Kemetic means of production: Recent Episodes
روبرت بشارة
km.t (pronounced Kemet) means the fertile black soil of the Nile Delta, it is also Egypt's oldest name.
https://www.routledge.com/Revolutionary-Republicanism-Participation-and-Representation-in-1848-France/Hayat/p/book/9781032190914
Ashraf Fouad is an Egyptian composer who teaches composition and theory at The American University in Cairo (AUC). He graduated from The Academy of Arts in Cairo and The Juilliard School of Music, where he advanced to DMA studies with David Diamond. Recent performances of Fouad’s music have occurred in Cairo, Alexandria, Washington DC, Chicago, New York, Dublin, London, Vienna, and Budapest. Awards for his works have come from The Kennedy Center, the American Society of Composers, Authors, and Publishers, and the American Academy of Arts and Letters.
https://www.crousel.com/en/artist/hassan-khan/https://www.youtube.com/@Hassan_Khanhttps://soundcloud.com/hassankhan
Live in 2006Robert Beshara - guitar, vocalsAmina Khalil - vocalsThe Set List:Karma Police - Radiohead Help! - The BeatlesSlaving Minds - Robert Beshara The Thin Ice - Pink FloydSpace Oddity - David Bowie We Are Nothing But Individuals - Robert BesharaFilmstar - SuedeBliss - Muse Breathe (2AM) - Anna Nalick Anger Past - Amina Khalil & Robert Beshara The Greatest - Cat Power The Palestine/Lebanon Song - Robert Beshara Enjoy The Silence - Depeche Mode Somewhere Only We Know - Keane one - Robert Beshara special thanks to Khairy Beshara, Michael Mahrous, & Emad Adly
To learn more about the Arab Psychoanalytic Group in Cairo: https://sites.google.com/site/egypsa2...
To learn more about my work: www.robertbeshara.com
Whitey on the moon Whitey on the moon Whitey on the moon
Yeah I’ve been seeing all my people suffer Fighting for financial freedom while everything’s going under They wanna see us dead and it’s not covert or undercover
Whitey on the moon Whitey on the moon Whitey on the moon Whitey on the moon Christ ain’t coming soon
Ignorance will seal your doom Ignorance will seal your doom, yeah Fast food, it’ll be your tomb Fast food, it’ll be your tomb, yeah
Whitey on the moon Whitey on the moon Whitey on the moon Whitey on the moon
What’d you do with all that money, Joe? Do you care about this country or you wanna see us broke while we sit at home? Or should I direct this question to Jeff Bezos? When you entering the 1% guess that means you forfeited your halo No one’s doing shit about this financial or climate crisis We’ll need more than a raincoat These rappers love Bottega, but they’re living shameful Who do we blame more? The captured or captors? Atlanta Hawks game, I’m up in the rafters No happy ending or ever afters from what I can see USA at large with apathy This pandemic self fulfilled catastrophe Tryna leave a legacy for every single person after me We’ve got to see things more objective, factually
What a tragedy We looking down at people dressing raggedy No respect for anyone and it’s sad to see I speak the truth, think that’s why they so mad at me Live in reality, step out your fallacies
They see us as an object, they see us as something they want to dominate, something to control. It’s been this way for centuries, don’t ya know?
(Whitey on the moon) I can’t even pay my bills (Whitey on the moon) Woke up and I’m seeking thrills (Whitey on the moon) Man, I’m really getting chills (Whitey on the moon) I just gotta keep it real
(Whitey on the moon) I can’t even pay my bills (Whitey on the moon) Woke up and I’m seeking thrills (Whitey on the moon) Man, I’m really getting chills (Whitey on the moon) I just gotta keep it real
Whitey on the moon Whitey on the moon Whitey on the moon
a new mix of Whitey on the Moon (ft. Sigma Strange).
please support me: https://album.link/s/59hHIwnztQdC1pwgycRpRl
Inspired by Mr. Gil Scott-Heron.
The single is available on all streaming platforms (https://album.link/s/59hHIwnztQdC1pwg...), please show your support!
Official Video: https://youtu.be/ataHnDxuAvM
© Robert K. Beshara 2021.
in honor of the release of Donda today on August 29th, 2021, I hereby share this song with you, which is influenced by Ye (particularly his use of autotune).
lyrics, music, & photo: Robert K. Beshara (2021)
this is a new mix of an old composition presented in 24-bit, 192 kHz for your enjoyment.
composed by Robert K. Beshara.
shikaakwa (stinky onion) is the original name for Chicago.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
my soundtrack for The Illusion, a play by Tony Kushner based on Pierre Corneille's L'Illusion Comique.
The play was directed by Frank Bradley and staged at AUC main Falaki theatre in 2006. In addition to scoring it, I also played Pridamont.
I researched 17th-century French classical music for my compositions.
In this episode, Mohamed Abdou and I talk about many things including his recent article for ROAR magazine: https://roarmag.org/essays/let-empire-collapse-why-we-need-a-decolonial-revolution/
As well as his forthcoming book with Pluto Press, which is titled Islam and Anarchism: Relationships and Resonances https://www.amazon.com/Islam-Anarchism-Relationships-Mohamed-Abdou/dp/0745341926
Mohamed Abdou's full bio:
Mohamed Abdou is a former Adjunct Professor of Arab-North African, Islamic, and radical newest social movements at Queen's University. He is currently teaching a course on Indigenous Land Education and Black Geographies at the University of Toronto-SJE-OISE and completed his transnational and interdisciplinary ethnographic and historical-archival Ph.D. on Islam & Queer-Muslims: Identity, Gender, Sexuality, and Politics in the Contemporary, that is set in both post-revolutionary Egypt and Turtle Island. He is a self-identifying non-ideological Muslim anarchist activist-scholar and diasporic settler of color, originally from Egypt, living on unceded Anishinaabe and Haudenosaunee territory. He is author of the forthcoming book Islam & Anarchism: Relationships & Resonances (Pluto Press, May 2021). His twenty years of ‘newest social movement’ activist research and experience centres on Palestinian, Indigenous, Black, and people of colour liberation, and draws on his experiences with the Mohawks of Tyendinaga, the Indigenous Zapatista movement in Chiapas, Mexico, and participation in the Egyptian uprisings of 2011.
We continue discussing Alfonso's essay: https://stillpointmag.org/articles/blackness-and-signification/
Guest co-host Anwar Uhuru's academia.edu page: https://monmouth.academia.edu/AnwarUhuru
Video of this podcast episode: https://youtu.be/HOk70PHgoh8
We mostly discuss Sara Salem's fantastic book: https://www.cambridge.org/us/academic/subjects/politics-international-relations/middle-east-government-politics-and-policy/anticolonial-afterlives-egypt-politics-hegemony?format=HB
The essay in question: https://stillpointmag.org/articles/blackness-and-signification/
Alfonso's blog: https://theoryandanalysis.wordpress.com/
Video of this episode: https://youtu.be/BBGqS37Ud9U
https://breathingheart.org/
https://www.npr.org/2014/06/13/321380585/remembering-a-civil-rights-swim-in-it-was-a-milestone
The "Civil Rights Swim-In...played a role in the passing of the Civil Rights Act, now celebrating its 50th anniversary" (NPR, 2014). Here's a video of the swim-in: https://youtu.be/QxH7tdAI_S4
The context for the photo: "Desegregationist protester [Al] Lingo, right, gets a spray of beer from a man sitting on a wall, as a group of white and African American picketers walked through the streets in a continued drive to desegregate the city, June 20, 1964, St. Augustine, Fla." For more info: https://cdm16000.contentdm.oclc.org/digital/collection/p16000coll3/id/98
https://www.sfu.ca/english/faculty-staff/profiles/clint-burnham.html
https://www.bloomsbury.com/uk/does-the-internet-have-an-unconscious-9781501341311/
https://talonbooks.com/books/pound-at-guntanamo
https://www.dukeupress.edu/the-jamesonian-unconscious
http://www.lacansalon.com/
https://sites.google.com/view/criticalpsychology/2019-icppc
https://lackorg.com/
https://truthout.org/articles/santa-fe-denies-permit-for-mural-art-depicting-plight-of-palestinian-children/
https://podcasts.apple.com/ca/podcast/why-theory/id1299863834
https://crackdownpod.com/
http://www.vincentgallofilms.com/promises.html
https://kazookazoo.ca/
https://www.aup.edu/psychology-global-crises
https://rmxaudiobar.com/
https://soundcloud.com/13pieces
http://mixlr.com/rmxab
http://Mixcloud.com/rmxab
https://www.twitch.tv/rmxab
https://www.facebook.com/RMXAB
https://www.instagram.com/rmxab
https://bwenno.com/
http://solwellness.clinic/
Habeit A'olak (I Loved To Tell You) EP: https://ampl.ink/2DjKp Music video for "Habeit A'olak": https://youtu.be/PFP1e3V5A8w El Mahrousa (Deluxe Edition): https://soundcloud.com/nadyashanab/sets/el-mahrousa-deluxe-edition Family Stories: https://vimeo.com/12368650 Jack, or the Submission: https://vimeo.com/8608321 Cryptic Reflections: https://youtu.be/RtUYphj4Gv8 El Fayoum: https://en.wikipedia.org/wiki/Faiyum Tunis, El Fayoum: https://soundcloud.com/amun-ray-1/tunis-el-fayoum Molokheya: https://en.wikipedia.org/wiki/Mulukhiyah Ubuntu Art Gallery: https://ubuntuartgallery.com/ Mostakell Records: https://mostakell.com/ The Nile Project: http://nileproject.org/ 100 copies: https://100copies.com/ Sierra Leone's Refugee All Stars: https://en.wikipedia.org/wiki/Sierra_Leone%27s_Refugee_All_Stars Fela Kuti: https://www.youtube.com/watch?v=cZL6cLAl7zc&list=PLiX3oB1RnepcfD4e17W8CKAzbeBM7SNUf&index=1 Seun Kuti: https://www.seunkuti.net/ Sauti Sol: https://sauti-sol.com/ Lekhfa: https://lekhfa.bandcamp.com/releases RASH: https://www.youtube.com/channel/UCfYNwS4l_-UAeWM3S5Ytpyw/videos
This is Dr. Tommy Curry's keynote speech at the 2019 International Critical Psychology Praxis Congress, which took place at Northern New Mexico College, Española, NM on September 27-28, 2019. To learn more about the conference, please visit www.criticalpsychology.org
Here's the video of the keynote speech: https://youtu.be/cx-uaX_TR_Y
Studies in Humanistic Psychology (Aanstoos, 1991): https://drive.google.com/file/d/1ALHjAYA9fvGnKzvmSd4oU3hLNwUHoVc7/view?usp=sharing
http://www.drvanessasinclair.net/ http://www.renderingunconscious.org/ https://store.trapart.net/ http://dasunbehagen.org/ https://www.routledge.com/On-Psychoanalysis-and-Violence-Contemporary-Lacanian-Perspectives/Sinclair-Steinkoler/p/book/9781138346338 https://www.carlabrahamsson.com/ https://chaosofthethirdmind.com/ https://www.katelanfoisy.com https://fulgur.co.uk http://dasunbehagen.org/event/civilization-and-its-blisscontents-on-violence-and-psychoanalysis/
At Stockholm by Psychick TV and White Stains: https://youtu.be/XUL-BmnV7mk
Pandrogeny Manifesto by Genesis and Lady Jaye Breyer P-Orridge: https://youtu.be/R6qnvNw6NP8
Loyalty Does Not End With Death by Carl Abrahamsson & Genesis Breyer P-Orridge on iDeal Recordings: https://boomkat.com/products/loyalty-does-not-end-with-death https://idealrecordings.bandcamp.com
Just drifting: https://youtu.be/zgybJiQF7Kg
https://en.wikipedia.org/wiki/Khairy_Beshara
https://www.facebook.com/pekingrestaurants/
https://en.wikipedia.org/wiki/Breathless_(1960_film)
https://redseafilmfest.com/pages?slug=khairy-bishara
The Art of Film (Ernst Lindgren, 1948): https://archive.org/details/in.ernet.dli.2015.89521/page/n7/mode/2up
https://en.wikipedia.org/wiki/Raise_the_Red_Lantern
https://en.wikipedia.org/wiki/The_Flowers_of_War
Selected Stories of Anton Chekhov: https://www.penguinrandomhouse.com/books/26684/selected-stories-of-anton-chekhov-by-anton-chekhov/
Henrik Ibsen's A Doll's House: https://www.gutenberg.org/files/2542/2542-h/2542-h.htm
Higher Institute of Cinema: https://www.cilect.org/profiles/89#.XokBLpNKiog
https://www.criterion.com/boxsets/1554-police-story-police-story-2
http://www.film-foundation.org/world-cinema