muirhead. Michael is the creator of The Sound Collector’s Club, a crowd sourcing sound effects library. He discusses the club’s history and where the future will take it. Timothy also interviews sound editor Dustin Cawood about the work he has done recently on the documentary Chasing Ice and Steven Spielberg’s Lincoln.
In Episode 4, we welcome special guest Paul Virostek to join regulars Dustin Camillari, Timothy Muirhead and Rene Coronado to talk about mastering Sound Effects and prepping them to be added to your master SFX library. Paul also tells us all about his new eBook: Field Recording: From Research to Wrap.
In Episode 3 – ‘iPads, Reverb & AES’, Tonebenders has its first guest sit in for the show. Shaun Farley joins regular hosts Rene, Dustin and Timothy with his memories of AES 2012 in San Francisco. Shaun is also a contributing editor at Designingsound.org and talks about the recent changes taking place on the site. We also interview composer and sound designer David Burns about how he uses his iPad in his daily audio workflow and Dustin checks in with a review of ValhallaDSP’s ValhallaShimmer reverb plug-in. All this and a spirited discussion on loudness specs.
In Episode 2, titled Getting Out & Recording, the podcast rolls out its first 2 pre-produced feature stories. Up first is “Building Your Own Field Recording Kit”, where co-host Rene Coronado looks at what makes a good kit and what gear is best to splurge on and where it can be smart to be frugal. The next feature, by Timothy Muirhead, covers techniques used in recording animals in the wild, as well as domesticated pets. Both feature stories are followed with Q&A sessions that go into further depth on these topics. Finally, we wrap the show up with highlights of recent news stories that affect the worlds of sound design and audio post production. Topics include the shutdown of operations at Sound One in New York, the new release of Sound Forge for Macintosh, and a few others as well.
Tonebenders premier episode, takes the opportunity to introduce listeners to the show’s hosts. Through in depth discussions each host tells the story of how they ended up working in audio and the mistakes and triumphs the experienced along the way.
In this SoundBytes episode, Timothy sits down for a one-on-one interview with Will Files, sound designer and re-recording mixer – based largely out of Skywalker Ranch. Will is one of the most experienced mixers around with the Dolby Atmos surround format. Will tells us about his career, the positives and negatives of working with ATMOS and lots more.
In this episode, Rene and Timothy sit down with Ann Kroeber, veteran audio post and field recording professional. Ann tells us of her career path and her work on classic films like the Black Stallion, Dune and others. She also shares some of her techniques used to record animal vocals and her unique SFX service at soundmountain.com.
In this SoundBytes episode, Timothy and Rene interview Roth Mobot, a duo that perform and teach workshops on the art of circuit bending. They teach us the history of the craft as well as the basics that anyone would need to start making crazy sounds for themselves.
In this Episode, Rene and Timothy tackle a bunch of recent listener questions about sound design. Next up, Rene interviews Willem Sannen, a field recordist in Belgium. They talk about his home-made binaural dummy head microphone setup as well as other adventures recording out in the world.
In this Episode, we welcome Vanessa Ament, author of ‘The Foley Grail’, the preeminent book on the art of foley. Vanessa dives deep – giving us a history of the craft, various differences in foley styles and techniques, as well as some stories from her own tremendous career.
In Episode 017, Rene and Timothy answer some listener questions and Rene presents some tests he did matching various microphones using Izotope Ozone – the results are surprising. Finally, we talk Plural Eyes for audio pros.
In episode 16 Timothy talks to Gordon Hempton about recording in pristine wilderness, protecting natural silence and his personal bouts with hearing loss. That interview is followed up with a talk with audiologist Marshall Chasin about the best ways to keep our ears in long term health.
In this episode, René takes the Tonebenders spaceship for a solo cruise and talks with Jason Cushing from SoundMorph about making sound FX libraries, evaluating the marketplace, doing the art and the new SoundMorph software release: Wave Warper. -
The guest for this episode is Martin Pinsonnault, the sound designer on the new film, “Dallas Buyer’s Club”. We talk about the film’s unique post production work flow, location recording to capture authentic Texan ambiences, Martin’s career and SFX libraries.
After a summer break, the Tonebenders are back! In episode 13, Rene, Dustin and Timothy answer listener’s questions – including how to best manage the demands of the business while keeping our personal lives afloat. Then, Rene shows us his process for building a huge powerdown sound effect, layer by layer.
In Episode 12, we do our first deep dive into the sound design of a specific film, Martha Marcy May Marlene. To help us go through the film, we welcome the sound designer and re-recording mixer, Coll Anderson. We learn about his personal journey that has lead to his career in audio as well as a bunch of the techniques and strategies used throughout the film.
Episode 11 starts with the hosts answering a backlog of listener questions, including inquiries on recording fire, large file transfers and more. Then we try something new as Rene builds a huge laser cannon blast on the fly while the creative process behind a sound effects is explored. Plus, we announce the first Tonebenders homework assignment…